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Benders & Brews: S3: Episode 2 - Gas Masks & Snap Backs · Session Zero Heroes | TTRPG Actual Play Adventures & Improv Storytelling

0:02
>> Speaker B: Jasmine, oolong, green
0:05
and white. Long ago, these four
0:07
teas were skilfully brewed at the blissful brew.
0:11
Then everything changed when the shop's
0:13
popularity threatened its existence.
0:16
All Mr. Okuron, the shop's owner and tea
0:19
master, could do was to recruit four teenage
0:22
orphans to learn his trade and and staff his
0:25
shop. A year has passed since the orphans were hired
0:28
and although their skills have progressed, they still have a
0:31
lot to learn before they can brew anything. But
0:33
I believe that they have the potential to make the blissful
0:36
brew the greatest tea shop in the world.
0:41
>> Speaker C: Welcome back, everybody, to another episode of vendors and
0:44
brews. Season three, aka
0:47
the season of finale.
0:51
It is sad. It's also exciting.
0:54
so for those that need a little bit of catching
0:57
up, I got a headline right here on my
1:00
notes. It says for episode two, in big,
1:03
bold letters, Brock has been captured
1:06
by the Fire Nation. And that's all I have. So
1:09
we're going to roll with that. No, I'm just kidding. I got like a lot of details within
1:12
that, but I digress. if you don't know who Brock is, that
1:15
probably means that you are way behind on this show and you need
1:18
to go all the way back to the beginning and check it out from
1:21
there. So you know, what in the world is going on. But
1:24
without, whatever the case, we are going to introduce everybody. Just so
1:27
you just remember what their voice sounds like. It's been like
1:30
two weeks since the last episode. You might need a little bit of a
1:33
reminder here. So we'll start over to my right
1:36
with Dave. Dave, who are you playing?
1:38
>> Speaker D: I am playing Guohan the
1:41
adamant earthbender, the
1:44
youngest member of the party.
1:46
>> Speaker C: These are all true facts.
1:47
>> Speaker D: Can you give me an interesting.
1:51
>> Speaker C: I mean, not to say those weren't interesting.
1:53
>> Speaker A: Those were important.
1:54
>> Speaker D: The mystery to be revealed right now is
1:56
that Guo is a
1:59
shy pooper,
2:03
as many boys of his young age
2:06
of 14 might be.
2:07
>> Speaker E: Oh, I thought he was twelve.
2:09
>> Speaker D: No, he's not that young.
2:12
But he would often leave the
2:15
tea shop and go other places to do
2:18
his business. so along
2:20
with his food review
2:23
system, while he was at those food
2:26
places, he would use
2:29
their bathroom and he would leave a review
2:31
in there as well. Instead,
2:34
of boulders, it was poo.
2:38
The bigger the poo, the better the loo.
2:41
>> Speaker C: Really?
2:42
>> Speaker A: Wow.
2:43
>> Speaker E: He wanted like rhyme system and everything.
2:46
>> Speaker A: Wow.
2:46
>> Speaker D: But I mean, it was cleanliness. like,
2:49
if there was a theme in the restaurant, how well
2:52
did the bathroom tie into that theme?
2:56
You've been to a themed restaurant? You go to the bathroom and it's like, ah. Oh,
2:58
this is just a regular bathroom.
3:01
If there's any funny signs on the walls,
3:04
even if it's just graffiti, if they allow
3:07
graffiti, that's sometimes a plus. It's also a lot easier
3:10
for him to leave his review. He just
3:13
leaves it on the floor, like next to the
3:16
toilet. What makes an impression in
3:19
the floor?
3:19
>> Speaker C: Oh, with his earth been, he does.
3:22
>> Speaker D: Not poop on the floor.
3:27
>> Speaker C: Through the use of defecation.
3:28
>> Speaker D: no, he leaves a permanent mark on the floor,
3:31
like he does with the food review
3:34
system. But he would,
3:37
sometimes also go into hot leaf juice,
3:40
not to get anything to drink, but just to poop in their toilet
3:43
and not flush.
3:44
>> Speaker A: Oh, man.
3:45
>> Speaker C: The biggest sabotage on the
3:48
next. Interesting fact about
3:53
just had three episodes straight.
3:58
>> Speaker A: Interesting.
3:59
>> Speaker D: Oh, man, that would have been good.
4:00
>> Speaker C: Sorry, Dave.
4:01
>> Speaker C: Oh, well, you've got a theme to go off of
4:04
if you want. Maybe you come up.
4:07
I'm really curious, and I'm going to use this as a way to pitch this,
4:10
but I'd like to really do a, q and a episode at the
4:13
end of season three to talk about any questions
4:16
that people might have with the characters
4:19
once all this is said and done and whatever the conclusion is
4:22
and either where they go from here or what happened to, them and
4:24
maybe situations that we didn't get to hear about or talk about.
4:27
And one of the things that I personally would love to discuss,
4:30
and I don't want to discuss it now because I want to save it, but I really want
4:33
to discuss the people. Does
4:36
Guo have a big following in the
4:39
city? of gaoling with
4:42
his food reviews? Like people that actively go and seek
4:44
out.
4:45
>> Speaker D: It's probably more of a mystery. Doesn't make a big deal about it.
4:48
He doesn't really tell people about either. They're just there.
4:51
So maybe some people have started to figure it out.
4:54
>> Speaker E: He's got a stalker, probably.
4:55
>> Speaker C: Yeah. Or many. Maybe he's got a fan club. Who
4:58
knows? It'll be something we'll have to discuss for
5:01
sure, but, I think that's great. I think that's great. Awesome.
5:04
So, next up, we got Michaela. Michaela, who are
5:07
you playing and what is their interesting fact?
5:09
>> Speaker E: I play Mika.
5:12
>> Speaker C: Yes.
5:13
>> Speaker E: I don't know how to describe her.
5:15
>> Speaker C: Something waterbender. At the very least.
5:18
>> Speaker E: She is a waterbender.
5:21
>> Speaker D: She's 17.
5:22
>> Speaker E: Is 17. Unless she just had a
5:25
birthday. Who knows? That could be one of my.
5:29
>> Speaker C: She's away from home. Hey, you know what? She got to
5:32
reunite with her dad. That's a big birthday present.
5:34
>> Speaker A: There you go.
5:35
>> Speaker C: I don't feel that bad.
5:36
>> Speaker D: She's just going to be passive aggressive the rest of the season because
5:39
we all forgot her birthday.
5:44
>> Speaker E: Died.
5:46
>> Speaker C: All about you, Mika.
5:48
>> Speaker A: Jesus.
5:49
>> Speaker E: Okay. No, but for the real fun fact
5:52
is she likes to do origami.
5:55
>> Speaker F: Oh, very cool.
5:56
>> Speaker C: I wouldn't have guessed.
6:01
>> Speaker D: Embroidery.
6:02
>> Speaker C: She's pretty artsy. The crafty diy.
6:05
>> Speaker E: You have to find some ways to entertain yourself when you
6:08
have zero friends.
6:11
>> Speaker C: What are we when it's released?
6:13
>> Speaker E: Okay, well, I wasn't always with you
6:16
guys. Before you, it was just me and my
6:18
dad.
6:20
>> Speaker F: Birds, I guess.
6:21
>> Speaker C: Paper birds, all kinds of stuff.
6:23
>> Speaker E: Right on.
6:24
>> Speaker F: That's cool.
6:24
>> Speaker A: That's cool.
6:25
>> Speaker C: Awesome. I like it. All right, next up we've got
6:28
the captured himself. Connor.
6:31
>> Speaker F: Yeah.
6:31
>> Speaker G: I'm Brock Lee. The
6:34
17 or 18, I can't remember. Year old
6:37
earthbender.
6:38
>> Speaker C: 1717 year old
6:40
earthbender.
6:42
>> Speaker G: and, the reason that he got captured
6:45
by the fire nation in the first place is because, he's
6:47
into the older ladies. it's true.
6:51
He's into the older women
6:54
and he was killing it with his eight
6:57
before.
7:01
>> Speaker C: He wasn't.
7:01
>> Speaker G: He got, got. He got, yeah, sure. At least that's what
7:04
he'll tell you, that he was killing it.
7:06
>> Speaker A: Ah.
7:07
>> Speaker C: All right, well,
7:10
we'll see if you reunite. what's your interesting fact that wasn't
7:13
interesting? The older lady,
7:16
as we learned last time. Last time,
7:19
he's reiterating.
7:20
>> Speaker E: I don't know if that's a real fun fact.
7:22
>> Speaker C: Well, I think it's, I think it's fun.
7:24
>> Speaker F: Yeah, it's pretty wild.
7:26
>> Speaker C: I would ask what is the
7:29
extent of olderly, but I don't know. Is that going
7:32
to get into a weird discussion? Maybe, I
7:35
don't know.
7:40
as long as he's not dating any woman from his own
7:43
immediate or family in general.
7:48
>> Speaker G: What'S the half plus seven rule? Where does he
7:50
fall?
7:52
>> Speaker C: So what? 34 plus seven. So 40,
7:55
79 to 1141.
7:58
>> Speaker G: Oh, so he can he go, whoa.
7:59
>> Speaker C: He can go, he can, he can
8:02
go whoa.
8:03
>> Speaker G: He said, I, think like the extent is about
8:06
35 because, he's 17.
8:09
>> Speaker E: But what if they look 35 but
8:11
they're not 35?
8:16
Maybe honesty is the best policy.
8:18
>> Speaker C: All right, to be fair, I think
8:21
the typical age of consent is 18. Just want to
8:24
establish that all the people who are listening
8:26
just want to clarify the situation here. also
8:29
that this game takes place within a fictional universe. I'm not saying it's
8:32
okay, but just clarify.
8:35
We're not encouraging any
8:37
situations here.
8:39
>> Speaker E: Don't follow. Broccoli by any chance.
8:40
>> Speaker C: Yes.
8:44
All right. And then moving on to our next and
8:47
final player, Cameron.
8:49
Hello, Cameron.
8:52
>> Speaker E: I play bill door.
8:53
>> Speaker F: Bill Dore, age
8:56
1616.
8:58
>> Speaker C: everyone's. Interesting fact for today.
9:00
>> Speaker A: That's it.
9:01
>> Speaker C: Reminder of how old we are. No.
9:04
I guess a fun fact about.
9:06
>> Speaker F: Him is, in his spare time, he goes
9:08
over to the, I've talked about this, where he
9:11
goes over to the old folks home and he plays, PI show. I think that's
9:14
what it's called with them. But, another thing he does with
9:17
them is he takes,
9:20
cooking classes with them.
9:22
>> Speaker C: Oh, nice.
9:22
>> Speaker F: He wants to get better at cooking, but he
9:25
feels embarrassed if he was to take cooking classes
9:28
with other people his age. But when he takes it with the
9:31
classes with his old folk friends, he finds that
9:34
to be a lot easier. And also, they
9:36
typically underperform to him
9:39
due to the fact that they might misplace their ingredients or
9:42
get lost halfway through. And so Bill
9:45
feels like he helps them, but also just does better than them, makes
9:48
them feel a little better about cooking.
9:51
>> Speaker D: They add, like, way too much salt. Their hands are
9:54
shaking.
9:54
>> Speaker A: Yeah.
9:55
>> Speaker C: And they can't taste it as well.
9:58
All right. Okay, cool. Yeah, no, absolutely. Maybe, one
10:01
of these days he'll work up the courage and
10:03
confidence to share one of his dishes, with
10:06
Guo. And then Guo can leave him a rating, not the
10:09
bathroom rating.
10:10
>> Speaker F: That's another reason why he's afraid to.
10:11
>> Speaker C: Do cooking anywhere else, because he knows.
10:14
>> Speaker F: Guo is always sniffing around.
10:15
>> Speaker C: Guo is a harsh critic. Bill
10:18
comes walking back to the blissful brew, and Guo's like,
10:21
why do you smell like cardamom?
10:24
>> Speaker F: Bill saw Guo give a place a single
10:27
pebble rating, and he's been afraid.
10:29
>> Speaker C: Of that ever since. It's an intense situation.
10:32
You don't want it to happen to you.
10:34
Awesome. Well, with that, we will jump
10:37
into season three, episode two of
10:40
benders and Bruise.
10:47
We open on a scene as
10:49
Wang long trails behind two guards with
10:52
their arms around Brock Lee's
10:55
shoulders, dragging him
10:57
reluctantly across the dirt path
11:00
leading towards a set of stairs attached to
11:03
which is a hulking, tall
11:05
building. Brock sees from the top of this building,
11:08
there's a small chimney, and a strange
11:11
pink mist sort of rises from
11:13
this chimney. As they approach the
11:16
door, two fire nation guards
11:19
stand at the ready. They both salute,
11:22
and Brock is, very confused by the fact that they
11:25
both seem to be wearing these strange masks
11:28
with this, sort of outcropping over the
11:31
mouth area. the
11:33
guards then take Brock from the guards that are
11:36
currently holding him, and they open up the doors. And
11:39
as they do, a puff of the
11:42
same pink misty smoke greets Brock
11:45
as they drag him inside. As soon as
11:47
Brock takes a whiff of this smoke, it smells sweet,
11:50
kind of smells nice, a little bit perfumey.
11:53
But as soon as he smells it, he starts to feel a
11:56
little bit lethargic, a little bit slower, a
11:59
little bit mellowed out. He doesn't
12:02
feel that he has the strength to fight against the
12:05
guards anymore. And they easily take him up
12:07
two flights of stairs and put him
12:10
into a wooden prison cell
12:14
and close the door behind him
12:17
first, of course, I.
12:18
>> Speaker G: Got to say, whoa, I didn't know they were chill like
12:21
that. what,
12:24
what all is, what all can
12:26
I see from this said prison
12:29
cell?
12:30
>> Speaker C: Sure. So there's kind of a walkway
12:33
again, most of just about everything in here or the
12:35
exterior is all wooden. And you know that as an
12:38
earthbender and being in an earthbender city,
12:41
it makes sense that they wouldn't want to keep their prisoners in
12:44
anything that's made of earth. your
12:47
prison cell itself is some
12:49
fairly thick wooden bars at the
12:52
front, that have like, hinges that open up
12:55
the door to the cell itself.
12:59
outside there's a walkway that goes all the way
13:02
around the circumference. And you can kind of see
13:04
outside. there's kind of just this haziness that kind of
13:07
envelops everything from this pink smoke. And you
13:10
can kind of see through that it's not overbearing or
13:13
anything like that. and you can see that there's other cells all
13:16
around you, occasional ones, filled with
13:19
a resident, somebody that has been imprisoned
13:21
by this, fire nation prison. And
13:24
then past that, you look over the edge of this walkway and
13:27
you can just see that there are two other floors.
13:30
There's the first floor, the base floor. There's a middle floor. And then there's
13:33
your floor.
13:34
>> Speaker A: Right.
13:34
>> Speaker C: The middle and first floor also just filled with
13:37
these, prison cells that have
13:40
various people inside of them. In the middle of
13:43
the first floor you can see that there's
13:46
some sort of, a tube that kind
13:49
of comes up from the ground. You can see that there's
13:52
like a hot, maybe fire inside of it.
13:54
And you can see that's kind of where this pink
13:57
smoke is kind of stemming from.
14:00
obviously they're burning something, maybe in a basement
14:03
level, and then that causes whatever this
14:05
strange chemical
14:08
or smoke from whatever plant it is, they might
14:11
be burning to go up. And you have a pretty good
14:14
feeling that this smoke is what's causing you to
14:16
feel lethargic, feel
14:19
slow, feel weak.
14:22
>> Speaker G: Am I alone in this cell?
14:24
>> Speaker C: yes, you are alone in your cell.
14:26
>> Speaker G: Is there anybody with an earshot that.
14:28
>> Speaker A: I could talk to?
14:29
>> Speaker C: Yeah, there's cells right next to you.
14:30
>> Speaker G: So could I ask, the guy next to me, like, what
14:33
is this place? What's going on?
14:35
>> Speaker C: And, a voice kind of softly
14:38
speaks out to you, and he says, this
14:42
is the Udao prison facility.
14:45
What'd you do to get in here?
14:48
>> Speaker G: I was on a date with an older lady.
14:52
Guess they didn't like that too much.
14:54
>> Speaker C: Yeah, they don't like it when you kill three
14:56
people either.
14:58
>> Speaker G: Nice, bro.
15:01
That's pretty metal. Yeah, actually, no, it's
15:04
wood.
15:05
>> Speaker F: Sorry, continue.
15:07
>> Speaker C: He kind of laughs, like, painfully.
15:12
Well,
15:15
this isn't a fun place to be. I'll say
15:18
that much. I don't know. I
15:21
didn't know that dating an older lady, would
15:24
get you in trouble, but maybe she was important or
15:27
something. But, you
15:29
definitely made a bad call, landed
15:32
yourself in a bad place.
15:34
>> Speaker A: Yeah.
15:37
>> Speaker G: Why is everybody acting high in here? What's going
15:40
on?
15:41
>> Speaker C: It's this smoke, man. They're pumping it
15:45
into the whole facility. That's why you see the fire
15:48
nation guards walking around. They all have masks on.
15:51
That's why they got those masks on, is it helps
15:54
them. It filters out
15:57
the smoke.
15:59
>> Speaker A: Sorry.
16:00
>> Speaker C: I'm getting kind of tired.
16:02
I'm going to take a nap.
16:05
>> Speaker G: Okay. All
16:07
right. let me see if I can't be
16:10
resourceful here. So you're saying that what appears
16:13
to be pumping the smoke is on the first
16:16
floor, right? I am not on the first floor.
16:19
>> Speaker C: You are not. You are on the third floor, and.
16:21
>> Speaker G: I just came in from outside.
16:23
>> Speaker C: Right.
16:25
>> Speaker G: So would it be fair to say
16:28
that there is dust on my feet still from
16:31
outside?
16:33
>> Speaker C: sure, yeah, we could probably say that much.
16:35
>> Speaker G: So could Brock, in this case,
16:38
spit on his feet and make
16:41
some mud. Pebbles out of said
16:44
dust and spit. I told you it
16:46
wasn't useless.
16:48
>> Speaker F: It was a stupid thing.
16:50
>> Speaker A: Useless.
16:51
>> Speaker C: All right, yeah, I would say that you
16:54
would. You are currently, because of this
16:57
smoke. that's kind of disabling you a bit. You
17:00
are currently impaired,
17:02
insecure. You're probably a little insecure
17:05
as well, but at the moment, more
17:07
importantly, you are impaired.
17:10
>> Speaker G: We're slowed or off balance, mark one, fatigue
17:13
or take minus two to all physical actions.
17:16
>> Speaker C: Correct.
17:19
>> Speaker G: All right, I will take one
17:21
fatigue. All right.
17:23
>> Speaker C: And then you would just roll with, well, this is just
17:26
making rocks. I would say that you could just do it.
17:29
It's not like, rely on your skills and training or anything. It's making
17:32
something simple. So you're making some just kind of like dirt stones
17:35
that you can kind of fashion into something to possibly start
17:38
kind of working your way out is what you're saying.
17:40
>> Speaker G: Basically, the plan is, does
17:43
Brock wear shoes?
17:44
>> Speaker C: I thought he had, like, sand. no, I think you're right. I think
17:47
he just had.
17:48
>> Speaker G: Is he feet?
17:49
>> Speaker C: I think he's just barefoot.
17:50
>> Speaker G: I don't know if that's ever been established. Well, I got my next fun fact.
17:53
>> Speaker C: He typically walks around barefoot.
17:55
>> Speaker G: So, yeah, I guess just spit on my feet and,
17:58
make a few mud pebbles.
17:59
>> Speaker C: All right, sounds good. And then what are you doing with the mud pebbles?
18:02
>> Speaker G: I'm going to hang on to them for now.
18:04
>> Speaker A: All right.
18:04
>> Speaker G: How many do you say I make?
18:06
>> Speaker C: Let's say five.
18:07
>> Speaker G: Yeah, five mud pebbles. Okay, see, I got
18:10
five mud pebbles. Okay. I
18:13
shall lie and wait while trying to devise a plan.
18:16
>> Speaker C: All right, sounds good. We will cut back to the
18:19
rest of the gang, who is all standing just outside
18:22
of Udao, right alongside the very
18:25
tributary, which is sort of a river
18:27
that's leading into land and kind of just hits a dead end,
18:30
I believe, assuming that I read my geography
18:33
right. environmental science, what have you.
18:36
And you guys are just waiting by kind of the edge of this. You're
18:39
supposed to follow the tributary to your
18:42
next destination, which Mr. Okaron has, shared
18:45
with you. The only problem is that your
18:48
companion went off to go,
18:51
have some tea with an older
18:53
lady that he had met on the pirate ship.
18:56
you guys were able to get the pirates to go away,
18:59
but otherwise, that's kind of where you're sitting at. and it's
19:02
been a couple hours at this point, and your buddy has
19:05
not come back.
19:06
>> Speaker D: Mika, that was pretty solid the way you tricked those
19:09
pirates.
19:10
>> Speaker E: Yeah.
19:11
>> Speaker C: Guo says after like, 2 hours of you guys just sitting
19:14
there.
19:19
>> Speaker F: Anyone know how to juggle?
19:21
>> Speaker E: we all just look at globe.
19:22
>> Speaker C: I was going to say, if anyone does, I feel like Guo has
19:25
to. Right.
19:26
>> Speaker D: It's harder than it looks, but I
19:29
can.
19:33
>> Speaker C: Boosting myself up.
19:36
>> Speaker D: I grab some rocks from the stream and I start to
19:38
juggle them.
19:39
>> Speaker C: All right. You do?
19:42
>> Speaker F: Wow. That's quite impressive.
19:45
If only Brock was here to see this. He would
19:47
love it.
19:49
>> Speaker E: Can you do it with more than. How many are you
19:51
juggling?
19:53
>> Speaker F: Just count them three.
19:56
Can you not count, Mika?
19:58
>> Speaker E: Yes, I can count. I throw them m a fourth
20:01
one. As I say. How many can you
20:04
juggle?
20:06
>> Speaker F: Does earth bending help you when you juggle those?
20:10
>> Speaker D: It, can. Yeah, I can increase the number if I use earth
20:13
bending.
20:16
>> Speaker F: Ten.
20:17
>> Speaker E: Throw them another one. Think fast.
20:20
>> Speaker D: I'm going to keep juggling.
20:22
>> Speaker C: Do, me a rely on your skill.
20:25
>> Speaker F: So you have 14?
20:27
>> Speaker A: Yeah.
20:27
>> Speaker C: Okay. Ten more.
20:29
>> Speaker F: Yeah.
20:30
>> Speaker C: All right. Let's see if you can do ten.
20:32
>> Speaker D: Pushing my luck.
20:34
>> Speaker C: Hey, if you feel like it's pushing your luck, go for it.
20:39
>> Speaker D: I forgot I got that boost to passion. So
20:42
that's a 13.
20:43
>> Speaker C: Holy juggling.
20:45
>> Speaker A: 14 rocks glow.
20:47
>> Speaker C: It is mesmerizing, truly
20:50
mesmerizing to just watch as Guo, with his
20:52
expert carnivalcircus.
20:55
expertise. Just juggling 14
20:59
rocks in the air.
20:59
>> Speaker F: This is the coolest thing I've ever seen in my
21:02
life. And I've seen a solar eclipse, so.
21:05
>> Speaker E: Let me tell you, I'm not
21:07
that impressed by it.
21:09
>> Speaker F: Oh, can you do that? I bet you came in juggle two
21:12
mika rocks.
21:14
>> Speaker E: Probably not.
21:15
>> Speaker F: And you're not impressed by 14.
21:18
Can you even count up?
21:19
>> Speaker E: I'm saying it's not the coolest thing I've ever seen
21:23
ever since.
21:24
>> Speaker C: It is cool, but, his reading ability has
21:26
been pitted against Brock's lack of reading ability. Why
21:29
is Bill just on, like, some kind of intellectual power trip?
21:32
>> Speaker G: I wish Brock was here.
21:35
>> Speaker E: Does he make you feel smart?
21:37
>> Speaker F: I bet he would juggle more. He would challenge,
21:40
guo to his 14.
21:41
>> Speaker E: We could go.
21:42
>> Speaker F: He'd probably juggle 15
21:45
and then juggle, like, 28.
21:47
>> Speaker C: As you guys are discussing this, and Guo continues to
21:50
juggle 14 rocks.
21:51
>> Speaker F: Keep it up.
21:52
>> Speaker C: All of a sudden, the same pirate woman that
21:55
Brock had just disappeared with comes walking
21:58
up to you guys, and.
21:59
>> Speaker E: She waves, just walking nonchalantly.
22:02
>> Speaker C: Yeah, she's just walking up to you. She's on a stroll.
22:04
>> Speaker F: She actually walks past us. Okay, bye.
22:08
>> Speaker C: Actually, she kind of walks past you guys and looks around, and
22:11
she's like.
22:12
>> Speaker H: You guys were the ones that we were going
22:14
to force to get treasure from, right?
22:17
>> Speaker A: No.
22:19
>> Speaker E: I mean, you guys have the map, so there's no
22:22
force about.
22:24
>> Speaker H: I wasn't. Hold on.
22:27
Explain. where is the captain?
22:28
>> Speaker F: He went to go get the.
22:29
>> Speaker E: Where is Brock?
22:31
>> Speaker A: Oh, yeah.
22:33
>> Speaker H: You guys are friends with Brock?
22:34
>> Speaker A: Well, duh.
22:34
>> Speaker H: What am thinking?
22:35
>> Speaker A: Yeah.
22:35
>> Speaker H: Okay, so, okay. Where did you say captain and were?
22:38
>> Speaker F: We sent him to go get the treasure. We gave him a map and
22:41
everything.
22:43
>> Speaker H: I might as well just go back to that.
22:44
>> Speaker E: I'm sure I was going to say hours
22:47
ago.
22:48
>> Speaker H: Oh, my God.
22:49
>> Speaker C: Well, yeah, okay.
22:50
>> Speaker H: Maybe they're back at the ship anyway.
22:51
>> Speaker A: Maybe.
22:52
>> Speaker H: What were you saying?
22:53
>> Speaker E: I was just going to say that's the direction they went.
22:55
>> Speaker H: Okay, maybe I'll go that.
22:57
>> Speaker F: Might just see them in passing, maybe carrying a large crate or something.
23:00
>> Speaker E: Yeah, just to clarify, a point
23:03
in the opposite direction they actually went.
23:05
>> Speaker C: She's like, I think it's probably just.
23:07
>> Speaker H: Easier I go back to the ship at this point. I mean, unless
23:10
you got another map, I bet you.
23:14
yeah, sorry, Brock. okay, so we were at
23:17
the tea shop, and this big, angry fire
23:20
nation dude and his cronies came in, and
23:23
he just started dissing on some
23:25
wang. Yeah, yeah, I
23:28
think so. General, wang,
23:31
long wing.
23:32
>> Speaker A: Long.
23:32
>> Speaker H: Oh, yeah, that sounds right.
23:33
>> Speaker F: Yeah, you can't forget a name. Like,
23:37
>> Speaker H: Yeah, okay, so, yeah, that sounds right. So this guy must have
23:40
been long, and, like, Brock just kept ragging on
23:43
this dude, and then he got mad, which, I mean,
23:46
that's kind of what happens. And then he took him.
23:49
>> Speaker E: Oh, took him away where?
23:51
>> Speaker H: I think I saw him dragging him to the Udao prison facility.
23:54
It's like a new thing that the fire nation must have built. I guess.
23:57
>> Speaker A: I don't know.
23:59
>> Speaker D: Oh, no. What are we going to do,
24:01
guys? We got to get Brock back.
24:03
>> Speaker H: Kind of over, like, on the eastern side of town. Anyway, I got to get back to the
24:06
ship.
24:08
>> Speaker E: You could help us find him.
24:10
>> Speaker H: Oh, no, I have no interest whatsoever, okay?
24:15
>> Speaker F: No team up?
24:16
>> Speaker H: No, he paid for my tea, and that's really all I was interested
24:19
in.
24:20
>> Speaker F: Use them and lose them, huh?
24:22
>> Speaker H: That's right.
24:23
>> Speaker C: That's a great way of doing things.
24:25
>> Speaker F: Well, guys, we got to go. Break
24:28
rock, out, brock, out.
24:29
>> Speaker E: Yeah, let's break rock out.
24:31
>> Speaker F: Break rock out.
24:32
>> Speaker D: Rock out.
24:33
>> Speaker C: Let's rock out.
24:34
>> Speaker F: Why don't we go back to that
24:36
underground hidden squadron, whatever
24:39
they were called, and we just get them to go
24:42
raid the jail?
24:44
>> Speaker E: Well, where's, like, the fun in that?
24:46
>> Speaker F: it's called, we've come in behind them, and they
24:49
do all the hard stuff for us.
24:51
>> Speaker D: I thought most of their agents went on
24:54
different.
24:57
I thought most of their agents went on a
25:00
dangerous mission or something.
25:02
>> Speaker F: Oh, maybe.
25:03
>> Speaker E: Yeah. Why don't we just have guao be like,
25:06
hey, guys, you want some entertainment? I can juggle
25:09
14 rocks.
25:10
>> Speaker F: you can.
25:11
>> Speaker E: My fox dog can run in there. Cause a
25:15
dog. Oh, my gosh, bro.
25:18
>> Speaker C: Here we go.
25:19
>> Speaker F: I never see it.
25:20
>> Speaker E: It's always by me.
25:22
>> Speaker C: He never talks.
25:24
>> Speaker E: It's a dog. very quiet.
25:25
>> Speaker C: Dog and Skylar doesn't want to have to make the
25:28
noise to make it, to put him into
25:31
the scene.
25:32
>> Speaker F: Juggle.
25:33
>> Speaker E: Absolutely not.
25:34
>> Speaker D: has it tried?
25:35
>> Speaker A: Yeah.
25:40
>> Speaker E: Throw him some rocks, but don't actually. He
25:43
doesn't know what you're doing.
25:43
>> Speaker F: You'll toss them.
25:45
>> Speaker D: I toss a rock.
25:48
>> Speaker C: Whoa.
25:50
>> Speaker D: I think template fetch.
25:53
Oh, thanks.
25:55
>> Speaker F: Get back to juggling.
25:56
>> Speaker C: I guess from where you guys are at, you can actually see the
25:59
prison facility and the kind of pink smoke that
26:02
billows up from it off in the distance.
26:04
>> Speaker E: Pink?
26:04
>> Speaker A: Yeah.
26:05
>> Speaker F: Is that the building? The one with the pink smoke
26:08
coming out of it?
26:09
>> Speaker E: I have no idea.
26:09
>> Speaker F: Let's just go over there.
26:12
>> Speaker C: She had pointed almost directly at
26:14
that.
26:15
>> Speaker F: Let's just see.
26:16
>> Speaker E: Yeah. Let's nonchalantly walk over
26:18
to the jail.
26:22
>> Speaker C: you guys head in that direction, and after, like, maybe ten
26:24
minutes, you guys arrive and there's a big sign that says
26:27
jail. Doesn't say with
26:30
Brock in it. Sure, if he's here. It says
26:33
udao prison facility.
26:36
>> Speaker E: Don't they, like, get visitors?
26:39
>> Speaker F: This is Fire nation prison. they
26:42
get tortured.
26:44
>> Speaker C: There's no Geneva convention.
26:46
>> Speaker E: See if they'll have visitors.
26:48
>> Speaker F: What?
26:49
>> Speaker E: Let's just go see if they will allow
26:52
visitors.
26:53
>> Speaker F: I'm, not a big fan of that idea.
26:55
>> Speaker E: Just the crime.
26:58
He probably wasn't taking away for something
27:01
serious. Maybe low key.
27:04
>> Speaker F: He can have a fire nation
27:06
prison. I don't think he just like, but.
27:09
>> Speaker E: He'S not like a real threat.
27:11
>> Speaker F: I know a bunch of people who disagree with that
27:14
statement. He punched that one dude through a wall. Don't you
27:17
remember?
27:17
>> Speaker A: Okay.
27:18
>> Speaker E: But the fire nation doesn't have a clue. He
27:21
kind of doesn't come off as the smartest guy.
27:24
>> Speaker F: Well, he probably did something not too smart to get him
27:26
mad.
27:27
>> Speaker C: If I'm going to be completely honest, I desperately want you to
27:30
try.
27:30
>> Speaker E: I think that I'm going to go.
27:33
>> Speaker C: Okay.
27:34
>> Speaker E: I'm not suggesting we all go.
27:36
>> Speaker C: I'm just waiting out here.
27:37
>> Speaker D: Guo, then, yeah,
27:40
I don't think we should all go.
27:42
>> Speaker F: I think this plan is dumb, actually.
27:45
>> Speaker D: Is this a fire nation city? I forget.
27:48
>> Speaker C: So it's sort of like the fire nation has come here
27:51
because Udao is located so close to the
27:54
earth kingdom border that you
27:57
have, the ocean, and then there's the fire nation islands.
27:59
So the fire nation is kind of integrated into
28:02
this city. sort of. Somebody used
28:05
the word gentrification. It's almost like a
28:08
gentrification. I think it was brock ironically.
28:11
But there's sort of like a gentrification. So
28:14
they're sort of not infiltrating, per se, but
28:17
kind of trying to shape the culture to be a bit more fire
28:20
nation as sort of a way to peacefully take over,
28:23
in a sense. So, they have representatives
28:26
here. They've established essentially, almost like an
28:29
embassy, but at the same time, they also have this prison
28:32
facility that they've offered as a
28:35
service. You could probably say, like, oh, we'll
28:37
hold your prisoners for you kind of a thing.
28:40
>> Speaker E: Okay, well, I'm walking in.
28:41
>> Speaker C: Well, okay, I'll get to that.
28:43
>> Speaker D: And the political dissidents that oppose the fire
28:46
nation's agenda.
28:47
>> Speaker C: Exactly. All right, Mika, you approach, and there are
28:50
two guards standing by the door. They're wearing these very strange, very
28:53
tight masks that go all the way around their face, and they have
28:56
kind of a piece that juts out over in the mouth, and they
28:59
will stand at attention. They don't seem like they want to let you through,
29:02
but you approach them and you talk to them.
29:04
>> Speaker E: Yeah. Hey, guys.
29:07
>> Speaker A: Hello.
29:09
>> Speaker E: I'm pretty sure that you have a
29:12
guy named Brock somewhere
29:15
around here.
29:16
>> Speaker A: Let me check.
29:17
>> Speaker C: And he pulls out a clipboard. He starts going
29:20
down, and
29:22
he's like.
29:23
>> Speaker A: I'm, not seeing him on my list. Oh, wait, hold on.
29:26
>> Speaker C: And then he flips over, and there's a page underneath, and he goes,
29:29
oh, he's the new.
29:30
>> Speaker A: Yeah, we just got him in.
29:32
>> Speaker E: Can I say hi to him?
29:35
>> Speaker C: they kind of, like, look at each other, and they're like,
29:38
that's.
29:38
>> Speaker A: Not normally how this works. who exactly
29:41
are you? are you his wife or something?
29:44
>> Speaker E: Yeah.
29:45
>> Speaker A: Okay.
29:47
>> Speaker C: roll, plead,
29:50
which is with harmony.
29:52
>> Speaker D: Are these the guards who arrested,
29:56
>> Speaker C: That. The ones that arrested him handed them off to
29:59
these guys who have the proverbial, gas masks,
30:01
essentially.
30:02
>> Speaker D: So they don't know Brock was cheating on his
30:04
wife.
30:08
>> Speaker E: I got a seven.
30:09
>> Speaker C: A, seven. Okay, so on a seven to nine, they need
30:12
something more. Evidence that this is the right course of action,
30:15
guidance to make the right choice, resources to aid them, et cetera.
30:18
Before that, they will let you act. So
30:21
you need to give them another reason why. Okay, here,
30:24
let me act.
30:25
>> Speaker A: Okay, so why exactly do you
30:28
need to see him? what's so important?
30:32
>> Speaker E: well, I'm pregnant.
30:37
>> Speaker C: You know what? That's a pretty good reason.
30:40
>> Speaker E: He doesn't know.
30:41
>> Speaker A: He doesn't know.
30:43
>> Speaker C: They're looking at each other. They're, like, frantic at this point.
30:45
>> Speaker A: They're like, oh, my gosh. Well, okay, so there's
30:48
this gas, that we have in this facility
30:51
to kind of mellow out the prisoners so they don't try to
30:54
escape. yeah, you're going to need one of these.
30:57
we'll give you 15, minutes.
30:59
Okay.
31:00
>> Speaker C: And they give you one of these masks,
31:04
and you put it on. I'm assuming you're putting it on. You
31:07
put it on, and then one of them leads you into the facility
31:10
and takes you upstairs to the third floor.
31:13
And there you see Brock, who's kind of,
31:16
like, a little bit. He seemed a little bit zonked
31:18
out. Just a little bit.
31:19
>> Speaker E: Perfect.
31:20
>> Speaker C: He's in here. And they're like, great.
31:23
>> Speaker A: I'll be back in ten minutes to come and get you.
31:26
whatever you do, don't take that mask off. Okay?
31:29
>> Speaker E: You got it.
31:30
>> Speaker C: All right. And then he walks back downstairs.
31:32
>> Speaker E: So there's, like, no guards around. So I don't have to, like, how
31:35
much I have to sell this act. Can they hear me or just see
31:38
me?
31:38
>> Speaker C: There's a guard on each floor, but the one
31:41
that's on this floor is, like, way over in the other
31:44
corner. So, they won't be able to hear you for sure.
31:47
>> Speaker E: Perfect.
31:47
>> Speaker C: They can see you, but they won't be able. Then I guess,
31:50
yeah. You don't have to, like,
31:53
remember that night, September
31:56
14, when we.
31:58
>> Speaker A: What a wild night that was.
32:01
Well, I've got news for you.
32:05
>> Speaker C: You didn't realize when you went and got yourself
32:07
arrested,
32:12
you got married. And
32:15
what happened on September
32:18
14 where we made a lot of big life
32:20
decisions all at once?
32:24
>> Speaker A: I do, bro. Miko.
32:27
>> Speaker G: What's up, dude?
32:29
>> Speaker C: I was kind of hoping that you.
32:32
So good to see you.
32:33
>> Speaker G: What's up?
32:34
>> Speaker A: How are you?
32:34
>> Speaker E: I'm so glad you think it's so good to see me.
32:37
>> Speaker F: So good.
32:39
>> Speaker G: What's up? What are you doing here? Do you get arrested
32:42
too? Were you also hitting on a lady?
32:44
>> Speaker E: Absolutely not.
32:45
>> Speaker G: Did she ask for my number?
32:48
>> Speaker E: You know, we'll get to that.
32:50
>> Speaker F: Okay.
32:51
>> Speaker A: Sick.
32:51
>> Speaker C: Say, what's up?
32:53
>> Speaker E: Well, you're in jail, and I'm in jail.
32:55
Yeah.
32:56
>> Speaker C: Wait, what?
32:57
>> Speaker E: What happened? Well, you see, actually, I
33:00
don't want to know. I only have 15 minutes.
33:02
>> Speaker F: Okay.
33:03
>> Speaker G: Sick. So what are you trying to do?
33:07
>> Speaker E: How well can you escape?
33:10
Are you out of it, or are.
33:11
>> Speaker C: You, like, sick?
33:14
>> Speaker G: Bro, I'm so ready. Do you
33:17
have snacks on you?
33:20
Did you bring any snacks?
33:24
>> Speaker G: I know this is a long shot. I know it, I know it.
33:26
>> Speaker E: But I don't really have pockets.
33:28
>> Speaker G: Do you have any
33:31
cakes on you? At this point, I would tear up,
33:33
chocolate cake.
33:34
>> Speaker E: I look around the I would absolutely floor around
33:37
dismember.
33:38
>> Speaker C: It's just like a wood, like, walkway all around.
33:47
>> Speaker G: My best friend, if you had some chips right now,
33:51
I'd marry you.
33:52
>> Speaker C: If you had some chips.
33:59
>> Speaker F: Funny fact.
34:02
>> Speaker E: Okay, well, we had to figure out a way to break you out.
34:05
Also, if the guards come and ask you,
34:08
we're married and having your
34:11
child.
34:14
>> Speaker G: When did that happen?
34:19
Aren't you like
34:20
1417? Okay,
34:24
that makes it a little better.
34:25
>> Speaker C: I was going to say it's a much safer situation. That is a much safer
34:28
situation.
34:30
>> Speaker G: Yeah, but you're not really my type. I'm sorry?
34:33
>> Speaker E: Well, for having a baby.
34:35
>> Speaker G: I don't know what came over me. I'm sorry.
34:38
are you going to need some, I don't
34:41
know, some money or something?
34:46
>> Speaker E: There's only wood.
34:49
Do they get like water in their cells?
34:52
>> Speaker C: Let me tell you, not in their cells. You wonder if maybe they
34:54
bring it to them? it's kind of like a once, probably not once
34:57
a day, maybe two or three times a day they get a meal and they'll get like a thing
35:00
of water and a very specific kind of like
35:03
maybe metal cup, like probably a tin cup or something.
35:08
>> Speaker E: So nothing he can use and nothing I can use.
35:11
>> Speaker C: He's got his pebbles, which I guess you don't know about.
35:14
I mean, there's got to be water in this
35:16
facility.
35:17
>> Speaker E: Like, what about the cells around me?
35:19
>> Speaker A: Sure. Yeah.
35:22
>> Speaker C: Okay. do a. Assess the situation.
35:24
>> Speaker G: Why are you just standing there rolling dice? Where'd you get the
35:27
dice?
35:29
>> Speaker C: Becomes meta. Break the
35:32
fourth wall.
35:33
>> Speaker E: Seven.
35:33
>> Speaker C: A seven. Okay, so you can ask me one of those questions.
35:36
What here can I use to blank? Who or what is the biggest threat?
35:39
What should I be on the lookout for? What's my best way in? Out or
35:42
through? Who or what is in
35:45
the greatest danger?
35:46
>> Speaker G: Do you also hear a disembodied
35:49
voice?
35:49
>> Speaker E: Prague, can you just shut up for a second?
35:52
>> Speaker A: Okay. Sick.
35:52
>> Speaker G: I'll spirit here.
35:53
>> Speaker E: Thanks. I'm going to do.
35:56
>> Speaker C: I mean, if we're going off number one. Yeah, I was going
35:59
to say what could you use to water bin?
36:02
>> Speaker E: Yeah.
36:02
>> Speaker C: Okay, so, kind of going off of your thinking because I like
36:05
where you were going with that. So you notice
36:08
that one of the cells,
36:12
there sure enough, is kind of just a tin
36:14
kind of cafeteria tray. And it's got some obscure
36:17
food items on it. And then it's a cup. And you see the dude that's
36:20
in there is just like in his cot and he's just
36:23
sleeping. So he wasn't awake when they put the food in
36:26
there. And so it's completely untouched. So there's a
36:29
tin with some water in it that you could.
36:32
>> Speaker E: Can I reach the cup or not? I'd have to bend
36:35
the water out.
36:36
>> Speaker C: You might actually be able to reach it. I think they would have, like, slid it in.
36:39
So it's within reaching distance.
36:41
>> Speaker E: Okay. I'm going to grab the cup with the water.
36:43
>> Speaker C: Okay, sounds good.
36:45
>> Speaker E: And what kind of lock are
36:48
we dealing with?
36:49
>> Speaker C: yes. So it's definitely going to be a metal lock, and
36:52
it's pretty much one of those straightforward ones. It's got the
36:55
hook around it and then the body of the lock kind
36:58
of clips together and then it's open by a key.
37:02
>> Speaker E: Can I use the.
37:05
>> Speaker C: Otherwise the door is wood.
37:08
>> Speaker E: Yeah. But I don't think that I would have enough water to get the
37:11
wood wet and warp it. you know what I mean?
37:15
So I think I'm going to
37:17
water bend the water into
37:20
the lock and then freeze it.
37:23
>> Speaker A: Okay.
37:23
>> Speaker C: Yeah.
37:26
Do rely on your skills and training.
37:28
>> Speaker G: Man. There you go again. Where are these dice coming from,
37:31
man? It's so weird. You just stand. We're
37:34
stalking it out.
37:39
>> Speaker E: My God, she got a seven.
37:41
>> Speaker C: A seven again. You're good
37:44
at.
37:47
>> Speaker A: Okay.
37:47
>> Speaker C: You do it imperfectly. I tell you what. the
37:49
unexpected consequences.
37:51
>> Speaker E: Okay.
37:51
>> Speaker C: Actually, that's perfect. Or you can mark a
37:53
fatigue. I can tell you what those
37:56
consequences are if you want. It's almost like, I think because
37:59
that's what it says. It says you can either accept those consequences or mark
38:02
one fatigue to avoid them.
38:03
>> Speaker E: I'll do a fatigue.
38:04
>> Speaker G: Okay.
38:06
>> Speaker C: It feels weird for me to say what was going
38:09
to happen and then have you mark a fatigue to take it
38:12
back.
38:12
>> Speaker E: Yeah, I don't.
38:13
>> Speaker C: Because it wouldn't have been a situation that would have been like, take it
38:16
back. Yeah.
38:18
>> Speaker A: Okay.
38:18
>> Speaker C: So you push, a little bit harder
38:21
with your bending in order to really freeze this up, to
38:24
really break into this lock. and it
38:27
works. It works. So the lock clicks open.
38:44
>> Speaker B: hey, everyone. Skyler here. Are you a fan of session zero
38:47
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you can get. Now back to the show.
39:25
>> Speaker G: Okay, Brock, maybe like, it's a good thing
39:27
we're.
39:30
>> Speaker E: Yeah.
39:31
>> Speaker G: Yeah.
39:31
>> Speaker E: I'm going to give you this mask. You put it on
39:34
for like 2 seconds, 5 seconds, and then
39:37
I'm gonna take it back. And maybe you'll get some
39:39
clarification.
39:40
>> Speaker C: Nah, you'll get claritin
39:43
Claire.
39:44
>> Speaker G: Nah, dude, I'm chilling.
39:47
I'm so good right now.
39:48
>> Speaker E: I'm so, okay, let me assess the
39:51
situation to see if
39:54
there's, like, indiscrete, way to get
39:56
out.
39:57
>> Speaker C: Okay, so what's my best way
40:00
in? Out or through?
40:01
>> Speaker A: Out.
40:01
>> Speaker C: In or through?
40:02
>> Speaker E: Let's hope.
40:03
>> Speaker G: Do you have this in? Like, I'll try two hands, like a pack
40:06
or something.
40:07
>> Speaker E: Oh, my gosh. I
40:10
got a six.
40:11
>> Speaker C: A six.
40:11
>> Speaker A: that's just shy. That's just shy.
40:14
>> Speaker C: you look around and I mean, as far as you can
40:17
tell, the only way out of here is going to be
40:20
going down the stairs and walking out the front door. You look
40:23
and you don't see that there's a back door. You don't
40:26
see another way out. And then to top it off, obviously for you,
40:28
getting out of here, easy to bring Brock with you. That's
40:31
going to be tricky. There's no windows in this facility
40:34
or anything like that. Mostly, just to keep the
40:37
smoke in so that it rises up just through the top.
40:40
I suppose I could say that there is
40:43
the chimney, and it's a fairly wide chimney,
40:46
but it's a little ways above you. So, I mean, I guess
40:49
there's that. That's more than I should have told you, but there you
40:52
go.
40:52
>> Speaker G: Dude, I got an idea.
40:55
You get on my shoulders and we get a trench
40:57
coat. We just walk out.
41:00
>> Speaker C: Brilliant, dude.
41:01
>> Speaker E: It's like, where are we going to get a trench?
41:03
>> Speaker C: Oh, I'm so pregnant. I got taller.
41:07
Normal with pregnant women.
41:08
>> Speaker G: Okay, that's a good point. what if
41:11
we say I'm your baby and you went
41:14
into and you had the baby
41:17
in the prison?
41:18
>> Speaker E: You're like twice as tall as I am.
41:23
>> Speaker A: I just. Benjamin, buddy.
41:25
>> Speaker E: I thought I would be dead.
41:26
>> Speaker G: Okay,
41:29
man. Can you conjure those dice up
41:32
and maybe get some snacks? Maybe it'll help me think.
41:35
>> Speaker A: Absolutely.
41:36
>> Speaker E: not. Hey, I can get this guy's food. I grabbed
41:38
that guy's food.
41:40
>> Speaker A: There you go.
41:42
>> Speaker G: Flopped face right the trash.
41:46
>> Speaker C: Come to find out that this guy just, like, stole bread for
41:49
his family. He just took his food for the day.
41:53
okay. Yeah, I guess. There you go. There's your snacks.
41:55
>> Speaker A: Yeah.
41:55
>> Speaker E: Does it give him any clarity?
41:57
>> Speaker G: No.
41:58
>> Speaker C: I mean, he's still actively just breathing in this
42:02
dude.
42:02
>> Speaker G: I did make these, like, little spit pebbles.
42:06
I got, like, five. I don't know what to do.
42:08
>> Speaker C: let's take a jump outside real quick and see what
42:11
Guel and Bill are up to. So you guys saw her manage
42:14
to get. Look, sir, he can
42:17
juggle eight rocks. Ready for
42:20
number nine?
42:22
>> Speaker A: Ready.
42:22
>> Speaker C: Guel and I toss him number nine. okay.
42:25
What do you mean? Are you just distracting him? Are you just trying to
42:28
distract them or hold their. There's just a
42:31
single guard out front, right? There's two guards that. Well, the
42:34
one eventually comes back, and he just.
42:37
>> Speaker A: We got juggling going on out here. What's the deal? And the dude's
42:40
like, I don't know. These two kids just walked up, and
42:43
the one started juggling, and I wasn't going to stop him.
42:46
>> Speaker D: Welcome to the show. Tips are
42:49
accepted. And the money to that
42:52
squid right there.
42:54
>> Speaker A: Oh, it's like. Oh, it's like one of them street performers, except
42:57
they come to you. Hey, that's convenient. That's not a bad idea.
43:00
>> Speaker C: We're desperate.
43:05
>> Speaker F: Watch him do ten rocks.
43:08
>> Speaker C: You could do ten rocks. Another rock.
43:11
>> Speaker C: Oh, my gosh.
43:12
>> Speaker D: How many rocks will it take?
43:14
>> Speaker A: Do you want to take bets, dude? Yeah, I'll take bets. All
43:16
right. I say he gets the twelve
43:19
solid dozen. That makes sense to me. It's like, well,
43:22
100 yuan says,
43:25
he gets the 13. All right, you're on.
43:27
>> Speaker F: I say 100, he gets the
43:30
15.
43:34
>> Speaker A: Wait a minute. You know this guy? Hold on. I don't know if I want
43:37
to take that bet.
43:38
>> Speaker F: I've never seen him get the 15. And that's the
43:41
honest truth.
43:42
>> Speaker A: I don't know.
43:46
>> Speaker C: Do plead.
43:50
>> Speaker D: I only got to 14 earlier.
43:52
>> Speaker F: That's true. I helped him.
43:57
>> Speaker A: I don't know. Like I said, why are
44:00
you here if he's here? It really feels like you know this guy.
44:03
There's no reason you wouldn't know how many he's able to get
44:05
to.
44:06
>> Speaker C: That's fair.
44:07
>> Speaker F: I don't.
44:08
>> Speaker A: Eleven.
44:13
>> Speaker F: We're just entertaining. Do we have a
44:16
goal quote?
44:18
>> Speaker A: I don't know.
44:21
>> Speaker C: I mean, I guess you guys don't know that there's more
44:24
people inside the facility, so maybe you just see it as you're
44:27
buying. you know, these are the only
44:30
two here.
44:30
>> Speaker F: Yeah, this is the guy that's supposed to get Mika. and we just keep
44:33
distracting. Buys them more time
44:36
upstairs, I guess.
44:37
>> Speaker C: All right, sounds good. Well, hey, to be fair, you're not wrong, because
44:40
the guy that came back was the same guy that
44:43
said he would go upstairs and get her when she's
44:46
done. Oh, well, look at that. So we are in it. You actually
44:48
are giving them more time.
44:50
>> Speaker A: There we go.
44:51
>> Speaker C: There you go. twelve.
44:53
>> Speaker A: Oh, my gosh. Oh,
44:56
my gosh. All right, well, if he makes it any higher, you owe
44:59
me 100.
45:00
>> Speaker F: Bill's holding the rock.
45:03
>> Speaker C: The big rock.
45:04
>> Speaker A: All right.
45:04
>> Speaker C: And just as you're throwing it to go, we cut back
45:07
to
45:10
Brock.
45:11
>> Speaker E: I am going to take,
45:14
the hem of my dress and rip it so I can do
45:16
a face cover.
45:18
>> Speaker C: Kind of just a makeshift face cover.
45:19
>> Speaker E: Okay. See if that helps at all.
45:21
>> Speaker C: Yeah, sounds good.
45:24
>> Speaker C: We'Ll, call that a guide and comfort.
45:27
>> Speaker E: Seven.
45:30
>> Speaker G: Really good at that.
45:31
>> Speaker E: You're really good at that. Seven. Supposed to be
45:34
like a lucky number or something.
45:36
>> Speaker A: M hold on.
45:37
>> Speaker G: I hear it's the most common number.
45:39
>> Speaker D: Do you guys look for holes in the ceiling yet?
45:42
>> Speaker E: No, I already tried to assess the situation.
45:46
>> Speaker C: okay.
45:47
>> Speaker G: Taking a shot at our Lec building.
45:50
>> Speaker C: Here's the way that I see this. usually guide and comfort is
45:52
used for more emotional side kind
45:55
of guide and comfort somebody. and then they
45:58
kind of choose whether or not they want to go along
46:01
with that. And given that Brock has kind of been like,
46:04
hold on. I'm kind of enjoying this smoke.
46:07
It's up to Brock to decide whether or not they want to
46:10
embrace the guidance that Mika is
46:13
offering them or they want to shut them down.
46:15
>> Speaker E: It's like, nah, man.
46:17
>> Speaker G: Yeah, like the smoke.
46:19
Everyone's in here just so chill, man. Why would I want
46:22
to put an end to that?
46:24
>> Speaker E: Well, who says this puts an end to anything?
46:28
Maybe the smokiness
46:31
or whatever just materializes
46:34
in your mask and it gives you even more of a high.
46:36
>> Speaker G: Dude, you're so right.
46:38
>> Speaker E: Yeah.
46:39
>> Speaker G: let's do it, man.
46:40
>> Speaker A: All right.
46:41
>> Speaker C: You put the mask over your face, and
46:44
you embrace her guidance,
46:47
and you can clear a condition
46:50
which at the moment is just impaired.
46:51
>> Speaker G: I guess I got to clear impaired.
46:53
>> Speaker E: Yeah, I guess.
46:55
>> Speaker C: It also says, and again, this kind of comes with the more. Like,
46:58
normally this is used as more of an emotional
47:01
guiding comfort, but it also says, you may ask them a
47:04
question and they must answer honestly. I don't know if
47:07
that really applies here.
47:09
>> Speaker F: I get to ask her a question?
47:10
>> Speaker C: Technically, yes.
47:11
>> Speaker E: you get to ask.
47:11
>> Speaker A: Okay.
47:12
>> Speaker G: So, like, be real with me.
47:14
>> Speaker E: Yeah.
47:15
>> Speaker G: Did she ask for my number?
47:17
>> Speaker C: You said we talked about it later, to be honest.
47:20
>> Speaker G: You got to be honest. She asked for my number? She talked about
47:22
me?
47:23
>> Speaker E: She didn't ask me for your number.
47:28
>> Speaker G: But did she ask
47:30
anyone about my number? Did she like.
47:33
>> Speaker E: Not that I heard.
47:35
>> Speaker G: What kind of vibes were you picking up from her?
47:38
Like she was into it.
47:39
>> Speaker A: Right.
47:41
>> Speaker E: I mean, she was in a pretty big hurry
47:45
when I saw, mean.
47:48
>> Speaker G: I'm taking that as a,
47:49
>> Speaker A: Yes.
47:49
>> Speaker C: Well, hold on. I was going to say, Miguel, you do have to answer
47:52
honestly, explicitly.
47:53
>> Speaker E: I did.
47:54
>> Speaker C: Okay.
47:54
>> Speaker E: She was in a hurry.
47:56
>> Speaker C: She was in a hurry.
47:57
>> Speaker E: I'm trying to be vague but truthful.
48:00
>> Speaker G: She walked.
48:03
>> Speaker C: That's not a question, so you don't have to answer that honestly.
48:06
Okay, awesome. So, okay, you've got the mask on
48:09
your head. Starts to clear up a little bit. It's not perfect. You still
48:12
feel maybe not as
48:14
positive. I'm going to say that, moving
48:17
forward, you probably have
48:20
at the very least. So normally with
48:23
impaired, and I know it said it cleared the condition
48:26
per se, but given that it's kind of a
48:28
makeshift situation, you're like half impaired, so you're
48:31
still going to take a minus one to physical actions.
48:34
but it's less than it was before. And this is just
48:37
because in any RPG game, there are some
48:40
kind of custom stuff that you have to kind of come up with along the way. Do
48:43
you got a homebrew, given the circumstances? And that's where I feel like
48:46
we're at. It's not a perfect gas mask. Like, what
48:49
she has that actively is meant to work in this
48:51
situation.
48:52
>> Speaker G: It's like 50% high.
48:54
>> Speaker C: Yeah, you're only 50% high. you feel a little bit of energy
48:57
start to come back as you're getting like just normal air and stuff like
49:00
that. but you're not
49:03
going to get perfect by any means. You're not going to get fresh
49:06
oxygen, two coming into your lungs until
49:09
you get out of here. So that's where you guys are at now.
49:12
You know that there's a guard across the way. You know
49:15
that if he looks over,
49:18
he's going to see situations, or if you guys are trying to escape, he's probably going
49:20
to notice there's a guard on the second floor, and then there's
49:23
the two guards that you have to get past. There might be somebody else down
49:26
all the way at the first floor. You're not sure. when
49:29
you came in, you didn't see anybody, so that's a good
49:32
sign. But anything out of
49:35
place is going to attract these guards attention. What are you
49:38
doing, Brock?
49:39
>> Speaker E: How are we going to get out of here?
49:43
let's hear one of your crazy plans.
49:45
>> Speaker G: What crazy? What are you talking about?
49:47
>> Speaker E: Uncrazy plans, your normal
49:49
plans.
49:52
>> Speaker G: Are there any guards
49:54
here?
49:55
>> Speaker E: Yeah, there's the guy down the end.
49:57
>> Speaker G: Of the hall that I could hit on.
49:59
>> Speaker E: And then you could try hitting on that guy. I could
50:02
hit on that guy?
50:03
>> Speaker G: Yeah. Does he know that you're
50:06
pregnant?
50:08
>> Speaker E: this one? I don't think so.
50:09
>> Speaker G: Okay, I say give it a try.
50:12
And then maybe if it does work,
50:16
fantastic.
50:17
>> Speaker E: Okay, if it doesn't work, here's the thing.
50:19
>> Speaker G: Then you get, like, a date Friday.
50:20
>> Speaker E: If it doesn't work, here's the thing.
50:22
>> Speaker G: Yeah.
50:23
>> Speaker E: I'll try and distract him, move him
50:26
out of the doorway a little bit. You sneak by
50:28
him. M once
50:31
I see you pass him, then
50:34
I'll cut this, I don't know,
50:37
whatever. Rendezvous short.
50:38
>> Speaker G: I think I got an idea. So you talk to
50:41
him, right? And then
50:44
I got my spit pebbles, right?
50:46
>> Speaker E: I could throw pebbles.
50:48
>> Speaker G: Yeah, don't ask about it on the ground.
50:51
>> Speaker C: You said, I've got these spit pebbles, right?
50:54
And then she said, what? And then you said,
50:57
don't ask. And she's like, yeah,
50:59
you kind of.
51:00
>> Speaker G: Implied I was supposed, okay, so basically
51:03
I had dust on my feet from outside, right?
51:07
>> Speaker C: So then I spit, dust that I licked.
51:09
>> Speaker G: So then I spit on my feet, and then I made, like,
51:12
little mud balls. They're basically little pebbles.
51:15
I got like five of them. So you can go chat
51:17
them up, right? Go really become the
51:20
rizzard of Oz out there. The
51:23
Rizzler per
51:25
know. Take him on a trip to world, if you get
51:28
what I'm saying.
51:29
>> Speaker E: I get what you're think.
51:31
>> Speaker G: And then you got five more in
51:34
the, and then, like, I'll throw some of
51:37
those pebbles over there. It's just like, he's like, oh, what's that?
51:40
>> Speaker E: And then I'll ask.
51:44
>> Speaker G: yeah, that's probably better first. But
51:46
then maybe give me
51:49
one of them masks. You know what I'm saying? So
51:52
just take him out and just
51:55
grab the mask.
51:56
>> Speaker E: How am I going to take him out?
51:58
>> Speaker G: Well, I mean, you could ask him like 07:00 and then
52:01
you can meet him at tea or something.
52:04
>> Speaker E: I thought you meant, like, you want me to knock him out and get his m mask that
52:07
he's wearing.
52:08
>> Speaker G: Oh, you could do that, too.
52:09
>> Speaker E: Okay, I'll figure it out.
52:11
>> Speaker A: Okay.
52:12
>> Speaker E: I got you.
52:13
>> Speaker C: All right, so, Mika, you're approaching
52:16
the third floor guard, and, as you approach him,
52:19
he kind of looks a little bit off and he says,
52:22
>> Speaker A: Can I help you with something, ma'am?
52:26
>> Speaker E: I wanted to know your name.
52:30
>> Speaker A: my name is Bay.
52:32
>> Speaker C: No, that sounds ridiculous.
52:34
>> Speaker E: My name is Bay.
52:36
>> Speaker C: Want to be mine?
52:40
Because people throw a tantrum and they're like, bing bong.
52:43
His name is Bing Bong.
52:46
Joe Biden. Joe Biden.
52:49
>> Speaker A: I didn't say.
52:49
>> Speaker F: I said bing bong.
52:50
>> Speaker C: No, his name is
52:53
Yoinki.
52:54
>> Speaker A: my name is,
52:57
>> Speaker C: Sorry, hold on.
53:00
>> Speaker E: You can be my bay.
53:01
>> Speaker A: Bjor.
53:03
>> Speaker G: Stop.
53:05
>> Speaker A: Norwegian.
53:06
>> Speaker F: He's a Norwegian. That's his second
53:09
identity.
53:11
>> Speaker C: His name is Bjork.
53:13
>> Speaker A: my name is by,
53:16
like, the drink.
53:18
>> Speaker C: Is that a drink? It's a drink.
53:20
>> Speaker G: They got Justin Timberlake to.
53:23
>> Speaker C: that's where they got the name.
53:26
>> Speaker E: Got.
53:26
>> Speaker F: You still got a Bing bong family name.
53:34
I think about my favorite.
53:36
>> Speaker A: NPC.
53:37
>> Speaker C: I was going to say NPC. improv
53:40
debate. Maybe has to stay in the
53:42
episode.
53:45
>> Speaker A: my name is Bal. Can I help you with something?
53:48
Are you.
53:49
>> Speaker E: That's like, a really cute name. And I, like, twirl my
53:52
hair.
53:53
>> Speaker C: All right, I'm going to have you roll
53:56
for flirting on.
53:58
>> Speaker E: I'm tired of rolling.
54:00
>> Speaker C: You haven't done anything yet.
54:01
>> Speaker A: So we'll get there.
54:02
>> Speaker C: We'll get there.
54:03
>> Speaker E: Hopefully.
54:04
>> Speaker C: Worst case, I think it'll actually work.
54:06
>> Speaker E: And then I'll try some different dice
54:09
trick.
54:09
>> Speaker C: it could be either, but anyways, we're not even there yet. We haven't
54:12
gotten to a point where you're trying to get him to do anything.
54:15
So what do you keep going?
54:17
>> Speaker E: Trying to flirt, like, hey, that's a cute
54:20
name. I lean all cute against
54:22
the wall. Yeah. I mean, I've never heard
54:25
of it.
54:27
>> Speaker A: It's, Where are you from?
54:30
>> Speaker E: Gaoing.
54:31
>> Speaker A: Oh, gawling. Yeah. Well, I'm from the fire nation,
54:33
so I don't know if you've ever been to the fire nation before, but,
54:36
yeah, it's not the
54:39
most common fire nation name by any means.
54:43
It's a pretty interesting, if I.
54:45
>> Speaker E: Do say so much, it's pretty unique.
54:48
Like you.
54:56
>> Speaker A: So what brings you
54:59
to the udale prison facility?
55:06
>> Speaker E: My brother down there, he got himself
55:08
captured somehow.
55:11
>> Speaker A: I'm sorry to hear that. Yeah. are you guys
55:14
close?
55:15
>> Speaker E: I mean, not really.
55:18
>> Speaker A: Was it just more like out of obligation?
55:20
Like, your parents made you come down?
55:22
>> Speaker E: They're like, hey, check him out, make sure he's
55:25
okay. And I'm like, really?
55:28
>> Speaker A: He's high. Yeah, I
55:30
get it, I get it. I've got family, too. Siblings
55:33
are just the worst sometimes.
55:35
>> Speaker E: Yeah.
55:37
>> Speaker C: All right.
55:40
>> Speaker A: You got him pretty well distracted.
55:42
>> Speaker C: He's looking at you. I like to think that he's trying to get a
55:45
glimpse of, like, oh, okay. I'll, take a look at her
55:48
ear sticking out from behind the mask. Oh, that's an
55:51
attractive ear.
55:52
>> Speaker E: I'm really going that I have really piercing eyes or
55:55
something.
55:57
>> Speaker C: Can't see anything behind that. He has no
55:59
idea what your face looks like, but he's curious.
56:02
I guess the flirting is by curious.
56:08
>> Speaker E: It's all about body language.
56:10
>> Speaker C: Yes, it is.
56:11
>> Speaker A: Yes, it is.
56:12
>> Speaker C: Ursula, let me see that body
56:15
talk, man. That has always stuck
56:17
with me about that. It's a body
56:20
language anyway.
56:22
>> Speaker F: Melissa McCartney.
56:23
>> Speaker C: That's right. Brock, what are you doing?
56:25
>> Speaker G: first off, I'm watching this masterpiece
56:28
go down.
56:28
>> Speaker C: it's working, it's working.
56:30
>> Speaker E: He's probably over there, like, hey.
56:32
>> Speaker G: I should just let her flounder. I know I'm in
56:35
jail, but this is too funny.
56:37
>> Speaker E: You are somewhat high.
56:38
>> Speaker G: I am somewhat high.
56:39
>> Speaker C: Yeah, that's true.
56:41
>> Speaker G: I'll throw a pebble down and just
56:44
try and just pop. Not like trying
56:46
to hurt him. Just make a sound
56:49
so that he tries to turn around, like, oh, like.
56:52
>> Speaker C: Behind him or something. Or like in the cell behind him, like it goes into the.
56:55
>> Speaker A: Yeah.
56:55
>> Speaker G: To where he turns around.
56:56
>> Speaker C: Yeah. okay. Yeah, you do that. I'm not going to make you push
56:59
your luck again.
57:00
>> Speaker E: This is just like a really,
57:01
>> Speaker G: Yeah, so you can with them.
57:03
>> Speaker C: We're working with pebbles here.
57:05
>> Speaker E: Sneak by, though.
57:06
>> Speaker G: Well, whoops.
57:08
>> Speaker C: I mean, if he's distracted.
57:12
>> Speaker A: I may.
57:13
>> Speaker C: Have forgotten
57:16
he doesn't have his clipboard to keep track of.
57:18
>> Speaker F: Poor guy.
57:19
>> Speaker C: Yeah.
57:20
>> Speaker G: So I'm just guy on the
57:23
left.
57:26
>> Speaker C: Oh, shoot. This is technically a physical. I
57:29
should make you roll for it. Do, rely on your skills or
57:32
train in training?
57:33
>> Speaker G: Do I roll? With creativity, passion, focus.
57:35
>> Speaker C: It is a focus.
57:36
>> Speaker G: Okay.
57:37
>> Speaker F: Minus two to it.
57:38
>> Speaker C: No, he has minus one.
57:39
>> Speaker G: Wait, I thought. Because I'm not impaired anymore, right?
57:43
>> Speaker E: Remember, minus one.
57:44
>> Speaker G: So five.
57:45
>> Speaker A: Five.
57:47
>> Speaker C: you fling this rock and it just bounces
57:50
off of his armor. And he's talking
57:53
to Mika, and he kind of looks down and he goes, what
57:56
the.
57:58
>> Speaker E: Wait, I'm going to do the bend.
58:00
>> Speaker C: And snap from legally
58:02
blonde.
58:05
>> Speaker G: The bend and snap is if something's on the ground, the
58:07
girl will sensually bend over.
58:10
>> Speaker C: So the guy gets a piece and then snap.
58:12
>> Speaker H: Snap.
58:13
>> Speaker F: Did it work?
58:14
>> Speaker C: Go push your luck.
58:17
We have left. Rely on your skills in training at this point.
58:20
This is not something she
58:23
snapped. Something you add passion,
58:25
if that means anything.
58:27
>> Speaker E: Six.
58:31
>> Speaker C: he's already distracted. He doesn't even notice you bend in
58:34
the first place.
58:34
>> Speaker A: All right?
58:35
>> Speaker C: So at this point, I think the key part of bending
58:38
and snapping.
58:40
>> Speaker G: So now, Brock, I'm going to rush out.
58:44
I kind of stumble a bit, but if there's, like a railing, I kind of
58:47
rush out, rush to the railing. I'm going to charge at this guy.
58:49
Stay away from my wife.
58:54
>> Speaker F: And I'm just running at him.
58:55
>> Speaker C: And you're just going to try to clock him, basically.
59:00
Stay away from my wife. Stay away
59:03
from my wife.
59:04
>> Speaker A: All right. Do it.
59:05
>> Speaker C: Rely on your skills in training. I don't want to get into, like a whole exchange.
59:07
I don't feel like that's really six
59:12
because you don't have focus.
59:15
>> Speaker G: If it's with force, then it's a
59:18
seven.
59:19
>> Speaker C: So what you could do your balance.
59:22
That's true. So if you want to, you can
59:24
take with force. So what you'll do is you'll move
59:27
force up one, and then you will take
59:30
an exhaustion, if I remember correctly.
59:32
>> Speaker G: So an extra fatigue or fatigue.
59:34
>> Speaker A: Yes.
59:34
>> Speaker G: Sorry, I'm down for that. So I've rushed him.
59:37
Stay away from my wife.
59:39
>> Speaker E: He isn't time to react.
59:41
>> Speaker C: Yeah, exactly. He's looked up and
59:43
then he looks over at
59:46
Mika just in time, just to see the snap. And you
59:49
can kind of see him go like, dang it.
59:52
And then all of a sudden, boom. Brock just
59:55
tackles this guy to the ground. Okay,
59:58
well, yeah, there's like a bounce off the wall and then onto the
1:00:01
ground. You've got him on the ground. What are you doing?
1:00:03
>> Speaker G: I'm going to try and take the mask, off.
1:00:04
>> Speaker A: Okay.
1:00:05
>> Speaker C: You pull his mask off of his face. You're on top
1:00:08
of him. You've got him on the ground. You pull the mask off of his face. He
1:00:11
goes, oh, no, he's holding his
1:00:13
breath.
1:00:14
>> Speaker G: Don't fight it, bro. It's so chill out.
1:00:16
>> Speaker C: That's a really creepy thing to you. Like, lean down and whisper in his
1:00:19
ear.
1:00:19
>> Speaker G: Don't fight it. It's so sick. Oh, my
1:00:22
gosh.
1:00:22
>> Speaker C: It's kind of creepy.
1:00:26
He's holding his breath. He doesn't want to breathe this stuff in.
1:00:29
>> Speaker G: All right, that's fair, dude. I mean, you do you.
1:00:31
>> Speaker C: And he's trying to wrestle you a little bit.
1:00:34
>> Speaker G: All right, well, he's going to have to breathe at some point,
1:00:37
so can I just stay on top of him until he takes a few
1:00:39
breaths.
1:00:40
>> Speaker C: You just hold him down for a little bit.
1:00:42
>> Speaker E: Bye.
1:00:43
>> Speaker C: Ironically, he's not able to shout because
1:00:46
that would require him to open his mouth
1:00:49
and eventually he has to breathe
1:00:52
some air. Maybe you kind of like, push on him or something while
1:00:55
you're doing your struggle. And he goes, no, this is
1:00:57
weird. He's not
1:01:00
sleeping.
1:01:01
>> Speaker F: Choking.
1:01:02
>> Speaker C: Yeah, it's a weird take. Typically, people
1:01:05
choke, but knocks the guard out.
1:01:07
>> Speaker A: He's like, breathe.
1:01:12
>> Speaker C: And sure enough, eventually he does breathe and he
1:01:15
just kind of. He goes a little
1:01:18
bit limp. Not like I'm unconscious
1:01:21
limp, but he just kind of looks a little dazed.
1:01:23
>> Speaker G: So now I got the mask on. Now it's like, dude, isn't
1:01:26
it so sick, man? It's so awesome.
1:01:29
How are you feeling, dude?
1:01:34
>> Speaker C: When I leave for the day, I usually just
1:01:37
take a big old breath.
1:01:39
>> Speaker A: Full.
1:01:39
>> Speaker C: Oh, yeah, it's pretty good
1:01:42
stuff. Hey, could you get back
1:01:45
in your cell? That'd be real cool.
1:01:48
>> Speaker G: You know what? For you tell you what, you and
1:01:51
I, we can just walk there together.
1:01:52
>> Speaker C: Yeah, this one's great.
1:01:53
>> Speaker G: Hey, so the two of us are going to walk. I just got my arm
1:01:56
around.
1:01:57
>> Speaker A: Yeah.
1:01:57
>> Speaker G: And I just chuck them in.
1:02:01
The lock's broken, but just like, I'll chuck him in there.
1:02:04
Dude, this was my cell. I'll tell you what, I hid
1:02:07
some snacks in there, so just like,
1:02:10
I got some chips in there. I can't remember where I put them, so you're
1:02:13
going to have to look around for them. But, dude, they're in there.
1:02:17
I'm not going to leave you hanging, bro. We got some snacks for
1:02:20
people.
1:02:20
>> Speaker C: I think I'm just going to take a seat here for a little bit. He's just
1:02:23
sitting on the cot. He's like, I've been
1:02:26
standing on my feet all day.
1:02:27
>> Speaker A: Yeah, man.
1:02:28
>> Speaker G: I mean, that sucks.
1:02:29
>> Speaker A: I mean, you gotta. You gotta.
1:02:29
>> Speaker G: You gotta rest yourself.
1:02:31
>> Speaker E: Rest that handsome face.
1:02:32
>> Speaker G: Show needed R r and no heart, Beyonce, bro.
1:02:35
>> Speaker C: All right, and I'll see. I'll see you
1:02:38
later.
1:02:41
He was talking to Mika. He doesn't care.
1:02:50
>> Speaker A: All right.
1:02:51
>> Speaker G: Yeah, I guess, we're good.
1:02:52
>> Speaker A: You guys.
1:02:54
>> Speaker C: You guys start making your way to.
1:02:56
>> Speaker E: The downtown second floor.
1:02:59
>> Speaker C: Okay, good song.
1:03:01
>> Speaker A: Okay.
1:03:01
>> Speaker C: Anyway, you guys get to the second floor and
1:03:04
there's another guard down there, and he hasn't quite spotted
1:03:07
you yet. But you know that there's a little bit of distance that you'd have to
1:03:10
go before you get to that second stairwell, and he might notice you.
1:03:14
>> Speaker E: I mean, you should have stole that guard's clothes. But, I mean, it's
1:03:17
too little, too late for that.
1:03:18
>> Speaker G: I mean, I could still ask him. I
1:03:21
mean, if anyone were to ask him to take his clothes off and at work, it would be
1:03:24
you. What if.
1:03:26
>> Speaker A: Roll with me.
1:03:27
>> Speaker G: Roll with me here. Roll with me here.
1:03:30
You go in there like, hey, now that I see without
1:03:33
your mask, you're super cute. Let's.
1:03:35
>> Speaker E: Bro, I don't even need to use words. That's all about body
1:03:38
language.
1:03:39
>> Speaker G: Okay, I, go in there with your body language and get him to take his clothes
1:03:42
off.
1:03:44
>> Speaker C: Or you might just be able to get past this. Or we might be able
1:03:47
to get past me.
1:03:51
>> Speaker E: Where's the fun of that?
1:03:53
>> Speaker G: Yeah, where's the fun of that? Go seduce a guy and then get him
1:03:56
to take his clothes off and then just leave him.
1:03:57
>> Speaker E: I've not had much luck with that in the past, but, let's try.
1:04:00
>> Speaker C: All right, you go back up there.
1:04:02
>> Speaker G: Go up there and roll your seven.
1:04:03
>> Speaker A: With your magical dice.
1:04:04
>> Speaker C: I was going to say all your d and d character.
1:04:07
>> Speaker F: You tried to seduce.
1:04:08
>> Speaker A: People.
1:04:11
>> Speaker C: Kept rolling nat ones on. Seduce. It was bad.
1:04:14
All right, so you walk back upstairs and he sees you and he's
1:04:17
like, hey, how long has it been?
1:04:20
I said I'd see you later.
1:04:21
>> Speaker A: I didn't.
1:04:22
>> Speaker C: Man, have I been here a while? I must have passed.
1:04:25
>> Speaker E: You really haven't. But I got rid of my brother.
1:04:28
>> Speaker A: Uh-huh.
1:04:28
>> Speaker E: Figured me and you could.
1:04:30
>> Speaker C: Is he in?
1:04:30
>> Speaker E: Like, I just sit around the bed and I sit
1:04:33
next, and I brush his shoulder with my
1:04:36
fingertips.
1:04:37
>> Speaker C: It feels nice.
1:04:38
>> Speaker E: Yeah. I start unbuttoning
1:04:41
his jacket.
1:04:44
>> Speaker C: We're moving fast, but hey, it's
1:04:47
a fast world we live in. Yeah,
1:04:50
man. All
1:04:53
right, I'm going to let you do that because
1:04:56
I'm still a little tired. Don't worry, though. I'm
1:04:59
gearing up in my head. I'm getting
1:05:01
ready, I'm energizing.
1:05:04
I'm getting the juices flowing.
1:05:07
>> Speaker E: Save that energy for the good
1:05:09
time we'll have.
1:05:11
>> Speaker A: Ah, yeah.
1:05:19
>> Speaker E: I said I got rid of you.
1:05:21
>> Speaker G: Time passes, okay?
1:05:23
>> Speaker E: Yeah.
1:05:24
>> Speaker C: Okay. You get his jacket. His fire
1:05:26
nation, jacket.
1:05:28
>> Speaker E: Do I really need everything else?
1:05:32
How much of a uniform is the uniform?
1:05:36
>> Speaker C: the pants are just like black pants. I
1:05:39
mean, they're not anything super special, but I don't think Brock
1:05:42
would be wearing black pants. I think Brock would be wearing shorts.
1:05:45
>> Speaker E: Isn't he? Okay, fine. I'll lay him
1:05:47
down.
1:05:50
>> Speaker C: You just lay him out on the cot. Yeah, he's like,
1:05:53
well, you know what? Yeah, I'm almost
1:05:55
there. I'll be ready when you're
1:05:58
ready.
1:05:59
>> Speaker E: Start unbuttoning his pants.
1:06:02
>> Speaker C: Right on.
1:06:05
Okay, you take his family. This is weird for
1:06:08
everybody, listeners who are probably
1:06:11
just losing it right now, which you're welcome.
1:06:14
No, you get his fire nation. Okay,
1:06:17
the one thing I'm really intrigued about is the ending to
1:06:20
this situation. So you've got his pants, you've
1:06:22
got his exterior jacket,
1:06:25
shirt thing, probably his shoes, just because.
1:06:27
>> Speaker E: How's he going to get his pants?
1:06:29
>> Speaker C: You had to get the shoes off already anyway. Yeah, that's
1:06:32
also true. That would look weird.
1:06:36
>> Speaker C: All right.
1:06:42
>> Speaker E: Okay, you have to turn
1:06:45
around, and then when you come
1:06:47
back.
1:06:53
>> Speaker A: But if.
1:06:54
>> Speaker C: You'Re saying that you just, like, you're a little shy,
1:06:57
your side of things, I get it. All right? I'll close my
1:07:00
eyes. I'll put my hands on my eyes. You just tell me when, okay?
1:07:03
>> Speaker E: Okay, I will.
1:07:04
>> Speaker C: All right, I'm going to tiptoe out.
1:07:06
>> Speaker A: Ten, nine.
1:07:11
>> Speaker E: Do I have to roll for something? No, to tiptoe
1:07:14
out.
1:07:15
>> Speaker F: He's already.
1:07:18
>> Speaker C: He's high. All right, so you
1:07:21
get out, you come to the stairwell, and you give
1:07:24
Brock the clothes. Brock, you've got your
1:07:26
outfit on. Sick, complete with gas mask.
1:07:29
>> Speaker G: all right, so now can I just act as if
1:07:32
I'm escorting Mika out of the.
1:07:35
>> Speaker E: I have a mask. Yeah, but, yeah, he can.
1:07:38
I have to get out. I'm visiting
1:07:41
John.
1:07:43
>> Speaker A: Oh, hey. Bye.
1:07:46
What are you doing? Oh, you escorting the
1:07:49
guest? Yeah, her
1:07:52
ten minutes is off, so I'm taking her outside. Oh, it sounds
1:07:55
good. you mean go upstairs
1:07:57
and keep it on the third floor?
1:08:00
No, it's all. Ah, fine. I already did a sweep
1:08:03
of that area. It's good. Yeah. I mean, what are they going to do, right?
1:08:06
It's not like they'll get the other
1:08:09
guards high and then take his clothes.
1:08:12
And then take his clothes. Could you imagine?
1:08:15
Are these a bunch of perverts? Some of them are,
1:08:18
actually. I get your
1:08:21
mean. Anyways, I'll see you, on the
1:08:23
pickleball court tonight.
1:08:26
Are you swapping out one of the guys up front?
1:08:29
Yeah, I'm getting some pickleball in later
1:08:32
tonight. I'll see you there. Oh, right on. Okay. See you.
1:08:35
>> Speaker C: just, you walk, on past.
1:08:37
>> Speaker F: What's his name?
1:08:38
>> Speaker C: Didn't ask.
1:08:39
>> Speaker A: Didn't ask.
1:08:40
>> Speaker C: I want to know.
1:08:42
>> Speaker G: I can't do that.
1:08:43
>> Speaker C: Bill can break in later. No, I'm just kidding.
1:08:46
You go downstairs. There's someone I want to meet. And
1:08:49
then you get to the front door. there's like a little
1:08:51
office. And there's, like, one
1:08:54
guy in there that just kind of oversees things or whatever, but he's just going
1:08:57
through some paperwork and stuff. He doesn't even really. He kind of, like, sees you out of
1:09:00
the corner of his eye. He, like, waves and then goes back to his
1:09:02
clipboard. Clipboards, are really getting around the concept
1:09:05
of clipboards. And then you open up the
1:09:08
door, and as you open up the
1:09:10
1414
1:09:14
rocks.
1:09:14
>> Speaker A: Can you believe it, man?
1:09:17
>> Speaker C: And you see one of the guards, like, hand a little pouch of
1:09:20
coins. This is like, right as you're opening the door, is handing
1:09:23
a pouch of coins to the other guy, and he's.
1:09:25
>> Speaker A: Like, man, my wife's going to be so mad that I just
1:09:27
lost 100 yuan. But,
1:09:30
oh, my gosh, if that isn't a good. Oh, hey, bye.
1:09:33
Is that you, buy? Yeah. What's up?
1:09:36
You've been working out? Yeah.
1:09:40
this mask kind of gives me powers like that. You
1:09:43
know how it is. You know how it is. No, I have no
1:09:46
idea.
1:09:49
Dude, if you've been breathing the smoke, it
1:09:52
sounds like you've been breathing your mask, giving you
1:09:55
power. Just let you breathe, man. I mean, like, you
1:09:57
merely adopted the smoke. I was
1:10:00
bald, dude.
1:10:02
>> Speaker C: You raised by it.
1:10:03
>> Speaker A: You are weird. But, hey, I appreciate you getting the
1:10:06
guest. Did you let him know? Did everything go
1:10:08
okay?
1:10:09
>> Speaker E: Yeah. I don't know if I'll be seeing him again.
1:10:12
>> Speaker A: Oh, my gosh.
1:10:15
>> Speaker C: you're outside.
1:10:18
You don't.
1:10:18
>> Speaker A: Obviously, I got a thing. Well, hey,
1:10:21
if you're, ever looking for, somebody else, maybe we
1:10:24
could get tea sometime or something.
1:10:27
>> Speaker E: That might be a great idea.
1:10:29
>> Speaker A: Sure. hot leaf juice. Seven.
1:10:32
That's when I get off.
1:10:34
>> Speaker E: Yeah.
1:10:35
>> Speaker A: All right. He's like, hey, well, wait, hold on.
1:10:38
>> Speaker C: It can't be the same. It better not be the same guy that just
1:10:41
lost money.
1:10:41
>> Speaker A: He's like, hey, man, I won twice today. I got 100.
1:10:44
You won? And I got a date,
1:10:47
man.
1:10:47
>> Speaker C: It's your day today.
1:10:50
>> Speaker E: You're also getting a child.
1:10:52
>> Speaker A: Oh, yeah. I didn't think about that.
1:10:56
You know what? Being a stepdad, that's not
1:10:59
the worst thing in the world.
1:11:00
>> Speaker E: You got 100 yuan?
1:11:02
>> Speaker C: Yeah, I got 100 yuan to take care of.
1:11:04
>> Speaker A: M. that's plenty in this economy.
1:11:07
>> Speaker C: I got to go get ready for my date. Aren't you going
1:11:10
to tip the guy? And I'm holding up the squid
1:11:13
to him.
1:11:15
>> Speaker A: I suppose it is fair.
1:11:17
>> Speaker C: He looks at the other guy, and he's like, come on, man. You just got
1:11:20
100 yuan off me.
1:11:21
>> Speaker A: Are you kidding me? You tip him and he's like, yeah, fair point.
1:11:24
>> Speaker C: So he takes out like five. You on?
1:11:25
>> Speaker A: He gives you.
1:11:26
>> Speaker F: Both of you, man.
1:11:29
>> Speaker C: Gives you ten. You on.
1:11:30
>> Speaker A: Thank you.
1:11:31
>> Speaker F: And I hold out to the third.
1:11:33
>> Speaker C: Guard, who's standing there, and
1:11:36
you.
1:11:37
>> Speaker E: He didn't see nothing,
1:11:40
right?
1:11:40
>> Speaker A: Now the best part.
1:11:44
Sure.
1:11:45
>> Speaker F: Pointing at the.
1:11:46
>> Speaker A: Here you go. Juggling,
1:11:48
man.
1:11:49
>> Speaker G: I give you one, I guess, from
1:11:52
the stash.
1:11:53
>> Speaker C: That's supposed to be the group stash.
1:11:55
>> Speaker F: Are these rocks?
1:11:58
>> Speaker A: Are these spit pebbles?
1:12:01
I know who this is.
1:12:07
>> Speaker F: Well, thanks, guard.
1:12:08
>> Speaker A: All right, you guys have a great day. ma'am, I'm
1:12:11
sorry about the situation. and then size,
1:12:14
like. Well, hey, I'm not sorry. I'll see you at
1:12:17
seven. Well, it's
1:12:19
clocking out time for me. I'll see you guys later. Whoa. It's clocking out
1:12:22
time for you already? You got PTO today or something?
1:12:25
I didn't see it on the chart. I got a half day today. I got
1:12:28
to go to the dentist. With these
1:12:31
masks on, you can't really tell, but I got some
1:12:34
british type teeth. You know what I'm talking about? No,
1:12:37
I don't think you do. Dude. You are.
1:12:40
Dude. Did they do, like, pre novicane
1:12:43
on you or laughing?
1:12:45
>> Speaker E: Let's get out of here.
1:12:47
>> Speaker A: Okay.
1:12:48
>> Speaker C: All right, so you guys, I'm assuming
1:12:51
don't head back into town. You head away from
1:12:53
town, Brock. You probably
1:12:56
have to head into town and then get your outfit
1:12:59
off. And then head away from town. Yeah, probably to meet
1:13:02
up with them. But whatever the case, you guys meet at
1:13:05
the edge of the tributary.
1:13:07
>> Speaker E: But did they know he was Brock? No,
1:13:10
they didn't know he was.
1:13:14
I'm just. I have to catch him.
1:13:18
>> Speaker C: Well, the guard goes in a slightly different. Or he goes back into. That's
1:13:21
why I said he goes back into town. You guys go away from
1:13:24
town. Kind of around. And then that way it doesn't
1:13:27
look weird that a guard just walks off with you guys,
1:13:29
I'm assuming.
1:13:30
>> Speaker F: Yeah, that makes sense.
1:13:31
>> Speaker C: anyway, whatever the case, Brock doubles back after he gets
1:13:34
rid of, ditches the outfit, and then meets with you guys at the
1:13:37
start of the tributary. You guys spend the rest of the
1:13:39
day following the tributary.
1:13:42
Wait, we walk?
1:13:44
>> Speaker D: Nice.
1:13:45
>> Speaker C: It's the original plan.
1:13:48
You guys spend the rest of the day walking
1:13:51
along the tributary. I forgot about that
1:13:54
whole debate. Because of this old Brock. I
1:13:57
think that was the idea, was Brock was going to go on a date and let
1:14:00
you guys figure out how to just make your way
1:14:03
through, I think is pretty much. And then at
1:14:05
the end of it, you just walk. We just walked.
1:14:08
>> Speaker F: Look at, that.
1:14:08
>> Speaker C: And so you arrive at the end.
1:14:10
>> Speaker F: Of the day, Brock still wearing the guard?
1:14:12
>> Speaker C: No, no, he got rid of it.
1:14:13
>> Speaker G: I can be keeping it. I can keep it.
1:14:16
>> Speaker C: You can pack it up if you want to.
1:14:18
>> Speaker A: Sure.
1:14:18
>> Speaker C: Might as well, just in case.
1:14:20
>> Speaker E: All right, fair enough.
1:14:21
>> Speaker C: Anyway, you guys make it to the end of the tributary,
1:14:24
and before you stands a
1:14:27
mountain. Kind of a small mountain, but
1:14:30
amidst, the mountain is what looks like an
1:14:33
abandoned Air nation
1:14:35
temple. And, that is where we'll
1:14:38
end on episode two.
1:14:42
>> Speaker B: Hey, everyone. Skyler, the game master for benders and
1:14:45
Brews and the creative director over at session Zero Heroes
1:14:48
here. I just wanted to give you a quick outro before you head over to the
1:14:51
next episode or call it a day. Firstly,
1:14:54
thank you so much for listening to our show. It means so
1:14:57
much to us to have such amazing people like yourself
1:15:00
that enjoy the content that we produce. Without
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you, there really wouldn't be much point in all the work that we
1:15:05
put into recording, editing, and sharing our
1:15:08
TTRPG sessions with all of you. With that being said,
1:15:11
we would love it if you would throw some love our way
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So if you're feeling especially generous, you
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And if you're feeling especially cheeky, you
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1:16:39
thank you all so much for listening. And remember to stay curious,
1:16:42
stay heroic until we roll again.