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1960s Folk Singers · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: This week on the show, we have a very special
• 0:10
  Speaker 1: episode as we dive into the Artists on Artists on
• 0:13
  Speaker 1: Artists on Artists vaults. We're going all the way back
• 0:16
  Speaker 1: to nineteen sixty nine, at the height of the Greenwich
• 0:19
  Speaker 1: Village music scene, to talk to the very special folk
• 0:23
  Speaker 1: supergroup Two Sons, two Daughters.
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  Speaker 2: Folk music was sweeping the nation in the Roaring sixties
• 0:30
  Speaker 2: or Swinging sixties, or folk sixties as they were called.
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  Speaker 2: Will take you now back to that time.
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  Speaker 3: Crosby Stills, Nash and Young Bob Dylan. These are just
• 0:41
  Speaker 3: a few of master folk artists who shape us today.
• 0:46
  Speaker 4: So sit down, start making that dandy Lyon crown. Bring
• 0:51
  Speaker 4: out your acoustic guitar and or banjo and get those
• 0:54
  Speaker 4: harmonies ready. Let's listen in.
• 1:00
  Speaker 1: All my brothers and sisters, we are here together. Maybe
• 1:02
  Speaker 1: we start with a little this land is your land.
• 1:04
  Speaker 2: Yeah, little this Land is your land. Let's get it started.
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  Speaker 5: Five A six A five six.
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  Speaker 2: This land is your land. This land is my land.
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  Speaker 1: From californ Yeah, to the New York guy Land, red Wood.
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  Speaker 4: To the Ghostream Wall, this land.
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  Speaker 2: Was made wowble was amazing.
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  Speaker 6: It was awesome.
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  Speaker 5: I'm really excited to be here with my brothers and
• 1:43
  Speaker 5: sisters here today.
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  Speaker 1: What a beautiful community we have. I mean, this is
• 1:47
  Speaker 1: the most exciting time of our lives. This is such
• 1:51
  Speaker 1: a wonderful, wonderful place to be.
• 1:53
  Speaker 2: Can't believe it, this summer of sixty nine, spending it
• 1:56
  Speaker 2: with my favorite band in the world, Two sons, two daughters.
• 1:59
  Speaker 5: They're gonna write songs about this.
• 2:00
  Speaker 4: Yeah, it feels like somebody's got to write a song
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  Speaker 4: about the summer of sixty nine.
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  Speaker 5: Somebody might.
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  Speaker 4: Somebody's got it.
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  Speaker 2: And I keep saying we should.
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  Speaker 6: Or maybe a whole group would.
• 2:12
  Speaker 5: Maybe they would, a.
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  Speaker 6: Bunch of us writing songs.
• 2:16
  Speaker 5: We were at the Cafe Will last night till four am.
• 2:18
  Speaker 5: I can't believe we're even here.
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  Speaker 4: No, my good, this is incredible. Thank you guys for
• 2:23
  Speaker 4: having us. We, of course, are the two Sons and
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  Speaker 4: two Daughters, legendary Folks singing group. We met at Oberlin College,
• 2:35
  Speaker 4: that's right.
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  Speaker 6: Yeah, Oberlin School of the Arts.
• 2:39
  Speaker 2: We met at a protest. Yes, they were cutting our
• 2:43
  Speaker 2: potato servings at the cafeteria.
• 2:46
  Speaker 4: Cutting down how many potatoes a student was allowed to eat.
• 2:48
  Speaker 2: And the man said three potatoes, and we said no more.
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  Speaker 5: Yes.
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  Speaker 1: So we decided we organized for four potatoes. We let
• 2:56
  Speaker 1: every trash were four more.
• 3:00
  Speaker 2: And a lot of people didn't recognize that there was
• 3:02
  Speaker 2: a period in between no more and four.
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  Speaker 7: People thought we were asking for no more for. We
• 3:06
  Speaker 7: were actually on the side. And I will say that
• 3:09
  Speaker 7: that was at the faults of the organizers. And the
• 3:10
  Speaker 7: people were citing no more four. That's where we decided
• 3:14
  Speaker 7: to organize it. We said, we can read our own punctuation.
• 3:17
  Speaker 7: We need to make songs for ourselves.
• 3:19
  Speaker 8: I think it was me who said, why don't we
• 3:22
  Speaker 8: have the inflection go up on four, that's right, and
• 3:25
  Speaker 8: the inflection go down on more.
• 3:27
  Speaker 4: Do it for us one time? Like that? Do it
• 3:30
  Speaker 4: for us one time like yeah, reminder.
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  Speaker 6: How it goes no more four yes.
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  Speaker 5: So we were all chanting no more four no.
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  Speaker 6: Instead of four no more for, yeah, no more for.
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  Speaker 1: And that's when we realized, you know, we said, hey,
• 3:47
  Speaker 1: we all need to be sung, and the four hundred
• 3:49
  Speaker 1: students said, we're not here to sing, and we realize
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  Speaker 1: we were.
• 3:53
  Speaker 2: Because they were here. I'll tell you what.
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  Speaker 4: Maybe this is controversial, Okay, go on.
• 3:57
  Speaker 2: They were here to become lawyers. Yeah, and doctors and politicians.
• 4:02
  Speaker 2: They were here to become the man.
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  Speaker 5: That's not my scene.
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  Speaker 2: That's not when we were there.
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  Speaker 5: That's not my scene.
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  Speaker 2: That's not what Oberlin means to me.
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  Speaker 5: No, what you Oberlin.
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  Speaker 2: To me is a hug. Oberlin to me is a
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  Speaker 2: is a drive with the top down and the windows up.
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  Speaker 2: Oberlin to me is loving life.
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  Speaker 4: Go ahead. Oberlin to me is a fern tree. A
• 4:24
  Speaker 4: fern tree, you know.
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  Speaker 5: Obd to me is an open freeway with little mom
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  Speaker 5: and pop shops along the way.
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  Speaker 2: Mom and pop shop along the freeway. Huh like in
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  Speaker 2: the center media Mama.
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  Speaker 4: Pop shop along the freeway, Mom poway, Mom and poppy.
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  Speaker 9: Look at these mom and pops. They're struggling on a
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  Speaker 9: urbin road. They just have the old shop set up.
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  Speaker 9: And then the man brings his bulldoor down, ruins there
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  Speaker 9: little town and builds a six lane halloway. Is it
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  Speaker 9: a halloway?
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  Speaker 10: Oh?
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  Speaker 11: Wee free yet? Well is it a freeway? And we
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  Speaker 11: don't have right mon.
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  Speaker 5: Along the freeway, Along.
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  Speaker 6: The freeway, along the freeway.
• 5:30
  Speaker 4: Thank you?
• 5:32
  Speaker 5: I love that song.
• 5:33
  Speaker 4: Why don't we go around and say our name?
• 5:35
  Speaker 5: Sure?
• 5:36
  Speaker 1: Well, we are the two sons and the two daughters,
• 5:38
  Speaker 1: And as we all know, we're the two sons and
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  Speaker 1: two daughters of America. We all represent a different thing
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  Speaker 1: in America, of which we are the child of. So
• 5:45
  Speaker 1: I'm the son of the trees. I'm the son of nature.
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  Speaker 1: They call me park ranger Ted, and I am so
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  Speaker 1: grateful that you guys found me and allowed me to
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  Speaker 1: join you. I've always wanted to be a park ranger,
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  Speaker 1: but I've had a beautiful voice, so it's off me
• 6:00
  Speaker 1: from actually becoming a park range.
• 6:02
  Speaker 4: They wouldn't let you. You would be bringing in all
• 6:04
  Speaker 4: the animals to the It's got dangerous.
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  Speaker 1: It was a hazard. I would sing and the animals
• 6:09
  Speaker 1: would come into the shack and they're all about, you know,
• 6:13
  Speaker 1: preserving and respecting the animals. But for the animals kind
• 6:16
  Speaker 1: of can't get enough of me. They're obsessed with me.
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  Speaker 2: Yeah, I heard you. That species of bird, that rare
• 6:21
  Speaker 2: species of bird all died because they drowned. They followed
• 6:25
  Speaker 2: you into a river.
• 6:26
  Speaker 1: Yeah, they followed me into a river and they drowned
• 6:28
  Speaker 1: because I was singing underwater and the bubbles would pop
• 6:30
  Speaker 1: up and little notes would come in, and they wanted
• 6:32
  Speaker 1: to get to the root of it.
• 6:35
  Speaker 2: They wanted to get the root of it. I understand.
• 6:37
  Speaker 5: If there's one thing about birds, man, they like to
• 6:39
  Speaker 5: get to the root of things. That's right, man. But
• 6:41
  Speaker 5: I'm really happy to be here.
• 6:43
  Speaker 2: I am a.
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  Speaker 8: Daughter of the river, of the river, I'm a daughter
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  Speaker 8: of I'm Bony.
• 6:52
  Speaker 4: Bony is really fun. She's the daughter of the river.
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  Speaker 4: She's an awesome, awesome, awesome chick from green Point, Michigan.
• 7:00
  Speaker 6: Who we can't wait to introduce you.
• 7:02
  Speaker 4: Oh, thank you, thank you. Go ahead. I just thought
• 7:04
  Speaker 4: you I just thought you were done. I just because
• 7:07
  Speaker 4: you kind of like, well, you did this thing where
• 7:09
  Speaker 4: you just kinda stop talking, So I thought you were done.
• 7:11
  Speaker 4: And I was trying to throw your bone.
• 7:12
  Speaker 2: Am my dog robbed.
• 7:15
  Speaker 4: Just really trying to throw your.
• 7:16
  Speaker 6: Bone, the bony and the roads. But when it gets
• 7:20
  Speaker 6: to you, I'll.
• 7:20
  Speaker 2: Go, well, okay, okay, man. This group makes me feel alive,
• 7:30
  Speaker 2: feel alive.
• 7:31
  Speaker 5: I don't think we're ever gonna break up.
• 7:33
  Speaker 4: We're going to break up. There's no tension or anything not.
• 7:37
  Speaker 2: As long as we keep all dating each other.
• 7:40
  Speaker 5: We happen to keep dating each other.
• 7:42
  Speaker 4: It's gonna go south before moons tonight. I can't wait.
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  Speaker 2: Me and you, Well, we were here. First of the
• 7:54
  Speaker 2: month it was me and you, and second month it
• 7:56
  Speaker 2: was me and you.
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  Speaker 5: But then I get you on holidays, and then we're weekends.
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  Speaker 4: Right, We're weekends, weekends and visiting hours on Thursday.
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  Speaker 6: Yeah, and you and I are only if we have to,
• 8:07
  Speaker 6: only if.
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  Speaker 4: We have to.
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  Speaker 5: So I guess we gotta figure out this. M can't wait,
• 8:12
  Speaker 5: can't wait for Anita Baker to see that I hate.
• 8:15
  Speaker 4: He's gonna be furious at that.
• 8:17
  Speaker 5: I'm gonna kill her.
• 8:18
  Speaker 6: If I'm a daughter of the river, what are you
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  Speaker 6: a daughter of?
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  Speaker 2: You know I'm a daughter. My name is Jennifer, Jennifer Cricket.
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  Speaker 2: I am a daughter of the railroad and the boss man.
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  Speaker 2: The boss man on the railroad berthed me through steel
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  Speaker 2: and labor, blood, sweat and tears. I represent the song
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  Speaker 2: of the working man the working woman, and we are
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  Speaker 2: we were out on these streets. I got fired.
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  Speaker 12: You know.
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  Speaker 2: I was said to be a steel worker for the
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  Speaker 2: rest of my life, rest of my life, whole life.
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  Speaker 2: Day one come up, baby, and I wanted steal. But
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  Speaker 2: I decided when a boss man fired me this something
• 8:56
  Speaker 2: had to change. Because I was fired unjustly, and now
• 9:01
  Speaker 2: I felt I built the music. I built the music.
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  Speaker 2: Boss man fired me. It radicalized me, and then I
• 9:09
  Speaker 2: turned to music and now I'm here a daughter of
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  Speaker 2: the railroad. Can you believe it?
• 9:16
  Speaker 5: I can't. In this group, I'm so happy you're the
• 9:20
  Speaker 5: most pro labor, pro union folk artist.
• 9:23
  Speaker 2: I know, I love the union.
• 9:25
  Speaker 1: Well, the working man built this country, so it's very
• 9:29
  Speaker 1: responsible for us to have someone like you and this group.
• 9:31
  Speaker 1: I would say that it goes against a lot of
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  Speaker 1: what we're trying to fight, the capitalism taking things down.
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  Speaker 5: But it's nice to have your perspective.
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  Speaker 2: Well, we're the working man, we're not the working man
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  Speaker 2: doesn't have the dollar in his pocket, that's the boss man.
• 9:43
  Speaker 1: But we're not fighting for the dollar. We're fighting for
• 9:46
  Speaker 1: the trees. We're fighting for the river, and you're fighting
• 9:47
  Speaker 1: for the railroad.
• 9:49
  Speaker 2: And I'm fighting to expand the railroad.
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  Speaker 6: And that's when I get the jobs.
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  Speaker 2: Let it trickle down, Let it trickle back from the
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  Speaker 2: boss man to my pocket. Come on, now, lay those tracks,
• 10:02
  Speaker 2: bring those jobs from Michigan to California. I'll tell you this,
• 10:05
  Speaker 2: I'm seeing to shine in sea.
• 10:07
  Speaker 6: We're never gonna break up We're never gonna break up.
• 10:10
  Speaker 2: We're never gonna break up. We are so in sync,
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  Speaker 2: it's like I start a fit sentence and.
• 10:16
  Speaker 5: And I'm waiting for you to start.
• 10:19
  Speaker 2: We're never gonna break up.
• 10:21
  Speaker 6: We're never gonna break up.
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  Speaker 4: Hello, my name is Gravy Turkey Leg.
• 10:26
  Speaker 3: And Gravy Turkey Leg grew up all the way near Chatsworth, California.
• 10:31
  Speaker 4: Yeah, Chatsworth, California right now, which is Orange Groves right now?
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  Speaker 6: And what is he a son of He is a
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  Speaker 6: son of fire.
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  Speaker 4: I'm the son of fire. I believe that the inside
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  Speaker 4: every man, inside every woman is a fire that's burning
• 10:47
  Speaker 4: with some sort of anger, passion, rage, And if we
• 10:50
  Speaker 4: just tap into that, maybe we can free ourselves from
• 10:53
  Speaker 4: these human bodies and connect on a different level.
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  Speaker 5: You hear, Yes, I would say you're the most spiritual
• 11:00
  Speaker 5: of the group.
• 11:01
  Speaker 4: I wouldn't say that, but yeah, I guess so, I
• 11:04
  Speaker 4: guess I would just say that.
• 11:06
  Speaker 1: Then sometimes we have to take a look at Gravy's
• 11:09
  Speaker 1: writings and just make sure that they're not I guess
• 11:14
  Speaker 1: I'll call them manifestos.
• 11:16
  Speaker 9: Right.
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  Speaker 1: A lot of what you write tends to be manifested anger.
• 11:19
  Speaker 1: It's really angry and we have to sit down and.
• 11:21
  Speaker 4: Well, there's a weird thing that happens with a lot
• 11:23
  Speaker 4: of my writing is people either take them as manifestos
• 11:26
  Speaker 4: or they can't understand the lyrics even in the slightest right.
• 11:29
  Speaker 8: Well, I think there's an interesting intersection between when a
• 11:33
  Speaker 8: paragraph becomes a manifesto and lyrics become preaching.
• 11:38
  Speaker 5: Yeah, that's very interesting, and.
• 11:40
  Speaker 4: It intersects right on my pen.
• 11:43
  Speaker 5: Right.
• 11:44
  Speaker 2: And then you know, sometimes we have to have a sidebar,
• 11:47
  Speaker 2: because you know, you feed the lyrics, we take them.
• 11:50
  Speaker 2: Sometimes we have to have a sidebar and go, is
• 11:52
  Speaker 2: this a call to action? Does this seem like a
• 11:54
  Speaker 2: call to action to any sort of lone wolf individual.
• 11:57
  Speaker 2: Let's just make sure that there's not a call to
• 11:59
  Speaker 2: action in here.
• 12:00
  Speaker 4: This is where I get very confused, because sometimes I'll
• 12:02
  Speaker 4: be like, I was just writing about an orange blossom.
• 12:04
  Speaker 4: You guys, you guys are saying this is a call
• 12:07
  Speaker 4: to take down the man in charge, tie him up.
• 12:10
  Speaker 2: And well, because it was because of your song, a
• 12:13
  Speaker 2: beautiful orange blossom, let's kill the president.
• 12:16
  Speaker 4: Yeah, so that was just about an orange blossom. I
• 12:19
  Speaker 4: don't know how that was misinterpreted.
• 12:20
  Speaker 1: Maybe play it for us and we can hear by
• 12:22
  Speaker 1: the way, we don't use instruments. We use God's instrument.
• 12:25
  Speaker 1: We use the instrument that nature provided us. Where we're
• 12:28
  Speaker 1: all an a cappella group, just like the folk tradition.
• 12:31
  Speaker 1: Hundreds of years we've been singing using just our voices
• 12:34
  Speaker 1: the instruments that the creator gave us.
• 12:36
  Speaker 8: My instrument is whatever that's supporting me. So if I'm
• 12:40
  Speaker 8: sitting on a chair, that's the instrument, and if I'm
• 12:43
  Speaker 8: sitting on the ground, that's the instrument. It's whatever supporting
• 12:46
  Speaker 8: me on this earth, and.
• 12:48
  Speaker 4: That's a beautiful thing. You're always playing the chair, you're
• 12:50
  Speaker 4: always playing the.
• 12:51
  Speaker 6: Ground, because usually it's either the chair or the ground.
• 12:55
  Speaker 4: Maybe that's about life.
• 12:57
  Speaker 2: That's usually what you're sitting on.
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  Speaker 8: But what you said, I think is so important because
• 13:01
  Speaker 8: you said, is it a call to action? Is amazing
• 13:04
  Speaker 8: grace a call to action?
• 13:06
  Speaker 5: No?
• 13:07
  Speaker 4: I would say no, No, it's more of a reflection
• 13:08
  Speaker 4: of how amazing. But it could be.
• 13:11
  Speaker 2: It could be if someone here's that, here's the amazing grace,
• 13:15
  Speaker 2: how amazing she is, it might inspire man to go
• 13:19
  Speaker 2: take out a loan, give it to the poor.
• 13:20
  Speaker 5: No, it's not no amazing grace is not asking. It's
• 13:23
  Speaker 5: saying I once was lost, but now I'm found.
• 13:25
  Speaker 2: But it's providing such a shiny example for what you
• 13:28
  Speaker 2: could be.
• 13:28
  Speaker 5: Amazing grace is not pro capitalism, man.
• 13:32
  Speaker 2: Amazing grace is about about about by the grace of God.
• 13:36
  Speaker 4: So the dollar flows by the grace of God.
• 13:39
  Speaker 2: So the dollar flows by the grace of God.
• 13:44
  Speaker 4: So the dollar.
• 13:46
  Speaker 2: Flows by the grace of God. So the dollar flows by.
• 13:54
  Speaker 5: The grace of God. So the dollar flows, and.
• 14:00
  Speaker 6: I grow, and we flow.
• 14:05
  Speaker 2: And we flow down to the boss man. Knock on
• 14:10
  Speaker 2: his door, say, boss man, I need a raise. Gimme
• 14:16
  Speaker 2: something more, boss Man, Take me home with you. I
• 14:20
  Speaker 2: want to meet your wife.
• 14:23
  Speaker 6: Boss Man.
• 14:24
  Speaker 2: Let's rock all night, boss Man. Take me home. Your
• 14:29
  Speaker 2: wife is hot, boss Man.
• 14:32
  Speaker 4: So, Gravy, I wanted to say that song was such
• 14:37
  Speaker 4: a choice, it was so amazing that that so took
• 14:41
  Speaker 4: a life of it.
• 14:42
  Speaker 2: I just I just want to cause hear the music
• 14:44
  Speaker 2: and I don't.
• 14:45
  Speaker 5: I just want to mention, Gravy, you were about to
• 14:48
  Speaker 5: sing a song about an orange, and we sing that
• 14:50
  Speaker 5: one and said that we won't be going.
• 14:51
  Speaker 4: Back all We sang about something completely different, and that
• 14:59
  Speaker 4: the art man that's what you get to. This is
• 15:02
  Speaker 4: when you run a woman over on the railroad.
• 15:04
  Speaker 2: On the railroad, Yes, when you run over, something happened.
• 15:08
  Speaker 4: This is the beautiful thing about our group. You know.
• 15:10
  Speaker 4: It's just ebbs and flows. You know. Sometimes you spend
• 15:14
  Speaker 4: four nights writing a song from the heart and it
• 15:17
  Speaker 4: and it will never be brought up and it will
• 15:18
  Speaker 4: never be shown again. But somebody has a good idea
• 15:21
  Speaker 4: and in the moment we try to work it out.
• 15:23
  Speaker 4: Sometimes it lands, sometimes.
• 15:25
  Speaker 5: It doesn't well.
• 15:26
  Speaker 1: One thing I want to say is we all get
• 15:28
  Speaker 1: a song in our set, right. We usually do about
• 15:31
  Speaker 1: an eight song set. We do it at the gas
• 15:33
  Speaker 1: lamp or the gas light. Samuel was the gas lamp
• 15:37
  Speaker 1: for the gaslight, the gas light the gas light cafe.
• 15:41
  Speaker 6: Leave that in.
• 15:43
  Speaker 5: We all do it at the gaslight cafe. We get
• 15:45
  Speaker 5: down there and we get an eight song set. So
• 15:47
  Speaker 5: then we all sing a song that we've chosen.
• 15:50
  Speaker 1: And then there's four songs that are kind of up
• 15:52
  Speaker 1: in the air and we end up usually not being
• 15:54
  Speaker 1: able to decide on any of them.
• 15:55
  Speaker 4: We make them, we try to find them. There's there's
• 15:57
  Speaker 4: a couple that we find in the moment, a couple
• 16:00
  Speaker 4: we look at each other and it's just we all
• 16:02
  Speaker 4: have a song that we really want to sing in
• 16:04
  Speaker 4: those fourth, fifth, sixth, seventh, eight slots. Yeah, but we
• 16:06
  Speaker 4: can't decide, so we just try to find it in them.
• 16:08
  Speaker 5: I want to bring one up that became one of
• 16:10
  Speaker 5: our most popular course. Yes, you wrote it.
• 16:14
  Speaker 1: It was you wrote it about me. It was don't
• 16:16
  Speaker 1: look at me like that, And it became this incredible,
• 16:19
  Speaker 1: powerful anthem.
• 16:20
  Speaker 4: Yeah, it was. It was beautiful to find such an
• 16:23
  Speaker 4: anthem of the time to be And the metaphors in
• 16:26
  Speaker 4: this song, I'm sure you guys will hear if you
• 16:27
  Speaker 4: guys listen closely, they are palpable, they bite.
• 16:32
  Speaker 8: Yeah, don't look at me like that. Don't look at
• 16:37
  Speaker 8: me like that. I want to turn off your light,
• 16:41
  Speaker 8: and I want to shut it off forever.
• 16:44
  Speaker 6: Don't look at me like that.
• 16:46
  Speaker 4: Don't look at me like that.
• 16:49
  Speaker 6: I want to shut off your light and turn it
• 16:52
  Speaker 6: off forever.
• 16:53
  Speaker 1: Now, I was a son of the daughters, and I
• 16:56
  Speaker 1: was a daughter of the man, and I was a
• 16:59
  Speaker 1: man of the child, and I am a child of
• 17:02
  Speaker 1: my mother. And my mother and my father and my
• 17:04
  Speaker 1: dad met me and we went to the store, and
• 17:06
  Speaker 1: we went too down into the world, and we saw
• 17:10
  Speaker 1: the wheat on the counter, but we.
• 17:11
  Speaker 5: Said, the wheat is from the field. So what am
• 17:14
  Speaker 5: I going to feel?
• 17:16
  Speaker 1: The doctors and the son and the mother and the
• 17:17
  Speaker 1: father and the docter and the son are sad.
• 17:20
  Speaker 4: Don't look at me like that.
• 17:22
  Speaker 6: Don't look at me like that.
• 17:27
  Speaker 4: Forever I was walking down the road, I saw a
• 17:32
  Speaker 4: little dog. Hey dog, Hey, dad, you're my dad. I'm
• 17:36
  Speaker 4: your dad. Hey, what's going on with your dog? Hey?
• 17:40
  Speaker 4: Dog says to me.
• 17:41
  Speaker 2: Dog.
• 17:42
  Speaker 4: He says Vietnam, And I say, let's be free, take
• 17:46
  Speaker 4: up barns and take then the man time to kill
• 17:49
  Speaker 4: the president. He's sitting in the Oval Office seven o
• 17:53
  Speaker 4: four right now. Don't look at me like that. Don't
• 17:56
  Speaker 4: look at me like that.
• 17:58
  Speaker 6: I want to shut your forever forever.
• 18:03
  Speaker 2: I think.
• 18:03
  Speaker 8: What what's hard for me about that song is that
• 18:06
  Speaker 8: the Oval Office comes in and I lose the melody
• 18:10
  Speaker 8: that suddenly we're at the Oval Office.
• 18:11
  Speaker 4: And I feel like I'm more on the melody than ever.
• 18:15
  Speaker 2: You know what I said, You've dropped the Oval Office.
• 18:18
  Speaker 2: And then you see you start to see a couple
• 18:20
  Speaker 2: of guys in the crowd have an idea.
• 18:22
  Speaker 4: This is the thing that idea and we got a
• 18:24
  Speaker 4: deal with. I don't know what they're talking about. That
• 18:26
  Speaker 4: was a nice exchange. Bet me a human and a dog.
• 18:28
  Speaker 4: He's trying to talk the nature of man. I don't
• 18:33
  Speaker 4: know what did that.
• 18:34
  Speaker 1: At the gaslight last night? And I forgot to tell
• 18:36
  Speaker 1: you guys this. Joan Bias came up to me. We
• 18:38
  Speaker 1: all know Joni John sweet.
• 18:41
  Speaker 5: Joan Bias came up to me and she said, what
• 18:44
  Speaker 5: was that?
• 18:45
  Speaker 1: And I told her we kind of came up with
• 18:47
  Speaker 1: it in the moment, and she goes that answers a
• 18:50
  Speaker 1: lot of my questions.
• 18:52
  Speaker 4: About what I don't know it was about us? Can
• 18:54
  Speaker 4: I can we talk about just about and she's so sweet?
• 18:59
  Speaker 4: But can we just talk about it? He was talking
• 19:00
  Speaker 4: about so wonderful, so wonderful, and I.
• 19:03
  Speaker 13: Don't mean to talk shit, No, but why don't we
• 19:05
  Speaker 13: talk shit tonight?
• 19:07
  Speaker 5: Well, okay, let's just say so, Joan. No one else
• 19:11
  Speaker 5: is singing like.
• 19:11
  Speaker 4: That, literally maybe doing a little much hold a note
• 19:15
  Speaker 4: instead of ranging shaking so much.
• 19:18
  Speaker 2: Yeah, why are you riding a horse in the studio?
• 19:20
  Speaker 2: Come on, Jony, feel as.
• 19:22
  Speaker 6: If it's pushed.
• 19:24
  Speaker 5: I mean, while we're talking about it, can we talk
• 19:26
  Speaker 5: about Bob Dylan.
• 19:27
  Speaker 2: No, let's talk.
• 19:28
  Speaker 4: Let's talk about Bob. Let's talking about Bob really funny.
• 19:33
  Speaker 4: I think he's hilarious, I think. And that's the thing.
• 19:35
  Speaker 4: I feel like a kindred spear with him a little bit.
• 19:38
  Speaker 4: His songs are so misinterpreted. Yeah, he's just writing comedy songs.
• 19:43
  Speaker 4: He's writing stand set up punchline over and over and over. Yeah,
• 19:48
  Speaker 4: he wants you to laugh and people are crying. Pisses
• 19:51
  Speaker 4: me the fuck off. Makes me want to do something,
• 19:53
  Speaker 4: something wild, something crazy, something that people go back and say,
• 19:56
  Speaker 4: I remember him.
• 19:58
  Speaker 6: He's on down, boy, he's it down, He's down.
• 20:02
  Speaker 2: That sounds like a cold action my friend.
• 20:03
  Speaker 4: Again, I'm just speaking from the heart. From five.
• 20:06
  Speaker 2: You see two men just popped out behind the curtain
• 20:09
  Speaker 2: and they're kind of nodding their head at you. SCRAMs.
• 20:11
  Speaker 14: Those are my boys, Those are my talk about one
• 20:14
  Speaker 14: more person, Midge Masel Midge Midge, stand up comedian, Upper
• 20:21
  Speaker 14: west Side coach.
• 20:23
  Speaker 5: Let us Focumusic coming in with your Upper west Side.
• 20:26
  Speaker 4: I'm just like, don't. We're trying to have a moment
• 20:29
  Speaker 4: here and you're trying to come up with jokes about
• 20:32
  Speaker 4: how hard it is to have a husband.
• 20:34
  Speaker 15: I don't care about your cafilter fish.
• 20:38
  Speaker 6: I want to sing about the water in the road.
• 20:44
  Speaker 2: And that manager.
• 20:49
  Speaker 4: Woman.
• 20:50
  Speaker 2: I mean, I get how the two of them are
• 20:52
  Speaker 2: an odd couple. They should write a play about him
• 20:54
  Speaker 2: or something. But why are you hanging out together? What
• 20:58
  Speaker 2: do you bring into the days?
• 20:59
  Speaker 1: Let us have our space. I'm pissed Lenny Bruce. I
• 21:02
  Speaker 1: liked him and now he's bringing that girl around.
• 21:04
  Speaker 4: A lot all the time. Hey, so maybe we should
• 21:07
  Speaker 4: leak this on this whatever this recording is becoming. But
• 21:11
  Speaker 4: we are actually currently day to night in the studio
• 21:14
  Speaker 4: working on a brand new album that we are super
• 21:18
  Speaker 4: pumped about.
• 21:19
  Speaker 1: Yes, we're singing into a victrola a gramophone day and night.
• 21:24
  Speaker 1: We're using the old recording methods. It's important, man, it's
• 21:27
  Speaker 1: important to restore and remember the old traditional ways bella
• 21:31
  Speaker 1: bar talk used to go to European villages and record
• 21:34
  Speaker 1: folk songs into a gramophone.
• 21:35
  Speaker 5: That's what we're doing. Yeah.
• 21:37
  Speaker 2: Sometimes we've had this awesome thing set up where we
• 21:41
  Speaker 2: have the gramophone just rolling twenty four to seven, so
• 21:44
  Speaker 2: we could come in and do a little confessional if
• 21:46
  Speaker 2: we want, and we can kind of talk about how
• 21:48
  Speaker 2: the recording is going, our thoughts about the other people
• 21:51
  Speaker 2: in the group.
• 21:52
  Speaker 4: They actually have a couple gramophone clips of that. If
• 21:55
  Speaker 4: they do, we will actually.
• 21:56
  Speaker 6: Play the Gramma P camera confessional.
• 21:59
  Speaker 4: It's just read to camera confessionals mixed in with some
• 22:02
  Speaker 4: of our songs. They kind of cut it together of
• 22:04
  Speaker 4: confessionals into moments pieces of our songs.
• 22:07
  Speaker 16: Yes, yes, the river, the river is wide the river.
• 22:17
  Speaker 16: The river is called the river.
• 22:20
  Speaker 1: The river is fast, And I'm at home in the river, Mama,
• 22:26
  Speaker 1: I'm at home in the river.
• 22:29
  Speaker 2: Okay, Can I be real? My call time is too early?
• 22:33
  Speaker 2: This is so whack. I mean, they said show up
• 22:37
  Speaker 2: at eight and then they're not even ready to go.
• 22:39
  Speaker 2: So why am I here setting up pretzels like I'm crew?
• 22:43
  Speaker 15: I have the taxi, A taxi that brought me home,
• 22:47
  Speaker 15: brought me home.
• 22:48
  Speaker 6: To Mama hailed a taxi there brought me home.
• 22:56
  Speaker 4: There's a roastby sandwich, yeah, brought It's delicious. You want
• 23:02
  Speaker 4: to bite? No, Okay, I'll just keep eating my roastby sandwich.
• 23:10
  Speaker 4: I don't like these people anymore.
• 23:12
  Speaker 17: I think that's my hay in the river went down
• 23:17
  Speaker 17: to the south, and the river took me home.
• 23:24
  Speaker 2: And the river. It went up north and the river
• 23:31
  Speaker 2: took me home.
• 23:33
  Speaker 5: I just don't I don't know what I want. What
• 23:36
  Speaker 5: do you want me to say into this? What's with
• 23:38
  Speaker 5: the Oh? No, I'm not matter anybody. Did they say
• 23:41
  Speaker 5: something about me? What are they saying about it?
• 23:44
  Speaker 4: A big ship is coming, it's coming down the road.
• 23:48
  Speaker 4: It's riding on the river, and it's got a big
• 23:51
  Speaker 4: old toad and the toad says, kill the president because
• 23:55
  Speaker 4: they're bombing Vietnam.
• 23:57
  Speaker 1: Okay, I have something to say. I think he was
• 23:59
  Speaker 1: ripping off Johnny Cash and I don't know who to tell.
• 24:05
  Speaker 4: Wow, that was some great clips.
• 24:07
  Speaker 5: That's amazing, man. I think this is going to be
• 24:08
  Speaker 5: the future.
• 24:09
  Speaker 4: We're never gonna break up.
• 24:10
  Speaker 2: Yes, clips for us to have.
• 24:12
  Speaker 6: Anyone have a clip of mine?
• 24:16
  Speaker 5: Let's go look is there clips?
• 24:18
  Speaker 2: Is there?
• 24:19
  Speaker 4: C Yeah?
• 24:20
  Speaker 5: Yeah, this is a clip clip. Let's play it.
• 24:24
  Speaker 2: Way. The Devil went down to Georgia. Georgia, Can I
• 24:28
  Speaker 2: have some dollars? He said? Can I have some time?
• 24:32
  Speaker 2: Think that's a clip? Can meet you?
• 24:37
  Speaker 4: I was the clip of you? You're wrong?
• 24:40
  Speaker 2: Are you saying that?
• 24:42
  Speaker 4: That's I thought was gonna say.
• 24:45
  Speaker 2: A lot of the clips have a lead in of
• 24:47
  Speaker 2: a song. So maybe that's why we clip.
• 24:50
  Speaker 4: This is what we we did. Devil and down to
• 24:52
  Speaker 4: Georgia too.
• 24:53
  Speaker 2: Devil went down to Georgia to we were got that
• 24:55
  Speaker 2: clip clip. Devil went death to Georgia.
• 24:59
  Speaker 4: He he said, okay, here I've gotta here's the clip
• 25:03
  Speaker 4: of Bonie and I'll play it right now. Well, the
• 25:07
  Speaker 4: Devil went down the joint. He was looking for a fight.
• 25:11
  Speaker 4: He found a guy on the street and said, do
• 25:13
  Speaker 4: you want to fight?
• 25:15
  Speaker 2: What?
• 25:16
  Speaker 5: So that?
• 25:16
  Speaker 4: What was that?
• 25:17
  Speaker 5: Sound? Really cut?
• 25:18
  Speaker 2: Like I'm trying to get you.
• 25:20
  Speaker 5: Can I talk about something? Bonye? Is it? Okay? So
• 25:24
  Speaker 5: you're scared of a lot of this technology and we
• 25:27
  Speaker 5: try to get you in the room.
• 25:28
  Speaker 4: It's really hard to get you with the recording booth
• 25:29
  Speaker 4: because you're so scared you run out.
• 25:31
  Speaker 2: Like it's true. I tried to take a polaroid of
• 25:35
  Speaker 2: you and you wouldn't show up for days.
• 25:40
  Speaker 5: Stop.
• 25:41
  Speaker 1: There's a Patreon you need to get into. It's the
• 25:43
  Speaker 1: artist on, Artists on Artists and artist Patreon.
• 25:45
  Speaker 2: Drop whatever you're holding, run to your computer. The patreon
• 25:50
  Speaker 2: is full of bonus post show activities we've done. We've
• 25:54
  Speaker 2: done the Oscar draft where we pick our picks for
• 25:57
  Speaker 2: best picture and we go up against each other and
• 25:59
  Speaker 2: we fight like a war. So drop the thing in
• 26:02
  Speaker 2: your hands, halt, do not proceed. Proceed immediately to your
• 26:06
  Speaker 2: laptop and sign up for the artists on Artists on
• 26:10
  Speaker 2: artists Patron on Patreon on Patron.
• 26:15
  Speaker 18: What is the scariest thing in America? The scariest thing
• 26:22
  Speaker 18: in America is the camera? Where is the camera going to?
• 26:29
  Speaker 18: Where is the camera talking to you? The cameras all
• 26:32
  Speaker 18: the scariest thing in America. I think they're terrifying.
• 26:39
  Speaker 4: Yeah, we got that.
• 26:42
  Speaker 2: Yeah, I get it. No, I mean you were raised
• 26:44
  Speaker 2: in that really really restrictive household.
• 26:48
  Speaker 6: I think they're all plugged into the President.
• 26:52
  Speaker 13: I think they all plugged into the Congress, so of
• 26:55
  Speaker 13: the library, representatives, who, congressmen who? They're all the cameramen
• 27:05
  Speaker 13: And I won't do it.
• 27:08
  Speaker 5: Yeah, that is beautiful, can I say so?
• 27:12
  Speaker 1: Fun Bunnie has a natural singing voice in that she
• 27:14
  Speaker 1: sings naturally as she's talking, and so sometimes I don't
• 27:18
  Speaker 1: know if you want us to sing with you, but
• 27:19
  Speaker 1: we do it it ends up being.
• 27:21
  Speaker 8: You know, but sometimes it's hard because I'm trying to talk.
• 27:24
  Speaker 8: But I'm really singing, but sometimes I'm not trying to
• 27:26
  Speaker 8: lead into a song.
• 27:27
  Speaker 2: I remember that there was that time that you were
• 27:29
  Speaker 2: trying to park your car and someone was blocking you,
• 27:32
  Speaker 2: but you just kept singing about it, and so we
• 27:34
  Speaker 2: we were joining in, but we didn't realize you couldn't
• 27:36
  Speaker 2: You couldn't escape the parking.
• 27:38
  Speaker 6: Biggest songs.
• 27:40
  Speaker 4: Yeah, okay, let's play that song.
• 27:44
  Speaker 6: Here's this spot opened?
• 27:47
  Speaker 5: Open?
• 27:48
  Speaker 4: Open?
• 27:50
  Speaker 2: No? No, no, no no?
• 27:51
  Speaker 6: Is this spot opened? I'm asking you, but.
• 27:57
  Speaker 15: Are you pulling out or pulling inn?
• 28:05
  Speaker 4: It had no river?
• 28:08
  Speaker 5: Should we talk? We performed that at Woods Canna sound
• 28:11
  Speaker 5: like a.
• 28:11
  Speaker 2: Couple of the notes were fighting each other.
• 28:14
  Speaker 4: And that's the beauty of us.
• 28:16
  Speaker 2: Is a distance.
• 28:16
  Speaker 6: There's quite the big I.
• 28:18
  Speaker 4: Heard jazz drummers love playing along to our songs because
• 28:21
  Speaker 4: they gonna figure it out in the they gonna make
• 28:24
  Speaker 4: it make sense.
• 28:24
  Speaker 5: I mean that song hitting the heartbeat of America. Man,
• 28:27
  Speaker 5: is the spot open or not? Is our future open
• 28:30
  Speaker 5: a week? Is there a spot for us with the
• 28:32
  Speaker 5: fat cats?
• 28:33
  Speaker 1: Is there a spot for us with the corporations putting
• 28:35
  Speaker 1: their bpes in all of our food?
• 28:38
  Speaker 5: Is there a spot for us to move forward? Or
• 28:40
  Speaker 5: is that closed?
• 28:41
  Speaker 1: Are we parallel parking on a one end street that's
• 28:44
  Speaker 1: gonna go nowhere?
• 28:45
  Speaker 6: Is there a spot for us?
• 28:46
  Speaker 2: Is there a spot? Is there a spot in my
• 28:48
  Speaker 2: wallet for a dollar from the boss man? Is there
• 28:51
  Speaker 2: a spot in my savings account for a rough ira
• 28:54
  Speaker 2: from the boss man to me?
• 28:56
  Speaker 4: Is there a spot? Is there a spot? Is there
• 28:59
  Speaker 4: a spot for me to buy a gun? Is there
• 29:02
  Speaker 4: a spot for me to fight for Vietnam? Is there
• 29:04
  Speaker 4: a spot for me to do something wild? Is there
• 29:06
  Speaker 4: a spot for me? President? President?
• 29:10
  Speaker 5: Real quick?
• 29:11
  Speaker 1: Do you guys understand we're talking about different spots? Do
• 29:14
  Speaker 1: you hear yourself?
• 29:15
  Speaker 4: No?
• 29:16
  Speaker 15: No, because I'm talking about a parking spot.
• 29:19
  Speaker 2: I was for a dollar.
• 29:21
  Speaker 4: I was also talking about a parking spot. Okay, Hey,
• 29:25
  Speaker 4: so yeah, let's talk about Woodstock.
• 29:27
  Speaker 2: Let's talk about one.
• 29:29
  Speaker 4: Of the most amazing experiences in all of our lives.
• 29:32
  Speaker 13: I mean, thank god they separated it into two weekends.
• 29:36
  Speaker 4: Two weekends. Yeah, it was so we played with It
• 29:40
  Speaker 4: wasn't as exciting as woods We was.
• 29:43
  Speaker 5: So we were at and not a lot of people
• 29:45
  Speaker 5: know this. We were at weekend two of Woodstock.
• 29:47
  Speaker 2: Yes, well that's where the Yeah, the celebrities don't really drop.
• 29:51
  Speaker 4: In it's so weekend one. A lot of the press
• 29:55
  Speaker 4: is writing about it, you know, Jimmy Hendrappen, that whole
• 29:59
  Speaker 4: weekend amazing. The sponsors are tough, most people had left
• 30:04
  Speaker 4: mud everywhere. Most just the people that were so high
• 30:07
  Speaker 4: they needed a weak break in Woodstock to figure out
• 30:10
  Speaker 4: who they were again. And the janitorial staff and the
• 30:13
  Speaker 4: janitorial staff. Yeah, and I felt so amazing that weekend.
• 30:16
  Speaker 2: And do you guys have any Woodstock memories that weekend too?
• 30:21
  Speaker 2: I mean, my gosh, because I I loved taking a
• 30:26
  Speaker 2: little bit of LSD with a couple of girls who
• 30:31
  Speaker 2: I met at the Inheritance. Those girls were absolutely rocking
• 30:36
  Speaker 2: and we saw something that we had never seen before.
• 30:40
  Speaker 4: What was that?
• 30:41
  Speaker 2: It was the sunrise?
• 30:43
  Speaker 4: Oh yeah, you always wake up so late.
• 30:45
  Speaker 2: I wake up so late. That's one of my many things.
• 30:47
  Speaker 5: Well, I know it was in the album The Call Time.
• 30:50
  Speaker 5: Do you have an issue with exactly?
• 30:54
  Speaker 2: It's one of my many two things. And so when
• 30:57
  Speaker 2: I woke up with those girls arms wrapped around each other,
• 31:02
  Speaker 2: sun rising, colors popping, we kind of went, oh my god,
• 31:06
  Speaker 2: this is just like dusk. There's nobody talking about this.
• 31:08
  Speaker 6: You wrote those two songs about to Jessica's.
• 31:11
  Speaker 2: To Jessica's my arm, left arm around to Jessica, right
• 31:15
  Speaker 2: arm around to Jessica sing it. I got my left
• 31:20
  Speaker 2: arm round to Jessica, right arm round to Jessica, left
• 31:24
  Speaker 2: arm round to Jessica right left, right right on.
• 31:32
  Speaker 10: Left leg right left right right leg, left leg, My
• 31:43
  Speaker 10: body's right, my Jessica's my body, my Jessica, jessicasd with Jessica.
• 31:55
  Speaker 2: So take a ride to school with Ma Jessica. Go
• 31:59
  Speaker 2: to strong Jessica, Jessica, Ma Jessica. Know it's the value
• 32:05
  Speaker 2: of a dollar.
• 32:09
  Speaker 4: Unbelievable.
• 32:10
  Speaker 1: And can I say, honestly, the most period correct song.
• 32:17
  Speaker 5: Truly from that era?
• 32:21
  Speaker 4: You really want? Left arm one right on, three left
• 32:24
  Speaker 4: legs one right left. The break I think is so
• 32:31
  Speaker 4: good PM completely changing halfway through.
• 32:34
  Speaker 2: I gotta ask because because this comes up a lot,
• 32:36
  Speaker 2: This actually has come up a few times. Can someone
• 32:39
  Speaker 2: explain five to four.
• 32:42
  Speaker 5: You should we should have had this.
• 32:44
  Speaker 2: Should have this conversation day.
• 32:46
  Speaker 4: We're never gonna and we're never gonna be able to
• 32:49
  Speaker 4: explain it to you.
• 32:51
  Speaker 13: Shoot, I'll give you example.
• 32:55
  Speaker 2: Yeah, show me.
• 32:56
  Speaker 13: It's like how there are some roads that are shorter
• 32:59
  Speaker 13: and some roads that are longer.
• 33:01
  Speaker 4: Yeah, but at the end of the day, they're all roads.
• 33:04
  Speaker 1: That's comparing sequoia to an oak. A mighty redwood might
• 33:08
  Speaker 1: be a six eight, and uh, maybe a beautiful weeping
• 33:12
  Speaker 1: willow might be a three to four.
• 33:14
  Speaker 4: So maybe this is actually easiest one two three?
• 33:18
  Speaker 2: What about this? What about? What about?
• 33:20
  Speaker 6: What about a doobie that smokes quicker but it's fatter.
• 33:25
  Speaker 2: Oh like a as opposed to a.
• 33:29
  Speaker 1: What about a government fat cat that'll take away housing,
• 33:32
  Speaker 1: as opposed to a nice young community organizer who's fighting
• 33:37
  Speaker 1: for equality.
• 33:38
  Speaker 4: So again, let me just try it.
• 33:40
  Speaker 2: So, which one's a dollar and which one's a dome?
• 33:42
  Speaker 4: Again? Let me just one, two, three, four five, one
• 33:46
  Speaker 4: two three full five. I've lost her And there's no
• 33:50
  Speaker 4: way to explain.
• 33:50
  Speaker 2: This show was so close.
• 33:53
  Speaker 6: It's a difference between hash and potatoes.
• 33:56
  Speaker 2: Hash and potatoes. The man wants to have us have
• 33:59
  Speaker 2: three potatoes. We want four potatoes.
• 34:02
  Speaker 5: I think I get Hey, we already won that fight.
• 34:06
  Speaker 5: We got four potatoes.
• 34:07
  Speaker 2: Do you guys ever think about what's happening in Oberlin?
• 34:10
  Speaker 19: What if we can't fight yesterday's fights? Man, we can't
• 34:14
  Speaker 19: fight yesterday's fight. To the Dean we have to fight
• 34:17
  Speaker 19: tomorrow's fights. We have to be ready in our gear
• 34:19
  Speaker 19: for tomorrow's fights. Man Dean's office, and make sure the
• 34:22
  Speaker 19: dean is dead.
• 34:23
  Speaker 5: Man, the Dean is dead.
• 34:25
  Speaker 4: We have to fight tomorrow's fight. How do we fight?
• 34:28
  Speaker 5: We fight with love?
• 34:30
  Speaker 4: Guns?
• 34:30
  Speaker 5: No, no, what we.
• 34:34
  Speaker 2: We gotta fight with with hands clasped in each other.
• 34:38
  Speaker 2: Man to man, labor to labor. We have tracks.
• 34:40
  Speaker 6: We have to communicate with melody, melody.
• 34:44
  Speaker 1: We can regret making letting you make me buy a gun.
• 34:47
  Speaker 1: By the way, I can't believe I have right. Yes,
• 34:50
  Speaker 1: of course we have our gun.
• 34:51
  Speaker 4: Do we have a gun?
• 34:51
  Speaker 2: And it makes me feel uneasy. I don't like having it.
• 34:55
  Speaker 4: In my pocket. Have it in my pocket? You shouldn't
• 35:00
  Speaker 4: have brought it, I said, by it, but lock it up.
• 35:03
  Speaker 2: Like you said, like you said, you said, lock it
• 35:07
  Speaker 2: up somewhere safe, I said. The safest place is in
• 35:09
  Speaker 2: my pocket, right next to my dollar bill, my I
• 35:11
  Speaker 2: D my passport and a condom.
• 35:14
  Speaker 4: Okay, well, non, Jessica, beautiful.
• 35:23
  Speaker 2: Guys, what are your woodstock memories? Do you guys have
• 35:27
  Speaker 2: any Did you guys have any romantic flings? Any? Any
• 35:30
  Speaker 2: drugs you shouldn't have taken? Any music that transported you
• 35:34
  Speaker 2: to another realm.
• 35:35
  Speaker 1: I had an incredible moment sitting around I was with
• 35:38
  Speaker 1: the Mamas and the papas, Richie Havens, Jimmy Hendrix.
• 35:43
  Speaker 2: Okay, fuck Mary, kill mama's papa's, mama's papa's music.
• 35:50
  Speaker 5: Fucking Mary, kill mama's papa's music. Don't make me kill man.
• 35:57
  Speaker 5: I don't like to play that game because I don't
• 35:59
  Speaker 5: like to kill.
• 36:00
  Speaker 6: Okay, fuck fuck Mary. Harmonized.
• 36:04
  Speaker 5: Okay, harmonized music.
• 36:07
  Speaker 6: That I'm harmonizing with the papas.
• 36:11
  Speaker 1: I'm gonna marry the papas because of their being able
• 36:15
  Speaker 1: to provide.
• 36:15
  Speaker 4: And I'm gonna I wouldn't. I wouldn't. Why I wouldn't.
• 36:19
  Speaker 4: I'll tell you later in forty years, I'll tell you why.
• 36:25
  Speaker 5: Why?
• 36:25
  Speaker 2: What?
• 36:27
  Speaker 6: Ease it down?
• 36:28
  Speaker 4: Oh he has a very strange relationship with his own daughter.
• 36:33
  Speaker 2: Oh I didn't know that.
• 36:34
  Speaker 5: Yeah, yeah, Okay, Well, fuck the mamas. I'll marry the mamas.
• 36:40
  Speaker 6: Fuck Mary, harmonize.
• 36:41
  Speaker 8: Bob Dylan, JFK and Mickey Mouse.
• 36:48
  Speaker 4: This old question we all have asked, can we we
• 36:51
  Speaker 4: cannot get to the bottom of ask you then original question, Bonie.
• 36:57
  Speaker 4: I just want to know you can never decide if
• 36:59
  Speaker 4: you're gonna harmonized with Mickey Mouse or JFK bobk.
• 37:03
  Speaker 5: Mickey Mouse about this every.
• 37:05
  Speaker 2: Time Mickey Mouse, Man, what a cat?
• 37:09
  Speaker 6: What a cat?
• 37:10
  Speaker 4: That hip?
• 37:10
  Speaker 2: Mickey him, Mickey Mouse, what a cat?
• 37:12
  Speaker 1: I'm killing Bob Dylan so I don't have to listen
• 37:14
  Speaker 1: to him tell another story.
• 37:20
  Speaker 4: A drum rolls.
• 37:22
  Speaker 13: I because because I communicated music percussion is burbs.
• 37:27
  Speaker 5: Thank you.
• 37:28
  Speaker 1: I'm probably going to marry Nicky and I'm going to
• 37:31
  Speaker 1: have sex with the greatest president we've ever had.
• 37:33
  Speaker 5: JFK.
• 37:38
  Speaker 2: I would kill jfk uh Mary. Mickey Mouse.
• 37:44
  Speaker 6: Harmonizedmized.
• 37:47
  Speaker 5: It's actually really messed up to here? Do you understand
• 37:49
  Speaker 5: that happened five years ago?
• 37:51
  Speaker 2: Oh my god? Too soon? Why did you let me
• 37:53
  Speaker 2: say that?
• 37:53
  Speaker 4: Too fresh?
• 37:54
  Speaker 2: Too fresh? Oh my god, I'm embarrassed. I'm embarrassed. Don't
• 37:59
  Speaker 2: look at me anymore. Stop looking at me. Stop looking
• 38:01
  Speaker 2: at me. Man. I messed up. I put my foot
• 38:03
  Speaker 2: in my dang mouth, sing about it. I put my
• 38:07
  Speaker 2: phone in my month.
• 38:09
  Speaker 4: Why do we let her.
• 38:12
  Speaker 2: In my mo?
• 38:13
  Speaker 9: Put my put my mo?
• 38:20
  Speaker 2: Said something I shouldn't say again, said something I should
• 38:28
  Speaker 2: never say.
• 38:29
  Speaker 5: You can around.
• 38:29
  Speaker 2: I said something I should never say. I said something
• 38:34
  Speaker 2: I should never say. In my mouth.
• 38:39
  Speaker 4: Put in my mouth, Put my phone in my mouth,
• 38:47
  Speaker 4: put my fa in my mouth.
• 38:50
  Speaker 12: I told my mother I liked her soup. Then I
• 38:54
  Speaker 12: found out she had poop in her bad. She was bad,
• 39:01
  Speaker 12: So I feel really bad.
• 39:04
  Speaker 4: Put my foot, put my foot in my mouth. Put
• 39:12
  Speaker 4: my foot in my mouth.
• 39:15
  Speaker 5: Put my foot in my mouth.
• 39:20
  Speaker 15: I sang too many songs. Now I feel like everything's wrong.
• 39:26
  Speaker 15: And sometimes I want to speak, but I feel like
• 39:31
  Speaker 15: the cameras make me meek.
• 39:33
  Speaker 4: Put my foot in.
• 39:35
  Speaker 2: My mouth, Put.
• 39:39
  Speaker 4: In my mouth, put my in my mouth, put my
• 39:44
  Speaker 4: fat in my mouth. Yes, the banks of the river
• 39:49
  Speaker 4: they do rise when we fall. That now, and the man,
• 39:56
  Speaker 4: he's a shill. It's the president. I want you to kill, but.
• 40:03
  Speaker 2: I don't do that.
• 40:24
  Speaker 5: The Beatles are going to be pissed it up.
• 40:28
  Speaker 2: That's what we say after a lot of our.
• 40:30
  Speaker 4: Records, when it's when it hits, When it hits, we say,
• 40:33
  Speaker 4: the Beatles are gonna be And when we steal Yellow Submarine,
• 40:37
  Speaker 4: we realize that's what it was. So that's what it was.
• 40:42
  Speaker 4: I was like, this song sounds so familiar. I just
• 40:46
  Speaker 4: can't play it.
• 40:47
  Speaker 2: No, wait, there's no way I thought of that. There's
• 40:50
  Speaker 2: no way I have the control there was.
• 40:52
  Speaker 4: I hoped it was original. Maybe we all just dream
• 40:57
  Speaker 4: this and it's original.
• 40:59
  Speaker 2: As I know, it was yellow summer in the whole time.
• 41:02
  Speaker 6: I just wanted to sing a song new.
• 41:06
  Speaker 4: So this actually happens a lot in the studio. We
• 41:08
  Speaker 4: sing a banger of a song, realize we've interpolated one
• 41:11
  Speaker 4: of another Beatles songs or any other ye.
• 41:14
  Speaker 6: I hated when I lay down my favorite song and
• 41:16
  Speaker 6: you had to break it to me. Dear gravy. Won't
• 41:20
  Speaker 6: you shut up.
• 41:21
  Speaker 2: And suck.
• 41:24
  Speaker 6: Gravy?
• 41:25
  Speaker 2: I don't know this one.
• 41:27
  Speaker 6: Suck up and grow up.
• 41:30
  Speaker 1: I remember when I did Big Roots, Don't be a Tree,
• 41:37
  Speaker 1: take your big brand.
• 41:40
  Speaker 5: Shan't be a tree?
• 41:42
  Speaker 6: So is it be a tree or don't be a tree?
• 41:44
  Speaker 5: That's the question? Man who's supposed to be?
• 41:48
  Speaker 4: I hate it when I did at Night Killer Paulaician,
• 41:54
  Speaker 4: take a gun and aimy for.
• 41:56
  Speaker 9: There until the day. You only wait for one thing,
• 42:06
  Speaker 9: and that's the kill.
• 42:09
  Speaker 2: I hate it when I do hold on. It's so
• 42:12
  Speaker 2: hard to interpolate when you haven't, when you're not trying
• 42:16
  Speaker 2: to do it on purpose. It's so hard. Let's say, oh,
• 42:21
  Speaker 2: what's that song about remembering yours?
• 42:24
  Speaker 4: Remembering yesterday?
• 42:25
  Speaker 2: Did you just do.
• 42:28
  Speaker 4: Yesterday to? I wouldn't say yesterdays about remember remember yesterday,
• 42:36
  Speaker 4: re memory.
• 42:37
  Speaker 2: I sang it in my high school graduation. I can't
• 42:39
  Speaker 2: remember for the life of me. Well, Nona, Nona, Hey, Hey, hey, hello,
• 42:50
  Speaker 2: and then we stole that one.
• 42:51
  Speaker 5: Yeah, not for the Beatles, not.
• 42:53
  Speaker 4: For the Beatles. I don't know if it's released yet.
• 42:58
  Speaker 2: Lease deal that from listen.
• 42:59
  Speaker 1: Man, that from stadiums listen, grienwish Village is a cosmic
• 43:02
  Speaker 1: convergence stadiums.
• 43:08
  Speaker 9: From.
• 43:09
  Speaker 1: If we're talking a song that doesn't exist yet, we're
• 43:12
  Speaker 1: in the cosmic convergence of all music that has been
• 43:14
  Speaker 1: or ever will be. Okay, so we're just channeling something.
• 43:18
  Speaker 1: We understand something you might even not understand. Okay, we
• 43:20
  Speaker 1: have a future.
• 43:21
  Speaker 2: I okay, baby, how was I supposed to know? If
• 43:29
  Speaker 2: you guys heard this before?
• 43:30
  Speaker 4: That was awful?
• 43:31
  Speaker 2: That old baby, baby, I shouldn't have let you go
• 43:46
  Speaker 2: how you wanted to?
• 43:48
  Speaker 1: There's been It hasn't been a single proper noun in
• 43:50
  Speaker 1: this whole song. Need to know where's the fight?
• 43:53
  Speaker 2: Because where's the saying about what we need to do
• 43:56
  Speaker 2: in the world.
• 43:56
  Speaker 5: He is killing me, So who are you gonna fight?
• 44:00
  Speaker 2: I must confess I still believe?
• 44:03
  Speaker 5: And what in God Creator?
• 44:05
  Speaker 2: Then I'm not with you while I lose my mind.
• 44:08
  Speaker 2: Give me his sad.
• 44:09
  Speaker 4: Okay, it's kind of Christian one more time. Oh my god,
• 44:17
  Speaker 4: I want to throw up. Taste bad.
• 44:19
  Speaker 5: Listen, look at me.
• 44:21
  Speaker 1: Was that you sung about your own child asking it
• 44:24
  Speaker 1: to hit you in the face?
• 44:25
  Speaker 2: Oh my god? What happened to the railroads? What happened
• 44:28
  Speaker 2: to the working man? Where is he in? This? Is
• 44:31
  Speaker 2: he dead?
• 44:32
  Speaker 4: There was something about that song that felt like was
• 44:35
  Speaker 4: reaching for something real, but actually it was vapid and
• 44:39
  Speaker 4: empty and marked the end of.
• 44:42
  Speaker 2: Us, almost like it was vapid on purpose.
• 44:46
  Speaker 4: Almost like it was just trying to make money.
• 44:51
  Speaker 5: Folk will never die. Wherever we are, folk will be,
• 44:55
  Speaker 5: people are watching. They'll be watching recordings of this that
• 44:58
  Speaker 5: they were getting this on film. They'll will be watching
• 45:00
  Speaker 5: recordings of this sixty seventy years from now, and we'll
• 45:04
  Speaker 5: be more relevant than we've ever been.
• 45:05
  Speaker 6: Boom boom.
• 45:07
  Speaker 5: That doesn't help when you do stuff like that, it
• 45:11
  Speaker 5: doesn't help you understand that.
• 45:12
  Speaker 1: I feel like I'm constantly undermine I feel like I'm
• 45:15
  Speaker 1: holding an old tradition.
• 45:16
  Speaker 5: What he Guthrie came to me and he said, hey,
• 45:18
  Speaker 5: maybe leave this group.
• 45:20
  Speaker 2: What the heck? Why would you leave us? We're the
• 45:24
  Speaker 2: most functional folk group in all of America.
• 45:26
  Speaker 6: Every single melody I'm saying is folk.
• 45:30
  Speaker 5: I know, but you have different values. You care about
• 45:33
  Speaker 5: the tax man. You're trying to build a cult. It's
• 45:36
  Speaker 5: very clear. Charlie Manson was there the other day. I
• 45:38
  Speaker 5: don't like what he's up to. I'd watch him a
• 45:39
  Speaker 5: chill guy. No, I know he's a musician. Chill. You
• 45:42
  Speaker 5: had me play drums. He played drums for me.
• 45:43
  Speaker 4: They sounded crazy and they actually worked drum.
• 45:48
  Speaker 19: We should really talk about getting him in the bank,
• 45:51
  Speaker 19: adding Charlie Manson, he's doing a lot of good work
• 45:54
  Speaker 19: over there.
• 45:55
  Speaker 1: No, he's fucking every girl Dennis Wilson's house, so the
• 45:58
  Speaker 1: beach Boys over on the freakin' Pacific Coast Highway. I'm
• 46:01
  Speaker 1: not interested in that. Oh yeah, you you got a
• 46:05
  Speaker 1: good heart. You got something in there. I want you
• 46:10
  Speaker 1: to focus. Wait, come with me, maybe we'll join up.
• 46:13
  Speaker 1: We'll do a duo group performing twenty five different empathies.
• 46:19
  Speaker 2: Hey, what the heck is this.
• 46:23
  Speaker 6: Getting I'm getting a vision.
• 46:26
  Speaker 4: Oh my gosh, oh my god, oh my god.
• 46:31
  Speaker 8: Baby, can't you see I'm going.
• 46:39
  Speaker 13: Tall man with red Baby O'Brien from down the strangers.
• 46:44
  Speaker 6: You know you want man.
• 46:50
  Speaker 8: Whoa your taxic?
• 46:56
  Speaker 15: I'm sipping on the ties of the book a little bit.
• 47:02
  Speaker 6: To you, and you know that I'm conan.
• 47:08
  Speaker 5: I don't know what to think of that.
• 47:10
  Speaker 4: Wow, that felt like even more vapid than the one before,
• 47:15
  Speaker 4: Like that wasn't even trying to say something.
• 47:17
  Speaker 5: If the music gods are channeling us, I'm concerned for
• 47:23
  Speaker 5: our future.
• 47:24
  Speaker 4: I know what we need to do. Write a song
• 47:27
  Speaker 4: that will last so long they can't deny folk music
• 47:31
  Speaker 4: when it turns sixty years from now.
• 47:35
  Speaker 2: Maybe a song that never ends.
• 47:38
  Speaker 5: Yes, oh yes, a song it's undeniable because you can't
• 47:41
  Speaker 5: turn it off.
• 47:42
  Speaker 2: That's how we save music. Yes, we create a song
• 47:46
  Speaker 2: that lasts forever.
• 47:47
  Speaker 5: A sixty years song.
• 47:50
  Speaker 13: It's almous, us stiff, as if the songs of the
• 47:53
  Speaker 13: past are ghosting us now.
• 47:56
  Speaker 6: And what we must do to break the cycle is
• 47:59
  Speaker 6: to sing a song that will never end, a song.
• 48:01
  Speaker 2: That never ends. Let's make a pact right now to
• 48:04
  Speaker 2: start singing and not stop singing for sixty years.
• 48:09
  Speaker 4: That'll keep us together, that'll keep us together.
• 48:12
  Speaker 6: The only question is what is the song.
• 48:15
  Speaker 4: I'm singing a song that'll never.
• 48:18
  Speaker 5: H Maybe not that one singing never starting.
• 48:27
  Speaker 4: I'm singing a song that'll never.
• 48:30
  Speaker 6: Will we sing along or will we not?
• 48:32
  Speaker 4: And I'm singing a song that'll never it starts, okay,
• 48:40
  Speaker 4: singing a.
• 48:41
  Speaker 2: Song that'll never.
• 48:42
  Speaker 6: We get to decide do we want to join.
• 48:46
  Speaker 2: I'm singing a song that'll never.
• 48:50
  Speaker 6: For justice, it feels like they're all over the song.
• 48:54
  Speaker 5: This goes.
• 48:57
  Speaker 1: I'm gonna give this never.
• 49:01
  Speaker 5: Back to the top, this lasts for a year, I'll.
• 49:03
  Speaker 2: Jordan the song that'll never. What happens when we get hungry?
• 49:08
  Speaker 4: I don't know.
• 49:09
  Speaker 2: I'm singing a song that will never.
• 49:12
  Speaker 4: It's crazy. It's like your body is in five four.
• 49:15
  Speaker 4: I'm singing the song that neighbor.
• 49:20
  Speaker 5: You have to.
• 49:22
  Speaker 4: Song like that never? Oh, I like that.
• 49:28
  Speaker 6: I'm singing a song that will never.
• 49:30
  Speaker 5: I might just jumping justice, be careful see the daughter
• 49:34
  Speaker 5: of the river. You'll get blown away.
• 49:36
  Speaker 2: Ever for peace the rest I kind of get it.
• 49:40
  Speaker 4: I'm singing a song that will never.
• 49:43
  Speaker 6: I regredit this song.
• 49:45
  Speaker 2: Song is a song that will never.
• 49:51
  Speaker 12: I'm singing, I'm singing this song jump jumped into early now.
• 49:56
  Speaker 20: I'm really see the break at the end. I'm singing
• 49:59
  Speaker 20: this song because it's four and a half beats. It's
• 50:03
  Speaker 20: not it's real, and it's one break.
• 50:09
  Speaker 15: No.
• 50:10
  Speaker 5: I'm singing this song.
• 50:15
  Speaker 4: Up four never gonna break up. I'm singing the song
• 50:17
  Speaker 4: metal never, never, never end.
• 50:21
  Speaker 2: I'm singing a song me.
• 50:24
  Speaker 4: Okay, let's cut it out. We're in four four now
• 50:26
  Speaker 4: two three four.
• 50:28
  Speaker 2: I'm singing.
• 50:29
  Speaker 4: I'm singing a song that we don't sing this last
• 50:32
  Speaker 4: sixty years. It doesn't lasted four minutes. You don't sing
• 50:36
  Speaker 4: on the one, you don't sing on the to get.
• 50:38
  Speaker 5: This many notes, three minutes and it's not gonna last.
• 50:41
  Speaker 4: It feels like the bones.
• 50:43
  Speaker 6: You can't make a beat with violence, gravy.
• 50:46
  Speaker 2: Shut it. I'm singing a song metal never, cricket.
• 50:52
  Speaker 4: You're enabling this. I'm singing a song never stop harms.
• 51:05
  Speaker 2: Nobody can follow it.
• 51:07
  Speaker 4: I will do fish, i will fill in. I'm seeing
• 51:12
  Speaker 4: your song that will never.
• 51:13
  Speaker 5: Maybe you've been out voted enough, Phil, Phil, I'm thinking.
• 51:20
  Speaker 6: You told me gun for the audio listener, he's holding
• 51:23
  Speaker 6: the gun.
• 51:24
  Speaker 2: You really want me to use that gun, my friend. No,
• 51:28
  Speaker 2: I don't know how to use this.
• 51:29
  Speaker 5: I don't know how to use this.
• 51:30
  Speaker 4: I'm a man of peace, man, I don't have to
• 51:33
  Speaker 4: do this.
• 51:33
  Speaker 2: I don't have to do this either.
• 51:36
  Speaker 6: If you shoot, I shoot, and if you shoot, I shoot.
• 51:41
  Speaker 4: And this is exactly what I've been saying the whole time.
• 51:45
  Speaker 4: Peace only goes soul fall. And in order to stop me,
• 51:51
  Speaker 4: you're gonna have to do something you regret for the
• 51:54
  Speaker 4: rest of your life, but something that's good, something for
• 51:59
  Speaker 4: the calm. I'm singing a song, da duh, I'm singing
• 52:12
  Speaker 4: that'll never The.
• 52:14
  Speaker 5: Song won't end unless I end it.
• 52:23
  Speaker 2: Singing a song that this has been Artists on Artists
• 52:39
  Speaker 2: on Artists on Artists answering the question. Now, that's why
• 52:42
  Speaker 2: they call it.
• 52:42
  Speaker 4: Showbiz and folk music.
• 52:44
  Speaker 2: We'll see you next time.
• 52:46
  Speaker 3: Artists on Artists on Artists on Artists is an improvised
• 52:49
  Speaker 3: Hollywood Brown People podcast created and performed and produced by
• 52:52
  Speaker 3: Kylie Braakman, Jeremy Colhane, Angela Jeratana, and Patrick McDonald.
• 52:55
  Speaker 6: Music is by Gabriel pond Talk. The opinions expressed on.
• 52:59
  Speaker 3: This podcast do not reflect the opinions of anyone who
• 53:01
  Speaker 3: works on it, not even the performers, because.
• 53:03
  Speaker 6: This is an improvised podcast and we're stupid.
• 53:05
  Speaker 3: Full video versions of Ao ao ao A are available
• 53:08
  Speaker 3: on YouTube, so please like and subscribe and leave us
• 53:11
  Speaker 3: a five star review wherever you get your podcasts.
• 53:13
  Speaker 6: Good night, Hollywood,