Latest / The Breakfast Club / Throw back Thursday with SWV and Juvenile

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Throw back Thursday with SWV and Juvenile · The Breakfast Club

• 0:00
  Speaker 1: Wake up in the morning. You I'm talking right. I
• 0:05
  Speaker 1: know you're about to experience a morning showing like any
• 0:08
  Speaker 1: of you. Bast Club, what you guys are doing right now.
• 0:11
  Speaker 1: It's the hub culture. Breakfast club is my morning sick.
• 0:15
  Speaker 1: I need it and I love it. Something you feel
• 0:18
  Speaker 1: like you're really not popping until you do the breakfast
• 0:20
  Speaker 1: Club and waiting come to y'all, show man. I know
• 0:23
  Speaker 1: you gotta be a big time celebrity to be up
• 0:25
  Speaker 1: in here. You gotta be you gotta be a big
• 0:26
  Speaker 1: time Djen Ali and Charlotte Maine the guy the breakfast
• 0:30
  Speaker 1: club bitches, Wake up, wake up, wake ya. This is
• 0:37
  Speaker 1: your time to get it off your chest. Whether you're
• 0:40
  Speaker 1: Man or Blake, we want to hear from you on
• 0:42
  Speaker 1: the breakfast blob Vast, good morning, Good morning doing what's
• 0:47
  Speaker 1: up bro? Get it off your chests? Many morning, Charlotte Man,
• 0:52
  Speaker 1: what's up, sir vastor how are you? Sir? Good? Good?
• 0:55
  Speaker 1: You know I actually called for envy this morning. Okay,
• 0:58
  Speaker 1: what's up to your favorite? I want to do your favorite?
• 1:00
  Speaker 1: Lets Okay, you remember that that story you told when
• 1:03
  Speaker 1: you were at suth By Southwest and you had a
• 1:05
  Speaker 1: chance Ton Brighton killer. Now it wasn't South by Side,
• 1:09
  Speaker 1: it was Revolt. It was Revolte Music Conference. But you
• 1:12
  Speaker 1: had a chance, but then you passed on. Correct. I
• 1:15
  Speaker 1: got somebody to make up for that. Okay, No boy,
• 1:18
  Speaker 1: let's hear it. He might don't just don't just trade
• 1:21
  Speaker 1: him yet, So that actually not me. It's my friend.
• 1:25
  Speaker 1: He's an artist. His name is a Fabo, so that
• 1:27
  Speaker 1: he h a being old. He's a singer. You can
• 1:31
  Speaker 1: find them on Spotify, Apple Music, bound Cloud, and I
• 1:37
  Speaker 1: want to end the thing a little bit for you.
• 1:39
  Speaker 1: That core with you the bet. Okay, let me na noa, NOA, noa. Okay,
• 1:46
  Speaker 1: hold on, that was the worst NA ever heard. Hello, bro,
• 1:52
  Speaker 1: I know you're not trying to play no song over
• 1:55
  Speaker 1: the phone on the radio to us. That's how you
• 1:57
  Speaker 1: really want to present this guy? Can I send it
• 2:00
  Speaker 1: to y'all. Let me send it to y'all. Let me
• 2:02
  Speaker 1: send it to y'all. Oh my god, you should have
• 2:06
  Speaker 1: shout it out of his Instagram. I didn't ask for email. Patrick,
• 2:11
  Speaker 1: Good morning, Good morning, what's up? Patrick? Get it off
• 2:14
  Speaker 1: at chet bro bang as I got two things I
• 2:17
  Speaker 1: want to get off my chest. I'm a little man
• 2:19
  Speaker 1: this morning. Um, you know, I've been trying to call
• 2:22
  Speaker 1: in and get some relationship advice from me, and this
• 2:25
  Speaker 1: is my first time that would been able to get through.
• 2:27
  Speaker 1: But man, I took some advice for y'all and try
• 2:31
  Speaker 1: to get some couple's counseling for me and my girlfriend,
• 2:34
  Speaker 1: and she just blew up on me, pretty much left
• 2:37
  Speaker 1: me hanging. I was at work yesterday, I got home,
• 2:39
  Speaker 1: she left for my stuff. Wow, left walking, And I'm
• 2:43
  Speaker 1: just did you chase that? Did you follow when she
• 2:46
  Speaker 1: was walking? I was that was man like. I don't
• 2:48
  Speaker 1: got I don't work two times, bro. I get up
• 2:50
  Speaker 1: at two thirty every morning and I don't get back
• 2:53
  Speaker 1: home until sometimes Kate thirty advice. You know, I provide
• 2:56
  Speaker 1: everything for my family. I think they're everything. I just
• 2:59
  Speaker 1: can't see well, I can't come up to a little
• 3:01
  Speaker 1: piece in harmony. Well you know what. Hold on, hold on,
• 3:03
  Speaker 1: We're gonna put your hole and UM help you out,
• 3:06
  Speaker 1: all right, don't hang up? Hello? Who's this angel? Hey angel?
• 3:10
  Speaker 1: Get it off your chests. Good morning, breakfast club. But
• 3:13
  Speaker 1: I love you guys, to you guys every morning, and
• 3:16
  Speaker 1: want to drop a bomb from my beautiful white queen
• 3:18
  Speaker 1: at home and Angela yeves. Every morning I can't get
• 3:22
  Speaker 1: hey fam out of my head. I'm sorry, dam he said,
• 3:27
  Speaker 1: you're beautiful white queen, My beautiful white queen, Jessica, but yes,
• 3:30
  Speaker 1: you gotta say Nubian white queen. I'm sorry, my Nubian
• 3:38
  Speaker 1: all right, we got you. Ever think you you play
• 3:41
  Speaker 1: all my requests every morning. You're welcome to Jay in
• 3:44
  Speaker 1: the world. Thank you, man, I'm glad he thinks that.
• 3:47
  Speaker 1: All right, get it off your chest call us now
• 3:48
  Speaker 1: it was the breakfast club. Good morning, wake up, wake up? Wait,
• 3:53
  Speaker 1: this is your time to get it off your chest,
• 3:57
  Speaker 1: your man or blast. We want to hear from you
• 3:58
  Speaker 1: on a breakfast clos Hello, who's this? Good morning? This
• 4:02
  Speaker 1: is getting on to our Charlotte. Off your chest, mama. Okay,
• 4:07
  Speaker 1: So my complaint is, why is it that I have
• 4:09
  Speaker 1: to hear the same music eating every day? Because it's
• 4:12
  Speaker 1: called the radio, sicking hearing CARDI B I don't want
• 4:15
  Speaker 1: to hear that Bessmo, Well, I don't want to hear la.
• 4:19
  Speaker 1: There is so much music either. Why do you guys
• 4:21
  Speaker 1: have the same sellection each and every day? Because this
• 4:23
  Speaker 1: radio as far as music, I don't want to hear
• 4:25
  Speaker 1: that mess anymore. Every time I hear it, I turned
• 4:28
  Speaker 1: the radio. Don't you want to listen to us? I mean,
• 4:30
  Speaker 1: I listen to you all, But when I hear Carl
• 4:33
  Speaker 1: what's her name? Cardi B Cardi, the radio goes off.
• 4:36
  Speaker 1: Well that's fine, just make sure to come back in
• 4:38
  Speaker 1: three four minutes. Okay, there's no songs you listen to
• 4:41
  Speaker 1: over and over again that you love. No, No, I'm
• 4:44
  Speaker 1: sick of it. I don't want to hear it anymore.
• 4:46
  Speaker 1: I would you want to hear? Okay, they have the
• 4:49
  Speaker 1: new juvenile out? Can you play that? The new jud
• 4:52
  Speaker 1: I got it coming up? That to Ashley Cardi BS
• 4:54
  Speaker 1: coming up next. Thank you so much. Day, have a
• 4:59
  Speaker 1: good day. Hello. Who's this? Hey? This is Janess Henry
• 5:03
  Speaker 1: for Springlake. How y'all doing? Get it off your chest? Listen,
• 5:08
  Speaker 1: I caused his friendsom positivity. God is good all the time. Yes,
• 5:13
  Speaker 1: hey man, Yes, I want to thank the Breakfast Club
• 5:16
  Speaker 1: for enter my phone call. A couple of weeks ago.
• 5:19
  Speaker 1: I'm a real estate broker out in spring Lake in
• 5:22
  Speaker 1: North Carolina, and I called, like where the buyers? So
• 5:27
  Speaker 1: I went from having no buyers to already having two
• 5:30
  Speaker 1: houses on the contract. Congratulations, attacking me from everywhere. Yes,
• 5:34
  Speaker 1: thank you. I just want to say, like, I don't
• 5:38
  Speaker 1: mind if people calling me now with nastix A five
• 5:40
  Speaker 1: six A two, but only about houses, y'all. I'm already married.
• 5:45
  Speaker 1: Anybody even heard you? Just now? You said that number
• 5:47
  Speaker 1: way too fast? Oh now I'm one nine six eight
• 5:51
  Speaker 1: five six eight eight two and you're an agent in
• 5:55
  Speaker 1: North Carolina? Right, yes, call me business, only only about houses.
• 6:01
  Speaker 1: She is married, Leave her alone. Don't be trying to
• 6:03
  Speaker 1: hilight her. We'll be honest with you. You got your
• 6:05
  Speaker 1: damn mind to give away your number on a radio
• 6:07
  Speaker 1: station heard by millions of people, say that only people
• 6:10
  Speaker 1: are gonna call about how there you go. I'm willing
• 6:13
  Speaker 1: to do it. There you go, strong a right blocks
• 6:18
  Speaker 1: run through one hundred phone calls before you get to one.
• 6:20
  Speaker 1: Let's see, I'm gonna precious you got this morning? That's
• 6:22
  Speaker 1: all right? Good luck? Good? Remember God is good. There
• 6:26
  Speaker 1: you go for God, ain't tell you to be stupid. Hello,
• 6:28
  Speaker 1: who's this d D? What's up? Getting off her chests? Bro?
• 6:32
  Speaker 1: What's up? Envy? And what's happening? Brother? Morning? I'm calling man.
• 6:37
  Speaker 1: I'm a professor. I was actually hired as the youngest
• 6:39
  Speaker 1: professor at when State University. Now I'm at a community
• 6:42
  Speaker 1: college of Baltimore. I just want to spread a positivity
• 6:45
  Speaker 1: and education to the kids, man, and take advantage of
• 6:48
  Speaker 1: your ships, man, relationships, mentorships and friendships man to get ahead. Okay,
• 6:52
  Speaker 1: I like that. Well, thank you brother. Yeah, I appreciate you. Man.
• 6:55
  Speaker 1: I listen to y'all every day. We appreciate you all right, man?
• 7:00
  Speaker 1: You bro? Hello? Who's this? Yo's up? This matter from
• 7:03
  Speaker 1: Melana mat? What's up? Bro? Man? I need to spread
• 7:06
  Speaker 1: this positivity right here, I swear, and I'm been trying
• 7:09
  Speaker 1: to get through what's peace was happening? How to get through?
• 7:14
  Speaker 1: For the past two weeks, I've been in real estate
• 7:16
  Speaker 1: school and I've been wanting to tell you though. When
• 7:19
  Speaker 1: when y'all talking about flipping houses and everything, it's a
• 7:22
  Speaker 1: lot more information that these people out here really to
• 7:24
  Speaker 1: go out and get and you can do that. About
• 7:26
  Speaker 1: getting your license, a lot of people might end up
• 7:28
  Speaker 1: in mortgage fraud if they don't do so, you know
• 7:30
  Speaker 1: what I mean? Absolutely, I tell people a Google, read
• 7:33
  Speaker 1: a book, and like you said, get your license. If
• 7:35
  Speaker 1: you got the time, go get your licensing. Yo for
• 7:38
  Speaker 1: show for show I paid FO fifty and this is
• 7:40
  Speaker 1: my second time taking the course. I still get Like
• 7:42
  Speaker 1: three years ago and I was on there on that
• 7:45
  Speaker 1: stupid stuff. You know what I'm saying, relationships, be answering,
• 7:48
  Speaker 1: all that crazy stuff. But Noah, this year I actually
• 7:51
  Speaker 1: did it. I said for you know what I'm saying.
• 7:53
  Speaker 1: I'm like, I'm getting it too. I just wanted to
• 7:55
  Speaker 1: let the whole city know. Also shout out to try
• 7:57
  Speaker 1: City High School, Tennessee State Universe, your rich craud a band. Okay,
• 8:01
  Speaker 1: all right, Robert, you got a lot of company. All right, man,
• 8:05
  Speaker 1: that way, get it off your chest. You gotta stop
• 8:07
  Speaker 1: saying young boys. I was repeated off the him. He
• 8:09
  Speaker 1: just said that. He just said it. So I repeated
• 8:12
  Speaker 1: after him. That way. You don't repeat it. At the
• 8:14
  Speaker 1: point one person says it, he's supposed to go that way.
• 8:16
  Speaker 1: I was going that way. That's what I'm saying. I'm
• 8:18
  Speaker 1: going that way, that way, that way, now that way.
• 8:20
  Speaker 1: The Breakfast Club, it's topic time of the phone called
• 8:30
  Speaker 1: eight hundred five eight five one oh five. Want to
• 8:32
  Speaker 1: join it to the discussion with the Breakfast Club, talk
• 8:34
  Speaker 1: about it morning. Everybody is DJ Envy and Jela Yee
• 8:38
  Speaker 1: Charlomagne the guy. We are the breakfast club. Good morning
• 8:42
  Speaker 1: now if you just joined us with talking low Cuisia,
• 8:44
  Speaker 1: now tell him about lot Quistion. La Quisha is a
• 8:46
  Speaker 1: movie about a white man who's pretending to be a
• 8:49
  Speaker 1: black woman in order to get a job on radio
• 8:51
  Speaker 1: where they're looking for a black woman radio host. All right,
• 8:53
  Speaker 1: so when the quess the show becomes successful when he
• 8:55
  Speaker 1: lands the job even though he's a white man. So
• 8:57
  Speaker 1: let's playing snipping into the trailer right fast. It's brilliant.
• 9:01
  Speaker 1: I know the biggest thing in radio, but I still
• 9:05
  Speaker 1: need mine. And you leve, Louisia, what's your problem? It's crazy.
• 9:11
  Speaker 1: Oh I ain't talking to you, not the way you sound.
• 9:14
  Speaker 1: Next collar you go, girl. You just be good at her.
• 9:17
  Speaker 1: If you're good at yourself, you can be good at others.
• 9:20
  Speaker 1: Don't be too good because the police have come around.
• 9:22
  Speaker 1: Louisa is a real role modelfucker. If you're asking an
• 9:26
  Speaker 1: American woman's on this play, I think I might be
• 9:28
  Speaker 1: a black woman trapped in a white man's body. So
• 9:31
  Speaker 1: we're asking eight hundred five eight five one on five one,
• 9:33
  Speaker 1: what are your thoughts? Let's start with you. You're a
• 9:35
  Speaker 1: black woman, yeah, I thought it was very offensive that
• 9:37
  Speaker 1: he tried it. First of all, it sounds like a
• 9:39
  Speaker 1: stereotypical what a white person thinks a black woman sounds like.
• 9:43
  Speaker 1: And then the name Loquisia is that it just feels
• 9:45
  Speaker 1: very like stereotyping what a black woman is. And it's
• 9:50
  Speaker 1: already hard enough for black woman to get these positions
• 9:52
  Speaker 1: in these jobs. So the fact that you make a
• 9:54
  Speaker 1: movie about white man getting this job because he can't
• 9:57
  Speaker 1: get it because he's a white man's kind of like,
• 9:59
  Speaker 1: you know, we have some type of affrimative action going on,
• 10:02
  Speaker 1: like let us have a job that is very few
• 10:04
  Speaker 1: and far between for us. But people would say it's
• 10:06
  Speaker 1: a movie and you know, they did it in White
• 10:07
  Speaker 1: Chicks with Marlon and Damon played uh, they were black
• 10:10
  Speaker 1: men that played white chicks. I think that's the exact
• 10:12
  Speaker 1: opposite of what this is. What do you think, Well,
• 10:16
  Speaker 1: I mean, here's the problem. The problem is there's not
• 10:18
  Speaker 1: a black woman behind this, all right. That white guy,
• 10:20
  Speaker 1: what's his name, Jeremy Chaville, should have went to one
• 10:24
  Speaker 1: of his black female comedian friends and let her be
• 10:26
  Speaker 1: let her be the face of this. You know, if
• 10:27
  Speaker 1: he did that, I don't think it would be an
• 10:29
  Speaker 1: issue because there's an unwritten rule that the oppressor can't
• 10:32
  Speaker 1: make films like this about the oppressed, but the oppressed
• 10:35
  Speaker 1: can do that to the oppressors. And that's just the
• 10:37
  Speaker 1: way it is. But I think that, you know, people
• 10:39
  Speaker 1: got to stop being offended by fictional world like it's
• 10:41
  Speaker 1: a movie, it's entertainment. Like I grew up on people
• 10:43
  Speaker 1: pretending to be other people all the time, and Living
• 10:47
  Speaker 1: Color made fun of everybody. Dave Chappelle made fun of everybody.
• 10:50
  Speaker 1: You got white chicks. Remember Johanna Man where he pretended
• 10:53
  Speaker 1: to be a woman NBA player. We would have never
• 10:56
  Speaker 1: gotten chane Ll Wanda in this generation. You tell me,
• 10:59
  Speaker 1: you're telling me and Wanda we're positive depictions of black women.
• 11:04
  Speaker 1: I kind of this is what a white man thinks
• 11:05
  Speaker 1: the black woman sounds and you know, looks like and
• 11:08
  Speaker 1: what her names should be. But there is a black
• 11:10
  Speaker 1: comedian from the movie who is defending the movie in
• 11:12
  Speaker 1: here is what he has to say. If anyone's offended,
• 11:16
  Speaker 1: I'm very sorry, But I wasn't trying to make any
• 11:18
  Speaker 1: n's a mockery And in fact, I don't think the
• 11:20
  Speaker 1: trailer does the movie any justice. I don't think any
• 11:23
  Speaker 1: of the black people I worked on it, so we
• 11:25
  Speaker 1: were making a mockery. I think we're, at least for myself,
• 11:28
  Speaker 1: well versed in our plight and our history and all
• 11:30
  Speaker 1: of that. This is a comedy. It's a story about
• 11:33
  Speaker 1: one guy who does the wrong thing for the right
• 11:36
  Speaker 1: reasons and ultimately he pays the price. I think you
• 11:39
  Speaker 1: kind of have to withhold judgment until you see the movie.
• 11:42
  Speaker 1: All right, Well, let's go to the phone lines eight
• 11:44
  Speaker 1: hundred five eight five one o five one. We have
• 11:46
  Speaker 1: Elvis on the line. Elvis, good morning, Hey, good morning.
• 11:49
  Speaker 1: What's up. What do you think about? What are your
• 11:51
  Speaker 1: thoughts on the movie? I think it's great. I think
• 11:53
  Speaker 1: it's a great idea. I think it's the best idea
• 11:55
  Speaker 1: of his White Chick. Do you remember White Chick? White
• 11:58
  Speaker 1: Chicks were good? I'm not going afraid movie sounds like
• 12:00
  Speaker 1: a dope boy there y'all tripping? Well, he actually did.
• 12:03
  Speaker 1: The writers and director did act, and the guy who
• 12:05
  Speaker 1: started they did actually tag Marlon Wayans and say, Lucretia
• 12:09
  Speaker 1: meet white Chicks, and Marlin said, please stop tagging me,
• 12:11
  Speaker 1: and this bs. Well Marlin doesn't seem to think so,
• 12:16
  Speaker 1: but I mean, listen, white women could have been offended
• 12:18
  Speaker 1: by white chicks. White women could have been like, we
• 12:20
  Speaker 1: don't act like that, that's stereotypical. They could have done
• 12:23
  Speaker 1: the same exact thing. Yeah, we're just always oppressed and um,
• 12:26
  Speaker 1: you know, always marginalized. But yeah, that's the thing. It's
• 12:30
  Speaker 1: a rule. It's an unwritten rule that that the oppressed
• 12:34
  Speaker 1: can't I mean, the oppressor can't do that to the oppressed,
• 12:37
  Speaker 1: but their press can do that to the opressent. Just
• 12:38
  Speaker 1: it's the way it is. See, I'm torn because I
• 12:41
  Speaker 1: do feel it's disrespectful and it's like it makes fun
• 12:43
  Speaker 1: of our culture and funt of our black queens. But
• 12:46
  Speaker 1: also it is it's jokes, like we all have jokes
• 12:49
  Speaker 1: like liver color. With jokes, he made fun of everybody
• 12:51
  Speaker 1: and liver color. They made for the gay people, they
• 12:53
  Speaker 1: made fun the black people, they made for the white people.
• 12:56
  Speaker 1: It was funny then. But is it too sensitive now
• 12:58
  Speaker 1: where we can't laugh. I don't know. I think I
• 13:00
  Speaker 1: think I think he should have had a black woman.
• 13:02
  Speaker 1: I think if it was this whole thing, But I
• 13:04
  Speaker 1: think that this just sounds like such a mockery of
• 13:07
  Speaker 1: what it is to be a black woman. That's true too.
• 13:09
  Speaker 1: Does that make it better if it was a black woman?
• 13:11
  Speaker 1: There is still making a mockery of a black woman.
• 13:13
  Speaker 1: All eight d I'm a black woman radio house host.
• 13:15
  Speaker 1: Do I need to be named Loquisha and talk like that?
• 13:17
  Speaker 1: Eight five eight five one oh five one. Call us
• 13:19
  Speaker 1: now as the Breakfast Club, go morning, phone, call in
• 13:23
  Speaker 1: right now at your opinion to the Breakfast Club top
• 13:28
  Speaker 1: break it down. Eight hundred five eighty five, one oh
• 13:31
  Speaker 1: five one The Breakfast Club Morning. Everybody is DJ Envy,
• 13:36
  Speaker 1: Angela Yee, Charlomagne the God. We all the Breakfast Club.
• 13:39
  Speaker 1: If you just joined us, we're talking little quish up that.
• 13:41
  Speaker 1: What's a little quisa about you? It's a movie about
• 13:43
  Speaker 1: a white man who decides that he wants to get
• 13:45
  Speaker 1: a job as a black woman radio host because that's
• 13:47
  Speaker 1: what the ad was looking for. And so he decides
• 13:50
  Speaker 1: to name himself Loquisha and adopt what he thinks sounds
• 13:53
  Speaker 1: like a black woman and how an opinionated black woman
• 13:56
  Speaker 1: with town. But let's go to the well, hold on,
• 13:57
  Speaker 1: hold on, we got Coo on the line. Go this
• 14:00
  Speaker 1: is DEVI I'm sorry, Devin, what are you saying? Devin?
• 14:03
  Speaker 1: I don't understand why things was mad because it sounds
• 14:06
  Speaker 1: just like that movie Starting to Bother You. I didn't
• 14:08
  Speaker 1: see that get out No nothing, not really because Sorry
• 14:12
  Speaker 1: to Bother You was about the black guy adopting the
• 14:15
  Speaker 1: white voice to sell more as a telemarketers. I guess
• 14:20
  Speaker 1: I gone what I did tell them? Mark? You know,
• 14:22
  Speaker 1: I had to definitely, I definitely had my white voice on.
• 14:24
  Speaker 1: Hi is Sean from Poco Fuel. How are you doing today? Sir? Awesome? Yeah,
• 14:30
  Speaker 1: if it's really different, because if you would say, as
• 14:32
  Speaker 1: a as a white person, right, if you went at
• 14:34
  Speaker 1: a job and telemarketing as a white man, could you
• 14:35
  Speaker 1: be like, hey, my name is the question, I'm trying
• 14:37
  Speaker 1: to get this job, then what would happen in real life? Na? Okay,
• 14:42
  Speaker 1: I don't know about that. It was kind of the opposite. Hello,
• 14:44
  Speaker 1: who's this naif Keith? What's something man? We're talking about?
• 14:48
  Speaker 1: Lo Keisha? What do you think? What are your thought
• 14:51
  Speaker 1: with that? Man? Yo? They just really didn't wasn't black
• 14:54
  Speaker 1: Clansman was like kind of like that thing contact like, well,
• 14:56
  Speaker 1: boy was trying to change up to this voice to
• 15:00
  Speaker 1: be a white person to catch somebody or whatever like
• 15:02
  Speaker 1: that seem scenario right. I never saw the Black claimsman.
• 15:05
  Speaker 1: I don't see him. Black Claimers was good man, that
• 15:07
  Speaker 1: was a good movie. But they they had a recent
• 15:11
  Speaker 1: movie like that, same scenario is right too, white kids stuff. Man,
• 15:16
  Speaker 1: Would you have a problem if after seeing this movie,
• 15:18
  Speaker 1: white man went around talking like they were loquia. No,
• 15:22
  Speaker 1: you can say to them all the time, but it's
• 15:26
  Speaker 1: it's I would I wouldn't want a white person to
• 15:28
  Speaker 1: come up to me and be like, hey, sister girl,
• 15:31
  Speaker 1: I hate when people do they do that. Now, heysive
• 15:34
  Speaker 1: it's offensive. Now you've ever seen Himpio. Listen. The problem
• 15:39
  Speaker 1: is there's an unwitten rule that the oppression can't make
• 15:41
  Speaker 1: films you know about the oppressed, But the opress can
• 15:44
  Speaker 1: do that to the oppression. That's just the way it is.
• 15:46
  Speaker 1: Whether it's a man doing that to a woman, a
• 15:48
  Speaker 1: scrape person doing that to a gay person, a white
• 15:51
  Speaker 1: person doing that to a black person like you, just
• 15:53
  Speaker 1: it never looks good. But they got you think a
• 15:55
  Speaker 1: white man can know what it's like to be a
• 15:57
  Speaker 1: black woman. No, and accurately portray that. I'm but I'm
• 16:00
  Speaker 1: sure that's the whole point of the movie. I'm sure
• 16:02
  Speaker 1: by the end of this movie, his whole spot gets
• 16:04
  Speaker 1: blown up. I'm sure by the end of this movie,
• 16:06
  Speaker 1: his whole spot gets blown up. Mike, Yeah right, Heay,
• 16:09
  Speaker 1: what's up, bro? What do you? What do you? What
• 16:10
  Speaker 1: are your thoughts for Lotquisha? All right? I got I
• 16:12
  Speaker 1: got three points. First of all, when I saw this thing,
• 16:14
  Speaker 1: all right, I'm like this movie with it man eighty five,
• 16:17
  Speaker 1: I couldn't believe that someone put this. Twenty nineteen, one
• 16:21
  Speaker 1: of my biggest deployments was when the Black the movie.
• 16:24
  Speaker 1: I can't believe any of them read the script and
• 16:26
  Speaker 1: showed up for this cat seeing that you know they
• 16:29
  Speaker 1: would endure something like this. I think that that was
• 16:31
  Speaker 1: a huge problem. But honestly, the biggest plot hole is
• 16:34
  Speaker 1: how many black women named Akuisha are getting hired without
• 16:37
  Speaker 1: a face to face interview. Right, that doesn't happen. Ever,
• 16:39
  Speaker 1: we haven't seen the movie. Well, that's what happens in
• 16:42
  Speaker 1: the movie. He doesn't have a face to face interview.
• 16:44
  Speaker 1: That's why he got hired because it didn't. I'm not
• 16:47
  Speaker 1: about to sit here and try to figure out a
• 16:48
  Speaker 1: fictional movie that is. That's part of the plot is
• 16:51
  Speaker 1: that he gets hired without them seeing him. But no,
• 16:53
  Speaker 1: but I'm saying it's it's a movie. I'm not gonna
• 16:55
  Speaker 1: pick a part a movie like if we know it
• 16:58
  Speaker 1: for entertainment purposes, we know it fictional. Hello, who's this
• 17:02
  Speaker 1: Mica Michael? What's up? Bro? What? What? What are your thoughts? Man? Well?
• 17:06
  Speaker 1: I want to see people keep that same energy when
• 17:08
  Speaker 1: it comes to other movies. If they're gonna be dispensed
• 17:11
  Speaker 1: to something like Dinner. You can't watch like The Black
• 17:14
  Speaker 1: plans Man or A White Sick or something like that.
• 17:17
  Speaker 1: When when it's for one of a comedy. So and
• 17:20
  Speaker 1: I'm serious about it, and it's I mean, it's a movie.
• 17:24
  Speaker 1: Can't take something that that. Yeah, nobody depends black women.
• 17:27
  Speaker 1: It don't have nothing to do with that. This is
• 17:29
  Speaker 1: a movie like you get You remember that old movie,
• 17:31
  Speaker 1: Remember that old movie in ninety six with Whoope Goldberg
• 17:33
  Speaker 1: called the Associate. We've seen Eddie Murphy play white people
• 17:36
  Speaker 1: like Listen. The problem with this whole thing is they
• 17:39
  Speaker 1: should have had a black woman behind it. They should
• 17:42
  Speaker 1: have been a black woman executive producer. It should have
• 17:44
  Speaker 1: been a black woman. Black women were writing on it,
• 17:47
  Speaker 1: like That's the biggest issue here to me is that
• 17:50
  Speaker 1: this white guy is at the forefront of this. If
• 17:52
  Speaker 1: they would have had a black woman attached to this,
• 17:54
  Speaker 1: it wouldn't even be an issue that hashba the black women.
• 17:57
  Speaker 1: You give a black woman some coin and then make
• 17:59
  Speaker 1: it can seem okay. No, it's more than just having
• 18:02
  Speaker 1: a black woman behind that disrespect. It's a movie, and
• 18:05
  Speaker 1: black women are finding a disrespectful and don't like it,
• 18:07
  Speaker 1: then it's disrespectful. I'm not a black woman, so I
• 18:09
  Speaker 1: can't sit here and tell you what I mean. Some
• 18:12
  Speaker 1: people are okay with it, some people aren't. What I
• 18:14
  Speaker 1: go see this movie? Now? All right, guys, what's the
• 18:17
  Speaker 1: movie was to me? I wasn't cracking up when I've
• 18:19
  Speaker 1: seen it. The moral of the story is y'all promoted
• 18:22
  Speaker 1: the hell out of this white man's movie. My god,
• 18:24
  Speaker 1: he's gonna kill it the box office on Netflix, whever
• 18:26
  Speaker 1: the Ellis is coming out. I doubt it. There you crazy?
• 18:28
  Speaker 1: This movie about the pop. It's about the pop right now?
• 18:32
  Speaker 1: Oh my goodness, as keep it locked. This the Breakfast Club,
• 18:34
  Speaker 1: The Morning, the Breakfast Club, Keep the Breakfast Club humble,
• 18:40
  Speaker 1: slanting the Breakfast class more. Everybody is DJ Envy Angela Yee, Charlemagne,
• 18:50
  Speaker 1: the guy, we are the breakfast Club. It's time for
• 18:52
  Speaker 1: slander the breakfasts, right, We need the humbling, you know
• 18:55
  Speaker 1: what I'm saying. We like to do this every now
• 18:57
  Speaker 1: and then just to keep us humble, you know what
• 18:59
  Speaker 1: I mean. All Right, Well, let's get to a KLA.
• 19:01
  Speaker 1: Good morning guys. Hey, Kelly, who you want to slander? Charlemagne?
• 19:05
  Speaker 1: Y you want Charlemagne. I'm a fairy new listener. I've
• 19:10
  Speaker 1: been listening for about two years, and m Charlemagne has
• 19:15
  Speaker 1: been open and honest about what he went through at
• 19:17
  Speaker 1: the child in terms of his sexual molestation. And you know,
• 19:22
  Speaker 1: I wonder if maybe you need to explore that a
• 19:25
  Speaker 1: little deeper in your therapy, because out of the three
• 19:27
  Speaker 1: of y'all, Charlemagne, you are the only one that makes
• 19:31
  Speaker 1: so many over the top sexual references about man parts,
• 19:36
  Speaker 1: about doing things sexually that most people don't even talk
• 19:40
  Speaker 1: about in the privacy of their own home. And I
• 19:43
  Speaker 1: wonder because you have residual issues with what happened to you,
• 19:47
  Speaker 1: because it's very cringeworthy to listen to you make so
• 19:50
  Speaker 1: many over the top sexual reference You do talk about man,
• 19:53
  Speaker 1: but aline, yeah, that's a valid point you do talk
• 19:56
  Speaker 1: about but I'm not. I'm not even just mutinous. I
• 19:58
  Speaker 1: think she might be right. All right, Well, thank you, Kelly.
• 20:01
  Speaker 1: Did you hear anything this morning? Uh? Not this morning?
• 20:04
  Speaker 1: So I'm kind of room for you this morning. But
• 20:06
  Speaker 1: you know, y'all not off the arabs for another forty
• 20:08
  Speaker 1: five minutes. You must have just got in the car
• 20:10
  Speaker 1: when I told you didn't hit? When I when you
• 20:12
  Speaker 1: didn't hit? When I told Envy that just because a
• 20:14
  Speaker 1: man tells you to get on your knees like you
• 20:16
  Speaker 1: used to, it might not be a reference to hear that. Okay,
• 20:19
  Speaker 1: that was trying to mile compare tell how you Yeah?
• 20:23
  Speaker 1: That is right? Did you hear how we tell? Ever,
• 20:24
  Speaker 1: he was gonna fill in his face. I didn't say no,
• 20:27
  Speaker 1: he didn't say that. That didn't happen, But thank you, Kelly. Hey, Jason,
• 20:32
  Speaker 1: come on to Jason. It was going on, Envy Angela,
• 20:35
  Speaker 1: Look what the hell you just saying? Who? Charlotte man?
• 20:41
  Speaker 1: I think he had closet. Everything y'all talk about it
• 20:46
  Speaker 1: comes back to some closet homosexual stuff. What's up with that?
• 20:49
  Speaker 1: Charlotte Knight? Like? What you mean an example? What's in
• 20:52
  Speaker 1: my closet? I mean? An example? Tis like this morning,
• 20:56
  Speaker 1: I was talking about the Ressel west Brook. You're talking
• 20:58
  Speaker 1: about what basically gay and yeah, I had nothing to
• 21:02
  Speaker 1: do with anything, because I don't understand why people just
• 21:07
  Speaker 1: jump to the conclusion that that meant slavery just because
• 21:10
  Speaker 1: a man tells another man get on your knees like
• 21:12
  Speaker 1: you used to. But that's a conclusion Russell Westbrook jump too.
• 21:14
  Speaker 1: But why do you grow through the side? Homoside is murder? Sir?
• 21:20
  Speaker 1: Oh Roberts, Hey, Robert? How you doing? Oh? How you doing?
• 21:31
  Speaker 1: I'm good? Who you want to slander? Why do you
• 21:35
  Speaker 1: want to slander me? Bro Man ibusually started following you
• 21:39
  Speaker 1: on Instagram. Man, all your's a different call with the
• 21:43
  Speaker 1: same hoodio. He got it on? Now who is it?
• 21:47
  Speaker 1: What does it say? Is it my guy versus VI enemies?
• 21:52
  Speaker 1: I love that brand? I wonder why I love that brand.
• 22:00
  Speaker 1: I love that bread. That about it? Yeah, you can
• 22:03
  Speaker 1: go to the Body of God dot com to get
• 22:05
  Speaker 1: your You know, my dad said that the same Do
• 22:07
  Speaker 1: you own any other clothes? You were that same moody
• 22:09
  Speaker 1: all the time? Why didn't think it's the same hoodie?
• 22:11
  Speaker 1: It's different colors exactly. It might be the same as
• 22:13
  Speaker 1: Snells same. It's not one going on going on one?
• 22:17
  Speaker 1: What's up mid me going oh lie, hey, what's up
• 22:21
  Speaker 1: my Dominican brother. No, you're talking to me, ain't I'm
• 22:24
  Speaker 1: not eat something to say West African? So no, I'm
• 22:26
  Speaker 1: talking about see poppy, but say you couldn't embrace that man?
• 22:32
  Speaker 1: Who you want to slam the poppy he's doing? Man,
• 22:35
  Speaker 1: I just want to say with a couple of few guys,
• 22:36
  Speaker 1: other few you guys every morning, man, y'all funny Charlotte
• 22:38
  Speaker 1: and the guy I gotta love for you. Man, you
• 22:40
  Speaker 1: keep it funky all the time. And that's a good thing. Well,
• 22:42
  Speaker 1: thank you, sir. But this is slam of the breakfast clubs.
• 22:44
  Speaker 1: So we can't talk slan y'all man, And I'm sorry.
• 22:47
  Speaker 1: That's because he's not embraceless waffle man. He started to
• 22:50
  Speaker 1: break that waffle. He does embrace it. He eats him
• 22:53
  Speaker 1: all the time. He is down though, Man, he'd be like,
• 22:56
  Speaker 1: he'd be like Charlotte, Yeah, I'm not doing Medican man
• 23:00
  Speaker 1: him black. He stuffed his pancakes and why you don't
• 23:04
  Speaker 1: invent you Dominican side man, Hi Poppy stylestad thank every morning.
• 23:09
  Speaker 1: I'm like, no, worry. You know you got that. It's
• 23:15
  Speaker 1: almost spring time. He'll be out here with the white jeans.
• 23:17
  Speaker 1: He'll be full blown Dominican by someone Coom style instead
• 23:20
  Speaker 1: peace Poppy? What why are you calling him poppy? I
• 23:24
  Speaker 1: don't know, d y who you want to sland d
• 23:27
  Speaker 1: me poppy? Call you has it for you. He definitely
• 23:30
  Speaker 1: called you poppy d. This is the slander, man, because
• 23:33
  Speaker 1: I think you're really gay. Man, I really think you're gay,
• 23:35
  Speaker 1: and be like because you which y'all always so sensitive? Bro,
• 23:41
  Speaker 1: wait now, hug on what to do? It is what's wrong?
• 23:48
  Speaker 1: But damn bro, you oh he's got to be so sensitive.
• 23:51
  Speaker 1: So goddamn Charlomagne. Bro, I love you, bro. What you
• 23:55
  Speaker 1: look like a Warner wallet? Bro wallet? Yes, I'm game,
• 24:00
  Speaker 1: but he's done everything about your face. Broad. That's all
• 24:08
  Speaker 1: I'm gonna say, and I'm gonna go back there talk
• 24:12
  Speaker 1: every yo. You need to start playing some real man,
• 24:15
  Speaker 1: some real stuff. Man. You don't get paid to play
• 24:18
  Speaker 1: real music. And then I'm saying, y'all can always complaining
• 24:22
  Speaker 1: about home man. We tired of hearing the stream stuff
• 24:25
  Speaker 1: and just he played the same waxy he died. You
• 24:28
  Speaker 1: whacked for that. That you ain't got nothing for ye
• 24:30
  Speaker 1: ye I love you, yea. He goes laugh like a
• 24:34
  Speaker 1: four year old little girl, and you need to fix
• 24:36
  Speaker 1: your whole laugh and down. In fact, let's go to
• 24:38
  Speaker 1: Disney Lane, something new for your life. Okay, I liked it.
• 24:45
  Speaker 1: I liked it. I liked your slander this morning. It
• 24:47
  Speaker 1: started off strong. I don't mind laughing like a flame.
• 24:49
  Speaker 1: Ended a little week, but it was strong all right. Bye,
• 24:51
  Speaker 1: man Slander The Breakfast Club eight hundred five five one
• 24:54
  Speaker 1: or five one, keeping lock this to Breakfast Club, the
• 24:57
  Speaker 1: Breakfast Club more than everybody's DJ Envy Angela Yee, Charlomagne
• 25:04
  Speaker 1: the guy. We are the Breakfast Club. I want to
• 25:05
  Speaker 1: do this go ahead. We had some very special guests
• 25:09
  Speaker 1: in the building. It is as Deba to w V
• 25:13
  Speaker 1: here you actually spelled it with you sometimes, well I
• 25:18
  Speaker 1: did you and Tod your head was happening everything We
• 25:27
  Speaker 1: are feeling like villains representing holding it down in the hood. Okay,
• 25:30
  Speaker 1: y'all got a new show, Ladies Night reality show. We
• 25:35
  Speaker 1: were approached by BT to do a show about girl
• 25:38
  Speaker 1: groups and the struggles and the ups and downs that
• 25:41
  Speaker 1: we go through. We were more than happy to do
• 25:43
  Speaker 1: it because people don't. I mean, first of all, there's
• 25:45
  Speaker 1: no more girl groups, right, and then like they don't
• 25:47
  Speaker 1: realize that SMV and something Pepper are still around. Like,
• 25:50
  Speaker 1: so we went out there. We decided to put it
• 25:52
  Speaker 1: out there and open. I mean you literally see the
• 25:53
  Speaker 1: struggle of being a mother, a wife. Coco was going
• 25:56
  Speaker 1: through the dio. Yes, it was just and then we're
• 25:58
  Speaker 1: on the road out of the car on tree. I
• 26:00
  Speaker 1: got sick. I mean it was crazy. Guys are on
• 26:02
  Speaker 1: a safari and Sari, I'm the animal lover. I love her. Listen,
• 26:12
  Speaker 1: I'm taking I know what she means. Now, we didn't
• 26:17
  Speaker 1: have the opportunity to see the first episode. You did good. Yes,
• 26:20
  Speaker 1: and one of the recurring themes is where it's Cocoa
• 26:23
  Speaker 1: right and I don't do Coco. She she actually was
• 26:28
  Speaker 1: trying to get here. She had a little setback this morning.
• 26:30
  Speaker 1: I couldn't have her out here looking crazy, so we
• 26:33
  Speaker 1: told her we'll hold it down until she gets here.
• 26:35
  Speaker 1: So let's talk about s WV and Salt and Peppa
• 26:37
  Speaker 1: doing the show together because some Peppa said they've never
• 26:40
  Speaker 1: even been on the road. I know another thing, Yes,
• 26:44
  Speaker 1: another girl group. And so for you guys working with
• 26:46
  Speaker 1: them because it felt like there's a little bit of
• 26:48
  Speaker 1: like they're very take charge. Salt, yeah, very take Charis.
• 26:54
  Speaker 1: Is what we're gonna do. This is we're gonna tell them,
• 26:55
  Speaker 1: and you guys are like, nah, we're not, you know
• 26:57
  Speaker 1: there with that? So how is it? How do you guys? Alan?
• 27:00
  Speaker 1: You have to compromise. You literally have to compromise, especially
• 27:03
  Speaker 1: when you have so many egos and play and then
• 27:05
  Speaker 1: um other outside forces if at play. So you really
• 27:09
  Speaker 1: have to learn to compromise and be willing to step
• 27:12
  Speaker 1: back and let somebody else take the lead. Sometimes it
• 27:14
  Speaker 1: is just Sol super religious though, so is she like
• 27:17
  Speaker 1: trying to check Lely? She has religious moments yea the
• 27:22
  Speaker 1: show and she definitely is having her She's having a
• 27:25
  Speaker 1: good time. It seems like, you see the thing about
• 27:27
  Speaker 1: it is everybody's trying to check Lely. Everybody y'all think
• 27:30
  Speaker 1: it's super spiritual. It's really not. Lely is just she
• 27:33
  Speaker 1: just says she ain't supposed to say sometimes, but I
• 27:37
  Speaker 1: just say what they want to say because in the back,
• 27:39
  Speaker 1: in the back, they'd be like, yeah, yeah, you know,
• 27:45
  Speaker 1: but you know, in fun of y'all, in fun of
• 27:47
  Speaker 1: those they'd be like Oh that's the name of the Lord.
• 27:51
  Speaker 1: I think it's a balance though. You gotta have ratchet
• 27:53
  Speaker 1: and you gotta have righteous and that that's me. I'm
• 27:58
  Speaker 1: broned to New York all day. That's all You're gonna
• 28:00
  Speaker 1: get what you mean. I've had my crazy too. It's
• 28:07
  Speaker 1: now let's talk about because I remember seeing with y'all
• 28:11
  Speaker 1: when you had just got your butt done. Slov was
• 28:14
  Speaker 1: loving my but trying your video footage. You know, Sharlo
• 28:26
  Speaker 1: made is so much. He happens to be one of
• 28:29
  Speaker 1: my favorite people in the entire world. I love, I
• 28:32
  Speaker 1: just feel like people. He's so misunderstood, but he says
• 28:37
  Speaker 1: everything that people want to say but don't say it,
• 28:41
  Speaker 1: so I can relate to him in the craziest way,
• 28:44
  Speaker 1: Like we're like soul mates in a way. So how
• 28:47
  Speaker 1: is your beat holding up after that? Because well, it's
• 28:51
  Speaker 1: it's it's holding up. It's holding enough. It's nice and
• 28:55
  Speaker 1: settle you know you I was together on to How
• 29:00
  Speaker 1: did y'a keep the piece amongst each other? Oh we didn't.
• 29:04
  Speaker 1: We were We were separated for like eight years. Oh no,
• 29:07
  Speaker 1: you got to grow up before you can come back together.
• 29:09
  Speaker 1: And I think breaking up as a group was one
• 29:12
  Speaker 1: of the best things that could have happened to us
• 29:14
  Speaker 1: because literally we found each other. We found ourselves once
• 29:18
  Speaker 1: we had to separate. When you come back together after
• 29:20
  Speaker 1: you know who you are, it works better. And that's
• 29:23
  Speaker 1: when Coco went solo. Yes, and I remember she was
• 29:26
  Speaker 1: dating um Ishmael from Digibo Plan. They have a son. Yeah,
• 29:29
  Speaker 1: they have a son together. So is that part of
• 29:32
  Speaker 1: the reason why the group, Like she kind of went
• 29:33
  Speaker 1: off and she wanted to do her own thing, so
• 29:35
  Speaker 1: she went off and tried it and came back. We
• 29:38
  Speaker 1: no matter how many times we separate, we realize we're
• 29:41
  Speaker 1: better together than I listened to s WV like daily
• 29:46
  Speaker 1: to this day. I love you guys, know we do
• 29:53
  Speaker 1: for real. We're not just a pair just saying that.
• 29:56
  Speaker 1: But it's different with music, Like music is different than radio,
• 30:00
  Speaker 1: you know what I'm saying. Like you listen to radio sometime,
• 30:01
  Speaker 1: you listen to music all the time. We listen to
• 30:03
  Speaker 1: y'all all the time. They basically go together, though, but
• 30:07
  Speaker 1: you ain't just turning all. You can't say I'm gonna
• 30:08
  Speaker 1: turn on this breakfast club. I'm so win to you
• 30:11
  Speaker 1: know what I'm saying. Music, Okay, I get you. I
• 30:13
  Speaker 1: love to hear, but I turned on the Breast Club
• 30:15
  Speaker 1: every morning, like Downtown's a great songs at the movie
• 30:18
  Speaker 1: like that. It was crazy to think that that song
• 30:22
  Speaker 1: was Downtown comes after the four play what you No?
• 30:28
  Speaker 1: It comes after the kissing and stuff. But they kiss
• 30:31
  Speaker 1: the four play in the cue. But the girl I
• 30:42
  Speaker 1: was four play no no, not in my world? Really,
• 30:47
  Speaker 1: like they start with the movie. That's what I'm trying
• 30:53
  Speaker 1: to tell him. He want to go straight to the kids.
• 31:00
  Speaker 1: So the four place starts up top. Yeah, the fourth
• 31:02
  Speaker 1: Place starts on top. You learning something? Yes I Am.
• 31:05
  Speaker 1: Isn't a crazy thing. Downtown was such it was a
• 31:07
  Speaker 1: risky song. Back in the day. We talk about that
• 31:10
  Speaker 1: and now we support all the holes. So we hear
• 31:16
  Speaker 1: we heard Coble look what we can. What was the
• 31:22
  Speaker 1: label saying when y'all recorded us on what they say? Yeah? Really,
• 31:29
  Speaker 1: back in the day, they look out leaving about you.
• 31:37
  Speaker 1: They get you, like we don't ever talk about women
• 31:41
  Speaker 1: how they be on the room. Let's cut right to it,
• 31:44
  Speaker 1: ay me, it's non negotiable. You should let random fans
• 31:52
  Speaker 1: do it. Okay, you can take no no, but if
• 31:57
  Speaker 1: you take me, hey, game is just that that's just it.
• 32:01
  Speaker 1: You gotta lick it before you stick it. Yeah, everybody
• 32:12
  Speaker 1: about me. I'm trying to keep it PG. I stay
• 32:16
  Speaker 1: in trouble, you know, but the best all right? We
• 32:19
  Speaker 1: got more with s WV. When we come back, don't move.
• 32:22
  Speaker 1: It's to breakfast Club. Go more. This is the breakfast
• 32:24
  Speaker 1: Club morning. Everybody's DJ Envy Angela Yee, Charlomagne the guy.
• 32:29
  Speaker 1: We are to Breakfast Club is Flashback Friday and we
• 32:32
  Speaker 1: have s WV in the building. Are you guys still
• 32:34
  Speaker 1: doing a biopick? We are working on it. It's it's
• 32:38
  Speaker 1: a lot to The thing about our ball pick is
• 32:41
  Speaker 1: it has to be um more than one hour, more
• 32:44
  Speaker 1: than two hours. We got twenty seven years of stuff
• 32:48
  Speaker 1: to talk about because somebody's story is gonna be left out.
• 32:50
  Speaker 1: We're three individuals who had three individual stories even though
• 32:54
  Speaker 1: we're in the same group. As a group, we went
• 32:57
  Speaker 1: through stuff, but individually it was a like completely different
• 33:00
  Speaker 1: from other traumatic. Yeah, some of it was traumatic, some
• 33:05
  Speaker 1: of it was great. And it's just hard to tell
• 33:07
  Speaker 1: a story with no time. So if we can't tell
• 33:09
  Speaker 1: it right, we don't want to do it. But you've
• 33:11
  Speaker 1: been working on it. We've been approached to do it. Yes,
• 33:14
  Speaker 1: I think TLC did it kind of right too, even
• 33:15
  Speaker 1: though I'm sure it could have been more. They couldn't
• 33:18
  Speaker 1: get everything in there, so you still have missing peace
• 33:21
  Speaker 1: and you're gonna make people mad. You know. If somebody
• 33:24
  Speaker 1: was a part of your story and some things happened,
• 33:26
  Speaker 1: you know, and they had a certain level of life
• 33:28
  Speaker 1: right now and it changed, it pissed you off to
• 33:32
  Speaker 1: kind of relive those moments again. But you have to
• 33:35
  Speaker 1: live in truth. Like who would be mad from an
• 33:37
  Speaker 1: SWV story? You know? I'm trying to be saved and
• 33:44
  Speaker 1: filled with the Holy Ghost today, you see, I saved today, Jesus.
• 33:55
  Speaker 1: I need a spirit of Charlemagne. And what about for
• 33:58
  Speaker 1: the three year with each other? What something? That? That's
• 34:02
  Speaker 1: just rude. Damn, I'm getting nervous all that the face.
• 34:08
  Speaker 1: You know, they say men with beards, beards are dirtier
• 34:11
  Speaker 1: than dogs. You told us that, right, I posted it.
• 34:14
  Speaker 1: I posted it, yeah, and they said it. So you
• 34:17
  Speaker 1: know what, Hey, my dude is a I love right
• 34:23
  Speaker 1: and to me, I don't need to be cut up
• 34:26
  Speaker 1: down there. Yeah, try, you gotta get in the beard
• 34:32
  Speaker 1: to I don't want to deal with that. The Beard's
• 34:34
  Speaker 1: rough on the poem. Poem is what you're seeing? He's like, no, no,
• 34:38
  Speaker 1: I face bath, face bath. You can't a facial, you're skinner, smooth.
• 34:46
  Speaker 1: I can't show you what it is, Charlo let me google.
• 34:53
  Speaker 1: Don't you get don't you get facials? I do? I
• 34:55
  Speaker 1: get facials, chemical pills on the face bath me too,
• 34:59
  Speaker 1: fa if you would tell us your face, Charlemagne, Yeah,
• 35:07
  Speaker 1: so you're a squirt, Charlomagne. You will never find I
• 35:13
  Speaker 1: can't show you. Okay, I don't. I don't need a
• 35:18
  Speaker 1: lot of digging in my ass. Oh no, I mean
• 35:24
  Speaker 1: in your ass. But it's a good thing. There you go,
• 35:29
  Speaker 1: it's really good. Yeah, okay, playing some swvy. I understand
• 35:35
  Speaker 1: anything with the bio pick that y'all would be scared
• 35:37
  Speaker 1: to put in because Lely said, y'all got to live
• 35:38
  Speaker 1: your truth. But is there anything y'all be scared to
• 35:40
  Speaker 1: put it on me? I feel like the story has
• 35:43
  Speaker 1: to be told by y'all. That's why I like all
• 35:44
  Speaker 1: of these biopicks while people are still alive. I'm sorry
• 35:48
  Speaker 1: you got married so young, right, I was thirty three
• 35:50
  Speaker 1: when I got married. That's not old though, But all
• 35:54
  Speaker 1: but what did you ever step out like in your relationships?
• 35:57
  Speaker 1: Do you ever get am the most loyal? I can't
• 36:01
  Speaker 1: answer this, let me tell you because it has to
• 36:02
  Speaker 1: be hard because I can't answer this question for her
• 36:06
  Speaker 1: because a lot of these men came to me to
• 36:09
  Speaker 1: hook them up with her. She had and I will
• 36:12
  Speaker 1: not name no names, but she had some of the richest,
• 36:15
  Speaker 1: some of the most popular guys. Was like, Yo, they
• 36:18
  Speaker 1: won't give me twenty grand if I get them a
• 36:21
  Speaker 1: day with her. I'm oute they came to me when
• 36:29
  Speaker 1: they just wanted to dare her that bad. When I
• 36:31
  Speaker 1: say I'm loyal, I mean that if you're loyal to me,
• 36:33
  Speaker 1: I'm down for you one hundred and ten percent. But
• 36:35
  Speaker 1: what I'm in a relationships with loyal to a fault.
• 36:40
  Speaker 1: And it drives me crazy because I don't do I've
• 36:43
  Speaker 1: never stepped out on any of my boyfriends, even before
• 36:47
  Speaker 1: I'm looking for somebody to cheat now I'm doing. I'm
• 36:54
  Speaker 1: just saying I feel like it has to be hard
• 36:56
  Speaker 1: because as women, when you're on the road, I know
• 36:57
  Speaker 1: guys are trying to high at y'all, and some of
• 36:59
  Speaker 1: them I would be surprised. Yeah. But See, my thing
• 37:02
  Speaker 1: is I have not met anybody who's worth risking my life.
• 37:06
  Speaker 1: My life nothing, I don't say. I don't remember the
• 37:12
  Speaker 1: time when you could just look at a guy and
• 37:14
  Speaker 1: y'all just have this chemistry and you hook up. Now,
• 37:17
  Speaker 1: even if it's pretty, you'd be like, damn, what, what's
• 37:21
  Speaker 1: in it? It's just too much? Less it? Sure, it's
• 37:28
  Speaker 1: pretty much you can't can't even I'm glad you said that,
• 37:34
  Speaker 1: because a lot of women don't think penises are pretty.
• 37:37
  Speaker 1: Oh no, I've seen some pretty. What makes it pretty?
• 37:41
  Speaker 1: It's clean, it's gotta be the same color as the
• 37:43
  Speaker 1: rest of his body. No, penis is really pretty? Ya huh,
• 37:50
  Speaker 1: get rid of that. Have you ever seen an uncircumcised
• 37:55
  Speaker 1: I don't it looks nice. It looks okay when it's erect.
• 38:00
  Speaker 1: But when when? When when the turtle had his head
• 38:08
  Speaker 1: in the shell. I'm still I'm still dripping. Other fact,
• 38:16
  Speaker 1: Lily wants to know what's inside the penis? Has ever shower?
• 38:19
  Speaker 1: I'm just saying this, And students, we don't seen someone everything.
• 38:24
  Speaker 1: We know it's some nasty dude. All right, We got
• 38:28
  Speaker 1: more with s WUV is Flashback Friday. Matter fact, let's
• 38:31
  Speaker 1: get into an s WV mini mix. It's the breakfast Club,
• 38:33
  Speaker 1: Good Morning, the Breakfast Club. That was s w V
• 38:39
  Speaker 1: Mini Mix Morning. Everybody is DJ n v Angela Yee,
• 38:43
  Speaker 1: Charlomagne the guy we are the breakfast Club. S WV
• 38:47
  Speaker 1: is here, Charlomagne. Do you'll feel like y'all got y'all
• 38:49
  Speaker 1: just do financially and just as far as credit from
• 38:51
  Speaker 1: the culture, No, yeah, no, we we missed a few
• 38:54
  Speaker 1: steps or a few steps missed us, but it's it's
• 38:57
  Speaker 1: all good. You live and learn. I'm just we hadn't
• 39:00
  Speaker 1: gotten our just do because we never won an award.
• 39:03
  Speaker 1: I remember that when vah one on a y'all, it
• 39:05
  Speaker 1: was like the first time plenties of soul. Yeah, that
• 39:08
  Speaker 1: was the first time we ever got an award. I mean,
• 39:10
  Speaker 1: we never received an award, and that's crazy. That song
• 39:13
  Speaker 1: is twice platinum alone. That wasn't even album. It was
• 39:17
  Speaker 1: just that song and it never received an award. You know,
• 39:20
  Speaker 1: numbers don't lie. That's why the BIOPICCK would be great
• 39:22
  Speaker 1: because I look at what it did for a new
• 39:23
  Speaker 1: edition with a younger kid went out because I think
• 39:25
  Speaker 1: that will help people. Even with TLC did there, that
• 39:28
  Speaker 1: really helps people who are younger that might they might
• 39:31
  Speaker 1: know the songs but not really know the story because
• 39:33
  Speaker 1: they didn't grow up on it. I think that's so
• 39:34
  Speaker 1: helpful and I think for that that will launch y'all
• 39:36
  Speaker 1: to that. The show actually helped that as well Ladies Night,
• 39:39
  Speaker 1: because they can see a performed they see everything that
• 39:42
  Speaker 1: we do. They hear the old music, they hear some
• 39:43
  Speaker 1: of the new music because we also worked on a
• 39:45
  Speaker 1: new song together Salt Pepp and SWV. So I think
• 39:48
  Speaker 1: this show is a step in the right direction toward that.
• 39:51
  Speaker 1: Hopefully the biopick will be able to be done right
• 39:54
  Speaker 1: and we can y'all gotta get y'all had a reality
• 39:56
  Speaker 1: show before those last Did that change things for y'all?
• 39:59
  Speaker 1: And no, okay, you know what, the show was good,
• 40:03
  Speaker 1: but I think you are Charlottage stop that he smelled
• 40:11
  Speaker 1: like a horse on there or something. Yeah, I don't
• 40:22
  Speaker 1: think I don't know stuff to teach him something, clue,
• 40:31
  Speaker 1: I tell some stuff. The one he change anything? Well,
• 40:36
  Speaker 1: you know what it is what reality television? And I
• 40:39
  Speaker 1: think they really need to rename that whole genre. You
• 40:42
  Speaker 1: have to embellish the truth. If I'm just telling you
• 40:45
  Speaker 1: about how my day is, I'm gonna have a great day,
• 40:47
  Speaker 1: but the day needs to be bad to cause some
• 40:48
  Speaker 1: kind of build up to make it interested. And it
• 40:51
  Speaker 1: just it drives me crazy. And I think they embellished
• 40:54
  Speaker 1: a little too much with the first show, and it
• 40:57
  Speaker 1: was a negative reaction to it, so it didn't really
• 41:00
  Speaker 1: help a lot. It just made people think we were
• 41:02
  Speaker 1: fucking crazy. We were not. Back then, all the groups
• 41:04
  Speaker 1: were so polished. Yeah, so they only presented the best.
• 41:07
  Speaker 1: So you didn't know, y'all, you know what I mean.
• 41:09
  Speaker 1: And then when something came out, it was like, oh
• 41:11
  Speaker 1: my god, they fight. Yeah, I tell you what. Social
• 41:16
  Speaker 1: media wasn't around in the nineties. In jail. Why would
• 41:21
  Speaker 1: y'all be in jail if they had social media in
• 41:22
  Speaker 1: the nineties. Because we were young, We have fun. It
• 41:25
  Speaker 1: was command crime. Yeah everything. Now you said, people don't
• 41:29
  Speaker 1: know how to judge what's good and what's bad. They
• 41:31
  Speaker 1: don't know how to make things how it is. So
• 41:34
  Speaker 1: if they saw some of the stuff that we did
• 41:36
  Speaker 1: it back in the days, we know, you know, you
• 41:38
  Speaker 1: were pretty okay. I mean, but I'm just saying by
• 41:40
  Speaker 1: guilty by association, no crimes. We just had fun. We
• 41:46
  Speaker 1: just had fun. They were young. Was the craziest relationships
• 41:49
  Speaker 1: and one of what you did to somebody's car. Oh,
• 41:53
  Speaker 1: we heard about that. This was social media when you
• 41:57
  Speaker 1: broke all the windows out of the legendary at Lovers
• 42:00
  Speaker 1: everything she did several cars. She would have got your
• 42:04
  Speaker 1: That was twenty year old Lely. I was off the chain.
• 42:09
  Speaker 1: These guys feel like they could just hurt you and
• 42:12
  Speaker 1: do what they want to do. And no, I'm not
• 42:15
  Speaker 1: gonna You're gonna feel listening your carn't think the same
• 42:20
  Speaker 1: from the Bronx. Yeah, Oh, Mike, what's the world thing
• 42:22
  Speaker 1: you ever did to somebody's car? Rob bring up five
• 42:26
  Speaker 1: thousand dollars worth of damage? They called me. He was like,
• 42:29
  Speaker 1: oh my god, he's looking for he's gonna kill you.
• 42:32
  Speaker 1: Did you have to pay for it? He no, Hayden
• 42:37
  Speaker 1: hurting pain. I just messed it up. I just walked
• 42:42
  Speaker 1: around and about ten times with a box cutter and
• 42:46
  Speaker 1: took the COVID and the mirrors out. It was it
• 42:50
  Speaker 1: was so thoroughputing it was a custom bathfinder. I'm sorry.
• 42:58
  Speaker 1: What did he do to you? Oh? He cheated? How
• 43:01
  Speaker 1: do you find out without Because I would change the
• 43:05
  Speaker 1: number at the house and then the girl actually get
• 43:08
  Speaker 1: the number she would call me and tell me how
• 43:10
  Speaker 1: temporary I was. I was like, damn, so that's both.
• 43:15
  Speaker 1: Oh yeah, Oh she's lucky I ain't see her. She
• 43:18
  Speaker 1: would have got a letely whip ass back then. But
• 43:22
  Speaker 1: I don't care anymore. He's he's married, he's moved on.
• 43:24
  Speaker 1: That's my friend, that's my boy. Did he forgive you? Yeah?
• 43:27
  Speaker 1: I think he did, And I forgave his ass too.
• 43:30
  Speaker 1: It ain't all about the car. He hurt my heart,
• 43:34
  Speaker 1: so you can't repeat. I'm still getting mad thinking about that.
• 43:37
  Speaker 1: So the girls you can beat up over guys back
• 43:39
  Speaker 1: in the day. You're gonna put that in the movie too. No,
• 43:41
  Speaker 1: I didn't think anybody over guys, but they wanted to
• 43:44
  Speaker 1: whip my ass lely at everybody after her, which you
• 43:49
  Speaker 1: could have seen like that car scene in the movie. Absolutely,
• 43:52
  Speaker 1: that was my truth. And that was the first guy
• 43:55
  Speaker 1: that I old, the gentleman that I ever loved, And
• 43:59
  Speaker 1: everybody was just trying to talk me out of that.
• 44:02
  Speaker 1: Why are you here when you got this guy I had.
• 44:06
  Speaker 1: I had a good little selected, I got a good option,
• 44:09
  Speaker 1: I had some great option, But you know I loved him, Yeah,
• 44:14
  Speaker 1: I just love It's challenging relationship. Charlotte Man, I already
• 44:21
  Speaker 1: know what you're trying to do, but the devil would
• 44:25
  Speaker 1: get no victim to day not okay. The show premier
• 44:34
  Speaker 1: is April thirtieth at ten pm on b ET and
• 44:37
  Speaker 1: BT HERB and when you watch it, hashtag Ladies Night
• 44:41
  Speaker 1: b ET Man. Two thirds of s w V. Thank
• 44:45
  Speaker 1: y'all for coming always ye don't forget. We're gonna be
• 44:48
  Speaker 1: hang you up next year because y'all said, y'all, damn
• 44:50
  Speaker 1: for y'all, don't forget. We would love to do the
• 44:55
  Speaker 1: young old g ball cool. Yes, I'm I see y'all tomorrow.
• 44:59
  Speaker 1: I'm I'll be listening. I listened every morning. I love
• 45:02
  Speaker 1: donkey of today. I live thank you outside the gym,
• 45:04
  Speaker 1: and I don't want to ever make dunkey today. I
• 45:07
  Speaker 1: want to make it nice that would never happen for you.
• 45:10
  Speaker 1: They just say something nice that you do. She's very nice,
• 45:15
  Speaker 1: but she just today. You're dunkey to day. You can
• 45:21
  Speaker 1: forget it. It's the breakfast club. Thank you, Breakfast Club man.
• 45:29
  Speaker 1: Say that gang don't get the shape man you are.
• 45:37
  Speaker 1: Dunkey today does not discriminate. I might not have the
• 45:40
  Speaker 1: song of today, but I got to Donkey that so
• 45:42
  Speaker 1: if you ever feel I need to be a Donkey
• 45:44
  Speaker 1: man the breakfast club, bitch, I just don't keep today
• 45:49
  Speaker 1: today Wow. Donkey to Day goes to a fifty hy
• 45:52
  Speaker 1: old woman named Michelle Jackson. Now, Michelle Jackson is from
• 45:55
  Speaker 1: New Orleans. Sleut to everyone who listens to us. On
• 45:57
  Speaker 1: qu ninety three point three in New orlet's drop on
• 45:59
  Speaker 1: a clue's bombing all his damage right now, Michelle was
• 46:03
  Speaker 1: drinking with her ex boyfriend. He's the ex boyfriend now
• 46:08
  Speaker 1: when he told her he wanted to see someone else.
• 46:11
  Speaker 1: Why do y'all tell y'all significant others you want to
• 46:13
  Speaker 1: see other people while you hanging out with them? You
• 46:16
  Speaker 1: know how disrespectful and heartbreaking that is. Eagles are very fragile.
• 46:20
  Speaker 1: So imagine were hanging out and I think we're having
• 46:22
  Speaker 1: a good time, and in the midst of us having
• 46:24
  Speaker 1: a fake good time, you tell me I want to
• 46:26
  Speaker 1: see other people. Were they drunk? I think they both
• 46:29
  Speaker 1: were drinking, you know, But that's just so disrespectful because
• 46:31
  Speaker 1: that just means that we are hanging together right now,
• 46:34
  Speaker 1: you're not enjoying my company. That wouldn't break your heart.
• 46:37
  Speaker 1: That's heartbreaking. Pro tip. If any of y'all want to
• 46:40
  Speaker 1: break up with your significant others this weekend, if you
• 46:42
  Speaker 1: want to see other people, tell them through text message,
• 46:45
  Speaker 1: all right, DM them? All right? Called him nothing wrong
• 46:47
  Speaker 1: with being a coward, because when you're a coward, you
• 46:49
  Speaker 1: avoid situations like this. Because after Michelle Jackson was told
• 46:52
  Speaker 1: by her now ex boyfriend that he wanted to see
• 46:56
  Speaker 1: someone else, he made the fatal mistake of going to sleep.
• 46:59
  Speaker 1: Who are these rookies, you know, making rookie break up mistakes.
• 47:03
  Speaker 1: If you're gonna be if you're not gonna be a coward,
• 47:05
  Speaker 1: and you're gonna attempt to have integrity and tell a
• 47:08
  Speaker 1: woman to her face that you want to see other people,
• 47:10
  Speaker 1: why the hell would you go to sleep? All right?
• 47:12
  Speaker 1: You might get a hot grits thrown on you, You
• 47:14
  Speaker 1: might get your penis cut off, or in the case
• 47:16
  Speaker 1: of Michelle Jackson, when her ex boyfriend woke up, he
• 47:19
  Speaker 1: had an injured hand and a large cut on his
• 47:22
  Speaker 1: head that was dripping blood. Are you ready to know
• 47:25
  Speaker 1: what happened? Yes? Tell us, Well, Michelle's ex boyfriend he
• 47:30
  Speaker 1: has a prosthetic leg, and Michelle used her ex boyfriend's
• 47:34
  Speaker 1: prosthetic leg to beat his ass. Okay, not making not
• 47:40
  Speaker 1: making this up, people, all right, this is horrible on
• 47:43
  Speaker 1: so many levels. One because this man got beat and
• 47:46
  Speaker 1: two do you think he still wants to walk on
• 47:49
  Speaker 1: the weapon that assaulted him? You know what I'm saying.
• 47:52
  Speaker 1: I would need a whole new leg now, okay, and
• 47:55
  Speaker 1: those things are expensive. I wouldn't want to. I wouldn't
• 47:57
  Speaker 1: want to walk on the weapon that assaulted me. And
• 48:00
  Speaker 1: if you don't have no insurance, you know what I'm saying, Paul,
• 48:02
  Speaker 1: one legged man can't even get to work. And view
• 48:05
  Speaker 1: do you think a one legged man works? That's a
• 48:08
  Speaker 1: good question. I hop God's not funny. He really does
• 48:14
  Speaker 1: work at EU. Hop he does. I don't know, Okay,
• 48:17
  Speaker 1: but seriously, poor guy probably can't even afford a new
• 48:21
  Speaker 1: prosthetic leg. Angelie, what do you think this one legged
• 48:24
  Speaker 1: man was doing at the ATM? What was he doing
• 48:27
  Speaker 1: at the ATM? Yes, I don't know, checking his balance.
• 48:30
  Speaker 1: He had to figure out, he had to figure out,
• 48:38
  Speaker 1: he had to figure out if he had the money
• 48:40
  Speaker 1: to buy a new prosthetic leg. Guy. Stop y'all. People
• 48:43
  Speaker 1: don't think I'm trying to I'm being insensitive. This is sad.
• 48:46
  Speaker 1: All right. Michelle Jackson didn't think this through because she
• 48:48
  Speaker 1: was acting off of motion. All right, if you take
• 48:50
  Speaker 1: your boyfriend's prosthetic leg and beat him with it, you
• 48:53
  Speaker 1: know what I'm saying. You're adding a different degree of
• 48:55
  Speaker 1: difficulty to his life. How is he gonna get around? Now?
• 48:59
  Speaker 1: You gotta hit hitchhike that What do you say to
• 49:04
  Speaker 1: a one legged hitchhiker? What do you say? Hop In?
• 49:07
  Speaker 1: Be a good Sumaritan, Be a good Sumaritan? Hop in?
• 49:11
  Speaker 1: All right? Now, Us Marston was eventually tracked Michelle down
• 49:14
  Speaker 1: at our house, and she is in the Jefferson Paris
• 49:16
  Speaker 1: Correctional Center, and she is being held without barn. Now,
• 49:19
  Speaker 1: some dunkey of the days just sell themselves. But before
• 49:21
  Speaker 1: I give out this, he hall. Now, it was a
• 49:23
  Speaker 1: great time to play a game of guess what racing days? Now?
• 49:31
  Speaker 1: Here are your clothes? Okay, New Orleans? All right? Michelle
• 49:35
  Speaker 1: last name Jackson beat her man with his own prosthetic leg. Angelae, Ye,
• 49:42
  Speaker 1: guess what racis? Well? Initially I would have said Caucasian,
• 49:47
  Speaker 1: but I'm gonna say African American. Okay, Well, why do
• 49:52
  Speaker 1: you think this? Yes? Why do you think that? Um? Well,
• 49:54
  Speaker 1: her last name is Jackson. They are in New Orleans,
• 49:57
  Speaker 1: and she did beat his ass okay, okay, dj envy,
• 50:01
  Speaker 1: Guess what rat she is? Might I'd have to agree
• 50:06
  Speaker 1: with Angela Ye okay, New Orleans black? Why that's all
• 50:13
  Speaker 1: Jackson black? Okay okay? And then she beat her boyfriend's
• 50:16
  Speaker 1: ass black, all right, just for just for fsis and giggle. Steve, Steve,
• 50:23
  Speaker 1: Steve Stephen, the white demon. Here your clues, New Orleans, Michelle,
• 50:27
  Speaker 1: last name you don't need. Okay, guess what rat she is? Black?
• 50:33
  Speaker 1: Why do you think that? Don't you know? I don't
• 50:37
  Speaker 1: like to look at you. I think the last one
• 50:42
  Speaker 1: was a white guy. So I'm gonna go with the odds,
• 50:46
  Speaker 1: the odds. Alright, alright, I hate to say it, Say
• 50:51
  Speaker 1: all y'all are correct. I know she is. Michelle Jackson
• 50:54
  Speaker 1: is African American. Word the beating with the prosthetic leg
• 51:00
  Speaker 1: away from me, because the black woman will beat your
• 51:01
  Speaker 1: ass with anything, all right. Think about all the things
• 51:03
  Speaker 1: your mom beat you with when we were younger. Whatever
• 51:05
  Speaker 1: she could get her hands on you was getting beat with.
• 51:07
  Speaker 1: All right. My mom beat me with the wooden spoons
• 51:09
  Speaker 1: that were on the wall in the kitchen. Packs of
• 51:11
  Speaker 1: aluminum foil. If it's long and got some whiff and
• 51:14
  Speaker 1: some weight to it, you're getting hit with it, all right,
• 51:16
  Speaker 1: So please give this black queen from New Orleans, Michelle
• 51:19
  Speaker 1: Jackson the biggest he are, yes, all right, all right,
• 51:27
  Speaker 1: all right, guys, everybody's scraping up. Okay, well, thank you
• 51:30
  Speaker 1: for that dokey to day now when we come back. Okay,
• 51:34
  Speaker 1: did she break his prosthetic leg or is it okay?
• 51:36
  Speaker 1: Though you can still wear it? That's a good question.
• 51:38
  Speaker 1: I don't know if he took it off before he
• 51:39
  Speaker 1: went to sp Oh yeah, yeah, yeah, yeah, yeah, yeah.
• 51:44
  Speaker 1: He's probably hurt. He probably beat up bad bad. No,
• 51:47
  Speaker 1: you have some blood dripping from his head. It will
• 51:48
  Speaker 1: be at all right. We got more coming up next
• 51:50
  Speaker 1: with a breakfast club. I'm gonna keep some real advice
• 51:55
  Speaker 1: with any get's ask ye one and everybody is DJ
• 51:59
  Speaker 1: mv Angela yee Charlomagne the guy. We all the breakfast club.
• 52:02
  Speaker 1: It is time to ask Hey, Hello, who's this? Hi?
• 52:06
  Speaker 1: This is Samantha, Hey, Samantha, Hi, talk to me. What's
• 52:09
  Speaker 1: going on? Kind of freaking out right now? But uh
• 52:12
  Speaker 1: I just got off of work. Is I just did
• 52:16
  Speaker 1: a whole shift overnight, and uh, I'm sitting outside of
• 52:20
  Speaker 1: my house and I've been I've been having these suspicions
• 52:23
  Speaker 1: of my boyfriend cheating. But now there's a car sitting
• 52:26
  Speaker 1: outside my house. What should I do? Do I go
• 52:29
  Speaker 1: in there? I'm like, wait, but this is your house.
• 52:31
  Speaker 1: I'm freaking out. I'm freaking out right now, Samantha. Hold on,
• 52:34
  Speaker 1: this is your house, right of course, yeah, we share
• 52:37
  Speaker 1: it together. So it's like, oh, man, because you know
• 52:41
  Speaker 1: you're supposed to be coming home. Yeah, I mean I
• 52:43
  Speaker 1: always come home, but I'm like thirty minutes early, forty
• 52:47
  Speaker 1: five minutes early. So you guys, what's Amantha before all
• 52:54
  Speaker 1: of that? Maybe we don't know whose car it is.
• 52:56
  Speaker 1: We don't know what's going on, so you should go
• 52:58
  Speaker 1: inside of your house thinking too, but who it's just
• 53:01
  Speaker 1: me and him that lives there, so who is going
• 53:04
  Speaker 1: Maybe it's a family member, maybe it's a friend, maybe
• 53:06
  Speaker 1: it's a no, let's go check. Let's go right now,
• 53:10
  Speaker 1: let's go check. Keep us on the phone just in
• 53:12
  Speaker 1: case anything happens, will be your proof. Very serious, I'm
• 53:14
  Speaker 1: seriously speaking out now, let's go check. Let's go go,
• 53:17
  Speaker 1: not gonna go over now wait before it, Samantha, before
• 53:19
  Speaker 1: you do that, let's just say there is a woman
• 53:21
  Speaker 1: in there. What my god, what's gonna happen? You know,
• 53:23
  Speaker 1: I've been sitting in the car for a while listening
• 53:25
  Speaker 1: to the radio, just thinking to myself, and I'm like,
• 53:27
  Speaker 1: forget it. I'm just gonna call them and see what
• 53:29
  Speaker 1: they say. Listen, Samantha, you're better than me, because right now,
• 53:32
  Speaker 1: what do I do? Yeah, better than me? Because what
• 53:34
  Speaker 1: I would have done already is hit up on my
• 53:36
  Speaker 1: friends and let them know what's going on, just in
• 53:38
  Speaker 1: case I need some backup. And then I'm not gonna lie.
• 53:41
  Speaker 1: I don't really tell people like what's going on, because
• 53:45
  Speaker 1: you're like, if I stay with him, I don't want
• 53:47
  Speaker 1: my friends to know all the nasty, terrible things he's doing.
• 53:50
  Speaker 1: All right, So go in the house. Let's go on. Wait,
• 53:53
  Speaker 1: it's your house. Let's go. Oh, okay, hold on one second,
• 53:58
  Speaker 1: let me go. I'm good now, all Samantha, Let's go
• 54:01
  Speaker 1: all right, hold on, all right, Samantha. Oh my heart
• 54:08
  Speaker 1: is beating so fat, Samantha. Just take a deep breakfast
• 54:13
  Speaker 1: her she's going inside to her in her house. She
• 54:16
  Speaker 1: lives here. Okay, I'm not gonna tell her not to
• 54:18
  Speaker 1: go on her house. My name is on. You just
• 54:23
  Speaker 1: called the police on the lady for trust president. She
• 54:24
  Speaker 1: doesn't know if there's a lady house on. Let me
• 54:29
  Speaker 1: listen to the door really great and see if I
• 54:31
  Speaker 1: hear anything. Okay, hold on, hold on then like her
• 54:35
  Speaker 1: hold on. Oh my gosh, oh boy, keep breathing, Samantha,
• 54:45
  Speaker 1: that's exactly where bitch I knew. I saw, I saw
• 54:52
  Speaker 1: he had one second, bitch hard This is y'all fault.
• 54:58
  Speaker 1: This is y'all fault. Is the NBA leave fall. Charlayne
• 55:01
  Speaker 1: had nothing to do with this one. Guys, y'all silly,
• 55:03
  Speaker 1: it's not my fun. She went into her own house.
• 55:05
  Speaker 1: Why would you tell her going? How have you thought
• 55:06
  Speaker 1: another girl wasn't didn't know who was in there? She
• 55:08
  Speaker 1: said outside her specifically said she thought her man came in,
• 55:12
  Speaker 1: came in later whatever I heard her there, you came
• 55:16
  Speaker 1: and know that. I think y'all would be stupid enough
• 55:18
  Speaker 1: to tell her to go and call the police. And
• 55:22
  Speaker 1: what I think. It's a strange person in my house
• 55:25
  Speaker 1: with her boyfriend. At the least the police show up.
• 55:29
  Speaker 1: So when you walk in the police there, Now she's
• 55:31
  Speaker 1: gonna get an assault charge. Yes, no, crazy she getting
• 55:36
  Speaker 1: her ass kicked right now? All right, hop because because
• 55:39
  Speaker 1: they have to call us back and let us know
• 55:42
  Speaker 1: blood and beat up. We hope, we hope neither. We
• 55:45
  Speaker 1: hope neither. I would I would love to see if
• 55:47
  Speaker 1: one of yall wouldn't come in your own house. Absolutely
• 55:49
  Speaker 1: I would go in my own house and no, you
• 55:50
  Speaker 1: would into tables. I wouldn't the police were radio her name.
• 55:56
  Speaker 1: I wouldn't have called the radio either. That was terrible advice.
• 55:58
  Speaker 1: Who I advice to the call the radio and you
• 56:01
  Speaker 1: got her ask because she had her phone in one
• 56:06
  Speaker 1: she had her phone in one hand. That the girl
• 56:08
  Speaker 1: probably hit her just to start everything off. Amantha, call
• 56:11
  Speaker 1: us back, ask you eight hundred and five eight five
• 56:14
  Speaker 1: one oh five one. If you need relationship advice, hit
• 56:15
  Speaker 1: ye now. It's the breakfast Club. Good morning. Come on,
• 56:19
  Speaker 1: need relationship advice, need personal advice, just need real advice?
• 56:23
  Speaker 1: Call up now for ask ye morning. Everybody is DJ
• 56:30
  Speaker 1: Envy Angela, Yee, Charlomagne. The guy we are the breakfast
• 56:33
  Speaker 1: Club is ask ye time eight hundred five eighty five
• 56:36
  Speaker 1: one o five one. Hello, who's this from Brooklyn? How
• 56:41
  Speaker 1: y'all doing. What's up, bro? What's your question for you? Well,
• 56:44
  Speaker 1: I'm trying to find out. Man, I'm faith the dude
• 56:46
  Speaker 1: and my girl, like for the first time, last we
• 56:49
  Speaker 1: got at the boodle and um, okay, I want I
• 56:52
  Speaker 1: just want to have a three shon. You know, she
• 56:54
  Speaker 1: want me to get a bootle. I want to have
• 56:55
  Speaker 1: a three shill. I guess he wants to them to
• 56:59
  Speaker 1: do it together and for her to agree to it. Yeah,
• 57:01
  Speaker 1: we want to. I want to experience some difference. You
• 57:03
  Speaker 1: want to experience something different, and I want to experience
• 57:05
  Speaker 1: something different. Okay, all right, right now. So she doesn't
• 57:09
  Speaker 1: want to have a threesome. Nah, okay, well then leave
• 57:12
  Speaker 1: it alone. If she's not with it, she's not with it.
• 57:14
  Speaker 1: You can't. You should never pressure your partner to do
• 57:16
  Speaker 1: something that they don't want to do. I didn't want
• 57:18
  Speaker 1: to eat no boodle. Well you did? You did it?
• 57:20
  Speaker 1: Did you enjoy it? It was all right? I mean,
• 57:23
  Speaker 1: I don't know if I'm gonna do it again, but
• 57:25
  Speaker 1: but you know, I think that threesomes also involve a
• 57:28
  Speaker 1: whole other person, and for some people that's a difficult
• 57:31
  Speaker 1: thing and they don't want to do that. Listen. If
• 57:33
  Speaker 1: my boyfriend asked me to have a threesome, I'm gonna
• 57:35
  Speaker 1: tell him no, I'm not doing that. And you don't
• 57:38
  Speaker 1: want to make her feel uncomfortable because that could go
• 57:41
  Speaker 1: terribly wrong and it could ruin your entire relationship if
• 57:43
  Speaker 1: you try to talk her into doing something that she's
• 57:45
  Speaker 1: not comfortable with. Okay, Okay, I got you, I got you.
• 57:48
  Speaker 1: You'll be okay, right, You'll still be faithful without a threesome.
• 57:51
  Speaker 1: I'm gonna try to be Why don't you tell her
• 57:53
  Speaker 1: to dress up, put on a wig, do something different.
• 57:55
  Speaker 1: I'm gonna take advice. I appreciate you. I can let
• 57:58
  Speaker 1: her wear scrap on me. Ain't going damn it ain't
• 58:06
  Speaker 1: supposed to go down to go up. Charlotte Mane talking
• 58:08
  Speaker 1: about spicing up his life. He's tried before. All right,
• 58:18
  Speaker 1: thank you, brot having something in your butt? MC guy
• 58:21
  Speaker 1: laugh five. One thought we got David on the line. David,
• 58:28
  Speaker 1: what's up going on? Butter? How y'are doing? Be good?
• 58:30
  Speaker 1: What's your question for you? Bro man? Listen? My son
• 58:34
  Speaker 1: is five years old. I picked the school every morning
• 58:37
  Speaker 1: and I kissed him on the lips. Far but bar
• 58:39
  Speaker 1: leads and I had another father recently tell me that
• 58:43
  Speaker 1: I should stop kissing my son in my lips because
• 58:45
  Speaker 1: that's gay. So my question for years, do you see
• 58:49
  Speaker 1: anything wrong with that? Because I know me personally, My
• 58:51
  Speaker 1: father kissed me and took me to school every day
• 58:53
  Speaker 1: until until I felt like that. Tell you while, yeah,
• 58:57
  Speaker 1: a question for my friends, but you already know, David,
• 59:00
  Speaker 1: is do you think that's gay? I don't, okay, So
• 59:03
  Speaker 1: then it's not like, come on now, that's ridiculous. Does
• 59:06
  Speaker 1: your son have a problem with it? Okay, don't worry
• 59:09
  Speaker 1: about what other people say. That's how you raise your son. Now.
• 59:12
  Speaker 1: When your son says all right, dad, enough, that's when
• 59:15
  Speaker 1: you're like, okay, you know, just give him a hug
• 59:17
  Speaker 1: and the kiss on the cheek if that's what he wins.
• 59:19
  Speaker 1: But as long as your son is fine with it,
• 59:21
  Speaker 1: and you're fine with it and you know what it is,
• 59:23
  Speaker 1: that shouldn't matter. That's your child. Yeah, for sure, for sure,
• 59:26
  Speaker 1: for sure. And I think you gotta tell the other
• 59:28
  Speaker 1: parent man he gotta relax. He should never even be
• 59:31
  Speaker 1: weighing in on what you're doing with your son. That's
• 59:33
  Speaker 1: so innocent. Because what I thought of with the arm
• 59:36
  Speaker 1: and made me. Think of what d L said. Even
• 59:38
  Speaker 1: some people would touch the wrong way, showing affection the
• 59:42
  Speaker 1: wrong way or not showing them the way. You say
• 59:44
  Speaker 1: that he was showing enough affection or not showing enough affection, right, yeah,
• 59:49
  Speaker 1: I appreciate all right, good David, half fun and I
• 59:53
  Speaker 1: love that you take your son to school every morning.
• 59:55
  Speaker 1: And I'm sure he loves that too, for sure. Thank you?
• 59:58
  Speaker 1: All right, Andy. Have you ever kiss your sons on
• 1:00:00
  Speaker 1: the lips? Yeah? I used to kiss. I used to
• 1:00:02
  Speaker 1: kiss my son on lips. Yeah, my daughters on the lips.
• 1:00:04
  Speaker 1: And that wasn't gay. That's ridiculous. No, I don't kiss,
• 1:00:07
  Speaker 1: I kiss, I can anybody on I don't think my day.
• 1:00:10
  Speaker 1: I kiss LOGI. You kiss your dad, You kiss your
• 1:00:13
  Speaker 1: dad on the lips. Everybody know you kiss Charlagne on
• 1:00:16
  Speaker 1: the lips, and everybody I called my brother, I called
• 1:00:19
  Speaker 1: my brother's son because he shined like one. You are yellow, Charlemagne,
• 1:00:22
  Speaker 1: kiss me on the list one time. Okay, finally some
• 1:00:25
  Speaker 1: truth is being told. All right he did? Okay? True? True?
• 1:00:28
  Speaker 1: How did it go? How did he go? Then? Don't stop? Now,
• 1:00:34
  Speaker 1: don't stop now you want to go down, let's go there.
• 1:00:38
  Speaker 1: This guy blazed. But this guy's crazy. Yo, he's really gay.
• 1:00:42
  Speaker 1: I'm crazy. I'm crazy. You just saying you're talking about
• 1:00:46
  Speaker 1: you kiss me on the lips? Now, you kiss me
• 1:00:48
  Speaker 1: on the lips. Now. Inquiring minds want to know. All right,
• 1:00:51
  Speaker 1: we don't move. We got more. Asky when we come back.
• 1:00:53
  Speaker 1: It's the breakfast Club. Good morning. I'm gonna kip real
• 1:00:58
  Speaker 1: some real advice with ANTHELI ask ye morning. Everybody is
• 1:01:02
  Speaker 1: DJ Envy, Angela Yee Scharlaman, the guy we all the
• 1:01:06
  Speaker 1: breakfast club with in the middle of ask ye Hello,
• 1:01:09
  Speaker 1: who's this? Hey? It's travel Man, travel something. Want that
• 1:01:12
  Speaker 1: call every morning? Yeah? What's your question for you? Bro?
• 1:01:17
  Speaker 1: Hey man? Hey? Yeah, i''ll been trying to embox you
• 1:01:19
  Speaker 1: for a while on Instagram and I know you have
• 1:01:22
  Speaker 1: got a lot of things to do. But hey, I've
• 1:01:23
  Speaker 1: been in the friend zone with this female for a
• 1:01:25
  Speaker 1: while now, right, And it's like she got an ex
• 1:01:28
  Speaker 1: boyfriend and it's like I'm playing number two. Is like
• 1:01:32
  Speaker 1: if he isn't around and I'm around, and if I'm
• 1:01:35
  Speaker 1: not around, he's around, and it's like I don't want
• 1:01:38
  Speaker 1: to say I want to be stuck in the friend
• 1:01:40
  Speaker 1: zone because it's like I lost a lot of respect
• 1:01:44
  Speaker 1: for her in the last few years, was being in
• 1:01:46
  Speaker 1: the friends Well you've been doing this for years. Yeah,
• 1:01:49
  Speaker 1: I understand that, but it's like, you know, I try
• 1:01:51
  Speaker 1: to try to get out of that, and it's like,
• 1:01:54
  Speaker 1: you know, I got myself in the jam with you know,
• 1:01:58
  Speaker 1: like her birthday was around the corner, and you know,
• 1:02:01
  Speaker 1: I don't want to be like, hey, I'm not beating
• 1:02:03
  Speaker 1: you nothing because of how you did this and how
• 1:02:05
  Speaker 1: you did that, or I don't want to be there
• 1:02:07
  Speaker 1: this year. Okay, so you're in the friend zone. You
• 1:02:09
  Speaker 1: consider this woman to be your friend, but you have
• 1:02:13
  Speaker 1: some benefits. No, so you're just her friends. So what's
• 1:02:16
  Speaker 1: the problem? She said, a double standard, like I can't
• 1:02:19
  Speaker 1: do such a thing that she would do, but she
• 1:02:21
  Speaker 1: feels like she can do it, you know, because you
• 1:02:23
  Speaker 1: let her. I mean, I understand that, but I don't
• 1:02:26
  Speaker 1: want to be the person that's I don't want to be. Jeff.
• 1:02:28
  Speaker 1: You can do whatever you want to do. Who can
• 1:02:30
  Speaker 1: tell you what you can and can't do? I understand
• 1:02:33
  Speaker 1: that I do. There's the decisions that you're making based
• 1:02:35
  Speaker 1: off of what she wants. Yes, it sounds like she's
• 1:02:38
  Speaker 1: lost respect for you. I mean, I understand that, but
• 1:02:41
  Speaker 1: I don't think it's lost the respect because I feel
• 1:02:44
  Speaker 1: like I just don't want to, you know, be if
• 1:02:46
  Speaker 1: that person that's just you know, want to be there
• 1:02:49
  Speaker 1: for somebody that don't feel like they're there for me,
• 1:02:51
  Speaker 1: you know. Okay, So do you like her as more
• 1:02:53
  Speaker 1: than a friend? I'm confused because you said y'all are
• 1:02:55
  Speaker 1: just friends. Yeah. Yeah, I like her more than a friend.
• 1:02:58
  Speaker 1: But it's like, it's not can do you know what's so, Craig.
• 1:03:01
  Speaker 1: It's my first time calling you guys, and I just
• 1:03:03
  Speaker 1: got poured over on the radio. Well, so she doesn't
• 1:03:07
  Speaker 1: like you. So that's what it is. Like. She considers
• 1:03:09
  Speaker 1: you a friend. She knows you like her. It's great
• 1:03:11
  Speaker 1: for her ego. You're for years. I've been willing to
• 1:03:14
  Speaker 1: accept that, even though you've been pining away for her.
• 1:03:16
  Speaker 1: But she's not interested in yourself adopted. This guy's having
• 1:03:25
  Speaker 1: a terribly Let me talk to him, Tim, Let me
• 1:03:28
  Speaker 1: talk to the officer. I'm a truck driver. I stopped
• 1:03:31
  Speaker 1: at the Comerica Bank and I poured off because that's fine.
• 1:03:34
  Speaker 1: That's fine that I gets at the house right next
• 1:03:37
  Speaker 1: door where you pulled out. We got the burglary learned
• 1:03:39
  Speaker 1: from early in the morning offer from donuts. I just
• 1:03:42
  Speaker 1: wanted to stop talking good This shar from the breakfast club.
• 1:03:46
  Speaker 1: He offered me to tell you he needs some going
• 1:03:48
  Speaker 1: but I doubt it. Whoa, Yeah, I'm sorry, but he
• 1:03:57
  Speaker 1: had a name drive truck to office. Yeah, off depot equipment. Okay.
• 1:04:04
  Speaker 1: I don't know if I'm more offended that he didn't
• 1:04:05
  Speaker 1: want to do nuts and he don't know who I am.
• 1:04:08
  Speaker 1: You definitely don't know who you are. Oh sorry, it's
• 1:04:12
  Speaker 1: just right. I'm actually on the phone with the radio
• 1:04:14
  Speaker 1: right now. No, not the radio, say the breakfast club.
• 1:04:16
  Speaker 1: Ask him if you listen to the breath Definitely doesn't,
• 1:04:19
  Speaker 1: he said, if you guys listen to the breakfast Okay, okay,
• 1:04:22
  Speaker 1: I'm asking the whole line for a second. Okay, okay,
• 1:04:24
  Speaker 1: before you open that. You know what I mean, weapons
• 1:04:26
  Speaker 1: or anything? I know? He stay on the phone. Yeah,
• 1:04:29
  Speaker 1: don't get arrested, trap, don't get shot. Okay, right back here.
• 1:04:36
  Speaker 1: So I take it he doesn't listen to the breakfast club. No, yeah,
• 1:04:39
  Speaker 1: this girl, this girl is ruining your life together. There
• 1:04:44
  Speaker 1: you go, weapon drying dangerous. Then we'll open it. Off.
• 1:04:47
  Speaker 1: Make sure you got your that office equipment like you said,
• 1:04:49
  Speaker 1: and then we'll we'll go from the narrow. I have
• 1:04:51
  Speaker 1: to got to deliver to the police station. I delivered
• 1:04:53
  Speaker 1: to you guys every day. Say I bring y'all y'all
• 1:04:56
  Speaker 1: donuts every morning. I pray to guy that he only
• 1:04:59
  Speaker 1: has office equipment in the back of the hand truck.
• 1:05:02
  Speaker 1: I just don't want you to open up the back
• 1:05:03
  Speaker 1: here before trap sound like they're illegally searching you. I
• 1:05:07
  Speaker 1: wouldn't have game a commission. Yeah, you shouldn't have gave
• 1:05:09
  Speaker 1: a commissioner V. That's that's it's it's a weird week, man,
• 1:05:14
  Speaker 1: It's really weird. Thank Traffraff, don't listen to think, Yeah
• 1:05:19
  Speaker 1: you want to talk to on Marphis. I'm really literally
• 1:05:21
  Speaker 1: it does not want to talk to us an out
• 1:05:28
  Speaker 1: you sound suspicious on the ground, Traff. You don't have
• 1:05:31
  Speaker 1: to open up your call. Okay, Okay, he he's trying
• 1:05:37
  Speaker 1: to let me go. I'm so sorry about that, you guys.
• 1:05:39
  Speaker 1: I'm so sorry. Jab I'm sorry. I want to say, Chap,
• 1:05:43
  Speaker 1: you're a very nice guy. You need to find you
• 1:05:45
  Speaker 1: a woman that wants to be with you. What you
• 1:05:48
  Speaker 1: calling him? And I don't calling the prom Detroit and
• 1:05:50
  Speaker 1: sarlom Mane. I want to ask that, ye and Envy
• 1:05:53
  Speaker 1: is always in Detroit, but you never come. I'd be home. Listen,
• 1:05:56
  Speaker 1: we need better promo and marketing the Detroit because these
• 1:05:58
  Speaker 1: cops don't know us. Right, you worried about charlotage, now
• 1:06:01
  Speaker 1: coming to trait You about to get locked up, traff Travis.
• 1:06:04
  Speaker 1: I'll be in Detroit in a couple of weeks. We
• 1:06:07
  Speaker 1: got We're gonna find you a nice woman, because there's
• 1:06:10
  Speaker 1: no reason that you should be somebody's uh not even choice.
• 1:06:13
  Speaker 1: She doesn't. She's just consists you a friend. She's using you. Yeah,
• 1:06:16
  Speaker 1: I understand that. I understand that. Okay, but she had
• 1:06:20
  Speaker 1: bailed you out if you got arrested. Yeah, but she
• 1:06:23
  Speaker 1: more like the type of person she wants to know
• 1:06:25
  Speaker 1: what you did and what happened. Well, of course you guys, obviously,
• 1:06:28
  Speaker 1: I mean, yeah, but she wanted to act like, you know,
• 1:06:30
  Speaker 1: it was my fun. I got poured over like I'm
• 1:06:33
  Speaker 1: from the city and she from the suburbs. Let's say
• 1:06:35
  Speaker 1: it like that. She's not used to dealing with gods.
• 1:06:37
  Speaker 1: She think I'm a regular hood dude. But you know, well,
• 1:06:41
  Speaker 1: you from the west. You're from the west side soft
• 1:06:44
  Speaker 1: Wood River route the course, the soft Wood traf. I
• 1:06:49
  Speaker 1: don't want to give the phone with you, Broker operation,
• 1:06:51
  Speaker 1: Like I said, that corner out there next to the bank,
• 1:06:55
  Speaker 1: we had a Berkeley alarm there that I was down
• 1:06:56
  Speaker 1: the way through the trap. Tell them listen to them
• 1:07:00
  Speaker 1: Breakfast club every morning on w JLB. Tell listen to
• 1:07:04
  Speaker 1: w JLB every morning. Traf w j OB. Tell me
• 1:07:08
  Speaker 1: to the breakfast Club ninety seven nine. You're listening to
• 1:07:12
  Speaker 1: w JLB ninety seven point nine to Detroit right now,
• 1:07:15
  Speaker 1: the breakfast club. Tell listen back. Okay, all right, you
• 1:07:18
  Speaker 1: gotta take care enough take it by raf. Oh my god,
• 1:07:22
  Speaker 1: Travis Crazy. He wants to know if you want to
• 1:07:26
  Speaker 1: donut Crazy. I don't live in the trech. I'm fine
• 1:07:28
  Speaker 1: dropping the clues bombs for Breakfast club listeners. Damn it
• 1:07:32
  Speaker 1: the best, the best. Nobody got better listening, nobody. There's
• 1:07:38
  Speaker 1: no radio show in the country who got better listeners
• 1:07:41
  Speaker 1: than us. Right, we don't have a listeners. We have
• 1:07:44
  Speaker 1: other members of the club. That's right, the club. Stupid
• 1:07:47
  Speaker 1: questions officer, would you like a donut? Charlot Mane wants
• 1:07:50
  Speaker 1: to know what, all right, We got more coming up
• 1:07:52
  Speaker 1: next with a breakfast club, the Breakfast Club to throw
• 1:07:58
  Speaker 1: back Thursday. We got a special guest in the building.
• 1:08:00
  Speaker 1: Juven now just celebrated the birthday. By the way, I'm
• 1:08:07
  Speaker 1: squeezing this limit and then trying to get there, trying
• 1:08:09
  Speaker 1: to trying to sap, you know, trying to salvage my voice.
• 1:08:12
  Speaker 1: How you feel good? You don't look no older, you
• 1:08:15
  Speaker 1: don't look that. That's that man life. You know it's
• 1:08:21
  Speaker 1: good though, because you got the new album coming? Yeah, yeah,
• 1:08:24
  Speaker 1: why now? Why this project? Now? I think it was
• 1:08:26
  Speaker 1: time me and them never worked together, you know, and
• 1:08:29
  Speaker 1: then our friendship, you know, we really build our friendship
• 1:08:31
  Speaker 1: back up over the last couple of years, hanging and stuff.
• 1:08:34
  Speaker 1: So I think I just felt like it was time.
• 1:08:36
  Speaker 1: Then I've been away for a minute. I ain't gonna
• 1:08:38
  Speaker 1: come back out straight up with me with a solo album,
• 1:08:40
  Speaker 1: and I need to get my feet wet first. How
• 1:08:42
  Speaker 1: do you avoid like not being in the same situations
• 1:08:44
  Speaker 1: you was in in the past, because like, you know,
• 1:08:46
  Speaker 1: like the money, financial situations with money, I mean I've
• 1:08:49
  Speaker 1: done things over there. Financial, I'm good, you know, I
• 1:08:52
  Speaker 1: made a few moves, you know, I really don't even
• 1:08:54
  Speaker 1: I don't brag about what I do outside of the
• 1:08:57
  Speaker 1: music business, but I'm doing a few things outside of
• 1:08:59
  Speaker 1: the music businesses they stable, but not just that. I
• 1:09:03
  Speaker 1: stay busy when it comes down and being booked. I'm
• 1:09:05
  Speaker 1: one of the few cats who stay booked all the time.
• 1:09:09
  Speaker 1: Years old. This shit. Yeah, I'm gonna keep you know,
• 1:09:12
  Speaker 1: if they're CRAI enough to keep booking. It's anybody that
• 1:09:14
  Speaker 1: comes see, I'm gonna keep showing up. They I ain't
• 1:09:17
  Speaker 1: gonna never stop showing up. Did you think that record
• 1:09:19
  Speaker 1: would be so timeless when you first recorded it? Nah?
• 1:09:22
  Speaker 1: I mean behind this man, when you make songs like
• 1:09:24
  Speaker 1: that and they blew up and they get that big,
• 1:09:27
  Speaker 1: I don't think it's all as out that I say.
• 1:09:29
  Speaker 1: They knew it nobly, and I could try to do
• 1:09:34
  Speaker 1: stuff that goes viral, You could try to do stuff
• 1:09:36
  Speaker 1: that's timeless, but the people really make that decision. Yeah,
• 1:09:39
  Speaker 1: you know, I mean, and it's one of them songs
• 1:09:42
  Speaker 1: that they play at waiting receptions, you know. And I
• 1:09:45
  Speaker 1: think when when it got to that point and I
• 1:09:47
  Speaker 1: heard old people say I like to dance to this,
• 1:09:49
  Speaker 1: and you know, when it got to that point, I
• 1:09:51
  Speaker 1: felt like, you know, hey, I think I really made one.
• 1:09:54
  Speaker 1: I heard you. Didn't want to make that record originally though, nah,
• 1:09:57
  Speaker 1: because and you know why, because I can't from that
• 1:10:00
  Speaker 1: kind of music. You know, the bounce music was she
• 1:10:02
  Speaker 1: and She'll tell you that's pretty much the whole scene
• 1:10:05
  Speaker 1: in New Orleans, and I just didn't want to get
• 1:10:07
  Speaker 1: sucked in like everybody else. So I was trying to
• 1:10:09
  Speaker 1: avoid that as much as possible. It was gonna be
• 1:10:12
  Speaker 1: local if you did it. I really my intentions was
• 1:10:14
  Speaker 1: to do when we when we originally done it, that's
• 1:10:16
  Speaker 1: what it was for New Orleans, but it went somewhere else.
• 1:10:19
  Speaker 1: So now you know, it got to the point to
• 1:10:21
  Speaker 1: where I got to feed everybody with the same kind
• 1:10:23
  Speaker 1: of music, and it's kind of hard to make another
• 1:10:25
  Speaker 1: back that. It's impossible for me. Yeah, it's authentic though,
• 1:10:28
  Speaker 1: to represent where you're from. And you hear people trying
• 1:10:31
  Speaker 1: to take that sound now and other types of music,
• 1:10:33
  Speaker 1: and you're like, all right, well this called me and
• 1:10:36
  Speaker 1: let me get a check. Man, I'll be okay with
• 1:10:38
  Speaker 1: but if you don't put me on the song, I'm
• 1:10:39
  Speaker 1: definitely gonna dish you. I mean, but if you if
• 1:10:45
  Speaker 1: you if you make a New Orleans bound song and
• 1:10:47
  Speaker 1: you don't use my version, you know I won't get
• 1:10:50
  Speaker 1: nothing for that. I know you've seen all the memes
• 1:10:52
  Speaker 1: of everyone running to the damn flowing back to the
• 1:10:54
  Speaker 1: as I saw Chris Brown. They had something on the
• 1:10:58
  Speaker 1: internet with Chris Brown constrict before y'all on stage, and
• 1:11:01
  Speaker 1: it was all like all women. I don't know what
• 1:11:03
  Speaker 1: arena it was, and they played it. It was going
• 1:11:05
  Speaker 1: on for that song, harder than he did when he
• 1:11:07
  Speaker 1: actually got on stage and perfom it was going in.
• 1:11:10
  Speaker 1: But I'm talking about all off the Balgramies, Like I said,
• 1:11:12
  Speaker 1: what that reaction ever get older? You though? No? When
• 1:11:17
  Speaker 1: it gets no, when it it gets funny. When I
• 1:11:19
  Speaker 1: see somebody up in age, do it? You do your thing? Man?
• 1:11:29
  Speaker 1: We up in age so so No, I'm talking about
• 1:11:32
  Speaker 1: sixty one yea, I heard him like that. I mean
• 1:11:35
  Speaker 1: Paddy La Belle told me this was this song is
• 1:11:38
  Speaker 1: an inspiration. She was like working out to it. I'm saying,
• 1:11:41
  Speaker 1: that's how it came up with Patty's Pie. Well, you know,
• 1:11:44
  Speaker 1: a padded bagging up down. We don't have something to
• 1:11:51
  Speaker 1: my top five Paddy the bell, Yeah, Patty back up
• 1:11:54
  Speaker 1: on you can you grind on? No, man, what is
• 1:11:58
  Speaker 1: she doing? Y'all find into that because Patty Son already
• 1:12:01
  Speaker 1: had to check. You're back out of here. You call
• 1:12:04
  Speaker 1: the son. You see, man, I ain't doing nothing while man,
• 1:12:07
  Speaker 1: I love your mom, Man Carial or something else still
• 1:12:13
  Speaker 1: on his good side. Hold on. If you're at a concert,
• 1:12:15
  Speaker 1: say Angela Bastard and Patty label back that as bast
• 1:12:19
  Speaker 1: I'm married man, but don't do that. I'm married to
• 1:12:21
  Speaker 1: But just I'm just saying, Angela, bast you're pushing me
• 1:12:24
  Speaker 1: in a coner man back that as you right there, man,
• 1:12:36
  Speaker 1: that little you gotta keep that space, and I've got
• 1:12:39
  Speaker 1: to do with him. A man can't be no contact
• 1:12:42
  Speaker 1: between clubs. Just got to be a little space in between.
• 1:12:44
  Speaker 1: I was arguing with somebody from New Orleans, aguing him,
• 1:12:46
  Speaker 1: my man Van he from New Orleans. I was aguing
• 1:12:48
  Speaker 1: him about jay Z's verse on High because he said,
• 1:12:52
  Speaker 1: in New Orleans everybody was like, man, this is whack man,
• 1:12:54
  Speaker 1: like this dog with like they. I don't know what
• 1:13:01
  Speaker 1: it was. It was the Tupac, you know. Tupac kind
• 1:13:05
  Speaker 1: of made people in New Orleans not like jay Z.
• 1:13:07
  Speaker 1: And jay Z ain't did nobody nothing. Then I was
• 1:13:10
  Speaker 1: a jay Z fan. But when Tupac made all these
• 1:13:13
  Speaker 1: dishes and stuff towards everybody, people felt like they had
• 1:13:16
  Speaker 1: to choose you, Like you got pock Riders everywhere, So
• 1:13:20
  Speaker 1: all the POC New Orleans full of pock Riders, they
• 1:13:23
  Speaker 1: weren't gonna listen to jay Z oh that wanted. Did
• 1:13:25
  Speaker 1: he do that himself? Did he reach out? He did
• 1:13:28
  Speaker 1: it on his own. When you heard it like everybody else,
• 1:13:30
  Speaker 1: you heard it like everybody else, really, and then you know,
• 1:13:33
  Speaker 1: of course NI being so sleek with their business, they
• 1:13:36
  Speaker 1: hurry up and put the remix on the album, add
• 1:13:38
  Speaker 1: a couple of songs, took one off and made it,
• 1:13:40
  Speaker 1: put it on the album, and record sales star. But
• 1:13:42
  Speaker 1: where was you when you heard it for the first time?
• 1:13:45
  Speaker 1: Probably had cash money office, probably at the office when
• 1:13:48
  Speaker 1: they first played it to him. And I'm like what,
• 1:13:50
  Speaker 1: because you know I was the real jay Z fan.
• 1:13:52
  Speaker 1: Me and man Wayne, we was listening to jay Z Hall.
• 1:13:55
  Speaker 1: Everybody else wasn't. They said, you're gonna flip out when
• 1:13:57
  Speaker 1: you see what happen when you hit this, and they
• 1:13:59
  Speaker 1: turned on he said, you liked the verse, jay Z,
• 1:14:02
  Speaker 1: I don't care about what he said. I like the verse.
• 1:14:08
  Speaker 1: I liked it too. When I'm saying, you know, when
• 1:14:10
  Speaker 1: I first heard it, the first time I heard it,
• 1:14:12
  Speaker 1: I didn't care what he said. I really didn't. I'm
• 1:14:14
  Speaker 1: I was excited about the fact that somebody that I
• 1:14:18
  Speaker 1: really liked did a song, you know, And then I
• 1:14:21
  Speaker 1: felt like, now I could go to New York and
• 1:14:22
  Speaker 1: get that that real love. Because I was coming up
• 1:14:25
  Speaker 1: here and he was like, we liked the song. When
• 1:14:26
  Speaker 1: you're gonna You're gonna do something else, you know, it
• 1:14:29
  Speaker 1: was high and that was it. Now. The fact, when
• 1:14:31
  Speaker 1: I came up here to the tunnel, Flex told me
• 1:14:34
  Speaker 1: why not Flex one of the guys back. They said, look,
• 1:14:36
  Speaker 1: if you don't saying just high only, they're gonna buo you.
• 1:14:41
  Speaker 1: I'm like, I said, boo you, bro, I'm telling you
• 1:14:45
  Speaker 1: saying that one song I saw something. How three times
• 1:14:48
  Speaker 1: I rocked the crowd. I tore it down three times?
• 1:14:51
  Speaker 1: Three times? All right? We got more with Juvenile High
• 1:14:54
  Speaker 1: when we come back. Matter of fact, let's get into
• 1:14:56
  Speaker 1: a mini mix. It's the Breakfast Clock the Morning Breakfast CLU.
• 1:15:00
  Speaker 1: That was a juvenile mini mix. Morning Everybody's DJ Envy
• 1:15:04
  Speaker 1: Angela yee, Charlomagne the guy, we all the breakfast Club
• 1:15:07
  Speaker 1: juveniles here ye. So now let's fast forward to this
• 1:15:11
  Speaker 1: album that you and berr Man put together. So how
• 1:15:13
  Speaker 1: did it even come about? Like, how did the conversation start?
• 1:15:15
  Speaker 1: What made y'all decide to do this? How long did
• 1:15:17
  Speaker 1: it take? Really, Like I'm gonna say two weeks in
• 1:15:20
  Speaker 1: the conversation, it really wasn't a conversation. I said, man,
• 1:15:22
  Speaker 1: let's do a mixtape, you know, And after we got
• 1:15:25
  Speaker 1: to like song number four, start listening to it, Like, look, bro,
• 1:15:28
  Speaker 1: we could keep doing songs like this. We got a sound,
• 1:15:31
  Speaker 1: we could do an album. And I really think we
• 1:15:33
  Speaker 1: could do a hell of an album because people, it's
• 1:15:35
  Speaker 1: just gonna be so unexpected, Like we just popped up
• 1:15:37
  Speaker 1: on y'all with a single, and all of a sudden,
• 1:15:39
  Speaker 1: we got an album coming out. I think it's just
• 1:15:41
  Speaker 1: it's shocking to everybody because they didn't think me, of
• 1:15:44
  Speaker 1: all people, would be doing an album with Bert. Many
• 1:15:47
  Speaker 1: people don't think we have made friends. So that's weird,
• 1:15:50
  Speaker 1: right money many times the interviews you said, y'all cool, Yeah,
• 1:15:53
  Speaker 1: people still don't. Nobody want to accept the last of
• 1:15:55
  Speaker 1: time I came here. I'm cool. Yeah, I'm not trippling
• 1:15:59
  Speaker 1: on may they want to come here with you? But
• 1:16:03
  Speaker 1: I was asking, why are you looking at me? I
• 1:16:07
  Speaker 1: saw cut out? That cut out you got jokes? No,
• 1:16:14
  Speaker 1: I think he does want to come back up here.
• 1:16:16
  Speaker 1: From what I've heard, I wish he would have came.
• 1:16:19
  Speaker 1: It would have been great y'all doing any promo together.
• 1:16:23
  Speaker 1: I mean, I'm going to meet with him in the
• 1:16:24
  Speaker 1: next hour, so so he's here. He didn't want he's here,
• 1:16:28
  Speaker 1: He's definitely. I mean my birthday was last night. Yeah,
• 1:16:32
  Speaker 1: it would have been real strange if he wouldn't have been.
• 1:16:35
  Speaker 1: That had cake for you. Yeah, they had a few
• 1:16:38
  Speaker 1: things for me. I didn't see no features on the
• 1:16:40
  Speaker 1: project with that on purpose. Now I'm shelfish bro. Yeah,
• 1:16:43
  Speaker 1: I don't heard enough of these about your son. Your
• 1:16:46
  Speaker 1: son on the album? You know what he mad about now? Now?
• 1:16:51
  Speaker 1: Bet he recorded a couple songs. I just don't know
• 1:16:56
  Speaker 1: if I don't know if they felt them like you
• 1:16:58
  Speaker 1: know what I'm saying. I don't know if they liked
• 1:17:00
  Speaker 1: you know what I'm saying. Who is they? If you're
• 1:17:01
  Speaker 1: one he heard them, it's slim and be and whoever
• 1:17:05
  Speaker 1: make the choices on you know, slim be probably d rock. Yeah,
• 1:17:09
  Speaker 1: how's your lyrical content change as you as you grow?
• 1:17:12
  Speaker 1: I'm a beast, bro, that's one thing. I really ain't
• 1:17:14
  Speaker 1: not take pride in the lyrics, the lyrical content. So
• 1:17:18
  Speaker 1: I'm a beast. But what do you talk about though?
• 1:17:20
  Speaker 1: Like the same way, like your your circle changes? Yeah,
• 1:17:23
  Speaker 1: just grown grown man. But I'm still I still. I'll
• 1:17:26
  Speaker 1: still give you stories. I like telling stories and scenarios
• 1:17:28
  Speaker 1: that happened in my life. I'm I like telling stories.
• 1:17:31
  Speaker 1: Do you have a question any of your old lyrics,
• 1:17:33
  Speaker 1: especially in this era? You'd be like, I don't know
• 1:17:35
  Speaker 1: if I should say that now exactly. I mean I
• 1:17:38
  Speaker 1: couldn't have the songs on four hundred degrees. I don't
• 1:17:41
  Speaker 1: think I could. If I was writing a song right now,
• 1:17:43
  Speaker 1: I don't think I would go that direction, because that's
• 1:17:46
  Speaker 1: not when I'm mad in life. On Julie on Fire,
• 1:17:49
  Speaker 1: you said, if I'm in the room with a bitch
• 1:17:51
  Speaker 1: and the like a man, I'm my meet and get money. Yeah,
• 1:17:57
  Speaker 1: ain't having it right, thank you, Charlotte. Man keep looking
• 1:18:06
  Speaker 1: outside because she can't hear you. Later she's gonna hear,
• 1:18:12
  Speaker 1: trust me, So you walk out here. As soon as
• 1:18:14
  Speaker 1: y'all posted to do anything. She don't know. That lyric
• 1:18:17
  Speaker 1: comes up so much like when brothers be sitting around
• 1:18:19
  Speaker 1: and we'll be questioning, Like old we used to hear
• 1:18:22
  Speaker 1: that Mayor raised man he said you know, I'm gonna
• 1:18:26
  Speaker 1: tell you what I man and said he just getting
• 1:18:28
  Speaker 1: the coat and turned that on. Just look at you
• 1:18:34
  Speaker 1: know what's happening, repeating, keep repeating it like right now,
• 1:18:42
  Speaker 1: we don't. That's that's the place. The only point. Baby.
• 1:18:51
  Speaker 1: Are you guys gonna go on to our for the album? Oh, definitely, definitely.
• 1:18:54
  Speaker 1: I'm trying to cancel some stuff now because man, missing
• 1:18:57
  Speaker 1: Live Nation. I'm like Live Nation or so we're gonna
• 1:18:59
  Speaker 1: be and them kind of checks. Let me go on
• 1:19:01
  Speaker 1: cancel some of these shows now, I had counseled, but yeah,
• 1:19:05
  Speaker 1: we're going on tour though. Speaking of touring, you have
• 1:19:07
  Speaker 1: some other tours that you're on as well. Yeah, Legends
• 1:19:09
  Speaker 1: of Southern hip Hop. That's one, two or the other.
• 1:19:12
  Speaker 1: When it's Legends of hip Hop. So it were gnawed
• 1:19:14
  Speaker 1: in southwa. So who's who's on it? Me? Eight Ball, MJG,
• 1:19:19
  Speaker 1: too Short, Trina, DJ Quick. I can't think that's what
• 1:19:23
  Speaker 1: you're seeing all them as old the women. That exactly, yeah, exactly.
• 1:19:30
  Speaker 1: That rough Rider tour, man, that's I feel like that
• 1:19:32
  Speaker 1: should have been It should have been a documentary made
• 1:19:34
  Speaker 1: about that tour. Yeah, because it was real. I mean,
• 1:19:37
  Speaker 1: you know, it's crazy. It was successful to it when
• 1:19:40
  Speaker 1: we actually did the shows. But you know, after the
• 1:19:42
  Speaker 1: Boston thing, they canceled like all all the shows of
• 1:19:45
  Speaker 1: the West coast, so we didn't ever make it to
• 1:19:47
  Speaker 1: the West Coast with that tour. This is one video
• 1:19:49
  Speaker 1: they always showed from that show. Were always calling women
• 1:19:51
  Speaker 1: on stage and they always talk you know what I'm
• 1:19:54
  Speaker 1: talking about, I messed with men too, or something like that.
• 1:19:58
  Speaker 1: Oh no, I don't remember that right now. An never
• 1:20:04
  Speaker 1: agree that you heard something that you probably heard something
• 1:20:09
  Speaker 1: and thought you you thought I was talking about who video.
• 1:20:12
  Speaker 1: I'm gonna show it to you. Yeah, y'all come up here.
• 1:20:21
  Speaker 1: It's cool like that. But I'm just asking. That's how
• 1:20:28
  Speaker 1: we're talking to one in the week. Our thing is
• 1:20:30
  Speaker 1: with you. That's how we talked that. We've been talking
• 1:20:35
  Speaker 1: like that so that you tried. You tried it, It
• 1:20:37
  Speaker 1: didn't listen, It didn't work. This is the beauty of
• 1:20:40
  Speaker 1: the interview. For urban legends. That a stop to that
• 1:20:49
  Speaker 1: next time we don't get a chance. You didn't stick around.
• 1:20:52
  Speaker 1: It's all love. I'm here. I remember that night. I
• 1:20:56
  Speaker 1: can't remember if you want to show me this night.
• 1:21:02
  Speaker 1: I'm looking at them where I come from, because I've
• 1:21:06
  Speaker 1: been looking for that piece for a log, for real chat.
• 1:21:09
  Speaker 1: It's probably I probably got this story somewhere, my man, juvenile.
• 1:21:13
  Speaker 1: The album is out right now. Just another gangster, just
• 1:21:15
  Speaker 1: another game Friday, right, yeah, Friday. Yeah, it's a breakfast
• 1:21:19
  Speaker 1: club morning. Everybody is DJ Envy Angela Yee. Charlomagne the guy.
• 1:21:24
  Speaker 1: We are the breakfast club. Shout to everybody that picked
• 1:21:27
  Speaker 1: up tickets to my car show again. I so appreciate it.
• 1:21:29
  Speaker 1: September seventh is the date. And also, Charlomagne, you got
• 1:21:33
  Speaker 1: a positive note? Yeah, man, My positive note is simply
• 1:21:35
  Speaker 1: this man. Always remember karma. Okay, there's no need for revenge.
• 1:21:40
  Speaker 1: Just sit back and wait. Those who hurt you will
• 1:21:43
  Speaker 1: eventually screw up themselves, and if you're lucky, God will
• 1:21:46
  Speaker 1: let you watch