Latest / My Third Place Pod / Episode 143 - GLOW S2E6 - Work The Leg

Transcript

Episode 143 - GLOW S2E6 - Work The Leg · My Third Place Pod

0:01
Not many people. Know how to process of me doing
0:04
the glow episodes Go So allow me to explain to you how I watch
0:12
these episodes. I watched them twice the first
0:17
time around. I'm enjoying the episode, but
0:19
I'm also pressing the windows button and H which audio records
0:24
everything. I used to do it with the headset
0:29
on and just do a play by play and describe everything that's
0:32
going on on the show. But then I realized I could just
0:36
leave it on near the microphone near the TV and it will just
0:43
record everything by itself. Which leads me to just watch the
0:49
entire episode once over the 2nd viewing is myself editing what
0:57
was just posted, what was just said, it going through the
1:01
dialogue of a 30 minute show with lots of pausing and
1:07
playing, which equals up to maybe 3 or 3 1/2 hours only
1:12
because I have to edit out what the windows age.
1:18
Thought it said. They're having a conversation
1:22
and the AI thinks it's saying something random, some different
1:26
conversation itself. Let's just say that this, let's
1:34
just say that this episode ended up being that way because I was
1:38
Easter egg hunting ended up being, let's just say that this
1:44
episode ended up being me watching it for three hours
1:47
because I was Easter egg hunting.
1:51
That's right, I was hunting for Easter eggs in one of the
1:55
scenes. Sam Sylvia who plays the
1:57
director of GLOW and is inspired by the real life director of
2:01
GLOW, Matt Zimmer goes to a banned Horror movies Film
2:05
Festival because of one of his movies is playing as well.
2:09
As he makes his way to the entrance of the movie theater,
2:11
camera pans on a few movies that you can make out that were
2:14
banned. So I figured, why not just look
2:17
at these movies up and see the reason they were banned in the
2:20
1st place, which will save a lot of trouble by having it on top
2:23
of the show. It's the middle when I'm trying
2:26
to tell a story, the story of Gorgeous ladies of wrestling the
2:33
episode. So here they are in its entirety
2:36
#1 Alice, Sweet Alice in 1976, an American psychological
2:41
slasher film Co written, directed by Alfred Sole and
2:45
starring Linda Miller, Paul Shepherd and Brooke Shields in
2:48
her film debut since 1961, New Jersey.
2:51
The film focuses on troubled dolls and girl who becomes a
2:54
suspect in the brutal murder of her younger sister at her first
2:57
communion, as well as in not a series of assault stabbings that
3:01
follow. While not prosecuted for a city,
3:04
the film was seized if confiscated in the UK under
3:07
section three of the Obscene Publications Act 1959 during the
3:10
video Nasty Panic and was controversial in Island due to
3:15
his parent. Anti Catholic Themes #2 Beyond
3:20
the Door 2 Originally called Shock in 1977 Italian
3:25
supernatural horror film directed by Mario Baba and
3:28
starring Darya Nicolotti, John Steiner and David Collins
3:31
Junior. Its plot focuses on a woman who
3:34
moves into the home she shared with her deceased former
3:37
husband, where she finds herself tormented by supernatural
3:40
occurrences. It was Baba's last theatrical
3:43
feature before he died of a heart attack in 1980 in the
3:47
United States. The film was released on the
3:49
title Beyond the Door 2 as an unofficial sequel to Beyond the
3:54
Door 1934 and 2nd entry into the Beyond the Door Trilogy #3I Spit
4:00
On Your Grave, a 1978 American rape and revenge film written
4:05
directed by Mirzaki. The film tells the story of
4:09
Jennifer Hills, played by Camille Heaton, a fiction writer
4:13
based in New York City who exact revenge on her four tormentors
4:16
who gang rape and leave her for dead.
4:20
I Spit On Your Grave is noted for his controversial depiction
4:23
of extreme graphic violence, particularly the lengthy
4:26
depictions of gang rape that takes up to 30 minutes of his
4:30
runtime. During his wider release, it was
4:33
branded a video nasty. In the United Kingdom, it was a
4:36
target of censorship by film commissioning bodies.
4:39
As such, film critic Roger Ebert became one of the most notable
4:43
directors of A Detractors. I'm sorry, detractors, if I spit
4:47
on your grave calling it a vile bag of garbage.
4:51
The film remains highly controversial to this day, even
4:54
being considered to be one of the worst ever made.
4:58
For some, it is this controversy which has led to it being deemed
5:02
A cult classic. Despite the controversy and
5:06
overwhelmingly negative reviews, the performance of Keaton was
5:09
praised by critics. In 2010, I Spit On Your Grave
5:15
was included in Time Magazine's top 10 ridiculously violent
5:18
Movies. The film spawned the 2010
5:22
remake, which just spawned 2 sequels of its own, I Spit on
5:26
Your Grave Two in 2013, and I Spit On Your Grave 3 Vengeance
5:29
is Mine in 2015. A direct sequel, I Spit On Your
5:33
Grave Deja Vu, was released in 2019, where Zarki and Keaton
5:38
both returning. In her memoir Inside Out, Demi
5:42
Moore confirmed that she is scantily clad woman in the film
5:45
poster with her back turned. Not only did Ireland ban the
5:51
original 1978 theatrical version, but the 2010 DVD
5:54
release as well. Next one they call Her One Eye.
6:02
Originally a Swedish movie called Thriller A Cruel Picture
6:07
8/19/73 Swedish rape and revenge exploitation film written and
6:10
directed by Beau Arne Vivienus under the pseudonym Alex
6:14
Friedolinski and starring Christina Lindbergh and Heinz
6:17
Hulfe. It tells the story of a mute
6:19
young woman who was forced into inherent addiction and
6:22
prostitution, and their subsequent revenge on the men
6:25
responsible. The film was released in the
6:28
United States in a truncated version of Bi American
6:30
International Pictures under several international titles.
6:34
I'm sorry. The film was released in the
6:36
United States in the truncated version by American films
6:39
National Pictures under several alternative titles such as They
6:42
Call Her One Eye, Hooker's Revenge, and The Swedish Vice
6:46
Girl. The original running time was
6:50
107 minutes. After being banned by the
6:52
Swedish from Censorship Board, the film was truncated by 204
6:56
minutes and then 86 minutes, but still banned.
6:59
It was finally released after being cut down to 82 minutes in
7:03
the United States. The film was viewed by American
7:06
International Pictures, also in a truncated cut, running 82
7:10
minutes. American National Pictures
7:13
released the film in May 1974 under the alternative thrillers
7:18
and they call her One Eye. The American National Pictures
7:23
released the film in mid 1974. Fuck.
7:28
The original running time was 107 minutes.
7:31
After being banned by this footage film censorship board,
7:33
the the film was truncated to 104 minutes and then 86 minutes
7:37
was still banned. It was finally released after
7:39
being cut down to 82 minutes. In the United States.
7:43
The film was distributed by American International Pictures.
7:47
All of a sudden the truncated cut running 82 minutes.
7:50
American International Pictures released the film in mid 1974
7:54
under the alternative titles thriller And They Call Her One
7:58
Eye and in 1975 as Hooker's Revenge.
8:03
It was marketed as the first time film ever to be completely
8:06
banned in Sweden, although the first one actually was Victor
8:09
Smalls Drums the Gardener. From 1912 it has received a
8:13
call. Following was the basis behind
8:15
Quentin Tarantino's Kill Bill character L Driver played by
8:19
Daryl Hannah. Next film Suspiria, a 1977
8:25
Italian supernatural horror film directed by Daryl Argento, who
8:29
Co wrote the screenplay with Darya Nicolotti.
8:31
Partially based on Thomas de Quincy's 1845 SHS video de
8:36
Profundis, the film stars Jessica Harper as an American
8:40
ballet student who transferred to a prestigious Dance Academy,
8:43
but realizes after a series of murders at the Academy's affront
8:46
for A Covenant of Witches. It also features Stefania
8:51
Cassini, Flavio Bucci, Miguel Bosé, Alita Vali, Udo Kiir and
8:56
Joan Bennett in her final film role.
9:00
Director Dan Argento's original idea was that the ballet school
9:03
would accommodate young girls no older than 12 years.
9:06
However, the studio and producer saboteur Argento, his father,
9:11
denied his request because of film.
9:13
This violent involving children would almost certainly be
9:15
banned. Dalio raised the late she
9:18
limited the girls to 20 years but did not rewrite the script,
9:22
hence naive of the characters and the occasionally the
9:24
childlike dialogue. He also put all the doorknobs at
9:28
about the same height as the actresses head, so they would
9:30
have to rate their arms in order to open the doors just like
9:34
children. Another movie, Burnt Offerings,
9:39
a 1976 American supernatural horror film Co written and
9:42
directed by Dan Curtis and starring Karen Black, Oliver
9:45
Reed, Betty Davis, and Lee H Montgomery, with Eileen Heckert,
9:50
Burke and Mehta and Anthony James in supporting roles.
9:55
It is based on the 1973 novel with the same name by Robert
9:58
Morasco. The plot follows a family who
10:01
begins to personally interpersonally dissolve under
10:04
supernatural forces in a large state they have rented for the
10:07
summer. Produced by Arvento Grimaldi's
10:11
Porzoni E Rupee Associati PEA, Burnt Offerings was filmed on
10:16
location at the historic Dusmere House in Oakland, CA.
10:21
It was given the domestic limited theatrical release
10:23
through the United States in August 1976, which expanded
10:26
later that fall. While the film received mixed
10:29
reviews from critics, it won several awards in 1977.
10:36
In the years since its release, the film has been analyzed by
10:38
Skip Film Scholar. That's a commentary on
10:41
materialism and the dissolution of the American family.
10:44
Next up, The Leech Woman, a 1960 black and white American formal
10:49
film directed by Edward Dine, produced by Joseph Girshinun and
10:53
starring Colleen Gray, Grant Fillings, Gloria Talbot, and
10:57
Philip Treary. The plot follows a middle-aged
11:00
American woman, desperate to be young again, who uses an ancient
11:04
secret African potion to regain the lost youth and beauty.
11:08
The potion works, but only temporarily, requiring repeated
11:11
usage. Produced in 1959 Leachwoman's US
11:16
theoretical release from Universal International with its
11:19
double feature with the Brides of Dracula in 1997, it was
11:23
featured as a part of the movie mocking sketch TV series Mystery
11:26
Science Theater 3008 season. As for Sam's movie, Gina is a
11:33
Machina, which we all know is not based on anything in real
11:35
life. However, Sam Sylvia is actually
11:37
based off the Globe director Matt Cimber, who was most known
11:40
for his mid 70s Black's potation films The Black Six Lady Coco
11:44
and The Candy Tangerine Man, which have all over the years
11:47
been praised by Seminole Jackson and Quentin Tarantino.
11:51
Were any of them banned? Well, according to John Squires
11:54
from Bloody Disgusting, Simba's first and only stop in the
11:58
horror genre in 1976 with The Witch Who Came from the Sea.
12:02
Starring Millie Perkins, Lonnie Chapman, Vanessa Brown, Peggy
12:05
Fury, Rick Jason, George Buckflower and Roberta Collins,
12:11
the film centers on an emotionally scarred woman who
12:13
goes on a killing spree, have taken a job as a waitress in a
12:16
seaside bar. It's tightly refers to The Birth
12:18
of Venus, which figures in the film.
12:21
Dean Conti served as associate photography on the film The
12:26
Witch Who Came From the Sea was classified as a video nasty by
12:29
the United Kingdom Department of Public Prosecutions and was
12:32
considered prosecutable for violating obscenity laws, but
12:36
the prosecution proved unsuccessful.
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Retrospective reviews of the film have been generally
12:41
positive. Welcome back, my father's
13:25
behavior Squad. This is EVO and we are $100 away
13:31
from doing our own 20 minute promo on social media.
13:36
It will air exclusively on from under the apron.
13:41
I will have the Rock video as entirely in the show notes, but
13:45
there was something I said on Twitter that I wish we could
13:47
implement from now on. And maybe it had to do with The
13:49
Rock doing it for 20 minutes straight.
13:52
But before I do, after The Rock publishes 20 minute promo, Cody
13:56
Rose reached out and reacted. After The Rock published this 20
14:06
minute promo, Cody Rhodes reacted on his Instagram when a
14:08
meme that read I ain't Watching all That.
14:10
I'm Happy for You though or Sorry that Happened, which ended
14:14
up getting more likes than The Rocks promo itself.
14:16
Basically saying this could have been an e-mail or not even that.
14:25
This is like basically saying those were paragraphs after you
14:31
have a fight with your significant other, or you so
14:35
happen to insult someone and they come at you with paragraphs
14:40
and you're like, oh hell no, I ain't reading that.
14:44
So this is what I said on Twitter.
14:46
Can we get these types of promos from now on?
14:48
Have an edited version of it on the show, but in order to see
14:51
the full promo you have to go to their page.
14:53
I would love that and it kind of happened because later on on
15:00
Smackdown you he said exactly the same thing.
15:03
He said exactly the same promo. Well, not really.
15:07
It was more or less like that, but it was like you know, you
15:12
know where he was going. He he had the same insults that
15:16
he threw in in the 20 minute promo.
15:20
And then he brought it up. To smack down, oh, this one has,
15:24
let me say it. But you know, if we do get
15:30
something like this, that's great.
15:32
Do it, do it again, do it again, do more of that.
15:35
Have him do a big promo. Then have him do the tease of
15:40
the promo and say like, hey, there's more to that over here.
15:47
That 'd be great. Just imagine that Rock being the
15:52
most busiest person in the world creates another 20 minute promo.
15:55
Instead of trying to go to the show, he can do this in his
15:57
home, in the comfort of his own home. 20 minutes. 20 or so
16:02
minutes. Maybe more of him bringing up
16:04
clips of other people's podcasts who are shedding on him or
16:07
praising him. Maybe this one.
16:09
Who knows? Who knows some stuff he said
16:12
within the span of a month. Some, you know, highlight reel
16:16
or having dinner with his family and his friends and making fun
16:19
of his opponents. This isn't no longer expensive
16:23
Shirts rock. It kind of is when he was back
16:28
then. But but him talking is not that
16:31
Mutton chops with sweats Rock number him.
16:33
Corporate rock the people's champ.
16:35
Rock. Hollywood Rock.
16:37
No, this is no longer him. This is the board of Tikio Rock
16:41
bringing up his status as he can mess with your life or your
16:44
career. Like can he fire any of the
16:46
wrestlers? Maybe for storyline purposes to
16:49
make point, but then Triple H says no and brings them back and
16:55
that would be the storyline. That would be how we get
16:57
tribulation to the storyline against the Rock.
17:00
It's something I was thinking about, something that I know
17:04
will never happen of. Course on this episode of GLOW
17:10
on Netflix Season 2 episode 6. For those that I knew, this is a
17:13
recap and review episode of the TV series GLOW on Netflix.
17:18
A show about the Gorgeous Ladies of Wrestling that was set in the
17:21
80s. I will have bits of trivia here
17:24
and there with additional interviews from the creators,
17:26
directors or stars of the show throughout the years.
17:31
All in all, it makes for an awesome episode if you haven't
17:34
watched. If you haven't yet watched GLOW,
17:37
I suggest you do so and follow along.
17:39
I start, recap and tell you what I saw of the episode.
17:42
And if you haven't yet, check out episode 133 where I talk
17:46
about the first season and pilot episode of GLOW.
17:49
If you want to go back and listen, that is episode one 23
17:57
This is GLOW Season 2, Episode 6.
17:59
The episode title of the episode is titled Work the Leg.
18:03
It was directed by Lynn Shelton, also directed season one,
18:06
Episode 9 The Liberal Chokehold. The first episode of Season 2,
18:10
The Viking Funeral, written by Marquita Robinson, who wrote the
18:14
first episode of Season 2 Viking Funeral as well Synopsis Facing
18:20
new competition, the woman bowed to amp up their wrestling.
18:24
A startling discovery changes Sam's outlook on the show.
18:30
Short cold open, I walk alone by the pills.
18:35
It's playing as Cherry is leading a jog.
18:37
While all the girls are right behind her.
18:40
Yolanda runs beside Cherry, asking her what her new
18:43
character is going to be suggesting.
18:44
Maybe a crooked cop? Cherry tells her she's junk
18:49
chain, Yolanda tells her. But she's junk chain, Jerry
18:53
says. We'll see.
18:55
She turns around and motivates the other girls to pick it up
18:58
toward the back. Ruth and Debbie are running
19:00
beside each other, not speaking to one another, and then we see
19:04
the infamous GLOW logo. Next scene, Sam and Bash arrive
19:09
at the KDTV headquarters station, and as they walk from
19:14
the parking lot to the building, they're discussing wanting to
19:16
know why they moved them into this shit stained time slot.
19:20
Nobody watches TV at 2:00 AM, Sam says.
19:23
They need to know what they think their crew did wrong.
19:27
Bash asked if they have an appointment.
19:29
Sam says they're storming into the meeting and an appointment
19:31
would defeat the purpose of storming.
19:34
Bash says Bitchin as they head into Tom's office, who is
19:39
practicing his golf swing and says you win some, you lose
19:42
some. I guess Sam says enough with the
19:45
platitudes. They're there to talk and they
19:47
want to know why they were moved to 2:00 AM.
19:51
Tom lies and explained to them that they were replaced with a
19:53
men's wrestling show. They asked why Tom just says
19:57
because he wants to glow at 2:00 AM and men's wrestling at 10:00
20:01
AM. He asked them both inside his
20:03
office, though the original Glow was on syndication, so nobody
20:09
knew to be the politics behind it.
20:12
I would start it. I would always start my sun
20:15
Saturday mornings with cartoons. It was always the same ones.
20:20
Master the Universe, Thundercats, GI Joe,
20:23
Transformers and then a certain time.
20:25
I believe maybe around 11 W Super Saturday Morning
20:28
Superstars and around 10 AMI would always look forward to the
20:31
gorgeous ladies of wrestling up until I got grounded and told no
20:36
I can't watch this. Can't believe I got grounded all
20:40
because of the skit. All right, so later after the
20:44
meeting, Bash tells the entire girls that they gave the men's
20:47
wrestling show their time slot and the reason being is because
20:50
they are better. They fly higher, they hit
20:52
harder. The rest of the girls are
20:54
disappointed. Ruth knows exactly what the
20:56
truth as to why. Ruth says they fly higher and
20:59
hit harder because of physics. Bash says fuck physics.
21:03
He tells him he needs them to take everything they got and
21:05
push it all the way to the limit.
21:08
Carmen says she don't know what else they can do.
21:10
They've been training almost every day.
21:13
Bash yells at Carmen, saying he doesn't need to hear excuses.
21:16
He needs to hear results. Carmen says OK and apologizes.
21:21
Cherry tells her not to apologize.
21:24
She turns to Bash and tells him fine, he will get bigger moves
21:29
or they will get bigger moves. Bash says That's what he wants
21:33
to hear. He knows this is going to be
21:35
hard, but he believes in miracles and they are going to
21:38
make a miracle happen. I love how Sherry comes back and
21:44
asserts her female dominance. She has that.
21:47
Don't fuck with my girls. My toddy.
21:50
Earlier she told you Lana, that she was Junk Shane.
21:52
If she gets her way, she will stay Junk Shane.
21:54
I mean, why not right here? She's been gone for half the
21:59
year, making ATV show and being insecure in front of a bunch of
22:02
men trying to direct her. But she trusts Sam Sylvia, so
22:09
she went back to him. And this moment she decides
22:11
nobody's going to yell at these girls when it's none of their
22:14
fault and in front of her. So she tells Bash to stop
22:18
yelling. They will get it done.
22:22
Also, Bash asking for a miracle. I don't know about y'all, but it
22:27
reminds me so much of when ABC sportscaster Al Michaels is
22:30
yelling on commentary. Do you believe in miracles after
22:34
the US national hockey team beat the Soviet national team at the
22:37
1980 Lake Placid Winter Olympic Games to advance to the middle
22:42
round? So Bash saying Miracle is like
22:44
he watched that moment. He's been waiting for a moment
22:46
like this to say it. I mean, he is a wrestling fan
22:49
after all. He wants to copy catchphrases,
22:55
looks he was standing in front of his mirror looking up at.
23:02
He was looking up at one of his favorite wrestlers and posing as
23:05
him back to the show. Bash asked if Sam has anything
23:10
to add. Sam says no, not at all.
23:14
He's added all he could over the last 10 weeks.
23:16
He just don't think he could possibly add anymore at this
23:19
point. They all agree, Debbie says that
23:22
if they break their bodies and wrestle harder, would they
23:25
magically get their time slot back?
23:27
Bash says yes. Thank you Debbie.
23:30
He has heard it from Tom Grant that this is what they have been
23:33
missing. Debbie turns to look at Ruth,
23:36
who is still mad at her from the last episode.
23:38
She then turns to Bash and as in that they both met with Tom
23:41
Grant without her. Bash apologized to the Debbie
23:46
saying that it was a guy thing. They had to storm the gates.
23:49
Sam says not to get back up on her feminist high horse.
23:52
They didn't leave her out. They just think her focus should
23:55
be on performing this week against Ruth, and they have a
23:57
big match coming up. The continuing table of the
24:00
bereaved mother and the insane Russian Sam looks at the rest of
24:06
the girls and tells them they're going to be posting more matches
24:09
later in the afternoon. Bash whispers something in Sam's
24:14
ear and Sam calls for Jenny to create another gold jumpsuit for
24:18
Cherry. He couldn't say this on his own.
24:22
He had to whisper Daddy's ear. Don't forget.
24:28
To Oh yeah. Hey, don't forget you need to
24:30
create another costume for Cherry.
24:37
And don't forget to. Also, we're having a match
24:44
between them to what Loser leaves town?
24:53
Match. You couldn't say this.
25:00
Yes, he couldn't. Shit Bash whisper something into
25:05
Sam's ears, Sam. Because Sam called for Jenny to
25:08
create another code judgment for Yolanda, for Cherry.
25:11
Yolanda speaks up saying that it's her costume.
25:13
Sam says they are doing a Luther League town match.
25:16
It was Bash's idea. It's going to be Chola junk
25:20
chain versus black junk chain. Jesus.
25:23
Sort of like the South Central turf war offensive.
25:27
Cherry rolls her eyes at Yolanda, who is scared that
25:30
Cherry might be taking her spot. Bash doesn't Enough talking.
25:35
He calls Carmen, saying that a lot of riding.
25:39
Bash says enough talking. He calls Carmen saying that a
25:43
lot is riding on her this week. Do not disappointment him.
25:48
He claps his hand and everyone walks away, muttering under
25:51
their breath. Ruth asked Debbie what time does
25:54
she want to rehearse today? Debbie says any time, really,
25:57
from sun up to sundown. It won't make a difference.
26:00
Her of all people should know that.
26:02
She walks away, leaving Ruth annoyed by that next scene.
26:08
Cherry's watching a tape of Carmen's brother Russell taking
26:12
notes. Kurt, playing by Carlito, is
26:15
training with another wrestler. He gets on the top of the rope
26:18
and continuously yells chop chop, chop, chop.
26:22
He jumps from the top and performs a double X handle on
26:24
the back of his opponent and then goes for the pin.
26:27
Cherry jumps up and down and wants to add that chop on her
26:30
list. Carmen says they can make
26:33
something similar. Cherry asks why can't they use
26:36
that move. Carmen says that the lumberjack
26:38
chop is Kirk's signature move. If they use it, that would be
26:42
considered stealing. Jerry says it's a wrestling
26:45
move. They're wrestlers.
26:46
What is going to happen to her Gets sued, Carmen says.
26:50
It's just isn't done. You don't steal another person's
26:52
finisher. Jerry tells Carmen not to make
26:55
this hard on his C to be. They're sitting on a gold minded
26:58
moves. Use them.
26:59
Carmen continues playing with her pad and pad.
27:04
I hate to say it, but I'm going to.
27:06
We live in a society today. We live in a society.
27:10
No, really. Back then the finisher was
27:13
protected. You had Hulk Hogan with a leg
27:15
drop, Macho Man, Renny Savage Flying Hubble drop, the Middle
27:19
Dollar Man or Virgo with a chokehold and they just caused
27:21
the middle dollar dream because it made you go to sleep.
27:23
It is basic move. Wrestlers had basic finishers
27:27
and other wrestlers from other companies would be like let's
27:30
use that move and have that other wrestler kick out of it.
27:33
And the concept of a basic wrestling move as a finisher
27:37
continued on into the late 90s. Shawn Michaels with a kick to
27:40
the face. Jake Roberts or Raven with ADT
27:44
which drops them face first on their head.
27:48
The Rock doing the People's Elbow which was basically an
27:50
elbow drop. Even the powerbomb from a 7 foot
27:55
tall Diesel. Those moves are used today.
27:58
Just normal moves, kick to the face done almost every 5 minutes
28:03
and matches. ADT uses a setup for a top rope
28:06
elbow drop and then the leg drop.
28:09
I used to work an entire match using all those moves.
28:12
No big deal. Everybody steals moves from
28:16
other people when back then was protected and I don't know about
28:20
the sewing part. I don't think Hulk Hogan called
28:23
up a girl from Global saying to stop using his move before doing
28:25
another basic move to score the win.
28:32
Hi everyone. I'm Lisa.
28:33
And I'm Dawn. And if you've ever watched ATV
28:35
show and thought to yourself, Oh my God, that season finale plot
28:37
to us was absolutely bonkers. Or seen a movie and thought,
28:40
wow, I need to talk to somebody about this train wreck
28:42
immediately. Then we think you'll fit right
28:44
in with our podcast. I hate it.
28:46
Let's watch it. We watch TV shows like Riverdale
28:48
and Emily and Paris and movies like Deep Water Killer, Sofa
28:51
Rubber and Devil Illusions, and we give them the total rinsing
28:54
they deserve. It's basically group therapy for
28:56
movie Mascus. So come check us out wherever
28:58
you stream podcasts. Hi everyone, this is JJ, the Co
29:03
founder of Goodpods. If you haven't heard of it yet,
29:05
Goodpods is like Goodreads or Instagram, but for podcasts.
29:09
It's new, it's social, it's different and it's growing
29:12
really fast. There are more than two million
29:15
podcasts and we know that it is impossible to figure out what to
29:19
listen to. On Goodpods, you follow your
29:21
friends and podcasters to see what they like.
29:24
That is the number one way to discover new shows and episodes.
29:28
You can find good pods on the web or download the app.
29:31
Happy listening movies and feelings.
29:38
Pop. Pop.
29:39
Bring Your Own Popcorn is a podcast that dives into people
29:42
and the movies who love them. Let us preach to your choir or
29:45
stoke your ire as we spiral down memory lane with cult classics,
29:49
jurassics and other genres that rhyme with traffic.
29:51
What we lack in education we make up for with comedy,
29:54
compassion and camaraderie. I'm Your Host, Mixtape Majesty,
29:58
inviting you to join me and an assortment of wonderful guests
30:01
on fine podcast apps everywhere. Bring your own popcorn.
30:20
Next scene, Ruth is at a gym in the locker room area.
30:24
Justine walks in and she gets asked about school.
30:27
Justine says who cares? She asked Ruth if she knows Gina
30:30
the Machina is closing out this film fest at the Highland Park
30:33
Theater Wednesday. Justina seen wearing the Dead
30:36
Milkman Metaphysical graffiti T-shirt.
30:39
The album Metaphysical Graffiti was released in 1995, years
30:43
after this season takes place. And she did another another.
30:48
What a goof moment when she was wearing a shirt that wasn't
30:51
supposed to be out there in 1984 yet, or 1985 yet last season.
30:59
Justine says it's a small and obscure festival that only shows
31:02
banned horror films from the late 70s, but it's still
31:05
awesome. She hands Ruth a flyer and tells
31:07
her she should go. Justine says they gave Sam a
31:10
bunch of seats to fill if he could.
31:13
She invited some people, but she just thought it would mean a
31:16
lot. If Ruth was there, then she is
31:18
like his friend. Ruth Asked if he said that about
31:21
her, Justine says she don't know.
31:23
He just seems to like Ruth more than anyone else but Sam.
31:27
It's all relative. Justine walks away, leaving Ruth
31:30
looking down at the flyer, wondering if she should go.
31:35
Next scene, Cherry and Carmen are showing Debbie and Ruth what
31:38
they're going to do in the ring. Cherry tells Debbie what she's
31:42
going to do. Cherry throws Carmen to the
31:44
rope. Carmen reverses it.
31:46
On the way back, Carmen kick Cherry in the gut.
31:48
She tells Ruth that she's going to do a suplex.
31:50
Debbie and Ruth are across the ring from each other, unsure of
31:53
this training moment. Carmen gets up and tells Ruth
31:57
then she's going to work the leg, stomping on cherry leg as
32:00
well as putting her knee on top of the leg.
32:02
Carmen says to top it off, Ruth is going to do a submission
32:04
hold. She cherry.
32:06
She places cherry into a half Boston crab and Cherry tapped
32:09
out. Debbie explains that Livery Bell
32:12
should have the finishing move. Carmen says they'll just reverse
32:15
it. Ruth interrupts and says that
32:16
doesn't make any sense. She is supposed to be totally
32:18
distraught because her daughter was just kidnapped.
32:21
She can't win the first time around.
32:23
She wins. There's no chase, there's no
32:24
chase and there's no story. Debbie says she understands the
32:28
concept of chase, but Liberty Bell is on a winning streak.
32:33
She's won fifteen straight matches.
32:37
She asked Carmen. Wouldn't it be a little weird
32:38
for her to suddenly do to someone who has ring rust?
32:42
Ruth asked if ring rust is a thing or does she just make up.
32:45
Make it up just to make her feel shitty?
32:48
Carmen asks. They're OK.
32:49
Usually they do a better job at keeping their weird friendship
32:52
stuff out of the ring. Debbie says it won't be a
32:54
problem for her, but she hopes Ruth can keep up.
32:57
Carmen asks for them to do the suplex outside the ring.
33:02
In another area of the gym, Artie is talking to the ozone
33:04
girl. Stacy tells Artie maybe she
33:06
should just try that roll thing that Carmen roll talked about
33:09
earlier. Artie asks why?
33:12
So that klepto twins can steal it?
33:15
Stacey asked. How can they steal it if they're
33:17
literally in the same match? Don says it's not their fault
33:21
you still have to play a terrorist, Rd. says.
33:24
Actually, it is. She had an exit strategy.
33:27
Merrill says she understands her play, for she too have been the
33:31
victim of theft. Jenny says she did not still
33:34
feel he was never hers, Merrill says.
33:37
But you know what was hers? The jacket.
33:40
Jerry yells and asks what is up with everyone.
33:43
They have a big match coming up. Everyone needs to focus.
33:46
Yolanda tells Jerry to calm down.
33:48
They're just airing their shit out.
33:50
Jerry asked her to not to tell her to calm down, but why
33:55
doesn't she? Yolanda says she is calm and
33:58
ready for their tango. Jerry yells at Jolanda to stop
34:02
footing her. She's straight as she's married.
34:05
Yolanda smirks out. She eyes cherry up and down.
34:08
Stacey tells Artie Darren actually gifted show women.
34:12
Everyone starts arguing with each other.
34:14
Artie tells the sisters. Our harms.
34:17
Artie tells the sisters they are hands with hacky jokes.
34:20
Jenny says she did unspeakable things for that jacket.
34:23
Melrose says she knows Jenny sewed extra sequence of the
34:26
crotch area of her costume. Jenny says maybe her vulva is
34:30
overly sensitive. Carmen tells everyone to shut up
34:34
and ask them if they want to stay at 2:00 AM because if
34:37
they're wasting a lot of time talking about complete nonsense,
34:41
she asked them If they want to know why the men are better,
34:43
it's because they shut up, they do their jobs and they don't
34:46
talk about their feelings ever. So stop arguing about petty
34:49
bullshit and get back to stretching because this week is
34:52
going to be impossible. Everything can be hard and the
34:55
girls might not even be able to walk by at the end of all this,
34:59
but the wrestling is going to be great.
35:02
She looks around the room and asks who's ready to do this.
35:06
The scene changes to a training montage with Far From Over by
35:09
Frank Stallone playing in the background.
35:13
The montage starts with the girls jogging transitions into
35:16
everyone trying to do sit ups. They transition back to the
35:19
jogging with Devi and Ruth leading the charge.
35:22
It transitions back to them doing sit ups while Carmen's
35:24
count has gone up to 48. Next transition is cherry
35:28
picking Avilanda over her shoulder with Carmen helping out
35:32
Sheila wrenching Carmen's arm. Ruth and Devi having problems.
35:36
Carmen tells them both to look at each other and communicate.
35:39
This is basic stuff. Transition over to Rhonda,
35:44
trying to hit a dropkick on Carmen but can't seem to get it
35:47
right. Carmen yells at Cherry, telling
35:50
her she has to get along with his butt over her shoulder or
35:52
this isn't going to work. Ruth asks Debbie if she's ready,
35:55
and Debbie says yes. Ruth runs up to Debbie for a
35:58
Sunset flip, which is a dive over an opponent who is mostly
36:02
facing her, usually bent over forwards, catching the opponent
36:05
of waistlock from behind, landing back first behind the
36:08
opponent. You need to look it up, Sunset
36:11
Flip. Carmen says that what they did
36:14
was closer to what they were trying to do earlier.
36:16
Cherry, who's been watching them train, scoffs and rolls.
36:19
Her eyes transition to Rhonda jumping on her bed and kicking
36:22
the wall behind her bed. She jumps up and drop, kicks the
36:24
wall again, and lands safely on the bed.
36:27
She realized she can do more of this and continues to jump off
36:29
the bed for the dropkick and land safely on the mattress
36:33
which transitions over to her during the move in the ring on
36:36
Carmen who tells her she did a great job.
36:39
Same with Tammy who jumped from the middle rope to splash of
36:41
padded mat in the middle of the ring.
36:43
Another transition to Stacy saying she doesn't know what to
36:46
do as Artie runs up to her over and over again.
36:48
Stacy grabs a hold of Artie's waist and spins around as they
36:51
all celebrate. They did a basic move, all basic
36:54
move guys. This transitions to Debbie and
36:57
Ruth doing the sunset flip in real time and it connects
37:00
Melrose Coop Slam. Jenny Sheila is training with
37:03
Carmen again, as all three producers are aside watching
37:06
them go over the moves. Debbie clinches the submission
37:09
move by Ruth and has if she's ready.
37:10
Ruth says yes and she taps out. Everyone cheers.
37:14
Carmen looks over at Bash, who gives Carmen the thumbs up for
37:17
training the girls. Next thing, Sam grabs his keys
37:23
and cigarettes from the table and tries to wake up Justine,
37:26
who's sleeping on the couch. Sam says.
37:28
OK, wake up, let's go, Hey Sleeping Beauty.
37:32
He continues to push her, but she's snoring.
37:35
He says. Oh, you're kidding me.
37:36
Come on, I hate going those things by myself, Justine, he
37:40
continues to yell. Oh, hey, Billy.
37:42
Hey, Billy's here. She.
37:44
Still doesn't wake up, he says. All right, fine.
37:48
Sam covers Justine, then click Sam covers Justine and then
37:52
takes the covers off her, immediately thinking she's going
37:55
to wake up. But she doesn't, he says.
37:57
Wow. Well, sleep tight covers her
38:00
again and leaves. He arrives at the Film Festival
38:03
Gina Machina. He passes by a poster that
38:06
reads. I'm with the band, a list of the
38:08
best and bloodiest cult horror movies that they are showing all
38:11
week which where for opening night Monday they are showing
38:16
Alice, Sweet Alice, Be on the door Two I Spit on Your Grave on
38:21
Tuesday they're showing They Call Her One Eye, Suspiria,
38:26
Burnt Offerings and The Leech Woman.
38:28
And for the night, he's going right here, Wednesday.
38:32
Yeah, I couldn't make out all the other movies, but I did at
38:35
the bottom. Gina the Machina Sam's movie.
38:56
Do you like to drink wine? Do you like to talk about your
38:59
favorite things and rank them in categories?
39:03
Then you have come to the right place.
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Welcome to The Simplest a podcast where you guessed it, we
39:08
drink lots of wine and make lists of all our favorite
39:11
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39:14
my guest and I will review a favorite wine we're drinking or
39:17
if they aren't cool enough to drink wine, then the lame
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beverage of their choice. And then we'll rank our top five
39:22
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You can expect to hear all kinds of things, from favorite horror
39:29
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The episodes will be diverse, but they will always include
39:37
wine lists and lots of laughs. You can find the simplest on
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You can also find us on Instagram at the Simplestpod.
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I'm really excited to bring you guys some fun and amazing
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content, and I hope you'll join me on this journey.
40:02
And until next time, whenever life is tough, just keep
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sipping. Hey, it's Evo.
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In a world where true crime meets the supernatural and the
41:22
unexplained. Where true crime and chills go
41:26
hand in hand. Welcome to Total Conundrum, the
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podcast that explores the dark, the eerie, and the downright
41:35
mysterious. Join us as we embark on a spine
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tingling journey through the mysteries that keep you up at
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exploring the twisted minds behind them.
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43:07
Back to the episode. Sam walks right in and he looks
43:10
around, wondering where to sit at the movie theater.
43:13
He sits all the way in the back, getting seats by himself, trying
43:16
to make himself comfortable and tapping his knee, waiting for
43:20
the movie to start. Ruth walks in with popcorn in
43:23
her hand and sits behind Sam. Sam turns to look behind him and
43:27
ask what she is doing. Ruth says she wasn't sure.
43:29
If he wanted. Her to sit near him, Sam says.
43:32
So you you chose to sit right behind me.
43:36
It's creepy. Ruth gets up from her chair and
43:38
jumps over to the chair in front of her so that she can sit next
43:41
to him. She tells him James Dean invited
43:43
her and ask where she is. Sam says she's sleeping.
43:46
He SH Ruth asked if she's OK. Sam says.
43:49
T doesn't know. Sam asked Ruth to where her
43:52
boyfriend Russell is. Did he ditch her tonight?
43:55
Ruth says no. They didn't become a thing.
43:57
It kind of failed before it started going back to Debbie
44:00
blocking her from having that date.
44:02
And Usher asks Sam to induce the film and say a few words from
44:05
all the way back there if he likes.
44:07
He tells the usher he just wants to skip that part.
44:10
Ruth asks Sam to say something. Annoyed by Ruth, Sam stands up
44:14
and grabs the microphone and says This is Gina the Machina.
44:17
He made it when he was younger and he thinks there's something
44:19
good, Says there's some good stuff in it he doesn't remember.
44:23
The audience clap their hands and the movie starts.
44:26
The movie shows scenes of a meet grinder and Ruth asks if this is
44:28
the one with the anal birth. What?
44:32
Sam again looks at her, annoyed after an hour or so watching a
44:36
movie to create his role on a fake movie.
44:38
Some of the names are listed in the credits of Sam's Movie.
44:41
Gina Machina are crew members on GLOW, Gina being played by April
44:45
Watkins from Costume and water Department, Steve Voorgies and
44:49
Vanessa Rago from Art Department.
44:50
David Garcia from the sound department.
44:52
Vince Typical from Accounting, Chris Peress, cinematographer
44:56
Amanda Hamaday, Victor Vuccio, David Labrich, Steve Solomon,
45:01
Glenn Majors and Brian Hoffman for the camera and electrical
45:04
department. Four teenagers approached Sam.
45:08
A kid named Matt, according to the I The IMDb page, played by
45:12
Philip Leibs, tells him he's a genius.
45:14
Sam says wow and not to call him.
45:17
Hit by his last name, Mr. Sylvia, and thanks them.
45:20
Franklin, played by Christopher Avila, tells Sam his use of
45:23
jumping the line and how it ate and the dysfunctional
45:26
disorientation factor is masterful and Justine told him
45:30
they would love it. Sam asks.
45:33
How do they know Justine. Matt tells Sam they are on AAV
45:37
Club together. Sam is impressed as teenagers
45:40
walk away. Ruth smiles and tells Sam that
45:42
he has a whole fan club of teenagers that adore his movies
45:47
that they are for sure too young to see.
45:50
Sam smirks. Ruth tells Sam she almost didn't
45:52
make it. She thought he was still angry
45:54
with her. Sam says he's not angry with
45:56
her, but he's an insecure old man.
45:58
He gets defensive. They both sit there and Ruth
46:02
tells them she liked this movie, Sam says.
46:04
Oh, come on, really, she says. Yes, those kids were right.
46:08
It was disorienting. He was going, he was doing his
46:11
own thing. She would apologize and says he
46:14
still is doing his own thing. Sam says Ruth is right, that he
46:19
Sam says Ruth is right. That was him 20 years ago, and
46:22
he had his hands all over everything, making everybody
46:24
crazy. When he was trying to get that
46:26
shot at the meat grinder, he made his operator so frustrated
46:29
that he quit and, like, almost threw the camera at him.
46:32
Sam had to shoot the rest of the movie by himself, and he did, he
46:36
says he's accustomed to a certain level of failure.
46:38
He's just the one project usually goes wrong.
46:42
He knows exactly what happened. It's usually him getting in his
46:44
own way or not listening to the other people, but with the glow,
46:49
he has no idea why they shit. Can them?
46:51
No clue. None.
46:54
Ruth says she knows why and tells Sam the real reason Tom
46:57
Grant called her in a meeting for Ruth says she knows why.
47:04
It tells Sam the real reason Tom Grant called her in for a
47:08
meeting in his hotel room and he came on to her, but she took off
47:11
before anything happened. But he wanted to sleep with her
47:14
and she didn't give him what he wanted.
47:15
And maybe that's probably the reason why Sam asked if she's
47:18
kidding. Ruth says.
47:19
No, she's not, Sam says. Fuck that guy, Tam Grant.
47:23
What a sleazebag dickhead. Ruth asked if he's upset.
47:26
He says no, he's not upset. He's grateful the show is being
47:30
burnt out because of a Dickhead Network president.
47:32
Not because of him, not because of her, but because of that
47:35
asshole. That's great.
47:38
But because of that asshole, that's great.
47:40
It's the best news he heard all week about Tom Grant, the
47:43
douchebag Mariah, the usher played by Paloma Esparza.
47:47
Ravinov comes up and asks him to leave already.
47:50
They apologize and walk out of the movie theater Next seeing
47:56
Debbie's at a car wash and she notices Mark a few feet away who
47:59
is holding baby Randy. She smiles and gets out of the
48:02
car as she makes her way over with a huge smile on her face.
48:05
A woman walks up and Mark and kisses him on the lips.
48:09
Debbie stops dead in her tracks. Debbie tries to go back to her
48:14
car, but she just lunges forward to meet up with them and says
48:18
good morning to Randy, Mark, and now his new girlfriend.
48:22
Mark is unsure of this, but Debbie tells him to calm down.
48:26
She would just love the pleasure of knowing the name of the woman
48:28
that has been spending time with their son.
48:32
Mark says They are both taking a personal day.
48:34
Mark's secretary introduced herself to Debbie.
48:37
Yes, Susan. Debbie immediately recognizes
48:39
her as a secretary as they spoke on the phone about the bed.
48:41
When she asked if Mark ended up buying the bed and is she
48:44
enjoying it, Susan nonchalantly says yes.
48:48
It's nice. Mark apologizes, and this is not
48:51
how he wanted Debbie to find out.
48:54
Debbie says that it's fine. Life doesn't always go as
48:56
planned. Debbie tells Randy she loves
48:59
him, tells both of them she has to run, enjoy the rest of their
49:02
day. Debbie walks away crying.
49:07
Next scene, Sam shows up at KDTV looking for Tom's parking spot.
49:11
He parks behind Tom's car. He gets out of his car, takes
49:14
out a tire from his trunk and hits Tom windshield and hood of
49:18
the car. Glenn comes up from around the
49:21
corner and stands there watching Sam get in the car.
49:24
Glenn says Tom pisses off a lot of people.
49:27
It could have been anyone. That was a short ass scene.
49:30
He just needed to like, break everything.
49:34
Next thing Ruth walks into the gym with a smile on her face, on
49:37
the bleachers Jenny's making out with Phil, Russell says don't
49:42
mind him just setting up for the both of them.
49:45
He knows he's super busy. Sarcastically.
49:49
He turns and sees Ruth, who tells him to have a good show.
49:51
He tells her the same. Justine walks in and asks for
49:55
Sam. He's not in the office.
49:57
Sam walks in and says good evening to Ruth and Justine.
50:00
Justine says she's such an idiot she can't believe she fell
50:02
asleep. Sam tells her to meet her
50:04
friends and Tim tells her he met her friends in the AV Club and
50:10
asks her if she wants to man the booth tonight.
50:12
He then turns to Phil and Jenny. He says hey Phil, yeah hi, we're
50:18
shooting the show tonight. OK, he's not firing him, but he
50:22
just want to give him a little more time to finger his
50:24
wrestler. Backstage, Jenny stops kissing
50:28
Phil and says that Sam is so inappropriate, laugh and then
50:32
goes back to making out with Phil.
50:35
Sam turns to Justine, tells her to just watch the shots and tell
50:38
him what she sees. He knows she has opinions.
50:40
Justine smiles and walks away. Ruth smiles, also witnessing
50:45
this wholesome moment, and tells him he just looks so much
50:48
younger. Sam tells her shut up.
50:52
He walks away and she laughs. Debbie walks in finally, after
50:56
the whole car wash thing. She's annoyed she has to share a
51:00
locker room with Daisy, Don, and Melrose, who are so loud.
51:03
So she walks in Sam's office and tells him she needs her own
51:06
space. Some of us need time to sink and
51:09
breathe and wash the shed off the world off of us before we
51:12
get to go be a fucking pride American Princess.
51:16
Damn. Sam tells her to ghost.
51:19
Sam tells her to save the misdirected anger for the ring.
51:23
He tells her to sit down. Take it easy.
51:24
He hands her his flask of vodka and she drinks it.
51:28
She drinks it all. He tells her that divorce is
51:31
rough. He tells her that divorce is
51:35
rough and she will get through it.
51:36
He gets up from his desk and tells her to get ready in the
51:38
office. He just doesn't want her
51:39
murdering anybody just yet. Sam walks out of the office.
51:43
Debbie continues crying. She grabs a cigarette from the
51:49
table and find Sam's secret stash of coke.
51:52
She places some of her palm, sniffs it, and she begins to
51:56
calm down for a bit. Next scene, Chola junk chain
52:02
versus black junk chain is happening.
52:04
I can't announce it like this. All right, fine.
52:08
Bash is announcing it. The loser leaves town and it's
52:12
really heating up. Cherry tells you Lana that it's
52:15
about to light up as a Cherry tells Yolanda there's about to
52:18
be lights out for her. She does the chop motion as a
52:22
crowd gets into it and starts saying chop as well.
52:25
Chop, chop, chop, Bash says. There's a lot of chopping in
52:29
this crowd. It looks like Black is refusing
52:31
to crack. Oh dear God, Cherry gets on the
52:33
top rope and Bash continues. She's not going to let Cholo
52:36
Junk Chain take was hers Cherry Lance and chopping you along his
52:40
back. In Sam's office, all the girls
52:45
are watching from the top trying to tell Justine who is directing
52:48
the episode. Jenny walks in and asks why
52:50
don't Why did anyone tell her they were watching it from up
52:53
there? Tammy asks.
52:54
When would they have told her during her match or why she was
52:57
tonguey Mr. Surfer Boy Justine shushes everyone telling them
53:01
that she is working. Yolanda rows up Cherry a key
53:05
task. If Yo-yo is really going to win
53:07
one, Jerry doesn't want to be a generic rapper anymore and tells
53:10
Keith to count to 3/2. Keith asks Sam to get out of his
53:14
ring 3. Sam says he's the director.
53:16
He can do whatever he wants. As he's filming the ending,
53:19
Keith announces Cheryl, a junk chain, as the winner.
53:26
Backstage, Ruth and Debbie are getting ready to go out.
53:28
What? Bash tells the crowd it's the
53:30
rematch they all been waiting for.
53:32
Out first is Zoe to destroy Ya. In the ring, Livery Bell yells
53:36
at Zoya that she wants her daughter Savannah Rose back and
53:38
called Zoya A calming scum. Zoya asked if she means the
53:42
Moscow Potato Blossom. The only mother she knows now is
53:46
Mother Russia. Livery Belle yells that she
53:50
wants her daughter as she runs up to Zoya who double kicks her
53:52
back. Zoya does the sunset flip spot
53:55
on Liberty and it goes well. Debbie gets up and is lost.
54:00
Ruth. Debbie gets up and she is lost.
54:04
Ruth looks a bit confused. Debbie kicks Ruth down.
54:07
Keith checks in on Debbie and tells her to slow down.
54:10
Debbie pushes Keith out of the way.
54:12
Ruth locks up with Debbie and pushes through the corner,
54:14
checking up on her, asking if she's OK.
54:17
Debbie pushes Ruth back. Debbie is coked out.
54:21
Debbie kicks Ruth in the gut and hits a suplex up in the office.
54:26
Sheila says it's like watching a speeding train is riveting.
54:29
Back in the ring, the Liberty Bell raises her hand in the air.
54:31
She looks like a mess, trying to walk.
54:34
She'd kick Zoe on her back again, pushing her down.
54:37
Debbie is unhinged. She's looking out at the crowds,
54:40
getting different reactions, feeling a little bit dizzy.
54:43
She gets Zoe in the submission mood, working.
54:45
The leg half crab sinks it in some more.
54:48
You hear Debbie's heartbeat as the crowd continues to chant her
54:51
name. But then you also hear a crack,
54:57
and the episode ends with Root yelling Debbie.
55:00
The credits roll. No music.
55:03
It's just silent credits for his entirety.
55:07
OK? In 1987, there was a freak
55:10
accident on the set of the Gorgeous Ladies of Wrestling.
55:13
You heard me describe the sunset flip as a, you know, just a
55:16
basic move as I was watching, as I was watching this episode
55:19
twice, you know, because it just dawned on me that they were
55:25
practicing the move that legit injured one of the girls in 1987
55:29
in a master of pitted Susie spirit played by Laurie Thompson
55:32
and Debbie, Debbie Tot versus Mina and Micah, AKA the
55:36
Headhunters. Susie attempted do a sunset flip
55:38
on Micah and Susie's arm completely did a 180 and broke
55:42
out of socket. Susie Spirit would go on to
55:47
recover, but as the Headhunters were no longer with the company
55:50
upon her return, they had to create a new one to allow Susie
55:53
to get her revenge. On June 23, 2017, Alberta
55:58
Lupiton posts an article on the Law and Crime website about Lori
56:01
Thompson and what she's been doing since her after her time
56:04
with the Gorgeous Ladies of Wrestling.
56:06
When she joined the company, The Gorgeous Ladies of Wrestling,
56:08
she had no experience. She was a dancer on the Las
56:11
Vegas Strip looking to break into television.
56:15
I saw this interview for a TV show over at the Riviera Hotel,
56:18
she said. I thought that's perfect, But
56:20
she didn't know the wrestling company until their interview.
56:23
Thompson got ready to leave because she had no experience in
56:25
that kind of thing. They changed her mind, Matt
56:28
Timber said. We're just creating something
56:30
brand new, something that's never been done before, she
56:33
said. We're going to look, we're going
56:36
to use the hook of wrestling, but what we're going to do is
56:38
make these women superheroes. The next thing you know, I was
56:42
in GLOW. The experience didn't last
56:45
forever ago. She left in 1987.
56:47
Her life has changed a lot in the last 20 years.
56:51
Thompson got her JD in the 90s, became a mother and has gone to
56:54
teach at law at the University of Nevada in Las Vegas.
56:57
She also works as an attorney at Greenberg Turret, specializing
57:01
in intellectual property, and serves on the board for
57:03
children's charity and the Nevada valet.
57:07
She appeared in the first two seasons as wrestler Susie
57:09
Spirit. It was fun, it was exciting and
57:12
we were in it together so we were all helping each other out,
57:16
Thompson told the outlet. As always, follow our social
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