Latest / Crime Stories with Nancy Grace / Alec Baldwin Tweets Buddha Quote, Angers Grieving Victim's Hubby
Transcript
- 0:05Speaker 1: Crime Stories with Nancy Grace. Why won't he just be quiet? Now?
- 0:18Speaker 1: That could really apply to a lot of people. Right now,
- 0:21Speaker 1: I'm talking about blockbuster movie star Alec Baldwin. In the
- 0:28Speaker 1: last hours, he's tweeted something out about being truthful and Buddhism.
- 0:35Speaker 1: What And it's coincidentally the same day that the grieving
- 0:40Speaker 1: widow of Helena Hutchins speaks out about him, shifting blame
- 0:47Speaker 1: and sounding like he Alec Baldwin is the victim of
- 0:52Speaker 1: the fatal rust set shooting that claimed the life of
- 0:57Speaker 1: a wife, a mother of a little boy, boy Andrews.
- 1:01Speaker 1: I mean, I see Grace, this is Crime Stories. Thank
- 1:03Speaker 1: you for being with us here at Fox Nation and
- 1:06Speaker 1: Serious XM one eleven. You know I've enjoyed his movies.
- 1:11Speaker 1: I've enjoyed him on Saturday Night Live. Not anymore, Not anymore.
- 1:18Speaker 1: If you can't speak without taking blame or shifting blame
- 1:25Speaker 1: to somebody else, for Pete's sake, he had the gun
- 1:27Speaker 1: in his hand when Elena was shot dead. Just don't
- 1:31Speaker 1: say anything. Just don't speak, for Pete's sake. You know
- 1:36Speaker 1: what I believe. Miss Hutchins's husband says it all. I
- 1:41Speaker 1: don't need to speak for him. Take a listen to
- 1:44Speaker 1: Matt Hudges speaking to our friend Hoda on NBC. Remember
- 1:50Speaker 1: the production team told me that Helena had been shot,
- 1:54Speaker 1: and my heart sank right away, completely inexplicable to me
- 2:00Speaker 1: that it could have happened at that moment, and the
- 2:02Speaker 1: first thing I thought. I sat down and I said,
- 2:05Speaker 1: I have to get my son because I had to
- 2:07Speaker 1: be with him. I rushed home, and on the way
- 2:12Speaker 1: I decided that we had to go to Santa Fe.
- 2:14Speaker 1: And when I got through to the doctor and spoke
- 2:18Speaker 1: with him, and he detailed exactly what had happened and
- 2:20Speaker 1: that she didn't survive. I mean I was. I was heartbroken,
- 2:25Speaker 1: and I knew that I had to tell my son
- 2:29Speaker 1: right away when I saw him, I just had to
- 2:30Speaker 1: be very direct and blunt, because going to pick him
- 2:33Speaker 1: up and go to the airport to go to Santa Fe,
- 2:35Speaker 1: I didn't want him to think that we were going
- 2:38Speaker 1: to be seeing her and having fun together and getting
- 2:41Speaker 1: his hopes up. I told him, sitting together, you know,
- 2:45Speaker 1: that his mother had been shot and died, and of
- 2:49Speaker 1: course he didn't believe it right away. He didn't want
- 2:51Speaker 1: to believe it. I'm just hearing that how do you
- 2:55Speaker 1: tell your little boy that mommy has been shot and
- 3:03Speaker 1: is dead and then load your child up in a
- 3:07Speaker 1: car and take off to the scene of the shooting.
- 3:11Speaker 1: Just before I introduced our all Star panel, let me
- 3:15Speaker 1: go first to doctor Jerry Cross and psychologist Faculties Saint
- 3:18Speaker 1: Leo University and author of Operation SOS Doctor Jury. I
- 3:23Speaker 1: know I'm projecting again, but when my fiance Keith was murdered,
- 3:28Speaker 1: all I wanted to do was get there because in
- 3:32Speaker 1: my mind, I guess I thought maybe I could fix it.
- 3:35Speaker 1: I did. I thought I could fix it. Then I
- 3:37Speaker 1: can anvince myself that it was wrong, that he was
- 3:40Speaker 1: not dead, that he was just in the hospital, and
- 3:42Speaker 1: if I could just get there, I could fix it.
- 3:46Speaker 1: I could tell the doctors to do something I didn't
- 3:49Speaker 1: know what, but something and save him. And I'm thinking
- 3:53Speaker 1: about this dad just flying up the interstate to the
- 3:59Speaker 1: airport to try to get there. What is that impulse? Well,
- 4:03Speaker 1: that's trying to bring some kind of comprehension or coherence
- 4:07Speaker 1: into this trauma, this traumatic situation. By him telling his
- 4:13Speaker 1: son up front, you know, I think that was a
- 4:16Speaker 1: good thing because, like he explained that he didn't want
- 4:19Speaker 1: them to think we're going out to visit mom and
- 4:22Speaker 1: they can start the bonding and healing of the grief
- 4:25Speaker 1: process together as father and son. How can you do
- 4:28Speaker 1: that when you don't really even know what's happened yet. Well,
- 4:30Speaker 1: I mean, you know that she is dead, so you
- 4:32Speaker 1: can start grieving from that point, and you can start
- 4:36Speaker 1: again that bonding from father and son trying to explain things,
- 4:40Speaker 1: remembering good times. All of this is all that process
- 4:44Speaker 1: that comes from that traumatic jolt again. I mean, see Grace,
- 4:48Speaker 1: this is Crime Stories and thank you for being with
- 4:51Speaker 1: us here at Fox Nation. In series XM one eleven,
- 4:54Speaker 1: apparently Alec Baldwin, megastar on the big screen and on TV,
- 5:01Speaker 1: just can't stop talking. Take a listen to our friends
- 5:06Speaker 1: at Inside Edition. The husband of cinematographer Helena Hutchins, who
- 5:12Speaker 1: was accidentally shot and killed by Alec Baldwin. He's breaking
- 5:15Speaker 1: his silence, just so angry to see him talk about
- 5:18Speaker 1: her death so publicly in such a detailed way, and
- 5:22Speaker 1: then let's not accept any responsibility after having just described
- 5:27Speaker 1: killing her. Matthew Hutchins tells the Today Shows Hoda Copy
- 5:31Speaker 1: that he finds it shocking that Baldwin is portraying himself
- 5:34Speaker 1: as the victim. Hearing him blame Helena in the interview
- 5:39Speaker 1: and shift responsibility to others and seeing him cry about it,
- 5:45Speaker 1: I just feel like, are we really supposed to feel
- 5:49Speaker 1: bad about you, mister Baldwin. In the days after his
- 5:52Speaker 1: wife was shot to death, Matthew Hutchins was seen embracing Baldwin,
- 5:56Speaker 1: but now he says it's time for the actor to
- 5:58Speaker 1: take responsibility for what happened. The idea that the person
- 6:02Speaker 1: holding the gun causing it to discharge is not responsible
- 6:06Speaker 1: is absurd to me. Well, I've got to agree with him,
- 6:10Speaker 1: Matthew Hutchins, Helena's husband. But what exactly to Alexis Terrestchuck
- 6:16Speaker 1: Crime online dot com investigative reporter with Me Alexis Terres Chuck.
- 6:20Speaker 1: Wendy Patrick, California prosecutor, author of Red Flags and host
- 6:25Speaker 1: of Today with Doctor Wendy k c b Q. You
- 6:28Speaker 1: can find her at Wendy Patrick PhD dot com, Doctor
- 6:31Speaker 1: Jorry Crows and psychologist at faculty at Saint Leo University,
- 6:35Speaker 1: author of Operation so Os Paul Zike for a police commander,
- 6:40Speaker 1: and author of Stopped Him From Killing Them on Amazon
- 6:46Speaker 1: doctor Michelle Dupree, forensic pathologists, former medical examiner and author
- 6:51Speaker 1: of Homicide Investigation Field Guide Matte Alexis Terrestuck. What is
- 6:56Speaker 1: Matthew Hutchins talking about when he is set saying that
- 7:00Speaker 1: Alec Baldwin is blaming his wife. So four months later
- 7:05Speaker 1: and Alec Baldwin gives an interview where he says, you
- 7:08Speaker 1: know someone was responsible for this death, but it wasn't me, okay,
- 7:13Speaker 1: So Alexis terres Schuck, Baldwin is now saying it's not
- 7:16Speaker 1: my fault. He is, he has said it was not
- 7:19Speaker 1: my fault. It's somebody's fault. But it certainly wasn't me.
- 7:23Speaker 1: But he was the one holding the gun. He was
- 7:25Speaker 1: the one pointing it at her. He was one holding
- 7:27Speaker 1: it when it went off and shot her and in
- 7:29Speaker 1: fact shot another person. And now Baldwin tweeting out something
- 7:33Speaker 1: about being truthful in Buddhism, he did, okay, take a
- 7:39Speaker 1: listen to our cut eleven in from NBC. Baldwin has
- 7:43Speaker 1: not commented on the interview, but posted this cryptic message
- 7:47Speaker 1: on social media. In Buddhism, being truthful goes beyond simply
- 7:51Speaker 1: not telling lies when anyone feels no shame in telling
- 7:54Speaker 1: a deliberate lie. There is no evil. They will not do.
- 7:59Speaker 1: The actor also posting this clip of Nina Simone singing
- 8:03Speaker 1: Please don't let me be misunderstood. In an earlier statement,
- 8:07Speaker 1: Baldwin's attorney says any claim that Alick was reckless is
- 8:11Speaker 1: entirely false. The Santa Fe County DA's office says it's
- 8:16Speaker 1: still investigating the shooting and has not decided whether to
- 8:19Speaker 1: file criminal charges. The FBI is doing ballistic tests and
- 8:24Speaker 1: analyzing the revolver used in the shooting. The DA writing,
- 8:28Speaker 1: while my office has reviewed weapons with similar actions and
- 8:32Speaker 1: varying conditions, it is premature to guess or speculate about
- 8:36Speaker 1: the functionality of the particular firearm. Mister Baldwin discharged. WHOA
- 8:42Speaker 1: he sounds like a cat in a room full of
- 8:44Speaker 1: rock and shares he's really parsing his wars. We've done
- 8:48Speaker 1: a lot of tests on a lot of guns, but
- 8:50Speaker 1: not that guns, so we don't know if Balwin pull
- 8:54Speaker 1: the trigger or not. So in Buddhism, being truthful goes
- 8:58Speaker 1: beyond simply not telling lies what. It's very confusing, and
- 9:05Speaker 1: I doubt pretty seriously. Alexis Terrez Chuck that one of
- 9:08Speaker 1: the all time greatest singers in the world, Nina Simone
- 9:12Speaker 1: may she rest in peace, wants to be dragged into
- 9:15Speaker 1: this with Alec Baldwin, but's also just so disrespectful, like
- 9:19Speaker 1: he yes, you are an actor, but you are also
- 9:22Speaker 1: a father, you are a husband. You should understand the
- 9:25Speaker 1: devastation of this his cause for the family. And to
- 9:27Speaker 1: put up a quote from a singer or a Buddhist quote,
- 9:30Speaker 1: are you are you even a practicing Buddhist Alec Bublin?
- 9:33Speaker 1: This is it's just a slap in the face to
- 9:36Speaker 1: the family of the woman he killed. And you know
- 9:38Speaker 1: what he said in that interview where he totally didn't
- 9:41Speaker 1: kick anyblame at all. He said, someone put a live
- 9:43Speaker 1: bullet in a gun, a live bullet that wasn't even
- 9:45Speaker 1: supposed to be on the property. I can't see who
- 9:47Speaker 1: that is, but I know it's not me. Someone's responsible,
- 9:50Speaker 1: but it's not. That reminds me so much Wendy Patrick
- 9:53Speaker 1: at trial when I would try co defendants together that
- 9:55Speaker 1: I'll go like this, pointing at each other, not me.
- 10:00Speaker 1: The money did it, but it wasn't me. And another thing,
- 10:03Speaker 1: Wendy Passion. While I've got you California prosecutor author red flags.
- 10:07Speaker 1: From my understanding, matt Hutchins the husband, He's no idiot.
- 10:12Speaker 1: He didn't just fall off the turnip truck. I understand
- 10:14Speaker 1: that he is a Harvard educated lawyer. Yeah, you know,
- 10:18Speaker 1: it is really hard to hear, especially I can imagine
- 10:21Speaker 1: being a lawyer. Matthew is listening to Baldwin say I'm
- 10:24Speaker 1: not responsible when he was the one with the gun
- 10:26Speaker 1: in his hand. So what Boldwin is trying to say,
- 10:29Speaker 1: Remember he's a civil defendant here, He's trying to say,
- 10:32Speaker 1: I'm guilty of killing her, not murdering her. But that's
- 10:35Speaker 1: not a distinction with a difference to a grieving family,
- 10:38Speaker 1: and we see that sometimes in cases like this. That's
- 10:41Speaker 1: why it's so hard, no doubt from Matthew and others,
- 10:44Speaker 1: to listen to this. Why has Alex Baldwin changed by
- 10:47Speaker 1: the way it says something that really struck me wrong.
- 10:51Speaker 1: Not that you're inaccurate, but you're right, this is a
- 10:53Speaker 1: civil proceeding, But why is this not a criminal proceeding such?
- 11:00Speaker 1: I don't have any belief that Alec Baldwin meant to
- 11:04Speaker 1: shoot a person, much less Helena Hutchins. I don't think
- 11:08Speaker 1: he meant to, but there is such a thing as
- 11:11Speaker 1: reckless hall side and das still looking at it, and
- 11:15Speaker 1: she was very clear, why are they still looking? What's happening?
- 11:18Speaker 1: Well according to their office, and I think he just
- 11:20Speaker 1: played a little bit of the cliff. They're still analyzing
- 11:23Speaker 1: the evidence, but they've had a long time to do
- 11:25Speaker 1: that between the between the killing and between now. So
- 11:30Speaker 1: it's a great question as to why criminal charges aren't there.
- 11:33Speaker 1: It's not it's easy to understand why a civil suit
- 11:35Speaker 1: has been filed. So I hear you, Paul sit jumping in,
- 11:37Speaker 1: who's that? Yes, it is so. Bottom line is he's
- 11:42Speaker 1: a film producer, star of the film, in the big
- 11:44Speaker 1: name on the set. Nobody's going to tell him what
- 11:46Speaker 1: to do or what not to do. He brought that,
- 11:49Speaker 1: he took the possession of the firearm, he aimed the firearm,
- 11:53Speaker 1: and he caused the firearm to discharge from a beyond
- 11:57Speaker 1: a reasonable doubt. That's going to take some time, and
- 12:00Speaker 1: they're taking some time to put that together from the
- 12:03Speaker 1: pondering to the evidence of civil suit. That's a slam dunk.
- 12:07Speaker 1: Speaking of Ali Balden and what are you saying now
- 12:09Speaker 1: other than tweeting out Buddhist comments. Take a listen to seven,
- 12:13Speaker 1: and this is him speaking with our friends at ABC.
- 12:16Speaker 1: And she says to me, hold the gun lower, go
- 12:18Speaker 1: to your right. Okay, right there. I do that. I'm
- 12:20Speaker 1: showed a little lower and she's getting me to position
- 12:23Speaker 1: the gun. Everything is in her direction. She's guiding me
- 12:27Speaker 1: through how she wants me to hold the gun for
- 12:29Speaker 1: this angle. And I draw the gun out and I
- 12:31Speaker 1: find a mark. I drew the gun out off a cock.
- 12:34Speaker 1: And what's really urgent is the gun wasn't meant to
- 12:37Speaker 1: be fired in that angle. So if you're shooting directly
- 12:40Speaker 1: into the camera lens, you're not aim I'm not shore
- 12:42Speaker 1: into the camera lens. I'm shooting just off, just off
- 12:45Speaker 1: in her direction. I'm holding the gun where she told
- 12:48Speaker 1: me to hold it, which ended up being aimed right
- 12:50Speaker 1: and below her armpit. It was what I was told.
- 12:52Speaker 1: I don't know. This was a completely incidental shot, an
- 12:56Speaker 1: angle that may not have ended up in the film
- 12:58Speaker 1: at all, but we kept doing this new so that
- 13:01Speaker 1: I said to her, now in this scene, I'm going
- 13:03Speaker 1: to cock the gun. And I said, do you want
- 13:05Speaker 1: to see that? And she said yes, So I take
- 13:07Speaker 1: the gun and I start to cock the gun. I'm
- 13:09Speaker 1: not going to pull the trigger. I said, do you
- 13:11Speaker 1: see that? She was, will just cheat it down and
- 13:12Speaker 1: tilt it down a little bit like that. And I
- 13:14Speaker 1: cop the gun to go can you see that? Can
- 13:16Speaker 1: you see that? Can you see that? And she says,
- 13:18Speaker 1: and then I let go with the hammer of the
- 13:19Speaker 1: gun and the gun goes off. Time stories with Nancy Grace,
- 13:34Speaker 1: we kept doing this news so that I said to her,
- 13:36Speaker 1: now in this scene, I'm going to cock the gun.
- 13:38Speaker 1: And I said, do you want to see that? And
- 13:39Speaker 1: she said yes. So I take the gun and I
- 13:41Speaker 1: start to cock the gun. I'm not going to pull
- 13:43Speaker 1: the trigger. I said, do you see that? She was,
- 13:45Speaker 1: We'll just cheat it down and tilt it down a
- 13:47Speaker 1: little bit like that. On I cop the gunn go
- 13:48Speaker 1: can you see that? Can you see that? Can you
- 13:50Speaker 1: see that? And she says, and then I let go
- 13:52Speaker 1: with the hammer of the gun and the gun goes off.
- 13:54Speaker 1: That's I believe it's that portion of his statements that
- 13:59Speaker 1: is just stabbing the victim's family in a heart. She
- 14:03Speaker 1: told me to do what she told me to do
- 14:05Speaker 1: this She said, yes, I can see now why Matthew
- 14:09Speaker 1: Hudgins is so angry take us an our cut ten
- 14:12Speaker 1: in Our Friends at NBC see him talk about her death.
- 14:17Speaker 1: Matthew Hutchins expressing his grief and anger at Alec Baldwin
- 14:21Speaker 1: her comments the actor made following the Rust tragedy. Just
- 14:24Speaker 1: so angry to see him talk about her death so publicly.
- 14:29Speaker 1: Hutchins has filed a wrongful death suit against Baldwin and
- 14:32Speaker 1: other members of the production team, telling Hoda he takes
- 14:36Speaker 1: issue with Alec Baldwin's account of the fatal incident, holding
- 14:39Speaker 1: I'm just showing how about that? Does that work? Do
- 14:41Speaker 1: you see that? Do you see that? Just say? She goes, yeah,
- 14:43Speaker 1: that's good. I'm not going to the hammer bang, the
- 14:45Speaker 1: gun goes. Mister Baldwin goes out there and talks about
- 14:49Speaker 1: these details about how he caused the gun to discharge
- 14:53Speaker 1: and yet takes no responsibility. And in my mind, it's
- 14:56Speaker 1: just very simple that he was holding the gun and
- 14:59Speaker 1: caused it to go off. Baldwin has not commented on
- 15:02Speaker 1: the interview and also insists he did not pull the
- 15:08Speaker 1: trigger or take a Listen to our cut eight in
- 15:11Speaker 1: Our Friends at NBC, I let go of the hammer
- 15:13Speaker 1: of the gun, that gun goes on at the moment
- 15:15Speaker 1: and decides that was the moment the gun went off.
- 15:17Speaker 1: Yet that was the moment that coming on. It wasn't
- 15:19Speaker 1: in the script for the trigger to be pulled. Well,
- 15:22Speaker 1: the trigger wasn't pulled. I didn't pull the trigger, and
- 15:24Speaker 1: so you never pulled the trigger. No, no, no, no no.
- 15:26Speaker 1: I would never point a gun anyone to pull the
- 15:28Speaker 1: trigger at them. Never. Never. That was the training that
- 15:30Speaker 1: I had. You don't point a gun and pull trigger.
- 15:33Speaker 1: On day one of my instruction in this business, people
- 15:36Speaker 1: said to me, never take a gun and go click
- 15:37Speaker 1: click click, click click. Because he didn't, even though it's incremental,
- 15:40Speaker 1: you damaged the firing pin on the gun if you
- 15:42Speaker 1: do that. Don't do that. And Hall's attorney told ABC
- 15:45Speaker 1: News that he was watching and agrees that Alec did
- 15:48Speaker 1: not pull the trigger and that his finger was outside
- 15:51Speaker 1: the trigger guard. So you know this cold forty five,
- 15:54Speaker 1: you just pulled the hammer as far back as I've
- 15:57Speaker 1: been without cocking the actual and you're holding onto the hammer.
- 15:59Speaker 1: I'm I'm just sorring. How about that? Does that work?
- 16:01Speaker 1: You see that? Do you see that? Just say? She
- 16:03Speaker 1: goes yeah, that's good. I'll let going the hammer, bang,
- 16:05Speaker 1: the gun goes off. That's so we're hearing. Now we
- 16:07Speaker 1: understand why an inspection of that weapon is so critical.
- 16:13Speaker 1: To doctor Michelle Dupre, forensic pathologists and former medical examiner,
- 16:17Speaker 1: author of Homicide Investigation Field Guide, why is it so
- 16:21Speaker 1: critical that the tests are appropriately run, the ballistic tests
- 16:27Speaker 1: on the shooting weapon. Nancy, that's gonna you're gonna look
- 16:31Speaker 1: at the bullet and you're gonna look at the bullet
- 16:33Speaker 1: that's recovered after a test firing, and you're gonna be
- 16:36Speaker 1: able to say that, yes, this is definitely the gun.
- 16:39Speaker 1: This is definitely the weapon that shot this person in
- 16:42Speaker 1: fact killed them. And it's just sort of you know,
- 16:44Speaker 1: dotting your eyes and crossing your teeth. It's also making
- 16:46Speaker 1: sure that the weapon didn't malfunction, that it's like functioning
- 16:50Speaker 1: weapon and so it was not quote accidental. What about it, paul'syke, Okay,
- 16:55Speaker 1: So that a hammer and that type of weapon, it's
- 16:57Speaker 1: a single action fire. He's pulling that hammerback and he's
- 17:02Speaker 1: doing a great job with playing with words. He's pulling
- 17:05Speaker 1: the hammerback. No finger on the trigger. If he pulls
- 17:09Speaker 1: that back and he doesn't pull it back far enough
- 17:11Speaker 1: to where that hammer a lots by him releasing the
- 17:15Speaker 1: hammer with his thumb and that hammer going forward using
- 17:19Speaker 1: the firing pin, I'm the hammer striking the cartridge and
- 17:23Speaker 1: the weapon goes off. So he is he's misrepresenting the
- 17:27Speaker 1: truth and telling the truth at the same time by
- 17:31Speaker 1: saying I didn't look okay, you know what, I have
- 17:33Speaker 1: no doubt. Paul's like that, You're right, but I don't
- 17:36Speaker 1: know anything you just said. Can you just speak to me,
- 17:40Speaker 1: like I have never prosecuted a shooting death, Just tell
- 17:44Speaker 1: me what you just said in simple words. Because you
- 17:47Speaker 1: can't pull the trigger and not pull the trigger. You
- 17:50Speaker 1: can't shoot and not shoot right. I may not know
- 17:52Speaker 1: a lot, but I know that much. Both statements can
- 17:55Speaker 1: be correct. That single action firearm that could forty five
- 17:59Speaker 1: does not have to have the hammer pulled all the
- 18:02Speaker 1: way back, and you don't have to pull the trigger.
- 18:05Speaker 1: He can pull the hammer partially back and let go
- 18:08Speaker 1: of it, and that hammer still is enough force to
- 18:12Speaker 1: go forward, strike the cartridge and fire the gun. And
- 18:15Speaker 1: it sounds like that is what happened in this case.
- 18:17Speaker 1: So Wendy Patrick, even under the scenario that Alec Baldwin
- 18:23Speaker 1: has painted for us speaking to our friends at ABC.
- 18:26Speaker 1: He is still responsible for the shooting, whether he pull
- 18:29Speaker 1: the trigger or not, if Paul Zyke is correct. And
- 18:32Speaker 1: that's why Paul Zyke would be my number one expert witness.
- 18:35Speaker 1: He'd be the star of the show because that's the
- 18:37Speaker 1: issue here is negligence and was it some sort of
- 18:40Speaker 1: negligence supervision? Remember Baldwin was also the executive producer, so
- 18:44Speaker 1: there's different levels of liability that jury can look at.
- 18:47Speaker 1: But that's exactly it. They're going to have to prove
- 18:49Speaker 1: that what he did with that gun, the way he
- 18:51Speaker 1: manipulated it, let's just call it, that did not violate
- 18:54Speaker 1: some sort of standard of karats my Pnfhill Dodle, Paul Zey,
- 18:58Speaker 1: will you say it one more time, just as few
- 19:01Speaker 1: words as necessary. The manipulation of the firearm that Alec
- 19:05Speaker 1: Baldwin engaged in was enough to cause that firearm to
- 19:10Speaker 1: discharge with or without the pulling of the trigger. The end,
- 19:15Speaker 1: the way he Baldwin is handling the gun, whether he
- 19:18Speaker 1: pulled the shagger or not, resulted in the bullet ejecting.
- 19:24Speaker 1: Is that what you just said? Absolutely absolutely, and it's
- 19:27Speaker 1: because he helped pull the hammer back. Explain everybody what
- 19:31Speaker 1: the hammer is. The hammer is simply the thing that
- 19:33Speaker 1: you would grab with your thumb. It's where it's located
- 19:36Speaker 1: about where your thumb is. And in a single action firearm. Again,
- 19:39Speaker 1: not all firearms have hammers, this one does. He pulled
- 19:42Speaker 1: back the hammer and pull the trigger. Yeah, well if
- 19:45Speaker 1: it locks, If the hammer pulls all the way back
- 19:48Speaker 1: and locks, you then have to pull the trigger to
- 19:51Speaker 1: get it to fire. If you pull it back and
- 19:54Speaker 1: say three forced the way back where it doesn't lock,
- 19:57Speaker 1: and then you let go of the hammer, they're still
- 19:59Speaker 1: in the energy and that hammer dropping to use the
- 20:04Speaker 1: hit the cartridge itself with that hammer and cause it
- 20:08Speaker 1: to fire. And bottom line, if it wasn't aimed at
- 20:12Speaker 1: a person, even if that worder case and he just
- 20:15Speaker 1: dropped the hammer, nobody would have been shot. But in
- 20:18Speaker 1: fact it was aimed at somebody while that happened, Okay,
- 20:22Speaker 1: that makes it jump in Legally, the big issue is
- 20:25Speaker 1: going to be who should have known there was a
- 20:27Speaker 1: live bullet in the gun? I mean that seems to
- 20:29Speaker 1: do what a lot of people are focusing on that
- 20:32Speaker 1: work on the set. But Wendy Patrick, I mean, you've
- 20:34Speaker 1: handled guns in front of a jury. The first thing
- 20:37Speaker 1: I hate guns to start with, But whenever I would
- 20:41Speaker 1: prosecute a case, I would have to handle the gun.
- 20:43Speaker 1: And the first thing you do is pick it up,
- 20:46Speaker 1: pointing down, open it in front of the jury, look
- 20:51Speaker 1: yourself to make sure there's no bullet sent it. Shake it,
- 20:55Speaker 1: says the jury knows there's no bullet sent it, and
- 20:57Speaker 1: either leave the shamer out or wreck it back in
- 21:01Speaker 1: and then handle it. Everybody in their right mind knows
- 21:06Speaker 1: you have to check the see if there's a bullet
- 21:08Speaker 1: in there. And if there had been, well there was
- 21:11Speaker 1: a live round in there, he would have seen that
- 21:13Speaker 1: if he had checked. Yeah, that's exactly right. And that's
- 21:16Speaker 1: what the focus right now is. Why didn't he check?
- 21:18Speaker 1: Should he have checked? Would he trained a check in?
- 21:20Speaker 1: His talking continually about the case is not helping him.
- 21:24Speaker 1: He said he was trying and quoting out some Buddhist
- 21:27Speaker 1: quote is not helping anything. Listen to nine in This
- 21:31Speaker 1: is Baldwin still talking on ABC. Well, everyone is horrified,
- 21:38Speaker 1: they're shocked. It's loud, they don't have their ear plugs,
- 21:42Speaker 1: and no one was the gun was supposed to be empty.
- 21:44Speaker 1: I was told I was handed an empty gun, if
- 21:47Speaker 1: there were cosmetic grounds and nothing with a charge at all,
- 21:50Speaker 1: or a flash round, nothing where she goes down? I
- 21:53Speaker 1: thought to myself, but is she faint? The notion that
- 22:00Speaker 1: there was a live round in that gun did not
- 22:05Speaker 1: down a mate probably forty five minutes to an hour later,
- 22:08Speaker 1: forty five minutes to an hour. Well, she's laying there,
- 22:10Speaker 1: and I go, did she hit it by wadding? Was
- 22:12Speaker 1: there a blank Sometimes those blank rounds have a wadding
- 22:15Speaker 1: inside that packs us like a cloth that packs the gunpowder,
- 22:19Speaker 1: and sometimes wadding comes out and can hit people and
- 22:21Speaker 1: it can feel like a little bit of a poke.
- 22:23Speaker 1: But no one could understand did she have a heart attack?
- 22:27Speaker 1: We could remember the idea that someone put a live
- 22:29Speaker 1: bullet in the gun was not even in reality. Did
- 22:32Speaker 1: you go up to her? Did you back up to her?
- 22:34Speaker 1: And then we were meeting aboard told to get out
- 22:35Speaker 1: of the building. We were forced to get out of
- 22:36Speaker 1: the building. The medicis came in and I stood over
- 22:38Speaker 1: her for sixty seconds as she just laid there kind
- 22:42Speaker 1: of in shock. Was she conscious? My recollection is yes,
- 22:47Speaker 1: he couldn't see the blood. Let's see when you when
- 22:51Speaker 1: you say he didn't know she was shot for forty
- 22:54Speaker 1: five minutes to an hour. He thought she may have
- 22:57Speaker 1: passed out or got hit by the wadding and the gun.
- 23:00Speaker 1: And that's not what we're learning on an immediate nine
- 23:03Speaker 1: one one call. Take a listen to our cut sixteen
- 23:06Speaker 1: in they were but doubled over the ID and the
- 23:11Speaker 1: camera woman and the direct and the director. They're clearing
- 23:14Speaker 1: the roads ten to come back. We're back on the K.
- 23:16Speaker 1: So back in the town, if you call them, were
- 23:18Speaker 1: back in the western town. Is there any serious belieing?
- 23:22Speaker 1: I don't know. I ran out of the building, but fine,
- 23:25Speaker 1: I still have to go through these Okay, are they
- 23:27Speaker 1: completely alert? We don't know, Sallo, Hi, I have a
- 23:34Speaker 1: protocol of questions I need to add if you think
- 23:36Speaker 1: you'll just sounds in the best in came. Okay, aren't
- 23:38Speaker 1: they completely alert? Um? Yeah, well part of the body
- 23:44Speaker 1: was injured. I'm not sure. I'm not in there. Fine,
- 23:48Speaker 1: is there more than one wound? I think there's one
- 23:51Speaker 1: on on two individuals, one one on two individuals. Okay, yeah, okay,
- 23:56Speaker 1: So I mean everyone's helping outstandlineal see exactly want to
- 23:59Speaker 1: do next? Okay, I'm gonna tell you how to stop
- 24:03Speaker 1: the bleeding and listened carefully, make sure we do it right.
- 24:06Speaker 1: We do. We do have a medic on set. They're
- 24:10Speaker 1: already doing. That is the bleeding controls um if I'm
- 24:16Speaker 1: allowed to get it. So immediate calls from nine one one.
- 24:20Speaker 1: They obviously know people have been shot, but Alec Baldwin says,
- 24:24Speaker 1: forty five minutes to an hour goes by before he
- 24:29Speaker 1: realizes she didn't just faint or get hit by the
- 24:33Speaker 1: wanting Yet he says he was standing over her. Did
- 24:37Speaker 1: he not say that? Alex? Alexis ures check, that's exactly
- 24:40Speaker 1: what he said, and he said, and that's I'm so
- 24:43Speaker 1: glad you just played that nine one one call because
- 24:45Speaker 1: it's a complete contradiction. The woman who placed the nine
- 24:48Speaker 1: one one call immediately said, there's been an accidental shooting
- 24:51Speaker 1: on the set. So how did Alex Baldwin not know
- 24:53Speaker 1: when he's in the room and then where they say
- 24:56Speaker 1: there's a medic taking care of her, and they weren't
- 24:58Speaker 1: letting people back in. The woman, the operator who was
- 25:01Speaker 1: trained to teach people how to stop the bleeding, wasn't
- 25:04Speaker 1: even they weren't even allowed to go back into help,
- 25:06Speaker 1: which they clearly needed because she didn't make it. And Baldwin,
- 25:10Speaker 1: you have to remember, is a very very very good actor,
- 25:13Speaker 1: an award winning actor, and he's had months now to
- 25:18Speaker 1: change his story, to come up with a different plan,
- 25:21Speaker 1: to come up with a different version of what happened
- 25:23Speaker 1: to DNA Michelde pre forensic pathologists joining us form a
- 25:26Speaker 1: medical examiner. What were hauling his injuries exactly? Well, she
- 25:30Speaker 1: was actually shot and bled to death, so we call
- 25:34Speaker 1: that excanguination. She was shot in the upper part of
- 25:37Speaker 1: her body. I don't know what organs or vessels had
- 25:42Speaker 1: actually hit, but it was a certainly enough to cause
- 25:44Speaker 1: her to bleed to death. How could he stand over
- 25:47Speaker 1: her and not know she was bleeding out right there?
- 25:51Speaker 1: I do not understand that. I don't understand that either.
- 25:54Speaker 1: And you know, this is what we've learned a small lie.
- 25:59Speaker 1: For instance, I for forty five minutes that she would
- 26:01Speaker 1: been shot, when you know he also said still he
- 26:05Speaker 1: stood over her for sixty seconds following at least following
- 26:08Speaker 1: the shooting. The two of those can't be true. At
- 26:12Speaker 1: a trial, a jury is instructed by the judge. It's
- 26:16Speaker 1: a black and white letter of the law. If you
- 26:19Speaker 1: find a defendant has lied in part or in hole,
- 26:24Speaker 1: you can throw out their entire testimony and disregard it.
- 26:29Speaker 1: Why would he say that? Take a listen to our
- 26:32Speaker 1: cut five in this is Helena Hutchins's husband speaking to
- 26:35Speaker 1: our friend Hodah. He said, essentially he felt grief but
- 26:39Speaker 1: no guilt. Almost sounds like he was the victim. And
- 26:43Speaker 1: hearing him blame Helena in the interview and shift responsibility
- 26:49Speaker 1: to others and seeing him cry about it, I just
- 26:52Speaker 1: feel like, are we really supposed to feel bad about you,
- 26:56Speaker 1: mister Baldwin? So do you think that the majority of
- 26:59Speaker 1: the blame lays on Alec Baldwin? The idea that the
- 27:02Speaker 1: person holding a gun causing it to discharge is not
- 27:06Speaker 1: responsible is absurd to me. Every individual who touches a
- 27:10Speaker 1: firearm has a responsibility for gun safety. But gun safety
- 27:15Speaker 1: was not the only problem on that set. There were
- 27:17Speaker 1: a number of industry standards that were not practiced and
- 27:24Speaker 1: there's multiple responsible parties. Well, he's right about that. The
- 27:29Speaker 1: husband of Helena Hutchins describing a very lax attitude towards
- 27:35Speaker 1: safety on the set of Rust, the movie, the major
- 27:38Speaker 1: motion picture that Alec Baldwin was filming. Take a list
- 27:42Speaker 1: of our cut six in This is Matt Hutchins again
- 27:44Speaker 1: speaking the suit, which alleges at least fifteen safety practices
- 27:48Speaker 1: were disregarded on set, claims there was a wider culture
- 27:52Speaker 1: of cost cutting that ultimately led to Helena's death. In
- 27:55Speaker 1: a statement, Baldwin's attorney says, any claim that Alec was
- 27:59Speaker 1: reckless is in tirely false. In your mind's eye, what
- 28:03Speaker 1: does justice look like? You know, we're pursuing justice every
- 28:09Speaker 1: way we can, with the lawsuit seeking to hold accountable
- 28:14Speaker 1: the people who are responsible for Helena's death, which was
- 28:20Speaker 1: totally preventable. In the end, you know, justice won't bring
- 28:26Speaker 1: Helena back, but maybe the memory of her can help
- 28:31Speaker 1: keep people safe and prevent something like this from ever
- 28:35Speaker 1: happening again. I can tell you another thing it will
- 28:37Speaker 1: do seeking justice, and that is how Ease is suffering
- 28:43Speaker 1: of her little boy, eight years old. Ambrose will grow
- 28:47Speaker 1: up one day and if no one does anything about
- 28:51Speaker 1: this shooting of his mother, he will feel helpless the
- 28:56Speaker 1: rest of his life. You never get over that. I've
- 29:00Speaker 1: spoken to so many adults that were child victims of crime,
- 29:04Speaker 1: and one of the main things they suffered the rest
- 29:06Speaker 1: of their lives is. Nobody did anything. Nobody did the
- 29:12Speaker 1: right thing. Nobody protected my mother, No one avenged her death, nothing,
- 29:17Speaker 1: and that is so wrong. And I don't understand why
- 29:21Speaker 1: the prosecutor is sitting on his thumb. Alexis terrest like,
- 29:25Speaker 1: what's happening there? And see afraid of movie started, might
- 29:28Speaker 1: get mad at him and trash him on TV. It
- 29:31Speaker 1: seems like what they're trying to do is make sure
- 29:33Speaker 1: they have all their tea's crossing their eyes dotted by
- 29:36Speaker 1: testing this gun, because they've said they've tested other kinds
- 29:40Speaker 1: of guns, but this one they have never done a
- 29:42Speaker 1: test on why. I don't know why it's a prop gun,
- 29:45Speaker 1: but it's happened they done a test, Alexis, I do
- 29:49Speaker 1: not know why they haven't done a test yet. Well,
- 29:50Speaker 1: I can tell you this much. How long did it
- 29:53Speaker 1: take to get Alec Baldwin's cell phone? Because let's look
- 29:58Speaker 1: at those phone calls. He went right outside it got
- 30:00Speaker 1: on the cell phone after her. Lena was shock. What
- 30:03Speaker 1: was he saying? What was he texting? Did he say,
- 30:06Speaker 1: oh my stars, I just shot someone. It was an accident.
- 30:10Speaker 1: I don't think I pulled the sugar? Is that what
- 30:12Speaker 1: he said? Or did he say something very different. How
- 30:14Speaker 1: long did it take to get a cell phone? Alexis,
- 30:17Speaker 1: It took absolute months. And there's I'm not sure what
- 30:20Speaker 1: kind of investigative tools they have, but there are lots
- 30:23Speaker 1: of ways to actually delete things off of cell phones
- 30:26Speaker 1: in even one hour. So they waited so long, it
- 30:31Speaker 1: took so long? Months? Did it take months to get
- 30:34Speaker 1: a cell phone? I mean he was pictured holding talking
- 30:37Speaker 1: on the cell phone in public weeks and weeks after
- 30:41Speaker 1: the shooting, the same cell phone he was using after
- 30:44Speaker 1: the shooting, immediately after the shooting. Alexis, Yes, and they
- 30:47Speaker 1: didn't get it. He is with all the talk and
- 30:49Speaker 1: the interviews that he wasn't responsible. He is not really cooperated.
- 30:53Speaker 1: Doesn't appear that he's cooperating with the investigation very much. Well,
- 30:57Speaker 1: jump in real quick, so you know the other thing.
- 30:59Speaker 1: We don't have to be you don't have to be quick.
- 31:02Speaker 1: I want to hear the whole thing. Okay, this is
- 31:05Speaker 1: a workplace, right, This is something that somebody has an
- 31:08Speaker 1: obligation to make sure it's secure. People are expected to
- 31:11Speaker 1: come to work, perform their duties, and go home. And
- 31:15Speaker 1: that is a double shock to the husband. You know,
- 31:21Speaker 1: the kid like, how could that possibly happen? It's a
- 31:23Speaker 1: movie set. The work problem was just used here. That
- 31:27Speaker 1: is not what this was. This is a full functioning
- 31:29Speaker 1: deadly weapon. As far as why has it not been
- 31:33Speaker 1: tested so to speak, it's because of the allegations that
- 31:37Speaker 1: it malfunctioned. So they're going to have to take this
- 31:39Speaker 1: weapon and put it under a host of different circumstances
- 31:44Speaker 1: to see if there's any way possible due to the
- 31:47Speaker 1: mechanism being worn down, the things inside the gun that
- 31:51Speaker 1: are meant to be failsafe, did they or could they
- 31:54Speaker 1: have failed? Because that's going to be his big defense
- 31:58Speaker 1: is that this malfunctioned. This didn't do what it was
- 32:01Speaker 1: supposed to do, and he's going to put a lot
- 32:04Speaker 1: on that. Well, him aiming the firearm at this person's
- 32:08Speaker 1: going to, you know, certainly mitigate a lot of his
- 32:11Speaker 1: attempt to say it malfunction, but it's going to take
- 32:15Speaker 1: a lot of testing to make sure, No, that's impossible,
- 32:19Speaker 1: that didn't happen. And I think that's what the delay is.
- 32:35Speaker 1: Crime Stories with Nancy Grace, the response of Baldwin's family
- 32:44Speaker 1: has come under fire. Take a listen to our cut
- 32:47Speaker 1: twelve in Our Friend Jim Ray at Inside Edition, Alec
- 32:52Speaker 1: Baldwin and his family are doing what they can to
- 32:54Speaker 1: get back to normal, posting images of a festive Halloween.
- 32:58Speaker 1: Baldwin is dressed up as a creature from the children's
- 33:01Speaker 1: book Where the Wild Things Are. His wife Alaria is
- 33:04Speaker 1: glammed up as a spider witch, matching two of their daughters.
- 33:07Speaker 1: Alaria posted parenting through this has been an intense experience,
- 33:11Speaker 1: to say the least. Referring to the accidental shooting death
- 33:14Speaker 1: of cinematographer Helena Hutchins, we're also learning about Helena Hutchins's
- 33:19Speaker 1: final and haunting words as she lay dying after Alec
- 33:22Speaker 1: Baldwin fired the fatal shot. Moments before Baldwin fired the
- 33:26Speaker 1: gun during rehearsals, which he had been told was not loaded,
- 33:30Speaker 1: he announced, I guess I'm going to take this out,
- 33:32Speaker 1: pull it and go bang. The bullet hit the forty
- 33:35Speaker 1: two year old woman in the chest. Then a fatally
- 33:38Speaker 1: wounded Hutchins spoke these haunting last words, that was no good,
- 33:42Speaker 1: That was no good at all. As an active investigation
- 33:45Speaker 1: interms of warm dying, she was my friend. She was
- 33:50Speaker 1: my friend. I don't think anyone believes for a moment
- 33:54Speaker 1: that Baldwin meant to shoot Helena hutchins 's never been
- 33:58Speaker 1: on the table. Then why keep the cell phone and
- 34:04Speaker 1: not hand it over? What were his immediate texts? Who
- 34:08Speaker 1: did he call? Can they tell us what Baldwin was
- 34:12Speaker 1: saying in the immediate aftermath of Elena hutchins shooting death?
- 34:18Speaker 1: What is the response? What does the ballistics report show
- 34:23Speaker 1: not on a facimile, but on the actual weapon itself.
- 34:29Speaker 1: Is Baldwin's statement even possible? Is it? Is it possible
- 34:38Speaker 1: that what he's saying happened did happen? And if he
- 34:43Speaker 1: is telling the truth to you, doctor Jerry Crawsen, I
- 34:47Speaker 1: think he would get a lot more respect if he
- 34:49Speaker 1: said I did it, I didn't mean to do it,
- 34:54Speaker 1: it was an accident. Do you notice how he shifted?
- 34:58Speaker 1: He admitted, you know, like no guilt. But then in
- 35:01Speaker 1: his quote from Buddha, it talks about feel no shame.
- 35:05Speaker 1: Guilt is personal, shame is public. You look at what
- 35:08Speaker 1: he's doing now. He's doing everything public to downplay or
- 35:13Speaker 1: alleviate his shame. He's an actor and he's doing a
- 35:16Speaker 1: good job. Look at the pictures they put out an Halloween.
- 35:21Speaker 1: You know, if like now it's in a recovery mode
- 35:25Speaker 1: of his persona. In the public much has been made
- 35:29Speaker 1: of an embrace shared by Alec Baldwin with the husband
- 35:36Speaker 1: Matthew Hutchins. Take a listen to our cut four in
- 35:39Speaker 1: Our Friend Hoda at NBC. Alec Baldwin called you afterwards
- 35:45Speaker 1: and it was an embrace and a meal. Well, tell
- 35:50Speaker 1: me what that was like. Well, I feel like to
- 35:53Speaker 1: understand that moment, you have to remember the shock we
- 35:56Speaker 1: were in and I spoke with mister Baldwin and was
- 36:00Speaker 1: just looking for a way through the storm. Was did
- 36:03Speaker 1: he seem distraught during that time? There are a lot
- 36:05Speaker 1: of emotions, for sure, on both sides. Hutchins, who's filed
- 36:09Speaker 1: a civil suit against Baldwin and other producers and crew
- 36:12Speaker 1: members on the film, now expressing outrage with Baldwin's recent
- 36:16Speaker 1: interview where he says the actor shifted blame over the
- 36:19Speaker 1: death of his wife, Helena. I feel that someone is
- 36:24Speaker 1: responsible for what happened, and I can't see who that is,
- 36:28Speaker 1: but I know it's not me. But watching him, I
- 36:31Speaker 1: just felt so angry, just so angry to see him
- 36:35Speaker 1: talk about her death so publicly in such a detailed way,
- 36:39Speaker 1: and then to not accept any responsibility after having just
- 36:44Speaker 1: described killing her. And here is more of Helena's husband,
- 36:49Speaker 1: the father of their child, our cut one in one
- 36:53Speaker 1: sitting and speaking to our friend Hoda at NBC. When
- 36:57Speaker 1: do you miss her the most? I saw a picture
- 37:01Speaker 1: of her smiling the other day and I just thought,
- 37:05Speaker 1: you know, she'll never smile again, and that's really hard.
- 37:10Speaker 1: I didn't know her, but I know you loved her.
- 37:13Speaker 1: I mean, that's a parent sitting across from you in
- 37:15Speaker 1: this moment when you first met Helena? Was it? Wow?
- 37:20Speaker 1: Was it like fireworks? What was it like? Pretty much?
- 37:23Speaker 1: Was it? You knew right away? It was pretty magical
- 37:28Speaker 1: meeting her. It was love at first sight. Matt Hutchins
- 37:31Speaker 1: traveling two thousand miles to Ukraine, Helena's native country, to propose,
- 37:36Speaker 1: getting engaged only three months after they met. Well, I
- 37:42Speaker 1: like to trust my intuition on matters of the heart.
- 37:45Speaker 1: And I was like, well, I can just get on
- 37:48Speaker 1: a train and go two thousand miles and get there.
- 37:50Speaker 1: That's what love does. Wow. And it was along the
- 37:54Speaker 1: way where I decided to propose, and I got that
- 37:56Speaker 1: on my knees. Let's get married. And now he's focused
- 38:00Speaker 1: on dealing with Alec Baldwin's statements in the press and
- 38:06Speaker 1: cryptic Buddhist quotes about the truth or a partial truth.
- 38:12Speaker 1: I'm not quite sure what he's trying to say, and
- 38:15Speaker 1: working on what we call is a recree. Tell me
- 38:19Speaker 1: alexis terres Chuck, what does the recreation show? So it
- 38:25Speaker 1: is you would almost call it an animated video, and
- 38:27Speaker 1: it shows. It starts off showing the church, which was
- 38:31Speaker 1: the set that they were filming on, and it's an
- 38:33Speaker 1: old Western movie and it shows it from the outside
- 38:36Speaker 1: and then you go inside and it shows of character,
- 38:39Speaker 1: a person that's clearly Alex Baldwin being handed a gun
- 38:43Speaker 1: and this is by Dave Halls, who was the assistant
- 38:47Speaker 1: director and he but he is not the armorer. Remember
- 38:51Speaker 1: that the woman who was the armor who was in
- 38:53Speaker 1: charge of all the weapons, was kept outside of the
- 38:56Speaker 1: buildings because of COVID protocol, so she was there she
- 39:00Speaker 1: gave it to him. The person the character hands Baldwin
- 39:05Speaker 1: a gun, he is seen tucking it into a holster
- 39:09Speaker 1: inside his costume, which is like a jacket and a shirt,
- 39:14Speaker 1: and then it shows him pulling it out and then
- 39:17Speaker 1: it bangs and you hear it's an actual very loud
- 39:20Speaker 1: bang and you see a burst of fire, and then
- 39:25Speaker 1: she grabs herself and there's a noise and then shows
- 39:29Speaker 1: her falling to the ground. To you, doctor Michel Dupree
- 39:32Speaker 1: joining us princy pathologist form a medical examiner and author,
- 39:37Speaker 1: how does a recreation a recreate and I know you've
- 39:39Speaker 1: looked at it. How does that help the case? And
- 39:44Speaker 1: what do you think of the recreation as it fits
- 39:47Speaker 1: or doesn't fit with the injuries that we know of, Nancy,
- 39:51Speaker 1: This is a very good thing to do so that
- 39:53Speaker 1: we can tell the trajectories. We can, as you said,
- 39:56Speaker 1: verify the stories of what people saw or didn't see.
- 39:58Speaker 1: And in this case, I think it actually helps us
- 40:01Speaker 1: understand where Helena was hit and how she was hit.
- 40:05Speaker 1: Um it verifies most of that as as far as
- 40:09Speaker 1: I can tell, and it also helps us get a
- 40:11Speaker 1: better understanding of what might have been going through each
- 40:14Speaker 1: Prussian's mind at the time this actually happened. Alex, you
- 40:20Speaker 1: have reported to me that there are plans to enlarge
- 40:24Speaker 1: the Baldwin family. There is a blind item on a
- 40:27Speaker 1: gossip website that says that the family is consider that
- 40:32Speaker 1: they're considering having more children. The commenters are saying that
- 40:36Speaker 1: it is Hilaria Baldwin and they are they already have
- 40:40Speaker 1: six children's and the blind item claims that this family
- 40:44Speaker 1: is planning to expand their brew to take to distract
- 40:48Speaker 1: from the attention which everybody in every industry, whether you're
- 40:52Speaker 1: a politician, whether you're an actor, or you know the
- 40:55Speaker 1: CEO of a big business, you always use something for distraction.
- 40:59Speaker 1: So this could cause be something that would distract having
- 41:02Speaker 1: a seventh baby. Yes, take a listen now to our
- 41:06Speaker 1: cut two. In this is Helena's husband speaking to Hoodah
- 41:10Speaker 1: that ring he gave Helena he now wears. Matt and
- 41:13Speaker 1: Helena were happily married for sixteen years, raising a loving son.
- 41:18Speaker 1: There was a picture that struck me so deeply, and
- 41:21Speaker 1: it was she and andros knows to knows. And when
- 41:27Speaker 1: I saw that, I thought that's pure. She just felt
- 41:30Speaker 1: that connection and just loved him so much. And Helena
- 41:34Speaker 1: calling every night from the Rust movie set to wish
- 41:37Speaker 1: him good night. What were their conversations like, Well, they
- 41:42Speaker 1: would get on video and you know, she would just
- 41:45Speaker 1: do everything that she could as a mom to reassure him.
- 41:48Speaker 1: You just give him kisses And how did that make
- 41:51Speaker 1: him feel when he saw her on video like that.
- 41:54Speaker 1: I think it helped him get to sleep every night,
- 41:55Speaker 1: knowing that she was thinking about him. I feel like
- 41:58Speaker 1: in life, we expect certain things to happen. We expect
- 42:01Speaker 1: the sun to rise, we expect the sun to set,
- 42:03Speaker 1: and we expect our loved one to come home at night. Well,
- 42:08Speaker 1: I certainly expected her to come home and to be
- 42:11Speaker 1: there with us in our new home. We wait as
- 42:14Speaker 1: just as sun falls. Nancy Grace Crumb's story signing off
- 42:18Speaker 1: Goodbye Friend,