Latest / Crime and Horror / His song will KILL you... - MrBallen
Transcript
- 0:00Speaker 1: Both of today's stories are about people who actually achieved
- 0:03Speaker 1: their big career ambitions, but at an extremely high cost.
- 0:09Speaker 1: But before we get into today's stories, if you're a
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- 0:32Speaker 1: let's get into today's stories. On the afternoon of June tenth,
- 0:55Speaker 1: eighteen seventy one, a defense attorney named Clement Vallendinger sat
- 1:00Speaker 1: in a courtroom in Lebanon, Ohio, listening intently as a
- 1:04Speaker 1: prosecutor question to witness. And with each word that this
- 1:07Speaker 1: witness said on the stand, it made the knot in
- 1:10Speaker 1: Clement's stomach get tighter and tighter, because this testimony was
- 1:14Speaker 1: very bad for Clement's client, an accused murderer named Thomas mcgean.
- 1:20Speaker 1: So the murder that mcgean was on trial for had
- 1:22Speaker 1: happened about six months earlier on Christmas Eve in the
- 1:25Speaker 1: nearby city of Hamilton. That night, mcgean had stormed into
- 1:29Speaker 1: a saloon with a group of men and attacked another
- 1:32Speaker 1: man named Tom Myers, and at some point during this attack,
- 1:36Speaker 1: a gun went off and tom Myers was shot and killed. Now,
- 1:40Speaker 1: there were at least thirty witnesses in the saloon at
- 1:43Speaker 1: the time, but the whole attack had happened so fast
- 1:46Speaker 1: and was so chaotic that no one had seen who
- 1:48Speaker 1: did the actual shooting. Despite that, everyone in town immediately
- 1:54Speaker 1: decided that mcgean had done it. However, even Clement had
- 1:58Speaker 1: to admit that that was a reasonable assumption. Mcgean and
- 2:02Speaker 1: the victim, tom Myers, had a long standing feud, and
- 2:06Speaker 1: everyone knew they hated each other. Also, mcgean was a
- 2:09Speaker 1: well known violent criminal who was said to have killed
- 2:12Speaker 1: at least four other people. So when tom Myers got killed,
- 2:16Speaker 1: the citizens of Hamilton didn't even wait for a trial.
- 2:19Speaker 1: They wanted to hang mcgean right now. Now, the police
- 2:22Speaker 1: had obviously intervened and arrested mcgean instead, but word had
- 2:26Speaker 1: spread all over Ohio about how messy and dramatic this
- 2:30Speaker 1: case was, and as a result, the trial itself had
- 2:33Speaker 1: become very high profile. Every Day journalists and important people
- 2:37Speaker 1: from all over the state came to sit in court
- 2:39Speaker 1: and listen to the testimony. And now all of these
- 2:42Speaker 1: important people were watching Clement's defense case get just obliterated
- 2:46Speaker 1: by this witness. The witness was one of the men
- 2:49Speaker 1: who had been in the saloon at the time of
- 2:51Speaker 1: the murder, and he was making a very big claim.
- 2:54Speaker 1: He was saying that even though no one in the
- 2:56Speaker 1: saloon saw mcgean fire the gunshot that killed tom Myers,
- 3:00Speaker 1: he must have because after the gun went off, this
- 3:04Speaker 1: witness saw smoke coming from mcgean's jacket pocket, like he
- 3:08Speaker 1: had been concealing his gun inside his jacket when he
- 3:11Speaker 1: had fired it. Clement looked around the courtroom while the
- 3:13Speaker 1: witness explained this and saw that everybody was nodding like
- 3:17Speaker 1: what the witness said made perfect sense. Clement could tell basically,
- 3:21Speaker 1: at this point, everybody thought his client was guilty, but
- 3:24Speaker 1: Clement he did not agree. He knew mcgean's case looked bad,
- 3:28Speaker 1: but Clement was absolutely certain that his client really was innocent.
- 3:33Speaker 1: Clement's theory was that the victim, Tom Myers, had shot
- 3:37Speaker 1: himself by accident when he pulled out his own gun
- 3:40Speaker 1: during the fight to defend himself. Unfortunately for Clement, though,
- 3:44Speaker 1: this was eighteen seventy one, so there was no forensic
- 3:47Speaker 1: evidence about gunshots except for some scorch marks on tom
- 3:50Speaker 1: Myers's shirt. So the whole entire case was really just
- 3:53Speaker 1: based on witness testimony, and of course this witness was
- 3:57Speaker 1: very convincing for the other side. The prosecutor finished up
- 4:00Speaker 1: his questioning and then walked back to a seat with
- 4:02Speaker 1: a smirk on his face like he knew what he
- 4:04Speaker 1: had just done. They pretty much had just won the case.
- 4:07Speaker 1: It was now Clement's turn with the witness, and he
- 4:09Speaker 1: really didn't know how it was going to go. But
- 4:11Speaker 1: as Clement stood up and crossed the courtroom floor, he
- 4:14Speaker 1: felt a calm come over him because he was thinking
- 4:17Speaker 1: to himself, I don't have much to lose. I mean,
- 4:20Speaker 1: pretty much everybody thinks my client is guilty, and so
- 4:23Speaker 1: if he's found guilty, no one's going to be shocked.
- 4:26Speaker 1: But you know, maybe I can find a way to
- 4:29Speaker 1: prove his innocent and that would be just great. But
- 4:31Speaker 1: if I don't, it is what it is. So to
- 4:33Speaker 1: be clear, Clement was a very controversial figure in Ohio.
- 4:38Speaker 1: At this time, which was right after the Civil War,
- 4:40Speaker 1: he had been very vocally against the then president Abraham Lincoln,
- 4:46Speaker 1: and his viewpoints had gotten him banished from Ohio and
- 4:49Speaker 1: the other Northern states. And then after the war ended,
- 4:52Speaker 1: he had returned to his home state of Ohio and
- 4:54Speaker 1: had gone back to being an attorney, but he had
- 4:57Speaker 1: never really been able to fully rehabilitate his publicana image.
- 5:01Speaker 1: Even now six years later, a lot of people still
- 5:03Speaker 1: really hated him for behavior during the war. And so,
- 5:07Speaker 1: in essence, Clement knew that pretty much his public profile
- 5:11Speaker 1: was not about to change if he lost this case.
- 5:13Speaker 1: I mean, basically, nothing would change. He's the guy that
- 5:16Speaker 1: everybody hates and his client's the murderer. It is what
- 5:19Speaker 1: it is. But if he won, he could recreate himself
- 5:23Speaker 1: in the court of public opinion as a sensational criminal
- 5:27Speaker 1: defense lawyer who overturned impossible cases. And again he really
- 5:32Speaker 1: believed his client was innocent. So this would be like
- 5:35Speaker 1: a two pronged major victory for Clement. And so Clement
- 5:39Speaker 1: stepped up to the witness box and began firing off
- 5:42Speaker 1: questions to this witness. By the end of the day,
- 5:45Speaker 1: Clement had gotten that witness to admit he hadn't actually
- 5:49Speaker 1: seen a physical gun, and eventually Clement was able to
- 5:53Speaker 1: completely destroy the jacket shooting theory when he showed the
- 5:56Speaker 1: court that the jacket that McGee had been wearing that
- 5:59Speaker 1: night there was no hole anywhere on it. As the
- 6:02Speaker 1: week went on and more witnesses took the stand, Clement
- 6:05Speaker 1: was pleased to find that none of them had any
- 6:07Speaker 1: actual proof that mcgeeann shot tom Myers. But he also
- 6:11Speaker 1: couldn't find any evidence that proved his client was innocent either.
- 6:15Speaker 1: So later that week, on Friday, June sixteenth, as the
- 6:18Speaker 1: trial came to a close, Clement was kind of worried.
- 6:21Speaker 1: I mean, he knew that he had not done enough
- 6:24Speaker 1: to get his client acquitted, and even though he knew
- 6:27Speaker 1: that the likelihood of success here was always going to
- 6:29Speaker 1: be slim, he felt like he had begun to make
- 6:31Speaker 1: some serious headway and they could win. Victory felt possible
- 6:36Speaker 1: and it was just slipping out of his hand. That afternoon,
- 6:39Speaker 1: Clement sat behind the defence table, sweating profusely as he
- 6:42Speaker 1: listened to the prosecutor's team deliver there just brutal closing arguments.
- 6:47Speaker 1: This was giving Clement a lot of anxiety. I mean,
- 6:50Speaker 1: he was moments away from giving his own closing arguments,
- 6:53Speaker 1: and it was really his very last chance to convince
- 6:56Speaker 1: the jury that his client was innocent. But he just
- 6:59Speaker 1: did not feel like the speech he had prepared would
- 7:02Speaker 1: do that, especially after you know, the prosecutor is really
- 7:06Speaker 1: just very powerful speech that he was giving right now.
- 7:08Speaker 1: And so as the prosecutor very eloquently and beautifully wrapped
- 7:12Speaker 1: up his speech, Clement was busy furiously crossing out lines
- 7:15Speaker 1: on his speech and rewriting things and trying to make
- 7:18Speaker 1: it better, but he just couldn't. So he just sat
- 7:20Speaker 1: there racking his brain on what to say. But as
- 7:23Speaker 1: he was sitting there in silence, and like the prosecutors
- 7:26Speaker 1: sat down and everybody's waiting for Clement to stand up
- 7:28Speaker 1: and deliver his speech, here an idea suddenly hit Clement.
- 7:33Speaker 1: It hit him so hard that he actually just dropped
- 7:35Speaker 1: his pen. He didn't know why this idea hadn't occurred
- 7:38Speaker 1: to him earlier, but he suddenly realized there was a
- 7:41Speaker 1: way he could prove mcgeean was innocent. It was so obvious,
- 7:44Speaker 1: and if he was right, he would go down in
- 7:47Speaker 1: history as probably the greatest defense attorney Ohio had ever seen,
- 7:51Speaker 1: and so Clement he lunged for his pen again. Then
- 7:54Speaker 1: he frantically scribbled down what he was thinking. And then
- 7:56Speaker 1: a minute later he heard the judge call his name
- 7:58Speaker 1: and tell him, come on, it's your turn to speak,
- 8:01Speaker 1: and so clemente He shot to his feet and he
- 8:03Speaker 1: cleared his throat, and instead of launching into the speech
- 8:06Speaker 1: he had prepared for this moment, he asked the judge
- 8:09Speaker 1: to to let him do it instead on Monday. The
- 8:12Speaker 1: judge was a little apprehensive, but eventually they agreed, and
- 8:16Speaker 1: when they did, Clement felt a surge of excitement rushed
- 8:19Speaker 1: through his body, and after the court proceedings officially ended
- 8:22Speaker 1: for the day, Clement could not get out of there
- 8:24Speaker 1: fast enough. Clement waited until nightfall to act. He needed
- 8:29Speaker 1: to run a test to make sure his theory he
- 8:31Speaker 1: was going to employ on Monday was correct, but he
- 8:34Speaker 1: didn't want anybody from the prosecution team to see him
- 8:37Speaker 1: doing it. So after dinner, Clement slipped out of his
- 8:40Speaker 1: hotel and into the quiet streets of Lebanon. He'd spent
- 8:43Speaker 1: the last few hours having dinner with some friends, and
- 8:46Speaker 1: while he was pretty vague about what he actually planned
- 8:48Speaker 1: to do tonight. He did tell them that they really
- 8:51Speaker 1: needed to stay in town long enough to hear his
- 8:53Speaker 1: big final argument on Monday. He was so confident in
- 8:57Speaker 1: what he'd uncover tonight doing this test that he was
- 9:00Speaker 1: sure his speech on Monday would be like the greatest
- 9:03Speaker 1: legal moment in the history of Ohio. And so now,
- 9:06Speaker 1: as Clement made his way to the edge of town,
- 9:09Speaker 1: he was filled with adrenaline and kept increasing his speed
- 9:12Speaker 1: until he was basically running. And then he finally arrived
- 9:15Speaker 1: at a quiet, isolated part of Lebanon, and as soon
- 9:19Speaker 1: as he got there, he set up for this test
- 9:22Speaker 1: he had planned and then ran through it. And after
- 9:25Speaker 1: he finished, Clement smiled because he knew he had just
- 9:29Speaker 1: found a way to prove that his client was innocent.
- 9:33Speaker 1: Just a few minutes later, around nine pm, and Clement
- 9:36Speaker 1: was back inside of his hotel room. He was so
- 9:38Speaker 1: excited about the results of his test that he couldn't
- 9:41Speaker 1: even sit down, and so he just kept pacing around
- 9:43Speaker 1: and around and trying to get his thoughts together. But
- 9:46Speaker 1: he was just so excited. His hotel room door was
- 9:48Speaker 1: cracked open, and as he paced around, he saw his
- 9:51Speaker 1: co counsul, who was another lawyer on the defense team,
- 9:54Speaker 1: walk by. So this hotel was sort of like the
- 9:56Speaker 1: home base of everyone who was in town for the trial,
- 9:59Speaker 1: and so most of the prosecution and the defense teams
- 10:01Speaker 1: were staying there. When Clement saw his co council, he
- 10:04Speaker 1: immediately waved him inside and tried to tell him what
- 10:07Speaker 1: he'd figured out, but the words just kind of tumbled out,
- 10:11Speaker 1: and all he really got across was that the prosecution
- 10:14Speaker 1: had it all wrong, but he Clement had figured it out,
- 10:17Speaker 1: but his co council was just looking at him like he
- 10:19Speaker 1: really didn't understand what he was saying. And so at
- 10:21Speaker 1: some point Clement realized he really needed to do a
- 10:24Speaker 1: physical demonstration here. He really needed to repeat the test
- 10:27Speaker 1: he had just done to show actually show the co
- 10:31Speaker 1: council exactly what he was talking about. So, without a
- 10:34Speaker 1: whole lot of explanation to his co counsel, Clement got up,
- 10:38Speaker 1: he set up the test, and then he turned and
- 10:41Speaker 1: he told his co council to watch carefully, and then
- 10:44Speaker 1: Clement began to perform the test. But this time, during
- 10:48Speaker 1: the test, there was a sudden explosion and Clement collapsed
- 10:54Speaker 1: to the ground. It would turn out that Clement's test
- 10:57Speaker 1: did prove, without a shadow of a doubt that his
- 11:00Speaker 1: client really was innocent. His theory was that tom Myers
- 11:05Speaker 1: shot himself by fumbling with his own gun, but in
- 11:07Speaker 1: order to make sure his theory held weight with the jury,
- 11:10Speaker 1: he wanted to show everyone that it was definitely physically
- 11:15Speaker 1: possible to do that. So when Clement had gone to
- 11:17Speaker 1: the edge of town to do this test by himself
- 11:20Speaker 1: for the first time, he took a gun with him
- 11:23Speaker 1: and he basically experimented with ways it could have actually happened,
- 11:26Speaker 1: by shooting the gun through fabric from different angles and
- 11:30Speaker 1: looking at the resulting scorch marks. And when he did this,
- 11:33Speaker 1: he realized that the scorch marks that had been left on
- 11:36Speaker 1: the victim's clothes the only forensic evidence they had. They
- 11:39Speaker 1: could have only been made if the victim was shot
- 11:43Speaker 1: at point blank range, which meant that McGeehan was standing
- 11:47Speaker 1: too far away to be the shooter. But it was
- 11:49Speaker 1: not until later, when Clement acted out the shooting again
- 11:53Speaker 1: for his co counsul that his discovery went from great
- 11:57Speaker 1: to perfect because completely by by accident, he did exactly
- 12:03Speaker 1: what tom Myers had done. He fumbled with the gun
- 12:07Speaker 1: and shot himself. Clement died from his self inflicted wound
- 12:12Speaker 1: twelve hours later, but his death made his argument so
- 12:17Speaker 1: convincing that his client was eventually acquitted. So Clement had
- 12:21Speaker 1: been right. This was the greatest case of his life.
- 12:25Speaker 2: It was also his last.
- 12:45Speaker 1: Our second and final story is about a song. But
- 12:48Speaker 1: we're not going to be playing this song during the episode,
- 12:51Speaker 1: and when you get to the end of this story
- 12:53Speaker 1: you'll see why. On an overcast, chilly sunday in the
- 12:56Speaker 1: fall of nineteen thirty two, thirty two year old composer
- 12:59Speaker 1: Resh Sharesh sat in his apartment in Paris trying to
- 13:03Speaker 1: write a new melody. He'd been at it for hours,
- 13:05Speaker 1: and it was not going well at all. Each time
- 13:08Speaker 1: he jotted down a new combination of notes, he'd just
- 13:11Speaker 1: tear it up and toss it into his trash bin,
- 13:13Speaker 1: where there was already a pile of other discarded drafts.
- 13:16Speaker 1: So Rezo was used to this kind of messy creative process.
- 13:20Speaker 1: He had made a name for himself as a musician
- 13:22Speaker 1: in his home country of Hungary. Over the last decade.
- 13:24Speaker 1: He'd written more than forty musical compositions for various singers
- 13:28Speaker 1: and artists, and a few had been really successful, so
- 13:31Speaker 1: Reso knew he had the talent to be a huge
- 13:33Speaker 1: star and to change people's lives with his music. But recently,
- 13:37Speaker 1: despite trying many different iterations and just allowing the messy
- 13:42Speaker 1: creative process to take hold and just kind of letting
- 13:44Speaker 1: it run its course, Rezzo still just could not come
- 13:48Speaker 1: up with any new good work, mainly because he was
- 13:52Speaker 1: incredibly stressed out. So at this point in nineteen thirty two,
- 13:56Speaker 1: Rezzo and many other people were very nervous about the
- 13:59Speaker 1: state the world and their future because there were really
- 14:03Speaker 1: violent political views spreading across Europe, especially in Germany. This
- 14:07Speaker 1: was still seven years before the start of World War Two,
- 14:10Speaker 1: but Hitler and his Nazi party were already starting to
- 14:13Speaker 1: gain power, and Resso, who was Jewish, was worried about
- 14:17Speaker 1: all the anti Jewish rhetoric that the Nazis were spreading.
- 14:20Speaker 1: And while that was terrifying and kept Reso up at night,
- 14:24Speaker 1: the more urgent worry he had on a daily basis
- 14:26Speaker 1: that was really impeding his creativity was how to literally
- 14:31Speaker 1: afford food, because the world was also in the middle
- 14:34Speaker 1: of the Great Depression, which was a period of time
- 14:37Speaker 1: in the nineteen twenties and thirties, when multiple countries were
- 14:40Speaker 1: dealing with terrible economies and mass unemployment. Back in Reso's
- 14:44Speaker 1: home country of Hungary, things were especially bad and getting worse.
- 14:49Speaker 1: Banks and businesses were closing almost every day, and more
- 14:52Speaker 1: than a quarter of the population was unemployed living in
- 14:55Speaker 1: extreme poverty. Resso had moved to Paris so we could
- 14:58Speaker 1: find more opportunities. Paris, after all, was the art mecca
- 15:03Speaker 1: of Europe, and even though the state of the world
- 15:05Speaker 1: felt depressing, Rezzo thought that the creative energy there would
- 15:09Speaker 1: inspire him to create something beautiful amid all the darkness.
- 15:12Speaker 1: But now Rezo sighed and lean back to look around
- 15:15Speaker 1: the tiny, drafty Parisian apartment of his He'd been here
- 15:19Speaker 1: for months, and his fortunes certainly had not changed. He
- 15:22Speaker 1: still didn't have any work, and he still could not
- 15:25Speaker 1: seem to write anything good. But you know, Rezzo, he
- 15:27Speaker 1: kept leaning back over and trying to write, but it
- 15:31Speaker 1: was like immediately he would tear it up, and he
- 15:33Speaker 1: was just getting more and more frustrated, until finally he
- 15:36Speaker 1: just did give up and put his head in his
- 15:38Speaker 1: hands and basically said, I can't do this. It seemed
- 15:41Speaker 1: like the harder he worked and the harder he tried
- 15:43Speaker 1: to ignore all the despair and sadness and awful things
- 15:46Speaker 1: going on in the world, the worse he felt, and
- 15:49Speaker 1: obviously the worse his work was. Like right now, he
- 15:52Speaker 1: actually almost felt physically ill from kind of bottling up
- 15:55Speaker 1: all these competing terrible feelings and thoughts. But as he
- 15:58Speaker 1: thought about the fact that he was doing that, he
- 16:01Speaker 1: suddenly decided, he just can't do that anymore. He can't
- 16:05Speaker 1: continue to keep that stuff in. It was at that
- 16:07Speaker 1: moment that Rezo exhaled and let in all the anguish
- 16:11Speaker 1: he'd been trying to push away. Sadness and fear and
- 16:14Speaker 1: quiet desperation just washed over him and into him, and
- 16:18Speaker 1: he didn't fight it anymore. He just suddenly started writing.
- 16:22Speaker 1: His pen flew across the page as wave after wave
- 16:25Speaker 1: of terrible emotion hit him, and when he was done,
- 16:29Speaker 1: he ran over to his piano to play the notes
- 16:32Speaker 1: that he had just written, and as his fingers moved
- 16:34Speaker 1: across the keys, a very slow, sad melody began to
- 16:38Speaker 1: fill the air, and it was so beautiful and so
- 16:41Speaker 1: sad that he actually felt like crying as he heard it.
- 16:44Speaker 1: When he was done playing, He just sat back in
- 16:47Speaker 1: his chair, and now tears filled his eyes and his
- 16:50Speaker 1: heart was pounding so fast that he knew he needed
- 16:52Speaker 1: to get some air fast, or he might actually just
- 16:55Speaker 1: pass out. And so Resso went outside to take a
- 16:57Speaker 1: walk and hope the fresh air would help them snap
- 17:00Speaker 1: out of the wild emotional fog that had just come
- 17:03Speaker 1: over him. But the Paris streets were gray and cold,
- 17:06Speaker 1: and this new melody continued to ring in his ears.
- 17:10Speaker 1: He was thrilled that he'd actually written something, something real
- 17:13Speaker 1: and powerful, for the first time in what felt like
- 17:15Speaker 1: a long time, but it was such an intense expression
- 17:19Speaker 1: of his own sadness that it almost hurt. Shortly into
- 17:22Speaker 1: his walk, he heard somebody call his name. When he
- 17:24Speaker 1: looked up, he saw it was his good friend, a
- 17:26Speaker 1: poet named Loslow Yevor, who rushed right up to him.
- 17:29Speaker 1: And right away, when Rezo saw his friend, he felt
- 17:31Speaker 1: himself lightening up a little bit. He liked Laslow. They
- 17:35Speaker 1: were both Hungarians in Paris, trying to make good art
- 17:37Speaker 1: and a name for themselves, but neither of them had
- 17:40Speaker 1: really done it yet. But as soon as Laslow reached Resso,
- 17:44Speaker 1: Resou could tell that his friend seemed really upset about
- 17:47Speaker 1: something too, and his friend told him that his fiance
- 17:50Speaker 1: had just ended things with him and he was completely heartbroken.
- 17:53Speaker 1: After Reso said that he was terribly sorry, the men
- 17:56Speaker 1: just walked together in silence. They were both lost in
- 17:59Speaker 1: their life own sad, heavy feelings, and neither of them
- 18:02Speaker 1: could think of anything to say, and without even meaning to,
- 18:06Speaker 1: Reso just began whistling the song that he had just written.
- 18:09Speaker 1: And when he did this, it was like the tune
- 18:11Speaker 1: had an immediate effect on Laslow. His eyes welled up
- 18:15Speaker 1: and he sort of began to cry, And also he
- 18:18Speaker 1: began to sing along, using words from a very sad
- 18:22Speaker 1: poem that he had recently written. Resso couldn't believe it, because,
- 18:25Speaker 1: without even trying, Laslow's words were perfectly fit for his melody.
- 18:30Speaker 1: And so as this sort of impromptu collaboration has begun,
- 18:34Speaker 1: the men went from this really dark, gloomy mood to
- 18:38Speaker 1: a purely excited one. They were so inspired that they
- 18:41Speaker 1: rushed into a nearby restaurant to sit and work out
- 18:44Speaker 1: the rest of the song, and before they knew it,
- 18:46Speaker 1: Rezzo had written an entire composition with Laslow's lyrics, and
- 18:51Speaker 1: the song was about someone whose lover had just died
- 18:54Speaker 1: and their desire to be reunited with them. When the
- 18:56Speaker 1: men finished, they wanted to hear their song out loud,
- 19:00Speaker 1: so they asked the restaurant's resident musicians to play it,
- 19:03Speaker 1: and pretty soon their song, something that hadn't even existed
- 19:07Speaker 1: a few hours ago, was blaring around the crowded restaurant,
- 19:11Speaker 1: and as far as Reso and Laslow could tell, everybody
- 19:14Speaker 1: inside was loving this song. Some of the restaurant patrons
- 19:18Speaker 1: actually cried, and others closed their eyes and just kind
- 19:21Speaker 1: of swayed to the sound. It was what Rezo had
- 19:24Speaker 1: always hoped his music would do, which was truly affect
- 19:27Speaker 1: those who heard it. Resu and Laslow looked at each other,
- 19:30Speaker 1: and for the first time in days, they smiled. Rezzo
- 19:33Speaker 1: and Laslow decided to call their song Gloomy Sunday, since
- 19:36Speaker 1: it had been created on that hazy fall Sunday. They
- 19:39Speaker 1: both had a feeling that this tune was very special
- 19:42Speaker 1: and that it would finally be the thing that changed
- 19:44Speaker 1: both of their lives. So over the next few months,
- 19:47Speaker 1: they took the song around to producers and tried to
- 19:49Speaker 1: get somebody to buy it, and finally someone did a
- 19:53Speaker 1: company agreed to publish the sheet music and record it.
- 19:55Speaker 1: After that, Rezo went back to his shabby Parisian apartment
- 19:59Speaker 1: and waited for the song to take hold and the
- 20:01Speaker 1: money to start pouring in. But that's not what happened.
- 20:05Speaker 1: As the months passed by, Rezzo didn't hear Gloomy Sunday
- 20:08Speaker 1: on the radio, or see it on any charts, or
- 20:11Speaker 1: hear it in restaurants or performed in theaters. It was
- 20:15Speaker 1: like it really had never existed at all. And this
- 20:17Speaker 1: crushed Rezso he was even more upset and defeated than
- 20:21Speaker 1: he had been before he had written it, because he'd
- 20:24Speaker 1: gotten a taste of hope and it felt even worse
- 20:27Speaker 1: to fail. After that, the rest of Resso's life and
- 20:29Speaker 1: the state of the world got worse too. The Great
- 20:32Speaker 1: Depression was still going strong, and as Hitler got more
- 20:35Speaker 1: and more popular, people started to wonder if there was
- 20:38Speaker 1: going to be a war. So Rezzo and pretty much
- 20:41Speaker 1: everyone else around him just sank further into their fears
- 20:44Speaker 1: and worries and kept praying for something to change. Three
- 20:58Speaker 1: years later, on a spring evening in nineteen thirty five,
- 21:02Speaker 1: Rezo was back in Hungary, walking down a street in
- 21:04Speaker 1: the country's capital city, Budapest. He was on his way
- 21:07Speaker 1: to a friend's house, but as he strode down the sidewalk,
- 21:11Speaker 1: he heard a song coming from an open window. He
- 21:13Speaker 1: stopped cold and his heart began to pound because he
- 21:16Speaker 1: knew that song. It was his. It was Gloomy Sunday.
- 21:20Speaker 1: Rezo had no idea how or why he was hearing
- 21:23Speaker 1: his song, which as far as he knew, no one
- 21:25Speaker 1: had really been that interested in. But it was completely shocking.
- 21:28Speaker 1: I mean, someone he didn't know was listening to his
- 21:31Speaker 1: song on the radio. That meant it was being put
- 21:35Speaker 1: out on the airwaves and being consumed by the public.
- 21:37Speaker 1: This was incredible, and so Rezo just stood there, letting
- 21:39Speaker 1: his own notes wash over him for the first time,
- 21:42Speaker 1: you know, hearing this out in public. And then when
- 21:44Speaker 1: it was done, he just stood there and just absolutely beamed.
- 21:48Speaker 1: And after that, for months, Gloomy Sunday was everywhere. Reso
- 21:54Speaker 1: heard it played at social gatherings, streaming from people's windows,
- 21:58Speaker 1: street performers sang at the passer, and it was even
- 22:01Speaker 1: performed at concert venues all over the city. And so
- 22:03Speaker 1: by the end of the year it seemed like there
- 22:05Speaker 1: was hardly anyone in Hungary who hadn't heard and loved
- 22:09Speaker 1: his song. Rezzo even read in the papers that his
- 22:12Speaker 1: song was being played in England, in France, and as
- 22:15Speaker 1: far away as the United States, so Rezo knew that
- 22:18Speaker 1: he had actually done it. He had realized his dream
- 22:22Speaker 1: of being a successful, internationally recognized composer with a hit
- 22:27Speaker 1: song that truly resonated with the public. A few months later,
- 22:31Speaker 1: on a morning in late February of nineteen thirty six,
- 22:34Speaker 1: Rezzo left his apartment and was heading out for the day,
- 22:37Speaker 1: and on his way down the street, he passed by
- 22:40Speaker 1: a newsstand and he noticed that one of the headlines
- 22:44Speaker 1: mentioned his song, Gloomy Sunday. Initially, he was really excited
- 22:48Speaker 1: to see that he was getting some press, so he
- 22:50Speaker 1: immediately grabbed a copy and opened it up to read.
- 22:53Speaker 1: But as his eyes scammed the page, his stomach flipped
- 22:56Speaker 1: because this was not good press. Actually, what this article
- 23:00Speaker 1: had to say was so terrible that Reso's first reaction
- 23:04Speaker 1: was that he'd read it wrong, and so he read
- 23:06Speaker 1: it again and again and again. But each time he
- 23:09Speaker 1: read it, it just said the same horrible thing, and
- 23:13Speaker 1: so Rezzo found himself starting to panic. Rezo quickly shut
- 23:16Speaker 1: the paper and just began looking around him, and he
- 23:19Speaker 1: saw there were a few other people who were also
- 23:21Speaker 1: by the newstand, and they were reading the same paper,
- 23:23Speaker 1: and they were all talking to one another in hushed
- 23:25Speaker 1: voices and pointing at that headline about his song, and
- 23:29Speaker 1: Rezo just stood there, listening to this unsettling murmur and
- 23:33Speaker 1: feeling a wave of absolute horror wash over him. Over
- 23:36Speaker 1: the next month, more and more headlines about Rezo's song
- 23:40Speaker 1: continued to appear in the papers, and it was like
- 23:42Speaker 1: each day they only got worse. And then the story
- 23:45Speaker 1: went international, I mean, the Catholic Church weighed on it,
- 23:48Speaker 1: and then the police got involved. Finally, one afternoon at
- 23:52Speaker 1: the end of March in nineteen thirty six, Rezzo was
- 23:55Speaker 1: sitting at his piano, staring down at the keys. He
- 23:58Speaker 1: knew he should be right music, but instead he was
- 24:02Speaker 1: just filled with dread, just like he had been every
- 24:04Speaker 1: day since he first read that dreadful headline. And then
- 24:07Speaker 1: suddenly there was a knock at the door, and when
- 24:10Speaker 1: Rezo got up and answered it, a cold sweat broke
- 24:13Speaker 1: out all over his body because it was the Budapest
- 24:16Speaker 1: police and they wanted him to come down to the station.
- 24:20Speaker 1: Rezzo's pulse raced with nerves, but at this point he
- 24:23Speaker 1: wasn't surprised, because by now he knew that writing Gloomy
- 24:27Speaker 1: Sunday had been a horrific mistake, because it would turn
- 24:31Speaker 1: out Gloomy Sunday had been a very shockingly impactful song,
- 24:37Speaker 1: just as Rezo thought he wanted it to be. But
- 24:39Speaker 1: over the course of the last year, the police had
- 24:42Speaker 1: begun finding its sheet music, or its written lyrics, or
- 24:45Speaker 1: the actual song playing on record players at scenes of suicides.
- 24:51Speaker 1: Dozens of people across Hungry Europe and the United States,
- 24:55Speaker 1: from police officers to teenagers to wait staffed students, had
- 24:59Speaker 1: taken their own lives basically while listening to Gloomy Sunday.
- 25:04Speaker 1: These deaths were so widespread that a Hungarian archbishop actually
- 25:09Speaker 1: wrote a letter to the general public begging them to
- 25:12Speaker 1: stop hurting themselves, and multiple bands of the song itself
- 25:16Speaker 1: were enacted across Europe, in England and the United States.
- 25:20Speaker 1: On the day that the Budapest police knocked on Reso's door,
- 25:23Speaker 1: they demanded that he stop sales of the song, and
- 25:27Speaker 1: Rezu agreed, and eventually so did the song's publisher and
- 25:31Speaker 1: his musical partner Laslow, and Resso's partner. Laslow was especially
- 25:35Speaker 1: grief stricken by this whole thing because his fiance the
- 25:39Speaker 1: one who had broken his heart on the day he
- 25:41Speaker 1: had written this song with Rezzo. She ended up being
- 25:44Speaker 1: one of the many suicide victims. Before she took her
- 25:46Speaker 1: own life, she sent Laslow a telegram which simply said,
- 25:51Speaker 1: gloomy Sunday. No one knows why gloomy Sunday potentially caused
- 25:55Speaker 1: the sudden wave of death. One theory is that people
- 25:59Speaker 1: were already really suffering from depression and feeling hopeless because
- 26:04Speaker 1: of the Great Depression and the worsening political climate, and
- 26:07Speaker 1: the song's popularity was either a coincidence or sort of
- 26:10Speaker 1: an unfortunate trigger. As for Rezzo, he was devastated by
- 26:14Speaker 1: the legacy of his song. Even though it did technically
- 26:17Speaker 1: live up to his original vision, it did deeply resonate
- 26:21Speaker 1: with people and was unquestionably a hit, and over the years,
- 26:24Speaker 1: despite all the negative associations with the song, it's been
- 26:28Speaker 1: translated into twenty eight different languages and was even performed
- 26:31Speaker 1: by legendary singers like Frank Sinatra and Billie Holiday. Initially,
- 26:36Speaker 1: there was an estimated twenty suicides attributed to Gloomy Sunday
- 26:40Speaker 1: across Europe and the United States and the years that
- 26:43Speaker 1: have followed, however, lore around the song has only grown,
- 26:47Speaker 1: and some estimates put the death toll and the hundreds,
- 26:50Speaker 1: although the numbers are difficult to verify. Rezzo never wrote
- 26:54Speaker 1: another hit, and in fact, ultimately he followed in the
- 26:57Speaker 1: footsteps of some of his listeners. He jumped out the
- 27:01Speaker 1: window of his eighth floor apartment on another overcast gloomy
- 27:04Speaker 1: Sunday and died two days later. Before I wrap this
- 27:09Speaker 1: episode up, I want to say that if you are
- 27:12Speaker 1: experiencing suicidal thoughts or suicidal ideations, or you're just struggling
- 27:16Speaker 1: right now, number one, you're not alone. But number two,
- 27:20Speaker 1: you really need to talk to someone. Don't hold that
- 27:22Speaker 1: stuff in. Thank you so much for watching today's episode.
- 27:29Speaker 1: Let me know what you thought of it in the
- 27:30Speaker 1: comments below. And remember, we have a whole playlist of
- 27:34Speaker 1: places you can't go episodes ready for you to binge
- 27:37Speaker 1: right now, So go ahead and click here and give
- 27:40Speaker 1: them a watch. All right, until next time, See