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Transcript

Let Sleeping Corpses Open the Window at Manchester Morgue (Promo) · Movie Meltdown

• 0:30
  Speaker 1: Seems like there's been a whole lot of horror movie
• 0:33
  Speaker 1: episodes lately, guys.
• 0:35
  Speaker 2: Don't you feel like if you're not part of the
• 0:37
  Speaker 2: horror club, you're missing out?
• 0:41
  Speaker 1: Yes.
• 0:45
  Speaker 2: Totally.
• 0:46
  Speaker 3: I'm really bad at improv.
• 0:48
  Speaker 2: This is the only time we really do it.
• 0:51
  Speaker 4: But I'm part of the horror club and I am
• 0:54
  Speaker 4: enjoying myself thoroughly.
• 0:55
  Speaker 2: Because there's tons of new material.
• 0:58
  Speaker 3: For $ 2 a month.
• 0:59
  Speaker 4: $ 2 gets you all this great stuff and more.
• 1:03
  Speaker 2: Before, you know, we'd bounce back and forth.
• 1:05
  Speaker 1: But we did some of those promos at the beginning
• 1:08
  Speaker 1: of the year. And I was like, okay, these are
• 1:10
  Speaker 1: our freebies. I'm telling you now. We're going to be
• 1:12
  Speaker 1: doing a lot more horror. So you better join the club.
• 1:15
  Speaker 1: And some people were probably slackers and didn't do it.
• 1:17
  Speaker 1: Now we're like three and four movies in a row.
• 1:20
  Speaker 1: The only thing we're putting out is horror. And I'm like, see,
• 1:22
  Speaker 1: I told you.
• 1:23
  Speaker 2: You didn't listen to me. But you could remedy that
• 1:25
  Speaker 2: real easy. Just go to MovieMeltdown.com. Click on that link
• 1:29
  Speaker 2: at the top right-hand side of the page. And join
• 1:32
  Speaker 2: the club. And you can get in on all this
• 1:34
  Speaker 2: horrific fun every episode.
• 1:38
  Speaker 4: And you can even help decide what movies we talk about.
• 1:41
  Speaker 2: That is a huge benefit. An extra bonus for everybody.
• 1:46
  Speaker 4: You can make us watch great movies that we'd never
• 1:49
  Speaker 4: see otherwise or terrible movies to torture us. It's up
• 1:52
  Speaker 4: to you.
• 1:53
  Speaker 3: That's what I'm saying.
• 1:55
  Speaker 2: Just get on board with it. Join the club. Help
• 1:58
  Speaker 2: us watch movies. We don't know what we're going to
• 2:01
  Speaker 2: watch next. It's all up to you.
• 2:04
  Speaker 1: So then you join the club and you can hear
• 2:06
  Speaker 1: us say awesome things like this. Basically, the entire plot
• 2:11
  Speaker 1: is that in 1923, Cecil B. DeMille made the movie
• 2:16
  Speaker 1: The Ten Commandments, and he brought all these actual, like,
• 2:20
  Speaker 1: Egyptian artifacts and things with them. And he built these
• 2:23
  Speaker 1: sets that were supposed to be like designed after the
• 2:25
  Speaker 1: real thing. And then mysteriously, I don't know how much
• 2:29
  Speaker 1: of this really happened in the real world, but at
• 2:30
  Speaker 1: least within the context of the movie, they mysteriously just
• 2:33
  Speaker 1: bulldozed everything into the desert. Like it's just whatever, closing
• 2:37
  Speaker 1: up shop, we're out of here. And they just bulldozed
• 2:39
  Speaker 1: everything and nobody wanted to touch it ever since.
• 2:43
  Speaker 4: Because the further it goes along, the weirder it gets.
• 2:46
  Speaker 4: And the, Dumber everybody involved seems to be.
• 2:52
  Speaker 3: Rabid and like trying to get over the big gate
• 2:55
  Speaker 3: and then they do and there's like this huge melee
• 2:58
  Speaker 3: on the Sanex football field of parents just like beating
• 3:01
  Speaker 3: the shit out.
• 3:02
  Speaker 2: Of them and like stabbing their children.
• 3:03
  Speaker 1: Well, sure.
• 3:06
  Speaker 4: That's how everybody knows there's sonic radiation.
• 3:07
  Speaker 2: Beating lights and sonic radiation.
• 3:09
  Speaker 4: Which is sonic radiation even a thing?
• 3:11
  Speaker 1: I mean, if it is....
• 3:15
  Speaker 2: Oh, do you believe me now, George?
• 3:19
  Speaker 3: As you're getting murdered, just being right.
• 3:23
  Speaker 4: And, you know, really, if there are the ghosts of
• 3:25
  Speaker 4: any dead filmmakers listening, we'll talk.
• 3:28
  Speaker 1: To you, too.
• 3:28
  Speaker 2: Yeah, most definitely. You know, this ain't your grandpa's zombie movie.
• 3:34
  Speaker 1: It's not Night of the Living Dead, because we've got
• 3:36
  Speaker 1: this crazy naked girl running across the street.
• 3:39
  Speaker 2: For no reason. Oh, yeah. What was that?
• 3:41
  Speaker 3: What was that?
• 3:42
  Speaker 4: Two minutes into the movie, we have boobs. All right.
• 3:45
  Speaker 2: I mean, yeah.
• 3:46
  Speaker 1: That's great. But I don't know that it fits into
• 3:49
  Speaker 1: the movie exactly. Except to say, hey, this is the 70s.
• 3:52
  Speaker 1: Crazy kids out on the street streaking or protesting or
• 3:56
  Speaker 1: whatever they're doing.
• 3:59
  Speaker 2: I assume your food is being made by zombies. Well.
• 4:02
  Speaker 2: This is not the first time I've pitched a zombie-themed restaurant,
• 4:06
  Speaker 2: by the way. I feel like it won't be the last.
• 4:08
  Speaker 2: Anyone who's been listening, you've probably heard it before.
• 4:12
  Speaker 3: Where did she get that heroin? I was like, who
• 4:15
  Speaker 3: in this cute little country?
• 4:18
  Speaker 2: I guess you can get it anywhere. That's the whole thing.
• 4:21
  Speaker 3: But I was just like, how did you get that?
• 4:24
  Speaker 4: I don't know what the quantity of a year's supply.
• 4:28
  Speaker 2: Of heroin is. Does it keep? Do you put it
• 4:31
  Speaker 2: in the freezer? I don't know. Stick it in the freezer.
• 4:33
  Speaker 4: I don't know. These are questions that I thankfully don't know.
• 4:36
  Speaker 2: I don't use enough heroin. Sorry, guys.
• 4:38
  Speaker 1: If you're out there cooking it right now, email in.
• 4:41
  Speaker 2: Let us know how it works. What's the shelf life
• 4:43
  Speaker 2: of heroin? I really don't know. Because our director is Spanish.
• 4:48
  Speaker 2: Our lead is Italian. Our lead Edna is Spanish.
• 4:53
  Speaker 1: The jerk inspector is American, obviously.
• 4:57
  Speaker 2: Yeah. The one that's been a fascist the whole time,
• 5:01
  Speaker 2: of course, has to be the American.
• 5:02
  Speaker 3: Yeah, he made the least sense. Any kind of Egyptian thing,
• 5:07
  Speaker 3: it's just like, yeah, you're cursed.
• 5:09
  Speaker 2: You're cursed. Sorry.
• 5:13
  Speaker 4: I have to wonder if there was a lot of
• 5:15
  Speaker 4: symbolism and commentary in this movie that was relevant to 1974,
• 5:19
  Speaker 4: but is lost on.
• 5:23
  Speaker 4: Was it supposed to be funny?
• 5:25
  Speaker 2: I don't know, but I thought it was funny.
• 5:27
  Speaker 4: Because there were a couple of scenes like that where
• 5:30
  Speaker 4: I'm like.
• 5:32
  Speaker 3: My favorite was the metal colander on a long stick
• 5:36
  Speaker 3: with other sticks poking out of it.
• 5:38
  Speaker 2: See, that was the thing. I'm watching that going, I
• 5:39
  Speaker 2: think I could make that.
• 5:41
  Speaker 1: Like the big tractor machine, not so much, but that
• 5:44
  Speaker 1: weird metal contraption of things you duct tape together.
• 5:47
  Speaker 2: I think I could make that. It was like a
• 5:48
  Speaker 2: high school production of Raising Zombies.
• 5:53
  Speaker 3: Whose idea was it when they were like, let's come
• 5:56
  Speaker 3: up with innovative ways for pest control, that rather than
• 6:00
  Speaker 3: doing something that kills them, they're like, we're going to
• 6:02
  Speaker 3: make them insane, and then they're going to kill each other.
• 6:06
  Speaker 2: I have an answer.
• 6:07
  Speaker 3: Hippie bugs with their long hair.
• 6:10
  Speaker 2: With your long antenna.
• 6:12
  Speaker 1: Screw you guys.
• 6:13
  Speaker 4: With your long hair and your leather jackets and your
• 6:15
  Speaker 4: Dan Fogelberg.
• 6:18
  Speaker 3: What about the homicidal baby?
• 6:22
  Speaker 2: That was something. I definitely wanted to get to that because.
• 6:25
  Speaker 3: I know I was really excited about that one because
• 6:29
  Speaker 3: those Chuck E. Cheese animatronics have always creeped me out.
• 6:31
  Speaker 3: They were creepy.
• 6:32
  Speaker 2: That's a great premise.
• 6:35
  Speaker 4: And George is just opening coffins like.
• 6:38
  Speaker 2: Like you do.
• 6:39
  Speaker 3: Is he in this one?
• 6:40
  Speaker 2: Nope.
• 6:40
  Speaker 4: That's somebody else.
• 6:41
  Speaker 2: Is he in this one?
• 6:42
  Speaker 4: Nope.
• 6:43
  Speaker 2: How about this one? That one's empty.
• 6:45
  Speaker 3: Let's be real.
• 6:46
  Speaker 2: This is why they don't let you in a crypt. Exactly.
• 6:51
  Speaker 1: Why bother adding the weird blood thing if it's not
• 6:54
  Speaker 1: really going to be explained as a tie-in or addressed
• 6:57
  Speaker 1: ever again?
• 6:58
  Speaker 4: But wasn't the blood that they were getting from someone
• 7:00
  Speaker 4: who was dead already?
• 7:03
  Speaker 2: The guy's like, we're going to have great apples this year.
• 7:05
  Speaker 2: I'm mad about apples. What would be the reason why
• 7:11
  Speaker 2: someone wouldn't show up in a photo? He's like, I
• 7:13
  Speaker 2: don't know, ghosts maybe.
• 7:14
  Speaker 1: I'm like.
• 7:15
  Speaker 2: Why would you question it? It's radiation. When has radiation
• 7:19
  Speaker 2: ever done anything bad?
• 7:22
  Speaker 4: But in this one, he's just like, oh, damn, there's
• 7:24
  Speaker 4: no keys.
• 7:25
  Speaker 3: He has to help walk.
• 7:27
  Speaker 2: Yeah. Turns out I need keys to start a car.
• 7:30
  Speaker 1: Damn.
• 7:32
  Speaker 4: They're very organized for mindless creatures.
• 7:34
  Speaker 3: Yeah.
• 7:34
  Speaker 2: Because if you see the.
• 7:36
  Speaker 4: Ease at which they... They shimmy the tombstone out of
• 7:39
  Speaker 4: the ground. The two of them, they're working together, and
• 7:43
  Speaker 4: I like that.
• 7:43
  Speaker 1: And that's also a questionable thing. When he goes to
• 7:48
  Speaker 1: the bathroom to clean himself up, the cop that gets
• 7:51
  Speaker 1: outsmarted by a towel. I was just like, you're a
• 7:55
  Speaker 1: terrible cop. Because, I mean, it's a hand towel. It's
• 7:59
  Speaker 1: not like a net that he was trapped in. He
• 8:02
  Speaker 1: throws a hand towel at his face. And he has
• 8:05
  Speaker 1: time to turn around, climb through the window, go down.
• 8:08
  Speaker 1: And he's like, I'm like, how trapped in that cell
• 8:11
  Speaker 1: did you get? I remember that scene where he's getting
• 8:14
  Speaker 1: chased through the graveyard. And I'm just like, see, if
• 8:18
  Speaker 1: British police had guns, this movie would be over right now.
• 8:23
  Speaker 2: I mean, it's not really even about the money. I mean, yes,
• 8:26
  Speaker 2: we do need money coming in to pay for hosting
• 8:28
  Speaker 2: fees and to keep the site going and things like that.
• 8:31
  Speaker 2: But more than anything, we're really just trying to build
• 8:33
  Speaker 2: a community. A group of friends that like movies and
• 8:36
  Speaker 2: horror and want to sit around and talk about them.
• 8:38
  Speaker 2: I mean, that's what this club, hell, that's what this show.
• 8:41
  Speaker 4: Is built on.
• 8:43
  Speaker 2: And it's no fun to go through all the trouble
• 8:44
  Speaker 2: of putting this together and then nobody's out there. So
• 8:48
  Speaker 2: if you are out there, if you're listening to this
• 8:50
  Speaker 2: right now, go to MovieMeltdown.com and join the Horror Club.
• 8:53
  Speaker 1: Then you'll not only get to listen to every episode,
• 8:55
  Speaker 1: but you can help us choose what movies we're going
• 8:58
  Speaker 1: to watch in the future. So become a Melkiteer and
• 9:00
  Speaker 1: help keep this terror train rolling.
• 9:02
  Speaker 2: On this terror train, this terror train, this Pennsylvania terror train.