Latest / Wicked and Grim: A True Crime Podcast / The Conman Who Sold the Eiffel Tower - Victor Lustig
Transcript
- 0:08Speaker 1: In 1925, a con man who had absolutely no claim
- 0:12Speaker 1: whatsoever to the Eiffel Tower managed to convince a wealthy
- 0:17Speaker 1: scrap metal dealer that France was tearing it down, and
- 0:22Speaker 1: so he sold it to him. This man carried dozens
- 0:26Speaker 1: of identities, posed as European nobility, crossed continents under false names,
- 0:32Speaker 1: and built a criminal career by convincing people to willingly
- 0:37Speaker 1: hand over enormous amounts of money. The Eiffel Tower would
- 0:42Speaker 1: become his most infamous con, but it was only one
- 0:45Speaker 1: extraordinary scheme in a life filled with elaborate frauds, daring escapes,
- 0:52Speaker 1: and millions of dollars in counterfeit money. This is the
- 0:57Speaker 1: story of the con man who sold the Eiffel Tower.
- 1:01Speaker 1: This is the story of Victor Lustig. My name's Ben.
- 1:07Speaker 2: I'm Nicole. And you're listening to Wicked and Grim.
- 1:10Speaker 1: A true crime podcast.
- 1:12Speaker 2: Warning.
- 1:13Speaker 1: The following podcast contains graphic content and material intended for
- 1:19Speaker 1: a mature audience. Listener discretion is advised. Like sand through
- 1:42Speaker 1: the hourglass. So grows closer Halloween week.
- 1:48Speaker 2: Wow. What? That was kind of lame.
- 1:50Speaker 1: You're kind of lame. Just throwing shade at me like that.
- 1:54Speaker 1: Come on now. You're supposed to be on my side.
- 1:56Speaker 2: You brought me back to my soap opera days.
- 1:59Speaker 1: I don't know what you're talking about.
- 2:00Speaker 2: Oh, yeah. I don't really miss them.
- 2:03Speaker 1: Well, I mean, technically, these are kind of also our
- 2:06Speaker 1: soap opera days doing these true crime podcasts as well.
- 2:09Speaker 1: Just saying.
- 2:11Speaker 2: Yeah, I guess so, hey?
- 2:12Speaker 1: Especially in regards to today's story, because we're not doing
- 2:15Speaker 1: anything murderous or bloody, just some good old nefarious con schemes.
- 2:21Speaker 2: Nefarious activities?
- 2:23Speaker 1: Yes. So today's episode is certainly something a little on
- 2:26Speaker 1: the lighter side. We've gone some darker ones recently with
- 2:30Speaker 1: some satanic panic things and some pretty brutal murders. So
- 2:33Speaker 1: I thought, hey, let's go a little bit lighter. And
- 2:36Speaker 1: this one's been on my list for a while. It's
- 2:38Speaker 1: a It's a pretty good story.
- 2:39Speaker 2: That's a really good idea, actually. Give us a little break.
- 2:43Speaker 1: I'm always filled with good ideas, honestly. And another really
- 2:45Speaker 1: good idea is to go over and sign up over
- 2:47Speaker 1: on Patreon. Nicole didn't even realize she set me up
- 2:50Speaker 1: for that one.
- 2:51Speaker 2: No, I did. I knew. I actually was like, this
- 2:53Speaker 2: will set him up.
- 2:54Speaker 1: Oh, really?
- 2:54Speaker 2: I did.
- 2:55Speaker 1: Okay. Well, thank you for the setup. And we have
- 2:57Speaker 1: shout outs for those who signed up this week. So
- 3:01Speaker 1: shout out to Britt, Jessica, Melody, just a Patreon. They
- 3:06Speaker 1: put that as their pseudonym. So I love that. Uh, Timo,
- 3:10Speaker 1: Becky and Christie, they all signed up to get the
- 3:12Speaker 1: exclusive behind the scenes and October is going to be
- 3:16Speaker 1: filled with a whole lot of good stuff over there.
- 3:18Speaker 1: So they're getting all that extra good.
- 3:20Speaker 2: Good. Okay. I have a question. Do you think that
- 3:22Speaker 2: was a nod at all to the fact that we're
- 3:25Speaker 2: always like, don't say just.
- 3:27Speaker 1: Oh, I don't know. Maybe.
- 3:28Speaker 2: I'm unsure. I don't know.
- 3:30Speaker 1: It might be.
- 3:30Speaker 2: Because you're not just a patron. You're freaking amazing. Yeah.
- 3:35Speaker 1: You're part of our community.
- 3:36Speaker 2: Yeah. So I'm curious now.
- 3:38Speaker 1: That might be a nod at us saying, oh, we're
- 3:40Speaker 1: just a couple in a tiny home. That might be.
- 3:44Speaker 1: That would have gone over my head. So I'm glad
- 3:46Speaker 1: you pointed that out because now I really like that.
- 3:48Speaker 2: They might have to let us know.
- 3:49Speaker 1: They might have to. Reach out. Let us know if
- 3:52Speaker 1: that was your joke, if that's what you were leaning
- 3:53Speaker 1: into or not, because now we're curious. But yeah, if
- 3:56Speaker 1: you sign up over on Patreon- You get to chat
- 3:59Speaker 1: with us. You get to hang out. You get the
- 4:00Speaker 1: exclusive content. Cool community over there. But if you don't
- 4:03Speaker 1: want to do that, hey, you're still here. We still
- 4:04Speaker 1: appreciate you. You're amazing. You're not just a listener.
- 4:09Speaker 2: Oh, my goodness gracious. That's funny. Okay, just really quickly.
- 4:15Speaker 2: The most times I hear that is when people are like,
- 4:18Speaker 2: say they're a stay-at-home mom. And they say, oh, like
- 4:21Speaker 2: I'm just a mom or I'm just a stay-at-home mom. Yeah.
- 4:23Speaker 2: And that is the one that like breaks my heart
- 4:25Speaker 2: so much because that's not just a just. That's like
- 4:28Speaker 2: a big deal of what you're doing there.
- 4:30Speaker 1: Oh, it is. It's a double entendre word because I'm
- 4:34Speaker 1: just can be a negative thing. But just is like–
- 4:37Speaker 1: it's got like a double meaning where it's like just
- 4:40Speaker 1: is kind of like a negative thing. Like, oh, I'm
- 4:42Speaker 1: just a mom. Whereas it also has the other side
- 4:44Speaker 1: of the coin, like just meaning an isolation of your duties.
- 4:47Speaker 1: It's like, I'm just a mom. Like I focus on
- 4:49Speaker 1: this as my priority. So it's like, which side of
- 4:52Speaker 1: the coin are you looking at here really?
- 4:53Speaker 2: You know? Yeah, I know. I always correct them though.
- 4:56Speaker 2: I have to, I can't let that go. I know.
- 4:58Speaker 1: I don't really look at it as a negative thing. Oh,
- 5:00Speaker 1: I get you.
- 5:01Speaker 2: Yeah. But I'm always like, you're not just a mom.
- 5:04Speaker 1: You're a mom.
- 5:05Speaker 2: That's awesome. You got to raise people up a little bit.
- 5:08Speaker 1: Oh, for sure.
- 5:09Speaker 2: I don't know. But maybe they didn't mean it negatively.
- 5:11Speaker 2: And then they're just like, wow, this chick's on hinge.
- 5:15Speaker 1: I mean, you are right with that latter statement. So
- 5:20Speaker 1: should we just get into the story today or should
- 5:21Speaker 1: we keep chit-chatting?
- 5:22Speaker 2: No, I'm ready to hear it.
- 5:23Speaker 1: You want to learn about this con man?
- 5:25Speaker 2: I do.
- 5:25Speaker 1: Okay. Well, you may actually know a little bit of
- 5:28Speaker 1: him already because you have done some traveling to a
- 5:31Speaker 1: certain location where I was not present. And you may
- 5:35Speaker 1: have heard his name before, but we'll get into that later.
- 5:39Speaker 1: So I'm just throwing that out there.
- 5:40Speaker 2: Okay.
- 5:40Speaker 1: But for now, let us begin. The man who became
- 5:44Speaker 1: known as Viktor Lustig was reportedly born on January 4th,
- 5:49Speaker 1: 1890 in Holstein, then known by its German name, Arno.
- 5:54Speaker 1: A town in Bohemia with the Arsto-Hungarian Empire and now
- 5:58Speaker 1: part of the Czech Republic. But even that single statement
- 6:02Speaker 1: comes with an unusual problem. You see, Victor spent much
- 6:05Speaker 1: of his life lying about who he was. Separating the
- 6:09Speaker 1: man from the identities he would later create has never
- 6:13Speaker 1: been an easy thing to do. So, you see, over time,
- 6:17Speaker 1: he would eventually operate under more than 40 different aliases,
- 6:21Speaker 1: including Robert Miller, Robert V. Miller, Robert Duvall, the list
- 6:26Speaker 1: goes on. And some accounts even suggest that Robert V.
- 6:29Speaker 1: Miller may actually have been his birth name, but It's
- 6:33Speaker 1: muddled so much that we don't actually know.
- 6:36Speaker 2: How the hell would you even keep track of that?
- 6:39Speaker 1: Well, that's part of the problem. History has had a
- 6:41Speaker 1: hard time keeping track of it, but that's kind of
- 6:44Speaker 1: the point. That's kind of what he wanted.
- 6:46Speaker 2: He probably even lost track of it.
- 6:48Speaker 1: He might have. So his family history is also muddled
- 6:53Speaker 1: in a similar way. Some accounts identify him as the
- 6:56Speaker 1: second of three children born to Ludwig Lustig and Amelia,
- 7:01Speaker 1: or Fanny as she was called. who was a German-speaking
- 7:05Speaker 1: Catholic couple living in a four-room house near the market
- 7:08Speaker 1: square on Tirsovi Street. Now, Ludwig reportedly sold tobacco products
- 7:15Speaker 1: and was, at least for a period, the town's mayor even.
- 7:18Speaker 1: So that would place Victor in a reasonably comfortable middle-class household. Now,
- 7:23Speaker 1: Victor himself later told a very different story, though. He
- 7:27Speaker 1: described his parents as, quote, poorest peasant people, end quote.
- 7:32Speaker 1: and his childhood home as a miserable stone building, little
- 7:36Speaker 1: better than a cave even. Other versions push the story
- 7:39Speaker 1: even further, describing a desperately poor boy who abandoned school
- 7:43Speaker 1: at 12 years old and survived by begging and stealing
- 7:46Speaker 1: on the streets of European cities. Now those accounts are
- 7:51Speaker 1: much more difficult to reconcile with the more detailed records
- 7:54Speaker 1: of his education though, and Victor was hardly a reliable
- 7:58Speaker 1: witness to his own past when it comes to discussing it. See,
- 8:03Speaker 1: as creating a more interesting version of himself would eventually
- 8:06Speaker 1: become part of how he made a living. So some
- 8:09Speaker 1: of these interesting stories of being the poorest of poor,
- 8:11Speaker 1: living in a house that's barely more than a cave,
- 8:14Speaker 1: and begging on the streets at the age of 12
- 8:16Speaker 1: is much more interesting of a story when you're trying
- 8:19Speaker 1: to create an interesting person. Now, as far as history
- 8:22Speaker 1: can tell, there does appear to have been genuine trouble
- 8:26Speaker 1: inside the Lustig household, though. Ludwig was reportedly abusive towards
- 8:31Speaker 1: his wife and his children. One story claimed that when
- 8:34Speaker 1: Victor was eight, his father forced him to swear that
- 8:36Speaker 1: he would abstain from alcohol and regularly attend church. Victor
- 8:42Speaker 1: also received violin lessons, but according to accounts of his childhood,
- 8:46Speaker 1: Ludwig once became so angry with him that he struck
- 8:49Speaker 1: him with that instrument. Now, eventually, his parents divorced around 1898,
- 8:55Speaker 1: when Victor was about eight years old, although records indicate
- 8:58Speaker 1: they were still living together at the time of the
- 9:00Speaker 1: 1900 census. And Victor.
- 9:03Speaker 1: While he was already proving difficult to control. On his
- 9:07Speaker 1: first day of school, he was reportedly expelled after directing
- 9:11Speaker 1: an obscene German phrase at someone. He was subsequently sent
- 9:16Speaker 1: to a one-room school in Sirmna, roughly five kilometers away.
- 9:20Speaker 1: Former classmates there remembered a headstrong boy who enjoyed imitating
- 9:25Speaker 1: military leaders and commanding other children. A school assessment from
- 9:30Speaker 1: 1902 was exceptionally harsh as well, describing serious concerns about
- 9:36Speaker 1: his behavior and character. But regardless, Victor wasn't an absent
- 9:40Speaker 1: or incapable student, and records actually indicate that his attendance
- 9:44Speaker 1: remained remarkably consistent too. Outside of school, he took up
- 9:49Speaker 1: boxing at around 13 years old, and he also reportedly
- 9:52Speaker 1: suffered from reoccurring migraines as well as sinus and breathing problems.
- 9:57Speaker 1: In 1904, at about 14, Victor disappeared from home for
- 10:01Speaker 1: approximately a week before finally returning, and not long afterwards,
- 10:06Speaker 1: he was sent away to boarding school in Dresden, Germany. Here,
- 10:10Speaker 1: he learned English, French, Italian, and Hungarian, in addition to
- 10:15Speaker 1: the languages that he already spoke, although some sources disagree
- 10:18Speaker 1: over whether He eventually became proficient in all five languages
- 10:22Speaker 1: or six, depending on the source you read. But what
- 10:25Speaker 1: they do agree is that he studied and he studied
- 10:27Speaker 1: hard and he learned these languages at least well enough
- 10:30Speaker 1: to hold conversations.
- 10:33Speaker 2: Okay, well, you would have to be like brilliant to
- 10:36Speaker 2: know that many languages. I feel like that's not easy.
- 10:38Speaker 1: I mean, it's certainly not easy for me. I've never
- 10:41Speaker 1: really tried, but I mean, he was able to do it.
- 10:44Speaker 1: He's probably smarter than me, at least.
- 10:46Speaker 2: Well, I don't know. I just know. Like the more
- 10:49Speaker 2: languages you know, it kind of also like shows how
- 10:52Speaker 2: intelligent you are from what I've heard anyway.
- 10:56Speaker 1: Now, he also did study design too. So he had
- 10:59Speaker 1: a few things that he was going for with his
- 11:01Speaker 1: post-secondary here and everything. Now, a friend named Carl Harrer
- 11:05Speaker 1: later recalled Victor returning in June of 1906 with a
- 11:08Speaker 1: disappointing design portfolio. He was drinking and complaining about the
- 11:12Speaker 1: elitism he believed that he had encountered. By the following year,
- 11:16Speaker 1: postcards placed Victor in Vienna, and in one of his
- 11:19Speaker 1: last messages from that period, he claimed to be intending
- 11:23Speaker 1: to study law at Charles University in Prague. But whether
- 11:26Speaker 1: he actually did is much less certain because, again, like
- 11:30Speaker 1: everything else in his past, so much of it is
- 11:32Speaker 1: hard to track down. Now, travel itself was not new
- 11:36Speaker 1: to Victor. While still young, Victor had accompanied his father
- 11:40Speaker 1: on different business trips that reportedly took them to places
- 11:43Speaker 1: like Prague and Zurich. He also later claimed to remember
- 11:46Speaker 1: seeing Paris when he was only seven years old. By
- 11:49Speaker 1: his late teens, however, Paris offered something very different to him.
- 11:53Speaker 1: At around 1908 and 1909, Victor was living there, possibly
- 11:58Speaker 1: while pursuing university studies. But whatever formal education he was
- 12:02Speaker 1: receiving or seeking was increasingly competing against gambling, nightlife, and women.
- 12:09Speaker 1: And cards in particular were were his choice go-to when
- 12:13Speaker 1: it came to gambling. In fact, Victor developed considerable skill
- 12:18Speaker 1: at manipulating a deck of cards, including techniques that could
- 12:21Speaker 1: be used to cheat other players. Some accounts on his
- 12:25Speaker 1: early criminal activity also describe a progression through pickpocketing, panhandling, burglary,
- 12:31Speaker 1: and street hustling around this time too. And later stories
- 12:34Speaker 1: would attach an assortment of other schemes to him as well,
- 12:37Speaker 1: from fraudulent documents to jewelry scams, And although the documentation
- 12:42Speaker 1: becomes considerably thinner when individual incidents are actually examined, we
- 12:46Speaker 1: do know that he was pursuing these sort of schemes
- 12:50Speaker 1: quite often and with much more confidence. But while in Paris,
- 12:54Speaker 1: it also left Victor with one of his most recognizable
- 12:57Speaker 1: physical features. See, at about 19 years old, he suffered
- 13:01Speaker 1: a deep laceration along the left cheek of his face,
- 13:05Speaker 1: leaving a permanent scar reportedly around two and a half
- 13:08Speaker 1: inches long right there on his cheek. Now, the injury,
- 13:13Speaker 1: as so the story goes, was inflicted by a jealous
- 13:15Speaker 1: boyfriend of a woman that Victor had been seeing. Victor,
- 13:18Speaker 1: on the other hand, though, was known to prefer a
- 13:20Speaker 1: more flattering explanation of the scar. He would sometimes tell
- 13:25Speaker 1: a tale of how the scar had been earned doing
- 13:27Speaker 1: a duel of honor, he would put it.
- 13:30Speaker 2: Of course.
- 13:31Speaker 1: Yeah. Now, whatever the true tale, though, the scar became
- 13:34Speaker 1: distinctive enough that American law enforcement would eventually know him
- 13:38Speaker 1: simply as the scarred. which is a super badass pseudonym.
- 13:43Speaker 2: Yeah, it kind of is actually. Does he deserve that?
- 13:47Speaker 1: Well, you can judge for yourself when we get through
- 13:49Speaker 1: it all.
- 13:51Speaker 2: Okay.
- 13:51Speaker 1: Now, by 1909, the exact details of Victor's childhood were
- 13:55Speaker 1: already becoming difficult to separate from the stories he was
- 13:57Speaker 1: telling about himself. But what was becoming much clearer was
- 14:01Speaker 1: the direction of his life. He was educated, multilingual. He
- 14:06Speaker 1: was well-traveled, skilled with cards, learned to hustle. and increasingly
- 14:10Speaker 1: comfortable moving between legitimate society areas with petty crime involved too.
- 14:17Speaker 1: More importantly, Victor was learning that stealing something from another
- 14:20Speaker 1: person was considerably easier when he could persuade them to
- 14:25Speaker 1: hand it over willingly, like it was their idea. And
- 14:30Speaker 1: so Victor found an environment almost perfectly suited to that
- 14:34Speaker 1: kind of person, or criminal, that he was becoming. The shipliners.
- 14:39Speaker 1: traveling passengers between France and New York. These ships regularly
- 14:44Speaker 1: carried wealthy Europeans and Americans across the Atlantic, sometimes keeping
- 14:49Speaker 1: passengers together for days at a time. So Victor could
- 14:53Speaker 1: dress well, speak several languages, and move comfortably among people
- 14:58Speaker 1: with money. And more importantly, there was time. Time to talk.
- 15:05Speaker 1: He could meet someone quite casually, learn about them, establish trust,
- 15:10Speaker 1: and only then introduced whatever opportunity he happened to be
- 15:13Speaker 1: selling to them. It was during these years that the
- 15:17Speaker 1: young hustler became known as Count Victor Lustig. He dressed
- 15:23Speaker 1: in expensive, well-tailored clothing and presented himself as a European aristocrat.
- 15:30Speaker 1: He understood that appearing wealthy was much more useful than
- 15:34Speaker 1: than openly bragging and boasting that he was wealthy. His clothes, manners,
- 15:40Speaker 1: and multilingual background did much of the hard work for him,
- 15:45Speaker 1: allowing his supposed importance to emerge naturally during any sort
- 15:49Speaker 1: of conversation. Now, one of his regular schemes involved posing
- 15:53Speaker 1: as a Broadway producer. Victor would tell wealthy passengers that
- 15:58Speaker 1: he was developing a major theatrical production in New York City.
- 16:03Speaker 1: And once he had their interest, well, he would offer
- 16:06Speaker 1: them an opportunity to invest. But as we know, there
- 16:09Speaker 1: was no production. And once the ship reached port and
- 16:14Speaker 1: Victor had the money, the so-called producer and the lucrative
- 16:19Speaker 1: opportunity disappeared into the crowd. His skills with playing cards
- 16:25Speaker 1: offered another source of income too. Victor knew how to
- 16:28Speaker 1: manipulate a deck, including palming cards, slipping cards where he
- 16:32Speaker 1: needed them, and even dealing cards from the bottom of
- 16:35Speaker 1: the deck. Some even said he could make a deck
- 16:38Speaker 1: of cards do practically anything except speak. Gambling also allowed
- 16:44Speaker 1: Victor to study something increasingly important to him, how people
- 16:48Speaker 1: behaved when money, pride, and greed were all on the line. Now,
- 16:54Speaker 1: another person who shows up during this period in Victor's
- 16:57Speaker 1: life was a professional gambler and con man, Julius Smythe. Arnstein,
- 17:02Speaker 1: or also known as Nicky, who would later become widely
- 17:05Speaker 1: known through his relationships with an entertainer named Franny Bryce,
- 17:09Speaker 1: but I digress. Victor reportedly met Nicky during his transatlantic
- 17:14Speaker 1: travels and learned from the more experienced gambler, particularly when
- 17:17Speaker 1: it came to reading people, also gaining their confidence and
- 17:21Speaker 1: allowing a potential victim to reveal what they wanted before
- 17:24Speaker 1: presenting them with an opportunity. You could even say that
- 17:28Speaker 1: Nicky kind of served as something of a mentor to
- 17:31Speaker 1: Victor as he developed the patient conversational style of confidence
- 17:37Speaker 1: scheme that would eventually become his trademark. Now, rather than
- 17:41Speaker 1: rushing a victim, a successful con man would allow their
- 17:45Speaker 1: victim to participate in building the deception themselves. That's what
- 17:49Speaker 1: makes the cons so convincing. That philosophy closely resembles the
- 17:54Speaker 1: famous Ten Commandments for conmen, which was actually later attributed
- 17:59Speaker 1: directly to Victor, but the complete list would become associated
- 18:02Speaker 1: with him much later. Now, its basic principles revolve around
- 18:06Speaker 1: listening patiently, allowing people to reveal information about themselves, avoiding
- 18:12Speaker 1: unnecessary arguments, and never appearing bored or untidy or even
- 18:16Speaker 1: getting drunk. So things were beginning to go good for Victor.
- 18:21Speaker 2: And then.
- 18:22Speaker 1: Europe went to war. The outbreak of World War I
- 18:26Speaker 1: in 1914 severely disrupted the comfortable transatlantic passenger traffic that
- 18:32Speaker 1: Victor was exploiting. So with civilian travel reduced and the
- 18:37Speaker 1: Atlantic considerably more dangerous, he shifted more of his activities
- 18:41Speaker 1: towards the United States, with some accounts placing him primarily
- 18:45Speaker 1: around Kansas City during this period. And his personal life, well,
- 18:50Speaker 1: it was changing too. On November 3rd, 1919, Victor married
- 18:55Speaker 1: Roberta Narette, a young red-haired woman from Kansas, and their daughter,
- 19:00Speaker 1: Betty Jean Lustig, was born in 1922. Now, Victor's criminal
- 19:06Speaker 1: lifestyle meant conventional family life was rather difficult. So, Roberta
- 19:11Speaker 1: and Betty Jean reportedly moved frequently and sometimes lived in
- 19:14Speaker 1: hotels later on, which was an arrangement intended to well,
- 19:18Speaker 1: at least in part, make it harder for authorities to
- 19:20Speaker 1: trace Victor through his family. Meanwhile, his scams were becoming
- 19:25Speaker 1: more and more elaborate. One of his most famous was
- 19:29Speaker 1: a device generally known as the Romanian money box. The
- 19:34Speaker 1: machine was typically described as a polished wooden or mahogany box,
- 19:38Speaker 1: roughly the size of a small steamer trunk, fitted with rollers, slots, levers,
- 19:44Speaker 1: and dials. and Victor claimed that it could reproduce genuine
- 19:49Speaker 1: currency money. through a complicated chemical process inside. For a demonstration,
- 19:54Speaker 1: a $ 100 bill would be inserted into the machine. Victor
- 20:00Speaker 1: would explain that reproducing it took approximately six hours, giving
- 20:04Speaker 1: him plenty of time to sit with his prospective buyer
- 20:07Speaker 1: and eat, drink, and continue building the trust surrounding this
- 20:11Speaker 1: money box. Then eventually, another $ 100 bill would emerge from
- 20:16Speaker 1: the box. Now, in reality, Victor had already loaded genuine
- 20:21Speaker 1: currency inside the box. It was kind of like a
- 20:24Speaker 1: vending machine. You put $ 100 in, and then you get
- 20:26Speaker 1: your $ 100 back, and then six hours later, another $ 100
- 20:29Speaker 1: comes out. So you think you reproduced a $ 100 bill,
- 20:33Speaker 1: but it was just loaded with cash.
- 20:35Speaker 2: Oh, geez.
- 20:37Speaker 1: Yeah. Some accounts even say he obtained genuine $ 100 bills
- 20:40Speaker 1: with sequential serial numbers and then altered the digits so
- 20:45Speaker 1: the prepared notes appeared to match the bill supposedly being
- 20:48Speaker 1: duplicated even. Whether he probably used his sleight of hand
- 20:51Speaker 1: and stuff to even maybe swap out the bill that
- 20:53Speaker 1: he was given to have a matching serial note going
- 20:58Speaker 1: in and stuff as well. It's hard to say. But
- 21:01Speaker 1: what is important here is he's going to the lengths
- 21:04Speaker 1: of making sure serial numbers are even duplicated. looking at
- 21:07Speaker 1: least close and he's spending time really convincing this scheme.
- 21:12Speaker 2: Well, and two back then, like this is 19, early 1900s, right?
- 21:16Speaker 2: Like a hundred bucks is a big chunk of change.
- 21:19Speaker 1: That's huge.
- 21:20Speaker 2: Yeah.
- 21:21Speaker 1: So now they have their original a hundred dollars and
- 21:23Speaker 1: this supposed replicated a hundred dollars and that potential buyer
- 21:27Speaker 1: of this money box could then take that replicated quote
- 21:30Speaker 1: unquote replicated bill to a bank. And of course, it
- 21:34Speaker 1: would pass any sort of inspection because it wasn't an
- 21:37Speaker 1: actual counterfeit. It was real money that Victor loaded into
- 21:41Speaker 1: this thing. Victor could repeat the demonstration using additional genuine
- 21:46Speaker 1: bills hidden inside the machine. If he knows he has $ 10, 000
- 21:50Speaker 1: bills inside that machine, he can do this demonstration 10 times.
- 21:56Speaker 1: And by then. The victim apparently watched hundreds of dollars materialize, quote-unquote,
- 22:02Speaker 1: from a device sitting directly in front of them. This
- 22:04Speaker 1: thing makes money. That's passable. Now, Victor would initially appear
- 22:10Speaker 1: rather reluctant to sell this machine. And that reluctance encouraged
- 22:14Speaker 1: the buyer, of course, to increase the offer. And accounts
- 22:18Speaker 1: differ substantially in the amounts that victims would pay. ranging
- 22:21Speaker 1: from around $ 10, 000 to even $ 30, 000 for this money replicating box.
- 22:26Speaker 2: Wow.
- 22:28Speaker 1: Yeah, some sources even place individual sales even higher than that. Eventually, though,
- 22:33Speaker 1: the result would be the same. Victor agreed to sell it.
- 22:39Speaker 1: There was one final protection built into the scam, though.
- 22:43Speaker 1: The machine supposedly required several hours to produce a new build.
- 22:47Speaker 1: But also, it sometimes needed additional time to recover between printings.
- 22:52Speaker 1: So by the time the supply of genuine money hidden
- 22:55Speaker 1: inside was exhausted, the new owner would finally realize that
- 22:59Speaker 1: it produced nothing more than just what was loaded inside.
- 23:02Speaker 1: Victor had been given a considerable head start to make
- 23:05Speaker 1: his getaway and disappear.
- 23:07Speaker 2: That is super sketchy. Isn't the saying when something's too
- 23:10Speaker 2: good to be true, it's just too good?
- 23:12Speaker 1: It's probably too good to be true.
- 23:14Speaker 2: Yeah.
- 23:14Speaker 1: Exactly.
- 23:15Speaker 2: So I'm surprised. I mean, but I guess he's sitting
- 23:18Speaker 2: there with someone for quite a long time and they're
- 23:21Speaker 2: like getting to trust him and.
- 23:23Speaker 1: Well, exactly. He's building up the rapport. He's letting them
- 23:27Speaker 1: do the work. He's also reluctant to sell it and
- 23:29Speaker 1: they increase the offer. Okay, I guess, fine, twist my arm, right? Wow.
- 23:34Speaker 1: They took the quote unquote replicated money to a bank-
- 23:39Speaker 1: And it passes inspection.
- 23:40Speaker 2: Uh-huh.
- 23:42Speaker 1: So why not buy it? It's a money-making machine. If
- 23:46Speaker 1: I buy it for $ 10, 000, in a year I'll have 50.
- 23:49Speaker 1: You know? Gosh.
- 23:51Speaker 2: You know, I know this story is just getting started,
- 23:53Speaker 2: but I actually feel like this man is, like, brilliant.
- 23:56Speaker 2: And it's too bad that he's not using his mind
- 24:02Speaker 2: for something better, I guess. Yeah. I don't know, than
- 24:04Speaker 2: just like conning people, you know?
- 24:06Speaker 1: I know, but he is definitely brilliant. And in all honesty,
- 24:09Speaker 1: I have a feeling because of how brilliant this guy is,
- 24:13Speaker 1: I wouldn't doubt it if he was on the spectrum
- 24:15Speaker 1: of some sort. Now, here's a big important thing we
- 24:19Speaker 1: got to mention though. You would think, okay, if you
- 24:21Speaker 1: got scammed, why not just report him to police? But
- 24:26Speaker 1: the problem is reporting him creates a very, very uncomfortable problem.
- 24:33Speaker 1: You see, if a victim of this con, this scheme,
- 24:38Speaker 1: were to approach police, they would have to explain that
- 24:41Speaker 1: they voluntarily paid thousands of dollars for a machine that
- 24:44Speaker 1: they believed would allow them to manufacture counterfeit currency.
- 24:52Speaker 2: Okay.
- 24:53Speaker 1: Basically, they're a criminal too.
- 24:56Speaker 2: That is very true.
- 24:59Speaker 1: So you have this safety net built into the scheme. Now,
- 25:04Speaker 1: among its more extraordinary victims with this money box was
- 25:07Speaker 1: reportedly a Texas sheriff. The sheriff paid Victor thousands of
- 25:12Speaker 1: dollars for one of these machines, expecting it to reproduce
- 25:15Speaker 1: genuine currency. Once the supply of real bills hidden inside,
- 25:19Speaker 1: of course, ran out, he realized he had been cheated.
- 25:23Speaker 1: Unlike many of Victor's victims, though, the sheriff was not
- 25:27Speaker 1: willing to accept his loss quietly. Later on, he tracked
- 25:30Speaker 1: Victor down in Chicago and confronted him directly. And faced
- 25:34Speaker 1: with this angry lawman who knew exactly what Victor had done,
- 25:39Speaker 1: Victor remained calm and insisted there was nothing wrong with
- 25:43Speaker 1: the machine. Victor explained, you simply didn't operate it correctly.
- 25:49Speaker 1: This is an operation error. It reproduces the money 100%.
- 25:54Speaker 1: And Victor somehow convinced him that this was the truth.
- 25:59Speaker 1: He even offered the sheriff compensation money for his troubles.
- 26:04Speaker 1: And the sheriff accepted. Holy.
- 26:08Speaker 2: Instead of just like freaking out, right? Or running or
- 26:11Speaker 2: doing something. He just like remains calm and like keeps
- 26:14Speaker 2: to it.
- 26:14Speaker 1: Exactly. But here's the thing. The money that he offered
- 26:18Speaker 1: the sheriff was actually counterfeit money too.
- 26:21Speaker 2: Oh my gosh.
- 26:22Speaker 1: Because by this time he's starting to dabble a little
- 26:25Speaker 1: bit in counterfeit bills.
- 26:27Speaker 2: Wow.
- 26:28Speaker 1: Wow. Now, by the early 1920s, Victor's schemes were increasingly
- 26:32Speaker 1: worth tens of thousands of dollars, while his ability to
- 26:35Speaker 1: move between identities made him extremely difficult to pin down.
- 26:40Speaker 1: This Texas sheriff, he's lucky he actually managed to find him.
- 26:44Speaker 1: Another scheme reportedly took him to Montreal, where his target
- 26:47Speaker 1: was a wealthy banker named Linus Merton. According to one account,
- 26:51Speaker 1: Victor first arranged for Merton's wallet to be stolen. Then
- 26:56Speaker 1: after it was stolen... Victor himself personally returned the wallet
- 27:01Speaker 1: to him, intact, money, everything inside. And that gesture made
- 27:06Speaker 1: Victor very trustworthy to Merton. And that was even before
- 27:12Speaker 1: money entered the relationship. Because only afterwards did he introduce
- 27:16Speaker 1: an opportunity involving horse racing. Victor claimed that a relative
- 27:22Speaker 1: or associate named Emil had access to the telegraph system
- 27:26Speaker 1: used to transmit race results and could delay the information
- 27:30Speaker 1: by approximately one minute. And that brief delay supposedly created
- 27:36Speaker 1: a remarkable advantage. Victor and Merton could learn which horse
- 27:40Speaker 1: had won before the official result reached the betting operations,
- 27:45Speaker 1: giving them time to place what appeared to be a
- 27:48Speaker 1: very legitimate wager on a race that had already been decided.
- 27:54Speaker 1: Merton reportedly put up A $ 30, 000 bet. And Victor disappeared
- 28:01Speaker 1: with the money. It was another scenario where the victim
- 28:05Speaker 1: was much less likely to actually seek police afterwards due
- 28:08Speaker 1: to the nature of the act that they were involved
- 28:11Speaker 1: in because he was betting on racehorsing, fixing the outcomes
- 28:16Speaker 1: of bets.
- 28:17Speaker 2: That is so much money.
- 28:20Speaker 1: For early 19, we're talking 1920.
- 28:21Speaker 2: Well, yeah. That's huge. That's huge money.
- 28:25Speaker 1: Now by May 1922, Victor was operating in Springfield, Missouri
- 28:29Speaker 1: under the name Robert Duvall. By this time, his target
- 28:34Speaker 1: was a bank. The transaction involved approximately $ 32, 000 in Liberty bonds,
- 28:40Speaker 1: which were government issued bonds used to help finance the
- 28:43Speaker 1: United States during World War I. Victor used the bonds
- 28:47Speaker 1: as part of a deal involving a parcel of land
- 28:49Speaker 1: and approximately $ 10, 000 in cash. At closing, Victor used sleight
- 28:55Speaker 1: of hand to manipulate the transaction, switching the envelope containing
- 29:00Speaker 1: the Liberty Bonds for an empty one instead, meaning Victor
- 29:04Speaker 1: received the property and $ 10, 000 in cash while also managing
- 29:10Speaker 1: to leave with bonds that were supposed to have been
- 29:12Speaker 1: paid for these things. The bank, of course, quickly discovered
- 29:17Speaker 1: the switch and began pursuing the man they knew as
- 29:19Speaker 1: Robert Duvall. Victor was eventually arrested in New York City.
- 29:24Speaker 1: where he fought efforts to return to Missouri to face
- 29:27Speaker 1: the fraud charges. On May 28, 1922, the New York
- 29:31Speaker 1: Times reported on the extradition flight, and New York Governor
- 29:35Speaker 1: Nathan L. Miller ultimately authorized Victor's return to Missouri. By
- 29:37Speaker 1: this point, Robert Duvall was already appearing in bank industry
- 29:44Speaker 1: warnings under several aliases, evidence that Victor's reputation was beginning
- 29:49Speaker 1: to spread well beyond the individual people and institutions that
- 29:52Speaker 1: he had conned. Now, Victor was also associated with another
- 29:57Speaker 1: colorful figure known as Dan Collins, or Dapper Dan Collins.
- 30:02Speaker 1: He was described as a former circus lion tamer and
- 30:06Speaker 1: death-defying bicycle rider. Several accounts connect Dan with Victor and
- 30:12Speaker 1: many of his con schemes along the way, while Victor's
- 30:14Speaker 1: growing criminal reputation clearly did little to slow him down.
- 30:19Speaker 1: Accounts of his career described repeated arrests under different names
- 30:23Speaker 1: across Europe and United States, but Victor would post bail
- 30:26Speaker 1: and simply disappear, changing identities. move jurisdictions, or simply even
- 30:30Speaker 1: just talk his way through situations that would have ended
- 30:33Speaker 1: the career of any lesser con criminals. By 1925, however,
- 30:39Speaker 1: pressure from American law enforcement appears to have been increasing.
- 30:43Speaker 1: So Victor returned to Paris. And the city contained something
- 30:47Speaker 1: that had been standing over it since the 19th century.
- 30:51Speaker 1: That was the Eiffel Tower. Now, construction for the tower
- 30:55Speaker 1: had begun for the 1889 Exposition Universelle, and the enormous
- 31:00Speaker 1: iron structure was never originally guaranteed to become a permanent
- 31:04Speaker 1: part in Paris. In fact, it was intended to only
- 31:07Speaker 1: last 20 years until 1909. There had been fierce opposition
- 31:13Speaker 1: before it was even completed. A group of prominent French artists, writers,
- 31:17Speaker 1: and architects formerly protested its construction, arguing that the huge
- 31:22Speaker 1: iron structure would overwhelm monuments like Notre Dame, the Louvre,
- 31:26Speaker 1: and others. And the tower survived its original deadline in
- 31:30Speaker 1: part because it had developed practical value for radio and communications,
- 31:36Speaker 1: including military usefulness during World War I. However, keeping an
- 31:42Speaker 1: enormous iron structure standing also meant maintaining it. It was
- 31:48Speaker 1: in May of 1925 when Victor reportedly encountered a newspaper article.
- 31:53Speaker 1: It was discussing the tower's condition and the expense involving
- 31:57Speaker 1: repairs and repainting. The article even raised the possibility that
- 32:01Speaker 1: dismantling the aging structure might ultimately make more financial sense
- 32:06Speaker 1: than continuing to maintain it. For most readers, it was
- 32:11Speaker 1: simply a story about an expensive Paris landmark, nothing more.
- 32:16Speaker 1: But for Victor... he saw something else. See, the Eiffel
- 32:21Speaker 1: Tower contained roughly 7,000 tons of iron. If the French
- 32:28Speaker 1: government were, you know, ever to dismantle it, all of
- 32:33Speaker 1: that material had considerable value as scrap metal. And because
- 32:37Speaker 1: the tower was so famous, any decision to destroy it
- 32:40Speaker 1: would inevitably become very controversial. That meant a supposed government
- 32:45Speaker 1: official could have a perfectly reasonable explanation for demanding secrecy
- 32:51Speaker 1: on any sort of deal. So Victor began preparing. He
- 32:56Speaker 1: obtained official-looking French government stationery and credentials and selected a
- 33:01Speaker 1: new identity for himself. He was going to present himself
- 33:04Speaker 1: as a senior official, the Deputy Director General of the
- 33:08Speaker 1: Ministry of Posts and Telegraphs. Using that identity, He contacted
- 33:15Speaker 1: several of the most prominent scrap metal dealers in Paris,
- 33:18Speaker 1: and each received the same invitation. A senior government official
- 33:24Speaker 1: wished to discuss a confidential and potentially lucrative contract. The
- 33:31Speaker 1: meeting was arranged at the Hotel de Crillon, overlooking the
- 33:36Speaker 1: Place de la Concorde. It was exactly the kind of expensive,
- 33:40Speaker 1: prestigious setting in which a high-ranking government official might reasonably
- 33:44Speaker 1: conduct such sensitive business.
- 33:47Speaker 2: And almost an honor to get invited?
- 33:49Speaker 1: Exactly. Yeah, I would definitely say so. There, Victor explained
- 33:53Speaker 1: that the government faced a very uncomfortable problem. The Eiffel
- 33:58Speaker 1: Tower was becoming increasingly expensive to maintain, he said. Although
- 34:02Speaker 1: it had survived beyond the original 20-year authorization deadline, attached
- 34:06Speaker 1: to its construction, Victor claimed the costs of keeping it
- 34:08Speaker 1: standing could no longer be justified. He said that the
- 34:12Speaker 1: government had therefore made a decision that had not yet
- 34:16Speaker 1: been publicly announced. The tower was to be demolished and
- 34:21Speaker 1: it's roughly 7,000 tons of iron were going to be
- 34:25Speaker 1: sold as scrap. Victor emphasized that everything they were discussing
- 34:31Speaker 1: had to remain confidential and News that the government intended
- 34:34Speaker 1: to destroy one of the most recognizable structures in Paris
- 34:37Speaker 1: could produce an enormous public reaction, and officials supposedly wanted
- 34:42Speaker 1: the transaction arranged before an announcement was made. Victor entertained
- 34:49Speaker 1: the dealers with a very expensive meal and wine before
- 34:53Speaker 1: discussing bids for the contract. Several sources also describe him
- 34:57Speaker 1: hiring a limousine and taking the prospective buyers to the
- 35:00Speaker 1: Eiffel Tower itself. allowing them to go and inspect the
- 35:04Speaker 1: structure while he continued playing the role of a government representative. Now,
- 35:09Speaker 1: among the businessmen was someone named André Poisson. André was
- 35:16Speaker 1: relatively new to the Paris scrap metal business, and according
- 35:19Speaker 1: to several accounts, eager to establish himself among the city's
- 35:23Speaker 1: more prominent businessmen. And Victor appears to have recognized that
- 35:28Speaker 1: almost immediately, while the other dealer's represented potential money, Andre
- 35:34Speaker 1: represented something much more. He represented someone with both the
- 35:38Speaker 1: financial means to make the purchase and a personal reason
- 35:42Speaker 1: to want the contract badly enough. So, Victor began concentrating
- 35:49Speaker 1: on him. But there was a problem. Andre's wife was
- 35:53Speaker 1: becoming suspicious. The secrecy, the speed of the negotiations, and
- 35:57Speaker 1: the extraordinary nature of the sale apparently bothered her. If
- 36:02Speaker 1: the French government was really preparing to dismantle the Eiffel Tower,
- 36:06Speaker 1: why was everything happening this way? Now, Victor saw this,
- 36:10Speaker 1: and he responded by arranging another, more private conversation. This time,
- 36:17Speaker 1: his polished government persona developed a crack, but deliberately. He
- 36:21Speaker 1: put it there intentionally. It was bait. Victor suggested that
- 36:27Speaker 1: despite his important position in the government... He was merely
- 36:31Speaker 1: a poorly paid bureaucrat, expected to maintain a lifestyle his
- 36:35Speaker 1: government salary simply couldn't comfortably support. He never needed to
- 36:40Speaker 1: explicitly describe what he wanted, because Andre understood it immediately.
- 36:46Speaker 1: Victor was hensing he wanted a bribe. And instead of
- 36:50Speaker 1: exposing the fraud, this actually reassured Andre. I mean, government
- 36:56Speaker 1: corruption is pretty believable. A supposedly underpaid official secretly demanding
- 37:02Speaker 1: money in exchange for steering a very valuable contract towards
- 37:06Speaker 1: a certain bidder offered an explanation for Victor's insistence on secrecy.
- 37:13Speaker 1: So Andre agreed. He paid Victor $ 20, 000 in cash, followed
- 37:16Speaker 1: by another $ 50, 000 for Victor to ensure that this was
- 37:18Speaker 1: the winning bid. In total, Victor walked away with $ 70, 000
- 37:29Speaker 1: from the fraudulent sale, which was an enormous amount of
- 37:33Speaker 1: money for 1925. And with the payment secured, Victor left
- 37:38Speaker 1: France within hours, traveling to Vienna, Austria, with some versions
- 37:43Speaker 1: placing his associate Dapper Dan Collins alongside him. And there,
- 37:50Speaker 1: Victor waited. He began watching the French newspapers for reports
- 37:54Speaker 1: of the extraordinary fraud, You know, a public complaint from André.
- 37:59Speaker 1: It could bring serious police attention and expose Victor's false
- 38:02Speaker 1: government identity, making the return to France extremely dangerous. Days passed.
- 38:09Speaker 1: Then weeks. But nothing appeared. André had in fact discovered
- 38:15Speaker 1: that the Eiffel Tower was not his to dismantle. But
- 38:18Speaker 1: he apparently never reported the fraud. The embarrassment of admitting
- 38:22Speaker 1: that he had purchased one of the world's most recognizable structures...
- 38:26Speaker 1: from a man who didn't even own it, was apparently
- 38:29Speaker 1: too much. And reporting the complete transaction could also mean
- 38:33Speaker 1: admitting that he knowingly paid a government official a bribe.
- 38:38Speaker 2: Oh, man. The fucking nerve of this guy, though, to
- 38:43Speaker 2: literally sell the Eiffel Tower. Like, are you kidding me?
- 38:48Speaker 1: The balls on him.
- 38:49Speaker 2: Yeah.
- 38:50Speaker 1: Yeah.
- 38:50Speaker 2: That is beyond... I don't know. It's pretty hard to
- 38:54Speaker 2: believe that he actually was able to do this. Yeah.
- 38:56Speaker 1: I mean, and he was gambling on Andre's humiliation at
- 38:59Speaker 1: the end of it and that protecting him. And he
- 39:04Speaker 1: won that bet. Yeah. It worked.
- 39:06Speaker 2: Well, honestly, too, after getting that kind of money, too,
- 39:08Speaker 2: you should just go in hiding for the rest of
- 39:10Speaker 2: your life. Why would you need any more?
- 39:12Speaker 1: Well, one would think so. But after approximately six months,
- 39:16Speaker 1: Victor returned to Paris. and he prepared to essentially do
- 39:21Speaker 1: the same scheme all over again. With Victor back in Paris,
- 39:27Speaker 1: a new group of scrap metal dealers was contacted using
- 39:31Speaker 1: the government story. And Victor once again attempted to arrange
- 39:34Speaker 1: the secret sale of the Eiffel Tower. Now this time, however,
- 39:40Speaker 1: someone became suspicious. As Victor moved towards completing a deal
- 39:44Speaker 1: with another prospective buyer, one of the businessmen contacted authorities. Victor, however,
- 39:51Speaker 1: learned that police had been alerted and abandoned the operation,
- 39:54Speaker 1: leaving France before they could arrest him. This second attempt
- 39:59Speaker 1: eventually became one of the more famous pieces of Victor's legend.
- 40:04Speaker 1: He's routinely described as the man who sold the Eiffel
- 40:07Speaker 1: Tower twice. And some later accounts even claim that the
- 40:10Speaker 1: second buyer handed him the money before police became involved.
- 40:14Speaker 1: But in reality, Victor successfully sold the Eiffel Tower to
- 40:18Speaker 1: André Poisson.
- 40:20Speaker 2: Once.
- 40:21Speaker 1: Once only. Now, after abandoning his second attempt to sell
- 40:26Speaker 1: the Eiffel Tower, Victor returned to the United States and
- 40:30Speaker 1: resumed the kind of con schemes that had already carried
- 40:33Speaker 1: him through much of the country. He also continued changing names.
- 40:38Speaker 1: By the end of his career, accounts would credit Victor
- 40:41Speaker 1: with somewhere between 40 and 47 different aliases.
- 40:44Speaker 2: Career in quotation marks i feel like.
- 40:48Speaker 1: Well i mean a career can mean many things career
- 40:50Speaker 1: doesn't mean a job you can have a criminal career
- 40:53Speaker 1: i guess and that's exactly what this is it's a con.
- 40:55Speaker 2: Career yes it is it's quite a career.
- 40:58Speaker 1: Exactly so now his permanent scar made changing his appearance
- 41:03Speaker 1: much more difficult he could change his name or identification
- 41:06Speaker 1: all that sort of stuff but that scar it was
- 41:09Speaker 1: there permanently now he did compensate by changing everything else
- 41:14Speaker 1: His background, occupation, a reason for being wherever he was,
- 41:18Speaker 1: or whatever. He changed everything, but that scar was the
- 41:22Speaker 1: one thing he couldn't. Victor's wife, Roberta Norritt, and their daughter,
- 41:27Speaker 1: Betty Jean Lustig, reportedly spent much of this period moving
- 41:31Speaker 1: between hotels. Betty Jean was eventually enrolled in an expensive
- 41:35Speaker 1: Catholic boarding school in Pittsburgh, while Victor continued financing the
- 41:38Speaker 1: family through crime, gambling, and con schemes. However... There was
- 41:44Speaker 1: also another woman. Billy May Sheeble became Victor's long-term mistress.
- 41:51Speaker 1: She was described as a prominent madam connected to a
- 41:54Speaker 1: very expensive sex work operation. There was a version of
- 41:58Speaker 1: how they met too that isn't verified, but it's good
- 42:01Speaker 1: enough that I want to share it with you regardless.
- 42:03Speaker 1: It claims that Billy May had initially been one of
- 42:06Speaker 1: Victor's money box scheme victims before she finally tracked him down.
- 42:12Speaker 1: and actually became impressed enough by the man who had
- 42:14Speaker 1: cheated her to become his partner and lover. Now, again,
- 42:19Speaker 1: that's just a tall tale. Don't know if it's true
- 42:22Speaker 1: or not, but I kind of like the idea of it.
- 42:25Speaker 2: See, that honestly pisses me off more than anything he's done. Like,
- 42:29Speaker 2: what a dirty man.
- 42:30Speaker 1: Fair enough. Yeah, but I mean, she's like, okay, well,
- 42:33Speaker 1: let's do it together with more people. Yeah, like he.
- 42:35Speaker 2: Won her over, but he's also a married man with
- 42:38Speaker 2: a child.
- 42:38Speaker 1: Oh, that part. Yes, I gotcha.
- 42:40Speaker 2: I'm very curious if his wife knew about all his
- 42:43Speaker 2: schemes she would have.
- 42:45Speaker 1: Had to i'm pretty sure she did yes okay yeah
- 42:48Speaker 1: i don't think that she was uh unaware of it
- 42:50Speaker 1: all yeah pretty sure she she would have had to
- 42:53Speaker 1: have known.
- 42:54Speaker 2: You'd be pretty oblivious to not want to question some
- 42:57Speaker 2: of how he's getting some of this money.
- 42:59Speaker 1: Unless she just didn't want to question it and just
- 43:02Speaker 1: left it as that this is some pretty good money
- 43:04Speaker 1: i'm not going to question shit just go do your.
- 43:06Speaker 2: Thing you know i guess that could be too.
- 43:09Speaker 1: Who knows Now, whatever the beginning of the relationship with
- 43:12Speaker 1: Billy May or how it started doesn't matter. But what
- 43:15Speaker 1: became important was that she was a prominent figure in
- 43:19Speaker 1: Victor's life. Roberta eventually learned about the affair. And of course,
- 43:23Speaker 1: the drawn out separation and divorce followed suit. Now, Victor's
- 43:30Speaker 1: appetite for risk extended beyond his relationships and just the
- 43:33Speaker 1: fake sale of the Eiffel Tower. He has many more
- 43:35Speaker 1: things that he went on to do from there. And
- 43:38Speaker 1: at some point before 1930, according to one of the
- 43:41Speaker 1: more famous stories attached to his career, I know you
- 43:45Speaker 1: like that word, he approached the infamous Chicago crime boss,
- 43:50Speaker 1: Al Capone himself. Victor reportedly asked Al Capone to provide $ 50, 000
- 43:56Speaker 1: to him for an investment in a criminal venture that
- 44:01Speaker 1: would produce a substantial profit within approximately 60 days. After talking...
- 44:08Speaker 1: And convincing, Al Capone agreed. Then Victor did something unusual.
- 44:16Speaker 1: He did nothing. He took the $ 50, 000 from Al Capone,
- 44:20Speaker 1: placed it somewhere safe, like a bank or a safety
- 44:23Speaker 1: deposit arrangement, who knows, but he left it untouched for
- 44:26Speaker 1: roughly two months. And at the end of that period,
- 44:31Speaker 1: Victor returned to Al Capone and explained that the deal
- 44:35Speaker 1: fell through. It failed. It failed. And rather than disappearing
- 44:39Speaker 1: with the money, he handed back the $ 50, 000 to Al Capone.
- 44:44Speaker 1: And that in itself was the actual con the whole time.
- 44:50Speaker 2: Oh my gosh. Getting this guy's trust.
- 44:53Speaker 1: You betcha.
- 44:55Speaker 2: Oh. But I also imagine he would have gotten some
- 44:57Speaker 2: interest for that money sitting there for two months too,
- 45:01Speaker 2: I'm thinking.
- 45:01Speaker 1: Possibly, yeah.
- 45:03Speaker 2: But wow.
- 45:04Speaker 1: Yeah.
- 45:04Speaker 2: He is like, he plays the long game.
- 45:07Speaker 1: He does.
- 45:07Speaker 2: Yeah. Which I think is what is like most impressive. Yeah.
- 45:11Speaker 1: Because he didn't intend to steal that money at all.
- 45:13Speaker 1: Never did. He just wanted Al Capone to believe that
- 45:16Speaker 1: he was dealing with a very honest man who could
- 45:18Speaker 1: actually be trusted with a large amount of money and
- 45:21Speaker 1: would return every dollar when the venture didn't pan out.
- 45:24Speaker 1: So he now says, okay, this guy, he's worth what
- 45:28Speaker 1: he says.
- 45:29Speaker 2: Yeah.
- 45:29Speaker 1: I can trust him. He will return with my money. Now,
- 45:33Speaker 1: Victor then admitted to Al Capone then and there, well,
- 45:36Speaker 1: I'm sure after a little bit of conversing, But he
- 45:38Speaker 1: eventually admitted to him that the failed deal actually left
- 45:41Speaker 1: him financially desperate. Al Capone actually, allegedly, rewarded his apparent
- 45:48Speaker 1: honesty by giving him more money. Some say $ 1, 000, others
- 45:53Speaker 1: say $ 5, 000. But Al Capone gave it to Victor as
- 45:58Speaker 1: a gift.
- 46:00Speaker 2: Huh, whoa, he's really playing with fire with this one, though,
- 46:03Speaker 2: I feel like.
- 46:03Speaker 1: Is he ever.
- 46:04Speaker 2: Like, that man's a dangerous man.
- 46:06Speaker 1: I said it once and I said it again. This
- 46:08Speaker 1: man has balls.
- 46:10Speaker 2: Oh, yeah. Or something. Yeah.
- 46:13Speaker 1: But I do also have to clarify something on this
- 46:16Speaker 1: tale with Al Capone. We need to treat this tale appropriately.
- 46:20Speaker 1: Because firm confirmation that it occurred exactly as such raises
- 46:23Speaker 1: the possibility that Victor himself helped create the story later
- 46:27Speaker 1: on to make himself look good. As he did with
- 46:31Speaker 1: many things.
- 46:32Speaker 2: Yeah.
- 46:33Speaker 1: So just be wary of that.
- 46:36Speaker 2: So just like take it with a grain of salt. Yeah.
- 46:40Speaker 2: It's may not be totally true.
- 46:42Speaker 1: Exactly. Now, Victor had spent years convincing people that a
- 46:46Speaker 1: wooden box could manufacture money. But around 1930, he joined
- 46:49Speaker 1: forces with men capable of producing convincing counterfeit currency, like
- 46:55Speaker 1: for real, very convincing stuff. He's already been dealing with
- 46:58Speaker 1: a bit of, you know, counterfeit money. He'd spent years
- 47:01Speaker 1: dealing with it before. including fake bills that he gave
- 47:03Speaker 1: to that Texas sheriff years earlier, remember? But in the 1930s,
- 47:07Speaker 1: he took the operation to an entirely different level this time. Now,
- 47:12Speaker 1: among those involved in it were Tom Shaw, described as
- 47:15Speaker 1: a chemist, and William Watts, described as a pharmacist and
- 47:19Speaker 1: apparently a skilled engraver. Together, they began building something far
- 47:24Speaker 1: more dangerous than just a con scheme. They were manufacturing
- 47:28Speaker 1: American money on a very large scale. The operation concentrated
- 47:34Speaker 1: heavily on $ 100 bills, which was an enormous denomination at
- 47:37Speaker 1: the time. The counterfeits worked to reproduce the details that
- 47:41Speaker 1: made genuine currency difficult to imitate, including the tiny red
- 47:46Speaker 1: and green fibers embedded in the paper. Plates, specialized paper,
- 47:51Speaker 1: and carefully selected inks were used to make bills convincing
- 47:54Speaker 1: enough to pass through businesses, racetracks, and even banks without
- 47:58Speaker 1: immediately being detected. And distribution? It was deliberately separated from production.
- 48:06Speaker 1: Victor developed a network of couriers, some of whom reportedly
- 48:09Speaker 1: didn't even realize they were handling counterfeit money. And this
- 48:13Speaker 1: insulated the men producing the notes from the people actually
- 48:16Speaker 1: passing them, and made tracing the suspicious bills back to
- 48:20Speaker 1: its source considerably more difficult, having a middleman in between.
- 48:25Speaker 1: And the scale of their operation quickly became enormous. Estimates
- 48:31Speaker 1: believe as much as $ 100, 000 in counterfeit currency was produced
- 48:38Speaker 1: each month. The estimates for the entire operation vary from
- 48:46Speaker 1: $ 1 million to $ 2 million in counterfeit money, all entering circulation.
- 48:53Speaker 1: One account even places the total attributed to the network
- 48:55Speaker 1: at approximately 2.34 million U.S. dollars. And we're talking 1930s.
- 49:01Speaker 2: Yeah, this is just bizarre. The fact that this guy
- 49:05Speaker 2: is still able to do all of this shit and
- 49:07Speaker 2: hasn't like been killed or something. Yeah. In the meantime. Right.
- 49:11Speaker 2: Holy frig.
- 49:13Speaker 1: Now, this meant the volume was substantial enough that federal
- 49:16Speaker 1: authorities began recognizing the counterfeit notes as a dissent. problem.
- 49:21Speaker 1: The bills appeared across the country, including locations between New
- 49:24Speaker 1: Orleans and Chicago, and the investigation fell to the United
- 49:28Speaker 1: States Secret Service, which was responsible for combating counterfeiting. And
- 49:33Speaker 1: the counterfeit bills eventually gave federal investigators a direct connection
- 49:37Speaker 1: to Victor even. Because a Texas lawman, who Victor had
- 49:42Speaker 1: previously conned with a money box scheme, was arrested after
- 49:46Speaker 1: passing counterfeit money in New Orleans. Counterfeit money that, if
- 49:51Speaker 1: you recall, Victor gave directly to him. He told Secret
- 49:56Speaker 1: Service agents that the bills had come from Victor, providing
- 50:00Speaker 1: them with a description of the man who had given
- 50:02Speaker 1: them directly to him. And as increasingly large quantities of
- 50:07Speaker 1: counterfeit currency connected to Victor's operation began appearing across the country,
- 50:11Speaker 1: the Secret Service started actively hunting Victor Lustig. One of
- 50:18Speaker 1: the agents leading that pursuit was Secret Service agent Peter A. Rubano,
- 50:23Speaker 1: who had spent years trying to catch him. But the
- 50:26Speaker 1: problem wasn't identifying the man. They learned who he was.
- 50:30Speaker 1: The problem was finding him. Victor operated under So many aliases.
- 50:38Speaker 1: He carried false identification, frequently changed his appearance, making him
- 50:42Speaker 1: exceptionally difficult to track no matter where he went. Authorities
- 50:47Speaker 1: connected him to dozens of identities, forged documents, false passports.
- 50:52Speaker 1: Investigators could circulate names, but the more useful identifying feature
- 50:57Speaker 1: that he had remained only the scar on his left cheek. Still, authorities...
- 51:05Speaker 1: struggled to catch him. By 1935, the counterfeit operation had
- 51:10Speaker 1: reportedly been running for nearly five years. Victor had survived
- 51:14Speaker 1: repeated arrests during his career and continued moving between identities
- 51:18Speaker 1: while federal agents tried to establish where he was operating.
- 51:23Speaker 1: But the break in his case, the break in his
- 51:26Speaker 1: story when it all came crumbling down, it came from
- 51:29Speaker 1: inside his personal life. Victor was still involved with Billy
- 51:34Speaker 1: May Sheeble, but he'd also begun seeing another woman. And
- 51:39Speaker 1: Billy May learned that Victor was cheating on her, and
- 51:42Speaker 1: so she responded by anonymously giving federal authorities information on
- 51:48Speaker 1: his whereabouts. And on May 10th, 1935, agents finally moved
- 51:53Speaker 1: in on him in New York. At the time, Victor
- 51:57Speaker 1: was around Broadway on Manhattan's Upper West Side. He was
- 52:01Speaker 1: approximately 45 years old, about five foot seven inches tall
- 52:05Speaker 1: and 140 pounds with dark eyes, long sideburns, a carefully
- 52:10Speaker 1: manicured set of fingernails on his hands and the unmistakable
- 52:15Speaker 1: long scar on his left cheekbone. He had also recently
- 52:20Speaker 1: grown a very well maintained mustache, which reportedly caused agents
- 52:24Speaker 1: following him to hesitate briefly before confirming his identity and
- 52:28Speaker 1: actually arresting him. Now, when Victor was taken into custody,
- 52:33Speaker 1: He was carrying with him a suitcase. It contained expensive clothes.
- 52:37Speaker 1: There was no enormous bundle of counterfeit money, no printing
- 52:40Speaker 1: press inside of it, nothing like that. What there was
- 52:44Speaker 1: with those clothes, though, was a key. The key belonged
- 52:49Speaker 1: to a storage locker in Times Square subway station. When
- 52:53Speaker 1: authorities went there and opened the locker, they found approximately $ 51, 000
- 52:58Speaker 1: in counterfeit currency. along with equipment associated with its manufacture,
- 53:05Speaker 1: including counterfeiting plates. For years, Victor's survival had depended on
- 53:10Speaker 1: leaving victims with little more than an embarrassing story. But
- 53:14Speaker 1: now the Times Square locker left behind something much more different.
- 53:19Speaker 1: There was physical evidence there. Investigators had counterfeit bills, equipment
- 53:24Speaker 1: used to produce it, the key connecting Victor to the
- 53:27Speaker 1: locker that was found in his possession even. The man
- 53:30Speaker 1: who had spent years changing identities had finally been tied
- 53:34Speaker 1: directly to the kind of evidence that charm alone could
- 53:37Speaker 1: not easily explain away. Victor was charged in connection with
- 53:42Speaker 1: the counterfeiting operation and was placed in the federal house
- 53:45Speaker 1: of detention in New York City while the case moved
- 53:49Speaker 1: towards its trial. And his court date was scheduled for
- 53:53Speaker 1: September 2nd, 1935. By the end of August 1935, Victor
- 54:00Speaker 1: had been confined in prison for months. Guards knew they
- 54:04Speaker 1: were holding an experienced con man with a long history
- 54:07Speaker 1: of slipping away whenever authorities appeared to have him cornered.
- 54:11Speaker 1: And on September 1st, 1935, the day before his scheduled trial,
- 54:16Speaker 1: Victor escaped from federal custody in New York City. While
- 54:21Speaker 1: being held at the Federal House of Detention, Victor reportedly
- 54:24Speaker 1: began complaining that he was sick. And he accumulated some
- 54:29Speaker 1: extra bed sheets as a result. He then tied the
- 54:32Speaker 1: bed sheets together to create an improvised rope, gained access
- 54:35Speaker 1: to an opening several floors above the street, and lowered
- 54:39Speaker 1: himself down outside the building.
- 54:42Speaker 2: I mean, of course he did. Like, it's surprising, but
- 54:46Speaker 2: it's not surprising.
- 54:47Speaker 1: I know, right? But get this. It gets even better.
- 54:50Speaker 1: Because as he's scaling down the building, there's people in
- 54:54Speaker 1: the streets below him. They can see him climbing down
- 54:58Speaker 1: this bed sheet rope. But rather than panic, Victor did
- 55:02Speaker 1: what he did best, and he scammed people. He conned
- 55:05Speaker 1: them into believing they were seeing something different. Victor reportedly
- 55:11Speaker 1: pretended to be a window cleaner, pausing during his descent
- 55:16Speaker 1: to wipe at windows, though there was nothing unusual about
- 55:18Speaker 1: this man hanging from the side of a federal detention
- 55:21Speaker 1: facility on a rope made from these bed sheets.
- 55:24Speaker 2: Oh, man.
- 55:25Speaker 1: So they didn't say a word, thinking nothing, and kept walking.
- 55:29Speaker 2: Holy shit. His mind is so sharp.
- 55:32Speaker 1: Then once he reached the ground, he disappeared. A man
- 55:36Speaker 1: facing a major federal counterfeiting case had escaped less than
- 55:41Speaker 1: 24 hours before his trial. And the subsequent search, well,
- 55:46Speaker 1: it lasted 27 days. By September, authorities had tracked Victor
- 55:51Speaker 1: to Pittsburgh. On September 28th, In 1935, they would find him.
- 55:57Speaker 1: He had shaved his well-groomed mustache and even used adhesive
- 56:01Speaker 1: tape in an attempt to conceal the distinctive scar on
- 56:04Speaker 1: his left cheek, but it didn't matter. He was entering
- 56:07Speaker 1: a chauffeur-driven vehicle on Pittsburgh's north side. After watching him
- 56:12Speaker 1: leave Lane Stag Hotel and climb into that waiting car,
- 56:16Speaker 1: FBI agent G.K. Firestone signaled Secret Service agent Fred Gruber
- 56:23Speaker 1: and the two agents followed in their own vehicle. The
- 56:27Speaker 1: pursuit continued for nine blocks, with the two cars at
- 56:30Speaker 1: times traveling side by side, and it was no secret
- 56:32Speaker 1: that it was a police car following them. And when
- 56:35Speaker 1: Victor's driver noticed, well, he refused to stop. The agents
- 56:39Speaker 1: rammed into the side of his car, locking the wheels
- 56:41Speaker 1: together and eventually bringing the chase to an abrupt end.
- 56:46Speaker 1: Firestone and Gruber approached the vehicle with their weapons drawn
- 56:48Speaker 1: and took Victor into custody, and eventually, he returned to
- 56:52Speaker 1: face the federal charges waiting in New York for him. There,
- 56:57Speaker 1: William Watts, one of the men connected to the counterfeiting operation,
- 57:01Speaker 1: agreed to cooperate with authorities. And Victor, well, he ultimately
- 57:06Speaker 1: pleaded guilty rather than take the case through a full trial.
- 57:10Speaker 1: In December of 1935, Victor Lustig received 15 years for
- 57:14Speaker 1: the counterfeiting case and another five years for his escape
- 57:18Speaker 1: from prison, producing a combined sentence of of 20 years
- 57:22Speaker 1: behind bars. On April 27th, 1936, Victor was transported by
- 57:28Speaker 1: ferry across San Francisco Bay to the infamous Alcatraz Federal Penitentiary.
- 57:36Speaker 1: The man who had lived under dozens of identities entered
- 57:40Speaker 1: the prison system as Robert V.
- 57:43Speaker 2: Miller.
- 57:44Speaker 1: He became Alcatraz inmate number 300. Victor was housed on
- 57:50Speaker 1: the same island as some of America's most notorious criminals,
- 57:53Speaker 1: including Al Capone. Prison records described Victor as generally obedient,
- 57:59Speaker 1: and he reportedly requested work as a bookkeeper. Over time, though,
- 58:04Speaker 1: his health increasingly became an issue. By December 7th, 1946,
- 58:10Speaker 1: Victor had submitted an extraordinary 1,192 medical requests during his imprisonment,
- 58:17Speaker 1: and he complained repeatedly of illness. Although a lifetime built
- 58:22Speaker 1: around deception made it difficult for prison officials to know
- 58:25Speaker 1: exactly what complaints were genuine. Eventually, though, Victor's condition deteriorated
- 58:30Speaker 1: badly enough that he was transferred from Alcatraz to the
- 58:34Speaker 1: Medical Center for Federal Prisoners in Springfield, Missouri. On March 9, 1947,
- 58:39Speaker 1: he developed pneumonia. And two days later, on March 11, 1947,
- 58:41Speaker 1: Victor died at approximately 8.30 p.m. at the age of
- 58:50Speaker 1: of 57 years old. But even his death certificate carries
- 58:55Speaker 1: one final reminder of the identity problem that followed him
- 58:58Speaker 1: for decades. He was recorded not as Victor Lustig. He
- 59:04Speaker 1: was recorded as Robert V. Miller, one of the many
- 59:07Speaker 1: names used during his life. And under occupation, the certificate
- 59:12Speaker 1: listed him as, quote, apprentice salesman, end quote, while the
- 59:18Speaker 1: accompanying industry or business field identified him simply as, quote, counterfeiter,
- 59:24Speaker 1: end quote. His death initially attracted remarkably little public attention.
- 59:30Speaker 1: It was not until August 31st, 1949, more than two
- 59:33Speaker 1: years later, that the New York Times reported that Victor's brother, Emil,
- 59:37Speaker 1: had informed a judge that the famous con man had
- 59:40Speaker 1: died in federal custody. Even decades later, though, questions remain
- 59:44Speaker 1: about who he had actually been. But just because he
- 59:47Speaker 1: himself was an enigma doesn't mean he didn't leave behind
- 59:50Speaker 1: more than an interesting story. In fact, what survived much
- 59:54Speaker 1: more clearly was the Methods. A list I alluded to
- 59:59Speaker 1: earlier known as Victor Lustig's Ten Commandments for Conmen has
- 1:00:03Speaker 1: long since been attributed directly to him. Although exact authorship
- 1:00:07Speaker 1: is difficult to establish, but the rules capture the approach
- 1:00:12Speaker 1: repeatedly visible throughout his entire career. And the commandments? Well,
- 1:00:18Speaker 1: they go as follows. Number one, be a patient listener.
- 1:00:24Speaker 1: Number two, never look bored. Number three, wait for the
- 1:00:30Speaker 1: other person to reveal their political opinions, then agree with them.
- 1:00:35Speaker 1: Number four, let them reveal their religious views, then share
- 1:00:39Speaker 1: those views. Number five, hint at sex, but don't pursue
- 1:00:45Speaker 1: the subject unless the other person shows interest. Number six,
- 1:00:50Speaker 1: never discuss illness unless the other person is particularly concerned
- 1:00:55Speaker 1: with it. Number seven, Never pry into someone's personal circumstances. 8.
- 1:01:01Speaker 1: Never boast. Allow your importance to become obvious on its own. 9.
- 1:01:10Speaker 1: Never be untidy. 10. Never get drunk. Whether Victor personally
- 1:01:17Speaker 1: wrote every one of those rules, or they were polished
- 1:01:21Speaker 1: as his legend grew, one thing is certain. They described
- 1:01:25Speaker 1: the central principle behind nearly everything that he did. Victor
- 1:01:31Speaker 1: rarely forced anyone to give him money. He listened, watched,
- 1:01:36Speaker 1: identified what they wanted, and constructed a situation in which
- 1:01:39Speaker 1: handing their own money to him seemed like their own idea.
- 1:01:45Speaker 1: And by the time they understood what had happened, he
- 1:01:48Speaker 1: was usually already gone and looking for his next con.
- 1:01:54Speaker 1: And that's the story of Victor Lustig.
- 1:01:59Speaker 2: What a story.
- 1:02:01Speaker 1: What a story indeed.
- 1:02:02Speaker 2: I feel like he lived the life of many men. Almost.
- 1:02:07Speaker 1: 40 to 47 men, to be exact. Yeah. Because of
- 1:02:10Speaker 1: his identities.
- 1:02:11Speaker 2: Yeah, like he died pretty young, but like he lived
- 1:02:15Speaker 2: a freaking life and a half.
- 1:02:16Speaker 1: Did he ever. And like I said earlier, the balls
- 1:02:20Speaker 1: on this man.
- 1:02:21Speaker 2: Mm-hmm.
- 1:02:22Speaker 1: Impressive. Very impressive.
- 1:02:24Speaker 2: Like if someone told me that there was a person
- 1:02:27Speaker 2: in the world that sold the Eiffel Tower, I don't
- 1:02:30Speaker 2: think I would believe them. Right.
- 1:02:32Speaker 1: Or a man that conned Al Capone.
- 1:02:35Speaker 2: Yeah.
- 1:02:37Speaker 1: Right. I mean, unreal. Some of these stories, how much
- 1:02:40Speaker 1: of it is exactly true, but the basic of the
- 1:02:42Speaker 1: foundation of it all is it's all there and it's
- 1:02:45Speaker 1: all the same. He was the best con man to
- 1:02:49Speaker 1: ever exist. Yeah.
- 1:02:51Speaker 2: And I think I mentioned it a couple times. It's like,
- 1:02:53Speaker 2: why does he need this much money? But I also
- 1:02:55Speaker 2: think he just liked doing this. Yeah.
- 1:02:58Speaker 1: It was fun for him. I don't think it was
- 1:03:00Speaker 1: necessarily about the dollar figure all the time. I think
- 1:03:03Speaker 1: it was also the love of the game.
- 1:03:05Speaker 2: Yeah. And he was damn good at it.
- 1:03:08Speaker 1: Was he ever.
- 1:03:09Speaker 2: He could have been like a world leader or, I
- 1:03:12Speaker 2: don't know, something. But I guess this was his chosen path.
- 1:03:17Speaker 1: One will be an amazing con. If he never actually
- 1:03:20Speaker 1: did any of this and he just put all that
- 1:03:22Speaker 1: information out there and got the world to believe it.
- 1:03:26Speaker 1: What if that is the case?
- 1:03:27Speaker 2: Well, I mean, some of it probably is, though.
- 1:03:29Speaker 1: Oh, definitely.
- 1:03:30Speaker 2: Right?
- 1:03:30Speaker 1: Like, did he actually con Al Capone? Did that happen?
- 1:03:33Speaker 1: Did he actually get that scar in the way he said?
- 1:03:36Speaker 1: Was he poor growing up? We don't know. He did,
- 1:03:41Speaker 1: in fact, con the world to believe many things about
- 1:03:43Speaker 1: his life because we don't actually know much about him.
- 1:03:46Speaker 1: His death certificate did not say his real name. His
- 1:03:49Speaker 1: death certificate said one of his pseudonyms.
- 1:03:51Speaker 2: Yeah. Which is wild, actually.
- 1:03:55Speaker 1: You can't get any better than that.
- 1:03:57Speaker 2: No. Gosh, that's... It's just bizarre, really. It is. It's
- 1:04:00Speaker 2: very fascinating. Interesting. It almost makes you want to even
- 1:04:03Speaker 2: learn more about him, you know? Yeah.
- 1:04:05Speaker 1: Which is why I was saying, you know, you went
- 1:04:08Speaker 1: to Alcatraz.
- 1:04:09Speaker 2: I know. I don't remember him.
- 1:04:10Speaker 1: Don't remember anything about this con man?
- 1:04:12Speaker 2: I've been there twice.
- 1:04:13Speaker 1: You have?
- 1:04:14Speaker 2: Yeah. So I don't remember. I mean, obviously, there's a
- 1:04:16Speaker 2: lot of people there. I'm not sure if he would
- 1:04:18Speaker 2: have been... The one that was highlighted or not?
- 1:04:21Speaker 1: It's hard to say.
- 1:04:22Speaker 2: I just can't remember.
- 1:04:24Speaker 1: But how do you highlight individuals out of people that
- 1:04:28Speaker 1: are all already highlighted?
- 1:04:30Speaker 2: Well, yeah, there are some people that are more highlighted
- 1:04:32Speaker 2: there for sure, like have their pictures and little write-ups
- 1:04:35Speaker 2: and stuff.
- 1:04:36Speaker 1: Definitely. But what I'm saying is that place housed so
- 1:04:40Speaker 1: many notorious individuals.
- 1:04:41Speaker 2: Yeah.
- 1:04:42Speaker 1: So how can you– you can't highlight everyone who's– No.
- 1:04:46Speaker 2: No.
- 1:04:46Speaker 1: Who's there, right?
- 1:04:47Speaker 2: Everyone there had a story.
- 1:04:50Speaker 1: Everyone there is extraordinary. So you've got to be extra extraordinary.
- 1:04:54Speaker 2: Extraordinary in not a good way.
- 1:04:56Speaker 1: Extraordinarily extraordinary in not a good way to be highlighted
- 1:05:01Speaker 1: at Alcatraz. That's what we're saying.
- 1:05:03Speaker 2: Oh, gosh. Yeah. You would want to visit there one day, hey?
- 1:05:07Speaker 1: Oh, definitely.
- 1:05:08Speaker 2: Okay. Because I feel like you would like that place
- 1:05:10Speaker 2: a lot.
- 1:05:11Speaker 1: Oh, I 100% would. You've been to San Francisco twice
- 1:05:14Speaker 1: without me, so maybe next time you take me. Who knows?
- 1:05:16Speaker 2: Oh, I thought you were going to be like, I'll
- 1:05:17Speaker 2: go on my own. I'll be like, fuck that. I'm
- 1:05:19Speaker 2: coming with you. I love San Francisco. It's been many,
- 1:05:22Speaker 2: many years since I've been there.
- 1:05:24Speaker 1: Well, maybe we'll go back one day.
- 1:05:25Speaker 2: Yeah.
- 1:05:26Speaker 1: But for now, we just want to say a quick
- 1:05:28Speaker 1: thank you to you guys for being here and supporting
- 1:05:30Speaker 1: our show. We are just us in our tiny home
- 1:05:34Speaker 1: doing a podcast all on our own. There's no big
- 1:05:37Speaker 1: corporate or no other people behind the scenes. Who you're
- 1:05:40Speaker 1: listening to right now? Myself and Nicole. We are the
- 1:05:42Speaker 1: team that is wicked and grim, but we can't do
- 1:05:45Speaker 1: it without you. You guys are our community, our support.
- 1:05:48Speaker 1: You are what keeps us going. So thank you so
- 1:05:50Speaker 1: much for everything you do. If you want to check
- 1:05:52Speaker 1: the description of this podcast, see other links to go
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- 1:06:01Speaker 1: other people that this is a good show or worth
- 1:06:05Speaker 1: listening to. I need more water, not just coffee. And
- 1:06:09Speaker 1: it helps us keep going. So thank you so much.
- 1:06:13Speaker 1: You're incredibly amazing. And of course, until next time.
- 1:06:17Speaker 2: Stay wicked. Thank you. Thank you.