Latest / Midnight Movie Theatre / Scream 3 Soundtrack Deep Dive | Rob Zombification

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Scream 3 Soundtrack Deep Dive | Rob Zombification · Midnight Movie Theatre

• 0:19
  Speaker 1: Are you gonna are you gonna hit to Screed rip
• 0:21
  Speaker 1: or what?
• 0:22
  Speaker 2: I didn't want to something like that. That's it, And.
• 0:32
  Speaker 1: Then you gotta not start playing Paint of Black if
• 0:34
  Speaker 1: you took the Creed song off the beginning and end
• 0:38
  Speaker 1: of this soundtrack. Yeah, I don't think I could tell
• 0:41
  Speaker 1: you the difference whether it was a Scream movie soundtrack
• 0:46
  Speaker 1: or a UFC soundtrack, or a m X versus a
• 0:49
  Speaker 1: TV Offer of Fury soundtrack.
• 0:51
  Speaker 3: It's just, oh, there's one quite yes, there's one song
• 0:58
  Speaker 3: on here in particular. Have it written down on my
• 1:01
  Speaker 3: notes and we'll get to it. I'll just get we'll
• 1:02
  Speaker 3: go through the whole track list. But I sure like
• 1:06
  Speaker 3: this has to be like this had to have been
• 1:08
  Speaker 3: used as the UFC theme song at one point in time,
• 1:12
  Speaker 3: like it, Like, I don't.
• 1:15
  Speaker 1: I think I could probably name five songs and probably
• 1:19
  Speaker 1: still not name the one that you're.
• 1:21
  Speaker 4: You're talking about.
• 1:23
  Speaker 3: That's why we're gonna have to go the notes, because
• 1:25
  Speaker 3: I honestly couldn't tell you off the top of my head.
• 1:27
  Speaker 3: I didn't look ahead, and I didn't see that that
• 1:29
  Speaker 3: that it ended with a Creed song as well. So
• 1:31
  Speaker 3: once it got to the end, I was like, whoa,
• 1:33
  Speaker 3: what like two Creed tracks? You gotta be fucking c
• 1:37
  Speaker 3: Is this the end it? I mean it is apparently Yeah,
• 1:42
  Speaker 3: it's a.
• 1:44
  Speaker 4: Well, yes, I guess we'll get to it.
• 1:46
  Speaker 2: Yeah, that's true. We have some thoughts on that one. Yeah,
• 1:51
  Speaker 2: I did too. I did too.
• 1:52
  Speaker 3: There was there's an overall vibe to this soundtrack that
• 1:56
  Speaker 3: I'll have to bring up at some point, like I
• 1:59
  Speaker 3: feel like bringing up all right. Yeah, there's some recognizable
• 2:03
  Speaker 3: groups on here, but like the songs they chose are
• 2:07
  Speaker 3: like the deep cuts, Like what was that?
• 2:09
  Speaker 2: Absolutely no, I just yeah.
• 2:12
  Speaker 1: At first glance, it was like, is this a fucking
• 2:15
  Speaker 1: oz Fest two thousand sampler?
• 2:17
  Speaker 2: Yes?
• 2:18
  Speaker 4: Like it.
• 2:20
  Speaker 2: There's a very so something I noticed?
• 2:23
  Speaker 1: Is there some very drastic I don't want to say
• 2:27
  Speaker 1: theme changes, but like so it starts off with cool,
• 2:32
  Speaker 1: cool with it. I mean we can't deny that Mark
• 2:36
  Speaker 1: Tremonti is one of the kings of chord progressions. There's
• 2:39
  Speaker 1: no the like it's just a dramatic chord progression and
• 2:44
  Speaker 1: fucking Scott stap whale and it's it's at thirty six.
• 2:47
  Speaker 1: We can be honest with ourselves and say it's it's
• 2:51
  Speaker 1: kind of fucking rules.
• 2:52
  Speaker 3: Yeah yeah at this point, like I I, you know,
• 2:56
  Speaker 3: I'm made out of human clay at this point in
• 2:59
  Speaker 3: my life.
• 3:00
  Speaker 2: Is a way I like to think about it.
• 3:02
  Speaker 4: That album absolutely rules.
• 3:04
  Speaker 3: Oh yeah, yeah, I know when you talk to Brock
• 3:08
  Speaker 3: his sister had a human clay. I think it was
• 3:10
  Speaker 3: a human clay hoodie or it was the one where
• 3:12
  Speaker 3: they're in the tree. They're like cgied into the tree.
• 3:16
  Speaker 3: Yeah yeah, I don't I doubt he still has it,
• 3:19
  Speaker 3: but I know at one point he did, and it
• 3:21
  Speaker 3: fucking rules.
• 3:25
  Speaker 2: Yeah.
• 3:25
  Speaker 3: I don't know.
• 3:25
  Speaker 2: I didn't learn a ton of Creed riffs.
• 3:27
  Speaker 3: I pretty much just learned the beginning of what If,
• 3:30
  Speaker 3: and then I kind of like jammed along to the
• 3:32
  Speaker 3: main like the or whatever that like main riff is.
• 3:39
  Speaker 3: Did you happen to watch the video for what If?
• 3:44
  Speaker 2: Fuck?
• 3:45
  Speaker 1: Yeah, it's like linked on Spotify.
• 3:48
  Speaker 3: Yeah, okay, that's what I saw too. I just a
• 3:51
  Speaker 3: clip of that pulling off the screen mast all time.
• 3:55
  Speaker 1: I was like, yes, that's all iagine if that was
• 4:00
  Speaker 1: actually just the whole music video, like like it was
• 4:04
  Speaker 1: just it's Sting pulling off the Sting mask.
• 4:08
  Speaker 4: But it's just Scott stab every time.
• 4:13
  Speaker 1: It's it's sting, and then it's scream, and then it's sting,
• 4:18
  Speaker 1: and then it's Scott's stab.
• 4:19
  Speaker 3: It's back to scream. Yeah, he's just like scared. He
• 4:27
  Speaker 3: just keeps scaring that lady over and over again. She's
• 4:29
  Speaker 3: like see his ghost face and fucking jumps back and
• 4:32
  Speaker 3: then he pulls off and he's like, just kidd, bitch,
• 4:34
  Speaker 3: just got stab.
• 4:38
  Speaker 2: What'd you expect? Do you expect you're gonna get murders?
• 4:42
  Speaker 2: You think they kill you, bitch? And they can fucking
• 4:44
  Speaker 2: Mark Tremani's gonna come around the corner.
• 4:50
  Speaker 3: Yeah, no, get him out of here. He needs to
• 4:52
  Speaker 3: go to Altar Bridge. I'm gonna go b b be
• 4:56
  Speaker 3: almost for a while.
• 5:02
  Speaker 1: I feel so bad because he was so oblivious, like
• 5:04
  Speaker 1: when he started to become relevant again and like people
• 5:07
  Speaker 1: were like, I feel like his neighbors, what was it
• 5:10
  Speaker 1: Like there were some kids that were neighbors when him
• 5:12
  Speaker 1: or something.
• 5:13
  Speaker 2: And they're like, dude, it's the fucking guy from Creed.
• 5:16
  Speaker 1: He's just can't help but feel bad, I know, second
• 5:24
  Speaker 1: hand embarrassment to the ma.
• 5:27
  Speaker 2: He's totally come back now, like.
• 5:29
  Speaker 4: They're all the way, they're all the way back.
• 5:32
  Speaker 3: Yeah, I was I was really happy to see that, honestly,
• 5:35
  Speaker 3: because like I was a little bummed to see how
• 5:37
  Speaker 3: shitty he was getting it, and I was like, dude,
• 5:39
  Speaker 3: he's not gonna make it, is he, you know? And
• 5:43
  Speaker 3: then he came all the way back and it did
• 5:45
  Speaker 3: bring me. It brought tears to my eyes. To quote the.
• 5:48
  Speaker 2: Man himself, his sacrifice for real. Uh.
• 5:55
  Speaker 3: I don't know if they could start this thing off
• 5:57
  Speaker 3: any better with that little fingerpick lick there and then
• 6:00
  Speaker 3: kicking into the ass five minute long Creed song, Like
• 6:04
  Speaker 3: It's a great way to start off the soundtrack guys,
• 6:06
  Speaker 3: for sure.
• 6:07
  Speaker 1: Absolutely, Yeah, I did hard hard to talk. Yeah, And honestly,
• 6:12
  Speaker 1: it's the first song on Human Play too, isn't.
• 6:15
  Speaker 3: It, Oh, ship, it might be. I haven't listened to
• 6:18
  Speaker 3: Human Play in a while. I'll have to act on
• 6:21
  Speaker 3: my fucking daily rotation. Now that I'm back into Creed's.
• 6:28
  Speaker 2: Let the people know, screaming.
• 6:29
  Speaker 4: From the rooftops. We're back in, guys.
• 6:31
  Speaker 2: Creed's back, guys. I mean, have you guys seen Scream three?
• 6:35
  Speaker 3: Yeah, I mean, Creed has been a part of the
• 6:40
  Speaker 3: Scream franchise since the beginning too, because she's got the
• 6:42
  Speaker 3: Creed poster and Scream one in her Bedroom, Oh.
• 6:46
  Speaker 1: Yeah, yeah, and it's in the remake of her Bedroom
• 6:50
  Speaker 1: and Scream three and.
• 6:51
  Speaker 3: Three, yeah yeah, And I don't know. I didn't do
• 6:54
  Speaker 3: any other research, like of the other Scream soundtracks. I
• 6:57
  Speaker 3: just assumed Creed's on all of them, and I'm not.
• 7:00
  Speaker 4: I don't know why they wouldn't be.
• 7:02
  Speaker 3: Yeah, I'm gonna be kind of pissed off if we keep,
• 7:04
  Speaker 3: you know, doing this and we get to like Scream
• 7:07
  Speaker 3: five and six and seven and we realize that creezing
• 7:09
  Speaker 3: out on those soundtracks.
• 7:11
  Speaker 2: We get four and.
• 7:14
  Speaker 3: Four might still have it, but that that might be
• 7:18
  Speaker 3: where it ends, though honestly, I don't know. That's a
• 7:22
  Speaker 3: bit maybe they knew, maybe they had a three movie
• 7:25
  Speaker 3: contract and they weren't sure if they were going to resign,
• 7:29
  Speaker 3: And that's that's a little foreshadowing with the last track.
• 7:32
  Speaker 2: That might be. It might be for us, my friend,
• 7:39
  Speaker 2: it might be dude. Maybe we'll do screens dude.
• 7:43
  Speaker 3: Yeah, whatever, Let's do Scream four next and see how
• 7:47
  Speaker 3: different Scream three and Scream four are as far as
• 7:49
  Speaker 3: the soundtracks go.
• 7:50
  Speaker 2: I think that's the move.
• 7:51
  Speaker 1: Oh my god, Well, what was it like? Four the
• 7:55
  Speaker 1: two thousand and four or five for Scream four.
• 7:59
  Speaker 3: I think it's ten years, Like, oh really, yeah, let
• 8:03
  Speaker 3: me do it. I got Wikipedia pulled up on the
• 8:05
  Speaker 3: back burner.
• 8:06
  Speaker 1: Yeah, they hadn't circled back to my besk of being
• 8:10
  Speaker 1: cool again yet ten years later.
• 8:13
  Speaker 3: It might not be Yeah, it might not be new
• 8:15
  Speaker 3: metal at all. It's twenty eleven. God damn, like an
• 8:21
  Speaker 3: ironic creed.
• 8:23
  Speaker 2: I know. Come, that's a bad year.
• 8:26
  Speaker 3: Well, you know alter Bridge. They might have alter Bridge
• 8:30
  Speaker 3: on there. I'm trying to think twenty eleven. I mean,
• 8:35
  Speaker 3: I don't know. We're gonna have to look into that next,
• 8:37
  Speaker 3: but we probably let's focus up because no track two.
• 8:42
  Speaker 3: We're just on track too. It's it's been half an hour.
• 8:47
  Speaker 4: I get the girls up at so.
• 8:50
  Speaker 3: Okay, we got all night, no no rush that the
• 8:58
  Speaker 3: switch up track two. They just in with it. Fucking dude.
• 9:03
  Speaker 2: It is.
• 9:03
  Speaker 1: But it's like, man, I don't even have a good
• 9:07
  Speaker 1: metaphor here, but like going just straight from one punch
• 9:12
  Speaker 1: to another punch. But it's like getting hit with a
• 9:14
  Speaker 1: wooden bat and then getting hit with a metal bat
• 9:17
  Speaker 1: straight in your fucking.
• 9:18
  Speaker 2: Keg straight to it, dude.
• 9:20
  Speaker 3: It is wait and bleed by slip Knot. I think
• 9:23
  Speaker 3: I first heard this song from one of those dragon
• 9:27
  Speaker 3: ball z like hyper edits. You know, did you ever
• 9:29
  Speaker 3: watch those back in the day, like the probably the
• 9:32
  Speaker 3: early two thousands, late nineties.
• 9:34
  Speaker 1: I don't think on purpose, but I know what you're
• 9:36
  Speaker 1: talking about.
• 9:37
  Speaker 3: Yeah, it would just be like some fucking fight scene,
• 9:39
  Speaker 3: like sped up like even faster. Yeah, and then they'd
• 9:42
  Speaker 3: always be like there was slip Knot. AFX Twin was
• 9:46
  Speaker 3: another one that I heard from those, and that got Prodigy. Yeah,
• 9:51
  Speaker 3: there was a the fire Starter song was always on there,
• 9:54
  Speaker 3: and then there was also the Lincoln Park and that,
• 9:58
  Speaker 3: you know, that was like the first time I think
• 9:59
  Speaker 3: I heard Lincoln Park two was from those dragons for real. Yeah, yeah,
• 10:04
  Speaker 3: I think so. I wasn't a big Lincoln.
• 10:06
  Speaker 1: The first time I heard Making Park with on like
• 10:08
  Speaker 1: fucking now too oh or something like that, probably like yeah, yeah,
• 10:15
  Speaker 1: a lot of music I didn't hear, like cool ways
• 10:19
  Speaker 1: like I heard, you know what I mean, Like I
• 10:23
  Speaker 1: heard Death Zones on like like tr L you know
• 10:27
  Speaker 1: what I mean.
• 10:28
  Speaker 2: Oh yeah, well TRL was pretty cool.
• 10:30
  Speaker 3: I've got some I've got some VHS's over here from
• 10:33
  Speaker 3: when we were kids. We used to record the TRLS.
• 10:36
  Speaker 3: You know that's awesome. I still haven't. There's one that's
• 10:40
  Speaker 3: just labeled music videos. It's probably like six hours of TRL.
• 10:44
  Speaker 3: I need a Yeah, I gotta check it. I'm sure
• 10:47
  Speaker 3: there's like the real Slim Shadies on there. Definitely break stuff,
• 10:52
  Speaker 3: probably SR seventy one.
• 10:54
  Speaker 2: I don't know. Oh song song dude, that was a
• 11:01
  Speaker 2: NonStop kept that thing on.
• 11:03
  Speaker 1: Remember song, dude, I swear to God too. I remember
• 11:07
  Speaker 1: they had Cisco on. Uh, they were doing like spring
• 11:09
  Speaker 1: Break one year and he said he ran some promo
• 11:13
  Speaker 1: on the show and said, when you can see the
• 11:15
  Speaker 1: dong all sum alone, alone alone, my dude, Hell yeah, Cisco,
• 11:22
  Speaker 1: We're gonna fucking tune in.
• 11:23
  Speaker 3: Bro, We're ready, Cisco, you're getting the song and started for.
• 11:27
  Speaker 1: Us summer smash Bro.
• 11:31
  Speaker 2: Dude, well fucking ruled.
• 11:34
  Speaker 1: Okay, Well, I'm gonna skip ahead a little bit actually
• 11:36
  Speaker 1: because uh, there's a song closer to the end by
• 11:39
  Speaker 1: the band Orgy. Okay, they had a I can't remember
• 11:46
  Speaker 1: what I didn't have it written down.
• 11:48
  Speaker 2: I got it.
• 11:48
  Speaker 4: I apologize.
• 11:50
  Speaker 3: It's okay, it's okay, I got you covered. It's number fifteen.
• 11:53
  Speaker 3: The song is called Dissension.
• 11:56
  Speaker 4: Hell yeah.
• 11:57
  Speaker 1: So they when they first came out, they had a
• 12:00
  Speaker 1: they covered. I don't know if you can look and
• 12:04
  Speaker 1: see what they there. It was a cover of like
• 12:07
  Speaker 1: an eighties song thank You. Okay, yeah, so that I
• 12:12
  Speaker 1: heard that song on MTV and they were like, oh,
• 12:17
  Speaker 1: you know our band name, it's not you know, sexually oriented,
• 12:20
  Speaker 1: it's not anything like that. So I asked my grandparents.
• 12:23
  Speaker 1: So this probably would have been ninety eight, ninety nine.
• 12:26
  Speaker 1: I was born, you know, in eighty nine, so I'm
• 12:28
  Speaker 1: nine ten years old. I said, what's an orgy? And
• 12:31
  Speaker 1: I just remember my grandma. I put her fucking half
• 12:34
  Speaker 1: face in her hand and like, my grandpa just started laughing.
• 12:38
  Speaker 1: They didn't tell me, but of course not I knew
• 12:41
  Speaker 1: that those fucking weird European dudes lied when they said
• 12:44
  Speaker 1: it was sexual.
• 12:46
  Speaker 2: Yeah, they're fucking they got I.
• 12:48
  Speaker 1: Don't know if those dudes are European, but they feel
• 12:51
  Speaker 1: senior European.
• 12:52
  Speaker 2: Yeah, yeah, for sure. They had like silver lipstick on
• 12:55
  Speaker 2: and shit.
• 12:56
  Speaker 3: I was like, oh, yeah, dude, these guys are like
• 12:59
  Speaker 3: they looked like yeah, they looked like diet yeah yeah,
• 13:05
  Speaker 3: tight ass fucking like latex pants and shit.
• 13:08
  Speaker 4: They were all extras on Triple X.
• 13:11
  Speaker 3: I think, yeah, that Orgy song on this album, this
• 13:15
  Speaker 3: one that I liked.
• 13:16
  Speaker 2: I I enjoyed it quite a bit, actually, Like, yeah, No.
• 13:22
  Speaker 1: There wasn't anything that I genuinely just disliked on here.
• 13:25
  Speaker 3: Okay, there's a couple that I think I didn't like,
• 13:27
  Speaker 3: but we'll say, I'll let.
• 13:29
  Speaker 2: You know what I put it.
• 13:32
  Speaker 3: There's a couple, and honestly, there were good things to
• 13:35
  Speaker 3: take away though from even some of the ones that
• 13:37
  Speaker 3: I was like, I probably wouldn't never listened to this
• 13:38
  Speaker 3: song again. There was still like some pretty good ship
• 13:41
  Speaker 3: in there. And for sure it might have been that,
• 13:44
  Speaker 3: like the eighteen tracks were kind of getting to me,
• 13:47
  Speaker 3: you know it lot. It was a long I listened
• 13:52
  Speaker 3: to the album probably like three times, and by then,
• 13:55
  Speaker 3: once it got to Orgy again, I was.
• 13:57
  Speaker 2: Like, okay, I'm back in you know.
• 13:59
  Speaker 1: I like this.
• 13:59
  Speaker 2: Yeah, I'm back into Screen three soundtrack. We're back all
• 14:05
  Speaker 2: the way.
• 14:05
  Speaker 3: So what do you think of track three, Suffocate by
• 14:08
  Speaker 3: Finger eleven.
• 14:13
  Speaker 2: Yeah, I'm drawing a blank on that one. I'll see
• 14:16
  Speaker 2: if I can listen to a second of it and
• 14:17
  Speaker 2: I'll describe it to you. It fucking sucks. I'll take
• 14:20
  Speaker 2: that much.
• 14:22
  Speaker 3: This is one that I got it playing in my
• 14:24
  Speaker 3: headphones right now.
• 14:29
  Speaker 2: Oh yeah, this sucks.
• 14:31
  Speaker 3: Sucks, dude, this is a bad one.
• 14:38
  Speaker 2: See, this is one that like, this is.
• 14:43
  Speaker 3: This is definitely one of my least favorite songs on
• 14:46
  Speaker 3: this soundtrack for sure. You know what Finger eleven they
• 14:50
  Speaker 3: had that song that's like, is that the band that
• 14:54
  Speaker 3: has a song about like what do.
• 14:57
  Speaker 2: Yeah? I think so like the what do I have
• 15:01
  Speaker 2: to do to get inside of you? Chorus?
• 15:03
  Speaker 3: Yeah, that's that's yeah, that's why. Yeah, it sounds like
• 15:12
  Speaker 3: it was written in eighth grade, like if you were
• 15:14
  Speaker 3: pissed off at your parents and just like waiting in
• 15:16
  Speaker 3: your room and you're like fuck my mom and fuck
• 15:19
  Speaker 3: my dad and then you like just started jamming out
• 15:21
  Speaker 3: and dropp D. Actually, this one I think is probably
• 15:24
  Speaker 3: in C or some ship, Like it's a little lower
• 15:27
  Speaker 3: than D. I was trying to like play through like
• 15:31
  Speaker 3: my ear to some of these songs, and it was
• 15:33
  Speaker 3: really it gave me a heads up to what's going
• 15:36
  Speaker 3: on on this soundtrack, Like I figured, like these are
• 15:38
  Speaker 3: going to be like this is gonna be drop D
• 15:40
  Speaker 3: City on this album.
• 15:41
  Speaker 1: This one was very UFC soundtrack.
• 15:44
  Speaker 2: Yes, especially.
• 15:48
  Speaker 3: Yeah, bro, I'm not cleaning room.
• 15:53
  Speaker 2: Fuck you, you can't tell me what to do. Yeah,
• 15:56
  Speaker 2: I can't remember how.
• 15:57
  Speaker 4: Yeah that is, that's the next line. That's the yeah,
• 16:00
  Speaker 4: you're right.
• 16:03
  Speaker 3: Yeah, Oh my god sucks.
• 16:09
  Speaker 1: Hats okay, well, let me let me go back if
• 16:15
  Speaker 1: I'm saying I didn't hate any No, I didn't hate
• 16:18
  Speaker 1: this song.
• 16:18
  Speaker 3: Yeah, I don't like it, Like I would never listen
• 16:22
  Speaker 3: to this out of like on my own free will,
• 16:24
  Speaker 3: I mean whatever, but.
• 16:26
  Speaker 1: Right, like well, I mean we both did several times
• 16:29
  Speaker 1: over the.
• 16:30
  Speaker 2: Last couple of weeks, but it felt you know.
• 16:33
  Speaker 3: But but but no, yeah that I want to put
• 16:37
  Speaker 3: it on a playlist, you know. And that's kind of
• 16:39
  Speaker 3: what I was saying at the beginning, like Finger eleven
• 16:42
  Speaker 3: has that one song, but this is like gotta be
• 16:45
  Speaker 3: a B side or a C side for Finger eleven. Right,
• 16:48
  Speaker 3: they put this song.
• 16:49
  Speaker 1: I don't know how what goes into that process, Like
• 16:53
  Speaker 1: maybe they said, yeah, we got I mean, do you
• 16:55
  Speaker 1: have to? I have no clue how to process of
• 16:58
  Speaker 1: the soundtrack works, like to pay royalties to have this
• 17:02
  Speaker 1: do they?
• 17:03
  Speaker 2: Here's a question, how did.
• 17:06
  Speaker 1: The banger red right and not end up on every soundtrack?
• 17:10
  Speaker 4: It's not on this one. I didn't see.
• 17:12
  Speaker 3: That's a really good question, because that should be on
• 17:16
  Speaker 3: every Scream soundtrack, even if it's like a cover version
• 17:19
  Speaker 3: of it or something or like Renix, like they need
• 17:21
  Speaker 3: to have it on there. I you know, just about
• 17:25
  Speaker 3: soundtracks in general, I don't think they had it figured
• 17:29
  Speaker 3: out yet. Like the soundtracks nowadays, I feel like they're
• 17:32
  Speaker 3: almost like a Greatest Hits type of thing, like ever since,
• 17:36
  Speaker 3: like Guardian Gay, I feel like they figured out just
• 17:40
  Speaker 3: get fucking bangers on there that people like, maybe some
• 17:44
  Speaker 3: like bangers like hidden bangers from the seventies and shit
• 17:48
  Speaker 3: that people are gonna like enjoy listening to.
• 17:51
  Speaker 1: I also feel like at the time too, though, like
• 17:55
  Speaker 1: soundtracks were kind of more relevant and they were using
• 17:57
  Speaker 1: like whatever, like they had this, you know, cool band
• 18:01
  Speaker 1: that's relevant, whatever hot song they had.
• 18:04
  Speaker 2: At the moment. That's what went on.
• 18:07
  Speaker 1: It was a different, Like I said, I don't know
• 18:10
  Speaker 1: the I.
• 18:13
  Speaker 3: See a lot of people say like, oh, yeah, I
• 18:15
  Speaker 3: had all the Scream soundtracks on CD or at least
• 18:17
  Speaker 3: like one through three, And I'm like, you know, that
• 18:19
  Speaker 3: makes sense because I guess streaming kind of ruined movie
• 18:23
  Speaker 3: soundtracks for that.
• 18:25
  Speaker 2: You know what I mean? As far as that goes.
• 18:27
  Speaker 1: Yeah, well, in like some some soundtracks, you can't even
• 18:31
  Speaker 1: you have to like find people that like have nested
• 18:34
  Speaker 1: playlists on Spotify, because what's there. I was just looking
• 18:38
  Speaker 1: for one, uh, the Last Kiss, the Zach Bract movie.
• 18:42
  Speaker 1: The soundtrack is not on Spotify. You have to like
• 18:45
  Speaker 1: somebody weird cut, weird reference, but like somebody has made
• 18:50
  Speaker 1: a playlist on Spotify of that soundtrack.
• 18:53
  Speaker 2: And yeah, oh yeah, I have seen that. I can't.
• 18:56
  Speaker 3: There was a Stephen King has a cool soundtrack. Oh okay,
• 19:00
  Speaker 3: I'll look it up. For some reason, I was thinking
• 19:02
  Speaker 3: Zach Efron Last Cass and I was thinking of like him.
• 19:05
  Speaker 4: I wish dude.
• 19:06
  Speaker 3: I was thinking like him in a basketball jersey and
• 19:08
  Speaker 3: fucking singing and ship. I thought better.
• 19:13
  Speaker 1: Think about that though, Well that's probably cooler, that's probably cooler.
• 19:18
  Speaker 3: Yeah, my brain just wasn't hitting right there. It wasn't
• 19:21
  Speaker 3: firing right or Zach Zach, and I just immediately went
• 19:25
  Speaker 3: to Fron. But yeah, I have seen that with like
• 19:28
  Speaker 3: I think it was The Stand or something. It was
• 19:30
  Speaker 3: like a Stephen King movie I watched recently, and I
• 19:32
  Speaker 3: was looking up the soundtrack and it was all pieced together.
• 19:37
  Speaker 3: Like that, and I was like, what the fuck is
• 19:38
  Speaker 3: going on here? Why isn't somebody what isn't somebody from
• 19:41
  Speaker 3: Spotify just figure it out and put the real soundtrack
• 19:44
  Speaker 3: on so I don't have to do.
• 19:45
  Speaker 1: This, right, They fired that guy to Pagro Rogan, that's true, bro.
• 19:53
  Speaker 1: So after Finger eleven though, yeah, then we get that
• 19:57
  Speaker 1: we got the heat back on me.
• 19:58
  Speaker 4: I know.
• 19:59
  Speaker 2: That's the thing.
• 20:00
  Speaker 3: It always brings you back, That's what I'm saying. I
• 20:03
  Speaker 3: think they did that on purpose. I think they knew
• 20:05
  Speaker 3: that Finger eleven sucks. They're like, we'll put it between
• 20:08
  Speaker 3: Wait and Bleed and System of a Down. People forget
• 20:13
  Speaker 3: all about that ship man.
• 20:15
  Speaker 2: Sometimes sometimes System of a.
• 20:17
  Speaker 1: Down gets a little bit in the leads and it's
• 20:19
  Speaker 1: fucking weird and sucks.
• 20:21
  Speaker 2: Yeah, and then sometimes System of a Down' fucking rips dude.
• 20:25
  Speaker 3: Yeah, like when I I hadn't listened to the System
• 20:28
  Speaker 3: of It Down in a while at least, Like there's
• 20:30
  Speaker 3: a couple of System of a Down songs on purpose.
• 20:33
  Speaker 2: Yeah.
• 20:34
  Speaker 3: Yeah. I like Marmalade and it's an older song. I
• 20:37
  Speaker 3: think it's on the same CD as Spiders, and then
• 20:42
  Speaker 3: uh see, I would almost like this CD better than
• 20:45
  Speaker 3: Toxicity if they took Shimmy off of Toxicity and put
• 20:49
  Speaker 3: it on the self titled CD.
• 20:51
  Speaker 1: Because see, I was that's that's a little deeper than
• 20:55
  Speaker 1: I ever went. I got into him and like listened
• 20:57
  Speaker 1: to what was the double I hypnotize and melt your eyes?
• 21:01
  Speaker 2: Yeah, hypnotize them.
• 21:02
  Speaker 1: And then I mean, I know a handful of older songs,
• 21:04
  Speaker 1: but like that was my bread and butter system of
• 21:07
  Speaker 1: a down and you didn't get into some weird shit
• 21:10
  Speaker 1: on that one. And I mean I knew like the singles, like,
• 21:15
  Speaker 1: but I never I never did any sort of deep.
• 21:18
  Speaker 4: Dives on that.
• 21:20
  Speaker 2: Yeah, I can't.
• 21:20
  Speaker 3: I think it was one of those bands that my
• 21:22
  Speaker 3: older brother listened to and like I heard Sugar and
• 21:25
  Speaker 3: I was like, dude, Sugar, Sugar fucking Sugar is I
• 21:29
  Speaker 3: think I think Sugar's on this album too. Yeah, they're
• 21:33
  Speaker 3: old stuff is like kind of it's.
• 21:34
  Speaker 4: The one with like with the hand, isn't it.
• 21:36
  Speaker 2: Yeah that's what this CD is. Yeah.
• 21:38
  Speaker 3: Yeah, So that's like their self titled album and it's
• 21:40
  Speaker 3: it's got some bangers on there. The song Cuba is
• 21:43
  Speaker 3: really good on there. It's good, it's really cool, like
• 21:48
  Speaker 3: it's a short song I kind of like their shorter
• 21:50
  Speaker 3: songs better, and yeah, it's like kind of a shorter,
• 21:54
  Speaker 3: faster song or whatever. I don't know, they've got some
• 21:56
  Speaker 3: cool ship on their older CDs. I did like Mesmeriz
• 22:01
  Speaker 3: and Hypnotized too. I thought there were some good tracks
• 22:03
  Speaker 3: on those. Yeah, for sure.
• 22:05
  Speaker 1: I kind of fell off then they what did they
• 22:09
  Speaker 1: do after they got much more political? Yeah?
• 22:14
  Speaker 3: Yeah, they're like very I mean, I think they've always been,
• 22:17
  Speaker 3: but it's been more like it was.
• 22:21
  Speaker 4: Yeah, it was.
• 22:22
  Speaker 2: It was more like you have to read the lyrics
• 22:23
  Speaker 2: and be like, okay, pie, is that what it is? Yeah?
• 22:31
  Speaker 2: I think so so.
• 22:36
  Speaker 3: Yeah, because they're like Armenian and I know a lot
• 22:39
  Speaker 3: of their stuff is about like the whatever's going on
• 22:41
  Speaker 3: politically there. So I didn't really pick up on it
• 22:45
  Speaker 3: until I started, Like I listened to an interview with
• 22:47
  Speaker 3: Surge tank in one time, and that like made me
• 22:50
  Speaker 3: realize what their band was and what it was about.
• 22:53
  Speaker 3: And I was kind of like, Okay, I just thought
• 22:54
  Speaker 3: you guys were like fucking dumb or something like nonsense
• 22:59
  Speaker 3: all the time.
• 23:02
  Speaker 1: But you know, I just thought you guys were fucking
• 23:04
  Speaker 1: weirdos like checks out.
• 23:07
  Speaker 3: I guess just like spray painting yourself silver and just
• 23:11
  Speaker 3: saying like, you know, fucking goofy ship.
• 23:15
  Speaker 1: All yeah, I love they come out and yeah. It
• 23:22
  Speaker 1: was sometimes they missed, sometimes.
• 23:25
  Speaker 3: They hit yeah, and honestly they're right up my alley.
• 23:29
  Speaker 3: It was probably one of the first bands where I
• 23:31
  Speaker 3: was like, hell, yeah, this is fucking heavy.
• 23:32
  Speaker 2: And then and then I was like, learned Sugar.
• 23:35
  Speaker 3: I'm gonna play all the songs now like Sugar because
• 23:39
  Speaker 3: dropped Deep rules.
• 23:41
  Speaker 2: It was either that or yeah, one or the other.
• 23:46
  Speaker 3: I can't remember. It's been too long. Number five is
• 23:50
  Speaker 3: fucking automatic by American Pearl. What what did you think
• 23:54
  Speaker 3: about this?
• 23:56
  Speaker 2: Sound? Like Chair caught me off like a white best,
• 24:04
  Speaker 2: like like Cherry going from Spyers, Like I.
• 24:08
  Speaker 1: Had this play and I know, like that's there are
• 24:12
  Speaker 1: some very dramatic shifts in the soubum. Like I had
• 24:15
  Speaker 1: this playing on a bluetooth speaker the other day doing dishes.
• 24:18
  Speaker 1: My wife came in and she's like, what the fuck
• 24:20
  Speaker 1: are you listening? Like bro, but don't be fucking rude.
• 24:28
  Speaker 3: Day my kids caught me listening to it, and I
• 24:31
  Speaker 3: think it was literally getting up on this song and
• 24:33
  Speaker 3: they're like, hey, turn it off.
• 24:35
  Speaker 1: I was like, yeah, hey, shut that.
• 24:40
  Speaker 2: Fucking noise down.
• 24:41
  Speaker 1: What are you doing?
• 24:42
  Speaker 2: This ship sucks? No, this like that, this fucking sucks.
• 24:48
  Speaker 2: Turn that ship off the.
• 24:50
  Speaker 3: Fucking yeah no ship, No, that is a book Cherry.
• 24:58
  Speaker 2: I wrote down this. At first, I thought it.
• 25:02
  Speaker 3: Was legitimately like a Metallica song from Fuel or from
• 25:07
  Speaker 3: Load or Reload that I had just never heard. Just
• 25:10
  Speaker 3: the way the guy's voice sounds, I was like, this
• 25:12
  Speaker 3: can't be Metallica, but then like it was. I was
• 25:16
  Speaker 3: still second guessing it until it got to the chorus,
• 25:19
  Speaker 3: and then I was like, no, no, this is.
• 25:23
  Speaker 1: This is it sounds like the bucking dude from Buck Cherry.
• 25:28
  Speaker 2: It does.
• 25:28
  Speaker 3: Yeah, now that you say that, that's spot on. Honestly,
• 25:31
  Speaker 3: if the Offspring wrote a song for Metallica, is what
• 25:35
  Speaker 3: like where my mind hit?
• 25:37
  Speaker 1: I was like spring like if they tagged in and
• 25:41
  Speaker 1: played the chorus, if it was like, yeah, like a
• 25:45
  Speaker 1: short hair Metallica intro and verse and then's Offspring.
• 25:55
  Speaker 2: From the sky.
• 25:56
  Speaker 3: The Offspring just lands, it just starts playing the fucking
• 26:00
  Speaker 3: style fu.
• 26:02
  Speaker 4: Yeah.
• 26:04
  Speaker 1: They got them on the Screen three soundtrack.
• 26:06
  Speaker 3: Though, that Yeah, good for them, American pro. I've never
• 26:09
  Speaker 3: heard another song by them either, do you know any
• 26:12
  Speaker 3: other songs first and last time?
• 26:15
  Speaker 1: This is actually the one of the only bands though
• 26:18
  Speaker 1: that I just add absolutely no clue about.
• 26:21
  Speaker 2: Yeah, no, same.
• 26:23
  Speaker 1: I would say almost every other song there was I
• 26:26
  Speaker 1: had at least some connection to another song of theirs.
• 26:30
  Speaker 3: Right, yeah, this might be their best song, though this
• 26:36
  Speaker 3: I don't even know. This could be the great track.
• 26:38
  Speaker 3: Six is by seven Dude, this is.
• 26:42
  Speaker 1: The one other another UFC soundtrack.
• 26:46
  Speaker 2: This is the one. This is the one that I
• 26:48
  Speaker 2: wrote it down.
• 26:48
  Speaker 3: I was like, this had to been the UFC theme
• 26:51
  Speaker 3: track at some point, like there's the one that I
• 26:55
  Speaker 3: always remember from whenever I first started watching UFC, like
• 26:59
  Speaker 3: when the Ultimate Fighter first one was kicking off, you know,
• 27:01
  Speaker 3: it's like the famam.
• 27:05
  Speaker 2: Oh yeah yeah, yeah yeah. I was like, dude, this
• 27:08
  Speaker 2: is a little different.
• 27:18
  Speaker 3: I don't know what that would be, what it would
• 27:23
  Speaker 3: be more any more, something like that for about five.
• 27:36
  Speaker 1: Minutes, just extreme extreme metal.
• 27:39
  Speaker 5: That was.
• 27:40
  Speaker 2: That was My Spider Too on insane mode.
• 27:44
  Speaker 6: Yeah, it was.
• 27:47
  Speaker 2: Let me get the Spider Too.
• 27:48
  Speaker 3: I was thinking about that My Spider Too earlier and
• 27:52
  Speaker 3: I was like, dude, thinking about my Spider Too. Was
• 27:55
  Speaker 3: having me Like in the shower, I was questioning whether
• 27:57
  Speaker 3: or not I might be like slightly autistic just because
• 28:01
  Speaker 3: of like how much I love that ant when I had.
• 28:03
  Speaker 1: It, thinking yeah, no, the starting a sentence with thinking
• 28:09
  Speaker 1: about my Spider too, was.
• 28:13
  Speaker 2: I like that, I like where you Yeah, I did it.
• 28:16
  Speaker 2: It's like I'm I brought it.
• 28:18
  Speaker 3: To school one time to play guitar and it was
• 28:21
  Speaker 3: fucking two twelve and I was just like lugging that
• 28:24
  Speaker 3: thing around and dude, it was like one of those
• 28:26
  Speaker 3: things where I was like, thinking back on it now,
• 28:28
  Speaker 3: if I had like any social cues at the time,
• 28:31
  Speaker 3: I would have just like played an acoustic guitar, but
• 28:35
  Speaker 3: I brought in like an easy one thousand and my
• 28:37
  Speaker 3: Spider too. I'm just I'm just like, do you guys
• 28:41
  Speaker 3: want to hear me play fucking Cannon and D by
• 28:44
  Speaker 3: Jerry c? Like, no one knows what the fucker do
• 28:51
  Speaker 3: I'm probably just like.
• 28:52
  Speaker 2: Butcher, do you know, fucking American idiot? What are you playing?
• 28:59
  Speaker 2: Fucking nerd?
• 29:02
  Speaker 3: It's like, no, this is the song I saw on YouTube.
• 29:05
  Speaker 3: I'm trying to learn it. I don't know the whole thing,
• 29:08
  Speaker 3: but I could play like half of it. So I
• 29:12
  Speaker 3: figured everybody.
• 29:13
  Speaker 1: Just like turns around and goes back to what they
• 29:15
  Speaker 1: were doing.
• 29:16
  Speaker 3: Like, Jesus Christ, what is that amp? Its fucking definitely
• 29:20
  Speaker 3: on insane. Yeah, the games just.
• 29:26
  Speaker 2: Break the novel off.
• 29:27
  Speaker 1: So it's only it's it's set only two insane.
• 29:30
  Speaker 2: It's got a screw. You've got a taste to stay
• 29:33
  Speaker 2: on in.
• 29:36
  Speaker 3: A block there. Yeah, you don't fucking touch the settings
• 29:40
  Speaker 3: this thing is.
• 29:41
  Speaker 1: You don't so so check it out. So here is
• 29:47
  Speaker 1: where a very strong shift begins.
• 29:50
  Speaker 2: In this album. Oh boy, so we go from the
• 29:55
  Speaker 2: first what six tracks? What do we have? One, two, three, four?
• 30:00
  Speaker 1: The first six we're talking good old, good old fashions,
• 30:05
  Speaker 1: late nineties, fucking butt rock.
• 30:09
  Speaker 4: Paul it what it is?
• 30:10
  Speaker 1: Yeah, and right here at the end of this song
• 30:14
  Speaker 1: we start the transition. I know I said there was
• 30:17
  Speaker 1: a hard shift, but this is actually where it begins. Yeah,
• 30:21
  Speaker 1: we start to fade into the rob zombie core bands.
• 30:25
  Speaker 2: Yeah and true I think about that. Yeah, oh my god,
• 30:34
  Speaker 2: it start. But what what is weird though, is how
• 30:37
  Speaker 2: they tease it.
• 30:38
  Speaker 1: Bro It starts with the fun fucking little that went
• 30:42
  Speaker 1: out in the little synth part.
• 30:44
  Speaker 2: You're like, okay, all right, and then what happens?
• 30:48
  Speaker 1: No, no, it's not a fucking rob zombie band. It's
• 30:53
  Speaker 1: your fucking boy on my butt rock Mount Rushmore.
• 30:56
  Speaker 4: It's all we fucking earn it.
• 30:57
  Speaker 2: Baby, solely with this un tattooed on his belly. And
• 31:03
  Speaker 2: he you know, what's the song? Time bombs.
• 31:10
  Speaker 1: And it's just it, honestly, and it's your garden variety
• 31:14
  Speaker 1: fucking god smack song too, bro, Like it's.
• 31:17
  Speaker 2: Just yep, not even that good. I was playing a
• 31:26
  Speaker 2: long time. It's just.
• 31:29
  Speaker 4: I think it's that, but just slower.
• 31:38
  Speaker 2: You as hell.
• 31:44
  Speaker 6: Dude.
• 31:44
  Speaker 1: He is, he's always he's that mad because he has
• 31:48
  Speaker 1: two eyebrow his bro.
• 31:51
  Speaker 3: This this album could be summed up by just like
• 31:54
  Speaker 3: getting your eyebrow pres like I swear to god, dude brow.
• 32:00
  Speaker 2: And then you get a fucking dash patch.
• 32:05
  Speaker 4: Winning now.
• 32:12
  Speaker 3: Yeah, it has the more human than human sound effect.
• 32:15
  Speaker 3: That's what was getting me. It's like that, yeah, and
• 32:20
  Speaker 3: I was like, Okay, what's this gonna be? I was
• 32:22
  Speaker 3: waiting for the bra and it's just him just fucking
• 32:27
  Speaker 3: kicking in with that bullshit.
• 32:29
  Speaker 2: But it's not. It's fucking sullier.
• 32:33
  Speaker 3: Yeah, just like God damn, shut the fuck. I don't know, man, dude.
• 32:44
  Speaker 3: That's the other thing, like why this god smack song?
• 32:47
  Speaker 3: Why not put fucking you know, moon Baby on there
• 32:51
  Speaker 3: at least or something because.
• 32:53
  Speaker 1: They had a they had a contract with MTV to
• 32:56
  Speaker 1: be on that Haunted House show and they had a
• 32:59
  Speaker 1: you know, a no compete clause. So they're like, listen, dude,
• 33:03
  Speaker 1: I guess you guys can have this song for your.
• 33:05
  Speaker 4: Fucking movie whatever. Dude, Like I told you.
• 33:09
  Speaker 3: You know, yeah, you definitely don't put me on from Sadday.
• 33:13
  Speaker 3: Yeah no, no, no, you do not put on there,
• 33:17
  Speaker 3: but we will sue you.
• 33:19
  Speaker 1: But so here, so Adrian, my boy. Here, here's where
• 33:24
  Speaker 1: we go full rob zombie. What with this fucking Could
• 33:27
  Speaker 1: Chambers song?
• 33:28
  Speaker 2: Oh yeah, Tyler's song track eight dude.
• 33:33
  Speaker 1: So this shit kicks in And at first I was
• 33:35
  Speaker 1: like this fucking nine inch nails. And as it goes on,
• 33:40
  Speaker 1: the more it played, I'm like, okay, this this sounds
• 33:42
  Speaker 1: familiar to me. I couldn't put my finger on it.
• 33:46
  Speaker 1: I did a quick google.
• 33:48
  Speaker 4: It was.
• 33:50
  Speaker 1: Not this song, but they had another song that was
• 33:53
  Speaker 1: on to Bride and Chuckie and it sounds just fucking
• 33:58
  Speaker 1: like this song. And that's where my brain went, No,
• 34:02
  Speaker 1: it's close, I mean.
• 34:04
  Speaker 3: Close this when this kicked in. I was like, oh,
• 34:08
  Speaker 3: this is like, this is the best corn riff I've
• 34:11
  Speaker 3: ever heard, you know. I was like, this is fucking hitting.
• 34:14
  Speaker 3: And then the vocals kind of fucking.
• 34:16
  Speaker 2: Took me out, and that sound like a corn rift.
• 34:20
  Speaker 1: The chorus is very fucking.
• 34:24
  Speaker 3: That's what I'm saying. The core the verses in the
• 34:27
  Speaker 3: chorus suck ass. I thought, like the first like thirty seconds,
• 34:30
  Speaker 3: I was like, damn, that's argue. This is Honestly, it
• 34:35
  Speaker 3: was really just the lyrics and the vocals, which I
• 34:37
  Speaker 3: know are a big part of the songs, but like it,
• 34:41
  Speaker 3: it didn't do ship for me. Yeah, he just kept
• 34:43
  Speaker 3: saying they don't give a damn, like over and over again.
• 34:46
  Speaker 3: And then I was like, hey, you don't get but
• 34:48
  Speaker 3: his voice is just like not great.
• 34:51
  Speaker 2: I don't know what.
• 34:52
  Speaker 3: I can't remember what he was talking about. He kept
• 34:53
  Speaker 3: talking about like God and stuff, like you know, he
• 34:56
  Speaker 3: was like saying something about like how God's not cool
• 34:59
  Speaker 3: and like they don't give a damn, and it just
• 35:02
  Speaker 3: wasn't really edgy.
• 35:03
  Speaker 2: Well, a lot of them.
• 35:04
  Speaker 1: I couldn't even place Psyche in the movie. I think
• 35:07
  Speaker 1: they just honestly though a lot of these, a lot
• 35:09
  Speaker 1: of the rob Zombie core bands, they have very.
• 35:14
  Speaker 2: Like usable for a scene songs you know that makes sense.
• 35:20
  Speaker 1: Yeah, like I could hear that these synthy parts in
• 35:24
  Speaker 1: the background with a fucking just a breakdown playing over
• 35:27
  Speaker 1: it while Yeah, somebody beat in shape the fucking house.
• 35:30
  Speaker 3: They definitely cut it before the vocals kicked in. They're like,
• 35:33
  Speaker 3: we don't want those fucking embarrassing sound. Yeah, in the
• 35:37
  Speaker 3: movie just gets the part with like the heavy riff.
• 35:40
  Speaker 2: We couldn't afford.
• 35:41
  Speaker 1: Rob Zombies, so and we want everybody to know, or
• 35:44
  Speaker 1: we don't want anybody to know.
• 35:45
  Speaker 2: Yeah, well they'll think it's rob they'll buy a CD
• 35:49
  Speaker 2: and they'll be like, I think it's this song, or
• 35:51
  Speaker 2: you know, they'll just get this soundtrack I guess. But yeah,
• 35:54
  Speaker 2: the the opening riff that I was like, damn, this
• 35:56
  Speaker 2: might be like a cool like fake corn band, like
• 35:58
  Speaker 2: Corn Junior song or something, you know, but it wasn't.
• 36:03
  Speaker 2: There was no Jonathan Davis.
• 36:05
  Speaker 3: Yeah, and then after this, I mean, you're you nailed
• 36:08
  Speaker 3: it with the rob Zombie Core because then we get
• 36:10
  Speaker 3: static ags so real and honestly, out of all the
• 36:14
  Speaker 3: rob Zombie Core songs, this one, maybe this or the
• 36:18
  Speaker 3: Orgy song might have.
• 36:19
  Speaker 4: Been like this one might Rob Zombie the rob Zombies.
• 36:22
  Speaker 2: Yeah, you're right about.
• 36:25
  Speaker 3: It's the most rob Zombie and the whole song so
• 36:28
  Speaker 3: like I was jamming along with it, you know, and
• 36:31
  Speaker 3: I don't think I was tuned down to see but
• 36:34
  Speaker 3: the whole song is just C and B over and
• 36:36
  Speaker 3: over again, and.
• 36:38
  Speaker 2: It's like the same words over and over again too.
• 36:41
  Speaker 3: If they're gonna do that, I like that they did
• 36:43
  Speaker 3: it the way that they did, you know what I mean.
• 36:45
  Speaker 3: I don't know if I'm saying that right, but like
• 36:47
  Speaker 3: the Cold Chamber song, I couldn't stand him repeating the
• 36:50
  Speaker 3: same thing over and over again. The Static X song,
• 36:53
  Speaker 3: it was a little bit more palatable because the whole.
• 36:56
  Speaker 7: Song is it just fit with that kind of music,
• 36:59
  Speaker 7: like yeah, vibe of I'm in a fucking warehouse when
• 37:04
  Speaker 7: it's fucking a light show going on and.
• 37:07
  Speaker 3: The blade sprinklers are gonna come out any second, sprayble
• 37:11
  Speaker 3: it all over me.
• 37:12
  Speaker 2: Yeah.
• 37:13
  Speaker 3: It was one of those where I was like, Okay,
• 37:16
  Speaker 3: I could I probably won't listen to this too often,
• 37:18
  Speaker 3: but when this feels like a song in a movie, yeah,
• 37:21
  Speaker 3: it's pretty cool. I like I like some Static X
• 37:25
  Speaker 3: every now and all right, gone too soon? Big Wayne Big.
• 37:30
  Speaker 4: One's why I'm like, fuck Cazel Dope Bro.
• 37:33
  Speaker 2: Who's that is? That's a new thing.
• 37:36
  Speaker 1: Well, it's so like the guy from Dope uh like
• 37:42
  Speaker 1: dresses up as Wayne Static in a like a robot version.
• 37:47
  Speaker 2: I've seen that.
• 37:48
  Speaker 1: I actually saw them like with mud Vane and Rob
• 37:51
  Speaker 1: Zombi a few years ago.
• 37:53
  Speaker 2: Nice, I was that kicked ass who's.
• 37:57
  Speaker 4: I enjoyed it more than I thought I would.
• 38:00
  Speaker 1: My wife invited me and ended up being really they
• 38:04
  Speaker 1: owed mud Vain was was pretty.
• 38:07
  Speaker 2: Sick, dude.
• 38:09
  Speaker 1: I bet just how did mud Vane get snubbed from
• 38:12
  Speaker 1: this sucking soundtrack?
• 38:13
  Speaker 4: Now that I think about.
• 38:14
  Speaker 3: It, Yeah, that's a good question. They should have been there,
• 38:17
  Speaker 3: you know, in the top six with slipping on. They
• 38:19
  Speaker 3: should have taken eleven there and put mud Vein in.
• 38:24
  Speaker 3: But at the top of this duf dig was in
• 38:27
  Speaker 3: there in the top four songs.
• 38:29
  Speaker 2: This would be like an we would.
• 38:30
  Speaker 1: Get lost in the algorithm of all of the Screen
• 38:33
  Speaker 1: three album reviews because there would be a fucking list
• 38:37
  Speaker 1: of them.
• 38:39
  Speaker 2: Well, if people would be talking about the soundtrack to
• 38:41
  Speaker 2: this day, we would.
• 38:42
  Speaker 4: Be one of many.
• 38:43
  Speaker 2: Yeah, it would not be it would be chasing the
• 38:47
  Speaker 2: dragon non stop.
• 38:50
  Speaker 1: They would have they would have had an excuse for
• 38:53
  Speaker 1: continuing to make screen movies, and that would have been just.
• 38:57
  Speaker 8: To the top screen three, having on the soundtrack. That's
• 39:04
  Speaker 8: the bar, and they just kept missing, kept missing. They
• 39:07
  Speaker 8: kept the bar they could have set. They failed to
• 39:10
  Speaker 8: even set it. They missed setting the bar. You know
• 39:13
  Speaker 8: you fucked up when you missed such a great opportunity.
• 39:16
  Speaker 3: Some asshole got fired for that for sure. Where they're
• 39:19
  Speaker 3: just like they're going so he's like, yeah, what.
• 39:25
  Speaker 1: If he got fired he ended up being the soundtrack
• 39:28
  Speaker 1: guy at Spotify.
• 39:29
  Speaker 4: They got let go.
• 39:33
  Speaker 3: He's just having the worst time. He's like, God, damn it,
• 39:37
  Speaker 3: I didn't put dig in there. I put fingerstening to this.
• 39:40
  Speaker 1: Like, what if somehow that guy is real and catches
• 39:44
  Speaker 1: wind and he sees this, and he's like, how the
• 39:46
  Speaker 1: fuck to these guys?
• 39:49
  Speaker 3: If he is real, If that guy's out there and
• 39:51
  Speaker 3: he's listening, he can come on the next episode and
• 39:54
  Speaker 3: we'll talk to him about this.
• 39:55
  Speaker 2: We'll hash it out. We need to talk to you, bud.
• 40:00
  Speaker 1: Yeah, teach us, teach us how to code the soundtracks
• 40:03
  Speaker 1: back into the spotifuck.
• 40:05
  Speaker 3: Yeah, we're gonna fix this ship. You messed up bad.
• 40:08
  Speaker 3: You could have.
• 40:09
  Speaker 2: Had We could be on screen.
• 40:11
  Speaker 1: We're gonna write a very worthy letter.
• 40:14
  Speaker 3: Yeah, we could be on the tenth or fifteenth screen movie.
• 40:18
  Speaker 3: If they didn't wait eleven years to put out Scream four.
• 40:22
  Speaker 1: Dad Gray would be so fucking bitch. He would be
• 40:27
  Speaker 1: nowhere near Jory, Illinois. He would be in fucking at
• 40:34
  Speaker 1: least like Bloomington.
• 40:38
  Speaker 3: After Static X, we have Incubus with crowded elevator coming in.
• 40:43
  Speaker 1: On dude ironically like awesome song.
• 40:47
  Speaker 3: Yeah, yeah, this was one of the better ones for sure.
• 40:50
  Speaker 3: And I hadn't heard the song.
• 40:54
  Speaker 2: I didn't listen.
• 40:54
  Speaker 4: This is not a song I was familiar with at all.
• 40:57
  Speaker 1: Actually, I had to do a little research on this
• 41:00
  Speaker 1: one because I it was apparently it was a B
• 41:04
  Speaker 1: side or not a B side, but it got released
• 41:07
  Speaker 1: with like a Japanese release of uh sorry written down
• 41:15
  Speaker 1: Yourself Sorry right? Yeah, And it sounds like it sits
• 41:19
  Speaker 1: right between make Yourself in Morning Pew very good.
• 41:23
  Speaker 2: Yeah, yeah, yeah, yeah, I thought it was cool.
• 41:26
  Speaker 3: I like the did the intro riff like the beginning rift?
• 41:30
  Speaker 3: Did it feel like a take on the Inner Sandman riff?
• 41:32
  Speaker 3: Like if Incubus wrote Inner sand Man that would have
• 41:35
  Speaker 3: been the lick.
• 41:37
  Speaker 1: You know, maybe I hadn't. I hadn't Inner sand Man
• 41:42
  Speaker 1: did it yet.
• 41:43
  Speaker 3: But uh, listen, when you listen to it again, think
• 41:46
  Speaker 3: about Inner sand Man up there, Like, do you would
• 41:50
  Speaker 3: you prefer Incubus or three eleven?
• 41:53
  Speaker 2: Oh?
• 41:53
  Speaker 4: Incubis, incub not even close?
• 41:56
  Speaker 2: Okay, okay, No, it's just that it's that like.
• 42:03
  Speaker 1: No, I just three eleven was not one that ever.
• 42:05
  Speaker 4: I don't know.
• 42:06
  Speaker 2: I just never didn't hit for it. Yeah, me either.
• 42:09
  Speaker 3: But they're one of those bands now where like if
• 42:11
  Speaker 3: I go back and listen to some of their singles,
• 42:13
  Speaker 3: I'm like, this is kind of cool. Like I don't
• 42:16
  Speaker 3: love it. If I was like wearing jeans and sandals,
• 42:20
  Speaker 3: you know, walking on the beach or something, I might
• 42:23
  Speaker 3: like one of their songs to come on, you know what?
• 42:25
  Speaker 2: All right?
• 42:26
  Speaker 1: Yeah, And that's everything has time and place.
• 42:29
  Speaker 4: That's valid. Yeah, yeah, I don't disagree with that.
• 42:33
  Speaker 3: There was there was a band from around here in
• 42:36
  Speaker 3: high school that sounded like kind of like a mix
• 42:40
  Speaker 3: between Incubus and three eleven, and they're pretty good. They
• 42:42
  Speaker 3: had some cool songs.
• 42:43
  Speaker 4: Do you remember who?
• 42:44
  Speaker 3: It was a Pleasure Center Prize Fighter. They I don't
• 42:51
  Speaker 3: think they were like together for very long they played it.
• 42:54
  Speaker 3: I think they might have played with Power Man five
• 42:56
  Speaker 3: thousand though. Oh yeah, yeah, like there was what full circle?
• 43:01
  Speaker 3: Yeah for real, there was some show I think in
• 43:04
  Speaker 3: like Peoria and I think they opened it. And I
• 43:07
  Speaker 3: was because one of the guys that was in Sidelined
• 43:12
  Speaker 3: was in that band as well, our other guitar player.
• 43:15
  Speaker 4: This next one, what is the next one? Buddy?
• 43:18
  Speaker 2: Oh? Debonair?
• 43:23
  Speaker 1: This was this was another one that immediately I was like,
• 43:27
  Speaker 1: I've heard this somewhere else. Yeah, Boy was I thrilled
• 43:31
  Speaker 1: when I got to the bottom of that one.
• 43:33
  Speaker 2: Can I guess you know? Are you from?
• 43:35
  Speaker 4: Absolutely?
• 43:36
  Speaker 3: Was it from the Little Nikki soundtrack? It could be,
• 43:41
  Speaker 3: but it's not about.
• 43:44
  Speaker 4: No.
• 43:45
  Speaker 1: When they on the first Fast and Furious movie and
• 43:49
  Speaker 1: take down the Asian dude, yeah, like his dad the
• 43:53
  Speaker 1: cops had him on his knees and his dad then
• 43:55
  Speaker 1: like fucking smacks him, and I mean, you know, naturally
• 44:01
  Speaker 1: I would assume he's you know, disowning him.
• 44:03
  Speaker 4: I think that's what that means.
• 44:04
  Speaker 3: That is what that means in Chinese culture. I know
• 44:07
  Speaker 3: a lot about Chinese.
• 44:08
  Speaker 4: Okay, good, thank you.
• 44:11
  Speaker 2: Yeah.
• 44:11
  Speaker 3: Yeah, I've been studying Jackie Channel lot lately. It's taught
• 44:15
  Speaker 3: me a lot about the Chinese people.
• 44:20
  Speaker 4: Okay, they're great people.
• 44:22
  Speaker 2: They are.
• 44:22
  Speaker 3: I appreciate them, and I appreciate him and everything he's done. Yeah,
• 44:28
  Speaker 3: thank you for Rush Hour two and one and two
• 44:31
  Speaker 3: other Dope songs. Well, one of them's like the White
• 44:33
  Speaker 3: Zombie cover.
• 44:37
  Speaker 4: Yeah, I thought this was White Zombie when I started.
• 44:39
  Speaker 2: Yeah.
• 44:40
  Speaker 3: The one thing I'll say this is the guy you
• 44:43
  Speaker 3: were saying that took over for Static X singer. Right,
• 44:46
  Speaker 3: Why does he put so much goddamn chorus on his voice? Dude,
• 44:50
  Speaker 3: the chorus is out of control. It sounds like he's
• 44:52
  Speaker 3: underwater in this song.
• 44:57
  Speaker 2: Recorded this chorus.
• 45:01
  Speaker 4: Yeah, that's the thing. Maybe it's a mask. Did he
• 45:04
  Speaker 4: wear a mask in Dope? I feel like he might
• 45:06
  Speaker 4: have wore a mask.
• 45:07
  Speaker 2: He probably did.
• 45:08
  Speaker 4: Maybe that's what it was.
• 45:10
  Speaker 3: I've got a mask here. Actually, I think it might be.
• 45:14
  Speaker 3: I think it might be the guy's mask from Dope.
• 45:19
  Speaker 2: I thought it's from seven Does Ship.
• 45:23
  Speaker 3: So after Dope we got sunburned by fuel And this
• 45:28
  Speaker 3: song just sounds like whenever you go to YouTube and
• 45:30
  Speaker 3: type in blues jam track like to me I was like, that's.
• 45:35
  Speaker 2: What I was getting from this.
• 45:36
  Speaker 3: It's like blues jam track, yeah, dude, because I was like, yeah,
• 45:41
  Speaker 3: it probably is.
• 45:43
  Speaker 1: Well, that's the that's the onboard delay setting on the
• 45:48
  Speaker 1: Fender G Deck ampthage.
• 45:52
  Speaker 2: Yeah, just stocks.
• 45:57
  Speaker 3: I was excited about the G Deck because I went
• 45:59
  Speaker 3: from the Spy or too, and I remember I was
• 46:01
  Speaker 3: at some music store. This lady was selling me on
• 46:04
  Speaker 3: the G Deck. She was like, this is the next thing.
• 46:07
  Speaker 3: She's like, you can plug your headphones into it. I
• 46:09
  Speaker 3: was like, damn, that rules, dude.
• 46:13
  Speaker 1: Yeah, and you could plug like auxilary into it.
• 46:17
  Speaker 2: Yeah, that's what.
• 46:20
  Speaker 4: That was, dope.
• 46:21
  Speaker 1: I could That's what we did more than any actual
• 46:24
  Speaker 1: guitar stuff with it most of the time.
• 46:26
  Speaker 2: Yeah.
• 46:27
  Speaker 3: I could plug my chocolate three into that ship and
• 46:29
  Speaker 3: just let it rip.
• 46:34
  Speaker 2: Man. Hell yeah, dude, had.
• 46:40
  Speaker 1: That's awesome. Do you remember the BlackBerry Storm? Like the Yes.
• 46:46
  Speaker 1: I was dropping ball knowledge on the Life last night
• 46:50
  Speaker 1: about the storm too. I was like, dude, you have
• 46:53
  Speaker 1: like a screen you could click in and all she's
• 46:56
  Speaker 1: hitting you and oh yeah, I bet you were a
• 46:58
  Speaker 1: texting nitches on Iti.
• 47:00
  Speaker 4: Clicking bro, what I know?
• 47:03
  Speaker 2: It's for the muse.
• 47:04
  Speaker 1: I was like fucking seventeen, speaking of chocolate in the rye,
• 47:08
  Speaker 1: what do we got This fucking power Man five thousand
• 47:11
  Speaker 1: goes full robe?
• 47:12
  Speaker 2: It does get on, get off.
• 47:14
  Speaker 3: That's his brother, isn't it. Yeah one of these maybe,
• 47:17
  Speaker 3: yeah it's power Man five thousand, it's Rob Zombies. I
• 47:20
  Speaker 3: used to get like all of these bands confused. Yeah, same,
• 47:25
  Speaker 3: like if I looked like the slim gym dude. Yeah,
• 47:29
  Speaker 3: I know. I like between these guys and Static X.
• 47:32
  Speaker 3: I was always confused because they had so.
• 47:34
  Speaker 2: Many like like genuinely.
• 47:36
  Speaker 3: Yeah, like when Worlds Collide could have been a Static
• 47:39
  Speaker 3: X song, and maybe it is.
• 47:40
  Speaker 2: It might still be a Static It might be.
• 47:42
  Speaker 1: I honestly, I just shut down, so I mean it
• 47:47
  Speaker 1: might be.
• 47:48
  Speaker 4: It might be a Status X song.
• 47:50
  Speaker 3: Now, yeah, I'm sixty percent sure it's Powerman five thousand,
• 47:53
  Speaker 3: because I remember looking it up so much, being like,
• 47:56
  Speaker 3: this has to be static, it's always there's always power Man.
• 48:00
  Speaker 1: It wasn't ever. Let me look and make sure it's not.
• 48:02
  Speaker 3: Now due that could be a Mandela effect right now. Honestly,
• 48:08
  Speaker 3: you go back, you're.
• 48:08
  Speaker 2: Like, that's what I'm saying. I swear to god this
• 48:11
  Speaker 2: was Powerman five thousand, you.
• 48:13
  Speaker 1: Go revisit all these songs, it's just fucking who you
• 48:18
  Speaker 1: thought it was.
• 48:19
  Speaker 3: I would be running out to get the chocolate three
• 48:22
  Speaker 3: to be like, no, I had it on here as
• 48:24
  Speaker 3: Powerman five thousand, Yeah it's power.
• 48:28
  Speaker 2: And then yeah, dude, this song, this song actually.
• 48:36
  Speaker 1: They go into the breakdown at the end, yes, and
• 48:40
  Speaker 1: then like go into halftime and take one of the
• 48:44
  Speaker 1: one of the strokes out and it's like, pretty fucking.
• 48:48
  Speaker 2: Swing dude, that's what that was my only note. That
• 48:52
  Speaker 2: was my only note.
• 48:52
  Speaker 3: But yeah, the halftime, no notes, no notes, but yeah,
• 48:57
  Speaker 3: that's they do.
• 48:59
  Speaker 2: They take the it was like.
• 49:01
  Speaker 1: And then when they go into halftime they take one
• 49:04
  Speaker 1: of them out, and it just really did something for me.
• 49:08
  Speaker 2: Yeah, really, I scratched my fucking cave manage.
• 49:11
  Speaker 3: Yes, yes, that was the part that was the whole song, honestly,
• 49:16
  Speaker 3: right there.
• 49:17
  Speaker 1: Yeah, the whole song was just that at full speed.
• 49:20
  Speaker 4: But then at the end day it's like, you.
• 49:22
  Speaker 3: Know, yeah, cause it kind of it makes you feel
• 49:24
  Speaker 3: like you're listening to Domination by Pantera at the end
• 49:27
  Speaker 3: a little bit, like absolutely, yeah, and that's enough for me.
• 49:34
  Speaker 3: That's enough for me to give this song like an
• 49:36
  Speaker 3: A minus. I was just say, that's the only reason
• 49:39
  Speaker 3: why I want to get a Floyd Rose, just because
• 49:40
  Speaker 3: of Diebag to play that, to play domination, Yeah, any
• 49:45
  Speaker 3: of his licks where it just like ends in the.
• 49:47
  Speaker 2: Fucking the high ass octave where it just does.
• 49:50
  Speaker 3: Yeah, Like I'm like, dude, I've never done that, and
• 49:53
  Speaker 3: I want to do it so bad. I used to
• 49:56
  Speaker 3: have a guitar with the Floyd Rose when I was
• 49:58
  Speaker 3: in high school, but I never knew how to set
• 49:59
  Speaker 3: up it up. Anytime I used it, the strings broke,
• 50:02
  Speaker 3: so I like, I was like, this isn't for me.
• 50:05
  Speaker 3: I guess I need to get a guitar with that one.
• 50:07
  Speaker 4: And sold it. In parts.
• 50:10
  Speaker 1: It's like this is I played the strings until I couldn't.
• 50:13
  Speaker 4: And then that was that was it.
• 50:16
  Speaker 2: Yeah, I hated it so much.
• 50:18
  Speaker 4: I was like, oh man, I was too proud to
• 50:19
  Speaker 4: ask for help too.
• 50:22
  Speaker 3: I was just like, I gotta I know how to
• 50:23
  Speaker 3: put the strings on it, but why can't I use
• 50:25
  Speaker 3: the damn fucking wammy bar.
• 50:29
  Speaker 1: Yeah, somebody loosen these strings, loosen these springs.
• 50:33
  Speaker 3: Yeah, what's going on here? I didn't understand it. I
• 50:36
  Speaker 3: just thought, like any guitar with one of those you
• 50:38
  Speaker 3: could just wail on. So I was just there fucking
• 50:41
  Speaker 3: dive bombing, and then it was.
• 50:42
  Speaker 1: I think that's what everyone thinks, and then that's what
• 50:45
  Speaker 1: they do with them.
• 50:46
  Speaker 3: It's an art, the dive bomb. It's like a whole
• 50:49
  Speaker 3: other genre guitar right there. Honestly, it really if you're
• 50:55
  Speaker 3: gonna be die bombing, you need to know what the
• 50:57
  Speaker 3: fuck you're doing. You can't just jump into it.
• 51:00
  Speaker 1: You can't just fucking Willie. You can't be jump off
• 51:03
  Speaker 1: the street, brother, exactly.
• 51:07
  Speaker 2: Oh damn, I haven't even opened this. What the fuck
• 51:09
  Speaker 2: have I been thinking? What? Dude, you're cracking cool ones? Brother?
• 51:13
  Speaker 3: Yeah, dude, the fucking Taco Bell Exclusive those used to
• 51:22
  Speaker 3: be special. When it was just that Taco Bell, it
• 51:26
  Speaker 3: used to mean sad. I remember when they came out
• 51:30
  Speaker 3: with Cans and one of our friends dads worked at
• 51:33
  Speaker 3: like wherever they sell this shit at, you know, Pepsi
• 51:35
  Speaker 3: or whatever, and he had him at his house before
• 51:38
  Speaker 3: they released, and he was like, don't tell anybody about this.
• 51:41
  Speaker 2: Oh I still won't. I still won't release. I was gonna,
• 51:46
  Speaker 2: I'm not.
• 51:46
  Speaker 3: I won't say his name, just a friend of a friend. Yeah,
• 51:50
  Speaker 3: I don't even know him anymore.
• 51:51
  Speaker 4: Allegedly. I don't even know if it really happened.
• 51:53
  Speaker 3: Right exactly. I might cut this part out just in
• 51:58
  Speaker 3: case they.
• 51:58
  Speaker 4: Come thank you. Yeah, I wouldn't blame you.
• 52:01
  Speaker 2: So we already talked about the orgy song because that's
• 52:06
  Speaker 2: was there anything else on that track that we needed
• 52:08
  Speaker 2: to talk about other than if you're talking to your
• 52:10
  Speaker 2: grandpa grandpa about what an orgy is? O orgie?
• 52:15
  Speaker 1: Yeah, yeah, they never They fucking left me hanging.
• 52:18
  Speaker 2: Bro go google it. But how fucking selfish of that.
• 52:22
  Speaker 2: So after the orgy.
• 52:23
  Speaker 1: Song, though, yeah, we really really bring it back because yeah,
• 52:29
  Speaker 1: they get a fucking real American.
• 52:32
  Speaker 2: That's what I'm saying. Dude, what's his name? Aaron Lewis
• 52:37
  Speaker 2: brother back, Yeah, dude, he comes in and kicks the
• 52:41
  Speaker 2: fucking dude this track.
• 52:43
  Speaker 1: The scream he does in this song is exact same
• 52:47
  Speaker 1: scream he does in this Like there's a video of
• 52:50
  Speaker 1: him singing the Staying song in a bar like, uh,
• 52:55
  Speaker 1: it's been a while, and at the end the the
• 52:59
  Speaker 1: fucked things up to it, dude, he like starts screaming
• 53:02
  Speaker 1: it and it's the same scream from this song.
• 53:05
  Speaker 2: I know, Like like.
• 53:09
  Speaker 1: The thing ever, like just awful you're so it's so embarrassing, Like, dude.
• 53:17
  Speaker 3: So this I'm not a huge fan of Stained. I mean,
• 53:21
  Speaker 3: they've got their yeah, you know.
• 53:24
  Speaker 1: I got another just another soundtrack.
• 53:27
  Speaker 3: Exactly, but you know what, I kind of enjoyed this song.
• 53:30
  Speaker 3: I don't know if like the length of the soundtrack,
• 53:32
  Speaker 3: like I said earlier, was kind of getting to me.
• 53:35
  Speaker 2: Just yeah, I was into it at this point.
• 53:38
  Speaker 3: I was like, you know what, at first, I wanted
• 53:41
  Speaker 3: to hate on it, like right away when the Stained
• 53:43
  Speaker 3: singer came in, and just like the typical Stain ship
• 53:46
  Speaker 3: came in, there's something about it. I might have to
• 53:48
  Speaker 3: pop it on just for a second, just to get
• 53:51
  Speaker 3: like a refreshment.
• 53:52
  Speaker 2: I'm kind of I'm wondering, like why did I like this?
• 53:55
  Speaker 2: That was okay, yeah, I Scott the UFC kicking at
• 53:58
  Speaker 2: the being that we will the second this start.
• 54:02
  Speaker 1: My first listen through the first second he started on vocals.
• 54:06
  Speaker 1: That was like, I couldn't wait to make a comment
• 54:09
  Speaker 1: about how fucking PATRIOTICUS man is.
• 54:12
  Speaker 2: Yeah, oh dude, straight up American here.
• 54:15
  Speaker 9: And there like the rock Yeah, okay, yeah, okay, this
• 54:25
  Speaker 9: is what it is.
• 54:27
  Speaker 2: I'm into it now.
• 54:28
  Speaker 3: So it's the part when it gets to like the
• 54:29
  Speaker 3: slowdown part, because the the intro in the verse. Yeah, yeah,
• 54:34
  Speaker 3: like when it gets to the slowdown part, it kind
• 54:37
  Speaker 3: of gets me back into or I'm like, Okay, this
• 54:39
  Speaker 3: is kind of nice. And then after that, I think
• 54:42
  Speaker 3: it's when it goes into the chorus, because that must
• 54:44
  Speaker 3: be the pre chorus. It's got a I think it's
• 54:46
  Speaker 3: got a decent like melody to it or something where
• 54:49
  Speaker 3: I was like, Okay, there's like a decent song around
• 54:53
  Speaker 3: this UFC riff, like you know what I mean.
• 54:56
  Speaker 1: Yeah, this also could have been a seven deathstal too.
• 54:59
  Speaker 2: Yeah, like a yeah, like a good seven.
• 55:04
  Speaker 6: It's seven. If they would have you put that mask
• 55:07
  Speaker 6: on and sang this song, I'd be like, oh, it's seven, it's.
• 55:10
  Speaker 2: Seven, doust dog. Honestly, I might do that. Yeah, I'm
• 55:14
  Speaker 2: in my mind ship.
• 55:16
  Speaker 4: I don't know why.
• 55:17
  Speaker 2: I don't know why you have it.
• 55:19
  Speaker 1: I had the type of ball dropping I expect from
• 55:23
  Speaker 1: the Streame franchise on that sounds another perfect spot for
• 55:28
  Speaker 1: my bank. They're really gonna they really could have brought
• 55:31
  Speaker 1: home here at the end.
• 55:33
  Speaker 3: They really should have. Yeah, So, like I'm still listening
• 55:35
  Speaker 3: to it. I got it like downloading the bag. By
• 55:39
  Speaker 3: the time it gets to the second verse, it's fully
• 55:43
  Speaker 3: like it's rock Like, the song is fully rock hard.
• 55:47
  Speaker 1: I love it to dive down and he's still doing that.
• 55:53
  Speaker 6: Yeah, the guitar show, the whole thing dies down, Aaron
• 55:58
  Speaker 6: whipping about America and.
• 56:01
  Speaker 3: These Yeah, they should have taken that fucker's laming pedal
• 56:15
  Speaker 3: away from him.
• 56:15
  Speaker 2: Dude, was he they got through the take?
• 56:23
  Speaker 6: Yeah, you know, he just made it through the first
• 56:25
  Speaker 6: take and they just didn't cut into He's just like.
• 56:30
  Speaker 2: To let it ride.
• 56:32
  Speaker 3: They're just looking around while he's doing it. The rest
• 56:34
  Speaker 3: of the n is like, dude, we don't know.
• 56:36
  Speaker 2: They're fucking Yeah.
• 56:37
  Speaker 6: Aaron is like hanging American flag up on the world Confederate.
• 56:40
  Speaker 2: Flag on the wall.
• 56:41
  Speaker 1: Probably that at that time, maybe even now he probably
• 56:45
  Speaker 1: got it.
• 56:46
  Speaker 2: Yeah, putting four points on.
• 56:48
  Speaker 4: The wall to hang that bad boy up.
• 56:50
  Speaker 2: And he's like, bombit's head weird. We like that's pretty good.
• 56:56
  Speaker 2: Leave that in there.
• 56:59
  Speaker 3: Yeah, dude, like they from the yeah brother, Yeah, I
• 57:04
  Speaker 3: got to the part when he does the scream. It's
• 57:06
  Speaker 3: one of those screams where you know, he put both
• 57:08
  Speaker 3: his hands over the mic.
• 57:10
  Speaker 2: He's like.
• 57:13
  Speaker 1: It's like all right, and they like they let him
• 57:15
  Speaker 1: do it, and he's like fucking din over, like trying
• 57:18
  Speaker 1: to catch his breath, and the dude comes on. He's
• 57:20
  Speaker 1: like Aaron, they quit fucking cover in the mic. Dude
• 57:24
  Speaker 1: do it again, and he's doing it every time.
• 57:31
  Speaker 2: Brother, I can't stop. He's like, I can't do it.
• 57:35
  Speaker 2: He gets swept up and like all that I blacked out. Brother,
• 57:39
  Speaker 2: I'm sorge.
• 57:40
  Speaker 6: He like passes out and like comes to like all
• 57:43
  Speaker 6: the van and I'm blown. He's like, darn, I'm gonna
• 57:46
  Speaker 6: need that one from the top again.
• 57:47
  Speaker 10: Brother, this is the worst time. The studio is just
• 57:58
  Speaker 10: having the worst. It's like, brother, you're blowing out my monitors.
• 58:06
  Speaker 10: You're gonna need a tone in town.
• 58:16
  Speaker 2: I'm gonna need you to run out on bag. Brother again,
• 58:20
  Speaker 2: what crawling up on a fucking barstool?
• 58:24
  Speaker 1: And he doesn't even.
• 58:27
  Speaker 2: Remember James Brown. It's Harold fuck up. He doesn't even
• 58:32
  Speaker 2: like what what song singing?
• 58:36
  Speaker 4: Doing the top?
• 58:37
  Speaker 2: Brother, We're doing crawl again, motherfucker and.
• 58:41
  Speaker 1: The bucket take him to the top and he comes
• 58:43
  Speaker 1: in and bruns the.
• 58:49
  Speaker 2: He's like Jesus Christ. He gets out of the dude
• 58:56
  Speaker 2: just willleaves.
• 58:58
  Speaker 3: Blood's coming out of his eyes, like we gotta just
• 59:03
  Speaker 3: leave it in there, Aaron.
• 59:06
  Speaker 1: Listen, we're gonna try to run that back.
• 59:09
  Speaker 2: We're gonna quantize that. We'll try to snap it to
• 59:13
  Speaker 2: the grid.
• 59:13
  Speaker 6: We'll put it, put it on the professor, and we'll
• 59:15
  Speaker 6: try to pull some of the hiss out.
• 59:17
  Speaker 1: If you're up to it, we can run it from
• 59:19
  Speaker 1: the top again. But if not, no, no, no, brother, No,
• 59:24
  Speaker 1: I got one more, man, I got one more, one more.
• 59:27
  Speaker 1: His eyes are just fully blood used to fucking pupil
• 59:31
  Speaker 1: and iron.
• 59:33
  Speaker 3: It's like those videos you see a slip not recording
• 59:36
  Speaker 3: Iowa when they're like whipping each other, but it's just him.
• 59:40
  Speaker 2: He's just there, just hurting them. They probably, I mean,
• 59:43
  Speaker 2: I don't know if they could do it at this time,
• 59:45
  Speaker 2: but like they must have had to like bunch his
• 59:48
  Speaker 2: s in right before that part, because it's gotta be
• 59:51
  Speaker 2: the built it's gotta be the build up that does
• 59:54
  Speaker 2: it to him, like the.
• 59:55
  Speaker 3: Song build, the song building. So I'm fucking feeling it again.
• 1:00:04
  Speaker 1: They just get him to say it with an R
• 1:00:05
  Speaker 1: one time, but he's fucking ready to ride.
• 1:00:08
  Speaker 4: Baby.
• 1:00:10
  Speaker 3: He can't tone it down. He's a real one for that.
• 1:00:14
  Speaker 3: But yeah, you need it from the top one more time.
• 1:00:18
  Speaker 3: Go ahead, get in there, punch. We'll punch you in
• 1:00:21
  Speaker 3: this time. Don't worry, but.
• 1:00:23
  Speaker 2: We'll punch you in.
• 1:00:24
  Speaker 3: It doesn't help, It doesn't same energy.
• 1:00:31
  Speaker 4: It's a strength and of weakness.
• 1:00:33
  Speaker 1: Yeah, he can't gift.
• 1:00:35
  Speaker 3: We saw it what it will do to you. When
• 1:00:38
  Speaker 3: he's saying it's been a while at that bar, dude,
• 1:00:41
  Speaker 3: that's what happened. It was building and he just cann't
• 1:00:44
  Speaker 3: stop it.
• 1:00:46
  Speaker 4: Fuck man like. And that's that.
• 1:00:53
  Speaker 3: That's what he meant in that song when he said
• 1:00:55
  Speaker 3: it's been a while things up. Just think about that
• 1:01:00
  Speaker 3: studio session and I'm mad that started.
• 1:01:03
  Speaker 2: Like holding his arm back. They had to hold his
• 1:01:06
  Speaker 2: arms back.
• 1:01:06
  Speaker 4: That's what they ended up doing.
• 1:01:08
  Speaker 1: They got him stand up. No, they just got him
• 1:01:12
  Speaker 1: up right, and they're like, hey man, while we're here,
• 1:01:14
  Speaker 1: we'll just hold dude. He's like, where are we at, guy,
• 1:01:17
  Speaker 1: They're gonna punch you in. Sing the fucking thing again, bro,
• 1:01:20
  Speaker 1: and they just hold him.
• 1:01:22
  Speaker 6: That's how they got him stop grabbing the bike, give
• 1:01:23
  Speaker 6: you a fucking unconscious.
• 1:01:25
  Speaker 1: They held him up by his arm bid to get
• 1:01:27
  Speaker 1: the vocal pin.
• 1:01:29
  Speaker 2: They just put the smelling salts under his nose just yeah,
• 1:01:33
  Speaker 2: like hit record, god, hit record before he fully recovers.
• 1:01:37
  Speaker 2: That's awesome. Yeah, I love that.
• 1:01:40
  Speaker 3: I'm going to put that song on my playlist from
• 1:01:43
  Speaker 3: now on, I think, just for that, just to think
• 1:01:47
  Speaker 3: about that, I'm gonna get a three sixty and buy
• 1:01:50
  Speaker 3: all the UFC games and play.
• 1:01:52
  Speaker 4: I'm just hoping that that one pops up.
• 1:01:54
  Speaker 3: So the second to last track, click click, what do
• 1:01:57
  Speaker 3: you think about that? I've never heard of this band?
• 1:02:00
  Speaker 2: Year two?
• 1:02:01
  Speaker 4: Was this?
• 1:02:01
  Speaker 3: The one was like a song, this is the one
• 1:02:04
  Speaker 3: with the wrapping and it's not to be with this song.
• 1:02:09
  Speaker 3: Like when I saw this on here, I thought it
• 1:02:10
  Speaker 3: was gonna be click click boom for some clickok saying.
• 1:02:14
  Speaker 4: I was like, man, they really could have.
• 1:02:16
  Speaker 2: So there you go. Scream screen franchise again. It stream franchise,
• 1:02:21
  Speaker 2: and somebody call us, what's the next one?
• 1:02:23
  Speaker 1: Scream eaten things around for him?
• 1:02:28
  Speaker 2: I might talk to somebody.
• 1:02:29
  Speaker 3: I'm gonna start sending some emails after we get done
• 1:02:31
  Speaker 3: recording and be like, hey.
• 1:02:33
  Speaker 4: We'll make make a couple of calls.
• 1:02:35
  Speaker 3: Yeah, we we're gonna need a Creed track on here
• 1:02:38
  Speaker 3: for sure. You know what, We'll do this so bad
• 1:02:42
  Speaker 3: there now.
• 1:02:44
  Speaker 1: They're really fucking up not tapping this market because like
• 1:02:48
  Speaker 1: that whole genre is all the way back, honestly, back.
• 1:02:53
  Speaker 4: To the beginning.
• 1:02:54
  Speaker 2: Creed is all the way back, way back.
• 1:02:56
  Speaker 1: Well, I just saw Wes Boreland thing where he said
• 1:02:58
  Speaker 1: there he said, they're big than they've ever been.
• 1:03:01
  Speaker 2: Exactly, absolute dude. Does I love it? Also, Nickelback, I
• 1:03:08
  Speaker 2: feel like they've throw them on the soundtrack. They've kind
• 1:03:12
  Speaker 2: of done the same thing where they've I don't know,
• 1:03:14
  Speaker 2: I feel like they're more accepted now than they were
• 1:03:16
  Speaker 2: when they were first coming out.
• 1:03:19
  Speaker 1: Maybe I don't think they ever weren't accepted, because like,
• 1:03:23
  Speaker 1: they're fucking huge, so obviously someone was accepting them. I
• 1:03:27
  Speaker 1: think we've just always been in circles that didn't.
• 1:03:31
  Speaker 2: For sure, Well, there was that.
• 1:03:33
  Speaker 3: Maybe that was because it was a metal show that
• 1:03:34
  Speaker 3: I always see that clip of them like getting pelted
• 1:03:37
  Speaker 3: with rocks and I'm like, damn people, I hate them. No,
• 1:03:41
  Speaker 3: I've never seen that.
• 1:03:43
  Speaker 4: That's wild.
• 1:03:45
  Speaker 3: I think they were playing at some either like a
• 1:03:47
  Speaker 3: festival that had like metal bands on it, and they
• 1:03:50
  Speaker 3: played like not very long, and that people were like
• 1:03:54
  Speaker 3: hitting them with rocks and they were like, you guys,
• 1:03:56
  Speaker 3: gonna keep throwing ship or are we just gonna leave? And
• 1:03:59
  Speaker 3: they kept throw and ship, so they're just like, all right,
• 1:04:01
  Speaker 3: have a good night and just walk off this dage.
• 1:04:04
  Speaker 2: Just fucking John. It's one of those things where I
• 1:04:06
  Speaker 2: was like, damn, I feel I kind of feel bad
• 1:04:08
  Speaker 2: for them in a way.
• 1:04:09
  Speaker 1: I would say this is Ai if anybody ever calls
• 1:04:11
  Speaker 1: me on him, but yeah, has rifts to Yeah, I
• 1:04:15
  Speaker 1: mean that's a whole that's a whole nother conversation, honestly,
• 1:04:19
  Speaker 1: But honestly, and it's not even that hot of a
• 1:04:22
  Speaker 1: take anymore either, Like that's what I mean.
• 1:04:25
  Speaker 3: Yeah, I feel like it's pretty accepted now, where like
• 1:04:28
  Speaker 3: even the people that we grew up with it would
• 1:04:30
  Speaker 3: probably just like ship on them, could probably go back
• 1:04:32
  Speaker 3: and listen and be like, yeah, I'll still.
• 1:04:35
  Speaker 2: Ship on them. I'm still gonna ship on him, like it.
• 1:04:38
  Speaker 3: Chat bros, bros, hanging out guys.
• 1:04:49
  Speaker 2: Man.
• 1:04:50
  Speaker 1: I played that in practice one day, actually had bron goes.
• 1:04:57
  Speaker 4: I was like, and then I never played it again.
• 1:05:00
  Speaker 1: That was it, Adrian, my friend, we've reached that point.
• 1:05:07
  Speaker 2: Wait wait, wait before we do the wait wait wait
• 1:05:12
  Speaker 2: before we do, we got to talk about this. Click
• 1:05:14
  Speaker 2: click song a little bit. Do you remember it at all?
• 1:05:17
  Speaker 3: Okay, because the guy is constantly rapping about shampoo, Like
• 1:05:22
  Speaker 3: in the verses, he raps about shampoo like many times.
• 1:05:26
  Speaker 3: And at first I was like, this fucking sucks. This
• 1:05:28
  Speaker 3: is like the worst song I've ever heard. But then
• 1:05:30
  Speaker 3: it gets better when when it gets to the slowdown part,
• 1:05:34
  Speaker 3: I was like, oh, this is actually pretty fucking cool.
• 1:05:36
  Speaker 3: And after that I remember you might want to slap
• 1:05:41
  Speaker 3: it on real fast, because it like this one stuck
• 1:05:44
  Speaker 3: with me big time. It sounds like it sounds like
• 1:05:47
  Speaker 3: a really shitty version, like if the Bloodhound Gang was
• 1:05:50
  Speaker 3: trying to be like suicidal Tendencies A little bit.
• 1:05:58
  Speaker 1: Yeah, this is just another and chears of the AHTV
• 1:06:00
  Speaker 1: author a fiery song.
• 1:06:02
  Speaker 2: Yeah.
• 1:06:03
  Speaker 3: When it gets to that slowdown part, though, I kind
• 1:06:05
  Speaker 3: of like it. And then after that I'm kind of like, Okay,
• 1:06:08
  Speaker 3: I appreciate this. Even though he raps about shampoo several times.
• 1:06:13
  Speaker 3: It makes me think that there's like a it's kind
• 1:06:16
  Speaker 3: of like I'm sort of or like self awareness about
• 1:06:20
  Speaker 3: how silly it sounds, you know what I mean, Like
• 1:06:23
  Speaker 3: just the song.
• 1:06:23
  Speaker 2: Over yeah, and so here it is, you know, bring
• 1:06:28
  Speaker 2: us into the conclusion. Dude, tell me about this line.
• 1:06:35
  Speaker 2: What a fucking another reper.
• 1:06:38
  Speaker 1: I'm pretty sure this song was them sitting in the
• 1:06:42
  Speaker 1: studio with a bunch of parts recorded and they cut
• 1:06:46
  Speaker 1: and paste because when they came into when the drums
• 1:06:50
  Speaker 1: pen in, my soul wants to say the fucking court
• 1:06:54
  Speaker 1: of in session, but that is not installing and court
• 1:06:58
  Speaker 1: is not in feshion. And then they get through a
• 1:07:01
  Speaker 1: very very creed verse, you know, little weird, his weird
• 1:07:06
  Speaker 1: little scales that he likes to run and play his
• 1:07:09
  Speaker 1: weird fucking medieval flute rips. And then we get to
• 1:07:15
  Speaker 1: the chorus and the chorus is fucking fire.
• 1:07:21
  Speaker 2: It's insane, yeah, man, And.
• 1:07:25
  Speaker 4: Like but just without.
• 1:07:28
  Speaker 2: The the little lick.
• 1:07:30
  Speaker 1: It very much just feels like a recycled, a recycled
• 1:07:35
  Speaker 1: creed song, and it's not on any other album.
• 1:07:39
  Speaker 2: It's not.
• 1:07:39
  Speaker 3: Yeah, it's a Scream No, So they wrote this for
• 1:07:43
  Speaker 3: the Scream soundtrack.
• 1:07:46
  Speaker 2: Maybe is that the fucking high room? Yeah, just one
• 1:07:52
  Speaker 2: of the checks.
• 1:07:53
  Speaker 4: Oh man, fuck yeah.
• 1:07:56
  Speaker 3: I was kind of like, but that's like, you know,
• 1:07:59
  Speaker 3: that's something I know because when I was learning that
• 1:08:01
  Speaker 3: little intro for the first song, the little wick, it
• 1:08:05
  Speaker 3: does at the end is that same little lick It
• 1:08:08
  Speaker 3: is that or I guess it is.
• 1:08:10
  Speaker 1: Yeah, the paint the painted black, the painted black round
• 1:08:15
  Speaker 1: yeah yeah.
• 1:08:21
  Speaker 3: Fuck yeah yeah yeah, so it does that and I
• 1:08:25
  Speaker 3: was like, damn, isn't that the little lick and higher
• 1:08:28
  Speaker 3: or whatever?
• 1:08:30
  Speaker 2: So yeah, it's very Yeah, that whole chord run.
• 1:08:34
  Speaker 3: Yeah, that's what I was Yeah. Yeah, no, I was
• 1:08:36
  Speaker 3: thinking the same thing. I was like, Man, it made
• 1:08:39
  Speaker 3: me feel like, Okay, Tremonti has like a bag of
• 1:08:42
  Speaker 3: tricks that he goes to and you're right, the loot playing, yeah, nothing,
• 1:08:50
  Speaker 3: the medieval runs, yeah, the medieval runs, the little loot licks. Honestly,
• 1:08:56
  Speaker 3: the little finger picking parts that he has, they're like,
• 1:09:00
  Speaker 3: they're pretty fun if you're like just learning how to fingerpick.
• 1:09:03
  Speaker 3: I would say, like their their song.
• 1:09:05
  Speaker 1: Yeah, you know, once you get the intro Stairway to Heaven,
• 1:09:08
  Speaker 1: go straight to fucking Creed.
• 1:09:10
  Speaker 2: That's what it made me think of.
• 1:09:12
  Speaker 3: Yeah, I was like, okay, little Stairway to Heaven influence. Yeah,
• 1:09:16
  Speaker 3: for sure, I feel like.
• 1:09:17
  Speaker 1: That's what That's what the chord shapes felt like when
• 1:09:20
  Speaker 1: I sat in through the beginning of that.
• 1:09:23
  Speaker 4: Yeah, there was a lot of very very beginning of
• 1:09:26
  Speaker 4: Stairway to Heaven stuff.
• 1:09:27
  Speaker 2: This song is six minutes long.
• 1:09:30
  Speaker 1: I know, and the fucking the last like three minutes
• 1:09:34
  Speaker 1: of them just playing through that chorus part.
• 1:09:39
  Speaker 2: I don't wanna, I don't.
• 1:09:40
  Speaker 1: I don't want to oversell it, but I mean, if
• 1:09:44
  Speaker 1: fucking I had, my daughter told me to turn it up.
• 1:09:47
  Speaker 1: We're in this bitch transcending. We're in the truck with
• 1:09:50
  Speaker 1: the windows down. Frank bro is.
• 1:09:56
  Speaker 2: The heaven man, the heavenly. I'm not m my shd
• 1:10:00
  Speaker 2: a town half a tear, dude. It made me want
• 1:10:03
  Speaker 2: to go to church.
• 1:10:04
  Speaker 1: Honestly, it made me want to start it over and
• 1:10:07
  Speaker 1: then fast forward back to that part.
• 1:10:11
  Speaker 3: Crank it, dude. Oh man, it's a it's it's a
• 1:10:17
  Speaker 3: good way to end this. To be completely, it was yeah.
• 1:10:21
  Speaker 1: Just really it was like in conclusion, it was like
• 1:10:25
  Speaker 1: the the generic intro and outro on like like essays,
• 1:10:30
  Speaker 1: we would write it where it was like the intro
• 1:10:33
  Speaker 1: and outro kind of matched.
• 1:10:35
  Speaker 2: And then the middle didn't have any like cohesion with this.
• 1:10:39
  Speaker 2: It was like cool Creed.
• 1:10:42
  Speaker 4: Nineties rock. Rob Zombie butt rocked.
• 1:10:47
  Speaker 1: Some kind of inky of the song in here somewhere,
• 1:10:50
  Speaker 1: a couple of little butt Rockers, a weird kind of
• 1:10:53
  Speaker 1: rap song Creed see you credits.
• 1:10:56
  Speaker 3: That's a start with Freed and you couldn't.
• 1:11:02
  Speaker 4: I mean Taylor as old as time, That's what.
• 1:11:03
  Speaker 3: I'm saying, dude. They nailed it there. They had some
• 1:11:07
  Speaker 3: really solid highlights here. Oh I don't think we talked
• 1:11:11
  Speaker 3: about some. I don't think we talked about full Devil Jacket.
• 1:11:14
  Speaker 3: I just looked up and saw full Devil Jacket. Oh yeah,
• 1:11:18
  Speaker 3: I don't think we skip that one. You know, well,
• 1:11:21
  Speaker 3: that's all right. We probably did it on purpose, So
• 1:11:24
  Speaker 3: that one's probably just like, yeah, bullshites. Probably it's in
• 1:11:30
  Speaker 3: that that area, like tracks six through seventeen, the Rob
• 1:11:37
  Speaker 3: Zombie area is the majority of the album.
• 1:11:41
  Speaker 4: Man, this fucking Rob Zombie movie.
• 1:11:45
  Speaker 2: Rob Zombie do stream three? He should have it would
• 1:11:48
  Speaker 2: have been away. Maybe he just uncredited. Dude.
• 1:11:51
  Speaker 4: They fired and soundtrack guys from Spotify.
• 1:11:54
  Speaker 2: They get Rob Zombie and Robs. They got Rob Zombie in.
• 1:11:59
  Speaker 3: He's like, hell yeah, I got some I'll finish this
• 1:12:01
  Speaker 3: album out for you. The first guy, I guess the
• 1:12:04
  Speaker 3: first guy. They're like, well, you didn't put mud vain
• 1:12:07
  Speaker 3: on here? Also, why is it disturbed on here? At
• 1:12:09
  Speaker 3: some point I feel like that would fit somewhere.
• 1:12:12
  Speaker 2: In here a.
• 1:12:15
  Speaker 4: Million.
• 1:12:16
  Speaker 3: I was expecting Disturbed to come on when I was
• 1:12:19
  Speaker 3: listening to this the first time. Yeah, I was like,
• 1:12:23
  Speaker 3: at some point, I'm gonna hear that guy's voice.
• 1:12:28
  Speaker 1: Dude, I can just tell that he's got some weird
• 1:12:32
  Speaker 1: oral piercings going on.
• 1:12:34
  Speaker 4: Yeah, I can.
• 1:12:35
  Speaker 3: I can hear it, those big ass chin piercings that
• 1:12:39
  Speaker 3: he has.
• 1:12:39
  Speaker 1: What the fuck come come drop ornaments?
• 1:12:43
  Speaker 3: What is that?
• 1:12:44
  Speaker 1: Brother? Did you get that from fucking Jerusalem or what if?
• 1:12:51
  Speaker 3: Oh? Dude, that was the biggest curve ball. When I
• 1:12:53
  Speaker 3: found that out about him, I was like, what the hell?
• 1:12:56
  Speaker 1: Yeah, yeah, what.
• 1:13:04
  Speaker 3: Have you heard the end of Down with the Sickness.
• 1:13:06
  Speaker 3: You need to lock his ass up go nuts one of.
• 1:13:12
  Speaker 2: These days, man.
• 1:13:16
  Speaker 1: And then Aaron Lewis climbs back up on the table
• 1:13:19
  Speaker 1: again and he's finally ready.
• 1:13:22
  Speaker 2: He's really ready.
• 1:13:28
  Speaker 3: Oh oh my god. I'll never forget what a fucking
• 1:13:31
  Speaker 3: song that one is. We played with the band that
• 1:13:34
  Speaker 3: covered Down with the Sickness. They're like, you know, they're
• 1:13:38
  Speaker 3: like a junior high band, you know, And it was
• 1:13:40
  Speaker 3: just like kind of some bullshit show. And they did
• 1:13:43
  Speaker 3: the part at the end when he's like screaming at
• 1:13:46
  Speaker 3: his mom and ship and I was like, dude, we
• 1:13:48
  Speaker 3: gotta get out of here.
• 1:13:51
  Speaker 2: Oh no, that's dark, bro, that's heavy.
• 1:13:54
  Speaker 1: We need we don't want to see how I have
• 1:13:56
  Speaker 1: a conversation with my wife about that one time.
• 1:13:58
  Speaker 5: Like man's kind of selfish for him to just put
• 1:14:01
  Speaker 5: all that out in the middle of this fucking song
• 1:14:03
  Speaker 5: like that, dude, we're over here fucking literally trying to
• 1:14:07
  Speaker 5: get down into sickness and like, dude, I know it's
• 1:14:13
  Speaker 5: like I.
• 1:14:13
  Speaker 2: Was in the room, Bro, what are you talking about? Yeah, Like,
• 1:14:17
  Speaker 2: I'm sorry that happened, but like make that a whole one.
• 1:14:21
  Speaker 1: On six point seven the Fox Brother like.
• 1:14:24
  Speaker 2: We don't knock it out, you know what is going
• 1:14:26
  Speaker 2: on there?
• 1:14:28
  Speaker 1: Then Lindley's about to come on like like get it
• 1:14:32
  Speaker 1: to you gotta you can't put that burse out.