Latest / Vanity Farah with Chris Farah / Season 12 Episode 3 “I Manifested You” Part 2 of 2 with Jake Anthony of Reality Gays

Transcript

Season 12 Episode 3 “I Manifested You” Part 2 of 2 with Jake Anthony of Reality Gays · Vanity Farah with Chris Farah

• 0:06
  Speaker 1: Welcome back to Vanity Farah. My name is Chris Farah
• 0:09
  Speaker 1: and I am here with Jake slash Poodle of Reality Gaze.
• 0:12
  Speaker 1: How we are Yeah, we are in the nitty gritty
• 0:15
  Speaker 1: of talking about ny Fiance. This is season twelve, episode three,
• 0:19
  Speaker 1: I Manifested you, and you're about to hear our part two.
• 0:24
  Speaker 1: Guess what you know that brings me to this? There's
• 0:27
  Speaker 1: a ninety day convention happening and we don't know anything
• 0:29
  Speaker 1: about it except I just.
• 0:30
  Speaker 2: Have absolutely nothing.
• 0:33
  Speaker 1: I think about, like what what it could be like
• 0:36
  Speaker 1: and or what like fun things they could do. I
• 0:38
  Speaker 1: would love them to do cast makeovers.
• 0:41
  Speaker 2: Oh I could see that. Who would you make over?
• 0:46
  Speaker 1: Who wouldn't I? Vanya?
• 0:47
  Speaker 2: Oh oh?
• 0:50
  Speaker 3: One of our listeners in our Patreon said, I know
• 0:53
  Speaker 3: who Vanya. Her makeup plot reminds me of Katya ohh goes. Yeah,
• 1:00
  Speaker 3: it is dead on. Yeah. It is the crispy hair,
• 1:05
  Speaker 3: the really dark black eye make up, the blue I will.
• 1:09
  Speaker 2: Yeah, that's it. That is that is Eastern European mob wife. Yes,
• 1:16
  Speaker 2: that's it. That's all she knows how to do. I've
• 1:21
  Speaker 2: been saying I want to reprogrammer.
• 1:22
  Speaker 3: I want to go to Orlando and just like take
• 1:25
  Speaker 3: four of our five sissies and just like clockwork orange
• 1:29
  Speaker 3: sure and.
• 1:29
  Speaker 2: Say this is good, this is bad.
• 1:33
  Speaker 3: It would take weeks, so we would we would have
• 1:35
  Speaker 3: to abandon our lives.
• 1:36
  Speaker 1: But I would love to give a make under to Sarper.
• 1:40
  Speaker 1: I would take up the contacts. I would wash out
• 1:42
  Speaker 1: the like jelled like shiny ass weird hair product he
• 1:46
  Speaker 1: does like get some guy. Yeah, I want to see
• 1:49
  Speaker 1: his real eyes.
• 1:50
  Speaker 3: Good point, I'm sure, the beautiful brown eyes.
• 1:54
  Speaker 2: Yeah.
• 1:54
  Speaker 3: When we met him, when we saw his live show,
• 1:56
  Speaker 3: he was so hot in person and he was so
• 1:59
  Speaker 3: nice and just like lovely god.
• 2:03
  Speaker 1: I yeah, you know, I had bought tickets to his
• 2:05
  Speaker 1: like dance remember how he was doing those like dance classes.
• 2:07
  Speaker 2: Oh yeah, yeah, yeah, I.
• 2:10
  Speaker 1: Like bought a ticket and then I remember like the
• 2:11
  Speaker 1: episode that happened next was him being like hyper critical
• 2:14
  Speaker 1: about her weight. And then I was like, no, I'm
• 2:16
  Speaker 1: not to go.
• 2:17
  Speaker 2: Yeah, we moved past all that.
• 2:19
  Speaker 3: Now now I don't well, they're on last resort, but
• 2:22
  Speaker 3: I don't know what they're together, because seemingly or not,
• 2:25
  Speaker 3: she wasn't at his la A show.
• 2:27
  Speaker 2: And if you're not going to his LA show, I
• 2:31
  Speaker 2: don't know do.
• 2:33
  Speaker 1: You believe that Yare and Jovie are over?
• 2:36
  Speaker 2: I don't honestly care at this point.
• 2:38
  Speaker 3: I I, I come on, it's you both look like
• 2:45
  Speaker 3: you're miserable for so I'm I don't really have anything
• 2:49
  Speaker 3: invested in it anymore.
• 2:50
  Speaker 2: I don't want to, like those two crazy kids. Are
• 2:52
  Speaker 2: they gonna survive?
• 2:53
  Speaker 3: I don't care, you know, I hope. I want the
• 2:56
  Speaker 3: best for a little girl, for myla mm hmm.
• 2:59
  Speaker 2: Yeah. And so I think she could do better. Oh
• 3:04
  Speaker 2: surely she obviously cannot.
• 3:07
  Speaker 1: Yeah, not at all.
• 3:08
  Speaker 3: No, I think he he'll be the loser. He'll be
• 3:11
  Speaker 3: the big time loser in this. Yeah, he'll get another girlfriend,
• 3:16
  Speaker 3: he'll start he'll start drinking more, probably have probably marry
• 3:21
  Speaker 3: a different wife.
• 3:22
  Speaker 2: And you can you can write the future mm hmm.
• 3:27
  Speaker 1: Absolutely, he'll marry.
• 3:28
  Speaker 2: A wealthy older guy.
• 3:29
  Speaker 1: Yes she will, Yes, she will. Okay. So my last
• 3:34
  Speaker 1: little thing with them is that you know, Edward has
• 3:36
  Speaker 1: never been on a plane before, so he was like
• 3:38
  Speaker 1: I got on the plane, I kept opening the window
• 3:40
  Speaker 1: and some lady had to be like, can you close
• 3:42
  Speaker 1: the window.
• 3:43
  Speaker 2: There's a light.
• 3:44
  Speaker 1: And I was so happy because I like, if you
• 3:47
  Speaker 1: were doing a late night to light if people have
• 3:49
  Speaker 1: to sleep and you open one ass window and you
• 3:53
  Speaker 1: can't tell that that light is beaming all over the
• 3:56
  Speaker 1: place and ruining people's lives, then I'm glad someone said
• 3:59
  Speaker 1: something to him.
• 4:00
  Speaker 3: I And it's always an older woman who will who me?
• 4:09
  Speaker 3: I I have a thing where I just need to
• 4:14
  Speaker 3: see the when I'm taking off and landing, I need
• 4:17
  Speaker 3: the window open because that little it's a little vertigo.
• 4:20
  Speaker 2: Kind of thing.
• 4:21
  Speaker 3: Yep, I've tried. I one time opened the window or
• 4:26
  Speaker 3: I said I'm sorry, can we open the window as
• 4:27
  Speaker 3: we're landing? Because I was in like the aisle and
• 4:31
  Speaker 3: a woman just went why.
• 4:35
  Speaker 2: That was like, I just get a little sick sick
• 4:39
  Speaker 2: air sick.
• 4:39
  Speaker 3: It's like oh okay, And I was like, all right,
• 4:42
  Speaker 3: that's how it's gonna be.
• 4:45
  Speaker 2: Why.
• 4:46
  Speaker 3: So people are people are animals. They're miserable. Yeah, absolutely awful.
• 4:54
  Speaker 3: I mean every day we get a new plane horror story.
• 4:57
  Speaker 3: Someone's acting up and they have to fucking you know,
• 5:00
  Speaker 3: do not know how to fucking behave not a fucking
• 5:03
  Speaker 3: airplane at all.
• 5:05
  Speaker 2: It's not it's not your bead.
• 5:07
  Speaker 3: Also, you don't need to take off your shoes and
• 5:10
  Speaker 3: put them on the back of my seat.
• 5:14
  Speaker 2: If you want to take up.
• 5:14
  Speaker 3: Her shoes, fine, keep them underneath the seats. I don't
• 5:18
  Speaker 3: want to see them. I don't want to smell them,
• 5:21
  Speaker 3: or even worse, your fucking bare feet.
• 5:24
  Speaker 1: No, not at all. No, that's crazy. I think people
• 5:27
  Speaker 1: who wear like, you know, sandals on a plane are crazy.
• 5:30
  Speaker 1: I travel with the plane socks.
• 5:33
  Speaker 2: I have compression socks. Oh yeah, yeah, I live there now.
• 5:37
  Speaker 1: Welcome to the boomers, just staying home on Friday nights
• 5:41
  Speaker 1: with their compression so they.
• 5:42
  Speaker 2: Do wonders for you on long flights. Wonders.
• 5:46
  Speaker 1: I know I need them too, I know.
• 5:49
  Speaker 3: God.
• 5:50
  Speaker 1: Okay, we got a new couple this episode, and it
• 5:55
  Speaker 1: is the new Paula from Brazil and Thomas from the
• 5:59
  Speaker 1: LBS see your long beach?
• 6:02
  Speaker 3: What do you This is the one who I thought
• 6:05
  Speaker 3: felt like old Natty Day for a couple of reasons.
• 6:11
  Speaker 3: They actually know each other for a long time. H
• 6:15
  Speaker 3: What do you think about the miniatures?
• 6:17
  Speaker 2: Uh?
• 6:19
  Speaker 1: I heard tiny stuffs?
• 6:21
  Speaker 2: My tiny stuffs, Yes, tighty stuffs.
• 6:24
  Speaker 1: I think it's banana ramas, but I have sometimes I'm like,
• 6:29
  Speaker 1: how much are these prevalent in your lives? And or
• 6:32
  Speaker 1: how much are the producers?
• 6:34
  Speaker 3: Like?
• 6:34
  Speaker 1: Yeah? More make sure you put those little bitches on
• 6:36
  Speaker 1: your on your hands for these confessionals.
• 6:39
  Speaker 2: That's my question.
• 6:40
  Speaker 3: My question was are these all the problems they have?
• 6:45
  Speaker 3: Which which is nice? Which is nice? They seem attractive,
• 6:51
  Speaker 3: they seem young, they seem like they're in love. The
• 6:54
  Speaker 3: main problem I have with the miniatures is once you
• 6:58
  Speaker 3: have manifested, like let's say you've got a tiny couch,
• 7:03
  Speaker 3: Once you've manifested your couch and it magically shows up.
• 7:06
  Speaker 3: Which's like you talked about, you didn't go to living
• 7:08
  Speaker 3: spaces or anything.
• 7:09
  Speaker 2: Hmm, could you throw away said miniature or do you
• 7:14
  Speaker 2: still need it to keep? This is where hoarding becomes
• 7:17
  Speaker 2: the issue.
• 7:20
  Speaker 3: I like this point, which I think that speaks to
• 7:23
  Speaker 3: a larger point of how attached to you or attached
• 7:28
  Speaker 3: are you to these miniatures? Are they more than just
• 7:31
  Speaker 3: manifestation tools? Do they fill some kind of need that
• 7:35
  Speaker 3: you're not saying? That's my question and my concern.
• 7:40
  Speaker 4: Also, she's sending them to him in the house and
• 7:43
  Speaker 4: making him put them up in his bachelor apartment where
• 7:47
  Speaker 4: he has a chair that is yoga blocks for his table.
• 7:51
  Speaker 1: Now that his living arrangement is crazy, But I so
• 7:55
  Speaker 1: many questions. Did she grow upgging Polly Pocket? You know,
• 7:58
  Speaker 1: like how long have the miniature has been part of
• 8:00
  Speaker 1: her life? You know, like was it pollypock at American Dolls? This?
• 8:04
  Speaker 1: And you're right, like does the miniature is does it
• 8:07
  Speaker 1: take on like a voodoo doll quality? Where like if
• 8:10
  Speaker 1: her if her little mini couch breaks, does she think
• 8:14
  Speaker 1: that like her new couch.
• 8:15
  Speaker 2: Is going to be fucked up to it's gonna fall apart? Yeah?
• 8:18
  Speaker 3: Does she need to keep that miniature as long as
• 8:21
  Speaker 3: she keeps said couch? And even I so of all
• 8:25
  Speaker 3: these miniatures she's had, and maybe some have manifested things,
• 8:29
  Speaker 3: how long does she keep them?
• 8:31
  Speaker 2: Or does she keep them forever?
• 8:32
  Speaker 3: When does this become a situation where she has a
• 8:35
  Speaker 3: whole storage unit for all these miniatures?
• 8:39
  Speaker 1: Does she have a miniature gringo? And how come we
• 8:41
  Speaker 1: haven't met the miniature Greeno? I wanted to know why
• 8:45
  Speaker 1: wanted to know why did you want a gringo?
• 8:49
  Speaker 3: I I think this woman is a little kookie, and
• 8:51
  Speaker 3: I think that's fine. We all love a little kookie
• 8:56
  Speaker 3: and I but I do think, uh, I think this
• 9:01
  Speaker 3: woman just explains things.
• 9:03
  Speaker 2: But when he says, why do you want to do this?
• 9:05
  Speaker 3: She's like, I think a lot of things are because universe.
• 9:11
  Speaker 1: She says, yeah, manifestation is a law, and the law
• 9:15
  Speaker 1: is called quantum physics.
• 9:18
  Speaker 2: Where's your degree. I don't think thoughts have atoms? U.
• 9:26
  Speaker 3: I uh, we actually back checked in our podcast they
• 9:29
  Speaker 3: do indeed not have atoms. So I'm going to say this,
• 9:34
  Speaker 3: you don't need to explain scientific reasons why manifestation works.
• 9:38
  Speaker 2: You can just say it works. I believe you. When
• 9:41
  Speaker 2: you get into the weeds of science, honey, that's where
• 9:44
  Speaker 2: people will think you're a crackpot. So it's best to
• 9:47
  Speaker 2: stay away from that.
• 9:50
  Speaker 3: Someone will correct you online and then you'll start a
• 9:52
  Speaker 3: fight with them and it'll be really gross because then
• 9:55
  Speaker 3: they'll like start throwing their science dick at you, and
• 9:58
  Speaker 3: then it's not gonna not well for you.
• 10:01
  Speaker 1: No, because people really know about some people really know
• 10:02
  Speaker 1: about some people really know about science, and you're just
• 10:05
  Speaker 1: talking out your ass. Yeah, you're just making things up.
• 10:09
  Speaker 2: You're cookie, and it's fun to pluck out your ass.
• 10:13
  Speaker 1: Listen her cook cookie nit sounds like cookiness. Cookiness is
• 10:17
  Speaker 1: different from Katie's cookiness.
• 10:20
  Speaker 2: That's and that's actively hurting someone.
• 10:22
  Speaker 3: Yeah, uh yeah, this guy is just gonna have a
• 10:25
  Speaker 3: have a real problem with clutter.
• 10:28
  Speaker 1: Yeah, this is the most This is something that was
• 10:31
  Speaker 1: fascinating to me. We start their segment all on her her.
• 10:37
  Speaker 3: I brought the same thing up. It is crazy. We
• 10:40
  Speaker 3: never do that. It's usually the centered in the American first.
• 10:43
  Speaker 3: I thought it was really a fresh way to do it.
• 10:45
  Speaker 1: Me too, Yeah, because I mean sometimes they go as
• 10:49
  Speaker 1: much as like introducing the American and then doing a
• 10:51
  Speaker 1: whole episode, and then sometimes doing that twenty four hours before,
• 10:56
  Speaker 1: like right when that American's waiting for them to come,
• 10:59
  Speaker 1: you know, off, and then we meet the foreigner. But
• 11:02
  Speaker 1: we absolutely got her first because she's more.
• 11:04
  Speaker 3: Interesting exactly, which tells me I don't think they have
• 11:07
  Speaker 3: any problems, which is fine. Sometimes we don't need that. Producers,
• 11:12
  Speaker 3: if you're listening and.
• 11:13
  Speaker 1: You're not just no, but please you're ninety give me
• 11:18
  Speaker 1: my makeover show, what it's on, you know, the new
• 11:21
  Speaker 1: Pillow Talk, Please listen.
• 11:23
  Speaker 2: We don't need that.
• 11:24
  Speaker 3: Sometimes you need dumb storylines of just people in love.
• 11:30
  Speaker 3: And because we've got enough crazy, We've got Shay and
• 11:34
  Speaker 3: those dogs and that daughter. We've got Katie and the
• 11:38
  Speaker 3: running team who she's just running on.
• 11:41
  Speaker 1: Yeah, and we have meadow just like enough famous act plenty.
• 11:47
  Speaker 1: It's a lot.
• 11:49
  Speaker 3: Yeah, you've got You've got Mallory and her friends who
• 11:52
  Speaker 3: love the deportations.
• 11:55
  Speaker 2: It's gonna be enough. I promise you let us have one.
• 12:00
  Speaker 1: We have so many rednecks on this episode.
• 12:02
  Speaker 2: Yeah, we've kind of become that. I think it's because
• 12:04
  Speaker 2: people want to watch what they are.
• 12:08
  Speaker 1: Seriously, Yeah, red nation or rednecks, you know. So, yeah,
• 12:13
  Speaker 1: she's a she's a lux piercer, which I thought was interested. Yeah, yeah,
• 12:18
  Speaker 1: boss lady, Yeah, boss lady piercer. Honey, she as you know.
• 12:22
  Speaker 1: She I like the story though, So she came to LA.
• 12:25
  Speaker 1: She was hanging on LA and decided to just bring
• 12:28
  Speaker 1: herself to like a beach volleyball class and had never
• 12:33
  Speaker 1: done it. And he was like, you know, I live
• 12:34
  Speaker 1: in Long Beach with my side. Ever this beach volleyball
• 12:36
  Speaker 1: class in Hermosa which is right by where I went
• 12:38
  Speaker 1: to college by the way, so I know all the
• 12:39
  Speaker 1: bars around there.
• 12:40
  Speaker 3: I'm like, did you go you know, yeah, you're gonna
• 12:43
  Speaker 3: be You're gonna be looking around where all where he is, So.
• 12:46
  Speaker 1: Yeah, yeah, that's South Beach life, you know, South Bay,
• 12:51
  Speaker 1: the South Bay and Yeah. They first meet and he's like, oh,
• 12:55
  Speaker 1: Muccio's gracias. She's like, bitch, I speak Portuguese, typical, typical,
• 13:03
  Speaker 1: and she does that really cute thing where she says
• 13:05
  Speaker 1: like e at the end of things like magick.
• 13:08
  Speaker 2: She did say magic. Ye I caught that, and I said, oh,
• 13:10
  Speaker 2: that makes me so nostalgic for Larissa. I know, and
• 13:15
  Speaker 2: I thought.
• 13:15
  Speaker 1: Ursa is so much during this could like all of
• 13:18
  Speaker 1: Coultea on Single Life this season, I have wished and
• 13:21
  Speaker 1: wanted just a morsel of Thea's commentary.
• 13:25
  Speaker 3: But she's banned because she did only fans and they
• 13:29
  Speaker 3: told her not to.
• 13:30
  Speaker 1: I know, but she could have I know, but I
• 13:32
  Speaker 1: know that now they.
• 13:32
  Speaker 2: All do only fans.
• 13:34
  Speaker 3: I know.
• 13:34
  Speaker 1: Well, specifically, she actually didn't do old only fans. She
• 13:37
  Speaker 1: did enough because when only yeah, you own your own IP,
• 13:41
  Speaker 1: you own your own content. She did another one where
• 13:43
  Speaker 1: that is paid her like one hundred thousand dollars.
• 13:44
  Speaker 2: Which was against her contract.
• 13:46
  Speaker 1: Yes, which was against But I like, she can't even
• 13:48
  Speaker 1: talk about it, like they won't even lie, like she
• 13:50
  Speaker 1: should go on TikTok and just do little like.
• 13:53
  Speaker 3: Comment about it. I think she wants to be free
• 13:55
  Speaker 3: of it. But the thing is when you when you
• 13:59
  Speaker 3: burn production, that's it. Like it's just like it's you're dead.
• 14:05
  Speaker 3: You're dead to them, right, you know it's she can't.
• 14:09
  Speaker 1: I'm like, you can't make someone sign something to ever
• 14:11
  Speaker 1: talk about it?
• 14:12
  Speaker 2: And I agreed.
• 14:14
  Speaker 3: Did I think she's just I think she's done with
• 14:17
  Speaker 3: the whole thing. Although she went on Hell's the Villains, Yeah,
• 14:22
  Speaker 3: she went.
• 14:22
  Speaker 1: On some other show called like it was like a
• 14:24
  Speaker 1: botched reality.
• 14:25
  Speaker 2: Show on a show. Yeah.
• 14:26
  Speaker 1: Yeah, And she got smaller titties.
• 14:30
  Speaker 2: Uh, they needed to be. Those were some scary titties.
• 14:33
  Speaker 1: They were big and I and I can say that
• 14:35
  Speaker 1: because I've also I also have scary big titties.
• 14:40
  Speaker 3: Not really scary, they're they're big, they're they're they're a
• 14:44
  Speaker 3: little threatening.
• 14:45
  Speaker 1: And of course at how they'll come at you people.
• 14:48
  Speaker 2: That is true I have.
• 14:49
  Speaker 3: And of course it they're intimidating, that is true. And
• 14:52
  Speaker 3: of course it they're here and queer.
• 14:54
  Speaker 1: Yeah, it's true. If you guys don't know. And I've
• 14:57
  Speaker 1: talked about it on so many episodes, but Jake and
• 14:59
  Speaker 1: I for you have been doing. He helps me with
• 15:02
  Speaker 1: the show. I do, uh my drag sex worker character
• 15:05
  Speaker 1: Fancy another whore with a heart of gold, honey, and
• 15:07
  Speaker 1: I do sing many times in the show. People have
• 15:11
  Speaker 1: like been like I was really worried that your.
• 15:13
  Speaker 3: Your titties are gonna put Yeah, no, it's a it's
• 15:16
  Speaker 3: a general concern.
• 15:19
  Speaker 1: I know, And I'm like, I know how they look,
• 15:23
  Speaker 1: but like it would, I guess I know where things
• 15:25
  Speaker 1: are and like I they to me, I have never
• 15:28
  Speaker 1: been a problem. Also, I'm usually worrying like two bras,
• 15:31
  Speaker 1: just like there's many push.
• 15:33
  Speaker 2: They look like they have a mind of their own.
• 15:36
  Speaker 3: They look like they're about to hop out on the move.
• 15:39
  Speaker 1: Yeah yeah, yeah, they look like they want to do
• 15:40
  Speaker 1: crowd work, like.
• 15:43
  Speaker 3: Just pop out like the American journey across across the country.
• 15:49
  Speaker 1: Mm hmm that is my tour, honey, God I wish
• 15:53
  Speaker 1: on the road m m yeah, tits on the run.
• 15:57
  Speaker 1: Oh yeah, well anyway, so uh yeah, that's you know.
• 16:02
  Speaker 1: We know her, we know him.
• 16:04
  Speaker 3: He seems he seems like a pretty normal guy aside
• 16:07
  Speaker 3: from the like the Bland the Bland apartment. But I
• 16:11
  Speaker 3: will say he made her food, he made her vegan food,
• 16:15
  Speaker 3: and he also enough to speak Portuguese and bring a
• 16:19
  Speaker 3: flag not like the American flag. Like some people do.
• 16:22
  Speaker 3: He seems like a decent guy.
• 16:25
  Speaker 2: He's not your typical like douche of that age. You're right,
• 16:31
  Speaker 2: so it's interesting. I kind of I like him so far.
• 16:34
  Speaker 1: Yeah, he's a little quirky in himself too, Like he
• 16:37
  Speaker 1: obviously is minimalist. It makes no sense for him to
• 16:40
  Speaker 1: be proud and show off his dining room.
• 16:42
  Speaker 2: Table, which is no, absolutely not.
• 16:44
  Speaker 1: You know what I'm sitting on, as you said, yoga
• 16:46
  Speaker 1: blocks just to like, you know, be you know, one
• 16:47
  Speaker 1: foot higher than the rug. You know. It's interesting because
• 16:53
  Speaker 1: he's like I made a gluten free cake with beef
• 16:56
  Speaker 1: talo and I was like, it doesn't even need the
• 16:59
  Speaker 1: beef towel.
• 17:00
  Speaker 2: Why not protein? Bro like that. That's a whole thing.
• 17:04
  Speaker 3: He reads men's fitness, He looks at men's fitness trends.
• 17:07
  Speaker 2: This is a thing with men, like straight men who
• 17:11
  Speaker 2: are like thirties.
• 17:12
  Speaker 3: It's like a whole they're all obsessed with longevity and
• 17:17
  Speaker 3: it's all about getting swollen. And yeah that's yeah, beef
• 17:22
  Speaker 3: tallow is a big thing.
• 17:23
  Speaker 1: I try to eat like beef tallowed chips. Like I
• 17:25
  Speaker 1: didn't mean too, it was just like that's what it was.
• 17:27
  Speaker 1: And it doesn't taste good.
• 17:28
  Speaker 3: No, I have it's sometimes it's good to cook with
• 17:33
  Speaker 3: I've made.
• 17:35
  Speaker 1: Like I meat right, like you cook meat with it, right.
• 17:38
  Speaker 2: Yeah.
• 17:39
  Speaker 3: But like I've for a while, I was trying to
• 17:42
  Speaker 3: do everything like a I was like, I feel like
• 17:44
  Speaker 3: a trad wife. I'm like, I'm like boiling my own
• 17:47
  Speaker 3: chicken schmaltz and like fat and things like that.
• 17:49
  Speaker 2: But it was too much.
• 17:51
  Speaker 3: When I was about to make my own pickled fermented vegetables,
• 17:54
  Speaker 3: that was like, that's too much. My god, eat Ballerina farm.
• 17:58
  Speaker 3: Oh my god, Fuck that bitch.
• 18:00
  Speaker 1: You're narrow smithing it up.
• 18:05
  Speaker 2: Yeah.
• 18:06
  Speaker 1: But like as you said, he gets to Lax, you know,
• 18:09
  Speaker 1: which is like, you know, ten minutes away from him goubless.
• 18:11
  Speaker 3: And I was gonna say, the shortest journey ever.
• 18:15
  Speaker 1: Yeah, la x excuse me, Like it looks like he
• 18:18
  Speaker 1: just took century all the way there, you.
• 18:19
  Speaker 2: Know, of course.
• 18:21
  Speaker 1: Yeah, he comes down or she comes down the stairs.
• 18:25
  Speaker 1: They hug, big kiss like he's the one that's crying.
• 18:27
  Speaker 2: She's like a baby.
• 18:28
  Speaker 1: Yeah.
• 18:29
  Speaker 2: Yeah, he's cute though. I think he's I think he's
• 18:31
  Speaker 2: a cutie.
• 18:32
  Speaker 1: Yeah, yeah, he I think that his thing is that
• 18:34
  Speaker 1: he's a little he thinks he's really funny.
• 18:37
  Speaker 2: Yeah, he's one of those guys that would get all
• 18:40
  Speaker 2: real fast.
• 18:41
  Speaker 1: And it does, and it does.
• 18:43
  Speaker 2: I hate it.
• 18:43
  Speaker 3: I hate it when guys think they're funny. Oh, it's
• 18:46
  Speaker 3: the worst you have to be. You have to really
• 18:48
  Speaker 3: be unintentionally funny. And don't. Straight guys, if you're listening,
• 18:54
  Speaker 3: I'm sure there are tens of.
• 18:56
  Speaker 1: You, it's like our Yeah, don't try.
• 19:03
  Speaker 2: To be funny. If you if if you are funny,
• 19:06
  Speaker 2: use it. Don't try.
• 19:08
  Speaker 1: You can't try.
• 19:10
  Speaker 2: It's but they do, they do, and it is painful.
• 19:16
  Speaker 1: It is.
• 19:17
  Speaker 2: Yeah, gay guys are the same thing. Don't try to
• 19:19
  Speaker 2: be funny.
• 19:19
  Speaker 3: Usually gay guys are genetic a little a little bit
• 19:22
  Speaker 3: more funny.
• 19:22
  Speaker 2: If you're an unfunny gay guy, you're fucked.
• 19:25
  Speaker 1: Yeah, you better be.
• 19:26
  Speaker 3: You're smart, you better be like really, better be hung
• 19:29
  Speaker 3: like a fucking horse, and can design a room like
• 19:31
  Speaker 3: nobody's fucking exactly. Otherwise, if you don't have a sense
• 19:34
  Speaker 3: of humor, what are you doing?
• 19:36
  Speaker 2: Be straight?
• 19:38
  Speaker 1: Yeah, it would make more sense. So when he gives
• 19:43
  Speaker 1: her the food, she's kind of like, Oh, he gives
• 19:45
  Speaker 1: her a bunch of beans and a thermos. She's like
• 19:46
  Speaker 1: what am I supposed to do with this? Drink it?
• 19:48
  Speaker 1: And then she drinks it. She's like, oh, it's very good.
• 19:51
  Speaker 3: I gotta say if they were kind of like hitting
• 19:54
  Speaker 3: hitting little roadblocks, I'm like, okay, okay, it's all fine,
• 19:57
  Speaker 3: All fine, Okay.
• 19:59
  Speaker 1: Yeah, She's like, where do where do I eat this?
• 20:01
  Speaker 1: He's like, oh, I mean yeah, because I was like,
• 20:02
  Speaker 1: where does she eat this? Like in your car?
• 20:04
  Speaker 2: In the airport sitting area? Yeah, in the airport. I
• 20:09
  Speaker 2: brought food for you section? Maybe the food court. Yeah,
• 20:14
  Speaker 2: but that's inside the airport.
• 20:15
  Speaker 1: So no, they can't go back yet. They can't. He
• 20:17
  Speaker 1: can't go to that part. Yeah, but you know, he
• 20:22
  Speaker 1: we'll see what's going to happen with them. She you know,
• 20:25
  Speaker 1: I think that she also thinks that he's a little
• 20:27
  Speaker 1: bit weird.
• 20:28
  Speaker 2: Oh for sure. Yeah, my god.
• 20:31
  Speaker 1: Can you believe that we still have two more couples
• 20:32
  Speaker 1: to talk about it?
• 20:33
  Speaker 2: I know we've talked all the tall this whole time.
• 20:36
  Speaker 1: Every you know what, every episode so far has been
• 20:38
  Speaker 1: two episodes for me because I have to break them up.
• 20:40
  Speaker 1: But I think I'm gonna do that. I'm gonna do
• 20:42
  Speaker 1: the same. Yeah, I mean, the season is there's so
• 20:44
  Speaker 1: much happening that it's like other world.
• 20:46
  Speaker 3: Lad, it's also the very beginning of the season and
• 20:48
  Speaker 3: you're having to you're learning so much, and there's so
• 20:51
  Speaker 3: much exposition and there's so much Yeah, totally, we're the same.
• 20:53
  Speaker 2: That's why we that's why we just separate the shows.
• 20:56
  Speaker 2: It's just easier for me.
• 20:57
  Speaker 1: Yeah, no, I will Okay, Sozy's Wozie. Let's talk about
• 21:02
  Speaker 1: Debbie and Meadow. So it's eighteen hours till he comes.
• 21:06
  Speaker 1: And obviously, as we know, she had an awkward conversation
• 21:09
  Speaker 1: where he was like, my stat my dad's sick and
• 21:11
  Speaker 1: I don't know if I'm going to come on, and
• 21:13
  Speaker 1: she was at that point like, well, I'll call the
• 21:15
  Speaker 1: airlines and see how much it is. So we first
• 21:17
  Speaker 1: get her taking her Louis v on a little park moment.
• 21:22
  Speaker 1: She sits on a bench with it, and then she
• 21:24
  Speaker 1: says that I have a shot. Ye, it'll be four
• 21:28
  Speaker 1: thousand dollars to change his flight. That's a lot.
• 21:33
  Speaker 2: I think it's a fact.
• 21:34
  Speaker 3: Back I've decided, I don't know.
• 21:38
  Speaker 1: It doesn't look real.
• 21:41
  Speaker 3: I it's because people who buy Louis V's unless they're
• 21:47
  Speaker 3: a gift from someone. I don't think they have a
• 21:50
  Speaker 3: problem changing the flight.
• 21:53
  Speaker 1: I mean she doesn't want she doesn't want him to
• 21:54
  Speaker 1: change the flight though, but I so she I do
• 21:57
  Speaker 1: know what you say, I'm just going for She sprays
• 21:58
  Speaker 1: herself down with miss do you or perfume?
• 22:02
  Speaker 2: Well, hmmm, maybe maybe there is like money there.
• 22:07
  Speaker 1: Yeah, she likes a designer, and you know she's upselling
• 22:09
  Speaker 1: people all day long to meet her quotas on that
• 22:12
  Speaker 1: that's true, that's true, Like if you beat your month,
• 22:18
  Speaker 1: we'll get you in a fake LV at the end,
• 22:19
  Speaker 1: and she's like.
• 22:21
  Speaker 2: Do you this is something I said on the pod.
• 22:23
  Speaker 1: Great.
• 22:24
  Speaker 2: Do you think.
• 22:27
  Speaker 3: He said that he pranked her, which I think is
• 22:30
  Speaker 3: a really cruel prank to not tell.
• 22:34
  Speaker 2: Her he's getting on the plane?
• 22:35
  Speaker 1: Yeah?
• 22:36
  Speaker 3: Do you think production was involved in this? I That's
• 22:42
  Speaker 3: what I was thinking. But I still think it's a
• 22:45
  Speaker 3: cruel thing to do.
• 22:47
  Speaker 2: Yeah.
• 22:48
  Speaker 1: Indicative that you don't care about someone's feelings at all.
• 22:50
  Speaker 2: Yeah. Yeah.
• 22:54
  Speaker 3: It also feels like this this woman has a lot
• 22:56
  Speaker 3: more in stake for him than he does for her.
• 22:58
  Speaker 3: I think that was obvious from the jump, but he
• 23:03
  Speaker 3: made it very clear. So yeah, she's the opposite. I
• 23:07
  Speaker 3: do agree because I had a real problem with it.
• 23:09
  Speaker 1: Yeah, no, it was so fake for a bunch of reasons.
• 23:11
  Speaker 1: She's in the opposite of Marissa. She can't wait for
• 23:13
  Speaker 1: him to like fill her bed.
• 23:14
  Speaker 2: That's true.
• 23:15
  Speaker 1: Let's talk about this honestly. If you if your mom
• 23:19
  Speaker 1: was like, I don't we know he's gonna get on
• 23:20
  Speaker 1: the plane, would you drive your mom and her dog
• 23:24
  Speaker 1: in the back seat like a backseat drive?
• 23:26
  Speaker 2: Yep.
• 23:27
  Speaker 3: That that dog, that dog is just sitting there a
• 23:29
  Speaker 3: little bit. That that dog's have been star of this season.
• 23:32
  Speaker 3: I guarantee you that dog maybe there with her at
• 23:36
  Speaker 3: the tell all I uh that everyone's gonna be asking
• 23:41
  Speaker 3: her about the dog if she does, if she does
• 23:43
  Speaker 3: lives and things like that.
• 23:45
  Speaker 2: That that dog's going to become a star.
• 23:47
  Speaker 1: Yeah, yeah, literally. And you know whose dogs are not
• 23:51
  Speaker 1: gonna become stars?
• 23:52
  Speaker 2: Shaes, shaes. The gnomes. We don't even know their names.
• 23:57
  Speaker 1: He doesn't know their names.
• 23:59
  Speaker 3: They'll be forgotten. They'll be forgotten as soon as the seasons.
• 24:02
  Speaker 2: Why a little bit would live on?
• 24:03
  Speaker 1: Yeah, just like the Queen A little bit.
• 24:06
  Speaker 3: Oh yes, do do you know where I When someone's
• 24:10
  Speaker 3: said a little bit and I said where's that from?
• 24:12
  Speaker 3: I said, that's in some story, and I remembered because
• 24:15
  Speaker 3: a listener told me, do you know Paula Vogels how
• 24:18
  Speaker 3: I learned to drive?
• 24:19
  Speaker 1: Yes?
• 24:19
  Speaker 3: Play, that's the main character in Paula Vogels how I
• 24:23
  Speaker 3: learned to drive?
• 24:25
  Speaker 2: Fucking play.
• 24:26
  Speaker 1: Oh my god, that's so that is hellly bit learned
• 24:30
  Speaker 1: to drive?
• 24:31
  Speaker 3: Yeah yeah, yeah, yeah, yeah yeah.
• 24:35
  Speaker 2: That said how I learned.
• 24:36
  Speaker 1: To drive with the dog in the back see honey,
• 24:38
  Speaker 1: backseat driving that dog, lily bits like turn here, you know, yeah,
• 24:42
  Speaker 1: Like it makes no sense if you think that someone
• 24:45
  Speaker 1: didn't get on the plane and they won't even give
• 24:47
  Speaker 1: you the good grace of telling you if they did
• 24:49
  Speaker 1: or whatnot, then my ass is not gonna come pig
• 24:51
  Speaker 1: you from the airport then, because if you did get
• 24:53
  Speaker 1: on the plane, and this is your big ass joke,
• 24:55
  Speaker 1: you're the one that's gonna have, like, you know, your
• 24:58
  Speaker 1: ass out, because you'll just be sitting at a fucking
• 25:00
  Speaker 1: major airport in the country you've never been to before,
• 25:04
  Speaker 1: and you're not gonna have any idea what to do
• 25:06
  Speaker 1: with it.
• 25:06
  Speaker 2: Like that's the it's a plot fail for me, It
• 25:08
  Speaker 2: really was.
• 25:09
  Speaker 3: I think I don't know why they think we need
• 25:14
  Speaker 3: all of these inflated steaks and jump scares. I don't
• 25:18
  Speaker 3: know why they don't trust them. They don't trust the
• 25:21
  Speaker 3: material enough, and I just yeah, I it's like Emma's
• 25:27
  Speaker 3: storyline that was terrible yes last time. That that's not
• 25:32
  Speaker 3: trusting your material. But that's I still say, Emma's a
• 25:36
  Speaker 3: casting fail. I I blame casting for that. They rarely
• 25:41
  Speaker 3: do that poorly, but that was a casting fail. I
• 25:44
  Speaker 3: think I think Emma must have showed up really well
• 25:46
  Speaker 3: in initial interviews and then they realized she was all bullshit.
• 25:53
  Speaker 1: I think they just cast her a based on wigg
• 25:54
  Speaker 1: Alone wig check. Yeah, so many so much of this
• 26:03
  Speaker 1: was annoying, but certainly you're absolutely right. She goes, of course,
• 26:06
  Speaker 1: to the airport, you know, just to wait for him,
• 26:08
  Speaker 1: and lily Bit is over it. Lily Bit does a
• 26:10
  Speaker 1: full spread and then looks back at camera, being how
• 26:13
  Speaker 1: long am I going to be here?
• 26:14
  Speaker 2: Look at that look to the camera.
• 26:16
  Speaker 1: I know, I know it. Here's another moment. I hate it.
• 26:21
  Speaker 1: So she is waiting and she's like, I think I'm
• 26:23
  Speaker 1: going to be sick. She goes to the bathroom. She
• 26:27
  Speaker 1: they allow the sound effect of someone throwing.
• 26:29
  Speaker 2: On yes with a little bit in tow.
• 26:32
  Speaker 1: Yeah, no, bark by. A little bit doesn't A little
• 26:34
  Speaker 1: bit doesn't make a sound. Then she comes out of
• 26:36
  Speaker 1: the bathroom, wiping her mouth with the paper towels, still like,
• 26:41
  Speaker 1: still dabbing her mouth as if she good point any
• 26:45
  Speaker 1: woman or any person, I must well, if you throw
• 26:49
  Speaker 1: up in a bathroom, you don't leave the bathroom until
• 26:51
  Speaker 1: you know that there's nothing that you've done, all the things.
• 26:55
  Speaker 1: You know what I'm saying. You wouldn't just come out
• 26:57
  Speaker 1: still dabbing your mouth like there's still grow up there.
• 27:01
  Speaker 2: Trust me, I can. I think both of us have.
• 27:04
  Speaker 1: That's why I know this so well, both of us.
• 27:08
  Speaker 1: That made no sense. Uh And then yeah, so then
• 27:13
  Speaker 1: of course it's an hour and a half after he landed,
• 27:17
  Speaker 1: and and at that point I'm like, why wouldn't you
• 27:20
  Speaker 1: go home? But she's like, I'm just gonna give him
• 27:22
  Speaker 1: grace that it took him a long time to go
• 27:23
  Speaker 1: through customs or whatever.
• 27:25
  Speaker 3: That's a really long time, really long time at the
• 27:28
  Speaker 3: New Orleans Airport.
• 27:29
  Speaker 1: Yeah, Louis Armstrong Airport. I think it's called Louis Armstrong.
• 27:33
  Speaker 2: I think it is. Yeah, right, Yeah, that's a really
• 27:36
  Speaker 2: long time. I love it.
• 27:38
  Speaker 1: It's called Louis Armstrong Airport. You know what's sweet about
• 27:42
  Speaker 1: Louis Armstrong. I mean, I'm just the name. I mean, yeah,
• 27:46
  Speaker 1: it's so good. He has obviously a whole like New
• 27:49
  Speaker 1: Orleans part of his life, but there's also like a
• 27:53
  Speaker 1: New York Manhattan part of his life, you know, because
• 27:56
  Speaker 1: I know it. When I first realized, I'm like, why
• 27:58
  Speaker 1: is it mean Louis Armstrong things here in New York?
• 28:01
  Speaker 3: Is because he was It was a huge star car
• 28:04
  Speaker 3: And you know, it's actually pronounced Louis. They don't say,
• 28:09
  Speaker 3: because a lot of people just love we'll call him,
• 28:11
  Speaker 3: but he would correct people.
• 28:13
  Speaker 1: Really, yes, Okay, I'm glad he corrected me because I
• 28:15
  Speaker 1: learned so much.
• 28:15
  Speaker 3: I'll call everyone says everyone says Louis, so you're not
• 28:19
  Speaker 3: alone in that. Yeah, but I remember I had a jazzer,
• 28:23
  Speaker 3: uh said, it's actually Lewis.
• 28:25
  Speaker 2: He corrected people.
• 28:27
  Speaker 1: Lulu, I was kidding lou Armstrong. Oh, Lulu, yeah.
• 28:33
  Speaker 2: Hello Daly, Well hello.
• 28:37
  Speaker 1: I can't do it. Oh it's so good, I love,
• 28:40
  Speaker 1: I mean yeah, And then there's then what a crazy
• 28:43
  Speaker 1: beautiful voice, and then like we'll just blow a trumpet
• 28:46
  Speaker 1: at the same time, like they don't make music like
• 28:47
  Speaker 1: that anymore?
• 28:48
  Speaker 2: Why not?
• 28:50
  Speaker 1: Everything is so auto tuned. When Meadow comes off, we
• 28:55
  Speaker 1: see Meto and the moment we see him, he has
• 28:58
  Speaker 1: the worst pain smile on his face. He comes down
• 29:01
  Speaker 1: the escalator like he is present, like he is a
• 29:06
  Speaker 1: trophy man at the oscars, just like.
• 29:08
  Speaker 3: Yeah, he's like he's just he's trying to put up
• 29:14
  Speaker 3: a good face for him, for her.
• 29:16
  Speaker 2: Yeah, there you go. There.
• 29:17
  Speaker 1: There are veins like popping out of his head, like
• 29:21
  Speaker 1: he his hair looks crazy, like he has like a
• 29:23
  Speaker 1: broccoli top. I can't believe that she's so like he's
• 29:27
  Speaker 1: so hot. He's not so hot. This woman is so
• 29:29
  Speaker 1: deluded that she's crazy. This woman is.
• 29:33
  Speaker 3: This is a really great this is This is one
• 29:35
  Speaker 3: of the fundamental tropes of Nunny Day.
• 29:37
  Speaker 2: They live in Deludoville. Yeah, she's population Debbie. I've talked
• 29:43
  Speaker 2: about have I. Do you have problems with the way
• 29:46
  Speaker 2: she spells her name too?
• 29:48
  Speaker 3: With bb Why? Because it should be an i E.
• 29:53
  Speaker 3: Obviously it really should be.
• 29:57
  Speaker 1: Why Debbie? Why exactly? Ugh, No, It's like I just
• 30:04
  Speaker 1: when she had a conversation with her daughter and the
• 30:07
  Speaker 1: daughter was like, things are suspect. I really feel like
• 30:10
  Speaker 1: her daughter should have been like and here's exactly why, Like,
• 30:13
  Speaker 1: you know, because.
• 30:15
  Speaker 3: The daughter is strangely flexible on this it's a little weird.
• 30:21
  Speaker 3: I find it a little strange too. It's it's not
• 30:23
  Speaker 3: your typical daughter.
• 30:25
  Speaker 1: Yeah, like she's allowing things that as a daughter, like
• 30:30
  Speaker 1: I won't. I mean I speak my mind to my
• 30:34
  Speaker 1: dad all day long, like I am a control freak
• 30:37
  Speaker 1: and power. I mean you have to, like, you know,
• 30:40
  Speaker 1: I say a bunch of crazy stuff to him, Like
• 30:42
  Speaker 1: if he was on a reality show like this and
• 30:44
  Speaker 1: this was happening, I mean I don't. I may I
• 30:46
  Speaker 1: might be like I refuse to film or I would
• 30:49
  Speaker 1: just every scene would be like me throwing myself in
• 30:52
  Speaker 1: front of doors and be like you're not going through.
• 30:54
  Speaker 1: I mean so mad.
• 30:55
  Speaker 2: You imagine if your father had a Filipino fiance.
• 30:58
  Speaker 1: I know, I am Alison. I am Aliston. That's why
• 31:01
  Speaker 1: I was not mad. When he gave her ten dollars,
• 31:02
  Speaker 1: I was like, let her have ten.
• 31:04
  Speaker 3: Dollars and he starts writting her checks that we're gonna
• 31:07
  Speaker 3: have a problem.
• 31:08
  Speaker 1: Yeah, when he starts putting direct deposits on Zell, I yeah, like,
• 31:14
  Speaker 1: oh god, I it's trew. But I will say that
• 31:16
  Speaker 1: Debbie gave her daughter good hair.
• 31:18
  Speaker 2: I agree, very great both the great hair.
• 31:21
  Speaker 1: Yeah, yeah, yeah, thank you. So wh when we meet him,
• 31:30
  Speaker 1: it's awkward, he's cringey. He gets his own little confessional
• 31:33
  Speaker 1: segment where the producers are there, and then he goes like,
• 31:36
  Speaker 1: you know, I can't wait to be here. It's always
• 31:39
  Speaker 1: been my dream to come to America and I finally
• 31:42
  Speaker 1: made it come true. And also to marry Debbie.
• 31:44
  Speaker 2: And also.
• 31:47
  Speaker 3: Oh yeah, my fiance, that's the yeah.
• 31:52
  Speaker 2: And then yeah, this guy's gonna get all.
• 31:55
  Speaker 3: Production is already trolling him, and so you you can,
• 32:00
  Speaker 3: you can you can kind of predict the way and
• 32:03
  Speaker 3: ed it's going to be, especially early on. You can
• 32:06
  Speaker 3: also you can also predict how much you're going to
• 32:10
  Speaker 3: see of a lot of different couples, like especially when
• 32:13
  Speaker 3: the first off we're going to see because I don't
• 32:16
  Speaker 3: I don't think Katie and Josh make it a long time,
• 32:18
  Speaker 3: but we're gonna see a lot of them.
• 32:21
  Speaker 1: They're gonna burn out like a bright star.
• 32:23
  Speaker 3: Yeah yeah, no, more like a more like a puking
• 32:28
  Speaker 3: into a.
• 32:30
  Speaker 2: Toilet air freshener. Oh god, she.
• 32:33
  Speaker 1: Comes out, she's like still dabbing her face like, okay, yeah,
• 32:37
  Speaker 1: don't indicate, Yeah, talk about indicate. He's like, oh you guys,
• 32:40
  Speaker 1: Meto's like, can I can I act for you? And
• 32:43
  Speaker 1: then he does.
• 32:44
  Speaker 2: Never ask can I act for you? It's not it's
• 32:48
  Speaker 2: not juggling.
• 32:49
  Speaker 1: Yeah, you're also not acting. You are just doing impressions
• 32:53
  Speaker 1: of movies from America's eighties.
• 32:57
  Speaker 3: I have a feeling the producer who's may have put
• 33:01
  Speaker 3: him up to those quotes. Uh, or maybe he just
• 33:05
  Speaker 3: knows American movies like Bojo, you know, Vanya's guy who
• 33:09
  Speaker 3: is with American movies. Maybe it's that kind of situation.
• 33:13
  Speaker 3: This guy, to me, doesn't even seem that bright. He
• 33:15
  Speaker 3: also seems he also seems really kind of self involved.
• 33:21
  Speaker 3: And it's gonna be hard. I think it'll be hard
• 33:24
  Speaker 3: for him to be courteous. This is this is not
• 33:26
  Speaker 3: gonna be a good season for this woman. This is
• 33:28
  Speaker 3: gonna be she's gonna have a miserable time.
• 33:30
  Speaker 1: Yeah, and I hope I'm hoping that she. I almost
• 33:35
  Speaker 1: want him to treat her so horribly that she it like,
• 33:38
  Speaker 1: let's hope makes her from the spell and then she's like,
• 33:40
  Speaker 1: get the fuck out of my house.
• 33:42
  Speaker 3: You know, it's been going on for a long time though.
• 33:45
  Speaker 3: So that's the thing. It's it's hard to break up
• 33:48
  Speaker 3: with someone. It takes usually it takes at least a
• 33:51
  Speaker 3: third as long as the relationship.
• 33:55
  Speaker 2: Do you have to start it kind of Yeah.
• 33:57
  Speaker 1: That's interesting. Yeah, they haven't lived together, and I think
• 34:00
  Speaker 1: that he was probably nicer.
• 34:01
  Speaker 2: To her point.
• 34:02
  Speaker 1: Yeah, Yeah, he's a he's an asshole, because you have.
• 34:06
  Speaker 2: To stop having feelings for someone.
• 34:09
  Speaker 3: Uh, you have to at least have to get negative
• 34:11
  Speaker 3: feelings for someone, and then then you have to get
• 34:14
  Speaker 3: enough to break up with them. Yeah, or you wind
• 34:16
  Speaker 3: up getting back together with them. You got to make
• 34:18
  Speaker 3: sure it is finished before you break up, because otherwise
• 34:22
  Speaker 3: you're just gonna get back together.
• 34:24
  Speaker 1: Yeah, you're absolutely right, because yeah, and she you know,
• 34:28
  Speaker 1: obviously she's into him more than he's into her. I
• 34:33
  Speaker 1: wonder if he knew what was hap like, if he
• 34:34
  Speaker 1: his whole game plan is a minute he kissed her
• 34:37
  Speaker 1: in the pyramids, If he was like, this is my
• 34:38
  Speaker 1: ticket to Hollywood.
• 34:40
  Speaker 3: I still got to say, that's one of the boldest
• 34:43
  Speaker 3: moves I've ever heard of, kissing someone in a pyramid.
• 34:48
  Speaker 2: That you don't that you're that you're there. Tool guide.
• 34:50
  Speaker 1: He's a pyramid scheme.
• 34:53
  Speaker 2: I know that's like an Egyptian slur. He's running a
• 34:56
  Speaker 2: pyramid scheme.
• 34:57
  Speaker 1: I know, honey call I'm already made off. But yeah,
• 35:01
  Speaker 1: like he he's he's crazy. His acting is impressions, and
• 35:05
  Speaker 1: they're horrible impressions. The things we've like, yeah, I will
• 35:10
  Speaker 1: be back, is what he says.
• 35:11
  Speaker 2: Not I'll be back, I'll be back.
• 35:15
  Speaker 1: Yeah, the English professor terminator.
• 35:17
  Speaker 3: He's going to controlled and he's going to have moments
• 35:20
  Speaker 3: of little bit of charming moments that are going to
• 35:22
  Speaker 3: redeem him though, And.
• 35:25
  Speaker 2: Really I can't even think I think people.
• 35:27
  Speaker 3: Will like him because I think he's gonna have moments
• 35:30
  Speaker 3: in the camera because he's got that kind of dumb quality.
• 35:36
  Speaker 3: So I'm not I'm happy about it, but I I
• 35:40
  Speaker 3: have a feeling that he might get liked, but not
• 35:43
  Speaker 3: later he'll it'll all turn, it'll all turn to ship.
• 35:48
  Speaker 1: Because like he's going to give you know, he is
• 35:50
  Speaker 1: like you know, Muslim, and we know how like you know,
• 35:53
  Speaker 1: they like to like portray someone who is super controlling,
• 35:56
  Speaker 1: but it so was Rashid. And you know, Rashid is adorable,
• 35:59
  Speaker 1: you know, in lovely, but he's so hot.
• 36:03
  Speaker 2: The only problem I have with him and we're going
• 36:04
  Speaker 2: to talk about him. Is yep, he feels manchildie. Yeah, and.
• 36:12
  Speaker 3: It's it's that it's that I can.
• 36:15
  Speaker 2: Hail the crying.
• 36:16
  Speaker 3: It's the low EQ emotional intelligence kind of thing of saying,
• 36:21
  Speaker 3: but my mom is sick, and it's it's it's it's
• 36:27
  Speaker 3: he's been a mama's boy his whole life, and uh,
• 36:31
  Speaker 3: it's going to be.
• 36:32
  Speaker 2: I compared him to itsuela, which isn't it'sn't fair. That's
• 36:34
  Speaker 2: not fair.
• 36:35
  Speaker 3: That's that's a different kind of thing altogether. But yeah,
• 36:39
  Speaker 3: this guy doesn't have a lot of emotional doesn't have
• 36:41
  Speaker 3: a lot of emotional intelligence.
• 36:42
  Speaker 1: He does seem regressed in some way.
• 36:44
  Speaker 3: Yeah, Yeah, he seems like a perfectly nice person. It
• 36:48
  Speaker 3: may also partially be the language barrier, but even when
• 36:51
  Speaker 3: he was talking with his friends and family, he felt, Yeah,
• 36:55
  Speaker 3: he felt, he felt a little bit. He seems younger
• 36:58
  Speaker 3: than he is.
• 37:00
  Speaker 1: Yeah, he almost seems like and I'm going to use
• 37:02
  Speaker 1: this word and it's not like a sexual word, but
• 37:03
  Speaker 1: he seems soft.
• 37:05
  Speaker 2: Yeah. I could see that.
• 37:07
  Speaker 1: Yeah, And yeah, I'm not saying that he's like gay
• 37:09
  Speaker 1: or not like it is. It's more like he's he
• 37:11
  Speaker 1: seems really sensitive, really soft.
• 37:13
  Speaker 2: I mean he's got tattoos.
• 37:15
  Speaker 1: Oh, his whole family is pretty out. I have pictures
• 37:17
  Speaker 1: of everything.
• 37:18
  Speaker 2: Oh them you see the brother. Did you catch the
• 37:19
  Speaker 2: really hot brother?
• 37:20
  Speaker 1: No worry, I did for you. I got it for you. Okay,
• 37:23
  Speaker 1: don't worry about it.
• 37:24
  Speaker 3: Both Maddie and I clocked him and yeah.
• 37:28
  Speaker 1: Yeah, So obviously we've already moved on and we're going
• 37:31
  Speaker 1: to so Mallory and Rasheet you know, he they wake
• 37:35
  Speaker 1: up the next morning. This is a this is a
• 37:37
  Speaker 1: morning after for Shay Annabelle, Mallory and Rashete, you know, and.
• 37:41
  Speaker 2: Well got that freshly fucked feeling.
• 37:43
  Speaker 1: Yeah, just laying in their own juices, you know, marinating.
• 37:49
  Speaker 1: He says that you won't cry anymore, and Mallory's always
• 37:51
  Speaker 1: been like, I'm fine with it, but but I'm like,
• 37:54
  Speaker 1: this is nothing like you cry all the time, buddy,
• 37:57
  Speaker 1: and like you're it must be like a thing where
• 37:59
  Speaker 1: you people have told you to stop or whatever, and
• 38:01
  Speaker 1: it's like.
• 38:02
  Speaker 2: Yeah, I think that's that.
• 38:03
  Speaker 1: Yeah.
• 38:04
  Speaker 3: I wonder how much gentle sobbing there was in a day.
• 38:08
  Speaker 3: I like him, though, I love them. I just think
• 38:11
  Speaker 3: there's going to be I think she may have take
• 38:14
  Speaker 3: care of him more than she thinks she's going to
• 38:16
  Speaker 3: have to, truly.
• 38:18
  Speaker 1: Truly, they are going to go to like his friends
• 38:22
  Speaker 1: and family goodbye party and we meet, you know a
• 38:26
  Speaker 1: lot of his friends and family. And there's a lot
• 38:29
  Speaker 1: of people wearing blue jackets, like blue fleece jackets and
• 38:34
  Speaker 1: different gray pants and shorts, which I thought that was interesting.
• 38:38
  Speaker 1: Everyone's giving the two kisses, yes, honey, doing it twice,
• 38:43
  Speaker 1: you know, making it nice.
• 38:45
  Speaker 2: Mm hmm.
• 38:46
  Speaker 1: I love listen. I come from a culture with kisses.
• 38:49
  Speaker 1: And you know, the funny thing is I'm seering in
• 38:51
  Speaker 1: Lebanese and seering people do two and Lebanese people do
• 38:55
  Speaker 1: three three really yes, well and then back again.
• 39:00
  Speaker 2: You know, like that's overkilled. I know it is like
• 39:03
  Speaker 2: the third one's overkilled.
• 39:04
  Speaker 1: I believe me. I know. You know, like you remember
• 39:06
  Speaker 1: when you were like trying to learn how to drive
• 39:08
  Speaker 1: and that, and when they said you came to we
• 39:10
  Speaker 1: would come to like a four way stop. Yeah, what
• 39:12
  Speaker 1: you're supposed to do is do that look this way
• 39:14
  Speaker 1: that way, and.
• 39:15
  Speaker 2: Then look back again. Yes.
• 39:18
  Speaker 1: I'm always like, well then how do you know that? Well,
• 39:19
  Speaker 1: that one's not coming back now, Like if your logic
• 39:22
  Speaker 1: is then you would just be like the whole time,
• 39:23
  Speaker 1: like that way, that way, that way, that way, that.
• 39:25
  Speaker 2: Way, you know anyway, Yes, you never stop kissing.
• 39:28
  Speaker 1: Just yeah, you're just like do this one twice.
• 39:33
  Speaker 2: Yeah I had to.
• 39:34
  Speaker 3: You just have to kiss my older aunts or my
• 39:37
  Speaker 3: on the cheek, and I hate it.
• 39:41
  Speaker 1: I wouldn't mind kissing them. It's when they would kiss
• 39:43
  Speaker 1: me with their wet ass lips, honey, you.
• 39:45
  Speaker 3: Know, like I know, they're all oily, cakey lipstick.
• 39:49
  Speaker 1: Yeah, just wet as just why you know, like your.
• 39:52
  Speaker 2: Lips so wet? What were you doing before this?
• 39:54
  Speaker 1: Why can't you be more like Camilla's vadge, I know,
• 40:00
  Speaker 1: just like just like slurping up jello. What was happening?
• 40:03
  Speaker 2: It was happening.
• 40:05
  Speaker 1: But she gets to have some Turkish food hum miss,
• 40:07
  Speaker 1: which we all know, and something called hadari, which is
• 40:09
  Speaker 1: a yogurt situation. I think in my like you know,
• 40:11
  Speaker 1: I think that these cultures have like similar foods, Like
• 40:14
  Speaker 1: we have lebni, which is like a yogurt like taziki,
• 40:17
  Speaker 1: like the Greek one.
• 40:18
  Speaker 2: Similar.
• 40:18
  Speaker 3: Yeah, it's a fermented drink. It's a thinner, yogurty drink.
• 40:21
  Speaker 1: Yeah, yeah, she says. She's like, I don't mean to
• 40:24
  Speaker 1: be disrespectful, but it's.
• 40:25
  Speaker 2: Nasty, nasty.
• 40:29
  Speaker 3: I'm glad that she at least said I don't even dispectful.
• 40:32
  Speaker 2: No else would ever do that.
• 40:34
  Speaker 1: Yeah. I like Mallory.
• 40:36
  Speaker 2: I like her too. She's not your typical she's more
• 40:40
  Speaker 2: in the rain.
• 40:41
  Speaker 3: She's a little more country than uh, Maddie and what's
• 40:45
  Speaker 3: her name? Fuck, I can't believe from from last season,
• 40:49
  Speaker 3: you know the blonde Steviee's a little more country than Stevie.
• 40:53
  Speaker 3: But I think she's got a good heart. And uh,
• 40:57
  Speaker 3: I think I think she's a little she's not a
• 41:00
  Speaker 3: dumb redneck.
• 41:01
  Speaker 2: I think in some things.
• 41:02
  Speaker 3: She seems to and she seems like that's scene not
• 41:05
  Speaker 3: to jump ahead, but she's when he's talking about money
• 41:08
  Speaker 3: and he's like, what about what about my mom's sick?
• 41:10
  Speaker 2: And she's like, okay. First of all, she.
• 41:12
  Speaker 3: Doesn't immediately say no, I'm not giving your parents money.
• 41:14
  Speaker 2: Very common.
• 41:15
  Speaker 3: She said, first of all, you would need to ask
• 41:18
  Speaker 3: me and we would talk about it mm hm, and
• 41:21
  Speaker 3: then we would go through the bills and seeing if
• 41:23
  Speaker 3: what we could do.
• 41:24
  Speaker 2: It costs a lot of money.
• 41:26
  Speaker 3: She was measured about it and only when he got
• 41:29
  Speaker 3: kind of upset and started to get young. She's like, Okay,
• 41:32
  Speaker 3: it's not that I don't care about your mother, Please
• 41:34
  Speaker 3: don't say that.
• 41:36
  Speaker 2: So what I liked is there was never any irrational screaming.
• 41:42
  Speaker 2: You know, it's a low bar.
• 41:44
  Speaker 3: Yeah, but but that's but that's I was kind of
• 41:46
  Speaker 3: impressed with that.
• 41:48
  Speaker 2: Yeah.
• 41:48
  Speaker 1: She also did this. Did you clock when she was
• 41:50
  Speaker 1: she said she was talking. She's like, you know, it
• 41:52
  Speaker 1: was so sad. She's like, she's talking about how it's
• 41:53
  Speaker 1: really sad. Of course, his whole family is crying and
• 41:55
  Speaker 1: stuff like that, and we'll get into it just like
• 41:57
  Speaker 1: a little bit. But she's like, it was so uh,
• 42:00
  Speaker 1: I know how much you love your family. And then
• 42:01
  Speaker 1: she goes our family.
• 42:03
  Speaker 3: Yeah, I think I think she's making a real attempt.
• 42:07
  Speaker 2: Yeah.
• 42:09
  Speaker 3: And the other thing is there's a she's just you
• 42:14
  Speaker 3: can tell they're in love, you really can. I think
• 42:19
  Speaker 3: she just she finds she can sense a kindness in him.
• 42:22
  Speaker 2: And so yeah, I like them. I like them both. Yep.
• 42:26
  Speaker 1: So here they are so obviously they're at his house
• 42:28
  Speaker 1: and his parents are. You know, his parents have gone
• 42:31
  Speaker 1: through a whole horrific situation. There was an earthquake, and
• 42:34
  Speaker 1: you know, his dad was pinned and.
• 42:35
  Speaker 2: Now they're living in a terrible earthquake.
• 42:37
  Speaker 1: Yeah, I know, but we get to see like one
• 42:39
  Speaker 1: of their they're at someone's house, maybe one of the brothers,
• 42:42
  Speaker 1: and this house is very lovely and nice, and let's
• 42:46
  Speaker 1: talk about the brothers.
• 42:48
  Speaker 2: You know what.
• 42:48
  Speaker 3: I was kind of like, why aren't the parents. I
• 42:49
  Speaker 3: guess there's no room. Why the parents aren't living with them?
• 42:52
  Speaker 1: I thought the same thing, I know. I was like, well,
• 42:54
  Speaker 1: you got these ones right here.
• 42:56
  Speaker 3: I can't just imagine if my mother and father were
• 42:59
  Speaker 3: living in a tent. Mom was like, kabird, I'm living
• 43:01
  Speaker 3: in a tent, Please give me some money.
• 43:05
  Speaker 2: I would never hear the end of it.
• 43:07
  Speaker 1: I mean, I can't imagine.
• 43:08
  Speaker 2: Do you imagine if your father was like in the tent, honey, he.
• 43:13
  Speaker 1: Would I mean, yeah, I mean I can't even imagine.
• 43:16
  Speaker 1: It's really so sad. But so one brother. One brother
• 43:19
  Speaker 1: looks like his older brother, and the older brother not
• 43:21
  Speaker 1: so much, but the younger brother absolutely. And then I
• 43:23
  Speaker 1: don't know, they're all brothers. But look at this brother
• 43:26
  Speaker 1: brother you're.
• 43:26
  Speaker 2: Talking about, Yes, that's him.
• 43:29
  Speaker 1: My god, he looks kind of like Sarper, this is Turkey.
• 43:32
  Speaker 3: Yeah, boy, I'm flashing back to a porn I just
• 43:36
  Speaker 3: saw the other day.
• 43:37
  Speaker 1: What was it.
• 43:38
  Speaker 3: Called, uh, brothers in.
• 43:40
  Speaker 1: Turkey Jake and brothers in Turkey exactly.
• 43:47
  Speaker 2: I don't think they were actually brothers, but that was
• 43:49
  Speaker 2: the fantasy. A porn is all into incest.
• 43:52
  Speaker 1: That is exclusively really because I know a lot of
• 43:55
  Speaker 1: straight porn likes that too.
• 43:57
  Speaker 2: They do too, yeah, a lot of olders.
• 43:59
  Speaker 1: Yeah, a lot of it, you know, but whatever, it's
• 44:03
  Speaker 1: I yeah, for some reason, if I was to think
• 44:06
  Speaker 1: about it, like in sest porn, I could never do
• 44:09
  Speaker 1: parent blobbery blue porn. But like, I don't have a siblings,
• 44:11
  Speaker 1: so it's like, I guess it's like, what's common for
• 44:14
  Speaker 1: gate incest porn is stepbrothers because those are not related,
• 44:18
  Speaker 1: but it's kinky because they live in the same place.
• 44:20
  Speaker 2: They live in the house.
• 44:22
  Speaker 1: Yeah, like is there ayready is already half brother porn.
• 44:24
  Speaker 1: It's only half, it's only half gross.
• 44:27
  Speaker 3: There's not a lot of that, but the stepbrothers really common.
• 44:31
  Speaker 2: Yeah, also stepdad.
• 44:34
  Speaker 1: Yeah like yeah, yeah, yeah.
• 44:36
  Speaker 2: Less common, but still there.
• 44:38
  Speaker 1: Sure.
• 44:39
  Speaker 2: Yeah.
• 44:41
  Speaker 1: So basically, as we know, and as we said, their
• 44:44
  Speaker 1: family is very sad to leave. We get this really
• 44:46
  Speaker 1: beautiful moment with the mom. The mom is just crying
• 44:49
  Speaker 1: so much. You obviously this is the you know, she's
• 44:51
  Speaker 1: very sad to see her baby, and she is like,
• 44:53
  Speaker 1: I know he's a grown man, but I look at
• 44:54
  Speaker 1: him and I see him in diapers. And then she
• 44:57
  Speaker 1: says this, my pain and love is indescribable, And I
• 45:03
  Speaker 1: thought to myself, that's exactly what it's like to watch
• 45:06
  Speaker 1: this show.
• 45:13
  Speaker 2: In one sentence.
• 45:15
  Speaker 1: Yeah, every season, this whole time, the years I've watched
• 45:18
  Speaker 1: the entire franchise.
• 45:20
  Speaker 3: My love is at the beginning, and it's my pain.
• 45:23
  Speaker 3: By episode eighteen or nineteen, I can't even describe hate everyone.
• 45:29
  Speaker 2: Yeah, yeah, what.
• 45:32
  Speaker 1: A poet, I know. We also get a little bit
• 45:37
  Speaker 1: of her. So, yeah, that's the thing that tragically happened
• 45:40
  Speaker 1: to his parents is at the earthquake happened. She however,
• 45:43
  Speaker 1: went through a tragic situation where she was in a
• 45:45
  Speaker 1: really shitty car crash and it changed. Yeah, Mallory was
• 45:49
  Speaker 1: and it changed the course of her life, she said,
• 45:52
  Speaker 1: where she had to get like her intestines removed. First
• 45:55
  Speaker 1: of all, I mean, I made HD. Did you watch
• 45:56
  Speaker 1: the Netflix documentary called The crash about.
• 45:59
  Speaker 3: Oh yes, I did that little entitled monster.
• 46:04
  Speaker 2: Oh my god, chilling. I know if you want to see,
• 46:08
  Speaker 2: if you want to see, and I'm going.
• 46:09
  Speaker 3: To say it, if you want to see a little
• 46:12
  Speaker 3: SOCIOPATHA watched the interview, the prison interview with her at
• 46:16
  Speaker 3: the end when she's all dulled up and she takes
• 46:19
  Speaker 3: one look at the lawyer and says, do you think
• 46:22
  Speaker 3: I was overdoing it? And my blood ran cold, and
• 46:27
  Speaker 3: that's when I went, yeah, you little monster, you need
• 46:30
  Speaker 3: to be you need to be in prison.
• 46:32
  Speaker 2: Yeah.
• 46:32
  Speaker 1: Oh when she is, I Jake, I can't even tell
• 46:34
  Speaker 1: you the hours I've spent since I watched the documentary.
• 46:37
  Speaker 1: I her her prison, her prison, butch girlfriend is on TikTok,
• 46:40
  Speaker 1: I watch all our interviews. Oh my god, you have
• 46:43
  Speaker 1: no idea. So what other things that happened in the
• 46:45
  Speaker 1: end of okay, I made a video about this, but
• 46:46
  Speaker 1: God bless other things that happened they talk about in
• 46:48
  Speaker 1: the doc is that she speaks a special language with
• 46:51
  Speaker 1: her mom, like a carneie or double top. Stop it now,
• 46:54
  Speaker 1: I'm telling you this. And so what had happened was
• 46:56
  Speaker 1: when she was in the hospital and the and the
• 47:00
  Speaker 1: police were there, she is talking to police. The police
• 47:04
  Speaker 1: has this on you can get their language. She looks
• 47:07
  Speaker 1: at her mom and she goes, I can't speak it exactly.
• 47:09
  Speaker 1: I speak a different version I speak. She's it's basically
• 47:11
  Speaker 1: you just break up syllables. But she goes like, can again,
• 47:14
  Speaker 1: you need to go to the gel that again that
• 47:15
  Speaker 1: I get it to get what it does? That goer
• 47:16
  Speaker 1: and what it was. She goes, can you tell them
• 47:19
  Speaker 1: I just had a seizure or something?
• 47:21
  Speaker 2: Oh?
• 47:23
  Speaker 1: Yeah, And then when she's in prison a lot of
• 47:27
  Speaker 1: the phone calls for her mom. She also is like,
• 47:28
  Speaker 1: but at.
• 47:30
  Speaker 3: Yeah, y'all. Also the parents are abysmal. Yeah, the mom,
• 47:37
  Speaker 3: the mom should be penalized on her hairst all alone. Yes,
• 47:41
  Speaker 3: But the father's also awful. And the other problem with
• 47:46
  Speaker 3: that doc I'll make this short. I think they were
• 47:48
  Speaker 3: trying to tell her story, but also, and I understand
• 47:51
  Speaker 3: why they're doing it, they were also trying to make
• 47:53
  Speaker 3: sure we knew the victims too, and we were trying
• 47:56
  Speaker 3: to get And it's hard also when you don't have
• 47:59
  Speaker 3: both mothers there. Even though his sister kind of looked
• 48:02
  Speaker 3: like his mother shades well, yeah, the Italian Jane's got
• 48:08
  Speaker 3: too strong but the mothers weren't there, and there was
• 48:14
  Speaker 3: so there was a little bit. But the guy, but
• 48:15
  Speaker 3: Debion's father, Oh my god, that guy was so powerful.
• 48:19
  Speaker 3: But I think they it got a little muddled when
• 48:21
  Speaker 3: you're trying to tell too much and that that's the
• 48:25
  Speaker 3: only that's the only problem with the doc. Also, I
• 48:27
  Speaker 3: don't because I don't think they wanted to really pin
• 48:29
  Speaker 3: her to the wall because I don't think she would
• 48:31
  Speaker 3: have signed off on a lot of it. So I
• 48:34
  Speaker 3: think they had to be careful. I want another doc
• 48:38
  Speaker 3: to lay it all out there.
• 48:40
  Speaker 2: Yeah, yeah, let's make it.
• 48:42
  Speaker 1: There's there's a there's a Hulu show that was like
• 48:47
  Speaker 1: on HBO, and there's a Hulu doctor's two other little
• 48:49
  Speaker 1: like mini ones. One's called like Murder Girls and one's
• 48:52
  Speaker 1: called I mean something like that. I gotta look it up.
• 48:55
  Speaker 1: But there is more about her. I mean, I can't
• 48:56
  Speaker 1: even tell you again. I just I found not so information.
• 48:59
  Speaker 1: It's just crazy.
• 49:01
  Speaker 2: But anyway, going.
• 49:02
  Speaker 1: Back to here, Oh that's pretty much it. So basically
• 49:05
  Speaker 1: she had that situation. Oh, I want to say this,
• 49:06
  Speaker 1: so when she had her car accident situation, she has
• 49:11
  Speaker 1: a friends with benefit person named Brandon that really helped
• 49:13
  Speaker 1: her out. He came and took care of her dogs,
• 49:15
  Speaker 1: a lot of dogs in this episode. And that's kind
• 49:18
  Speaker 1: of a point of contention with Rashid that he's like, oh,
• 49:21
  Speaker 1: you know, I don't know if I'm gonna be happy
• 49:22
  Speaker 1: with that person around. And then Rashid's kind of like,
• 49:25
  Speaker 1: you know, when my culture men are the head of
• 49:27
  Speaker 1: the household, I'm like, well, Rashid, that's not you. You
• 49:29
  Speaker 1: weren't going to be a head of any households, no
• 49:31
  Speaker 1: matter of married too.
• 49:32
  Speaker 3: Yeah, I don't know, he's not never gonna be able
• 49:35
  Speaker 3: to do that.
• 49:36
  Speaker 2: That's that he does not have that energy.
• 49:37
  Speaker 3: Nope, because she's you know, she's gonna like dominate the
• 49:42
  Speaker 3: fuck out of him.
• 49:43
  Speaker 2: Yeah. Yeah, that's just her personality.
• 49:45
  Speaker 3: And she's like, uh, I had that happen in relationships,
• 49:48
  Speaker 3: and that's not gonna happen to me.
• 49:50
  Speaker 1: I believe her. He just went okay, yeah, that's what. Yeah. Yeah,
• 49:56
  Speaker 1: I can't say I didn't bring it up.
• 49:57
  Speaker 3: You know, if they're not absolute miserable in the show,
• 50:01
  Speaker 3: and they have a good they have a decent run,
• 50:05
  Speaker 3: and they have good episodes, I could easily see them
• 50:07
  Speaker 3: as a pillow Talk couple.
• 50:09
  Speaker 1: I think they're going to absolutely make it, and I
• 50:10
  Speaker 1: think they do love each other, and I think that
• 50:12
  Speaker 1: I think that this kind of like man Man household talk.
• 50:15
  Speaker 1: It feels almost.
• 50:15
  Speaker 2: Producer put on yep, yep, yep, yep.
• 50:18
  Speaker 1: And the big question, of course, is if your parents
• 50:22
  Speaker 1: need financial help. You have three other brothers, so I
• 50:25
  Speaker 1: don't understand why it would be all on you all.
• 50:27
  Speaker 2: Good point, good point.
• 50:29
  Speaker 3: I think this was brought in as to to just
• 50:32
  Speaker 3: inflame tension. Mm hmm yep again, producers, we don't need it.
• 50:37
  Speaker 3: There's plenty we're gonna we're gonna get them going to Athens, Alabama.
• 50:42
  Speaker 1: Mm hmm. I know, But I mean I like this couple,
• 50:46
  Speaker 1: don't you too.
• 50:47
  Speaker 2: I I there, there aren't a ton that I dislike.
• 50:51
  Speaker 2: Well Katie, but.
• 50:52
  Speaker 3: I I mean, yeah, that that that those are the losers.
• 50:58
  Speaker 3: But we've got a believe we have two more we
• 51:01
  Speaker 3: haven't met, or maybe one more.
• 51:04
  Speaker 1: I thought it was one more, but I mean I
• 51:05
  Speaker 1: can't remember.
• 51:06
  Speaker 2: Oh wait, I don't like I don't like a ship.
• 51:08
  Speaker 1: Oh yeah, she wasn't on this episode. No, Oh my god,
• 51:12
  Speaker 1: I forgot. That is so speaking.
• 51:14
  Speaker 3: Of someone who doesn't know what kind of edit she's
• 51:17
  Speaker 3: in for Uh.
• 51:20
  Speaker 1: Do you hear Debbie vibes? Like her and Debbie are
• 51:22
  Speaker 1: in a different world.
• 51:24
  Speaker 2: Apparently God isn't going to help you with the edit.
• 51:27
  Speaker 2: God can't help these producers.
• 51:31
  Speaker 1: Yeah, I mean I think God hates her. Sorry, but
• 51:37
  Speaker 1: I mean, if I was, if I'm the kind of
• 51:38
  Speaker 1: fundamentalist person that she is and things that, you know, God,
• 51:41
  Speaker 1: if I'm just saying, it looks like God doesn't like it.
• 51:43
  Speaker 1: But I don't know.
• 51:44
  Speaker 4: I don't know.
• 51:45
  Speaker 1: Oh, that's the end. But we talked for almost as
• 51:48
  Speaker 1: long as the actual.
• 51:50
  Speaker 2: We do that too.
• 51:51
  Speaker 3: I We just get off on different things because the
• 51:54
  Speaker 3: show is interesting.
• 51:56
  Speaker 2: Yeah, and you're like, you're like us.
• 51:58
  Speaker 3: We have more fun by talking about an element and
• 52:01
  Speaker 3: kind of breaking it down, and that's more interesting for
• 52:05
  Speaker 3: us than just going point by point by point by point.
• 52:09
  Speaker 2: And you know, people already watch the show. They want
• 52:11
  Speaker 2: to know what we think about it.
• 52:12
  Speaker 1: Yeah, thank you so much for wanting to know how
• 52:14
  Speaker 1: we think about it.
• 52:15
  Speaker 2: Now.
• 52:15
  Speaker 1: Thank you, as I've had an amazing co host, Jake.
• 52:18
  Speaker 1: I love you so much. You're obviously your your podcast
• 52:21
  Speaker 1: is Reality Gaze. It's the best, and you'd cover so
• 52:24
  Speaker 1: many shows. You have a Patreon, We go ahead and
• 52:27
  Speaker 1: get people your socials.
• 52:28
  Speaker 2: Sure.
• 52:28
  Speaker 3: You can find us at on Instagram, at reality as
• 52:33
  Speaker 3: Podcast on Insta. You can find us at reality Gaze
• 52:37
  Speaker 3: pod on the TikTok, and we're on Blue Sky too
• 52:41
  Speaker 3: reality Gaze podcast. And you can find me at jacob
• 52:44
  Speaker 3: or fake it on Insta. And I have a TikTok,
• 52:48
  Speaker 3: but I never use it, and because I'm scared, I
• 52:51
  Speaker 3: need to start using it. Start using it's kind of Yeah,
• 52:54
  Speaker 3: I think I'm gonna do Broadway content and theater.
• 52:56
  Speaker 2: You should.
• 52:57
  Speaker 3: Yeah, I think even though there are people who do it, haven't,
• 53:01
  Speaker 3: I have some ideas, So do it all you just
• 53:03
  Speaker 3: I mean.
• 53:04
  Speaker 1: I know you're this was so it's always it's.
• 53:06
  Speaker 2: Always fun to play in the sandbox with you.
• 53:09
  Speaker 1: I love you.
• 53:10
  Speaker 2: Oh, I love you too.
• 53:13
  Speaker 1: Thank you so much. We're gonna do my rio so
• 53:15
  Speaker 1: you know, we do a little breath and then we
• 53:16
  Speaker 1: I say goodbye. But also before then, if you haven't yet,
• 53:19
  Speaker 1: please give this podcast Vanity Farah five stars or every
• 53:22
  Speaker 1: listen to podcasts, and thank you so much for taking
• 53:24
  Speaker 1: time with me. You also can follow me. I'm at
• 53:26
  Speaker 1: Chris sel Farah on Instagram, on TikTok, I have a
• 53:29
  Speaker 1: Patreon It's Patreon slash Chris Farah and also a sub stack.
• 53:34
  Speaker 1: Of course, Vanity Farah is my Facebook group and you
• 53:36
  Speaker 1: can also like my page Chris Farah on Facebook. That's
• 53:39
  Speaker 1: that we're gonna have a little present moment breath together,
• 53:42
  Speaker 1: just bringing ourselves to this moment and being thankful that
• 53:45
  Speaker 1: you know, we're not in an the Lulu land, or
• 53:49
  Speaker 1: maybe we are, but not about love right now. Other things. Maybe. Okay,
• 53:53
  Speaker 1: breathe it out, breath it in. We'll do it twice.
• 53:55
  Speaker 2: Okay, h.
• 54:11
  Speaker 1: Oh, it feels nice.
• 54:14
  Speaker 2: That's nice. Yeah, right to start my weekend.
• 54:18
  Speaker 1: Thank you. Yeah, take care of yourselves and one another,
• 54:21
  Speaker 1: stand up for what you believe and make art and
• 54:23
  Speaker 1: I'll talk to you later. Bye bye