Latest / Go News To Go: More Good News / Allan Klepfitsz and Andrew Eborn Appear on Paul Sladkus’s Good News Broadcast to Discuss FENIX360

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Allan Klepfitsz and Andrew Eborn Appear on Paul Sladkus’s Good News Broadcast to Discuss FENIX360 · Go News To Go: More Good News

• 0:04
  Speaker 1: I'm talking to the entertaining gentlemen. We're already the best
• 0:09
  Speaker 1: friends and they're in the hard Rock Hotel. Or where
• 0:14
  Speaker 1: are you?
• 0:14
  Speaker 2: Well, this is our little bedroom. You should see the
• 0:16
  Speaker 2: big one we've got.
• 0:17
  Speaker 3: But we are indeed at the hard Rock Hotel in
• 0:21
  Speaker 3: New York, New York.
• 0:23
  Speaker 1: Yeah, yes, where I am. I'm in New York. We
• 0:27
  Speaker 1: should have come to you where about. You could have
• 0:29
  Speaker 1: come to me in the backyard here.
• 0:31
  Speaker 2: I love it, but you've got better weather where you are, Paul,
• 0:36
  Speaker 2: You've got much better weather where you are than we
• 0:37
  Speaker 2: have here. Look at that blue sky behind you.
• 0:41
  Speaker 1: I'm gonna put some shrimps on the Barbie's. We'll get
• 0:45
  Speaker 1: some guinness, and.
• 0:48
  Speaker 2: As long as Barbie doesn't mind, I.
• 0:50
  Speaker 3: Don't think you. You have to be extremely cautious about
• 0:54
  Speaker 3: mixing British icons with Australian icons. They don't always go together,
• 1:00
  Speaker 3: said an Aussie barbecue. Now it's a no no, I'm
• 1:02
  Speaker 3: afraid I have to. I have to veto it right, Yes, yeah,
• 1:06
  Speaker 3: you need some Victoria, bit of mate.
• 1:09
  Speaker 1: So bus a lot of pressure now the pressure is building.
• 1:13
  Speaker 2: We love the pressure. I think it's a lot halt
• 1:14
  Speaker 2: away you are with your blue sky. So it's going
• 1:16
  Speaker 2: to be good.
• 1:17
  Speaker 1: You know, you guys talking about barbie. I found a
• 1:19
  Speaker 1: barbie today. Were one of the original, very old one
• 1:23
  Speaker 1: that I've had that I thought I gave my granddaughter.
• 1:26
  Speaker 1: But I'm cleaning up the some of the house here
• 1:28
  Speaker 1: because we've got some people coming like over the weekend
• 1:31
  Speaker 1: and stuff. In any case, I found it. I'm such
• 1:34
  Speaker 1: a happy isn't it nice to find something that you've
• 1:37
  Speaker 1: I haven't cleaned this in about forty years. I just
• 1:39
  Speaker 1: got remarried and so I'm cleaning some space out so
• 1:43
  Speaker 1: she's moving in, moved in, and to find this is
• 1:48
  Speaker 1: an emotional moment for me that go through you know,
• 1:51
  Speaker 1: happy birthday dad or grandpa and stuff. How about you guys?
• 1:55
  Speaker 1: Are you sentimental?
• 1:57
  Speaker 3: And so we are extremely sentimental? Where are you? Where
• 2:00
  Speaker 3: is your house?
• 2:02
  Speaker 1: West Eightianus Street next to the Museum of Natural History? Oh?
• 2:05
  Speaker 1: I was there this morning.
• 2:06
  Speaker 2: I walked past your house. It's today was actually wonderful
• 2:10
  Speaker 2: weather for walking. It's been smeltering hots in that. But
• 2:13
  Speaker 2: you're right, nostalgia what it used to be. So finding
• 2:16
  Speaker 2: those old barbies, they're probably worth a fair bit of
• 2:18
  Speaker 2: money now.
• 2:20
  Speaker 1: Yeah, Oh yeah, probably, I know but I want to
• 2:23
  Speaker 1: make a barbecue for you. Two guys, let's get you
• 2:25
  Speaker 1: So you're in town, right.
• 2:27
  Speaker 3: Really, we are in town for the indeterminate number of days,
• 2:31
  Speaker 3: probably two or three, right is a rough estimate. But
• 2:36
  Speaker 3: I will tell you, Paul, I am paying for some
• 2:41
  Speaker 3: of my sins. There's other sins that I haven't yet
• 2:44
  Speaker 3: paid for, right. But the particular sin that I'm paying
• 2:48
  Speaker 3: for is for eleven years, I lived on Madison between
• 2:51
  Speaker 3: thirty fifth and thirty six, right, I lived in something
• 2:56
  Speaker 3: called the Sliver Building. I don't know if you remember
• 2:59
  Speaker 3: the movie Sliver, but this was the last of the
• 3:03
  Speaker 3: Sliver buildings in New York, which have very small, narrow
• 3:08
  Speaker 3: foot prints and very tall buildings. And so I lived
• 3:13
  Speaker 3: there and my commute daily from the bedroom to the
• 3:18
  Speaker 3: office was a spiral staircase. And because I never appreciated
• 3:23
  Speaker 3: that I now have in the last nine months, it's
• 3:28
  Speaker 3: either twenty nine or thirty I'm not sure, gone twenty
• 3:31
  Speaker 3: nine or thirty times from Melbourne, Australia to New York
• 3:35
  Speaker 3: and back, and usually not directly either way, but directly
• 3:40
  Speaker 3: is a minimum of fifty hours round trip. So that's
• 3:43
  Speaker 3: my penance for not appreciating at start a spiral staircase
• 3:48
  Speaker 3: right on Madison Avenue.
• 3:50
  Speaker 1: Well, you're hitting your actually you're hitting touch points because
• 3:53
  Speaker 1: Uncle Monroe created the spiral staircase, the portable ones, to
• 3:59
  Speaker 1: be frank with you, and you'll see also a irons
• 4:03
  Speaker 1: set out here in the backyard that he created. And
• 4:07
  Speaker 1: he thought of these easy ones, like three hundred dollars,
• 4:10
  Speaker 1: you could get them and you could put them in yourself.
• 4:13
  Speaker 1: You know, this one you'll probably had an elaborate one.
• 4:15
  Speaker 1: Was an elaborate one near spiral staircase or was it?
• 4:19
  Speaker 1: You know?
• 4:19
  Speaker 3: Uh, it was quite spirally. It was quite spirally. And
• 4:25
  Speaker 3: my wife, who is a brilliant hartist who I met
• 4:28
  Speaker 3: in New York, she's a little bit Since you have
• 4:31
  Speaker 3: just remarried, I feel able to share with you highly
• 4:36
  Speaker 3: confidential information.
• 4:38
  Speaker 1: Yeah, no one's no one's listening, So don't.
• 4:39
  Speaker 3: You works listening. That's good.
• 4:42
  Speaker 1: I just recorded for us, so we're having a party.
• 4:46
  Speaker 1: We can play it back and enjoy it.
• 4:48
  Speaker 3: I think you've got this program. I think you used
• 4:51
  Speaker 3: this program to seduce your wife, right, so I use
• 4:55
  Speaker 3: other things. So so any case, my wife happens to
• 5:00
  Speaker 3: be a little bit my junior. I met her in
• 5:03
  Speaker 3: New York. And you know, one of the very interesting
• 5:09
  Speaker 3: prejudices in the world, maybe it's in the Western world,
• 5:13
  Speaker 3: is that if you have a younger wife, people assume
• 5:16
  Speaker 3: you've been together for a short time, right, And we've
• 5:19
  Speaker 3: actually been together for twenty years, right, and decided to
• 5:27
  Speaker 3: return to Melbourne, Australia to have kids. Some eleven years
• 5:33
  Speaker 3: ago we returned to have kids. But yes, she actually
• 5:38
  Speaker 3: had a fascinating trajectory in life of being born in
• 5:42
  Speaker 3: Uzbekistan to Ukrainian parents who fled there during the Second
• 5:47
  Speaker 3: World War, formative years in Israel from eleven to seventeen,
• 5:51
  Speaker 3: and the most years in her life in New York.
• 5:54
  Speaker 3: She spent thirteen years here, so she actually missus the
• 5:58
  Speaker 3: city a lot.
• 5:59
  Speaker 1: So wow, what a story. How about yourself?
• 6:04
  Speaker 3: About me?
• 6:05
  Speaker 2: When I always keep my fan we have a deal
• 6:07
  Speaker 2: that I never speak about my family on air because
• 6:10
  Speaker 2: they like to maintain their privacy, which is a wonderful.
• 6:12
  Speaker 2: But what I love, Paul, is when you move to
• 6:14
  Speaker 2: your left, you develop a halo. Did you know that's
• 6:17
  Speaker 2: moved to your left a little bit because whatever the
• 6:19
  Speaker 2: graphics work on that sort of baz bit.
• 6:21
  Speaker 1: Further there you go. Did you see that?
• 6:23
  Speaker 2: Yes, you're you're going to actual halo.
• 6:30
  Speaker 3: It's more than a halo. It's a love, it's a
• 6:33
  Speaker 3: it's a.
• 6:35
  Speaker 1: Is that so I love it? It's so good. Well,
• 6:42
  Speaker 1: I could show it to you, so when you come
• 6:44
  Speaker 1: to my home, you'll see that I have a big
• 6:46
  Speaker 1: heart behind us. How did you start?
• 6:49
  Speaker 2: How do you start your show? Because I've been seeing
• 6:51
  Speaker 2: some of the previous episodes. How long have you been broadcasting?
• 6:54
  Speaker 1: How long ab I Burke broadcasting? On my show? I'm
• 6:59
  Speaker 1: doing a fifty pert years, but my show is twenty
• 7:03
  Speaker 1: seven years years started before YouTube? Well, I started, yes,
• 7:08
  Speaker 1: in seventy two, and then seven years there on a family.
• 7:12
  Speaker 1: They okay, so we stole you.
• 7:14
  Speaker 3: Was a great year. I graduated from high school. I
• 7:17
  Speaker 3: was eighteen, and I went exploring the world.
• 7:20
  Speaker 1: I just graduated from college, and so I got a
• 7:24
  Speaker 1: job at CBS. And luckily, because I also well, I
• 7:27
  Speaker 1: graduated from my man, I got a master's reach. So
• 7:29
  Speaker 1: I thought it was really a smart even though I
• 7:32
  Speaker 1: studied the Beatles. I got a master's on the Beatles.
• 7:34
  Speaker 1: But I talked to Jesuit precinto that, and they thought
• 7:39
  Speaker 1: it was okay, and in any case. But I started
• 7:41
  Speaker 1: with but I did All in the Family to death
• 7:43
  Speaker 1: do us Part because CBS had these great all the Families,
• 7:47
  Speaker 1: Sonny Chair, Cowburnet Classic program and I was assistant manager
• 7:51
  Speaker 1: of the studios. So my studios, you know, we in
• 7:55
  Speaker 1: Television City in California the way back when. That was
• 7:59
  Speaker 1: where I learned the show business, because that in la
• 8:02
  Speaker 1: is show business. And so I started off really in
• 8:07
  Speaker 1: a good will. Then I became producer opera.
• 8:10
  Speaker 2: And what I love when it's in your blood. It's
• 8:12
  Speaker 2: the great thing about broadcasting now is that anybody.
• 8:15
  Speaker 1: Can do wherever they are in the world.
• 8:16
  Speaker 2: And the citizen broadcasters, they're the ones who can tell
• 8:19
  Speaker 2: the truth and get directly there without having to corrowt
• 8:22
  Speaker 2: out to their masters, aren't they.
• 8:24
  Speaker 1: Everybody's a producer if they want to be. It's very simple.
• 8:27
  Speaker 1: And that little cell phone thing which has the opportunity,
• 8:32
  Speaker 1: just like television does, to create good or to create bad.
• 8:36
  Speaker 1: So I've been in the in the mindset my mother
• 8:40
  Speaker 1: gave me was the library and a Temple of Manuel
• 8:43
  Speaker 1: the New York Avenue. The Power of Positive Thinking by Revende.
• 8:49
  Speaker 2: It's so important. This is and actually that's the whole
• 8:51
  Speaker 2: thing about this is how we met with Phoenix three sixty.
• 8:54
  Speaker 2: It's all about putting the power back to the artists
• 8:57
  Speaker 2: because the industry I always say, if it.
• 8:59
  Speaker 1: Ain't broke, you've got to break it.
• 9:01
  Speaker 2: And what I love about Phoenix three sixty it is
• 9:03
  Speaker 2: empowering those creatives in new and wonderful ways, embracing technology
• 9:08
  Speaker 2: in ways that basically can open all of those new
• 9:10
  Speaker 2: revenue streams. And it might be good if you like
• 9:13
  Speaker 2: Paul to tell you a bit about Phoenix three sixty.
• 9:16
  Speaker 1: I locked into it. I'm a musician and for since
• 9:20
  Speaker 1: seven years old. I love what you got. I know
• 9:23
  Speaker 1: I can I know what you got?
• 9:25
  Speaker 3: Okay, can I sug something?
• 9:27
  Speaker 1: Now you're going to tell us more about it?
• 9:29
  Speaker 3: You can, I suggest, because you are a very wise
• 9:34
  Speaker 3: man who uses zoom. I despise people to use alternatives
• 9:38
  Speaker 3: to zoom because none of them work as well as zoom. Right,
• 9:42
  Speaker 3: And I don't know why I have to go through
• 9:44
  Speaker 3: you know, Google meets and those such things. Right, Sorry, Google,
• 9:48
  Speaker 3: You're a very nice company, righting.
• 9:51
  Speaker 1: How you used to have hair, I know.
• 9:55
  Speaker 3: Given the fact that you have yeah, given the fact,
• 9:59
  Speaker 3: if you too on sharing, I will actually show yeah.
• 10:03
  Speaker 1: Oh god, yeah, I lie about as much as I
• 10:06
  Speaker 1: can do. Thank you.
• 10:08
  Speaker 3: Yeah, look, well, you know we want to we want to.
• 10:10
  Speaker 3: We want to expose all of your talents, however meager
• 10:14
  Speaker 3: they might be. Right after I.
• 10:18
  Speaker 1: Had a wrestling match with this guy, did you look
• 10:21
  Speaker 1: at you? Fantastic? Absolutely?
• 10:26
  Speaker 2: I know that was so sad. What was your what
• 10:28
  Speaker 2: was your favorite memory of heulp?
• 10:31
  Speaker 1: This was I say, I thought him and I beat him,
• 10:33
  Speaker 1: and then I'm shaking his hand because I felt bad,
• 10:38
  Speaker 1: and then I by ten glassy picture of me autographed. Uh,
• 10:42
  Speaker 1: that isn't what I told my family. I know, I
• 10:45
  Speaker 1: know the television conference things.
• 10:48
  Speaker 3: But he was.
• 10:48
  Speaker 2: He was one of the great characters, wasn't in wrestling,
• 10:51
  Speaker 2: And what I loved he was a genuinely nice person,
• 10:53
  Speaker 2: both on and off screen.
• 10:56
  Speaker 1: He was in Yiddish, we call him a mench. He
• 10:58
  Speaker 1: was a beautiful man. He is a positive minded god.
• 11:02
  Speaker 1: He had all the the accolade accolades of a good
• 11:07
  Speaker 1: human being.
• 11:08
  Speaker 2: And I thinks, and what we need now, as I said,
• 11:11
  Speaker 2: we live in a very diverse age, when there's so many,
• 11:13
  Speaker 2: so much conflict in the world. We need these positive
• 11:16
  Speaker 2: role models.
• 11:17
  Speaker 3: Don't we?
• 11:18
  Speaker 1: One thousand percent, and well, we're gonna really take a
• 11:22
  Speaker 1: moment and learn about your Yeah, your your business, your
• 11:28
  Speaker 1: your app your opportunity. I'll call it for for entertainers
• 11:35
  Speaker 1: to entertain the world. And that's that's a blessing. And
• 11:40
  Speaker 1: you're making it simple, you're making it financially rewarding, you're
• 11:46
  Speaker 1: giving a larger percentage on your side. And uh, let's
• 11:53
  Speaker 1: let's hear it now. I shared the screen and I
• 11:56
  Speaker 1: myself at the interview. I'm gonna part one and part two.
• 11:59
  Speaker 1: If one is the s mosing part we just did, okay,
• 12:02
  Speaker 1: and now part two let's learn about what your new
• 12:04
  Speaker 1: technology is and how people can get involved.
• 12:07
  Speaker 3: Well, Paul, I have to say, blessing is an appropriate
• 12:12
  Speaker 3: word because we would like to return the blessing that
• 12:16
  Speaker 3: artists actually give right their fans. And the truth of
• 12:20
  Speaker 3: the matter is for all of us, whether it is music,
• 12:23
  Speaker 3: whether it's visual arts, whether it's dancers, actors, write models,
• 12:28
  Speaker 3: they form a very important part of our enjoyment in life.
• 12:33
  Speaker 3: And the notion that they should be devalued by these
• 12:37
  Speaker 3: social media platforms, the point where they can't make a
• 12:40
  Speaker 3: living unless they have huge audiences is just not right.
• 12:44
  Speaker 3: I happen to be married to visual artists. As I
• 12:47
  Speaker 3: was saying, my partner Lanceford, who came busking with a
• 12:51
  Speaker 3: guitar from London forty years ago, went on to be
• 12:55
  Speaker 3: founding publisher Maxim magazine, right, made the world's number one
• 13:00
  Speaker 3: respectable men's magazine. But you know I have been I
• 13:04
  Speaker 3: don't crame any great artistic talent myself, right, but I
• 13:11
  Speaker 3: have artists in my life that are that I treasure.
• 13:15
  Speaker 3: And the truth of the matter is most of us
• 13:18
  Speaker 3: really really get huge enjoyment from the arts, and the
• 13:23
  Speaker 3: people that give us that enjoyment deserve to have lives
• 13:27
  Speaker 3: in which they can at least practice their art full
• 13:30
  Speaker 3: time and not have to work, you know, to to
• 13:33
  Speaker 3: shift to McDonald's. It's you know, it's it's just crazy.
• 13:37
  Speaker 3: And it's particularly crazy because these platforms are enormously wealthy, right,
• 13:42
  Speaker 3: and it would not harm neither their them nor their
• 13:46
  Speaker 3: shareholders to do a better job for the artists and
• 13:50
  Speaker 3: content creators they have. And the digital age was supposed
• 13:54
  Speaker 3: to be the age right of democratization, where everybody did
• 14:00
  Speaker 3: better because they were not you know, the normal hierarchical structures.
• 14:05
  Speaker 3: The truth is, in some ways it's become more hierarchical
• 14:09
  Speaker 3: than ever before. And I've never said that before.
• 14:11
  Speaker 2: Can I say eloquently you said that, I don't I
• 14:14
  Speaker 2: would keep that phrasing.
• 14:15
  Speaker 1: Yes, I've said, no problem.
• 14:19
  Speaker 3: You inspired some somehow another Paul, whether it was your
• 14:23
  Speaker 3: halo right or something else.
• 14:27
  Speaker 2: It's a move start wait wait someone when I say stop, Paul,
• 14:31
  Speaker 2: move it moved there ah stop.
• 14:33
  Speaker 3: There is a rainbow.
• 14:36
  Speaker 1: It is a rainbow that's a donation to a private
• 14:40
  Speaker 1: school over here called Calhoun at a bizarre and it's
• 14:45
  Speaker 1: a one big piece of fabric and it's hard into
• 14:48
  Speaker 1: hard into heart. Well it's irack around for thirty years.
• 14:53
  Speaker 2: Well, we love it. It's very good. It's always sunny
• 14:55
  Speaker 2: where you are and you can bring your own rainbow.
• 14:57
  Speaker 1: I love it, and we're not a happy thing. Also,
• 15:01
  Speaker 1: on the trademark for the happy face, I got it
• 15:04
  Speaker 1: before the emoji, but I know I own the copyright.
• 15:10
  Speaker 1: I believe somebody is a lawyer on this call and
• 15:13
  Speaker 1: a barrister. No messing with you, guys. So this is
• 15:21
  Speaker 1: wonderful ready for you, and I'm rooting for you because
• 15:28
  Speaker 1: also I'll just say one thing, because when I switched
• 15:31
  Speaker 1: to this way, back in ninety July fourth, nineteen ninety eight,
• 15:35
  Speaker 1: when I switched to this guy from Network CBS Channel
• 15:38
  Speaker 1: thirteen PBS and then I had a multicultural advertiser marketing
• 15:42
  Speaker 1: company when I switched to this guy, and I said,
• 15:45
  Speaker 1: now I don't need satellite trucks, and I can go
• 15:48
  Speaker 1: all over the world and I can make a newspaper,
• 15:51
  Speaker 1: I can make a magazine. I can do all the
• 15:54
  Speaker 1: things that this little guy is allowing us to do.
• 15:57
  Speaker 1: And I remember somebody also saying to me, you don't
• 16:01
  Speaker 1: need a big audience. I know, you just need you
• 16:04
  Speaker 1: need a community. And with a good community and some
• 16:09
  Speaker 1: wise marketing, you can make a living. Okay, billions because
• 16:14
  Speaker 1: billions are for the billions people. It's an opportunity. And
• 16:18
  Speaker 1: so we're gonna learn with outer technology. With your technology,
• 16:22
  Speaker 1: you're making it easier for the people to do it.
• 16:25
  Speaker 2: Absolutely and technolog you're absolutely right. Now anybody can be
• 16:28
  Speaker 2: their own journalists. And what happens the first thing you
• 16:30
  Speaker 2: touch in the morning and the last thing you touch
• 16:32
  Speaker 2: at night is this. So be careful with your partners.
• 16:35
  Speaker 2: You work on that sort of basis. But the other
• 16:36
  Speaker 2: thing I find as well, Pauled, is that the smarter
• 16:39
  Speaker 2: the phones get, the more dumb the people get. So
• 16:41
  Speaker 2: it's important that we still have communication. And I think
• 16:44
  Speaker 2: all of these things. But when you get these sort
• 16:45
  Speaker 2: of things like emojis that you mentioned, it stops people
• 16:48
  Speaker 2: being able to communicate in real life, which is a problem,
• 16:50
  Speaker 2: isn't it.
• 16:51
  Speaker 1: I personally like you guys also, No, I think are
• 16:55
  Speaker 1: good Eyeleen.
• 16:58
  Speaker 2: Oh, she's an angel, Isling.
• 17:00
  Speaker 1: He's the beauty of all beauties and the kindness. She
• 17:02
  Speaker 1: told me to marry my wife, did she?
• 17:05
  Speaker 2: I told you I thought your wife was already married
• 17:07
  Speaker 2: to you.
• 17:09
  Speaker 1: No. I just got married in January to a younger woman.
• 17:12
  Speaker 3: In the bedroom. When she said it, she no.
• 17:15
  Speaker 1: We were at my concert, my Earthday concert. I guess
• 17:18
  Speaker 1: it was in Times Square, which is where this opportunity
• 17:22
  Speaker 1: is now to take this you know, these phones and
• 17:25
  Speaker 1: go into the real world. We love it and make shows,
• 17:29
  Speaker 1: you know, we take over Times Square. It's a big
• 17:31
  Speaker 1: project and a big show. But that's where I met Eileen.
• 17:35
  Speaker 1: I love to get together with concerts and with people
• 17:38
  Speaker 1: in the streets. Get out of your house, go and
• 17:41
  Speaker 1: meet people. All right, let's look about your technology, because
• 17:44
  Speaker 1: your technology can allow me to go to Central Park
• 17:47
  Speaker 1: today and then make an album.
• 17:50
  Speaker 2: No, and it's such a joy on that sort of basi,
• 17:52
  Speaker 2: And I love what you're doing in Times Square in September,
• 17:55
  Speaker 2: isn't it. You've got that wonderful.
• 17:56
  Speaker 1: Back to the International Day of Piece. It's the one
• 17:59
  Speaker 1: point six bill. People are aware of it, one hundred
• 18:01
  Speaker 1: and ninety three countries agree to it, and we've been
• 18:04
  Speaker 1: doing a concert for twenty three years in Central Park
• 18:07
  Speaker 1: in Times You guys to get involved and love for
• 18:11
  Speaker 1: you to get that guy out there, have people get
• 18:14
  Speaker 1: on your and create shows right there in Times Square.
• 18:18
  Speaker 1: All right, let's let's get to let me see what
• 18:19
  Speaker 1: you got going.
• 18:20
  Speaker 3: Okay, you can see you can see an app can
• 18:24
  Speaker 3: you at the moment? Yes, what you can see, we
• 18:27
  Speaker 3: can see it.
• 18:27
  Speaker 1: So does anyone object? But can you see it on screen? Yeah?
• 18:32
  Speaker 1: So does anyone object? Question mark? That's what it says.
• 18:36
  Speaker 3: Yes, oh some way I think you're asking. Okay. So
• 18:41
  Speaker 3: so basically, this is not this similar to a feed
• 18:46
  Speaker 3: of let's say TikTok.
• 18:48
  Speaker 4: Right, it's.
• 18:54
  Speaker 3: It's not this similar, but they are some very stark differences. Right,
• 18:59
  Speaker 3: So the first thing about a TikTok right to be
• 19:04
  Speaker 3: blunt about it is. It has arguments with record labels
• 19:07
  Speaker 3: about three percent of advertising going to label an artist.
• 19:11
  Speaker 3: We begin with eighty percent, at least seventy percent going
• 19:16
  Speaker 3: to the artist of the advertising revenue and ten percent
• 19:19
  Speaker 3: going to the middleman. Secondly, everything but advertising, we give
• 19:23
  Speaker 3: ninety five percent to the artists. Right, So these are
• 19:27
  Speaker 3: radically different percentages. But more than that, we want to
• 19:32
  Speaker 3: make sure the artist has a very good way to monetize.
• 19:36
  Speaker 3: So TikTok has an issue apart from their legal issues,
• 19:40
  Speaker 3: that every year their so called engagement goes down. It's
• 19:45
  Speaker 3: because once you watch a video, you have to wait
• 19:48
  Speaker 3: for hours to bestow another video. Here, every artist has
• 19:52
  Speaker 3: this button which says visit app. And without getting too technical,
• 19:56
  Speaker 3: this visit app button is right. It takes you to
• 20:01
  Speaker 3: what is known as a web app or shareable app.
• 20:04
  Speaker 3: The app stores do not lend themselves to sharing, so
• 20:08
  Speaker 3: if a band or a dancer wants to say, here
• 20:11
  Speaker 3: is my app, they can't. The best they can do
• 20:13
  Speaker 3: is say, go to the app storem get my app.
• 20:16
  Speaker 3: With a web app, you can share it. Now. We
• 20:19
  Speaker 3: don't expect people to have multiple apps they get from
• 20:22
  Speaker 3: their favorite artists and app and as soon as they
• 20:24
  Speaker 3: see the app and say, wow, this is wonderful. In
• 20:27
  Speaker 3: order to get all the apps of all artists, they
• 20:29
  Speaker 3: have to actually go to an app store and download
• 20:31
  Speaker 3: our app. But whoever comes by that route belongs to
• 20:35
  Speaker 3: that artist, as well as anybody who nominates that artist
• 20:38
  Speaker 3: belongs to that artist. But whoever comes by the root
• 20:41
  Speaker 3: of the artist app belongs to them. And they don't
• 20:44
  Speaker 3: need to put out the next top video next month,
• 20:47
  Speaker 3: right or do something special. They will get recurring income.
• 20:51
  Speaker 3: That recurring income we believe to be a minimum and
• 20:55
  Speaker 3: we've had these figures tested and retested of a dollar
• 20:58
  Speaker 3: forty four per per month. So if you have ten
• 21:01
  Speaker 3: thousand fans, you can make fourteen thousand dollars. When we're
• 21:04
  Speaker 3: probably out.
• 21:05
  Speaker 1: You could have it. You don't have to have millions
• 21:07
  Speaker 1: and millions based upon what you're saying. But that is them.
• 21:11
  Speaker 1: They're the reality. What also is the reality what you
• 21:14
  Speaker 1: have here And I want to commend you right here,
• 21:17
  Speaker 1: sorry to interrupt you. You've made it sticky. And I
• 21:21
  Speaker 1: learned early on, since I'm doing this so long, with
• 21:23
  Speaker 1: the with the web and the computer and everything and
• 21:28
  Speaker 1: the websites, stickiness is the key. You want to keep
• 21:32
  Speaker 1: the people part of what you're doing, and that's what
• 21:35
  Speaker 1: you got here. It's not a download to go to
• 21:38
  Speaker 1: the Google Store. It's a whole nother concept. Do I
• 21:40
  Speaker 1: got this right?
• 21:42
  Speaker 3: You do have it right? Although overall app will be
• 21:45
  Speaker 3: in a Google Store and apples mention.
• 21:47
  Speaker 1: That that's what you said to get everybody, but individually
• 21:51
  Speaker 1: that you can stick with them.
• 21:53
  Speaker 3: Yeah. Correct. Now I'll just show you some features of this.
• 21:57
  Speaker 3: In fact, what I'll begin by showing you is what
• 22:00
  Speaker 3: a typical artists app. And let us use somebody who
• 22:04
  Speaker 3: started their career in York and happens to be a
• 22:09
  Speaker 3: model artist and singer, Jerry Lee. Right, So this is
• 22:14
  Speaker 3: a typical app. You have a truncated bio and then
• 22:17
  Speaker 3: you have the full bio. She's got a lot going
• 22:21
  Speaker 3: on in her career, shares a lot to say. You
• 22:24
  Speaker 3: can share this with anybody. You can donate to her, right,
• 22:28
  Speaker 3: and you can message her, add as a friend or
• 22:32
  Speaker 3: follow her. But then you have all of the links
• 22:34
  Speaker 3: to her career. So this is recent press and features
• 22:38
  Speaker 3: her official website, her modeling portfolio, her music on Spotify
• 22:42
  Speaker 3: and so on, and then you have all of her
• 22:45
  Speaker 3: social media here and we do three things with social media.
• 22:49
  Speaker 3: We provide these buttons that you can get to her
• 22:51
  Speaker 3: social media, and we're not precious even though we are
• 22:54
  Speaker 3: social media. We want every artist to earn from every
• 22:58
  Speaker 3: source they currently do. If it turns out, and we
• 23:01
  Speaker 3: believe strongly it will, that we are producing much more
• 23:04
  Speaker 3: money from the artist, then they will naturally spend more
• 23:07
  Speaker 3: time with us. But there's no contract to dictate that.
• 23:11
  Speaker 3: And indeed, we facilitate them using every type of source
• 23:15
  Speaker 3: of income earning that they can. So the people can
• 23:19
  Speaker 3: the fan can press these buttons. Also, the artist is
• 23:23
  Speaker 3: able to suck the postings from other social media into
• 23:26
  Speaker 3: our app. And importantly, they only have to post on
• 23:29
  Speaker 3: our app and it automatically goes out for all social media.
• 23:34
  Speaker 3: We have an app, sorry I should say a merchandise store,
• 23:40
  Speaker 3: very easily to configure. So if you want to sell something,
• 23:44
  Speaker 3: you can sell us right then and there as an artist,
• 23:46
  Speaker 3: right we have the post as I said, brought in
• 23:49
  Speaker 3: from other social media. Excuse me, I've never sneezed on
• 23:54
  Speaker 3: the interview before.
• 23:56
  Speaker 1: God bless you, but you know what that means. God,
• 23:59
  Speaker 1: that means what you're saying is true.
• 24:01
  Speaker 3: Ah, you go and if I and if I sneeze
• 24:04
  Speaker 3: three times, they'll be even more true, but so so
• 24:09
  Speaker 3: in any event. And then we have an intersection where
• 24:13
  Speaker 3: the artists can put their favorite recipes, their remedies, whatever
• 24:16
  Speaker 3: they like, and favorite music, favorite movies. But these are referrals. Now,
• 24:22
  Speaker 3: for example, if you take this artist's favorite book, it
• 24:26
  Speaker 3: happens to take you to Amazon, right, the book comes
• 24:29
  Speaker 3: up in Amazon. Amazon pays let's say, twelve percent commission,
• 24:33
  Speaker 3: eleven percent, whatever they pay, and the artist gets ninety
• 24:36
  Speaker 3: five percent of that. And people love knowing what their
• 24:40
  Speaker 3: artist's favorite things are, whether they be books or movies
• 24:44
  Speaker 3: or whatever. And this is yet another way and for
• 24:47
  Speaker 3: us to earn money. Our view about income is that
• 24:50
  Speaker 3: everything that's possible for an artist to earn an income
• 24:54
  Speaker 3: we should include. Right now, there's an amalgamated shop. I'm
• 24:58
  Speaker 3: about to sneeze twice, I think times.
• 25:00
  Speaker 1: Yeah, it's gonna be.
• 25:05
  Speaker 3: Never sneeze on interview before this very special. This is
• 25:10
  Speaker 3: clearly an interview rating system, right, and and we're at
• 25:16
  Speaker 3: two sneezers, right, that already puts you ahead of most broadcasters.
• 25:22
  Speaker 1: Yeah, you're one of the only ones ever heard that sneezed.
• 25:26
  Speaker 1: And because I get about seventy five hundred interviews, I'm.
• 25:31
  Speaker 2: Going to give you an award. I think it should be.
• 25:33
  Speaker 2: But Phoenix three to sixty is not to be sneezed.
• 25:36
  Speaker 2: That and I think that's the message.
• 25:38
  Speaker 3: Yes, yes, And then we have right, a sort of
• 25:44
  Speaker 3: backhand which the artists users to do things. It's got
• 25:48
  Speaker 3: twenty six functions. I will take you through just a couple.
• 25:52
  Speaker 3: So everything we do we want to keep exceedingly simple.
• 25:56
  Speaker 3: So live streaming, for example, you have now or you
• 26:00
  Speaker 3: have a scheduled lives team, you have it paid, or
• 26:02
  Speaker 3: you have a free If it is paid, and anybody
• 26:06
  Speaker 3: who goes to watch it automatic thing gets money deducted
• 26:09
  Speaker 3: from their wallet. Right, it is seamless, right, And the
• 26:12
  Speaker 3: idea is to make everything very simple. We go to
• 26:15
  Speaker 3: this thing called a playground. It's very colorful, right, and
• 26:19
  Speaker 3: has all sorts of things can do. I'm going to
• 26:21
  Speaker 3: take you through one of the twenty six functions, right,
• 26:25
  Speaker 3: So it's called the artist's management function. So here as
• 26:28
  Speaker 3: you can see, they can add songs, they can add products,
• 26:32
  Speaker 3: they can complete their bio, they can manage their social media.
• 26:36
  Speaker 3: They can even reward people for using their app. They
• 26:40
  Speaker 3: can withdraw the money they earn at any time. And
• 26:44
  Speaker 3: then there's three things wrong with social media. It doesn't pay,
• 26:47
  Speaker 3: it doesn't allow and artists to actually segment according to area. So,
• 26:54
  Speaker 3: for example, we at the moment have it that you
• 26:57
  Speaker 3: can just send a notification via the phone to people
• 27:00
  Speaker 3: in particular country. But we're making it so that if
• 27:03
  Speaker 3: you want to do the meatpacking districts on Friday night,
• 27:07
  Speaker 3: you can just do a circle and it will invite
• 27:09
  Speaker 3: people within five miles of the meatpacking district, right. And
• 27:13
  Speaker 3: the third thing about social media app is it's not
• 27:17
  Speaker 3: easy to communicate with the fans. Here. You can do
• 27:21
  Speaker 3: a text or you can just send your latest video
• 27:24
  Speaker 3: and it will go right to the phone of every
• 27:27
  Speaker 3: one of your fans. We tell the artists their daily, weekly,
• 27:31
  Speaker 3: monthly revenue, right, We tell them we allow people if
• 27:34
  Speaker 3: they consent to go onto their mailing list with their email,
• 27:38
  Speaker 3: how many standalone apps, how many fans, And when you're
• 27:41
  Speaker 3: constructing this, which can take as law as twenty minutes,
• 27:44
  Speaker 3: when you're constructed, it automatically and constructs a website for
• 27:48
  Speaker 3: the artist also, so we are quite obsessed by all
• 27:52
  Speaker 3: of this. Sorry, I will just get out of this now.
• 27:56
  Speaker 3: We are quite obsessed by all of this well as
• 28:00
  Speaker 3: we think that it's really been long overdue that the
• 28:04
  Speaker 3: artist gets properly dealt with in terms of their control,
• 28:08
  Speaker 3: in terms of their income, in terms of making their
• 28:11
  Speaker 3: careers a little easier by giving them tools. Right, and
• 28:15
  Speaker 3: we intend keep you on going on with it.
• 28:17
  Speaker 1: You hit it right on the head. You have really,
• 28:20
  Speaker 1: you know, made some comprehensive opportunity for someone who really
• 28:27
  Speaker 1: cares about what they're doing in the world of entertainment.
• 28:32
  Speaker 1: I would think an artist also can use whatever you
• 28:35
  Speaker 1: got to you know, a portrait arte. Anyway, you have
• 28:38
  Speaker 1: a very very I don't know if you guys are
• 28:41
  Speaker 1: the ones behind the conceptualization of this, but somebody knows
• 28:47
  Speaker 1: their stuff. Somebody knew enough for all the bells and
• 28:52
  Speaker 1: the whistles that a Sony corporation or a BMG or
• 28:56
  Speaker 1: a big company and or a creative artists go through
• 29:01
  Speaker 1: to work with the talent. And you in a certain
• 29:05
  Speaker 1: degree don't need that at this time for somebody to
• 29:10
  Speaker 1: get going all right, Maybe later on, when their success
• 29:14
  Speaker 1: builds and builds and bills, maybe a big company grabs
• 29:17
  Speaker 1: them or something. You know, and four or five stars
• 29:20
  Speaker 1: in some of these universal companies anyway, So it's so hard.
• 29:24
  Speaker 1: This is really really you're doing, say that the Bible.
• 29:28
  Speaker 2: Sure, but even with the really big stars, affectively what
• 29:32
  Speaker 2: they're doing, they're going to be earning more money through this.
• 29:34
  Speaker 2: So what we're doing in Phoenix through sixty is actually
• 29:36
  Speaker 2: opening revenue streams to people. But all those people who've
• 29:39
  Speaker 2: already got some of those revenue streams opened, they get
• 29:42
  Speaker 2: a much larger share. And I think it might be
• 29:45
  Speaker 2: helpful and add an explace just to put that into context.
• 29:47
  Speaker 2: You compare income in the traditional way of doing things
• 29:50
  Speaker 2: as opposed.
• 29:51
  Speaker 1: To the three to sixty way of doing it. Yeah,
• 29:52
  Speaker 1: all right, good, okay, all right, that's even a wiser.
• 29:56
  Speaker 3: Yeah, yeah, I mean I should just go maybe back
• 29:59
  Speaker 3: a little bit in history without mentioning names. But in
• 30:03
  Speaker 3: two thousand and eight, at the Annual Music Conference, Right,
• 30:08
  Speaker 3: I and my partner Lance we launched something called q Trax,
• 30:12
  Speaker 3: and we were the first service that was free to
• 30:17
  Speaker 3: consumers with streaming, with more advertising dollars that would go
• 30:22
  Speaker 3: into the pockets of artists than they had gotten previously
• 30:25
  Speaker 3: by downloads. This was the time where people didn't speak
• 30:28
  Speaker 3: about streaming. On the day or the day before we launched.
• 30:32
  Speaker 3: A certain man who's no longer with us, who ran
• 30:35
  Speaker 3: a big computer company and phone company right whose name
• 30:39
  Speaker 3: will go unmentioned, but he called the record companies and said,
• 30:43
  Speaker 3: if you do this, I'm shutting down my music service.
• 30:47
  Speaker 3: And so suddenly we were left high and dry, and
• 30:50
  Speaker 3: we by the end of that year we had licenses.
• 30:54
  Speaker 3: We didn't feel as though we were getting the right
• 30:57
  Speaker 3: sort of support, and my partner Land said, well, you know,
• 31:01
  Speaker 3: go and think of a better idea. What we were
• 31:04
  Speaker 3: acutely aware of is that we'd spend thirty million dollars
• 31:09
  Speaker 3: and not a cent had gone to an artist. And
• 31:12
  Speaker 3: then as I began to understand what social media was
• 31:18
  Speaker 3: doing with artists, I decided, really, they need to be
• 31:21
  Speaker 3: a better way. And the curious thing is I knew
• 31:23
  Speaker 3: the music industry pretty well, and I knew to what
• 31:26
  Speaker 3: degree artists could be exploited and were exploited on social
• 31:31
  Speaker 3: media elsewhere. What I didn't know is that in every
• 31:35
  Speaker 3: era of art, it exists. So if you are a
• 31:38
  Speaker 3: visual artist, you might sell a painting once in a while,
• 31:42
  Speaker 3: and the gallery often gets fifty percent fifty percent is
• 31:45
  Speaker 3: pretty hefty. Right, If you are a Broadway musical star
• 31:50
  Speaker 3: and you are one of let's say you know, half
• 31:53
  Speaker 3: a dozen main roles, you do eight performances a week,
• 31:56
  Speaker 3: potentially half you know you're one of the main roles.
• 32:00
  Speaker 3: You take home after tax and after the manager, you
• 32:04
  Speaker 3: take home two thousand and some dollars per week. And
• 32:07
  Speaker 3: you don't even know what the tenure is of that
• 32:09
  Speaker 3: musical right, it could be a month, it could be
• 32:12
  Speaker 3: six month. You have no idea if you're the actual star.
• 32:15
  Speaker 3: And a wonderful guy who was mister spider Man on Broadway, right,
• 32:19
  Speaker 3: who happens to be one of our artists. Right, he
• 32:22
  Speaker 3: was saying, you take home as the as the main
• 32:25
  Speaker 3: start three thousand and some dollars a week for eight performances.
• 32:28
  Speaker 3: It's not what you call big money, right, and so,
• 32:32
  Speaker 3: and if your model, you don't even own your own photos,
• 32:35
  Speaker 3: the agency owns the photos. So in all of these areas,
• 32:39
  Speaker 3: the artist is exploited. And the question is it's not
• 32:42
  Speaker 3: the same exploiters, So how is it? And the answer
• 32:46
  Speaker 3: to how it is is because it can be because
• 32:49
  Speaker 3: artists are by nature focus on their art. They're not
• 32:52
  Speaker 3: hard headed commercial people often right and they get exploited.
• 32:57
  Speaker 3: So the digital age can redress that, and we believe
• 33:02
  Speaker 3: right it should, and we hope to be part of that.
• 33:05
  Speaker 2: And I think the improbab as a gloss on that
• 33:07
  Speaker 2: as well. Paul is that it's all about fairness. It's
• 33:10
  Speaker 2: about fairness to the afternoon. My background is an intellectual
• 33:14
  Speaker 2: property lawyer, and throughout the whole of my career that's
• 33:17
  Speaker 2: what we've been looking at, working with companies, finding new markets,
• 33:21
  Speaker 2: opening new revenue streams, utilizing technologies in a way that
• 33:25
  Speaker 2: hasn't previously been utilized. So we, for example, did the
• 33:27
  Speaker 2: very first live streaming for some major football organizations, for
• 33:31
  Speaker 2: people like Thomas Cook and so on and so forth.
• 33:33
  Speaker 2: For Formula one. We helped open up new revenue streams
• 33:36
  Speaker 2: with the very first computer games. And look at that
• 33:39
  Speaker 2: sort of side, and we're artists that turning around and saying, Okay,
• 33:41
  Speaker 2: there may be extra revenue streams which haven't been explored.
• 33:45
  Speaker 2: We're basically doing that. And I was introduced to Alan
• 33:49
  Speaker 2: by a legend in the music industry, somebody called John Velasco.
• 33:53
  Speaker 2: Now he discovered or something, Oh you know John or
• 33:57
  Speaker 2: fantastic or if you know John. You'll know that he
• 33:59
  Speaker 2: signed Fondi the band. Whatever happened to them?
• 34:02
  Speaker 1: Do you remember that? Wonder? Oh there you go, Look
• 34:05
  Speaker 1: at you.
• 34:06
  Speaker 2: I thought you're going to turn into Superman.
• 34:08
  Speaker 1: Now no, you've got your halo and everyone. But I
• 34:09
  Speaker 1: worked with Chris Reeve was my friend. He was a
• 34:12
  Speaker 1: brilliant any case, and he lived in our neighborhood here.
• 34:17
  Speaker 1: Can you believe that?
• 34:18
  Speaker 3: Wow?
• 34:19
  Speaker 1: I know that good time. But it's all about that.
• 34:21
  Speaker 2: We always say that it's about it's a people industry,
• 34:24
  Speaker 2: and so what happens is this whole network between us.
• 34:27
  Speaker 1: We probably know.
• 34:28
  Speaker 2: Everybody within the industry, and we can look at different
• 34:31
  Speaker 2: ways that we can help them. But the fundamental point
• 34:34
  Speaker 2: about the company, it's founded on respect and about fairness
• 34:37
  Speaker 2: and fairness to artists, and it's a redistribution of that world,
• 34:40
  Speaker 2: making extra revenue streams come alive. And that's what we've
• 34:43
  Speaker 2: been doing on that sort of basis in.
• 34:45
  Speaker 1: All these years. And I got a lot of years
• 34:47
  Speaker 1: in with musical people. Okay, I've never heard of music
• 34:51
  Speaker 1: talent ever say that they were treated fairly. I'd be
• 34:56
  Speaker 1: perfectly strayed with you if yeah, and especially I mean
• 35:00
  Speaker 1: maybe I've never you know, I have long conversations with superstars,
• 35:04
  Speaker 1: but I'll say that everybody else feels, I don't know,
• 35:08
  Speaker 1: can I say it on my own screwed. So the
• 35:11
  Speaker 1: point is because they were they weren't treated properly any cases.
• 35:15
  Speaker 1: They're treated like cattle, and it's not nice because it's
• 35:20
  Speaker 1: an emotional business to begin with. And so I love
• 35:24
  Speaker 1: what you got. I know what you got, and what
• 35:26
  Speaker 1: you got is a simplifified if you you're not going
• 35:30
  Speaker 1: to maybe even like what I'm gonna say, but you
• 35:32
  Speaker 1: got the pro The program is called or the app
• 35:37
  Speaker 1: or whatever you want to call this for the dummy,
• 35:41
  Speaker 1: for the person who really doesn't know what they should do.
• 35:45
  Speaker 1: This talented person who's strumming away and pitting the piano
• 35:49
  Speaker 1: and playing the drums, and they love it. They've told
• 35:52
  Speaker 1: their parents, I don't care. I don't want to be embarrassed,
• 35:55
  Speaker 1: So I want to play music. Okay, you're now helping
• 36:00
  Speaker 1: potentially succeed in it because there's a lot of things
• 36:05
  Speaker 1: to know, and you have such a comprehensive app that
• 36:09
  Speaker 1: it's it's a no brainer.
• 36:12
  Speaker 2: It's also a no brainer as well, Paul is it's
• 36:15
  Speaker 2: everybody's favorite four letter f word.
• 36:17
  Speaker 1: It's free so people.
• 36:19
  Speaker 2: Can sign up to it, they can try it out themselves.
• 36:24
  Speaker 2: It's free, doesn't cost a single penny to download it.
• 36:28
  Speaker 1: You're a gift. All you want to do is split
• 36:31
  Speaker 1: some bucks with them. There you're not charging for something.
• 36:37
  Speaker 3: Not charging at all. And and it's you know, it's
• 36:41
  Speaker 3: important we don't charge because we don't want ever to
• 36:45
  Speaker 3: be a burden right for the artist, right in no
• 36:48
  Speaker 3: way whatsoever. And you know, I have to say we're
• 36:53
  Speaker 3: not only altruistic, but our altruism is reasonably pure. I
• 36:57
  Speaker 3: would say, But obviously we would like to be a
• 37:00
  Speaker 3: successful business. But the truth is, if you are respectful
• 37:04
  Speaker 3: to artists and you do give them what they need,
• 37:07
  Speaker 3: you might actually end up with a very worthwhile business.
• 37:14
  Speaker 5: What I know, all the hamster wheels are now running
• 37:18
  Speaker 5: in full motions.
• 37:26
  Speaker 1: You're kind of a while for the sounds a little
• 37:29
  Speaker 1: bit off right now, but it's still good material. I
• 37:34
  Speaker 1: had to fill because I wasn't sure, you know, I
• 37:37
  Speaker 1: don't know. I figured something technical went down, and and
• 37:42
  Speaker 1: during that time I kept talking because I was hoping
• 37:44
  Speaker 1: you just would jump back on.
• 37:45
  Speaker 4: But what I what I love about it for your
• 37:48
  Speaker 4: subset throw basically what we've got off. This is what
• 37:57
  Speaker 4: your real Mexican.
• 38:00
  Speaker 5: I'll let you indo a secrets obviously probably not to
• 38:02
  Speaker 5: tell anybody. Adam's laptop ran out of battery. They ran
• 38:05
  Speaker 5: out of power here in New York.
• 38:07
  Speaker 4: E said, as a result of a terrible leather and
• 38:10
  Speaker 4: that's what happened. So pour all down suffer as a result.
• 38:13
  Speaker 5: But the great thing is Phoenix three seats from kept
• 38:15
  Speaker 5: on billions, And I think, what's going to be helpful.
• 38:17
  Speaker 5: We're talking about your brilliant event in September. We would
• 38:21
  Speaker 5: love people with our confidence. So I the hounds go
• 38:24
  Speaker 5: to the actual now Finige three sixty animal gid in
• 38:28
  Speaker 5: the details. Everybody's been downloaded for free, and we needs
• 38:32
  Speaker 5: any help. Set can do that as well. But it
• 38:34
  Speaker 5: is so intuitive that every single one of your brilliant,
• 38:38
  Speaker 5: brilliant what is with viewers around the world will be
• 38:41
  Speaker 5: able to benefit.
• 38:41
  Speaker 1: From it one and fifty percent, no doubt about it,
• 38:45
  Speaker 1: and it'll make their life happier and many and many regards.
• 38:50
  Speaker 1: So thank you. I did as I say, stretched there
• 38:55
  Speaker 1: we talked ilean cord like I recorded that it was.
• 38:58
  Speaker 1: It was you're going to hear it, uh You two
• 39:01
  Speaker 1: guys are wins, a big win and you're going to
• 39:03
  Speaker 1: make a lot of people happy and and I'm inviting
• 39:07
  Speaker 1: you over my home.
• 39:08
  Speaker 3: We want we wanted to make happier, wealthier and healthier.
• 39:13
  Speaker 5: And what I should also say po is that I
• 39:16
  Speaker 5: had the joy of broadcast and the more platforms than
• 39:19
  Speaker 5: padding and a lit daily show show.
• 39:22
  Speaker 4: People can log in. It is the free as well.
• 39:25
  Speaker 4: You can go to the YouTube and have a look
• 39:27
  Speaker 4: the Andrew.
• 39:28
  Speaker 1: On Octagu's TV.
• 39:30
  Speaker 5: We have brilliant guests from around the world, from the
• 39:32
  Speaker 5: world of politics, from music, from history and other artists
• 39:37
  Speaker 5: and so on and so forth, and we would love
• 39:38
  Speaker 5: to come along subscribe for that now. That is also
• 39:41
  Speaker 5: three everybody's favorite world and you can follow me and
• 39:45
  Speaker 5: Adults TV and also follow them mounte here at Kinston.
• 39:50
  Speaker 4: We would love to have every single person on board.
• 39:53
  Speaker 1: Wow, we spell there for us, spell there where we
• 39:56
  Speaker 1: should go?
• 39:57
  Speaker 4: Yeah, go for it, Alan tell every how the reachers.
• 40:00
  Speaker 3: Yes, if anybody wants to go to the Apple app
• 40:04
  Speaker 3: Store or the Google Play Store and they just need
• 40:07
  Speaker 3: to look for Phoenix D sixty. If there's any impostors,
• 40:11
  Speaker 3: they will not have a pinkish f logo but if
• 40:17
  Speaker 3: you see the pinkish f logo, you know it is
• 40:19
  Speaker 3: not an impostor and violet pinkish color. And please download
• 40:26
  Speaker 3: the app and enjoy it and it will get better
• 40:29
  Speaker 3: and better. And we are thrilled to beat on your
• 40:32
  Speaker 3: show and thrills to be involved with your Verans initiatives.
• 40:35
  Speaker 3: Then thank you, thank you.
• 40:37
  Speaker 5: I'd tell you before you go turn to the last
• 40:41
  Speaker 5: I want.
• 40:41
  Speaker 1: To say, how do we I love it Alan? How
• 40:46
  Speaker 1: do we spell phoenix? I can hear you better than
• 40:48
  Speaker 1: I can hear F.
• 40:50
  Speaker 3: Fi n i X phoenix f e n i x
• 40:54
  Speaker 3: three six zero. Just the number three, number six, the
• 40:58
  Speaker 3: number zero f nix three six zero. And if they
• 41:02
  Speaker 3: want to go to Phoenix three six zero dot com
• 41:06
  Speaker 3: the website, they'll better go from there to the app
• 41:08
  Speaker 3: store also, and thank you very much been a very
• 41:12
  Speaker 3: gracious post.
• 41:13
  Speaker 1: Why and you called the phoenix three sixty? Uh? You
• 41:17
  Speaker 1: know a lot of people just used to say one eighty.
• 41:20
  Speaker 1: You know, we're one eighty your three. You doubled the whammie.
• 41:23
  Speaker 1: And the phoenix is phoenix. The phoenix is a beautiful
• 41:27
  Speaker 1: thing in this world.
• 41:28
  Speaker 3: It is it happens to be a mythology that exists
• 41:32
  Speaker 3: in Hindu tradition, Chinese tradition, and Western tradition. Right, so
• 41:38
  Speaker 3: it is actually universal concept of phoenix. And indeed we
• 41:43
  Speaker 3: are rising, and with your help we've brithen a little
• 41:47
  Speaker 3: bit more. And thank you very much.
• 41:50
  Speaker 1: We're all in it together. I love you, guys.
• 41:52
  Speaker 3: Thanks, thank you, love you.
• 41:54
  Speaker 1: Enjoying and coming over to my house. We're gonna have
• 41:57
  Speaker 1: a have a have a beach.
• 42:00
  Speaker 3: You can come over. It to mind, it's a mere
• 42:02
  Speaker 3: twenty five hours on a plane. I'm gonna be intimidated
• 42:05
  Speaker 3: coming with me.
• 42:06
  Speaker 1: I'm not intimidated. I'm going to walk to Kennedy Airport now,
• 42:10
  Speaker 1: all right, I'll see your later.
• 42:11
  Speaker 3: I see you, see you break there