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Diddy's Downfall: Courtroom Delays and Hidden Histories · The Flo Show, no filter

• 0:01
  Speaker 1: The thoughts, views and opinions shared on the Flow Show no Filter are for educational and entertainment purposes only.
• 0:11
  Speaker 1: I am not a professional, I am just Good.
• 0:29
  Speaker 1: Ah, happy, happy, what is it?
• 0:34
  Speaker 1: Tuesday?
• 0:35
  Speaker 1: I'll make sure I don't say the wrong day, tuesday, oh man, taco, taco Tuesday.
• 0:41
  Speaker 1: I saw Michelle Kobe and Angie in the comments.
• 0:47
  Speaker 1: Already I said I'm going to start the show early today.
• 0:49
  Speaker 1: I see a few of my favorite people.
• 0:51
  Speaker 1: So I said, without further ado, let's get into the Diddy nonsense, diddy nonsense.
• 1:02
  Speaker 1: We got Diddy nonsense.
• 1:07
  Speaker 1: And some old stuff has come out about Diddy, uh, concerning the Tupac murder, true, true, true in the building.
• 1:10
  Speaker 1: Uh, some stuff has come out and, uh, when I, when I heard it, I was like, oh my god, like you know, stuff was shady back in our in our 90s, in our in our era, early 2000s.
• 1:28
  Speaker 1: You know stuff shady.
• 1:28
  Speaker 1: But when it comes out, when it comes out, you'll be like I thought so, but damn, it just hurts more when you hear it.
• 1:39
  Speaker 1: We're going to get into that.
• 1:40
  Speaker 1: Did he have court?
• 1:42
  Speaker 1: As you all should know, if you follow me on social media, flow, daddy, flow.
• 1:45
  Speaker 1: I covered it.
• 1:46
  Speaker 1: Uh, he had a court hearing yesterday about the new charges.
• 1:50
  Speaker 1: A lot was said, we're gonna get into that.
• 1:52
  Speaker 1: Uh, more people coming out.
• 1:55
  Speaker 1: We're not gonna go into depth about will smith horrible, uh, horrible album but we have a?
• 2:02
  Speaker 1: Uh, another celebrity that has spoke out to tell the world how trash the album and his rapping and all that is, and it sounds like it's about to be more beef, hey, tabitha.
• 2:17
  Speaker 1: So if you aren't ready without further ado, we about to get into a show, and when I say a show, I mean a show.
• 2:25
  Speaker 1: So shout out to everybody on apple and spotify listening.
• 2:28
  Speaker 1: I appreciate your support.
• 2:30
  Speaker 1: And everybody the breakfast crew in the in the uh in the comments.
• 2:34
  Speaker 1: Shout out to y'all, miss y'all every day.
• 2:39
  Speaker 1: I appreciate it.
• 2:39
  Speaker 1: And uh, without further ado, let's, let's get into this.
• 2:42
  Speaker 1: So first of all, we're gonna talk about diddy in this courtroom.
• 2:48
  Speaker 1: Let me let uh cbs news give you a little intro and then we'll.
• 2:53
  Speaker 1: I'll take it from there.
• 2:54
  Speaker 1: Uh, y'all know we got a million commercials, but, um, this is getting.
• 3:01
  Speaker 1: I can't wait y'all.
• 3:19
  Speaker 2: Uh-oh, my bad y'all in May and Alice Gaynor was in court and has more now on why that date could get pushed again.
• 3:25
  Speaker 2: 55-year-old Sean Diddy Combs entered the courtroom in tan prison clothing and blue slip-on shoes.
• 3:31
  Speaker 2: He nodded his head seemingly to an imaginary beat.
• 3:35
  Speaker 2: While seated and waiting for the judge, combs pleaded not guilty to another superseding indictment which adds two charges, bringing the total to five counts.
• 3:44
  Speaker 2: He addressed the judge as judge or.
• 3:47
  Speaker 2: Sir combs is charged with racketeering, conspiracy, transportation to engage in prostitution and sex trafficking.
• 3:54
  Speaker 2: It's alleged he used threats, force and coercion to get victims to engage in sex acts, once allegedly dangling a victim over an apartment balcony.
• 4:03
  Speaker 2: Prosecutors say jury questionnaires are scheduled to be distributed at the end of the month for a few days and on May 5th prospective jurors will then be questioned individually.
• 4:12
  Speaker 2: Opening statements are set for May 12th, but defense attorneys brought up a discovery issue regarding emails and chats for one of the alleged victims who worked for Combs, saying a two-week adjournment related to this material might be necessary.
• 4:25
  Speaker 2: They accused the government of cherry-picking certain messages and not obtaining all emails and messaging chats from this person telling the judge.
• 4:33
  Speaker 2: It's troubling to us.
• 4:34
  Speaker 2: Prosecutors explained the accuser did a keyword search and that they are not in control of all her company emails, likely more than 200,000 of them.
• 4:43
  Speaker 2: The judge said we are a freight train moving towards trial and told the defense they had 48 hours to file for an adjournment if that's what they plan to do.
• 4:52
  Speaker 2: His attorneys did not speak outside the courthouse but of the last superseding indictment recently said quote these are not new allegations or new accusers.
• 5:00
  Speaker 2: These are the same individuals, former long-term girlfriends, who were involved in consensual relationships.
• 5:05
  Speaker 2: This was their private sex life defined by consent, not coercion.
• 5:09
  Speaker 2: No friends or family in the courtroom today.
• 5:12
  Speaker 2: For Sean Combs, the judge said there is another pretrial hearing scheduled for Friday Outside of federal court in Lower Manhattan.
• 5:19
  Speaker 2: Alice Gaynor, cbs News, new York.
• 5:22
  Speaker 1: So it's basically they think that Diddy and his team are engaging in gamemanship.
• 5:32
  Speaker 1: What's going on?
• 5:33
  Speaker 1: Let me recap what they were talking about.
• 5:36
  Speaker 1: So they had a hearing yesterday about the new charges and the judge, the prosecutor, everybody think everybody on the same schedule.
• 5:44
  Speaker 1: Right Wrong?
• 5:45
  Speaker 1: Diddy and his team say, as far as discovery, the prosecution only sent over certain emails and certain replies, that basically saying they cherry picked.
• 6:08
  Speaker 1: But If I'm reading correctly, they say it's 200,000 documents or emails that need to be looked at.
• 6:23
  Speaker 1: Now people are saying why you need to look at 200,000 emails and why, all of a sudden, at the last second, y'all made a motion for everything else, but they didn't make a motion for this.
• 6:38
  Speaker 1: They waited till the last second to bring it up in court, trying to see if they can get some extra time.
• 6:45
  Speaker 1: Now, if you go all the way back to the beginning when we first start covering this morning, not dreamer.
• 6:52
  Speaker 1: If you go back in the beginning when we first start covering this, diddy's team wanted a speedy trial as fast as possible.
• 7:00
  Speaker 1: That's how we got here.
• 7:01
  Speaker 1: But but now all of a sudden, they don't want a speedy trial, they want time, they want delays because of some emails that they feel that prosecutors cherry picked.
• 7:18
  Speaker 1: So let's get into this article.
• 7:19
  Speaker 1: I just want to give you a lot of context before we got into these articles today, because there's a lot going on.
• 7:25
  Speaker 1: There's a lot of misinformation and people just out, you know, for getting clicks and views so you got to be careful, uh.
• 7:31
  Speaker 1: But that's what's going on.
• 7:33
  Speaker 1: So let's get into this article.
• 7:35
  Speaker 1: Uh, this is from fox news.
• 7:39
  Speaker 1: Y'all know I spread it around.
• 7:40
  Speaker 1: I intentionally try to use news from all the different publications on different days so no one can say I'm being biased.
• 7:49
  Speaker 1: So this is from Fox News.
• 7:52
  Speaker 1: Diddy's lawyers accused of gamesmanship in requesting 200,000 documents One month ahead of disgraced rapper's trial.
• 8:05
  Speaker 1: I told you this was going to be a wild one.
• 8:08
  Speaker 1: Buckle up.
• 8:09
  Speaker 1: Sean Diddy Combs pleaded not guilty yesterday to new charges during an arraignment in his federal sex trafficking case.
• 8:20
  Speaker 1: Diddy, 55, appeared in a Manhattan court looking stone-faced, with mostly gray hair and a beard, but smiled upon seeing his two attorneys, tenny Garagos and Mark Agnefilio.
• 8:36
  Speaker 1: His lawyers asked for an adjournment to the trial, which is stated slated to begin next month, and argued that the US attorney's office for the Southern District of New York has been withholding upwards of 200,000 documents relating to the case.
• 8:56
  Speaker 1: Agnophilio told Judge Aaron Sabramanian that, while the government has turned over discovery materials, the latest indictment has substantial counts.
• 9:10
  Speaker 1: Has substantial, substantial counts and may require a short term two week adjournment adjournment which I don't know.
• 9:28
  Speaker 1: We'll see, but I don't know if they're asking for two weeks from the may 5th, when that is supposed to be the jury selection now, or it's asking for additional two weeks after may 12th when it's supposed to be the actual opening arguments now.
• 9:38
  Speaker 1: If you know, it's been may 5th for the longest, but that date is sketchy now.
• 9:43
  Speaker 1: Now, diddy was hit with two new charges in an April 3rd superseding indictment, as federal prosecutors claim sex workers across state lines to engage in prostitution between 2021 and 2024.
• 10:00
  Speaker 1: Garagos acknowledged that her ask is unusual in requesting the government to turn over information from the witness, in requesting the government to turn over information from the witness, but that there were emails and texts not being provided in full to the defense.
• 10:37
  Speaker 1: Prosecutor Christine objected to an adjournment and accused Diddy's team of gamesmanship for requesting 200,000 documents from the government regarding witness communications.
• 10:49
  Speaker 1: So they trying to do delays.
• 10:56
  Speaker 1: Prosecutors have turned over evidence, they've done their part, and then they show up at court and say we need another two weeks to look at these 200,000 documents.
• 11:09
  Speaker 1: Games are being played, but when you're dealing with Diddy and celebrities in general, you got to expect it.
• 11:19
  Speaker 1: You got to expect that they are going to tow every line, every line, in front of them.
• 11:27
  Speaker 1: I ask you, did he and his attorneys have sent over numerous motions about anything, anything a laptop, did he?
• 11:50
  Speaker 1: Did he having nightmares?
• 11:51
  Speaker 1: Is he being treated right?
• 11:52
  Speaker 1: Uh uh.
• 11:52
  Speaker 1: Multiple bail hearings, motions for this, motions for that, but they never sent over a motion about this quote-unquote 200,000 documents, emails that they never received.
• 12:04
  Speaker 1: So anybody, including the judge or anybody involved, knows that this is gamesmanship.
• 12:17
  Speaker 1: You knew this before the court appearance, which will be later.
• 12:29
  Speaker 1: Later this week Friday, actually, I believe Friday they will be back in court.
• 12:34
  Speaker 1: A judge will rule on if they are going to extend the trial, extend the trial start date from what it is now to two weeks later, date from what it is now to two weeks later, and then we'll go from there.
• 12:46
  Speaker 1: That was shocking, to say the least.
• 12:49
  Speaker 1: Nobody saw a delay or a possible delay in the trial coming.
• 12:55
  Speaker 1: The prosecutors were saying that they were all ready and the defense.
• 13:04
  Speaker 1: Up until now, you know they were all on the same page, except for the, I would say no, no, no.
• 13:05
  Speaker 1: Defense started this plea for delaying the trial actually, maybe what?
• 13:12
  Speaker 1: A week or two ago, uh, when they said that the, the, the superseding indictment, had a lot more information in it.
• 13:21
  Speaker 1: Key witnesses are dead, we need more time.
• 13:24
  Speaker 1: And so they didn't get more time there.
• 13:27
  Speaker 1: Think about it, follow me on these, tap in Listen.
• 13:32
  Speaker 1: They didn't get their extended time for that.
• 13:37
  Speaker 1: So I'm sure what they when they got in the huddle after they didn't get additional time because of the superseding indictment and they said the evidence was overwhelming.
• 13:47
  Speaker 1: Judge didn't extend anything.
• 13:49
  Speaker 1: Judge said bring your ass on may 5th or may 12th.
• 13:54
  Speaker 1: Actually, he did give him a little bit because he did the.
• 13:57
  Speaker 1: He moved the jury selection back a little bit, but I don't think that was enough for diddy's crew and his legal team.
• 14:04
  Speaker 1: So I believe they devised a plan and say look, when we go back in here for court on monday, we're gonna bring up that they cherry picked and gave us certain emails and we're gonna request that we want all the emails.
• 14:19
  Speaker 1: And when we request all the emails, which turns out to be well over 200K once they do that, then it's like okay, cool, now we got something, and so this is definitely gamesmanship.
• 14:43
  Speaker 1: We'll see what the judge does and how the judge views it.
• 14:50
  Speaker 1: But, like I said, with the big dog Garagos and he has his daughter on the team as well you're starting to really see some high-level gamesmanship, whether you agree with it or not.
• 15:02
  Speaker 1: But how is it going to affect the judge?
• 15:07
  Speaker 1: You know this type of stuff, you know the judge.
• 15:09
  Speaker 1: If the world knows, it's gamesmanship, if the prosecutors are saying it's gamesmanship pretty strong belief that the judge knows as well.
• 15:19
  Speaker 1: And, like I told y'all from the beginning, diddy has pissed this judge off numerous times already with these games.
• 15:29
  Speaker 1: And I'm telling you, once the actual court starts, you'll see the karma from that.
• 15:38
  Speaker 1: You'll see this judge is not for anybody's game.
• 15:44
  Speaker 1: I'm not saying, I'm saying prosecution or defense.
• 15:47
  Speaker 1: So far I'm not mad at this judge.
• 15:52
  Speaker 1: The judge to me has been fair on both sides.
• 15:57
  Speaker 1: Sometimes people who are much against are against Diddy.
• 16:04
  Speaker 1: You know, sometimes they, especially when the bail and bond things were going on a lot of people kind of thought this judge was cherry picked himself and and we were looking at him with close eyes.
• 16:15
  Speaker 1: But now that we have the benefit of seeing it play out, now we say you know what this judge is.
• 16:30
  Speaker 1: He's about as fair as you can be, so I'm interested to see what happens, uh, uh, this friday and what the judge rules.
• 16:37
  Speaker 1: He probably will grant the two-week extension, but that's not necessarily, you know, not necessarily the case, because I could see him saying no.
• 16:51
  Speaker 1: Because, to use the judge words that you heard on the news, the judge is like we are a freight train headed to trial.
• 16:59
  Speaker 1: What does he mean by that?
• 17:00
  Speaker 1: See, you got to pay attention to words, because when you're in a position of power, a lot of times you really can't say what you want to say unless you are flowing.
• 17:14
  Speaker 1: You're on the show and you have a podcast and it's called no Filter.
• 17:18
  Speaker 1: You can, but if you are a judge presiding over the trial of a century, you got to be careful.
• 17:24
  Speaker 1: But if you are a judge presiding over the trial of a century, you got to be careful.
• 17:26
  Speaker 1: And so, if you dig into the details of what he said in other words, he even pissed off, but he can't say that All he says is we are a freight train heading for trial.
• 17:42
  Speaker 1: What do we know about freight trains?
• 17:46
  Speaker 1: Y y'all, they can't stop on a dime, and so, basically, you know, a freight train take forever to stop, uh.
• 17:54
  Speaker 1: So basically he is saying we got all of this going on, we have lined up all of these witnesses, we lined up all of these witnesses, we lined up all of these jurors and you're going to wait until the final hour to say you want an extension for 200 for these emails.
• 18:17
  Speaker 1: See, that's why he used the term freight train or the phrase, because he's basically saying you trying to imagine trying to stop a freight train at the last second, basically.
• 18:39
  Speaker 1: And so I took out of that and I'm like this judge is and had it up to here with diddy mess.
• 18:44
  Speaker 1: So we will continue to pay attention to the court case.
• 18:52
  Speaker 1: I am looking forward to Friday, because if this judge now, if this judge goes in here on Friday and says ain't no extension, then I'm really, I'm telling y'all, that really means that he is done with the defense and all these extra games they play.
• 19:11
  Speaker 1: But if he goes in there and gives them an extension, I could see that happening as well.
• 19:16
  Speaker 1: He might decide and say you know what they should have sent over all those emails.
• 19:20
  Speaker 1: I tell you all the time I'm a podcast, I do my research, but I'm not a judge and so I'm not going to speak for the judge.
• 19:27
  Speaker 1: He's looking at way more evidence and knows what's going on much more than me, so I could see him granting a two-week extension, because he has to be careful of not be of being unfair, because that is when appeals come into play and you know not that this is a big enough reason.
• 19:49
  Speaker 1: But you don't want them to get.
• 19:50
  Speaker 1: You get the verdict you want.
• 19:52
  Speaker 1: Then the next thing you know they're talking about, you know, after after the fact, that the verdict is in question because at the trial date, we asked for two weeks which is, you know, not a lot of time to look over 200000 emails, and the judge would let us, and that led to this, this, this Next thing, you know a lot of time to look over 200 000 emails, and the judge wouldn't let us, and that led to this, this, this next thing, you know you got an appeal going.
• 20:15
  Speaker 1: So the judge is in a precarious situation, but, uh, like I said he, I have to give credit, what credit is due.
• 20:23
  Speaker 1: I call it straight down the middle this judge.
• 20:25
  Speaker 1: We were skeptical, skeptical of him early, as we should be of anybody when it comes to money and power.
• 20:34
  Speaker 1: We all want to make sure everything on up and up, but now, as we get to this moment, right here, I could say he's been pretty fair.
• 20:45
  Speaker 1: So we are going to continue to watch out for that.
• 20:47
  Speaker 1: But more shady information about Diddy and his past has come out from another bad boy artist.
• 20:56
  Speaker 1: You may know him.
• 20:57
  Speaker 1: His name is Chopper, and Chopper on Diddy's contract with Biggie.
• 21:10
  Speaker 1: That may explain why Diddy is at fault for not only Tupac's murder but Biggie's murder.
• 21:20
  Speaker 1: Oh, it's getting deep, y'all it's getting really deep.
• 21:27
  Speaker 1: And after I break this down, y'all gonna be like, wow, it's getting really deep.
• 21:32
  Speaker 1: And after I break this down, y'all going to be like, wow, it's plain sight.
• 21:34
  Speaker 1: A lot of this stuff is in plain sight and that's what gets me every time Like I was into this watching all of this play out.
• 21:42
  Speaker 1: I ate, slept and breathed, bad boy, biggie and all of that and still stuff went over my head that happened.
• 21:56
  Speaker 1: And here we are.
• 21:56
  Speaker 1: What?
• 21:57
  Speaker 1: 30 years later, almost, or whatever, and still getting more.
• 22:00
  Speaker 1: But before we get into that, listen to what gene deal says about biggie's murder and who was responsible, and then we'll get into Chopper, I'll ask you this directly, man.
• 22:14
  Speaker 3: So I want to ask you do you think Diddy should be responsible for Biggie's murder?
• 22:18
  Speaker 3: I think that Arista Records, bad Boy Entertainment they're responsible for the security of the notorious BIG, knowingly that there were a hostile environment in California and having him put him out there put him at risk of anything happening to him.
• 22:50
  Speaker 3: Now, regarding to that, bad Boy Entertainment was told by an individual that they had hired to do security and was told that we need more security now.
• 23:15
  Speaker 1: I'm gonna stop it right there now.
• 23:17
  Speaker 1: I mind you, a lot of this stuff is stuff that we kind of have privy to, or information.
• 23:22
  Speaker 1: So bear with me, because I'm making a point and it's going to lead up to chopper giving us some new information that just points to how shady the diddy monster is.
• 23:32
  Speaker 1: So let me take you back real quick.
• 23:35
  Speaker 1: What gene deal is talking about tupac?
• 23:38
  Speaker 1: Everybody knows the the inflated to uh east coast, west coast rivalry and beef that was going on.
• 23:45
  Speaker 1: Diddy might end up being in trouble for all of this when it's all said and done, but check this out.
• 23:51
  Speaker 1: So everybody knows that Tupac and Biggie.
• 23:53
  Speaker 1: You know Tupac represented the west coast, biggie represented the east coast and Tupac was killed and when he was killed the spotlight automatically went on on Biggie.
• 24:05
  Speaker 1: It's an east coast, west coast world war.
• 24:09
  Speaker 1: Everybody on the West Coast, everybody knows about California.
• 24:12
  Speaker 1: They will kill you out there Gangs, and it's a lot going on.
• 24:18
  Speaker 1: It's nothing to play with.
• 24:21
  Speaker 1: La, compton, cali in general, west Coast in general.
• 24:25
  Speaker 1: There's nothing to play with.
• 24:29
  Speaker 1: So, not even long after Tupac was killed, why would Diddy have Biggie, even in LA, fresh off of Tupac being killed and knowing that Biggie was marked for death at that point.
• 24:48
  Speaker 1: Everybody knew it.
• 24:51
  Speaker 1: It wasn't like something that was whispered.
• 24:55
  Speaker 1: Everybody knew it.
• 24:56
  Speaker 1: The common knucklehead knew that because Tupac was killed and that was the west coast savior.
• 25:02
  Speaker 1: That was the number one rapper and he was the west coast representative.
• 25:07
  Speaker 1: Everybody know, once he was killed, somebody was going to want some revenge.
• 25:13
  Speaker 1: So if the whole world knew it, diddy knew it, diddy still has Biggie go out to LA to record in the studio and go to the radio because Diddy don't give a fuck, because Diddy don't give a fuck.
• 25:27
  Speaker 1: See, if any of you or me had an artist in the same situation, it's no way in hell we would have them in LA and California.
• 25:36
  Speaker 1: Not only because I would be scared, but I think like this If something happens to him, his mama going to be after me, like I am going to make sure you are protected.
• 25:48
  Speaker 1: But when you are somebody who only values money and fame, who cares, send Biggie to LA.
• 25:57
  Speaker 1: Not only does he send him to LA Now I'm catching you up to what Gene Deal was talking about.
• 26:03
  Speaker 1: Not only did he purposely place Biggie in harm's way by putting him in LA, but then the security that Diddy hired himself.
• 26:13
  Speaker 1: The security told Diddy we need more security.
• 26:20
  Speaker 1: And why did they need more security?
• 26:24
  Speaker 1: Because the streets were telling them that.
• 26:27
  Speaker 1: The streets were telling them that, the streets were telling them that.
• 26:35
  Speaker 1: But when you don't care, or this is a setup like a lot of people are saying, and Chopper went into that, that's why I'm giving you for those that may not know the whole story, I'm trying to give you as many context clues and a lot of backstory so when we hear what chopper says, you can put all the pieces together yourself.
• 26:55
  Speaker 1: So did he.
• 26:57
  Speaker 1: Didn't get extra security.
• 26:59
  Speaker 1: Why didn't he?
• 27:00
  Speaker 1: Who knows?
• 27:02
  Speaker 1: This is what we're gonna get into.
• 27:04
  Speaker 1: There are witnesses from that time that say biggie was running around with just him and two of his friends no security.
• 27:13
  Speaker 1: They spotted Biggie at Beverly Hills Center no security.
• 27:19
  Speaker 1: So this is the biggest rapper of all time.
• 27:23
  Speaker 1: You're Diddy, and you got the biggest rapper of all time running around LA with no security.
• 27:30
  Speaker 1: Rapper of all time running around la with no security when tupac, his quote-unquote rival east coast, west coast was just gunned down in vegas.
• 27:43
  Speaker 1: Come on, y'all, all I'm, all we ask for is everybody, use common sense.
• 27:45
  Speaker 1: This is not adding up, but hold hold on.
• 27:47
  Speaker 1: Gene Deal goes on.
• 28:14
  Speaker 3: They failed to take that information and do something by securing the artist of Notorious B doing his stay out there in California.
• 28:18
  Speaker 3: The only time they hired additional security personnel was doing the video, hypnotized.
• 28:35
  Speaker 3: They are responsible for the safety and the well-being of any of the artists, especially when they're in a hostile environment.
• 28:51
  Speaker 3: So, in a whole nutshell, that boy in Arizona was responsible for not securing big and making sure he had enough security.
• 29:08
  Speaker 1: So then, that brings us to Chopper, now the motive behind.
• 29:19
  Speaker 1: Did he have Biggie in LA with no security, knowing that there's a price on his head?
• 29:26
  Speaker 1: Tupac was just killed.
• 29:27
  Speaker 1: Not, I don't even.
• 29:29
  Speaker 1: Was it a year, maybe barely a year, it was less than less than a year.
• 29:33
  Speaker 1: Might have been six months I'll have to look it up to get the exact time frame but it was quick, even to the point where Biggie's mother said to told her son she didn't want him going out there.
• 29:44
  Speaker 1: He went anyway, but Chopper, a bad boy artist, now is coming out with new information saying that it was indeed a setup.
• 29:55
  Speaker 1: This ain't no joke.
• 29:56
  Speaker 1: Blow off the street, saying that this is a bad boy artist who was on the label after, right after biggie and knows what was said in the label.
• 30:07
  Speaker 1: But, spoiler alert, it all came down to money and and and the shadiness that diddy did to get biggie's money and screw over biggie's mom will make your fucking blood boil, because it made mine.
• 30:31
  Speaker 1: And it's the reason why I'm talking about this shit today, because this information is something I never knew.
• 30:38
  Speaker 1: I knew it was a possible setup.
• 30:42
  Speaker 1: I knew they needed security.
• 30:44
  Speaker 1: I knew all of that.
• 30:45
  Speaker 1: Everything I've told you up until now is what I knew.
• 30:50
  Speaker 1: I didn't know this.
• 30:53
  Speaker 1: Check this out.
• 30:55
  Speaker 4: Oh, that was sad To see that she never quite, you know got the justice that she deserved.
• 31:02
  Speaker 1: Talking about Biggie's mom when she actually killed her son.
• 31:04
  Speaker 4: I bet that was heartbreaking to her.
• 31:07
  Speaker 4: I feel like, I feel like I know diddy ain't I know diddy ain't really do nothing to help the situation either, you know, because she never really quite got the money she deserved from big estate and I don't know, bro, I just I just feel like diddy just did everybody dirty, including big and mama and um.
• 31:28
  Speaker 4: Rest in peace to miss wallace.
• 31:28
  Speaker 4: And I feel like shedy just did everybody dirty, including Biggie Mama, and rest in peace to Miss Wallace.
• 31:31
  Speaker 4: And I feel like she passed with a broken heart.
• 31:35
  Speaker 4: Well, she transitioned with a broken heart by not knowing that her baby boy, not knowing who her baby boy killer was.
• 31:42
  Speaker 4: I know that's heartbreaking.
• 31:44
  Speaker 4: That's how I feel about it.
• 31:46
  Speaker 4: I feel like she was heartbroken and rest in peace to Miss Wallace.
• 31:50
  Speaker 4: And it's just another icing on the cake of why Diddy is getting this karma right now.
• 31:57
  Speaker 4: Truthfully, another icing on the cake.
• 31:59
  Speaker 4: Rest in peace to Ms Wallace.
• 32:02
  Speaker 3: I know a lot of people that feel that same way.
• 32:04
  Speaker 3: But why do you feel like Diddy did her wrong?
• 32:07
  Speaker 4: Did he do it wrong?
• 32:07
  Speaker 4: Because, contract-wise, I know this for sure from the inside At Bad Boy.
• 32:19
  Speaker 4: I know one thing that Biggie tried to do and, mind you, biggie was way before me when he passed.
• 32:23
  Speaker 4: I was like 11.
• 32:24
  Speaker 4: But, being at Bad Boy for the time I was there, rumors used to go around.
• 32:30
  Speaker 4: Of course people had their likes and don't likes about Diddy and working with Diddy.
• 32:36
  Speaker 1: So now we got Chopper.
• 32:38
  Speaker 1: He gave you a little background, oh sweet.
• 32:40
  Speaker 1: And then this episode is actually dedicated to Miss Wallace.
• 32:43
  Speaker 1: That's Biggie's mom.
• 32:44
  Speaker 1: She was a sweet, strong, smart lady who built, who took Diddy's estate and 10 times did.
• 32:54
  Speaker 1: She made his estate worth 10 times or more, worth more than it was when it was left to her.
• 33:02
  Speaker 1: Just a strong, smart lady.
• 33:04
  Speaker 1: And to lose your son to some assholes that all they care about is money is the saddest shit ever.
• 33:10
  Speaker 1: And that's Chopper giving a little background, so you'll know where he's coming from.
• 33:14
  Speaker 1: We're gonna continue, uh uh.
• 33:16
  Speaker 1: It's just sad, but but basically he's about to go into what did he did once biggie passed, and this right here is some of the shadiest shit.
• 33:31
  Speaker 1: And this guy has done a lot of shady shit, but this right here, this, took the cake as far as the Biggie shit to me.
• 33:39
  Speaker 1: Check this out.
• 33:40
  Speaker 4: And I used to hear rumors of within the people had they they likes and don't likes about that working with it.
• 33:46
  Speaker 4: They likes and don't likes about Diddy working with Diddy.
• 33:49
  Speaker 4: And I used to hear rumors of within the contract of Biggie wanting to go solo that Diddy didn't like it.
• 34:01
  Speaker 4: Diddy didn't like that.
• 34:02
  Speaker 4: Biggie wanted to have his own label and do his own thing.
• 34:06
  Speaker 4: You know, I think Biggie felt like he had his run with Diddy and he wanted to do his own thing.
• 34:11
  Speaker 4: And this is facts.
• 34:12
  Speaker 4: Um, from what I heard, um, I heard that, uh, he, uh he did the contract of being released from the last album and, uh, when the la situation happened to just my opinion, I heard that it was all kind of like a setup.
• 34:29
  Speaker 4: Truthfully, I I heard it was a setup.
• 34:30
  Speaker 4: I heard that, yeah, that's just, I'm keeping it real.
• 34:33
  Speaker 4: These are things that I heard.
• 34:35
  Speaker 4: I heard that he had lack of security.
• 34:38
  Speaker 4: Number one, he had lack of security.
• 34:41
  Speaker 4: The security that Biggie was, he normally had with him.
• 34:45
  Speaker 4: They wasn't there.
• 34:46
  Speaker 4: They wasn't there.
• 34:47
  Speaker 4: I don't know, bro, it just felt like it was a setup.
• 34:49
  Speaker 4: But I know one thing when did the contract got released?
• 34:55
  Speaker 4: Once Biggie passed, did he recounted the contract and got all his royalties?
• 34:59
  Speaker 1: I'm going to stop it right there.
• 35:00
  Speaker 1: I'm going to stop it right there and let him continue in a second.
• 35:03
  Speaker 1: But did you hear that when Biggie passed and it was Diddy's fault he fucking changed the contract, so every penny of Biggie's money went to him?
• 35:22
  Speaker 1: Think about Miss Wallace.
• 35:28
  Speaker 1: As you hear what I'm saying, miss Wallace loses her son In a city that he had no business being in, when she said she didn't want him to go.
• 35:38
  Speaker 1: But that ain't enough.
• 35:41
  Speaker 1: Oh, that ain't enough.
• 35:44
  Speaker 1: It ain't enough.
• 35:45
  Speaker 1: Taking away her baby boy, whether it was a setup or whether it was neglect, greed, whatever it happened, but that wasn't enough.
• 35:56
  Speaker 1: This POS changes the fucking contract and on top of that, which adds to the motive of all this shit, biggie was on his way to getting the hell out of there.
• 36:22
  Speaker 1: Biggie was on his way of going into his own independence and Diddy didn't like that Biggie.
• 36:33
  Speaker 1: If you know the history, then think about this why did Biggie take his artists, junior Mafia and the rest of his artists?
• 36:44
  Speaker 1: He didn't take them through Bad Boy, he ran them to Atlantic.
• 36:50
  Speaker 1: Why would he do that?
• 36:52
  Speaker 1: If Diddy is handling his business and he liking Diddy, why would he do that?
• 36:56
  Speaker 1: That, let you know, it was shady and Biggie was ready to get the hell on.
• 36:59
  Speaker 1: And Diddy, I mean, and Biggie was about to go on his own to get the hell on.
• 37:03
  Speaker 1: And Diddy, I mean, and Biggie was about to go on his own.
• 37:05
  Speaker 1: So if Diddy didn't set it up which the more and more details come out like they said, the LA West Coast wanted somebody's head.
• 37:15
  Speaker 1: They actually wanted Diddy's head, but the rumor is Diddy said I give you Biggie in so many words, allegedly so all of that, he going on his own.
• 37:33
  Speaker 1: It's almost like Diddy said well, if you're going to leave me, then I'm going to leave you dead.
• 37:44
  Speaker 1: And the minute Biggie was passed did he, according to chopper, change the contracts.
• 37:53
  Speaker 1: And you know how much biggie.
• 37:56
  Speaker 1: So biggie's life after death double album, one of the biggest selling albums in history, grossed millions, millions, millions, millions.
• 38:08
  Speaker 1: And Diddy made sure that he changed and manipulated the contract.
• 38:15
  Speaker 1: So those millions, millions, millions went to him and said Miss Wallace, whatever Chopper, I'm going to let Chopper finish.
• 38:23
  Speaker 1: Went to him and said Miss Wallace, whatever Chopper, I'm going to let Chopper finish, and publishing and everything and his publishing, hold on Whoa, whoa, whoa, whoa, whoa and his publishing.
• 38:34
  Speaker 1: I forgot about that.
• 38:36
  Speaker 1: Made sure his publishing was signed over.
• 38:39
  Speaker 4: Then he recounted the contract and got all his royalties and publishing and everything Then and got all his royalties and publishing and everything.
• 38:46
  Speaker 4: Diddy got all of it.
• 38:47
  Speaker 4: Once he died, Diddy gave his mama a little bit of nothing.
• 38:52
  Speaker 4: That is facts.
• 38:53
  Speaker 4: That is what I heard.
• 38:54
  Speaker 4: That is facts, Big old facts.
• 38:58
  Speaker 4: Look, Diddy's in a situation right now and I just don't think that things just happen to you.
• 39:06
  Speaker 4: It happens for you.
• 39:07
  Speaker 4: Why is everything crashing down on Diddy?
• 39:10
  Speaker 4: It's a reason why.
• 39:12
  Speaker 4: It's because you're just a dirty person, Not just dirty, You're selfish.
• 39:17
  Speaker 4: You know.
• 39:17
  Speaker 4: You only look out for you and yours.
• 39:19
  Speaker 4: You know, and it's every last one of us and our family, but it's all graven with you and yours.
• 39:25
  Speaker 4: You know, and it's every last one of us and our family, but it's all graven with you and yours.
• 39:27
  Speaker 4: So that's why, when the justice situation and all that you know, he even responded you know, chop man.
• 39:32
  Speaker 4: You know, look, look, look, daddy, I don't, you was a little, you was a little baby.
• 39:36
  Speaker 4: You really don't know what's down with the history of what your daddy quite done, honestly, Like you know, but that's your fault.
• 39:43
  Speaker 4: So you're going to take up for your family, You're going to take up for your daddy.
• 39:47
  Speaker 4: I get that.
• 39:48
  Speaker 4: But Diddy did a lot of us dirty, Even his main money guy, which was Biggie you dig, and he definitely switched up the contract when Biggie died.
• 40:01
  Speaker 4: And these are facts.
• 40:02
  Speaker 4: You can look it up and what I'm saying right now I'm not throwing Diddy under the bus.
• 40:07
  Speaker 4: I might have it running over a leg or two, but things that I'm saying is public record, it's already out there.
• 40:14
  Speaker 4: All I'm doing is keeping it real because I was there.
• 40:18
  Speaker 4: I experienced these things that were said, things that I've heard.
• 40:23
  Speaker 4: On this Art of Dialogue, everything I and I experienced these things that was said you know, things that I've heard you know.
• 40:26
  Speaker 4: So, on this art of dialogue, right chill, everything I'm saying you know is actual, factual, you know, coming from me and I'm not.
• 40:34
  Speaker 4: I'm not, you know, I'm unbiased, you know.
• 40:35
  Speaker 4: But that is definitely what I heard about the Biggie situation that Diddy wanted to get out of the contract.
• 40:41
  Speaker 4: Right after that, the LA situation happened Biggie dies Within him dying.
• 40:47
  Speaker 4: Diddy remixed, G-mixed the contract and made everything come to him from that last album that he had.
• 40:54
  Speaker 4: Yep, big old facts, Big old facts.
• 40:58
  Speaker 1: Yes, Miss Wallace died of a broken heart and she also died with so, as a result, miss Wallace died of a broken heart and she also died with.
• 41:05
  Speaker 1: So, as a result, miss Wallace died of a broken heart, and it ain't right, like C-Tuck said and I was going to get into that Biggie was supposed to go to London at that same time, but did he changed it?
• 41:25
  Speaker 1: Why did he change it?
• 41:29
  Speaker 1: Why did he make?
• 41:29
  Speaker 1: Why did he change Diddy's flight to London to go work on his album and change it to LA, knowing what the hell had just happened?
• 41:40
  Speaker 1: These are questions that need to be answered and, miss Kennedy, you are basically repeating what I've said a thousand times.
• 41:51
  Speaker 1: They are supposed to do whatever they can to defend themselves, right, but then I that's.
• 41:59
  Speaker 1: But my job is to call out the lies.
• 42:02
  Speaker 1: So I'm doing my job, but I've said exactly what you commented a thousand times and I actually said it today too.
• 42:12
  Speaker 1: But, moving on, biggie was supposed to go to London and ended up in LA, where his demise Diddy changes the freaking contract.
• 42:21
  Speaker 1: In LA, where his demise Diddy changes the freaking contract, changes the freaking contract and gets all the money and just screws over his mother after she lost her child.
• 42:31
  Speaker 1: You gotta be a different type of person for that.
• 42:34
  Speaker 1: You gotta be a different type of person for that man, oh man.
• 42:47
  Speaker 1: So there's another documentary for the all my uh, overseas people who don't have access to a lot of the diddy documentaries that have come out, come out over the states.
• 43:00
  Speaker 1: But uh, you got one.
• 43:02
  Speaker 1: Now y'all it has to be streamed on Global.
• 43:06
  Speaker 1: What is it?
• 43:07
  Speaker 1: Global TV dot, something Global.
• 43:09
  Speaker 1: I'll get it in a minute, but it's going to be streamed.
• 43:12
  Speaker 1: I mean, it is streamed and you can go check it out now.
• 43:17
  Speaker 1: It's a documentary.
• 43:18
  Speaker 1: Unveils P Diddy's abuse.
• 43:19
  Speaker 1: This is a direct quote from Mixed Valet Documentary unveils P Diddy's abuse.
• 43:24
  Speaker 1: This is a direct quote from Mixed Valet Documentary unveils P Diddy's abuse allegations with over 120 victims speaking out, and it's called the new documentary is called Diddy colon how a Bad Boy is Born.
• 43:42
  Speaker 1: It's streaming on here's the name of it global play.
• 43:51
  Speaker 1: Global play that's where it's streaming on a lot of my overseas uk, australia, all those different places.
• 43:54
  Speaker 1: You guys haven't been able to see a lot of the diddy documentaries because they were released for us uh only.
• 44:00
  Speaker 1: But they got one for you now and in this documentary, like I said, it's 120 individuals men, women and minors reporting abuse that spanned over three decades.
• 44:13
  Speaker 1: We're gonna get into a little bit of that.
• 44:14
  Speaker 1: But y'all know this is the time in the show we gotta thank.
• 44:17
  Speaker 1: We gotta thank the people that make this possible, make this truth telling podcast a reality.
• 44:26
  Speaker 1: There is an attack on unbiased truth telling news right now.
• 44:30
  Speaker 1: If you listen to all the podcasts I've been, I've been telling you so for us to combat the war on us, we need our subscribers, because I'd much rather be held responsible to my subscribers because we all we know what we want to talk about.
• 44:49
  Speaker 1: Y'all just want to hear the truth.
• 44:50
  Speaker 1: I just want to tell y'all the truth.
• 44:52
  Speaker 1: So it's very simple.
• 44:53
  Speaker 1: That's who I want to honor.
• 44:55
  Speaker 1: I don't want to be beholding to no corporation that's going to tell me hey, can you lighten up on the Diddy topic?
• 45:01
  Speaker 1: Can you not say this?
• 45:02
  Speaker 1: Can you not say that?
• 45:03
  Speaker 1: Because if you notice certain publications, I've got real light on the Diddy coverage.
• 45:10
  Speaker 1: Go in my comments.
• 45:12
  Speaker 1: You'll see people say it all the time.
• 45:13
  Speaker 1: They're like nobody else is covering this.
• 45:15
  Speaker 1: I'm glad you're covering it.
• 45:16
  Speaker 1: Why am I covering it?
• 45:18
  Speaker 1: Because I have the stability of my subscribers who got my back, and when you subscribe, you saying Flo, keep telling us the truth.
• 45:27
  Speaker 1: We appreciate it.
• 45:27
  Speaker 1: We know you putting a lot on the line.
• 45:29
  Speaker 1: We know you sticking your neck out and here goes a subscription, here goes a few dollars to help you on your mission, to help the Flo Show, no filter.
• 45:38
  Speaker 1: So I stop every show to shout out new subscribers because they mean the world to not only me, but they mean the world to this whole movement, because without them, like I laugh.
• 45:50
  Speaker 1: And somebody, somebody in my and I don't like it Army had a joke.
• 45:54
  Speaker 1: I told people I said if I don't get it, if I don't continue to get subscribers, I'm gonna have to start talking about the Browns every day, because I can get plenty of corporate sponsors.
• 46:02
  Speaker 1: I'll probably be a millionaire if I just start talking about the Browns every day because I can get plenty of corporate sponsors.
• 46:06
  Speaker 1: I'll probably be a millionaire if I just start talking about sports.
• 46:07
  Speaker 1: So if you don't want to hear about the Browns, you got to subscribe.
• 46:09
  Speaker 1: But I had somebody in my end.
• 46:10
  Speaker 1: I don't like it.
• 46:11
  Speaker 1: Army said a funny thing.
• 46:12
  Speaker 1: She said, uh, and if you're not in the end, I don't like it.
• 46:15
  Speaker 1: Army, it's my private group on Facebook.
• 46:16
  Speaker 1: Go ahead and join or request I'll, I'll let you, I'll give you permission or I'll uh you in.
• 46:22
  Speaker 1: But she said Flo said he's going to have to talk about the Browns if we don't subscribe.
• 46:29
  Speaker 1: So we need to get the word out because I'm a Steelers fan.
• 46:31
  Speaker 1: I thought that was hilarious.
• 46:34
  Speaker 1: So, hey, steelers fans, y'all know y'all hate us.
• 46:37
  Speaker 1: We hate y'all when it comes to sports.
• 46:39
  Speaker 1: We don't hate you in real life, but you know I'm a Browns fan.
• 46:45
  Speaker 1: Y'all stealers make sure you tell everybody subscribe, unless you want to hear me talking about the browns and the calves every day.
• 46:51
  Speaker 1: But uh, in all seriousness, uh, let me shout out um, the subscriber of the day.
• 46:54
  Speaker 1: This episode is brought to you by this subscriber.
• 46:57
  Speaker 1: Uh, she means the world to me, just like all my subscribers, because y'all are the reason I'm able to do this, which is why I take it very, very serious.
• 47:06
  Speaker 1: The flow show no filter is my baby.
• 47:09
  Speaker 1: My first baby is mr king, my son.
• 47:14
  Speaker 1: My second baby is the flow show no filter, and I don't play about the flow show no filter at all and I don't give a fuck who has a problem with it.
• 47:23
  Speaker 1: Because, like my dad always told me, and take this advice to anything that y'all are working on or anything y'all believe in.
• 47:30
  Speaker 1: It's very easy for somebody to comment on something that you put your blood, sweat and tears and sacrifice in to build.
• 47:39
  Speaker 1: Don't never pay them no attention.
• 47:41
  Speaker 1: And I, and, and and that.
• 47:44
  Speaker 1: Those words carry me through this, because people who have no nothing invested in what you do, it's easy for them to say how you should handle this or how you should do that, but it's only one person that, that, that has the final call in that and that's you, because you're the one put the work in, you're the one sacrificing, sometimes not seeing your child behind, sacrificing for this show, sometimes not seeing your mother sacrificing for this show, sometimes not being able to jump on the phone because you're working all the time.
• 48:15
  Speaker 1: And so I don't mean I don't mince words when it come to my babies.
• 48:22
  Speaker 1: So I don't mean I don't mince words when it come to my babies.
• 48:24
  Speaker 1: I've been having and preaching the same message since October 30th.
• 48:27
  Speaker 1: If you didn't catch it, and I've said it a million times, that ain't my fault.
• 48:30
  Speaker 1: So, emily Mattson, I greatly appreciate you for being a subscriber today with a three dollar donation.
• 48:40
  Speaker 1: She subscribed Emily and her.
• 48:42
  Speaker 1: Her emoji is a heart.
• 48:44
  Speaker 1: Everybody in the chat, clap it up, give emily mattson her uh flowers.
• 48:49
  Speaker 1: So appreciate it, emily.
• 48:58
  Speaker 1: I go to bat for any one of my subscribers.
• 49:01
  Speaker 1: Anybody that that that supports the flow show no filter.
• 49:04
  Speaker 1: I will go to bat for you, and my community knows that.
• 49:09
  Speaker 1: But just like I go to bat for you, I go to bat for myself.
• 49:13
  Speaker 1: And I'm going to say it again.
• 49:16
  Speaker 1: I have two babies King, who is my son I love him to death who's graduating in June, and my second baby is the flow show, no Filter.
• 49:26
  Speaker 1: If you want to play with your babies, that's your job or that's your prerogogative, like the bobby brown song, but I ain't playing about my babies at all.
• 49:36
  Speaker 1: So we're gonna continue to push forward.
• 49:39
  Speaker 1: Emily, again thank you, I'm gonna give you some more claps.
• 49:44
  Speaker 1: And everybody who has subscribed and purchased uh, uh stuff on on on the website and the merch site and I don't like it, all of y'all are to be commended.
• 49:54
  Speaker 1: I appreciate y'all greatly.
• 49:56
  Speaker 1: I tell y'all all the time.
• 49:57
  Speaker 1: That's why I get my ass up and I'm on here at 730 every freaking Monday through Friday to do what I do.
• 50:04
  Speaker 1: Why?
• 50:05
  Speaker 1: Because I appreciate that y'all supporting me on this shit and I really mean that I don't have to get up at the crack of dawn every day and do this.
• 50:12
  Speaker 1: But I appreciate it and I know my subscribers, my listeners, I know they know at a certain time that new episode is uploading and I want it to be there every time.
• 50:21
  Speaker 1: Y'all Look.
• 50:22
  Speaker 1: I know what it feels to be let down.
• 50:24
  Speaker 1: I know what that feel like and I ain't gonna do that to y'all.
• 50:28
  Speaker 1: So again, thank you, thank you, thank you, uh, for all the support and we're gonna continue to cover now.
• 50:37
  Speaker 1: I couldn't, I got a little more ditty.
• 50:40
  Speaker 1: So the documentary and you know, I can't wait to tell y'all the celebrity that that said uh will smith album is trash and and he need to give it up.
• 50:50
  Speaker 1: But uh, we're gonna get to that after I make sure my overseas I see I even take care of my overseas uh, people, y'all, my family too, all my sydney, uh, brisbane, if I'm if I'm saying it wrong, I'm sorry brisbane, or whatever, australia, like I said, sydney, uk, you know, all the way out there in london, y'all, all in the netherlands, y'all support me so much.
• 51:10
  Speaker 1: Uh, I found a documentary for y'all.
• 51:14
  Speaker 1: I said I gotta bring it to the show because so many have hit me in the dm and say, flo, I can't watch that one because I'm overseas.
• 51:21
  Speaker 1: Do you know any other ones?
• 51:22
  Speaker 1: I got you so going back.
• 51:25
  Speaker 1: It's on global play.
• 51:27
  Speaker 1: Download the app global play and you'll get this documentary documentary and it talks about the unraveling which began November to 2023 when Cassie, former girlfriend and singer, filed that lawsuit and things went crazy from there.
• 51:45
  Speaker 1: The victims range from aspiring artists to employees, with some as young as nine at the time of the alleged crimes.
• 51:57
  Speaker 1: The documentary delves into Combs' rise from Harlem streets to global stardom, juxtaposing his charisma with accounts of predatory behavior.
• 52:13
  Speaker 1: Goes on to say this is the, the documentary on global play.
• 52:15
  Speaker 1: Over 120 people.
• 52:19
  Speaker 1: Uh, yeah, go.
• 52:22
  Speaker 1: Yeah, there's, look at emily I so I love when my subscribers are in the building.
• 52:26
  Speaker 1: No, oh, emily, I can't thank you enough.
• 52:29
  Speaker 1: That's the least I could do.
• 52:30
  Speaker 1: Thank you, emily, spread the word and keep me from talking about the browns, please.
• 52:34
  Speaker 1: I don't want to talk about the Browns.
• 52:36
  Speaker 1: That early in the morning they pissed me off.
• 52:37
  Speaker 1: They pissed me off probably more than Diddy, but um, the documentary goes on to say at least 25 victims were under 18 when the incidents occurred, some as young as nine, according to legal filings.
• 52:52
  Speaker 1: The charges paint paint a picture of decade long pattern, with crimes allegedly committed in studios, hotels and private residencies across the United States.
• 53:02
  Speaker 1: Prosecutors claim Combs operated a criminal enterprise.
• 53:08
  Speaker 1: All of that is broke down In this latest, latest documentary on global pay.
• 53:12
  Speaker 1: Let me give you the name of that is broke down in this latest, uh, latest documentary on global pay.
• 53:15
  Speaker 1: Let me give you the name of that documentary one more time so y'all could go check it out.
• 53:20
  Speaker 1: The new documentary is called diddy colon.
• 53:24
  Speaker 1: How a bad boy is born, diddy, how a bad boy is born.
• 53:29
  Speaker 1: Streaming everywhere right now.
• 53:32
  Speaker 1: Check it out as we move closer and closer to the trial of the century.
• 53:42
  Speaker 1: Now I can't get out of here.
• 53:44
  Speaker 1: Can't get out of here without bringing more receipts about everybody who is saying Will Smith, his album is trash.
• 53:54
  Speaker 1: I was the first one.
• 53:55
  Speaker 1: That was my breaking news.
• 53:57
  Speaker 1: That was my breaking news.
• 53:59
  Speaker 1: But it's more people, and this person is Tony Rock.
• 54:02
  Speaker 1: Of course he going to say it, but listen to this.
• 54:06
  Speaker 5: Yeah, hey, will.
• 54:07
  Speaker 5: Great time to be a comic right now.
• 54:08
  Speaker 5: Will Smith has an album out and it's a piece of shit and he addresses the Oscars.
• 54:13
  Speaker 5: It's a good time to be a comic right now.
• 54:17
  Speaker 5: What do you think about that?
• 54:18
  Speaker 5: Like, I mean, bro, like he's going back to it.
• 54:21
  Speaker 5: Everybody keeps telling me to stop talking about it, but then he puts it on the song, so that gives me leeway to talk about it again.
• 54:27
  Speaker 5: Album's trash.
• 54:29
  Speaker 5: I'm just assuming that I have you.
• 54:31
  Speaker 5: I haven't listened to it, but you refuse to listen.
• 54:33
  Speaker 5: I refuse to listen to it.
• 54:35
  Speaker 5: The fact that he brought it up on the album, well, like trying to sell a album, I'm surprised.
• 54:44
  Speaker 5: He wasn't about being a drug dealer on this one jail and got shot nine times.
• 54:47
  Speaker 5: He's trying to sell the album.
• 54:49
  Speaker 5: His best work was uh, went to jail and got shot nine times.
• 54:50
  Speaker 5: He's trying to sell a shitty album.
• 54:51
  Speaker 5: His best work was uh, I'm still a hip-hop head, that doesn't change.
• 54:57
  Speaker 5: His best work was Brad and Funk.
• 54:59
  Speaker 5: Okay, okay, alright, so you'll give him that, I'll give him that, I'll give him.
• 55:04
  Speaker 5: I mean, I'm not entirely you know.
• 55:06
  Speaker 5: Okay, okay, I know people think I'm a bitch.
• 55:10
  Speaker 5: I'm just protecting my brother.
• 55:11
  Speaker 5: I'm my brother's keeper.
• 55:13
  Speaker 5: That's all I like that you can talk about things and you know it doesn't have to involve emotion.
• 55:19
  Speaker 1: You're like hey.
• 55:21
  Speaker 5: Yeah, I'm a hip-hop head.
• 55:22
  Speaker 5: I'm a hip-hop head to the core.
• 55:23
  Speaker 5: This sounds probably because I haven't heard anything about it other than, oh, he addresses your brother.
• 55:28
  Speaker 5: If that's the only selling point, that's f***ing me out.
• 55:32
  Speaker 5: Does this make things worse or better?
• 55:34
  Speaker 5: Will him and your?
• 55:35
  Speaker 1: brother, have it.
• 55:35
  Speaker 1: No, no, no, it's not, it's just.
• 55:39
  Speaker 5: This is the saying that I don't like, but this applies.
• 55:42
  Speaker 5: It is what it is.
• 55:43
  Speaker 5: They ain't friends, they ain't gonna be friends.
• 55:45
  Speaker 5: It is what it is.
• 55:47
  Speaker 5: No, there's no, nobody.
• 55:50
  Speaker 5: Neither I don't think either one of them lost a significant amount of money behind this book.
• 55:54
  Speaker 5: Yeah, uh, my mother might have actually made a little more money.
• 55:57
  Speaker 5: Well, yeah, that netflix special nobody's nobody, ain't nobody hurting.
• 56:03
  Speaker 5: We all and all of us, all of us are walking in the bank on monday with smiles on our faces a good time so just another person who just came out and just co-signed what I said.
• 56:13
  Speaker 1: I know I told y'all that the album and the freestyle was trash.
• 56:18
  Speaker 1: My earlobes I mean my earlobes, my eardrums are mad at me to this day for listening to that wild-ass, crazy Will Smith freestyle, which was complete and utter garbage.
• 56:32
  Speaker 1: Smith freestyle, which was complete and utter garbage, but like, like, like Tony Rock said, it is what it is.
• 56:40
  Speaker 1: Now.
• 56:40
  Speaker 1: Let's see.
• 56:41
  Speaker 1: Did I forget anything today?
• 56:42
  Speaker 1: Today, oh, oh, oh, uh, uh, uh, yes, before we get out of here, y'all, definitely, definitely, definitely, uh, I've made an announcement yesterday Laura Ashley, emily, emmaline I'm sorry, emmaline and Heather, I got your sorry for the delay, got your packages and your merchandise out this week or the next couple days.
• 57:07
  Speaker 1: Yvonne, aiziana, monique, and then also I already got Mona's out I don't know if Michelle is in this chat or not and Shana, reach out to me or I'll message you about yours.
• 57:26
  Speaker 1: I can get it out probably in the next couple days.
• 57:29
  Speaker 1: If it's not already on the way to you, let me know.
• 57:40
  Speaker 1: But I will be all caught up on everybody's order this week for sure, and moving forward.
• 57:42
  Speaker 1: Uh, they will be to you in a timely manner.
• 57:45
  Speaker 1: I'm making sure of it myself.
• 57:46
  Speaker 1: So any delays for anybody I I apologize, but you know one thing you could always reach out to me and say, hey, I didn't get mine yet, and you know, I'm gonna take care of you immediately.
• 57:56
  Speaker 1: That's my style, that's how I do business.
• 57:59
  Speaker 1: I've been an entrepreneur my whole adult life, so I know how to wake up and get it done.
• 58:05
  Speaker 1: So, uh, uh, like I said, I got you definitely, definitely, definitely.
• 58:09
  Speaker 1: And like I told you, I have so many.
• 58:11
  Speaker 1: I got a headband coming out.
• 58:13
  Speaker 1: I mean it's already designed.
• 58:15
  Speaker 1: I have new, a whole new collection with champion.
• 58:19
  Speaker 1: I'm so excited, my new.
• 58:21
  Speaker 1: I just been waiting to get caught up.
• 58:23
  Speaker 1: I'm the type I don't want to drop nothing new until all the old orders and everybody is taken care of.
• 58:30
  Speaker 1: So I have so many new things to drop, which will be Monday.
• 58:34
  Speaker 1: So I'm going to wait till Monday because I'm going to give myself this week to get everybody caught up.
• 58:38
  Speaker 1: But Monday I am dropping my black hoodie with the Flo face on it.
• 58:47
  Speaker 1: You've seen where it says and I don't like it it has my face with the headband on it.
• 58:51
  Speaker 1: It's like a nice little cartoon, but it's a collab with Champion.
• 58:55
  Speaker 1: So it's a Champion hoodie with me, the person you look at every morning.
• 59:02
  Speaker 1: It's like a character, a caricature.
• 59:04
  Speaker 1: I've had it designed for like four weeks now.
• 59:08
  Speaker 1: I'm so excited about dropping it.
• 59:10
  Speaker 1: But I wanted to make sure everybody is taken care of before I drop new stuff.
• 59:13
  Speaker 1: So I got a headband and this champion hoodie and I don't like it.
• 59:18
  Speaker 1: Flow show no filter collab that I know y'all gonna love dropping monday, but shout out to everybody who's been supporting the movement this movement is just like the judge Diddy's judge said this a freight train.
• 59:32
  Speaker 1: And I built it meticulously, with intentionally, not rushing.
• 59:39
  Speaker 1: I built it this way on purpose.
• 59:42
  Speaker 1: And my Uncle Marv I got to get my Uncle Marv.
• 59:45
  Speaker 1: I told you I had so many great male figures in my life, including my dad, but I had about four uncles that could have been my dad like as far as how, how much they poured into me and how much they knowledge they gave me and I will always give them their flowers any chance I can.
• 1:00:03
  Speaker 1: And my uncle always told me when you building something, build it slowly and build it patiently, because that's going to be better in the long run.
• 1:00:16
  Speaker 1: And he gave me this analogy and this analogy is how I look at everything to this day and it's been a big reason why I am able to jump into different niches and different things and excel because it's basic fundamentals and different things.
• 1:00:33
  Speaker 1: And excel because it's basic fundamentals.
• 1:00:34
  Speaker 1: And he said check out a train or locomotive, a train, he says, compare a train to a Ferrari.
• 1:00:41
  Speaker 1: That Ferrari can get to top speed in seconds.
• 1:00:45
  Speaker 1: But if it hits something, if a little bitty pebble in the ground or anything is off when you're going at that top speed, you can crash, you can hydroplane, you all type of stuff.
• 1:00:59
  Speaker 1: Don't build your anything you do.
• 1:01:02
  Speaker 1: Don't build it like that ferrari because you want it to be long term.
• 1:01:05
  Speaker 1: Build it like a train.
• 1:01:06
  Speaker 1: Think about a train.
• 1:01:07
  Speaker 1: A train choo-choos.
• 1:01:09
  Speaker 1: A train takes a long time to get going, it's choo-choo-choo.
• 1:01:14
  Speaker 1: You look at the train like that thing ain't gonna never get going, it's never gonna get to its destination going at that pace.
• 1:01:21
  Speaker 1: But as them choo-choos keep choo-chooing, it builds up, it builds up, it builds up, it builds up and next thing, you know, fucking train is at top speed and can't a motherfucker stop it.
• 1:01:35
  Speaker 1: And Uncle Marv Shout out to you for that great lesson, because it applies, and I apply it to everything I do in life I'm never in a rush.
• 1:01:44
  Speaker 1: Yeah, I wanted to drop new merch, but the old merch was delayed and I had to sit my ass down and do it myself and get it out to my people.
• 1:01:52
  Speaker 1: So I don't want to rush and drop no new stuff or nothing.
• 1:01:56
  Speaker 1: Just be patient.
• 1:01:57
  Speaker 1: I get everybody's stuff and then I'll drop the new stuff.
• 1:02:00
  Speaker 1: Same thing with my podcast.
• 1:02:02
  Speaker 1: I started off 20.
• 1:02:03
  Speaker 1: If you know most a lot of my first episodes were 23 minutes, 25 minutes, minutes, 40 minutes.
• 1:02:10
  Speaker 1: Maybe that was intentional.
• 1:02:13
  Speaker 1: I had never did a podcast before so I wanted to take my time.
• 1:02:17
  Speaker 1: I wanted to make sure I could give you 23 minutes worth your time.
• 1:02:21
  Speaker 1: Then I want to make sure I could give you 30 minutes, 40 minutes, 50 minutes.
• 1:02:26
  Speaker 1: And now I can talk forever if I want to, because I took the time to build it and let it grow.
• 1:02:34
  Speaker 1: And now can't nobody stop me and can't nobody stop us.
• 1:02:39
  Speaker 1: Much love to all of y'all.
• 1:02:42
  Speaker 1: See y'all tomorrow.
• 1:02:44
  Speaker 1: Bye, as always, I love y'all, but I'm out, boom.