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Down & Dirty With ISHAN From DIRT CITY · HEAVY Music Interviews

• 0:28
  Hey guys, this is Thish. I'm from Dirt City. We're gonna EP
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  up today. I hope you enjoy it. I'd rock hat chat beautiful,
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  this shad. Thanks for joining us today. Thanks Matte, I appreciate it.
• 0:38
  Thanks for having me. Oh so dirt City have today, or at
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  least your degree self tit on EP may So, how would the nerves you
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  would have been a bit bit agy going into it? Yeah, that's it
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  because this this this EP has been around for a little while now, pre
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  COVID, even coupy years before then started riding the rifts and started getting all
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  the vocals down, and pre production was during COVID, So we've been seeing
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  on it for ages and just wondering what everyone's going to think of it and
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  how we're gonna release it and how it's all going to go because we've lived
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  with these songs for a long time now and just excited to have it up
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  there and started to play very soon and really get the city happening. So
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  it's it's very exciting with the benefit of hindside braid on, do you think
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  it's it's actually advantageous having that extra time, And yeah, I think it's
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  very like you sit there and go fuck up, maybe I should do this
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  different, or maybe I should do that, or you put it to bed
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  and not let it worry. Yet. It's one of those things, isn't
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  it, Like when is the work actually gone? So we kind of we
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  knew, we knew there would be a bit of a way and we yeah,
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  well it was all. We've pretty much had the Masters for probably a
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  year and a half now and with that time. Oh it's a good either
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  side, I think, because you do hear it and you're thinking, oh,
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  it's spent a bit more time there. But the whole idea behind the
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  city was to keep things raw and human and unprocessed as possible, and so
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  I think with getting it all done in that short amount of time, getting
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  it and then wading around it also adds to that vibe as well, I
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  think, because we could have spent so much time like oh maybe we should
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  redo this part, do this differently, organize some other topic, sound over
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  here. But it's all about that in the spur of the moment where musicians
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  we play hard rock, we just make it happen, no need to overthink
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  it, just get in there and do it. And that's kind of how
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  we approached the band, and I think that's how we've got to look at
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  it going forward as well. It's been a long time, but that is
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  us, that's how we sound, and yeah, happy for it too.
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  Speaking about the sound, brol can go into the EP a little bit deeper
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  for us musically or what do you've gone forward it? Yeah? Sure.
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  So over the years I've been playing a lot of medical bands, gem bands,
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  that sort of thing, and these days I've kind of got over that.
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  Sounds all very tight prosts, quantized compt backs. It takes sound really
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  to me anymore, doesn't sound like a really good time was playing or singing
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  that sort of thing, and I kind of want to rail against with the
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  city. And so what I did was put away all those high game apps
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  and I took a pluzz pedal instead, and with a fluzz pedal, new
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  rifts started to come out, sloppier riffs, but more real, more authentic,
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  I think, more raw as well. And so that's been the whole
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  idea behind Cities. Get away from the process for robotic sounds and try and
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  get into a real human sound where you can hear the player playing, you
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  can hear a mistake here and there. You can hear a bit of speeding
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  up slowing down, but you're not hearing auto correction. You're hearing musicians doing
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  what they do. And so that's where the real seed of this project came
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  from and speaks as I got more of the guys involved with the band,
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  they really love the idea of just playing and just enjoying those mistakes, enjoying
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  the human nature of it, and yeah, just being like a real band
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  and kind the way I try and try really. For example, if you
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  listen to led Zeppelin and you quantize them and you comp them, that's not
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  led Zeppelin anymore. And so that's a sort of vibe we're trying to go
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  for here with the whole attitude of let's just play it raw and vibe,
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  just see how it goes. Previously releases singles Squelch and Death in the Desert.
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  So that's what people have been listening to from the band. Is that
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  a good sonish representation of what do we expect from the ev I would say
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  so, because to me, to my ears, Squelch and Death in the
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  Desert are a bit different. Squelch is more on the industrial side, very
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  filter like a bit of nineteen shaws going on there definitely Desert that's more on
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  your hard rock, alt metal, alt rocks type vibe, and that those
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  two are earliest essence of what we do. I think the industrial synth,
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  dirty edge, but also just rickage straight through and through. But both of
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  them do have the powerful vocal, the big catchy chorus. That's all what
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  we're about as well. So fur's the question. Yeah, if you like
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  Birth those songs, you're going to really like the EP. There. There's
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  a few surprises there too. We've got to cover in there. We've got
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  a few variations on themes. We've got a lot more world music happening as
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  a testament. Desert has a bit of cittis and tablets and that sort of
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  thing. So there's a couple of other songs they take on a few more
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  formanco elements, more hard rock elements, more prov metal elements as well.
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  So I think those two encapsulate out of the of the EP. So if
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  you like, you're gonna like as as a new band broil like those two
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  songs. They are basically your resumated the world to sort of lot people.
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  This is their introduction, man, like, what did you choose those two
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  to represent the band. Yeah, it's a hard thing, you know.
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  Once you finish at EP, you've got we've got six songs there and we
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  have to pick, all right, which one's gonna which one's going to be
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  our first single? How are we going to do this? And I think,
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  just going back to your previous question, it is all about what really
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  represents us as the band, and to me, that industrial tinge but also
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  the big heavy riff is where we're at. So which songs meld them the
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  best? And we felt squel should that that really introduced our industrial vibe,
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  really stamped us doing that because to me, not many bands are doing the
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  industrial rock or metal thing anymore. And I think that gives a good unique
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  start. And then with Death in the Desert, again a unique start with
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  the citars and tablers and the Middle Eastern flavor, but also melded in with
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  the big riffs. I think those two really do tell the story of Dirt
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  City, and I think that's why we chose them. End of the day,
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  it really represented us. Well, you mentioned the Middle Eastern mysticism that's
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  with the music. That's that's a pretty strong feature throughout. But it's blended
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  in such a subtle way that it's not it's not distinct differences. Music actually
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  comes together really well. But where did that come from? Yeah? Yeah,
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  so I would say it goes back to my heritage, I think,
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  because I'm she Luncan by a heritage, and so I've heard stars and tableaus
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  and a lot sort of thing my whole life. And usually people would say
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  sitars is a happy instrument, but to me, I find something really dark
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  and sinister about both the sitar and Middle East and instrumentation and scales, and
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  I really throughout my life they're trying to incorporate those notes and those sounds because
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  because there's something dark in there, and I really want to explore where that
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  could go. And with a lot of the riffs, even with the big
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  heavyry, it's not even the lead lines, there's a few of those scales
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  involved. But yeah too, be honest. We also got a percussionist,
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  a session percussionist then Luke Robinson. We brought in a lot of Middle East
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  and percussion as well, which to really give this not just exotic teams,
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  but yeah, that it brings some sinister nature to it, I found,
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  and it really melted well with the western rock that we do, these Eastern
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  oriental flavors to really create that sort of uneasiness I feel, and yeah,
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  really want to push that, but not yeah, as you said, not
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  in your face, this subtle texture throughout just to give you a bit of
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  uneasiness. So if you use session musicians to get the main part of that
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  on the recording, mate, like, how you're going to replicate that sound
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  live? Yeah, that's an interesting thing because we walked out of that studio
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  session, all the studio sessions that since going everywhere there's lots of guitars,
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  percussion, we were scratching our health heads, going what the hell are we
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  going to do? And so what we're gonna up doing is we brought on
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  another guitarist, Luke, another Luke, and he's one of those guys that
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  knows his kid, knows how to operate his equipment live and to give him
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  a challenge, you'll do it with a smile on his face. And so
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  I said to him, listening to all these tracks, these produced tracks,
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  what could you do? And we had a rehearsal with him and he came
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  along again with a smile on his face. He's playing riffs at the same
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  time he's playing as since then he's doing some percussion top of them. So
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  even though are using digital things involve in a set, it's alive. We
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  all have to all no backings in there because that's the essence of what we're
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  trying to do as well. We could have done it all a bunch of
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  backing tracks, but we felt, let's see what we can do here,
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  how can we pull this off? And yep, I'm pretty pleased without how
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  that will happened, going like from the day we left the studio to how
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  I feel now. It's a complete change. I too that much. That's
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  man. Well, they're on the other subject of live shows made. I'm
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  sure you've got a few planned to promote DP. Yeah. So next week
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  on Thursday twenty four, we are doing our launch show at the Duke of
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  Enmore and we're supported there by the rock Guys pain Job and a really great
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  grunt of Bad Hawker and so that's hopefully going to be a great night.
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  And after that we've we're planning a bit of original touring as well with Walker
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  and so I get up to New South World original towns and see how we
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  get over there, and then for twenty twenty four. Yep, we'll on
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  again, see what we can do from many good brother all right, may
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  well, thanks very much for your time. That I issue has been a
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  pleasure of your self. Titled A thing is out now and any lovers of
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  hard rock with a bit of a twist, mate, I suggest he's getting
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  amongst because she's a fucking fella. What happened is your where you want to
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  come round to me? Where did go? Right? Just like you know
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  where? Not to time? Calling your web's life and see come just like
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  no time? What's the one day at this time since ever you're playing back
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  to see? See loround my grand I'm getting what did you do to U?
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  Do it now? It will be fun? Which bays want you something?
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  So you have to take it? Can like time? What the one
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  she said? This time? Who can't see till I'm turning back and see
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  see come to me? I don't brave. I'm getting chase here without last
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  everything see which no one take it? Like your time? What what the
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  things at this time? When listed in life back saying sail when