Latest / Frightmares / Ep. 141 - Alligator (1980)

Transcript

Ep. 141 - Alligator (1980) · Frightmares

• 0:43
  Speaker 1: It's so annoying because Scary Movie five is the only
• 0:46
  Speaker 1: one to start doing the Roman numerals.
• 0:49
  Speaker 2: Oh interesting, but I thought, so.
• 0:52
  Speaker 1: What even happens in fucking Scary Movie five?
• 0:54
  Speaker 2: I don't remember.
• 0:55
  Speaker 1: I don't. I don't remember because I thought the shack
• 0:57
  Speaker 1: thing was from that movie.
• 1:00
  Speaker 2: Well, no, that's when they because that's when they made
• 1:01
  Speaker 2: fun of Saw as a scary movie four.
• 1:03
  Speaker 1: It took them that many movies to make fun of Saul.
• 1:07
  Speaker 2: I mean they well, when did four come out?
• 1:10
  Speaker 1: Four came out? Okay, four came out. Damn four came
• 1:13
  Speaker 1: out in two thousand and six. So that makes sense
• 1:16
  Speaker 1: because Saw was like two thousand and five. Yeah, good grief.
• 1:19
  Speaker 1: So Scary Movie two thousand, Scary Movie two two thousand
• 1:22
  Speaker 1: and one, Scary Movie three two thousand and three, and
• 1:25
  Speaker 1: then three years later, in two thousand and six, we've
• 1:26
  Speaker 1: got Scary Movie four. Holy shit. I thought those movies
• 1:30
  Speaker 1: were older than that.
• 1:33
  Speaker 2: It's still pretty old. I mean the two thousand.
• 1:36
  Speaker 1: I mean, yeah, that is old. I just for some reason,
• 1:38
  Speaker 1: I don't know why I thought that. I don't know.
• 1:41
  Speaker 1: I thought Scary Movie four was much older than two
• 1:44
  Speaker 1: thousand and six. Apparently not. We're talking about Scary Movie
• 1:48
  Speaker 1: because me and Spencer are going to watch a Shack
• 1:50
  Speaker 1: double feature today, yep, including Steel, which is a movie
• 1:55
  Speaker 1: I've never even heard of that you laid upon me
• 1:58
  Speaker 1: and I was like, holy shit. And uh Kazam, not
• 2:03
  Speaker 1: to be confused with Shazam that people think what's his
• 2:06
  Speaker 1: face was inod Sinbad was in No Kazam with Shaquill
• 2:10
  Speaker 1: O'Neil and Steele. I am very excited to watch this
• 2:13
  Speaker 1: dumpster fire. It's gonna be terrible. It's gonna be three
• 2:16
  Speaker 1: hours of just tom foolery. Yep, pretty much, but I'm
• 2:20
  Speaker 1: excited for it. But yes, Shack appears with doctor Phil
• 2:22
  Speaker 1: in the beginning of Scary Movie four where he cuts
• 2:26
  Speaker 1: off the wrong foot.
• 2:27
  Speaker 2: And then make fun of Shack for trying to do
• 2:30
  Speaker 2: free throws because he can't do that to save his life.
• 2:32
  Speaker 1: And that was probably the most meta joke ever because
• 2:34
  Speaker 1: he's so terrible at free throws that he did that,
• 2:37
  Speaker 1: and uh, yeah, that was good. I pretty much stopped
• 2:41
  Speaker 1: watching though after Scary Movie three, because that.
• 2:44
  Speaker 2: I stopped with. So I saw Scary Movie four into
• 2:48
  Speaker 2: theaters and about twenty minutes in I walked out.
• 2:50
  Speaker 1: Four.
• 2:51
  Speaker 2: Yeah, I did I never finished four.
• 2:53
  Speaker 1: Really, Yeah, it was so bad. Yeah. In my opinion,
• 2:57
  Speaker 1: Scary Movie three is always gonna be my favorite because
• 3:00
  Speaker 1: it's the most ridiculous. It's just so silly and the
• 3:03
  Speaker 1: hat joke in that movie where the officer's hat gets
• 3:06
  Speaker 1: bigger and bigger. Plus Charlie Sheen is in that, and
• 3:09
  Speaker 1: that's before he went crazy and with the whole tiger
• 3:11
  Speaker 1: blood crazy shit. I don't know, Scary Movie three is
• 3:15
  Speaker 1: always my favorite.
• 3:16
  Speaker 2: The only thing I really liked was Scary Movie four
• 3:18
  Speaker 2: is when they were doing the Saw bits, they actually
• 3:20
  Speaker 2: used the same bathroom that they did in the first Saw.
• 3:23
  Speaker 1: Did they really?
• 3:24
  Speaker 2: Yeah? I mean so, I thought that was kind of cool,
• 3:28
  Speaker 2: like for I guess authenticity sake.
• 3:30
  Speaker 1: Interesting.
• 3:31
  Speaker 2: Yeah, I thought that was a cool little to bit.
• 3:33
  Speaker 2: I never finished the movie, Like, I just know that
• 3:34
  Speaker 2: they did that.
• 3:35
  Speaker 1: Well, joke's on you, motherfucker. We're going to finish that
• 3:37
  Speaker 1: ship one of these days.
• 3:39
  Speaker 2: We'll see, we'll see.
• 3:41
  Speaker 1: I can't even remember what happens in uh Scream or
• 3:44
  Speaker 1: Scream Saw Scary Movie five. I'm pretty sure that's the
• 3:47
  Speaker 1: one where Charlie Sheen is like a giant boner and
• 3:49
  Speaker 1: he falls out of the world of World.
• 3:52
  Speaker 2: Yeah, I don't know, because three is so one is
• 3:56
  Speaker 2: this is obviously scream yeah, and the matrix because that's
• 3:59
  Speaker 2: a horror.
• 4:01
  Speaker 1: And then two was to take my strong hand or
• 4:04
  Speaker 1: whatever he saw.
• 4:05
  Speaker 2: His house Haunted Hill is what they make fun of, yeah,
• 4:08
  Speaker 2: with some other like non horror movies like Charlie's Angels
• 4:10
  Speaker 2: for some reason. And then three was signs and the Ring.
• 4:16
  Speaker 2: The Ring brought the Hulk and the whole like randomly
• 4:19
  Speaker 2: was in that one.
• 4:19
  Speaker 1: Right maybe that was no, the Hulk was not that.
• 4:22
  Speaker 1: That one was signed and the ring and eight mile, yeah,
• 4:27
  Speaker 1: eight mile. And then four was to have a dream.
• 4:30
  Speaker 1: What's that to have a dream?
• 4:32
  Speaker 2: Four was saw I'm thinking five is like world over
• 4:35
  Speaker 2: the World. There's one of them. I don't remember which one,
• 4:37
  Speaker 2: but uh, where this guy grows, you know, gets bigger.
• 4:40
  Speaker 2: There's as a hulk and then he like you know,
• 4:42
  Speaker 2: they'd make a stupid dick joke.
• 4:43
  Speaker 1: Like yeah, that's what I'm saying. Charlie Sheen's dick gets
• 4:46
  Speaker 1: like huge.
• 4:46
  Speaker 2: That's probably five.
• 4:47
  Speaker 1: And then he like falls out of the like out
• 4:49
  Speaker 1: of like a balcony and then like lands on his
• 4:51
  Speaker 1: penis or something like that. I think that was five.
• 4:54
  Speaker 1: I never watched it the trailer again. I really, I
• 4:57
  Speaker 1: really stopped watching after three because three was my favorite.
• 4:59
  Speaker 1: I tried four. I was like, nah, I'm good.
• 5:02
  Speaker 2: Yeah, and uh finish. I mean to one was thought
• 5:06
  Speaker 2: I thought was pretty good too. I thought was honestly stupid,
• 5:08
  Speaker 2: like it was already a step down for two in
• 5:10
  Speaker 2: my opinion. Yeah, but I continued it.
• 5:12
  Speaker 1: But like I said, three is my favorite. It's it
• 5:15
  Speaker 1: will always be funny. It's so silly and stupid. Plus
• 5:18
  Speaker 1: you have you know, you've got Anna Faris and Regina Hall.
• 5:22
  Speaker 1: I mean they're I'm pretty sure actually Regina.
• 5:24
  Speaker 2: Hall, they're they're they're all of them, is she?
• 5:27
  Speaker 1: I can never remember who's in what. But then you
• 5:30
  Speaker 1: also have that hilarious opening with Pam Anderson and other
• 5:33
  Speaker 1: chick I can't remember Jenny McCarthy. They're they're doing the
• 5:37
  Speaker 1: whole ring thing that like, U, yeah, that was great.
• 5:40
  Speaker 1: That was so silly. Then you have Simon Rex's George
• 5:43
  Speaker 1: who plays you know, the the eight Mile Rapper. I
• 5:46
  Speaker 1: don't know. That one to me was just like peak
• 5:47
  Speaker 1: comedy of the two thousands. But yeah, four and five,
• 5:51
  Speaker 1: I'm like, yeah, I'm good and thank god they're not
• 5:54
  Speaker 1: doing any more of those because uh it's played out
• 5:57
  Speaker 1: at this but Jesus Christ, Scary Movie five is twenty thirteen. Yeah,
• 6:02
  Speaker 1: holy crap, that's what ten years ago. Wow, this only
• 6:07
  Speaker 1: has okay, so check it out. So Steele and Kazam
• 6:09
  Speaker 1: have a three point zero out of ten. This one
• 6:12
  Speaker 1: has a three point five out of ten on IMDb,
• 6:15
  Speaker 1: so we're not so this is barely better than Kazam.
• 6:19
  Speaker 1: That's what we're dealing with today. Oh my god, I
• 6:21
  Speaker 1: can't wait. This is episode one forty one. By the way,
• 6:25
  Speaker 1: I'm your host, Austin Proctor. That is your co host,
• 6:27
  Speaker 1: Spencer Laffer mab Hello, Hello, we are talking about Alligator today.
• 6:32
  Speaker 1: But of course we always have to preface these podcasts
• 6:35
  Speaker 1: with some sort of tom foolery aka Scary Movie and
• 6:40
  Speaker 1: the Shack double feature. So uh, we should just we
• 6:43
  Speaker 1: need to talk about Steele real quick, because this is
• 6:45
  Speaker 1: a nineteen ninety seven movie where Shaquill O'Neil's playing a
• 6:51
  Speaker 1: superhero yep, yeah, and he's all dressed up literally in
• 6:55
  Speaker 1: steel correct and he's protecting the you know, he's protect
• 6:58
  Speaker 1: it's literally The description is justice, safe Streets, and Payback.
• 7:02
  Speaker 1: That's the first three words or the first three like
• 7:05
  Speaker 1: whatever you want to call it of the letterbox description
• 7:09
  Speaker 1: and I'm not sure what this word is right there
• 7:12
  Speaker 1: the metallurgist, Yeah, metallurgist John Henry vows to claim them
• 7:19
  Speaker 1: all when a renegade military reject puts new super weapons
• 7:23
  Speaker 1: in dangerous hands. Like this movie sounds so ridiculous, I
• 7:27
  Speaker 1: can't believe I've never heard of this. Yep, this movie's
• 7:30
  Speaker 1: just been hiding because it was so bad. Like I
• 7:33
  Speaker 1: tell you.
• 7:33
  Speaker 2: Before the podcast, I don't know why, and I just
• 7:37
  Speaker 2: always remember renting it for blockbusters, like I want to say,
• 7:40
  Speaker 2: almost weekly or monthly, like I would always just I
• 7:42
  Speaker 2: was obsessed with it and it's not and I knew
• 7:44
  Speaker 2: it wasn't good to begin with. But you know, when
• 7:45
  Speaker 2: you're little, like you don't know what's good or what's bad.
• 7:47
  Speaker 1: Really, that's the thing. When you're a little kid, you're
• 7:49
  Speaker 1: just looking to be entertained. You don't know what's good
• 7:52
  Speaker 1: and bad. Like I loved Kazam as a kid. I'm
• 7:55
  Speaker 1: sure today it's gonna shatter my world for how shitty
• 7:58
  Speaker 1: it is. And I'm okay with that. But you know,
• 8:01
  Speaker 1: when movie when you're a kid Yeah. Again, you're just
• 8:03
  Speaker 1: looking to be You're looking for fun things on the
• 8:05
  Speaker 1: screen and to be entertained. You don't really care about dialogue,
• 8:07
  Speaker 1: you don't care about plot, you don't care about anything
• 8:10
  Speaker 1: when you're in this instance, I would have been seven
• 8:12
  Speaker 1: years old when this came out. Yeah, so yeah, this
• 8:16
  Speaker 1: movie looks crazy. I just I'm just surprised. I've never
• 8:19
  Speaker 1: even heard of it. I figured at some point in
• 8:21
  Speaker 1: my life this would have crossed my path, but it
• 8:23
  Speaker 1: has not.
• 8:24
  Speaker 2: It's not one of those movies that people will talk about.
• 8:26
  Speaker 1: No, it's not, and for good reason, because it's got
• 8:29
  Speaker 1: a one point four on.
• 8:31
  Speaker 2: Let forgot about it till I don't know about a
• 8:33
  Speaker 2: month ago. I was just scrolling through HBO Max and
• 8:35
  Speaker 2: I saw that, and the like opened the memory of
• 8:37
  Speaker 2: my brain.
• 8:38
  Speaker 1: Yeah, unlucky core memory exactly. And we came or you can't.
• 8:42
  Speaker 1: I don't know who came up with the idea last
• 8:45
  Speaker 1: Thursday or you okay, you came up with the idea
• 8:49
  Speaker 1: where like because like we wanted to do a different
• 8:51
  Speaker 1: double feature this week, We're like, let's not do horror movies,
• 8:53
  Speaker 1: let's just do something different, And you were like, what
• 8:57
  Speaker 1: about watching steel and I was like, what is Steel?
• 9:00
  Speaker 1: And I was like, Oh, that looks good. Let's just
• 9:01
  Speaker 1: double feature Shack movies because apparently he's done these two.
• 9:05
  Speaker 1: Actually let me see while I'm here, because he was
• 9:09
  Speaker 1: in the Lego movie.
• 9:10
  Speaker 2: Yeah, a Shack.
• 9:14
  Speaker 1: As Shack. Apparently he's done a lot of things. He
• 9:19
  Speaker 1: was in uh Hube Halloween that Oh.
• 9:23
  Speaker 2: Yeah, yeah, he was saying a couple Yeah, he was
• 9:25
  Speaker 2: the cop okay.
• 9:26
  Speaker 1: And then he was in Grown Ups two, Jack and
• 9:28
  Speaker 1: Jill House, Bunny Blended Scary Movie four, Like we talked
• 9:31
  Speaker 1: about good Burger. Yep, Freddy got fingered, he got Game
• 9:36
  Speaker 1: What Men Want? The Smurfs two Win in Rome, Uncle
• 9:39
  Speaker 1: Drew Kazam Stee. I mean, holy shit, this is so
• 9:43
  Speaker 1: many movies.
• 9:43
  Speaker 2: He's got a weird about of movies.
• 9:45
  Speaker 1: I mean, I'm sure most of these are cameos. Not
• 9:48
  Speaker 1: like them, not leading roles. Cuzam and Steel are like leading.
• 9:53
  Speaker 2: Roles, Uncle Drew.
• 9:55
  Speaker 1: Uncle Drew was a leading Hey that has a two
• 9:57
  Speaker 1: point six Yeah.
• 9:58
  Speaker 2: It's actually about a bunch of older uh players.
• 10:01
  Speaker 1: Oh that came out a couple of years ago. Came
• 10:03
  Speaker 1: out twenty eighteen.
• 10:04
  Speaker 2: Okay, yeah, that's the leading role.
• 10:06
  Speaker 1: So he's still doing shit.
• 10:08
  Speaker 2: He look at him and Hubble Halloween. I would and
• 10:11
  Speaker 2: watch it. I didn't watch that movie, but he played it.
• 10:13
  Speaker 2: He played like a copper or whatever, so like he
• 10:15
  Speaker 2: had a like he had a side role.
• 10:18
  Speaker 1: But it was you know why Adam Sandler did that movie? Right? No?
• 10:23
  Speaker 2: Really, probably like a few to somebody or I'm sure.
• 10:26
  Speaker 1: Yeah, he because after he did Uncut Gems, he tweeted
• 10:29
  Speaker 1: he says, if I get snubbed at the oh yeah,
• 10:31
  Speaker 1: that's right. He literally said, if I get snubbed at
• 10:34
  Speaker 1: the Oscars for this movie, I'm gonna make the dumbest
• 10:36
  Speaker 1: piece of shit. Well I'm paraphrasing at this point. And
• 10:39
  Speaker 1: that's why he made hub Halloween because he got snubbed.
• 10:43
  Speaker 1: And honestly, yeah, he really should have won something for that.
• 10:46
  Speaker 1: I agree, maybe not an Oscar, but he should have
• 10:48
  Speaker 1: won something because like he was phenomenal on that. Yeah,
• 10:51
  Speaker 1: because you know Adam Sandler, he's known for being that guy.
• 10:56
  Speaker 2: But his his the little bit of dramas that he does,
• 10:58
  Speaker 2: he kills it.
• 10:59
  Speaker 1: Yeah he does. Then I feel.
• 11:00
  Speaker 2: Like I'm not afraid to say it, but like and
• 11:04
  Speaker 2: rain over me. That man made me cry every time
• 11:07
  Speaker 2: that I watched that movie. It's a it's about a
• 11:09
  Speaker 2: movie where he loses his family. Like he's going to
• 11:12
  Speaker 2: the airport to pick up his family and realizes it's
• 11:14
  Speaker 2: one of the planes that went down in nine to eleven.
• 11:16
  Speaker 1: Oh really, I've never seen that one.
• 11:19
  Speaker 2: I've never seen that him Live Tyler don Chietel, good cast.
• 11:23
  Speaker 2: But basically it's it's him dealing with it without a
• 11:26
  Speaker 2: bottle or any type of pills, just him cold turkey
• 11:29
  Speaker 2: and uh there's a scene where he talked to it
• 11:32
  Speaker 2: to his therapist Playboy Live Tyler, and he's reliving it
• 11:36
  Speaker 2: and you could just see it in his face and
• 11:38
  Speaker 2: I break down like a little bit every time.
• 11:40
  Speaker 1: Every time, every time. And that's what's That's what's funny
• 11:45
  Speaker 1: about people like him who get type cast into those
• 11:48
  Speaker 1: kind of goofy, silly roles, is he has a range.
• 11:51
  Speaker 1: He can do other things. But it's like it's almost
• 11:54
  Speaker 1: like people don't don't want to see him do that.
• 11:56
  Speaker 1: They're like, no, go back to being slapstick and funny.
• 11:59
  Speaker 1: I don't like serious role. But you have you seen
• 12:02
  Speaker 1: Uncut Gems? Oh?
• 12:03
  Speaker 2: Yeah, I own it.
• 12:04
  Speaker 1: I love that movie. Yeah, that movie is fantastic. He
• 12:05
  Speaker 1: did a great job, to.
• 12:06
  Speaker 2: Be honest, He's the reason why I saw that movie. Yeah,
• 12:09
  Speaker 2: same like like like other other than that, Like, I mean,
• 12:11
  Speaker 2: the plot was cool well when once you watch the movie,
• 12:14
  Speaker 2: but like if you took Out of Sailor out of
• 12:16
  Speaker 2: the trailer and just played that trailer, I would have
• 12:18
  Speaker 2: not been interested at all.
• 12:20
  Speaker 1: Yeah, I was interested because I wanted to see him
• 12:22
  Speaker 1: do something well and it was a twenty four Well.
• 12:24
  Speaker 2: Actually I did like I did also kind of like
• 12:27
  Speaker 2: the director because they did good times and I love Yeah,
• 12:30
  Speaker 2: so I was intrigued that way. But I think what
• 12:33
  Speaker 2: more pulled me in to actually see it theatrically than
• 12:35
  Speaker 2: waiting for you know, see it later on life was
• 12:37
  Speaker 2: Adam Sailor in another drama. I'm always in for that,
• 12:40
  Speaker 2: like him that Spannglish, run over Me in Pumps, Drunk Glove.
• 12:45
  Speaker 2: To me, those are probably his four best movies. And
• 12:49
  Speaker 2: they're all dramas. Yeah, don't get me wrong, like Canny
• 12:51
  Speaker 2: Gilmour and Stuff's great, but like you Got a Die Clown,
• 12:56
  Speaker 2: I mean, those are classics. But like to me, if
• 12:58
  Speaker 2: he came up to me and as me what I
• 13:00
  Speaker 2: thought his favorite movies were, I'd like, these are my
• 13:02
  Speaker 2: top four and all of them were none of them
• 13:04
  Speaker 2: are comedies.
• 13:05
  Speaker 1: None of those are you know I performance wise.
• 13:08
  Speaker 2: Yes, yeah, yeah, perform was like if you asked me
• 13:10
  Speaker 2: like like that way, I'd be like, yeah, but I'm
• 13:11
  Speaker 2: like but movie wisely, you know, happy.
• 13:13
  Speaker 1: Of course the billionaires.
• 13:15
  Speaker 2: Yeah, but like punk Struck, glove Is was his first,
• 13:19
  Speaker 2: I believe his first drama.
• 13:20
  Speaker 1: That was. Yeah, that was way back in the early
• 13:22
  Speaker 1: two thousands.
• 13:23
  Speaker 2: I was directed by Paul Paul Anderson.
• 13:27
  Speaker 3: Okay, which Paul Anderson, not the resident evil guy, the
• 13:30
  Speaker 3: actual drama guy, the one who did the one who
• 13:32
  Speaker 3: directed The Master and There Will be Blood Paul Thomas
• 13:35
  Speaker 3: and Paul Thomas Anderson back and yeah, that was back
• 13:38
  Speaker 3: in two thousand and two.
• 13:39
  Speaker 2: That was his I believe that was his first like drama,
• 13:41
  Speaker 2: and damn he killed it.
• 13:43
  Speaker 1: Was holy movie. That's a four point.
• 13:45
  Speaker 2: It's a great fucking movie. Whoa spanklish Out of the
• 13:48
  Speaker 2: four honest is probably the weakest for me, just because
• 13:51
  Speaker 2: it's it's it's uh, it's just a typical like family
• 13:54
  Speaker 2: drama movie. But he still killed it, like as as
• 13:57
  Speaker 2: an as acting in the drama.
• 13:59
  Speaker 1: Yeah, that was and four directed by James L. Brooks.
• 14:03
  Speaker 1: Like I said two point seven online.
• 14:05
  Speaker 2: I still really liked it. But out of those four,
• 14:06
  Speaker 2: I guess that would be his weakest drama.
• 14:08
  Speaker 1: But like, I think that's the I've seen Punch Drunk Love.
• 14:11
  Speaker 1: I just didn't realize it had that high of a
• 14:12
  Speaker 1: rating because I've watched it ages ago. But I think
• 14:15
  Speaker 1: Banglish is the only one that I haven't seen. Oh
• 14:18
  Speaker 1: that's god, that's two hours and ten minutes too. Isn't
• 14:22
  Speaker 1: Drew Barrymore in that one too?
• 14:23
  Speaker 2: No?
• 14:24
  Speaker 1: No, tay Leoni, I'm sorry, Taylon.
• 14:26
  Speaker 2: Barrymore is actually not in any of his dramas.
• 14:30
  Speaker 1: No.
• 14:31
  Speaker 2: No, she's only been in like the romantic comedies.
• 14:34
  Speaker 1: Oh that's what I'm thinking of, because she was in
• 14:35
  Speaker 1: fifty First Dates, and then she was in She's also
• 14:38
  Speaker 1: the wedding singer, the wedding singer, and then there was
• 14:40
  Speaker 1: there wasn't there one more? There's one more that she
• 14:42
  Speaker 1: was in, uh Blended, Yes, Blended.
• 14:45
  Speaker 2: I actually didn't like Blended. I was hyped for it
• 14:48
  Speaker 2: because of the duo was back like like ooh, the
• 14:51
  Speaker 2: you know, they're great the duo, And then I watched it,
• 14:53
  Speaker 2: I'm like.
• 14:53
  Speaker 1: Eh, yeah, that one, uh because yeah, because Blended was
• 14:58
  Speaker 1: okay twenty fourteen, think, oh man, what was what was
• 15:01
  Speaker 1: the one I just talked about? Oh my god, fifty
• 15:04
  Speaker 1: First Dates. That's a classic I love, and he's not.
• 15:07
  Speaker 1: I mean, I would say that's probably one of his
• 15:09
  Speaker 1: more first serials. He was still kind of you know.
• 15:12
  Speaker 2: I didn't really like fifty First Dates really. Yeah, So,
• 15:16
  Speaker 2: like I've seen it a few times just till you know,
• 15:19
  Speaker 2: you know, when you watch a movie the first time,
• 15:20
  Speaker 2: you're like sometimes you're like, so then you won't watch
• 15:22
  Speaker 2: it later on in life again, you know, things could
• 15:24
  Speaker 2: change because it's happened before the play of things. Oh yeah,
• 15:27
  Speaker 2: But I just every time I watch it, I feel
• 15:29
  Speaker 2: the same way, and I'm just like, it's not a
• 15:31
  Speaker 2: bad movie, and I won't like like bash it. I
• 15:34
  Speaker 2: just I just didn't. I wasn't it just what's the
• 15:39
  Speaker 2: word I'm looking for. I just wasn't into it.
• 15:42
  Speaker 1: I guess you like the premise, the acting, or I.
• 15:46
  Speaker 2: Don't know what. I could not pinpoint, Like I said,
• 15:48
  Speaker 2: it's not a bad movie, and I won't and I
• 15:49
  Speaker 2: won't bash it as such. I just every time I
• 15:52
  Speaker 2: watch it, I feel the same way, and it's not
• 15:54
  Speaker 2: like a good way.
• 15:56
  Speaker 1: Interesting. I wonder what causes that I couldn't tell you. Yeah,
• 16:00
  Speaker 1: I mean everyone's gonna react to movies differently, not everyone's
• 16:03
  Speaker 1: gonna like top not. Yeah, Punch Trunk Love is one
• 16:09
  Speaker 1: I need to rewatch because it's been so fucking long. Yeah,
• 16:12
  Speaker 1: but okay, well, since we're talking about Paul W or
• 16:14
  Speaker 1: sorry not even Paul Thomas Anderson. Other movies he's done.
• 16:19
  Speaker 1: We've got Licorice Pizza, there will be Blood Magnolia, Boogie Knights.
• 16:24
  Speaker 1: So that's what he's done. Because there's Paul Thomas Anderson,
• 16:27
  Speaker 1: there's Wes Anderson, and then there's W. S Anderson. Yeah,
• 16:32
  Speaker 1: what the fuck? So because Paul W. S Anderson is
• 16:35
  Speaker 1: the guy who did Event Horizon and Resident Evil movies. Yeah,
• 16:39
  Speaker 1: so I always get those confused all the time. It's
• 16:42
  Speaker 1: goddamn Anderson names. So this is obviously now we're doing
• 16:46
  Speaker 1: the this is the just the Adam Sandler podcast at
• 16:48
  Speaker 1: this point. Welcome and thank you. But now there's a
• 16:52
  Speaker 1: that's we We've got to do that at some point,
• 16:54
  Speaker 1: We've gotta we've gotta like double features some Adam Sandler
• 16:57
  Speaker 1: more serious roles, because yeah, I feel like he kind
• 16:59
  Speaker 1: of gets he kind of gets snubbed with those uh
• 17:02
  Speaker 1: serious acting roles because he's he can actually do it,
• 17:05
  Speaker 1: and he does it very well. And if you haven't
• 17:08
  Speaker 1: seen Uncut Gems, holy shit, that movie is one of
• 17:10
  Speaker 1: the most stressful movies I've seen from so stress from
• 17:13
  Speaker 1: A twenty four since Green Room, Like Green Room was
• 17:17
  Speaker 1: extremely stressful, and then I watched Uncut Gems and I
• 17:20
  Speaker 1: was like, oh my god, I didn't think it could
• 17:23
  Speaker 1: get more stressful than that. So yeah, A twenty four
• 17:26
  Speaker 1: always kills it with their movies, And I think you're
• 17:28
  Speaker 1: right though, if if he wasn't in that movie or
• 17:31
  Speaker 1: I don't think I would have been in it.
• 17:33
  Speaker 2: Like yeah, I just don't think it would have. I mean, like,
• 17:35
  Speaker 2: like the premise was was simple. I mean, I'm not
• 17:38
  Speaker 2: gonna like give it away just in case somebody wants
• 17:40
  Speaker 2: to like see it, like like you know, blindly or whatever,
• 17:42
  Speaker 2: but like, but you know, since we've both seen it,
• 17:44
  Speaker 2: we know it. Like the premise was just so simple.
• 17:46
  Speaker 2: It just didn't seem like it didn't seem like there
• 17:49
  Speaker 2: was much of a movie there. But then yeah, I'm like, Okay, well,
• 17:51
  Speaker 2: we have these directors who clearly can do can do something.
• 17:56
  Speaker 2: I wanted to see what else they can do, because
• 17:57
  Speaker 2: I've only this, it was only the second movie I've
• 17:59
  Speaker 2: seen them do. And then you get Adam Sailor in
• 18:02
  Speaker 2: another serious role and I'm like, I'm in, like I
• 18:05
  Speaker 2: was in from that, I'm like, okay, cool, and then yeah,
• 18:08
  Speaker 2: I fucking love that movie.
• 18:09
  Speaker 1: Yeah, because let's see, I'm just curious to see what
• 18:12
  Speaker 1: else they've done.
• 18:13
  Speaker 2: We've got I think that Good Time.
• 18:15
  Speaker 1: So far, well they've got jeez, I'm sure these are all.
• 18:18
  Speaker 1: They've got a whole like twenty five movies, but I'm
• 18:20
  Speaker 1: sure most of these are shorts because even oh, they
• 18:25
  Speaker 1: have another movie called Heaven Knows what. I don't know
• 18:27
  Speaker 1: what that's about. But yeah, they haven't done too many
• 18:30
  Speaker 1: actually theatrical movies. From what I can see, it looks
• 18:33
  Speaker 1: like all of these are shorts. Yeah, for the most part.
• 18:35
  Speaker 1: But yeah, Good Time was another movie where you know
• 18:39
  Speaker 1: that that was Robert Pattinson starring, and everyone you know
• 18:43
  Speaker 1: has that idea in their head of Pattinson. We talked
• 18:45
  Speaker 1: about this about the Batman, how like he can't you
• 18:47
  Speaker 1: know ever, you know, he kind of got tarnished because
• 18:49
  Speaker 1: he was in Twilight. Twilight, but it's like once I
• 18:53
  Speaker 1: saw so I did. I did all the twenty four
• 18:55
  Speaker 1: movies from like the earliest release latest release, and I
• 18:58
  Speaker 1: saw him in Rover the Rover with Guy from Momento
• 19:02
  Speaker 1: Guy Peers, and I was like, oh, that was the
• 19:04
  Speaker 1: first movie I had seen him man outside of Twilight,
• 19:06
  Speaker 1: and I was like, holy shit, this guy can act.
• 19:08
  Speaker 1: And then of course getting into the later catalog of
• 19:10
  Speaker 1: A twenty four, I saw him in Good Time and
• 19:12
  Speaker 1: I'm like, all right, I like this guy. This guy
• 19:14
  Speaker 1: is good. And yeah, so I just like how these guys,
• 19:17
  Speaker 1: you know, Adam Sandler and Robert Pattinson come from different
• 19:21
  Speaker 1: like they started from different places, but they can they
• 19:24
  Speaker 1: can also do other things. You got to give actors
• 19:27
  Speaker 1: credit when they you know where credit is due, you.
• 19:30
  Speaker 2: Know, talking about Twilight, both Robert Pattinson and Christma Stewart both.
• 19:35
  Speaker 1: That's really yeah, that was their start. Really.
• 19:37
  Speaker 2: Oh Robert Patson was on Harry Potter.
• 19:39
  Speaker 1: No, I know, but I'm saying, like, really Twilight really
• 19:42
  Speaker 1: kind of like and that's what.
• 19:43
  Speaker 2: I was getting at, Like, so we had Christian Stewart
• 19:45
  Speaker 2: in Panic Room, yeah, as a kid, as a kid,
• 19:47
  Speaker 2: and then the next thing we see her in is Twilight,
• 19:50
  Speaker 2: and then we had Robert Patinson as a kid in
• 19:51
  Speaker 2: Harry Potter and the next thing we see him and
• 19:53
  Speaker 2: this in Twilight, and then after that they both went
• 19:55
  Speaker 2: on to an actual, I want to say, normal career
• 19:57
  Speaker 2: because Twicet it's not normal. They both killed it and
• 20:00
  Speaker 2: everything they've done.
• 20:01
  Speaker 1: They both killed yeah, and everything they've done since then.
• 20:03
  Speaker 1: Kristen Stewart, and it's Kristin or is it Kristen Kristin?
• 20:07
  Speaker 3: Sure?
• 20:08
  Speaker 2: Is it? I go? Honestly, sometimes I say it.
• 20:11
  Speaker 1: I can never remember.
• 20:12
  Speaker 2: But one of my personal favorites of Kristen Stewart, yeah,
• 20:17
  Speaker 2: Chris is a I don't know if it's A twenty four,
• 20:21
  Speaker 2: but it's called Personal Shopper.
• 20:23
  Speaker 1: No, that's not an A twenty I don't think.
• 20:25
  Speaker 2: So that's one of my favorite movies. At first, it's
• 20:27
  Speaker 2: an independent film. It's like I know what it's about,
• 20:31
  Speaker 2: but like I don't, like, I can't say what's really
• 20:33
  Speaker 2: about without spoiling it unless I'm office well.
• 20:36
  Speaker 1: And she was also in a brand new movie this
• 20:38
  Speaker 1: year called Spencer Funny Enough hahuh, Yeah, that I'd never seen.
• 20:42
  Speaker 1: But it's about NA say, it's about killed it. Yeah,
• 20:45
  Speaker 1: intended Jesus sorry the way hold on. That was personal Shopper,
• 20:52
  Speaker 1: Personal Shopper. Here we go. Yeah, that was from Geez.
• 20:54
  Speaker 1: I was from twenty sixteen. So it's about a personal
• 20:56
  Speaker 1: shopper in Paris refusing to leave the city until she
• 20:59
  Speaker 1: makes content with her twin brother who previously died there.
• 21:02
  Speaker 1: Her life becomes more complicated when a mysterious person contacts
• 21:05
  Speaker 1: her via text message. I've never seen that one. I
• 21:08
  Speaker 1: highly recommend.
• 21:09
  Speaker 2: I heard it was good and it's one of my
• 21:11
  Speaker 2: favorites of hers, like hands down, Yeah, one of my
• 21:14
  Speaker 2: favorite of movies of hers. She I really loved the
• 21:18
  Speaker 2: movie Spencer, but I liked her role in it well,
• 21:21
  Speaker 2: and that she played a really good Diana.
• 21:24
  Speaker 1: That came out last year, and that was a Neon film,
• 21:26
  Speaker 1: And if you know Neon, Neon's done movies like Parasite
• 21:28
  Speaker 1: and stuff like that, so they it's like a twenty
• 21:30
  Speaker 1: four you know what I mean, Like they do a
• 21:32
  Speaker 1: lot of good independent films. And that was something I
• 21:34
  Speaker 1: always saw and didn't even realize she was in it
• 21:37
  Speaker 1: until like months after I saw it on the amc
• 21:41
  Speaker 1: app and I was like, oh my god, that was
• 21:43
  Speaker 1: Kristen Stewart. Holy shit. So yeah, it's not Hulu if
• 21:46
  Speaker 1: you want to watch it, Oh yeah, it is right there.
• 21:48
  Speaker 1: I just saw that, as you said that on IMDb.
• 21:51
  Speaker 2: That's actually where I watched it, because I didn't catch
• 21:53
  Speaker 2: it in the theaters like I wanted to, and I
• 21:54
  Speaker 2: saw us on Hulu when they start watched it. I
• 21:56
  Speaker 2: thought it was very.
• 21:56
  Speaker 1: Good and I had no idea it was a biopic
• 21:58
  Speaker 1: about about Princess Diana until again, like months after, I
• 22:02
  Speaker 1: saw the name Spencer because I saw this as the
• 22:06
  Speaker 1: cover on AMC and I'm like, okay, I just didn't
• 22:09
  Speaker 1: realize that. I didn't realize that was Kristen Stewart at all.
• 22:12
  Speaker 1: So yeah, it's just funny where all these like these
• 22:14
  Speaker 1: people get their start and then they just completely go
• 22:16
  Speaker 1: and do different things and they killed I don't know
• 22:19
  Speaker 1: if you saw Happiest Season with Kristen Stewart, it was.
• 22:23
  Speaker 1: It's a Christmas movie that came out in twenty twenty.
• 22:25
  Speaker 2: I don't, I might have, I don't. It does not
• 22:27
  Speaker 2: ring in any bills.
• 22:28
  Speaker 1: It's a rom com where she's in a relationship with
• 22:30
  Speaker 1: another woman and she her I can't remember whose family,
• 22:33
  Speaker 1: but one of the families is kind of you know, conservative,
• 22:36
  Speaker 1: so they don't.
• 22:37
  Speaker 2: Seen I've heard so good streaming anywhere.
• 22:40
  Speaker 1: It's on Hulu. I think it's a Hulu original. And
• 22:42
  Speaker 1: also Dan Levy is in that from uh, what's this
• 22:47
  Speaker 1: goddamn show? He's in Dan Shit's Creek. Okay, yeah, you
• 22:50
  Speaker 1: know Eugene Levy's son, So he's in that playing her
• 22:52
  Speaker 1: best friend. And that's yeah, She's Creek is great, yes,
• 22:56
  Speaker 1: but yeah, it's a really good one. Also, Mackenzie Davis
• 22:58
  Speaker 1: is in that one too, and that she plays the
• 23:00
  Speaker 1: love interest. She's from Terminator, you know, Blade Runner, all
• 23:03
  Speaker 1: that stuff. So yeah, Happiest Season is great. And that's
• 23:06
  Speaker 1: another It's it is a comedy, but it is more.
• 23:08
  Speaker 1: It is also like a romance drama. And it's another
• 23:11
  Speaker 1: one that Chris and Steward just absolutely kills. So all right,
• 23:15
  Speaker 1: we've gone down a lot of rabbit trails. Holy shit,
• 23:17
  Speaker 1: this has been great. This is why I like doing
• 23:19
  Speaker 1: the podcast with you. We start, we start talking about
• 23:21
  Speaker 1: Shaquille O'Neal, and we end up with I don't even
• 23:23
  Speaker 1: know where, but we should probably Oh you know what, No, no,
• 23:27
  Speaker 1: there's one more thing we have to get into. We
• 23:29
  Speaker 1: have to know I have to know you saw Morevius yes,
• 23:33
  Speaker 1: yesterday correct or whenever last night? Go just go what happened?
• 23:39
  Speaker 1: How was it?
• 23:40
  Speaker 2: One word?
• 23:41
  Speaker 1: Oh god? No?
• 23:42
  Speaker 2: No, worst than than the Netflix Daredevil.
• 23:47
  Speaker 1: I heard it's worse than Suicide Squad.
• 23:51
  Speaker 2: Oh man, let's I was going with Marvel. I was
• 23:53
  Speaker 2: just doing Marvel movies. I was, I was, I wasn't
• 23:56
  Speaker 2: Squads DC.
• 23:56
  Speaker 1: No, no, no, I know. I just heard it was worse.
• 23:58
  Speaker 2: I gave it a two and didn't like it.
• 24:01
  Speaker 1: Oh and there's.
• 24:02
  Speaker 2: One thing, one thing I liked about the entire movie,
• 24:06
  Speaker 2: and it was overplayed and it really pissed me off.
• 24:11
  Speaker 2: They they, you know they, I mean, you see the
• 24:14
  Speaker 2: part of this in the trailer, so like it's not
• 24:15
  Speaker 2: really a spoiler unless you haven't seen the trailer anyways,
• 24:17
  Speaker 2: But honestly, with this movie, who the fuck cares? Because Sony,
• 24:21
  Speaker 2: first of all, in the trailer, one of the mid
• 24:24
  Speaker 2: credits scenes are in the actual trailer. Oh yeah, they've
• 24:28
  Speaker 2: already fucked that up.
• 24:29
  Speaker 1: That's kind of weird.
• 24:30
  Speaker 2: Sony and the director before the red carpet premiere spoiled
• 24:34
  Speaker 2: ninety percent of the movie before the even premiere because.
• 24:35
  Speaker 1: They didn't give a shiti.
• 24:38
  Speaker 2: So that alone tells you is it going to be good?
• 24:40
  Speaker 1: No? Well, and it also got pushed eight times, eight.
• 24:43
  Speaker 2: Times, I believe, which which was which is now on
• 24:45
  Speaker 2: the record because on New Mutants had seven geez And
• 24:49
  Speaker 2: in my head, I'm like, you gotta push this many
• 24:50
  Speaker 2: times and we still get this shit. Maybe you had
• 24:52
  Speaker 2: plenty of time to retweak some stuff, so so let
• 24:55
  Speaker 2: me so. The only thing that I really liked about
• 24:58
  Speaker 2: it was the the sonar that they did with.
• 25:03
  Speaker 1: It, because oh the location.
• 25:04
  Speaker 2: Yeah, I thought that was cool, but they overplayed it.
• 25:07
  Speaker 2: First of all, the movie's an hour and forty four,
• 25:08
  Speaker 2: so take out ten minutes of credits. Movies like an
• 25:10
  Speaker 2: hour and third, which is fine, but this movie definitely
• 25:13
  Speaker 2: would have benefited for another fifteen to twenty minutes. Oh wow,
• 25:16
  Speaker 2: easily interesting, very because so I'm just gonna I'm not
• 25:21
  Speaker 2: gonna like say many scenes. I'm just gonna give you
• 25:23
  Speaker 2: words to describe this movie, which is how I felt
• 25:25
  Speaker 2: when it was over. Obviously the word no U. So
• 25:29
  Speaker 2: we got lazy, formulaic, and predictable. And for a Marvel movie,
• 25:35
  Speaker 2: I mean, yeah, Marvel movies are kind of predictable and
• 25:37
  Speaker 2: formulaic at this point, but like as an ordinar story.
• 25:41
  Speaker 2: It like as an order story for somebody hasn't been
• 25:43
  Speaker 2: introduced yet. It shouldn't have been that. Yeah, like what
• 25:48
  Speaker 2: I mean lazy? I mean it's literally like somebody wrote
• 25:51
  Speaker 2: this script half asleep and just called it a day
• 25:53
  Speaker 2: and said, let's film it.
• 25:55
  Speaker 1: Which is funny because the man who wrote it is
• 25:57
  Speaker 1: a man named Daniel Espinoza. And he also did Life,
• 26:01
  Speaker 1: which I haven't seen but heard was pretty bazy, Yeah,
• 26:04
  Speaker 1: which I heard was very good.
• 26:05
  Speaker 2: And that's unfortunate because of how good that movie was.
• 26:08
  Speaker 1: And also a movie called safe House with Ryan Reynolds
• 26:11
  Speaker 1: which was also awesome, Yeah, which I also heard was good.
• 26:13
  Speaker 1: So don't know what happened with the writing on this
• 26:16
  Speaker 1: because you've done two other things that are well received.
• 26:20
  Speaker 2: Well okay, so so well well obviously with Marvel movies
• 26:25
  Speaker 2: and stuff Disney or Old No, this is actually Sony,
• 26:28
  Speaker 2: but like they're more critiqued than the other two movies
• 26:33
  Speaker 2: would be, like they're more like somebody wants more creative
• 26:36
  Speaker 2: control because it's a superhero film type of thing versus
• 26:38
  Speaker 2: the other two were just movies to be made, like
• 26:41
  Speaker 2: safeouseide Dezel Washington, Ryan Reynolds, It was a it was
• 26:45
  Speaker 2: an action year. I mean it was a it was
• 26:46
  Speaker 2: by the book's action movie, but it was a lot
• 26:48
  Speaker 2: of fun because of the actors involved in it. And
• 26:50
  Speaker 2: then Life was.
• 26:52
  Speaker 1: Again another crazy bailed movie. You've got Jake Jillen Hall,
• 26:56
  Speaker 1: You've got Rebecca Fergus and Ryan Reynolds.
• 26:58
  Speaker 2: To be honest, like, and people still to this day
• 27:00
  Speaker 2: and I believe it, like it's a prequel Divenom. And
• 27:03
  Speaker 2: when you watch the Life, if you watch the movie,
• 27:04
  Speaker 2: you kind of understand that.
• 27:05
  Speaker 1: Yeah, I've never seen it. I've never seen that.
• 27:07
  Speaker 2: I mean, it's not a prequel Divenom, but like a
• 27:09
  Speaker 2: lot of people still say like it is because of
• 27:12
  Speaker 2: the things that that Life's about, Like it's a I
• 27:14
  Speaker 2: mean the whole movie is shot in space, in the spaceship.
• 27:17
  Speaker 1: Like I love space movies. Those are some of my favorite.
• 27:20
  Speaker 2: Oh it's a great it's a great movie. I highly
• 27:22
  Speaker 2: recommend it.
• 27:22
  Speaker 1: Now. Don't get this confused with High Life, which is
• 27:25
  Speaker 1: another a twenty four movie with Robert Pattinson. Those are
• 27:28
  Speaker 1: different movies, and that's what I got. I got those
• 27:30
  Speaker 1: confused multiple times because of that, you know, they're they're
• 27:33
  Speaker 1: near the same movie. But yeah, high Life. That is
• 27:36
  Speaker 1: a twenty four Robert Pattins in Life, Jake Jillenhall, Ryan Reynolds,
• 27:40
  Speaker 1: joint yep.
• 27:41
  Speaker 2: But like morvious, like they had me for about the
• 27:43
  Speaker 2: first twenty five minutes, like in a good way. I'm like, Okay,
• 27:46
  Speaker 2: we got something interesting, like I think it's going on
• 27:49
  Speaker 2: and literally shotgun it like like the villain was garbage,
• 27:52
  Speaker 2: like you saw it coming a mile away, and then
• 27:54
  Speaker 2: it was just it was so anti climactic, like there
• 27:56
  Speaker 2: was there was the most i'mactic seen in that movie
• 28:01
  Speaker 2: was a scene where a batcher just flying around.
• 28:03
  Speaker 1: Yeah. And it's really funny because I've seen all over TikTok.
• 28:06
  Speaker 1: They're like my initial reaction before Morbius. I'm ready to go,
• 28:09
  Speaker 1: and then they get back in their car or back
• 28:11
  Speaker 1: to home, they're like, just no.
• 28:13
  Speaker 2: One of my favorite ones. Us people are like, yeah,
• 28:16
  Speaker 2: so I came home to somebody broke into my house
• 28:18
  Speaker 2: and let and they didn't take anything, but they left
• 28:20
  Speaker 2: two Morebius tickets. Said I'd rather go to jail.
• 28:25
  Speaker 1: I'd rather not see that movie.
• 28:27
  Speaker 2: So it's it's not good.
• 28:29
  Speaker 1: Yeah, And it's funny because we've seen the trailer. I've
• 28:31
  Speaker 1: been literally watching that trailer for I swear at this
• 28:34
  Speaker 1: point of goddamn year, if not more, if not more,
• 28:38
  Speaker 1: and me and Gabby every time we have to go
• 28:40
  Speaker 1: to the theater and see it, we're just like I
• 28:41
  Speaker 1: will always go to the bathroom at that point, but like,
• 28:43
  Speaker 1: I don't need to see this. Taking trailer even.
• 28:45
  Speaker 2: The two mid credits scenes, which one of them spoiled
• 28:48
  Speaker 2: already in the trailer, was ridiculous, but like they don't
• 28:51
  Speaker 2: even they don't even feel like mid credits scenes. They
• 28:53
  Speaker 2: just feel like, oh, here's some deleted scenes that were
• 28:55
  Speaker 2: off the table, let's just play it. Like they felt
• 28:57
  Speaker 2: that they didn't even feel real all the whole production,
• 29:01
  Speaker 2: just like the CGI was wonky.
• 29:03
  Speaker 1: It was just yeah, two point zero out of five
• 29:06
  Speaker 1: on letterbox. So that's gonna be a movie. I will
• 29:09
  Speaker 1: wait till it comes to digital.
• 29:12
  Speaker 2: Yeah, that's a free Yeah, that's a whatever movie. And Hobnessly,
• 29:16
  Speaker 2: if someone spoils that movie for you, it's really not
• 29:18
  Speaker 2: that's that big.
• 29:18
  Speaker 1: I'm not gonna care. Does it have any impact in
• 29:22
  Speaker 1: the MCU at all? Yes it does. Yes, So I
• 29:26
  Speaker 1: didn't like I need to see it then.
• 29:28
  Speaker 2: I mean I can easily just it's literally the end
• 29:31
  Speaker 2: credit scene is the only thing that has anything to
• 29:33
  Speaker 2: do with anything. I mean, obviously they're introducing Morbius, and
• 29:35
  Speaker 2: I feel like he might be introduced, like he might
• 29:38
  Speaker 2: they might put him in blades somewhere because so funny enough,
• 29:40
  Speaker 2: in the original Blade with with Wesley Snipes, a deleted
• 29:44
  Speaker 2: ending had the character Morbius in it. Oh yep, oh
• 29:48
  Speaker 2: so one of So the only really significance of this
• 29:51
  Speaker 2: movie to the MCU is one of the end credits
• 29:54
  Speaker 2: scenes describing something. But that's really it, Like you, like,
• 29:57
  Speaker 2: if you took out the end credit scene and just
• 29:58
  Speaker 2: saw this movie, it wouldn't have anything to do with anything.
• 30:02
  Speaker 2: That's a shame, except for introducing Morbies as a character.
• 30:05
  Speaker 1: As a person.
• 30:06
  Speaker 2: Yeah, yeah, that that was really it. So like I
• 30:08
  Speaker 2: could literally tell, like I'm not gonna do it all
• 30:10
  Speaker 2: over the podcast, but like, if you want to know,
• 30:11
  Speaker 2: I can literally.
• 30:12
  Speaker 1: Sorry, probably will I don't. I don't care about this movie.
• 30:14
  Speaker 1: I haven't yet, all right, I haven't cared about it
• 30:17
  Speaker 1: for quite some time. But yeah, that's what I wanted
• 30:20
  Speaker 1: to know. I wanted to hear. I've been hearing it
• 30:22
  Speaker 1: all over TikTok, all over social media. That it's just
• 30:24
  Speaker 1: not good. And I'm gonna obviously, i'll take your word
• 30:28
  Speaker 1: over social media because we have very similar tastes. As
• 30:31
  Speaker 1: that's gonna show talking about this fucking movie here.
• 30:34
  Speaker 2: I just think Jared Leto should I mean, I like
• 30:36
  Speaker 2: him as an actor, but he should stay away from comic movies.
• 30:38
  Speaker 1: He should just yeah, he should just stop.
• 30:40
  Speaker 2: Because because he's now screwed up a DC movie. Well, okay,
• 30:43
  Speaker 2: that movie is already screwed up, but he he didn't
• 30:46
  Speaker 2: bring anything better to the table for that movie. And
• 30:48
  Speaker 2: then also this movie.
• 30:49
  Speaker 1: No, no, just double no. Yeah. All right, on that note,
• 30:54
  Speaker 1: let's talk about a movie that's actually significant and fucking amazing,
• 30:58
  Speaker 1: and that is Alligator, the topic of this episode. This
• 31:02
  Speaker 1: movie was released in nineteen eighty on November fourteenth of
• 31:05
  Speaker 1: that year in the USA. Rated R for mild sex
• 31:09
  Speaker 1: and nudity, severe violence and gore, mild profanity, one use
• 31:14
  Speaker 1: of the word fuck that is that you get you
• 31:16
  Speaker 1: get one fuck, mild alcohol, drugs and smoking, and moderate
• 31:20
  Speaker 1: frightening and intense scenes. We've got a run time of
• 31:23
  Speaker 1: an hour and thirty one minutes. Listed as a horror
• 31:26
  Speaker 1: sci fi thriller, which I find interesting because what part
• 31:29
  Speaker 1: of this is sci fi? Honest? The size the gator.
• 31:33
  Speaker 1: I mean, but like even then, like that's it.
• 31:35
  Speaker 2: All it could take is one little part because because
• 31:37
  Speaker 2: that's the plot of the movie basically, now, all it
• 31:40
  Speaker 2: could take is one little like like subplot and be
• 31:42
  Speaker 2: like yeah, cause I'm sure sure there's other like I mean,
• 31:45
  Speaker 2: I'm sure, you know, like Chucky or something's considered sci
• 31:48
  Speaker 2: fi somewhere, one of them.
• 31:49
  Speaker 1: Maybe, I don't know. I just thought it was funny.
• 31:51
  Speaker 2: Sci fi in the sense that you know, a gator
• 31:53
  Speaker 2: that size is not a real thing.
• 31:56
  Speaker 1: I mean, that's true. I don't think there's a thirty
• 31:58
  Speaker 1: six foot gator anywhere that I know of.
• 32:00
  Speaker 2: I mean, Lake Placid, money would be considered sci fi
• 32:02
  Speaker 2: thinking about it, But I don't know. O, son of
• 32:05
  Speaker 2: a bitch, let me check it out, because it's the
• 32:07
  Speaker 2: only other movie I can think of a gator being
• 32:09
  Speaker 2: fucking huge.
• 32:10
  Speaker 1: Action comedy horror.
• 32:13
  Speaker 2: Sorry, I could see that, though, I can see the
• 32:15
  Speaker 2: comedy because Betty White.
• 32:16
  Speaker 1: Oh Betty White, she's a goddamn national treasure, said too soon,
• 32:20
  Speaker 1: she went too soon. We've got this directed by a
• 32:24
  Speaker 1: man named Lewis Tigue, who has directed thirty things, including
• 32:28
  Speaker 1: Kujo and Kat's. I definitely a good choice for this
• 32:32
  Speaker 1: because you know, if you know anything about Kujo, you
• 32:34
  Speaker 1: know it's about a you know, it's well, it's a
• 32:36
  Speaker 1: giant dog. But I mean he's really just a Saint Bernard,
• 32:38
  Speaker 1: I think. But he's definitely a big dog. So that
• 32:41
  Speaker 1: was a good, good, uh good choice. On directors, We've
• 32:44
  Speaker 1: got it written by a man named John Sales Stiles.
• 32:48
  Speaker 1: I can't I don't know how to pronounce your name. Uh.
• 32:50
  Speaker 1: He did a screenplay and story, and then a man
• 32:52
  Speaker 1: named Frank Ray Perelli did the story as well. John
• 32:56
  Speaker 1: has thirty nine acting credits. Also, he also did the
• 32:59
  Speaker 1: screen play for the original Piranha and Howling, which are
• 33:03
  Speaker 1: both Jodante joints. But I think the Howling is Jodontae.
• 33:06
  Speaker 1: I know Purana is Jodante. I'm pretty sure the Howling
• 33:08
  Speaker 1: is Jodante as well. Frank has fifteen writing credits and
• 33:12
  Speaker 1: has only done nothing that I recognized besides Alligator, so
• 33:15
  Speaker 1: good for him. Music by a man named Craig Huxley.
• 33:19
  Speaker 1: He only has ten composer credits, and I saw nothing
• 33:22
  Speaker 1: else that I recognized. But this is where it gets
• 33:26
  Speaker 1: interesting because He has ninety seven credits in the music
• 33:28
  Speaker 1: department and has worked on movies like Apocalypse Now, Poulter Guys, Friday,
• 33:32
  Speaker 1: The Thirteenth, Part three, Psycho two, Aliens, Back to the
• 33:37
  Speaker 1: Future two and three total Recall seven, Austin Powers two
• 33:40
  Speaker 1: and three, so Spy Who Shagged Me? And Goldmember and
• 33:43
  Speaker 1: Doctor Sleep. Pretty wide range of stuff there. So, yeah,
• 33:48
  Speaker 1: he didn't compose them, but he did minor things like
• 33:50
  Speaker 1: synthesizers for Apocalypse Now or whatever. So he was in
• 33:54
  Speaker 1: the music department doing things on these movies, which is
• 33:56
  Speaker 1: really kind of cool. That's why I really like diving
• 33:59
  Speaker 1: into this stuff because you can see who's done what,
• 34:01
  Speaker 1: and it's just really interesting how much this guy's done.
• 34:04
  Speaker 1: I mean, from Apocalypse Now to Doctor Sleep. That's just
• 34:07
  Speaker 1: so cool. Cinematography by a man named Joseph Man Jean
• 34:11
  Speaker 1: or Man John. However you say that, I don't know.
• 34:14
  Speaker 1: He has thirty two credits for cinematography and has done
• 34:17
  Speaker 1: things like I Drink Your Blood uncredited, although I've said
• 34:21
  Speaker 1: this before. It's funny how they will say uncredited because
• 34:24
  Speaker 1: you're still credited as being uncredited. Yeah, so it's kind
• 34:27
  Speaker 1: of weird. He also did he with a dp on Squirm,
• 34:31
  Speaker 1: The Sword and the Sorcerer Alone in the Dark, which
• 34:33
  Speaker 1: is something that we've reviewed ye Neon Maniacs, and the
• 34:37
  Speaker 1: sequel to this movie, Alligator to the Mutation, So Cool Beans,
• 34:41
  Speaker 1: starring a man named Robert Forrester as David Madison, who
• 34:45
  Speaker 1: I didn't even fucking know passed away in twenty nineteen.
• 34:48
  Speaker 1: I had no clue. I saw his like, you know,
• 34:53
  Speaker 1: like the year from and two, and I was like,
• 34:54
  Speaker 1: oh my god, I guess I just must have missed that.
• 34:57
  Speaker 1: But this man has one hundred and eighty nine acting credits.
• 35:00
  Speaker 1: He's done so many things, ranging from Jackie Brown to
• 35:03
  Speaker 1: the remake of Psycho Me Myself and Irene and Mulholland Drive.
• 35:08
  Speaker 1: Dude lived a good life acting and this was one
• 35:10
  Speaker 1: of his earlier things, obviously because this was from nineteen eighty,
• 35:14
  Speaker 1: but yeah, he did a lot of stuff. Then we've
• 35:17
  Speaker 1: got Robin Reiker, the heart throb of this movie, as
• 35:20
  Speaker 1: Marissa Kendall, who has one hundred acting credits, this being
• 35:23
  Speaker 1: her first movie. Actually, she only did about three or
• 35:26
  Speaker 1: four things in television before this, and this is crazy
• 35:29
  Speaker 1: because she hasn't done a lot of tea or a
• 35:31
  Speaker 1: lot of movies, but apparently she was in Fucking Brink,
• 35:35
  Speaker 1: the Disney Channel skating movie that I hold so close
• 35:38
  Speaker 1: to my heart. I don't know if you've ever seen that.
• 35:40
  Speaker 1: It's literally it's a Disney Channel original movie about rollers,
• 35:44
  Speaker 1: about rollerblading and like competitions and shit. Apparently she is
• 35:47
  Speaker 1: in that. Her name is Madison Brinker, so I guess
• 35:50
  Speaker 1: she's the mom. I'm gonna need to rewatch that now
• 35:52
  Speaker 1: because I didn't realize she was even in that. She
• 35:55
  Speaker 1: was also in a movie from twenty nineteen called Psycho
• 35:57
  Speaker 1: Granny directed by Rebecca McKendree, who is a great director.
• 36:01
  Speaker 1: I have not seen that movie, but now I'm going
• 36:04
  Speaker 1: to watch it because I love Robin Reger. She's great.
• 36:07
  Speaker 1: But yeah, she really does primarily TV shows and does
• 36:11
  Speaker 1: not have a lot of like movie credits. She's been
• 36:13
  Speaker 1: in all sorts of things from like The Think, the
• 36:15
  Speaker 1: Bold and Beautiful to like other stuff as well, But like,
• 36:19
  Speaker 1: I wish she did more TV because she was fucking
• 36:21
  Speaker 1: great in this. I loved her in this movie. Then
• 36:24
  Speaker 1: we have Michael Gazo as Chief Clark, who has sixty
• 36:27
  Speaker 1: seven acting credits, done things like The Godfather Part two,
• 36:30
  Speaker 1: Cannonball Run two and Last Action Hero. And then we've
• 36:34
  Speaker 1: got Dean Jagger as Slade. He has one hundred and
• 36:37
  Speaker 1: thirty two acting credits. He started working in the late
• 36:40
  Speaker 1: nineteen twenties. Yeah, all the way through nineteen eighty five.
• 36:44
  Speaker 1: This was the third to last film he did, and
• 36:46
  Speaker 1: the only thing I recognized that he did from that
• 36:49
  Speaker 1: time was White Christmas from nineteen fifty four. Okay, so
• 36:52
  Speaker 1: the man acted for nearly fifty years. Good for him,
• 36:55
  Speaker 1: that's crazy. And then he passed away I think in
• 36:58
  Speaker 1: the eighties or nineties. But I mean, dude, I went
• 37:01
  Speaker 1: back to I was scrolling down through his IMDb. I'm like,
• 37:03
  Speaker 1: nineteen twenty nine, Like Jesus Christ, I'm not going to
• 37:06
  Speaker 1: recognize any of this shit. But I mean, yeah, he's
• 37:09
  Speaker 1: got a whole bunch of credits for that. Definitely a
• 37:12
  Speaker 1: good actor. So we've got an estimated budget of one
• 37:16
  Speaker 1: point five million and a worldwide box office gross of
• 37:20
  Speaker 1: question Mark. I'm not sure if this had a theatrical release.
• 37:23
  Speaker 1: I don't know. I couldn't find anything that said or
• 37:27
  Speaker 1: hinted to this having a theatrical release. I'm not sure.
• 37:30
  Speaker 1: I mean, it was nineteen eighty so not all. I mean,
• 37:33
  Speaker 1: like looking around, like around when we get to the
• 37:35
  Speaker 1: stuff that came out around the same time, there's not
• 37:37
  Speaker 1: a lot of stuff that was notable that came out
• 37:40
  Speaker 1: around the same time. So I have no idea. This
• 37:43
  Speaker 1: movie was filmed in La of course, and correct me
• 37:47
  Speaker 1: if I'm wrong though, because we watched that little snippet
• 37:49
  Speaker 1: with Brian Kranstay. They used real Stewards to film.
• 37:52
  Speaker 2: I don't know if there's every scene, but a lot
• 37:54
  Speaker 2: of a lot of the uh, like a lot of
• 37:57
  Speaker 2: the A lot of scenes they used actual like man
• 38:00
  Speaker 2: man sewers.
• 38:00
  Speaker 1: Yeah, like actual sewers in LA which I.
• 38:03
  Speaker 2: Know they built a little like set wise too, but
• 38:06
  Speaker 2: like a lot of like a lot of like the
• 38:09
  Speaker 2: just walking through the sewers were actually like.
• 38:10
  Speaker 1: The actual sewers, yes, which is crazy. Save money, It
• 38:14
  Speaker 1: saves some money. It makes me appreciate the movie more
• 38:16
  Speaker 1: because like you didn't have the enemy, especially with the
• 38:18
  Speaker 1: budget of one point five million, they're not building all
• 38:20
  Speaker 1: those sewers down there that would take so much cash. Yeah,
• 38:24
  Speaker 1: you can actually watch this now on Amazon because before
• 38:28
  Speaker 1: the four K came out that we bought from Scream Factoring,
• 38:31
  Speaker 1: this was nowhere I couldn't find it anywhere, but apparently
• 38:33
  Speaker 1: I did double check. You can rent this on Amazon
• 38:35
  Speaker 1: between two ninety nine and three ninety nine, depending on
• 38:38
  Speaker 1: quality you have HD and you know SD, or you
• 38:41
  Speaker 1: can buy it from eight ninety nine to nine ninety
• 38:43
  Speaker 1: nine as well, depending on quality. But nothing, nothing is
• 38:46
  Speaker 1: going to compare to the four K that we got
• 38:48
  Speaker 1: from Screen Factory.
• 38:50
  Speaker 2: I don't know nothing, but it looks great.
• 38:52
  Speaker 1: That movie looks so good. The first time we watched
• 38:54
  Speaker 1: it was at your house, and I just remember about
• 38:56
  Speaker 1: ten minutes in being like, why does this why there's
• 39:00
  Speaker 1: no point, there's no reason for this movie that no
• 39:02
  Speaker 1: one's really ever heard of. It's a very under like underrated,
• 39:06
  Speaker 1: like no one's really talking about Alligator from nineteen eighty,
• 39:10
  Speaker 1: but like, why does this look better than movies that
• 39:12
  Speaker 1: have come out recently? Like it was gorgeous.
• 39:15
  Speaker 2: Yeah, they did a really good four K scan.
• 39:17
  Speaker 1: And even in the even in the you know, the
• 39:19
  Speaker 1: sewers and stuff like that. Typically, when in darker settings,
• 39:22
  Speaker 1: you're gonna get more grain, especially with the older movies,
• 39:24
  Speaker 1: especially with older movies, but this movie, like the Blacks
• 39:26
  Speaker 1: are black, like the Blackest it was clean. It's so
• 39:29
  Speaker 1: clean it clean. So you can get that from Amazon
• 39:32
  Speaker 1: for twenty nine to forty six currently, or directly from
• 39:35
  Speaker 1: screen Factory for probably a little bit more. I don't
• 39:37
  Speaker 1: know how, but Amazon tends to be a little bit
• 39:39
  Speaker 1: cheaper with their screen factories, which again I don't know
• 39:43
  Speaker 1: how that works, but I would suggest just buying the
• 39:45
  Speaker 1: four K. If you have a four K player and
• 39:47
  Speaker 1: a four K TV.
• 39:48
  Speaker 2: Well, the four K comes with with the Blu Ray
• 39:49
  Speaker 2: as well. So even if you buy the four K
• 39:51
  Speaker 2: and you don't have a four K Blue you used
• 39:53
  Speaker 2: to watch in Blu ray, which is a comes from
• 39:54
  Speaker 2: a four K scan.
• 39:55
  Speaker 1: Well, I saw in mind it's three discs, it's four K,
• 39:58
  Speaker 1: and then they had the theatrical and then they have
• 40:00
  Speaker 1: the television versions.
• 40:01
  Speaker 2: Is the theatrical, the theatrical is the is the Blue ray,
• 40:06
  Speaker 2: and then the theat and then the extended or whatever.
• 40:08
  Speaker 2: It's just DVD I believe.
• 40:10
  Speaker 1: Okay, so that makes a lot of sense then, but yeah,
• 40:12
  Speaker 1: I would suggest just getting the four K. It is
• 40:14
  Speaker 1: absolutely magnificent and actually played into my rating because it
• 40:18
  Speaker 1: looked so good. I was just so impressed by how
• 40:20
  Speaker 1: it looked. Movies that came out around the same time.
• 40:23
  Speaker 1: We've got Motel Hell, which we've reviewed. Weird movie for sure,
• 40:29
  Speaker 1: The Awakening, Raging Bull, Flash Gordon, and Popeye, which I've
• 40:34
  Speaker 1: never seen Popeye from the eighties?
• 40:36
  Speaker 2: Is that that's the one whe Robin Williams plus Popeye.
• 40:38
  Speaker 1: Right, Robin Williams, Yeah what Yeah?
• 40:42
  Speaker 2: He was Popeye.
• 40:43
  Speaker 1: That's a I mean, I can't think words. I guess
• 40:48
  Speaker 1: that makes sense, but it's also kind of an odd choice. No,
• 40:52
  Speaker 1: am I wrong? If you watched the movie now Popeye
• 40:55
  Speaker 1: nineteen eighty.
• 40:56
  Speaker 2: Pretty sure Rob Williams was just play Popeye.
• 40:58
  Speaker 1: Oh my god, Shelley Duvolve plays fucking olive Oil. Yeah,
• 41:04
  Speaker 1: Robin Williams is Popeye. Shelley Duval is Olive Oil or
• 41:08
  Speaker 1: you know, oyl anybody else Paul Dooley, you know that
• 41:13
  Speaker 1: the name sounds familiar? Oh my god, got a two
• 41:16
  Speaker 1: point eight. It wasn't. That's so funny. And this was
• 41:21
  Speaker 1: Oh I wonder when this came out? Was this because
• 41:23
  Speaker 1: this was night so Shining came out in nineteen eighty
• 41:25
  Speaker 1: as well. I wonder if this was prior to or
• 41:29
  Speaker 1: after the Shining because I know Shelley look shows the dates.
• 41:32
  Speaker 1: I know Shelley Duvall. Of course, you know, after the
• 41:34
  Speaker 1: Shining was just completely fucked up from Kubrick.
• 41:37
  Speaker 2: So they probably just filmed. She probably filmed Popeye first,
• 41:41
  Speaker 2: or or maybe like Popeye, maybe had a Stascle run
• 41:43
  Speaker 2: while she was filming Shining.
• 41:45
  Speaker 1: June thirteenth, nineteen eighty for The Shining. And I mean
• 41:49
  Speaker 1: obviously this came out around the same time as you know, November.
• 41:53
  Speaker 2: So they're probably shooting at the same time.
• 41:55
  Speaker 1: December twelfth night. So yeah, so Popeye was shortly after
• 42:00
  Speaker 1: The Shining. Oh wow, that's crazy. I had no idea
• 42:04
  Speaker 1: this movie existed. And let alone. Oh that's Rain, That
• 42:09
  Speaker 1: is Rain, son of a bitch yep. Wow. Okay, so
• 42:12
  Speaker 1: now I absolutely have to watch this. Robin Williams and
• 42:14
  Speaker 1: Shelley Duvall all right, cool, So.
• 42:16
  Speaker 2: That's interesting that these movies, these are the tough of
• 42:18
  Speaker 2: movies that came out. Think because we were talking about
• 42:20
  Speaker 2: theatrical runs. Reggie Bull clearly got a theatrical run.
• 42:23
  Speaker 1: Flash Gordon had to have got a theatrical run.
• 42:26
  Speaker 2: Oh, the Weakening for sure.
• 42:27
  Speaker 1: I don't know about Moto.
• 42:29
  Speaker 2: I don't know about Moto hell, but like Popeye, did
• 42:31
  Speaker 2: I know all the all of them, but Moto. Hell,
• 42:33
  Speaker 2: I'm pretty positive I got theatrical runs, so like maybe
• 42:36
  Speaker 2: Elegator did, and we.
• 42:38
  Speaker 1: Just you know, yeah, I just didn't see any of it,
• 42:41
  Speaker 1: like a small run. Yeah, I just didn't see any
• 42:43
  Speaker 1: information on what it grows in theaters. But you know,
• 42:46
  Speaker 1: that could have been something like, you know, because I'm
• 42:48
  Speaker 1: sure this was I don't know, one point five million.
• 42:50
  Speaker 1: That does seem like a lot for nineteen eighty but
• 42:52
  Speaker 1: that definitely seems like a much lower budget because we
• 42:56
  Speaker 1: just did we just talked about April Fool's Day, last episode,
• 42:59
  Speaker 1: and I think the budget and that was five million,
• 43:01
  Speaker 1: and that was from nineteen eighty six. Yeah, so that
• 43:03
  Speaker 1: is you know, that's nearly a fifth of the budget,
• 43:06
  Speaker 1: you know, like a third of the budget that this had.
• 43:09
  Speaker 1: I'm curious to see this. This will be the telling
• 43:12
  Speaker 1: factor right here, to see what the what the budget
• 43:14
  Speaker 1: was on the Shining, which I'm sure, okay, the Shining
• 43:17
  Speaker 1: was nineteen million dollars, no, I know, but I'm saying,
• 43:21
  Speaker 1: when you think about it Shining, ninety million, this one
• 43:23
  Speaker 1: point five So this was more of I'm sure like
• 43:25
  Speaker 1: an indie film or what you would label as an
• 43:27
  Speaker 1: indie film. Back in that time, we.
• 43:29
  Speaker 2: Got like a like a select theaters in like California
• 43:32
  Speaker 2: and New York type of thing.
• 43:33
  Speaker 1: Yeah, because you know this movie, really I hadn't I
• 43:35
  Speaker 1: heard about it like a year or two ago, and
• 43:38
  Speaker 1: I couldn't find it anywhere, and I've been dying to
• 43:40
  Speaker 1: watch this movie. And finally when they when Scream Factory
• 43:43
  Speaker 1: announced they were doing the four K, I was like
• 43:45
  Speaker 1: beyond excited because I'd been trying to track down a
• 43:48
  Speaker 1: copy of this movie for so long. So yeah, it
• 43:51
  Speaker 1: just must have been a movie that really didn't get
• 43:52
  Speaker 1: a lot of love or a lot of attention back then.
• 43:55
  Speaker 1: And you know that's what Screen Factory does. They love
• 43:58
  Speaker 1: the the cult movies, Yeah, and they love doing blu
• 44:01
  Speaker 1: rays of them, so in four k's. And I'm really
• 44:04
  Speaker 1: happy they decided to do to do the four K
• 44:06
  Speaker 1: of this movie because it does look so good. I'm
• 44:08
  Speaker 1: sure blue rays would have looked fine, but.
• 44:11
  Speaker 2: Well it's it's a four K, so it's not gonna
• 44:13
  Speaker 2: look bad.
• 44:14
  Speaker 1: I know, But I'm just saying, I'm just I'm happy
• 44:16
  Speaker 1: that they actually did the four K as opposed to
• 44:17
  Speaker 1: the the blu ray quality. Yeah, because we all know
• 44:20
  Speaker 1: those those fucking Doby Blacks are just amazing. So yeah,
• 44:26
  Speaker 1: I guess this's just maybe, you know, like you're saying,
• 44:28
  Speaker 1: it probably just had like maybe a limited theatrical run.
• 44:31
  Speaker 1: I don't know. I have no I was I was
• 44:33
  Speaker 1: not alive in this time. I have no I have
• 44:35
  Speaker 1: no other knowledge besides what I'm getting from IMDb. Yeah,
• 44:39
  Speaker 1: but nonetheless, yeah, I definitely recommend getting the four K
• 44:43
  Speaker 1: because this movie is such a gem and it's actually
• 44:45
  Speaker 1: I told you before we went on air, this movie
• 44:47
  Speaker 1: has actually gone up and ratings since the last time
• 44:50
  Speaker 1: I checked. It was a three to two before the
• 44:52
  Speaker 1: four K came out. Now it's a three three and
• 44:54
  Speaker 1: like they like, the stats are just are just keep
• 44:57
  Speaker 1: going up on this movie. So we definitely got to
• 44:59
  Speaker 1: get into the what's going on here? Did you have
• 45:02
  Speaker 1: any sort of any like any of the stuff we
• 45:04
  Speaker 1: got here? Do you have any specific horror moments that
• 45:06
  Speaker 1: you liked?
• 45:06
  Speaker 2: There wasn't much of a I mean, there wasn't much
• 45:08
  Speaker 2: horror moments in this movie, to be quite honest.
• 45:10
  Speaker 1: Okay, well I have I did. I did manage to
• 45:12
  Speaker 1: fill out everything besides favorite kill because a lot of
• 45:15
  Speaker 1: the kills were off screen and I guess my horror
• 45:17
  Speaker 1: moment can be roped into the kill. But my favorite
• 45:20
  Speaker 1: horror moment was when the cop crashed the car, hops
• 45:24
  Speaker 1: out of the cop car, and the gators on the street.
• 45:29
  Speaker 2: I was gonna say that is my favorite kill. Yeah,
• 45:31
  Speaker 2: so I'll just because because like.
• 45:34
  Speaker 1: There's not a lot of horror moments.
• 45:36
  Speaker 2: It's more just silly.
• 45:37
  Speaker 1: It's more just silly and but you know, yeah, so
• 45:40
  Speaker 1: we'll we'll just say that a favorite horror moment and
• 45:42
  Speaker 1: kill is the cop who's who gets his leg ripped off. Uh.
• 45:45
  Speaker 1: My favorite character obviously Marissa Kendall. Fucking just She's just
• 45:49
  Speaker 1: I just like watching her on screen. She's just so
• 45:52
  Speaker 1: like just gentle and calm about everything.
• 45:55
  Speaker 2: Everything but everything like earlier she she was handling like
• 45:58
  Speaker 2: a venomous snake.
• 45:59
  Speaker 1: Yes, she's okay, she's just such. She's just so I
• 46:03
  Speaker 1: don't know, like the whole movie was kind of just
• 46:05
  Speaker 1: chaotic because she's just there to be like the calming,
• 46:08
  Speaker 1: just like presents. So that's my favorite character, I assume,
• 46:11
  Speaker 1: agree with you. Yeah, my my least favorite character I didn't.
• 46:14
  Speaker 1: So I didn't have a least favorite character.
• 46:16
  Speaker 2: I did.
• 46:17
  Speaker 1: Oh, go for it. Oh fucking Kemp, Yeah, Kemp.
• 46:23
  Speaker 2: Here is such a dishart for this guy to make
• 46:27
  Speaker 2: a look out to be bad for some reason. Why.
• 46:29
  Speaker 1: So I just so I didn't have a least favorite character,
• 46:32
  Speaker 1: but I did have like a least favorite thing, and
• 46:34
  Speaker 1: it was just the blankets, like Slade Pharmaceutical Company, because
• 46:39
  Speaker 1: they were pieces of ship, taking dogs, murdering them and
• 46:43
  Speaker 1: then giving them away to the guy who fed them
• 46:45
  Speaker 1: to the fucking gate, Like what this ship.
• 46:47
  Speaker 2: They so they don't bark him.
• 46:49
  Speaker 1: Yeah, So Slade Pharmaceutical as a whole fuck all of them,
• 46:53
  Speaker 1: I don't like you at all. So that was my
• 46:55
  Speaker 1: least favorite I guess thing from this.
• 46:57
  Speaker 2: That's like they kind of play a character in the
• 46:59
  Speaker 2: movie because that's a big plot point of the movie.
• 47:01
  Speaker 1: So yeah, all counter does just like least favorite pieces
• 47:05
  Speaker 1: of shit in the movie. I didn't have a favorite line.
• 47:08
  Speaker 1: Oh you did? What is it? What is it?
• 47:11
  Speaker 2: Okay? So at the beginning of the movie when when
• 47:13
  Speaker 2: when the dad takes the alligator to flush the toilet, Yeah,
• 47:17
  Speaker 2: the mom is yelling, what are you got to tell?
• 47:19
  Speaker 2: I forgot her name? The redheads name. Yeah, but he goes,
• 47:23
  Speaker 2: we'll just we'll just say Dode just like the hamster
• 47:26
  Speaker 2: and he just and it just doesn't. And she's over
• 47:27
  Speaker 2: your chasing them above above the like like they're just running,
• 47:32
  Speaker 2: Like she's chasing in the bathroom watching him flush down
• 47:34
  Speaker 2: the toilet and it just do. It's like, what are
• 47:36
  Speaker 2: you going to tell her? We'll just tell her to
• 47:38
  Speaker 2: DoD just like the hamster.
• 47:39
  Speaker 1: Like wow, like wow, rude, what did you do to
• 47:41
  Speaker 1: the hamster flushing down the toilet? Apparently? Uh? My favorite
• 47:46
  Speaker 1: is My favorite line was when everyone's outside the lake
• 47:50
  Speaker 1: looking for the gator, throwing grenades into the fucking lake
• 47:54
  Speaker 1: and there's this guy selling little gators. She's like, shake him,
• 47:56
  Speaker 1: see him wiggle, take him home to make you giggle.
• 47:58
  Speaker 1: And I'm just like, that was funny as shit. Such
• 48:02
  Speaker 1: a stupid line. Let's get into the summary here and
• 48:05
  Speaker 1: then we'll talk about this movie. Got perfect amount of
• 48:08
  Speaker 1: time left, so IMDb summary. Pat Baby Alligators flush down
• 48:12
  Speaker 1: a toilet and survives in the sewers. Twelve years later,
• 48:15
  Speaker 1: it grows to an enormous size thanks to the diet
• 48:18
  Speaker 1: of discarded laboratory dogs injected with growth hormones. Just like
• 48:22
  Speaker 1: you said, now humans have entered the menu, and this
• 48:27
  Speaker 1: movie starts so aggressively with the gator show. Yeah, when
• 48:31
  Speaker 1: they're every it's like it's like a if you're from
• 48:33
  Speaker 1: Florida and you know Gatorland, you know they go out
• 48:35
  Speaker 1: and do like stunts with gators where they do all
• 48:37
  Speaker 1: this shit. But it just starts immediately, like this guy
• 48:40
  Speaker 1: is in the water and the gator just fucking attacks them. Yeah,
• 48:43
  Speaker 1: blood goes everywhere. The crowd is like in an uproar.
• 48:46
  Speaker 1: But then we cut to the fucking family buying a
• 48:49
  Speaker 1: baby gator for the daughter, which is not a thing.
• 48:52
  Speaker 1: You can't do that. Maybe in the eighties it was
• 48:54
  Speaker 1: a thing, but I don't think you can just go
• 48:56
  Speaker 1: buy a little tiny baby gator because she she you know,
• 49:00
  Speaker 1: she picks one out of the thing after she just
• 49:03
  Speaker 1: witnessed a gator mall this guy she went.
• 49:06
  Speaker 2: But she was calm with it all.
• 49:07
  Speaker 1: She was totally fine. She's like, i'll name you ramone.
• 49:09
  Speaker 1: She takes him home, and that is very short lived because,
• 49:13
  Speaker 1: like you just said, the.
• 49:14
  Speaker 2: Dad like just takes I don't even know why. He's
• 49:17
  Speaker 2: just like all of a sudden, Like the next scene,
• 49:19
  Speaker 2: like you see the gater in the tank and just
• 49:20
  Speaker 2: here yelling and the dad takes the gator runs up
• 49:23
  Speaker 2: the stairs, and the mom was yelling, what are you
• 49:25
  Speaker 2: gonna be able to flush it down the toilet? We're
• 49:26
  Speaker 2: gonna just tell her, Yeah, exactly what I just said earlier.
• 49:29
  Speaker 2: We'll just tell her what happens is like the hamster, like,
• 49:31
  Speaker 2: what the fu?
• 49:32
  Speaker 1: Yeah there, And I even looked on like the synopsis
• 49:34
  Speaker 1: on IMDb to make sure he didn't miss anything, and
• 49:37
  Speaker 1: the synopsis is like he flushes gator down toilet for
• 49:39
  Speaker 1: some reason, and I'm like, yeah, what was the reason.
• 49:41
  Speaker 2: There was no reason.
• 49:42
  Speaker 1: There was no inciting incident to be like, oh, we
• 49:44
  Speaker 1: need to flush the thing down there.
• 49:46
  Speaker 2: Like the one scene, uh, they buy the gate for
• 49:48
  Speaker 2: the daughter. The next scene, Getor gets flushed on the toilet. Yeah,
• 49:50
  Speaker 2: like what.
• 49:51
  Speaker 1: She's like talking to Ramon and he comes in, bursts
• 49:53
  Speaker 1: and just picks up, flush down the toilet, Gooche throws
• 49:56
  Speaker 1: it into the toilet, swirls down. You get a really
• 49:58
  Speaker 1: cool shot of that. H But yeah, you're like, all right,
• 50:01
  Speaker 1: So the first like i'd say, six minutes, eight minutes
• 50:04
  Speaker 1: are just so aggressive and just like why are we
• 50:07
  Speaker 1: going to zero from like zero to one hundred real quick?
• 50:11
  Speaker 1: Because then you flash forward twelve fucking years and we
• 50:14
  Speaker 1: meet David Madison who's Robert Forrester, and he's buying a puppy,
• 50:17
  Speaker 1: which they don't ever bring that puppy up again that
• 50:20
  Speaker 1: I can remember. He buys that puppy in the beginning.
• 50:23
  Speaker 1: And then that's it, Like, where the fuck did that
• 50:25
  Speaker 1: dog go? I don't remember seeing that dog. It didn't
• 50:28
  Speaker 1: go down the sewer, I know that. But he gets
• 50:31
  Speaker 1: a like a beep on his pag er and he goes,
• 50:33
  Speaker 1: you know, he heads out, and then they get he
• 50:34
  Speaker 1: gets called to the uh like city water filtration or
• 50:39
  Speaker 1: whatever where they find that arm. Yeah, there's just a
• 50:41
  Speaker 1: guy's fucking arm in the sewer or that washes up
• 50:45
  Speaker 1: in the city filtration. And you know, he's kind he's
• 50:48
  Speaker 1: like obviously very confused. I would be too if I
• 50:51
  Speaker 1: just found an arm in the city's water filtration, because
• 50:54
  Speaker 1: that means the water's probably contaminated at that point with
• 50:58
  Speaker 1: human being grossness. And then that's when you see the
• 51:02
  Speaker 1: guy at the pet store. He's like driving his fucking
• 51:04
  Speaker 1: van around luring dogs into his like his van, and
• 51:07
  Speaker 1: you're like, what the fuck is going on? And then
• 51:09
  Speaker 1: you see him go to Slade pharmaceutical and he brings
• 51:12
  Speaker 1: the dogs to the to the guy the what would
• 51:14
  Speaker 1: you call like a scientist researcher, because he's like dissecting
• 51:20
  Speaker 1: a dog on the table and he's like, we need
• 51:22
  Speaker 1: more puppies. It's like, what about cats? I got cats? No, no, no, no,
• 51:25
  Speaker 1: we need puppies. And then he's like, you can take
• 51:27
  Speaker 1: the ones that are left over, just fucking dogs and
• 51:31
  Speaker 1: bags literally just like you know, like hefty bags of
• 51:35
  Speaker 1: dogs that he takes out and then brings them down
• 51:39
  Speaker 1: into the sewer in a fucking shopping cart and dumps
• 51:42
  Speaker 1: them into the sewer. And then one of the dogs
• 51:46
  Speaker 1: doesn't make it into the water. So what does he do.
• 51:49
  Speaker 1: He goes down there, yeah, kicks it in and then
• 51:52
  Speaker 1: starts to like try to push it further into the sewer,
• 51:55
  Speaker 1: and then the allegator comes up behind him and gooshes him. Yep. Yeah,
• 51:58
  Speaker 1: and that's when you get the first glimpse of Okay,
• 52:00
  Speaker 1: so there's this huge alligator down there and he's just
• 52:03
  Speaker 1: killing people, even though you know, I thought the rule
• 52:06
  Speaker 1: was don't bite the hand that feeds you. Yeah, but
• 52:08
  Speaker 1: he definitely got gooseh immediately. So you have this weird
• 52:12
  Speaker 1: subplot of this this guy running a pet store, getting
• 52:16
  Speaker 1: dogs off the street, bringing them to Slay Pharmaceutical for
• 52:18
  Speaker 1: testing that once those dogs are disposed of, taking them
• 52:21
  Speaker 1: down to feed this alligator. And that's pretty much it.
• 52:23
  Speaker 1: He's the Betty White of this movie. Yeah, until he
• 52:26
  Speaker 1: gets eaten.
• 52:27
  Speaker 2: Yeah.
• 52:30
  Speaker 1: Yeah, So it's it's very it's very odd that. And
• 52:34
  Speaker 1: then after that, of course the guy dies, So there's
• 52:36
  Speaker 1: no other explanation on that. Who's feeding the gator? No,
• 52:39
  Speaker 1: one's feeding the gator. Yeah, And this is where we
• 52:42
  Speaker 1: see Madison going back to the water filtrations like plant
• 52:47
  Speaker 1: or whatever you want to call it, and he finds
• 52:48
  Speaker 1: the guy's leg, I think, and he somehow determines that
• 52:52
  Speaker 1: the leg is not the same from the hand because
• 52:55
  Speaker 1: this guy cuts his fingernails differently, And you're like, that's
• 52:58
  Speaker 1: a weird astute observation, And I guess that's.
• 53:00
  Speaker 2: I mean, that's why he's a detective.
• 53:02
  Speaker 1: I was gonna say, I guess that's why you're a detective.
• 53:05
  Speaker 1: So they they know that they they the limbs have
• 53:07
  Speaker 1: not come from the same people. And then we and
• 53:10
  Speaker 1: then we get fucking Kemp. Kemp, the guy you hate
• 53:13
  Speaker 1: the most, grilling this guy at one of like a
• 53:17
  Speaker 1: like a press conference.
• 53:18
  Speaker 2: The press conference about these murders, and then all of
• 53:21
  Speaker 2: a sudden he's like, oh, by the way, let me
• 53:23
  Speaker 2: be an asshole, what happened to your party? You got stabbed?
• 53:26
  Speaker 1: Right?
• 53:26
  Speaker 2: And then there's a puzzling not show yourself.
• 53:29
  Speaker 1: Out of nowhere. We're talking about the alley. We're not alligator.
• 53:33
  Speaker 1: We're talking about the you know, the the disappearing dogs,
• 53:36
  Speaker 1: the the the body parts that are winding up and
• 53:38
  Speaker 1: the sewers and ship like that. And he's like, oh, yeah,
• 53:40
  Speaker 1: what happened to your partner? Like what a dig thing
• 53:42
  Speaker 1: to say that?
• 53:43
  Speaker 2: There's no has nothing to do with any plot, like
• 53:46
  Speaker 2: no plot points, Like there's nothing to it. It's not
• 53:48
  Speaker 2: like they flash back to him having PTSD or anything
• 53:50
  Speaker 2: with this.
• 53:51
  Speaker 1: Yeah, they never referenced that part of them, Like, they
• 53:53
  Speaker 1: never referenced the like the guy that got killed at
• 53:56
  Speaker 1: the hotel or his partner that got killed at the hotel. Besides,
• 53:59
  Speaker 1: when can't bring and he brings it up I think
• 54:01
  Speaker 1: two times, yeah, at least two times, and you're like, bro,
• 54:05
  Speaker 1: fuck off, why do you have this indebta against me? So, yeah,
• 54:08
  Speaker 1: you find out he lost a partner in a hotel
• 54:10
  Speaker 1: incidental is shooting or something like that. I really did
• 54:14
  Speaker 1: have to mention though, I love the wipes they used
• 54:16
  Speaker 1: in that one scene the Star Wipe Star. We both
• 54:20
  Speaker 1: were just like, oh, fucking fancy uh when they were
• 54:24
  Speaker 1: going through like you know, the newspapers and stuff like that,
• 54:27
  Speaker 1: that was fucking great. Uh. So at this point, Madison's like, Okay,
• 54:31
  Speaker 1: I need someone to come check out the sewers with me.
• 54:34
  Speaker 1: Something's going on, that's why all these body parts are
• 54:37
  Speaker 1: winding up in the filtration system. He brings the rookie
• 54:40
  Speaker 1: with them because no one else will else.
• 54:42
  Speaker 2: Everyone's like, oh boozy, But he's like, oh go.
• 54:45
  Speaker 1: Yeah because everyone I guess, I guess at this point
• 54:47
  Speaker 1: they're like, oh, you've had a partner die yeah, which
• 54:50
  Speaker 1: was five fucking years ago.
• 54:52
  Speaker 2: Yeah, Like like like, shit happens one time, one time.
• 54:54
  Speaker 1: It was one time, and it wasn't my fault, and
• 54:56
  Speaker 1: even the chief was like, it's not your fault. Don't
• 54:58
  Speaker 1: let these people get into your head. But no one
• 55:00
  Speaker 1: wants to volunteer to go with Madison except for the rookie.
• 55:03
  Speaker 1: Rookies like, I'll go, yeah, but I need some boots
• 55:06
  Speaker 1: because I just polished my shoes and shit, and he's
• 55:08
  Speaker 1: like yeah, yeah, yeah, okay, I got you, got you whatever.
• 55:11
  Speaker 1: And then this is the weirdest part of the movie.
• 55:13
  Speaker 1: And it's like you said before we went on the show,
• 55:15
  Speaker 1: because this establishes nothing until the end, until the end.
• 55:18
  Speaker 1: And it's the guy that comes in with the uh
• 55:21
  Speaker 1: the clock bomb, the fake bomb. He comes in saying like, oh,
• 55:27
  Speaker 1: I'm confessing to killing these people. I'm here to kill
• 55:31
  Speaker 1: every one of you guys, and Madison's like, yeah, okay.
• 55:34
  Speaker 1: So he acts like he's like gonna walk out the door,
• 55:36
  Speaker 1: then turns around and grabs him and they realize it's
• 55:39
  Speaker 1: just a radio. The fuck guy, You're getting booked now
• 55:43
  Speaker 1: because of that. Yeah, right, so yeah, then this is
• 55:47
  Speaker 1: when Madison and the rookie go down into the sewers.
• 55:50
  Speaker 1: They're looking for something anything they can find to figure
• 55:54
  Speaker 1: out why body parts of people are being like, you know, like,
• 55:58
  Speaker 1: why why am I finding legs? And the sewits are
• 56:00
  Speaker 1: in the in the filtracing system, and I really found
• 56:03
  Speaker 1: this funny because they get separated. Yeah, and then you
• 56:09
  Speaker 1: know he's looking for I think his name was, what
• 56:11
  Speaker 1: the fuck was his name? I can't remember the rookie's name.
• 56:13
  Speaker 1: I'm just gonna call him rookie. They get separated somehow.
• 56:16
  Speaker 1: He's calling out for the rookie, calling out for their rookie.
• 56:18
  Speaker 1: And then it's really cool because they recreate the shot
• 56:21
  Speaker 1: of the beginning of the movie where the pet store
• 56:23
  Speaker 1: owner gets goosed by the alligator, and they recreate the
• 56:26
  Speaker 1: same thing because it's the same spot where he got eaten.
• 56:29
  Speaker 1: But then it's just the fucking rookie that comes out
• 56:31
  Speaker 1: and the grabs, yeah, grabs Madison's ass, and you're like,
• 56:34
  Speaker 1: what the fuck, Like, what are you doing?
• 56:36
  Speaker 3: Guy?
• 56:37
  Speaker 1: But then that's when they run into the mat and
• 56:39
  Speaker 1: I think, I think this is the first time you
• 56:41
  Speaker 1: actually see the gator.
• 56:43
  Speaker 2: I think, yeah, yeah, because because it was just POV
• 56:46
  Speaker 2: when when the petner get killed.
• 56:48
  Speaker 1: Yeah, because you literally see the giant chompers that come
• 56:51
  Speaker 1: out around the corner in front of the rookie and
• 56:53
  Speaker 1: they're like holy shit in Madison see like, oh holy fuck.
• 56:56
  Speaker 1: And then you know they run over there because Madison
• 56:59
  Speaker 1: I think he like, I think the alligator whips whips
• 57:01
  Speaker 1: his tail and knocks the rookie over. Yeah, and Madison
• 57:04
  Speaker 1: comes and run over and then grabs a rookie. They
• 57:07
  Speaker 1: they book it down the sewer, alligators in hot pursuit
• 57:11
  Speaker 1: and they try to escape through that manhole cover but
• 57:14
  Speaker 1: it's like they can't open it. They can't open it,
• 57:17
  Speaker 1: and Madison's above him while the rookies below him. And
• 57:20
  Speaker 1: then rookie just gets fucking dragged.
• 57:22
  Speaker 2: Yep, it just killed, just killed.
• 57:25
  Speaker 1: It was awesome because you know his feet can. I
• 57:27
  Speaker 1: love the shot of like the POV coming up to
• 57:29
  Speaker 1: the manhole because you can see his feet hanging out
• 57:31
  Speaker 1: and then it just alligator bites his feet, pulls him
• 57:33
  Speaker 1: down and drags him out.
• 57:34
  Speaker 2: It feels and I'm sure this is gonna come up
• 57:36
  Speaker 2: with trivia, but like it just feels which I mean,
• 57:39
  Speaker 2: we already know this too, but uh, it just feels like,
• 57:42
  Speaker 2: you know, a Jaws inspiration, Like the way they do
• 57:45
  Speaker 2: with the POV shots and then the music and then
• 57:47
  Speaker 2: the way they they like the kills do happen. It
• 57:50
  Speaker 2: just feels like, you know, somebody watched Jaws, loved it,
• 57:52
  Speaker 2: wanted to do it with a different type of.
• 57:53
  Speaker 1: A different type of thing. Well. It's funny too, because
• 57:57
  Speaker 1: even the first kill the gator does in the sewers,
• 58:00
  Speaker 1: it's like d D. Dunt.
• 58:01
  Speaker 2: Yeah, like they do a rip off like a Wish
• 58:04
  Speaker 2: version of the Jaws.
• 58:05
  Speaker 1: Yeah, they really lean into that theme of Jaws, which
• 58:09
  Speaker 1: is which is really cool. So yeah, after that, Madison
• 58:13
  Speaker 1: wakes up in the hospital and he's like very confused obviously,
• 58:18
  Speaker 1: as you would be, because the last thing you remember
• 58:20
  Speaker 1: is being in the sewers and the nurse is like, yeah,
• 58:22
  Speaker 1: you just popped out of the manhole cover yelling alligator
• 58:24
  Speaker 1: and he's like okay, cool. So he like puts all
• 58:26
  Speaker 1: his fucking clothes on the nurse like you can't leave.
• 58:28
  Speaker 1: It's like, yeah, I'm going because my partner or whatever,
• 58:31
  Speaker 1: you know, the rookie is missing. Obviously we know he's dead. Yeah,
• 58:36
  Speaker 1: it's very easy to see he got eaten by a
• 58:38
  Speaker 1: fucking alligator. Yeah, but this is when we get introduced finally,
• 58:43
  Speaker 1: about I think about thirty five thirty five minutes in
• 58:45
  Speaker 1: is when we get introduced to Marissa Kendall, who's like,
• 58:50
  Speaker 1: what would you describe her as, She's like a like
• 58:52
  Speaker 1: an animal expert at like a university.
• 58:55
  Speaker 2: Yeah, yeah, yeah, because because the because the snake she's
• 58:58
  Speaker 2: dealing with, She's like to even mention like, yeah, they
• 59:01
  Speaker 2: belonged to the university.
• 59:02
  Speaker 1: Yeah, so that's right. They do say that, and she's
• 59:04
  Speaker 1: literally you see her getting venom out of some sort
• 59:07
  Speaker 1: of rattlesnake or something, and it's just so nonchalant, like
• 59:10
  Speaker 1: you said earlier, just so, uh, I'm just here, I'm
• 59:12
  Speaker 1: doing my job. So they talked to her and she's like,
• 59:16
  Speaker 1: there's no way a gator could be down there. It
• 59:18
  Speaker 1: would starve in it within a week, Like there's no sunlight.
• 59:21
  Speaker 1: It's just no possible way for an alligator to be
• 59:23
  Speaker 1: down there. And I love that no one is believing
• 59:26
  Speaker 1: what's going on. Every single person that Madison tries to
• 59:29
  Speaker 1: tell about this alligator, the chief Kendall, everyone, no one's
• 59:32
  Speaker 1: believing this shit. And this is probably my favorite part
• 59:36
  Speaker 1: of the movie because Kemp gets his comeupance. Yes, do
• 59:40
  Speaker 1: you want to say? What happens?
• 59:41
  Speaker 2: I honestly I forgot so so you go.
• 59:44
  Speaker 1: But fuck that guy, Yeah, fuck that guy. So the
• 59:46
  Speaker 1: reporter Kemp, who's all over Madison about everything he learns
• 59:51
  Speaker 1: from I can't remember who, but I think one of
• 59:52
  Speaker 1: the nurses that you know, Madison was telling her about
• 59:56
  Speaker 1: the alligator. So this motherfucker is like, I'm gonna go
• 59:59
  Speaker 1: investigate in this sewers with my camera.
• 1:00:01
  Speaker 2: Oh yeah, that's right.
• 1:00:02
  Speaker 1: Yeah, goes down there like a stupid piece of ship
• 1:00:06
  Speaker 1: and then it gets attacked almost immediately and dies. And
• 1:00:09
  Speaker 1: I think that was one of my favorite moments of
• 1:00:12
  Speaker 1: the movie because he has the camera in his hand
• 1:00:14
  Speaker 1: and he's getting attacked and he's you know, flashing pictures,
• 1:00:17
  Speaker 1: and that whole attack scene with the flashing pictures was
• 1:00:20
  Speaker 1: just such a cool touch.
• 1:00:21
  Speaker 2: That reminds me a little of the scene in uh
• 1:00:24
  Speaker 2: Saw No Oh, I was going to go in the
• 1:00:28
  Speaker 2: first Collector when uh or was it the Collection one
• 1:00:32
  Speaker 2: of those two to where where like you see you
• 1:00:35
  Speaker 2: see Arkin walking and they get those flashes and all
• 1:00:37
  Speaker 2: of a sudden, like you see the Collector getting closer
• 1:00:40
  Speaker 2: and closer.
• 1:00:41
  Speaker 1: Oh shit, oh yeah yeah, yeah, I don't.
• 1:00:44
  Speaker 2: Remember which one it was.
• 1:00:45
  Speaker 1: I'm pretty sure it was the first one though, one
• 1:00:47
  Speaker 1: of those bitches.
• 1:00:48
  Speaker 2: But yeah, like that, I love those type of scenes.
• 1:00:50
  Speaker 2: Were like we're like, you know, every every flash something
• 1:00:53
  Speaker 2: something news on the screen, like you're like, oh nice,
• 1:00:56
  Speaker 2: like y when they do that. I mean some people,
• 1:00:57
  Speaker 2: you know, electic.
• 1:00:59
  Speaker 1: They can't enjoy it, like we well, yeah, if anyone
• 1:01:01
  Speaker 1: has a reaction to that. Of course, yeah they can
• 1:01:03
  Speaker 1: when they.
• 1:01:03
  Speaker 2: Do that, because it builds the suspense and you're like, ooh,
• 1:01:06
  Speaker 2: what's gonna happen, Like, oh, there he is, Oh he's
• 1:01:08
  Speaker 2: a closer.
• 1:01:08
  Speaker 3: Fu.
• 1:01:09
  Speaker 1: Yeah. The same thing happens in the first song with.
• 1:01:11
  Speaker 2: Adam when oh yeah, well yeah but one yeah.
• 1:01:15
  Speaker 1: So yeah, that was a really cool, really cool scene
• 1:01:17
  Speaker 1: that they use there. So yeah, Camp, it gets murderlated
• 1:01:20
  Speaker 1: real quick. And then that's when you know, Madison gets
• 1:01:23
  Speaker 1: a phone call about how Camp is missing, and then
• 1:01:26
  Speaker 1: somehow they were able to get his camera, develop the
• 1:01:28
  Speaker 1: pictures and they show them to you know, they're hoping
• 1:01:32
  Speaker 1: that Marissa will believe them now because they actually have
• 1:01:34
  Speaker 1: literal photo evidence of a giant alligator. And then this
• 1:01:39
  Speaker 1: is when every news station you get like cuts of
• 1:01:41
  Speaker 1: news stations covering this reporter is dead. You know, we've
• 1:01:44
  Speaker 1: got these pictures. There's an alligator loose in the in
• 1:01:46
  Speaker 1: the sewers. So that's when really everyone starts believing, Okay,
• 1:01:51
  Speaker 1: there's something down there. We have to fucking go and
• 1:01:54
  Speaker 1: find this thing. And this is when the movie literally
• 1:01:56
  Speaker 1: just evolves into chaos. You've got swat teams, you've got
• 1:01:59
  Speaker 1: police officer setting up perimeters with fucking bazooka's assault rifles. Yeah, sandbags,
• 1:02:04
  Speaker 1: barbed wire. Like every fucking team in the city is
• 1:02:08
  Speaker 1: going into these major entry points of the sewers trying
• 1:02:10
  Speaker 1: to find this fucking alligator. And it's crazy because everyone
• 1:02:14
  Speaker 1: in the sewers too, is making the most noise imagined.
• 1:02:17
  Speaker 2: Trying to get the alligators attention.
• 1:02:18
  Speaker 1: We talked about this, We're like, I feel like that
• 1:02:20
  Speaker 1: would work, but also scare it away, because an alligator
• 1:02:23
  Speaker 1: is more scared of you than you are of him
• 1:02:25
  Speaker 1: when you think about it. But to a certain degree.
• 1:02:28
  Speaker 2: Later on in the movie, you find out when they're
• 1:02:29
  Speaker 2: just throwing charges in the lake, uh, we find out that,
• 1:02:34
  Speaker 2: you know, the sound actually attracts the gator. So that's
• 1:02:36
  Speaker 2: why they're making those sounds, is to try to attract
• 1:02:39
  Speaker 2: the gator.
• 1:02:39
  Speaker 1: I know they were trying to attract it, but I
• 1:02:41
  Speaker 1: feel I just feel like it would push it away
• 1:02:43
  Speaker 1: because like, that's a lot of loud noises. I don't know,
• 1:02:45
  Speaker 1: I'm not gonna deal with that shit.
• 1:02:47
  Speaker 2: What I really like about that scene too, actually is
• 1:02:49
  Speaker 2: when you find out that uh I already forgot her name,
• 1:02:52
  Speaker 2: but the red head Marissa. You find out she was
• 1:02:55
  Speaker 2: the kid with the gator with just a little subtle
• 1:02:58
  Speaker 2: like ie gator once when the dead flushes.
• 1:03:01
  Speaker 1: Yeah, because at this point they all they're all setting
• 1:03:03
  Speaker 1: up like right outside the sewers in the water, and
• 1:03:06
  Speaker 1: she shows up to try to assist them, and then
• 1:03:09
  Speaker 1: that's when she mentions what you just said, and you're like, oh,
• 1:03:11
  Speaker 1: so you're the girl from the beginning of the movie.
• 1:03:13
  Speaker 2: Which cool, which which you know, makes a lot of
• 1:03:15
  Speaker 2: sense of why she's so calm, because she's clearly calm
• 1:03:17
  Speaker 2: when he was at the beginning when he saw the
• 1:03:19
  Speaker 2: dude get multi.
• 1:03:19
  Speaker 1: Yeah, gator. So that was a really nice little touch,
• 1:03:22
  Speaker 1: like a little twist that I never saw coming, nor did.
• 1:03:25
  Speaker 2: They need to do that, but they gave you the
• 1:03:27
  Speaker 2: full circle. I'm like, oh, okay.
• 1:03:28
  Speaker 1: But it makes sense though, because she's you know, she
• 1:03:30
  Speaker 1: deals with reptiles and snakes and stuff like that. So
• 1:03:32
  Speaker 1: it was really cool that she obviously had an affinity
• 1:03:35
  Speaker 1: for like, you know, like reptiles as a kid, grew
• 1:03:38
  Speaker 1: into a job where she does that now and now
• 1:03:40
  Speaker 1: she's on the case trying to hunt this gator. Not
• 1:03:42
  Speaker 1: even and they don't bring it up after that she
• 1:03:44
  Speaker 1: doesn't know that this is the gator that was flushed
• 1:03:46
  Speaker 1: down the drain. Yeah, there's no mention of it. It's
• 1:03:48
  Speaker 1: just funny that you're like, oh, you're the kid from
• 1:03:50
  Speaker 1: the beginning. So cool. And everyone searches for quite some
• 1:03:55
  Speaker 1: time down in the sewers. No one can find anything,
• 1:03:58
  Speaker 1: and they all come back out like the the mainsor
• 1:04:01
  Speaker 1: entrance and then like, yeah, there's nothing there. So they think,
• 1:04:03
  Speaker 1: all right, I don't know what's going on. I don't
• 1:04:05
  Speaker 1: know if there's what's happening, but we can't find anything.
• 1:04:08
  Speaker 1: And that's when Madison and the Chief leave kind of
• 1:04:10
  Speaker 1: in like like an annoyance, are like, yeah, we gotta
• 1:04:12
  Speaker 1: get out of here. There's nothing going on. But this
• 1:04:15
  Speaker 1: is by far my favorite like just shot of the
• 1:04:18
  Speaker 1: movie because right as they pass those kids in the
• 1:04:21
  Speaker 1: street playing baseball, you see this shot of like this
• 1:04:25
  Speaker 1: kid above a manhole cover and the ground starts to
• 1:04:28
  Speaker 1: kind of bow up and bow up, so the kid
• 1:04:30
  Speaker 1: moves and then the fucking alligator just burst through, like
• 1:04:34
  Speaker 1: fucking Jack Nicholson in the shining through the door. Just
• 1:04:37
  Speaker 1: here I am. And it was just such a cool
• 1:04:41
  Speaker 1: shot because that's when we see the cop and this
• 1:04:44
  Speaker 1: is a weird scene. I don't know if you felt
• 1:04:45
  Speaker 1: the same way. But the cop speeding down the road
• 1:04:49
  Speaker 1: almost he narrowly avoids the kid, plows into the car,
• 1:04:54
  Speaker 1: car gets set on fire, and then he starts to
• 1:04:56
  Speaker 1: hop out of the cop car and then the gator.
• 1:04:58
  Speaker 1: That's when the gator comes, And that's our favorite kill
• 1:05:01
  Speaker 1: horror moment, Like what was he going to? Was he
• 1:05:04
  Speaker 1: responding to a car? Like why was he flying down
• 1:05:07
  Speaker 1: the road?
• 1:05:08
  Speaker 2: Maybe he was responding to that gator.
• 1:05:10
  Speaker 1: The gator, I guess, yeah, because because they.
• 1:05:12
  Speaker 2: Weren't far from the like the cops weren't far from
• 1:05:14
  Speaker 2: the scenes, so maybe once that happened, something like they
• 1:05:16
  Speaker 2: he heard that he heard like a destruction, like not
• 1:05:19
  Speaker 2: necessarily the gator, but they heard something like something abnormal.
• 1:05:22
  Speaker 1: So that's why I guess. So yeah, because he plows
• 1:05:25
  Speaker 1: into the cars, tries to get out of the car,
• 1:05:27
  Speaker 1: gator bites his leg off, then fucks off end of
• 1:05:29
  Speaker 1: the night, which was just awesome. And I think the
• 1:05:32
  Speaker 1: car he hits like explodes or something says, so catches
• 1:05:37
  Speaker 1: on fire out I don't fucking know. Uh. And then
• 1:05:40
  Speaker 1: this is when we see the gator slowly moving into
• 1:05:42
  Speaker 1: the canal, and Marissa's telling Madison and the Chief like,
• 1:05:45
  Speaker 1: Gator's gonna look for water. He's expended a lot of energy,
• 1:05:48
  Speaker 1: he needs to rest, blah blah blah blah blah. And
• 1:05:52
  Speaker 1: then this is that whole scene where everyone's around that
• 1:05:54
  Speaker 1: lake and the fucking fucking officers are just throwing grenades
• 1:05:58
  Speaker 1: to try to bring him to the surface. That doesn't work,
• 1:06:01
  Speaker 1: and they bring in that fucking alligator expert or whatever,
• 1:06:06
  Speaker 1: like Colonel Brock, who reminds me of what's his face
• 1:06:09
  Speaker 1: from Lake Placid? Oscar? What's the guy's name? The he's
• 1:06:15
  Speaker 1: a Hispanic actor. What's his fucking name from Lake Placid?
• 1:06:20
  Speaker 3: Oh?
• 1:06:21
  Speaker 1: What's his name? Hold on, I'm thinking not Oscar, Oliver
• 1:06:25
  Speaker 1: Oliver Platt. Okay, yeah, it's he's like, he's like that guy.
• 1:06:29
  Speaker 1: I think he's Hispanic Oliver Plaid.
• 1:06:32
  Speaker 2: Not Hispanic.
• 1:06:33
  Speaker 1: I thought he was.
• 1:06:34
  Speaker 2: I mean, he could be.
• 1:06:34
  Speaker 1: I have no idea whatever. I might have been mistaken
• 1:06:37
  Speaker 1: for some reason. I thought he was a Spanic. Anyways,
• 1:06:39
  Speaker 1: so he reminds me of Oliver Oliver Platt because Oliver
• 1:06:41
  Speaker 1: Platt and Lake Placid is like, you know, the alligator
• 1:06:43
  Speaker 1: expert that they come to like save the day or whatever.
• 1:06:47
  Speaker 1: But he reminds me very much so of him, and
• 1:06:50
  Speaker 1: he's not in very much of the movie, but I
• 1:06:51
  Speaker 1: kind of don't. I just don't like Colonel Brock. He's
• 1:06:54
  Speaker 1: kind of kind of a douchebag. Yeah, that's just my
• 1:06:56
  Speaker 1: opinion of him, kind of a weirdo, kind of full
• 1:06:58
  Speaker 1: of himself. But then yeah, this is when okay, and
• 1:07:02
  Speaker 1: you told me why he got fired, why Madison got fired.
• 1:07:06
  Speaker 1: But at this point, for some reason, and I guess
• 1:07:08
  Speaker 1: I missed it, but Madison gets fired from the police
• 1:07:11
  Speaker 1: station by his chief and the chiefs like, get out
• 1:07:14
  Speaker 1: of my hands. But it was because you said.
• 1:07:17
  Speaker 2: So so this, so, so you know, they're obviously uh
• 1:07:20
  Speaker 2: him and I can't remember her name, Jesus the redhead, Marissa,
• 1:07:25
  Speaker 2: Marissa Jesus So yeah, Madison, Marissa. They're they're investigating. So
• 1:07:30
  Speaker 2: he goes back to Slade uh Industries or whatever it's
• 1:07:34
  Speaker 2: called to talk to that.
• 1:07:35
  Speaker 1: Yeah. I think it's like, yes, Slade. I think it's
• 1:07:36
  Speaker 1: Slade Industries or pharmaceutical.
• 1:07:38
  Speaker 2: So and so he says something in particular that you know,
• 1:07:43
  Speaker 2: triggers more of a response than than anything else. And
• 1:07:46
  Speaker 2: then the researcher goes straight to Slade. The next scene
• 1:07:51
  Speaker 2: and you see Slade on the phone with somebody you
• 1:07:52
  Speaker 2: don't know who saying like we have a problem or something.
• 1:07:56
  Speaker 2: And then the next scene is the chief telling Madison
• 1:07:58
  Speaker 2: he's fired his hands. So it's a very subtle thing.
• 1:08:01
  Speaker 2: But like because he rocked the boat or like shook
• 1:08:04
  Speaker 2: the tree, whatever you want to go it don't rock
• 1:08:05
  Speaker 2: the boat. But basically, you know, he was just doing
• 1:08:08
  Speaker 2: his job when he pushed too far to you know,
• 1:08:11
  Speaker 2: to somebody who's important.
• 1:08:13
  Speaker 1: Which is interesting because that means to me that the
• 1:08:17
  Speaker 1: Slade Industries or whatever has some sort of hold on
• 1:08:20
  Speaker 1: the police chief and that whole establishment.
• 1:08:23
  Speaker 2: I wouldn't as to say the police chief, but I'd
• 1:08:25
  Speaker 2: say I'd say, I'd say, you know, the police because
• 1:08:30
  Speaker 2: the chief did say he was out of his hands.
• 1:08:31
  Speaker 2: Because if because if if he was and on it,
• 1:08:34
  Speaker 2: he wouldn't mentioned I couldn't do anything about it. He
• 1:08:37
  Speaker 2: would he would just be like this is how it is,
• 1:08:39
  Speaker 2: Like he would he would make it look like he
• 1:08:40
  Speaker 2: was guilty, yeah, but he wasn't. He's like this, this
• 1:08:42
  Speaker 2: is how it's.
• 1:08:43
  Speaker 1: Going to be.
• 1:08:43
  Speaker 2: Out of my hands. I mean, and I mean he
• 1:08:46
  Speaker 2: knew he knew Medisine wasn't gonna stop doing what he
• 1:08:48
  Speaker 2: was doing, of course not. Yeah, but he's still he
• 1:08:50
  Speaker 2: hears his hands were tied because his higher ups told him.
• 1:08:53
  Speaker 1: So yeah, and that's where we'll leave it once he
• 1:08:55
  Speaker 1: gets fired, because yeah, then eventually, you know, Madison kind
• 1:08:58
  Speaker 1: of goes rogue, so he pairs up with Marissa. Yeah.
• 1:09:01
  Speaker 2: So it does kind of seem that Slate Industries or
• 1:09:04
  Speaker 2: whatever is, you know, the big corrupt place of the like.
• 1:09:09
  Speaker 1: It seems like they have a foothold over like the
• 1:09:11
  Speaker 1: entire community somewhere. Yes, they've they've got some sway somehow
• 1:09:15
  Speaker 1: because of what they do. Yeah. So but yeah, this
• 1:09:18
  Speaker 1: movie ends in a very explosive way, no pun intended,
• 1:09:22
  Speaker 1: but absolutely at the same time, and you get az
• 1:09:25
  Speaker 1: you actually get a crazy scene at a wedding to
• 1:09:28
  Speaker 1: once the way. Yeah, so good this movie. Seriously, I
• 1:09:31
  Speaker 1: knew it was going to be good, but I didn't
• 1:09:33
  Speaker 1: I didn't think I would expect to like it as
• 1:09:34
  Speaker 1: much as I did. To my knowledge, there's no mid
• 1:09:38
  Speaker 1: or post credit scene. There's not some good taglines, though
• 1:09:43
  Speaker 1: I picked out four from like the eight that there was,
• 1:09:45
  Speaker 1: So we've got beneath those man holes, a man eaters waiting.
• 1:09:48
  Speaker 1: He's up from the sewers and nobody's safe. At first,
• 1:09:52
  Speaker 1: no one believed, but now no one will ever forget that.
• 1:09:55
  Speaker 1: That's probably the best one. And then the silliest one.
• 1:09:58
  Speaker 1: It's thirty six feet long ways two two thousand pounds,
• 1:10:00
  Speaker 1: lives fifty feet below the city. No one knows it's
• 1:10:04
  Speaker 1: down there except the people it eats. Boom love it.
• 1:10:09
  Speaker 1: So let's get into some trivia real quick here. So Ramone,
• 1:10:13
  Speaker 1: as the Gators name, was the oft malfunctioning animatronic alligator
• 1:10:17
  Speaker 1: used in the film was later donated to the Florida
• 1:10:20
  Speaker 1: Gators as a team mascot. Ramone made several appearances before
• 1:10:24
  Speaker 1: games and during halftime. Nice. So that's fucking cool. The
• 1:10:28
  Speaker 1: shot of the Swat team emerging from the sewers looks
• 1:10:30
  Speaker 1: so real that people actually thought there were terrorists and
• 1:10:33
  Speaker 1: some called the police, which makes sense because yeah, that
• 1:10:36
  Speaker 1: did look convincing. Brian Cranston actually worked on the movie
• 1:10:41
  Speaker 1: as a production assistant for the special effects department, and
• 1:10:44
  Speaker 1: there's a very very cool featurette with him and it's
• 1:10:50
  Speaker 1: only him, yeah, talking to the camera about his time
• 1:10:53
  Speaker 1: on set, and it is. We watched that after we
• 1:10:55
  Speaker 1: watched the movie for the first time, because I obviously
• 1:10:58
  Speaker 1: rewatched it today because I love this movie so much,
• 1:11:01
  Speaker 1: and it was it was a very interesting little like
• 1:11:03
  Speaker 1: you know, like mini yeah, mini featurette. It was so cool.
• 1:11:06
  Speaker 1: So I suggest, you know, obviously getting the four K
• 1:11:09
  Speaker 1: and so you can actually so you can watch this
• 1:11:11
  Speaker 1: as well.
• 1:11:11
  Speaker 2: But it was that's funny because it's actually on the
• 1:11:13
  Speaker 2: Blu ray.
• 1:11:13
  Speaker 1: Well, I'm just saying to get the h get the
• 1:11:15
  Speaker 1: screen factory, because that's the only way you're gonna see
• 1:11:17
  Speaker 1: the new yeah, the new little uh you know, featurette.
• 1:11:20
  Speaker 1: So that was extremely cool. Just like you said earlier,
• 1:11:23
  Speaker 1: this film was inspired by Jaws, and like that film,
• 1:11:26
  Speaker 1: the mechanical villain quote unquote often malfunction, much like Steven
• 1:11:30
  Speaker 1: Spielberg had to do on Jaws. Lewis t either shot
• 1:11:33
  Speaker 1: around the alligator to build suspense or shot a regular
• 1:11:36
  Speaker 1: alligator on miniature sets, which is plainly obvious in some shots. Yep, yes,
• 1:11:40
  Speaker 1: there was a couple of shots. Thro I was like,
• 1:11:41
  Speaker 1: all right, yes, makes sense.
• 1:11:43
  Speaker 3: Uh.
• 1:11:44
  Speaker 1: And then last but not least, Joe Dante was offered
• 1:11:46
  Speaker 1: the job of director but turned it down, And that's
• 1:11:48
  Speaker 1: that's funny because was it the writer. Yeah, the writer
• 1:11:54
  Speaker 1: John Sales or Solas, whatever his name is, you know,
• 1:11:57
  Speaker 1: worked on Piranha and The Howling, which again I know
• 1:12:01
  Speaker 1: Piranha was Joe Dante, and I think Howling is as well,
• 1:12:05
  Speaker 1: So that's kind of interesting. A couple of goofs here
• 1:12:09
  Speaker 1: at the wedding, when Slade and the mayor run to
• 1:12:11
  Speaker 1: the limousine to get away from the alligator, the driver
• 1:12:13
  Speaker 1: is standing by the door as if everything is normal,
• 1:12:16
  Speaker 1: despite everyone panicking around him. And then I actually noticed
• 1:12:21
  Speaker 1: this one too. In the first shot of the alligator's
• 1:12:23
  Speaker 1: eyes at the very beginning of the movie, the entire
• 1:12:26
  Speaker 1: crew is reflected. You can see the whole crew filming
• 1:12:29
  Speaker 1: the gator. I thought that was pretty interesting. Got a
• 1:12:33
  Speaker 1: six point zero out of ten on IMDb, and then
• 1:12:37
  Speaker 1: it has a three point three out of five on Letterboxed.
• 1:12:41
  Speaker 1: Uh yeah, three point three out of five. I gave
• 1:12:43
  Speaker 1: this a four and a half. Same. It was probably
• 1:12:46
  Speaker 1: the easiest four and a half I think I've ever
• 1:12:48
  Speaker 1: given the movie. It was fucking brilliant for a nineteen
• 1:12:51
  Speaker 1: eighties movie. Literally, nineteen eighty fucking brilliant movie. Yeah, I
• 1:12:57
  Speaker 1: love every second of this movie. It's not watered down,
• 1:13:00
  Speaker 1: it's not too long. If anything, I probably could have
• 1:13:02
  Speaker 1: used a couple more minutes from it, you know what
• 1:13:04
  Speaker 1: I mean. But at it, like you know, at an
• 1:13:06
  Speaker 1: hour and a half, perfect runtime, great special effects, the
• 1:13:10
  Speaker 1: four K looks beautiful, great you know, performances all around
• 1:13:14
  Speaker 1: from every single actor, and it was just it's just
• 1:13:16
  Speaker 1: a lot of fun.
• 1:13:17
  Speaker 2: Yeah.
• 1:13:18
  Speaker 1: I know, I know the second one's not nearly as
• 1:13:20
  Speaker 1: good because it doesn't have nearly as good of ratings,
• 1:13:22
  Speaker 1: but I am still excited to watch it just to
• 1:13:24
  Speaker 1: see how silly and goofy it is. But we can't
• 1:13:26
  Speaker 1: recommend this movie enough. Watch it however you want. It
• 1:13:30
  Speaker 1: doesn't matter. But at the end of the day, just
• 1:13:32
  Speaker 1: watch this movie. It's so much fun because we've explained
• 1:13:35
  Speaker 1: a lot of it, but there's it's still the ending.
• 1:13:37
  Speaker 1: The last thirty minutes of this movie is just utter chaos. Yeah.
• 1:13:40
  Speaker 1: Once the alligator leaves the sewers, it just everything turns
• 1:13:43
  Speaker 1: into chaos. So yeah, that is alligated from nineteen eighty
• 1:13:48
  Speaker 1: Check it out. Be sure to follow us on Facebook
• 1:13:51
  Speaker 1: at Freight Mayre's and Instagram and Slasherrapp at fright Maar's podcast.
• 1:13:56
  Speaker 1: We're on Twitter at Fright May's Underscore pod. Stay Spooky
• 1:14:00
  Speaker 1: at outlook dot com is our email. I am doctor Procter.
• 1:14:03
  Speaker 1: On letterbox, you are slam Slaferman. I love that so much.
• 1:14:10
  Speaker 1: I love that you're able to match your first letter
• 1:14:12
  Speaker 1: of your name up to your last name, and it's
• 1:14:14
  Speaker 1: the coolest thing ever. I love it. Uh Me and
• 1:14:17
  Speaker 1: Corey will be back next week doing a movie that
• 1:14:19
  Speaker 1: I don't want to say, because again I don't like
• 1:14:21
  Speaker 1: giving away the movies. But it's gonna be a fun topic.
• 1:14:23
  Speaker 1: I'm very excited to do this. Uh So, until then, guys,
• 1:14:27
  Speaker 1: stay tuned and stay spooky bitches.