Latest / Reality with The King / An Exclusive Sit-Down with Lyrica Anderson

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An Exclusive Sit-Down with Lyrica Anderson · Reality with The King

• 0:03
  Speaker 1: Reality with the King is hosted by me, Carlos King.
• 0:07
  Speaker 1: I'm an executive producer who have produced some of your
• 0:10
  Speaker 1: favorite shows from the Real Housewives in Atlanta, New Jersey
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  Speaker 1: and my own creation, The Love and Marriage Franchise and
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  Speaker 1: Bell Collective. Every episode we recap reality television from the
• 0:23
  Speaker 1: Real Housewives Franchise to The Bachelor or Selling Sunset, in
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  Speaker 1: addition to celebrity guests, whether in the unscripted space or
• 0:31
  Speaker 1: scripted as well. Hey, rain Drops, the Queen and King
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  Speaker 1: of Reality show Tour is back. Nimi Leeks and I
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  Speaker 1: now at kingdomrankt dot com. That's Kingdom k I n
• 0:59
  Speaker 1: G d O M rain r E I g n
• 1:03
  Speaker 1: E n T dot com. Can't wait to see you there. Hey,
• 1:08
  Speaker 1: rain Drives. On today's episode of Reality with the King,
• 1:11
  Speaker 1: I have a singer, a song writer, former star of
• 1:17
  Speaker 1: Love and Hip Hoop Hollywood, giving up for the beautiful
• 1:20
  Speaker 1: Lerika Anderson. Hey, superstars, I got my shades, obviously you
• 1:27
  Speaker 1: got yours.
• 1:28
  Speaker 2: On a period. It's one of those types today my
• 1:33
  Speaker 2: god has been working day is a girl?
• 1:36
  Speaker 1: You know?
• 1:36
  Speaker 2: My eyes are actually watering.
• 1:41
  Speaker 1: I'm not not this suit.
• 1:45
  Speaker 2: How are you anymore? Please?
• 1:47
  Speaker 1: Okay, okay, how are you doing that?
• 1:49
  Speaker 2: I'm good?
• 1:50
  Speaker 1: Thank you for having me, no, thank you for saying yes.
• 1:54
  Speaker 1: It's been a while since we've seen you on Love
• 1:58
  Speaker 1: and Hip Hop but missing you. You seem to always
• 2:01
  Speaker 1: be in the news, Honey.
• 2:03
  Speaker 2: Tell me about it.
• 2:07
  Speaker 1: So now I want to talk to you because, like
• 2:10
  Speaker 1: I said, you've been in the news recently, but more
• 2:13
  Speaker 1: than that, you have such a very interesting story, a
• 2:18
  Speaker 1: very interesting life that I really just want to get
• 2:21
  Speaker 1: to know you.
• 2:22
  Speaker 2: Okay, Yeah, I just want to get to know you.
• 2:25
  Speaker 1: So I don't know too many people whose name after
• 2:28
  Speaker 1: their mother, yes, which I think is so interesting to me.
• 2:32
  Speaker 1: Your mother is the iconic lyric ge honey period.
• 2:36
  Speaker 2: We all know.
• 2:37
  Speaker 1: How is she doing? By the way, she's great.
• 2:39
  Speaker 2: I wish she was here. She could have came and
• 2:41
  Speaker 2: talked to you too, but she's in La.
• 2:42
  Speaker 1: She's in La. Okay. So we are in Atlanta right now.
• 2:45
  Speaker 1: So we know you're from Love and Hip Hop Hollywood too,
• 2:48
  Speaker 1: but you're in Atlanta. So what made you move here?
• 2:52
  Speaker 2: Well, my manager lives in Atlanta. That's A And uh
• 2:56
  Speaker 2: it's not now, not my manager. I just have you're
• 3:01
  Speaker 2: starting early.
• 3:05
  Speaker 1: Yeah, I have to make sure America.
• 3:08
  Speaker 2: You said A.
• 3:09
  Speaker 1: So I wanted to make sure that they didn't think it.
• 3:11
  Speaker 2: Was you said Atlanta.
• 3:13
  Speaker 1: I know, like but you know some of the girls
• 3:15
  Speaker 1: don't reference A with the Atlanta.
• 3:18
  Speaker 2: Absolutely not. It's not my manager, no, not even a
• 3:20
  Speaker 2: little bit. My manager is Prince Howard, So shout out
• 3:23
  Speaker 2: to Prance. He's in a building, but yeah, no, he
• 3:27
  Speaker 2: he lives here. And it's really interesting because I'm born
• 3:31
  Speaker 2: and raised in Kelly and I used to come here
• 3:35
  Speaker 2: all the time, and I would notice that when I
• 3:38
  Speaker 2: flew into Atlanta to record like my music, I just
• 3:41
  Speaker 2: got a different inspiration here, like more inspired in Atlanta.
• 3:44
  Speaker 2: So I was like, I think I'm gonna start going
• 3:46
  Speaker 2: there just to like get inspired to write basically. So
• 3:50
  Speaker 2: that's how it started. And I just started coming more.
• 3:53
  Speaker 2: And my best friend lives here named Jay, and she
• 3:55
  Speaker 2: was just like begging me to come. She's like, you
• 3:58
  Speaker 2: don't even have to get your own place, just off
• 4:00
  Speaker 2: with me and see how you like it. Just come
• 4:03
  Speaker 2: and like, because she kind of had made me a
• 4:05
  Speaker 2: little nervous because she was like, oh, Atlanta's dangerous and
• 4:07
  Speaker 2: like all these stories I would hear like how girls
• 4:09
  Speaker 2: don't feel always have to carry a gun, and I
• 4:11
  Speaker 2: was like, ooh, I don't really come from that life style.
• 4:13
  Speaker 2: Hold on, man, I mean, it's danger just anywhere. We
• 4:17
  Speaker 2: have stuff in LA too, but it's just the way
• 4:19
  Speaker 2: she described it. So I ended up coming. I was like,
• 4:21
  Speaker 2: I just rolled the dice, packed up my stuff out
• 4:23
  Speaker 2: of my three bedroom condo in LA and just came.
• 4:27
  Speaker 2: And I feel like that was the best decision I
• 4:29
  Speaker 2: could have made. I really really do. Because now I
• 4:33
  Speaker 2: do still work in LA and I work here, but
• 4:35
  Speaker 2: I have like a consistent I'm doing a lot of
• 4:38
  Speaker 2: cool stuff here now work Lise, Well, I'm back doing
• 4:45
  Speaker 2: reality TV. Oh girl, I'm filming a reality show on
• 4:49
  Speaker 2: now That's TV called The Blueprint. So there's that, and
• 4:54
  Speaker 2: that's we're filming that in Atlanta, thank you. I Also
• 5:00
  Speaker 2: I'm a regular with Country Wayne, so I work with
• 5:02
  Speaker 2: Country Wayne and I'm like constantly filming with him on
• 5:05
  Speaker 2: his cast and show. So that's also filmed here Atlanta.
• 5:08
  Speaker 2: So that's now two jobs. I'm working on my music
• 5:10
  Speaker 2: here in Atlanta. I just shot two movies, but I
• 5:14
  Speaker 2: shot those in LA So that's why I said I'm
• 5:16
  Speaker 2: still by coastal. But it's just like a lot of work,
• 5:19
  Speaker 2: like more in Atlanta. And I love recording here, Like
• 5:23
  Speaker 2: I love how you could just run into somebody in
• 5:24
  Speaker 2: the hallway and they're like, y'all, let's get in, and
• 5:26
  Speaker 2: then you pull up and you're in the studio with
• 5:28
  Speaker 2: them and now you got a major, massive hit that
• 5:29
  Speaker 2: y'all wrote together. So it's just a vibe the strip clubs.
• 5:32
  Speaker 2: I'm not a big hookah girl, but I like the
• 5:34
  Speaker 2: energy of it.
• 5:36
  Speaker 1: Look at your Look at Jill. Well, welcome to Atlanta, baby,
• 5:39
  Speaker 1: because you know that's what we're about. But talk to
• 5:42
  Speaker 1: me about what was like growing up in Los Angeles.
• 5:46
  Speaker 1: We love your mom, so what was your childhood like?
• 5:51
  Speaker 2: My childhood was interesting. You know a lot of people
• 5:54
  Speaker 2: grew up with like brothers and sisters and stuff. And
• 5:57
  Speaker 2: my twin passed when I was three, So for me,
• 6:01
  Speaker 2: it's like I didn't really get to have that sister
• 6:04
  Speaker 2: brother bond ever because my mom didn't have any more
• 6:06
  Speaker 2: kids after that, so I grew up as an only
• 6:08
  Speaker 2: child and.
• 6:09
  Speaker 1: It was a twin brother.
• 6:10
  Speaker 2: Twin sister, but I'm saying brother because she didn't have
• 6:13
  Speaker 2: any a brother either, like I'd have any more. She
• 6:15
  Speaker 2: didn't have any more kids after that. So my twin sister, girl,
• 6:19
  Speaker 2: a girl sister of mine, she passed, and you know,
• 6:24
  Speaker 2: it's just me and my mom for a while. My mom,
• 6:26
  Speaker 2: like my dad wasn't around, so it was literally just
• 6:29
  Speaker 2: me and her, and you know, my dad wasn't My
• 6:35
  Speaker 2: dad wasn't properly like around, so my mom was just
• 6:38
  Speaker 2: like I got it, you know, and she took charge
• 6:40
  Speaker 2: of like mom and dad, and so it was like
• 6:42
  Speaker 2: interesting kind of could be like a little lonely because
• 6:45
  Speaker 2: you know, it's just like me and moms ay't like
• 6:47
  Speaker 2: oh session sash, mom is getting on my dogs coming
• 6:49
  Speaker 2: here and you know whatever. So but my mom did
• 6:52
  Speaker 2: a really good job. And then she finally did marry,
• 6:57
  Speaker 2: which was my stepdad, and he passed in twenty nineteen
• 7:00
  Speaker 2: from als. So yeah, it's just been it was crazy.
• 7:05
  Speaker 2: But I grew up like in LA but then also
• 7:08
  Speaker 2: in like the suburbs because the part we used to
• 7:11
  Speaker 2: live like Pico area, and then my mom lived in
• 7:13
  Speaker 2: North Hollywood and then eventually we most of my life
• 7:16
  Speaker 2: in Canyon country like Santa Clarita May.
• 7:19
  Speaker 1: I ask how your sister passed away at three years old.
• 7:23
  Speaker 2: Well, we were premature and then she had gotten pneumonia
• 7:27
  Speaker 2: and it was just like way too much for her lungs. Yeah.
• 7:31
  Speaker 1: You know, one thing they say about twins is that
• 7:33
  Speaker 1: from birth, you guys are like connected. Did you grow
• 7:37
  Speaker 1: up feeling like there was a sense of loss although
• 7:40
  Speaker 1: you were three? But did you? Yeah?
• 7:43
  Speaker 2: Yeah, And I feel like you try to find that naturally,
• 7:45
  Speaker 2: like in your friends or even in your relationships, cause
• 7:49
  Speaker 2: you're like, I don't know. It can make you feel
• 7:53
  Speaker 2: like you're always like searching for something. It's weird. It's
• 7:56
  Speaker 2: kind of can feel like a daddy issue, like similar
• 7:58
  Speaker 2: to that like wound. So I definitely feel like I
• 8:02
  Speaker 2: carry that I'm better now with just like my relationship
• 8:06
  Speaker 2: with God and learning and I learned how to like
• 8:09
  Speaker 2: enjoy my own company and like being by myself and stuff,
• 8:12
  Speaker 2: because I used to like hate being alone. But now
• 8:16
  Speaker 2: it's like, I feel like God will force you to
• 8:18
  Speaker 2: do that if that's what he wants you to learn
• 8:20
  Speaker 2: how to do. So, you know, I have my son
• 8:22
  Speaker 2: here with me in Atlanta and he goes to school here,
• 8:26
  Speaker 2: so it's like a lot of times he's gone, and
• 8:28
  Speaker 2: I work a lot, but when I'm not working, you know,
• 8:30
  Speaker 2: it's just me. So I had to like learn how
• 8:33
  Speaker 2: to like I guess that's a form of like healing
• 8:36
  Speaker 2: that childhood trauma. So that's a good thing.
• 8:39
  Speaker 1: Was it hard for you to make girlfriends too because of that,
• 8:41
  Speaker 1: like have like really deep female friendships growing up.
• 8:45
  Speaker 2: No, it wasn't too hard. I'm just so weirdo, like
• 8:48
  Speaker 2: I don't really like I'm really cool and I'm my
• 8:53
  Speaker 2: energy is to be sweet and I'm like a pure person.
• 8:56
  Speaker 2: But I also don't trust people because I don't feel
• 8:59
  Speaker 2: like people humans are usually that pure. Not saying like
• 9:04
  Speaker 2: I'm the only one, but I'm saying I don't feel
• 9:05
  Speaker 2: like it's I feel like it's a rarity that people
• 9:07
  Speaker 2: are like good people. So people sometimes mistake me. It's like, oh,
• 9:10
  Speaker 2: she's full of herself, or she Hollywood, or she might
• 9:12
  Speaker 2: think she's this, or that she's stuck up because I
• 9:14
  Speaker 2: won't have like an open energy or I won't be
• 9:16
  Speaker 2: like yeah, girl, Like I might be like, take my number,
• 9:18
  Speaker 2: but I might not call because I'm it takes me
• 9:21
  Speaker 2: a minute to just get close to people. Even men,
• 9:26
  Speaker 2: like I'm like a real slow mover, so you might
• 9:29
  Speaker 2: think like, oh, she's not even interested, but I'm just like,
• 9:32
  Speaker 2: I don't know. I just don't get close to people fast.
• 9:34
  Speaker 2: So once I do, cause then I like love you
• 9:38
  Speaker 2: down and then I have expectations of you. So before
• 9:41
  Speaker 2: I get close to people, I don't want to get
• 9:43
  Speaker 2: like let down, so I'll just won't get close to people.
• 9:46
  Speaker 2: It's weird.
• 9:46
  Speaker 1: What's your sign?
• 9:47
  Speaker 2: I'm a Sagittarius. Oh, very you guys the best. I'm
• 9:55
  Speaker 2: bit sad.
• 9:56
  Speaker 1: I was very sad of you. I get it now,
• 9:58
  Speaker 1: I'm told get it. Yes, how did you get in
• 10:01
  Speaker 1: the music industry?
• 10:03
  Speaker 2: What's you? Okay? Cool?
• 10:05
  Speaker 1: Cool?
• 10:05
  Speaker 2: Cook? Cook? I like leaving no, yes, we do. You said,
• 10:10
  Speaker 2: how did I get in the music industry? Okay? Well,
• 10:12
  Speaker 2: my mom is obviously the best singer in the world.
• 10:16
  Speaker 2: She's like amazing, so just growing up with her, watching her,
• 10:20
  Speaker 2: I went to the studio. It's so funny how Steff
• 10:24
  Speaker 2: repeats itself, because what my mom did with me, I
• 10:27
  Speaker 2: now do with Ocean. And it's just because like, I'm
• 10:29
  Speaker 2: in the industry, so I was like going to the
• 10:30
  Speaker 2: studio with my mom, going to rehearsals. My mom, Ocean
• 10:33
  Speaker 2: goes with My son's name is Ocean. He goes to
• 10:35
  Speaker 2: me to rehearsals and studio and just like everything, same thing.
• 10:38
  Speaker 2: So that's like kind of where I feel like I
• 10:40
  Speaker 2: started because I started learning, and then I started out
• 10:43
  Speaker 2: as a songwriter and I got my first big deal
• 10:47
  Speaker 2: with Disney, and pretty much every uh like writing session
• 10:55
  Speaker 2: that they would send me out to do, I would
• 10:57
  Speaker 2: book it. So they were like, you are in credit,
• 11:00
  Speaker 2: because but the thing is, if you give me the opportunity,
• 11:03
  Speaker 2: I can do it. It's just that you have to.
• 11:05
  Speaker 2: Like they knew to put me in the right rooms.
• 11:07
  Speaker 2: That's what I liked about Disney. So it was just like, Yo,
• 11:11
  Speaker 2: we need four songs for Camp Rock two, and we're
• 11:13
  Speaker 2: gonna put you with I'm losing the truck of the
• 11:17
  Speaker 2: producer's name right now, but with this producer or whatever.
• 11:20
  Speaker 2: And then I went in and then we wrote those
• 11:23
  Speaker 2: four songs and they took it. And then it's like
• 11:25
  Speaker 2: I'm writing for Miley Cyrus and I look up and
• 11:27
  Speaker 2: I'm like, you know, it's Sanna Montana and Jonas Brothers
• 11:30
  Speaker 2: and like Princess and the Frog, and like I was
• 11:33
  Speaker 2: just like I couldn't even believe my life. I was like,
• 11:34
  Speaker 2: oh my god, this is like so cool. I'm making
• 11:36
  Speaker 2: such good money and like I'm like, oh way, I'm
• 11:39
  Speaker 2: getting money.
• 11:39
  Speaker 1: Money, like I'm publishing money.
• 11:42
  Speaker 2: Girl is different. So I was like, I don't know
• 11:44
  Speaker 2: if I want to do anything else. And then the
• 11:47
  Speaker 2: thing that made me want to venture off from Disney
• 11:50
  Speaker 2: is I was like, I want to write for other
• 11:52
  Speaker 2: artists like R and B like what I ended up doing,
• 11:54
  Speaker 2: you know, the Chris Browns, the Beyonces, and it was
• 11:56
  Speaker 2: like kind of keeping me in like a Disney innocent box.
• 12:00
  Speaker 2: I'm like, that's cool, but I'm like, I don't even
• 12:02
  Speaker 2: know how to write R and B because I'm stuck
• 12:04
  Speaker 2: doing pop. Right. So that's how I like ventured off.
• 12:07
  Speaker 2: And that's in a nutshell, I got started as a songwriter.
• 12:11
  Speaker 1: So when you were because Disney's checks, baby, they're cute,
• 12:16
  Speaker 1: do you remember how much well, I mean, do you
• 12:19
  Speaker 1: remember the most money you made in the Disney songwriting era? Uh?
• 12:27
  Speaker 2: I don't know if I remember like an exact number,
• 12:30
  Speaker 2: but I remember the residual checks were like nuts Because
• 12:34
  Speaker 2: I wrote this song for Sherise featuring Ias called Pyramid
• 12:38
  Speaker 2: and it was such a big record. It was like
• 12:40
  Speaker 2: on Oprah and it was all over every time I
• 12:42
  Speaker 2: turned on the radio. And it's so funny because it
• 12:43
  Speaker 2: was a ballad, but it blew up so big, and
• 12:46
  Speaker 2: those checks were crazy, like you know, you go check
• 12:49
  Speaker 2: the mail, it's like twenty thousand seven, ten fifteen. But
• 12:52
  Speaker 2: getting those like all the time, we're just like adding up,
• 12:57
  Speaker 2: adding up, adding up, adding up, and I don't know
• 12:59
  Speaker 2: the number they would bigger, some small, and even no matter.
• 13:01
  Speaker 2: The small ones was like ten grand yea, so it's
• 13:04
  Speaker 2: like and the bigger ones be like one hundred grand,
• 13:06
  Speaker 2: one hundred and fifty like whatever. So it's just like
• 13:10
  Speaker 2: a lot of money. And then I was like, okay,
• 13:11
  Speaker 2: I just want to be a songwriter, like there's so
• 13:13
  Speaker 2: much money in songwriting. And then eventually I was like,
• 13:16
  Speaker 2: oh my god, I want to write for myself now,
• 13:18
  Speaker 2: like I want to be an artist. But it took
• 13:19
  Speaker 2: me a long time to want to be an artist
• 13:22
  Speaker 2: because I'm like, I really like writing for other people
• 13:24
  Speaker 2: because the money's so good. Now.
• 13:26
  Speaker 1: The money's great. I always tell people, the money in
• 13:28
  Speaker 1: terms of music is in the publishing. Yeah, So for
• 13:31
  Speaker 1: those who may not know Erica, Can you tell us
• 13:34
  Speaker 1: what some of our favorite songs are that you wrote for?
• 13:38
  Speaker 1: You mentioned Chris Brown? What song? What was the biggest
• 13:41
  Speaker 1: record you wrote for Chris Brown?
• 13:43
  Speaker 2: I did Party, you know, grass and Greener. I don't
• 13:46
  Speaker 2: know why. I love Grass and Greener. That's like one
• 13:48
  Speaker 2: of my favorites. I've done a lot of them for Chris.
• 13:52
  Speaker 2: I have to think, you know, I did Jealous for Beyonce,
• 13:55
  Speaker 2: So that was a big one. That was a huge one.
• 13:57
  Speaker 1: Stop, yeah, look at me. We chose sung glasses on Girl.
• 14:06
  Speaker 1: This one Jealous, Yes, off of self titled. I want
• 14:12
  Speaker 1: to say it was track number seven because it was
• 14:15
  Speaker 1: because number five was Blow. I'm upstand. I think six
• 14:20
  Speaker 1: is No Angel, and then it was Jealous because it
• 14:23
  Speaker 1: was always that interesting transition from No Angel to Jealous.
• 14:30
  Speaker 1: I'm saying, but I remember hearing that record for the
• 14:34
  Speaker 1: first time, and I mean, the video alone is so
• 14:38
  Speaker 1: cinematic and so deep, and I thought it. I thought
• 14:41
  Speaker 1: the visual did such a good job representing that particular record.
• 14:46
  Speaker 1: But what was so fascinating about the song Jealous. It
• 14:50
  Speaker 1: was a woman in a relationship being jealous of what
• 14:57
  Speaker 1: her man was allowed to get away with, that she
• 15:00
  Speaker 1: coult it.
• 15:01
  Speaker 2: It's so funny because we can still relate to that,
• 15:04
  Speaker 2: you know, as women. It's like men men still feel like,
• 15:07
  Speaker 2: well I could do this boo because it's me or whatever.
• 15:09
  Speaker 2: So yeah, it's that was like a really cool that
• 15:13
  Speaker 2: is just a great time in life, Like when you're
• 15:15
  Speaker 2: just getting those good news calls, it's just you, well, no,
• 15:21
  Speaker 2: not in this, but yes, that's happened before, but not
• 15:24
  Speaker 2: with Beyonce. I got in with the producer named Details,
• 15:29
  Speaker 2: and he told me before I got there, this is
• 15:30
  Speaker 2: for Beyonce, so I already knew, like, this is a
• 15:33
  Speaker 2: Beyonce session, and I was I love those sessions because
• 15:36
  Speaker 2: I'm like, I know he at least has the direct
• 15:38
  Speaker 2: you know, connects, so it's like, probably gonna really get
• 15:41
  Speaker 2: to her. Not you know, you have to be careful
• 15:43
  Speaker 2: as a songwriter.
• 15:44
  Speaker 1: They do.
• 15:44
  Speaker 2: You do a lot of shooting in the dark, so
• 15:46
  Speaker 2: you're in the studio like, oh, we're gonna hope this
• 15:48
  Speaker 2: goes to Rihanna, and it's like, man, we're gonna get
• 15:51
  Speaker 2: this to Rihanna or we just in here writing a song.
• 15:54
  Speaker 2: But it can happen. It just depends, you know. So
• 15:57
  Speaker 2: that session was specifically for Beyonce. So we did uh Jealous,
• 16:02
  Speaker 2: and we're in there and I was singing my heart
• 16:04
  Speaker 2: out because I the demo that I sang for her
• 16:08
  Speaker 2: was like maybe a key or two higher than the original.
• 16:12
  Speaker 2: So I was like saying it it's somewhere online, like
• 16:16
  Speaker 2: on YouTube or something. I would think one of my
• 16:18
  Speaker 2: fans put it up. But it's like I'm singing it's
• 16:20
  Speaker 2: like two keys higher, and I'm like, you know, we're
• 16:22
  Speaker 2: writing it, and then I had to go record it.
• 16:24
  Speaker 2: Obviously it's the female for her to submit it, so
• 16:26
  Speaker 2: I didn't know if she was gonna take it at first,
• 16:27
  Speaker 2: and I think they cut it like in Miami. I
• 16:30
  Speaker 2: wasn't there, and I got a call like Beyonce is
• 16:32
  Speaker 2: taking the record Jealous, and I'm like, ah, this is
• 16:35
  Speaker 2: so cool.
• 16:36
  Speaker 1: Mm hmm that So you made a Q coin off
• 16:39
  Speaker 1: of that song.
• 16:40
  Speaker 2: Don't worry about what I yes, you know, I gotta
• 16:47
  Speaker 2: get to the coin. The coined it has the coin.
• 16:50
  Speaker 1: The album was dominated for Album of the Year the Grammys.
• 16:53
  Speaker 1: It should have won, but that's neither here nor there. There. Yeah,
• 16:56
  Speaker 1: but it goes to show your artistry when you was
• 16:59
  Speaker 1: right in that record. What was her inspiration or reference
• 17:03
  Speaker 1: that you had.
• 17:04
  Speaker 2: Well, we were in there together, just going back and
• 17:06
  Speaker 2: forth him men details mm hm. And you know, I
• 17:12
  Speaker 2: don't know. That's just like a real gift from God,
• 17:15
  Speaker 2: like me songwriting, because I will just hear stuff that's
• 17:18
  Speaker 2: just like pretty cool, like and I don't even know
• 17:20
  Speaker 2: where it comes from. And then my mom, like I said,
• 17:22
  Speaker 2: I remember being a little girl in here and being like, okay,
• 17:24
  Speaker 2: this is the first verse. This is the second verse,
• 17:26
  Speaker 2: like exactly like I'm gonna teach my son like how
• 17:29
  Speaker 2: it goes. And then for me, I hear melody first.
• 17:32
  Speaker 2: So when I was in there with him, I just
• 17:34
  Speaker 2: you know, no, no, no, no, whatever it is, I
• 17:36
  Speaker 2: hear sorry, and then from there, what is my throat?
• 17:42
  Speaker 2: It's really good. Okay, it's okay. So then from there
• 17:47
  Speaker 2: then I'll hear lyrics. So we just just like playing
• 17:50
  Speaker 2: with it, and magic happened.
• 17:53
  Speaker 1: Girl, that's magic. Congratulations, like thank you, like really no, seriously,
• 17:59
  Speaker 1: that's really really really really amazing. And what was interesting
• 18:01
  Speaker 1: about that you were all love and hip hop at
• 18:04
  Speaker 1: that time too? How did you get all love and
• 18:08
  Speaker 1: hip hop?
• 18:10
  Speaker 2: It was so crazy, Like I feel like love a
• 18:14
  Speaker 2: lot of people. What I feel like actually not even
• 18:16
  Speaker 2: just a lot of people loving hip hop feels like
• 18:17
  Speaker 2: it can be like a gift and a curse. So
• 18:22
  Speaker 2: I was minding my business in the studio, writing in
• 18:25
  Speaker 2: a whole writing session and I got a random phone
• 18:28
  Speaker 2: call and they're like, Hi, this is such and such.
• 18:30
  Speaker 2: We're wondering if you were interested in being all love
• 18:32
  Speaker 2: and hip hop. And I was like no, and they
• 18:37
  Speaker 2: were like, well, if you don't mind us asking you why,
• 18:40
  Speaker 2: And I was like, because I'm not a fighter. I
• 18:43
  Speaker 2: didn't grow up a fighting I'm not even that Confrontational'm
• 18:46
  Speaker 2: actually a little bit like like I'll be chilling, like
• 18:49
  Speaker 2: I don't have time to be like arguing on TV.
• 18:51
  Speaker 2: And people like no, and they were like no, no, no, no, no,
• 18:53
  Speaker 2: no no. We've been following you. We love your mixtape,
• 18:56
  Speaker 2: we think you're incredible, we love your music. We're actually
• 18:58
  Speaker 2: interested and like following your story as a musician and
• 19:05
  Speaker 2: like what you got going on? Like how about this?
• 19:07
  Speaker 2: Like they're good at it. They're like, just come in
• 19:09
  Speaker 2: and sit with us and see how you feel. Just
• 19:11
  Speaker 2: come talk to us. And I was like, I mean
• 19:13
  Speaker 2: I'll come talk like yeah, long as because once at
• 19:16
  Speaker 2: that point they got it out of my mind that
• 19:17
  Speaker 2: they wanted they didn't want any drama, so I was like, okay,
• 19:20
  Speaker 2: bet I'm a bull up. So then next we set
• 19:22
  Speaker 2: up a meeting. The next thing, I was in a
• 19:24
  Speaker 2: meeting with like Mona and Shiva and all the producers.
• 19:28
  Speaker 2: I was like, oh my gosh, it was like this
• 19:29
  Speaker 2: room full of people, and little did I know it
• 19:32
  Speaker 2: was like kind of somewhat in an audition. I'll just
• 19:35
  Speaker 2: being myself and they were like, so, what's what's this about.
• 19:38
  Speaker 2: We see you got the bling on your teeth at
• 19:39
  Speaker 2: the time, I had like diamonds all in my teeth,
• 19:41
  Speaker 2: and they're like, tell us more with this. What you
• 19:44
  Speaker 2: got going on next? And you know, I'm like, I'm
• 19:46
  Speaker 2: working with Timbland, I got this music, this that or
• 19:49
  Speaker 2: I don't know if that was like right before Timbaland
• 19:51
  Speaker 2: or I don't know. It was a lot but to
• 19:54
  Speaker 2: keep up with, but it was real cool, and I
• 19:56
  Speaker 2: was like I like that meeting, like it felt like
• 19:57
  Speaker 2: a maybe. Then they were like, so we want to
• 19:59
  Speaker 2: know about your love life. So at the time, I
• 20:01
  Speaker 2: was like, I have a boyfriend or fiance and I
• 20:04
  Speaker 2: didn't have a kid yet, So they were like we
• 20:05
  Speaker 2: want to meet him. And I was like, and our
• 20:07
  Speaker 2: mothers don't get along, so it's really crazy. We want
• 20:09
  Speaker 2: to meet the moms. I'm like, God, I'm like no, no, no,
• 20:12
  Speaker 2: hold on. They're like, no, no, no, we want to meet everybody.
• 20:15
  Speaker 2: That meeting was an episode in itself. Monas Mona was
• 20:21
  Speaker 2: smiling from ear to ear.
• 20:22
  Speaker 1: She's like, let's go, and she's so, who's in the meeting?
• 20:25
  Speaker 1: Was you?
• 20:26
  Speaker 2: Me, my mom, Pam, A One's mom, and A one
• 20:31
  Speaker 2: We were all four in the meeting, and it was
• 20:34
  Speaker 2: just like, wow, I don't like how she did. It
• 20:35
  Speaker 2: was she been living here long enough and ain't moved
• 20:37
  Speaker 2: out yet at the time, his mom staying with us.
• 20:40
  Speaker 2: So that was I'm not gonna lie. It was great
• 20:43
  Speaker 2: for TV. I get it now, but oh for sure. Yeah.
• 20:45
  Speaker 2: So she was just like, what, so your mom lives
• 20:48
  Speaker 2: with y'all and they don't get along and what and
• 20:51
  Speaker 2: what and y'all are married, so why when y'all got married?
• 20:53
  Speaker 2: And then we were like, well, we're waiting for this
• 20:55
  Speaker 2: and she was like she said some real deep like
• 20:56
  Speaker 2: who waits for the rest of their lives? I never
• 20:58
  Speaker 2: forgot that, And so we were like, okay, so she
• 21:01
  Speaker 2: convinced us to get married on the show. Oh my gosh,
• 21:06
  Speaker 2: it was nuts, like nuts, But reality TV can pay
• 21:10
  Speaker 2: really good. But you have to ask yourself if it's
• 21:12
  Speaker 2: worth like exposing your life. And that's the part that, Yeah,
• 21:19
  Speaker 2: I don't know, did.
• 21:20
  Speaker 1: You feel like it was worth exposing your life?
• 21:23
  Speaker 2: I feel like I build a fan based off of it,
• 21:25
  Speaker 2: and I have a following and people really got to
• 21:28
  Speaker 2: know me, and people really do who really tapped in
• 21:32
  Speaker 2: and watched and paid attention to my personality. When I
• 21:35
  Speaker 2: meet them, they're like, I love you and this is why.
• 21:37
  Speaker 2: And they always tell me like I showed strength because
• 21:39
  Speaker 2: it's hard to walk away from like a marriage and
• 21:42
  Speaker 2: stuff like that. I have my regrets cause it's just like, oh,
• 21:46
  Speaker 2: it's just still when you get in it, you can forget.
• 21:49
  Speaker 2: The cameras are there. So it's just like now I'm
• 21:52
  Speaker 2: letting the world see me, like go off on you know,
• 21:55
  Speaker 2: my eggs at the time, and you know, but then
• 21:58
  Speaker 2: it's like, y'all were my following was like with me,
• 22:02
  Speaker 2: y'all watched me announce that I was pregnant, have my
• 22:04
  Speaker 2: first child, like be pregnant, like my first marriage, like
• 22:09
  Speaker 2: y'all like did this with me? So it's a certain
• 22:12
  Speaker 2: love there, but it is a little tricky. Another thing
• 22:16
  Speaker 2: is before I was on the show, I remember I
• 22:19
  Speaker 2: took this meeting with like a big label, and the
• 22:23
  Speaker 2: head of the label was like, if you actually do
• 22:26
  Speaker 2: get on love and hip hop, I'll sign you and
• 22:29
  Speaker 2: I'll really get behind your music because I like the
• 22:31
  Speaker 2: fact that you have TV to mix with it. Then
• 22:33
  Speaker 2: I had other people like, oh, we don't want nothing
• 22:35
  Speaker 2: to do with her because she's on reality TV so
• 22:38
  Speaker 2: she's probably messy and drama, and like, we don't want
• 22:41
  Speaker 2: to sign that. We don't want. It was like so
• 22:43
  Speaker 2: many it made you be like, well, then I don't
• 22:47
  Speaker 2: need to be I need to just focus on my music.
• 22:49
  Speaker 2: And it's so funny because then when I got off
• 22:51
  Speaker 2: TV for a while, I'm like jumping around, but I
• 22:54
  Speaker 2: just want you to know how crazy it is mixed
• 22:56
  Speaker 2: with music. Then people were like, so if we could
• 23:00
  Speaker 2: get her back on TV, then we'd love for her
• 23:02
  Speaker 2: to be a brand ambassador for such and such if
• 23:04
  Speaker 2: we could get her back, And it was such a
• 23:05
  Speaker 2: hurtful thing because it's like at this point, you gotta
• 23:08
  Speaker 2: sayf what everybody say and really do what's best for
• 23:10
  Speaker 2: you and what you want to do and what's gonna
• 23:13
  Speaker 2: pay your bills and make you straight, because people will
• 23:16
  Speaker 2: toss you around like crazy, like, oh, well, we don't
• 23:19
  Speaker 2: want her because she's not on TV, but we really
• 23:21
  Speaker 2: want her because she is on TV. We'll put her
• 23:22
  Speaker 2: back on TV and we'll give her an Oreos deal,
• 23:25
  Speaker 2: Like what.
• 23:28
  Speaker 1: This is reality with the King and I'm Carlos King.
• 23:31
  Speaker 1: Let's get back into the show.
• 23:34
  Speaker 2: No.
• 23:34
  Speaker 1: I always tell people that reality TV number one is
• 23:38
  Speaker 1: the toughest gig in the industry. And you're somebody who
• 23:42
  Speaker 1: asks you're somebody who's been in the music industry. And baby,
• 23:45
  Speaker 1: I've heard horror stories about the music industry. Yea, horror stories.
• 23:50
  Speaker 1: But one thing I always tell people is even musicians
• 23:54
  Speaker 1: hide behind the artist, right, if you're not doing reality television. Yeah,
• 23:58
  Speaker 1: like you could be on safe in balads and behind
• 24:01
  Speaker 1: the scenes, you could be somebody completely different, But on stage,
• 24:04
  Speaker 1: you're presenting to your fans this persona because you're an artist, right.
• 24:11
  Speaker 1: You may not always be that as the human version
• 24:13
  Speaker 1: of yourself, but when it comes to reality, it's tough
• 24:17
  Speaker 1: because it's what you said you are giving the world,
• 24:20
  Speaker 1: your entire life. We saw what you was going through
• 24:22
  Speaker 1: with your mom, your mother in law, your now ex husband.
• 24:29
  Speaker 1: When it came to doing reality TV. Do you think
• 24:32
  Speaker 1: it ruined the respect that people had for you in
• 24:36
  Speaker 1: the music industry?
• 24:37
  Speaker 2: No, for me, but that's what I worked hard to
• 24:41
  Speaker 2: be able to say. No. I built my relationships. Like
• 24:45
  Speaker 2: a lot of people know me. I've met them personally
• 24:48
  Speaker 2: that goten in with me. They love my music. Whatever.
• 24:51
  Speaker 2: The only thing is like at a time, okay, so
• 24:54
  Speaker 2: the industry changes like every five years. Now it's back
• 24:56
  Speaker 2: hot again to be to have some so now oh
• 25:00
  Speaker 2: it's like actually, if you're not in no drama, you
• 25:02
  Speaker 2: almost not even they need they feed off of that.
• 25:06
  Speaker 2: You know what I'm saying. It's like ooh, like what
• 25:08
  Speaker 2: oh my gosh, Like she's on this show and we
• 25:10
  Speaker 2: got this Okay, what's her tea? Okay, good, now she
• 25:12
  Speaker 2: was on the block. Now let's get her on the data.
• 25:14
  Speaker 2: It's actually from the phone calls I get they want
• 25:16
  Speaker 2: you more. I thank god that I have another outlet,
• 25:19
  Speaker 2: which is acting. But yeah, now from just like knowing
• 25:23
  Speaker 2: people I feel like and seeing even other girls, they
• 25:27
  Speaker 2: get more from being on reality TV and stuff. Back then,
• 25:31
  Speaker 2: it was like a negative thing, a little bit like, oh,
• 25:33
  Speaker 2: she's on there, we don't want to. So yeah, I
• 25:35
  Speaker 2: do feel like I did miss some opportunities back then,
• 25:38
  Speaker 2: five years ago or so because I was on reality TV.
• 25:42
  Speaker 2: But when you're getting paid ten fifteen, twenty thousand an episode,
• 25:45
  Speaker 2: really you should say who cares? But you do care
• 25:48
  Speaker 2: when you don't want to just be a reality star
• 25:50
  Speaker 2: like I sing, I write, I act. I don't want
• 25:53
  Speaker 2: to be stuck in no box. So yeah, that part
• 25:57
  Speaker 2: of it, I'll say, Yeah, it can be a little
• 25:59
  Speaker 2: like tricky. But my advice if someone were asking me,
• 26:03
  Speaker 2: would be like, just do what works for you at
• 26:06
  Speaker 2: that time, because when you don't have that opportunity, say
• 26:10
  Speaker 2: someone offers you reality show and you pass it down,
• 26:12
  Speaker 2: pass on it. Yes you can get other bigger things,
• 26:15
  Speaker 2: but it might be like a little gap where you
• 26:17
  Speaker 2: don't have nothing for a few years. You know, I
• 26:21
  Speaker 2: was on reality TV and was hot. I was everywhere.
• 26:25
  Speaker 2: I was like on TV every Tuesday. You know. I
• 26:27
  Speaker 2: met Rihanna and I was like hanging with her, and
• 26:29
  Speaker 2: she was like a big fan of the show, and
• 26:31
  Speaker 2: I'm like a huge fan of hers. And we got
• 26:34
  Speaker 2: to like build a little friendship and like all this
• 26:36
  Speaker 2: cool stuff that like I didn't know I was going
• 26:38
  Speaker 2: to be doing. And then it went like and it
• 26:42
  Speaker 2: went really quiet, and I didn't have TV, I didn't
• 26:47
  Speaker 2: have my husband anymore, I didn't have a man. I
• 26:50
  Speaker 2: felt like I didn't have nothing, and I was just like,
• 26:52
  Speaker 2: what do I do now? You know? And I had
• 26:55
  Speaker 2: my music. But even with that, that's when I started
• 26:58
  Speaker 2: getting those reality checks. Well, if you were still on TV,
• 27:01
  Speaker 2: we would we would go ahead and distribute your project.
• 27:04
  Speaker 2: We would put you out if we could get you to.
• 27:08
  Speaker 1: What.
• 27:08
  Speaker 2: Yeah, And then somebody called me and was like, well,
• 27:11
  Speaker 2: fashion Nova said they'll give you this brand deal if
• 27:14
  Speaker 2: they want to know are you back doing reality again?
• 27:17
  Speaker 2: And I was like, okay, So now I just do
• 27:20
  Speaker 2: what I want to do because now I'm back in
• 27:22
  Speaker 2: everybody's faces with movies and TV and stuff like that.
• 27:25
  Speaker 2: And it's like, I'm never letting nobody do that to
• 27:27
  Speaker 2: me again. You just have to carve out your own
• 27:29
  Speaker 2: thing and do you because people will follow what you're
• 27:33
  Speaker 2: doing when you're just on your own train. But when
• 27:35
  Speaker 2: I was trying to keep up, I was begging people
• 27:38
  Speaker 2: to give me a chance again, and some of those
• 27:42
  Speaker 2: same people call me now that wouldn't even like answer
• 27:46
  Speaker 2: the phone.
• 27:46
  Speaker 1: That's how it is. And that's why I tell the girls.
• 27:49
  Speaker 1: I tell all the girls, Lerica, if you're if you're
• 27:52
  Speaker 1: blessed now, it's a blessing to be on a reality show,
• 27:57
  Speaker 1: milking for what it's worth. And that's the reason while
• 28:00
  Speaker 1: a lot of the girls leave and when they leave,
• 28:03
  Speaker 1: they're like, my phone ain't ringing, because the only reason
• 28:08
  Speaker 1: your phone was ringing was because you were on a
• 28:10
  Speaker 1: hit reality show. And that's why he said a lot
• 28:12
  Speaker 1: of girls go back to it. Who said, I'm never
• 28:14
  Speaker 1: going back to reality TV. Well I came back because
• 28:17
  Speaker 1: no girl. You came back and the checks were dry.
• 28:20
  Speaker 1: You came back because you were no longer relevant. Let's
• 28:23
  Speaker 1: keep it a buck, Like, stop disrespecting the job of
• 28:26
  Speaker 1: reality television. It's a cute opportunity for what you make
• 28:30
  Speaker 1: of it. That's why I'm so happy you kept it real,
• 28:33
  Speaker 1: Like you wrote songs for Chris Brown, Beyonce, etc. You
• 28:36
  Speaker 1: were on a hit show. Even you were like look
• 28:39
  Speaker 1: at the time, I didn't realize like, oh shit, these
• 28:43
  Speaker 1: people really do fuck with me. Yes, I'm a good person.
• 28:46
  Speaker 1: I'm talented, but also because I'm relevant. I'm on TV
• 28:50
  Speaker 1: every week, period, and these brands want to make sure
• 28:53
  Speaker 1: that a relevant person is her spokesperson period. So I'm
• 28:57
  Speaker 1: so glad you spoke up about that when you were
• 29:00
  Speaker 1: on the show. Obviously we saw that your biggest drama
• 29:06
  Speaker 1: was with your now ex husband when it comes to
• 29:09
  Speaker 1: a one and you being on the show with him together.
• 29:15
  Speaker 1: Was it challenging for you to give your real life
• 29:22
  Speaker 1: to this man you're in love with, but also the
• 29:27
  Speaker 1: pressures of your mother in law and your mom, and
• 29:30
  Speaker 1: then the pressures of the show.
• 29:32
  Speaker 2: Oh my gosh, it was so much pressure. And that's
• 29:35
  Speaker 2: why I say it's like fifty fifty A part of me,
• 29:38
  Speaker 2: if I did it again, I might not have done
• 29:41
  Speaker 2: it and we might still be together. But then the
• 29:44
  Speaker 2: other part is like fifty percent of me is like
• 29:46
  Speaker 2: that has me where I am now. All the opportunities
• 29:49
  Speaker 2: I get now is because a lot of people were like, well,
• 29:51
  Speaker 2: people when they meet me, they're like, I love Some
• 29:53
  Speaker 2: people are like I really love your music, or Phena's
• 29:55
  Speaker 2: my favorite song. I hear that a lot.
• 29:57
  Speaker 1: Now.
• 29:57
  Speaker 2: It's starting to be oh my gosh, Forever US is
• 30:00
  Speaker 2: my favorite movies I loved you in that, so it
• 30:02
  Speaker 2: spread its changing. But at first, yes, it was just
• 30:05
  Speaker 2: strictly love and Hip Hop. It was just like, oh
• 30:06
  Speaker 2: my god, I love you from the show. So when
• 30:08
  Speaker 2: you realize you build your core fan base from that,
• 30:09
  Speaker 2: you're like, eh, but no, like putting your life on
• 30:12
  Speaker 2: there and stuff. Yeah, that's like dangerous because I feel like,
• 30:17
  Speaker 2: for example, a one like I think that not saying
• 30:20
  Speaker 2: he didn't girls didn't like him, but it's a whole
• 30:22
  Speaker 2: different ball game when you put somebody on TV. Because
• 30:25
  Speaker 2: I brought him in that meeting, they called me to
• 30:28
  Speaker 2: be on the show, I said, a one, come meet them,
• 30:31
  Speaker 2: So technically I got him on the show. And then
• 30:33
  Speaker 2: now other women are like, they don't care if you're married.
• 30:36
  Speaker 2: They're just doing the most. They're dming and they're they're
• 30:38
  Speaker 2: throwing themselves and throwing them in.
• 30:40
  Speaker 1: Their mind, they were ladies throwing themselves at a one
• 30:44
  Speaker 1: before Love and Hip Hop.
• 30:46
  Speaker 2: That's my point. No, not as much. Of course, he's
• 30:48
  Speaker 2: on TV with the jury and hey, I may one,
• 30:51
  Speaker 2: So now, no, it's different. We're not even gonna act
• 30:54
  Speaker 2: like it's not different. It was different. Yes, they were
• 30:56
  Speaker 2: throwing themselves at him.
• 30:58
  Speaker 1: And Was it challenging for him to handle that because
• 31:05
  Speaker 1: it was new attention?
• 31:07
  Speaker 2: Yeah, that's what I feel like. Yeah, I feel like
• 31:09
  Speaker 2: it was challenging because it's like new attention. And then
• 31:12
  Speaker 2: people women are so disrespectful like to marriages. I'm not
• 31:17
  Speaker 2: saying all women, let's be clear, because yeah, but from
• 31:21
  Speaker 2: my experience that I saw were really disrespectful. I have
• 31:24
  Speaker 2: like a rule if somebody's married and a man's trying
• 31:26
  Speaker 2: to talk to me, especially because I've been married, I
• 31:28
  Speaker 2: will not give him the time of day. If I
• 31:30
  Speaker 2: am knowing that he's married, I'm like, don't even come
• 31:34
  Speaker 2: over here, Like I'll be mean to the guy, because
• 31:36
  Speaker 2: I know what that feels like to be married and
• 31:38
  Speaker 2: have somebody whatever. And I'm like, nope, was.
• 31:45
  Speaker 1: A one unfaithful to you throughout your marriage to him?
• 31:49
  Speaker 2: M yeah, super unfaithful?
• 31:53
  Speaker 1: How did you find out?
• 31:54
  Speaker 2: I mean, I was getting pictures and DMS and phone
• 31:58
  Speaker 2: calls and like just a lot of stuff. Like girls,
• 32:01
  Speaker 2: you know, they tell they would get mad like, well
• 32:03
  Speaker 2: you weren't this, this and that, And when I finally
• 32:05
  Speaker 2: they get mad at him. Oh him, Like if you
• 32:08
  Speaker 2: start catching feelings, now, that's what would get him told
• 32:11
  Speaker 2: on or not even feelings that a lot of the
• 32:13
  Speaker 2: girls say he promised them like a record deal, or
• 32:16
  Speaker 2: maybe he didn't. They could be lying. I don't know.
• 32:19
  Speaker 2: The girls were trying to get on the show storyline.
• 32:21
  Speaker 2: Some people would lie on him, you know. But then
• 32:26
  Speaker 2: when I finally left out of the house and we
• 32:30
  Speaker 2: would have just separated and then I started dealing with somebody,
• 32:32
  Speaker 2: then it's like, well, you're cheering on me. How could you?
• 32:34
  Speaker 2: And it's just like, you know, I left and then
• 32:38
  Speaker 2: did me. I wasn't like never ever doing anything in
• 32:41
  Speaker 2: the house under the roof with us. It's always like
• 32:44
  Speaker 2: we move, we're not together. We're saying this official we're
• 32:47
  Speaker 2: done type of thing, because I don't believe in like
• 32:49
  Speaker 2: just being with someone and cheating on them.
• 32:53
  Speaker 1: When the rumor came around that you were sleeping with
• 32:57
  Speaker 1: Safari and you, of course den I did so. Fari
• 33:03
  Speaker 1: intimated that it was true. There were text messages shown.
• 33:08
  Speaker 1: That was to believe that it was true. What was
• 33:13
  Speaker 1: that like dealing with that? I mean, it came to
• 33:14
  Speaker 1: find out that it wasn't and he apologized to you
• 33:16
  Speaker 1: in the end, But I really want to have you
• 33:21
  Speaker 1: take us back to that moment because you were fighting
• 33:25
  Speaker 1: for your life.
• 33:27
  Speaker 2: No, that was like horrible, And that was horrible because
• 33:32
  Speaker 2: you know, Sofari was coming off of Nikki and he
• 33:34
  Speaker 2: was like the it guy that everybody wanted. And I
• 33:37
  Speaker 2: think what makes it hard for people to believe that
• 33:39
  Speaker 2: I didn't deal with him to this day, if they
• 33:41
  Speaker 2: want to believe that is because they're like, you know,
• 33:44
  Speaker 2: the rumor was going around he had a big thing
• 33:46
  Speaker 2: and all this kind of stuff, and it's like, Okay,
• 33:48
  Speaker 2: what does that have to do with me? Whatever, But
• 33:50
  Speaker 2: the problem and then Nikki and then all that hype,
• 33:53
  Speaker 2: So maybe in people's minds like, well, everybody will want him,
• 33:57
  Speaker 2: but I had someone and I was with they want.
• 33:59
  Speaker 2: The problem was if you didn't have a hot storyline
• 34:02
  Speaker 2: on Love and Hip Hop, you don't get on the episodes.
• 34:05
  Speaker 2: And if you don't get on the episodes, you don't
• 34:08
  Speaker 2: get paid. You only get paid by every episode you're on.
• 34:12
  Speaker 2: So we ended up having the hottest storyline because of that.
• 34:16
  Speaker 2: So everybody was getting the bag start there. Initially a
• 34:21
  Speaker 2: one didn't like that Safari was like too friendly with me,
• 34:25
  Speaker 2: and they were talking about that. On the side, He's like, man,
• 34:27
  Speaker 2: you told my web she was beautiful, and it was
• 34:29
  Speaker 2: like kind of like a joke, and then they decided, well,
• 34:32
  Speaker 2: we should talk about this on the show. And one
• 34:34
  Speaker 2: came to me and asked me was I cool? And
• 34:35
  Speaker 2: I'm like, I don't care if you confronted him about
• 34:37
  Speaker 2: being friendly or whatever. You didn't like, like, yeah, that's juicy,
• 34:41
  Speaker 2: and it just happened so cool. Did I know that
• 34:45
  Speaker 2: was going to turn into that. No, So when I
• 34:48
  Speaker 2: agreed to it one day before we went off set,
• 34:51
  Speaker 2: it wanted to give me your phone and he erased
• 34:54
  Speaker 2: me in Safari's text. It was nothing crazy in the
• 34:57
  Speaker 2: text message. So in the scene where he said give
• 35:00
  Speaker 2: me your phone in one of the scenes and turns
• 35:02
  Speaker 2: it around, it was like, why are you in Safaris?
• 35:04
  Speaker 2: Text message is gone. I was stuck in real camera
• 35:07
  Speaker 2: time because I'm like, you erase the text so that
• 35:10
  Speaker 2: this could be a juicy scene, but I don't want
• 35:12
  Speaker 2: to say that on camera because we really were together.
• 35:16
  Speaker 2: So I was just like and so you know, afterwards,
• 35:18
  Speaker 2: he's like, I just did that, you know a little camera.
• 35:20
  Speaker 2: But that added to me looking like I'm being sneaky
• 35:23
  Speaker 2: and I'm up to something. So it was just like wow,
• 35:26
  Speaker 2: because he was just like, why was just doing it
• 35:28
  Speaker 2: because it's you know, a juicy storyline, Like yeah, but
• 35:30
  Speaker 2: that makes me look crazy. So I'm texting Safari on
• 35:32
  Speaker 2: the side, like when are you going to say on
• 35:33
  Speaker 2: love and hip Hop that we've never deal with each other.
• 35:35
  Speaker 2: I've never been in alone with you in the room.
• 35:37
  Speaker 2: He's like, well, there, it's just juicy. It's just give
• 35:39
  Speaker 2: me a second working. So I was just caught in
• 35:41
  Speaker 2: a storyline yues that went from a flirting storyline and
• 35:46
  Speaker 2: then I was really pregnant. And that's what made me
• 35:49
  Speaker 2: mad because I'm like, y'all making me look like, oh,
• 35:50
  Speaker 2: who's baby? Is it? Like? Don't play with me?
• 35:53
  Speaker 1: Yeah, because then became like this big paternity scandal where
• 35:56
  Speaker 1: even a one question and paternity yeah I had.
• 35:58
  Speaker 2: To one wasn't really quiet and nothing for real, but
• 36:01
  Speaker 2: it had to it was.
• 36:04
  Speaker 1: Now all of that was made up by the men.
• 36:09
  Speaker 2: Exactly. It was. The part was true was the whole like, well,
• 36:13
  Speaker 2: what was y'all talking about? Whys he so cool with you?
• 36:15
  Speaker 2: What did he have to say? That part was like
• 36:16
  Speaker 2: where ay one was being a little jealous. That was cute.
• 36:18
  Speaker 2: I was cool with that. Yeah, I was like I
• 36:20
  Speaker 2: was pulling it once aside, I'm like, okay, so you
• 36:21
  Speaker 2: didn't tell me it was going to turn into because
• 36:24
  Speaker 2: if you notice in the scene, Safari would never say
• 36:25
  Speaker 2: yes or no. So that's what was making it juicy.
• 36:28
  Speaker 2: Like when ray J is questioning, I mean well, and
• 36:31
  Speaker 2: we was chilling, I'm like, bruh, y'all got me looking
• 36:33
  Speaker 2: like real crazy. I have never seen Safari like clothes whatever.
• 36:40
  Speaker 2: We've never even chilled like this. It's always been a group.
• 36:43
  Speaker 2: It's always been people. I've never been alone. He's never
• 36:45
  Speaker 2: been to my house alone. I've never been to his house.
• 36:47
  Speaker 2: Loans always like what they want or something. So that
• 36:50
  Speaker 2: was wow. I was fighting for my whole life. I
• 36:51
  Speaker 2: don't even like talk about it because I liked that.
• 36:55
  Speaker 2: That's like an old thing now because we have actually
• 36:57
  Speaker 2: dms of him like just talking to me, even like
• 37:00
  Speaker 2: within the last couple of years and just being like
• 37:02
  Speaker 2: I'm so sorry, Like that was stupid. So I do
• 37:04
  Speaker 2: have nothing but love for Safari because he did like
• 37:06
  Speaker 2: apologize to me privately. He was like yo, like I
• 37:09
  Speaker 2: have actual proof messages of him being like it was
• 37:13
  Speaker 2: just a fun storyline. We're just having a good time.
• 37:15
  Speaker 2: I guess I didn't take the time to think about
• 37:16
  Speaker 2: how that would make you look, and I am sorry.
• 37:19
  Speaker 2: So we're past it.
• 37:20
  Speaker 1: Okay, well that's good. There was also this altercation that
• 37:24
  Speaker 1: you and Chemishell had. You guys appeared to be friends
• 37:30
  Speaker 1: and then you know, there was an argument that ensued,
• 37:33
  Speaker 1: and you know how the cameras shift when they appears
• 37:37
  Speaker 1: to be a physical altercation. Did you and Chemis shall
• 37:40
  Speaker 1: ever physically fight and touch each other? No?
• 37:42
  Speaker 2: Are you talking about marriage boot Camp?
• 37:44
  Speaker 1: Yeah? No.
• 37:46
  Speaker 2: They wouldn't let me get to her. I tried, why
• 37:50
  Speaker 2: did you try? Seeing back to me not being a fighter?
• 37:54
  Speaker 2: But that girl Caemra show is like she just she's
• 38:00
  Speaker 2: weird because she she called me even before that show
• 38:03
  Speaker 2: she told me I should do it. She's like, you
• 38:05
  Speaker 2: should do marriage boot Camp. I'm doing it. We're cool now.
• 38:07
  Speaker 2: I think this would be a great thing. She had
• 38:09
  Speaker 2: publicly apologized on Love and Hip Hop and said she
• 38:13
  Speaker 2: was so she personally apologized to me over the phone
• 38:15
  Speaker 2: and then was like, I'm going to on camera say
• 38:17
  Speaker 2: I'm sorry to you because I was wrong, and she
• 38:19
  Speaker 2: did and it's an episode out. And then when we
• 38:22
  Speaker 2: got on Marriage boot Camp, I let my guard down
• 38:24
  Speaker 2: because I'm thinking like we're past any drama, like we're
• 38:27
  Speaker 2: cool and something that happened. It's been a little minute.
• 38:31
  Speaker 2: Don't quote me exact, but something with like some phones,
• 38:34
  Speaker 2: like they take away your phones in the house, and
• 38:37
  Speaker 2: I guess like one of the producers or somebody was
• 38:40
  Speaker 2: still giving her her phone. I didn't say nothing they wanted.
• 38:44
  Speaker 2: I guess they want to said something like this is
• 38:48
  Speaker 2: don't we're not playing favoritism. Give me a lyric of
• 38:50
  Speaker 2: our phones. We need to check on our son. Give
• 38:52
  Speaker 2: us our phones. She's upstairs like going crazy calling me
• 38:58
  Speaker 2: when a one's the one who said it all out
• 38:59
  Speaker 2: of my name that b I TCF heard da da
• 39:02
  Speaker 2: da dada. You know so what it's my phone if
• 39:04
  Speaker 2: I got I'm not even the one that said anything
• 39:05
  Speaker 2: because I didn't know what. I just know I wanted
• 39:07
  Speaker 2: my phone, my phone to call and make sure my
• 39:09
  Speaker 2: son was okay. And it was just like it was
• 39:13
  Speaker 2: her disrespect and I was like, you know what, that's
• 39:16
  Speaker 2: gonna be the last time, like you too, wish you
• 39:18
  Speaker 2: watch it, you say sorry, and every time you do
• 39:20
  Speaker 2: it again, you get me on camera. I don't know
• 39:22
  Speaker 2: if you think I'm like scared of you or I'm
• 39:24
  Speaker 2: a punk or something. I will fight you, like you're
• 39:26
  Speaker 2: gonna stop, uh, you know, like just grabbing me up,
• 39:31
  Speaker 2: calling me out my name, being disrespectful because he said
• 39:34
  Speaker 2: something about the phone once again. She ended up on
• 39:36
  Speaker 2: that episode later, but I literally jumped at her like
• 39:39
  Speaker 2: to fight her. In security stopped it, and even off
• 39:44
  Speaker 2: camera when she would walk past, I would try to
• 39:46
  Speaker 2: get to her. Alerica, I was like mad, mad because
• 39:50
  Speaker 2: I was like this about the third or fourth time,
• 39:51
  Speaker 2: and then you tried it with the even the thing
• 39:54
  Speaker 2: with the where she was set up with the ivy
• 39:57
  Speaker 2: to her and it was real funny. On Loving Hip Hop.
• 39:59
  Speaker 2: I felt set up in that scene. They're like, yeah,
• 40:01
  Speaker 2: go in there and talk to her. She just had surgery,
• 40:04
  Speaker 2: just build her up, da da da and she like
• 40:06
  Speaker 2: literally lied on me like, oh you're late and you're
• 40:08
  Speaker 2: a diva and you're da da da like anything for views,
• 40:11
  Speaker 2: That's the thing, you don't ever know what. That's why
• 40:13
  Speaker 2: I stopped doing reality too after a while, because it's
• 40:15
  Speaker 2: like you don't know what you're walking in.
• 40:18
  Speaker 1: So you know, that scene is played every six months
• 40:21
  Speaker 1: on Twitter. Yeah, so came Michelle's on stage. She has
• 40:24
  Speaker 1: the ivy uh huh and y'all getting into it, and
• 40:28
  Speaker 1: she obviously tries to fight you with the bags and everything.
• 40:31
  Speaker 2: She wants you to do that, but yeah, she wants
• 40:35
  Speaker 2: your to do that, and please. She just was screaming.
• 40:37
  Speaker 2: See I'm soft spoken, and Camagelle talks loud, so it
• 40:40
  Speaker 2: always looks like she's winning. So that's why I'm like, girl,
• 40:43
  Speaker 2: just fight me, because maybe people gonna hear you over me,
• 40:45
  Speaker 2: Like I have a very very soft voice, so because
• 40:49
  Speaker 2: you can outscream me, like okay, fight me at this point.
• 40:52
  Speaker 2: And that's what I really felt. And like, you know,
• 40:54
  Speaker 2: it's been some time, and you know she's doing her
• 40:57
  Speaker 2: thing and I think, you know, she's a dope artist
• 40:59
  Speaker 2: and stuff like that, but I don't think she's a
• 41:00
  Speaker 2: dope person. And so that's my own personal experience with her.
• 41:03
  Speaker 2: It's just like you just do too much. She was
• 41:06
  Speaker 2: like picking at me in marriage bout cap. I'm not
• 41:08
  Speaker 2: bothering you. Why are you upstairs cussing me out? Because
• 41:11
  Speaker 2: I want my phone? Because he said something about you
• 41:13
  Speaker 2: with your phone. Why is it always something with you
• 41:16
  Speaker 2: with me? So that's why I was like, I'm gonna
• 41:19
  Speaker 2: like come at you and I did and I was
• 41:22
  Speaker 2: so serious and so mad, and you know that's been
• 41:26
  Speaker 2: what four years whatever now, so again what time I
• 41:29
  Speaker 2: do get over stuff? But I just I don't really
• 41:32
  Speaker 2: like her as a person. I feel like she just it,
• 41:36
  Speaker 2: that's just who she is.
• 41:37
  Speaker 1: She.
• 41:37
  Speaker 2: I feel like she likes mess and she does this
• 41:39
  Speaker 2: whole I've crown, I'm so much better and then it
• 41:42
  Speaker 2: comes up again. So but I think it's a little
• 41:47
  Speaker 2: bit of behind the scenes admiration because she'll be like,
• 41:52
  Speaker 2: I love your song, Marriott, and but she wants to
• 41:55
  Speaker 2: make me feel like, well, but I'm the bigger art
• 41:58
  Speaker 2: It's just things she says. And it's just like I
• 42:00
  Speaker 2: don't do nothing but pay respect to you as an artist.
• 42:03
  Speaker 2: It's not about I'm not trying to say I'm bigger.
• 42:05
  Speaker 2: Like you've sold more records than me. Cool, you've had
• 42:08
  Speaker 2: more success as an artists. Cool, but somehow we still
• 42:10
  Speaker 2: keep ending up in the same room as babes. So
• 42:13
  Speaker 2: I'm on a show that you obviously had to be
• 42:16
  Speaker 2: on too. So something is something. But it's cool, Like
• 42:20
  Speaker 2: you've been on bigger stages, no more than me, Like
• 42:22
  Speaker 2: I give people their props, like it's a lot of
• 42:24
  Speaker 2: singers that I've watched and they surpassed me and we
• 42:29
  Speaker 2: were like in the room writing together and stuff like that.
• 42:31
  Speaker 2: But it's okay. My God's timing for me is God's
• 42:34
  Speaker 2: timing for me, just like I'm doing great things now
• 42:36
  Speaker 2: and those are my things that are for me.
• 42:39
  Speaker 1: How do you feel about her being on Real Housepins
• 42:41
  Speaker 1: of Atlanta.
• 42:42
  Speaker 2: I don't know. I don't watch that show, and I
• 42:44
  Speaker 2: don't care what she's doing. Next question, you and your mom.
• 42:57
  Speaker 1: Your mom is great television. I think she's so iconic.
• 43:01
  Speaker 1: We saw even the two of you battle on the show.
• 43:06
  Speaker 1: Of course, as relates to your then marriage to a one.
• 43:09
  Speaker 1: What is your relationship like today with your mom?
• 43:12
  Speaker 2: Oh my gosh, my mom is my best friend. We
• 43:14
  Speaker 2: are super super close. That's my dog. I just was
• 43:17
  Speaker 2: with my mom. Have a movie out that came out
• 43:20
  Speaker 2: February twentieth, by the way, called Unrequited, So y'all have
• 43:24
  Speaker 2: to check that out. The reason I brought that up
• 43:26
  Speaker 2: is I was just in La filming another movie, and
• 43:28
  Speaker 2: so when I wasn't like at my room, I stayed
• 43:31
  Speaker 2: with my mom and we had a ball. She came
• 43:33
  Speaker 2: on set and we like chill. We went out to dinner.
• 43:37
  Speaker 2: I took her to this, like I don't know what
• 43:41
  Speaker 2: it's called, like a sushi and poorish type of like
• 43:45
  Speaker 2: high end nice restaurant I have found out there and
• 43:46
  Speaker 2: we were like obsessed with it and we won't have food.
• 43:50
  Speaker 2: And yeah, she's gonna come back to Atlanta soon too.
• 43:53
  Speaker 1: So how do you feel when people say that they
• 43:55
  Speaker 1: think you two have a codependent relationship? It comes to
• 44:00
  Speaker 1: each other like although you guys are obviously mother and daughter,
• 44:05
  Speaker 1: it sort of feels like you both lean on each
• 44:09
  Speaker 1: other in a way that seems to be a little
• 44:11
  Speaker 1: bit unhealthy, a little strange for some people when it
• 44:15
  Speaker 1: comes to mother daughter, she named you after her, they
• 44:18
  Speaker 1: feel like she's super into your personal business. You allow
• 44:22
  Speaker 1: her to be in your personal business. That you're a
• 44:25
  Speaker 1: grown woman. You know, people have to say, Almerica, you
• 44:30
  Speaker 1: know it's time for you to take your mouth opputity
• 44:33
  Speaker 1: of your mother and and be a grown woman and
• 44:37
  Speaker 1: stop having your mom fight your battles.
• 44:39
  Speaker 2: Hilarious, that's to hear what people say.
• 44:43
  Speaker 1: So if they say child, but how do even people
• 44:49
  Speaker 1: really do believe that that? You know, they just feel like, yes,
• 44:52
  Speaker 1: y'all are close, but they feel like it's unhealthy.
• 44:56
  Speaker 2: I don't need my mom to fight my battles. My
• 44:59
  Speaker 2: mom sometimes will just I can't tell my mom what
• 45:04
  Speaker 2: not to say, like if she's there, Like the last
• 45:07
  Speaker 2: incident that happened, she was there, so I couldn't be like, oh,
• 45:10
  Speaker 2: don't talk or like people might have an opinion, but
• 45:13
  Speaker 2: we like she's right there. So if she's right there,
• 45:16
  Speaker 2: like say me and you were sitting right here and
• 45:17
  Speaker 2: somebody walks up like it starts confronting me, you probably
• 45:20
  Speaker 2: gonna be like, yo, what are you doing? Like naturally,
• 45:23
  Speaker 2: you're not even my mom, but just as someone sitting
• 45:25
  Speaker 2: right here are gonna say something. So sometimes it's been
• 45:27
  Speaker 2: those type of incidents. But if my mom's not there,
• 45:29
  Speaker 2: I handle my own. That's funny. So I don't know,
• 45:34
  Speaker 2: like I don't really care what people say. I'm out
• 45:36
  Speaker 2: here in Atlanta by myself doing my own thing, and
• 45:38
  Speaker 2: my mom's in LA doing her thing. We're very close, though,
• 45:42
  Speaker 2: and maybe those people have their dad and their mom,
• 45:47
  Speaker 2: and maybe they have like their sister who they can
• 45:49
  Speaker 2: call to come, you know, have their back. I know
• 45:52
  Speaker 2: a lot of girls who'll be like, yeah, my sister's coming,
• 45:54
  Speaker 2: and she gonna pull up with me, my sister, don't
• 45:56
  Speaker 2: play about me or whatever, Like I don't have that.
• 45:59
  Speaker 2: So all I have is my mom. You know, I
• 46:03
  Speaker 2: don't have like a big you know, a lot of
• 46:07
  Speaker 2: my family on my mother's side have been passing away,
• 46:09
  Speaker 2: so it's just like, you know, my auntie's like one,
• 46:12
  Speaker 2: my auntie's left literally and like my uncle, a couple uncles.
• 46:17
  Speaker 2: A lot of my mom's brothers and sisters recently passed
• 46:19
  Speaker 2: and stuff like that. So there's not you know a
• 46:24
  Speaker 2: lot of people. If people say I'm depending on that,
• 46:26
  Speaker 2: I can depend on other than like other my homegirls
• 46:29
  Speaker 2: and stuff. So maybe those people have their situations. But
• 46:33
  Speaker 2: I've learned to not care so much what people think
• 46:38
  Speaker 2: because those people are not there when you crying and
• 46:41
  Speaker 2: you're going through things and stuff like that. I can't
• 46:45
  Speaker 2: call them. So I mean, say what y'all want to say,
• 46:48
  Speaker 2: I don't really care.
• 46:49
  Speaker 1: Do you think she had a role to play when
• 46:53
  Speaker 1: it came to you divorcing a one, No, that was.
• 46:57
  Speaker 2: Just I mean a role in the sense of the drama.
• 47:00
  Speaker 2: People were talking about the drama on the show being overwhelming.
• 47:03
  Speaker 2: That was like kind of a lot. But I think
• 47:06
  Speaker 2: us just being like on TV, all the opinions and
• 47:10
  Speaker 2: the you know, well she did this with you should
• 47:12
  Speaker 2: you shouldn't deal with that? You should. It's just like
• 47:16
  Speaker 2: I think that and then our moms like maybe arguing
• 47:19
  Speaker 2: a lot was a little stressful, but I think we
• 47:21
  Speaker 2: kind of knew how to still handle that. I know
• 47:24
  Speaker 2: it was so entertaining for the world, but it was
• 47:26
  Speaker 2: a little stressful for us. But was that like just oh,
• 47:29
  Speaker 2: that's the reason we got divorced. No, But I do
• 47:32
  Speaker 2: feel like if you have a relationship off TV, you
• 47:37
  Speaker 2: probably will last more than on TV. I don't think
• 47:41
  Speaker 2: I would ever bring like a man, my real, real,
• 47:43
  Speaker 2: real relationship on TV. Ever.
• 47:45
  Speaker 1: Again, what do you think finally led you to file
• 47:51
  Speaker 1: for divorce?
• 47:57
  Speaker 2: I don't know. We'll talk about that. Just like it
• 48:01
  Speaker 2: just it just gets like hard, you know. I think
• 48:06
  Speaker 2: the TV thing again was too much on us because
• 48:08
  Speaker 2: when I look back, now we're closer as co parenting,
• 48:12
  Speaker 2: Like now we're cool and I feel like we're cooler,
• 48:15
  Speaker 2: like we get along better because it's not all that
• 48:18
  Speaker 2: stuff like with the TV and the episodes. And I
• 48:22
  Speaker 2: remember we did an episode and there was a condom
• 48:25
  Speaker 2: floating in front of like our house, like right in front,
• 48:28
  Speaker 2: and one of the producers was like look, and I
• 48:31
  Speaker 2: instantly got mad, Like I instantly was like, oh, well,
• 48:33
  Speaker 2: who's condiment? And then in reality, it's like I don't
• 48:35
  Speaker 2: know really where that came from with So it's just
• 48:37
  Speaker 2: like it's so like you just always feel like something's
• 48:41
  Speaker 2: going on, even if nothing's going on. So I feel
• 48:44
  Speaker 2: like I'm not blaming the show because you got to
• 48:47
  Speaker 2: take responsibility for our stuff. It's not like, oh, that
• 48:50
  Speaker 2: shows why we're the worce but doesn't play a part. Yeah,
• 48:53
  Speaker 2: So it's just like the I just couldn't take all
• 48:56
  Speaker 2: the stuff with the too much with women women.
• 49:01
  Speaker 1: You know, there's a rumor that he had an outside
• 49:03
  Speaker 1: kid on you.
• 49:05
  Speaker 2: Mm hmm.
• 49:07
  Speaker 1: Is that true?
• 49:08
  Speaker 2: No comment, no comment.
• 49:14
  Speaker 1: Do you think there's a world where you and a
• 49:17
  Speaker 1: one could reconcile?
• 49:20
  Speaker 2: H No, I think that's ship sailed. I think it's
• 49:23
  Speaker 2: like everybody's just doing their own thing. I'm so focused
• 49:26
  Speaker 2: on me and my child now, I'm not even like
• 49:30
  Speaker 2: really dating real like I talk to people and stuff
• 49:36
  Speaker 2: like that. But I think I think that what I've
• 49:42
  Speaker 2: been through in love just kind of made me be
• 49:46
  Speaker 2: like I'm just kind of cool, like I'm okay with
• 49:49
  Speaker 2: just like working on my music, doing my shows, doing
• 49:53
  Speaker 2: my movies, and completely pouring into ocean. And I feel
• 49:57
  Speaker 2: like he's thriving because of that, Like I'm just sitting
• 49:59
  Speaker 2: there when he gets out of school. I have a
• 50:01
  Speaker 2: routine where I make his food, I cook for him,
• 50:03
  Speaker 2: I help him with his homework, like we play like
• 50:06
  Speaker 2: I just put all that into him. I feel like
• 50:09
  Speaker 2: people let you down and it's gonna take a really
• 50:15
  Speaker 2: certain type of man for me to like open up
• 50:18
  Speaker 2: again because I'm not. And maybe that's a little sad
• 50:24
  Speaker 2: because then it's like everybody wants somebody, but I'm just not.
• 50:29
  Speaker 2: I don't know. I don't think I'm cool, like I'm abstinent,
• 50:32
  Speaker 2: I'm sullivant. Well I'm abstinent. I say abstinent because it's
• 50:35
  Speaker 2: more so like if I'm in a relationship yet. But
• 50:37
  Speaker 2: I don't want to sleep with nobody. I don't want
• 50:40
  Speaker 2: nothing like I'm cool. I feel like it's just too
• 50:44
  Speaker 2: much on the heart. I love too hard, it comes
• 50:46
  Speaker 2: with too much. And you know, I'm good to my
• 50:49
  Speaker 2: person when I'm with them, and my last heartbreaks, I
• 50:52
  Speaker 2: was like, you know what y'all got? It actually y'all
• 50:56
  Speaker 2: got it.
• 50:57
  Speaker 1: The last heartbreak divorce. M you were dating somebody in
• 51:02
  Speaker 1: the industry, Nope, No, and he broke your heart.
• 51:07
  Speaker 2: Well, he had. He was dealing with some personal stuff
• 51:13
  Speaker 2: with like court and stuff, so it kind of just
• 51:16
  Speaker 2: made us have to separate because of that. He was
• 51:20
  Speaker 2: a cool dude, but just yeah, for me, I'm just like,
• 51:25
  Speaker 2: it just comes with too much. But the last situation
• 51:29
  Speaker 2: with my child's father was a big one, and for me,
• 51:32
  Speaker 2: I'm just like, I don't know. When I started focusing
• 51:34
  Speaker 2: on me and God and my child. I feel like
• 51:37
  Speaker 2: a lot of blessings came my way. This is like
• 51:39
  Speaker 2: the busiest I've ever been. If it's not an interview,
• 51:42
  Speaker 2: it's a movie, it's a reality show, it's a commercial,
• 51:44
  Speaker 2: it's a like we want you. Like I'm just getting
• 51:47
  Speaker 2: calls every day, and I'm really thankful because I feel
• 51:51
  Speaker 2: like I'm just focused on God and my child and
• 51:54
  Speaker 2: that and myself and my mom if my mom needs me,
• 51:57
  Speaker 2: of course, because my mom's in La. But when you
• 52:02
  Speaker 2: put when I put my energy into like a man,
• 52:05
  Speaker 2: like I really put my energy into the man. So
• 52:08
  Speaker 2: it's like I'm in it, you know, babe? What's up?
• 52:11
  Speaker 2: I want to talk. I want to make sure you're good.
• 52:13
  Speaker 2: I'm considering their feelings, like you know, I'm telling I'm
• 52:17
  Speaker 2: in the interview with maccallyer read back. I'm constantly like
• 52:19
  Speaker 2: making sure that okay. And it just seems like it's
• 52:21
  Speaker 2: just still you know, always like something, and it takes
• 52:25
  Speaker 2: me off. I remember I had a really big audition
• 52:28
  Speaker 2: for a big TV show and they already wanted me,
• 52:32
  Speaker 2: like they were like we it was I believe it's
• 52:35
  Speaker 2: like a series, and they were like, we already want you.
• 52:39
  Speaker 2: And I was down in the dumps and really really depressed,
• 52:42
  Speaker 2: and I literally bombed my audition and I didn't get it,
• 52:50
  Speaker 2: and I wasn't focused because I was focused on a
• 52:52
  Speaker 2: man who I was sad about that day, and I
• 52:54
  Speaker 2: was in my feelings and I just couldn't get it
• 52:57
  Speaker 2: right for the video for the audition tape, and I
• 53:01
  Speaker 2: was so sad because we had just argued and I
• 53:03
  Speaker 2: was just like, well, I just feel like he feels
• 53:05
  Speaker 2: like and why and I don't understand and this is that,
• 53:08
  Speaker 2: and like complaining the crime to my homegirl, my best friend,
• 53:12
  Speaker 2: and it came time to do that, and I just
• 53:13
  Speaker 2: could not concentrate and they picked somebody else and I
• 53:17
  Speaker 2: was just like devastated. And this is before the last
• 53:21
  Speaker 2: three films I did, so now that would have been four.
• 53:24
  Speaker 2: And it's fine because you win some, you lose some cool,
• 53:26
  Speaker 2: but I feel like it was my fault because I
• 53:28
  Speaker 2: wasn't locked in and men are distractions.
• 53:33
  Speaker 1: The wrong ones are are you and A one's mother?
• 53:44
  Speaker 1: Paym a y'all? Okay? What's our relationship? Like today?
• 53:47
  Speaker 2: We're cool? She called me my sister in law just
• 53:50
  Speaker 2: passed away, so I was devastating. She is his brother's
• 53:56
  Speaker 2: wife and our kids are blood cousins. So we were
• 53:59
  Speaker 2: like really really really close. We had like a little
• 54:02
  Speaker 2: beef on the show, but in reality, after that we
• 54:05
  Speaker 2: got like actually real close, like sisters close. She became
• 54:09
  Speaker 2: like that sister I was talking about, like talking on
• 54:11
  Speaker 2: the phone all the time. You know. Her and his
• 54:14
  Speaker 2: brother's brother h ended up like breaking up too, so
• 54:19
  Speaker 2: we were like, you know, getting each other through that,
• 54:21
  Speaker 2: and we got like really close, and then she was
• 54:23
  Speaker 2: doing good and then she passed like two weeks ago,
• 54:26
  Speaker 2: so that was like really really really hard for me.
• 54:28
  Speaker 2: And then Pam called me recently and we were talking
• 54:33
  Speaker 2: about her, and she sent me some video and we
• 54:35
  Speaker 2: were talking about ocean and stuff. So we're cool, We're
• 54:38
  Speaker 2: all right.
• 54:38
  Speaker 1: Okay, I hear that. Obviously one of the biggest things
• 54:42
  Speaker 1: that happened recently is this.
• 54:46
  Speaker 2: What do you want to talk about?
• 54:47
  Speaker 1: That confrontation with Naturally none? So but I saw that.
• 54:53
  Speaker 1: I'm so confused. So you're at dinner with your mom
• 54:59
  Speaker 1: and and I didn't know you and Natalie none had beef.
• 55:03
  Speaker 1: But and I won't just set the record straight on
• 55:06
  Speaker 1: this one. So it appears that you were enlisted to
• 55:12
  Speaker 1: write a song for Lemmy who's the owner of Zoos,
• 55:17
  Speaker 1: and Natalie, and then something went awrye And then all
• 55:22
  Speaker 1: we know is we see footage of Natalie confronting you,
• 55:28
  Speaker 1: and then you said, let me show y'all the whole footage,
• 55:30
  Speaker 1: and we saw you cussing them, like, what is happening
• 55:35
  Speaker 1: between you and Natalie nune Clerica.
• 55:38
  Speaker 2: This child Lord. First of all, it wasn't Lemmy that
• 55:41
  Speaker 2: I was writing the song for. Natalie has been doing
• 55:47
  Speaker 2: her show and she called me. My manager Prince was
• 55:51
  Speaker 2: sitting right there. She was actually on speakerphone, and she's like, Hey,
• 55:55
  Speaker 2: I'm in Atlanta and I want to get in the
• 55:56
  Speaker 2: studio with you. Can we please, just like, you know,
• 55:58
  Speaker 2: do a song for this whatever. And my manager was like, Yo,
• 56:01
  Speaker 2: that would be dope. Wh I don't maybe since she's
• 56:04
  Speaker 2: like kind of just getting into the rap game, you
• 56:07
  Speaker 2: put her on one of your songs. And I'm like, oh,
• 56:09
  Speaker 2: I had this dope up tempo record I could put
• 56:12
  Speaker 2: her cool. And she was like, let's just go to
• 56:16
  Speaker 2: the studio figure it out. She's like, do you have
• 56:17
  Speaker 2: a studio though, Like, I'm just here, I don't know
• 56:19
  Speaker 2: where to go. I'm like, let me make a call.
• 56:21
  Speaker 2: I got us boom book the studio. You know, when
• 56:24
  Speaker 2: you book a studio, you have to have the studio,
• 56:26
  Speaker 2: the engineer, everything set up and pay for it whatever.
• 56:30
  Speaker 2: I didn't ask her for nothing. I'm like, I got it.
• 56:32
  Speaker 2: I booked the studio. We have plenty footage of that.
• 56:36
  Speaker 2: And she was like, actually, I want you on this song.
• 56:41
  Speaker 2: So it was now her song she wanted me on.
• 56:44
  Speaker 2: So she played it for me and it was an
• 56:45
  Speaker 2: open verse, so me and one of my writers sat
• 56:47
  Speaker 2: and wrote my verse. She's like, I want you to rap.
• 56:50
  Speaker 2: I actually can rap rap. I just don't really write rap.
• 56:54
  Speaker 2: Like if I do a rap, I have to like
• 56:55
  Speaker 2: co write it with somebody as far as like rapping
• 56:58
  Speaker 2: because my thing is singing. So I'm like, bet, I'll
• 57:01
  Speaker 2: do it. So I got on did my little verse whatever.
• 57:03
  Speaker 2: She was like, I love it. Oh my god. We
• 57:04
  Speaker 2: were like all excited, let's go. I get a phone
• 57:07
  Speaker 2: call a few days later that she wants or maybe
• 57:11
  Speaker 2: it's the next day. First of all, she said, let's
• 57:14
  Speaker 2: shoot a video for this. She's like, I'm only in
• 57:16
  Speaker 2: Atlanta for a little time. Now, do you know somebody
• 57:18
  Speaker 2: that can do our video? I'm like, yep, I got somebody,
• 57:20
  Speaker 2: super dope. I pick up the phone. I call the dude,
• 57:23
  Speaker 2: the director. I'm like hey. My manager's like, literally you
• 57:27
  Speaker 2: put this whole play together, and so I'm like yes,
• 57:30
  Speaker 2: I'm like hey, can you shoot the video? He's like
• 57:32
  Speaker 2: I don't know, I'm real busy whin. I was like
• 57:34
  Speaker 2: it's finale none and me like, come on, just do
• 57:36
  Speaker 2: me show me this love. He's like, I got you.
• 57:39
  Speaker 1: Now.
• 57:39
  Speaker 2: I get a call from Lemmy. Lemme calls me and
• 57:41
  Speaker 2: was like, if y'all think y'all putting that record out
• 57:42
  Speaker 2: without me, that's a hit. I want to in on it.
• 57:44
  Speaker 2: And I'm like what he's like, yeah, I want to
• 57:46
  Speaker 2: get on it too. Da da da da. So Natalie
• 57:48
  Speaker 2: side calls me and she's like, I don't want him
• 57:51
  Speaker 2: on the record. He won't let me do my own thing.
• 57:52
  Speaker 2: It's so annoying. I already owe him my life with
• 57:55
  Speaker 2: Daddy's and I'm just trying to like the life b
• 57:58
  Speaker 2: branch out and do like my own thing. And I'm like, well, girl,
• 58:01
  Speaker 2: I don't know what you want me to tell him. He's
• 58:03
  Speaker 2: calling me saying he wants in on the record. Y'all
• 58:05
  Speaker 2: gotta figure that out. So she's like, well, I don't know,
• 58:07
  Speaker 2: and she was like super upset. So I'm like, let
• 58:09
  Speaker 2: him get on the record. I told her that I
• 58:12
  Speaker 2: was just so messy, So he I send. I booked
• 58:16
  Speaker 2: the studio again. Now this is day now done, got
• 58:18
  Speaker 2: the videographer for us video shoot setup. I don't got
• 58:24
  Speaker 2: the studio time. Now here's day two of the studio time.
• 58:27
  Speaker 2: I brought writers in and everything. So that was for
• 58:29
  Speaker 2: my part. Now for his part, I sent over writers
• 58:31
  Speaker 2: to write his whole verse. So me and her was
• 58:33
  Speaker 2: over there shooting the video while they're in the studio
• 58:35
  Speaker 2: doing the writing. Boom, we got it all done. Bet. Now,
• 58:40
  Speaker 2: Limmy's like, can you get the record mix? I'm like,
• 58:43
  Speaker 2: all right, you know what, bet So, I call some mixers,
• 58:47
  Speaker 2: I get a mixed. We keep playing with the mix,
• 58:48
  Speaker 2: which costs every time. We did like five mixes to
• 58:51
  Speaker 2: get it right. I paid for the mixes every time.
• 58:55
  Speaker 2: Mind you, they're supposed to be multime, multime, mulltime, all
• 58:58
  Speaker 2: time million. No, no, you know what is the Lemmy
• 59:00
  Speaker 2: supposed to be a billionaire, right, So I'm like, oh,
• 59:03
  Speaker 2: now I'm paying okay, bet, I paid for it, No
• 59:05
  Speaker 2: big deal. And so then we get a call. Now
• 59:10
  Speaker 2: he starts acting a little weird. Now I get a
• 59:11
  Speaker 2: call and it's like, well, look, I think we might
• 59:14
  Speaker 2: just go a different direction. Lemmy wants it to be
• 59:17
  Speaker 2: just me and him. He doesn't want you on the
• 59:19
  Speaker 2: song anymore. Blah blah blah blah blah. He feels like
• 59:22
  Speaker 2: it should just be a Zeus thing. I'm like, okay,
• 59:25
  Speaker 2: that's cool. So at this point, just run me my
• 59:28
  Speaker 2: money for everything I paid for, Like what I paid
• 59:33
  Speaker 2: for two studio sessions. I paid for the engineer both times.
• 59:36
  Speaker 2: I paid to get the record mixed. I got writers
• 59:39
  Speaker 2: to come in and write Lemmy's verse for him that
• 59:40
  Speaker 2: he was in love with his initial verse, and I'm like,
• 59:44
  Speaker 2: so y'all gotta like, y'all gotta cut me a check.
• 59:46
  Speaker 2: So he had agreed to cut me a check. Then
• 59:49
  Speaker 2: he renegged on that. Then they did something super slimy
• 59:52
  Speaker 2: and reached out to only one of the writers who
• 59:55
  Speaker 2: was there for Lemmy's verse, because it was like maybe
• 59:58
  Speaker 2: four writers. One of the guys and was like, we're
• 1:00:01
  Speaker 2: just gonna say you wrote it by yourself, and we'll
• 1:00:03
  Speaker 2: pay you some money so we can just basically get
• 1:00:05
  Speaker 2: Lyric up out of here and do this ourselves. And
• 1:00:08
  Speaker 2: I'm like, not only did I put this whole play together,
• 1:00:12
  Speaker 2: y'all go try to boot me out and then not
• 1:00:14
  Speaker 2: pay me? Are you crazy? So I went live and
• 1:00:17
  Speaker 2: was talking about it. Well, someone asked them the life
• 1:00:19
  Speaker 2: I was asked, and I like, we're sitting here doing
• 1:00:21
  Speaker 2: an interview. I was in an interview with Shirley and
• 1:00:24
  Speaker 2: she asked, and I told her the same story I'm
• 1:00:26
  Speaker 2: telling you, and she's like, you're talking about me and
• 1:00:29
  Speaker 2: my child. Show me one time I've ever said anything
• 1:00:32
  Speaker 2: about your child, Like, what does she have to do
• 1:00:35
  Speaker 2: with it? Why would I be talking about your kid?
• 1:00:37
  Speaker 2: I don't even do that, So I'm like what I
• 1:00:40
  Speaker 2: said was the truth, which is y'alln't credit me, y'all
• 1:00:42
  Speaker 2: didn't give me my money, y'all didn't pay me for
• 1:00:44
  Speaker 2: my services. Like cool, take me off the record still
• 1:00:47
  Speaker 2: giving me my credit, and make sure you take care
• 1:00:49
  Speaker 2: of my writers, make sure they're all paid, and make
• 1:00:51
  Speaker 2: sure it says written by and everybody's name is on there,
• 1:00:55
  Speaker 2: because that's how they'll get paid in the future. They
• 1:00:58
  Speaker 2: don't want to credit the other writers, didn't want to
• 1:01:00
  Speaker 2: pay the other writers. They didn't want to pay me
• 1:01:02
  Speaker 2: for my services. So we fell out over that, and
• 1:01:04
  Speaker 2: I'm sitting there eating with my mom and the bitch
• 1:01:08
  Speaker 2: is like, comes up to me in a friendly if
• 1:01:11
  Speaker 2: you really watch the video, she didn't come up to
• 1:01:13
  Speaker 2: me threatening. She came up to me and was like Hilerica.
• 1:01:16
  Speaker 2: She started off all high pitched with her fake self,
• 1:01:19
  Speaker 2: like I'm just you know, I'm not even mad about
• 1:01:23
  Speaker 2: the record. I'm not even mad about the song. What
• 1:01:25
  Speaker 2: I was upset about was what you said about my family.
• 1:01:29
  Speaker 2: So I'm letting her talk cause she's comes she doesn't
• 1:01:32
  Speaker 2: come like threatening at all, So I'm just listening. But
• 1:01:35
  Speaker 2: if you look at me. When she walked up, I
• 1:01:37
  Speaker 2: said what's up? Like I was not like, oh hey,
• 1:01:39
  Speaker 2: like I'm happy to see you. I'm like, what's up?
• 1:01:42
  Speaker 2: And my mom's just sitting there eating her food and
• 1:01:45
  Speaker 2: my dog, her dog just had surgery in her mouth,
• 1:01:48
  Speaker 2: so my mom has like a plastic to go plate,
• 1:01:51
  Speaker 2: let's be clear, and she's chewing her food for her
• 1:01:53
  Speaker 2: because she can't chew at the time. So I'm literally like, okay,
• 1:01:58
  Speaker 2: get to it, like I'm waiting for. She's supposed to
• 1:02:00
  Speaker 2: be so mad at because you did something to me.
• 1:02:03
  Speaker 2: I thought she was gonna come to my table and
• 1:02:04
  Speaker 2: apologize because your dad, that's wrong. So instead she's just like, well,
• 1:02:10
  Speaker 2: and you know, and I was mad about this and
• 1:02:11
  Speaker 2: I wasn't mad, and I guess she felt like at
• 1:02:13
  Speaker 2: the end, her little drop the mic thing was like
• 1:02:15
  Speaker 2: you know, and keep my family's name out of your
• 1:02:18
  Speaker 2: mouth something some something, and she walks off. What pissed
• 1:02:20
  Speaker 2: me off is that she's talking. There's a security, a girl,
• 1:02:24
  Speaker 2: a really tall guy, and I think it might've been
• 1:02:27
  Speaker 2: one of the zoos securities. I don't know. So I'm like,
• 1:02:30
  Speaker 2: did you just come to my table and try to
• 1:02:32
  Speaker 2: act like you did something because you had like a crew.
• 1:02:35
  Speaker 2: It's me and my mother, Like me and my mom,
• 1:02:38
  Speaker 2: not me my mom and a guy. Me and my
• 1:02:40
  Speaker 2: mom in a security me and my mom and my
• 1:02:41
  Speaker 2: homegirl who's ready to fight. I'm not gonna let my
• 1:02:43
  Speaker 2: mom ever fight ever. So she waits till she gets
• 1:02:48
  Speaker 2: to the door and then yells out bitch and keeps walking.
• 1:02:52
  Speaker 2: Oh cuss on the shell. Sorry, And so I slid
• 1:02:58
  Speaker 2: and a lot of the viewers, if you go the
• 1:03:00
  Speaker 2: comments that they saw it, like I kind of like
• 1:03:01
  Speaker 2: went like this while she was talking to get out
• 1:03:03
  Speaker 2: of my chair. So when they cut the video off,
• 1:03:05
  Speaker 2: I went out of my chair and followed her outside.
• 1:03:07
  Speaker 2: She kept walking and then the gay dude gets in
• 1:03:10
  Speaker 2: front of my face that she brought to the table,
• 1:03:13
  Speaker 2: And what I thought was wild is he like took
• 1:03:16
  Speaker 2: over her fight, call me all out of my name,
• 1:03:19
  Speaker 2: like was spitting at me and my mom. I mean
• 1:03:22
  Speaker 2: the disrespect was like unbelievable from him, even more than
• 1:03:27
  Speaker 2: forget that her for that matter. Like at that minute,
• 1:03:30
  Speaker 2: it was just like I was like, so I went
• 1:03:31
  Speaker 2: off on him. Then the girl was and I was like,
• 1:03:34
  Speaker 2: you need to fucking move. I'm not talking to you,
• 1:03:35
  Speaker 2: I don't even know you. This is not about you.
• 1:03:37
  Speaker 2: This is about her. You all in my fock, like
• 1:03:39
  Speaker 2: who the fuck are you? And so she like she
• 1:03:42
  Speaker 2: did move and he's like, well, I don't care, and
• 1:03:44
  Speaker 2: I mean it in this you know, he's trying so
• 1:03:46
  Speaker 2: hard to be a baddie, and it's like, baby, like,
• 1:03:50
  Speaker 2: I don't even fucking know you. This is not your father,
• 1:03:52
  Speaker 2: this is not your fight. This is between me and her,
• 1:03:54
  Speaker 2: and she says, so my mom comes outside, and my
• 1:03:55
  Speaker 2: mom's trying to make sure I didn't go outside and
• 1:03:57
  Speaker 2: get in a fight with anybody with her. So then
• 1:04:01
  Speaker 2: he gets on my mother's face. So now I'm cussing
• 1:04:03
  Speaker 2: him out. I didn't turn to a whole separate argument.
• 1:04:05
  Speaker 2: Now I'm arguing with him. So I was mad when
• 1:04:07
  Speaker 2: you put the video up because I'm like, bitch, show
• 1:04:08
  Speaker 2: the whole video how it follows you outside and you
• 1:04:10
  Speaker 2: kept going. So that is the story. I wanted my
• 1:04:13
  Speaker 2: credit And if you take me off, you don't use
• 1:04:15
  Speaker 2: my credit, credit my writers and pay me my money
• 1:04:17
  Speaker 2: for my services, it's still giving run the back. That's it, period.
• 1:04:22
  Speaker 2: And then you go on Cam Newton like keep my
• 1:04:24
  Speaker 2: name out of your mouth, you're in love with me,
• 1:04:26
  Speaker 2: like it's official. Literally, it's official. She literally was in
• 1:04:30
  Speaker 2: Cam Newton's interview like and lyric and lyric, it's irrelevant, Lyrica, Baby,
• 1:04:36
  Speaker 2: I'm so irrelevant that you couldn't keep my name out
• 1:04:38
  Speaker 2: of your mouth, like, let's clock it.
• 1:04:43
  Speaker 1: Did you ever get your money back? No?
• 1:04:46
  Speaker 2: And the song was a flop and it didn't even
• 1:04:48
  Speaker 2: do nothing. So there it is. That's what you get
• 1:04:50
  Speaker 2: because God don't like ugly. You didn't go nowhere but
• 1:04:53
  Speaker 2: to hell.
• 1:04:54
  Speaker 1: Let's clopped.
• 1:04:56
  Speaker 2: Have you heard it? Okay, I'm just saying.
• 1:05:04
  Speaker 1: I'll play. Kirk Franklin.
• 1:05:06
  Speaker 2: Says, you know, let God, you know, handle your venges
• 1:05:09
  Speaker 2: and get your revenge and things like that. So I'm
• 1:05:12
  Speaker 2: not even worried about it. It's cool. And if she
• 1:05:13
  Speaker 2: want to bite me, it's up to Like, that's fine too,
• 1:05:15
  Speaker 2: But you're not gonna have like, it's not gonna be
• 1:05:17
  Speaker 2: unfair like it was giving jump me. You're not gonna
• 1:05:20
  Speaker 2: jump me. No, it's one on one that's different.
• 1:05:22
  Speaker 1: Were you surprised like us that it was that serious?
• 1:05:26
  Speaker 1: Like well, because as you're eating your not that it's funny.
• 1:05:30
  Speaker 1: But look, listen, I don't what It's like to like
• 1:05:33
  Speaker 1: be at a restaurant and you're literally chill it with
• 1:05:35
  Speaker 1: your babo, you know what I'm saying, And.
• 1:05:41
  Speaker 2: Then to have the guy like sneak recording me. I'm like,
• 1:05:43
  Speaker 2: I'm eating freaking uh dumplings and salad like we're on
• 1:05:48
  Speaker 2: some like health kicks.
• 1:05:50
  Speaker 1: Very healthy, Yeah, I was.
• 1:05:51
  Speaker 2: Like, very healthy, like eating our salads. I'm like, girl,
• 1:05:53
  Speaker 2: maybe you should go spend some quality time with your
• 1:05:55
  Speaker 2: mother and your child and not worry about what we're doing.
• 1:05:59
  Speaker 2: And that's when I say something about child, spend time
• 1:06:01
  Speaker 2: with your child. You sitting here worried about me and
• 1:06:03
  Speaker 2: what I'm doing. I'm out here when my mother doing
• 1:06:05
  Speaker 2: family time. I wouldn't even approach somebody with their mom.
• 1:06:08
  Speaker 2: It's just disrespectful, Like I don't care what I felt
• 1:06:11
  Speaker 2: about the girl like she's eating with her mom, Like
• 1:06:13
  Speaker 2: I'll wait until you know I see her, or I'll
• 1:06:16
  Speaker 2: ask her can we step outside? She should have just
• 1:06:18
  Speaker 2: been like, yo, can I talk to you for a
• 1:06:19
  Speaker 2: second and pulled me away, like are you gonna try
• 1:06:21
  Speaker 2: to confront me? And then why is there a crew
• 1:06:23
  Speaker 2: of y'all? Like that's wild?
• 1:06:27
  Speaker 1: So do you think she did that for the absolutely viality,
• 1:06:33
  Speaker 1: and it went crazy.
• 1:06:34
  Speaker 2: All over all the blogs. That's what she wanted, I
• 1:06:38
  Speaker 2: guess so, because what was the reason for you to
• 1:06:39
  Speaker 2: post it? So I was just I was so mad
• 1:06:41
  Speaker 2: after people I turned on my phone. I was getting
• 1:06:45
  Speaker 2: all these calls like, oh my gosh, I didn't know
• 1:06:46
  Speaker 2: because my phone died. I was so wrapped in, like
• 1:06:48
  Speaker 2: I said, doing my thing family time. You know, was
• 1:06:51
  Speaker 2: going to go get my son. I didn't let my
• 1:06:54
  Speaker 2: phone die, enjoying my life. I turned my phone back.
• 1:06:56
  Speaker 2: I'm like, wait a minute. I'm like, girl, you're not
• 1:06:58
  Speaker 2: gonna show that I got about this chair came outside. Girl,
• 1:07:01
  Speaker 2: don't play with me like you know. And again I
• 1:07:04
  Speaker 2: am like the bear you have to poke, I'd be chilling.
• 1:07:07
  Speaker 2: I don't bother nobody, but you come bothering me with
• 1:07:10
  Speaker 2: let's go whatever smoke that comes with. Because I don't
• 1:07:12
  Speaker 2: bother nobody. You don't hardly see me in the blogs
• 1:07:16
  Speaker 2: for drama.
• 1:07:16
  Speaker 1: Yeah I don't. That's all. That's why we're all shot. Like, wait,
• 1:07:19
  Speaker 1: what's it happened to this? Gude?
• 1:07:20
  Speaker 2: I'm not that girl. I'm not a fighter. I'm not
• 1:07:22
  Speaker 2: that girl. I am the talented girl. I want to
• 1:07:24
  Speaker 2: get money. I'm a girl's girl. I love girls, pretty girls,
• 1:07:28
  Speaker 2: beautiful girl. Let's have fun, Let's have a good time.
• 1:07:30
  Speaker 2: I'm that girl.
• 1:07:31
  Speaker 1: So well, you are that girl, and you have a
• 1:07:34
  Speaker 1: lot going on, so let us know, babe, like all
• 1:07:37
  Speaker 1: the things you're working on so that the rain drops
• 1:07:40
  Speaker 1: and your fans and everybody can support you.
• 1:07:43
  Speaker 2: I appreciate it. Well. I just a movie that I'm
• 1:07:46
  Speaker 2: in featured in just dropped called Unrequited and that's on
• 1:07:50
  Speaker 2: two B and that was February twentieth, so recently. And
• 1:07:54
  Speaker 2: I have just finished a movie, wrapped a movie called
• 1:07:57
  Speaker 2: Death of a Mean Girl. And two I will keep
• 1:08:01
  Speaker 2: y'all posted on what network that is because they are
• 1:08:06
  Speaker 2: I don't know. I think that might be Netflix or
• 1:08:07
  Speaker 2: HBO or something. Getting that part together, yes, and uh,
• 1:08:12
  Speaker 2: and then I just did another film. So but as
• 1:08:16
  Speaker 2: far as like the networks and stuff, I can't say
• 1:08:18
  Speaker 2: at this very moment for either one. But yeah, movies
• 1:08:21
  Speaker 2: and getting ready to drop a project. I'm working on
• 1:08:24
  Speaker 2: my music right now. My manager is in there. We're
• 1:08:27
  Speaker 2: like leaving from here to go to the studio because
• 1:08:29
  Speaker 2: we got to put everything in its order and let's go.
• 1:08:33
  Speaker 1: You're doing so good. And one thing I love about
• 1:08:35
  Speaker 1: you you you you be off the way, out the way,
• 1:08:39
  Speaker 1: you know, no like you listen when when love and
• 1:08:42
  Speaker 1: Hip hop Hollywood was over, you weren't trying to be everywhere,
• 1:08:48
  Speaker 1: you know, And I think there's that says a lot
• 1:08:51
  Speaker 1: about you.
• 1:08:52
  Speaker 2: No, I appreciate that because that's been like the word
• 1:08:55
  Speaker 2: I've been hearing. They were like, yo lyric and you
• 1:08:57
  Speaker 2: know what, shout out to people who lyric aricas. Because
• 1:09:01
  Speaker 2: people were in the comments on that drama Tippy Soma.
• 1:09:04
  Speaker 2: I did see a lot of comments because I was
• 1:09:05
  Speaker 2: reading them situation. I was scrolling because I was like,
• 1:09:09
  Speaker 2: wait a minute, and a lot of people were saying that,
• 1:09:13
  Speaker 2: like you be out the way, and I do. I'm
• 1:09:14
  Speaker 2: mind my business. I go pick my son up for school.
• 1:09:16
  Speaker 2: I'd be at home cooking, doing my little TikTok's chilling
• 1:09:20
  Speaker 2: like I am a very like shoot and I will
• 1:09:23
  Speaker 2: hang out by myself. But I have my friends, of course,
• 1:09:25
  Speaker 2: but I don't be like I don't bother nobody. I'll
• 1:09:27
  Speaker 2: be chilling, but you come bothering me, like I will
• 1:09:29
  Speaker 2: give it back to you.
• 1:09:31
  Speaker 1: Oh we no, babe, we've seen it. We saw the receipts. Okay,
• 1:09:38
  Speaker 1: so y'all give it up for Larica. Thank you, babe,
• 1:09:44
  Speaker 1: thank you for having Reality with the King is executive
• 1:09:53
  Speaker 1: produced by me Carlos King, produced by Lizzie Nimitz, and
• 1:09:57
  Speaker 1: a partnership with the Lack of Effect Network. You can
• 1:10:01
  Speaker 1: also find us on my YouTube channel at b Carlos
• 1:10:04
  Speaker 1: King Underscore