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Cult Of Chucky - Thirsty For Gore · Thirsty For More - Movie Review

• 0:00
  Speaker 1: No, no, no.
• 0:00
  Speaker 2: Hold on, hold on. The cult of Chucky.
• 0:06
  Speaker 3: Why are we doing British weird?
• 0:09
  Speaker 2: It's not British. It's more Swedish.
• 0:12
  Speaker 3: It sounds like... That's true, yeah. That's true. That is
• 0:16
  Speaker 3: way more Swedish. It's like upper class Swedish.
• 0:18
  Speaker 2: I was trying to do it where they've learned English
• 0:21
  Speaker 2: really well.
• 0:22
  Speaker 3: Really well. Do you only hear Tien's accent?
• 0:27
  Speaker 2: Hello everyone and welcome to Thirsty for Gold! I, of course,
• 0:32
  Speaker 2: am your host, Milenko.
• 0:34
  Speaker 3: And I'm Alex.
• 0:35
  Speaker 2: Nice to meet you. And today we're talking about 2017's
• 0:39
  Speaker 2: Cult of Chucky.
• 0:43
  Speaker 3: We're talking about 2017's.
• 0:47
  Speaker 2: Don Manzini's Cult of Chucky.
• 0:51
  Speaker 3: David Kirshner's Chucky.
• 0:55
  Speaker 2: Who's David Kirshner?
• 0:56
  Speaker 3: He's the guy who created the puppet.
• 0:58
  Speaker 2: Billy the puppet?
• 0:59
  Speaker 3: No, Chucky the puppet. And subsequently, Bride of Chucky.
• 1:03
  Speaker 2: Bride of Chucky the puppet. Bride of Chucky the puppet.
• 1:07
  Speaker 3: Some of the weird stuff in the Don Mancini-verse. The
• 1:12
  Speaker 3: weird kind of... social commentary that he tries to weave
• 1:18
  Speaker 3: in dude it's so random it's so weird like like
• 1:21
  Speaker 3: i didn't i've never dated somebody who's so into guns
• 1:25
  Speaker 3: well i'm not a gun nut i believe it.
• 1:28
  Speaker 2: There's like it's it's like um it's funny because it's
• 1:32
  Speaker 2: like such obvious pov Yeah, this, like, opening date sequence
• 1:36
  Speaker 2: with just, like, Andy, embodied Andy, dude. Embodied Andy, who
• 1:42
  Speaker 2: is such a good actor, dude.
• 1:44
  Speaker 3: He is so good.
• 1:45
  Speaker 2: He's such a good actor.
• 1:46
  Speaker 3: He somehow grew into a way more plain-looking man. Because
• 1:50
  Speaker 3: he's such an impactful kid. But he, like, his acting
• 1:54
  Speaker 3: ability is kind of, like... Excuse me, what? You know
• 1:58
  Speaker 3: what I mean? It's, like, almost very secondary.
• 2:01
  Speaker 2: Dude, his, like, micro-expressions and, like... Very good. The way
• 2:05
  Speaker 2: he was, like, really listening and reacting in the scene. Like,
• 2:09
  Speaker 2: you can tell he's, like... It feels like he's from, like,
• 2:11
  Speaker 2: the Bryan Cranston school, you know? Of, like, show up. Like,
• 2:16
  Speaker 2: show up for the part.
• 2:17
  Speaker 3: Yeah, there are these... Just these, like... He's such a pro... Yeah.
• 2:21
  Speaker 3: For being somebody who's only been in these movies, to
• 2:26
  Speaker 3: be such a bro is very strange.
• 2:28
  Speaker 2: He's so good. And yeah, I mean, like, listen, I'm
• 2:31
  Speaker 2: on his side, dude. It's okay to own some guns.
• 2:33
  Speaker 2: It's okay to be, you know, like, I just, I
• 2:37
  Speaker 2: think it's, it's, it's interesting, like how there's like this,
• 2:42
  Speaker 2: what I love about it, dude, is actually it's in
• 2:45
  Speaker 2: keeping with the character so much that he's just like, no,
• 2:49
  Speaker 2: like I need to protect myself. Like, Andy, for a
• 2:53
  Speaker 2: guy who went to military school and was hunted by
• 2:56
  Speaker 2: a Chucky his whole life, there's 37... He went to.
• 2:58
  Speaker 3: Military school at nine years old? I mean, at 15
• 3:00
  Speaker 3: years old? 37 kills, like.
• 3:02
  Speaker 2: Around you?
• 3:02
  Speaker 3: Yeah.
• 3:02
  Speaker 2: Yeah, he's... Weird, dude.
• 3:09
  Speaker 3: I would immediately be like, no, I'm sorry. No, I
• 3:13
  Speaker 3: did Google you and I came here because you're a
• 3:16
  Speaker 3: freak show.
• 3:16
  Speaker 2: It's going to be a no for me, Doug.
• 3:18
  Speaker 3: And I wanted a story. I needed to tell my
• 3:20
  Speaker 3: girlfriend something. I needed to see exactly.
• 3:22
  Speaker 2: I'm a sex in the city type writer in this city.
• 3:26
  Speaker 2: Whatever city this is, Calgary, Winnipeg.
• 3:29
  Speaker 3: No, it's Winnipeg. Yeah.
• 3:31
  Speaker 2: It was so obviously Winnipeg to that overhead shower. It's like,
• 3:36
  Speaker 2: American city is that.
• 3:37
  Speaker 3: Yeah, for sure. And the sort of... There is this
• 3:41
  Speaker 3: thing in the Mancini-verse as well, is, like, the scene
• 3:44
  Speaker 3: is done, and, like, she's like, no, this is too
• 3:51
  Speaker 3: much for me. There's, like, a full... There's a full
• 3:54
  Speaker 3: glass of wine on the table. There's, like... It's just, like,
• 3:57
  Speaker 3: they seem to have already ordered the food, and it's like, wait,
• 4:02
  Speaker 3: you're just leaving now? It's like... It feels like Don
• 4:05
  Speaker 3: Monsignor was like, I tell the audience when the scene
• 4:08
  Speaker 3: is over, and this is when it's over. You know
• 4:10
  Speaker 3: what I mean?
• 4:11
  Speaker 2: Absolutely.
• 4:12
  Speaker 3: This doesn't have to make sense. This is the first
• 4:15
  Speaker 3: time I've felt that in these movies, where some of
• 4:19
  Speaker 3: the stuff that's kind of brushed over in the other
• 4:22
  Speaker 3: ones is like, oh, it's brushed over out of convenience.
• 4:25
  Speaker 3: But it feels like a choice.
• 4:27
  Speaker 2: Yeah. Like, yeah, we do remember and we don't care.
• 4:32
  Speaker 3: Yeah, exactly.
• 4:33
  Speaker 2: Well, like, yeah. And that's, okay. That's what I wanted
• 4:37
  Speaker 2: to talk about. I need to rewind a bit for
• 4:39
  Speaker 2: a second, okay? And I need to talk to you
• 4:42
  Speaker 2: for a second about the last movie, okay?
• 4:44
  Speaker 3: Yeah.
• 4:44
  Speaker 2: Curse of Chucky. I think justice for Curse of Chucky
• 4:51
  Speaker 2: for two reasons, okay? I think that making an entire
• 4:56
  Speaker 2: movie that feels very self-contained and like lowers the stakes
• 5:02
  Speaker 2: this late into a series while then also tying it
• 5:05
  Speaker 2: back to the deeper lore of the movie and then
• 5:07
  Speaker 2: creating a sequel that continues that lore is like such
• 5:12
  Speaker 2: like a deep commitment to storytelling and like, like a
• 5:16
  Speaker 2: kind of like admirable swing in a way that like,
• 5:20
  Speaker 2: I'm like, I don't, care for it as much as
• 5:26
  Speaker 2: like it was like i admire the swing you know
• 5:28
  Speaker 2: what i mean like seeing this movie now and seeing
• 5:33
  Speaker 2: what this his idea of the story was a little
• 5:37
  Speaker 2: bit ruined it for me in a way like was
• 5:39
  Speaker 2: the other one yeah the other one the other one
• 5:43
  Speaker 2: but but knowing that and having that in mind I'm like,
• 5:48
  Speaker 2: I admire this movie so much.
• 5:49
  Speaker 3: Yeah, I feel like you could have done what one
• 5:55
  Speaker 3: of those fan edits did with Prometheus and Alien Covenant.
• 6:00
  Speaker 3: Where it's like, if you combine these really good ideas
• 6:02
  Speaker 3: into one movie, it would feel so much better. It
• 6:06
  Speaker 3: almost feels like if they did the Evil Dead 2 thing... too,
• 6:10
  Speaker 3: where it's like they kind of recapped what happened in
• 6:12
  Speaker 3: this one, or in the last one, in this one,
• 6:15
  Speaker 3: you would just have a way more interesting story. Because
• 6:18
  Speaker 3: this is weird. It gets weird. It's very Boku Demolat.
• 6:25
  Speaker 3: It is Boku Demolat. I think....
• 6:29
  Speaker 2: So he arrives home. Okay, it is weird. It's weird.
• 6:33
  Speaker 2: It's so weird. And I admire the, like, big swing.
• 6:36
  Speaker 2: I admire, like, fucking, like, insane sadistic Andy.
• 6:41
  Speaker 3: It's also, like, it looks way better. Like, it's still budget,
• 6:45
  Speaker 3: but it looks way better. It feels way better, and
• 6:47
  Speaker 3: it doesn't have the.
• 6:49
  Speaker 2: It does look better.
• 6:50
  Speaker 3: It doesn't have the gothic stuff, which kind of, to me,
• 6:54
  Speaker 3: drags it down. This fully puts it in like, oh,
• 6:57
  Speaker 3: this is like now.
• 6:58
  Speaker 2: Well, listen, and I think this one also confirms that it's... Chucky.
• 7:10
  Speaker 2: because because it's direct to direct to video chucky yeah
• 7:15
  Speaker 2: and it has that kind of like saw look that
• 7:18
  Speaker 2: eventually saw kind of was like deeply.
• 7:21
  Speaker 3: A hundred percent yeah um and.
• 7:23
  Speaker 2: Which is okay it's like i'm not admonishing it for
• 7:26
  Speaker 2: it it just like feels like a certain kind of
• 7:28
  Speaker 2: like era and budget of filmmaking.
• 7:31
  Speaker 3: Like it's like oh digital cameras are so good now
• 7:33
  Speaker 3: that it can look like a real movie again yeah
• 7:36
  Speaker 3: whereas the other one is like digital cameras.
• 7:38
  Speaker 2: Are cheaper he kind of looks like Riker sometimes.
• 7:41
  Speaker 3: He looks a lot like Riker I think you're right
• 7:44
  Speaker 3: and he comes home and he's like drinking a beer
• 7:47
  Speaker 3: and is like he goes to his Kent Military Academy
• 7:51
  Speaker 3: poster and takes off the the portrait to that and
• 7:57
  Speaker 3: opens the safe and It's, dude, I was like, if
• 8:02
  Speaker 3: it sustains this, I think this is going to be
• 8:06
  Speaker 3: my favorite of the new ones. And it doesn't quite
• 8:09
  Speaker 3: sustain it. It doesn't quite.
• 8:11
  Speaker 2: Chucky, again, other than disemboweled head that's being tortured, Chucky,
• 8:16
  Speaker 2: I didn't like Boku Dabla, Chucky. I didn't like, like...
• 8:22
  Speaker 2: The idea of Chucky in this movie... This stuff?
• 8:26
  Speaker 3: Where I was like... Where he pulls out the head
• 8:29
  Speaker 3: and is like, oh, okay.
• 8:32
  Speaker 2: Him torturing the head is.
• 8:36
  Speaker 3: Amazing. It is amazing.
• 8:37
  Speaker 2: It is amazing.
• 8:38
  Speaker 3: It's amazing.
• 8:38
  Speaker 2: It's amazing because it's such a weird eventuality.
• 8:43
  Speaker 3: That makes sense. It feels like he lights a joint, too,
• 8:48
  Speaker 3: which is even better. And then he shares the joint.
• 8:50
  Speaker 3: It's amazing. I feel like.
• 8:52
  Speaker 2: And Chucky tries to bite him.
• 8:54
  Speaker 3: If I was.
• 8:58
  Speaker 2: Canonically likes weed, Chucky.
• 8:59
  Speaker 3: We know.
• 9:00
  Speaker 2: Oh, 100%. From part four, we know.
• 9:01
  Speaker 3: Well, like, the interesting thing to me about the, like,
• 9:05
  Speaker 3: Chucky head dynamic is that what would have made a
• 9:10
  Speaker 3: more interesting movie to me... I knew they were going
• 9:13
  Speaker 3: to continue the Nika stuff and some of the Andy
• 9:15
  Speaker 3: stuff and obviously the Tiff stuff, but.
• 9:19
  Speaker 2: But they made it make sense, dude.
• 9:20
  Speaker 3: They made it make sense.
• 9:21
  Speaker 2: The thing that you were like, wait, what is this?
• 9:24
  Speaker 3: And then... But... The interesting thing about this dynamic is
• 9:28
  Speaker 3: I kind of wish this was the whole movie.
• 9:30
  Speaker 2: Me too, dude. This was some of the most interesting stuff. Like,
• 9:34
  Speaker 2: having Andy, like, be able to, like, confront his demons
• 9:38
  Speaker 2: in such a direct way.
• 9:39
  Speaker 3: Yeah, like a literal way is very strange.
• 9:42
  Speaker 2: And, like, there's a kind of, like... Because it's the
• 9:45
  Speaker 2: beginning of the movie, there's a kind of win for
• 9:48
  Speaker 2: Andy that this feels like we know is going to be, like, robbed. Because, like,
• 9:52
  Speaker 2: it's still the beginning of the... 100%.
• 9:54
  Speaker 3: And then, but also, the neat thing about it is
• 9:57
  Speaker 3: that he's like, oh, but.
• 10:00
  Speaker 1: we never found out the redhead had the carpets match
• 10:03
  Speaker 1: the drapes you know it's the implication that Andy is
• 10:07
  Speaker 1: talking to the Chucky head about his.
• 10:12
  Speaker 3: Like, also makes it weird. That, like, that's... Because that
• 10:15
  Speaker 3: is the implication, right? Yeah, dude. That he's, like, telling
• 10:18
  Speaker 3: him about.
• 10:20
  Speaker 2: I mean, he's their friend to the end, dude.
• 10:23
  Speaker 3: That's what's amazing about it, is that it's like, yeah, dude.
• 10:26
  Speaker 2: But this, like... Just, like, fucking blowtorching his head.
• 10:32
  Speaker 3: Amazing. Amazing.
• 10:34
  Speaker 2: It was pretty insane, dude. It looked really cool.
• 10:37
  Speaker 3: It looked really... All of the....
• 10:40
  Speaker 2: The disemboweled head Chucky is the only good Chucky in
• 10:44
  Speaker 2: this movie. I don't like short hair Chucky.
• 10:47
  Speaker 3: I disagree. I like all the Chuckies. We'll talk about it.
• 10:52
  Speaker 2: We'll talk about it, dude. Do you like the guy Chucky?
• 10:56
  Speaker 3: I like the, yeah, the Agent Smith Chucky. The one
• 11:00
  Speaker 3: who escaped the Matrix and came into a body.
• 11:06
  Speaker 2: I can't wait to talk about all the different Chucky's.
• 11:09
  Speaker 2: All the different Chucky's.
• 11:11
  Speaker 3: Yeah, we gotta talk about all the different Chucky's.
• 11:14
  Speaker 2: All the different Chucky's.
• 11:15
  Speaker 3: We gotta talk about our main lead Chucky.
• 11:18
  Speaker 2: Which is Nika. Oh, yeah, yeah.
• 11:21
  Speaker 3: Okay.
• 11:22
  Speaker 2: Please, dude.
• 11:24
  Speaker 3: Not yet.
• 11:24
  Speaker 2: Nika, hold on.
• 11:25
  Speaker 3: This was.
• 11:26
  Speaker 2: Describe the face I'm doing, dude.
• 11:28
  Speaker 3: Okay. Um, it's sort of AP... AP Tilted.
• 11:36
  Speaker 2: Hold on, but also it's side face. You gotta say
• 11:39
  Speaker 2: it's side face.
• 11:40
  Speaker 3: It's side face, yeah.
• 11:42
  Speaker 2: That was her entire face in the whole movie.
• 11:45
  Speaker 3: 100%. I mean, that's her face, dude. She's got that
• 11:47
  Speaker 3: door and forehead, too.
• 11:48
  Speaker 2: She did side door and forehead.
• 11:50
  Speaker 3: She was so adorable. She had so much forehead acting.
• 11:53
  Speaker 2: It was great. Dude, it was like... The way she
• 11:56
  Speaker 2: had her hair up in kind of like a Joker style...
• 11:59
  Speaker 2: I love Nika. I love Nika. I love Nika in
• 12:02
  Speaker 2: this movie. Like, tragic Sarah Connor energy. I'm doing the face.
• 12:07
  Speaker 3: Speaking of Sarah Connor. Oh man, there's so much stuff.
• 12:09
  Speaker 2: All the different Chucky's. All the different Chucky's.
• 12:12
  Speaker 3: And this, so we get introduced to her again. She's getting...
• 12:16
  Speaker 3: Opening montage scene, dude. Oh yeah, the montage of all
• 12:19
  Speaker 3: the previous... All the different Chucky's. Don Mancini's Chucky. All
• 12:24
  Speaker 3: the Don Mancini's Chucky's. Um....
• 12:28
  Speaker 2: Nika Pierce ruled mentally insane. So we get some back
• 12:31
  Speaker 2: lore in newspapers. She's getting electrocuted.
• 12:34
  Speaker 3: She's getting electroshock therapied in a way that only a
• 12:37
  Speaker 3: Chucky movie could do where there's only like four people
• 12:40
  Speaker 3: in this hospital doing everything.
• 12:42
  Speaker 2: Chucky loves electrocution. Dude, also, this one definitely, definitely, this
• 12:48
  Speaker 2: movie loves Dream Warriors, dude.
• 12:51
  Speaker 3: 100%. Dude, Dream Warriors, Terminator 2, like there's full lines everywhere.
• 12:55
  Speaker 3: In this, out of Terminator.
• 12:57
  Speaker 2: Yeah, it's confirmed now.
• 13:00
  Speaker 3: It is confirmed now, 100%. Terminator, Chucky.
• 13:02
  Speaker 2: Terminator, Chucky. I mean, it does feel at this point,
• 13:07
  Speaker 2: it is that song. It is the realization of Chucky,
• 13:11
  Speaker 2: and it's just Chucky now. Yeah. It's everybody Chucky now. Everyone,
• 13:17
  Speaker 2: everybody Chucky.
• 13:18
  Speaker 3: Yeah, everybody Chucky for sure.
• 13:21
  Speaker 2: See, I can stab her foot with CGI blood that
• 13:26
  Speaker 2: comes out in one drip.
• 13:27
  Speaker 3: We're introduced to Dr. Foley, who I loved. I loved Dr. Foley.
• 13:33
  Speaker 3: The hair.
• 13:34
  Speaker 2: Rape face.
• 13:35
  Speaker 3: Such rape face energy.
• 13:36
  Speaker 2: Yeah. He's just like, I'm a rapist. I'm proud to
• 13:42
  Speaker 2: be a rapist. That's what he says.
• 13:45
  Speaker 3: And then, like, he's the main doctor head of this situation. But, again,
• 13:51
  Speaker 3: there's only, like, five people who work in this building
• 13:54
  Speaker 3: because of budget. Budget cuts, dude. Not to the movie.
• 13:57
  Speaker 2: Because of all the different... They had to do all
• 13:59
  Speaker 2: the different Chucky's, dude.
• 14:00
  Speaker 3: And then, like, he's, like, you use.
• 14:04
  Speaker 2: He's got, like, kind of, like, Richard Gere energy.
• 14:06
  Speaker 3: Definitely. Definitely. He's telling her... like recapping the murder stuff
• 14:15
  Speaker 3: being like you killed like five people yeah you you
• 14:18
  Speaker 3: wear chucky as a mask all the different chucky's as
• 14:22
  Speaker 3: a man.
• 14:22
  Speaker 2: It's true he's a he's like reminds me of like
• 14:26
  Speaker 2: the bill maher doctor from the left from freddie dude
• 14:30
  Speaker 2: oh yeah totally it's that he's good but but that
• 14:33
  Speaker 2: guy's more of a like a fucking loser simp this
• 14:37
  Speaker 2: this guy is like this guy's a fucking rapist dude Like,
• 14:41
  Speaker 2: at least that guy tried to have a little bit
• 14:44
  Speaker 2: of game, but he didn't succeed at it.
• 14:46
  Speaker 3: Well, he was, like, a little bit more normie than
• 14:49
  Speaker 3: this guy. This guy is, like, he knows what's happening.
• 14:52
  Speaker 2: This guy seems like he likes steampunk, dude. He's got, like,
• 14:55
  Speaker 2: the monocle.
• 14:56
  Speaker 3: I'm gonna transfer you to this low-stakes, low-effort prison. Schizophrenia
• 15:03
  Speaker 3: is an illness, and we're gonna make you better.
• 15:06
  Speaker 2: Oh, man, it's... It's so weird because, like, we know
• 15:10
  Speaker 2: that she's not, you know, that, like, everything that she
• 15:14
  Speaker 2: says happened to her happened to her, dude. And, yeah,
• 15:19
  Speaker 2: it's fucked. It's like a sad ending for Nika, you know?
• 15:24
  Speaker 2: It's a sad eventuality because, like, well, we know what's
• 15:26
  Speaker 2: going to happen to her. But because Chucky's the, like,
• 15:31
  Speaker 2: the main guy now.
• 15:33
  Speaker 3: Yeah, he's the main character again, kind of in the movie.
• 15:35
  Speaker 2: Kind of, like side main character.
• 15:38
  Speaker 3: But this is like.
• 15:39
  Speaker 2: Simulacrum Chucky.
• 15:41
  Speaker 3: But this also feels like I don't need a bunch
• 15:46
  Speaker 3: of the stuff that the other one did, that Curse
• 15:50
  Speaker 3: of Chucky did, where it was like, We have to
• 15:52
  Speaker 3: introduce all the characters. And then they, like, dump, they
• 15:56
  Speaker 3: lore dump so much at the end to be like,
• 15:59
  Speaker 3: this is why you're important to Chucky lore. And it's, like,
• 16:02
  Speaker 3: kind of back-lore-ifying.
• 16:03
  Speaker 2: Dude, I love this gay nurse that's like, I'm gay.
• 16:09
  Speaker 3: Yeah, Nurse Carlos. But it's very casually, like, my husband.
• 16:14
  Speaker 2: Because my husband did this.
• 16:16
  Speaker 3: My husband has MS.
• 16:17
  Speaker 2: This is the kind of thing that people watch and
• 16:20
  Speaker 2: say that it's woke and gay. This probably gets a
• 16:23
  Speaker 2: really high mark on the woke and gay meter.
• 16:26
  Speaker 3: Really? This is so much less than the other ones,
• 16:29
  Speaker 3: because it's just him mentioning.
• 16:31
  Speaker 2: I'm not saying that I believe that. I'm saying that
• 16:34
  Speaker 2: that's what other people think.
• 16:36
  Speaker 3: And, obviously, not just trans Chucky in this.
• 16:42
  Speaker 2: Well, like, Chucky's, like, we've established, like, all gender Chucky. Yeah, he's...
• 16:47
  Speaker 2: It's Chucky's everybody. Everybody is Chucky.
• 16:49
  Speaker 3: Everybody Chucky, yeah.
• 16:50
  Speaker 2: You don't realize, dude, that you've just created a million Chucky's.
• 16:55
  Speaker 3: It's true.
• 16:56
  Speaker 2: Andy, by shooting Andy in the neck.
• 16:57
  Speaker 3: It's real Charlie Kirk, dude. It's with the Chucky's.
• 17:01
  Speaker 2: Charlie Kirk!
• 17:03
  Speaker 3: Yeah, I mean, he is... We are Charlie... We are
• 17:05
  Speaker 3: Charlie Kirk!
• 17:08
  Speaker 2: Dude, Charlie?
• 17:09
  Speaker 3: What's the main character in Star Wars' name?
• 17:12
  Speaker 2: Luke Skywalker?
• 17:13
  Speaker 3: Who created Star Wars? George Lucas? George Luke?
• 17:19
  Speaker 2: Kiss.
• 17:19
  Speaker 3: Yeah. He's the main character in Star Wars. He kissed
• 17:24
  Speaker 3: his sister!
• 17:25
  Speaker 2: Charles Lee Chucky Lee fucking Kirk? It's the Kirkification of Chucky, dude.
• 17:31
  Speaker 2: We've come to it.
• 17:33
  Speaker 3: Another Chucky, Nurse Carlos... uh leaves a uh.
• 17:39
  Speaker 2: Does he also no he doesn't become chucky he gets
• 17:41
  Speaker 2: disemboweled his.
• 17:42
  Speaker 3: Name is carlos oh he's oh that's right sorry yes
• 17:44
  Speaker 3: yes he kissed his sister as carlos estevez dude that's
• 17:48
  Speaker 3: the real.
• 17:48
  Speaker 2: Charlie sheen charlie sheen charlie kirk i got it dude.
• 17:52
  Speaker 3: I understand uh carlos leaves uh a little gum for
• 17:57
  Speaker 3: uh for Nika because he's like, he wants to be
• 18:01
  Speaker 3: a cool, cool nurse. Who's like, I'm a hard ass,
• 18:05
  Speaker 3: but with a heart of gold. Yeah.
• 18:07
  Speaker 2: And then he like, she waves at him later in
• 18:09
  Speaker 2: the common room and he's like, don't do it in
• 18:11
  Speaker 2: front of people. Um, and then she rolls over to,
• 18:16
  Speaker 2: to meet this like sissy space, like looking.
• 18:19
  Speaker 3: Wait, wait, hold on. You didn't, you didn't set up that. Uh,
• 18:23
  Speaker 3: Carlos also pulls out, uh, her niece's photo.
• 18:27
  Speaker 2: Oh yeah.
• 18:28
  Speaker 3: Alice. Alice. Hi, Alice. Want to make babies? It's definitely
• 18:32
  Speaker 3: a nod to that. It's a nod.
• 18:34
  Speaker 2: 100%. To all the different junkies.
• 18:36
  Speaker 3: But yeah, we get into the common room of this
• 18:41
  Speaker 3: hospital that's like, what is this hospital?
• 18:43
  Speaker 2: What is this for? It's like a weird institute.
• 18:45
  Speaker 3: Yeah.
• 18:46
  Speaker 2: It's like, I don't know. I don't know.
• 18:49
  Speaker 3: It looked it looked like saw reality it was very
• 18:53
  Speaker 3: sorry which again i prefer look at.
• 18:55
  Speaker 2: This lighting dude like it.
• 18:56
  Speaker 3: Looks so wherever all the windows are completely blown out
• 19:00
  Speaker 3: and like you can't see anything outside because it's all
• 19:02
  Speaker 3: studio and they wanted to be like super like all
• 19:06
  Speaker 3: the same all the time but angela comes up to
• 19:09
  Speaker 3: nika and she's like oh thank god dude.
• 19:12
  Speaker 2: She's got such mama energy oh it's great yeah it's
• 19:14
  Speaker 2: like Did you like Nikola Tesla?
• 19:18
  Speaker 3: Yeah. Oh, dude, it's so Nikola Tesla. None of the
• 19:22
  Speaker 3: others can see me. I can see you.
• 19:26
  Speaker 2: I am mama. She's very, none of the others can
• 19:29
  Speaker 2: see me. But then we're like, we can see.
• 19:31
  Speaker 3: Don't be afraid. Oh! i'm not afraid good yeah it's
• 19:36
  Speaker 3: like good yeah.
• 19:37
  Speaker 2: Yeah it's very mama uh and and then multiple matt
• 19:41
  Speaker 2: kisses her he we get multiple personality disorder dude that was.
• 19:46
  Speaker 3: So outrageous he jumps into frame from the bottom of
• 19:50
  Speaker 3: the frame and kisses Angela on the neck or in
• 19:53
  Speaker 3: the head. It's very strange.
• 19:55
  Speaker 2: I've met people with this associative identity disorder. I know
• 19:58
  Speaker 2: like how it functions. Um, just movies that try and
• 20:03
  Speaker 2: like try the tooth with it without really understanding it.
• 20:06
  Speaker 2: It's just kind of feels like it's like, you know,
• 20:08
  Speaker 2: it's what, Like, sure, it's like a horror trope, right? Like,
• 20:13
  Speaker 2: to use multiple personalities, just like it is to use, like,
• 20:16
  Speaker 2: a variety of other things. But, yeah, like, it just
• 20:19
  Speaker 2: feels like in 2017, I'm like, I don't know, multiple personalities?
• 20:24
  Speaker 2: It's like, it just, like, none of the, like, the
• 20:27
  Speaker 2: way the mental health stuff is dealt with feels realistic.
• 20:30
  Speaker 2: I understand that Chucky movies have always done this of, like, just, yeah, yeah,
• 20:34
  Speaker 2: this is the reality we're in. And they've always treated
• 20:36
  Speaker 2: institutions like this. But, like, they've never dwelled on the
• 20:39
  Speaker 2: institutionalization part. And this time, we're just there. So, like,
• 20:45
  Speaker 2: I don't know. Like you said, we just see that there's, like,
• 20:48
  Speaker 2: two hospital people. It just feels budget. That's what it is.
• 20:51
  Speaker 2: It feels like... And the other one didn't?
• 20:53
  Speaker 3: No.
• 20:55
  Speaker 2: Like, dude, like, think about part one of Chucky.
• 20:58
  Speaker 3: No, but I'm talking about, like, Curse of Chucky.
• 21:02
  Speaker 2: Oh, yeah, that one did, too.
• 21:03
  Speaker 3: Yeah.
• 21:04
  Speaker 2: But it worked with its budget. In constraints, because it
• 21:07
  Speaker 2: was in one house. It was, you know.
• 21:10
  Speaker 3: I think it works better in this. Really? Yeah, I
• 21:13
  Speaker 3: think the story moves better. It's like, it gives an
• 21:17
  Speaker 3: arc to everything that's just like... Ah, you're right.
• 21:19
  Speaker 2: I got into a loop talking about multiple Matt. I just, like,
• 21:22
  Speaker 2: I'm like, I don't know, are you... who are you
• 21:24
  Speaker 2: right now are you uh billionaire mark.
• 21:27
  Speaker 3: Zuckerberg oh that was so weird that was so weird
• 21:30
  Speaker 3: it was funny though then his acting was.
• 21:32
  Speaker 2: Very brent spiner acting like he was excited to be
• 21:35
  Speaker 2: different characters.
• 21:36
  Speaker 3: Dude such brent spiner acting and he's like now the
• 21:40
  Speaker 3: silly one yeah totally and then they bang and i'm
• 21:42
  Speaker 3: like all right okay cool i mean this.
• 21:44
  Speaker 2: Is cool yeah yeah like the way he's like banger
• 21:47
  Speaker 2: and they're showing it from like a like a stairwell
• 21:50
  Speaker 2: shot yeah I actually really love all of the, like,
• 21:54
  Speaker 2: weird perspective stuff in Chucky movies. I feel like they
• 21:58
  Speaker 2: use angles in such an interesting way.
• 22:00
  Speaker 3: Well, speaking of perspective stuff, Madeline and Claire are introduced
• 22:05
  Speaker 3: in the next scene where they're doing their Dream Warriors
• 22:10
  Speaker 3: sharing moment of introducing everybody and the new character. Ah, dude. And... Like,
• 22:16
  Speaker 3: the idea that Claire is like, what the fuck did
• 22:21
  Speaker 3: this lady do? She's fucking crazy. She murdered five people.
• 22:25
  Speaker 2: I really love this character. She's got such great energy. Like,
• 22:30
  Speaker 2: I think, like, she was just, you know, she wasn't
• 22:33
  Speaker 2: supposed to be there. Somebody misunderstood her and, like, you know.
• 22:36
  Speaker 3: And then multiple Matt is like, you burned your house down.
• 22:40
  Speaker 3: And she's like, I didn't kill anybody. Yeah.
• 22:45
  Speaker 2: I mean, that's true, dude. But this other woman did
• 22:47
  Speaker 2: kill someone, dude. We find out later. Her own child.
• 22:50
  Speaker 3: Her own child.
• 22:51
  Speaker 2: Which... Which we'll get to. Because the, like, surrogate parent
• 22:56
  Speaker 2: stuff in this was, like, really, like, a tragic storyline, dude.
• 23:00
  Speaker 3: Yeah, for sure.
• 23:01
  Speaker 2: It is.
• 23:02
  Speaker 3: And then Angela lifts up gently from the seat and
• 23:05
  Speaker 3: is like, um.
• 23:11
  Speaker 3: Because Nika is like, I hope she's doing okay to
• 23:15
  Speaker 3: the woman who killed her kid for Madeline. And Angela
• 23:20
  Speaker 3: is like, she's not okay. She's doing badly. And Nika's like,
• 23:27
  Speaker 3: who told you that? Chucky told me. Incepted, took something
• 23:33
  Speaker 3: and then made it her own. He called me on
• 23:37
  Speaker 3: the phone. I love Chucky still doing the calling people
• 23:40
  Speaker 3: on the phone, being like, give me some information. I....
• 23:47
  Speaker 2: Chucky's voice was so weird in this one. He felt
• 23:51
  Speaker 2: like he was doing this a lot.
• 23:54
  Speaker 3: Yeah.
• 23:54
  Speaker 2: He was doing a Mark Hamill, which is why I
• 23:58
  Speaker 2: think they eventually cast Mark Hamill.
• 24:01
  Speaker 3: Well, yeah, Mark Hamill does good. He was a good choice.
• 24:04
  Speaker 3: I was excited for him to do it.
• 24:05
  Speaker 2: Oh, yeah, yeah. I'm excited to do Mark Hamill. Dude,
• 24:07
  Speaker 2: I'm so excited for Chucky's face in the next movie. Yeah.
• 24:11
  Speaker 3: It's not Mike Powers' face, that's for sure. It's a
• 24:14
  Speaker 3: weird new face, dude.
• 24:17
  Speaker 2: Um, but yeah, so.
• 24:20
  Speaker 3: So yeah, basically they, they get into each other's faces
• 24:26
  Speaker 3: and they confront each other.
• 24:27
  Speaker 2: But I like, I like how, I like how in
• 24:29
  Speaker 2: this scene, um, there's this thing about like, this is
• 24:34
  Speaker 2: the scene where she does incept them kind of with Chucky,
• 24:37
  Speaker 2: like her mere presence and starting to talk about Chucky
• 24:41
  Speaker 2: is getting everyone talking about Chucky, but Chucky is, starting
• 24:45
  Speaker 2: to do things just by virtue of her being in
• 24:47
  Speaker 2: minimum security. Right.
• 24:48
  Speaker 3: Yeah.
• 24:48
  Speaker 2: He's been waiting for this moment because, because, because we
• 24:52
  Speaker 2: don't know yet, dude, we don't know about all the
• 24:54
  Speaker 2: different Chucky's.
• 24:55
  Speaker 3: Well, then we're introduced to one variant where, uh, where Dr.
• 25:07
  Speaker 3: Foley brings out a Chucky and, Oh, well, can I
• 25:10
  Speaker 3: say first before you mentioned that, um, because I do
• 25:13
  Speaker 3: love that. Um, but I just want to say, I
• 25:16
  Speaker 3: do think that they really build up a nice relationship
• 25:19
  Speaker 3: between Angela and Madeline. Yeah.
• 25:22
  Speaker 2: I think like they showed that they really care about
• 25:25
  Speaker 2: each other in like a small scenes like this, like where,
• 25:27
  Speaker 2: how she's like comforting her and stuff. I just wanted
• 25:30
  Speaker 2: to comment on that, but, um, Oh no, shit. I'm
• 25:34
  Speaker 2: too far.
• 25:36
  Speaker 3: That's way too far. Um, Yeah, and he brings it out,
• 25:40
  Speaker 3: and this is kind of what I appreciated a lot
• 25:43
  Speaker 3: about the writing in this one versus the last one,
• 25:46
  Speaker 3: is that when he brings out the Chucky, which is
• 25:49
  Speaker 3: a terrible idea... it's such a terrible terrible but he
• 25:54
  Speaker 3: is a piece of shit so.
• 25:56
  Speaker 2: He's a piece of shit and he's an opportunist exactly
• 25:59
  Speaker 2: he mentions gleefully it which might also actually be a
• 26:02
  Speaker 2: silberman reference dude but he mentions gleefully like this is
• 26:05
  Speaker 2: gonna go either way i write this it's gonna go.
• 26:08
  Speaker 3: Great yeah oh totally yeah it's definitely so dr silberman
• 26:12
  Speaker 3: um Chucky is brought out and he's like, hi, hi,
• 26:16
  Speaker 3: I'm Chucky. Want to play? It's not, hi, I'm Chucky.
• 26:19
  Speaker 3: Want to play? Totally, dude. It's, hi, I'm Chucky. Want
• 26:22
  Speaker 3: to play?
• 26:23
  Speaker 2: Sludge pitch adjustment Chucky.
• 26:25
  Speaker 3: Yeah.
• 26:25
  Speaker 2: Pitch adjustment Chucky. Yeah.
• 26:27
  Speaker 3: And then he's like, you know, are you saying that
• 26:31
  Speaker 3: this is a coincidence? He's like, not at all. I
• 26:33
  Speaker 3: paid for a Chucky. They made 80 different variants.
• 26:36
  Speaker 2: It was 2% chance.
• 26:38
  Speaker 3: 2% chance, Chucky.
• 26:39
  Speaker 2: Yeah, yeah.
• 26:40
  Speaker 3: And then he bought it at Hot Topic, dude.
• 26:42
  Speaker 2: He did buy it at Hot Topic. He got, he
• 26:45
  Speaker 2: paid extra for a Chucky.
• 26:48
  Speaker 3: And then Madeline comes up and she's like, he's like,
• 26:51
  Speaker 3: what is it, Madeline? And she's like, he's my baby.
• 26:54
  Speaker 3: And she takes the Chucky and, like, cobbles it.
• 26:57
  Speaker 2: This is also very Mama Energy.
• 26:59
  Speaker 3: It is very Mama Energy.
• 27:00
  Speaker 2: Yeah.
• 27:01
  Speaker 3: 100%.
• 27:01
  Speaker 2: Catatonic, like, oh, no.
• 27:05
  Speaker 3: Deadeye had a terrible childhood. Tried to make our childhood better.
• 27:09
  Speaker 3: Ruined our childhood. Then tried to make us have kids
• 27:13
  Speaker 3: to ruin a third generation's childhood. Yeah.
• 27:20
  Speaker 2: I mean, her reaction to seeing the junkie is also like... Like...
• 27:24
  Speaker 2: Understandably like... Jesus Christ.
• 27:27
  Speaker 3: Yeah. And it's like... It's not... It wasn't a good idea. No.
• 27:37
  Speaker 2: It was a terrible idea.
• 27:37
  Speaker 3: It was a terrible idea. They all go to lunch
• 27:40
  Speaker 3: after this. They take five. And they go to lunch.
• 27:45
  Speaker 2: And then.
• 27:47
  Speaker 3: Claire comes up to Madeline and is like, your baby
• 27:49
  Speaker 3: is dead, okay? You know that. And then.
• 27:56
  Speaker 2: I love her. I love... Yeah, oh yeah, she's great.
• 27:58
  Speaker 3: She's great. And then she... But she takes... She rips
• 28:02
  Speaker 3: the Chucky away from her. Yeah. And then is like,
• 28:08
  Speaker 3: give him back. That's an interesting choice of pronouns. Yeah.
• 28:16
  Speaker 2: I mean, I think she's the most woke, dude.
• 28:21
  Speaker 3: That one? Yeah. Yeah, probably. Yeah.
• 28:24
  Speaker 2: Well, it's not Fiona. Nika.
• 28:28
  Speaker 3: No, definitely not.
• 28:36
  Speaker 2: Well, so Nika helps her get the Chucky back.
• 28:42
  Speaker 3: Yeah, she helps Madeline get her Chucky back. And, you know,
• 28:46
  Speaker 3: multiple Matt is like, you know, why are you trying
• 28:50
  Speaker 3: to take away her happiness? And it's like there is
• 28:53
  Speaker 3: something interesting about delusion in this in terms of, oh, yeah,
• 29:01
  Speaker 3: like there is really important things that you do have
• 29:04
  Speaker 3: to kind of know as reality. to be safe, but
• 29:10
  Speaker 3: also there are these spaces that are okay to have
• 29:13
  Speaker 3: a reality that's just yours, that you can be a
• 29:17
  Speaker 3: different kind of safe in. And that balance is really
• 29:21
  Speaker 3: interesting to me in this entire movie, because there are...
• 29:26
  Speaker 3: The idea of multiple Chuckies is cool to me.
• 29:32
  Speaker 2: It is.
• 29:34
  Speaker 3: it like because the level of magic that exists now
• 29:42
  Speaker 3: it makes sense to be like oh yeah like yeah
• 29:49
  Speaker 3: oh in the next scene we get introduced to you
• 29:52
  Speaker 3: finish your thought oh uh yeah it just it feels
• 29:54
  Speaker 3: like which part of the thought it doesn't matter let's
• 29:58
  Speaker 3: keep going okay.
• 29:59
  Speaker 2: Um Yeah, dude, I love this next scene with Jennifer Tilly. Like,
• 30:04
  Speaker 2: she's so amazing, and everyone's like, did anyone ever tell
• 30:07
  Speaker 2: you you look exactly like Jennifer Tilly?
• 30:09
  Speaker 3: Oh, yeah. I hear that all the time. I've been practicing.
• 30:14
  Speaker 3: She's so good, dude.
• 30:15
  Speaker 4: It's a little Bobby Hill, but... Thanks, dude. I'll take
• 30:22
  Speaker 4: that as a compliment. yeah, you're Alice's guardian.
• 30:27
  Speaker 3: Yeah. She just, you know, she's been living with us.
• 30:29
  Speaker 3: Like she's kind of like, I love, you don't seem
• 30:33
  Speaker 3: very motherly.
• 30:34
  Speaker 2: Jennifer Tilly, like, um, seeming like she just showed up
• 30:38
  Speaker 2: and she doesn't really care about anything that's going on is, is,
• 30:43
  Speaker 2: is really, I love that energy because like, it's like,
• 30:46
  Speaker 2: it's almost like she's better than everything that she's doing
• 30:49
  Speaker 2: at the moment. And she's just like, kind of like
• 30:52
  Speaker 2: existing in that space. Like it's, Every time we see her,
• 30:57
  Speaker 2: it's a reminder that, like, the movie does have, like,
• 31:00
  Speaker 2: an internal self-awareness.
• 31:02
  Speaker 3: Yeah, 100%.
• 31:03
  Speaker 2: And I think it's really, I think her sort of, like,
• 31:07
  Speaker 2: permeating them throughout this series is, like, really, like, I
• 31:12
  Speaker 2: don't know, strangely iconic.
• 31:14
  Speaker 3: She's kind of like a narrative arc anchor through the
• 31:20
  Speaker 3: four movies where it's like, oh, yeah, this is kind of,
• 31:23
  Speaker 3: crypto main character status uh and then she reveals that
• 31:27
  Speaker 3: alice is dead she's just like she does it so
• 31:31
  Speaker 3: casually because she's like oh you don't seem dangerous and
• 31:36
  Speaker 3: i thought you'd be taller well you don't seem very
• 31:39
  Speaker 3: motherly as nika responds uh and then it's so disturbingly
• 31:46
  Speaker 3: blunt how she's just kind of like how is alice
• 31:50
  Speaker 3: she's dead miss pierce I feel.
• 31:53
  Speaker 2: Like very shocked.
• 31:54
  Speaker 3: Dude.
• 31:54
  Speaker 2: Does that shock you?
• 31:56
  Speaker 3: Nika's face, if you just tap once a couple of
• 31:59
  Speaker 3: frames back, like, oh, there. Nika's face is so, like,
• 32:06
  Speaker 3: the acting. Also, the writing feels a lot better in
• 32:10
  Speaker 3: this movie.
• 32:11
  Speaker 2: Yeah.
• 32:11
  Speaker 3: It's a lot better in this one than the last one.
• 32:13
  Speaker 2: Than yours?
• 32:14
  Speaker 3: Yeah.
• 32:16
  Speaker 2: You mean, like, the dialogue? Dialogue, yeah.
• 32:19
  Speaker 3: The way it's written, the structure of the movie, it
• 32:21
  Speaker 3: just feels overall written better.
• 32:23
  Speaker 2: I think it's just functioning again in, in Chucky reality, right? The,
• 32:28
  Speaker 2: like the, the last one, like is the only one
• 32:31
  Speaker 2: that kind of like deviates from like mainstream Chucky reality. Yeah.
• 32:38
  Speaker 3: Yeah, totally.
• 32:39
  Speaker 2: I don't know. I don't know. Like, because Chucky, I
• 32:43
  Speaker 2: do associate it more with like wacky adventures, Chuck, you know,
• 32:46
  Speaker 2: you know.
• 32:46
  Speaker 3: Like, yeah, totally.
• 32:48
  Speaker 2: Um, Jennifer Tilly is so good.
• 32:50
  Speaker 3: Yeah. When, when, uh, what's his name? Dr. Foley is like,
• 32:54
  Speaker 3: I wish you would have told me before Miss Valentine. Uh,
• 32:58
  Speaker 3: and she, she's like, she's like, Oh, I'm sorry. And
• 33:03
  Speaker 3: then pulls out some tissue to pretend to cry. And
• 33:07
  Speaker 3: it's like.
• 33:10
  Speaker 2: And tells Nika that, that fucking Alice died of a
• 33:15
  Speaker 2: broken heart.
• 33:16
  Speaker 3: Yeah. So bizarre.
• 33:17
  Speaker 2: Very like, heartbreak he just like wants to crush this
• 33:20
  Speaker 2: person and then she's like and then she's like and
• 33:23
  Speaker 2: she brings a chucky.
• 33:24
  Speaker 3: In yeah she brings a good guy chucky and is
• 33:27
  Speaker 3: like oh alice loved this one and it's like what
• 33:32
  Speaker 3: why wouldn't you be immediately suspicious But it's Chucky reality
• 33:39
  Speaker 3: and it's fine. And she throws it back to Dr. Foley.
• 33:43
  Speaker 3: And Dr. Foley, the thing that I love about Dr.
• 33:45
  Speaker 3: Foley is how much of a piece of shit he
• 33:47
  Speaker 3: plays it, but also is like doing the right things
• 33:52
  Speaker 3: of being like, I wish you would have told me,
• 33:54
  Speaker 3: Miss Valentine. You know what I mean? Oh, yeah, yeah, yeah.
• 33:56
  Speaker 2: Because it is, like, yeah, he does react in defense
• 34:00
  Speaker 2: of his patient.
• 34:02
  Speaker 3: Yeah, totally. And then this scene, when they're walking down
• 34:05
  Speaker 3: the hallway with the two Chuckies, I thought this was cool, dude. Like,
• 34:09
  Speaker 3: this is, like, iconic stuff. It felt better to me
• 34:14
  Speaker 3: than the last one. It's, like, it's just well-directed. There's
• 34:17
  Speaker 3: a vision to this one that I felt like was
• 34:19
  Speaker 3: missing in the last one. Interesting, dude.
• 34:22
  Speaker 2: Well, it's an interesting reaction, because, like, I watched this
• 34:26
  Speaker 2: movie twice, and the first time, I'm actually glad we
• 34:29
  Speaker 2: didn't record the episode when we were supposed to, because, like,
• 34:32
  Speaker 2: I would have been way more, like, on a hate
• 34:35
  Speaker 2: train about this movie. Really? At that time, yeah. Yeah, like,
• 34:39
  Speaker 2: because I was, like, I was almost, like, okay. This
• 34:42
  Speaker 2: is dumb and there's no good ideas. But that's what
• 34:46
  Speaker 2: I thought, like, in relation to the last movie.
• 34:50
  Speaker 3: Which I thought was dumb and had no ideas. Yeah, yeah, yeah.
• 34:53
  Speaker 2: Which, it's interesting that we had, like, the same reaction.
• 34:57
  Speaker 2: Because I've softened to this upon the second watch. I
• 35:00
  Speaker 2: was like, no, it's like a really interesting, cool, big swing.
• 35:04
  Speaker 2: And I'm like, appreciate just that alone.
• 35:07
  Speaker 3: Like, the thing is.
• 35:09
  Speaker 2: I always say that I want movies to do things
• 35:11
  Speaker 2: like this, and then when they do, I'm like....
• 35:15
  Speaker 3: Well, like, I mean, our initial reaction, I'm assuming, to
• 35:18
  Speaker 3: the first scene where mushed-head Chucky gets, like, a full, like,
• 35:24
  Speaker 3: scene with Andy is, like, such an incredible choice that
• 35:28
  Speaker 3: I wish was the whole movie.
• 35:29
  Speaker 2: Dude, like... When I saw Andy, I was like, is
• 35:32
  Speaker 2: this movie going to just be about Andy?
• 35:35
  Speaker 3: That would be amazing. It makes me want to watch
• 35:37
  Speaker 3: the show.
• 35:38
  Speaker 2: I want to watch the show. I want to do
• 35:40
  Speaker 2: the show. You want to do an episode? Yeah, I
• 35:43
  Speaker 2: want to do an episode for each season. What, actually?
• 35:47
  Speaker 3: For each season. So there's three episodes for the whole season. Okay.
• 35:53
  Speaker 2: All right.
• 35:53
  Speaker 3: I mean... Because you want to do one episode for
• 35:55
  Speaker 3: three seasons?
• 35:56
  Speaker 2: No, it's crazy.
• 35:56
  Speaker 3: It's going to be hard. That would be way too hard.
• 35:59
  Speaker 2: Yeah, I think you're right.
• 36:00
  Speaker 3: Because of all the different Chuckies. Speaking of all the
• 36:03
  Speaker 3: different Chuckies.
• 36:04
  Speaker 2: Something that I have to just say, dude, that I'm
• 36:06
  Speaker 2: sad is that we don't get Glenglenda in these movies.
• 36:09
  Speaker 3: I'm kind of just like.
• 36:11
  Speaker 2: Oh, no. Like, that's the only thing. Like, you bring
• 36:14
  Speaker 2: something like this, like, a huge, like, thing. You name
• 36:17
  Speaker 2: a movie Seed of Chuck. You make it about the child.
• 36:20
  Speaker 2: And then you don't ever have the kid show up again.
• 36:22
  Speaker 2: I know the kid is in the show.
• 36:27
  Speaker 3: I don't know that. You ruined that for me. I
• 36:30
  Speaker 3: don't know anything about the show. You don't know that? No.
• 36:32
  Speaker 2: Oh, I'm so sorry, dude.
• 36:33
  Speaker 3: No, it's okay. I assumed it was something like that.
• 36:36
  Speaker 3: It's even cooler, dude. I don't even want to tell you.
• 36:42
  Speaker 3: It was pretty hugely disappointing for me, too.
• 36:44
  Speaker 2: I have to just shout out that in every movie,
• 36:47
  Speaker 2: there's been a POV Chucky hand shot of him doing
• 36:50
  Speaker 2: a thing. Which is like, it is a visual that
• 36:54
  Speaker 2: always keeps on giving. It looks good. it gives you
• 36:58
  Speaker 2: that like Chucky perspective that you want.
• 37:01
  Speaker 3: But, but Chucky gets put into the, to Foley's office
• 37:04
  Speaker 3: where he does a little like eye turn. He's, he's
• 37:07
  Speaker 3: turned eyes and it's, it's very disorienting because you're like, wait,
• 37:11
  Speaker 3: Chucky's already mush face in, in the last one. How
• 37:15
  Speaker 3: are they going to make this work? There's three Chucky's so,
• 37:19
  Speaker 3: so far. And I'm like, ah, like, how are they
• 37:21
  Speaker 3: going to make this work?
• 37:23
  Speaker 2: Um, Can I just say that, you know, something I've
• 37:27
  Speaker 2: been sad about is that there hasn't been a Serbian
• 37:30
  Speaker 2: guy in the last movies, because like for a lot
• 37:34
  Speaker 2: of them, there was a Serbian guy.
• 37:36
  Speaker 3: It seems like there's a lot of Mexican-coded guys, because
• 37:40
  Speaker 3: the priest was in the last one, Carlos is in
• 37:43
  Speaker 3: this one.
• 37:43
  Speaker 2: Okay, but Carlos looks exactly like my friend Jexy, dude.
• 37:49
  Speaker 3: Oh my god, he does! Doesn't he look like you
• 37:51
  Speaker 3: know Jexy? Yes, he does!
• 37:53
  Speaker 2: I kept thinking, when he was getting killed, I.
• 37:58
  Speaker 3: Was like, I don't know Jexy. Yeah, he does. It
• 38:02
  Speaker 3: is a very thin guy, dark Serbian guy look. Yeah, yeah, yeah. 100%.
• 38:08
  Speaker 3: This is my favorite scene, the one coming up, where... uh.
• 38:11
  Speaker 2: Chucky's cherubic face chucky's.
• 38:15
  Speaker 3: Dude i love the face it looks like.
• 38:19
  Speaker 2: Those babies that mama has you know like those like
• 38:22
  Speaker 2: weird photorealistic yeah totally like the dolls and okay of
• 38:27
  Speaker 2: course this crazy one he's like hey i talked to
• 38:29
  Speaker 2: you on.
• 38:30
  Speaker 3: The phone hey i thought yeah where's nika Last door
• 38:35
  Speaker 3: on the right. Last house on the left, obviously.
• 38:36
  Speaker 2: He doesn't sound like that anymore. It's not quite the
• 38:41
  Speaker 2: way you're doing it. It's not quite right the way
• 38:44
  Speaker 2: you're doing it.
• 38:44
  Speaker 3: Let me see.
• 38:46
  Speaker 2: What?
• 38:47
  Speaker 3: What? I'm not going.
• 38:48
  Speaker 2: To hurt you. He's sillier, Chucky.
• 38:50
  Speaker 3: You fucking with me? You fucking with me?
• 38:53
  Speaker 2: Yeah, it's very Mark Hamill, Chucky. I'm not.
• 38:56
  Speaker 3: Tell you the truth, I'm happy to have the company.
• 38:58
  Speaker 3: Even if you aren't real. Okay. Let me explain something. Okay,
• 39:03
  Speaker 3: let me explain something to you. I am a vintage,
• 39:06
  Speaker 3: mass-marketed children's toy from the 80s. Standing right in front
• 39:13
  Speaker 3: of you. Holding a very sharp scalpel. No, you're not. Yes,
• 39:19
  Speaker 3: I am. I'm a schizophrenic. I see things. Oh, you're
• 39:25
  Speaker 3: the lady I talked to on the you're the crazy bitch.
• 39:27
  Speaker 2: On the phone is that what he says.
• 39:29
  Speaker 3: Yeah and sometimes i hear things too oh man and
• 39:33
  Speaker 3: then he's like you know what lady i'm gonna kill
• 39:36
  Speaker 3: you you're next and then he walks.
• 39:39
  Speaker 2: Away crazy, dude. It's terrifying.
• 39:42
  Speaker 3: Fucking cuckoo's nest.
• 39:44
  Speaker 2: Do you love the reference, dude?
• 39:45
  Speaker 3: Yeah, of course. It's all references now.
• 39:47
  Speaker 2: Because he was in one floor of the cuckoo's nest.
• 39:49
  Speaker 2: Of course, yeah.
• 39:51
  Speaker 3: And then, I... Loved this scene because of the fact
• 39:55
  Speaker 3: that Chucky comes into Nika's room after threatening Angela. And
• 40:00
  Speaker 3: then he sees the post of one of the wheelchair
• 40:03
  Speaker 3: posts torn off. And Nika has slid her own wrists.
• 40:08
  Speaker 3: And there's like a pool of blood. It's very Freddy, dude.
• 40:11
  Speaker 3: Very Freddy. Yeah, totally. That's what I liked about it.
• 40:14
  Speaker 3: Me too, me too. And he's sad. He's sad and
• 40:17
  Speaker 3: he's mad about it. And he fixes her for some reason.
• 40:21
  Speaker 2: He stitches her together, yeah. Because he's not so fast.
• 40:26
  Speaker 3: Yeah, and he writes it in the blood, which is great.
• 40:29
  Speaker 3: Because then.
• 40:30
  Speaker 2: He takes the wire? It's implied that it's one of
• 40:35
  Speaker 2: the wires from the wheel of the wheelchair that was
• 40:39
  Speaker 2: taken in order to be used as a knife or
• 40:42
  Speaker 2: stabbing weapon.
• 40:43
  Speaker 3: Yeah, exactly. And what he does... Well, we'll get to
• 40:48
  Speaker 3: it in the next scene. But Nika wakes up, and
• 40:51
  Speaker 3: Carlos comes in, and he's like... He's like, Milenze. Yeah, exactly.
• 40:55
  Speaker 2: Desi Milenze.
• 40:56
  Speaker 3: Desi Milenze. Desi Nika. And he.
• 41:02
  Speaker 3: Is like, oh, do you need anything? Do you need water?
• 41:05
  Speaker 3: And she's like, can I have some privacy, please? After
• 41:07
  Speaker 3: she throws the pillow onto the blood that has Chucky's
• 41:12
  Speaker 3: blood starts.
• 41:12
  Speaker 2: But somebody's going to have to wash that blood eventually.
• 41:15
  Speaker 3: Yeah, totally. It doesn't make sense. Did you write not.
• 41:17
  Speaker 2: So fast in blood on the ground? Did you get period?
• 41:21
  Speaker 2: Near where you tried to kill your... Did you sew
• 41:23
  Speaker 2: your own arm back?
• 41:24
  Speaker 3: Yeah, sew your own. And then we see that Angela
• 41:28
  Speaker 3: has been put out In the way that Nico was
• 41:33
  Speaker 3: as well. And Chucky is also written, Chucky did it
• 41:37
  Speaker 3: in her blood, which I thought, this is what I
• 41:39
  Speaker 3: mean by like writing nuances.
• 41:40
  Speaker 2: Written in as your wife did.
• 41:45
  Speaker 3: Some events lead to other events happening in ways that
• 41:49
  Speaker 3: feel satisfying in a storytelling way. Totally.
• 41:54
  Speaker 2: And also in ways that feel familiar to this series.
• 41:57
  Speaker 2: More to the series.
• 41:58
  Speaker 3: Yeah, exactly.
• 41:59
  Speaker 2: Because like so much is now part of the Chuckyverse, right?
• 42:03
  Speaker 2: And I do think that these last movies do really
• 42:07
  Speaker 2: honor all of the material for better or worse. Sometimes
• 42:10
  Speaker 2: I think it's for worse.
• 42:14
  Speaker 3: Yeah, 100%. And then we get the next scene where
• 42:18
  Speaker 3: Andy is explaining to Dr. Foley how the Chucky doll is.
• 42:26
  Speaker 2: No, no, he's watching a video of explaining to Dr.
• 42:29
  Speaker 2: Foley that Chucky's alive. He's like, just watch this.
• 42:35
  Speaker 3: Yeah, just... Well, that's very impressive. That's very impressive. It
• 42:42
  Speaker 3: was really funny.
• 42:43
  Speaker 2: He's like, I'm sure it'll be great in a movie.
• 42:47
  Speaker 2: And Chucky's like, let's watch it again. He's like, happy
• 42:53
  Speaker 2: about it, dude.
• 42:55
  Speaker 3: I love this part. That one just never gets old.
• 42:58
  Speaker 3: Keep your fucking mouth shut. Honestly, this dynamic... You think
• 43:01
  Speaker 3: it's funny?
• 43:02
  Speaker 2: Yeah. It's a real, like, what is it, like, they're
• 43:05
  Speaker 2: in half bed, it's all bed.
• 43:08
  Speaker 3: Yeah.
• 43:10
  Speaker 2: It's like Waldorf and fucking, what's his name, and Gromit, dude.
• 43:13
  Speaker 3: Yeah. Maybe you belong in the booby hatch with Nika.
• 43:21
  Speaker 3: Maybe all of this really just is in your head.
• 43:24
  Speaker 2: I love, like, how fucking crusted Chucky is.
• 43:26
  Speaker 3: Yeah, it's great.
• 43:27
  Speaker 2: It's my favorite Chucky. The original head Chucky is my
• 43:31
  Speaker 2: favorite Chucky.
• 43:31
  Speaker 3: Yeah, oh, absolutely. He's definitely meant to be the coolest
• 43:34
  Speaker 3: and best one. He's my favorite Chucky. Yeah. And also,
• 43:38
  Speaker 3: it nicely converges letting you know that this is the
• 43:42
  Speaker 3: correct timeline. Yes. You know what I mean? It all, like,
• 43:45
  Speaker 3: leads back to, oh, no, this isn't the past. This
• 43:47
  Speaker 3: isn't the future. This is all happening... Within each other.
• 43:51
  Speaker 3: And that's cool. I like that. I do, too.
• 43:54
  Speaker 2: They have a next group session, dude.
• 43:55
  Speaker 3: Oh, yeah. And the next group session is where.
• 43:58
  Speaker 2: It's an emergency session because Angela has died.
• 44:01
  Speaker 3: Of course. Yeah, dude. And... Okay.
• 44:05
  Speaker 2: So, the thing that was, like, weird to me was here.
• 44:08
  Speaker 3: Of, like.
• 44:10
  Speaker 2: It makes sense later because we get a reveal that
• 44:14
  Speaker 2: the Doctor wants to be rapey. But in real life...
• 44:19
  Speaker 2: if they suspected that a patient had something to do
• 44:24
  Speaker 2: with someone's death, I don't think they'd just leave her there.
• 44:28
  Speaker 3: Yeah, oh, absolutely.
• 44:29
  Speaker 2: And I think there is a suspicion, right?
• 44:31
  Speaker 3: Yeah, 100%.
• 44:32
  Speaker 2: They talk about it in the thing, right?
• 44:35
  Speaker 3: Yeah.
• 44:35
  Speaker 2: How did this conversation unfold?
• 44:37
  Speaker 3: Tell me. Well, Claire is, in part, Claire being like,
• 44:43
  Speaker 3: Nika did it! And we get this sort of more
• 44:47
  Speaker 3: back lore of Claire being like, I was friends with Angela!
• 44:51
  Speaker 3: I wiped her ass! And it's like, aren't the nurses
• 44:54
  Speaker 3: supposed to be doing that?
• 44:55
  Speaker 2: Well, I feel like patients probably help each other.
• 44:59
  Speaker 3: Yeah, probably. I took care of that woman for the
• 45:01
  Speaker 3: past five years. And they did do a good job
• 45:04
  Speaker 3: at setting it up in the earlier scene because they
• 45:06
  Speaker 3: were like buddy-buddy.
• 45:07
  Speaker 2: 100%.
• 45:07
  Speaker 3: But If she was thinking of killing herself, I would
• 45:13
  Speaker 3: have known. That's what she says.
• 45:14
  Speaker 2: I don't know if I like Magic Matt's fucking acting, dude.
• 45:18
  Speaker 2: I feel like it's a little Brent Spiner.
• 45:19
  Speaker 3: It's so Brent Spiner, dude.
• 45:21
  Speaker 2: And I feel like when he's like... When he's like...
• 45:23
  Speaker 2: When he's Chucky.
• 45:24
  Speaker 3: You know what it is? It's... He bothers me in
• 45:28
  Speaker 3: the same way the priest bothered me in season two
• 45:31
  Speaker 3: of Fleabag. That guy? I like that actor a lot.
• 45:37
  Speaker 3: I think he's a really good actor. It's written in
• 45:40
  Speaker 3: a way that feels like he's performing what's written and
• 45:46
  Speaker 3: having to be a little bit, I need to pretend
• 45:48
  Speaker 3: to be different people, is hard. Occam's Razor. The simplest
• 45:55
  Speaker 3: explanation is usually the right one. It's Chucky. It feels like, yeah,
• 46:00
  Speaker 3: Chucky did it.
• 46:02
  Speaker 2: Everybody thinks Chucky did it now. Well, he does. He's
• 46:05
  Speaker 2: been pilled by her. And they bring another Chucky.
• 46:10
  Speaker 3: Yeah, Madeline walks in with another Chucky, and then both
• 46:13
  Speaker 3: of the Chuckies are like, Hi, I'm Chucky. Want to play? Hi,
• 46:18
  Speaker 3: I'm Chucky. Want to play?
• 46:19
  Speaker 2: You're doing the very consistent, slightly lower voice.
• 46:23
  Speaker 3: Register.
• 46:25
  Speaker 2: Adjusted register. Yeah, I think it's really cool, dude. I think,
• 46:31
  Speaker 2: you know, She wants him to prove that Chucky's not real.
• 46:38
  Speaker 3: Before that, actually, it's that we find out... Who brought
• 46:43
  Speaker 3: that other Chucky? Miss Valentine? Tiffany Valentine? The woman who's
• 46:48
  Speaker 3: married to Charles Lee Ray? And it's like... and then
• 46:52
  Speaker 3: who's charles lee ray he was a serial killer from
• 46:55
  Speaker 3: the 80s it's like all right no one no one
• 46:58
  Speaker 3: who's watching this is coming in for the first time.
• 47:02
  Speaker 2: Like you really don't need to reintroduce um but yeah
• 47:08
  Speaker 2: foley does the right thing and he's like he fucking
• 47:12
  Speaker 2: lights the fucking chunky hand on fire and it melts
• 47:15
  Speaker 2: into and like the way they're doing a close-up face
• 47:19
  Speaker 2: of just the, like, inanimate doll, but you know that
• 47:22
  Speaker 2: it hurts.
• 47:23
  Speaker 3: Yeah.
• 47:23
  Speaker 2: I know this hurts.
• 47:25
  Speaker 3: It's very Call to John. Dude, they had a Call
• 47:27
  Speaker 3: to John in this, too, where, like, what's-his-name gets stabbed
• 47:33
  Speaker 3: in the magic mic, magic mat, triple face mat, gets
• 47:39
  Speaker 3: stabbed in the eye, and it feels very Terminator. Oh,
• 47:42
  Speaker 3: totally Terminator.
• 47:43
  Speaker 2: It feels very... He also gets screw-you-benied.
• 47:45
  Speaker 3: Yeah. Yeah. I know this hurts.
• 47:52
  Speaker 2: Oh, man. All of the, like, tense close-ups, the Chucky's
• 47:57
  Speaker 2: glassy look, dude. And the fingers. No, keep going. She
• 48:02
  Speaker 2: wants him to keep going.
• 48:03
  Speaker 3: And the fingers get long, dude. And then as he moves,
• 48:07
  Speaker 3: the fingers also get, like, warpy and gooey. And then,
• 48:12
  Speaker 3: you know, Nikos obviously makes the point. They might have switched!
• 48:17
  Speaker 3: i think that's my favorite from from seat of chuggies
• 48:29
  Speaker 3: just the doll the combination of the doll the voice and.
• 48:32
  Speaker 2: The movements it's amazing dude oh.
• 48:36
  Speaker 3: And then brent spiner is now mark zuckerberg no um.
• 48:45
  Speaker 2: What was the thing we were watching recently where it's, like,
• 48:48
  Speaker 2: a reel where someone's talking about how, like, they played
• 48:52
  Speaker 2: a certain character in, like, three different ways? Like, as
• 48:54
  Speaker 2: Marty McFly, as, like... Oh, yeah. It was something Kay
• 49:02
  Speaker 2: sent us. I'm forgetting exactly what that was.
• 49:05
  Speaker 3: It's Zach Krieger, I think, doing an interview being, like,
• 49:10
  Speaker 3: be Marty McFly or... It was like using characters as
• 49:15
  Speaker 3: a shorthand to like what kind of energy you're bringing
• 49:18
  Speaker 3: to a character, which is fascinating. but it doesn't matter
• 49:23
  Speaker 3: Madeline gets let out to say goodbye to Angela and
• 49:32
  Speaker 3: Triple Matt doesn't get to go outside because his privileges
• 49:35
  Speaker 3: were revoked.
• 49:36
  Speaker 2: Yeah but Nika decides that she's going to create a diversion.
• 49:41
  Speaker 3: Bart, stop creating a diversion and get out of here.
• 49:44
  Speaker 3: And he does get out of here in order to
• 49:47
  Speaker 3: see if the other doll was actually another Chucky. And then,
• 49:53
  Speaker 3: this is what I like too, Claire takes the doll
• 49:57
  Speaker 3: from Foley's office and goes to throw it out into
• 50:01
  Speaker 3: the garbage. And she gets bitten by And she's like, Dr. Foley,
• 50:06
  Speaker 3: it's true.
• 50:06
  Speaker 2: I love how immediately she's just like, it's true.
• 50:11
  Speaker 3: And Dr. Foley immediately being like, what did you do
• 50:13
  Speaker 3: to yourself? And the fact that mass panic events can
• 50:20
  Speaker 3: happen like this, where it's like, oh no, this thing
• 50:22
  Speaker 3: is happening.
• 50:25
  Speaker 2: Dude, I love this next scene where Nika's watching this
• 50:29
  Speaker 2: horrifying scene play out where Triple Matt is running down
• 50:33
  Speaker 2: through the snow and he's going towards Madeline and she's
• 50:37
  Speaker 2: near an open grave which.
• 50:39
  Speaker 3: Is also really weird like they're burying the people who
• 50:43
  Speaker 3: were in the like wild choices would never happen but.
• 50:48
  Speaker 2: We see that Chucky whispers something to Madeline we don't
• 50:52
  Speaker 2: see his face move she just nears her ear to
• 50:55
  Speaker 2: Chucky and then and Nika's watching all of this play
• 50:58
  Speaker 2: out in horror as Chucky then turns to her and
• 51:01
  Speaker 2: gives her the finger and like snarls his face yeah
• 51:05
  Speaker 2: And she's like, Maddie, Madeline, screaming, and Madeline can't hear her, dude.
• 51:11
  Speaker 2: And then, what happens, dude? She fucking kicks over Triple
• 51:16
  Speaker 2: Matt into the grave with Chucky.
• 51:19
  Speaker 3: Yeah. Yeah. Which I find really interesting, because do you
• 51:24
  Speaker 3: think that chucky.
• 51:27
  Speaker 2: He had the plan to boku dembla him.
• 51:29
  Speaker 3: He did boku dembla him but also there's an implication
• 51:32
  Speaker 3: that he didn't boku dembla him or that the the
• 51:36
  Speaker 3: he just absorbed another personality and they be it's he's
• 51:40
  Speaker 3: still multiple personalities oh that's interesting because in the other
• 51:44
  Speaker 3: one when when the other ones are confronting him they're
• 51:47
  Speaker 3: like you're not real and he's like wait i am
• 51:51
  Speaker 3: a chucky Because at first he doesn't like being a Chucky.
• 51:55
  Speaker 2: Well, he like stops being a Chucky. Yeah.
• 51:58
  Speaker 3: Which is cool. I think that like multiple Matt just
• 52:02
  Speaker 3: absorbed like another personality. As Claire gets taken into, uh, get, uh,
• 52:10
  Speaker 3: tied up.
• 52:11
  Speaker 2: She gets, she gets baldered.
• 52:13
  Speaker 3: It's very balder.
• 52:15
  Speaker 2: And, and then she says something like, she says a
• 52:17
  Speaker 2: really weird line, like blood fuck you or something. She
• 52:21
  Speaker 2: says like a weird, like, I think it was like improvised. Wait,
• 52:25
  Speaker 2: let's see.
• 52:25
  Speaker 3: You blood fucking morons. Yeah. You blood fucking morons.
• 52:29
  Speaker 2: Which like I thought was like a really, yeah, yeah.
• 52:33
  Speaker 3: Balder.
• 52:34
  Speaker 2: And Jexy's there too. And, oh, man, all the veins
• 52:37
  Speaker 2: popping out of her neck. And then the contrast with
• 52:40
  Speaker 2: how her face looks when she's just, like, completely calm.
• 52:44
  Speaker 3: She's a good actress, dude. She's really good.
• 52:46
  Speaker 2: Do you think she's a Winnipeg actress, dude?
• 52:49
  Speaker 3: That I don't know, actually.
• 52:50
  Speaker 2: Seems like the cast local, dude. Which I think would
• 52:54
  Speaker 2: be cool.
• 52:55
  Speaker 3: I love, in the next scene, the split-screen stuff. I
• 52:59
  Speaker 3: love all of it.
• 53:00
  Speaker 2: The Spider-Man comic book?
• 53:02
  Speaker 3: Comic book, yeah. It's just, like, It ends with a
• 53:06
  Speaker 3: kind of... The screen splits apart. I love the screen
• 53:10
  Speaker 3: splitting apart. And then it's like, from Nika's perspective, the
• 53:13
  Speaker 3: Chucky doll climbing out of the... Or getting lifted out
• 53:16
  Speaker 3: of the grave. And then the implication is that multiple
• 53:21
  Speaker 3: Matt absorbed another Chucky. Yeah. And he gets pulled out
• 53:26
  Speaker 3: of the grave and gives like an evil face.
• 53:29
  Speaker 2: Yeah. Yeah. And they do a split screen, like, from
• 53:32
  Speaker 2: the half, too, of, like, a close-up of what's happening,
• 53:35
  Speaker 2: also a further away of what's happening.
• 53:37
  Speaker 3: Yeah, totally.
• 53:38
  Speaker 2: It's really cool, interesting filmmaking.
• 53:40
  Speaker 3: Well, it's interesting because it's, like, such a bizarre choice.
• 53:44
  Speaker 3: And then Claire is, like, still stuck. And also, Foley
• 53:48
  Speaker 3: makes such a weird... he makes such a weird throwaway
• 53:53
  Speaker 3: line where he's like, she'll be able to see and
• 53:56
  Speaker 3: feel everything, but she won't be able to move.
• 54:00
  Speaker 2: That is a weird line.
• 54:01
  Speaker 3: It's a crazy line.
• 54:03
  Speaker 2: Well, they need us to know, dude.
• 54:04
  Speaker 3: Yeah, totally. We need to know that Chucky's going to
• 54:07
  Speaker 3: kill this person in a very high stress situation.
• 54:10
  Speaker 2: This actor reminds me of the actor from the 90s. Dude,
• 54:13
  Speaker 2: look at his face. Do you know that, like here especially,
• 54:17
  Speaker 2: you know that guy who was in like What was it,
• 54:19
  Speaker 2: like Deep Blue Sea or one of those movies?
• 54:22
  Speaker 3: Thomas Jane?
• 54:23
  Speaker 2: Yes.
• 54:23
  Speaker 3: Yeah, yeah, yeah. Doesn't he look like him? I know
• 54:25
  Speaker 3: what you mean. Yeah.
• 54:26
  Speaker 2: He's got Jane forehead.
• 54:28
  Speaker 3: Definitely.
• 54:29
  Speaker 2: Definitely.
• 54:30
  Speaker 3: And they do this thing where there's like snow falling
• 54:33
  Speaker 3: and it's like a big glass... Well, because it's Winnipeg, dude. Yeah.
• 54:38
  Speaker 3: A big glass window on top of where Claire is.
• 54:41
  Speaker 2: A giant CGI skylight.
• 54:43
  Speaker 3: Yes, which I liked. I liked the look of it.
• 54:45
  Speaker 3: It was weird.
• 54:46
  Speaker 2: It was weird because it was like too big for
• 54:48
  Speaker 2: this room.
• 54:49
  Speaker 3: Totally.
• 54:49
  Speaker 2: It looked really cool. It looked kind of like how the.
• 54:57
  Speaker 2: Like panels of, of windows look on the like enterprise. Yeah.
• 55:02
  Speaker 3: A hundred percent. Yeah. Yeah. Totally.
• 55:03
  Speaker 2: Uh, and then Chucky running around and her like heart
• 55:07
  Speaker 2: rate going up was like a cool, like nice little
• 55:09
  Speaker 2: tense moment. Puppet Chucky, Puppet Legs Chucky.
• 55:13
  Speaker 3: He takes the compressed air and is like... Compressed air?
• 55:17
  Speaker 3: I wonder if that means what I think it means. Seriously,
• 55:21
  Speaker 3: I don't know. And then he shoots the compressed air
• 55:26
  Speaker 3: through the glass.
• 55:27
  Speaker 2: Cherubic face, Chucky.
• 55:28
  Speaker 3: It is very cherubic face. And the glass breaks... And
• 55:33
  Speaker 3: falls in the same way that in the fourth one,
• 55:37
  Speaker 3: the glass breaks from the mirror and it slashes everybody.
• 55:41
  Speaker 3: But it cuts her head off straight up.
• 55:44
  Speaker 2: Well, because it's giant panels of glass. It is a
• 55:47
  Speaker 2: giant glass panel that breaks into thick shards. And yeah,
• 55:54
  Speaker 2: her crying as she's about to die is very tragic.
• 55:58
  Speaker 2: And Chucky kind of looking up like this.
• 56:03
  Speaker 3: Yeah.
• 56:03
  Speaker 2: Like no shoulders, Chucky. Skinny bitch with no shoulders. Um, yeah, I, uh,
• 56:11
  Speaker 2: I love, I love her. Um, justice for, uh, what's,
• 56:15
  Speaker 2: what's her name again?
• 56:16
  Speaker 3: Claire.
• 56:16
  Speaker 2: Justice for Claire. Great character. And this like head that
• 56:21
  Speaker 2: they made like looks so much like her. Yeah.
• 56:24
  Speaker 3: It's not real. That's, that's just the CGI. Like they
• 56:27
  Speaker 3: put her in like a room, like, and they, they like,
• 56:31
  Speaker 3: Copy pasted her head off. Wow.
• 56:33
  Speaker 2: Yeah, it looks great.
• 56:34
  Speaker 3: Looks great.
• 56:35
  Speaker 2: Um, I, uh, love the visual also of this like
• 56:39
  Speaker 2: squirting blood body and like the, like snow slow motion
• 56:43
  Speaker 2: falling down and then cutting back to Nika's face. through this, though,
• 56:47
  Speaker 2: as she's, like, realizing and then screaming, no?
• 56:50
  Speaker 3: Yeah. And then we cut back to Andy looking at
• 56:53
  Speaker 3: Perez Hilton website from 2017. Well, hold on.
• 56:58
  Speaker 2: We'll get to that in a second, but I just
• 57:00
  Speaker 2: want to shout out this, like, little CGI drip of
• 57:04
  Speaker 2: blood that, like, side drops when she's lying on the ground.
• 57:08
  Speaker 2: Did you notice that?
• 57:09
  Speaker 3: I did notice that, yeah.
• 57:11
  Speaker 2: Yeah, a lot of use of, like, visual, like... effects
• 57:16
  Speaker 2: in this like even just like this scene like it
• 57:19
  Speaker 2: like everything's very like treated you know like like the
• 57:23
  Speaker 2: colors the like yeah yeah but also i did clock
• 57:27
  Speaker 2: the prez hilton thing and i was like whoa dude
• 57:30
  Speaker 2: he was like you know to be in a movie
• 57:33
  Speaker 2: as like a funny bit but then like later on
• 57:37
  Speaker 2: you're like on the headlines because you did a like
• 57:39
  Speaker 2: a self-inflicted gory thing is kind of fucked dude fucked
• 57:43
  Speaker 2: parallel but uh we get another moment of this like
• 57:46
  Speaker 2: uh you know like uh fucking like mark's brother's routine
• 57:50
  Speaker 2: between uh the chucky head and uh and andy finds
• 57:56
  Speaker 2: opens a short hair chucky dude.
• 57:59
  Speaker 3: Well we get the real reveal that it's like you
• 58:01
  Speaker 3: thought i was the only one And then he's like, wait,
• 58:06
  Speaker 3: what are you doing? And Andy pulls out a short-haired Chucky.
• 58:09
  Speaker 2: He tells him about Boku Dembala. This is like modern
• 58:14
  Speaker 2: mullet Chucky, dude. He's short and spiky on top and
• 58:18
  Speaker 2: a little bit longer and poofy on the back, dude.
• 58:21
  Speaker 2: A little Mateo on the back.
• 58:22
  Speaker 3: It's very Mateo, yeah, 100%.
• 58:27
  Speaker 2: Dude, Andy's look.
• 58:29
  Speaker 3: Andy's great. Honestly, Andy, it should have been more Andy.
• 58:34
  Speaker 2: It should have been more Andy. And then we get
• 58:36
  Speaker 2: fucking Hypnosil.
• 58:39
  Speaker 3: Hypnosil, 100%.
• 58:41
  Speaker 2: He's like, listen, sometimes through hypnosis, hypnosis is in this movie.
• 58:47
  Speaker 2: We're going to do hypnosis.
• 58:48
  Speaker 3: I mean, yeah, it's treated in basically the same way as.
• 58:54
  Speaker 3: Nightmare but in nightmare the the the potato nose uh
• 59:00
  Speaker 3: bill maher guy adds so much credence to to.
• 59:04
  Speaker 2: Well because he's likable at least you know what i
• 59:06
  Speaker 2: mean so i'm.
• 59:07
  Speaker 3: Like this guy looks like a sleaze yeah and it's
• 59:10
  Speaker 3: because he seems like he's probably a really nice guy
• 59:13
  Speaker 3: i don't know.
• 59:13
  Speaker 2: About that dude hiboku devil is another chucky dude i
• 59:18
  Speaker 2: did what i i saw this on the dummies for
• 59:23
  Speaker 2: voodoo for dummies the website yeah it's website chucky um Yeah. And,
• 59:31
  Speaker 2: I don't know, he hypnotizes her.
• 59:33
  Speaker 3: Yeah, with like a glowing light, like a seizure-inducing light.
• 59:37
  Speaker 3: Now watch the pendulum. And then he pours a glass.
• 59:41
  Speaker 3: This is when I was like, oh, this is going
• 59:43
  Speaker 3: to get weird and creepy when he pours the scotch.
• 59:47
  Speaker 3: And he's like, what if I told you there were cameras,
• 59:51
  Speaker 3: hidden cameras everywhere that recorded your... It was so weird.
• 59:54
  Speaker 3: It was so weird. It was so off the wall.
• 59:56
  Speaker 2: Because like... We know that that's not true.
• 1:00:00
  Speaker 3: Yeah.
• 1:00:02
  Speaker 2: And, I don't know, is he implying that, like, wait,
• 1:00:05
  Speaker 2: is it true or is it not true?
• 1:00:07
  Speaker 3: It's not true. They never confirmed this. It felt so
• 1:00:11
  Speaker 3: out of place.
• 1:00:12
  Speaker 2: Well, because he, like, if that was true, then he
• 1:00:15
  Speaker 2: would see that there was a Chucky.
• 1:00:17
  Speaker 3: Yeah, exactly. So, it's like, but he's trying to get
• 1:00:20
  Speaker 3: her to admit that it's her and that she did it.
• 1:00:25
  Speaker 3: So we would agree that you murdered those people in
• 1:00:28
  Speaker 3: the tapes. And it's very strange.
• 1:00:32
  Speaker 2: You can see yourself doing it, can't you? He's like
• 1:00:35
  Speaker 2: trying to incept that she did it.
• 1:00:37
  Speaker 3: Totally.
• 1:00:37
  Speaker 2: In her mind.
• 1:00:38
  Speaker 3: But it ends up just being a little confusing. And
• 1:00:41
  Speaker 3: also the implication is that.
• 1:00:43
  Speaker 2: There's bubbles in this fucking thing that he's like.
• 1:00:46
  Speaker 3: Anyways. He's also... He's like, oh, I'm glad that we've
• 1:00:52
  Speaker 3: done these sessions before. It feels a little weird because
• 1:00:55
  Speaker 3: it's like... Yeah.
• 1:00:55
  Speaker 2: It's a weird....
• 1:01:01
  Speaker 3: Choice it's a weird scene i like the scene but
• 1:01:03
  Speaker 3: and i like the idea and then fucking chucky smashes
• 1:01:07
  Speaker 3: a bottle on his head and he's like and they
• 1:01:09
  Speaker 3: call me sick this guy is diabolical.
• 1:01:14
  Speaker 2: That is a funny part but you gotta say the
• 1:01:16
  Speaker 2: part where she's like she's like she's he's interrogating her
• 1:01:19
  Speaker 2: and she's telling her all these things and she's telling
• 1:01:21
  Speaker 2: him all these things and then she's like And Chucky's
• 1:01:24
  Speaker 2: right behind you right now. And then he like goes
• 1:01:27
  Speaker 2: towards her face, ignores her and goes towards her face
• 1:01:31
  Speaker 2: and like forces her to kiss him. And he's like,
• 1:01:33
  Speaker 2: I fluff these sessions that where I've been molesting you.
• 1:01:38
  Speaker 2: And she's like, and, and then she, we, we get the,
• 1:01:41
  Speaker 2: the audience gets the satisfaction of this piece of shit.
• 1:01:43
  Speaker 3: Yeah.
• 1:01:44
  Speaker 2: Head caved in in the back. And then, yeah, and
• 1:01:47
  Speaker 2: then Chucky gives the, like, he's diabolical.
• 1:01:50
  Speaker 3: What a piece of work. I'm actually a little envious.
• 1:01:52
  Speaker 2: Admires him, dude.
• 1:01:58
  Speaker 3: Oh, and then, like, he picks up the glass and
• 1:02:01
  Speaker 3: is like, you know you want to do it. And, like... And.
• 1:02:04
  Speaker 2: She says she does. She acknowledges that she does, dude.
• 1:02:08
  Speaker 3: Yeah, 100%.
• 1:02:08
  Speaker 2: But we don't, we get a cut. And then she's, like,
• 1:02:10
  Speaker 2: just pulling herself on the ground and... Um, dragging herself
• 1:02:15
  Speaker 2: through the hallways. Um, but I think this is a
• 1:02:18
  Speaker 2: dream sequence because we get like dead Alice.
• 1:02:22
  Speaker 3: Is she dead?
• 1:02:23
  Speaker 2: Is it ever confirmed that she's dead?
• 1:02:25
  Speaker 3: No. Okay. So we might get an Alice lore drop
• 1:02:29
  Speaker 3: later in the series. Oh. There's going to be another movie, dude.
• 1:02:34
  Speaker 2: Another Don Mancini one?
• 1:02:35
  Speaker 3: Yeah. After three seasons, there's going to be another movie.
• 1:02:39
  Speaker 2: Wow. Even after the remake? He's ignoring the remake?
• 1:02:43
  Speaker 3: He's ignoring the remake. Of course. Why wouldn't you? But yeah,
• 1:02:47
  Speaker 3: we get a dream sequence where... I like this stuff.
• 1:02:50
  Speaker 3: I think this stuff is cool. It's the same actress.
• 1:02:52
  Speaker 3: They got Alice. Oh, hi, Alice. We want to make babies.
• 1:02:57
  Speaker 3: um and dude and chuck they got chucky three cut
• 1:03:01
  Speaker 3: up face.
• 1:03:02
  Speaker 2: Dude the fucking the like the drawing of like the
• 1:03:06
  Speaker 2: the shadow drawing of chucky loved it it looked so
• 1:03:09
  Speaker 2: much like uh um what's it called uh what's it
• 1:03:13
  Speaker 2: called oh my god sorry give me a second hook
• 1:03:20
  Speaker 2: peter pan it looks so much like peter pan the
• 1:03:22
  Speaker 2: shadow oh yeah 100 and then like It's like a life-size,
• 1:03:27
  Speaker 2: like an adult-sized Chucky. Like, very, like, fucking strogy.
• 1:03:35
  Speaker 3: It's so strange. I totally want to steal that effect
• 1:03:39
  Speaker 3: for a video. It feels.
• 1:03:40
  Speaker 2: It looks cool.
• 1:03:41
  Speaker 3: It looks cool. It very looks like 2000s nu metal. Yeah, 100%.
• 1:03:44
  Speaker 2: And then she opens her eyes, and she kind of
• 1:03:47
  Speaker 2: looks like, in this scene, she kind of looks like
• 1:03:49
  Speaker 2: Keanu Reeves in....
• 1:03:53
  Speaker 3: She just straight up looks like her. I can't see
• 1:03:55
  Speaker 3: anybody else but her dad. Like, she looks like a
• 1:03:57
  Speaker 3: hot lady version of her dad. I mean, her dad
• 1:04:00
  Speaker 3: was hot, too, when he was young.
• 1:04:02
  Speaker 2: But, like, she opens her eyes, and her heart rate
• 1:04:07
  Speaker 2: is rising. And she's got these, like, fucking, like, things
• 1:04:11
  Speaker 2: attached to her head, and it starts snowing from above her,
• 1:04:14
  Speaker 2: but it's still the dream sequence, dude.
• 1:04:18
  Speaker 3: And then she wakes up, and... Madeline is drawing a
• 1:04:21
  Speaker 3: picture of Chucky and. She's talking about Dr. Foley being
• 1:04:29
  Speaker 3: people being rude about being late and then.
• 1:04:34
  Speaker 2: OK, I have a question.
• 1:04:35
  Speaker 3: I have a question.
• 1:04:36
  Speaker 2: Do you think that the people, the humans that played
• 1:04:42
  Speaker 2: Chucky in this movie that played versions of Chucky in
• 1:04:45
  Speaker 2: this movie? Do you think that they got instructions on
• 1:04:50
  Speaker 2: how to play Chucky from Brad Dorff? Like, did they embody, like,
• 1:04:55
  Speaker 2: a Dorff? Because I don't know, like, anything about the
• 1:04:58
  Speaker 2: production of this. Like, I don't know, like, if they, like,
• 1:05:00
  Speaker 2: made those kinds of choices. It feels like Don Mancini
• 1:05:04
  Speaker 2: does have a lot of attention to detail.
• 1:05:06
  Speaker 3: Yeah.
• 1:05:06
  Speaker 2: So I feel like he might make a choice like that.
• 1:05:10
  Speaker 2: What do you think?
• 1:05:12
  Speaker 3: Well, I wasn't impressed with.
• 1:05:15
  Speaker 2: Fiona Dorff's Chucky?
• 1:05:16
  Speaker 3: No, I loved Fiona Dura.
• 1:05:20
  Speaker 2: It's amazing that she did her dad's last.
• 1:05:23
  Speaker 3: She just really did it good. She really did a
• 1:05:26
  Speaker 3: good job. I really didn't like when Triple Matt was like,
• 1:05:32
  Speaker 3: Nika's like, so what's your name today? It's not Mark.
• 1:05:35
  Speaker 3: And he's like, it's Charles. And it's like... No, he
• 1:05:39
  Speaker 3: wouldn't say it like that. He would be more like this!
• 1:05:43
  Speaker 3: It would be more like this! Oh, man, there's this one. Man,
• 1:05:50
  Speaker 3: you've got to look up. I think you've seen it before,
• 1:05:53
  Speaker 3: but there's this one monologue that Brad Dourif delivers in
• 1:05:58
  Speaker 3: The Exorcist 3. I watched The Exorcist 3.
• 1:06:00
  Speaker 2: Yeah, I watched it.
• 1:06:03
  Speaker 3: It's just like, and the microphone is peaking in the video. Sorry,
• 1:06:08
  Speaker 3: it's going to peak in this time.
• 1:06:11
  Speaker 2: I love that scene. I recently watched that movie. It's amazing.
• 1:06:14
  Speaker 2: yeah that scene.
• 1:06:15
  Speaker 3: And the like slightly deepened voice that they did for
• 1:06:18
  Speaker 3: him it's.
• 1:06:19
  Speaker 2: Amazing oh oh my god dude the indignation this piece
• 1:06:24
  Speaker 2: of shit doctor has to go up and he's and
• 1:06:27
  Speaker 2: she's like and she's like dr foley you're okay he's
• 1:06:30
  Speaker 2: like you assaulted me.
• 1:06:32
  Speaker 3: Like, I had a hell of a headache.
• 1:06:34
  Speaker 2: He's like indignant about it, but I'm not going to
• 1:06:36
  Speaker 2: tell anyone about it because I rape you. And it's like,
• 1:06:39
  Speaker 2: that's basically what he says. He's like, I'm going to,
• 1:06:42
  Speaker 2: he threatens her with like her own knowledge of.
• 1:06:45
  Speaker 3: Him raping her. You assaulted me. And it's like, you
• 1:06:49
  Speaker 3: assaulted me. What are you talking about? And she didn't. Yeah.
• 1:06:54
  Speaker 3: She didn't do it. Yeah.
• 1:06:55
  Speaker 2: She was drugged by you.
• 1:06:57
  Speaker 3: Yeah.
• 1:06:59
  Speaker 2: Yeah, dude. It's fucked.
• 1:07:00
  Speaker 3: I'm very concerned by this setback.
• 1:07:03
  Speaker 2: It's so, like, weird, like, controlling. And in the background scene,
• 1:07:07
  Speaker 2: we get, like, what's the mom's name?
• 1:07:12
  Speaker 3: Madeline. Madeline. And then she goes to give a boobie
• 1:07:16
  Speaker 3: to Chucky. And they mention it later. The Chucky's later
• 1:07:20
  Speaker 3: are like, you got to suck a titty.
• 1:07:23
  Speaker 2: Pros, dude.
• 1:07:24
  Speaker 3: And then Andy driving to the mental asylum. And then
• 1:07:29
  Speaker 3: he gets a call. Everybody just has each other's cell phones. Hey!
• 1:07:36
  Speaker 3: Who is this? Hey!
• 1:07:40
  Speaker 2: She's so casual.
• 1:07:42
  Speaker 3: Hey, Andy. Hello, Andy. It's Tiffany. Jennifer. Even I lose track.
• 1:07:50
  Speaker 2: It's funny because, like, um... I think, like, when people are, like,
• 1:07:55
  Speaker 2: crazy liars like that, it is, like, a manipulation tactic
• 1:08:01
  Speaker 2: to be so familiar.
• 1:08:02
  Speaker 3: Yeah, totally. Totally. And the cult is growing all the time.
• 1:08:07
  Speaker 2: The single word that Chucky told her to tell Andy is, Disembowel.
• 1:08:15
  Speaker 3: Yeah. I have a message from Chucky. You said you
• 1:08:20
  Speaker 3: know what it means.
• 1:08:21
  Speaker 2: She said the word as if she's never heard the
• 1:08:23
  Speaker 2: word disemboweled.
• 1:08:24
  Speaker 3: I know, totally. But Tiffany might not have. Who knows?
• 1:08:26
  Speaker 2: It's true.
• 1:08:29
  Speaker 3: See, this kind of adding in lore throughout is much
• 1:08:34
  Speaker 3: more interesting to me than youngified Charles Lee Ray. Old man.
• 1:08:43
  Speaker 3: Very old man at that point. Kind of sagging at
• 1:08:46
  Speaker 3: the shoulders. He's not this kind of old man with
• 1:08:50
  Speaker 3: the shoulders back. Upright. Stick up his ass military guy. It's,
• 1:08:56
  Speaker 3: I used to do drugs, kids. Melted junkie.
• 1:09:02
  Speaker 2: Yeah and then oh man.
• 1:09:06
  Speaker 3: Madeline goes to put the baby away and she's gonna
• 1:09:09
  Speaker 3: do what she did to her own baby which is
• 1:09:12
  Speaker 3: kill the.
• 1:09:12
  Speaker 2: Chucky she wants to smother she wants to smother it
• 1:09:15
  Speaker 2: was such a kind of like left field decision.
• 1:09:17
  Speaker 3: No but it's cool because of the fact that it's
• 1:09:20
  Speaker 3: like she loves it so much but loves it in
• 1:09:23
  Speaker 3: the same way that she tragically killed her own kid so.
• 1:09:26
  Speaker 2: It's like is it are we meant to believe that
• 1:09:29
  Speaker 2: he bit her boobie that's why there's like a little
• 1:09:32
  Speaker 2: blood stain where the nipple is is that what happened.
• 1:09:36
  Speaker 3: Is that true? I never noticed that. Oh my god,
• 1:09:38
  Speaker 3: I think you're right. Yeah. I think that is true.
• 1:09:43
  Speaker 3: I'm your friend to the end.
• 1:09:45
  Speaker 2: I never stopped loving you. It's kind of a sad scene.
• 1:09:48
  Speaker 3: It is. Mother is your best friend.
• 1:09:52
  Speaker 2: This very Marina-looking woman. And then she starts, but Chucky
• 1:09:57
  Speaker 2: closes his clenches of fists and wants to attack her,
• 1:10:00
  Speaker 2: but then she starts smothering Chucky. And Chucky is kind
• 1:10:05
  Speaker 2: of fighting back, but she's like almost successful in, well,
• 1:10:11
  Speaker 2: I don't know if she can kill a possessed Chucky.
• 1:10:15
  Speaker 3: What have you done to your baby, Madeline? Foley says.
• 1:10:19
  Speaker 3: And then... Because they're standing there.
• 1:10:21
  Speaker 2: That was weird.
• 1:10:22
  Speaker 3: It was so weird.
• 1:10:23
  Speaker 2: Were they cut to them standing there? And then.
• 1:10:25
  Speaker 3: But I loved the fact... Dude, something that I realized
• 1:10:29
  Speaker 3: I really love in People Are Crazy movies is moments
• 1:10:35
  Speaker 3: of lucidity that happens to crazy people in our lives, too,
• 1:10:40
  Speaker 3: where there's these genuine moments of lucidity and you're like...
• 1:10:46
  Speaker 3: Where you're like, no, what about that? Please stay that.
• 1:10:49
  Speaker 3: You know what I mean? Well, reality is like a
• 1:10:55
  Speaker 3: broken clock, dude. It's true.
• 1:10:57
  Speaker 2: Sometimes.
• 1:10:58
  Speaker 3: But sometimes with people that are in my life, I
• 1:11:02
  Speaker 3: yearn for that. And I'm like, just stay there. You
• 1:11:05
  Speaker 3: can stay there. You have the power, you know?
• 1:11:07
  Speaker 2: No, but they wouldn't be them, dude.
• 1:11:10
  Speaker 3: Maybe that's... Maybe then you're right. It is a doll.
• 1:11:14
  Speaker 2: They wouldn't be them. Nika's side face, dude. Nika's side
• 1:11:22
  Speaker 2: rolling in. She's very, like, I do feel like I
• 1:11:28
  Speaker 2: was really glad to see her as Chucky later because
• 1:11:30
  Speaker 2: I do feel like for the most of the movie,
• 1:11:33
  Speaker 2: she's a little one note.
• 1:11:34
  Speaker 3: Madeline? Yeah. No, Nika. Oh, Nika. Yeah, she is a
• 1:11:37
  Speaker 3: little bit one note. She does a good job at
• 1:11:43
  Speaker 3: she does a good job at at landing.
• 1:11:47
  Speaker 2: Really?
• 1:11:47
  Speaker 3: You think she's one? No, I don't know. I think,
• 1:11:49
  Speaker 3: I think she does a good job at the pivot,
• 1:11:51
  Speaker 3: you know, where she becomes a Chucky. Everybody's Chucky.
• 1:11:55
  Speaker 2: Yeah.
• 1:11:56
  Speaker 3: And then, but what's also kind of nefarious about Foley
• 1:12:00
  Speaker 3: is that he's like, you should apologize to the Chucky.
• 1:12:03
  Speaker 3: And it's like, you had the, she had the moment
• 1:12:06
  Speaker 3: of lucidity and you're like encouraging her to be in
• 1:12:09
  Speaker 3: a delusional moment.
• 1:12:11
  Speaker 2: That was, yeah, I know. And triple Matt as Chucky
• 1:12:16
  Speaker 2: is just kind of casually standing in the background. But
• 1:12:18
  Speaker 2: I do find that interesting now that you brought up
• 1:12:20
  Speaker 2: that like Matt might've been like weirdly faking being Chucky.
• 1:12:24
  Speaker 3: Yeah. Yeah.
• 1:12:25
  Speaker 2: As like a defense mechanism for being scared to be
• 1:12:28
  Speaker 2: in that.
• 1:12:29
  Speaker 3: Situation, maybe. Yeah, totally.
• 1:12:31
  Speaker 2: Like break with reality, Matt, kind of thing. I don't know.
• 1:12:35
  Speaker 2: It's interesting because I didn't really think about it that way.
• 1:12:39
  Speaker 3: Yeah. And then her, Madeline, being like, oh, you just
• 1:12:43
  Speaker 3: wouldn't stop crying and crying. She was piercing her skull.
• 1:12:47
  Speaker 3: And the sound was like a sharp piece of glass
• 1:12:50
  Speaker 3: drilling into my head. It's like, oh, dude, that's brutal.
• 1:12:52
  Speaker 2: And then they have a funeral for a mini funeral
• 1:12:54
  Speaker 2: for Chucky. yeah um and she saves the little shoe
• 1:12:58
  Speaker 2: but it's a um it's a like a choking hazard
• 1:13:03
  Speaker 2: or whatever it's like a suicide watch yeah because like
• 1:13:08
  Speaker 2: i'm like you put her on you put her deliberately
• 1:13:10
  Speaker 2: in this like highly emotional state only to put her
• 1:13:14
  Speaker 2: on suicide watch later like And then.
• 1:13:17
  Speaker 3: When they're burying the... I don't know if you noticed this.
• 1:13:20
  Speaker 3: When they're burying the doll, they put a cross, but
• 1:13:23
  Speaker 3: there's already a tombstone. And I was like, I guess
• 1:13:27
  Speaker 3: this is for the Chucky doll?
• 1:13:30
  Speaker 2: I love that Jexy's watching this all go down with Nika.
• 1:13:37
  Speaker 2: And then later on, dude....
• 1:13:40
  Speaker 3: Andy finally gets the insane asylum.
• 1:13:44
  Speaker 2: And this, like, fucking dink cop is, like, visiting hours.
• 1:13:47
  Speaker 3: Are Monday to Friday, 10 to 4. This is very
• 1:13:53
  Speaker 3: also Terminator. Yeah. Because he punches him. He doesn't shoot
• 1:13:56
  Speaker 3: him in the legs.
• 1:13:57
  Speaker 2: But shooting Andy from, like, up above, you can just see, like,
• 1:14:01
  Speaker 2: he's such a, he's, like, such a small guy.
• 1:14:04
  Speaker 3: Yeah.
• 1:14:06
  Speaker 2: Like, I was just, like, it was shocking to see
• 1:14:10
  Speaker 2: him next to this cop.
• 1:14:11
  Speaker 3: Yeah.
• 1:14:11
  Speaker 2: Because he just, like, walks up to her.
• 1:14:13
  Speaker 3: Well, he's also just so normal. He's so normal. It
• 1:14:15
  Speaker 3: just seems like they brought him in and they were like, so, like,
• 1:14:18
  Speaker 3: what kind of, do you have any options for clothes?
• 1:14:20
  Speaker 3: It's like, oh, this is, I thought this was a
• 1:14:23
  Speaker 3: Chucky product. Oh, it is. We just don't have the budget.
• 1:14:25
  Speaker 2: We don't have, and also, we can't dress you.
• 1:14:29
  Speaker 3: I mean, he looks so normal. He looks normal. It's so, like,
• 1:14:32
  Speaker 3: he looks like a normal guy. And then he- He
• 1:14:34
  Speaker 3: kind of, it.
• 1:14:35
  Speaker 2: Gives, it's giving, like, buzz in Blue Ruin.
• 1:14:38
  Speaker 3: 100% buzz in Blue Ruin. Yeah. except not creepy.
• 1:14:42
  Speaker 2: But he shows up, though, because that moment where he
• 1:14:45
  Speaker 2: punches him, and then later when he's making the dead-eyed
• 1:14:49
  Speaker 2: face as he's being closed in, he's making choices. He's
• 1:14:52
  Speaker 2: definitely making choices. He's a really good actor. I'm very
• 1:14:57
  Speaker 2: impressed with his acting.
• 1:14:58
  Speaker 3: Yeah, totally. And Nika's in a room, it's all dark,
• 1:15:01
  Speaker 3: she's waiting for shit to happen, and another Chucky comes
• 1:15:07
  Speaker 3: out of the... Out of the ground. Yeah, it's disheveled hair.
• 1:15:16
  Speaker 2: Mud Chucky. Mud Chucky, yeah. Zombie Chucky.
• 1:15:20
  Speaker 3: And Nika gets stabbed with more of the truth serum
• 1:15:26
  Speaker 3: or whatever. And Cherub Chucky is like, nighty-night! And another
• 1:15:33
  Speaker 3: mysterious package with a short-haired Chucky comes in. to Dr.
• 1:15:38
  Speaker 3: Foley's office, and he's like, why am I getting so
• 1:15:42
  Speaker 3: many Chucky's? And what happened to his hair?
• 1:15:45
  Speaker 2: We're to believe that this Chucky was sent as a
• 1:15:52
  Speaker 2: sleeper cell Chucky because Andy knew that he would be
• 1:15:57
  Speaker 2: Boku Chuckied and that he would be the one to
• 1:16:00
  Speaker 2: choose to go to kill Andy and that Andy would
• 1:16:03
  Speaker 2: then be able to grab a gun from him.
• 1:16:05
  Speaker 3: Yes, yes. Pull his gun from his guts. I mean, interesting.
• 1:16:12
  Speaker 2: Interesting move.
• 1:16:13
  Speaker 3: It is an interesting move. Poku Dembola, dude. What do
• 1:16:21
  Speaker 3: you think of Short Hair Chucky, dude? I like Short
• 1:16:25
  Speaker 3: Hair Chucky. Me too. It's a very strange choice. It's
• 1:16:27
  Speaker 3: the first year of going from Turkey.
• 1:16:30
  Speaker 2: Yes, yes.
• 1:16:31
  Speaker 3: It's where the hair is still falling out. It's falling in, yeah.
• 1:16:34
  Speaker 3: And I liked this scene where.
• 1:16:36
  Speaker 2: But the scalp isn't sloshing around liquid anymore.
• 1:16:39
  Speaker 3: Yeah, that's true. Oh, my God, dude. I really like
• 1:16:43
  Speaker 3: the scene where Madeline gets the shoe taken away because
• 1:16:47
  Speaker 3: of the laces. And then Chucky is in the room.
• 1:16:49
  Speaker 3: The laces were in. They were in. And Chucky comes
• 1:16:55
  Speaker 3: in and he's like, a mother's love never dies. Not
• 1:17:02
  Speaker 3: even when she kills it. Um, and then he, he
• 1:17:06
  Speaker 3: goes to hug her and it's kind of like a
• 1:17:08
  Speaker 3: weird sweet moment. Okay.
• 1:17:09
  Speaker 2: Okay.
• 1:17:10
  Speaker 3: Okay.
• 1:17:10
  Speaker 2: So yeah, because, because dude, we get a weird like
• 1:17:14
  Speaker 2: side lore drop that she has made a deal with
• 1:17:20
  Speaker 2: him to, for him to kill her so that he can,
• 1:17:25
  Speaker 2: so that she can die without suicide.
• 1:17:29
  Speaker 3: Yeah. So that she can go to heaven to see her.
• 1:17:32
  Speaker 3: It continues the lore of the previous movie of the
• 1:17:36
  Speaker 3: Catholic guilt. Not just the previous stuff, but the fact
• 1:17:40
  Speaker 3: that they mention that. They do a payoff for that
• 1:17:42
  Speaker 3: throughout the movie. Where it's like, I can't kill myself
• 1:17:44
  Speaker 3: because that's against my religion. And I can't do that
• 1:17:48
  Speaker 3: because I won't go to heaven to see my kid.
• 1:17:51
  Speaker 2: Interesting inclusion.
• 1:17:52
  Speaker 3: Yeah. And also when he says to her.
• 1:17:59
  Speaker 3: Will it hurt and he goes i'll do my best
• 1:18:03
  Speaker 3: it's like weird sinister psycho chucky which i love and.
• 1:18:08
  Speaker 2: Then he like slowly fingers her mouth.
• 1:18:11
  Speaker 3: Oh man the fingering the mouth.
• 1:18:13
  Speaker 2: It's amazing and like her like looking into his.
• 1:18:17
  Speaker 3: Eyes and kind of kissing the hand yeah and then.
• 1:18:20
  Speaker 2: He like fists her head and and rips out like
• 1:18:25
  Speaker 2: his own arm he written oh he rips out like
• 1:18:28
  Speaker 2: a plate from the back of her like i don't
• 1:18:30
  Speaker 2: know if it's like a piece of her like esophagus
• 1:18:32
  Speaker 2: it's like a like it looks like a sugar coating
• 1:18:36
  Speaker 2: yeah um and for some reason.
• 1:18:40
  Speaker 3: He like punches in the back of her head.
• 1:18:43
  Speaker 2: For some reason the sexy nurse gets a feeling that
• 1:18:46
  Speaker 2: she gets an intuition that uh a chucky killing is
• 1:18:50
  Speaker 2: happening and this mouth is being fisted and he goes
• 1:18:52
  Speaker 2: and like fully fits the the throat and the nurse
• 1:19:01
  Speaker 2: starts running it's intercut she starts running and he pulls
• 1:19:03
  Speaker 2: out the plate um it's so gross this plate um
• 1:19:10
  Speaker 2: and he like closes his eyes and closes his fists
• 1:19:13
  Speaker 2: and then he has his arm ripped out but he's
• 1:19:17
  Speaker 2: not turning into goo body.
• 1:19:21
  Speaker 3: Anymore yeah for some reason one one that one chucky
• 1:19:25
  Speaker 3: does turn into a goo body doll where he and
• 1:19:28
  Speaker 3: he pulls the gun out of it.
• 1:19:29
  Speaker 2: Is there a yeah he does he does but his
• 1:19:32
  Speaker 2: head turns into cake.
• 1:19:33
  Speaker 3: Dude That's true. Yeah, it is very cake.
• 1:19:36
  Speaker 2: No, I think it was cake. I think it was
• 1:19:37
  Speaker 2: actually cake.
• 1:19:38
  Speaker 3: Oh yeah, you think it was actually cake? Yeah, look
• 1:19:40
  Speaker 3: at it. Well, let's get to it. But multiple Matt...
• 1:19:44
  Speaker 3: He leaves the hand. Yeah, for some reason is just
• 1:19:48
  Speaker 3: out and about at night, just hanging out. And he's like, Dr. Foley.
• 1:19:54
  Speaker 2: And he's, like, giving lip to the fucking, like, staff. There's, like,
• 1:19:58
  Speaker 2: an all-staff meeting of, like, the three people that work there.
• 1:20:01
  Speaker 3: You mean the three people that work there?
• 1:20:02
  Speaker 2: And she quits, so there's two people that work there now.
• 1:20:06
  Speaker 2: It very much feels like the part in Part 3,
• 1:20:10
  Speaker 2: Child's Play 3, where, like, it feels like the kids
• 1:20:13
  Speaker 2: are running the fucking, like, military. And Jexy gets left
• 1:20:19
  Speaker 2: with this Chucky, with this, like, with the disheveled Chucky.
• 1:20:26
  Speaker 3: I mean, how much am I, like, looking at a
• 1:20:28
  Speaker 3: movie like this being like, what do I need to
• 1:20:30
  Speaker 3: suspend my disbelief? You know what I mean? It's just,
• 1:20:33
  Speaker 3: it feels like, you know, yeah, whatever. Let's just go
• 1:20:40
  Speaker 3: for it. And it's like this white brooms, like, what
• 1:20:43
  Speaker 3: is this building?
• 1:20:44
  Speaker 2: Yeah. Well, yeah. Jexy throws the Chucky away as Dr.
• 1:20:49
  Speaker 2: Foley walks into the office, discovering that Nika's in there.
• 1:20:52
  Speaker 3: And he's like, Nika.
• 1:20:54
  Speaker 2: What are you doing? How did you get in here?
• 1:20:56
  Speaker 3: And he's like, how did you guess? She goes, take
• 1:20:58
  Speaker 3: a fucking, how did you guess?
• 1:21:00
  Speaker 2: Yeah.
• 1:21:03
  Speaker 3: And there's the Chucky doll. Yeah, she's so over it.
• 1:21:06
  Speaker 2: It was Chucky. I like that it was Chucky has
• 1:21:11
  Speaker 2: become such a thing.
• 1:21:12
  Speaker 3: Yeah.
• 1:21:13
  Speaker 2: Like throughout the movies, it kind of becomes this weird mantra.
• 1:21:16
  Speaker 2: And that's why it is cult of Chucky dudes. Totally.
• 1:21:19
  Speaker 2: It was Chucky. And then so many Chucky's. And sleeper
• 1:21:24
  Speaker 2: cell junkie and people, everybody's junkie. Yeah, it's great.
• 1:21:29
  Speaker 3: And also the holding of, for Dr. Foley, holding this
• 1:21:34
  Speaker 3: vibe of like reality for himself too, where he's like, I'm.
• 1:21:39
  Speaker 2: Keeping the smugness, dude. He's got the big Bill Maher smarm.
• 1:21:42
  Speaker 3: Yeah. And it's like, either way, I'm going to get
• 1:21:45
  Speaker 3: a hell of a book out of this. And it's
• 1:21:49
  Speaker 3: like this level of.
• 1:21:51
  Speaker 2: She emulated herself so it looked like Chucky would do it. What?
• 1:21:54
  Speaker 3: Yeah, it makes no sense.
• 1:21:56
  Speaker 2: Why would she do that? He's like, either way, it's
• 1:21:57
  Speaker 2: going to make a hell of a book.
• 1:21:58
  Speaker 3: But the interesting part about it is knowing that this
• 1:22:02
  Speaker 3: person is somewhat delusional as well. There's this understanding that
• 1:22:06
  Speaker 3: weird shit is happening.
• 1:22:08
  Speaker 2: And he's not accepting it.
• 1:22:08
  Speaker 3: And he's not accepting it. And he's like, you're going
• 1:22:11
  Speaker 3: to go back to Lockmar tomorrow. Yeah.
• 1:22:14
  Speaker 2: The high security prison that she's just been sent from.
• 1:22:17
  Speaker 2: And he's like, and it's too bad because I could
• 1:22:19
  Speaker 2: have worked with you more one-on-one here. He's like sad
• 1:22:21
  Speaker 2: that she ruined his plan to rape her. Yeah. It's
• 1:22:24
  Speaker 2: really sinister.
• 1:22:25
  Speaker 3: And then he. takes red shoes out. This felt like weird.
• 1:22:29
  Speaker 3: He takes it like wedge pumps, dude. These red wedge
• 1:22:32
  Speaker 3: pumps and like kisses her feet, which is like, well,
• 1:22:35
  Speaker 3: he's got.
• 1:22:35
  Speaker 2: A foot fetish and they want to make it that
• 1:22:37
  Speaker 2: fetish people are evil, dude. Yeah. Um, but he takes
• 1:22:41
  Speaker 2: out her feet and like kisses her toe.
• 1:22:45
  Speaker 3: Yeah.
• 1:22:45
  Speaker 2: It puts on the shoe, dude. And yeah, just like, well,
• 1:22:48
  Speaker 2: I think it is. I think what it is, dude,
• 1:22:50
  Speaker 2: I think the reason they included this is like the
• 1:22:53
  Speaker 2: idea of like, controlling someone's feet who can't control their
• 1:22:57
  Speaker 2: own yeah like a power exchange of like he's more
• 1:23:01
  Speaker 2: like power lording of power over somebody um and yeah
• 1:23:06
  Speaker 2: and then like putting her in heels when she can't
• 1:23:09
  Speaker 2: walk is also like this like kind of like i
• 1:23:11
  Speaker 2: don't know like it's supposed to say something but then like.
• 1:23:14
  Speaker 3: And then she she spits in his face and then
• 1:23:16
  Speaker 3: chucky hits him over the head and he's like i
• 1:23:18
  Speaker 3: just can't can't with this guy i don't know whether
• 1:23:22
  Speaker 3: to kill him or take notes You know what it is?
• 1:23:28
  Speaker 3: You know what the voice thing is? It's like you
• 1:23:30
  Speaker 3: get to a point where you get really old and
• 1:23:33
  Speaker 3: it gets back into a different register again. Yeah, yeah, yeah.
• 1:23:38
  Speaker 2: He has to access the Chucky point differently.
• 1:23:40
  Speaker 3: Yeah, exactly. Which is cool.
• 1:23:42
  Speaker 2: I mean, it's nice that he was able to make
• 1:23:44
  Speaker 2: it evolve. I never felt like Chucky didn't have personality.
• 1:23:51
  Speaker 2: I like the changing voice. We are seeing Chucky through time. Yeah. So, like,
• 1:23:57
  Speaker 2: you know, he might change, you know, like.
• 1:24:01
  Speaker 3: Yeah, totally. And then we get the reveal of all
• 1:24:04
  Speaker 3: of the Chuckies. He, like, spins her around being like...
• 1:24:07
  Speaker 3: We get.
• 1:24:07
  Speaker 2: Long fingers Chucky. We get short hair Chucky.
• 1:24:11
  Speaker 3: We get behooves Chucky.
• 1:24:14
  Speaker 2: We do.
• 1:24:14
  Speaker 3: We get... I can't believe they cancelled the show Hannibal Chucky.
• 1:24:17
  Speaker 3: He's been watching Hannibal, dude. A very contemporary reference at
• 1:24:21
  Speaker 3: that point.
• 1:24:22
  Speaker 2: Well, so do you think that the mechanics of this
• 1:24:24
  Speaker 2: Chucky magic, that they all... continue to share the same experiences?
• 1:24:29
  Speaker 2: Or when they're individual Chucky, are they now having their
• 1:24:33
  Speaker 2: own new, unique experiences, but they have the same root?
• 1:24:37
  Speaker 3: I think it's like hive mind stuff.
• 1:24:38
  Speaker 2: It's hive mind Chucky?
• 1:24:39
  Speaker 3: Yeah. I think it's very, I think it is hive
• 1:24:43
  Speaker 3: mind stuff. So they, they, they Boku Dambola, uh, the,
• 1:24:48
  Speaker 3: the short haired Chucky who goes obviously to kill Andy.
• 1:24:52
  Speaker 2: I like how he immediately makes an evil face as
• 1:24:55
  Speaker 2: soon as he comes to life. They're very, they are
• 1:24:58
  Speaker 2: very cute, dude. The cherubic Chucky's, especially when there was
• 1:25:00
  Speaker 2: three of them together. It also kind of makes it better.
• 1:25:05
  Speaker 2: It's kind of like a, an answer to the like manufacturedness.
• 1:25:09
  Speaker 2: Like if, if we got Michael power's face, Chucky, it
• 1:25:13
  Speaker 2: would be too much personality. Chucky, you know, this makes
• 1:25:17
  Speaker 2: more sense that there's more of them.
• 1:25:18
  Speaker 3: Yeah. Totally.
• 1:25:19
  Speaker 2: It's like cute, small vase.
• 1:25:22
  Speaker 3: I like the cute, small face. And they go, And
• 1:25:28
  Speaker 3: then fucking Jexi walks in and they all kill him.
• 1:25:32
  Speaker 2: They like fucking gross bubble balloon guts disembowel him.
• 1:25:39
  Speaker 3: 100%. And there's a lot of stabbing. It looks brutal. Yeah,
• 1:25:42
  Speaker 3: the like cutting open his stomach and the like steam
• 1:25:46
  Speaker 3: coming out. It was like, oh my God. The steampunk, dude.
• 1:25:50
  Speaker 3: And I love that all of them are like cherubic
• 1:25:53
  Speaker 3: face happy. Did you see the steam coming out?
• 1:25:56
  Speaker 2: They were, like, excited about it, yeah.
• 1:26:00
  Speaker 3: Yeah, them being, like, children and friends.
• 1:26:04
  Speaker 2: I love them being friends.
• 1:26:06
  Speaker 3: I want to kill Auntie. I earned it. You got to.
• 1:26:09
  Speaker 2: Suck a titty today. When he dies here, I'm like, oh, no, Jax.
• 1:26:12
  Speaker 2: He looks so much like him.
• 1:26:14
  Speaker 3: Yeah.
• 1:26:16
  Speaker 2: And he's like, no, that's it.
• 1:26:21
  Speaker 3: And then we get a little scene outside where the
• 1:26:24
  Speaker 3: the cop who got punched.
• 1:26:26
  Speaker 2: Did we talk about the like negotiation between the chuggies
• 1:26:30
  Speaker 2: of who's gonna get to like who's gonna get to
• 1:26:32
  Speaker 2: go kill andy.
• 1:26:34
  Speaker 3: Well he the the one that comes to life earns
• 1:26:37
  Speaker 3: it because he was the one who I think slit.
• 1:26:42
  Speaker 2: Well, no, cause they cut his hair.
• 1:26:43
  Speaker 3: Oh yeah.
• 1:26:44
  Speaker 2: They're like, Oh, well look at him. He's fucked up.
• 1:26:46
  Speaker 3: Yeah.
• 1:26:46
  Speaker 2: Yeah.
• 1:26:47
  Speaker 3: That's true.
• 1:26:47
  Speaker 2: His hair's all fucked up. Chucky likes his long hair, dude.
• 1:26:51
  Speaker 2: He doesn't want to have a short modern mullet.
• 1:26:53
  Speaker 3: Yeah, it's true.
• 1:26:56
  Speaker 2: And then the like long fingers, Chucky wants to take
• 1:27:00
  Speaker 2: care of Nico because she's the one that burned his fingers, dude. Yeah.
• 1:27:05
  Speaker 3: The cop goes outside to, uh, see a giant red car,
• 1:27:10
  Speaker 3: and he sees Tiffany, the doll, in the back. And
• 1:27:13
  Speaker 3: then Tiffany, the Jennifer Tilly, slices his throat.
• 1:27:17
  Speaker 2: Yeah, she's like the real slasher, dude.
• 1:27:21
  Speaker 3: Yeah, totally.
• 1:27:22
  Speaker 2: She likes, like, just the simple sliced throat. Like, she's
• 1:27:25
  Speaker 2: done it a bunch of times now.
• 1:27:27
  Speaker 3: Yeah, 100%. If I wanted you dead, you'd be tits
• 1:27:35
  Speaker 3: up right now. So, we get... I was never going
• 1:27:39
  Speaker 3: to kill you, Nika Chucky, which is very strange because
• 1:27:43
  Speaker 3: in the last one he was definitely going to kill her.
• 1:27:46
  Speaker 3: But whatever. It wouldn't be a Chucky movie if it
• 1:27:50
  Speaker 3: didn't change the lore slightly to benefit the new Chucky movie.
• 1:27:54
  Speaker 2: Yeah, yeah, totally. I mean, that's like a running thing. Dude,
• 1:27:59
  Speaker 2: I have to shout out Jennifer Tilly's insane unhinged performance
• 1:28:04
  Speaker 2: in this scene where she's fucking licking the blood and
• 1:28:06
  Speaker 2: she does a kind of like, sloppy face she's not
• 1:28:10
  Speaker 2: afraid to be silly dude oh yeah but also her
• 1:28:16
  Speaker 2: the like the way in which she's like silly is
• 1:28:20
  Speaker 2: very unhinged in a way that like does kind of
• 1:28:23
  Speaker 2: anchor a serious murder reality in this yeah i don't
• 1:28:28
  Speaker 2: think the other chucky kills do as much.
• 1:28:31
  Speaker 3: Yeah that's fair uh and i like the idea of
• 1:28:36
  Speaker 3: long because long fingers chucky is explaining how there are
• 1:28:38
  Speaker 3: worse things than death which that i like because it's
• 1:28:41
  Speaker 3: like oh yeah he's been through quite a bit in
• 1:28:44
  Speaker 3: a way that's like uh would have a lot of
• 1:28:47
  Speaker 3: experiences in the nether worlds and stuff like that and
• 1:28:51
  Speaker 3: coming back to life and dying and that must be
• 1:28:54
  Speaker 3: fucking weird but Ade, Boku, Dembella. Boku, dude. Yeah, to Boku, dude.
• 1:29:02
  Speaker 3: To Boku.
• 1:29:03
  Speaker 2: Give me all the power, I beg of you, dude.
• 1:29:05
  Speaker 3: Yeah.
• 1:29:06
  Speaker 2: Give me all the power. Because this time he's going
• 1:29:08
  Speaker 2: to be Nika, dude. What do you think of Nika
• 1:29:13
  Speaker 2: turning into Chucky, dude?
• 1:29:14
  Speaker 3: Love it. I loved it. Her getting to stand again,
• 1:29:17
  Speaker 3: and her being.
• 1:29:20
  Speaker 3: Getting stabbed by Chucky, and then in the womb, losing
• 1:29:25
  Speaker 3: the ability of her legs, only to get invaded by him,
• 1:29:29
  Speaker 3: and then become a Chucky.
• 1:29:30
  Speaker 2: And then be able to walk again, yeah. Man, it's
• 1:29:35
  Speaker 2: so bizarre.
• 1:29:36
  Speaker 3: It's very bizarre. Also, like... The idea of the daughter
• 1:29:44
  Speaker 3: of the person, the actor playing the voice, there's something
• 1:29:50
  Speaker 3: very meta about it. Yeah, it's like, I would be
• 1:29:53
  Speaker 3: so weirded out seeing my daughter in a sex scene.
• 1:29:57
  Speaker 3: in a movie.
• 1:29:58
  Speaker 2: Oh yeah.
• 1:30:00
  Speaker 3: And then like to make out with Jennifer, Jennifer Tilly is, is,
• 1:30:05
  Speaker 3: is great, but it's like, that's weird too, but mostly
• 1:30:08
  Speaker 3: like the kind of thing of like, um, kind of
• 1:30:12
  Speaker 3: in inheriting this role from your dad too, is very strange.
• 1:30:17
  Speaker 3: It's very cool.
• 1:30:19
  Speaker 2: And she stands up, um, or Chucky stands up and
• 1:30:23
  Speaker 2: is able to like walk and she's like, hi, a duck.
• 1:30:26
  Speaker 3: Yeah. And then grabs her own titties and being like,
• 1:30:29
  Speaker 3: it's great to be able to possess other people. And,
• 1:30:34
  Speaker 3: but then he like kind of gets revenge, uh, on, on, on, uh,
• 1:30:40
  Speaker 3: Foley by being like, this is for Nika. And then
• 1:30:43
  Speaker 3: smashes his head. That's very satisfying.
• 1:30:46
  Speaker 2: That was like a very, like literally like so much dude,
• 1:30:48
  Speaker 2: like just like his head is like, just like pure
• 1:30:50
  Speaker 2: fucking mush. It looks like if they were trying to
• 1:30:57
  Speaker 2: fix him in the pit, if she was later on
• 1:31:01
  Speaker 2: on the shift, doing the night shift at the pit,
• 1:31:03
  Speaker 2: she would pull his face meat up.
• 1:31:06
  Speaker 3: Yeah, 100%. That's exactly what it is. But this movie, unfortunately,
• 1:31:12
  Speaker 3: has a similar problem as the last movie, which is like...
• 1:31:15
  Speaker 3: there's like 10 more minutes left and you're like, how
• 1:31:17
  Speaker 3: are you going to solve this? There's like a whole
• 1:31:19
  Speaker 3: other plot in this movie. Yeah. I don't know.
• 1:31:23
  Speaker 2: Like deciding where to end the story is maybe a
• 1:31:27
  Speaker 2: weird thing that I don't know. Like, I don't know.
• 1:31:30
  Speaker 2: He like, we get the reveal that triple Matt has
• 1:31:34
  Speaker 2: drilled the nurse and she's dead. And now like, he's like,
• 1:31:38
  Speaker 2: I killed her. And he's like, I'm Charles in your dreams, asshole.
• 1:31:44
  Speaker 2: She's like, yeah, she's like, she reveals here that he
• 1:31:47
  Speaker 2: was never Charles Lee Ray. Yeah.
• 1:31:53
  Speaker 3: Nobody calls me that. My friends call me Chucky.
• 1:31:55
  Speaker 2: And then he realizes that he's not Chucky.
• 1:32:01
  Speaker 3: And he's like, you're a fucking poser, which is hilarious.
• 1:32:04
  Speaker 2: Sick.
• 1:32:06
  Speaker 3: Oh man.
• 1:32:07
  Speaker 2: And not in the fun way like me. Chucky understands
• 1:32:11
  Speaker 2: the differences in types of crazy.
• 1:32:12
  Speaker 3: I'm just Malcolm. I'm multiple Malcolm.
• 1:32:17
  Speaker 2: Multiple Matthew.
• 1:32:20
  Speaker 3: But he says, I can still hear Chucky in my head,
• 1:32:23
  Speaker 3: which is really interesting.
• 1:32:24
  Speaker 2: Do you think he was slightly Boku Dembolad, but Chucky
• 1:32:26
  Speaker 2: wasn't able to break through because of the multiple personalities?
• 1:32:30
  Speaker 2: He's better able to compartmentalize.
• 1:32:32
  Speaker 3: I think so.
• 1:32:33
  Speaker 2: Does the Chucky possession work as like a, Is he
• 1:32:37
  Speaker 2: possessing your personality? Is he taking over your body? What
• 1:32:41
  Speaker 2: is it? Is that a Ratatouille situation?
• 1:32:45
  Speaker 3: It feels like Nika is eventually going to come back
• 1:32:47
  Speaker 3: and they're going to be like, she's broken free from
• 1:32:50
  Speaker 3: his spell or whatever.
• 1:32:52
  Speaker 2: That would be interesting if she was just Chucky now.
• 1:32:55
  Speaker 3: Yeah, it could be.
• 1:32:57
  Speaker 2: Because she gives very much like a, eventually starts giving
• 1:33:01
  Speaker 2: like a very much like a kind of like a
• 1:33:02
  Speaker 2: Joker performance.
• 1:33:04
  Speaker 3: Yeah, totally.
• 1:33:05
  Speaker 2: And, like, mixture of Jokers. Like, very, like, camp Joker.
• 1:33:10
  Speaker 3: Totally.
• 1:33:10
  Speaker 2: Also a little bit camp Riddler from the original Riddler.
• 1:33:14
  Speaker 3: And we'll never be able to find out about multiple
• 1:33:16
  Speaker 3: Malcolm because he gets... He gets screwed. Yeah, totally. It
• 1:33:22
  Speaker 3: seems like he actually gets the police officer in Terminator 2. Yeah,
• 1:33:28
  Speaker 3: where he's like... Totally, totally. Drills through his eye, through
• 1:33:34
  Speaker 3: the back of his head.
• 1:33:35
  Speaker 2: Yeah, it's brutal. Yeah, fucked up.
• 1:33:38
  Speaker 3: And we get... She does a good job. It's like
• 1:33:45
  Speaker 3: a really good job.
• 1:33:46
  Speaker 2: Yeah, well, she's been Boku Demolat, dude.
• 1:33:49
  Speaker 3: Yeah, and then laughing with the doll is so funny
• 1:33:53
  Speaker 3: and is so cute.
• 1:33:55
  Speaker 2: It's funny, though, like... Okay, so... Little Chucky, like a
• 1:34:01
  Speaker 2: little mullet Chucky shows up and reveals the card, dude.
• 1:34:08
  Speaker 3: Andy Barkley, as I live and breathe. I love it, dude.
• 1:34:12
  Speaker 3: And then he throws the knife, because canonically he can
• 1:34:15
  Speaker 3: throw knives, dude. That's true, yeah.
• 1:34:20
  Speaker 2: As I live and breathe. I love how ready Andy
• 1:34:23
  Speaker 2: is to, like, attack this Chucky.
• 1:34:25
  Speaker 3: Yeah, to fist this Chucky's body to get a gun out.
• 1:34:28
  Speaker 2: He's sleeper-celled.
• 1:34:33
  Speaker 3: And this is the end, fucker. This is the end, friend.
• 1:34:37
  Speaker 3: And he just keeps shooting this doll. He wastes the
• 1:34:41
  Speaker 3: bullets in this doll.
• 1:34:42
  Speaker 2: Look at this cake head. Look at the cake.
• 1:34:45
  Speaker 3: It's cake.
• 1:34:46
  Speaker 2: Yeah.
• 1:34:46
  Speaker 3: Look at it. Yeah, you're right. It is definitely cake.
• 1:34:51
  Speaker 2: You can see, like, cake chunks in it. It looks great, dude.
• 1:34:58
  Speaker 3: Wow.
• 1:34:59
  Speaker 2: What a choice. It's just blood starts everywhere, blood spattered everywhere,
• 1:35:03
  Speaker 2: and just, like, fucking goo. Yeah, it looks cool. I think, like,
• 1:35:09
  Speaker 2: anytime Andy, like, seeing him, like, rage out on Chucky
• 1:35:12
  Speaker 2: is always very satisfying for his childhood. For his lost childhood, dude.
• 1:35:17
  Speaker 3: Well, this is the.
• 1:35:18
  Speaker 2: It's a metaphor for how the movie industry robbed him
• 1:35:21
  Speaker 2: of his childhood.
• 1:35:22
  Speaker 3: Yeah. This is the interesting thing about this scene where
• 1:35:24
  Speaker 3: Nika sort of is explaining. It's like, oh, you kill me,
• 1:35:29
  Speaker 3: you kill her. But it's like, do we really know
• 1:35:32
  Speaker 3: that Andy knows her at all? That's what I'm like.
• 1:35:36
  Speaker 3: I don't know if Andy... I don't think... I think
• 1:35:38
  Speaker 3: Andy would just be traumatized to shit. I think he
• 1:35:40
  Speaker 3: would just be like... Yeah, totally.
• 1:35:43
  Speaker 2: Yeah, I think so too. Well, because if he's the
• 1:35:45
  Speaker 2: kind of guy that's, like, kept a tortured head.
• 1:35:48
  Speaker 3: Yeah, it's like... I don't know.
• 1:35:50
  Speaker 2: Oh, man. Like, evil face Chucky going into regular doll
• 1:35:56
  Speaker 2: face Chucky was really well done.
• 1:35:59
  Speaker 3: The little snarls. And the, like, placing the dolls around. Nika's, like,
• 1:36:06
  Speaker 3: kind of setting the scene for everybody else. It's like, oh, yeah, like,
• 1:36:10
  Speaker 3: the Chucky's did it, which is very cool. And then
• 1:36:13
  Speaker 3: she comes out With her red scarf and cool jacket.
• 1:36:16
  Speaker 3: And the heels. And the heels. And she goes to
• 1:36:19
  Speaker 3: the red car, dude. Yeah, of course. You look great, Tiff.
• 1:36:24
  Speaker 3: I love that they're immediately, like, horny for each other. Yeah.
• 1:36:28
  Speaker 2: And they make out.
• 1:36:29
  Speaker 3: Yeah.
• 1:36:29
  Speaker 2: Well, I mean, it would make sense. She's attracted to
• 1:36:32
  Speaker 2: Brad Dourif's features.
• 1:36:34
  Speaker 3: Right? Yeah. She's basically getting young Brad Dourif.
• 1:36:37
  Speaker 2: Yeah.
• 1:36:38
  Speaker 3: It's very hot, dude.
• 1:36:39
  Speaker 2: It's nice. You look great, Tiff. It kind of feels
• 1:36:44
  Speaker 2: a little bit like she's doing a Natasha Lyonne impression.
• 1:36:47
  Speaker 3: Totally, yeah.
• 1:36:50
  Speaker 2: But which, like, Natasha Lyonne is basically Chucky.
• 1:36:53
  Speaker 3: Yeah, totally. And then Tiff is also laughing in the back,
• 1:36:57
  Speaker 3: like the doll is alive.
• 1:36:59
  Speaker 2: Implying that Tiff also is Boku Demolad. Liked being a
• 1:37:06
  Speaker 2: doll and a human being.
• 1:37:07
  Speaker 3: Yeah, and then they leave, and then we get another
• 1:37:10
  Speaker 3: post-credit sequence.
• 1:37:12
  Speaker 2: Okay.
• 1:37:12
  Speaker 3: In where.
• 1:37:13
  Speaker 2: Oh my god, dude.
• 1:37:14
  Speaker 3: Kyle! Hello, Kyle.
• 1:37:17
  Speaker 2: That was the gag of this movie.
• 1:37:19
  Speaker 3: Old Kyle. Old Kyle and being like, Andy sent me.
• 1:37:24
  Speaker 3: Because Chucky sent these people. Of course Andy would figure
• 1:37:29
  Speaker 3: out that he's sending people.
• 1:37:31
  Speaker 2: Wait, so Chucky, like Andy doesn't die though, right? No.
• 1:37:35
  Speaker 3: Andy just gets trapped in the mental institution. And we
• 1:37:42
  Speaker 3: get Gross, chucky face. Waiting. Which would be, like, a
• 1:37:47
  Speaker 3: different kind of torture. It's like... Having to be, like, doll-faced? Yeah,
• 1:37:52
  Speaker 3: having to be, like, a permanent.
• 1:37:54
  Speaker 2: But do you just, like, maybe go into dormant mode? Like,
• 1:37:57
  Speaker 2: do you just kind of go dormant for a while?
• 1:37:59
  Speaker 2: You just kind of, like, glaze over until... I don't know.
• 1:38:03
  Speaker 2: Time doesn't really matter. You're an inanimate object.
• 1:38:06
  Speaker 3: That's true, yeah. You're not getting older, necessarily. And then...
• 1:38:11
  Speaker 3: That's it. She pulls out a pair of pliers and
• 1:38:15
  Speaker 3: she's like, Andy sent me. And it's like, and he's like, Kyle?
• 1:38:19
  Speaker 2: I love that he recognized her and I love that
• 1:38:23
  Speaker 2: he was like surprised and said her name.
• 1:38:27
  Speaker 3: It's cool.
• 1:38:28
  Speaker 2: I mean, like, listen, dude. We were thirsty for lore,
• 1:38:32
  Speaker 2: and we got lore. Like, we got all the lore.
• 1:38:36
  Speaker 2: What did you think of the Kyle moment?
• 1:38:38
  Speaker 3: I thought it was great. I mean, like, I liked
• 1:38:41
  Speaker 3: the reintroduction of Andy and Kyle. This one makes me
• 1:38:46
  Speaker 3: really excited to watch the show. I'm going to watch
• 1:38:49
  Speaker 3: the show. That's going to be really fun.
• 1:38:52
  Speaker 2: Is the show the sequel to this? Yes. Oh.
• 1:38:56
  Speaker 3: Yeah.
• 1:38:58
  Speaker 2: So the show is the continuation of this storyline? Yeah.
• 1:39:03
  Speaker 3: They continue it even more? Yeah.
• 1:39:06
  Speaker 2: That's crazy.
• 1:39:06
  Speaker 3: There's no... There's soft rebooting sometimes, but there's no changing.
• 1:39:13
  Speaker 3: It's all in the universe. That's really interesting. Dude, I
• 1:39:15
  Speaker 3: will say... Consistency, dude. That's the thing. I was going
• 1:39:19
  Speaker 3: to say, this is the most consistent series we've had.
• 1:39:22
  Speaker 2: Ever. Ever.
• 1:39:24
  Speaker 3: I think this... Like, I'm going to give this a 7.
• 1:39:29
  Speaker 3: I need to give it a 6.5. Totally fair.
• 1:39:33
  Speaker 2: Because I did have a lot of trouble with it,
• 1:39:35
  Speaker 2: but I did really enjoy it.
• 1:39:36
  Speaker 3: Yeah. I'm going to give this a 7. I'm actually
• 1:39:40
  Speaker 3: going to give it a lot of Boku Demolas. I'm
• 1:39:43
  Speaker 3: going to Boku Demola this. Okay. And I think that
• 1:39:48
  Speaker 3: it's a pretty fun... series to talk about. And it's
• 1:39:53
  Speaker 3: a pretty enjoyable series to watch. Maybe most enjoyable. Yeah.
• 1:39:59
  Speaker 3: To watch. Yeah. Friday the 13th was a fucking slog.
• 1:40:04
  Speaker 3: There were some really cool moments. Jason goes to hell
• 1:40:08
  Speaker 3: is definitely my favorite.
• 1:40:09
  Speaker 2: There's definitely highlights for sure. Yeah. Um, Freddie, I mean,
• 1:40:14
  Speaker 2: Freddie's pretty, Freddie's a classic.
• 1:40:15
  Speaker 3: Yeah. Um, I actually might think that just in terms
• 1:40:20
  Speaker 3: of lore, um, This one's more consistent than Freddy.
• 1:40:24
  Speaker 2: It's definitely more consistent than Freddy lore.
• 1:40:26
  Speaker 3: But.
• 1:40:27
  Speaker 2: Freddy tries, but doesn't.
• 1:40:29
  Speaker 3: Succeed as much. Doesn't succeed as much, yeah.
• 1:40:30
  Speaker 2: Because this one has Don Mancini still in the helm.
• 1:40:32
  Speaker 3: Yeah, totally. So there's like one unique voice that's there always.
• 1:40:38
  Speaker 3: I will say Freddy is still my favorite series to watch. Uh,
• 1:40:45
  Speaker 3: and also the arc of Chucky becoming the main guy
• 1:40:52
  Speaker 3: without becoming kind of like, cause he's always a little goofy.
• 1:40:57
  Speaker 3: It feels like he's also the most consistent throughout the series. Um,
• 1:41:02
  Speaker 3: Freddie seems like he shouldn't have been as funny. He
• 1:41:06
  Speaker 3: doesn't earn being as funny as much as Chucky earns
• 1:41:09
  Speaker 3: being as funny.
• 1:41:10
  Speaker 2: I agree, I agree. Because the things around Freddy aren't
• 1:41:13
  Speaker 2: as funny as the things around Chucky.
• 1:41:14
  Speaker 3: No, it's like, I don't know, child molestation and murder.
• 1:41:19
  Speaker 3: It just feels a little bit less, like turning things
• 1:41:23
  Speaker 3: campy that are like, oh, that's a little bit weird.
• 1:41:26
  Speaker 2: With Chucky, it's like, that's the thing is like there's,
• 1:41:33
  Speaker 2: we don't really get what, why he is like a murderer,
• 1:41:38
  Speaker 2: you know what I mean? Like he's just a murderous guy. Yeah.
• 1:41:42
  Speaker 3: It's just kind of all over, like all over the
• 1:41:44
  Speaker 3: place with him in terms of, it's consistently all over
• 1:41:47
  Speaker 3: the place where it's just like, I kind of just
• 1:41:49
  Speaker 3: like murder, you know? Whereas like, and they joke about
• 1:41:54
  Speaker 3: it in a way they've always kind of joked about it.
• 1:41:58
  Speaker 3: I don't know. I don't know. I'm like struggling to
• 1:42:01
  Speaker 3: articulate it. But there's something about this series that felt
• 1:42:05
  Speaker 3: very energized and interesting.
• 1:42:08
  Speaker 2: Yeah, there's a willingness to engage with ideas in a
• 1:42:16
  Speaker 2: specific kind of way that, while limited in scope, seems
• 1:42:22
  Speaker 2: unlimited in possibilities.
• 1:42:24
  Speaker 3: Yeah, which is weird, because you'd think... Like, a dream
• 1:42:28
  Speaker 3: guy has unlimited possibilities, too. But this... I never thought
• 1:42:35
  Speaker 3: to watch them all at once. I've only kind of
• 1:42:37
  Speaker 3: watched them sporadically throughout and had different feelings at different times.
• 1:42:42
  Speaker 3: But watching it all at once, it was really a
• 1:42:45
  Speaker 3: fascinating kind of series, which I'm... we'll decide whether or
• 1:42:51
  Speaker 3: not we're going to do the, the.
• 1:42:53
  Speaker 2: The show. It's, it's a, it's a commitment. It's like
• 1:42:57
  Speaker 2: 19 hours of material.
• 1:42:59
  Speaker 3: Yeah.
• 1:43:00
  Speaker 2: Um, which like I'm down for, cause I am, I
• 1:43:02
  Speaker 2: am very curious about it. There's stuff, there's stuff that
• 1:43:05
  Speaker 2: I've revealed to myself that like, that I also revealed
• 1:43:08
  Speaker 2: to you, but I know more than you do, but, Um, like.
• 1:43:13
  Speaker 3: I'm really interested.
• 1:43:14
  Speaker 2: Stuff that I know is.
• 1:43:15
  Speaker 3: Yeah. Kind of really cool. Yeah. Yeah. So we'll see,
• 1:43:19
  Speaker 3: we'll see where we're at, but what did you think?
• 1:43:21
  Speaker 3: What did you think overall? Uh, overall?
• 1:43:23
  Speaker 2: Yeah.
• 1:43:24
  Speaker 3: 6.5.
• 1:43:24
  Speaker 2: Like I did, I stuck with my initial reaction a
• 1:43:28
  Speaker 2: little bit, but I softened, I would have given it
• 1:43:30
  Speaker 2: a five if I'd done it earlier.
• 1:43:31
  Speaker 3: Yeah.
• 1:43:32
  Speaker 2: But because I did like have the same kind of
• 1:43:34
  Speaker 2: reaction that you did, but then I was like, you
• 1:43:36
  Speaker 2: know what? Like, yeah, all of the things we talked about,
• 1:43:38
  Speaker 2: like everybody's Chuck, you know, like it's like, It's fun.
• 1:43:42
  Speaker 2: And it is kind of like when you were comparing
• 1:43:45
  Speaker 2: it against the other series, I was also thinking about Saw. Like, obviously,
• 1:43:47
  Speaker 2: that's the big comparison for this one, because we do
• 1:43:51
  Speaker 2: get into this kind of more like micro budget, more
• 1:43:54
  Speaker 2: digital Chucky. Like, you know, they've adjusted their expectations and
• 1:43:57
  Speaker 2: their stuff like it's directed video or whatever. Like, but
• 1:44:01
  Speaker 2: there's a love and a care paid to it the
• 1:44:03
  Speaker 2: same way that the Saw movies do, where it's like, yeah,
• 1:44:06
  Speaker 2: we care about the story. We care about the lore.
• 1:44:10
  Speaker 2: You know, Saw also has a pretty consistent track record.
• 1:44:14
  Speaker 3: 100%. Saw is more consistent, but it's so dour that
• 1:44:18
  Speaker 3: any laughs you're getting out of that series... really feels
• 1:44:24
  Speaker 3: limited to a way where it's like.
• 1:44:26
  Speaker 2: Chucky's fun. I'm never dreading watching Chucky.
• 1:44:29
  Speaker 3: Totally. Whereas, like, you know, you get to a point
• 1:44:32
  Speaker 3: where you're like, man, like, more goo traps. You know
• 1:44:35
  Speaker 3: what I mean? Whereas the pivot that the 10th one
• 1:44:40
  Speaker 3: did with that one was like, oh, like, this is, like,
• 1:44:44
  Speaker 3: really interesting. Which is why I wanted to, like... I
• 1:44:49
  Speaker 3: went in hard for the new Chucky. I was like,
• 1:44:52
  Speaker 3: this is going to be good. I think this is
• 1:44:54
  Speaker 3: going to be good.
• 1:44:55
  Speaker 2: Which new Chucky?
• 1:44:56
  Speaker 3: The newest one. The remake.
• 1:44:58
  Speaker 2: Okay.
• 1:44:59
  Speaker 3: Which I don't really consider because it's not canon. Have
• 1:45:01
  Speaker 3: you seen it? Yeah, yeah, yeah. I've seen the Mark
• 1:45:03
  Speaker 3: Hamill Chucky.
• 1:45:03
  Speaker 2: Oh, you have?
• 1:45:05
  Speaker 3: Yeah, yeah, yeah. Interesting. I just haven't seen the... I
• 1:45:08
  Speaker 3: didn't see this one. I haven't seen this one.
• 1:45:09
  Speaker 2: You haven't ever seen this one?
• 1:45:11
  Speaker 3: I haven't ever seen this one. And I've never seen...
• 1:45:14
  Speaker 3: Cause it was really just when I've watched the first, the,
• 1:45:17
  Speaker 3: the first one with Nika, I was really disappointed. So
• 1:45:19
  Speaker 3: I was like, ah, I don't, I don't know. Yeah.
• 1:45:22
  Speaker 3: But the remake, I was like, oh, okay, maybe it'll
• 1:45:24
  Speaker 3: be cool. But they'd already done, um, uh, Megan, which
• 1:45:30
  Speaker 3: is like basically the, the remake of Chucky that I
• 1:45:34
  Speaker 3: would have wanted. Yeah. It's like fun and dumb. And,
• 1:45:37
  Speaker 3: and they like, it's like a pivot from the series.
• 1:45:40
  Speaker 3: That would be a good sister series. Yeah. Yeah. Which
• 1:45:43
  Speaker 3: is good. I mean, there's two of them.
• 1:45:45
  Speaker 2: Boner Show, dude.
• 1:45:46
  Speaker 3: Yeah.
• 1:45:47
  Speaker 2: Interesting.
• 1:45:48
  Speaker 3: So, yeah, like, what would you get? Like, I know
• 1:45:51
  Speaker 3: we're doing, we're probably going to do the new Chucky, right?
• 1:45:54
  Speaker 3: The remake? Yeah. Okay. And we'll do a compare and contrast.
• 1:45:59
  Speaker 3: But so far, like, you know.
• 1:46:01
  Speaker 2: Of course we're going to. We have to talk about
• 1:46:02
  Speaker 2: the new one.
• 1:46:03
  Speaker 3: Yeah. What would you give the, like.
• 1:46:04
  Speaker 2: It's Return to Child's Play.
• 1:46:06
  Speaker 3: Yeah.
• 1:46:07
  Speaker 2: Would I give the series?
• 1:46:08
  Speaker 3: Yeah, what would you give the series? I guess this
• 1:46:10
  Speaker 3: is kind.
• 1:46:10
  Speaker 2: Of like the end. Well, it's not because the show
• 1:46:13
  Speaker 2: continues this lore.
• 1:46:14
  Speaker 3: Yeah, and then we have the other lore.
• 1:46:16
  Speaker 2: Which I do want to continue. But if we're talking
• 1:46:17
  Speaker 2: just movies, should we do a ranking? We can do
• 1:46:21
  Speaker 2: a ranking.
• 1:46:21
  Speaker 3: Okay, let's do it.
• 1:46:23
  Speaker 2: Number one is number one.
• 1:46:24
  Speaker 3: Number one is number one. Number two is number three
• 1:46:27
  Speaker 3: for me. Number... Wait, no.
• 1:46:31
  Speaker 2: How are we going to do this?
• 1:46:32
  Speaker 3: Hold on. I'll do mine first. You do yours next.
• 1:46:34
  Speaker 2: Let's do it.
• 1:46:35
  Speaker 3: For me, it's number one, Child's Play. Child's Play 3.
• 1:46:39
  Speaker 3: Child's Play 2.
• 1:46:40
  Speaker 2: No.
• 1:46:41
  Speaker 3: Actually, you know what? No. Yeah, Child's Play 2. Then
• 1:46:44
  Speaker 3: I'm going to put this one. Okay. And then I'm
• 1:46:48
  Speaker 3: going to put Bride of Chucky. And then I'm going
• 1:46:50
  Speaker 3: to put Curse of Chucky.
• 1:46:52
  Speaker 2: No.
• 1:46:52
  Speaker 3: Then I'm going to do... No. I'm going to put... Sorry.
• 1:46:55
  Speaker 2: You didn't do Seed.
• 1:46:58
  Speaker 3: Fuck Seed 2.
• 1:46:58
  Speaker 2: Okay.
• 1:46:59
  Speaker 3: This is what I'm going to do. Number one, Child's Play.
• 1:47:02
  Speaker 3: Number two, Child's Play 3. Number three, Child's Play 2.
• 1:47:08
  Speaker 3: Number four.
• 1:47:11
  Speaker 3: Fuck.
• 1:47:15
  Speaker 2: This one.
• 1:47:16
  Speaker 3: I'm going to put this one. I'm going to put... No. Yeah,
• 1:47:19
  Speaker 3: I am going to put this one. I am going
• 1:47:20
  Speaker 3: to put this one. Because it's a Cult of Chucky.
• 1:47:23
  Speaker 3: And then I might do Seed. I think Seed is
• 1:47:26
  Speaker 3: after that. And then I would put Bride, and last
• 1:47:30
  Speaker 3: I would put Curse.
• 1:47:33
  Speaker 2: I feel like you missed one.
• 1:47:35
  Speaker 3: Did I miss one? You do yours. Okay.
• 1:47:41
  Speaker 2: So, number one is number one. Then part three... And
• 1:47:50
  Speaker 2: then part four.
• 1:47:56
  Speaker 3: Wow. Part four over part two.
• 1:47:58
  Speaker 2: Yes.
• 1:47:58
  Speaker 3: Wow.
• 1:47:59
  Speaker 2: Really?
• 1:47:59
  Speaker 3: Can you tell me why that?
• 1:48:01
  Speaker 2: This watching of part two was like a real letdown.
• 1:48:06
  Speaker 3: Wow. Whoa. Okay. Interesting.
• 1:48:08
  Speaker 2: So one, three, four. Then I So one, three, four.
• 1:48:16
  Speaker 2: Then I'm retconning where I'm putting seed, but it's not next.
• 1:48:23
  Speaker 3: Okay. Okay.
• 1:48:25
  Speaker 2: Next is a.
• 1:48:32
  Speaker 3: Curse of Chucky. Okay, okay. So right after Bride is Curse.
• 1:48:38
  Speaker 2: Yes, after Bride is Curse. Okay, cool. After Curse is
• 1:48:43
  Speaker 2: part two.
• 1:48:44
  Speaker 3: Okay, interesting.
• 1:48:46
  Speaker 2: And then.
• 1:48:50
  Speaker 3: It's Seed. Okay.
• 1:48:52
  Speaker 2: And then it's this one.
• 1:48:53
  Speaker 3: Wow, okay, cool.
• 1:48:54
  Speaker 2: But I don't, like, I don't, that being all said,
• 1:48:57
  Speaker 2: I really, like, Seed is, Seed is... is weirdly like
• 1:49:03
  Speaker 2: my low-key favorite because it's cool i remember liking it
• 1:49:07
  Speaker 2: now so much it's like it's very interesting like watching
• 1:49:10
  Speaker 2: it but then but like then i'm like man like
• 1:49:13
  Speaker 2: glenn glenda is an amazing yeah it's really interesting that
• 1:49:17
  Speaker 2: exists that that happened and that they took such wild
• 1:49:20
  Speaker 2: wacky ideas and they're like i don't know i'm just
• 1:49:23
  Speaker 2: like don mancini dude like big swings.
• 1:49:27
  Speaker 3: Yeah that's true i i i'm i low-key like seed
• 1:49:32
  Speaker 3: also very much i'm like do i like it next
• 1:49:35
  Speaker 3: to um because it is it is combining a bunch
• 1:49:40
  Speaker 3: of things it is it is feel really good to
• 1:49:44
  Speaker 3: to see together it's the only one.
• 1:49:46
  Speaker 2: That i didn't watch with anna and i was like
• 1:49:48
  Speaker 2: oh you don't need to watch and then i was
• 1:49:49
  Speaker 2: kind of like she was like well tell me about
• 1:49:51
  Speaker 2: it because i want to know what the story is
• 1:49:52
  Speaker 2: and i was telling her what she's sounds really cool
• 1:49:55
  Speaker 2: and i.
• 1:49:55
  Speaker 3: Was like it is really cool but also what i
• 1:49:58
  Speaker 3: liked about the series and watching it with you is
• 1:50:00
  Speaker 3: that like not only did we have like wildly diverging
• 1:50:03
  Speaker 3: opinions about it and also like most of our tastes
• 1:50:08
  Speaker 3: align with the series is of the other ones that
• 1:50:12
  Speaker 3: i'm like that's a little boring whereas like to hear
• 1:50:15
  Speaker 3: a list like yours versus a list like mine that's
• 1:50:18
  Speaker 3: awesome i like that you know yeah um so next
• 1:50:21
  Speaker 3: is going to be child's play again yeah 2019's child's play.
• 1:50:26
  Speaker 2: Um well i'm excited i'm interested i'm interested i'm interested
• 1:50:29
  Speaker 2: there's one part where i saw like because in doing
• 1:50:33
  Speaker 2: like research i have been looking stuff up i don't
• 1:50:35
  Speaker 2: know whatever like i don't care but like there's like
• 1:50:38
  Speaker 2: a Curvy lip. Like, curvy lip moment that happens where, like,
• 1:50:42
  Speaker 2: the face is stuck that way. That I'm very excited
• 1:50:45
  Speaker 2: to talk about, dude.
• 1:50:46
  Speaker 3: Yeah, I'm pretty excited to talk about it as well.
• 1:50:50
  Speaker 2: So.
• 1:50:50
  Speaker 3: It.
• 1:50:51
  Speaker 2: Seems like they want to continue the lore of, like,
• 1:50:54
  Speaker 2: Chucky making weird fucking faces.
• 1:50:57
  Speaker 3: You'll see, dude. You'll see. I'm excited for you to
• 1:51:00
  Speaker 3: watch it, but I'm also, like....
• 1:51:04
  Speaker 2: You know what, like.
• 1:51:05
  Speaker 3: Not everybody's Chucky in that one.
• 1:51:07
  Speaker 2: We've had some... Okay, it's Aubrey Plaza, Chucky. We've had some, like,
• 1:51:16
  Speaker 2: you know, I mean, I don't know if anything will
• 1:51:19
  Speaker 2: ever be as bad as the Freddy recreation.
• 1:51:23
  Speaker 3: You know what's worse than the Freddy recreation? A whole
• 1:51:26
  Speaker 3: season of Final Destinations. I would much rather watch a
• 1:51:32
  Speaker 3: Freddy remake, a disappointed Freddy remake.
• 1:51:35
  Speaker 2: Let's not think about that anymore.
• 1:51:38
  Speaker 3: But you know what's awesome is that now at the
• 1:51:40
  Speaker 3: end of that we can do a look at all
• 1:51:45
  Speaker 3: the remakes too.
• 1:51:46
  Speaker 2: That's true.
• 1:51:48
  Speaker 3: But next year will probably be Halloween because we haven't
• 1:51:51
  Speaker 3: done those yet. I can't wait. See you next week.
• 1:51:54
  Speaker 2: See you next week.