Latest / Frightmares / Ep. 364 - Army Of The Dead (2021)

Transcript

Ep. 364 - Army Of The Dead (2021) · Frightmares

• 0:00
  Speaker 1: The following podcast will contain spoilers, tangents, hot takes, and
• 0:05
  Speaker 1: excessive foul language. Viewer discretion is advised enjoy the show.
• 0:48
  Speaker 2: Welcome back to Frightmar's podcast. I'm your host Austin Proctor,
• 0:52
  Speaker 2: and joining me today for episode three sixty four is
• 0:54
  Speaker 2: my good friend Spencer Lafferman.
• 0:58
  Speaker 1: Woo, Hello Woo.
• 1:00
  Speaker 2: Today, on another installment of Zambrewery Attack, we're discussing our
• 1:04
  Speaker 2: modern pick Army of the Dead from twenty twenty one,
• 1:07
  Speaker 2: where the stakes have never been higher as people are
• 1:09
  Speaker 2: literally gambling with their lives. Throw that in there. It
• 1:17
  Speaker 2: was supposed to be a dumpch but I guess I
• 1:20
  Speaker 2: should have kept that in there. Let's see where this
• 1:23
  Speaker 2: lands in the nightmare index. So what have we been watching, Spencer?
• 1:32
  Speaker 2: Anything of value? Anything stand out? Hit me with it?
• 1:38
  Speaker 1: Uh? I mean, I've I've rewatched the Last Voyage of
• 1:43
  Speaker 1: the Demeter lately.
• 1:44
  Speaker 2: I always I always say the last? What do I say?
• 1:47
  Speaker 2: The void? The last? The voyage of the Last Meter?
• 1:49
  Speaker 2: That's what I mean. What's words are in there?
• 1:52
  Speaker 1: There's like I rewatched that I did. I watched I
• 1:55
  Speaker 1: watched a limited series on Netflix called The Beasted. Me
• 1:58
  Speaker 1: with the Cleary Danes which and uh Matthew Reese or
• 2:03
  Speaker 1: Rice are R Why? Yes? Very good?
• 2:07
  Speaker 2: Uh?
• 2:08
  Speaker 1: Good? Like a crime crime living series?
• 2:11
  Speaker 2: Nice? Okay, anything else.
• 2:15
  Speaker 1: Nothing like I mean, have you watched some some animated
• 2:18
  Speaker 1: Batman movies?
• 2:19
  Speaker 2: You've been to the movies like so so much?
• 2:22
  Speaker 1: Oh yeah, duh? Like come on, man, I was blaking.
• 2:25
  Speaker 2: Oh go to your letter box? Come on, what is
• 2:30
  Speaker 2: what are you doing?
• 2:31
  Speaker 1: I'm trying to not like kill time, I mean like
• 2:34
  Speaker 1: make it longer whatever. I don't know anymore.
• 2:38
  Speaker 2: Look at your letter boys? What have what have you been? Like?
• 2:40
  Speaker 2: I got mine pulled up. I've got so much ship
• 2:42
  Speaker 2: to talk about, all the things and all the stuff.
• 2:46
  Speaker 1: Oh I watched uh the new Jason Stathan movie Shelter.
• 2:49
  Speaker 2: Another one is he Jason stathaming all over the place
• 2:53
  Speaker 2: like he normally does duck.
• 2:56
  Speaker 1: But this was more so so my uh yeah, he
• 2:59
  Speaker 1: like every January he pops out like one. There's always
• 3:02
  Speaker 1: like that that random action film that like you hear
• 3:04
  Speaker 1: of like a few days beforehand. Yeah, and then January
• 3:07
  Speaker 1: is like, oh it's here. But what I like? So
• 3:11
  Speaker 1: this was more like just an action drama okay, So
• 3:14
  Speaker 1: like not that he's an Academy Wording Actor, but it
• 3:16
  Speaker 1: gives him time to it gives him room to actually
• 3:21
  Speaker 1: like kick ass, but also gives a little bit of
• 3:23
  Speaker 1: dramatic acting. And I think that's where he shines the best. Like,
• 3:27
  Speaker 1: don't get me wrong, I'm a stucker for his movies regardless,
• 3:30
  Speaker 1: but I think, yeah, his best genre is action drama,
• 3:34
  Speaker 1: like when there's a little bit of that.
• 3:35
  Speaker 2: To it, see the soft side of right.
• 3:38
  Speaker 1: Of course, you know, I've also seen said Help, which
• 3:40
  Speaker 1: was fantastic.
• 3:42
  Speaker 2: One what I see last week?
• 3:44
  Speaker 1: Oh I saw Dracula the Luke like Luke.
• 3:50
  Speaker 2: Shit guy in real life. But yeah, the movie was fantastic.
• 3:54
  Speaker 1: Yeah, I And honestly I didn't even know Dannielleman scored
• 3:57
  Speaker 1: it until after it was over. I was like, what
• 3:59
  Speaker 1: the f Yeah so cool.
• 4:01
  Speaker 2: Yeah it makes sense.
• 4:02
  Speaker 1: Yeah, think about.
• 4:03
  Speaker 2: It, It makes total sense. Yeah, I really liked it.
• 4:07
  Speaker 2: It's very divided, but it's it's a clear, maybe not
• 4:13
  Speaker 2: full adaptation of Bromstrokers Dracula full but it pulled some beats,
• 4:18
  Speaker 2: especially just not even from the book, but also from
• 4:20
  Speaker 2: Coppola from ninety two.
• 4:21
  Speaker 1: Right, there was a lot of there was a lot
• 4:23
  Speaker 1: of like if if I you know, side by side,
• 4:25
  Speaker 1: there's a lot of similarities.
• 4:27
  Speaker 2: Yeah, I liked that Dracula's hair was less boob shaped.
• 4:30
  Speaker 2: That made me happy because in Coppola's it just looks
• 4:33
  Speaker 2: like a pair of boobs on his head. That is
• 4:36
  Speaker 2: one of the horniest movies I watched him when I
• 4:41
  Speaker 2: watched Transformers Revenge of the Fallen the other day, and
• 4:44
  Speaker 2: I had I literally my one of my reviews was
• 4:46
  Speaker 2: gonna be this is hornier than Bromstroker's Dracula. But I
• 4:50
  Speaker 2: wanted to specify.
• 4:51
  Speaker 1: I mean, but could you blame that movie for being.
• 4:54
  Speaker 2: I don't remember that movie being so horny.
• 4:58
  Speaker 1: That's when we were awoken to Omega Fox all the
• 5:00
  Speaker 1: first Transformers, but the second one just got even more.
• 5:03
  Speaker 2: I mean, yeah, the way she's painting on she's painting
• 5:05
  Speaker 2: on a motor like.
• 5:06
  Speaker 1: You know motorcycle scene.
• 5:07
  Speaker 2: Yeah, when she's airbrushing on the motorcycle. I was like,
• 5:10
  Speaker 2: she doesn't need to stand like that. I mean, I'm
• 5:13
  Speaker 2: not complaining, but.
• 5:14
  Speaker 1: That's probably just all Michael Bay.
• 5:15
  Speaker 2: Yeah, fucking I mean, Michael.
• 5:17
  Speaker 1: Bay had her at sixteen dancing sexually and bad boys
• 5:20
  Speaker 1: to the table in the club.
• 5:22
  Speaker 2: So not great. So I know, well, We've got a
• 5:27
  Speaker 2: movie that we watched together that we will talk about.
• 5:29
  Speaker 2: But I've seen a bunch since last week, so I
• 5:32
  Speaker 2: am going through the Transformers movies. I don't even know
• 5:34
  Speaker 2: what spurred it. I just saw it and was like,
• 5:36
  Speaker 2: you know what, it's been a minute since I've watched
• 5:39
  Speaker 2: have you seen them all? I've seen like the first three.
• 5:42
  Speaker 1: After that, that's all you need to see. Oh yeah,
• 5:44
  Speaker 1: except except for bubble Bee's really good. Yeah, and honestly
• 5:47
  Speaker 1: Rise of the Beast, which is pretty good. Yeah, and there's.
• 5:50
  Speaker 2: An Andranformers one that was.
• 5:52
  Speaker 1: Actually surprisingly good. But uh, in the Michael Bay like
• 5:56
  Speaker 1: six movies Saga after three, they actually suck worse and worse.
• 6:01
  Speaker 2: Yeah, well, at least at the end of the day
• 6:02
  Speaker 2: it is giant robots fighting. And I realized from watching
• 6:06
  Speaker 2: these that we really peaked as a society with CGI
• 6:10
  Speaker 2: around this time. I was looking at this like, how
• 6:14
  Speaker 2: like it looked really good? Looks really good. So we're
• 6:16
  Speaker 2: going through those. I also watched a few screeners from
• 6:20
  Speaker 2: Pixel scene they sent over Cold Storage, which was a
• 6:23
  Speaker 2: lot of fun. Joe Joe Carrey, Georgina Campbell, Liam Neeson's
• 6:30
  Speaker 2: so just some fuck awful CG though, oh my god,
• 6:35
  Speaker 2: so other than that, it was a lot of fun.
• 6:36
  Speaker 2: Though Georgina Campbell and Joe Keery together were fantastic. I
• 6:40
  Speaker 2: really love them, and of course Liam Neeson is Liam
• 6:42
  Speaker 2: Neeson great as always. Then I watched The Mortuary Assistant,
• 6:48
  Speaker 2: which is based off of based off of a video game.
• 6:52
  Speaker 2: I didn't know it was a video game until I
• 6:54
  Speaker 2: saw the trailer, and it was like based on the game,
• 6:57
  Speaker 2: wasn't It was good, but it was a weird mix
• 7:02
  Speaker 2: of like really good practical effects and some wonky CG. Also,
• 7:06
  Speaker 2: the rules that they established in the movie or were
• 7:09
  Speaker 2: a little confusing, could have used some breathing room. I
• 7:13
  Speaker 2: also have never played the game.
• 7:14
  Speaker 1: I was gonna say, do you think that you're if
• 7:16
  Speaker 1: you had any knowledge of the game progress.
• 7:18
  Speaker 2: I think this is one of those instances where playing
• 7:21
  Speaker 2: the game isn't necessary, Like, isn't necessarily pivotal to enjoy.
• 7:25
  Speaker 1: The movie subjects.
• 7:27
  Speaker 2: Yeah, yeah, it was. It was kind of yeah, but
• 7:30
  Speaker 2: I mean it was. It gave it a three out
• 7:31
  Speaker 2: of five, like it was a good movie. It just
• 7:34
  Speaker 2: felt like it could have been a little bit better.
• 7:36
  Speaker 2: Then of course we oh, and then I watched another
• 7:38
  Speaker 2: screener for Fox's Sake Diabolic, which was brilliant, so fucking
• 7:43
  Speaker 2: good that one comes out like March twenty seventh, I think,
• 7:46
  Speaker 2: or something religious horror, religious culty horror right up my alley.
• 7:51
  Speaker 2: Gave that one a four and a half and then
• 7:53
  Speaker 2: we watched The Strangers Chapter three because we just want
• 7:59
  Speaker 2: to watch the world.
• 8:00
  Speaker 1: Bird just hate ourselves that much.
• 8:02
  Speaker 2: I've never looked forward to hate watching a movie more
• 8:05
  Speaker 2: in my life. Like true, It's true. After the first one,
• 8:09
  Speaker 2: you and I said, all right, we're gonna go see
• 8:11
  Speaker 2: chapter because it's got to be better, and.
• 8:13
  Speaker 1: It was second act is the worst.
• 8:16
  Speaker 2: And then, of course I'm not gonna break a tradition,
• 8:19
  Speaker 2: we had to go see chapter three because really it
• 8:22
  Speaker 2: couldn't get worse. I mean I gave the first one
• 8:24
  Speaker 2: one and a half, the second one of one. There's
• 8:27
  Speaker 2: no way it's a half star movie. And I mean
• 8:29
  Speaker 2: it was the you know, the best of the bunch,
• 8:30
  Speaker 2: but I only gave it two stars, So it's best
• 8:34
  Speaker 2: in terms of better than one and two, but still
• 8:37
  Speaker 2: a bad movie.
• 8:37
  Speaker 1: I gave the first one a star and a half,
• 8:39
  Speaker 1: the second one a half star. I gave two stars.
• 8:43
  Speaker 2: There were so many times people were just staring at
• 8:46
  Speaker 2: each other, not saying anything.
• 8:48
  Speaker 1: They made awkward silence awkward. Yeah, and like like was
• 8:52
  Speaker 1: it like like I feel like in my head, I'm like,
• 8:56
  Speaker 1: we still don't know established if, Like so that the
• 9:00
  Speaker 1: main actress, Madeline pet So So I know we're from
• 9:04
  Speaker 1: the show Rivervale, which is a very bad actors show
• 9:07
  Speaker 1: anyways because it's on the CW.
• 9:08
  Speaker 2: But that's besides the point.
• 9:10
  Speaker 1: So like I still don't know if she's a good
• 9:12
  Speaker 1: actress because I know, like the dead Pool come in
• 9:16
  Speaker 1: and be like, no more speaking lines for you.
• 9:17
  Speaker 2: Also, yeah, I don't know she didn't speak at all.
• 9:21
  Speaker 1: Yeah, I don't even necessarily I wouldn't even. I mean,
• 9:25
  Speaker 1: she is in the definition of final girl, a final girl,
• 9:28
  Speaker 1: but like do we really want to put her in
• 9:30
  Speaker 1: that category? I don't know. I don't want to because
• 9:34
  Speaker 1: I'm gonna go down. I'm gonna say right now and
• 9:36
  Speaker 1: I'm gonna die on that hill. Worst trilogy in any genre.
• 9:40
  Speaker 2: Ever, in any genre, any genre?
• 9:43
  Speaker 1: Wow?
• 9:44
  Speaker 2: Yeah, I mean it's bad.
• 9:46
  Speaker 1: I mean, I like I even thought about that before
• 9:49
  Speaker 1: before before thinks would like in any genre, there's no
• 9:52
  Speaker 1: worst trilogy.
• 9:53
  Speaker 2: It's bad. Yeah, And I need them to.
• 9:56
  Speaker 1: Say, I think, and I think when we gave it
• 9:57
  Speaker 1: two stars, I think that was just being generous.
• 10:00
  Speaker 2: Well it's because I was like, yeah, it's bad, but
• 10:02
  Speaker 2: I wasn't.
• 10:03
  Speaker 1: So I was not bored. Like the second one literally
• 10:06
  Speaker 1: could have just been forty five minutes of a movie
• 10:08
  Speaker 1: called It to Day.
• 10:09
  Speaker 2: It was exactly like those part one and two movies
• 10:11
  Speaker 2: where you know you have part one, like Hunger Games
• 10:14
  Speaker 2: Part one and two. It like definitely Hollows. Part one
• 10:17
  Speaker 2: really just felt like filler until we get to part two.
• 10:20
  Speaker 2: Mocking j Part one really just felt like it. It's
• 10:23
  Speaker 2: like that that's what they did with this. The chapter
• 10:25
  Speaker 2: two was like all filler, no killer. You know what
• 10:27
  Speaker 2: I'm saying, right.
• 10:29
  Speaker 1: But the difference between those movies and this one is
• 10:32
  Speaker 1: they actually had material for those movies to get two parts,
• 10:35
  Speaker 1: where this was literally this literally was if you think
• 10:38
  Speaker 1: about it, The Strangers Chapter two was literally like just
• 10:42
  Speaker 1: two parts. One part running away in the hospital, yeah,
• 10:46
  Speaker 1: second part escaping the car crowd.
• 10:48
  Speaker 2: I'll tell you what I'm gonna do. At some point
• 10:50
  Speaker 2: in my life between now and my inevitable death, I
• 10:53
  Speaker 2: am going to make a super cut of all three
• 10:55
  Speaker 2: of them. Because if you cut out all if you
• 10:56
  Speaker 2: cut out all of the silence.
• 10:58
  Speaker 1: So it's funny you did said that, that's already been done.
• 11:01
  Speaker 2: It's already been done.
• 11:02
  Speaker 1: It's been done into a four hour super custis see.
• 11:05
  Speaker 2: No, No, that's not what I'm saying. I'm gonna cut this
• 11:07
  Speaker 2: down into a two hour movie, like taking out all
• 11:10
  Speaker 2: of the silences, all of the backstory, all that shit.
• 11:14
  Speaker 1: No, the backstory was very undissand.
• 11:15
  Speaker 2: All that shit. I guarantee you I can get three
• 11:17
  Speaker 2: movies down to two hours and then and then maybe
• 11:20
  Speaker 2: maybe there'll be some good in there. Also, take out
• 11:22
  Speaker 2: any of the parts where the killer is not in
• 11:24
  Speaker 2: the mask. That pissed me off. And then he took
• 11:27
  Speaker 2: the Oh well, I don't really want to spoil that,
• 11:28
  Speaker 2: but you do see the killer outside of the mask,
• 11:30
  Speaker 2: even though it's never you know, they never say it
• 11:33
  Speaker 2: to him until.
• 11:34
  Speaker 1: It's blatantly obvious, like from the killing.
• 11:36
  Speaker 2: Is just so fucking like, why why are we hinting
• 11:39
  Speaker 2: at this guy being the killer?
• 11:40
  Speaker 1: Like we know it's so a like, I know what
• 11:43
  Speaker 1: they were trying to do, but they're writing it sucks
• 11:46
  Speaker 1: so bad. It didn't matter.
• 11:48
  Speaker 2: Every single line of dialogue goes like what.
• 11:51
  Speaker 1: Is it like? Like uh like without fullest born it
• 11:55
  Speaker 1: Like I get, like, you know, if I were a
• 11:57
  Speaker 1: killer and I was trying to intimidate my prey like that,
• 12:00
  Speaker 1: I would probably do that because because sure, if I'm
• 12:03
  Speaker 1: wearing a mask, you don't know who's under the mask.
• 12:06
  Speaker 1: But but I get what they are trying to do.
• 12:09
  Speaker 1: And then the I you know, ironically at the in
• 12:14
  Speaker 1: the third one when they had at the discussion in
• 12:16
  Speaker 1: the church with the bullet bourbon and but but they
• 12:20
  Speaker 1: they but they like it was a metaphor for an
• 12:22
  Speaker 1: actual bullet. I was like when I was like, oh,
• 12:24
  Speaker 1: good job, like whatever, see that coming. I did enjoy
• 12:27
  Speaker 1: that conversation if it was but it needed to be
• 12:30
  Speaker 1: written smarter. Yeah, like that conversation written. That conversation was
• 12:36
  Speaker 1: actually very like very it was very intimidating. It was
• 12:40
  Speaker 1: very impactful and intimidating if it was written right, Like,
• 12:43
  Speaker 1: use the same dialogue you used, but get better actors
• 12:47
  Speaker 1: to execute it.
• 12:48
  Speaker 2: Get it, get some get some emoting.
• 12:50
  Speaker 1: Because the dude that was doing it. The only other
• 12:53
  Speaker 1: thing I've seen him in is a Netflix Netflix series,
• 12:55
  Speaker 1: which I do like the Netflix series, but his acting
• 12:57
  Speaker 1: is atrocious. It's not very good delivery.
• 13:02
  Speaker 2: And then I did see Iron Lung the market Plier movie.
• 13:07
  Speaker 2: Again I think I need to play the game. But
• 13:09
  Speaker 2: it was all in one location, a very tiny location,
• 13:13
  Speaker 2: and he managed to fill two hours without me feeling
• 13:15
  Speaker 2: bored at all.
• 13:16
  Speaker 1: I was just interesting because I've heard the complete opposite.
• 13:19
  Speaker 1: I've heard everybody was bored.
• 13:20
  Speaker 2: See people that don't like slowburns are going to be bored.
• 13:24
  Speaker 1: Well, I heard people that played the even though the
• 13:26
  Speaker 1: game of the subject were bored.
• 13:28
  Speaker 2: Then maybe that's maybe maybe I'm you know, just like
• 13:31
  Speaker 2: Five Nights of Freddy. As we said this last time.
• 13:32
  Speaker 2: I didn't play the game, and I loved the movie,
• 13:35
  Speaker 2: but I really liked it. It's a good slow burn,
• 13:37
  Speaker 2: a lot of ambiguity, which sometimes I don't like, but
• 13:40
  Speaker 2: in this case it just made sense. Uh. Gave it
• 13:42
  Speaker 2: four stars. And then for my cult movie challenge this week,
• 13:46
  Speaker 2: it is Killer Animal week. I watched a movie called
• 13:49
  Speaker 2: Venom and it is literally about a snake getting loose,
• 13:53
  Speaker 2: but it's so much more than that. Listen to this description.
• 13:56
  Speaker 2: International terrorist attempt to kidnap a wealthy couple's child. All
• 14:00
  Speaker 2: their plan comes unstuck However, when a deadly black mamba
• 14:04
  Speaker 2: sent by a mistake instead of a harmless snake, escapes
• 14:07
  Speaker 2: and terrorizes both them and their hostages. Fucking so much fun. Uh.
• 14:12
  Speaker 2: Klaus Clint klaus Kinski is in this, and he's a
• 14:16
  Speaker 2: pretty well known actor. Kind of a dick in real life,
• 14:20
  Speaker 2: but it plays a really good bad guy. He's also yeah,
• 14:24
  Speaker 2: he was in a movie I saw previously, The Creature
• 14:27
  Speaker 2: with the Blue Hand. Good stuff. Gave it to three
• 14:29
  Speaker 2: and a half. That's all I have. I mean there's
• 14:32
  Speaker 2: other stuff in between. I watch entirely too many movies,
• 14:34
  Speaker 2: but other than that, I think that's all I have.
• 14:39
  Speaker 2: I'm trying to think if there's anything coming out. I mean,
• 14:43
  Speaker 2: everything that's coming out i've somehow seen because of these screeners,
• 14:47
  Speaker 2: I haven't seen the still I still don't know if
• 14:50
  Speaker 2: I want to go to theaters to watch it. It's
• 14:52
  Speaker 2: like I don't know. It's like I just don't want
• 14:56
  Speaker 2: to support them for what they did to listen to Barrera.
• 14:58
  Speaker 2: But I also it's like I don't get many chances
• 15:00
  Speaker 2: to see Scream in theaters, right, So.
• 15:04
  Speaker 1: I'm the same way. But then it's all imax. And
• 15:06
  Speaker 1: I also already saw.
• 15:07
  Speaker 2: Isn't It wasn't a film for IMAX.
• 15:08
  Speaker 1: Now I don't think so it's just going to be
• 15:10
  Speaker 1: an IMAX. But I also read that it's on track,
• 15:12
  Speaker 1: like it's already breaking records from a previous scream, so
• 15:14
  Speaker 1: apparently no one else really gives a shit about the
• 15:16
  Speaker 1: whole paramount.
• 15:17
  Speaker 2: And it's like, it's also if I don't go see it,
• 15:19
  Speaker 2: then the killer is gonna get spoiled for me too.
• 15:21
  Speaker 1: Right, And it might. And I'm honestly like, I'm more
• 15:25
  Speaker 1: curious because Kevin Williamson, who wrote.
• 15:27
  Speaker 2: The first two, yeah, he's.
• 15:29
  Speaker 1: Directing this one, so I'm like, okay, yeah, faith, and
• 15:34
  Speaker 1: it could just be the last one. So like it's
• 15:35
  Speaker 1: more like just let's just get over over with.
• 15:37
  Speaker 2: Yeah, let's just suppos to be done.
• 15:39
  Speaker 1: I know a lot of people that are super excited
• 15:40
  Speaker 1: for it, but I also know a lot of people
• 15:42
  Speaker 1: that are on the other side of that.
• 15:43
  Speaker 2: Oh, I'm excited for it. I'm on both sides. I
• 15:45
  Speaker 2: just don't like what happened, But I'm on.
• 15:47
  Speaker 1: Both sides because I like movies, and like, this is
• 15:50
  Speaker 1: the seventh ones and I've seen them all at this point.
• 15:52
  Speaker 1: So yeah, it's more like might as well see the
• 15:54
  Speaker 1: last one. Yeah, ideally, but also I am really annoyed
• 15:58
  Speaker 1: with Paramount for what they did with Melissa Burrow.
• 16:01
  Speaker 2: Yeah.
• 16:01
  Speaker 1: However, also if they did continue the Melissa Brero story
• 16:08
  Speaker 1: with her, I do know how it was going to go,
• 16:10
  Speaker 1: and I'm not a fan of how it was going
• 16:12
  Speaker 1: to go, So maybe this might be the better option,
• 16:15
  Speaker 1: fair because sket Olerich kind of ruined was what was
• 16:18
  Speaker 1: going to happen because he was obviously been a part
• 16:20
  Speaker 1: of it.
• 16:20
  Speaker 2: Oh yeah, true, and I read that.
• 16:21
  Speaker 1: I'm like, you know what, I'm not okay with that.
• 16:24
  Speaker 2: And the way they ended the way they ended six
• 16:26
  Speaker 2: with them walking away from the I.
• 16:27
  Speaker 1: Think, honestly, like that would have been the perfect end
• 16:29
  Speaker 1: for that story. Anyways. Yeah, and we still have Sydney,
• 16:32
  Speaker 1: so we got to end her story as well.
• 16:33
  Speaker 2: So they're all getting old and they're all, yeah, we
• 16:37
  Speaker 2: put it to an end. I love the franchise she does,
• 16:40
  Speaker 2: all right, So with that being said, let's go to
• 16:43
  Speaker 2: the body count. Yeah, you haven't heard all these new
• 16:48
  Speaker 2: sound effects, so much fun, it's all new to me.
• 16:52
  Speaker 2: This is Army of the Dead from twenty twenty one,
• 16:54
  Speaker 2: released on May twenty first of that year in the
• 16:57
  Speaker 2: US rated R for strong, bloody, violet and goren language throughout,
• 17:02
  Speaker 2: some sexual content and brief nudity slash graphic nudity.
• 17:06
  Speaker 1: I don't know why they did this. Say brief craft
• 17:08
  Speaker 1: nudity easier.
• 17:10
  Speaker 2: There's mild and miles sex and nudity, severe violence and gore,
• 17:13
  Speaker 2: severe profanity, mild alcohol, drugs and smoking, and severe fighting
• 17:16
  Speaker 2: and atten scenes coming in at two hours and twenty
• 17:19
  Speaker 2: eight minutes. Don't get whiplash with all of the genres
• 17:23
  Speaker 2: this list because it is an action adventure, crime, drama, horror,
• 17:28
  Speaker 2: sci fi thriller. War that is so many.
• 17:32
  Speaker 1: Wars a stretch.
• 17:33
  Speaker 2: War's a stretch.
• 17:34
  Speaker 1: I understand where it's coming from with war, but that's
• 17:36
  Speaker 1: a fucking stretch.
• 17:37
  Speaker 2: So War Within Ourselves directed by Zack Snyder. He directed
• 17:41
  Speaker 2: Don of the Dead, three hundred, Man of Steel. You
• 17:42
  Speaker 2: should know his name. It's also written by Zack Snyder.
• 17:45
  Speaker 2: He wrote three hundred, Justice League and Army of Thieves,
• 17:49
  Speaker 2: also written by Shay Hatton who wrote John Wick Chapter
• 17:52
  Speaker 2: three and four, Army of Thieves and Day Shift and
• 17:55
  Speaker 2: then we have Joby Harold. He also wrote Obi Wan
• 17:58
  Speaker 2: Kenobi Transformers, Rise, Rise of the Beast in the Flash
• 18:02
  Speaker 2: composed by Tom Holkinborg, who composed Mad Max, Fury Road, Deadpool,
• 18:08
  Speaker 2: and Sonic the Hedgehog one through three. Cinematography by Zack Snyder,
• 18:13
  Speaker 2: which is interesting because he's only done the cinematography for
• 18:15
  Speaker 2: two other things. The Rebel Moon Part one and two.
• 18:19
  Speaker 2: Edited by Dottie Dorn This Legend here. She, by the way,
• 18:24
  Speaker 2: also edited Terminator two, Judgment Day, the Director's Cut, Memento,
• 18:29
  Speaker 2: and End of Watch. Interesting stuff. Great cast. Dave Patissa
• 18:33
  Speaker 2: is starring in This is Scott Ward. Everyone should know
• 18:36
  Speaker 2: him as Drags from the MCU. We've got Ala Pernell
• 18:39
  Speaker 2: as Kate Ward, who most recently has been in the
• 18:42
  Speaker 2: Fallout series as Lucy McLain. Omari Hardwick as vanderh I
• 18:47
  Speaker 2: don't fucking vander Rohe whatever, however you say his name.
• 18:50
  Speaker 2: He was in Kick Ass as Sergeant Marcus Williams, Anna
• 18:53
  Speaker 2: de la Guera as Maria Cruz. She was in Nacho
• 18:56
  Speaker 2: Libre as Sister Incarnacione and Theo Rossi as Burt. He
• 19:00
  Speaker 2: was in ninety episodes of Sons of Anarchy as Juan
• 19:03
  Speaker 2: Carlos Ortiz. Estimated budget of seventy million dollars there's not
• 19:08
  Speaker 2: gonna be a worldwide box office gross because it was
• 19:11
  Speaker 2: a Netflix movie. This movie was filmed in Atlantic City,
• 19:14
  Speaker 2: New Jersey, Albuquerque, New Mexico, and of course Las Vegas, Nevada.
• 19:19
  Speaker 2: You can watch this on Netflix, says that is where
• 19:21
  Speaker 2: it is ideally always going to be streaming movies that
• 19:24
  Speaker 2: came out around the same time. We have Mortal Kombat,
• 19:27
  Speaker 2: Wrath of Man, Spiral from the Book of Saw, Quiet Place,
• 19:32
  Speaker 2: Part two, The Conjuring three because I'm not reading that
• 19:35
  Speaker 2: whole name in the Heights, Peter Rabbit two, and the
• 19:38
  Speaker 2: most ugly name for a movie that Hitman's wife's bodyguard
• 19:43
  Speaker 2: I Tubanie Sisiss IMDb summary. Following a zombie outbreak in
• 19:48
  Speaker 2: Las Vegas, a group of mercenaries take the ultimate gamble,
• 19:51
  Speaker 2: venturing into the quarantine zone to pull off the greatest
• 19:53
  Speaker 2: heiss ever attempted. Let's go to the autops overall, thought Spencer,
• 20:01
  Speaker 2: what do we have for Army of the Dead? I
• 20:03
  Speaker 2: liked it every time? Fucking God damn it.
• 20:06
  Speaker 1: No, I mean I really enjoyed it. However, before we
• 20:10
  Speaker 1: get into everything, I do want to give a little
• 20:12
  Speaker 1: PSA about this movie.
• 20:14
  Speaker 2: Oh okay, So, first.
• 20:16
  Speaker 1: Funny tidbit. This is the second movie in a week
• 20:19
  Speaker 1: that I've seen where RoadHead has killed people.
• 20:22
  Speaker 2: Oh well, it was the first one.
• 20:23
  Speaker 1: It's a dark comedy called Splitsville. Oh okay, Yeah, like
• 20:27
  Speaker 1: I saw that. Uh you know, I should have said
• 20:29
  Speaker 1: it earlier, and I just forgot about it.
• 20:30
  Speaker 2: Yeah, I have that. I got that one. I'll have
• 20:33
  Speaker 2: to check it out.
• 20:34
  Speaker 1: I watched them Hulu.
• 20:35
  Speaker 2: But yeah, there you go.
• 20:36
  Speaker 1: It's hilarious.
• 20:37
  Speaker 2: I've heard it's good.
• 20:38
  Speaker 1: It's absolute larious. But yeah, so stay safe out there
• 20:42
  Speaker 1: and practice safe RoadHead.
• 20:43
  Speaker 2: Yeah yeah, don't do it at night or if you've
• 20:45
  Speaker 2: been drinking, probably like these people were in Vegas.
• 20:48
  Speaker 1: Right, But uh no, but I really enjoyed it. I mean,
• 20:50
  Speaker 1: I'm a I'm a fan of Zack Snyder, my fan
• 20:51
  Speaker 1: of zombies. So like, you know, you put two and
• 20:53
  Speaker 1: two together.
• 20:54
  Speaker 2: It's a perfect mix, right.
• 20:57
  Speaker 1: I do have to watch what we'll get into, but
• 20:58
  Speaker 1: I do have to There is one I wasn't a
• 21:01
  Speaker 1: huge fan of about the.
• 21:01
  Speaker 2: Oh we'll get there, Yeah we will. My overall thoughts
• 21:04
  Speaker 2: are I do genuinely feel this is an incredible, sorry,
• 21:08
  Speaker 2: incredibly unique take on the sub genre, which is flooded
• 21:11
  Speaker 2: with content. It has incredible production value. As you heard
• 21:14
  Speaker 2: these seventy million dollar budget, solid gore, and extremely steady
• 21:18
  Speaker 2: pacing for a two and a half hour movie.
• 21:20
  Speaker 1: Oh yeah, it goes by fast.
• 21:21
  Speaker 2: It did not feel like two and a half goddamn
• 21:23
  Speaker 2: hours did. I paused it to do something, and I
• 21:27
  Speaker 2: was like an it was halfway through. Literally, it was
• 21:29
  Speaker 2: like an hour and fourteen in and an hour and
• 21:31
  Speaker 2: fourteen left, and I thought, wow, that was that was
• 21:34
  Speaker 2: very quick. I love the setup for this movie though,
• 21:38
  Speaker 2: because it's not your typical zombie setup. It's like waking
• 21:42
  Speaker 2: up in a hospital or you know, virus spreads, RoadHead
• 21:46
  Speaker 2: is happening. You know, you got an army convoy going
• 21:49
  Speaker 2: one way carrying this mystery item, a RoadHead couple going
• 21:53
  Speaker 2: the other way. Boom, crash, explosion, and that that couple
• 21:58
  Speaker 2: absolutely deceased. Oh yeah, they did not make it. And
• 22:02
  Speaker 2: the mystery item yeah, I mean maybe right as he exploded.
• 22:08
  Speaker 1: The explosion, yeah, I mean that's the way to go.
• 22:11
  Speaker 2: That's the way to go. So yeah, it turns out
• 22:15
  Speaker 2: the mystery item that the government was hauling was just
• 22:18
  Speaker 2: just a whole ass zombie. And I have a theory
• 22:21
  Speaker 2: about all of this whole ass zombie, not just some
• 22:24
  Speaker 2: contagion that spread, just a fucking zombie. And I love
• 22:28
  Speaker 2: I love the people over the you know the radio.
• 22:31
  Speaker 2: We're like, just get out of there. Go. You don't
• 22:33
  Speaker 2: want us to try and contain this. I mean, I
• 22:35
  Speaker 2: get it, it's not just a zombie that that thing
• 22:38
  Speaker 2: was lurching at everyone, but you don't want us to
• 22:40
  Speaker 2: make we got it like tanks ish I think they
• 22:42
  Speaker 2: had a tank. I don't know they've got explosives. I
• 22:44
  Speaker 2: just they're like, get out of there, just go. Okay,
• 22:46
  Speaker 2: fuck it, We're not gonna try and stop this. That
• 22:48
  Speaker 2: was hilarious, But I understand why because big zombie. And
• 22:53
  Speaker 2: I loved the zombie. Like the shot of the zombie
• 22:57
  Speaker 2: walking up to the Vegas skyline where the other two
• 23:00
  Speaker 2: Army soldiers like came up behind him, I was like, cinema,
• 23:04
  Speaker 2: fucking cinema. I don't know what people's beef with Zack
• 23:07
  Speaker 2: Snyder is. I don't under I don't get it. What's
• 23:10
  Speaker 2: the issue people have because there's a lot of.
• 23:13
  Speaker 1: His oversaturation for CGI, but it looks good. I'm not
• 23:18
  Speaker 1: saying all of his movies. I'm just saying some of
• 23:20
  Speaker 1: them like like, like, have you seen Rebel Rebel Moon
• 23:23
  Speaker 1: one and two? No?
• 23:24
  Speaker 2: I never saw those.
• 23:25
  Speaker 1: Well, then this discussion does not make sense. Okay, but
• 23:28
  Speaker 1: those movies are garbage. Okay, those unfortunately are garbage. And
• 23:32
  Speaker 1: I still haven't seen the directors cut A Part two
• 23:34
  Speaker 1: because I'm dreading it. But I've seen I've seen them both,
• 23:37
  Speaker 1: and I've seen the directors cut A Part one. And
• 23:40
  Speaker 1: even though once pg thirteen and the one's real art
• 23:42
  Speaker 1: and extended, it doesn't make it better.
• 23:44
  Speaker 2: Well, I don't know, but I'm a fan of his
• 23:47
  Speaker 2: watch even before Rebel Moon and stuff. People just always
• 23:50
  Speaker 2: like to hate on Zack Snyder. It's like people just
• 23:54
  Speaker 2: love to hate on him, and I don't understand why
• 23:56
  Speaker 2: this movie. Yes, there's a lot of CG I understand that,
• 23:59
  Speaker 2: but to me, it doesn't look bad. I mean, the
• 24:02
  Speaker 2: zombie Tiger is a little wonky, but that's understandable. Everything
• 24:06
  Speaker 2: else though.
• 24:06
  Speaker 1: Yeah, I don't know the zombie Tiger and a little
• 24:10
  Speaker 1: bit of the of taking to Taro, which is understandable
• 24:14
  Speaker 1: because given the circumstances, she was literally all inserts. Yeah,
• 24:16
  Speaker 1: there's what a really rough scene with her in it
• 24:19
  Speaker 1: that you could one hundred percent tell she was not
• 24:20
  Speaker 1: a part of that which one when they're all in
• 24:23
  Speaker 1: the the hangar getting there, Uh yeah, briefing, Like every
• 24:27
  Speaker 1: time it goes to her, everything but her is blurry. Yeah,
• 24:30
  Speaker 1: Like I know this is an insert, but like this
• 24:33
  Speaker 1: looks horrible where the other ones actually look legit.
• 24:35
  Speaker 2: Yeah, outside of the stuff like that, I think the
• 24:38
  Speaker 2: thing of the CGI that wass look fine, But you know,
• 24:41
  Speaker 2: her inserts do look the roughest. I understand that.
• 24:45
  Speaker 1: But I mean that's where actually where the budget even went.
• 24:47
  Speaker 1: It was actually a smaller budget.
• 24:48
  Speaker 2: It's like the researots cost a lot.
• 24:50
  Speaker 1: Research, research and her and that. So like, honestly, this
• 24:53
  Speaker 1: is probably even a closer to like maybe like a
• 24:56
  Speaker 1: twenty five million dollar actual movie.
• 24:58
  Speaker 2: Let's just go ahead and get this trivia out of
• 24:59
  Speaker 2: the way then, because yeah, de Batista never actually met Tignataro,
• 25:05
  Speaker 2: even though in the finish film they appear alongside each other.
• 25:08
  Speaker 2: Nataro was digitally inserted, and that is because after after
• 25:13
  Speaker 2: comedian Crystal Leo was accused by multiple women of predatory
• 25:16
  Speaker 2: sexual behavior, Netflix replaced his character with comedian Tignataro. While
• 25:21
  Speaker 2: the decision is generally considered to be the right one
• 25:23
  Speaker 2: by others in the film industry. It cost a company
• 25:26
  Speaker 2: millions to stage preshoots with na Taro and digitally add
• 25:29
  Speaker 2: her character in the film. But you know what, good
• 25:31
  Speaker 2: for Netflix for not that.
• 25:34
  Speaker 1: And they actually also did that because of COVID and that, yeah,
• 25:40
  Speaker 1: because she is also a cancer survivor, since they wanted
• 25:42
  Speaker 1: to protect her at all costs.
• 25:43
  Speaker 2: So you know what, Netflix might be just destroying cinema
• 25:46
  Speaker 2: as we know, but good for them for I mean,
• 25:50
  Speaker 2: all of Kristallia's ship was done and they're like, nah,
• 25:52
  Speaker 2: fuck you, we're replacing you. So good for them. But yeah,
• 25:57
  Speaker 2: you can tell in some scenes, but all that, I mean.
• 26:02
  Speaker 1: Even even though the zombie tiger was rough, which I mean,
• 26:05
  Speaker 1: it's hard to replicate it.
• 26:06
  Speaker 2: It's hard to do that, but I still thought it
• 26:08
  Speaker 2: was cool. I still thought it was like.
• 26:09
  Speaker 1: Like the one big like the one big scene with
• 26:12
  Speaker 1: the zombie tiger at the end with it with the guy,
• 26:14
  Speaker 1: like I thought was very cool scene, Like, oh.
• 26:16
  Speaker 2: That was that was the best because they they show
• 26:18
  Speaker 2: you that the love and they said it was one
• 26:20
  Speaker 2: of Sigfried and Roy's that was great.
• 26:22
  Speaker 1: It's funnier because I'm like, yeah, that's crazy tiger.
• 26:25
  Speaker 2: Yeah, and now it's zombie. But they give you that
• 26:30
  Speaker 2: zombie tiger as soon as they go into Las Vegas,
• 26:33
  Speaker 2: and then you don't get the you don't get the
• 26:36
  Speaker 2: payoff until thirty minutes left. I really thought, because I've
• 26:39
  Speaker 2: only seen this one time and I loved it, but
• 26:41
  Speaker 2: I didn't really remember much, I was like, are we
• 26:43
  Speaker 2: not going to get a tiger kill? And then Martin
• 26:45
  Speaker 2: I was.
• 26:45
  Speaker 1: Like that, yes, say it's the most satisfactory.
• 26:48
  Speaker 2: It's the most satisfactory tiger killed, not only because you
• 26:51
  Speaker 2: actually get it, but it's because it's with the character
• 26:54
  Speaker 2: that is the biggest pile of shit. Yes in this movie.
• 26:57
  Speaker 2: Oh my god, it was so good. But killer title
• 27:01
  Speaker 2: sequence though, kind of going back to the beginning there
• 27:03
  Speaker 2: with how the zombies are spreading through Las Vegas.
• 27:06
  Speaker 1: Oh yeah, I like like that was that was really
• 27:08
  Speaker 1: well because it gave us a little bit backstory with
• 27:11
  Speaker 1: some characters without like drowning it out.
• 27:13
  Speaker 2: Yeah, it's showed you how the infections spread. You've got
• 27:16
  Speaker 2: Viva Las Vegas playing in the background, You've got these
• 27:19
  Speaker 2: pink title car It's it was so good. I love
• 27:23
  Speaker 2: that opening sequence. And what's really cool about this movie
• 27:26
  Speaker 2: is it's not a world infested with zombies. It's very
• 27:28
  Speaker 2: much like twenty eight Days Later where they contained it
• 27:31
  Speaker 2: to the UK. They contained this somehow. They don't really
• 27:35
  Speaker 2: explain how, but they kind of do in the title sequence.
• 27:37
  Speaker 2: But they were able to quarantine Vegas off. So that's
• 27:40
  Speaker 2: what the zombies are just there. Life is going on
• 27:43
  Speaker 2: like normal everywhere else.
• 27:44
  Speaker 1: The kind of they kind of did that in the
• 27:46
  Speaker 1: movie Doomsday as well, like they kind of contained it
• 27:48
  Speaker 1: in a certain area because they built like a wall.
• 27:50
  Speaker 2: Yeah.
• 27:51
  Speaker 1: So so I like when movies do that because you know,
• 27:54
  Speaker 1: most zombie movies, like the trope is, yeah, zombies are
• 27:57
  Speaker 1: taken over the world, but like when they're like, nope,
• 27:59
  Speaker 1: we have a good to this one general area until
• 28:01
  Speaker 1: we figure out what to do with it.
• 28:03
  Speaker 2: It makes just it just makes for a much more
• 28:05
  Speaker 2: interesting plot. I think so too, because it's even though
• 28:08
  Speaker 2: it is called Army of the Dead and it's what
• 28:10
  Speaker 2: it's about, it's so much more about the heist. Honestly,
• 28:13
  Speaker 2: it's about them getting in and getting that money. The
• 28:15
  Speaker 2: zombies are background noise for most of the movie until
• 28:18
  Speaker 2: the Alpha Queen gets beheaded and then Alpha King's like
• 28:21
  Speaker 2: uh uh, I'm coming after you guys. Right.
• 28:24
  Speaker 1: Also, I feel like, like the the the Army of
• 28:28
  Speaker 1: the Dead, Like it's a like a double meaning. So obviously,
• 28:31
  Speaker 1: well you know obviously the zombies dead, but also army
• 28:34
  Speaker 1: meaning you know, Batista and his like his his rag
• 28:37
  Speaker 1: tag team considered that army. So it's it's kind of
• 28:40
  Speaker 1: like a double meaning.
• 28:41
  Speaker 2: Yeah, we'll play on words there, yeah, I like, but yeah,
• 28:44
  Speaker 2: I mean the focus of this movie is Scott Ward
• 28:47
  Speaker 2: and uh, he gets this offer from a guy named
• 28:50
  Speaker 2: Tanaka to go into the city and retrieve his money
• 28:53
  Speaker 2: from under the strip, and he'll give him fifty million
• 28:56
  Speaker 2: dollars to split however he wants. This is what I
• 28:58
  Speaker 2: fucking love because you get this montage of him meeting everybody.
• 29:02
  Speaker 2: You've got Maria Vanderhoe, uh, Peters, which is the pilot,
• 29:08
  Speaker 2: the Mikey, Gusman Deeter, the State, the safecracker, and then
• 29:13
  Speaker 2: Gusmand brings along I think two people, but then one
• 29:15
  Speaker 2: backs out because he's like, oh, I didn't know we
• 29:17
  Speaker 2: were fighting zombies. But it's hilarious because Scott, Maria and
• 29:22
  Speaker 2: vander O they're gonna take fifteen million apiece. Marianna the
• 29:24
  Speaker 2: pilot Peter. She gets two million, Mikey gets five hundred k,
• 29:28
  Speaker 2: and Deeter's only getting two fifty. Jesus guys, yep. I
• 29:33
  Speaker 2: really thought I really thought that was gonna come up
• 29:36
  Speaker 2: at some point where everyone found out what each other
• 29:39
  Speaker 2: was making and demand more. I thought that was going
• 29:42
  Speaker 2: to cause a rift between the group. Never comes up.
• 29:45
  Speaker 1: I wonder if that was ever like on the table,
• 29:47
  Speaker 1: like yeah, writing, because I mean it's usually it's usually
• 29:52
  Speaker 1: a thing, especially when it comes to like especially once
• 29:55
  Speaker 1: they see how much money is actually there, right, What's
• 29:58
  Speaker 1: like once you open the vault, You're like, I hear
• 30:00
  Speaker 1: how much money I'm getting, but I see so much more?
• 30:03
  Speaker 1: So what the fuck?
• 30:04
  Speaker 2: Yeah, well, they they probably just assume most of it
• 30:07
  Speaker 2: was going to Tanaka. But I really thought that was
• 30:09
  Speaker 2: gonna cause a rift between the group and be the
• 30:11
  Speaker 2: central uh kind of obstacle that they had to overcome.
• 30:15
  Speaker 2: But it's much more, much more complicated that and.
• 30:18
  Speaker 1: They actually did something that normally doesn't happen between Bautista
• 30:24
  Speaker 1: and Uh, which one the Spanish chick I forgot hername
• 30:27
  Speaker 1: of Maria. Yeah, Like there's there's a there's a quick
• 30:31
  Speaker 1: emotional scene between them after they opened the vault where
• 30:33
  Speaker 1: she's like, I didn't do this for the money, You're
• 30:36
  Speaker 1: an idiot. I did it for you. And then right
• 30:38
  Speaker 1: there you know what's gonna happen. You're like, fuck one
• 30:41
  Speaker 1: one of two things are gonna happen in one of
• 30:43
  Speaker 1: those two things do happen?
• 30:44
  Speaker 2: Yeah?
• 30:44
  Speaker 1: Out the gate like, oh ship.
• 30:46
  Speaker 2: Yeah it was. It wasn't just a death. She got
• 30:48
  Speaker 2: hurt and she whole spun around her Casper style. When
• 30:53
  Speaker 2: that guy walks into the house, it comes out like whoa,
• 30:56
  Speaker 2: all right, yeah, I mean fucking everybody dies in this
• 30:59
  Speaker 2: goddamn movie.
• 31:00
  Speaker 1: Everybody exacts zombie style.
• 31:03
  Speaker 2: I forgot that everyone died.
• 31:05
  Speaker 1: Uh.
• 31:06
  Speaker 2: But so yeah, you meet all the people, of course,
• 31:08
  Speaker 2: you know, then they then they go in there. But
• 31:10
  Speaker 2: I really love the the scene where Tanaka is telling
• 31:14
  Speaker 2: them how to do the mission and it comes complete
• 31:17
  Speaker 2: with visual storytelling, which I loved, and then Deter in
• 31:20
  Speaker 2: the middle is like wait wait wait wait wait wait,
• 31:22
  Speaker 2: and then he interrupts the the fake stuff that we're seeing.
• 31:25
  Speaker 2: I love that thought. That was so much fun. But
• 31:27
  Speaker 2: it's just funny because he's like it should be he
• 31:28
  Speaker 2: should be in and out. I don't think it's gonna
• 31:30
  Speaker 2: be that simple. It's not, and it wasn't. It was
• 31:33
  Speaker 2: very much more complicated. It's never that simple. And when
• 31:37
  Speaker 2: Tanaka was like, oh, I'm gonna have one of my guys,
• 31:39
  Speaker 2: Martin go with you, I was like, suspicious, I don't
• 31:42
  Speaker 2: like this right off the bat and uh yeah, of
• 31:45
  Speaker 2: course my suspicion was k K. It came true because well,
• 31:49
  Speaker 2: and it started out small, right, you know, it started
• 31:53
  Speaker 2: very small because he that glowstick scene in particular is
• 31:58
  Speaker 2: the one I'm talking about where Batista's leading the way
• 32:02
  Speaker 2: Scott with these glow sticks because the zombies are kind
• 32:06
  Speaker 2: of hibernating. Yeah, and then Martin throws one the other way,
• 32:09
  Speaker 2: and that chick, you know, she fought hard. I thought
• 32:12
  Speaker 2: she was gonna live.
• 32:13
  Speaker 1: She did well.
• 32:14
  Speaker 2: I thought you She comes busting out the window.
• 32:16
  Speaker 1: On her death was badass though.
• 32:18
  Speaker 2: Yeah, oh yeah, her death was great, like getting shut Yeah.
• 32:21
  Speaker 1: Really happy that they utilized the gas cans because that
• 32:24
  Speaker 1: whole time, because the moment they put on the gas cans,
• 32:26
  Speaker 1: I'm like, if I don't get a gas can explosion
• 32:28
  Speaker 1: at any time in this movie, I'm gonna be upset. Yeah,
• 32:30
  Speaker 1: And we got the coolest one, the coolest one emotionally,
• 32:33
  Speaker 1: but the coolest one.
• 32:35
  Speaker 2: Yeah, it was. It was an emotional gut punch because
• 32:37
  Speaker 2: you're like, oh shit, you know, because Martin locks her,
• 32:39
  Speaker 2: he bars the door, and then she still finds a
• 32:42
  Speaker 2: way out and smashes to the window like Jason. You're like, yeah, yeah,
• 32:46
  Speaker 2: Jason before his style and then still doesn't make it.
• 32:49
  Speaker 2: But then uh, Guzman or whatever his name is, Guz,
• 32:53
  Speaker 2: he shoots the canister on her back, and that see
• 32:56
  Speaker 2: how they did it too is great because it goes
• 32:58
  Speaker 2: in there and it takes a second and huge explosion.
• 33:02
  Speaker 1: Cool.
• 33:02
  Speaker 2: So it starts small like that. But then of course
• 33:05
  Speaker 2: when we meet Lily's character, and I didn't really understand
• 33:09
  Speaker 2: exactly what was going on with Kate and Lily. It's
• 33:12
  Speaker 2: a quarantine zone around Vegas, but they didn't really make
• 33:16
  Speaker 2: it clear what exactly they were doing, like taking care
• 33:21
  Speaker 2: of possibly sick people. Were they coming like.
• 33:24
  Speaker 1: Like a refuge So so Lily is a coyote, yeah,
• 33:27
  Speaker 1: but like so she was taking care of I guess refugees.
• 33:30
  Speaker 2: Okay, they didn't they didn't really go into exactly what
• 33:34
  Speaker 2: there wasn't.
• 33:35
  Speaker 1: There wasn't a lot of side character development, yeah, which
• 33:38
  Speaker 1: I mean also you know for two and a half
• 33:41
  Speaker 1: hour movie. I mean, I guess you could have, but
• 33:45
  Speaker 1: also like I don't think it like mattered necessarily, which.
• 33:49
  Speaker 2: I just wanted to know it because you know, she's
• 33:51
  Speaker 2: a k and I know it a coyote.
• 33:52
  Speaker 1: Is she's a coyote. And the estion that that, uh.
• 33:56
  Speaker 2: She was taking them through Vegas.
• 33:58
  Speaker 1: For what and that and that's part of my uh
• 34:02
  Speaker 1: gripe with this moview.
• 34:03
  Speaker 2: Go ahead, then you want to.
• 34:05
  Speaker 1: So in all honesty, the whole Kate like side quest story, Yeah,
• 34:10
  Speaker 1: pissed me off. I was like, this was unnecessary. I
• 34:12
  Speaker 1: don't think it was. Sorry to pissed off is the
• 34:14
  Speaker 1: wrong word. I don't think it was necessary to be
• 34:17
  Speaker 1: in the movie because like, like the whole like they'll
• 34:20
  Speaker 1: get me wrong, like Lily, Lily was a badass. She
• 34:22
  Speaker 1: was cool to be in there, but uh, she could
• 34:26
  Speaker 1: have just been something else, like like she she knew
• 34:29
  Speaker 1: her way shirt because she's like coyote. But I didn't
• 34:31
  Speaker 1: think the whole you let your friends, like the whole
• 34:34
  Speaker 1: friends going in there just seemed very unnecessary and extra
• 34:37
  Speaker 1: run time for no reason.
• 34:39
  Speaker 2: Well that's why I'm wondering she's I know, she's a coyotes,
• 34:41
  Speaker 2: which is usually someone you pay to get freedom, But
• 34:43
  Speaker 2: why was she taking them through Las Vegas? Like you
• 34:46
  Speaker 2: had to go through there to go to the desert.
• 34:50
  Speaker 1: So I could be wrong, because I could be wrong
• 34:54
  Speaker 1: because this is also my second time seeing I saw
• 34:56
  Speaker 1: it around the same time you did for the first time,
• 34:58
  Speaker 1: so it's.
• 34:58
  Speaker 2: Been what four years, yeah, years, something like that.
• 35:01
  Speaker 1: But uh, I think Kate's friend was going to look
• 35:04
  Speaker 1: for her friend, and the only way to get through
• 35:06
  Speaker 1: there in Vegas was through with the coyote because at
• 35:11
  Speaker 1: the end, at the end, when they when and never
• 35:13
  Speaker 1: really like catch up with with with Kate's friend, there
• 35:16
  Speaker 1: are more than just her, there multiple people. So that's
• 35:20
  Speaker 1: what that was. But and that's why, and that's why
• 35:22
  Speaker 1: Kate was all mad. And don't get me wrong, like
• 35:25
  Speaker 1: that happens. I just think that was a side quest
• 35:27
  Speaker 1: story that that wasn't necessary, like because it had nothing
• 35:31
  Speaker 1: to do with the plot in any way, shape or form.
• 35:34
  Speaker 1: I mean, sure that was the way to get Kate
• 35:36
  Speaker 1: to go with them, but I mean, in all honesty,
• 35:39
  Speaker 1: you could have thought of so many different ways. Because
• 35:42
  Speaker 1: Kate is the daughter of Scott Bautista, so like you
• 35:46
  Speaker 1: could have played something there to where she was. You know. Yeah,
• 35:49
  Speaker 1: they're strange, but somehow she still loved them and didn't
• 35:51
  Speaker 1: want to lose and if something happened to him, she
• 35:53
  Speaker 1: wanted to be there, So like they could have played.
• 35:56
  Speaker 1: There are some writing choices that could have been tweaked
• 35:58
  Speaker 1: differently that I would have preferred. Yeah, but it did
• 36:03
  Speaker 1: not keep me from a join the cut of the movie.
• 36:05
  Speaker 2: We got yeah because really the only time yeah, because
• 36:09
  Speaker 2: that's towards the end when they're scoping out that ladder
• 36:13
  Speaker 2: and she says it's all clear when she closes it,
• 36:16
  Speaker 2: but she leaves a little gap there because she knows
• 36:17
  Speaker 2: she's gonna go check on her friend. Yeah. I wasn't
• 36:19
  Speaker 2: huge on that because it seems like a massive risk,
• 36:23
  Speaker 2: but I understand her reasoning is because that you know,
• 36:26
  Speaker 2: I don't remember her name. Geta had two kids and
• 36:30
  Speaker 2: now those kids don't have a mother, So like I
• 36:32
  Speaker 2: get her drive. It's the motherly instinct that all women have,
• 36:35
  Speaker 2: even if you're not a mom. Right, Just so I
• 36:37
  Speaker 2: get it. But yeah, it did.
• 36:39
  Speaker 1: I dotely understand. It just felt out of place for
• 36:42
  Speaker 1: that movie, and.
• 36:43
  Speaker 2: It felt out of Yeah, I did. It was especially
• 36:46
  Speaker 2: trying to go in there. But she's what ninety pounds
• 36:48
  Speaker 2: soaking wet, Like, dude, if you run into any zombies,
• 36:51
  Speaker 2: it's gonna be bad. But she does make it out well.
• 36:53
  Speaker 1: Like I said, don't get me wrong, the runtime did
• 36:54
  Speaker 1: not feel I did not feel the two half hours
• 36:56
  Speaker 1: so like. It's not like it ruined the movie for me, right,
• 36:59
  Speaker 1: but it would have also cut it down to like
• 37:00
  Speaker 1: an hour and forty eight, maybe an hour and fifty,
• 37:02
  Speaker 1: which I would have been finding it like if that
• 37:04
  Speaker 1: subplot was out of the way, I still would have
• 37:06
  Speaker 1: liked the movie just the same. Honestly, I might have
• 37:09
  Speaker 1: liked it a little bit more. That's because there are
• 37:12
  Speaker 1: also certain decisions that were made that maybe certain people
• 37:15
  Speaker 1: died that didn't have to die.
• 37:17
  Speaker 2: Everybody dies, oh my god.
• 37:18
  Speaker 1: Yeah, but not everybody had to.
• 37:20
  Speaker 2: I'll never I'll never recover from Deter sacrificing himself for
• 37:26
  Speaker 2: vander ho.
• 37:28
  Speaker 1: That's also very interesting that you say, because we don't
• 37:32
  Speaker 1: ever see him after that.
• 37:33
  Speaker 2: I know will.
• 37:34
  Speaker 1: Yeah. Also, he's in Army of Thieves, the sequel.
• 37:37
  Speaker 2: It's a prequel.
• 37:38
  Speaker 1: It is a prequel, You're right. Never mind, I'll just
• 37:41
  Speaker 1: go fuck myself. It's fine. I know here, folks, you.
• 37:45
  Speaker 2: Know, I see him die, but yeah, you know the.
• 37:48
  Speaker 1: Rule of horror if you don't see him die.
• 37:49
  Speaker 2: They did they yeah, but the only really surviving person
• 37:53
  Speaker 2: is Kate. And then well and does Gita survive? Oh
• 37:58
  Speaker 2: my god, I don't even. I don't even. Kate is
• 38:00
  Speaker 2: the only one that gets out of She's the only one. Yeah,
• 38:03
  Speaker 2: I think Kate's the only one. They didn't get the money.
• 38:05
  Speaker 2: Fun fact, they they got except for like the wad
• 38:08
  Speaker 2: that a little bit, she got a little you know,
• 38:11
  Speaker 2: Scott did grabble a load of cash that.
• 38:14
  Speaker 1: Yeah. But honestly, I almost feel like if it wasn't
• 38:17
  Speaker 1: for that Kate's side quest, maybe at least at least
• 38:21
  Speaker 1: those two, at least father daughter, maybe like maybe everybody
• 38:24
  Speaker 1: that got in the helicopter could have.
• 38:26
  Speaker 2: I mean, technically he you know, Scott did make it out.
• 38:28
  Speaker 2: He just got bit in the in the process. That's
• 38:30
  Speaker 2: one of those tropes, huh.
• 38:33
  Speaker 1: And then he got shot, so he didn't live.
• 38:35
  Speaker 2: Well, I'm saying he he did make it outside, he briefly.
• 38:38
  Speaker 2: I just that's one of the tropes that I always hate.
• 38:41
  Speaker 2: You know, it's like, oh, you you made it. Oh no,
• 38:43
  Speaker 2: I got beat.
• 38:43
  Speaker 1: It's not.
• 38:44
  Speaker 2: That's like the one trope this movie leans into real hard,
• 38:47
  Speaker 2: especially with uh vander Hill.
• 38:50
  Speaker 1: Yeah.
• 38:51
  Speaker 2: God, that was such a great ending though. It was.
• 38:53
  Speaker 2: I loved that ending. It was because you're like, oh,
• 38:56
  Speaker 2: he made it out cool, he's got a whole lot
• 38:58
  Speaker 2: of cash, he's.
• 38:59
  Speaker 1: Got it private jets on there.
• 39:02
  Speaker 2: And then he got I wonder though, what took him? Well, okay,
• 39:06
  Speaker 2: this is a whole conversation.
• 39:07
  Speaker 1: Well that's another thing because.
• 39:09
  Speaker 2: A lot of the people that turned but still turned
• 39:12
  Speaker 2: like that, well after after he died, because he died
• 39:16
  Speaker 2: and then he came back.
• 39:17
  Speaker 1: I'm still like the time frame that we saw him
• 39:19
  Speaker 1: become a zombie and then the time frame that.
• 39:22
  Speaker 2: Van didn't die though he only got bit, right, But so.
• 39:27
  Speaker 1: Maybe maybe once you get bit you have to die first.
• 39:29
  Speaker 2: I guess, Well, I think it's I think if you
• 39:31
  Speaker 2: just get bit and you live, it takes a lot.
• 39:33
  Speaker 2: Obviously it takes more time. But if you get bit
• 39:35
  Speaker 2: and you die, then you come back immediately, you know.
• 39:37
  Speaker 1: It also was a very interesting uh that you don't
• 39:40
  Speaker 1: see in zombie films that I thought was interesting was
• 39:43
  Speaker 1: the mild zombie baby plot. Oh yeah, that was interesting.
• 39:48
  Speaker 2: I love that I did too.
• 39:49
  Speaker 1: That's what I'm saying, Like, you don't see that, and
• 39:51
  Speaker 1: I'm like, that was that was.
• 39:52
  Speaker 2: Kind of that's that's that proves that zombies be fucking right.
• 39:55
  Speaker 1: And it was.
• 39:56
  Speaker 2: It was.
• 39:58
  Speaker 1: I mean, if you think about it, like they're all
• 40:00
  Speaker 1: before zombies. So all we know she was pregniced beforehand.
• 40:03
  Speaker 1: We don't know how long they've been like specific persons
• 40:04
  Speaker 1: were zombies.
• 40:05
  Speaker 2: Yeah, I think her being.
• 40:07
  Speaker 1: The queen, I'm guessing it was the zombie for a while.
• 40:09
  Speaker 1: But yeah, don't really like, don't give a timeline on that.
• 40:11
  Speaker 2: It's supposed to be six years after. It's six years
• 40:14
  Speaker 2: after they contained it. That's what they said.
• 40:16
  Speaker 1: So so but but that but that, you know, but
• 40:19
  Speaker 1: these abbies were not your typical was obvious because Batista
• 40:21
  Speaker 1: literally got an all like legit like John Wick type
• 40:24
  Speaker 1: fight with a zombie and they were matching each other.
• 40:26
  Speaker 1: Oh yeah, like what the fuck is happening?
• 40:28
  Speaker 2: Like, oh man, I love when Vander was squared up
• 40:31
  Speaker 2: to the Alpha. I was like, this guy is a
• 40:33
  Speaker 2: real one. He he just got thrown against the walls. Yeah, dude,
• 40:37
  Speaker 2: he's squared up. I was like, this man has no
• 40:40
  Speaker 2: fear I love it, and some other tropes that I
• 40:43
  Speaker 2: found that they kind of subverted. I wrote a few
• 40:46
  Speaker 2: down here, obviously steering clear of how most zombie movies began. Uh,
• 40:52
  Speaker 2: the containment of one area, you know, that's not that's
• 40:55
  Speaker 2: that's pretty atypical. Not every zombie is a mindless drone.
• 40:58
  Speaker 2: There's alphas that are capable of some form of thought.
• 41:01
  Speaker 2: I mean that alpha was riding a fucking horse at
• 41:03
  Speaker 2: one point, which seemed very weird because I feel like
• 41:06
  Speaker 2: he could run a lot faster. But whatever he's he's doing.
• 41:09
  Speaker 1: The same alpha. Like with the mold baby plot. Yeah,
• 41:13
  Speaker 1: when you see the the baby, the baby like you,
• 41:17
  Speaker 1: you like, for a brief moment, you see emotion in
• 41:20
  Speaker 1: the zombie, which the trope is they're emotionless.
• 41:23
  Speaker 2: Yeah, because the alphas are capable of much more. And
• 41:26
  Speaker 2: that's something That's another thing I like is the inclusion
• 41:28
  Speaker 2: of the alphas because much like I am Legend, although
• 41:32
  Speaker 2: those are kind of more vampire esque, they have an alpha. Ye,
• 41:37
  Speaker 2: there's a few other movies that kind.
• 41:38
  Speaker 1: Of did its Alpha.
• 41:40
  Speaker 2: Twenty eight Days Later has an alpha, but before this movie,
• 41:44
  Speaker 2: there really wasn't many that did it. You have, like
• 41:48
  Speaker 2: I said, you have I Am Legend, you have Land
• 41:51
  Speaker 2: of the Dead, Big Daddy. He was he was kind
• 41:54
  Speaker 2: of you know, cognitive. And then a couple of apparently
• 41:58
  Speaker 2: there were some alphas z Nation the show the Fetos
• 42:03
  Speaker 2: or the Fitos.
• 42:04
  Speaker 1: I didn't watch.
• 42:05
  Speaker 2: I didn't watch it either, but yeah, like, the the
• 42:06
  Speaker 2: alpha is not something that's really featured all the time,
• 42:09
  Speaker 2: and I love when they include that because it's if
• 42:12
  Speaker 2: it's been six years since this whole thing broke out,
• 42:14
  Speaker 2: it's only natural that they would evolve in some capacity.
• 42:18
  Speaker 1: Right, And also just just like uh, you know, vampirism,
• 42:21
  Speaker 1: like there's always you know, obviously draculas like the alpha considerably,
• 42:25
  Speaker 1: but like, yeah, because he's the one. He's the one
• 42:27
  Speaker 1: that turns everybody. So I feel like, you know, as
• 42:29
  Speaker 1: a like a like in terms of alpha zombie, like
• 42:33
  Speaker 1: once you turn into zombie, that one zombie that starts
• 42:35
  Speaker 1: turning everybody to a zombie should be the alpha or.
• 42:39
  Speaker 2: Or you know, well, and then they also mentioned that, uh,
• 42:41
  Speaker 2: an alpha can make other alphas, but only the alpha
• 42:44
  Speaker 2: can turn.
• 42:45
  Speaker 1: Right like specific bikes, which which you do see later
• 42:47
  Speaker 1: on the ROSSI the scub dude who gets who gets bit? Yeah,
• 42:52
  Speaker 1: like but he gets bit in a specific way.
• 42:54
  Speaker 2: Yep. And there's a whole like the whole ritual thing
• 42:58
  Speaker 2: that they have was so interesting I wanted. I mean,
• 43:01
  Speaker 2: I'm glad they didn't go into it too much because
• 43:02
  Speaker 2: it would have been a three hour movie. But you have,
• 43:04
  Speaker 2: you know, this whole hierarchy with Lily shooting that guzz
• 43:10
  Speaker 2: or the who was the fucking scumbag, the the guy
• 43:13
  Speaker 2: that was like being a piece of ship in quarantine. Yeah,
• 43:17
  Speaker 2: shoots him in the leg and offers him up as
• 43:19
  Speaker 2: some sort of a like a trade because we need
• 43:23
  Speaker 2: to show them that we're subservant to them, and then
• 43:26
  Speaker 2: they'll just leave us alone. That is such a cool
• 43:28
  Speaker 2: plot point. You just do that and then you can
• 43:30
  Speaker 2: go about your business like they don't care that we're
• 43:32
  Speaker 2: in the city. They'll they'll mind their own, We'll mind
• 43:35
  Speaker 2: our own. Like that's so different than normal zombies. I
• 43:38
  Speaker 2: love that center.
• 43:40
  Speaker 1: I bet you he had an over three hour cut.
• 43:42
  Speaker 1: He probably does. Are then where's the Snyder Army of
• 43:46
  Speaker 1: the Dead cut?
• 43:47
  Speaker 2: Right?
• 43:47
  Speaker 1: I mean, we get we get all other we'll get
• 43:49
  Speaker 1: all other Snyder cuts. Where's this where's this one?
• 43:52
  Speaker 2: I mean I would watch three hour cut of this movie.
• 43:53
  Speaker 1: I'm trying to think there's only like two other movies
• 43:56
  Speaker 1: where he didn't do a director's cut three hundred.
• 44:00
  Speaker 2: Oh yeah and maybe not maybe.
• 44:03
  Speaker 1: I can't think of another word.
• 44:05
  Speaker 2: It's just.
• 44:07
  Speaker 1: Like, but like Sucker Punch got an extended to cut.
• 44:10
  Speaker 2: Didn't you do Watchmen as well?
• 44:13
  Speaker 1: Yeah?
• 44:14
  Speaker 2: Yeah, director's cut?
• 44:16
  Speaker 1: Oh yeah, Justice League obviously got a director cuts. Of course,
• 44:21
  Speaker 1: Rebels Moon one and two got director's cuts. So yeah,
• 44:24
  Speaker 1: so most of his movies.
• 44:25
  Speaker 2: Get they probably they spend too much money on this.
• 44:30
  Speaker 1: Honestly, it's compared to what they spent on Rebel.
• 44:32
  Speaker 2: Moon actually, so yeah, the whole Alpha's was I thought
• 44:38
  Speaker 2: that was really cool, Like they give him this offering,
• 44:41
  Speaker 2: now we're friends, we're gonna get some ship and get out.
• 44:45
  Speaker 2: But then the whole scene where they drag him in
• 44:47
  Speaker 2: there and they have this whole process of making him
• 44:50
  Speaker 2: an alpha because they'll keep people there and turn them
• 44:53
  Speaker 2: at specific times. I thought that was interesting. I would
• 44:57
  Speaker 2: have liked more on that, like more explanation, but it's
• 45:00
  Speaker 2: wasn't It wasn't about that. They gave us just enough
• 45:02
  Speaker 2: for it to be interesting. But I do have one question,
• 45:04
  Speaker 2: what the fuck are the zombies eating because it's an
• 45:07
  Speaker 2: entire city of dead things, So what are they eating
• 45:11
  Speaker 2: to stay alive? The random people that come in there,
• 45:14
  Speaker 2: because there's not a lot, there's a whole fucking horde
• 45:18
  Speaker 2: of them in there, So you.
• 45:19
  Speaker 1: Never really actually see them eating.
• 45:22
  Speaker 2: They over, Yeah, you only see them attacking people. That's
• 45:25
  Speaker 2: so what are they eating if?
• 45:28
  Speaker 1: Maybe maybe nothing? Maybe maybe maybe they're it's a it's
• 45:31
  Speaker 1: a new type, like like, I mean, these zombies are
• 45:33
  Speaker 1: not your average zombies. That's I mean, you've got zombies,
• 45:36
  Speaker 1: fucking you got zobis, fucking you got zombies squared out
• 45:40
  Speaker 1: with Dave Batista blow by blow, Like that's not an
• 45:43
  Speaker 1: easy feet you know, you got you have zombies that
• 45:47
  Speaker 1: are that just that just lay there and hybrid eate.
• 45:50
  Speaker 2: Which which was also very much like I Am legend
• 45:53
  Speaker 2: when the vampires were all huddling.
• 45:55
  Speaker 1: So so I think I think, you know, I's like,
• 45:59
  Speaker 1: because you know, any zombie films, there's always like a
• 46:02
  Speaker 1: bro shot of them eating something or somebody. Yeah, but
• 46:06
  Speaker 1: they never really do. They just turn people.
• 46:07
  Speaker 2: Yeah, they're just turning people. So it's interesting.
• 46:10
  Speaker 1: So so I wonder if they just like, uh, they
• 46:13
  Speaker 1: just live off the thrill of the I don't know. Yeah,
• 46:17
  Speaker 1: it is very interesting. I didn't think about that. But
• 46:20
  Speaker 1: then I'm like, these aren't your average zombies, so maybe
• 46:22
  Speaker 1: like the strain of whatever, like contagion, has made them
• 46:26
  Speaker 1: that way, keeps them full.
• 46:31
  Speaker 2: Yeah, it's not something that detracted from the story. It's whatever.
• 46:35
  Speaker 2: I just if.
• 46:36
  Speaker 1: Anything, it makes it even more unique than your typical
• 46:39
  Speaker 1: zombie movie.
• 46:39
  Speaker 2: Yeah, because oh.
• 46:41
  Speaker 1: Sanger also didn't do a director's cut.
• 46:42
  Speaker 2: For Ton of the Dead, just a regular oh yeah,
• 46:44
  Speaker 2: there you go one day. So at about the halfway point,
• 46:48
  Speaker 2: when uh, they realize they're not the first crew that's
• 46:51
  Speaker 2: been in there, they find the blueprint, they find the
• 46:53
  Speaker 2: dead bodies at the vault, and Martin denies any information
• 46:57
  Speaker 2: or knowledge on this. So I'm like, bullshit, I smell
• 46:59
  Speaker 2: bullsh it's you fucking liar. And then it's just so
• 47:04
  Speaker 2: funny because so many, so many more things go wrong
• 47:08
  Speaker 2: throughout this movie, because like I said, that was the
• 47:10
  Speaker 2: halfway point. And then Martin and Lily make some sort
• 47:14
  Speaker 2: of deal where Martin is gonna get a blood vial
• 47:17
  Speaker 2: of the Alpha Queen to take it back for research,
• 47:20
  Speaker 2: but then he just takes her whole fucking head and
• 47:23
  Speaker 2: Lily's like, well, that was a bad idea because they
• 47:25
  Speaker 2: definitely heard her death scream. So now they're gonna come
• 47:28
  Speaker 2: after us. The deal that we had is off, so
• 47:30
  Speaker 2: we're all probably fucked. This wouldn't happen if Martin wasn't
• 47:34
  Speaker 2: such a piece of shit. And then they get the
• 47:36
  Speaker 2: news because they flip the power back on at that
• 47:38
  Speaker 2: the hotel that they're in with the backup gas generators,
• 47:41
  Speaker 2: and oh, the bombing has been moved up a full
• 47:43
  Speaker 2: twenty four hours. It's it's gonna be Vegas is gonna
• 47:46
  Speaker 2: be toast in ninety minutes. Like Jesus Christ. It just
• 47:49
  Speaker 2: keeps getting worse. They haven't even opened the vault yet,
• 47:53
  Speaker 2: and Deetres like, I only need about thirty minutes, and
• 47:56
  Speaker 2: Scott's like, okay, that gives us, you know, like fifty
• 47:59
  Speaker 2: fifth minutes to get up to the roof and get out.
• 48:01
  Speaker 2: I think we'll be good. And then the case and
• 48:04
  Speaker 2: then Kate's like, nope, just kidding, Wait, where's Kate? Has
• 48:07
  Speaker 2: anybody seen Kate? Nope? Sign of a bitch. I know
• 48:09
  Speaker 2: where she went. So in the span of like fifteen minutes,
• 48:12
  Speaker 2: so many things fucking going wrong, and you're like, Okay,
• 48:15
  Speaker 2: I'm so invested in what's how is this gonna play out?
• 48:18
  Speaker 2: I'm smacking my microphone with excitement. I just thought it
• 48:21
  Speaker 2: was funny because right as things were kind of not
• 48:24
  Speaker 2: getting stale, but I was getting to the point where like, okay,
• 48:26
  Speaker 2: we're about halfway through. What's gonna happen? Boom boom boom.
• 48:29
  Speaker 2: All right, well that's enough things to fill this runtime.
• 48:32
  Speaker 2: I'm totally I totally understand. So that's a lot of fun.
• 48:36
  Speaker 2: And then I have my next note was the next
• 48:38
  Speaker 2: snap was unfucking real. Oh, total total kick to the nuts.
• 48:42
  Speaker 1: Yeah.
• 48:42
  Speaker 2: I was like, oh, this is gonna great. They're gonna
• 48:44
  Speaker 2: get out of here. Maybe they'll go on a date. Nope, Yeah,
• 48:46
  Speaker 2: just kidding. Na snapped and just the way her face
• 48:50
  Speaker 2: turned around, and you're like, ah, the.
• 48:53
  Speaker 1: B roll when she's on the ground dead, like really alone,
• 48:57
  Speaker 1: I'm already traumatized.
• 48:59
  Speaker 2: Yeah, so you have her traumatic death, you have Deeter's
• 49:02
  Speaker 2: traumatic death sacrificing himself for vander Hoe, and then after that,
• 49:07
  Speaker 2: you know, I think his name guzz was that what
• 49:10
  Speaker 2: his name was? Fucking Guzz? I don't know. I think
• 49:12
  Speaker 2: the guy who was on so the blonde hairy. Yeah,
• 49:17
  Speaker 2: he gets torn apart by zombies. So it's really at
• 49:19
  Speaker 2: the end of the day, it's just uh, Scott and
• 49:23
  Speaker 2: Peters on the helicopter, Who's like, where's the money, And
• 49:25
  Speaker 2: there's no money. We didn't fucking get anything. So they
• 49:28
  Speaker 2: didn't even get what they came in there to get,
• 49:32
  Speaker 2: which was kind of just ironic at that point that
• 49:35
  Speaker 2: all he had was that stack of money that he
• 49:37
  Speaker 2: was just gonna give to Kate so she could help
• 49:39
  Speaker 2: the refugees in the quarantine camp.
• 49:42
  Speaker 1: Uh.
• 49:42
  Speaker 2: But man, it's just so much shit happened in this movie.
• 49:46
  Speaker 2: And then of course I love the swap where because
• 49:48
  Speaker 2: if you notice it, it's it's a real quick scene.
• 49:50
  Speaker 2: But Lily sees the bag where the queen's head is
• 49:54
  Speaker 2: and she picks up that cash counter and she's like
• 49:57
  Speaker 2: she kind of was like, huh, yeah, I thought she
• 49:59
  Speaker 2: was picking it up to be like, m this feels
• 50:01
  Speaker 2: like it could kill a man. And I was like, oh,
• 50:02
  Speaker 2: she's gonna swap it out for that head, isn't she?
• 50:05
  Speaker 2: And she did. And when Martin's a piece of shit
• 50:08
  Speaker 2: and locks everybody down on that ladder, boy, he gets
• 50:11
  Speaker 2: got by that tiger. Most satisfying kill because he like
• 50:15
  Speaker 2: the tiger plays with him, he's he's throwing him around,
• 50:18
  Speaker 2: he scratched him and then just bites his head and
• 50:20
  Speaker 2: rips it clean off, and all that us like, this
• 50:23
  Speaker 2: is so goofy and gross. Ten out of ten kill
• 50:27
  Speaker 2: by my actual favorite kill because that was a great kill.
• 50:29
  Speaker 2: But my favorite kill is when they were sending the
• 50:31
  Speaker 2: zombie through all the little tests, you know, the pressure plates,
• 50:34
  Speaker 2: and the first one was darts, okay, cool, and then
• 50:37
  Speaker 2: the next one was guns and they were like, oh,
• 50:39
  Speaker 2: these are supposed to be non lethal. That's illegal, right,
• 50:41
  Speaker 2: And then yeah, the third one was just squished in half.
• 50:43
  Speaker 1: It was like.
• 50:46
  Speaker 2: Yeah, cool, and they had to push the walls apart,
• 50:49
  Speaker 2: and it was just so good because yeah, there's a
• 50:51
  Speaker 2: lot of CG. There's also a lot of good, practical
• 50:54
  Speaker 2: blood and just goopiness in this movie. I love this movie.
• 51:00
  Speaker 2: The ratings it has just feel fucking just rude. Again,
• 51:04
  Speaker 2: I don't understand the problem people have because if you're
• 51:07
  Speaker 2: looking at this movie from a narrative standpoint, it is
• 51:09
  Speaker 2: very different than your average zombie movie. It's a zombie
• 51:12
  Speaker 2: heist movie. Name me another movie besides Army of Thieves.
• 51:16
  Speaker 2: I know that's a pretty quel, but.
• 51:18
  Speaker 1: Like that also has nothing to do with zombies. Oh,
• 51:22
  Speaker 1: that's just Dieter's backstory and how he became a safe cracker.
• 51:24
  Speaker 2: Oh god, he's my favorite character too.
• 51:25
  Speaker 1: So it's actually really good.
• 51:27
  Speaker 2: It's got better ratings than this one.
• 51:29
  Speaker 1: So it's it's it's it's definitely, but I mean, really,
• 51:32
  Speaker 1: yea a zombie heist movie. It's a completely different genre.
• 51:34
  Speaker 2: It's it's it's okay. I don't know. I just feel
• 51:37
  Speaker 2: like this is a very unique movie, and I feel
• 51:39
  Speaker 2: like people are hate rating it just because they don't
• 51:41
  Speaker 2: like Zack Snyder because it's.
• 51:42
  Speaker 1: Which is crazy because if you see other Zack Snyder
• 51:45
  Speaker 1: movie ratings such as three hundred or Watchmen, people suck
• 51:49
  Speaker 1: that dick. But then you see those things like Sucker Punch.
• 51:53
  Speaker 2: Or Sucker Punch because a goddamn masterpiece.
• 51:55
  Speaker 1: I don't like Sucker Punch. Oh I love Sucker It
• 51:58
  Speaker 1: has nothing to do with it being Zach'm I mean,
• 52:01
  Speaker 1: and the whole movie takes me away because I very
• 52:06
  Speaker 1: much see the green screen the entire time, and it
• 52:08
  Speaker 1: bothered me. Also the subject matter was I think too
• 52:13
  Speaker 1: much for PG. Thirteen or eighty. Even though we got
• 52:15
  Speaker 1: an extend rated our cut when it came out on
• 52:16
  Speaker 1: the Blu Ray. Yeah, it's still even though I watched it,
• 52:19
  Speaker 1: it still didn't do it justice. I think I just
• 52:21
  Speaker 1: think it was.
• 52:22
  Speaker 2: Didn't do it justice League.
• 52:25
  Speaker 1: Sack Snyder cut. No, We're dumb. It's fine, No, But
• 52:30
  Speaker 1: I just I think I just think the subject matter
• 52:32
  Speaker 1: for stucking much. I know what they were doing and
• 52:35
  Speaker 1: the way they matter about it was fine, but I
• 52:38
  Speaker 1: just think for the subject matter, it should have been
• 52:40
  Speaker 1: treated differently personally.
• 52:42
  Speaker 2: Yeah, and I've seen it.
• 52:44
  Speaker 1: I've seen it multiple times. I saw the theatrical PG
• 52:46
  Speaker 1: thirty cut in theaters and then I gave it another
• 52:49
  Speaker 1: shot when it came out to like physical and then
• 52:51
  Speaker 1: when the extend rated art cut came out, I was like, Okay,
• 52:53
  Speaker 1: this might be exactly what I want, and it still wasn't.
• 52:56
  Speaker 1: I mean, it had a couple of extra things that
• 52:58
  Speaker 1: I wanted, Like we got some more John Ham, which
• 53:00
  Speaker 1: I was really excited about because I really wanted more
• 53:02
  Speaker 1: to know about his character because we only get like
• 53:04
  Speaker 1: three seconds of his character in the PG thirteen version.
• 53:07
  Speaker 2: He's a pretty it is pretty crazy though, because he's
• 53:10
  Speaker 2: a he's a very hit or missedirector. But he's still
• 53:13
  Speaker 2: making multi million dollar movies, which wild.
• 53:18
  Speaker 1: But but then you know, when you see movies like Rebel, Rebel,
• 53:21
  Speaker 1: Moon one and two, uh, you're like, yeah, there's a
• 53:24
  Speaker 1: reason why he gets some of the hat gets.
• 53:25
  Speaker 2: Yeah, and I get that. Not it's very rare that
• 53:28
  Speaker 2: a director hits every time. I mean, unless.
• 53:29
  Speaker 1: You're like hundred masterpiece, Yeah, Watchman. Regardless of what Alan Moore,
• 53:36
  Speaker 1: I believe Alan Moore did the graphic novel, the person
• 53:40
  Speaker 1: to the graphic novel never wanted to be more than
• 53:41
  Speaker 1: a graphic novel. So he hates the movie for that,
• 53:44
  Speaker 1: of course. But I think the movie is fantastic. I
• 53:47
  Speaker 1: even think the director's cut is even better.
• 53:50
  Speaker 2: Three hours I still need to watch so good. I
• 53:52
  Speaker 2: still need to watch the full director's cut. But I
• 53:54
  Speaker 2: don't know. He's roight like Rob Zombie. To me, I
• 53:57
  Speaker 2: just feel like people like to hate him because it's
• 53:59
  Speaker 2: fun to hate him. It's fair, and I get Rob
• 54:02
  Speaker 2: Zombie is not for everyone. He has a very certain aesthetic.
• 54:04
  Speaker 2: It's gritty, it's raw, it's kind of gross at times.
• 54:07
  Speaker 2: I understand it's Rob Zombie is not for everyone, and
• 54:10
  Speaker 2: I can understand if people don't like him from a
• 54:12
  Speaker 2: stylistic for like a stylistic choice for sure, But I
• 54:16
  Speaker 2: don't know, this movie looks really good.
• 54:18
  Speaker 1: Uh it's also ironic. Is people love Zack Snyder's Man
• 54:23
  Speaker 1: of Steel? Yeah, more so than this Superman that just
• 54:26
  Speaker 1: came out, And I'm like, so you're on bor Z
• 54:29
  Speaker 1: x Slader now or this. But but once they like
• 54:32
  Speaker 1: remake it, you're like, that's not my Superman. Where it's
• 54:34
  Speaker 1: actually more Superman. Nothing gets sex sis Superman. I thought
• 54:37
  Speaker 1: the dark greediness, it's fit the world he was making.
• 54:40
  Speaker 2: I like, yeah, I love Batman Versus Superman. That movie
• 54:43
  Speaker 2: is fucking awesome.
• 54:44
  Speaker 1: I like the directest cot Yes.
• 54:47
  Speaker 2: Let me specify it. Yes, I loved it so much fun.
• 54:49
  Speaker 1: Yeah, there are scenes in the theastcal that I liked,
• 54:52
  Speaker 1: but as a whole not so good. But the extended
• 54:55
  Speaker 1: cutage Superman is fucking amazing.
• 54:58
  Speaker 2: I think that was in my part of my rating,
• 55:01
  Speaker 2: or was that part of my review. I don't know.
• 55:02
  Speaker 2: I watched it a while ago. I might not have been.
• 55:04
  Speaker 1: My favorite Batman scene of all time in a live
• 55:07
  Speaker 1: action movie is from Batman Versus Superman. It's the warehouse
• 55:10
  Speaker 1: scene fucking balls to the walls so great, and it's
• 55:14
  Speaker 1: actually my favorite iteration of Batman, Ben Afflecks. Yeah, because
• 55:18
  Speaker 1: it's Frank Miller's Batman.
• 55:20
  Speaker 2: What did you call him? Bathlack mathlick no, no, or.
• 55:25
  Speaker 1: Bat flick, but yeah, Batman, ben Affleck. But yeah, Like
• 55:31
  Speaker 1: that's my favorite iteration of him because Frank Miller's Batman
• 55:34
  Speaker 1: was my first introduction to Batman. And it's the gritty regardless,
• 55:39
  Speaker 1: you know, even though he doesn't have his like kill
• 55:41
  Speaker 1: rule or whatever, like, it's still that the gritty, dark Batman,
• 55:44
  Speaker 1: brooding Batman. Yeah, And that's what Ben Affleck's Batman. That's
• 55:47
  Speaker 1: what Zack Snyder was giving us. Was Frank Miller's Batman.
• 55:51
  Speaker 2: Good?
• 55:52
  Speaker 1: And I think Ben Affleck nailed it.
• 55:54
  Speaker 2: Yeah. I love that one. But I don't know. I'm
• 55:56
  Speaker 2: not like one of those weird Zack Snyder fans. It's
• 55:58
  Speaker 2: all up on his ship. I just are you what
• 56:00
  Speaker 2: I do?
• 56:01
  Speaker 1: He making a movie.
• 56:02
  Speaker 2: I'm interested, So I don't know. I I like it.
• 56:05
  Speaker 2: I like this movie. My biggest takeaway though, is, uh,
• 56:09
  Speaker 2: don't trust anybody. Much like the last movie that we review,
• 56:12
  Speaker 2: just don't trust anybody because especially especially if zombies are present,
• 56:17
  Speaker 2: then then you don't trust people even more and don't
• 56:20
  Speaker 2: trust people with either exactly. And even uh, even in
• 56:24
  Speaker 2: a city of the undead who want to eat you,
• 56:27
  Speaker 2: human kind is still the biggest threat.
• 56:30
  Speaker 1: Yep. Uh.
• 56:32
  Speaker 2: So the ending real quick before we wrap up. That
• 56:36
  Speaker 2: was God that that's on a time crunch here, but
• 56:39
  Speaker 2: I love that whole rooftop sequence. Lily has the Alpha
• 56:43
  Speaker 2: Queen's head out and she is taunting the Alpha king
• 56:47
  Speaker 2: with it. It's so great and she's like, you know,
• 56:49
  Speaker 2: just go, you know. So Scott gets on the plane
• 56:51
  Speaker 2: with the airplane helicopter with Kate and I thought she
• 56:56
  Speaker 2: what I thought she was gonna do is you know,
• 56:58
  Speaker 2: drop it at the right moment, and but she gets
• 57:01
  Speaker 2: rebarbed right through the chest there, and I feel like
• 57:04
  Speaker 2: it's kind of speculated, even though that the bomb went
• 57:07
  Speaker 2: off that he was like, I'm gonna make you my
• 57:08
  Speaker 2: new queen, motherfucker. But then yeah, then they have to
• 57:12
  Speaker 2: save Kate with like nine minutes left, and the Alpha
• 57:15
  Speaker 2: manages to get on the helicopter where they have a scuffle,
• 57:18
  Speaker 2: but then he blows his head to Kingdom. Come. That
• 57:22
  Speaker 2: was such a great shot slow motion, I see and
• 57:25
  Speaker 2: maybe it's you know, my my hot not even hot.
• 57:28
  Speaker 2: Take Zack Snyder's movies would probably be a lot shorter
• 57:31
  Speaker 2: if there wasn't so much slow.
• 57:33
  Speaker 1: Well, ironically there was a lot.
• 57:37
  Speaker 2: I know, there wasn't a lot in this, but there
• 57:38
  Speaker 2: were some scenes where they were Yeah, I just think
• 57:40
  Speaker 2: that's funny.
• 57:41
  Speaker 1: But that's his style. He does very very like. He
• 57:44
  Speaker 1: does make the slow a very stylistic I.
• 57:46
  Speaker 2: Just I like his movies. I like his style. I
• 57:48
  Speaker 2: like his style. I don't know what do people want
• 57:50
  Speaker 2: from me other than that. I think that's all I had. Oh,
• 57:55
  Speaker 2: it also sounded pretty good too for being a Netflix original.
• 57:59
  Speaker 2: Even on my basic little system I have, I was like,
• 58:02
  Speaker 2: this sounds pretty fucking good. Looked good too, you know,
• 58:06
  Speaker 2: even because it's you know, I'm assuming it was obviously
• 58:09
  Speaker 2: shot in four case. I mean, the Netflix version of
• 58:12
  Speaker 2: it looks looks great. Honestly, definitely feels like a seventy
• 58:16
  Speaker 2: million dollar movie, that's for sure. That might be the
• 58:18
  Speaker 2: most expensive zombie movie, right, Maybe it's definitely out there.
• 58:23
  Speaker 2: It's one of the most expensive zombie movies ever made.
• 58:25
  Speaker 2: Definitely the least profitable movie, that's for fucking sure.
• 58:29
  Speaker 1: Even thy boat table you know, didn't do so well.
• 58:33
  Speaker 2: It bombed with the making money, but it sure has
• 58:36
  Speaker 2: a fucking great ratings. It's weird how that happens. I
• 58:40
  Speaker 2: don't know. I think that's all I have. Did you
• 58:43
  Speaker 2: have anything? Oh? No, one more thing? You go first
• 58:46
  Speaker 2: if you have anything else. But there's so there's one
• 58:50
  Speaker 2: interesting thing that I noticed this time, because what I
• 58:53
  Speaker 2: didn't notice the first time. Did you notice the two
• 58:58
  Speaker 2: there was two zombies, one of them when they when
• 59:01
  Speaker 2: he brought the Alpha Queen to that pool and set
• 59:04
  Speaker 2: her down, there was a fucking zombie with glowing blue
• 59:07
  Speaker 2: eyes behind him.
• 59:09
  Speaker 1: I did notice that, but I mean it, but but
• 59:11
  Speaker 1: I did notice the blue of the fetus.
• 59:15
  Speaker 2: Yes, so there was a zombie with blue eyes in
• 59:19
  Speaker 2: that scene. And then right before guz dies the blonde
• 59:22
  Speaker 2: haired guy and he shoot, he shoots a zombie and
• 59:25
  Speaker 2: his face rips apart, and you can see this kind
• 59:27
  Speaker 2: of bluey metallic skeleton. There's some fan theories out there
• 59:32
  Speaker 2: that the government had put some form of robots in
• 59:37
  Speaker 2: there to kind of keep an eye on things or something.
• 59:41
  Speaker 2: But there's there's two things with and then even the
• 59:43
  Speaker 2: fetus has blue so there's there's something going on that
• 59:46
  Speaker 2: they didn't explain that I would love to know more about,
• 59:50
  Speaker 2: Like is it are the blue eyed zombies the inner
• 59:53
  Speaker 2: species fucking fucking and having kids? Or are they or
• 59:58
  Speaker 2: are there just like plants of these? Is it? What
• 1:00:01
  Speaker 2: is it? I mean, we're right next to Area fifty one,
• 1:00:03
  Speaker 2: are we is this whole thing just.
• 1:00:05
  Speaker 1: We did get that quick like Area fifty one call though,
• 1:00:09
  Speaker 1: yeah in the convoy and uh yeah there's And they
• 1:00:12
  Speaker 1: never really specifically said aliens, so like yeah, so like
• 1:00:16
  Speaker 1: maybe they were hinting.
• 1:00:17
  Speaker 2: That it's entirely possible that this thing that they had
• 1:00:21
  Speaker 2: was some alien race or something like we don't know.
• 1:00:24
  Speaker 2: We just assumed T.
• 1:00:26
  Speaker 1: Shirts Snyder had a very longer version of this movie.
• 1:00:30
  Speaker 2: Yeah, but anyway, I kind of.
• 1:00:31
  Speaker 1: Shocked we didn't get a like a Snyder cut, especially
• 1:00:33
  Speaker 1: after being like five years.
• 1:00:34
  Speaker 2: But maybe maybe one day, but maybe.
• 1:00:37
  Speaker 1: He actually felt like it it's entirely Oh yeah, it
• 1:00:40
  Speaker 1: felt like it didn't feel right with even the director's cut.
• 1:00:43
  Speaker 1: Maybe yeah, maybe he maybe he was satisfied with with
• 1:00:46
  Speaker 1: this version, true, because usually director's cuts are versions that
• 1:00:50
  Speaker 1: are more satisfactory to the director. Yeah, or you know,
• 1:00:55
  Speaker 1: so maybe so maybe some things were better left, like
• 1:00:58
  Speaker 1: for a pacing per this is maybe that extra storyline
• 1:01:01
  Speaker 1: just would have made the movie absolutely boring.
• 1:01:04
  Speaker 2: Yeah, and especially both having your reinsert taken a taro.
• 1:01:07
  Speaker 2: Maybe it just would have been too much more work, right.
• 1:01:09
  Speaker 1: Maybe that's maybe like they spent, maybe he spent, you know,
• 1:01:12
  Speaker 1: spent more money on her than they were expected to
• 1:01:15
  Speaker 1: which they were to be fair, So maybe that's why
• 1:01:17
  Speaker 1: we didn't get all that.
• 1:01:18
  Speaker 2: But yeah, next time, if you watch this next time,
• 1:01:21
  Speaker 2: or just google it, just google Blue Eyed Zombies. There's
• 1:01:23
  Speaker 2: a little video that comes up. It's it's really interesting.
• 1:01:25
  Speaker 2: I wish there was. I want to know more. We
• 1:01:27
  Speaker 2: need a sequel. But anyways, that is all I have
• 1:01:30
  Speaker 2: for Army of the Dead. My review, though, because I
• 1:01:32
  Speaker 2: haven't done this in a while. If I didn't shamelessly
• 1:01:34
  Speaker 2: plug my own show on Letterbox, my review would be
• 1:01:37
  Speaker 2: how darre Zack Snyder make me care about two alpha
• 1:01:39
  Speaker 2: zombies who were in love with a baby on the
• 1:01:41
  Speaker 2: way bastard, I know what. When he was like hurt
• 1:01:46
  Speaker 2: about laying her, I was like, ah, I'm feeling for
• 1:01:49
  Speaker 2: a zombie.
• 1:01:52
  Speaker 1: Feeling I'm feeling.
• 1:01:54
  Speaker 2: Anyways, let's go too the final cuts. I love these survivors,
• 1:02:01
  Speaker 2: take all and always bet on dead fun stuff. I
• 1:02:04
  Speaker 2: already read this one about taking to Darrow. In the
• 1:02:07
  Speaker 2: opening scene, two UFOs can be seen while the convoys
• 1:02:10
  Speaker 2: leaving Area fifty one, Dave Fatista turn down the role
• 1:02:13
  Speaker 2: of peacemaker and the suicide Squad. Good job. Uh wait, no,
• 1:02:19
  Speaker 2: which one's the bad one?
• 1:02:21
  Speaker 1: Not? Twenty twenty one is James going?
• 1:02:23
  Speaker 2: Okay? Well, all right, so he turned down the roll
• 1:02:25
  Speaker 2: of peace? Wait? Yeah, the suicide Squad? Right, he came
• 1:02:28
  Speaker 2: out in twenty one. It doesn't feel like it, but
• 1:02:30
  Speaker 2: it must have.
• 1:02:31
  Speaker 1: No, it definitely did, because because I was with my
• 1:02:33
  Speaker 1: ex when the other one came out, and I'm clearly
• 1:02:35
  Speaker 1: not okay. So yeah, yeah, twenty one was the good one.
• 1:02:39
  Speaker 2: I think that was an interesting, interesting choice because he
• 1:02:42
  Speaker 2: might have been in the you know, he would have
• 1:02:43
  Speaker 2: had a show, probably, but I don't know. He might
• 1:02:45
  Speaker 2: not have if he didn't do as good as John Cena.
• 1:02:47
  Speaker 1: And in all honesty John with his Yeah, I'm not
• 1:02:51
  Speaker 1: upset with this at all.
• 1:02:52
  Speaker 2: Yeah.
• 1:02:52
  Speaker 1: Uh.
• 1:02:53
  Speaker 2: Director Zach Snyder spent a couple of years buying every
• 1:02:56
  Speaker 2: nineteen sixties era Canon dream lens he could find on eBay.
• 1:02:59
  Speaker 2: To give the film a saw organic look in contrast
• 1:03:01
  Speaker 2: to the harsh, apocalyptic zombie landscape in the film That
• 1:03:04
  Speaker 2: cost of pretty. He also spent a year before the
• 1:03:07
  Speaker 2: film collaborating with Red Studios and designing a custom made
• 1:03:11
  Speaker 2: camera lenses that combined digital camera technology with the Canon
• 1:03:14
  Speaker 2: dream letons. The cast had to attend a zombie boot camp,
• 1:03:20
  Speaker 2: mainly to learn how to handle weapons. Of them, Matthias
• 1:03:24
  Speaker 2: Schwolf Hoogger was already fully trained, so he had to
• 1:03:26
  Speaker 2: learn how to look less skilled, which.
• 1:03:29
  Speaker 1: Is funny because he's in the movie.
• 1:03:31
  Speaker 2: He's like, I don't know how he's a good Yeah,
• 1:03:33
  Speaker 2: I love that. He's my favorite. Teacher was the best,
• 1:03:35
  Speaker 2: so goofs. This is great. Las Vegas has depicted as
• 1:03:39
  Speaker 2: little more than the strips surrounded by open desert. The
• 1:03:41
  Speaker 2: rest of the city is basically absent. Handgren names do
• 1:03:44
  Speaker 2: not explode with a large ball of fire, as seen
• 1:03:48
  Speaker 2: and a few scenes during the zombie fights. They typically
• 1:03:50
  Speaker 2: explode in a large cloud of dust, debris, and flying
• 1:03:52
  Speaker 2: metal fragments. Tanaka's bodyguard locks chambers in a kitchen to
• 1:03:57
  Speaker 2: betray her. She sees him doing this, so he knows
• 1:04:00
  Speaker 2: he is dangerous and untrustworthy. She somehow escaves through a
• 1:04:03
  Speaker 2: window to join her colleagues she sees. She says nothing
• 1:04:07
  Speaker 2: about the betrayal to her boyfriend and the others to
• 1:04:09
  Speaker 2: warn them afore dying, when anyone would have called out
• 1:04:11
  Speaker 2: to warn them. I thought that was kind of funny.
• 1:04:14
  Speaker 2: Lily takes the gas axe cutting tools to a concrete
• 1:04:16
  Speaker 2: wall in order to make her escape, even though the
• 1:04:18
  Speaker 2: hatchlock would have been easier to cut through and much faster.
• 1:04:21
  Speaker 1: Yeah, I thought that was funny.
• 1:04:22
  Speaker 2: Yeah, like, what are you doing? And then so here
• 1:04:25
  Speaker 2: we go. Rated five point eight out of ten on
• 1:04:29
  Speaker 2: IMDb for art purposes of the Nightmare index, that would
• 1:04:33
  Speaker 2: be a two point nine out of five, two point
• 1:04:37
  Speaker 2: five out of five on Letterbox, which is just fucking criminal,
• 1:04:41
  Speaker 2: sixty eight percent of the Tomatometer and a seventy four
• 1:04:43
  Speaker 2: percent audience score. People really can't make up their goddamn
• 1:04:46
  Speaker 2: mind if they liked this movie or not. What excuse me?
• 1:04:50
  Speaker 2: What did you give this spencer four stars? Oh my god,
• 1:04:53
  Speaker 2: we're on a roll. You have no idea, that's an
• 1:04:55
  Speaker 2: I gave it four stars as well. So that is
• 1:04:57
  Speaker 2: yet another frightmare certified app for like six weeks in
• 1:05:01
  Speaker 2: a row. Now this has a wow, It's actually not bad.
• 1:05:05
  Speaker 2: This has a nightmare index of three point three five
• 1:05:08
  Speaker 2: out of five, which is sitting right in between the
• 1:05:12
  Speaker 2: Nesting at a two point sixty seven and the Haunting
• 1:05:15
  Speaker 2: at a three point sixty three. So kind of low
• 1:05:16
  Speaker 2: on the list, but I'm not shocked because those ratings
• 1:05:19
  Speaker 2: are terrible that everyone has online. The two point five
• 1:05:23
  Speaker 2: out of five is criminal. Similar movies according to IMDb,
• 1:05:26
  Speaker 2: we have Army of Thieves, Day Shift, Rebel Moon Part two,
• 1:05:30
  Speaker 2: then Rebel Moon Part one, and Don of the Dead
• 1:05:33
  Speaker 2: two thousand and four. Similar movies. According to Letterbox, we
• 1:05:36
  Speaker 2: have World War Z, Land of the Dead, Trained to Busan,
• 1:05:39
  Speaker 2: Don of the Dead two thousand and four, and all
• 1:05:42
  Speaker 2: of us are dead. Do you have funny reviews? I do,
• 1:05:47
  Speaker 2: all right. I brought more because you always steal mine,
• 1:05:50
  Speaker 2: so I always steal your.
• 1:05:53
  Speaker 1: Sy I always guarantee you we both have this one.
• 1:05:56
  Speaker 2: Well, hit me with it.
• 1:05:58
  Speaker 1: So this is a three and a half star. You
• 1:06:01
  Speaker 1: guys will never guess which popular nineties Irish rock hit
• 1:06:04
  Speaker 1: Zack Snyder chooses to end this movie with. Lol.
• 1:06:09
  Speaker 2: Well that's funny because mine kind of goes with that one.
• 1:06:12
  Speaker 2: But it's not the same one. Three stars from Sorry
• 1:06:17
  Speaker 2: Serrano playing Zombie by the Cranberriers is definitely not dot
• 1:06:21
  Speaker 2: dot A choice was brilliant.
• 1:06:24
  Speaker 1: I was going to choose that one, but I'm like, na,
• 1:06:27
  Speaker 1: that's two of the nos of the same one I did.
• 1:06:29
  Speaker 2: Before, exactly. So there you go. Now there's that yin
• 1:06:31
  Speaker 2: and yang.
• 1:06:31
  Speaker 1: All right, So here's one. I have three stars. I'm
• 1:06:34
  Speaker 1: glad Zack Snyder got back to what he's good at,
• 1:06:36
  Speaker 1: making dumb movies that know they're dumb instead of dumb
• 1:06:40
  Speaker 1: movies that think they're really smart.
• 1:06:42
  Speaker 2: Fair. Three stars from Jeff Boor is slow fast zombies
• 1:06:48
  Speaker 2: don't make sense. Whenever I get sick, I get slower,
• 1:06:51
  Speaker 2: not faster.
• 1:06:51
  Speaker 1: I read that to you. I almost chose that one too. Actually,
• 1:06:55
  Speaker 1: you know what we're doing.
• 1:06:55
  Speaker 2: We're doing We're doing good here, we're doing good.
• 1:06:58
  Speaker 1: Two and a half stars. Okay, the first ten minutes
• 1:07:00
  Speaker 1: of this begs of the question, can't RoadHead causes all
• 1:07:03
  Speaker 1: the outbreak?
• 1:07:05
  Speaker 2: Well, mine goes perfectly with that. Three and a half
• 1:07:08
  Speaker 2: stars from Julian and all of that just because some
• 1:07:11
  Speaker 2: dude wanted to blow job, all.
• 1:07:14
  Speaker 1: Right, My last one, Zach Sayer said, let zobies. Fuck
• 1:07:21
  Speaker 1: did you have that one?
• 1:07:22
  Speaker 2: No? I saw leok at us go all right? Last
• 1:07:25
  Speaker 2: one for me half star from Trigger with two ards
• 1:07:29
  Speaker 2: at the beginning, I don't tur okay anyways, I let
• 1:07:32
  Speaker 2: my dog watch this, and now I'm living outside.
• 1:07:35
  Speaker 1: I was gonna choose that one too. I thought that
• 1:07:37
  Speaker 1: was funny.
• 1:07:37
  Speaker 2: We did it.
• 1:07:38
  Speaker 1: We did it, We did a thing.
• 1:07:39
  Speaker 2: We fucking did it. Who look at us? Go oh man.
• 1:07:43
  Speaker 2: If you enjoy this show, please rate and review on
• 1:07:46
  Speaker 2: your favorite pod or favorite podcast app of choice. If
• 1:07:50
  Speaker 2: words are hard, as we mentioned earlier before we went
• 1:07:52
  Speaker 2: on air, so that's not cute, so that's not relevant
• 1:07:55
  Speaker 2: to you, follow us on Facebook, Instagram, TikTok, Slasher Blue
• 1:07:59
  Speaker 2: Sky not blue Sky, fucking threads, and YouTube at Fretmar's podcast.
• 1:08:03
  Speaker 2: Our email is stay Spooky at outlook dot com. If
• 1:08:06
  Speaker 2: you want to follow me on letterbox, I am doctor Proctor.
• 1:08:09
  Speaker 2: You are Slasher best name ever. If you want to
• 1:08:13
  Speaker 2: expand your movie podcast listening, check out The Shameless Picture Show,
• 1:08:17
  Speaker 2: The Dead Eyed Millennial Film Club, and One Week one
• 1:08:21
  Speaker 2: Week Rental as well. Next week, Corey and I will
• 1:08:25
  Speaker 2: be doing Trained to Bousan from twenty sixteen as our
• 1:08:29
  Speaker 2: international pick. This movie's fucking everywhere. It is on Netflix,
• 1:08:33
  Speaker 2: it is on Peacock, it is on two B, and
• 1:08:35
  Speaker 2: it's on Plex, so you have all the time in
• 1:08:38
  Speaker 2: the world to watch it. It is. We were supposed to
• 1:08:40
  Speaker 2: do bio Zombie next week, but it is not streaming anywhere.
• 1:08:45
  Speaker 2: I have a Blu ray of it, but core I'm not.
• 1:08:47
  Speaker 2: I'm not gonna make Corey pay twenty nine dollars for
• 1:08:49
  Speaker 2: the vinegar syndrome copy, so we're switching from bio Zombie too.
• 1:08:56
  Speaker 2: I would have bought it, but it's thirty dollars. It's
• 1:08:59
  Speaker 2: a lot. So I'm still gonna watch it and talk
• 1:09:01
  Speaker 2: about it next week in my recently watch, but we
• 1:09:04
  Speaker 2: had to switch to something else that was more readily available,
• 1:09:07
  Speaker 2: and this is everywhere. So with that, stay tuned and
• 1:09:12
  Speaker 2: stay spooky.