Latest / I Am All In with Scott Patterson / I Smell Pop Culture: Charo

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I Smell Pop Culture: Charo · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in again.
• 0:06
  Speaker 2: Oh that's you. I smell pop culture with Eastern.
• 0:20
  Speaker 1: Allen and iHeart radio podcast. That's right, friends, I am
• 0:25
  Speaker 1: Easton Allen. I am a person here on the podcast
• 0:29
  Speaker 1: and I can smell things, and this week I am
• 0:31
  Speaker 1: smelling pop culture. That's right, it is. I am all in.
• 0:34
  Speaker 1: I smell pop culture. The reason you're here is because
• 0:37
  Speaker 1: you love Gilmore Girls. I love Gilmore Girls. You love
• 0:39
  Speaker 1: Gilmore Girls. That's why we're here. And we are going
• 0:42
  Speaker 1: to take a big old whiff. We're gonna inhale. We're
• 0:45
  Speaker 1: gonna show off one of our five senses, and that
• 0:48
  Speaker 1: is the sense of smell. To figure out the pop
• 0:51
  Speaker 1: culture references in Gilmore Girls. Where do they come from,
• 0:54
  Speaker 1: who are they, where are they going? Who are the
• 0:56
  Speaker 1: people that make them pop culture references? Who are the
• 0:59
  Speaker 1: icons that brings to life. We're going to talk to
• 1:01
  Speaker 1: them all, and that is what we're here to do
• 1:04
  Speaker 1: this week. Oh my god, you guys, this week we're
• 1:06
  Speaker 1: talking to a legend. I always say that every week
• 1:09
  Speaker 1: I meet at this time a true legend. But before
• 1:13
  Speaker 1: I tell you who we're talking to, I got to
• 1:16
  Speaker 1: bring you back to the world of Gilmer Girls. We're
• 1:18
  Speaker 1: going to start as hollow for a moment. We're going
• 1:20
  Speaker 1: to season one episode ten. If you're sitting at home
• 1:23
  Speaker 1: listening to this, you got your finger on your Apple TV,
• 1:27
  Speaker 1: your Roku remote, you're pulling up Netflix to watch along.
• 1:31
  Speaker 1: Go to season one episode ten. Hey, if we're getting
• 1:34
  Speaker 1: specific here, fast forward to like thirty three minutes. Richard's
• 1:38
  Speaker 1: in the hospital and Lorelei and Rory are in the
• 1:43
  Speaker 1: waiting room trying to get snacks out of the vending machine.
• 1:46
  Speaker 1: And in this moment, Lourlai, You'll remember from the last
• 1:50
  Speaker 1: episode that Rory and Dean fell asleep together at Miss
• 1:56
  Speaker 1: Patti's and in this episode, Dean tries to get Rory's
• 2:02
  Speaker 1: attention by tapping on the window and Lourai catches him.
• 2:05
  Speaker 1: They have a conversation, and now we're in this moment.
• 2:09
  Speaker 1: In season one, episode ten, Rory and Loralai are talking
• 2:14
  Speaker 1: in this waiting room and Laurai tells Rory that Dean
• 2:19
  Speaker 1: pulled the old tap in on the window a bit,
• 2:21
  Speaker 1: and Rory says, you know, nothing happened, and Lourlai believes her.
• 2:27
  Speaker 1: Laura trusts her, and she says this quote Rory, there
• 2:32
  Speaker 1: are only two things that I totally trust in this
• 2:34
  Speaker 1: entire world. The fact that I will never be able
• 2:36
  Speaker 1: to understand what Charro is saying no matter how long
• 2:38
  Speaker 1: she lives in this country. And you what a tender
• 2:41
  Speaker 1: moment between mother and daughter. But also who is Charro?
• 2:45
  Speaker 1: What is that? Who is Charo? Charo is an actress,
• 2:49
  Speaker 1: a comedian, one of the best Flamenco guitarists to ever live,
• 2:54
  Speaker 1: a pop culture icon for decades now. I remember when
• 3:00
  Speaker 1: I was growing up, Charro was just everywhere. Everyone was
• 3:04
  Speaker 1: making Charro jokes. Charro was on my TV My favorite
• 3:11
  Speaker 1: memories of Charro. She voiced a character that looked exactly
• 3:15
  Speaker 1: like her in the movie Thumbolina. She played Missus Toad.
• 3:18
  Speaker 1: And if you are a nineties animation fan, you know
• 3:22
  Speaker 1: thumb Berlina and Charro is in it, and again it's
• 3:25
  Speaker 1: a frog that looks just like Charro. Charro was also
• 3:29
  Speaker 1: in the Pee Wee's Playhoffs Christmas Special, which is very
• 3:31
  Speaker 1: near and dear to my heart. I love Charo. If
• 3:35
  Speaker 1: you if you aren't familiar with her work, she is.
• 3:38
  Speaker 1: She's known as the kuci Cuchi girl. Cuci Cucci was
• 3:41
  Speaker 1: her catchphrase. She would say it all the time. It
• 3:43
  Speaker 1: doesn't really mean anything. Is this kind of a collection
• 3:45
  Speaker 1: of sounds, but it is a phrase that took the
• 3:49
  Speaker 1: nation in the world by storm. She is truly living
• 3:52
  Speaker 1: the American dream. Charro is an icon, a legend. We
• 3:57
  Speaker 1: are going to talk to Charro. We are going to
• 3:59
  Speaker 1: find out if you can understand what she's saying, because
• 4:02
  Speaker 1: Laura I can't. Uh and uh, hopefully you can because
• 4:05
  Speaker 1: we're gonna hang out there for a while here. But
• 4:07
  Speaker 1: it is I smell pop culture. Charo is here, Cucci, Cucci.
• 4:10
  Speaker 1: Let's go. It's nice to meet you. My name is Easton.
• 4:12
  Speaker 1: Thanks for doing this.
• 4:14
  Speaker 3: Yeah, I know you.
• 4:15
  Speaker 4: It's a pleasure. It's a pleasure talking to you. I
• 4:18
  Speaker 4: love your shat.
• 4:19
  Speaker 1: Oh, thank you, thank you. I'm such a big fan.
• 4:22
  Speaker 1: This is truly an honor for me to talk to
• 4:24
  Speaker 1: you today. This is gonna be so fun.
• 4:25
  Speaker 3: Thank you so much.
• 4:27
  Speaker 4: The honor is mine because this is very important issue
• 4:30
  Speaker 4: that I am. Okay, I don't want you miss gon
• 4:34
  Speaker 4: cruse me. Okay, I don't have ego. Ye, of course no,
• 4:38
  Speaker 4: I don't have it. I have a big mouth, no ego.
• 4:42
  Speaker 4: So that proves to me. And they said, you know what,
• 4:46
  Speaker 4: would you find out that you were the pioneer that
• 4:51
  Speaker 4: did everything that is changed, the music, the fashion, the
• 4:57
  Speaker 4: only one name the Gucci Gucci think okay And I
• 5:01
  Speaker 4: said okay, what and they said no. The generation see
• 5:05
  Speaker 4: I call a generational zipper. They're supposed to know because
• 5:10
  Speaker 4: they discovered midia instrum. Thank god to the Internet, social media,
• 5:16
  Speaker 4: every single way that the past don't disappear.
• 5:22
  Speaker 3: They discovered with you, with.
• 5:24
  Speaker 4: Your job with the journalist, everything that before they was born,
• 5:30
  Speaker 4: they were somebody who was and who this person did it?
• 5:35
  Speaker 4: And why this person did it? It was many persons, okay,
• 5:39
  Speaker 4: but I was actually they told me the pioneer the vote.
• 5:43
  Speaker 3: It was me. Well, I'm going to tell you.
• 5:46
  Speaker 4: Why I came to America with my sister when my
• 5:50
  Speaker 4: Puciuchi was only a I was looking for really a dream,
• 5:57
  Speaker 4: to find a new world, to start a because America
• 6:01
  Speaker 4: was so big for you, for Spain, especially when I
• 6:06
  Speaker 4: was bord in the south of Spain, a sil Murcia.
• 6:11
  Speaker 4: That we used to love the movie that they show it,
• 6:16
  Speaker 4: although when they showed the movie was already maybe twenty
• 6:19
  Speaker 4: or three year old, but we love it. I remember
• 6:23
  Speaker 4: Doria Cena. Yes, we came full of passion and live America.
• 6:31
  Speaker 4: And one thing that I want to share with the
• 6:35
  Speaker 4: generation see is you got to believe yourself. You got
• 6:40
  Speaker 4: to trust what you think that is good. It's so
• 6:43
  Speaker 4: this is very important. I know great artor that's supposed
• 6:48
  Speaker 4: to make it and they never make it because they
• 6:51
  Speaker 4: intimidated when they went to AU this show and you
• 6:55
  Speaker 4: were very embarrassed in my time that you go and
• 6:58
  Speaker 4: there is three people said down, look like you know
• 7:00
  Speaker 4: what that bridge had to tell us. So so intimidated,
• 7:06
  Speaker 4: wouldn't be a great opportunity for so many talented people
• 7:11
  Speaker 4: and never happened. Well, the same thing my sister and me,
• 7:15
  Speaker 4: we gain not afraid, not afraid.
• 7:19
  Speaker 3: I always said, well.
• 7:20
  Speaker 4: If I don't make an America, I can come back
• 7:22
  Speaker 4: sell tomato in Tijuana.
• 7:24
  Speaker 3: It was not afraid, trust me, and it was.
• 7:28
  Speaker 4: Found but steady into what I believe and what you
• 7:34
  Speaker 4: are going to thank you for helping me. What you
• 7:37
  Speaker 4: are doing is thank you again. There is now unaware
• 7:42
  Speaker 4: waking up of what happened. That the Blue Gee, the Alpha,
• 7:48
  Speaker 4: the music this new generation discovered and when they discovered
• 7:54
  Speaker 4: that it was me. Of course it's going to be
• 7:56
  Speaker 4: an event in a beautiful play tiny when you showed
• 7:59
  Speaker 4: your two a big three or thousand, at least three
• 8:03
  Speaker 4: thousand venue, this tiny place.
• 8:05
  Speaker 3: I don't think it's any more than three hundred.
• 8:09
  Speaker 4: But it's going to be an event, Catalina Jazz Club.
• 8:14
  Speaker 4: I can wait to go and see it because planet
• 8:16
  Speaker 4: to time, my timing, my entry.
• 8:19
  Speaker 3: He said.
• 8:19
  Speaker 4: Everybody says that it's so intimate Catalina jack Club, and
• 8:24
  Speaker 4: it will be an explanation with a gray review interviewer.
• 8:29
  Speaker 4: I admire that person asking me really how I feel
• 8:34
  Speaker 4: about that, without even noted. I start with one name,
• 8:39
  Speaker 4: and everybody have a name. Well, I started, show me
• 8:46
  Speaker 4: the way to the bank. But anyway it was I start, yes,
• 8:53
  Speaker 4: stop me if I talk to first, because I speak
• 8:58
  Speaker 4: like a spirit goal.
• 8:59
  Speaker 3: Salet stopped me into and said, start all over again.
• 9:03
  Speaker 1: We love fast talkers here. Now keep it going.
• 9:06
  Speaker 3: We love it you stop me, I say, what are
• 9:08
  Speaker 3: you talking about?
• 9:09
  Speaker 4: Barrel line is that I was very, very kaky, a
• 9:15
  Speaker 4: little kaki beach, but I believe in myself and I
• 9:22
  Speaker 4: was already at the Hotel Sahara that was the most
• 9:28
  Speaker 4: in Las Vega, the most powerful hotel to perform Johnny
• 9:32
  Speaker 4: Carso Shabbi Devia Junior, the Martin and everybody that really
• 9:39
  Speaker 4: was established as a headliner performed there.
• 9:43
  Speaker 3: I was very lucky. Johnny Carso liked me.
• 9:47
  Speaker 4: I think that he brought me many times because he
• 9:50
  Speaker 4: never knew what the hell I was talking about. And
• 9:53
  Speaker 4: still until the you his life keep on saying, speak
• 9:57
  Speaker 4: slowly and clearly.
• 10:00
  Speaker 3: Okay.
• 10:02
  Speaker 4: Probably a great producer from Philadelphia by the name Vince Montana.
• 10:10
  Speaker 3: He was the king of the at that time, was
• 10:13
  Speaker 3: called disco. Okay.
• 10:16
  Speaker 4: Probably he saw me several times at the Tu Nai
• 10:21
  Speaker 4: show and then he flew with two more people from
• 10:26
  Speaker 4: the Salsaul Orchestra East. The most beautiful thing that can
• 10:31
  Speaker 4: have a musician. I'm a musician. When I walk and
• 10:36
  Speaker 4: meet the Salso Orchestra is heavy minimum. If I do
• 10:42
  Speaker 4: fifty the best musician in the world, and.
• 10:46
  Speaker 1: You recorded to your album Cuchi Cuchi with them.
• 10:48
  Speaker 4: Yes, Montana came to see me in Las Vegas, and
• 10:53
  Speaker 4: after that as permit to see me at the dressing
• 10:56
  Speaker 4: room or the sahara, and he said, okay, I saw
• 11:01
  Speaker 4: you at the denight shirt. You are you are different
• 11:05
  Speaker 4: and fun and fear less. I have a great song
• 11:09
  Speaker 4: that I was about to give it to us bigger
• 11:12
  Speaker 4: star than me, he said, don't get offended, but much much,
• 11:15
  Speaker 4: much bigger. But I saw the way handle the audience
• 11:20
  Speaker 4: and on the stage. You that's on it for you.
• 11:24
  Speaker 4: And I said, okay, excuse me, I did not know
• 11:28
  Speaker 4: who was being Montana.
• 11:30
  Speaker 2: Yeah.
• 11:30
  Speaker 4: And I was so gaggy that I said, don't talk
• 11:33
  Speaker 4: to me with Williams Maurice the president.
• 11:37
  Speaker 3: Would you believe in Norman Broco?
• 11:39
  Speaker 4: That again, if you go to Norman Broco, take you
• 11:44
  Speaker 4: in his agency, you don't have to worry.
• 11:47
  Speaker 3: This is it.
• 11:48
  Speaker 4: They put in the right pleasure Norman Broco. I said,
• 11:52
  Speaker 4: this is Norman Brogo resting pee, what a great guy.
• 11:56
  Speaker 4: And you call him and don't tell me talk.
• 12:01
  Speaker 3: He laughed.
• 12:03
  Speaker 4: And obviously he did call Williams more agency and he
• 12:07
  Speaker 4: did talk with totally. Uh what he was going for
• 12:12
  Speaker 4: as if I was able and available to assa nor
• 12:18
  Speaker 4: Manbroco contact me And I said, okay, what is it
• 12:25
  Speaker 4: all about? He said, this man, you have no idea.
• 12:28
  Speaker 4: Who is he making the bigger hit one tero? So
• 12:32
  Speaker 4: we make a deal. I went to Philadelphia, which I
• 12:38
  Speaker 4: love it, but I went with to Borregard one from
• 12:41
  Speaker 4: the Hotel Sahara.
• 12:43
  Speaker 3: The guy was working already. I was doing a lot
• 12:46
  Speaker 3: of money with THI and.
• 12:48
  Speaker 4: I went to the Bodgard another Bodgar probably be Montana
• 12:53
  Speaker 4: pure thread of my dancer and uh looking for fast
• 12:59
  Speaker 4: with Kai Chorista.
• 13:00
  Speaker 3: I got in my luggage at that time.
• 13:02
  Speaker 4: You gonna have anything you want to Choria Longania. Everything
• 13:06
  Speaker 4: that they were bringing me into my sister from Spain.
• 13:10
  Speaker 3: So it's very intense history. I will in in.
• 13:17
  Speaker 4: I don't believe what I saw the whole It was big, beautiful,
• 13:22
  Speaker 4: beautiful and Norman room with the bad musicians in town
• 13:27
  Speaker 4: waiting to meet me. I I almost I almost rom
• 13:32
  Speaker 4: there because I knew it was like I didn't come
• 13:36
  Speaker 4: true a lot a lot African America. But like when
• 13:39
  Speaker 4: you see the movie with phone with the thing, I
• 13:42
  Speaker 4: mean it was a movie. Well, Bi Montana said, did
• 13:48
  Speaker 4: you receive the song that I sent you? And I
• 13:52
  Speaker 4: said yes, did you like it? And I said, well,
• 13:57
  Speaker 4: would you believe in me?
• 13:58
  Speaker 3: Well it's a beautiful song, but something is empty. You
• 14:06
  Speaker 3: should see his face.
• 14:08
  Speaker 4: You want to kill you. I saw he like if
• 14:11
  Speaker 4: when look at me and all of the musicians thinking,
• 14:15
  Speaker 4: oh the bus is gonna go to the lake and said,
• 14:20
  Speaker 4: I said, something is missing and he said really and
• 14:25
  Speaker 4: I said yeah, And he said, remember that I told
• 14:28
  Speaker 4: you that I could I give it to the big one,
• 14:32
  Speaker 4: but I gave it to you. And I said, I
• 14:35
  Speaker 4: don't want please, don't miss called screw me. I don't
• 14:39
  Speaker 4: want to offend nobody. Please you get the best orchestra
• 14:42
  Speaker 4: in the world, soul, shoul orchestra. The soul is missing.
• 14:48
  Speaker 4: And he was very interested, and keep looking at me.
• 14:52
  Speaker 4: Try to get out of the room. Probably he was breathing,
• 14:56
  Speaker 4: I kill it, but no turn back face to face,
• 15:01
  Speaker 4: he said, and what will you do?
• 15:04
  Speaker 3: That have shown? And I was shaking.
• 15:09
  Speaker 4: Okay, I said, okay, I will tryston.
• 15:15
  Speaker 3: At that time, we're not peace repair. It was not
• 15:20
  Speaker 3: take end of No.
• 15:23
  Speaker 4: It was like a franc Sinatra did I when I
• 15:26
  Speaker 4: was seventeen.
• 15:26
  Speaker 3: It was a year. It was the mark.
• 15:28
  Speaker 4: It was booth Ca Cavinetta. You go there with the regulars.
• 15:35
  Speaker 4: You listen live to the musician, You not listen to
• 15:39
  Speaker 4: a track. Okay, right, I said to the musician, who.
• 15:44
  Speaker 3: Are a feeling? When they started playing, what a feeling?
• 15:48
  Speaker 3: I was in heaven. I were very relaxed.
• 15:52
  Speaker 4: I just closed my eyes and I listened the song.
• 15:57
  Speaker 4: Then I asked, please, can can you play it again?
• 16:01
  Speaker 4: APOLOGI but I went to to entertain it in here.
• 16:05
  Speaker 4: How the the trompond they repeated again at that time,
• 16:10
  Speaker 4: I sing, and it's cute, you know, yes, a little
• 16:14
  Speaker 4: bit of clothes, very ladies, a little bit ver is sexy.
• 16:19
  Speaker 4: But there is a space of eighth bar where the
• 16:23
  Speaker 4: background go, beautiful singer. I hold you in my arm.
• 16:30
  Speaker 4: And then I got the inspiration. I said, this is
• 16:33
  Speaker 4: this is going to missic. I went in his Spanish
• 16:36
  Speaker 4: and I guess the vocal background in English?
• 16:39
  Speaker 3: I go in Spanish, Yo momam, mi corazo and I did.
• 16:46
  Speaker 4: I don't know from where I went with that expression.
• 16:49
  Speaker 4: And when we finished, I was so scared to get
• 16:52
  Speaker 4: out from the book. And Montana came out from his
• 16:56
  Speaker 4: books and all the musicians and like that, relaxed with
• 17:00
  Speaker 4: the instrument on the lab and I look at him.
• 17:03
  Speaker 4: I said, what do you see and he said, guys,
• 17:07
  Speaker 4: it's a hit, yes, And everybody.
• 17:10
  Speaker 3: Applaud and it's thought. That was the birth of spanklish.
• 17:16
  Speaker 4: Hm, it's the first time, trust me, and the document
• 17:22
  Speaker 4: and the video speak for itself. That was the first
• 17:25
  Speaker 4: time that they was allowed in the middle of English
• 17:30
  Speaker 4: English song, I respond with the same translation, because dance
• 17:37
  Speaker 4: a little bit closer, come to me a little bit
• 17:40
  Speaker 4: closer is exactly America day masserca. If they come over
• 17:46
  Speaker 4: me coorrason, it's almost a translation of what I was
• 17:50
  Speaker 4: hearing the allowed, and that was the birth of the Spanish.
• 17:57
  Speaker 4: So now by then a khaki because they all applaud
• 17:59
  Speaker 4: the of course, yeah, now young kaki.
• 18:05
  Speaker 3: Now I know that I'm that I'm not going to
• 18:07
  Speaker 3: be kick out.
• 18:09
  Speaker 4: Now we are more relaxed. They give a pizza, they
• 18:14
  Speaker 4: give up beer, which I love pizza beer. Excuse me,
• 18:18
  Speaker 4: and said, we relax and the dad said, well, beautiful, you.
• 18:23
  Speaker 3: Didn't very good. Think think think of and he said, well,
• 18:28
  Speaker 3: we want to know, you.
• 18:29
  Speaker 4: Know, got me in bad that you give you. They
• 18:32
  Speaker 4: give you the week off because they had to earn
• 18:35
  Speaker 4: the Pyramids. Also, Norman broco to the Sahara because I
• 18:40
  Speaker 4: wasn't really doing the great business at that time with
• 18:42
  Speaker 4: the liner, and I said, okay, he said, let's do
• 18:46
  Speaker 4: the whole city. But now I was not scared. I
• 18:51
  Speaker 4: was now they're going to listen to me. Really truly,
• 18:54
  Speaker 4: I was relaxed. We became good friends. I will I
• 18:58
  Speaker 4: can find I wish I can find a pure that
• 19:01
  Speaker 4: we both are dancing. Great men, very humbob uh Italiano
• 19:09
  Speaker 4: with a regard right. I thought at the beginning going
• 19:13
  Speaker 4: say something is empty. I thought that he's gonna say, well,
• 19:19
  Speaker 4: but no, he breathed, He walked toward the door or
• 19:24
  Speaker 4: the studio, came back and said, and what will you
• 19:28
  Speaker 4: do that will be no missing and have so? So
• 19:33
  Speaker 4: he challenged me, controlling himself. Okay, now I had the
• 19:38
  Speaker 4: freedom to suggest what I will do so in that
• 19:41
  Speaker 4: city that we are celebrating. It's a legacy. You had
• 19:47
  Speaker 4: three huge hits. One it's called Dance a little Bit Closer.
• 19:52
  Speaker 4: The other it's called Believe.
• 19:53
  Speaker 3: It or not. It's not.
• 19:56
  Speaker 4: Riquito b you are are eye que q u I
• 20:03
  Speaker 4: t oh donkey book requito little donkey. Now they was
• 20:11
  Speaker 4: asking me why you want to sing a song that
• 20:14
  Speaker 4: is about a little donkey like you. You don't know he
• 20:18
  Speaker 4: know more than you. It's true, so I said, because
• 20:24
  Speaker 4: it's going to be a huge hit. But it is
• 20:26
  Speaker 4: in the Spanish. Okay, with a letter in English. No,
• 20:30
  Speaker 4: then you will kill the song. Another another piece, another
• 20:36
  Speaker 4: pire that what it were, so they allowed me to
• 20:42
  Speaker 4: do myself that way. I want to share with the generation.
• 20:47
  Speaker 4: See p yourself. Don't get in PREPD with some cell
• 20:51
  Speaker 4: every day did in your car. You know who you
• 20:56
  Speaker 4: are and answer who you are and trust yourself because
• 21:01
  Speaker 4: that what happened to me. It happened to my sister
• 21:03
  Speaker 4: with the costume. So it's a very important event and
• 21:09
  Speaker 4: it's no ego. Please don't miss Kruseing. It's just a
• 21:12
  Speaker 4: legacy that they add to the social media like you radio, Internet, Facebook, Instagram,
• 21:21
  Speaker 4: discover the past that it will be destroyed. It wasn't
• 21:27
  Speaker 4: for this incredible invention of social media, social media save me.
• 21:34
  Speaker 4: When I was very sad, very sad with Corona Tyeing,
• 21:37
  Speaker 4: I asked my husband social media people help each other.
• 21:43
  Speaker 4: And that's why I am talking to you. Thank you
• 21:46
  Speaker 4: for this opportunity. That's why I will accept the war.
• 21:51
  Speaker 4: And that's why. Another question is why.
• 21:54
  Speaker 3: Only one name? Yeah, well, ask me a question, actually
• 21:58
  Speaker 3: ask me.
• 21:59
  Speaker 1: I'm going to ask you that question. But first before
• 22:02
  Speaker 1: we do that, we got to take a quick commercial break. Okay,
• 22:05
  Speaker 1: stick around everybody. There's a lot more charo where this
• 22:08
  Speaker 1: came from. We're back it is. I smell pop culture.
• 22:20
  Speaker 1: My name is Easton. I'm hanging out with Charo, and
• 22:22
  Speaker 1: I gotta ask, Okay, I gotta ask. You're the pioneer
• 22:27
  Speaker 1: of the single name. Where did that come from? Why
• 22:31
  Speaker 1: are you just Charro?
• 22:33
  Speaker 3: Do you want to hear my real name?
• 22:35
  Speaker 1: Yes? I do very badly.
• 22:37
  Speaker 4: Maria Rosario, Pillar, Martinez, Morena Lorenza.
• 22:46
  Speaker 3: Okay, well, when.
• 22:48
  Speaker 4: You pour in Spain, Maria, your first name, honor the
• 22:54
  Speaker 4: vision Mary. Then Rosario is the Rosari that we pray
• 23:01
  Speaker 4: the pillar. Well, my grandma from my mother's side, Rosario,
• 23:08
  Speaker 4: my grandma from my father's side.
• 23:10
  Speaker 3: Pillar.
• 23:11
  Speaker 4: Already you had three name Maria, Rosario, Pila. Then start
• 23:16
  Speaker 4: coming your father uh A Peggio and your mother A
• 23:21
  Speaker 4: pegg I said that. I said that I saw my
• 23:23
  Speaker 4: passport when again to America was like a ser pertein.
• 23:30
  Speaker 4: Norman Broco, the president of William Morias, I told you.
• 23:35
  Speaker 3: He said, we have a problem, and I said, why
• 23:39
  Speaker 3: the problem? People like you?
• 23:43
  Speaker 4: You make a good business for Sahara and Atlantic City.
• 23:48
  Speaker 4: You you're doing good. But I cannot represent you with
• 23:52
  Speaker 4: one name. Okay, yeah, because I did the name for
• 23:57
  Speaker 4: Marie Limboro wonderful, I called read the hybor with okay,
• 24:04
  Speaker 4: you got to have a second name because I was
• 24:08
  Speaker 4: so used that people call me Scha mother, and I said, okay, okay,
• 24:14
  Speaker 4: very respectful, okay, because I okay, Miter Broco, okay, you
• 24:20
  Speaker 4: are a businessman and you discovered Marilyn Monroe King Nova
• 24:25
  Speaker 4: every the day. Why don't you give me an opportunity.
• 24:30
  Speaker 4: I'm going now in a few days to the SACA again.
• 24:33
  Speaker 4: And you know you saw me there with one name.
• 24:37
  Speaker 4: Keep it one more name, and I will like to
• 24:39
  Speaker 4: the audience, are you comfortable with one name? He looked
• 24:44
  Speaker 4: mister laughing like. I said, I don't know. You are
• 24:46
  Speaker 4: crazy or you are clever, and I said both yes,
• 24:52
  Speaker 4: And then that was the opportunity. But guess who was
• 24:56
  Speaker 4: starting with me? Geen neighbor. Wow, hello Chao? You never
• 25:05
  Speaker 4: called it Charo, Hello Chao. How are you share? Okay?
• 25:10
  Speaker 4: So in that deal with Miter Broko, I asked to
• 25:16
  Speaker 4: the people, would you like it that miter broke the
• 25:19
  Speaker 4: big chat?
• 25:21
  Speaker 3: It challenged me, and they said no, no, we love
• 25:24
  Speaker 3: Chao Charo Charu.
• 25:26
  Speaker 4: Also their many Latino and when you perform for Latino,
• 25:30
  Speaker 4: they love to say yo in tone in tone by
• 25:34
  Speaker 4: leg bye.
• 25:36
  Speaker 3: So you were here at Chiaro and that's all.
• 25:39
  Speaker 4: And then okay, I go by, not too match, but
• 25:43
  Speaker 4: tang by, and I started reading everybody still calling themselves
• 25:48
  Speaker 4: one name. So this see that I did it perhaps instant,
• 25:54
  Speaker 4: because I was not afraid. I trust myself. It became
• 26:00
  Speaker 4: actually the beginning of a big change. We haven't taken
• 26:05
  Speaker 4: you back to the seventy seven, seventy eight, seven, nine eighty.
• 26:10
  Speaker 4: So this, this company said, it's no ego. You are
• 26:15
  Speaker 4: entitled to really accepted what you did the same thing Easton.
• 26:22
  Speaker 4: I did it with community, Latinos, open door, Riggy, Marty mccartoni,
• 26:30
  Speaker 4: Shakira is a long long list. Yeah, and I hope
• 26:36
  Speaker 4: you know. Easton asked me what the hell you are
• 26:39
  Speaker 4: now in La Chario?
• 26:42
  Speaker 1: Why are you in La What's going on?
• 26:45
  Speaker 4: Somebody is your instant? Were I supposed to be right
• 26:48
  Speaker 4: now in Colombia? Gartha Hena having the time of my
• 26:53
  Speaker 4: life for the bigger event ever. Was a beautiful, talented
• 26:57
  Speaker 4: younger by the name Karaoji that she wants me to
• 27:01
  Speaker 4: be there because she's so clever that she knows who
• 27:05
  Speaker 4: is who and who is taught start the revolution of
• 27:09
  Speaker 4: music and the open door for Latinos are so talented.
• 27:15
  Speaker 4: Gary and Boie are so talented that with all my heart,
• 27:21
  Speaker 4: I do like.
• 27:22
  Speaker 3: It to be there. I become a fun of her.
• 27:25
  Speaker 3: What she accomplished it unbelievable. I think she's number one
• 27:28
  Speaker 3: in the world right now and cheered.
• 27:33
  Speaker 4: One thing is either you born with or you don't
• 27:36
  Speaker 4: borrow with. Last night I was changing. I love text
• 27:40
  Speaker 4: message because text message I spell better than I talk.
• 27:46
  Speaker 4: I really talk like, but text message I also give
• 27:54
  Speaker 4: me the chance to know the spelling his correct about
• 27:57
  Speaker 4: trying the money, I send it to her. The last
• 28:00
  Speaker 4: said my Harry broken, thank you for being so nice
• 28:05
  Speaker 4: and give me the honor that I'll be there and
• 28:08
  Speaker 4: call me Rainaw and the Queen. But I cannot be
• 28:11
  Speaker 4: with you because I'm going to be with you and
• 28:13
  Speaker 4: because I'm going to be prepared for a few more
• 28:17
  Speaker 4: interview for again September seven.
• 28:20
  Speaker 3: I wish you would be there there.
• 28:22
  Speaker 4: It's very emotional. I don't want to cry. I just
• 28:26
  Speaker 4: cried right now when I had lad I'm an eat
• 28:31
  Speaker 4: chocolade used to but it is very reworthy. And when
• 28:37
  Speaker 4: you meet my sister, because she's making fashion only that
• 28:44
  Speaker 4: Lo Lo Lo pen. All right, ask me, Charo, where
• 28:47
  Speaker 4: your sister did that? I just just you do that
• 28:52
  Speaker 4: because that distore dog.
• 28:54
  Speaker 3: How to do seper She did not know.
• 29:00
  Speaker 4: Make her to nervay real nerveay and and then we
• 29:05
  Speaker 4: don't have the machine that got.
• 29:08
  Speaker 3: Its yere. She do it by hand always pocket still
• 29:14
  Speaker 3: don't push simp.
• 29:15
  Speaker 4: So at the tonight show, we don't regle with Johnny Carson,
• 29:21
  Speaker 4: the market, show your name it my costume, were you're
• 29:24
  Speaker 4: coming from the bra stop by beautiful see through all ki.
• 29:31
  Speaker 3: The top of the path.
• 29:33
  Speaker 4: And of course it was not eating because did you
• 29:37
  Speaker 4: put one pound? The honeymoon is over. We got to
• 29:40
  Speaker 4: show everything. But she through is tone by hand. She
• 29:47
  Speaker 4: catted from my mother and Miauela all of the beach,
• 29:51
  Speaker 4: and they allow us, they do allow us. It was
• 29:55
  Speaker 4: a little carmelic caming again. Oh no, okay, can she
• 29:59
  Speaker 4: make a litt letters? No, she don't know how to
• 30:02
  Speaker 4: pu sip not the costal telling you. She became very
• 30:08
  Speaker 4: good friend of Bob Mackie. Your name it all of them.
• 30:10
  Speaker 2: Wow.
• 30:13
  Speaker 3: Her name is Caramelita. Karmen is little, but she got little.
• 30:17
  Speaker 4: They go like caramel Cita, but east through Carmelita, and
• 30:25
  Speaker 4: Carmelita have got She used to go to the weather
• 30:30
  Speaker 4: of people and tell them please, she's so skinny.
• 30:34
  Speaker 3: It's no, it's not too sexy. It's you that I
• 30:38
  Speaker 3: really don't know how to do.
• 30:42
  Speaker 4: And they always coming the Martin to the rescue, or
• 30:45
  Speaker 4: the wife of the Martin to the rescue, or the
• 30:48
  Speaker 4: sistant Johnny Carso and that you know, done nothing.
• 30:52
  Speaker 3: Let her go. It is skinny letter and then let
• 30:54
  Speaker 3: me wear those costs. Are not kidding you? She through
• 30:58
  Speaker 3: but with.
• 30:59
  Speaker 4: Bugle upside down and brother by my mother, my auntie,
• 31:06
  Speaker 4: my sister, and I tried to do that, but I
• 31:09
  Speaker 4: were not that good.
• 31:10
  Speaker 3: They were so good that egal I did and do
• 31:13
  Speaker 3: you don't see even the threat?
• 31:15
  Speaker 1: Wow?
• 31:16
  Speaker 4: And that's what they are celebrating, the legacy or two
• 31:20
  Speaker 4: little girls very young one time. What's upon a time
• 31:23
  Speaker 4: we were young, believe me, and in love with the
• 31:28
  Speaker 4: dream of America, the country of the freedom, with a
• 31:33
  Speaker 4: hope to they and I whatever it taken to work,
• 31:37
  Speaker 4: and time goes so fast that you bling, and I said,
• 31:43
  Speaker 4: my god, what what happened? Because your business is kind
• 31:48
  Speaker 4: of cruel when you are had and they offered you
• 31:52
  Speaker 4: good offer and you figure it out. If I don't
• 31:56
  Speaker 4: come to America, I will be selling tomato where I
• 32:02
  Speaker 4: cannot say no.
• 32:03
  Speaker 1: Of course, No.
• 32:05
  Speaker 4: We are at a point. I work hard with my body.
• 32:10
  Speaker 4: I keep it in a good shape. I run miles
• 32:12
  Speaker 4: three miles this morning.
• 32:15
  Speaker 1: Wow.
• 32:16
  Speaker 4: I take it with the mina. I want to share
• 32:18
  Speaker 4: with everybody. I care a lot for the generations. I
• 32:23
  Speaker 4: got it, you know, as I told you, generations ship.
• 32:26
  Speaker 4: There's nice people. I don't know if the parent had
• 32:29
  Speaker 4: the time to give them what they needed. When the children,
• 32:33
  Speaker 4: I know that some time there where in my future
• 32:37
  Speaker 4: where I'm going, what's going to happen to me.
• 32:39
  Speaker 3: When I got old?
• 32:40
  Speaker 4: There when I jumped from teenager to adult like in America,
• 32:47
  Speaker 4: A man of my god, twenty three year old? Amen,
• 32:50
  Speaker 4: A man, No, it's a guy, it's a kid. I
• 32:53
  Speaker 4: had to learn a lot. But I thinking about that
• 32:57
  Speaker 4: it once in a while. I go to college when
• 32:59
  Speaker 4: I unplaced Chicago, you name in concerts and I take
• 33:03
  Speaker 4: one day extra and say hello to them. They like
• 33:08
  Speaker 4: me very much. The people that I get to near
• 33:11
  Speaker 4: to the kids, beautiful kid, I tell them. Basis of
• 33:16
  Speaker 4: no pig, no pik pik Pik is the bed war
• 33:20
  Speaker 4: for for musician guitarists, it's the end of at the
• 33:24
  Speaker 4: end of your future. This got gear finger is the finger,
• 33:31
  Speaker 4: yes official and a scale and I see them so
• 33:35
  Speaker 4: grateful to somebody from the past, Saint Christopher Colombo.
• 33:43
  Speaker 3: On today say guy, you're not allowed.
• 33:47
  Speaker 4: I was your age. I know how I feel. But
• 33:50
  Speaker 4: did you trudge yourself? The world is very little for
• 33:53
  Speaker 4: you guys, and that's the way I feel happy. And
• 33:59
  Speaker 4: I would be grateful to you forever. Because again I
• 34:03
  Speaker 4: suppose to be Colombia thing har and they want to
• 34:10
  Speaker 4: do something especially for me, break my heart. But she
• 34:14
  Speaker 4: she conquered the world. She she really the queen right now.
• 34:20
  Speaker 4: So I'm looking for you to see you there. I'm
• 34:23
  Speaker 4: going to have an an interview a journalist and they
• 34:28
  Speaker 4: don't tell me who because they know that I have
• 34:30
  Speaker 4: a big mouth, so I.
• 34:33
  Speaker 3: Don't know who it's going to be.
• 34:35
  Speaker 4: But I what I'm telling you actually was it's all
• 34:38
  Speaker 4: about and to give a hope to people that they
• 34:43
  Speaker 4: are now worry concerned that there is a god and
• 34:48
  Speaker 4: you have to trust yourself. Another no smoke. One of
• 34:54
  Speaker 4: my greatest dancers is in big trouble right now because
• 34:58
  Speaker 4: mokes so much that they have all the artery black
• 35:02
  Speaker 4: and it's only thirty two. Oh god, it's one of
• 35:05
  Speaker 4: the best answer I ever had. We know the big
• 35:09
  Speaker 4: with flaming and when the show was over, what's the
• 35:17
  Speaker 4: matter with you? And telling me was a matter of
• 35:21
  Speaker 4: smoking and that's it. So I want to share with
• 35:27
  Speaker 4: your people.
• 35:29
  Speaker 1: No smoke, don't smoke.
• 35:31
  Speaker 4: Don't smoke, and I'm not working for any company, and
• 35:34
  Speaker 4: don't make any commercial. I saw it with people around me.
• 35:39
  Speaker 4: You only now for those who had to even caugh.
• 35:42
  Speaker 4: So one of my al Buies Trader said, no smoke,
• 35:47
  Speaker 4: drink a lot of WAA.
• 35:50
  Speaker 3: And have hope. Don't ever loves the hope.
• 36:04
  Speaker 1: Before we let you go, I want to share a
• 36:06
  Speaker 1: memory I have of you that I treasure. I think
• 36:09
  Speaker 1: about this all the time. Do you remember performing on
• 36:13
  Speaker 1: Peewee's Playhouse Christmas Special? Do you remember that.
• 36:16
  Speaker 4: Oka see my best friend, my brother, my soul brother.
• 36:21
  Speaker 1: I love that performance, Charle. I've watched that a million times.
• 36:25
  Speaker 1: I want to know how that came. So you were
• 36:27
  Speaker 1: close to Peewee, My god.
• 36:29
  Speaker 4: My brother bro that Wait a minute, he went to Kawaii,
• 36:34
  Speaker 4: He went to Honolulu. Okay, Oh, my God, give me
• 36:37
  Speaker 4: a few more min Okay, yes, yes, I still crying.
• 36:42
  Speaker 4: I am not the same. See hit us away, okay, peewee,
• 36:48
  Speaker 4: never grow up? Gohy, I think the company that to me,
• 36:52
  Speaker 4: he's a disas.
• 36:55
  Speaker 3: We don't grow up. I'm not going to grow up.
• 36:57
  Speaker 3: I'm going to stay in the asha. I wanta never
• 37:02
  Speaker 3: grow up. Okay.
• 37:04
  Speaker 4: The story is that pe with fallow me. I did
• 37:09
  Speaker 4: know that before anything followed. He was always trying to
• 37:13
  Speaker 4: how can I talk with Sharrow? How can I I'm
• 37:16
  Speaker 4: taking you time time?
• 37:18
  Speaker 3: You know.
• 37:20
  Speaker 4: That for the keid Now generation, see listen to this
• 37:24
  Speaker 4: leaving genius with a magnificent education, a heart of gold.
• 37:30
  Speaker 3: But he never grew up. It's a disease.
• 37:33
  Speaker 4: So he wanted to meet me. Sohow he met Jim
• 37:42
  Speaker 4: neighbor because I was already living in Honolulu. You neighbor again,
• 37:49
  Speaker 4: another brother? Yeah? Then you neighbor called me a sad
• 37:54
  Speaker 4: peep with her money, calling you all the time.
• 37:57
  Speaker 3: You don't answer. I know, and to be sex, I
• 38:01
  Speaker 3: know you got to go Hi.
• 38:03
  Speaker 4: So Si, I will meet him in Honolulu because for
• 38:08
  Speaker 4: twenty years more we are residents of Hawaii, Kawaii.
• 38:14
  Speaker 3: Mirah Bira I wish I can't find it. I'm going
• 38:17
  Speaker 3: to churk to.
• 38:18
  Speaker 4: You the more beautiful island in the world called Kawaii. Okay,
• 38:23
  Speaker 4: pee Wee go to Honolulu. Pee Wee became good friend
• 38:27
  Speaker 4: of Gen. Naval Pee Wee very love for Honolulu. Pee
• 38:33
  Speaker 4: we lived in Honolulu and also he lived also in
• 38:38
  Speaker 4: another island. And he also went to my island Kawaii.
• 38:43
  Speaker 4: We met and we love each other forever. Ever when
• 38:46
  Speaker 4: you met Pee Wee, we give you a hand and
• 38:49
  Speaker 4: you that's it.
• 38:51
  Speaker 3: So he gone.
• 38:53
  Speaker 4: When I was at the Hillton Hawaiian Village in do
• 38:56
  Speaker 4: you have you ever been there?
• 38:58
  Speaker 3: It's paradise.
• 38:59
  Speaker 1: I have been there.
• 39:00
  Speaker 4: All the presidents stopped there on the way to Hong Kong, Japan, Asia, India.
• 39:07
  Speaker 3: They had to. When they got there.
• 39:10
  Speaker 4: They love it because they had two three day to
• 39:13
  Speaker 4: relax for the trip that is following the tour.
• 39:17
  Speaker 3: Day later, I met.
• 39:18
  Speaker 4: A lot of them. The bush, the glinto all of them.
• 39:22
  Speaker 4: They got to be there and I had there my
• 39:23
  Speaker 4: own room. We call it the tropics. For seventeen years
• 39:30
  Speaker 4: at the Hilto Hawaiian Villas because my deal was with
• 39:33
  Speaker 4: the Hilto that my son and my nephew had to
• 39:37
  Speaker 4: be a study in a school called Puno. When you
• 39:42
  Speaker 4: graduated Punohu, you can do anything you want.
• 39:47
  Speaker 3: Obama graduate in Punohu.
• 39:50
  Speaker 1: Yes, So that the story.
• 39:53
  Speaker 4: Pee Wee called and said I need you and I said,
• 39:55
  Speaker 4: pee Wee and working, and he said do that for me.
• 39:59
  Speaker 4: So I took apply and I went. He was doing
• 40:03
  Speaker 4: the special. But by day we were brother and sisters okay.
• 40:07
  Speaker 4: And I said, what is it all about? He said,
• 40:09
  Speaker 4: I want to see Phelip Navida and.
• 40:13
  Speaker 3: I love it. It was.
• 40:15
  Speaker 4: It was little paradise for child. They had Robbo at
• 40:19
  Speaker 4: that time. They have little butterfly that go to here.
• 40:23
  Speaker 4: They got cookie everywhere, actually Gola, they were running cold.
• 40:28
  Speaker 4: I was like a wonderland. It was wonderland. So I said,
• 40:35
  Speaker 4: pee with you. I'm going to play my guitar. I'm
• 40:39
  Speaker 4: going to sing the song a little different of Feliciano.
• 40:44
  Speaker 4: It's okay with you, okay, So whatever you want to do.
• 40:46
  Speaker 3: It's okay. I know you pull it out.
• 40:49
  Speaker 4: So I reheaded one tie and when they were rehearsing,
• 40:51
  Speaker 4: he's over that. He put a robot interrupting me or dancing.
• 40:57
  Speaker 4: But I didn't know that the robot was coming. I
• 41:00
  Speaker 4: was so concentrated, you know, and that's beautiful.
• 41:04
  Speaker 3: I started with it in the very beautiful.
• 41:11
  Speaker 4: And then while I am doing this and singing, he
• 41:15
  Speaker 4: is doing the pinata trying to bring it up cookie,
• 41:19
  Speaker 4: and I was thinking, well, I'm playing and singing. I
• 41:22
  Speaker 4: heard they say so money for me because they were
• 41:24
  Speaker 4: whoo quality solad involved and see I see the song.
• 41:30
  Speaker 4: We had the time of my life and we are
• 41:32
  Speaker 4: like this really that he never told me that he
• 41:37
  Speaker 4: was sick. He don't say to nobody. So now pe
• 41:42
  Speaker 4: Wee is in a l a doing a concert, and
• 41:45
  Speaker 4: of course I go. Of course I have to go
• 41:47
  Speaker 4: with my brother, and they get people with me. Play
• 41:50
  Speaker 4: So Down everybody, lovesh. He did a great show, several
• 41:55
  Speaker 4: sandal show and then we went to say hello, I
• 41:58
  Speaker 4: have a picture. He didn't say nothing about that he
• 42:02
  Speaker 4: was sick. He didn't show that he was sick. And
• 42:05
  Speaker 4: the next day what the law in California quarantee nobody
• 42:10
  Speaker 4: can get out, nobody can do nothing, Corona Wow. So
• 42:15
  Speaker 4: he had to cancel. As you save for So Down
• 42:18
  Speaker 4: two all over the United States. But we keep in
• 42:22
  Speaker 4: touch and talk with each other. When I found out
• 42:25
  Speaker 4: he went to see me at the at the Hollywood
• 42:28
  Speaker 4: ball He would not believe I was eating so colada
• 42:33
  Speaker 4: before the show. He said, you know nerve, I said,
• 42:35
  Speaker 4: you kidding me? He said, about nineteen thousand people, they
• 42:39
  Speaker 4: can not really put it outside. And he was so
• 42:42
  Speaker 4: proud of me. Then he a congratulations. There were gep oveloped,
• 42:48
  Speaker 4: but never a war shaoh my days. A number never
• 42:52
  Speaker 4: told me nothing.
• 42:53
  Speaker 3: I cry. I cry, I like mysell in a room.
• 42:58
  Speaker 3: I cry, but I know it wi you, That's what
• 43:01
  Speaker 3: it is. So look at how well I remember your question.
• 43:05
  Speaker 1: Thank you for sharing that chart. What a special memory.
• 43:08
  Speaker 1: You're just such a legend. I am such a big
• 43:10
  Speaker 1: fan of you. And again, if you're in La September seventh,
• 43:13
  Speaker 1: you gotta go see her at the Catalina Club with
• 43:15
  Speaker 1: the Salsol Orchestra. A night of music and I had
• 43:19
  Speaker 1: a fine Charles, the most talented person who's ever walked
• 43:21
  Speaker 1: the earth.
• 43:21
  Speaker 3: You're the best, which as yet for the best.
• 43:24
  Speaker 4: It takes a lot of passion, it takes a lot
• 43:28
  Speaker 4: of energy, it takes a belief in yourself, and it
• 43:31
  Speaker 4: takes When I talk with the grand only.
• 43:36
  Speaker 3: Resting Bill Montana.
• 43:39
  Speaker 4: Got the guy to tell your son is beautiful.
• 43:42
  Speaker 3: But it isn't tea your son. I'll need a soul,
• 43:48
  Speaker 3: and he said, and I want to put her in
• 43:50
  Speaker 3: the the are in the ocean, or Philadelphia, the river,
• 43:55
  Speaker 3: whatever is there. He had control and he gave me
• 43:58
  Speaker 3: the opportunity. So my last same message to everybody.
• 44:05
  Speaker 4: You have to be lucky that the people that can
• 44:07
  Speaker 4: find you for you trust you, and the people really
• 44:13
  Speaker 4: like you. Bego Norman Brogo also like me and allow
• 44:17
  Speaker 4: me to recall only one name, and Big Montana allowed
• 44:20
  Speaker 4: me to change his concept into a by language Spangly.
• 44:25
  Speaker 4: So with that kind of love, if you are lucky
• 44:29
  Speaker 4: one I which are the best everybody? The door is
• 44:31
  Speaker 4: open for any generation.
• 44:34
  Speaker 3: Thank you again. And it's a big honor for me
• 44:36
  Speaker 3: because it's no ego. But you know way, don't you
• 44:42
  Speaker 3: see me? They also that I'm going to walk like
• 44:44
  Speaker 3: a slow camera. I didn't my way wait.
• 44:50
  Speaker 4: Thank you for the opportunity to talk about the real
• 44:53
  Speaker 4: thing of this event.
• 44:56
  Speaker 1: Thank you so much. I have a great rest of
• 44:57
  Speaker 1: your day and I'll see you soon. Okay, but.
• 45:09
  Speaker 2: Dotty, everybody don't forget.
• 45:31
  Speaker 1: Follow us on Instagram at I Am all In podcast
• 45:35
  Speaker 1: and email us at Gilmore at iHeartRadio dot com,