Transcript

2.14.25 · Country Weekly

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Speaker 1: Now. It's time to catch up with Country Weekly, where
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we dive into news and gossip from the world of
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country music. I'm your host, Ken Dawkins, and I will
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be reading from various sources found online. As a reminder,
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RADIOI is a reading service intended for people who are
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blind or have other disabilities that make it difficult to
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read printed material. We'll begin with the first article, dated
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February tenth from countrynow dot com. Starting off with Hardy
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announcing the massive twenty twenty five Jimbob World Tour. Hardy
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will be headlining arenas and amphitheaters across the US and
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beyond in twenty twenty five with his just announced jimbob
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World Tour, produced by Live Nation. The tour launches May
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twenty second with a show at North Island Credit Union
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Amphitheater in Chula Vista, California, and runs through September. No
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show is near US, unfortunately. In addition to his previously
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scheduled dates in North America, Hardy is set to deliver
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his first ever headline shows in Europe this June. Throughout
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the track, he will visit iconic venues including Las Vegas,
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t Mobile Arena, Los Angeles, Kia Forum, Atlanta's Lakewood Amphitheater,
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New York City's Madison Square Garden. Apparently the only one
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you kept its original will be rising country acts Cole Wetzel,
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Stephen Wilson, Junior Zacaris, and McCoy moore. Fans may notice
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that the new tour poster features a cartoon character in
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the center, which is the same figure used in the
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music video for the song that inspired the name of
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the tour, Jim Bob. When asked what fans can expect
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from his next year of live shows, Hardy told Country
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Now that it's poised to be really cool, as he
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has a brand new set in store. We're playing new
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music and everything is out of order and in a
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different order, and it feels like a very very new set,
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he explained. I pride myself in my live show and
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I work really hard on it, and I make sure
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that the people come out to the live show get
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what they pay for. I think that's important. This news
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follows the release of the Mississippi Natives' first ever live album,
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Hardy Live from Red Rocks, which capped off a moment
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monumental twenty twenty four. The year saw Hearty achieve incredible milestones,
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including the debut of his chart topping album Quit, earning
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his fifteenth number one single, and surpassing six billion career streams.
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Speaker 2: Plus.
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Speaker 1: He delivered some major performances during the North American tour,
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such as his first ever stadium show and a headline
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set at CMA Fest, and as we say, there's no
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anything close to us on this particular tour. Next Kelsey
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Ballerini forced to reschedule three shows after cutting Buffalo concert short.
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Kelsey Ballerini had to cut her Buffalo, New York concert
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short and reschedule it along with two more dates due
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to illness. Despite feeling unwell, she pushed through her Detroit
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show earlier in the week and was optimistic about performing
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in Buffalo after a day of rest. Determined not to
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disappoint fan, she started the show, but soon realized she
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couldn't continue after a few songs. The East Tennessee Natives
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tour manager appeared on stage to deliver the disappointing news
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to fans. This is the conversation I did not want
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to have tonight. She just can't finish. She's too sick.
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We've given everything, We've tried to do it. Unfortunately, we
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cannot finish the show tonight, he shared, later, telling fans
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to check their emails for rescheduled show info. After the
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details to postpone the show were worked out, Kelsey Ballerini
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took to social media to share a heartfelt apology to
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fans Buffalo. I'm so sorry that I could not finish
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the show tonight, she said. I am sicker than I
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am trying to be, and I do not want to
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let anyone down tonight. She continued, I just got through
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the first few songs and I couldn't do it. I'm
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so sorry, but I never want to give you half
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a show. Ballerini went on to share the rescheduled dates,
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promising fans to make it up to them. So are
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rescheduling tonight, Buffalo tomorrow, Pittsburgh the next day, Toronto to
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the end of the tour.
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Speaker 2: I will make them up.
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Speaker 1: I will make the best shows I've ever played in.
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Speaker 2: My whole life.
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Speaker 1: She vowed to pull out every stop for the rescheduled
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shows and told her followers, I will make it so
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worth it. A little while later, she shared a photo
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of herself hugging a pillow with her beloved dogs photo
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on it, with the caption also to the sweet fan
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who made this pillow tonight. I can't even tell you
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how much I needed this and what it means. Thank you.
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Speaker 2: I love and appreciate you all. See in a few days.
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Speaker 1: Kelsey Ballerini Live On Tour twenty five is the Grammy
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nominee's very first arena tour, boasting incredible production and a
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career spanning set list that includes tracks from her latest album,
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Patterns and her fan favorite Rolling.
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Speaker 2: Up the Welcome Mat Project.
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Speaker 1: Ballerini recently took her tour to Nashville, marking a full
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circle moment as she headlined Bridgestone Arena for the first time.
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The performance showcased her incredible talent and further cemented her
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status as a must see headliner. Next, Kelly Bannon unveiled
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soul stirring duet with Charles Kelly nothing On Kelly Banner
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and delivers pure honesty on the complicated notions of love
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versus lust in her new single nothing On featuring Charles
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Kelly of Lady A. This Logan Wall produced tune has
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felt special to the songstress since the day she wrote
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it with Claire Douglas and Will Bowen. As the story unfolds.
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Listeners hear the turmoil the singers are facing while painting
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a vivid picture of a complicated relationship. From an outsider's view,
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the couple seems happy together, but in reality, their connection
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doesn't hold the same emotional depth they once had with
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a past partner. This uncertainty leads to the realization that
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they may not be ready to move on yet. Reflecting
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on the powerful nature of the ballad, Bannon shares, nothing
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on has felt like it had a little extra magic
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on it since.
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Speaker 2: The day we wrote it.
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Speaker 1: The chorus was literally hanging in the air that day,
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and we just had to reach up and grab it.
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This song is about the kind of cosmic chemistry that
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you can't run from, no matter how much you try
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to move on.
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Speaker 2: It's impossible.
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Speaker 1: Ben and soothing vocals alone lent a richness to the
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emotional ballad with sultry the undertones, but the addition of
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Kelly's rugged sound and perspective.
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Speaker 2: Makes the story feel complete.
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Speaker 1: I can't imagine anyone sounding more amazing on this song
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than Charles. His voice is absolutely undeniable, and I'm so
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honored he'd sing it with me, she adds. He tackles
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the first verse describing all the little things about his
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new love interest that should make him fall head over
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heels for her, but upon reaching the chorus, it's clear
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that he's still feeling emotionally tied to someone else. She's
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California pretty, but she's never been. You should see her dance.
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When she's three drinks in. She lives alone. She leaves
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her wineglass by the bed, kisses like she ain't had
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her heart broke yet. Leading the second chorus, Banon finds
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herself facing the same inner turmoil as she attempts to
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untangle the realization that even while he's got nothing on,
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he still has nothing on her former connection. When he's
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got nothing on, nothing on, nothing on. I'm working on
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moving on, but there's something wrong. He's got nothing on,
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nothing on, nothing on, nothing on you, she delivers on
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the honest chorus, nothing on feels like or nothing on
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feels like. Several noteworthy releases from Bannon in twenty twenty four,
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including Don't Fall in Love, Cherry Coke, Can Alive, and
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In Lieu of Flowers. When she's not releasing powerful tracks,
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Bannon is busy catching up with her fellow artists while
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hosting the Kelly Bannon Show and Today's Country on Apple Music.
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Throughout her career, she has conducted interviews with some of
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country's biggest names, including Dolly Parton, Carrie Underwood, Luke Comb's,
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Eric Church, Ashley McBride, Miranda Lambert, Luke Bryan, and others. Meanwhile,
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Charles Kelly and his band mates Hillary Scott and Dave
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Heyward of Lady A recently delivered their first show of
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twenty twenty five and are now gearing up for performances
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across California on February fourteenth and fifteenth. Additionally, he's celebrating
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the nine year anniversary of his first solo debut album,
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The Driver. Moving Along to Jordan Davis keeps the hits
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coming with in Case You Missed It. Continues to add
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to the excitement for as yet to be announced new
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album with the release of the brand new track in
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Case You Missed It. This nostalgia field song was penned
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by Davis with his brother Jacob Davis, as well as
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Paul d Giovanni and Travis Wood. In Case You Missed
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It finds the Louisiana native sending a message to a
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past love about their hometown and all the changes that
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have taken place since she left. They pay that cut
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through street that I take to your house boarded up BP.
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Yeah it's a chevron now. That parish bridge that was
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always out, they finally fixed it. In case you missed it,
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he sings on the first verse. Despite all the changes
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in town over time, Davis confesses that his feelings for
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his ex remain the same. In case you're ever wondering thought,
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I'd let you know if you get to second guessing
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and get to missing home wherever, feel like taking a
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trip down memory lane. Things round here are different, but
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some stayed the same, like that surprise through those blinds
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from your side of a king size. Yeah, this old
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heart of mine's right where you left it, in case
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you missed it, goes to the chorus. This radio ready
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tune fits perfectly within Jordan davis wheelhouse, proving once again
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that he never misses. In case you missed it as
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expected to be featured on Davis's forthcoming album, which will
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serve as the follow up to the platinum selling Bluebird Days,
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which included four consecutive number one singles out of his
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seven total career chart toppers, along with his platinum certified
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debut album Home State. The track arrives as Davis I
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Ain't Saying continues to dominate the charts at country radio,
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landing in the top five and still climbing this week.
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Most recently, Jordan Davis toured New Zealand and Australia's direct
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support for Luke Combs. While on tour down Under, Davis
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and his wife Kristen are expecting their fourth child. The
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award winning singer songwriter took to social media to share
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the news alongside a comical video set to the tune
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of the nineties sitcom Full House. Twenty twenty five is
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going to be a big one, mainly because we're welcoming
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a brand new baby. Pumped to meet you, baby, Davis,
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he shared. The couple, who married in two thousand seventeen,
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share three children, five year old daughter Eloise Larkin, three
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year old son Lachland Joseph, and their youngest Elijah Patrick,
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born in June twenty twenty three. Next, Landy Wilson teases
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new duet with mystery artists. Landy Wilson has just revealed
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that she has a new duet on the way, but
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she's staying tight lipped on who the mystery artist is
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that will be joining her. She dropped the major teaser
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over the weekend while co hosting The Country Countdown USA
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with Lon Helton, just after leaving the studio with her
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unnamed duet partner. When Helton pressed for more details, Wilson
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stood firm in her requirement to keep the secret under wraps. However,
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she did tease that it's something she is proud of
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and that it will be unveiled soon. She said, I
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can't tell you right now. They're going to slap my hand.
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It's a quick turnaround, something I'm proud to be a
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part of and something I've done. It's real cool. I'll
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tell you after we're done. The raining ACM and CMA
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Entertainer of the Year winner is sir no stranger to collaborations.
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In addition to her chart topping solo efforts, the reigning
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ACM and CMA Entertainer of the Year We just said that,
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didn't We has recorded a slew of collaborations throughout her career.
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She's released duets with artists including Miranda Lambert, Dolly Parton,
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When Owner, Judd Keith, Urban Hardy, Terry Clark, and Wilson
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and Muscadine bloodline. Several of these stars studtered tunes have
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also earned Wilson major milestones in her career, such as
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her collaboration with Jelly Roll on Save Me. Following its
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release in the summer of twenty three, this fan favorite
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spent two weeks at number one on the Country Airplay
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chart and scored a Grammy nomination for Best Country Duo
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Group Performance. I did a few takes, and after each one,
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Jelly stood up behind the glass, all hype, talking about
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how much he loved it and pumping me up before
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the next take. He has this way about him where
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he can encourage vulnerability and feeling just through his genuine
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excitement and the way he lifts you up, she previously
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told Billboard prior to that she and Cole Swindeller two
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week country airplay number one hit in twenty twenty two
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with Never Say Never. She happened to be on vacation
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somewhere and she was sipping on a Pina colada. That
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was the longest three and a half minutes of my
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life waiting on her to response, Twindelle shared while recalling
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the moment he asked Wilson to join him on the song.
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She's such a great songwriter herself. I knew she was
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going to be a tough critic, but immediately she texted
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me back and she's like, this is so huge, I'm in.
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Most recently, she appeared on Post Malone's debut country album,
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of Course f one Trillion, with the track Nosedive. Landy
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Wilson continues to make waves in country music, whether she's
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working solo or whether fellow singers and songwriters. The news
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of her forthcoming duet follows the announcement of her biggest
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tour yet. She will kick off the global run in
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March and visit ten cities across Europe, including London and Paris,
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before returning to the US just in time to make
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a slew of festival appearances. Next, Hayley Whitters Captured the
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Loneliness follows loss in heart wrenching new song Casserole. Hailey
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Whitters drops her first solo release in nearly two years
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with Casseroles, out now via Pegasus Records, Big Loud Records,
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Songs and Daughters. The platinum selling singer songwriter who's generally
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known for her love filled, uplifting tunes, is now bringing
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tears to her listeners through the mournful narrative penned by
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Hillary Lindsey, Tom Douglas and James Slater. She fully embraces
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the storyline with her signature io of bread vocals while
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illustrating the immense loneliness that lies within grief of losing
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a partner. Whitters acts as the narrator, overlooking the journey
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of a man who realizes he's now tasked with facing
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the world on his own and is scared to know
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what life will look like once his community of supporters
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stops coming.
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Speaker 2: By to pay their respects.
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Speaker 1: Upon hearing the heaviness of the song for the first time,
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the songstress was met with a rush of emotions as
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she thought back to the death of her brother and
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all the pain that came along with that unexpected loss.
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Discussing the sentiment behind the new single, Witter shares, I
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was sent this record from three of my favorite collaborators
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who've written many songs that have defined the foundation of
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my appreciation for modern country music. Hillary Lindsay, Tom Douglas
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and James Slater. During my first listen, I was absolutely floored.
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I lost my brother suddenly thirteen years ago, and from
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that moment on my life was changed forever. She continues,
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I particularly remember everyone bringing loads of food and cast
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roles over and how I couldn't eat for days because
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I was so distraught. Remembering that moment was what made
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this song so heavy for me. What happens when the
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cast roles stopped coming and everyone has moved on? But
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it feels like you never will as a heavy and
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somber as the lyric and melody is, I also think
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there's hope in the message and pray that it lands
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between ears that need to hear it. Casse Roles follows
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witners critically acclaimed twenty twenty three ep I'm in Love.
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Since this project, she has collaborated with Max McNown, Evan Hohner,
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and Brooks and Dunn Hailey. Witters is currently set to
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perform a the inaugural of Sand in My Boots Festival
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on May sixteenth and under the Big Sky Music Festival
15:05
from July eighteenth to the twentieth. Now we've got one
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story from people dot Com Country dated February eleventh, Old
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Dominion raises one point two million dollars for charity following
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Ryman residency in Nashville. Old Dominion's magic number must be seven.
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The country band made up of Brad Tercy, Matthew Ramsey,
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Trevor Rosen, Jeff Sprung, and Witsellers, celebrated winning the Country
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Music Association's Group of the Year awards seven consecutive years
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in a row by raising one point two five million
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dollars for charity over the course of seven shows. The
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band performed seven concerts at Nashville's Ryman Auditorium from February
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third through sixth, raising money for seven charities Music Cares,
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Save the Music, Backline Care, op Trust Fund, CMA Foundation,
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Saint Jude Children's Research Hospital, and Matthew and his wife
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Sarah's Ramsey Foundation. Aptly titled seven for seven Residency, the
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band also set the record for most consecutive shows in
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Ryman's history. There are so many ways to celebrate something
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like this, Ramsey forty seven set in a statement shared
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with people, while also speaking about the band's new song,
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making Good Time, and this song captures the spark of
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who every guy is in this band When we started
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chasing this dream. The journey is just so crazy you
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can't believe it when it's happening to you. But also,
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no matter what happens, you never Forget It. Old Dominion
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brought out guests Bear Reinhardt from Need to Breathe, Stephen Wilson, Junior,
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Ville Vasser, Ernest and The War in Treaty. The band
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also teased that a major tour announcement was coming later
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this month. Sometimes you get so caught up in the
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moment you get carried away. Ramsey quipped about the premature
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tour announcement, I didn't realize I was going to do it,
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but then I did, and then it was out there,
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at least the news that would be doing a real tour,
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playing our own shows and making it a night for
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the Odie. After their successful residency, the band wrote on
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Instagram Monday, February tenth, we have so many people to thank,
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but even better as we have so many people to
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celebrate and share this with. We knew it would be
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a blast, and we hoped we'd help our favorite charities.
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They added that the string of concerts was more than
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we could have ever expected. Following their last show at
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the Rym and Ramsey edit, at a time when charitable
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organizations are doing more with less, we all felt it
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was really important to support organizations that we know take
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care of people who needed. Now we crawl on over
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to saving country music, where it looks like two stories
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here are going to give us maybe more commentary than
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anything else, but they are interesting, I think. First article
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dated February tenth, the twenty twenty five Super Bowl and
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Grammy Awards lock out country performances for going on the
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third straight year. Country music continues to be one of
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the most popular and dominant genres in all of popular music,
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rivaling in hip hop's decade plus previous dominance. Yet on
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the biggest stages when America comes together to celebrate unifying
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cultural moments, country music continues to be locked out. Kendrick
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Lamar was the halftime performer, as we know for super
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Bowl fifty nine in New Orleans on Sunday, a hip
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hop artist, and a long string of them. Ever since
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Jay Z's Rock Nation partnered with the NFL to produce
18:22
the halftime show back in twenty nineteen. It shouldn't surprise
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anyone that it's been one hip hop performance after another
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ever since. And hey, previously hip hop hip hop had
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been deemed too hot for prime time and had been
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locked out of Super Bowl opportunities itself. But how long
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has it been since country music was featured during the
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super Bowl halftime. It's now officially been thirty one years.
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You have to go all the way back to nineteen
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ninety four when Clint black Townya Tucker, Travis Tritt, and
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the Judge played the Super Bowl halftime to find the
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last and really only time country music was featured during
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the super Bowl halftime. There hasn't even been a country
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artist featured as a guest in over twenty years. Janiah
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Twain appeared briefly with No Doubt in two thousand and three.
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Though a country critic is perfectly unqualified to commentate on
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the quality of Kendrick Lamar's performance, what can be quantifiably
19:17
determined is that ultimately it was at least partially lip
19:20
SYNCD presentation punctuated by choreographic dancing. Just like pretty much
19:25
every single other popular music performance from the pop and
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hip hop realm, there were no live musicians on a stage.
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Guest performer Sza didn't even seem to attempt to act
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like she was actually singing, and how could you with
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all the precise gesticulations that are required for such a performance.
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Majority of America stared at their television screens and couldn't
19:46
tell what the hell was going on. Though there was
19:48
a lot of movement, which apparently is the most important thing,
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even to a pre recorded track, the lyrics were incoherent,
19:55
and any messages veiled or overt or not so over
19:58
were mostly lost, which frankly is a shame when considering
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Kendrick's more thoughtful, socially conscious and clever lyricism, and that
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really is the kick in the pants. Kendrick Lamar is
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one of the most critically acclaimed hip hop artists of
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all time, and there he was doing a song and
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dance routine to a pre recorded track, as opposed to
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being live and in the moment. The week previous, Kendrick
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Lamar had earned five Grammy Awards leading the field, including
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his Drake distrack Not Like Us, winning Record of the
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Year and Song of the Year, the same song that
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capped off his super Bowl performance early February. Is now
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arguably the epicenter for culturally unifying moments in media and music,
20:35
with the Super Bowl being very much a musical event
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along with a sports one, similar to many recent Super
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Bowl halftime performances, The Grammy Awards were primarily dominated by
20:45
lip sync performances in choreographic dancing without a live instrument
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to be seen on stage. Billboard remarked rock as the
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second biggest genre in the US. Why was it missing
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from the Grammys? That's a good question, and even better,
20:59
qui is why country can claim the same thing. Aside
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from Brad Paisley appearing in a multi genre opening segment
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with Dawes centered around the La Fires, Lanny Wilson appearing
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in tribute to Quincy Jones, and an appearance by Shaboozi,
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country music was nowhere to be seen. Actual music keeps
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going missing from musical performances in lieu of the pre
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recorded backing tracks and what boils down to dance routines.
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Sierra Ferrell was the second highest Grammy winner in twenty
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twenty five, with four trophies, sweeping all of her nominations.
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Similar to Kendrick Lamar, she would have stunned the world
21:33
with a Grammy performance, but none was bestowed and all
21:36
of her wins were relegated to pre telecast. Country fans
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and pundits have been complaining about the lack of representation
21:43
at the Super Bowl for years now, at least at
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past Super Bowls. Country artists were selected for National anthem performances.
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This year it was John Bautiste, but now others are
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beginning to take note. Believe it or not, The New
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York Times recently asked the question, the Super Bowl finally
21:57
embraced rap, is their room for country. The article quotes
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the chief executive of Rock Nation, Desire Perez, who says
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she can't wait until we get some country music and
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follows up that's definitely something we're working on to make
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sure that we're covering all kinds of music. It'll be
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interesting to see how long the partnership between the NFL
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and Rock Nation continues itself. But it would be even
22:17
more interesting to see a country artist get an opportunity
22:20
at the fifty yard line, and not just because it
22:22
would finally mean country music got its opportunity. It will
22:25
also likely mean actual instrumentation and live vocals, or at
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least it should. I do believe Harry Connick Junior deserves
22:33
a high five for his salute to Marti Gras and
22:35
New Orleans. It took place before the game. Next ding dong,
22:41
The CMT Awards are dead. The CMT Awards are no longer,
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at least for now and likely forever, and it couldn't
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have come sooner, says Saving Country Music, or to a
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more deserving presentation. Country music's ugly stepchild of an awards
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show is a forum for some of the most embarrassing
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moments from B level stars over the years, and now
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hopefully these meaningless awards will end up right where they
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belong the dustbin of history, from Zach Brown's weird f
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bomb amid the cratering of his career to Kelsey Ballerini's
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forced drag queen Story Hour performance in twenty three, like
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simply presenting drag queens on a country show will miraculously
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make homophobes change their stripes to jelly rolls, shake shack
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preacher sermons complete with alligator tears for an awkward award
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nobody gives us damn about. It had all become downright
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inadvertently comical. We knew this was probably coming, says Saving
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Country Music. After the last round of bloodlutting at CMT,
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which included the company's high profile senior vice president, Leslie
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Fram and other top talent. The cuts came amid the
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cost cutting doom cycle that the cable network has been
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suffering from for years now divesting in original content as
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opposed to doubling down on it. An impending merger of
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CMT's parent company, Paramount Global with David Ellison's Skydance Media,
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has accelerated cost cuts as they looked to shed five
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hundred million dollars in overhead ahead of the merger. Though
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the company has promised not to touch MTV's VMA Awards,
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which continue to be a cultural moment, or Nickelodeon's Kids.
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Speaker 2: Choice Awards, all of the other awards shows.
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Speaker 1: Are getting the acts, including the CMTS. According to an
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internal memo, one of the worst aspects of the CMT
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Awards was how media outside of country music and some
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dyslexic country fans never could tell the difference between them
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and the much older and venerated Country Music Association Awards
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or CMAS. Not that on a bad year the CMAS
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or anything to write home about or be proud of
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as a country fan either says saving country music, but
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at least there was some history and meaning behind them.
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As fan voted awards that centered around videos. The CMT
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Awards always had a credibility problem by not being able
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to draw top talent, and in recent years being completely
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out of step with country fans by trying to force
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corporate HR style diversity initiatives upon a fan who just
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weren't having it. The CMT Awards used to be a
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centerpiece of June's CMA Fest in Nashville, but strangely moved
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to austin the last couple of years, where they were
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even more out of place. Hypothetically, you could trace the
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awards back to the old Music City News Awards launched
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in nineteen sixty seven, which then became the fan voted
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Viewers Choice Awards, airing on TNN in nineteen eighty eight.
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Then in two thousand and one they moved to Sistern
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Network CMT, and by two thousand and two they were
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completely retooled around videos and became the fan voted CMTS.
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But any in all history was led out of the
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awards through the various iterations whenever a legendary country performer passed,
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few if anyone would cite how many CMT awards they
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accrued like they would with the CMAS or ACM Awards. Ultimately,
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the CMT Awards just became a distraction in country and
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seemed to devalue all country music awards. But became even
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more redundant and ubiquitous when NBC and the Grand Old
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Opry launched their ill conceived People Choice Country Awards and
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its seventeen nominations for Beyonce's last cycle. The CMTS allegedly
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tried to give Beyonce an award in twenty twenty four,
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as well, inventing one out of the whole cloth to
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entice her to the presentation. Beyonce declined, So it's fair
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to question how long for the world all music awards
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shows are. But the CMTS always seemed like an excessively
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dumb exercise. At least, country music's second tier talent will
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forever have a handy weight whenever brisk births of wind
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threatened to blow papers off their desk. But except for that,
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says saving country music, a CMT award is just about
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good for nothing. Finally, we head over to billboard dot
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com with the first and only article dated February seventh,
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Jelly Roll and Brandon Lake release collaborative version of heart
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Fought Hollelujah. Country Christian artist Brandon Lake and country artist
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Jelly Roll have teamed up for a collaborative version of
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Lake's hit song hard Fought Allelujah, which arrived on February seventh.
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Lake first released the song Lastek Jerren, a quickly hit
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number one on Billboard's Hot Christian Songs chart. The Jelly
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Roll Lake version infuses the song with an extra shot
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of soul and angst as the two artists lend their
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voices around lyrics that detail how facing trials and battles
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can result in his strength and resolve. Lake takes the
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first verse and chorus, saying there's days when praise comes
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out easy and days when it takes all the strength
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I got. Jelly Roll soon joins in, adding his point
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of view on the value struggle, revealing the depth of
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truth of a personal faith case faith isn't proven like
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gold till it's been through the fire. Together, they sing
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of finding the fortitude to lift their hands higher and
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praise and gratitude even when it's hard to do. Jelly
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Roll feels like a natural collaborator on this song, given
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his own track record of tunes that blend heartache struggle
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in faith, such as Son of a Sinner and half
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Way to Hell. Jelly Roll previously took to social media
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to discuss being part of the song This is So
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Hard to talk about because I've been called a lukewarm,
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a fence writer. I've been called cuss and Christian. You know,
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I've had all these people, and I know that God's
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got a lot more to.
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Speaker 2: Do with me.
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Speaker 1: I know that Lake responded, you are thinking so dangerously
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outside of the box even with me, do you could
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have called anybody else in town in something a little
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less controversial? And endearingly, Lake immediately explains why he chose
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Jelly because I got his heart. Lake has earned four
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number one Christian airplay hits, including the nine week chart
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topper That's Who I Praise. This concludes the reading of
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Country Weekly.
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Speaker 2: For this week.
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Speaker 1: If you have any comments or suggestions about the program,
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kindly call us at eight five nine four two two
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sixty three ninety. Thanks for joining me and on behalf
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of everyone here at RADIOI. This is Ken Dawkins, wishing
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you a great day.