Latest / Midnight Movie Theatre / Queen of the Damned Soundtrack | Jonathan Davis RULES

Transcript

Queen of the Damned Soundtrack | Jonathan Davis RULES · Midnight Movie Theatre

• 0:18
  Speaker 1: Brocket said something about Queen of the Damn practiced last weekend,
• 0:22
  Speaker 1: and I just said, yeah, I mean, we'll check it
• 0:25
  Speaker 1: out and say something to you and Brock. I once
• 0:29
  Speaker 1: we had agreed on doing this one. I text Brock
• 0:32
  Speaker 1: was like, fuck, yeah, dude, we're gonna do another episode.
• 0:35
  Speaker 1: We're gonna do Queen of the Damn. And He's like,
• 0:37
  Speaker 1: hell yeah, dude. Jonathan Davis snapped on that or something.
• 0:39
  Speaker 1: I don't know if Brock said snap them I have.
• 0:42
  Speaker 1: I don't know. That sounds like Brock, right, Dave snapped
• 0:47
  Speaker 1: on that dog. It sounds like how Brock talks. But
• 0:52
  Speaker 1: he said that, and I was like, I remember, there's
• 0:56
  Speaker 1: some of this just sounds like fucking corn. And I
• 1:00
  Speaker 1: he said that. I was like, oh my god. I
• 1:01
  Speaker 1: Brock thought this shit was fucking corn too. I had
• 1:04
  Speaker 1: not seen the movie. Yeah, so I didn't know that
• 1:07
  Speaker 1: it was literally supposed to be fucking It was Jonathan
• 1:10
  Speaker 1: Davis on these songs, which after looking into still like,
• 1:16
  Speaker 1: I think there's four or five songs. If you look
• 1:18
  Speaker 1: at the cover of the album, it actually says which
• 1:21
  Speaker 1: songs were covered by other people that were Jonathan Davis
• 1:27
  Speaker 1: songs on that movie, like apparently he was under some
• 1:30
  Speaker 1: sort of contract there. There were contract issues there, so
• 1:34
  Speaker 1: he couldn't record his vocals for the soundtrack for whatever reason.
• 1:39
  Speaker 2: Okay, I was wondering about that because I started looking
• 1:41
  Speaker 2: at the cover. He has songs by Jonathan Davis and
• 1:44
  Speaker 2: Richard Gibbs, performed by Wayne Static, David Draymond, yeahon Marilyn Mansons,
• 1:51
  Speaker 2: all right, Jay Gordon of Orgy Orgie's back in this one.
• 1:56
  Speaker 2: And that was because I was like, I was reading
• 1:59
  Speaker 2: the like, who these songs were?
• 2:00
  Speaker 1: Buying? It?
• 2:01
  Speaker 2: Like it the first thing I was looking at it
• 2:03
  Speaker 2: didn't say like disturbed, uh you know right, yeah, I
• 2:07
  Speaker 2: just said the guy's name, and I was like, who
• 2:09
  Speaker 2: the fuck are any of these people?
• 2:10
  Speaker 1: And then when I gave the album a riff, it's
• 2:13
  Speaker 1: like every recurring theme in my my notes was this
• 2:17
  Speaker 1: fucking sound like Gorn. And it was pretty justified when
• 2:20
  Speaker 1: I watched the movie, like, oh well what that's.
• 2:23
  Speaker 2: Why I haven't watched the movie since probably when it
• 2:26
  Speaker 2: came out like two thousand and two or whatever what
• 2:30
  Speaker 2: happens in that couple of years. Yeah, it's the gist
• 2:34
  Speaker 2: of it from the John One Davis angle.
• 2:36
  Speaker 1: Anyway, you know, let's hear it. The dude is like
• 2:39
  Speaker 1: a fucking vampire and is the lead singer of this
• 2:42
  Speaker 1: band and just trying to like lure out these other vampires.
• 2:46
  Speaker 1: And just all of the band's songs throughout the movie
• 2:49
  Speaker 1: were every time that dude's sang it was Jonathan Davis's
• 2:52
  Speaker 1: vocals and if you will, it's awful, Like it doesn't
• 2:56
  Speaker 1: I don't know if even my wife she even brought
• 3:00
  Speaker 1: more than once, Like, I don't know if he's just
• 3:02
  Speaker 1: being so familiar with that dude's voice, like hearing someone
• 3:05
  Speaker 1: else do it, it just sounded fucking stupid. That's not
• 3:11
  Speaker 1: that that shouldn't be coming out of him.
• 3:13
  Speaker 2: Yeah, it's not like you can't do Jonathan Davis. Unless
• 3:17
  Speaker 2: you're Jonathan Davis.
• 3:19
  Speaker 1: He.
• 3:23
  Speaker 2: Can't be doing it. He's like, yeah, I think I
• 3:28
  Speaker 2: think so. From the Sanitarium tour that they went on. Yeah,
• 3:33
  Speaker 2: kid rock. Oh, I just got to cut in on
• 3:36
  Speaker 2: some kid rock news real quick, because I haven't I
• 3:40
  Speaker 2: haven't confirmed this yet, but I was. I just happened
• 3:43
  Speaker 2: to be listening to a completely like not even a
• 3:45
  Speaker 2: movie or music podcast the other day and they started
• 3:49
  Speaker 2: they randomly brought up Creed and Kid Rock and they
• 3:52
  Speaker 2: were talking about how like back in the day, those
• 3:55
  Speaker 2: two Scott Stapp and Kid Rock are in a porno together,
• 3:58
  Speaker 2: apparently banging a bunch of.
• 3:59
  Speaker 1: Hub he Yeah, I remember when that news broke. I
• 4:04
  Speaker 1: remember hearing about that, and a friend of mine his
• 4:07
  Speaker 1: first reaction was together, like those guys and those were
• 4:14
  Speaker 1: were an addition in the news. He thought they were.
• 4:18
  Speaker 2: Fucking He thought that. Yeah, dude, he thought that.
• 4:21
  Speaker 1: He thought it was rocking.
• 4:23
  Speaker 2: Oh no, rocking stabs bus. Dude, getting that thing bouncing it. Yeah,
• 4:30
  Speaker 2: I could imagine those high You feel me flying sixty
• 4:35
  Speaker 2: nine in the back of a tour bus together.
• 4:37
  Speaker 1: Well, don't fucking let Kid Rock hear that. I won't
• 4:42
  Speaker 1: tell him. He's not gonna find out for me, so
• 4:46
  Speaker 1: he all my bud lights him. Yeah, dude, p Hexaid
• 4:51
  Speaker 1: is gonna fucking bring a chop out of the crib
• 4:54
  Speaker 1: And no, I'll let you fill in the blanks.
• 5:00
  Speaker 2: But yeah, that just hit me right there in that memory.
• 5:02
  Speaker 2: Just I don't know if I ever heard that.
• 5:05
  Speaker 1: I do.
• 5:05
  Speaker 2: I remember watching the fred.
• 5:07
  Speaker 1: Durst poor No, Yeah, I didn't know that was a thing.
• 5:12
  Speaker 2: Yeah, you see, I saw Screech. I saw that one oh, okay,
• 5:16
  Speaker 2: I didn't watch that one. I was too nervous to
• 5:19
  Speaker 2: watch that one.
• 5:20
  Speaker 1: I was like, that's fair. I say never meet your
• 5:23
  Speaker 1: heroes exactly.
• 5:24
  Speaker 2: I was like, I don't need to see a little
• 5:27
  Speaker 2: prick or anything, right, I don't need to see him
• 5:30
  Speaker 2: bust on anybody anybody.
• 5:32
  Speaker 1: And you know he did. They somebody fact checked that
• 5:38
  Speaker 1: for me. I don't get getting.
• 5:40
  Speaker 3: We'll have to like the screech like he always wanted
• 5:46
  Speaker 3: to be a c slater and he came and like
• 5:48
  Speaker 3: whipped a chair around backwards with like.
• 5:50
  Speaker 1: No back and sat down in a dick out. Holy dude,
• 5:58
  Speaker 1: fucking screech. Hell, what's his name? Dust and Dustin d
• 6:04
  Speaker 1: Diamond Dimond Page.
• 6:07
  Speaker 2: Yeah, that's what I'm saying. Dude, he's gotta be d
• 6:09
  Speaker 2: dp's tag partner d d d b d.
• 6:13
  Speaker 1: D d D's dust Diamond Dallas Page Page. Yeah. They
• 6:20
  Speaker 1: everybody up, dude, Dustin Diamond Dallas Page Yoga.
• 6:26
  Speaker 2: He's just fucking stretching out the I got. You know,
• 6:32
  Speaker 2: it's fitting.
• 6:34
  Speaker 1: I do oh full flame. Saving that for the Fast
• 6:39
  Speaker 1: and Furious soundtrack.
• 6:41
  Speaker 2: I might I might keep a couple on deck. Yeah,
• 6:46
  Speaker 2: I'm gonna put that the notes for sure. Don't forget
• 6:49
  Speaker 2: the drinks. Yeah, I got one more bush apple. J Yeah,
• 6:58
  Speaker 2: I'm saving that too. That's for getting busted up for a.
• 7:01
  Speaker 1: Special christ Fall day. You got a sat on the
• 7:06
  Speaker 1: mid mid August Saturday afternoon. That's right around the corner. Dude,
• 7:12
  Speaker 1: you can keep your bush apple. I'm excited for fucking
• 7:14
  Speaker 1: Alani Witches Brew season, baby, and there's another one this year.
• 7:19
  Speaker 1: I don't know how deep you are into that game,
• 7:21
  Speaker 1: but you know I see it. While I'll pick I'll
• 7:28
  Speaker 1: pick one up. I won't put it down until it's gone.
• 7:30
  Speaker 1: Just chug it, dude, put the head at duck.
• 7:37
  Speaker 2: Yeah, man, I mean everyone. Every once in a while,
• 7:40
  Speaker 2: you got a shotgun of rock star energy.
• 7:43
  Speaker 1: I don't know why you wouldn't.
• 7:44
  Speaker 2: I just get yourself going.
• 7:47
  Speaker 1: Any reasonable doubt, any reasonable adult, I wouldn't find anything
• 7:52
  Speaker 1: wrong with that occasionally.
• 7:55
  Speaker 2: I mean it makes sense to me. Dude, we got
• 8:01
  Speaker 2: where were we?
• 8:02
  Speaker 1: Yeah? So you got the track list pulled up.
• 8:04
  Speaker 2: I got the track list. I got Spotify in case
• 8:06
  Speaker 2: I need a refresher, because I will.
• 8:10
  Speaker 1: Man, I can. I'm telling you what, I'm gonna paint
• 8:12
  Speaker 1: you a pretty good picture of most of them.
• 8:15
  Speaker 2: You might refresh my memory like one hundred percent, because
• 8:18
  Speaker 2: I listened to this on my way to work, and dude,
• 8:21
  Speaker 2: I got so hyped up. I about got fired from
• 8:24
  Speaker 2: my job. I went in there and like, that's so real, dude,
• 8:27
  Speaker 2: I about cleared out the break room, just started to
• 8:29
  Speaker 2: put my kurt Angle mouthpiece in and just front flipped
• 8:32
  Speaker 2: off the fucking some dude.
• 8:35
  Speaker 1: Most of this ship means like fucking need to set
• 8:38
  Speaker 1: the sprinklers off and get it going, like the beginning
• 8:41
  Speaker 1: of Blade, just let it ride in there. A lot
• 8:45
  Speaker 1: of this Ship just paints a good picture of a
• 8:47
  Speaker 1: fucking warehouse somewhere.
• 8:49
  Speaker 2: I don't know.
• 8:50
  Speaker 1: It's another where I don't know.
• 8:52
  Speaker 2: What's that track?
• 8:54
  Speaker 1: Yeah, sorry, fine.
• 9:01
  Speaker 2: Get about fifty or sixty naked dudes in a dusty
• 9:04
  Speaker 2: warehouse somewhere and put this song.
• 9:05
  Speaker 1: I mean, sounds like a good business model if you're
• 9:08
  Speaker 1: trying to get rich.
• 9:09
  Speaker 2: I'm interesting right away, you can, I think, like my
• 9:13
  Speaker 2: my biggest takeaway from the whole album, front to back
• 9:17
  Speaker 2: is that you can feel the lack of creed on
• 9:19
  Speaker 2: this one.
• 9:19
  Speaker 1: Like, I'm so glad you said it. I didn't have to.
• 9:24
  Speaker 2: It's it's straight out of the gate. It's immediately not creed,
• 9:29
  Speaker 2: and you can tell it was disappointing.
• 9:33
  Speaker 1: I thought I was.
• 9:34
  Speaker 2: I took the Screen three soundtrack for granted, like.
• 9:37
  Speaker 1: We really did. We took the Spotify soundtrack guy for
• 9:41
  Speaker 1: granted too.
• 9:42
  Speaker 2: I had I'm gonna apologize that guy right now.
• 9:45
  Speaker 1: Oh we got it. Somebody was sorry. I'm I don't
• 9:50
  Speaker 1: even know where to begin. Sorry. I don't think sorry,
• 9:52
  Speaker 1: does it? Sorry? Yeah, it could have been so much worse.
• 9:59
  Speaker 1: We found out the hard way, dude.
• 10:01
  Speaker 2: We thought, like I came into this one with high hopes,
• 10:03
  Speaker 2: thinking like screen Screen three was fun. I looked at
• 10:07
  Speaker 2: the tracks, I was like, you know this, this looks similar.
• 10:10
  Speaker 2: I put it on the first song. So right away
• 10:13
  Speaker 2: we get a big Wayne Static Static X song written
• 10:18
  Speaker 2: by Jonathan Davis and Richard Gibbs, who whose credits include
• 10:23
  Speaker 2: Doctor Doolittle, Big Mama's House, and Queen of the Damn.
• 10:27
  Speaker 1: So he's a hit maker of the brothers. Yeah, I started,
• 10:40
  Speaker 1: I'm fucking dying, But yeah, the big homie Wayne Static
• 10:43
  Speaker 1: R I P. Came in and really held down the
• 10:46
  Speaker 1: homie Jonathan Davis for the vocals on this one. My
• 10:50
  Speaker 1: first first note line one page one is this corn
• 10:56
  Speaker 1: right around just in mind. The first listen for disclosure,
• 11:00
  Speaker 1: my first listen to this soundtrack top to bottom. I
• 11:03
  Speaker 1: had not seen the movie. I I did not watch
• 11:08
  Speaker 1: this movie until last night. I think it was fucking
• 11:11
  Speaker 1: like six dollars on Amazon. That's all right, shit, shit,
• 11:16
  Speaker 1: that's why I do this ship man. You know, six
• 11:18
  Speaker 1: bucks on Tuesday night. Nothing committed.
• 11:22
  Speaker 2: I'm gonna have to send you the I'm gonna have
• 11:25
  Speaker 2: to send you the dollar fifty I've made on being
• 11:28
  Speaker 2: monetized on Spotify.
• 11:31
  Speaker 1: Yeah, yeah, put you back for that. Hey, charge it
• 11:35
  Speaker 1: to the game.
• 11:37
  Speaker 2: Put it on our tab.
• 11:38
  Speaker 1: So the opening lyric, actually, I believe this was the
• 11:42
  Speaker 1: first lyric of this song. You think you're smart, You're not, dude.
• 11:49
  Speaker 2: I not shut it off when that kicked in. I'm
• 11:51
  Speaker 2: not gonna lie, I was.
• 11:53
  Speaker 1: I was at work.
• 11:54
  Speaker 2: Lyrics grind it.
• 11:56
  Speaker 1: I was like, no, it's a it's a tough listen
• 12:01
  Speaker 1: in a situation that requires music. Yeah, if you're trying
• 12:05
  Speaker 1: to go do a task that you want music on
• 12:08
  Speaker 1: in the background, I would say, you probably don't want
• 12:11
  Speaker 1: this one, are you might?
• 12:13
  Speaker 2: I don't you want to listen to this? I would you,
• 12:19
  Speaker 2: what's the perfect setting like, if this song kicked in,
• 12:23
  Speaker 2: what would you like to be doing? It's got the
• 12:26
  Speaker 2: Jonathan Davis sound effects, it's got some echo, and it
• 12:30
  Speaker 2: says you think you're smart, you're you're not.
• 12:37
  Speaker 1: Yeah, And that lyric right there kicks off a reoccurring
• 12:40
  Speaker 1: theme that I found in this album through the lyrics
• 12:44
  Speaker 1: and just overtones. Uh, go to your room core. That's
• 12:49
  Speaker 1: what I'm kind of dumbing. Is just like like the
• 12:52
  Speaker 1: type of ship that you like scream at your fucking
• 12:55
  Speaker 1: parents when they tell you to go to your room
• 12:57
  Speaker 1: because you're being an asshole and think you're smart. You're not.
• 13:02
  Speaker 2: Probably, Dad, you know a handful of times before getting
• 13:06
  Speaker 2: my ass Absolutely, I might have said it once fucking
• 13:11
  Speaker 2: dumb ass.
• 13:11
  Speaker 1: And then just the door.
• 13:12
  Speaker 2: You just hear the stomping back to your room. You're like, oh,
• 13:15
  Speaker 2: the door was not shut for long. I'm going to
• 13:18
  Speaker 2: height under the bed now right.
• 13:20
  Speaker 1: Yeah. I got to the bed just in time to
• 13:22
  Speaker 1: act like I was fucking tough.
• 13:25
  Speaker 2: Fuck you dad, and you hear the require static, Bro, dude,
• 13:30
  Speaker 2: scary times. You know you're fucking and you're smart. That's
• 13:36
  Speaker 2: what he said, he got to your room. You're you're smart?
• 13:41
  Speaker 1: Y'are not. He said it just like that, dude, You're
• 13:47
  Speaker 1: not You're fucking not, pal idiot. You screwed up big time,
• 13:55
  Speaker 1: big time, pal.
• 13:57
  Speaker 2: Your grounded dumb ass.
• 14:00
  Speaker 1: Yeah.
• 14:00
  Speaker 2: So, as the song goes on, I don't even understand
• 14:04
  Speaker 2: why that lyric is in the song, because then the
• 14:06
  Speaker 2: rest of the song it kind of fits the movie,
• 14:09
  Speaker 2: doesn't it. It's because it's about like she comes back
• 14:12
  Speaker 2: from the dead or something and he's like banging her
• 14:15
  Speaker 2: or is he back?
• 14:16
  Speaker 1: She was like a so I think he was a
• 14:20
  Speaker 1: vampire already. And then he went I don't remember how
• 14:24
  Speaker 1: he got into this little sweet ass castle he was
• 14:26
  Speaker 1: laid up in, but end up there and when what happened,
• 14:32
  Speaker 1: ended up in the basement or something, and statue Alia's
• 14:35
  Speaker 1: in her chair and oh no, dude, he was ripping
• 14:39
  Speaker 1: the fucking violin.
• 14:42
  Speaker 2: Job playing some yellow card for playing fucking I mean,
• 14:47
  Speaker 2: I think he was playing.
• 14:48
  Speaker 1: It sounded like fucking dragon force dog.
• 14:52
  Speaker 2: I was fucking Queen of the damn.
• 14:54
  Speaker 1: So she raises her little stone hand and flips it
• 14:57
  Speaker 1: over like he's just flips it over, and he lays
• 15:02
  Speaker 1: down his bow and his his fiddle goes over and
• 15:06
  Speaker 1: sinks his fucking stupid vampire teeth into her arm. Oh
• 15:12
  Speaker 1: he fucking bites in you for it? Rush. Yeah, I'm
• 15:17
  Speaker 1: kind of not sure where it went from there. Track
• 15:20
  Speaker 1: of the movie, Yeah, where I had blacked.
• 15:24
  Speaker 2: I don't even know where that just you started thinking
• 15:27
  Speaker 2: about the soundtrack again, You're like, dude, I started.
• 15:30
  Speaker 1: Yeah, I looked down at what's the next song? I've
• 15:34
  Speaker 1: got a couple. I got some steps to say about
• 15:37
  Speaker 1: the next one too, which next? The next is uh
• 15:42
  Speaker 1: king David Draymond doing another Jonathan Davis song. So is
• 15:46
  Speaker 1: David called?
• 15:49
  Speaker 2: Is he the singer from Disturbed?
• 15:51
  Speaker 1: He is? So this is okay? So this is the
• 15:55
  Speaker 1: guy named Disturbed?
• 15:56
  Speaker 2: Oh yeah, oh ship, So he's uh Benny Nets favorite band,
• 16:01
  Speaker 2: Benny and the Nets.
• 16:02
  Speaker 1: Like, okay, okay, yeah, I was Disturbed playing in New
• 16:07
  Speaker 1: York tonight by chance, I think. So, I think you
• 16:13
  Speaker 1: might get backstage fastes if you know what I mean.
• 16:16
  Speaker 2: Yeah, he'll be, he will be. He'll probably do guess
• 16:20
  Speaker 2: volks I down with the sickness. Honestly, Oh my god,
• 16:25
  Speaker 2: I don't know why he comes out and does the
• 16:27
  Speaker 2: ouah part. What's this song called?
• 16:32
  Speaker 1: This song is called for saken? Oh?
• 16:35
  Speaker 2: Perfect? Yeah, perfect name.
• 16:38
  Speaker 1: There was a I said here that there's there's a
• 16:43
  Speaker 1: build up part, like a Tom heavy Tom build up
• 16:47
  Speaker 1: part that seemed promising, but it never really went anywhere.
• 16:50
  Speaker 1: Just you also have to take it with a grain
• 16:52
  Speaker 1: of salt because it is just like movie background music
• 16:55
  Speaker 1: for the most part.
• 16:56
  Speaker 2: Yeah, I mean, is this so?
• 16:59
  Speaker 1: Is it?
• 17:00
  Speaker 2: I'm just so confused about like how this album was done.
• 17:03
  Speaker 2: So this isn't a Disturbed song.
• 17:05
  Speaker 1: This is not a Disturbed song. This is another one
• 17:08
  Speaker 1: of the songs that were the band from the movie
• 17:11
  Speaker 1: Okay and Jonathan Davis. Okay, Jonathan Davis. Yeah, So like
• 17:19
  Speaker 1: if you look at the first these first three, and
• 17:23
  Speaker 1: then a couple later the Marilyn Manson song, and then
• 17:28
  Speaker 1: another one the dude from Orgy, those songs were all
• 17:32
  Speaker 1: j to the d but he was locked down by
• 17:34
  Speaker 1: Universal or whoever had whoever. This is how I found out.
• 17:39
  Speaker 1: I hadn't seen the movie, and I start, I'm like, man,
• 17:42
  Speaker 1: fucking Sureley Brock didn't just think this was all orn
• 17:45
  Speaker 1: And so I'm I'm like googling this shit on lunch
• 17:48
  Speaker 1: the other day while I'm listening to it, and and
• 17:52
  Speaker 1: that's that's how I found out that Jonathan Davis was
• 17:54
  Speaker 1: under contract and couldn't couldn't be on the soundtrack, but
• 17:59
  Speaker 1: was the vocals. His vocals were in the movie as
• 18:02
  Speaker 1: someone else. You see what I'm saying. Liked that plays
• 18:07
  Speaker 1: the main vampire. Yeah, it's totally good.
• 18:10
  Speaker 2: It sounds fucking stupid. I just read the plot. So
• 18:14
  Speaker 2: the plot, No, it's the sound of a new metal
• 18:19
  Speaker 2: band arouses the Vampire Lestat d Lynn Court from a
• 18:23
  Speaker 2: lengthy slumber, and so he proceeds to take over as
• 18:26
  Speaker 2: their lead singer, achieving international success with the ensemble, which
• 18:31
  Speaker 2: he names the Vampire Lestat.
• 18:33
  Speaker 1: There we go.
• 18:33
  Speaker 2: So that's a great band name. That's what I had
• 18:36
  Speaker 2: to I had to get that ready.
• 18:38
  Speaker 1: Could you imagine that being a fucking vampire. Let me
• 18:41
  Speaker 1: let me paint the picture for you. Here, this motherfucker
• 18:44
  Speaker 1: the intro rolls, and this motherfucker flies in the window
• 18:48
  Speaker 1: and they all turn around and homeboys kicked back on
• 18:51
  Speaker 1: a fucking half stack, like I'm a fucking I'm your
• 18:54
  Speaker 1: lead singer now, okay, and they they all submit and
• 19:01
  Speaker 1: he's the lead singer now, and he starts, he starts
• 19:05
  Speaker 1: giving inside baseball vampire lyrics on all these songs, and
• 19:09
  Speaker 1: they're like, hey, why are you writting songs about all
• 19:11
  Speaker 1: this old vampire shit? And he's like, I'm trying to
• 19:14
  Speaker 1: fucking bring some old friends out and some shit like that.
• 19:21
  Speaker 2: This sounds like an amazing movie. I have to rewatch this.
• 19:25
  Speaker 2: I don't remember.
• 19:26
  Speaker 1: I think I have like forty minutes left of it
• 19:28
  Speaker 1: on Amazon. Like, if you could fucking how far you
• 19:32
  Speaker 1: can make it, dude, I might buy this one. I
• 19:36
  Speaker 1: knew I should have fucking got it for forty eight hours.
• 19:40
  Speaker 2: Yeah, honestly, I've just been buying DVDs because it's like
• 19:44
  Speaker 2: the same as renting shit most of the time.
• 19:47
  Speaker 4: I got this the other day, A fire that's sweet. Yeah,
• 19:57
  Speaker 4: I haven't seen it.
• 19:59
  Speaker 1: I just want shit. The other day I do like
• 20:03
  Speaker 1: VHS's that's fucking sweet.
• 20:05
  Speaker 2: They're pretty cool. They're pretty cool. I need to get
• 20:08
  Speaker 2: an actual VHS TV because it's like shit, but they're fine.
• 20:14
  Speaker 1: Just get an old setup that you can like put
• 20:16
  Speaker 1: any ass on and like VCR and shit.
• 20:20
  Speaker 2: Yeah, I get the old CRT TV. I just every
• 20:24
  Speaker 2: time I find them, it's like the person that I
• 20:26
  Speaker 2: try to contact on marketplace is like a fucking jackass,
• 20:30
  Speaker 2: and they're just like, yeah, come over and get it.
• 20:33
  Speaker 2: It's twenty bucks, yeah, come get it. And then I'm like,
• 20:38
  Speaker 2: all right, what's your address? And then they just stop
• 20:40
  Speaker 2: messaging me and They're like, you know, twenty minutes away,
• 20:44
  Speaker 2: and I'm like, hey, just tell me the address. I'm
• 20:46
  Speaker 2: I'm about to leave, and they're just.
• 20:48
  Speaker 1: Ah, sorry I passed away, brother, Yeah exactly. I'm like,
• 20:52
  Speaker 1: what happened?
• 20:53
  Speaker 2: I fell down the basement starts trying to bring it
• 20:56
  Speaker 2: to you. I'm fucking dead now.
• 21:00
  Speaker 1: You see, like a hen. You're like, Bro, I'm outside
• 21:02
  Speaker 1: your house, pull up and ship.
• 21:07
  Speaker 2: Just drive off? Oh ship, No whatever, dude, thanks thanks
• 21:14
  Speaker 2: for nothing.
• 21:15
  Speaker 1: Face. You like find out he died and you like
• 21:21
  Speaker 1: get the wing to his obituary and fucking like can
• 21:24
  Speaker 1: get back on messenger and send it to him. Like yeah, okay, bro,
• 21:29
  Speaker 1: just tell me you sold the fucking vcr asshole. Yeah,
• 21:33
  Speaker 1: thanks for god. You gotta respect the long game. The
• 21:38
  Speaker 1: wasted my fucking time, dude. Give him a fucking bad
• 21:43
  Speaker 1: rating on market play. Will this dude fucking die message?
• 21:50
  Speaker 2: I was getting ready to leave. I just wiped out
• 21:53
  Speaker 2: my whole evening just to come pick up this fucking TV.
• 21:56
  Speaker 1: I sat outside this dude's house. He had a fucking
• 21:59
  Speaker 1: as pull up, didn't even have the audas. I need
• 22:02
  Speaker 1: the message me back. One star would not buy from again.
• 22:09
  Speaker 2: The fucking ambulance guy wouldn't even let me go in
• 22:11
  Speaker 2: to get the TV.
• 22:16
  Speaker 1: I see the dude, you're like, you walk up on
• 22:19
  Speaker 1: the end, Like was that Greg Adams? Uh, sir, we can't,
• 22:26
  Speaker 1: we can't. You don't have to tell me shit. But
• 22:29
  Speaker 1: like he was supposed to something of ECR, can I
• 22:32
  Speaker 1: just like run in? Are you next to Ken? Oh?
• 22:36
  Speaker 1: I'm next in mind for the fucking DCR though, bro Oh,
• 22:40
  Speaker 1: but just kick the fucking door open, let me in.
• 22:42
  Speaker 2: Dude, you were just in there, she said, it was
• 22:47
  Speaker 2: in the basement.
• 22:47
  Speaker 1: I just need to go get it.
• 22:49
  Speaker 2: Just leave it open, like no, and they like look around,
• 22:55
  Speaker 2: all right, go get the fucking VCR twenty bucks man, and.
• 22:58
  Speaker 1: Then you get him the twenty. You give the Yeah,
• 23:01
  Speaker 1: you give them the twenty.
• 23:02
  Speaker 2: Yeah take the twenty. Leave the door open. I won't
• 23:06
  Speaker 2: like ramsack the place or anything.
• 23:08
  Speaker 1: I'll let myself out. Yeah. I just want the Yeah,
• 23:12
  Speaker 1: just want what I was owed. We had an agreement.
• 23:16
  Speaker 1: The VCR was promised to me so that at some
• 23:19
  Speaker 1: point in the song they break into what I initially
• 23:24
  Speaker 1: thought was the Fairman solo, and then I felt like
• 23:27
  Speaker 1: maybe that was given David Draymond and the boys a
• 23:29
  Speaker 1: little too much artistic credit. Yeah, and then I thought
• 23:34
  Speaker 1: I just let my imagination Wren was hoping that maybe
• 23:39
  Speaker 1: it was David Draymond trying to hit a vocal solo
• 23:41
  Speaker 1: little all out of the Great gigg In Sky.
• 23:44
  Speaker 5: Just.
• 23:46
  Speaker 1: Just fucking wailing at the end, but like with the
• 23:53
  Speaker 1: fucking piercings rapping on his rent of his fucking face.
• 23:56
  Speaker 2: Dude, I'm listening to it right now. I can hear
• 23:58
  Speaker 2: the piercings with like delay on them in the back.
• 24:01
  Speaker 1: Yeah, I think they have they They got like two
• 24:05
  Speaker 1: of the guards Brooks at set mics and like he
• 24:07
  Speaker 1: had his own vocal mic, but they had mics on
• 24:10
  Speaker 1: the underside catching that, and then they had a room
• 24:14
  Speaker 1: mic on his jawline too, just the It was a
• 24:16
  Speaker 1: very dynamic recording.
• 24:18
  Speaker 2: Just collecting as much revert as they can off them
• 24:21
  Speaker 2: damn things. Now I'm hearing it right now. I remember
• 24:24
  Speaker 2: thinking it was like a vocal track the first time
• 24:27
  Speaker 2: I heard it. Yeah, I was like, damn, that's fucking weird.
• 24:32
  Speaker 1: It. Oh, what if he's ripping the ferreman with his
• 24:36
  Speaker 1: fucking uh oh oh fuck, that might be it.
• 24:46
  Speaker 2: You might have figured out.
• 24:47
  Speaker 1: And then that's probably the one that makes the most
• 24:49
  Speaker 1: sense to me. Honestly.
• 24:51
  Speaker 2: Yeah, you're probably right. I never played the guy from
• 24:56
  Speaker 2: Disturbs signature pedal the weapon what no not yet I
• 25:03
  Speaker 2: haven't either, but I was thinking, maybe that's the noise
• 25:06
  Speaker 2: we're hearing. Yeah, yeah, yeah, I just remember how the
• 25:09
  Speaker 2: Disturbed logo on it, and it said the weapon, and
• 25:13
  Speaker 2: I could never.
• 25:13
  Speaker 1: Figure out what the fuck it was supposed to actually do.
• 25:16
  Speaker 1: Like you fucking sick, I bet hard pedal it scoops
• 25:20
  Speaker 1: your mids. Probably what a digit?
• 25:23
  Speaker 2: Yeah, it's a digitach. If it was an instant mid Scooper,
• 25:28
  Speaker 2: I'd pick it up, honestly.
• 25:30
  Speaker 1: Yeah, that's an immediate instant by Yeah, you go to
• 25:34
  Speaker 1: the auto mid scooper, get him out of here. Yeah.
• 25:37
  Speaker 2: You never know when you're gonna need to scoop the mids,
• 25:39
  Speaker 2: like in the middle of a song. Honestly, that's true.
• 25:43
  Speaker 1: You never know when you need to fucking kill your
• 25:46
  Speaker 1: tone and sound like shit at the clip of a pedal,
• 25:52
  Speaker 1: and you can tell you ride at the point in
• 25:53
  Speaker 1: the song when it started sounding like shit, you turn
• 25:57
  Speaker 1: that fucking pedal on?
• 25:59
  Speaker 2: Where get the.
• 26:02
  Speaker 1: Might have been going on?
• 26:04
  Speaker 6: Staying song O, pig the vessels, eye vessels, blood vessels around,
• 26:13
  Speaker 6: advise the field from that, I doubt it.
• 26:15
  Speaker 1: He's forever been my I've had a lot of Aaron
• 26:20
  Speaker 1: Lewis and my fucking algorithm lately. How did I Aaron
• 26:26
  Speaker 1: Lewis on this? Yeah?
• 26:27
  Speaker 2: Like right after we recorded, that fucking clip popped up
• 26:30
  Speaker 2: with the dude hitting the street sweeper, Oh my god.
• 26:33
  Speaker 1: And then the dude breaking down the dance like showing
• 26:36
  Speaker 1: how to do it step by step. That ruled too.
• 26:39
  Speaker 2: That was Yeah, that was too good, dude. What the fuck?
• 26:41
  Speaker 2: So I I have this soundtrack going in the background,
• 26:45
  Speaker 2: you know, because I'm I'm getting myself the ole refresher
• 26:47
  Speaker 2: as we were recording, and so track track three is
• 26:51
  Speaker 2: the chest Yeah track, dude, it sounds exactly like track two,
• 26:56
  Speaker 2: like it is.
• 26:57
  Speaker 1: That was the same same opening verse in first three
• 27:01
  Speaker 1: songs and all capitals is this core?
• 27:06
  Speaker 2: Yeah, it's him, like they're all doing Jonathan Davis. I
• 27:09
  Speaker 2: don't get why, like these three singers have very distinct
• 27:13
  Speaker 2: sounds already, why would they not rather go back to
• 27:16
  Speaker 2: sound like them there.
• 27:17
  Speaker 1: But imagine having the fucking Who's Who the Family Values
• 27:21
  Speaker 1: tour trying to sound like you on your soundtrack.
• 27:24
  Speaker 2: That is pretty badass.
• 27:26
  Speaker 1: Every time that I realized it was Chester Bennington, though,
• 27:29
  Speaker 1: I found myself like waiting on the dude to start
• 27:32
  Speaker 1: rapping like Mike Mike Schoda in there. Yeah, but I
• 27:40
  Speaker 1: actually did fIF the time to write down. At this point,
• 27:43
  Speaker 1: I feel like I've heard the same song three times.
• 27:46
  Speaker 2: Yes, they all sound the same. They're all like really slow.
• 27:49
  Speaker 2: They got like the snare roll thing on the drums
• 27:52
  Speaker 2: going on, and like fucking.
• 27:54
  Speaker 1: That band, that fucking Vampire band did one thing really well. Yeah,
• 27:58
  Speaker 1: they just kicked it nice and slow for everybody. Nice
• 28:01
  Speaker 1: fucking sucked.
• 28:03
  Speaker 2: Yeah, dude, I'd be pissed if I came to their concert,
• 28:06
  Speaker 2: Like what the dude?
• 28:08
  Speaker 1: Yeah, I'd be pissed because somebody be biting my fucking neck.
• 28:13
  Speaker 1: That's what would do. Like, I guess it already sucked
• 28:16
  Speaker 1: listening to the music at the concert. Could you imagine
• 28:18
  Speaker 1: doublin down and listening to that and getting hit by
• 28:21
  Speaker 1: a fucking vampire. I don't know about this.
• 28:27
  Speaker 2: You see what's after that one? Though, hitting them. Let
• 28:30
  Speaker 2: me check it out. I was looking to see what
• 28:32
  Speaker 2: the name of the band was again, the Revenge of
• 28:37
  Speaker 2: Les Stat or whatever the is called.
• 28:39
  Speaker 1: Do you what do we take the STAT tests in
• 28:41
  Speaker 1: my third grade? Yeah? I don't think I passed the
• 28:45
  Speaker 1: less STAT testing whatever, that's all right, I might take
• 28:50
  Speaker 1: it a get you're on the internet now, fuck that,
• 28:52
  Speaker 1: lets STAT test? Yeah, what do they know?
• 28:55
  Speaker 2: I ain't need to go to college. So yeah, so
• 29:00
  Speaker 2: after those first three songs, that's like a what is
• 29:03
  Speaker 2: that like an endurance test that they put you through
• 29:06
  Speaker 2: to see if you can make it to track? Ye,
• 29:09
  Speaker 2: see if you're worthy? Like all right, yeah, well I
• 29:12
  Speaker 2: was actually worried.
• 29:13
  Speaker 1: I was actually worried that this is how I was
• 29:15
  Speaker 1: going to find out that pot of the David's wrote
• 29:17
  Speaker 1: this death song. What a fucking number that would have been?
• 29:20
  Speaker 1: Or I mean or not for the best news we've
• 29:24
  Speaker 1: had all day? Yeah, royalties off. That is how he
• 29:27
  Speaker 1: continued to just do form. Yeah that's true, no expectations,
• 29:32
  Speaker 1: just you do whatever you wanted. That was his passion.
• 29:36
  Speaker 2: Yeah, just writing wright and bangers for other people, you know,
• 29:43
  Speaker 2: But he didn't. I did look it out, and he
• 29:46
  Speaker 2: was not JD.
• 29:47
  Speaker 1: Was not credited on.
• 29:51
  Speaker 2: I'm really surprised considering how great the first three songs were.
• 29:56
  Speaker 1: Yet and no doubt that sounds like get him a
• 30:00
  Speaker 1: hit for death? Maybe he got maybe he got like
• 30:04
  Speaker 1: a producer credit or something.
• 30:07
  Speaker 2: Yeah, he might have done some Deserve books somewhere. Yeah, yeah,
• 30:12
  Speaker 2: maybe maybe not.
• 30:13
  Speaker 1: I did say this. It was a nice palate cleanser
• 30:17
  Speaker 1: from from when I had heard so far. Yeah, are
• 30:21
  Speaker 1: you a death thing?
• 30:22
  Speaker 6: Man?
• 30:23
  Speaker 1: I am very much so. Yeah, I don't know, d
• 30:26
  Speaker 1: are you? I'm not.
• 30:29
  Speaker 2: I haven't ever gotten like real deep into him. I
• 30:32
  Speaker 2: like most of what I've heard, but it's been like
• 30:35
  Speaker 2: this song and maybe like a handful of others, and
• 30:38
  Speaker 2: then I see like clips every once in a while. Yeah,
• 30:40
  Speaker 2: I haven't like gone through and listened to a full
• 30:42
  Speaker 2: album yet. It's one of those bands where I've mostly
• 30:45
  Speaker 2: heard like their popular songs, and from what I've.
• 30:47
  Speaker 1: Heard, Yeah, I've been like, oh, these guys some choice cuts.
• 30:51
  Speaker 1: I like them a lot.
• 30:52
  Speaker 2: Yeah, yeah, I'll check you out. Sometimes I always hear
• 30:54
  Speaker 2: good things and like the clips I see of them live.
• 30:56
  Speaker 2: I'm always like, these guys seem pretty fucking cool. The
• 31:00
  Speaker 2: guitar video that the guy did that was really funny
• 31:03
  Speaker 2: where he's just playing like barcours and he just seems
• 31:05
  Speaker 2: like he's like way too high.
• 31:07
  Speaker 1: To be doing it or what just not Oh yeah, yeah, yeah,
• 31:11
  Speaker 1: that dude's that dude's something. He's wild. Those rig rundowns
• 31:17
  Speaker 1: are always fun though, because like he plays like fucking
• 31:20
  Speaker 1: seven and eight string guitars. He said he started playing
• 31:22
  Speaker 1: all those all those guitars because Sheino wanted to play
• 31:25
  Speaker 1: in all these different tunings instead of playing different tunings,
• 31:28
  Speaker 1: so he could just play in different registers on on
• 31:31
  Speaker 1: these multi multi string, multi scale guitars, he said. He
• 31:36
  Speaker 1: says that and then just still just plays fucking rips
• 31:39
  Speaker 1: chuggy parts, and I, I, it's gotta be so hard
• 31:44
  Speaker 1: not to though, Like I couldn't imagine having a guitar
• 31:47
  Speaker 1: with a bunch of fat ass fucking strings on the
• 31:49
  Speaker 1: bottom and not just just fucking getting nasty all the time.
• 31:55
  Speaker 2: Honestly, just got it too fun, deep seated cave man
• 31:59
  Speaker 2: in my just yeah, low string go Burt, I know
• 32:05
  Speaker 2: what you mean, dude. I've been on the verge of
• 32:07
  Speaker 2: getting some like heavy gauge strings for my lest Paul
• 32:10
  Speaker 2: and just keeping it tuned down just for that. Like
• 32:13
  Speaker 2: it's one of those things where like I just want
• 32:15
  Speaker 2: to get on logic, put my headphones on, put on
• 32:18
  Speaker 2: American metal preset, and just do some fucking nasty riff.
• 32:22
  Speaker 1: And you know I'm ready.
• 32:26
  Speaker 2: Yes I haven't done it yet, but I will one
• 32:30
  Speaker 2: of these days. But yeah, yeah, this was a nice change.
• 32:33
  Speaker 2: And this I think this was another like confirmation of
• 32:37
  Speaker 2: my my appreciation for Deftones with the small amount of
• 32:42
  Speaker 2: them that I've listened to, you know what I mean,
• 32:44
  Speaker 2: Like I was like, Okay, this stands out as like
• 32:47
  Speaker 2: a really good song compared to what I had.
• 32:50
  Speaker 1: To listen to. There are also worth noting, sneaky tasty
• 32:57
  Speaker 1: drum fills at the end, having a little money vocal session,
• 33:01
  Speaker 1: and dude just rips a couple of good ones. Yeah, yeah,
• 33:06
  Speaker 1: very nice.
• 33:07
  Speaker 3: I did.
• 33:07
  Speaker 2: I appreciate that. The drums, yeah, everything was just a
• 33:11
  Speaker 2: huge step up. The drums in the first three songs
• 33:13
  Speaker 2: just sound like if you drag and dropped like the
• 33:16
  Speaker 2: pre recorded, like the automatically yeah, and like the G
• 33:22
  Speaker 2: deck drums if you just clicked them on, switched switched
• 33:25
  Speaker 2: it to the new metal setting, and it just like
• 33:27
  Speaker 2: starts in with like the splash symbol and the snare
• 33:29
  Speaker 2: roll and you're like, all right, we know we're getting there,
• 33:33
  Speaker 2: We're getting see. Okay, this is the one. This is
• 33:36
  Speaker 2: where it hit me. This is another thing that this
• 33:39
  Speaker 2: this album brought out of me. So you know how
• 33:41
  Speaker 2: like the eighties have been like really glamorized in the
• 33:45
  Speaker 2: last like ten years, like five to ten years with
• 33:47
  Speaker 2: like stranger things and stuff like that, where like the
• 33:50
  Speaker 2: eighties is like all Neon, all fucking cool hair and
• 33:53
  Speaker 2: cool styles, and everyone's like, you know, the the peak eighties. Basically,
• 33:58
  Speaker 2: I feel like that's kind of started to have and
• 34:00
  Speaker 2: at least like from what I've noticed in my algorithm
• 34:02
  Speaker 2: with new metal a little bit where you see like
• 34:04
  Speaker 2: these like kind of newer new metal bands or like
• 34:06
  Speaker 2: new metal revival bands and they only play like the
• 34:09
  Speaker 2: cool riffs from like the new metal era, and what
• 34:12
  Speaker 2: they need to go back and listen to this album
• 34:15
  Speaker 2: to discover like this is like the the wall or
• 34:18
  Speaker 2: like the wood paneling of the eighties, Like what wood
• 34:21
  Speaker 2: paneling of eighties is to like the need.
• 34:25
  Speaker 1: You had to live? Yeah, you had to have this ship.
• 34:30
  Speaker 1: This ship walked or this ship crawled, so.
• 34:33
  Speaker 2: Fucking biscuit Yeah, Aaron Lewis, some of the ship fucking sucks, dude.
• 34:39
  Speaker 2: That's what I'm saying is like, this is this album
• 34:42
  Speaker 2: pretty much sums up why I was so like hit
• 34:45
  Speaker 2: and miss on new metal, because if you're just listening
• 34:47
  Speaker 2: to fucking break stuff and like, you know, Marilyn Manson
• 34:51
  Speaker 2: or like the Good you know, I don't know the
• 34:53
  Speaker 2: Good Ship from that era, It's like, yeah, there's some
• 34:56
  Speaker 2: there's some great stuff there. But if you're listening to
• 34:58
  Speaker 2: Not Meant for Me by Static written by Jonathan Davis, dude,
• 35:02
  Speaker 2: you're gonna tap out instantly.
• 35:05
  Speaker 1: That's I think shitty music is timeless as well. Everything
• 35:10
  Speaker 1: has a play. Yeah, but also to these songs and
• 35:14
  Speaker 1: they are like they're fucking movie soundtrack background songs. So
• 35:20
  Speaker 1: they weren't going out for a Grammy on this one. No.
• 35:23
  Speaker 2: I mean, Jonathan Davis is making change on this for sure.
• 35:27
  Speaker 2: He's just he's setting up his uh, you know, multi
• 35:30
  Speaker 2: generational wealth with this soundtrack.
• 35:33
  Speaker 1: Yeah, this is what really, You're right, I'm not just
• 35:37
  Speaker 1: I don't disagree with that at all.
• 35:38
  Speaker 2: Yeah, just getting residuals to this day, probably every time
• 35:42
  Speaker 2: this gets streamed.
• 35:42
  Speaker 1: And I bet it feels good when it hit it.
• 35:44
  Speaker 1: He got a couple out of me this week. I'm say, man,
• 35:47
  Speaker 1: you contribute it to the JD Yeah, And what can
• 35:52
  Speaker 1: I say? Man, that's their back, they be they were
• 35:55
  Speaker 1: just on tour. Yeah, I saw.
• 35:56
  Speaker 2: I've been seeing like clips and stuff. Dude, they're all back,
• 36:00
  Speaker 2: all these bands are. That's what I'm saying, is like,
• 36:02
  Speaker 2: I know, It'll is having its like renaissances cyclical.
• 36:06
  Speaker 1: Yeah. Yeah, and I don't know. It's great, it really
• 36:11
  Speaker 1: it is. Yeah. Was Aliyah popping in this movie when
• 36:16
  Speaker 1: you watch it? Was she good in it? I don't remember, dude,
• 36:19
  Speaker 1: Aliyah was was actively alive for maybe ten minutes in
• 36:23
  Speaker 1: this movie. She was mostly just just thought about. You
• 36:29
  Speaker 1: just had to remember. Yeah, she was just a stone
• 36:33
  Speaker 1: vampire for most of it. And then yeah, and then's
• 36:37
  Speaker 1: I don't At some point she comes back and goes
• 36:39
  Speaker 1: into the bar and fucks everybody up. And that was
• 36:41
  Speaker 1: pretty cool. Rip some dudes hard out. That was pretty Yeah,
• 36:44
  Speaker 1: it was pretty tight. And then yeah, and then she
• 36:47
  Speaker 1: flew to fucking Coachella or whatever where the where the
• 36:50
  Speaker 1: Vampire band was performing and taking him away.
• 36:53
  Speaker 3: Bro.
• 36:53
  Speaker 7: Yeah, spoiler sorry, that's all right. Started to ruin Ruin
• 36:59
  Speaker 7: Ruin the fine twenty minutes of the movie. No, I'm
• 37:02
  Speaker 7: gonna watch it either way. I'm committed to this at
• 37:05
  Speaker 7: this point. I gotta understand.
• 37:08
  Speaker 2: It's not like Sleepy Hollow that was like uh with
• 37:13
  Speaker 2: like I don't know, it was fucking weird. Yeah, I
• 37:18
  Speaker 2: don't doubt it. The only clips I ever see of
• 37:20
  Speaker 2: it are the Aliah clips. So I was thinking, like,
• 37:22
  Speaker 2: she must be like the main you know, the main
• 37:26
  Speaker 2: focus of the movie or what.
• 37:27
  Speaker 1: Well, I mean she was the queen of the damn so.
• 37:32
  Speaker 1: I mean it was her name's sake, I guess. So
• 37:34
  Speaker 1: if nothing else, they had to put her on.
• 37:36
  Speaker 2: Yeah, dude, r I rocked the boat baby, you know, say, yeah,
• 37:40
  Speaker 2: she's dead too, right, damn did she? Was she the
• 37:44
  Speaker 2: one that died because of R Kelly?
• 37:46
  Speaker 1: Yeah? I think so in some capacity, like they were
• 37:48
  Speaker 1: or Diddy or R Kelly or somebody something was going on. Yeah. Yeah,
• 37:54
  Speaker 1: R Kelly was like married to her or something.
• 37:56
  Speaker 2: I think they got married when she was like fifteen,
• 37:59
  Speaker 2: if I remember, and then like, yeah, right, I mean
• 38:05
  Speaker 2: it's no surprise knowing what we know about R Kelly. Now, yeah,
• 38:09
  Speaker 2: but I remember hearing something about how like before her
• 38:13
  Speaker 2: plane crash, people saw her like getting loaded into it
• 38:16
  Speaker 2: and she was already like unconscious or something. They're kind
• 38:18
  Speaker 2: of yeah, like maybe she was already dead before the
• 38:22
  Speaker 2: plane crash kind of thing. I don't know that's true,
• 38:25
  Speaker 2: but you know, I'll probably watch a YouTube video on
• 38:29
  Speaker 2: that too, just to refresh. Yeah, see what's really going on.
• 38:35
  Speaker 1: R Kelly is one of those guys. Man. It's just
• 38:40
  Speaker 1: harder and harder to art from the artist with that guy,
• 38:43
  Speaker 1: you know what I mean?
• 38:45
  Speaker 2: Yeah, when remixed she comes on, dude, it kind of
• 38:48
  Speaker 2: like it chaps my ass a little bit, Like I
• 38:50
  Speaker 2: kind of got to like, you know, quite.
• 38:54
  Speaker 1: As fresh out the kitchen, right, It's like it's hot
• 38:57
  Speaker 1: and fresh out the kitchen, but light. There's a bad
• 38:59
  Speaker 1: taste to my mon.
• 39:00
  Speaker 2: Yeah, because you want to just you know, have a
• 39:03
  Speaker 2: good time. It's such a great party song. But when
• 39:05
  Speaker 2: he starts talking about like mama rolling that body, You're like,
• 39:09
  Speaker 2: he's probably talking about a child.
• 39:13
  Speaker 1: Grown mama.
• 39:14
  Speaker 2: He's talking about.
• 39:14
  Speaker 1: Yeah, yeah, got every man in your wish and howl.
• 39:19
  Speaker 2: Like, yeah, what are we doing? Who are these guys?
• 39:22
  Speaker 1: Is that? Did you get her? Id? Before you got her?
• 39:25
  Speaker 1: That cocin roum she's slipping on. Yeah, oh no, because
• 39:29
  Speaker 1: he said, so what I'm drowned?
• 39:31
  Speaker 2: Yeah, you know he's he's loading up that bladder.
• 39:36
  Speaker 1: With Yeah, Robert's about to have some fun. Yeah, he's
• 39:40
  Speaker 1: about this letter rip.
• 39:41
  Speaker 2: Let the stream fly right at hers.
• 39:47
  Speaker 1: Dude, Too bad that wasn't on this tract.
• 39:49
  Speaker 2: That's what I mean, dude.
• 39:50
  Speaker 1: They need to belong on here the way that Vane
• 39:52
  Speaker 1: belonged on stream three.
• 39:54
  Speaker 2: Oh, it would have been perfect.
• 39:55
  Speaker 1: We need to, we need to. We need to start
• 39:58
  Speaker 1: a fucking petition. Somebody get the soundtrack guy on here.
• 40:01
  Speaker 2: Yeah, we're gonna have to start over, just completely wipe
• 40:04
  Speaker 2: all the soundtracks and redal them. No ship, somebody needs
• 40:09
  Speaker 2: to like our jobs and pay us. Yeah one hundred
• 40:14
  Speaker 2: k a year and yeah yeah like and some bonus
• 40:19
  Speaker 2: some ot for that.
• 40:21
  Speaker 1: Yeah. Don't tell Joe Rogan though, because he probably that
• 40:28
  Speaker 1: would probably come straight out of the Joe rogue phone.
• 40:30
  Speaker 1: That's true.
• 40:31
  Speaker 2: He wanted what that happened and at what costs? Yeah,
• 40:34
  Speaker 2: he come right for us. He probably fucking karate fight
• 40:37
  Speaker 2: our asses to death in a cold plunge.
• 40:42
  Speaker 1: Dude, he would probably fucking yeah, stuff on it down
• 40:46
  Speaker 1: our throats. Alpha brain he would alpha brain is today.
• 40:50
  Speaker 2: Od our brains with it would be yeah, it would
• 40:54
  Speaker 2: be too smart brains would give us.
• 40:58
  Speaker 1: He would give us so much imactin we got COVID
• 41:01
  Speaker 1: beververse engineered COVID. Oh my god, and to your bodies, Yeah,
• 41:06
  Speaker 1: totally makes sense. Tough, look, yeah it is.
• 41:10
  Speaker 2: I mean, you know, one of the craziest things about
• 41:13
  Speaker 2: Joe Rogan, Dude, the guy just can't miss. Like I
• 41:16
  Speaker 2: was looking on Marketplace earlier and I saw somebody selling
• 41:21
  Speaker 2: like a Joe Rogan on it kettlebell, you know, it's
• 41:24
  Speaker 2: just a fucking weight with a handle on it, and
• 41:26
  Speaker 2: the ship was selling for like two hundred dollars used,
• 41:29
  Speaker 2: and I was like, oh yeah, I was like, how
• 41:32
  Speaker 2: much are these dude? I look it up. It's like
• 41:34
  Speaker 2: five hundred bucks for a kettlebell it's weigh what like
• 41:39
  Speaker 2: forty pounds or something. Yeah, for one.
• 41:42
  Speaker 1: So I'm saying, dude, it's like, wasn't the one that's
• 41:45
  Speaker 1: like his face? Yeah?
• 41:47
  Speaker 2: Yeah, well there was one that was his face? And
• 41:49
  Speaker 2: then I like there's but like the ones that's just
• 41:51
  Speaker 2: like a gorilla is still like two hundred dollars and
• 41:54
  Speaker 2: it's like, who needs this? And why would anyone buy it? You,
• 41:59
  Speaker 2: I don't know, and Roague knows, he knows best.
• 42:05
  Speaker 1: I mean, obviously, to get strong, yeah, exactly. Yeah, you're
• 42:11
  Speaker 1: not gonna get fucking You can't be five to six
• 42:13
  Speaker 1: and shredded if you don't lift fucking grill ahead stupid. Exactly.
• 42:18
  Speaker 2: You gotta get you gotta get.
• 42:21
  Speaker 1: Yeah, and you can't have one fucking idiot.
• 42:25
  Speaker 2: Get the Joe Rogan one to watch you while you lift.
• 42:28
  Speaker 1: What are you gonna lift? Regular kettlebells? When you listen
• 42:31
  Speaker 1: to the Joe Rogues, get real, dumbasses, You're gonna be
• 42:35
  Speaker 1: a whos forever if you do it that way. Obviously.
• 42:39
  Speaker 2: I wonder how many people have like drilled a hole
• 42:42
  Speaker 2: in the bottom of the Joe Rogan head kettlebell and
• 42:46
  Speaker 2: fucked it just from the head. Yeah, let's spray forty forty. Yeah,
• 42:53
  Speaker 2: it's probably forty at least. I mean there's a lot
• 42:58
  Speaker 2: of All right, that's somebody's done. Somebody has for sure,
• 43:02
  Speaker 2: I mean five hundred dollars a pop. So that cuts
• 43:05
  Speaker 2: out a lot of people that are just going to
• 43:07
  Speaker 2: be priced out.
• 43:08
  Speaker 1: But you know what, but also that that invites a
• 43:11
  Speaker 1: niche market as well. That's true. That's true, because would
• 43:15
  Speaker 1: you rather watch this dude fuck a busted ass Walmart
• 43:18
  Speaker 1: Kettlebell at Amazon Basics with the fucking bottomed out or
• 43:22
  Speaker 1: do you want to see him hit the fucking Joe
• 43:24
  Speaker 1: Roguy Gorilla Kettlebell that was five hundred from on it.
• 43:28
  Speaker 1: That's true, that's true. That's a man.
• 43:31
  Speaker 2: Yeah, yeah, you're not paying for Spotify premium and you're
• 43:34
  Speaker 2: not getting the Joe Roguekettlebell to.
• 43:36
  Speaker 1: Right right right. The Amazon Basics Kettlebell thumbnail just doesn't
• 43:41
  Speaker 1: the title. I'm not clicking on that. Fuck no Joe
• 43:45
  Speaker 1: Rogan Kettlebell.
• 43:46
  Speaker 2: Sorry, yeah, I mean I take it money for that.
• 43:51
  Speaker 2: Oh fuck dude, we got Redeemer by Marilyn Manson.
• 43:58
  Speaker 1: This one didn't make the Spotify cut.
• 44:00
  Speaker 2: I got it on here for really, it wasn't on yours. Yeah, dude,
• 44:04
  Speaker 2: we got different spotifies. We got different spotifies. Man, I'm
• 44:09
  Speaker 2: on the compilation by various artists, which one.
• 44:12
  Speaker 1: Or No, I'm not. I was on the I mean
• 44:16
  Speaker 1: we have the same order, but I just yeah, I
• 44:18
  Speaker 1: didn't have it. I didn't have me.
• 44:20
  Speaker 2: See, I don't think I heard this one when I
• 44:21
  Speaker 2: listened to it at work, So I might have been.
• 44:23
  Speaker 1: I might have just I had to go to YouTube
• 44:25
  Speaker 1: to find this one. I don't even think I could
• 44:28
  Speaker 1: find this on Spotify.
• 44:30
  Speaker 2: Okay, yeah, for some reason, this one's not playing actually
• 44:33
  Speaker 2: on Spotify.
• 44:34
  Speaker 1: Well, well, well.
• 44:37
  Speaker 2: It's on there, but it's not. Oh, you gotta get
• 44:41
  Speaker 2: a VP. You gotta get a VP in.
• 44:45
  Speaker 1: Market mark yourself safe from twelve and that. Oh look, yeah,
• 44:55
  Speaker 1: I didn't know it. It's not the this is the
• 45:01
  Speaker 1: This is another one of the This is another JD
• 45:03
  Speaker 1: Cat that Marilyn Manson stepped in for. It's the most
• 45:08
  Speaker 1: nightmare before Christmas song in the movie. You know when
• 45:13
  Speaker 1: the chorus starts ripping, all right, we got this.
• 45:18
  Speaker 2: I'm gonna put it on two X speeds so I
• 45:21
  Speaker 2: can get through.
• 45:21
  Speaker 1: It real quick. Oh I bet it's really good, Dan,
• 45:26
  Speaker 1: this is crank.
• 45:28
  Speaker 2: It sounds like a like a S and E s soundtrack.
• 45:36
  Speaker 1: Yeah, it's like all major key stuff. It feels weird
• 45:44
  Speaker 1: hearing Marilyn Manson sing over something like that. That kind
• 45:47
  Speaker 1: of that was something that stood out to me. Even
• 45:49
  Speaker 1: the choruses better than pause or skipped. I'm so glad
• 45:54
  Speaker 1: I didn't listen to this a lot of times. Yeah,
• 45:56
  Speaker 1: same definitely had my mind made up pretty quick about
• 45:59
  Speaker 1: most of it. Yeah, it's very bad. God, damn ESU.
• 46:07
  Speaker 2: The soundtrack fucking sucks. They should have fired Jonathan Davis's ass.
• 46:11
  Speaker 2: Why didn't Why didn't anybody step in and be like,
• 46:14
  Speaker 2: get someone else, send his ass back to Corn?
• 46:17
  Speaker 1: What are we?
• 46:18
  Speaker 2: I guess because I paid for the movie?
• 46:22
  Speaker 1: That makes sense for everybody. Yeah, you tell me Ale
• 46:28
  Speaker 1: was in wasn't in fucking red Adidas jepsuit on set?
• 46:32
  Speaker 2: And yeah, yeah, another one where it's like, just because
• 46:40
  Speaker 2: Jonathan Davis is writing the song, Marilyn Manson's trying to
• 46:43
  Speaker 2: sound kind of like Jonathan Davis.
• 46:45
  Speaker 1: Too, it just sounds like Corn. Yeah. God, I don't know.
• 46:49
  Speaker 1: I don't know.
• 46:51
  Speaker 2: This is a bad soundtrack. We gotta we gotta change
• 46:54
  Speaker 2: gears next time. We can't do another new metal soundtrack.
• 46:57
  Speaker 2: I don't trust it anymore.
• 46:59
  Speaker 1: Yeah, yeah, I don't know not to say it wasn't
• 47:03
  Speaker 1: it was fun giving feedback on it. Oh yeah, for sure,
• 47:08
  Speaker 1: there's definitely some more, some more nuggets to get to
• 47:12
  Speaker 1: for sure. Yeah.
• 47:13
  Speaker 2: Yeah, we're not even halfway through. We're just on track five.
• 47:15
  Speaker 2: Let's just skip over Redeemer then in track six I'll
• 47:19
  Speaker 2: tell you this one didn't get me fired up.
• 47:23
  Speaker 1: I didn't. Yeah, immediately straight out of the gate, was like,
• 47:26
  Speaker 1: all right, this is cool.
• 47:28
  Speaker 2: This Yeah, that's what I was thinking too.
• 47:30
  Speaker 1: I was like, this gotta be po d I'm gonna,
• 47:34
  Speaker 1: I'm gonna. When you get to the second verse, there
• 47:38
  Speaker 1: is a lyrics I would like to address.
• 47:40
  Speaker 2: Some lyric analysis up in here. There is Yeah, what
• 47:45
  Speaker 2: does he say that?
• 47:47
  Speaker 1: Keith says, jaw nothing nothing scary. Yeah, kids are getting
• 47:52
  Speaker 1: sick like malaria. And Bro, that's the most po D
• 47:57
  Speaker 1: ship I've ever heard on a fucking pop road. And
• 48:00
  Speaker 1: I'll say that for sure. Darry, Yeah, I don't think
• 48:10
  Speaker 1: I like if that implied, just got to it.
• 48:13
  Speaker 2: Yeah, dude, when that lyric rules that, I ab out front,
• 48:17
  Speaker 2: flipped into the crowd like an imaginary crowd and it's
• 48:20
  Speaker 2: just me landing on concrete.
• 48:22
  Speaker 1: My back breaks and I'm.
• 48:23
  Speaker 2: Dead, but it's worth it the song and because you're dead, Yeah,
• 48:29
  Speaker 2: I just lay there until somebody finds me, like, what
• 48:32
  Speaker 2: the fuck happened to you?
• 48:33
  Speaker 1: Well that it was nice, dude, Jacoby Jacoby killed it
• 48:37
  Speaker 1: on that.
• 48:38
  Speaker 2: You know, It's got me wanting to listen to that
• 48:40
  Speaker 2: album because I've only ever listened to uh fucking cut
• 48:43
  Speaker 2: My Life into Pieces song, and now I'm like, dude,
• 48:46
  Speaker 2: there might be more bangers on there, A little hidden
• 48:49
  Speaker 2: hidden gems.
• 48:50
  Speaker 1: Don't on that album?
• 48:52
  Speaker 2: Yeah, I think it's on the Yeah, it says it's
• 48:54
  Speaker 2: on the Infest album.
• 48:57
  Speaker 1: Yeah.
• 48:57
  Speaker 2: I mean if that song wasn't fucking pure, I don't
• 49:00
  Speaker 2: know what it is, same same boat. It didn't get
• 49:05
  Speaker 2: much better when that music video came in. They had
• 49:08
  Speaker 2: all the fucking fish eye Lends people in there.
• 49:10
  Speaker 1: Dude, Yeah, dude, Yeah, what a sick video withou like
• 49:14
  Speaker 1: the light boxes and ship yeah, like man like the
• 49:19
  Speaker 1: Masonic temple in that motherfucker for real.
• 49:23
  Speaker 2: Only only could have been better if if it was
• 49:26
  Speaker 2: made nowadays and it was a UFC octagon that they
• 49:30
  Speaker 2: were in with light boxes. Bro fucking kicking ask.
• 49:35
  Speaker 1: I think we could probably make that happen.
• 49:38
  Speaker 2: I'm building I don't see why not. I'm building the
• 49:41
  Speaker 2: cage in my backyard for that reason, just.
• 49:44
  Speaker 1: Just just for the soundtrack, just to put a soundtrack together.
• 49:48
  Speaker 1: You've taken up miss Martial Arts so that you could
• 49:52
  Speaker 1: so that you could build an octagon in your backyard.
• 49:56
  Speaker 1: Well for trademark purposes. It's probably not an octagon, right.
• 50:00
  Speaker 1: You could put a cage in your backyard and so
• 50:04
  Speaker 1: you can just score the whole evening with choice, choice cuts.
• 50:10
  Speaker 1: Oh are you still on the popa Roach song? Oh?
• 50:14
  Speaker 2: Yeah, yeah, I positive, because dude, I was gonna start
• 50:17
  Speaker 2: fucking breaking everything in the room if I kept listening
• 50:20
  Speaker 2: to this song. It's that good. It's just like you
• 50:23
  Speaker 2: get caught in it. Honestly, if I was going to
• 50:26
  Speaker 2: fight somebody in the UFC, I'd probably come out to
• 50:28
  Speaker 2: this song and they would be fucking dead instantly. Yea,
• 50:31
  Speaker 2: nobody stands a chance against it.
• 50:34
  Speaker 1: This is what Max Holloway came out to. This is
• 50:36
  Speaker 1: what happened to Connors. He heard Jah not too well.
• 50:40
  Speaker 1: We yah nothing scary. Yeah, kids are getting sick like
• 50:44
  Speaker 1: my lever.
• 50:45
  Speaker 2: Yah, he's gonna handle it. It was like a curse, dude,
• 50:51
  Speaker 2: a gift and a curse, the curse that keeps on
• 50:54
  Speaker 2: cursing ever since twenty two we've had the curse. Yeah,
• 51:01
  Speaker 2: this is a good one.
• 51:02
  Speaker 1: What you gave us to, dude, that's true.
• 51:06
  Speaker 2: Like if you're gonna whoop your boss's ass, put this
• 51:09
  Speaker 2: on on a bluetooth speaker because.
• 51:11
  Speaker 1: You're already mad out of the gate that you're listening
• 51:13
  Speaker 1: to this ass fucking soundtrack. I hate my fucking boss
• 51:18
  Speaker 1: and this ship sucks. You gotta dust his ass quick
• 51:24
  Speaker 1: so you can get up and pause the fucking phone.
• 51:26
  Speaker 1: Shut this music off. Oh god, dude, oh ship, dude,
• 51:32
  Speaker 1: And it just keeps getting worse. I got some I see. Yeah.
• 51:36
  Speaker 2: The next song is by Godhead.
• 51:39
  Speaker 1: Is this a JD song or what? Like?
• 51:41
  Speaker 2: I don't I don't think so this is Godhead this ship.
• 51:46
  Speaker 1: You know what this sounds like? You know what? I
• 51:49
  Speaker 1: think it was maybe Mortal Kombat trilogy when you would
• 51:52
  Speaker 1: go through and you would pick the tower that you
• 51:54
  Speaker 1: want to, like, it was like the difficulty towers that's
• 51:57
  Speaker 1: like to get down by you. It's playing when you're Novice.
• 52:05
  Speaker 1: Oh my god, I played Novice because it was only
• 52:07
  Speaker 1: like five guys until Goro.
• 52:09
  Speaker 2: What Novice was?
• 52:10
  Speaker 1: Yeah?
• 52:10
  Speaker 2: I mean you because you don't want to get your
• 52:12
  Speaker 2: ass what for hours and hours? It's like you just
• 52:14
  Speaker 2: want to try to fight, right, you want to fight
• 52:17
  Speaker 2: the cool guys.
• 52:18
  Speaker 1: You know, you only had to do one of the
• 52:20
  Speaker 1: two guy fights. Yeah, yeah, and then you got it
• 52:23
  Speaker 1: was Mataro in that game.
• 52:24
  Speaker 2: Sorry, Matar Yeah, Mitar, Yeah, that one was one of
• 52:28
  Speaker 2: the best.
• 52:29
  Speaker 1: Like shout go on that one was sick.
• 52:31
  Speaker 2: Yeah, I love that Mortal Kombat probably, Yeah, I mean it.
• 52:35
  Speaker 1: Was definitely the one. I'm most familiar with that in
• 52:37
  Speaker 1: Mortal Kombat too.
• 52:39
  Speaker 2: Yeah, I love Yeah. I just wish they had combos
• 52:43
  Speaker 2: in Mortal Kombat too, because you always go back to
• 52:45
  Speaker 2: play that one after like playing trilogy, and you're used
• 52:48
  Speaker 2: to hitting those like eight eight piece combos and ship,
• 52:51
  Speaker 2: and then you go to two and it's like, you
• 52:52
  Speaker 2: can't do that ship anymore.
• 52:54
  Speaker 1: I don't think I ever did any of that on purpose.
• 52:56
  Speaker 2: No, you just press the fucking buttons as hard as
• 52:58
  Speaker 2: you can and then Yeah, I didn't know the actual ones.
• 53:02
  Speaker 2: I'm not saying it happened, right, It just wasn't on purpose.
• 53:06
  Speaker 2: You just just hit the button. That's why he's the best.
• 53:09
  Speaker 2: Get just keep hitting, hopefully it doesn't stop. No, the
• 53:13
  Speaker 2: picture here of the artists, it looks like each one
• 53:16
  Speaker 2: of these guys that is trying to hypnotize me into
• 53:18
  Speaker 2: having gay sex.
• 53:23
  Speaker 1: Due maybe I don't want to look at it.
• 53:25
  Speaker 2: And the song is called Penetrate dude. That is one
• 53:27
  Speaker 2: hundred percent what's going on.
• 53:29
  Speaker 1: Here's someone to play on the phone.
• 53:33
  Speaker 2: That's right. Oh, these are like the guys in Mortal
• 53:39
  Speaker 2: Kombat Annihilation that were like off to the side while
• 53:42
  Speaker 2: people were getting their assets.
• 53:43
  Speaker 3: One.
• 53:44
  Speaker 1: I feel like the guys.
• 53:49
  Speaker 2: I mean, honestly, I'd hang out with them. The guy
• 53:52
  Speaker 2: in the fish net looks like he doesn't really want
• 53:54
  Speaker 2: to be wearing lipstick that much.
• 53:56
  Speaker 1: It's like he looks definitely the dude with the cool
• 54:01
  Speaker 1: any crabits classes kind of looks like Chris O'Donnell and
• 54:03
  Speaker 1: Batman and Robbin but with dreads. Oh yeah, yeah, yeah,
• 54:08
  Speaker 1: he's definitely there for a good time. Yeah, he's got
• 54:11
  Speaker 1: a couple of charges that they don't like to talk about.
• 54:14
  Speaker 2: Back in the day when you could have.
• 54:16
  Speaker 1: Those, yeah, don't ask, don't tell.
• 54:19
  Speaker 2: Yeah, those always used to slide back in the day. Nowadays,
• 54:23
  Speaker 2: like you can't do goddamn anything. You can't get a
• 54:25
  Speaker 2: fucking dui without people.
• 54:27
  Speaker 1: Yeah, man, what do you mean your bands on this poster?
• 54:33
  Speaker 1: Did you fucking get a ticket last week? We're coming
• 54:37
  Speaker 1: for you.
• 54:38
  Speaker 2: You're gonna get dropped from fucking warped toward twenty twenty,
• 54:42
  Speaker 2: who vote for We're looking at your registration motherfucker making
• 54:49
  Speaker 2: sure that shits.
• 54:50
  Speaker 1: Up to part they're pulling up your Facebook post from
• 54:54
  Speaker 1: fucking Yeah two thousand and two godheadsong fucking sucked. Uh.
• 55:00
  Speaker 1: There's a part around the after the second chorus where
• 55:04
  Speaker 1: they were doing what I believe was a reverse delay
• 55:08
  Speaker 1: pinch harmonic. Oh yeah, I think is what that might
• 55:11
  Speaker 1: have been. It's kind of fun. Yeah, didn't make it
• 55:14
  Speaker 1: suck less. But and then it gets to the actual end,
• 55:18
  Speaker 1: and like I thought, I thought they were gonna bring
• 55:21
  Speaker 1: the chorus back to Thank fucking god they did. If
• 55:25
  Speaker 1: they did, dude, I mean, the song's already four minutes. Dude.
• 55:30
  Speaker 1: How did they stretch some of these songs out? Dude,
• 55:33
  Speaker 1: it's crazy to me. Their industrial dance mixes. They gotta,
• 55:37
  Speaker 1: they gotta put it on a loop. They got they
• 55:40
  Speaker 1: have a light show, uh setless link to Matt as
• 55:44
  Speaker 1: the check with Slovakian Nightclub. Yeah, everybody's wearing those fur
• 55:50
  Speaker 1: coats from Triple X like bensl war.
• 55:55
  Speaker 2: So this next song is called Slept So long un
• 56:00
  Speaker 2: by Jay Gordon and I slipt so one more like
• 56:04
  Speaker 2: sucked my schlong o.
• 56:09
  Speaker 1: Fuck.
• 56:09
  Speaker 2: Yeah, dude, you got there.
• 56:11
  Speaker 8: Dude, you did you got me too. I didn't it
• 56:17
  Speaker 8: at all this, dude, this is fucking angry.
• 56:22
  Speaker 2: Yeah, I got it on right now. I just cranked
• 56:24
  Speaker 2: it up to one hundred.
• 56:25
  Speaker 1: D'st man, you got to bring that. Corey Taylor cleans, Yeah, I.
• 56:34
  Speaker 2: Yeah, I got it on right now. Dude, he really
• 56:36
  Speaker 2: does more than I go to your room for it?
• 56:37
  Speaker 2: Is he like when he hit when he says the
• 56:40
  Speaker 2: F word, he really like says it.
• 56:41
  Speaker 1: He's like he means it. Yeah. Oh yeah, you can
• 56:44
  Speaker 1: tell he's not. No.
• 56:48
  Speaker 2: Yeah, this is another suck you want.
• 56:50
  Speaker 1: It's bad.
• 56:50
  Speaker 2: I don't even know who this is either.
• 56:52
  Speaker 1: Jay Gordon says, du from Orgy? Isn't it?
• 56:56
  Speaker 2: Oh?
• 56:56
  Speaker 1: Is it? Is this the guy from? Oh?
• 56:58
  Speaker 2: You're right?
• 56:58
  Speaker 1: I think this might be another Jay Ja song.
• 57:02
  Speaker 2: Man, it's too bad. This is like a ship stain
• 57:04
  Speaker 2: on all these guys careers, like they I don't.
• 57:07
  Speaker 1: Is it it's I mean, I don't know. You got
• 57:13
  Speaker 1: Orgy with the Blue Monday track. He could have done
• 57:17
  Speaker 1: the story with my Grandpa, like I think I think
• 57:20
  Speaker 1: the story of my Grandpa probably tops this. It does.
• 57:24
  Speaker 1: This is terrible. It's not great.
• 57:27
  Speaker 2: Why does every song like the Keys or like the
• 57:31
  Speaker 2: little like metallic sounding like fucking xylophone in the back,
• 57:38
  Speaker 2: like every song.
• 57:39
  Speaker 1: Has like like we don't I wonder if I wonder
• 57:46
  Speaker 1: if Jonathan Davis, Jonathan Davis and this the beg guy
• 57:51
  Speaker 1: we're trying to go for like an Atticus Ross Trent
• 57:54
  Speaker 1: Reznor thing and just get weird. Maybe they just wanted
• 57:59
  Speaker 1: to be artsy. And there's actually a later on this,
• 58:03
  Speaker 1: a part that at the end of the song sounded
• 58:05
  Speaker 1: like something off the social network, like straight Atticus rossa
• 58:09
  Speaker 1: Trent Resnor, like a little outro thing. This the lyrics
• 58:15
  Speaker 1: on this, do you have the lyrics? And this pulled
• 58:16
  Speaker 1: out by chance sending me in your eyeline lyrics, Let's
• 58:20
  Speaker 1: do a straight faced lyric reading. I guess at a
• 58:24
  Speaker 1: glance that doesn't look as awful as it sounds. He
• 58:26
  Speaker 1: just he's so fucking mad that his dad sent him
• 58:29
  Speaker 1: to his room and it's just all so so angsty,
• 58:33
  Speaker 1: and yeah, I just.
• 58:35
  Speaker 2: Wonder, like how old is this guy?
• 58:37
  Speaker 1: How old is j D at this time?
• 58:38
  Speaker 2: Because if they're like touching forty years old, I think
• 58:41
  Speaker 2: they need a you know, I think they can let
• 58:43
  Speaker 2: some of this shit go. You know, it's yeah, have
• 58:46
  Speaker 2: a reconciliation. With their popa.
• 58:50
  Speaker 1: Just call him dude wants to hear.
• 58:53
  Speaker 2: Yeah, he's probably not. He's probably not mad at you anymore.
• 58:56
  Speaker 2: And you guys probably a more incommon than what you think.
• 59:00
  Speaker 1: Just need to he just thought you were gay? Dude?
• 59:06
  Speaker 2: Can you blame him? I mean, come on, son, Okay,
• 59:13
  Speaker 2: he's walking waiting, a hoping and hating the things that
• 59:18
  Speaker 2: I can't bear this.
• 59:18
  Speaker 1: This is some poetry.
• 59:22
  Speaker 2: Did you think it's cool to walk right up to
• 59:24
  Speaker 2: take my life and fuck it up? That's where he
• 59:27
  Speaker 2: drops that hard fans and.
• 59:31
  Speaker 1: Then he says, well did you well?
• 59:34
  Speaker 3: Did you?
• 59:35
  Speaker 1: Yeah? This sucks. There's a there's a part where he
• 59:40
  Speaker 1: rips a very long winded I hate you, and it's
• 59:44
  Speaker 1: aw whoever that was for. I just I couldn't imagine
• 59:48
  Speaker 1: the vibe in the studio that day, Like like, can
• 59:51
  Speaker 1: you imagine being like in there while this dude's recording
• 59:55
  Speaker 1: these vocals and you're like even the booth and you're
• 59:57
  Speaker 1: in the room with everybody else, like, who's gonna suck
• 1:00:00
  Speaker 1: telling this dude honestly run the bathroom. Let's say, Jay,
• 1:00:06
  Speaker 1: we're gonna go fucking smoke cigarette garbage dog.
• 1:00:09
  Speaker 2: They need so much like the cops have to have
• 1:00:12
  Speaker 2: body cams at all times.
• 1:00:14
  Speaker 1: Now.
• 1:00:14
  Speaker 2: I think you need to have body cams in the
• 1:00:16
  Speaker 2: studio from now on, Like it's gotta be a required thing,
• 1:00:19
  Speaker 2: because I would I would love to watch these studio
• 1:00:23
  Speaker 2: sessions and just really the sound guy has to have
• 1:00:26
  Speaker 2: the body cam like on him so you can see
• 1:00:29
  Speaker 2: his face the whole time.
• 1:00:31
  Speaker 1: It's all just like the take of the Lars's dad
• 1:00:34
  Speaker 1: telling him that he wouldn't use that take is on?
• 1:00:40
  Speaker 1: Is it on some kind of or not? Some kind
• 1:00:42
  Speaker 1: of monster? Wasn't on some kind of monster? It's on
• 1:00:45
  Speaker 1: a Metallica DVD? Is that the one that came with
• 1:00:48
  Speaker 1: like Lars's dad is there? Maybe fuck I would have
• 1:00:53
  Speaker 1: told him not to use that take heat, Yeah.
• 1:00:55
  Speaker 2: Dude, Lars has some around that time. Uh, Lars is
• 1:01:00
  Speaker 2: the worst fucking guy to be in a band with.
• 1:01:02
  Speaker 1: I'd say, yeah, that was probably not idea.
• 1:01:05
  Speaker 2: I think Lars was a good drummer. Like when you
• 1:01:08
  Speaker 2: go back and listen to his old ship, it's like, yeah,
• 1:01:10
  Speaker 2: he had some fucking sick beats, some really creative drum
• 1:01:15
  Speaker 2: styling going on there. But uh about saying around the
• 1:01:20
  Speaker 2: same saint Inger came out, It's like, dude, you're just
• 1:01:22
  Speaker 2: getting shitty at drums. I don't know what to tell you. Yeah,
• 1:01:26
  Speaker 2: like it sucks, but it's happening. And yeah, still ripping
• 1:01:32
  Speaker 2: the double kick sets. He doesn't even give a fuck
• 1:01:37
  Speaker 2: if he's playing in time or whatever. It's just like awesome.
• 1:01:41
  Speaker 2: I mean, he's just do I'd be doing it too
• 1:01:45
  Speaker 2: if I could. Oh yeah, I don't blame him one bit.
• 1:01:49
  Speaker 1: You know how snake pit tickets are.
• 1:01:51
  Speaker 2: Bro, Dude, you imagine getting cut a check like that
• 1:01:55
  Speaker 2: for playing the drums wrong.
• 1:01:57
  Speaker 1: That would be amazing. I couldn't imagine getting paid to
• 1:02:02
  Speaker 1: do it right exactly.
• 1:02:05
  Speaker 2: Oh I'm jealous. Honestly, he's a legend. What can I say?
• 1:02:10
  Speaker 1: The fucking speaking of legends.
• 1:02:13
  Speaker 2: Oh so track nine, Track nine, that's where the whole
• 1:02:16
  Speaker 2: thing turns around. We get the big dog himself, the
• 1:02:19
  Speaker 2: track that was missing from screen three down with the
• 1:02:23
  Speaker 2: sickness by Disturbed.
• 1:02:24
  Speaker 1: My first knee jerk reaction like oh ship, And then
• 1:02:28
  Speaker 1: after oh shit, it's uh two song? Who tracks?
• 1:02:32
  Speaker 5: And what what are we?
• 1:02:34
  Speaker 1: Was this not number eight? Is David Raymond the king
• 1:02:37
  Speaker 1: of the day? That's a good question. I mean, I
• 1:02:42
  Speaker 1: think you're right. I think he is. I mean, I
• 1:02:45
  Speaker 1: don't know. Those numbers don't lie, and the piercings don't either.
• 1:02:51
  Speaker 1: I hadn't even brought that.
• 1:02:54
  Speaker 2: Could you imagine him and Aliyah with his bald head
• 1:02:57
  Speaker 2: and those big piercings, King and Queen just.
• 1:02:59
  Speaker 1: Taken over, rocking the fucking boat, dude, d just hitting
• 1:03:03
  Speaker 1: the studio together.
• 1:03:04
  Speaker 2: Man was down with the sickness on Screen three. Just now,
• 1:03:07
  Speaker 2: I'm starting to second guess myself.
• 1:03:10
  Speaker 1: No, I wish a Disturbed song, wasn't there. No, No,
• 1:03:15
  Speaker 1: there was no Disturbed on screen a single one. Damn.
• 1:03:19
  Speaker 2: Maybe that's why I got brought up. We're like, they
• 1:03:21
  Speaker 2: should have Disturbed on here.
• 1:03:22
  Speaker 1: Screen three could have had a bitch and ass soundtrack.
• 1:03:25
  Speaker 1: But it was close. It was close.
• 1:03:28
  Speaker 2: Yeah, after looking at the Queen of the damn soundtrack, like,
• 1:03:31
  Speaker 2: I'm like, dude, they got away closer with Screen three
• 1:03:34
  Speaker 2: than they did with this one.
• 1:03:36
  Speaker 1: That's fair.
• 1:03:37
  Speaker 2: Yeah, why didn't they? Yeah, they didn't have Jonathan Davis
• 1:03:40
  Speaker 2: writing every song for Screen three, so that.
• 1:03:43
  Speaker 1: Probably helps out a little bit. Yeah, I'm just glad
• 1:03:46
  Speaker 1: that I didn't have to find out that Jonathan Davis
• 1:03:48
  Speaker 1: wrote that deaf toone song.
• 1:03:49
  Speaker 2: All Time Bummer for sure a question.
• 1:03:51
  Speaker 1: Yeah, No, we talked about uh, we talked about down
• 1:03:56
  Speaker 1: with the sickness. Yes, at the end of stream three
• 1:03:59
  Speaker 1: for some reason. Yeah, but what did he do to
• 1:04:04
  Speaker 1: make his mom so fucking mad? That's a good question.
• 1:04:07
  Speaker 1: She's pissed, dude.
• 1:04:08
  Speaker 2: She stuck her fucking hand in his face over and over,
• 1:04:12
  Speaker 2: apparently like enough to where he's he's like gonna kill
• 1:04:15
  Speaker 2: it for it.
• 1:04:16
  Speaker 1: That's a lot of nice. Yeah, and I gotta do
• 1:04:19
  Speaker 1: that again, bitch. Dude.
• 1:04:22
  Speaker 2: I felt I feel uncomfortable every time I hear this
• 1:04:26
  Speaker 2: song in that part kicks in. Like when I was
• 1:04:28
  Speaker 2: listening to this through, I was just like I wanted
• 1:04:30
  Speaker 2: to change it, but I was like, I feel like
• 1:04:32
  Speaker 2: I just gotta, like, you.
• 1:04:33
  Speaker 1: Know, the man there's a cold beat in the background behind.
• 1:04:36
  Speaker 2: It, Yeah, is fucking hitting.
• 1:04:42
  Speaker 1: And he's just going off.
• 1:04:44
  Speaker 2: That's another one where it's like, dude, I need the
• 1:04:46
  Speaker 2: I need the body cam footage for that. When the
• 1:04:48
  Speaker 2: guy recording, I just he doesn't know, you know, he's
• 1:04:51
  Speaker 2: not been prepped for this at all, and he's just like,
• 1:04:53
  Speaker 2: you know, the first three fourths of the song are done,
• 1:04:57
  Speaker 2: and he's just like, damn, this is a fucking banger,
• 1:04:59
  Speaker 2: We got a hit on our hands, and then they're
• 1:05:01
  Speaker 2: just like, yeah, what.
• 1:05:01
  Speaker 1: Are you a bridge? Yeah? Got anything? He's like and
• 1:05:06
  Speaker 1: he like looks up and it's piercings rattle, and he's like, yeah,
• 1:05:10
  Speaker 1: I got something.
• 1:05:11
  Speaker 2: That voice, Yeah, the fucking dark Knight voice.
• 1:05:17
  Speaker 1: Justice, I'm not something for you. I'm not wearing occupants.
• 1:05:25
  Speaker 2: Dim the lights, they're just like what he has one
• 1:05:29
  Speaker 2: of those different lights the lights.
• 1:05:35
  Speaker 1: Dim the lights and punch me in and bring the
• 1:05:38
  Speaker 1: fucking trap back. Can you imagine the beginning though he's
• 1:05:46
  Speaker 1: in there like like fucking going back and forth you
• 1:05:50
  Speaker 1: ship ship? Can you feel it? Just like like he
• 1:06:07
  Speaker 1: just hit us with it?
• 1:06:15
  Speaker 2: Oh yeah, dude, I feel like the fucking roof would
• 1:06:19
  Speaker 2: have came in when oh man, like if they didn't
• 1:06:23
  Speaker 2: expect that, like if he wasn't practicing that, and he's
• 1:06:26
  Speaker 2: just like, I'm saving this one up for the guys,
• 1:06:28
  Speaker 2: you know, like surprise him with some real and then
• 1:06:32
  Speaker 2: he hits him with that. In the studio, I feel
• 1:06:34
  Speaker 2: like they'd fucking gone nuts.
• 1:06:36
  Speaker 1: In the Bore's I feel like I feel like there
• 1:06:39
  Speaker 1: are a lot of vocal takes that I could have
• 1:06:41
  Speaker 1: been blindsided by. Looking back, at as a Disturbed song.
• 1:06:45
  Speaker 1: I think, yeah, I think there's some probably some hot
• 1:06:50
  Speaker 1: vocal takes in.
• 1:06:50
  Speaker 2: The yeah big time, Like, well have you heard that song?
• 1:06:55
  Speaker 2: Stupefy all of it, dude, Like every line is almost
• 1:07:03
  Speaker 2: as good as the law line.
• 1:07:06
  Speaker 1: I think every line probably on the fucking Turtleneck Man album.
• 1:07:12
  Speaker 2: You know what, uh ship, I'm drying.
• 1:07:18
  Speaker 1: The Disturbed album.
• 1:07:20
  Speaker 2: Oh yeah, okay, thinking of a real turtleneck.
• 1:07:27
  Speaker 1: Yeah, yeah, I mean.
• 1:07:29
  Speaker 2: It might as well, might as well be Yeah, that's
• 1:07:35
  Speaker 2: a good point. And you know that makes a lot
• 1:07:37
  Speaker 2: of sense that it would be like a foreskin. Maybe
• 1:07:40
  Speaker 2: that's why so mad.
• 1:07:42
  Speaker 1: He kind of looks like fucking mister tusk give it back,
• 1:07:46
  Speaker 1: get me, dude? Have you ever seen that? What have
• 1:07:56
  Speaker 1: you ever seen the video of the the dude that
• 1:07:59
  Speaker 1: made like compilation of disturbed greatest hit, like implying it
• 1:08:04
  Speaker 1: was just all one song. He like just like makes
• 1:08:10
  Speaker 1: up noises and sh it's it's I still like stem
• 1:08:13
  Speaker 1: and do some of these noises this guy makes in
• 1:08:15
  Speaker 1: his video And my wife's a big fan of it.
• 1:08:17
  Speaker 2: Yeah, you gotta send that to me. Is there anything
• 1:08:20
  Speaker 2: else to say about Down with the Sickness? I mean,
• 1:08:23
  Speaker 2: I loved your point in the last episode about how
• 1:08:27
  Speaker 2: he just fucking hits him with that heavy subject matter
• 1:08:31
  Speaker 2: in the middle of this like killer song.
• 1:08:35
  Speaker 1: Yeah, I really really killed the vibe on this, really
• 1:08:38
  Speaker 1: killed the vibe on this, this new metal banger, this
• 1:08:43
  Speaker 1: new metal anthem.
• 1:08:44
  Speaker 2: I guess he is kind of dropping hints in the
• 1:08:46
  Speaker 2: verses though, Like when I listened to it, I was
• 1:08:48
  Speaker 2: thinking about that, and I was like, he is constantly
• 1:08:50
  Speaker 2: talking about turning into a demon, and it's kind of like, yeah,
• 1:08:53
  Speaker 2: what else does he like? What else does that mean?
• 1:08:56
  Speaker 1: Really? And men? Yeah, did Jonathan Davis write that one too?
• 1:09:09
  Speaker 1: He better not have.
• 1:09:12
  Speaker 2: I'll be more mad than that. I think his problems
• 1:09:14
  Speaker 2: were with his dad. Yeah, clearly a different parents subject matter. Yeah, Yeah,
• 1:09:20
  Speaker 2: you don't see a lot of mom anger in JD's lyrics.
• 1:09:24
  Speaker 1: It's all about the dad. That's why him and m
• 1:09:27
  Speaker 1: and a click. Yeah, which one the guy from Disturbed
• 1:09:31
  Speaker 1: or JD? Oh wait, no, I guess I jumped timelines
• 1:09:35
  Speaker 1: there for a second. The JD was Yeah, the dad
• 1:09:37
  Speaker 1: dad issues issues.
• 1:09:41
  Speaker 2: I mean I think he had both. I just read
• 1:09:43
  Speaker 2: a little thing the other day that said that, like, uh,
• 1:09:46
  Speaker 2: he never talked to his dad again and his Dad's
• 1:09:49
  Speaker 2: like dead or whatever. I saw.
• 1:09:52
  Speaker 1: He must have had his panties up in a bunch.
• 1:09:54
  Speaker 1: I think he can at everybody. That's fair. Yeah. I
• 1:09:58
  Speaker 1: mean when you're you have time to be mad at people. Yeah.
• 1:10:02
  Speaker 2: I just fucking fucking suck it, Dad, suck it.
• 1:10:09
  Speaker 1: Oh yeah, yeah.
• 1:10:16
  Speaker 2: I dusted it off the soundboard for this one. I
• 1:10:18
  Speaker 2: figured it was worth it.
• 1:10:19
  Speaker 1: I like that, I'm gonna I'm gonna get one of
• 1:10:22
  Speaker 1: those soon.
• 1:10:23
  Speaker 2: It's worth it. I mean, I think this is the
• 1:10:25
  Speaker 2: perfect setting for it. I think maybe the movie reviews
• 1:10:28
  Speaker 2: were rubbing people the wrong way because they were like,
• 1:10:31
  Speaker 2: I have like some deep thoughts about the movies, and
• 1:10:34
  Speaker 2: then I was just like, you know, doing that, and
• 1:10:38
  Speaker 2: they're like, you fucking asshole. I love this movie, like,
• 1:10:42
  Speaker 2: oh my god, and they.
• 1:10:44
  Speaker 1: Did not like it. You had a fal machine now,
• 1:10:47
  Speaker 1: I fucking love terrified to get your fucking fog machine now. Yeah,
• 1:10:52
  Speaker 1: fucking nerve ship.
• 1:10:54
  Speaker 2: So track ten, oh dude, oh my god, more staticas
• 1:10:58
  Speaker 2: it's almost.
• 1:10:59
  Speaker 1: Like stat they curd my king, my king, and the
• 1:11:02
  Speaker 1: damn comments and said, hold my braided got holt bit.
• 1:11:09
  Speaker 2: It's almost like they didn't want to cut anybody else checks,
• 1:11:12
  Speaker 2: so they probably bargained with all these artists and they're like,
• 1:11:15
  Speaker 2: how about we give you like a check and a
• 1:11:17
  Speaker 2: half for two songs that Jonathan Davis is.
• 1:11:21
  Speaker 1: Yeah, pretend we're doing corn.
• 1:11:23
  Speaker 2: Yeah, you won't even have to try very hard.
• 1:11:27
  Speaker 1: You won't either, Just come in sound just enough like
• 1:11:32
  Speaker 1: yourself to sound like Jonathan Davis.
• 1:11:37
  Speaker 2: The thing about this though, it's the radio mix, which
• 1:11:41
  Speaker 2: is also known as the Freeze mixed.
• 1:11:44
  Speaker 1: Yeah, and I made sure to write all of that down.
• 1:11:47
  Speaker 1: Do you think that's just a just a play like
• 1:11:49
  Speaker 1: doubling down on how cold they are cold? We're so cold?
• 1:11:54
  Speaker 1: We are so cold, We're so cold. It's the fucking dude,
• 1:12:01
  Speaker 1: ri ip.
• 1:12:02
  Speaker 2: I know, man, one of the greats, one of the
• 1:12:06
  Speaker 2: greatest musicians ever lived.
• 1:12:08
  Speaker 1: I don't even know if he was the greatest musician
• 1:12:10
  Speaker 1: that lived in that band the great He was the
• 1:12:17
  Speaker 1: greatest musician in that band that looked like the slim
• 1:12:20
  Speaker 1: gym guy. Yeah, this song suck too, though, Yeah.
• 1:12:30
  Speaker 2: Oh fuck dude, it's just another slow one. Why can't
• 1:12:33
  Speaker 2: we get like one? Like you could put all these
• 1:12:36
  Speaker 2: songs on two X and may be twice as good,
• 1:12:39
  Speaker 2: because for one thing, he cut the playtime in half
• 1:12:41
  Speaker 2: and also you get it like a you know, just
• 1:12:44
  Speaker 2: a little bit of a quicker song.
• 1:12:45
  Speaker 1: Yeah, but the club mix has got to get to
• 1:12:48
  Speaker 1: pop in Yeah. I guess the relevance of the Deep
• 1:12:53
  Speaker 1: Freezer it's a good question.
• 1:12:54
  Speaker 2: I wonder what the difference is. Yeah, Like if you
• 1:12:56
  Speaker 2: put on the regular mix and compare it to the
• 1:12:58
  Speaker 2: Deep Freeze mix, is it that much different that it
• 1:13:01
  Speaker 2: needs a new mix?
• 1:13:02
  Speaker 1: I don't know. I'm not going to, but I'm not either.
• 1:13:04
  Speaker 1: I don't care, but I just want to. I want
• 1:13:09
  Speaker 1: to believe in my heart that this is the only
• 1:13:11
  Speaker 1: version of this song, and this is just what it's called,
• 1:13:14
  Speaker 1: and it's only on the Queen of the Day old
• 1:13:17
  Speaker 1: radio mix, a ka dre mix.
• 1:13:20
  Speaker 2: Honestly, whenever, whenever I start releasing music again, I think
• 1:13:24
  Speaker 2: that's what I'm gonna do with all the tracks, just
• 1:13:26
  Speaker 2: like just all of them have like three or four
• 1:13:30
  Speaker 2: different like sub mixes on there.
• 1:13:33
  Speaker 1: But it's just one song. It's not there's not any
• 1:13:37
  Speaker 1: other version of it that exists. It's one take that's
• 1:13:41
  Speaker 1: just that version with the low that's just the whole
• 1:13:43
  Speaker 1: idol of it. Though the round form it's mid scooped mix,
• 1:13:54
  Speaker 1: mid scoop Spotify make the nine to eleven mix getting that?
• 1:14:01
  Speaker 2: Dude, what why didn't they just get the Breaking Benjamin
• 1:14:03
  Speaker 2: song on here?
• 1:14:04
  Speaker 1: That is a band.
• 1:14:05
  Speaker 2: I'm surprised we haven't seen on either of these soundtracks.
• 1:14:07
  Speaker 1: I mean, were they relevant? Yeah? I don't know. This
• 1:14:10
  Speaker 1: is two thousand, This is the same year. Let me see.
• 1:14:15
  Speaker 2: I feel like I was hearing Breaking Benjamin by the
• 1:14:17
  Speaker 2: time I was twelve, So I'm gonna look it up though.
• 1:14:22
  Speaker 2: I got Oh, two thousand, Yeah, two thousand and two
• 1:14:24
  Speaker 2: they came out with Saturate.
• 1:14:26
  Speaker 1: Whatever the fuck that is? That's an album by them? Oh?
• 1:14:30
  Speaker 2: Yeah, they were formed in nineteen ninety nine. They had
• 1:14:32
  Speaker 2: time to get a track on the Queen of the
• 1:14:34
  Speaker 2: Damn soundtrack by then.
• 1:14:36
  Speaker 1: Yeah, you mean to tell me they weren't relevant.
• 1:14:39
  Speaker 2: Yeah, we hadn't heard Animal I have Begun yet.
• 1:14:42
  Speaker 1: Is that them?
• 1:14:42
  Speaker 5: Oh?
• 1:14:43
  Speaker 1: My god? Is it? Is it them?
• 1:14:44
  Speaker 2: Or is it.
• 1:14:47
  Speaker 1: That's said? Or is that a Three Days Grace? There
• 1:14:50
  Speaker 1: you go? Thank you? Is it them? Yeah, that's I'm
• 1:14:53
  Speaker 1: pretty sure that's Three Days Grace.
• 1:14:55
  Speaker 2: Yeah, they're from Canada. Oh Three Days Grace. Why aren't
• 1:14:58
  Speaker 2: they on this? They were Wait, they were formed in
• 1:15:00
  Speaker 2: nineteen ninety two. They had plenty of time.
• 1:15:03
  Speaker 1: Wow, what the fuck? They had time to be relevant
• 1:15:06
  Speaker 1: and not relevant enough to be on this soundtrack. Yeah,
• 1:15:09
  Speaker 1: they should be making their return to music right now
• 1:15:12
  Speaker 1: if they exactly yeahs they should be on their second win.
• 1:15:17
  Speaker 2: Oh yeah, there's their limp biscuit right now is what
• 1:15:20
  Speaker 2: they need to be doing.
• 1:15:21
  Speaker 1: I don't know, I feel like they were big, like
• 1:15:23
  Speaker 1: way like when we were in high school for sure. Yeah.
• 1:15:25
  Speaker 2: I'm seeing a picture right here from two thousand and six,
• 1:15:28
  Speaker 2: which is like peak peak high school for me, you know,
• 1:15:31
  Speaker 2: the middle of the high school career.
• 1:15:33
  Speaker 1: And I see that guy.
• 1:15:34
  Speaker 2: He's got like just the bottom goat and a mohawk.
• 1:15:37
  Speaker 1: Okay, and he's got like one of the like Mark
• 1:15:39
  Speaker 1: Tremanny looking and ship.
• 1:15:40
  Speaker 2: Yeah, like a like if like Mark Tremani took the
• 1:15:44
  Speaker 2: ship from Secret of the Ooze and blew.
• 1:15:46
  Speaker 1: Up had like the fucking like the twisted tod.
• 1:15:50
  Speaker 2: Yeah, because he's got like a guitar that Mark Tremani
• 1:15:55
  Speaker 2: would play, but it's not a Paul Reid Smith. It's
• 1:15:58
  Speaker 2: like a Scheckter or something.
• 1:16:00
  Speaker 1: So that would.
• 1:16:02
  Speaker 2: Like if you gave a Paul Reaed Smith's Secret of
• 1:16:04
  Speaker 2: the Ooze it would turn into a Schecter, a Scheckter demon, Yeah,
• 1:16:09
  Speaker 2: with the fucking evil looking thing on the twelfth frat.
• 1:16:12
  Speaker 1: Like an evil looking fuck yeah, dude.
• 1:16:15
  Speaker 2: Flame or something. My Scheckter had bat wing in lays
• 1:16:19
  Speaker 2: on it.
• 1:16:21
  Speaker 1: Fuck yeah, I did bro that was I never had
• 1:16:25
  Speaker 1: a I just had that one.
• 1:16:27
  Speaker 2: That was the Floyd Rose guitar I had. Yeah, it sucked. Sorry,
• 1:16:31
  Speaker 2: that's all right. They make some cool looking ship now.
• 1:16:34
  Speaker 2: They have a lot of like Teley copies and strack copies.
• 1:16:38
  Speaker 1: I was gonna say, the uh, the new guitar player
• 1:16:41
  Speaker 1: that just joined mast at, Nick Johnson. He has several
• 1:16:45
  Speaker 1: signatures through Scheckter that are all really fucking cool.
• 1:16:48
  Speaker 2: Those are the ones I always see, the Nick Johnson signatures.
• 1:16:51
  Speaker 2: I'm like, damn, I would get those. They look like
• 1:16:53
  Speaker 2: the Yeah, they're they're really neat.
• 1:16:55
  Speaker 1: Yeah.
• 1:16:56
  Speaker 2: Well, the biggest disappointment on the soundtrack is coming up
• 1:17:00
  Speaker 2: because I was teased out bad by this because I
• 1:17:06
  Speaker 2: just glanced at the track list and I saw this
• 1:17:08
  Speaker 2: on here and I was like, I cannot fucking wait.
• 1:17:11
  Speaker 2: Not the Headstrong I wanted, No, no Headstrong by the
• 1:17:16
  Speaker 2: band ear shot, not trapped the fuck out of here.
• 1:17:20
  Speaker 2: The fu is ear shot or like come shoo, get
• 1:17:22
  Speaker 2: these guys.
• 1:17:24
  Speaker 1: God, but then they started playing I'm like, is this Chevelle?
• 1:17:30
  Speaker 1: This is okay? Yeah? Yeah. But then but then I
• 1:17:34
  Speaker 1: remember again that that it wasn't Trapped, and yeah, that sucks.
• 1:17:39
  Speaker 1: And then about the middle way of the song, yeah exactly.
• 1:17:43
  Speaker 1: Well then they double down. They make it even worse.
• 1:17:45
  Speaker 1: They go from ripping off Chevelle to about halfway through
• 1:17:47
  Speaker 1: the song they start ripping off tool. Oh oh yeah yeah,
• 1:17:53
  Speaker 1: and it turned into a tool song right around the
• 1:17:56
  Speaker 1: mid My god, dude, you're right.
• 1:17:57
  Speaker 2: I remember hearing that and being like, is this a
• 1:17:59
  Speaker 2: tool song? They do that really long pause or you're like, oh,
• 1:18:02
  Speaker 2: the song's over, and then it kicks back in and
• 1:18:04
  Speaker 2: he's like, no, it's not. You know what's gonna go?
• 1:18:08
  Speaker 2: What's gonna bumm you out? Even more about this whole conundrum.
• 1:18:13
  Speaker 2: Trapped released the song Headstrong in two thousand and two,
• 1:18:17
  Speaker 2: so it also could have been on this album.
• 1:18:19
  Speaker 1: We really need to revisit fixing all of these soundtracks.
• 1:18:25
  Speaker 2: I'm pissed, honestly.
• 1:18:28
  Speaker 1: So sucks.
• 1:18:31
  Speaker 2: It's like, I feel kind of bad just trashing this
• 1:18:33
  Speaker 2: whole album. I mean, I guess it's not like it's
• 1:18:36
  Speaker 2: Is it an album that someone actually worked on? Is
• 1:18:38
  Speaker 2: what I keep asking myself though, or well, I mean
• 1:18:41
  Speaker 2: some of it is, and that yeah, God damn. Track
• 1:18:47
  Speaker 2: twelve is a song called Body Crumbles by dry Cell.
• 1:18:51
  Speaker 1: Oh man, and guess what first comment UFC song?
• 1:18:56
  Speaker 2: Oh yeah, it's got the UFC bassline.
• 1:18:58
  Speaker 1: But we're back, We're back to you songs.
• 1:19:02
  Speaker 2: I knew we were gonna have at least one.
• 1:19:04
  Speaker 1: Yeah, and this one touches more. This one goes back
• 1:19:06
  Speaker 1: into the go to your room core and felt like
• 1:19:09
  Speaker 1: a man at my parents type of song. But on
• 1:19:12
  Speaker 1: all not great. There's a little Lincoln Parking Yeah, and
• 1:19:15
  Speaker 1: I mean Chester was on here a few songs ago.
• 1:19:17
  Speaker 1: Why didn't they just put a fucking Lincoln barks song.
• 1:19:20
  Speaker 1: Oh yeah, a Lincoln Park song. All thanks a lot, Brock.
• 1:19:23
  Speaker 1: This album fuck suck, and that's gonna feel so bad
• 1:19:26
  Speaker 1: if this, if this part stays in here, I'm gonna
• 1:19:28
  Speaker 1: feel so bad because Brock's gonna be so excited listening
• 1:19:30
  Speaker 1: to this.
• 1:19:31
  Speaker 5: And then it's gonna be like, fuck you, bron He'd
• 1:19:33
  Speaker 5: be like, oh man, like ship, Brock's so sweet and
• 1:19:38
  Speaker 5: soft and gentle and like even joking about being mean
• 1:19:41
  Speaker 5: to him feels so brong.
• 1:19:44
  Speaker 2: Yeah, it doesn't know. Thanks the fucking a lot, dude,
• 1:19:49
  Speaker 2: you made me listen to the worst album of my
• 1:19:51
  Speaker 2: fucking life. Man, geez, try again hit me with a
• 1:19:57
  Speaker 2: different soundtrack next time.
• 1:20:00
  Speaker 1: Yeah, we can get him another shot.
• 1:20:01
  Speaker 2: Yeah you can go make it, you can come back.
• 1:20:04
  Speaker 2: I appreciated the recommendation for sure, because I was kind of, absolutely,
• 1:20:08
  Speaker 2: do we do scream For?
• 1:20:09
  Speaker 1: Like? It feels weird doing it. Man, scream For was
• 1:20:12
  Speaker 1: so bad it looked it was. I think it was
• 1:20:14
  Speaker 1: worse than this.
• 1:20:16
  Speaker 2: I don't doubt it. I gave it like one look
• 1:20:18
  Speaker 2: and I was just like, I don't even I don't
• 1:20:20
  Speaker 2: feel any sort of excitement about Yeah, Like.
• 1:20:25
  Speaker 1: It all sounded like songs they got from Victoria. Yeah,
• 1:20:32
  Speaker 1: it all sounded like they ripped off the Are you
• 1:20:35
  Speaker 1: going to be My girl? Idiot? Yeah?
• 1:20:37
  Speaker 2: I don't know if I could do I mean, I'll
• 1:20:39
  Speaker 2: do it. I don't know how, like how I'll come
• 1:20:42
  Speaker 2: out on the other end of it, though, I might
• 1:20:44
  Speaker 2: be a changed man by the time I can.
• 1:20:47
  Speaker 1: Uh. This song trick tricky, Oh wait the band that's tricky.
• 1:20:53
  Speaker 1: Oh yeah, you're right, this song is Yeah tricky excess. Well,
• 1:20:59
  Speaker 1: now hold on, slow down on guy, because there's a
• 1:21:03
  Speaker 1: lyric in here at some point says something me walk
• 1:21:07
  Speaker 1: you back a little bit. It starts I'm like, oh,
• 1:21:09
  Speaker 1: is this fucking like uncle crack. I'm like, okay, that
• 1:21:14
  Speaker 1: was That was the overall vibe through most of it.
• 1:21:16
  Speaker 1: But then you get to some point where there's a
• 1:21:18
  Speaker 1: lyric about my child bearing hips. I'm like, oh, this
• 1:21:21
  Speaker 1: is a chick. Oh there is a chick sing Well,
• 1:21:25
  Speaker 1: there's there's a chick singing in the background. But like this,
• 1:21:28
  Speaker 1: this one that's like dropping these bars is says something
• 1:21:31
  Speaker 1: about child bearing hips.
• 1:21:33
  Speaker 2: Maybe he's maybe that he might be trained. Uh, this
• 1:21:37
  Speaker 2: is a like the picture I'm seeing.
• 1:21:41
  Speaker 1: I know this. I've heard.
• 1:21:44
  Speaker 2: I've heard a song or two by this guy before.
• 1:21:47
  Speaker 2: It's like a black dude. I've watched some of it,
• 1:21:49
  Speaker 2: watching one of his music videos. Oh maybe it's not chicks. Yeah,
• 1:21:54
  Speaker 2: but then yeah, he's got that chick singer come in.
• 1:21:56
  Speaker 2: I recognize this guy because he does have a song
• 1:21:59
  Speaker 2: that I like called right Here that's pretty cool, and
• 1:22:04
  Speaker 2: he has I think I'm guessing the same chicks singing
• 1:22:07
  Speaker 2: that song too. It's pretty good.
• 1:22:09
  Speaker 1: But this one.
• 1:22:12
  Speaker 2: Didn't do much for me.
• 1:22:13
  Speaker 1: Yeah, this was not it was not great. Yeah, there's
• 1:22:18
  Speaker 1: four minutes of a chanting for the last like most
• 1:22:21
  Speaker 1: of the song, this is the one that went into
• 1:22:23
  Speaker 1: the There was like a little pano frill at the end.
• 1:22:26
  Speaker 1: It sounded like a attitus. It sounded like something from
• 1:22:29
  Speaker 1: the social network.
• 1:22:30
  Speaker 2: Yeah, yeah, I see that for sure. It's very like
• 1:22:34
  Speaker 2: Whispery too, Like all all the lines are just like
• 1:22:37
  Speaker 2: him whispering, and I was kind of like, what the
• 1:22:39
  Speaker 2: fuck's he's saying. I kept having to turn the volume up,
• 1:22:41
  Speaker 2: but then you just get like the piano shit just
• 1:22:43
  Speaker 2: gets louder, so you can't you still can't hear it. Yeah, yeah,
• 1:22:47
  Speaker 2: it's never ending. You had to want to hear what
• 1:22:49
  Speaker 2: was going on. Yeah, it was, you know, not my
• 1:22:53
  Speaker 2: favorite track on the album. I'll say that.
• 1:22:56
  Speaker 1: I'll say that as well. I can also say that,
• 1:22:58
  Speaker 1: but a long last we finally fucking.
• 1:23:01
  Speaker 2: Made it the band Kidney Thieves.
• 1:23:05
  Speaker 1: I feel like, if you're gonna name your band Kidney thieves,
• 1:23:08
  Speaker 1: one word, are we capitalizing kidney? Yeah, keep it low,
• 1:23:12
  Speaker 1: just just make it all over case at that point, Yeah, yeah.
• 1:23:16
  Speaker 2: That would that would make me feel a little better
• 1:23:18
  Speaker 2: about this.
• 1:23:19
  Speaker 1: The song is called the Yeah I'm Dead, well before
• 1:23:22
  Speaker 1: I'm dead, it's not. They came in a straight farty
• 1:23:25
  Speaker 1: guitar and Prodigy drum.
• 1:23:29
  Speaker 2: Yeah yeah they do yeah big time.
• 1:23:32
  Speaker 1: And actually on the chorus on the song was kind
• 1:23:35
  Speaker 1: of cool and there was like a heavy part after
• 1:23:37
  Speaker 1: the chorus. It was after like the second chorus I
• 1:23:39
  Speaker 1: think was pretty cool. Hea version of the chorus.
• 1:23:43
  Speaker 2: I remember this one being like it stood out because
• 1:23:46
  Speaker 2: the chick's voice is pretty out of place.
• 1:23:49
  Speaker 1: But yeah, very as soon as the verse starts, it
• 1:23:53
  Speaker 1: just didn't. It did not sit well. I don't know
• 1:23:55
  Speaker 1: if that was a mixing thing or just the tone
• 1:23:59
  Speaker 1: of of her her voice, but yeah, something it just.
• 1:24:03
  Speaker 2: Stood out, like yeah, I was like, all right, it's
• 1:24:06
  Speaker 2: not a good way. Yeah, no, something is off here.
• 1:24:10
  Speaker 2: It kind of reminded me of like the lady that
• 1:24:12
  Speaker 2: sings in the band Kitty a little bit.
• 1:24:16
  Speaker 1: But not as well.
• 1:24:18
  Speaker 2: Actually quite a bit like that now that I'm hearing
• 1:24:20
  Speaker 2: it again. But I think Kitty might be like a
• 1:24:22
  Speaker 2: cooler band. I guess because they look they look cooler,
• 1:24:27
  Speaker 2: you know.
• 1:24:29
  Speaker 1: I want to say, let's see what let's see what
• 1:24:31
  Speaker 1: kidney thieves look like. Says there a duo. Yeah they
• 1:24:34
  Speaker 1: look stupid too.
• 1:24:38
  Speaker 2: A couple of fucking dumb asses, A couple of fucking
• 1:24:41
  Speaker 2: nerd ass Kidney Thieves the backwards. Oh really so they are?
• 1:24:47
  Speaker 2: It's part of the corn ritual we got.
• 1:24:49
  Speaker 1: Okay, Yeah they're okay. Yeah, they're a little edgy.
• 1:24:52
  Speaker 2: They're flipping their letters. Yeah, it makes sense why they
• 1:24:57
  Speaker 2: made it on here, right, that checks out.
• 1:25:01
  Speaker 1: So the first time that I made it through the
• 1:25:05
  Speaker 1: album at a very full circle moment, after this lovely
• 1:25:09
  Speaker 1: Kidney Thieves song ended and Spotify immediately played Awake Godsmack,
• 1:25:19
  Speaker 1: which was the UFC song for many mini moons, and
• 1:25:25
  Speaker 1: that just I'm telling you that the content that we
• 1:25:30
  Speaker 1: have been consuming with these soundtracks is done some pretty
• 1:25:34
  Speaker 1: irreversible damage to my my Spotify, I think. Damn Yeah,
• 1:25:37
  Speaker 1: I agree.
• 1:25:38
  Speaker 2: I mean I'm getting some some questionable reracks on here
• 1:25:42
  Speaker 2: now too.
• 1:25:44
  Speaker 1: Yeah.
• 1:25:46
  Speaker 2: Do you want to listen to Drowning Pool next?
• 1:25:49
  Speaker 1: I don't know. I don't know. I'm not gonna say
• 1:25:53
  Speaker 1: I don't.
• 1:25:54
  Speaker 2: Yeah, I mean, if you put it on, it depends
• 1:25:56
  Speaker 2: on the song is it is it gonna be a
• 1:25:58
  Speaker 2: good Seither song or a bad s either song. That's
• 1:26:02
  Speaker 2: what I'm trying to figure out right now. Oh my god,
• 1:26:08
  Speaker 2: it's so good. Yeah, did you did you have a
• 1:26:13
  Speaker 2: favorite album? Let me take another look at these. Yeah,
• 1:26:17
  Speaker 2: oh for sure, I think there's some like there's some
• 1:26:19
  Speaker 2: songs that definitely stand out. It's like this is actually
• 1:26:22
  Speaker 2: a real song, like maybe yeah, like four of them. Uh,
• 1:26:26
  Speaker 2: it's definitely so. The four songs that are real songs
• 1:26:29
  Speaker 2: are like change obviously, dead Son, Papa Roach gets on
• 1:26:33
  Speaker 2: the list, which you know, maybe on a different soundtrack
• 1:26:36
  Speaker 2: it might not, but on this one it stands out
• 1:26:38
  Speaker 2: like it shines Papa and charge down with the sickness obviously,
• 1:26:45
  Speaker 2: and uh, maybe there's only three actually might have been
• 1:26:50
  Speaker 2: the not Trapped Headstrong Yeah yeah, yeah, that one. I'd
• 1:26:57
  Speaker 2: say it would eken on there. For me, for sure,
• 1:26:59
  Speaker 2: it gets by. I need to listen to it again too,
• 1:27:02
  Speaker 2: because I just remember like it did stand out. Actually, yeah,
• 1:27:05
  Speaker 2: now that you talk about that like that one, I
• 1:27:07
  Speaker 2: was like, Okay, this sounds like a song that someone
• 1:27:09
  Speaker 2: wrote that Jonathan Davis didn't like. Somehow go into the
• 1:27:13
  Speaker 2: future and create like AI music generator before it exists,
• 1:27:17
  Speaker 2: and then made this his own music. Yeah, like check
• 1:27:21
  Speaker 2: it out. I need to make fucking ten or twelve
• 1:27:23
  Speaker 2: tracks for some other guys.
• 1:27:25
  Speaker 1: Sounds just like me.
• 1:27:26
  Speaker 2: Yeah, they're just like here you go. So yeah, I
• 1:27:32
  Speaker 2: guess if I had to pick one, I'm gonna go
• 1:27:34
  Speaker 2: with Dead Cell by popa Roach.
• 1:27:36
  Speaker 1: Well. I felt like the Deaftown song was just an
• 1:27:40
  Speaker 1: easy pick, and I feel like down with the Sickness
• 1:27:42
  Speaker 1: would have been an ironic pick. But I didn't hate
• 1:27:45
  Speaker 1: this this popa Roach.
• 1:27:48
  Speaker 2: Yeah, it stood out to me where I was like,
• 1:27:50
  Speaker 2: even though I mean the lyrics are goofy as fuck
• 1:27:52
  Speaker 2: and the way the way he raps, the way Jakobe
• 1:27:56
  Speaker 2: likes to rap really fucking like, I don't know, it's
• 1:28:00
  Speaker 2: it's always an interesting choice when he kicks into like
• 1:28:03
  Speaker 2: a little rap thing, I guess, like a flow.
• 1:28:06
  Speaker 1: Yeah, but I mean both of the both of the
• 1:28:09
  Speaker 1: popa Roach songs that I'm familiar.
• 1:28:11
  Speaker 2: With now he does it in yeah, So I mean, yeah,
• 1:28:16
  Speaker 2: that's a lie.
• 1:28:17
  Speaker 1: I know a hand Flipopa Roach. So I'm not gonna
• 1:28:19
  Speaker 1: act like I'm too cool.
• 1:28:22
  Speaker 2: Yeah, there's a you know, I know, I know a
• 1:28:24
  Speaker 2: couple now, I know three at least because I know
• 1:28:28
  Speaker 2: the one tear my Heart Open song.
• 1:28:31
  Speaker 1: Oh, that was a high school song, My Weaknesses and
• 1:28:36
  Speaker 1: I Care too much? You know.
• 1:28:38
  Speaker 2: Yeah, it's funny really like he's you know, it was
• 1:28:41
  Speaker 2: probably like a similar thing with Aaron Lewis trying not
• 1:28:44
  Speaker 2: to pull down the mic and scream into it while
• 1:28:48
  Speaker 2: like they were trying to get him not to rap.
• 1:28:50
  Speaker 1: In that song, and instead he came through and screamed,
• 1:28:53
  Speaker 1: I'm sorry, but I got to move on with my
• 1:28:55
  Speaker 1: own life.
• 1:28:56
  Speaker 2: Yes, like no rapping, We need a ballad. They're like,
• 1:29:01
  Speaker 2: we'll let you fucking scream and scream again. I can't
• 1:29:05
  Speaker 2: help you fix yourself, you know. But it's say, that's
• 1:29:10
  Speaker 2: like a Blue October song?
• 1:29:11
  Speaker 1: You know, Oh, is it like a Blue October song?
• 1:29:16
  Speaker 1: Just how like.
• 1:29:17
  Speaker 2: Sentimental it is?
• 1:29:21
  Speaker 1: I guess.
• 1:29:22
  Speaker 2: I guess every Bloctober song I've heard is like basically
• 1:29:26
  Speaker 2: about how he's like wants to die and stuff, So
• 1:29:29
  Speaker 2: maybe it's not.
• 1:29:32
  Speaker 1: Yeah, I don't know that I'm really familiar with any
• 1:29:36
  Speaker 1: Blue October songs. I mean, I know, like the damn
• 1:29:40
  Speaker 1: Now I'm draw on a blank, Oh, like hate me,
• 1:29:43
  Speaker 1: Hate me today? That was a Bloocktober song. Yeah, that song?
• 1:29:46
  Speaker 1: Fuck yeah, dude, man, I think once we I'm gonna
• 1:29:50
  Speaker 1: keep track of the ones that we decided we're our favorites.
• 1:29:52
  Speaker 1: Once we get a couple of these under our belt,
• 1:29:55
  Speaker 1: make a pump and ass.
• 1:29:56
  Speaker 9: Playlist, Ultimate playlist, dude, the best of the best, honest,
• 1:30:02
  Speaker 9: the Ultimate Summer Jams, the ultimate soundtrack, and then we
• 1:30:07
  Speaker 9: need to sell it to a movie that's coming out.
• 1:30:10
  Speaker 9: It's not our songs, but we'll sell them the idea,
• 1:30:13
  Speaker 9: the idea of.
• 1:30:14
  Speaker 1: The soundtrack that we're just selling them on us, Like listen,
• 1:30:19
  Speaker 1: the soundtracks suck now it's a little less a couple
• 1:30:23
  Speaker 1: of tweaks, scoop the mids.
• 1:30:25
  Speaker 2: We're gonna go on Shark Tank with this idea and
• 1:30:33
  Speaker 2: tell fucking yeah, tell Mark Cuban that we're just gonna
• 1:30:35
  Speaker 2: scoop the mids. We're just gonna have one of us
• 1:30:38
  Speaker 2: will have a laser pointer. The other one will have
• 1:30:40
  Speaker 2: like the long stick that you like point at chalkboards with.
• 1:30:44
  Speaker 1: My kids have one with like a oh the finger
• 1:30:46
  Speaker 1: on the end of it.
• 1:30:47
  Speaker 2: Yeah, playing like little samples for him. It would be
• 1:30:53
  Speaker 2: like feel after listening to Uh Forsaken by David Draymond,
• 1:30:57
  Speaker 2: and they'll all be like pretty bad. And then we'll
• 1:31:00
  Speaker 2: put on Dead Cell by Papa Roach. How do you
• 1:31:02
  Speaker 2: feel now, And they'll be like, they're like a lot better. Actually, yeah,
• 1:31:07
  Speaker 2: now you mentioned it. They're like, wait a minute, do
• 1:31:11
  Speaker 2: you have any disturb the dude from corn getn't right.
• 1:31:15
  Speaker 1: We thought you'd never ask. Thanks a lot Mark Cuban.
• 1:31:19
  Speaker 1: Glad we're on the same page. But we're not selling.
• 1:31:22
  Speaker 1: It's not for sale.
• 1:31:24
  Speaker 2: It is too good of an idea. We're gonna keep
• 1:31:27
  Speaker 2: one hundred percent of the company, Like what is the company?
• 1:31:31
  Speaker 1: We're gonna keep one hun for forty million dollars stay
• 1:31:37
  Speaker 1: Mark Cuban. Spotify's back, They're gonna recoup the Joe Rogan loss.
• 1:31:42
  Speaker 1: They're gonna bring it all back. We're gonna say the
• 1:31:44
  Speaker 1: They're gonna movie theaters are gonna open again. And it's
• 1:31:48
  Speaker 1: all piggybacking on you and I making fucking we could
• 1:31:53
  Speaker 1: get real controversial, make a make soundtracks creatin makes sense.
• 1:32:01
  Speaker 2: Yeah, Miss got Miss.
• 1:32:02
  Speaker 1: Gay, Miss miss Gay, Miss Gay. Hell, Yeah we did it.
• 1:32:10
  Speaker 2: We just became rich. Did Thank God. I've been waiting
• 1:32:16
  Speaker 2: for this, Honestly.
• 1:32:17
  Speaker 1: I've been. I thought it would feel a little different,
• 1:32:20
  Speaker 1: but I.
• 1:32:21
  Speaker 2: Need to retire young. I'm sick of work.
• 1:32:24
  Speaker 1: I never thought Miss Gay would bring me this far.
• 1:32:27
  Speaker 2: Speaking of bringing movie theaters back, dude, Me and Nash
• 1:32:30
  Speaker 2: went and saw the new Evil Dead movie last night,
• 1:32:33
  Speaker 2: and you know, I was thinking about getting some chicken
• 1:32:36
  Speaker 2: nugs at the movies because they have they're sixteen dollars.
• 1:32:40
  Speaker 2: So I was like, you know what, I'll just get
• 1:32:41
  Speaker 2: a beer. And the guy behind the counter looks us
• 1:32:44
  Speaker 2: dead in the fucking eyes and says, no one here
• 1:32:47
  Speaker 2: is old enough to serve you the beer.
• 1:32:49
  Speaker 1: He went over the counter after his ass I was like,
• 1:32:53
  Speaker 1: that's it, that's all right, man, I brought my own.
• 1:32:57
  Speaker 1: I wish I did. I almost did.
• 1:32:59
  Speaker 2: Before I left. I was like, you know, I got
• 1:33:02
  Speaker 2: that last bush apple just keeps looking at me. I'm
• 1:33:05
  Speaker 2: like this would be a good yeah.
• 1:33:07
  Speaker 1: But I was like, you know, I should have pocketed
• 1:33:10
  Speaker 1: that beer before I left the house. It's never not
• 1:33:14
  Speaker 1: the right decision when it came in so clutch now, right, Like,
• 1:33:19
  Speaker 1: I've never left the house with a beer in my
• 1:33:21
  Speaker 1: pocket and regretted it exactly. Oh ship