Latest / Aaron Mahnke's Cabinet of Curiosities / The Original
Transcript
- 0:04Speaker 1: Welcome to Aaron Manke's Cabinet of Curiosities, a production of
- 0:07Speaker 1: iHeartRadio and Grimm and Mild.
- 0:12Speaker 2: Our world is full of the unexplainable, and if history
- 0:17Speaker 2: is an open book, all of these amazing tales are
- 0:20Speaker 2: right there on display, just waiting for us to explore.
- 0:25Speaker 2: Welcome to the Cabinet of Curiosities. For the past two years,
- 0:37Speaker 2: on the second Wednesday of every month, a plate of
- 0:40Speaker 2: fifteen to twenty half peeled bananas has appeared on the
- 0:44Speaker 2: corner of Abbey Road and Wendsor Avenue in Beeston, a
- 0:47Speaker 2: small town in the Midlands of England. Residents have been
- 0:51Speaker 2: baffled as to the reason they keep appearing, and to
- 0:54Speaker 2: many the mystery is less important than the mess the
- 0:56Speaker 2: bananas leave in the street. One such resident, clear Short,
- 1:00Speaker 2: decided to try to reason with the mysterious gifter in
- 1:03Speaker 2: a note left in the banana's usual location, reading please respectfully,
- 1:08Speaker 2: no more bananas. The notes had no effect. The next month,
- 1:12Speaker 2: the bananas were there again, and it brings to mind
- 1:15Speaker 2: another such mystery concerning the final resting place of one
- 1:19Speaker 2: of America's most beloved authors. On October third of eighteen
- 1:23Speaker 2: forty nine, A man in crisis appeared outside of Gunner's Hall,
- 1:27Speaker 2: a busy tavern in Baltimore, Maryland. It was a dreary
- 1:30Speaker 2: day and the place was packed to the gills. At
- 1:32Speaker 2: first glance, the patrons took the man as another drunkard
- 1:36Speaker 2: due to his rumpled appearance and his day's demeanor. He
- 1:39Speaker 2: was clearly unwell and was brought to the hospital, where
- 1:42Speaker 2: he died four days later. He was buried in an
- 1:45Speaker 2: unmarked grave at Westminster Presbyterian Church. After a modest funeral.
- 1:49Speaker 1: In eighteen seventy five, his grave was moved and the
- 1:52Speaker 1: citizens of Baltimore gathered funds for a headstone. After all,
- 1:56Speaker 1: he was one of Baltimore's favorite sons, One Edgar Allen Poe.
- 2:00Speaker 1: One hundred years later, in nineteen forty nine, a shadowy
- 2:04Speaker 1: figure was noticed entering the graveyard. He was dressed in
- 2:07Speaker 1: black with a white scarf, his visage hidden by a
- 2:10Speaker 1: wide brimmed black hat. It was late on the nineteenth
- 2:13Speaker 1: of January, which happened to be Poe's birthday. The figure
- 2:17Speaker 1: was seen to kneel and place three roses on the grave,
- 2:20Speaker 1: after which he poured himself a glass of cognac to
- 2:23Speaker 1: toast the dead author. Once he had drained it, he
- 2:26Speaker 1: left the open bottle beside the flowers and disappeared into
- 2:30Speaker 1: the night. When a balto Our Sun reporter came inquiring,
- 2:33Speaker 1: the Reverend, Bruce McDonald suggested that the visits had been
- 2:36Speaker 1: occurring for years. The reporter noted, the anonymous citizen who
- 2:40Speaker 1: creeps in annually to place an empty bottle of excellent
- 2:43Speaker 1: label against the tomb of Poe on the anniversary of
- 2:47Speaker 1: his death is a jokester, mister McDonald figures, and so
- 2:51Speaker 1: the Poe toaster made his way into the public consciousness.
- 2:55Speaker 1: He returned each year, and each year performed the same ritual,
- 2:59Speaker 1: three roses the grave, a kgnak toast the remainder of
- 3:02Speaker 1: the bottle left for Poe. As the tradition continued, small
- 3:06Speaker 1: crowds began to gather to catch sight of the mysterious toaster.
- 3:10Speaker 1: The man never gave up his identity, and though there
- 3:12Speaker 1: has been much speculation, there has never been an explanation
- 3:16Speaker 1: for the yearly pilgrimage. But he remained faithful to Edgar
- 3:19Speaker 1: for decades, and then in nineteen ninety three he left
- 3:23Speaker 1: a note, perhaps as much for onlookers as for the author.
- 3:27Speaker 1: It read, the torch will be passed. A few short
- 3:30Speaker 1: years later, in nineteen ninety nine, another note was left
- 3:33Speaker 1: to confirm this. The original toaster had died the previous year,
- 3:37Speaker 1: but his successor continued the tradition for many years in
- 3:40Speaker 1: his stead, with modest crowds standing by to bear witness,
- 3:44Speaker 1: and then as inexplicably as it began, it ended Onlookers
- 3:49Speaker 1: in twenty ten found themselves quite disappointed when, for the
- 3:52Speaker 1: first time in over sixty years, the mysterious man failed
- 3:56Speaker 1: to appear. When he didn't show up the following year,
- 3:59Speaker 1: it became clear that the toaster would visit the grave
- 4:02Speaker 1: side nevermore. Although there has been a lot of speculation
- 4:06Speaker 1: around the identity of the original toaster, it remains uncertain
- 4:10Speaker 1: to this day who really was visiting Poe's grave, and
- 4:13Speaker 1: while there were other visitors who left tokens on the
- 4:16Speaker 1: grave as well, these were not seen as serious successors.
- 4:20Speaker 1: In twenty fifteen, the Maryland Historical Society declared that it
- 4:23Speaker 1: was searching for a new toaster. The following January, a
- 4:27Speaker 1: large crowd once again gathered outside the Westminster Graveyard for
- 4:31Speaker 1: a ceremony with food insider provided the audience was treated
- 4:35Speaker 1: to a reading of pose the cask of Amontiado. And then,
- 4:38Speaker 1: for the first time in half a decade, it happened
- 4:41Speaker 1: Poe's toaster entered the burial ground. He placed the three
- 4:45Speaker 1: roses on the grave and poured himself a glass of cognac.
- 4:48Speaker 1: And when he'd finished the tipple, he placed the bottle
- 4:51Speaker 1: beside the flowers, and then, to the delight of everyone there,
- 4:55Speaker 1: pulled out a violin and played Camille Sainssan's dance macab
- 5:00Speaker 1: And then he took his leave, identity still a secret,
- 5:04Speaker 1: and thus the tradition continues onward, bolstered by the passion
- 5:08Speaker 1: of its fans, who are bound together by the shared
- 5:11Speaker 1: love of a good old fashioned mystery. The abbey was
- 5:28Speaker 1: a peaceful place, nestled in the remote French countryside, many
- 5:32Speaker 1: miles from the east of Paris. There was a small
- 5:35Speaker 1: village nearby, but the monks largely kept to themselves. But
- 5:38Speaker 1: on this day they had a visitor. He was one
- 5:41Speaker 1: of the most famous philosophers of the Enlightenment, come to
- 5:44Speaker 1: stay in their village. He was eager to peruse the
- 5:48Speaker 1: extensive library kept within their walls. The priest came out
- 5:51Speaker 1: to greet him and welcome him. The visitor's name was Voltaire,
- 5:55Speaker 1: but this story isn't about him. It's about the priest
- 5:58Speaker 1: who welcomed him to Sunna be in seventeen fifty four.
- 6:02Speaker 1: His name was dom Augustine Calmet, and for someone who
- 6:06Speaker 1: lived a life as a monk, he left an indelible
- 6:08Speaker 1: mark on history. He was born in sixteen seventy two,
- 6:12Speaker 1: the son of a blacksmith. Without much in the way
- 6:15Speaker 1: of prospects for life, he began studying to become a
- 6:17Speaker 1: Benedictine monk at the age of fifteen. A student of rhetoric, philosophy,
- 6:22Speaker 1: and theology, he was an intelligent and capable learner. Even
- 6:26Speaker 1: as a priest, he was frequently engaged in scholarly work.
- 6:30Speaker 1: Dom Calmet's first published work was printed in seventeen oh seven,
- 6:33Speaker 1: and it was called a Literal Commentary on All the
- 6:36Speaker 1: Books of the Old and New Testaments. An extremely popular
- 6:40Speaker 1: work among Catholic thinkers, it would be printed and reprinted
- 6:43Speaker 1: several times over the following decades, during which Calmet also
- 6:47Speaker 1: worked on several other works of Christian and popular histories.
- 6:50Speaker 1: He wrote one called a Dissertation on the Highways of Lorraine,
- 6:54Speaker 1: and another called History of the Famous Men of Lorraine,
- 6:57Speaker 1: as well as a Tome of Universal History published beginning
- 7:01Speaker 1: in seventeen thirty five. As varied and specific as these
- 7:04Speaker 1: topics are, they would not be the topic that would
- 7:07Speaker 1: make him famous. That would be a little niche topic
- 7:10Speaker 1: that he turned his attention to. In the seventeen thirties, Europe,
- 7:14Speaker 1: you see, was in the middle of a strange period.
- 7:16Speaker 1: An epidemic of weird, superstitious stories had started popping up
- 7:20Speaker 1: throughout the countryside. They were mostly focused on Eastern Europe,
- 7:24Speaker 1: but some occurred in various other countries as well as
- 7:27Speaker 1: far south as the coast of Italy. And the stories
- 7:30Speaker 1: were about vampires. No two vampire stories were identical, but
- 7:35Speaker 1: all included elements of resurrection after death. And we know
- 7:39Speaker 1: that these were caused by a collision between the folk
- 7:42Speaker 1: beliefs of the people and Christianity as a religion. Peasants
- 7:45Speaker 1: who were used to burning their dead had to adopt
- 7:48Speaker 1: a religion that said that the body was necessary for
- 7:51Speaker 1: resurrection during the end times. It's a paradox that helped
- 7:54Speaker 1: create a monster. Meanwhile, dom Calmet knew none of this.
- 7:59Speaker 1: What he knew was that the people across Europe claimed
- 8:01Speaker 1: to have encountered men who came back from the dead,
- 8:04Speaker 1: a belief that was as heretical as it was impossible.
- 8:08Speaker 1: With the eye of both a historian and a Christian theologian,
- 8:11Speaker 1: he set out to write a study of these various
- 8:13Speaker 1: accounts and see what he could find. The majority of
- 8:17Speaker 1: vampire accounts at the time were written by Hungarian army
- 8:20Speaker 1: doctors sent to study the vampire panics by Empress Maria Theresa.
- 8:24Speaker 1: Calmet's Studies of Vampires gathered these altogether, as well as
- 8:29Speaker 1: several other stories from across the continent, to create a
- 8:32Speaker 1: study of what he saw as a modern phenomenon. His
- 8:35Speaker 1: resulting study was published in seventeen forty six as Dissertations
- 8:39Speaker 1: on the Apparitions of Angels, Demons and Spirits and on
- 8:43Speaker 1: the Revenants and Vampires of Hungary, Bohemia, Moravia and Cilicia.
- 8:49Speaker 1: And I'm sure that you won't be surprised to hear
- 8:51Speaker 1: that it was a best seller. It seems that everyone
- 8:54Speaker 1: had an opinion on the monk who wrote about the occult,
- 8:57Speaker 1: but much of the popular opinion was not a positive one.
- 9:00Speaker 1: Calmet's peers thought that he had succumbed to superstition writing
- 9:04Speaker 1: about the ravings of peasants far Afield. Even Voltaire, who
- 9:08Speaker 1: had greatly admired Calmet's theological writings, publicly decried this work.
- 9:13Speaker 1: But of course the book was also not without its
- 9:15Speaker 1: many admirers, and the subsequent attention was enough for Calmet
- 9:19Speaker 1: to expand it in seventeen forty eight, and the result
- 9:22Speaker 1: of his genuine curiosity was a much stronger foundation for
- 9:26Speaker 1: what this creature would become. Before his writing, vampire stories
- 9:30Speaker 1: vary greatly from region to region, but Calmet's efforts ensured
- 9:33Speaker 1: that the monster would become a specific thing in the
- 9:36Speaker 1: minds of the public. It's a curious story the few
- 9:40Speaker 1: people today remember. While bram Stoker gets all the credit
- 9:44Speaker 1: for the modern vampire, none of what he did would
- 9:46Speaker 1: have been possible at all without the efforts of a
- 9:49Speaker 1: Benedictine monk who lived a century earlier. Augustine Calmets would
- 9:53Speaker 1: never know it, but through his religious writings he left
- 9:56Speaker 1: a faint fingerprint on an entire genre of popular which
- 10:01Speaker 1: in a way has helped him live on long after
- 10:04Speaker 1: his death. I hope you've enjoyed today's guided tour of
- 10:11Speaker 1: the Cabinet of Curiosities. Subscribe for free on Apple Podcasts,
- 10:15Speaker 1: or learn more about the show by visiting Curiosities podcast
- 10:18Speaker 1: dot com. This show was created by me Aaron Mankey
- 10:23Speaker 1: in partnership with how Stuff Works. I make another award
- 10:26Speaker 1: winning show called Lore, which is a podcast, book series,
- 10:30Speaker 1: and television show, and you can learn all about it
- 10:32Speaker 1: over at the Worldoflore dot com. And until next time,
- 10:37Speaker 1: stay curious.