Latest / Stuff You Should Know / The Christine Collins Story
Transcript
- 0:01Speaker 1: Welcome to Stuff you should know, a production of I
- 0:04Speaker 1: Heart Radio. Hey, and welcome to the podcast. I'm Josh Clark,
- 0:13Speaker 1: and there's Charles W. Chuck Bryant right there, and Jerry's Well,
- 0:17Speaker 1: she was just here a second ago and she's pretty
- 0:18Speaker 1: much here. She left so recently that she might as
- 0:22Speaker 1: well still be here. So this is still stuff you
- 0:24Speaker 1: should know. Yeah, true Crime Edition, we do these occasionally.
- 0:29Speaker 1: I just dropped on my knees to thank the creator
- 0:34Speaker 1: that you didn't say a dish. Yeah, true Crime Edition
- 0:39Speaker 1: we do these sometimes we uh, without getting a bandwagoning.
- 0:42Speaker 1: We've kind of always done them here and there. Hey update, Yeah,
- 0:47Speaker 1: I'm sure we'll get a million emails between now and then.
- 0:49Speaker 1: But the chow Chilla bus kidnapper, did you see has
- 0:52Speaker 1: been granted parole? Yeah? I did see that. So that
- 0:56Speaker 1: was one of our recent true crime episodes. And we've
- 0:58Speaker 1: had a few people right in. It's the guys. Looks
- 1:01Speaker 1: like he's getting out, yeah, the last one, right, the
- 1:04Speaker 1: other two are out. The last one, Yeah, the main
- 1:07Speaker 1: jerk with that all the money, he was the main
- 1:10Speaker 1: jerk for sure. So um, this is true crime too.
- 1:15Speaker 1: As you were saying, it probably won't be an update
- 1:18Speaker 1: on this one. I don't think so that it was
- 1:21Speaker 1: most possible, but probably not. The most recent update was
- 1:25Speaker 1: a movie from two thousand and eight called Changeling, not
- 1:28Speaker 1: the Changeling, which is maybe the greatest horror movie ever made,
- 1:32Speaker 1: starring George C. Scott back in Man, that's a good movie.
- 1:36Speaker 1: This is a totally different kind of movie called Changeling
- 1:39Speaker 1: and started Angelina Joe Lee, who was directed by Clint
- 1:42Speaker 1: Eastwyd And I watched I watched it last night, made
- 1:45Speaker 1: it through the whole movie and still had an hour
- 1:47Speaker 1: to go. Yah, it is pretty long. Um, it was okay.
- 1:53Speaker 1: I thought it was had a little bit of a
- 1:54Speaker 1: movie the weak quality to it definitely because some of
- 1:58Speaker 1: the acting was way for the top. Yeah, I mean
- 2:01Speaker 1: I give it medium, Like I give it a two
- 2:04Speaker 1: and a half thumbs out of five. Okay, what would
- 2:08Speaker 1: you give it? You know, I would probably give it
- 2:12Speaker 1: precisely the same amount of thumbs. Like it's watchable, it's
- 2:16Speaker 1: engrossing and all that, but it's also hard to look
- 2:18Speaker 1: past some of its flaws. No exit, I'll tell you that.
- 2:23Speaker 1: And there was some parts that like it's sort of
- 2:27Speaker 1: hard to parse out the you know, the dramatic license, uh,
- 2:31Speaker 1: and the fictionalized aspects of it with the true story.
- 2:35Speaker 1: And I even tried to look up some to see like,
- 2:37Speaker 1: well did this happen? And it seemed like it was
- 2:39Speaker 1: verified that it did. But then I was like, or
- 2:41Speaker 1: is this person just writing from seeing this movie the Ladder?
- 2:47Speaker 1: Probably so, so we might mention a few of those
- 2:49Speaker 1: in there. Yeah, because he did take a tremendous amount
- 2:51Speaker 1: of license and just little details, nothing that ultimately changed
- 2:55Speaker 1: the story, but you know the important stuff when he's
- 3:00Speaker 1: reunited with his mom. No, well we'll point it out
- 3:04Speaker 1: at the end. You'll just stick around for that, please do,
- 3:06Speaker 1: because like I said, I split, like before the end,
- 3:09Speaker 1: I was like, I'm going to bed. I'm okay. That
- 3:12Speaker 1: was I thought that was a joke about it. I
- 3:15Speaker 1: mean I was joking. I would have been blown away
- 3:18Speaker 1: if you've been like yeah, but but I mean small things.
- 3:21Speaker 1: So we'll get into it a little bit. We'll just
- 3:23Speaker 1: pick on Clint Easwood from time to time for fun.
- 3:26Speaker 1: So what we're talking about is a is a disappearance um,
- 3:30Speaker 1: a very sad case of a famous disappearance that took
- 3:33Speaker 1: place in nine in Los Angeles, back when you could
- 3:37Speaker 1: like pick oranges on any given street. Back there. It
- 3:40Speaker 1: was still a still weird town, Is that true? Um?
- 3:44Speaker 1: It was a town trees in their yard, sure, but
- 3:47Speaker 1: not everybody where everybody. Yeah, okay, thank you for that.
- 3:52Speaker 1: But I was trying to find its its feet, it's purpose,
- 3:54Speaker 1: it's point. It was a freaky little town back then.
- 3:57Speaker 1: Still is a freaky town, but it was really freaky
- 4:00Speaker 1: for some reason to me, Like the n twenties in
- 4:02Speaker 1: Los Angeles is as weird as it gets for that city.
- 4:06Speaker 1: And this is a this is it was during that
- 4:08Speaker 1: time that this boy went missing, a nine year old
- 4:10Speaker 1: named Walter Collins, and that in and of itself is
- 4:13Speaker 1: extremely sad. But the different twists and turns in horrors
- 4:18Speaker 1: of this case and not necessarily horrors in the traditional
- 4:21Speaker 1: true crime sense. So there were some of those, but
- 4:24Speaker 1: just bizarre horrors, things that just shouldn't have happened. And
- 4:29Speaker 1: that just compounded to the tragedy of this case. It
- 4:32Speaker 1: makes it one of the most unique, I think true
- 4:34Speaker 1: crime cases in American history. If you ask me, yeah,
- 4:37Speaker 1: and trigger warning if serious harmful gas lighting triggers you
- 4:43Speaker 1: then skip the episode or hold onto your hats because oh, boy,
- 4:47Speaker 1: it's infuriating. Yes, all right, I guess we should start
- 4:52Speaker 1: with the simple fact that in March mother named Christine
- 4:58Speaker 1: Collins uh told her nine year old son he could
- 5:02Speaker 1: go to the movies and gave him a dime to
- 5:05Speaker 1: go do so, and he disappeared or she was called
- 5:09Speaker 1: in to work and he disappeared from their home. If
- 5:13Speaker 1: you're Clint East, were just making stuff up, that's right.
- 5:18Speaker 1: A little bit of backstory here. Um, she was a
- 5:20Speaker 1: single mom in a sense that her husband was in prison,
- 5:24Speaker 1: Walter's father, Colin Sr. Whose real name, it turns out,
- 5:27Speaker 1: was Walter Anson. She had married about ten years prior
- 5:31Speaker 1: to Walter Junior's disappearance, and did not know that he
- 5:35Speaker 1: had a criminal background. Uh it were a different name now,
- 5:40Speaker 1: and he was in ne put in prison for uh
- 5:46Speaker 1: multiple armed robberies. And I believe the sentence was about
- 5:49Speaker 1: five to ten years. Yeah, And I mean, like that
- 5:53Speaker 1: was just totally unbeknownster. She thought she had a good one,
- 5:56Speaker 1: or at least a mediocre one, not an armed robber
- 5:58Speaker 1: who was gonna get sent a full awesome. I think
- 6:01Speaker 1: mediocre was about what you could shoot for sure. Um,
- 6:05Speaker 1: So she was the sole breadwinner in the house. She
- 6:10Speaker 1: was supporting their son by herself. Um, and this is
- 6:15Speaker 1: just a generally unplanned life. But from all accounts, including
- 6:20Speaker 1: Clint Eastwood's, um, she was a good She was a
- 6:23Speaker 1: good mom who was making her way and just kind
- 6:26Speaker 1: of took took the hand that was dealt to her
- 6:28Speaker 1: and was making making it work as best she could. Right.
- 6:32Speaker 1: And a little more backstory to kind of color what
- 6:33Speaker 1: was going on in terms of the Los Angeles Police
- 6:37Speaker 1: Department at the time, because that figures in and a
- 6:39Speaker 1: very key way here is they had just right before
- 6:42Speaker 1: his disappearance had been recently fairly um exposed slash embarrassed
- 6:48Speaker 1: by another kidnapping case in December of seven when a
- 6:54Speaker 1: twelve twelve year old named Marion Parker was a very
- 6:57Speaker 1: prominent banker's daughter was kidnapped, held for ransom, and then
- 7:02Speaker 1: when it came time to do the money exchange, he
- 7:04Speaker 1: just dumped her her body, her dead body on the
- 7:08Speaker 1: lawn and was arrested and convicted of murder, which was
- 7:11Speaker 1: a big black eye and staying on the l a
- 7:14Speaker 1: p DS reputation. Yeah, it was a like her her case,
- 7:18Speaker 1: I mean, like we bring it up just to kind
- 7:21Speaker 1: of set the tone like this happened and was in
- 7:24Speaker 1: all the papers. It was a huge piece of news
- 7:27Speaker 1: in Los Angeles, like just a month or two before um.
- 7:31Speaker 1: But also like if you it's a really if you're
- 7:34Speaker 1: into true crime, like that case is really heartrending. It's
- 7:36Speaker 1: really awful too in and of itself. But of course
- 7:40Speaker 1: you can imagine that Miriam Parker's case is you know,
- 7:44Speaker 1: front and center on Christine Colin's mind. Then she realizes
- 7:48Speaker 1: that Walter has not come home from the from the movies. Yeah,
- 7:52Speaker 1: so sort of a double whammy. It's it's on every
- 7:54Speaker 1: parent's mind and l A p. D is gotten mud
- 7:58Speaker 1: on their face or egg or do you. Plus also
- 8:01Speaker 1: they seem to be widely considered and extremely corrupt, but
- 8:04Speaker 1: then also just as bad, if you know, just as bad,
- 8:07Speaker 1: almost as bad incompetent. I guess if you have a
- 8:11Speaker 1: police force that is well meaning but incompetent, like maybe
- 8:13Speaker 1: the Keystone Cops or something, it's hard to get mad
- 8:15Speaker 1: at them all the time. But if they're corrupt and incompetent,
- 8:18Speaker 1: like that's about as bad a combination you can ask
- 8:21Speaker 1: for in a police force. Incompetent police force is only
- 8:25Speaker 1: funny in slapstick comedies. It's not funny in real life, no,
- 8:30Speaker 1: but but yeah, no not it's funny on the indy
- 8:32Speaker 1: grific shoe. Yeah, but I mean, ultimately, was Barney incompetent,
- 8:38Speaker 1: Like you dropped his gun and stuff. But he always
- 8:41Speaker 1: got the bad guy, didn't he. That's pretty funny he
- 8:45Speaker 1: dropped his gun and stuff. But is that really incompetent?
- 8:50Speaker 1: I mean, if the if the it all turned out
- 8:52Speaker 1: well in the end, is all I'm saying, you know,
- 8:54Speaker 1: that justifies the incompetence, because all it's gonna do is
- 8:57Speaker 1: drop and go off and shoot the dinner bell and
- 9:00Speaker 1: he's gonna go dinner already. A right dinner happens early
- 9:04Speaker 1: and the criminals sits down to dinner with the family.
- 9:06Speaker 1: Nothing like an Andy Griffith show reference to just keep
- 9:08Speaker 1: us popular with the kids. Yeah, where are we? Please
- 9:13Speaker 1: stop a kid? I'm sorry we are, Chuck to answer
- 9:19Speaker 1: your question, um, at about the point where Christine has
- 9:23Speaker 1: just realized that Walter is missing, which is a terrible
- 9:26Speaker 1: point to be at, it is, she goes to the cops.
- 9:31Speaker 1: I'm not sure if this happened in real life, but
- 9:32Speaker 1: in the movie there was a twenty four hour wait
- 9:34Speaker 1: period before they would do anything because kids usually come home,
- 9:37Speaker 1: and I think that has been the case historically and
- 9:40Speaker 1: a lot of missing uh person's cases, right, they will
- 9:43Speaker 1: delay it for a minute. Yeah, you know. I wondered though, how, um,
- 9:48Speaker 1: what anachronism that is in the movie. I don't know
- 9:51Speaker 1: if that was like something that came later or whatever,
- 9:53Speaker 1: but that's like the first thing Angeline and Jolie is
- 9:56Speaker 1: told when she calls the cops that you gotta wait
- 9:58Speaker 1: twenty four hours. Whether that happened or not. The Los
- 10:02Speaker 1: Angeles Times had an article about the case back in
- 10:06Speaker 1: and they said that the lap D mounted national search.
- 10:11Speaker 1: It was a big deal. So whether it started twenty
- 10:13Speaker 1: four hours or later, whatever, there was like a big
- 10:17Speaker 1: search for Walter. It wasn't just like, you know whatever.
- 10:21Speaker 1: At some point it picked up and became a legitimate,
- 10:23Speaker 1: like missing child case. Yeah. Um. There were a few tips.
- 10:29Speaker 1: One of the best ones was from a gas station
- 10:31Speaker 1: worker in Glendale said they saw someone who looked like
- 10:35Speaker 1: Walter in the back of a car hiding under some
- 10:37Speaker 1: newspapers right right, but only his face wasn't covered, so
- 10:42Speaker 1: it was like the worst covering job of all time.
- 10:45Speaker 1: The worst covering job or the kid managed to wriggle
- 10:47Speaker 1: out or something. Okay, well, yeah, I guess that could
- 10:49Speaker 1: be the case too. But the driver was described as
- 10:51Speaker 1: Italian looking. Uh. And then there was another report of
- 10:54Speaker 1: a quote foreign looking end quote couple roaming Walter's neighborhood
- 10:59Speaker 1: looking suspicious in the days before the disappearance. So the
- 11:04Speaker 1: first you know, posters that were put up by the
- 11:07Speaker 1: cops said to be on the lookout for a middle
- 11:09Speaker 1: age Italian man and a very small woman. Yeah. So,
- 11:13Speaker 1: and Walter's dad said, hey, hey, I don't want to
- 11:16Speaker 1: be left out of this. I want to contribute. What
- 11:18Speaker 1: if it's one of the enemies I've made here in prison.
- 11:22Speaker 1: Apparently he worked in the kitchen and part of his
- 11:24Speaker 1: responsibility was snitching on other prisoners. I guess they kind
- 11:28Speaker 1: of came with kitchen duty. Um. So he he was like,
- 11:32Speaker 1: of course I've made some enemies here there. Maybe it's
- 11:34Speaker 1: one of them exacting revenge. And that apparently was the
- 11:38Speaker 1: lead that the police followed, but it didn't go anywhere.
- 11:41Speaker 1: So Walter Senior can go step back out for a
- 11:42Speaker 1: little while of the picture. Yeah, I mean, it is
- 11:45Speaker 1: kind of stymying at this point because they didn't have money,
- 11:47Speaker 1: so it wasn't a clear case of ransom like it
- 11:50Speaker 1: was with the the wealthy banker. Uh So, I don't
- 11:54Speaker 1: know if that's better or worse for a parent to
- 11:57Speaker 1: have money and think it's probably a ransom situation. Shian.
- 12:01Speaker 1: It seems like it's probably more distressing in this case
- 12:04Speaker 1: because your child was just gone and like what could
- 12:05Speaker 1: they possibly want and return? Yeah? Um yeah so but
- 12:10Speaker 1: also I could see it giving you hope to that
- 12:12Speaker 1: maybe he's just missing, maybe ran away or something like that.
- 12:14Speaker 1: But that the reports of that couple and then from
- 12:17Speaker 1: the gas station attendant to it certainly didn't help ease
- 12:21Speaker 1: any concerns that he had been kidnapped for one reason
- 12:23Speaker 1: or another. And that seems to be the premise that
- 12:25Speaker 1: everybody was moving on. That he wasn't just missing, he
- 12:28Speaker 1: hadn't just run away, um, And if Angelina Jolie is
- 12:31Speaker 1: to be believed, um, his mother would have known that
- 12:35Speaker 1: he wouldn't have just run away, that he he would
- 12:38Speaker 1: have had to have been taken against as will. Right.
- 12:41Speaker 1: So they've I think about five months go by. Uh,
- 12:45Speaker 1: no more big leads, no clues, no um forward movement
- 12:50Speaker 1: of the case really and then all of a sudden,
- 12:52Speaker 1: out of nowhere, and it's a very dramatic moment in
- 12:54Speaker 1: the film. Obviously. Uh, they call up Christine and said,
- 12:58Speaker 1: we found your son. He's in Illinois, cab Illinois. Uh,
- 13:03Speaker 1: he's doing fine. All you gotta do is is scrape
- 13:07Speaker 1: together the money to pay for him to come back.
- 13:09Speaker 1: When I was like, really and that was actually true
- 13:12Speaker 1: and they were reunited. Uh. Dave Bruce, who utput us together,
- 13:17Speaker 1: said it was in a juvenile hall, but in the
- 13:19Speaker 1: movie it's by a train at a train station, because
- 13:22Speaker 1: that looks great on film. It does. Yeah, the cook happens, josh. Um,
- 13:32Speaker 1: something really terrible happened in the film and in real life. Um,
- 13:36Speaker 1: when Christine Collins saw her son, she said, that's not
- 13:42Speaker 1: my son. Yeah, that's someone else. I don't I don't
- 13:45Speaker 1: know who that is. But I think the quote was,
- 13:47Speaker 1: I don't think that's my son. And here's where the
- 13:50Speaker 1: gas lighting begins, by the way. Yeah, so the villain
- 13:53Speaker 1: the one of the villains. But um, yeah, one of
- 13:58Speaker 1: the villains of the story is a guy in m J. J. Jones.
- 14:01Speaker 1: He was a police captain with the L A p. D.
- 14:03Speaker 1: And he was in charge of the juvenile crimes unit,
- 14:05Speaker 1: so he had this missing person's case of Walter on
- 14:09Speaker 1: his hands. So he was there presiding over this reunion because, um,
- 14:14Speaker 1: you know, the l a p D could use the
- 14:15Speaker 1: good press, and it was a happy story. It was
- 14:18Speaker 1: a huge story, and this was definitely more of a
- 14:21Speaker 1: feather in the cap for the l a p D
- 14:23Speaker 1: versus a black eye for the l a p D.
- 14:26Speaker 1: Like the Miriam Parker case was. Um, so of course
- 14:29Speaker 1: they wanted to play it up. So it did not
- 14:32Speaker 1: settle well with Captain J. J. Jones that the mother
- 14:36Speaker 1: of this boy, who was supposed to be happy and
- 14:38Speaker 1: crying and and thanking the l a p D. Was saying, essentially,
- 14:43Speaker 1: you brought the wrong kid. This is not my kid. Yeah,
- 14:46Speaker 1: so he starts gaslighting right out of the gate. Uh,
- 14:49Speaker 1: in the room, saying oh no, no, no, no, mom,
- 14:54Speaker 1: you're just not recognizing your son. He's been away for
- 14:56Speaker 1: five months. Uh. He's acting weird. And in the movie
- 15:01Speaker 1: it's hysterical because I guess it was a directorial decision
- 15:05Speaker 1: to have the boy be sort of stilted because you know,
- 15:09Speaker 1: he's not the real son. But in the movie he's
- 15:12Speaker 1: just like, hello, I am Walter and you are my mother,
- 15:16Speaker 1: and I would like to hug you. Now basically, yeah,
- 15:19Speaker 1: it was really pretty bad. But maybe that was the point. Um.
- 15:23Speaker 1: But anyway, they he starts gas flaring. Understand, No, he's changed,
- 15:27Speaker 1: he's lost some weight. Uh, he's gonna return to normal.
- 15:31Speaker 1: And what was the classic line was try the boy out.
- 15:37Speaker 1: Just take him home and try him out for a
- 15:39Speaker 1: little while and maybe, you know, see if you like him,
- 15:41Speaker 1: maybe he'll fit. Um. But yeah, that set off this,
- 15:44Speaker 1: like like you said, you know, campaign of gaslighting. That
- 15:47Speaker 1: Christine was clearly you know, distressed, fraught, Um was still
- 15:53Speaker 1: recovering from the shock, and that Walter had changed in
- 15:58Speaker 1: some ways out on this five months that he endured
- 16:02Speaker 1: at having god knows what, you know, and being involved
- 16:05Speaker 1: in god knows what, and that those two things put
- 16:08Speaker 1: together or making her think that that this wasn't her kid,
- 16:12Speaker 1: and there's um she finally relents, actually and Dave tries
- 16:16Speaker 1: to tries to kind of gas at what what it was,
- 16:19Speaker 1: and I think he kind of paints a really good
- 16:20Speaker 1: picture of you know, the pressure from the police, the press,
- 16:25Speaker 1: they're taking photographs, everybody wanting this to be a happy occasion,
- 16:29Speaker 1: a little boy looking up at her. I'm sure wanting
- 16:32Speaker 1: this kid to be her little boy, but also being
- 16:34Speaker 1: repelled by the idea that that, you know, she's gonna
- 16:38Speaker 1: take some other kid as her boy. She did, she
- 16:40Speaker 1: did relent there at the juvenile detention center and basically
- 16:44Speaker 1: agreed to take the strange kid home with her. Uh.
- 16:47Speaker 1: She agreed to try him out. And there's a photo
- 16:51Speaker 1: of Christine Collins with this boy, UM that's pretty famous.
- 16:56Speaker 1: You can find it very easily, I think if you
- 16:58Speaker 1: just type in Christine Collins um and you see her face,
- 17:02Speaker 1: the expression on her face, and you know the backstory.
- 17:04Speaker 1: It's one of the most heartbreaking photos you'll ever see.
- 17:08Speaker 1: When you know the full story, It's it's awful because
- 17:11Speaker 1: you can see all of these thoughts that are in
- 17:14Speaker 1: her mind, like and just the the the just the
- 17:18Speaker 1: terrible everything that she's going through just right there on
- 17:21Speaker 1: her face. But she's also trying to smile in a
- 17:25Speaker 1: way too, and that little boy is just beaming, grinning
- 17:28Speaker 1: from ear to ear. It's a really weird juxtaposition. Yeah,
- 17:31Speaker 1: it's very distressing to look at. Uh. And the gas
- 17:34Speaker 1: lighting continued with the psychologists later and the doctors who
- 17:38Speaker 1: had examined the boy, Uh psychology and nineteen I mean,
- 17:41Speaker 1: feel what you feel about it now. But you know,
- 17:46Speaker 1: they basically said, and this is a quote, he has
- 17:48Speaker 1: certain aisles of memory that are apparently blank. And Uh
- 17:52Speaker 1: then went on to say, you know, he he doesn't
- 17:54Speaker 1: remember any of the toys he played with, and he
- 17:57Speaker 1: doesn't remember any of the people from before, his neighbors
- 18:01Speaker 1: and stuff, or any of his classmates. But this will
- 18:04Speaker 1: all pass and and he's your son, and he'll be
- 18:07Speaker 1: he'll be normal pretty soon. Yeah, and she knows it's
- 18:10Speaker 1: not her kid. Like that's what's so maddening, is that
- 18:13Speaker 1: it's a parent and their child. Right. Yeah, So imagine
- 18:18Speaker 1: like being in that position where everyone is telling you, like, no,
- 18:21Speaker 1: you're wrong, not just this one police captain, but the people.
- 18:25Speaker 1: The police captain is basically hired and recruited to come
- 18:27Speaker 1: back his his point in the l a p d
- 18:29Speaker 1: S position up that you're wrong, this is your kid.
- 18:32Speaker 1: Stop stop being a weirdo and just accept this kid.
- 18:35Speaker 1: And also, and um, the movie really does a good
- 18:38Speaker 1: job of hitting this uh several times. If the if
- 18:42Speaker 1: the l a p d Thinks that they brought Walter back,
- 18:44Speaker 1: and that's their position. They're not out looking for Walter,
- 18:47Speaker 1: so therefore who who knows where Walter is? And like
- 18:50Speaker 1: just more and more time is being wasted while they're
- 18:53Speaker 1: not looking for Walter because they're saying this kid is Walter,
- 18:56Speaker 1: even though she knows that this is not Walter. So
- 19:00Speaker 1: I just I can't imagine having been in that position
- 19:03Speaker 1: and just the you know, just when you're stressed out
- 19:06Speaker 1: about normal stuff like work stuff or whatever like that,
- 19:09Speaker 1: the attention you can have in your in your shoulders,
- 19:12Speaker 1: around your neck, and like just how your face can
- 19:14Speaker 1: just feel weird sometimes and you're you can get headaches
- 19:16Speaker 1: and stuff like that. Imagine having that starting to creep
- 19:20Speaker 1: up and develop and compound because that's your situation, and
- 19:23Speaker 1: then having no framework, no guidelines, no nothing to help
- 19:28Speaker 1: you say, oh well, when this happens, when somebody says
- 19:32Speaker 1: that a kid that's not your kid is your kid,
- 19:34Speaker 1: this is what society is prescribed for you to do
- 19:36Speaker 1: to kind of as a release or an outlet. Having
- 19:38Speaker 1: nothing like that and having to figure out what to
- 19:40Speaker 1: do on your own. I cannot imagine the turmoil that
- 19:45Speaker 1: Christine Collins went through just from this part, all right,
- 19:49Speaker 1: I think we should take a break. It's a nice
- 19:52Speaker 1: robust first act. Yes, yeah, yeah, and we'll come back
- 19:56Speaker 1: and talk a little bit about what happened once you
- 19:57Speaker 1: got this boy home right after this. All right, So
- 20:26Speaker 1: Christine Collins has fake Walter Collins back at her house
- 20:31Speaker 1: and she uh, and this is one of those things
- 20:34Speaker 1: where it was a scene in the movie that I
- 20:36Speaker 1: looked up, and I did see another article that mentioned this,
- 20:40Speaker 1: but I couldn't tell if it was taken from the
- 20:42Speaker 1: movie or not because I didn't find it elsewhere. But
- 20:44Speaker 1: one of the big giveaways to her was when she
- 20:47Speaker 1: was bathing the boy that he was circumcised, and I
- 20:50Speaker 1: couldn't find out if that was really the case, um,
- 20:53Speaker 1: which is frustrating. But in the movie, you know, when
- 20:56Speaker 1: she tells this to the officer to to uh what's
- 20:59Speaker 1: his name owns, he basically says, you know, it's amazing
- 21:06Speaker 1: what people might do to a kid, like basically gaslighting,
- 21:10Speaker 1: further saying like, well, he was circumcised while he was
- 21:12Speaker 1: after he was abducted during these five months. But I
- 21:16Speaker 1: don't know if that's true or not, and that's really frustrating.
- 21:18Speaker 1: What I do know is that she knew it was
- 21:20Speaker 1: a charade. Uh, she got dental records. She went to
- 21:24Speaker 1: his teachers and like everyone, you know, these teachers who
- 21:28Speaker 1: spent every day with them during the school year. We're like, no,
- 21:31Speaker 1: this isn't Walter. Obviously. Yeah. So she got people who
- 21:35Speaker 1: were who were not only willing to back her up,
- 21:37Speaker 1: but we're like, we're willing to testify to this. Here's
- 21:40Speaker 1: this kid's dental records. Here's Walter's dental records. Apparently Walter
- 21:44Speaker 1: head fillings and this kid had never seen a dentist
- 21:46Speaker 1: before I saw somewhere. Um. And she went back, after
- 21:51Speaker 1: I think three weeks of trying to make this work
- 21:55Speaker 1: three weeks, she went back to um, Captain Jones and said,
- 21:59Speaker 1: here's the gental records. Here are all these people who say, no,
- 22:01Speaker 1: this is not Walter. And Captain Jones had a very um,
- 22:06Speaker 1: unpleasant response to that, to being challenged by this again,
- 22:09Speaker 1: this thing that he had decided was settled. Um. He
- 22:12Speaker 1: basically charged her with being a terrible mother. He said, Um,
- 22:17Speaker 1: you are the most cruel hearted woman I've ever known.
- 22:21Speaker 1: Accused her of trying to shirk her her motherly duties. Um,
- 22:25Speaker 1: and to get the state basically to raise her kid,
- 22:28Speaker 1: as if she didn't want her her son anymore, so
- 22:30Speaker 1: now she'd seen a chance to kind of pawn them off.
- 22:33Speaker 1: Um And as she persisted during I guess this conversation, um,
- 22:39Speaker 1: he I guess, brought the hammer down. He like played
- 22:43Speaker 1: an even harder card than continuing gas lighting. He had
- 22:46Speaker 1: her committed to the state hospital against her will. Yeah,
- 22:53Speaker 1: I mean, I think it's that deal where like, you
- 22:56Speaker 1: get caught in a lie, so you just keep lying.
- 22:59Speaker 1: Like the l a p d already looked bad, They
- 23:01Speaker 1: all of a sudden looked pretty good with this case.
- 23:03Speaker 1: But if it came out that they gave purposely gave
- 23:07Speaker 1: her the wrong kid, like what that would do to
- 23:11Speaker 1: the l a p D's reputation. He was desperate and
- 23:14Speaker 1: just dug himself into a pit and had her, like
- 23:17Speaker 1: he said, had her committed using what's called a code twelve,
- 23:21Speaker 1: which means that you were dangerously disturbed, uh, dangerously disturbed
- 23:25Speaker 1: criminal And she was none of these things. And they
- 23:29Speaker 1: sent her away. And this was at a time when
- 23:31Speaker 1: you could do that and sneak her out the back
- 23:33Speaker 1: door and no one knows anything happened. Basically, Yeah, so
- 23:37Speaker 1: she spent I believe, six full days in um, in
- 23:43Speaker 1: this this psychiatric unit at the l A County Hospital. Um,
- 23:49Speaker 1: again against her will. She was medicated there, she was
- 23:52Speaker 1: held there, she was putting a room with um. She
- 23:55Speaker 1: had to share a room with a woman who she
- 23:56Speaker 1: said she could feel her hands around her throat every
- 23:59Speaker 1: time she does. Um. Who. By the way, Chuck, if
- 24:03Speaker 1: you noticed in the movie that that roommate at the
- 24:07Speaker 1: mental hospital was played by Dale Dickey, who is also
- 24:10Speaker 1: in Mela's movie No Exit. Oh wow, So Um, it
- 24:14Speaker 1: really is so and she's actually just really like she's
- 24:19Speaker 1: one of those character actors you've seen a bunch of
- 24:20Speaker 1: different times but never paid attention to. Really like she's
- 24:24Speaker 1: in Winner's Bone. Um, she plays a pretty pretty prominent
- 24:28Speaker 1: role in that at the end anyway, Um she plays
- 24:31Speaker 1: uh oh, Angelina Jolie's roommate and they're a great effect.
- 24:37Speaker 1: But um, she spent So the real Christine Colin spent
- 24:40Speaker 1: six days in this hospital against her will. And it's
- 24:45Speaker 1: not entirely certain. Well, I guess it is certain she
- 24:48Speaker 1: would have gotten out because at the end of six
- 24:50Speaker 1: days of psychiatrists finally got a chance to see her
- 24:53Speaker 1: and said, um, you're totally saying you can go. But
- 24:56Speaker 1: in that six days, this whole story took and even
- 25:00Speaker 1: more incredible twist. Yeah, and just quickly, like if you've
- 25:04Speaker 1: seen the movie, I'm guessing that that sort of evil
- 25:07Speaker 1: doctor was a movie addition, uh, because I think they
- 25:12Speaker 1: probably needed like a Nurse Ratchet type in there. I
- 25:15Speaker 1: don't think that was a real person. No. And not
- 25:18Speaker 1: only did they have the evil doctor, they had a
- 25:20Speaker 1: nurse Ratchet and then a nurse Ratchet's assistant, like he
- 25:23Speaker 1: just threw everything. It was just really ham fisted. Nurse
- 25:26Speaker 1: Ratchet was Ricky Lindholme, which is weird. Who's that. She's
- 25:30Speaker 1: a comedic actor, so it was strange to see her
- 25:32Speaker 1: in this role as like an evil nurse. Oh really Okay?
- 25:35Speaker 1: And then I don't know if you noticed, also, but
- 25:37Speaker 1: Michael Scott's girlfriend, Holly Flax, plays a sex worker um
- 25:41Speaker 1: who ends up befriending and Angelina Jolie in the mental hospital.
- 25:45Speaker 1: Did I notice Amy Ryan? I noticed her and everything? Okay, great?
- 25:49Speaker 1: Did you like her in Only Murders in the Building?
- 25:52Speaker 1: I did. I liked her. I like Amy Ryan and everything.
- 25:55Speaker 1: She's one of my favorite actors. She's great, and I
- 25:57Speaker 1: really love that show, by the way, yea, and not
- 26:00Speaker 1: because they have sponsored the show. Oh have they? Yeah,
- 26:04Speaker 1: they were there, maybe that's coming down the pike. But
- 26:06Speaker 1: they asked. They were like, they're gonna come on as
- 26:08Speaker 1: a sponsor, and I was like, great, I love that.
- 26:10Speaker 1: Oh yeah, well nobody asked me, but I'm on board too.
- 26:13Speaker 1: They did ask you approved it? Oh yeah, okay, I
- 26:17Speaker 1: do remember, I do remember. Okay, You're right, all right,
- 26:20Speaker 1: So you were talking about things getting really crazy. Uh.
- 26:23Speaker 1: They had managed to keep this quiet that she was
- 26:26Speaker 1: falsely arrested and basically stuck in a mental hospital that
- 26:32Speaker 1: did not get out. She got out, she went home.
- 26:37Speaker 1: Uh Walter. At this point, fake Walter is kept in
- 26:41Speaker 1: Juvie as a ward of the state. And there was
- 26:45Speaker 1: another kid in Juvie, a fifteen year old named Sanford Clark,
- 26:50Speaker 1: who had quite a story to share in that right. Yeah.
- 26:54Speaker 1: So Sanford Clark is the nephew of a guy named
- 26:58Speaker 1: Gordon Stewart North Coop, and um Sandford says he wants
- 27:04Speaker 1: to speak to the cops because he wants to say
- 27:07Speaker 1: that he has been forced to participate in the murder
- 27:10Speaker 1: of a number of little boys, and that one of
- 27:14Speaker 1: those little boys was the boy who was in all
- 27:16Speaker 1: the newspapers, Walter Collins. So you can just like if
- 27:22Speaker 1: I guess, they had gramophones back then, so you just
- 27:25Speaker 1: hear the needle scratch on the gramophone at the right.
- 27:30Speaker 1: So at this point in the story, the evil police
- 27:33Speaker 1: Captain Jones is put on that murder case and he's
- 27:37Speaker 1: in a position where he's on this new case. This
- 27:41Speaker 1: boy says that Walter Collins was murdered, but he had
- 27:45Speaker 1: just you know, stuck Christine Collins in a mental ward
- 27:49Speaker 1: for a week. So he starts lying even more and
- 27:53Speaker 1: told reporters that Christine Collins just told me a day
- 27:56Speaker 1: before that she didn't think Walter was her son, that
- 28:00Speaker 1: was a fake Walter, when it was actually a week earlier.
- 28:03Speaker 1: And so he was just again just digging holes here
- 28:06Speaker 1: with these lies. And they also said the reporters said, sir, sir, okay,
- 28:10Speaker 1: where's where's Christine Collins? We want to talk to her,
- 28:12Speaker 1: And he's like, oh, well, she's at the County hospital
- 28:15Speaker 1: for observation. She obviously had you know, she took it
- 28:18Speaker 1: really hard when she heard that her her son had
- 28:21Speaker 1: been you know, was a murder victim. So we put
- 28:24Speaker 1: her in there yesterday and she'd already been in there
- 28:27Speaker 1: for six days. So, um, the question was raised just
- 28:32Speaker 1: immediately if Walter Collins was was killed um by Gordon
- 28:39Speaker 1: Northcott and with an assist by his nephew Sanford Clark. Um,
- 28:45Speaker 1: who was this little kid who was saying he was
- 28:47Speaker 1: Walter Collins and everybody else was saying, yes, he's Walter Collins.
- 28:51Speaker 1: And that was a pretty interesting story in and of itself,
- 28:54Speaker 1: for sure. Why don't we take a break? And now
- 28:59Speaker 1: you're so mean? Who fake Walter is right after this? Alright, late,
- 29:28Speaker 1: honest fake Walter Chuck was drummer? Will please Arthur Hutchins Jr.
- 29:38Speaker 1: That was a Michael Scott reference joke, it was. Uh.
- 29:43Speaker 1: So here was Arthur's story. In June, which was the
- 29:47Speaker 1: summer before the disappearance of Walter, Arthur ran away from
- 29:52Speaker 1: home in Illinois. Uh. He had a bad step mom,
- 29:56Speaker 1: he had a dad that wouldn't do anything about it.
- 29:58Speaker 1: Just not a good home situation. And he was a
- 30:03Speaker 1: you know, it was the time in America when a
- 30:05Speaker 1: twelve year old was also like a full grown adult
- 30:07Speaker 1: that they wanted to be. So he kind of took
- 30:10Speaker 1: off on the road. He worked jobs, he hitchhiked, and
- 30:13Speaker 1: it gets old dodgy about what exactly happened. Uh. In
- 30:16Speaker 1: the movie, he basically levied a charge against the police,
- 30:20Speaker 1: saying like this was their idea, Like they kind of
- 30:23Speaker 1: picked me up and told me to pretend I was
- 30:25Speaker 1: this kid. Other people say that he hatched the plan.
- 30:30Speaker 1: He always want to go to l A to meet
- 30:32Speaker 1: Tom Mix, the Cowboy movie star, Silent Error movie star,
- 30:37Speaker 1: So like he saw this kid was missing, so he
- 30:39Speaker 1: hatched the idea himself. Other people say that they picked
- 30:43Speaker 1: him up in the cab Illinois. The police did, and
- 30:46Speaker 1: when they were um talking to him might have mentioned Walter,
- 30:50Speaker 1: and the kid had the idea from there. I don't know. Yeah,
- 30:53Speaker 1: either way, this kid saw his chance for a free
- 30:56Speaker 1: one way ticket to Hollywood and his cowboy hero Tom Mix,
- 31:00Speaker 1: and he took it. Um. He styled himself, we should say,
- 31:03Speaker 1: as a boy adventurer. So that was like kind of
- 31:06Speaker 1: the mindset this kid had totally lost on him. From
- 31:10Speaker 1: you know what, I can tell the gravity of what
- 31:13Speaker 1: he was doing to Christine Collins, that that he was
- 31:17Speaker 1: perpetrating knew it was perpetrating a fraud, But it seems
- 31:21Speaker 1: like he considered it harmless. And it wasn't until it
- 31:25Speaker 1: was pointed out like do you understand what you've done
- 31:27Speaker 1: to this this poor woman that that he was like, yeah,
- 31:31Speaker 1: I guess I owe or an apology or something like that.
- 31:33Speaker 1: It just didn't occur to him. Um, however you want characterized,
- 31:37Speaker 1: he was a bad kid or thoughtless or careless or whatever.
- 31:40Speaker 1: But um, he finally gets He finally confesses and apparently
- 31:44Speaker 1: put up a fight too. That it wasn't until they
- 31:47Speaker 1: had um a proof that his handwriting didn't match Walters
- 31:51Speaker 1: that they finally and the cops, by the way, finally said,
- 31:54Speaker 1: you're not Walter kid. You make different rs here. Apparently
- 31:57Speaker 1: the way that he wrote ours was in a way
- 31:59Speaker 1: that was in Illinois. But you couldn't find that kind
- 32:02Speaker 1: of our teaching anywhere in California. The old Illinois are
- 32:06Speaker 1: that's right. They had him dead to rights and he
- 32:09Speaker 1: finally confesses and tells them all this that he's he's
- 32:12Speaker 1: a little Arthur Hutchins Jr. So he gets reunited with
- 32:16Speaker 1: his family. Um, but then that leaves us back at
- 32:19Speaker 1: square one. Walter is still missing, and then now there's
- 32:24Speaker 1: Sanford Clark, who was saying that Walter is actually not missing.
- 32:28Speaker 1: Walter is dead because my uncle and I, against my will,
- 32:33Speaker 1: killed Walter among some other boys. That's where we're at
- 32:37Speaker 1: with Christine. Yeah, I mean the story of Sanford Clark
- 32:40Speaker 1: is equally sad. He he did participate in these crimes,
- 32:43Speaker 1: but he was uh, he was there getting sexually abused,
- 32:48Speaker 1: physically abused, emotionally abused, was told that he would be
- 32:52Speaker 1: killed if he didn't help out. So this is a
- 32:55Speaker 1: kid who um who, who didn't know what he was
- 32:58Speaker 1: doing and fortunate into doing these things. He's also a
- 33:01Speaker 1: victim here. So at this point in the story, it
- 33:04Speaker 1: could have been the end, Like Christine could have said,
- 33:08Speaker 1: my son is dead, the boy fake Walter is gone
- 33:11Speaker 1: back to his family. I'm a woman, It's what recourse
- 33:16Speaker 1: do I have. But to her credit, she stood strong
- 33:20Speaker 1: and said, no, I'm not taking this. Uh. Not only
- 33:24Speaker 1: am I not convinced that Walter's dead, but that aside,
- 33:28Speaker 1: I need to tell I need to expose my treatment
- 33:31Speaker 1: and I need to expose Captain Jones and the l
- 33:34Speaker 1: A p D. And so I'm going to come forward
- 33:37Speaker 1: with his information. Yeah, which she did. So remember like
- 33:40Speaker 1: by this time, the press had no idea what had
- 33:43Speaker 1: happened to her, and she just dropped this this truth
- 33:46Speaker 1: bomb on him, saying, so the l a p D
- 33:50Speaker 1: heard from me for a long time that this was
- 33:52Speaker 1: not my kid, and not only told me it was,
- 33:55Speaker 1: they institutionalized me against my will. Told the presser story. Um,
- 34:00Speaker 1: with the help of apparently local women's leagues took up
- 34:03Speaker 1: her cause. And then so did Reverend Gustav Brieglib who's
- 34:08Speaker 1: played by Malkovich Malkovich Malkovich Malkovich in the in the movie.
- 34:12Speaker 1: I think he got involved way earlier in the movie
- 34:14Speaker 1: than he did in real life. Yeah, yeah, but he
- 34:17Speaker 1: helped publicize her. He was an anti l a p
- 34:20Speaker 1: D corruption crusader, um and this is a great example
- 34:25Speaker 1: of the corruption and incompetence of the l a p D. UM,
- 34:28Speaker 1: And he helped take up her story and publicize it.
- 34:32Speaker 1: But um, she probably thought that was going to be enough,
- 34:35Speaker 1: because the county convened a grand jury and they heard
- 34:39Speaker 1: her testimony and they didn't even bother calling Captain Jones
- 34:44Speaker 1: to testify. They just basically gave her a chance to
- 34:47Speaker 1: tell her story and then hope that it would go away,
- 34:50Speaker 1: and they demonstrated that they hoped it would go away
- 34:53Speaker 1: because they referred the matter to the Police Commission to
- 34:56Speaker 1: handle itself. That's right, the commission said no disciplinary action
- 35:03Speaker 1: against Captain Jones. Arthur Hudgins fooled everybody, um and Dave
- 35:09Speaker 1: points out like, yeah, except for mom who was screaming
- 35:13Speaker 1: the whole time that this is not my kid. So
- 35:15Speaker 1: that was such a flimsy argument to to not do
- 35:17Speaker 1: anything to Captain Jones. And this could have been the
- 35:21Speaker 1: end of the story. And Christine Jones was what met
- 35:24Speaker 1: with another brick wall. But no, she said, huh, I'm
- 35:28Speaker 1: going to hire a lawyer and I'm gonna sue the
- 35:30Speaker 1: l A. P D And Captain Jones for false imprisonment.
- 35:34Speaker 1: It made all the news. Sued for a half a
- 35:36Speaker 1: million bucks, and again the reverend in the Women's league
- 35:42Speaker 1: got you know, press going and got everyone whipped up
- 35:44Speaker 1: into a frenzy about it and got a lot of support,
- 35:46Speaker 1: and the l A. County opened up a grand jury investigation. Again,
- 35:51Speaker 1: the city Council Welfare Committee recommended that Jones and police
- 35:55Speaker 1: chief resign. That didn't happen. He ended up getting a
- 36:00Speaker 1: four month suspension without pay. And Uh, the civil suit
- 36:04Speaker 1: did make it to court and she won, but uh
- 36:10Speaker 1: was never paid a dime, which is what happens in
- 36:12Speaker 1: a lot of cases. Yeah, and she kept she she
- 36:15Speaker 1: kept doggedly pursuing Captain Jones for decades. She would drag
- 36:20Speaker 1: him to court every once in a while, and um,
- 36:23Speaker 1: have a judge say you have to pay her, and
- 36:26Speaker 1: Captain Jones would be like, I don't have any money,
- 36:27Speaker 1: can't get blood from a stone, sorry, and she she has.
- 36:30Speaker 1: She never got a penny out of him, Uh, despite
- 36:33Speaker 1: being owed about a hundred and eighty grand in today's
- 36:36Speaker 1: money ten hundred dollars back then, which is just so infuriating.
- 36:42Speaker 1: But at the very least she was like, Okay, if
- 36:43Speaker 1: you're not gonna pay me, I'm not I'm just not
- 36:45Speaker 1: gonna drop it. At least I'm still going to drag
- 36:47Speaker 1: you to court whenever I can to make you have
- 36:51Speaker 1: to talk about this again. Um. And so uh, apparently Christine,
- 36:58Speaker 1: like you said, she did not believe, don't you want
- 37:00Speaker 1: to say? Apparently she definitely did not believe that Walter
- 37:03Speaker 1: was killed um by Gordon Stewart Northcott and Gordon Stewart
- 37:07Speaker 1: Northcott turned out to be a serial murderer, and his
- 37:10Speaker 1: murders are called the Wineville Chicken Coop murders because apparently
- 37:14Speaker 1: the actual murders took place with an axe in the
- 37:18Speaker 1: chicken coop on this remote ranch about an hour east
- 37:22Speaker 1: of Los Angeles. Um and Sandford Clark was there, but
- 37:27Speaker 1: also too, and this isn't portrayed in the movie. Gordon's mother,
- 37:30Speaker 1: Sarah Louise Northcott, was also an active participant in all
- 37:34Speaker 1: this too, which makes the whole thing about a hundred
- 37:39Speaker 1: million times more horrific than it would have been had
- 37:43Speaker 1: she not been involved. Frankly, Yeah, now it's like a
- 37:46Speaker 1: Texas chainsaw mask. Her family, Uh, living out in the
- 37:50Speaker 1: Sticks at the time, it was the Sticks east of
- 37:52Speaker 1: Los Angeles. Now, like everything else in the south Land,
- 37:56Speaker 1: it's just one continuous suburb. Back then it was just farmland.
- 38:01Speaker 1: And uh, these you know, he could have murdered up
- 38:05Speaker 1: to twenty kids. We'll talk a little bit more about
- 38:07Speaker 1: the case, but um, he sexually abused these boys. He
- 38:11Speaker 1: kept them in the chicken coop. Um. He originally lived
- 38:15Speaker 1: not too far from the Collins Is And what started
- 38:19Speaker 1: here was this weird game between uh north Cut, his
- 38:25Speaker 1: mom and Um and Christine of him telling her like
- 38:32Speaker 1: he's dead. That had been him saying I didn't kill him,
- 38:36Speaker 1: and then him saying well I did kill him, and
- 38:39Speaker 1: then him saying no, I didn't, and then the mom
- 38:41Speaker 1: saying well, no, I killed him, and then the mom
- 38:43Speaker 1: saying no, I didn't. And I just can't imagine after
- 38:46Speaker 1: all Christine Collins has been through, Like how upsetting it
- 38:49Speaker 1: was to go through this emotional roller coaster still of
- 38:53Speaker 1: them admitting and then recanting their murder. Yeah, and even
- 38:59Speaker 1: worse than that, Gordon Northcott UM represented himself in court
- 39:04Speaker 1: and he called Christine Collins as a character as a
- 39:08Speaker 1: defense witness and said, UM put her on the stand
- 39:12Speaker 1: and said do you think I killed your son? And
- 39:14Speaker 1: she was like, no, actually I don't. And she produced
- 39:17Speaker 1: a piece of evidence that had been left out of
- 39:19Speaker 1: the papers that a few days after um Walter went missing,
- 39:24Speaker 1: someone threw a rock through her window and on the
- 39:27Speaker 1: rock or attached to the rock, it's not clear to me.
- 39:30Speaker 1: Um something said uh boy bad sick, afraid to call doctor,
- 39:35Speaker 1: And to her that meant that somebody had abducted Walter,
- 39:38Speaker 1: but it just wasn't. Gordon Northcott. Yeah, that's A. I
- 39:44Speaker 1: still don't know what to make of that one. I
- 39:46Speaker 1: don't either, But what Christine made of it is that
- 39:48Speaker 1: Gordon Northcott did not kill her boy, that he had
- 39:50Speaker 1: been abducted by somebody else in that to her, he
- 39:53Speaker 1: was still out there. And she was so either convinced
- 39:57Speaker 1: of this or wanted to believe it so badly that
- 40:00Speaker 1: she went on to the stand to this serial murderers
- 40:03Speaker 1: trial and acted as a witness in his defense. Um.
- 40:08Speaker 1: And in the end, it didn't it didn't work. Um.
- 40:11Speaker 1: Gordon Northcott was convicted of killing a handful of boys,
- 40:14Speaker 1: multiple boys. But it's I think you said before Sanford
- 40:17Speaker 1: Clark said maybe as many as twenty boys that I
- 40:21Speaker 1: think he was convicted of four and the mom was
- 40:24Speaker 1: convicted of killing Walter specifically. But yeah, the boys said
- 40:27Speaker 1: that you know, there's uh twenty bodies buried, which wasn't
- 40:32Speaker 1: exactly true because they burned a lot of the bodies. Uh.
- 40:36Speaker 1: There ended up being bones and evidence though there was enough,
- 40:40Speaker 1: like they found letters written by two of the boys
- 40:42Speaker 1: that he was accused of murdering Um that was written
- 40:45Speaker 1: by them to their parents that were that never went um,
- 40:48Speaker 1: that were never sent um. But they they um they
- 40:53Speaker 1: got enough of evidence at least against Gordon to convictim,
- 40:56Speaker 1: and then apparently he was all circumstantial against his mother,
- 40:59Speaker 1: but she was convicted any away, and so Gordon was
- 41:01Speaker 1: sentenced to hang. His mother was sentenced to life in prison,
- 41:04Speaker 1: and a couple of days before he um was executed,
- 41:08Speaker 1: Gordon sent a telegram to Christine Collins and said, um,
- 41:13Speaker 1: I lied about uh not killing your boy. If you'll
- 41:17Speaker 1: come visit me in prison before I'm executed, I'll tell
- 41:20Speaker 1: you the truth. Okay. So remember, she thinks she's testified
- 41:25Speaker 1: at his trial that he didn't do it, that this
- 41:28Speaker 1: terrible person had not killed her son, and now he
- 41:30Speaker 1: sent her a telegram two days before he died saying
- 41:33Speaker 1: he did. So of course, she goes to San Quentin,
- 41:36Speaker 1: meets with him, and he says, I don't want to
- 41:38Speaker 1: meet with you. Um, I didn't have anything to do
- 41:40Speaker 1: with your boy. Go away. Yeah. I mean, I just
- 41:47Speaker 1: can't imagine her mental state at this point of being
- 41:51Speaker 1: jerked around by the cops for all that time and
- 41:54Speaker 1: now being jerked around by this guy on death row.
- 41:58Speaker 1: Just I don't know if he was just sick and
- 42:00Speaker 1: like toying with her or that sort of prisoner thing.
- 42:04Speaker 1: I feel like I've seen this in movies before, where
- 42:06Speaker 1: they do something like this just to like have one
- 42:08Speaker 1: last meeting with somebody before they die. That isn't a
- 42:11Speaker 1: prison guard. Everybody loves a good meeting. But he was
- 42:16Speaker 1: hanged right in front of her face. Apparently, Yeah, she
- 42:18Speaker 1: stuck around. I guess the warden was like, he did,
- 42:22Speaker 1: what to you listen if you want to stick around
- 42:24Speaker 1: and witness his death too. And apparently she did not
- 42:27Speaker 1: out of vengeance necessarily, but um, because she was she
- 42:31Speaker 1: was hoping that at the at some point before he died,
- 42:34Speaker 1: he would tell her the truth or tell her something.
- 42:36Speaker 1: And he didn't. He went like a schmo because he
- 42:39Speaker 1: was a schmo. He was a terrible child murdering schmo. Um.
- 42:44Speaker 1: And so Gordon Northcott is executed. And these these Wineville
- 42:48Speaker 1: Chicken Coop murders are so notorious and so disgusting, um
- 42:52Speaker 1: as child murders tend to be. That the the town
- 42:55Speaker 1: changed its name a couple of months after Gordon Northcott
- 42:59Speaker 1: was executed to mirror Loma. It's what it's called today. Yeah,
- 43:05Speaker 1: Like just drive east from Los Angeles, you'll hit it.
- 43:10Speaker 1: They didn't like that name anymore. Change the name. Uh
- 43:14Speaker 1: here's where the what what you missed at the end
- 43:16Speaker 1: of the movie. And I think this was created out
- 43:18Speaker 1: of whole cloth to give everyone like a good feeling
- 43:20Speaker 1: in their tom toms uh in the movie version. And
- 43:25Speaker 1: if you don't want to hear this, you stop listening
- 43:27Speaker 1: right now. Give you a plenty of warning. Uh. So
- 43:30Speaker 1: this part we know it's true. Uh it was how
- 43:33Speaker 1: many months later did another boy show up that said
- 43:36Speaker 1: that he had escaped from I heard five years Oh?
- 43:41Speaker 1: Was it five years later? All right? So in the
- 43:43Speaker 1: movie they squashed that down. So that's obviously licensed dramatic license.
- 43:48Speaker 1: But I think the true story is that this boy
- 43:50Speaker 1: just said that he had been a kidnapping victim of
- 43:54Speaker 1: north Cut but got out. Didn't that right? Wasn't that
- 43:57Speaker 1: kind of the end of it. I don't know. I
- 44:00Speaker 1: saw that that a kid had been who had who
- 44:04Speaker 1: north Cut had been accused of killing, turned up safe
- 44:07Speaker 1: and sound five years later, and that gave her hope. Yeah,
- 44:10Speaker 1: that gave her hope for the rest of her life.
- 44:12Speaker 1: She died in I think nineteen sixty four and apparently
- 44:15Speaker 1: was looking for Walter the whole time. So in the
- 44:18Speaker 1: movie version, and this is clearly dramatic license, the story
- 44:22Speaker 1: the boy tells is that there was a late night
- 44:25Speaker 1: escape after they dislodged the wire of the chicken coop,
- 44:28Speaker 1: and that he had gotten stuck, and that Walter had
- 44:32Speaker 1: had already run away and came back and saved him.
- 44:35Speaker 1: And if it hadn't have been for Walter, he never
- 44:37Speaker 1: would have gotten out of there. So in the movie version,
- 44:41Speaker 1: obviously felt the need Old Clint felt the need to
- 44:44Speaker 1: paint Walter or whoever that screenwriter was to uh as
- 44:47Speaker 1: a as a hero in the end who gave his
- 44:49Speaker 1: life to help this other boy get saved, which like,
- 44:53Speaker 1: you don't even need to do that. It was so aggravating, No,
- 44:56Speaker 1: it really is. The writers like, how am I going
- 44:58Speaker 1: to get out of this? So that's it. One little
- 45:03Speaker 1: footnote of this. If you didn't think Christine Collins had
- 45:06Speaker 1: it hard enough, um this whole time, at the peak
- 45:08Speaker 1: of this stuff, at the at some of the worst
- 45:10Speaker 1: parts of it. Um, her husband remembers in prison the
- 45:14Speaker 1: whole time. And so she's petitioning the parole board. Actually
- 45:17Speaker 1: has friends. There's record of a friend writing the pearole
- 45:20Speaker 1: board talking about what a terrible state Christine is in
- 45:23Speaker 1: and what you please let her husband out so at
- 45:26Speaker 1: the very least he can go to work to support
- 45:28Speaker 1: her because she can't work anymore. Um. And the Pearl
- 45:32Speaker 1: Board wrote back in the movie version and said, we're sorry,
- 45:36Speaker 1: but Walter Collins died in prison in N two. Very
- 45:40Speaker 1: interesting and sad. So you got anything else about the
- 45:44Speaker 1: sad story of Christine and Walter Collins? No, it is,
- 45:48Speaker 1: Uh boy, it's a lesson in in uh hard lesson
- 45:51Speaker 1: in gas lighting and and what still happens, but what
- 45:54Speaker 1: definitely stoppened a lot more back then. Yeah, heavy stuff man.
- 45:58Speaker 1: Uh well, since Chuck said it used to happen a
- 46:01Speaker 1: lot more back then, followed by heavy stuff. As everyone
- 46:04Speaker 1: who listens to the podcast knows, that means it's time
- 46:06Speaker 1: for a listener mail. I'm gonna call this rewolving follow up.
- 46:12Speaker 1: Hey guys, long time listener. Really interesting episode and rewilding.
- 46:16Speaker 1: I'm glad you got the point across at the end,
- 46:19Speaker 1: goal to let nature do its thing, but the humans
- 46:21Speaker 1: have messed things up so much in places that sometimes
- 46:24Speaker 1: we need to give it a little helping hand to
- 46:26Speaker 1: help it along its way before stepping back and giving
- 46:28Speaker 1: its space. Right. You mentioned that we tend to be
- 46:31Speaker 1: very short time frame focus, but there is a distinction
- 46:35Speaker 1: between cultures. Many indigenous cultures have a mindset that focuses
- 46:38Speaker 1: on much longer time frames. The specific practices in place
- 46:42Speaker 1: for thinking of future generations. I believe one is to
- 46:46Speaker 1: think about things for seven generations time. Getting indigenous cultures
- 46:52Speaker 1: involved in projects and stewardship of the land serves to
- 46:55Speaker 1: gain wisdom from cultures that have been living harmoniously with
- 46:58Speaker 1: nature for generations. Plus brings in the mindset of thinking
- 47:01Speaker 1: for generations to come, not even mentioning the ethical reasons
- 47:05Speaker 1: for involving them. That is from Paul uh with the
- 47:10Speaker 1: question mark. Now, that is from Paul who was the
- 47:14Speaker 1: chief technology officer at Massy Earth, helping to rewild our planet.
- 47:19Speaker 1: So wow, go to the Mossy Earth website and check
- 47:22Speaker 1: it out. See what they're up to. Yeah, but I
- 47:24Speaker 1: mean we got one from like a legit insider. That's great,
- 47:28Speaker 1: I think so, and that is a massy dot Earth. Cool.
- 47:32Speaker 1: How do you get a dot earth website? Uh? You
- 47:36Speaker 1: pay through the wazoo, use a lot of donations. I
- 47:39Speaker 1: want to be Josh and Chuck dot Earth. Yeah, that'd
- 47:42Speaker 1: be good. I was thinking Josh and Chuck dot biz,
- 47:45Speaker 1: but sure that one works too. About dot earth biz.
- 47:49Speaker 1: So thanks a lot, Paul. We really appreciate you, uh
- 47:53Speaker 1: you writing to us, and if you want to be
- 47:55Speaker 1: like Paul, you can send us an email to stuff podcast. Man.
- 48:01Speaker 1: I'm going to get it after we're done at i
- 48:03Speaker 1: heart radio dot com. Stuff you Should Know is a
- 48:09Speaker 1: production of I heart Radio. For more podcasts my heart Radio,
- 48:12Speaker 1: visit the i heart Radio app, Apple Podcasts, or wherever
- 48:15Speaker 1: you listen to your favorite shows. H