Latest / Gunsmoke | Old Time Radio / Gunsmoke - "How to Kill a Woman" (Old Time Radio, 1953)
Transcript
- 0:00Speaker 1: A deadly stagecoach holdup on the road near an isolated
- 0:03Speaker 1: station leaves driver Jim Buck with one.
- 0:06Speaker 2: Fact to report.
- 0:08Speaker 1: Before the coach departed, he saw gunman Nat Pilcher at
- 0:12Speaker 1: the station. From CBS Radio, this is Gunsmoke, Episode 80,
- 0:18Speaker 1: How to Kill a Woman, originally broadcast October 31, 1953.
- 0:25Speaker 1: With another stage due along the same route, Marshal Matt
- 0:29Speaker 1: Dillon and Chester follow the evidence from Dodge City to
- 0:32Speaker 1: a frontier station near Wagon Bed Springs, where stationmaster Jesse
- 0:37Speaker 1: Daggett enters their investigation. William Conrad stars as Dillon and
- 0:43Speaker 1: Parley Bear as Chester. John Meston wrote the script, with
- 0:47Speaker 1: Norman MacDonald producing and directing. And now, the original broadcast.
- 1:04Speaker 3: Around Dodge City and in the territory on west, there's
- 1:08Speaker 3: just one way to handle the.
- 1:10Speaker 2: Killers and the spoilers, and that's with a U.S.
- 1:13Speaker 3: Marshal and the smell of gun smoke.
- 1:34Speaker 4: Gunsmoke, the story of the violence that moved west with
- 1:37Speaker 4: young America. The story of a man who moved with it.
- 1:41Speaker 4: Matt Dillon, United States Marshal. Gunsmoke, starring William Conrad.
- 2:11Speaker 5: It's a darn shame, Mr. Dillon.
- 2:13Speaker 2: Oh, what is, Chester?
- 2:14Speaker 5: Well, for long it'll be too cold to sit out
- 2:17Speaker 5: here of an evening.
- 2:18Speaker 2: Ha, ha, ha. Winter's too cold, summer's too hot. How
- 2:22Speaker 2: do you like spring, Chester?
- 2:23Speaker 5: Oh, spring's all right up here. But I remember back
- 2:27Speaker 5: in Waco, we all got the egg you ever spring.
- 2:30Speaker 5: Terrible fever. Makes man feel like a harp with a
- 2:33Speaker 5: thousand strings.
- 2:34Speaker 2: Yeah, I know. I've had it. That stage is mighty
- 2:37Speaker 2: late tonight.
- 2:38Speaker 5: It sure is. You know, my ma had a theory
- 2:40Speaker 5: we'd be immune if we had three hard-boiled eggs on
- 2:43Speaker 5: good price. But if that didn't work and we got
- 2:46Speaker 5: the egg you anyway, she'd tie salt mackerel onto our feet.
- 2:50Speaker 2: Well, that ought to toughen up your feet anyway.
- 2:52Speaker 6: We all survived. Hey, look.
- 2:55Speaker 5: Here comes the stage driver. Why, it's Jim Buck.
- 2:59Speaker 2: Oh, yeah. Marshall. Hello, Chester.
- 3:02Speaker 1: Hello, Jim.
- 3:03Speaker 2: Buck. Trouble, Jim?
- 3:05Speaker 6: I'd call it trouble, Marshal. Got held up. One passenger
- 3:08Speaker 6: shot down in cold blood.
- 3:10Speaker 2: What?
- 3:10Speaker 6: It was the meanest thing I ever saw.
- 3:12Speaker 2: Where'd this happen?
- 3:12Speaker 7: Other side of Wagon Bed Springs, between there and Jesse Daggett's.
- 3:15Speaker 6: Daggett's?
- 3:16Speaker 7: He runs a stage station out there near the Colorado line.
- 3:20Speaker 7: And I got a mighty strong feeling Jesse Daggett's in
- 3:22Speaker 7: on this, Marshal.
- 3:23Speaker 2: What makes you think so, Jim?
- 3:25Speaker 6: He knew I was carrying gold.
- 3:28Speaker 7: After we'd laid over an hour or so at the station,
- 3:30Speaker 7: I seen Daggett talking to a man who just rode in.
- 3:33Speaker 6: Cussed at looking a gunman as he'd want.
- 3:35Speaker 2: Then what happened?
- 3:36Speaker 6: The fellow rode off, left before we did.
- 3:39Speaker 2: Was alone?
- 3:40Speaker 6: Yeah, just him with his face covered. Never said a word.
- 3:43Speaker 6: He took the strong box and robbed the passengers.
- 3:47Speaker 7: Then he got on his horse and turned around and
- 3:50Speaker 7: shot one of them right through the head. Why would
- 3:53Speaker 7: a man do that, Marshal? I don't understand.
- 3:57Speaker 2: Maybe he just likes to kill, Jim. But I'll go
- 4:00Speaker 2: back with you tomorrow. Maybe we can find out.
- 4:12Speaker 3: We made the trip down to the Santa Fe Trail
- 4:15Speaker 3: next day. Through Wagon Bed Springs and on.
- 4:18Speaker 2: To Jesse Daggett's stage station.
- 4:21Speaker 3: I sat on the box with Jim Buck while Chester
- 4:24Speaker 3: rode inside with the passengers. And by evening, everybody was glad.
- 4:28Speaker 2: When we reached Daggett's. It was a typical road ranch.
- 4:32Speaker 3: With a large eating room and a row of sleeping
- 4:35Speaker 3: quarters for the travelers.
- 4:38Speaker 2: Jesse Daggett himself was a tall, angular man, gaunt and gray.
- 4:44Speaker 2: He was quiet, but one could feel the trouble that
- 4:47Speaker 2: lay inside him.
- 4:49Speaker 3: The first chance I had to talk to him was
- 4:52Speaker 3: in the yard after supper.
- 4:56Speaker 2: Old weather be coming soon. I'll have to lay in
- 4:58Speaker 2: more whiskey. Yeah. You, uh, had this station long? Three years,
- 5:04Speaker 2: come spring. Built it myself.
- 5:07Speaker 8: Pawnees tried to burn it down now and then, but
- 5:10Speaker 8: I'm still here.
- 5:12Speaker 2: You plan to stay here, Daggett? Man's plans are his own, Marshal.
- 5:19Speaker 2: I'm sorry. It was just an idle question.
- 5:22Speaker 9: It's all right.
- 5:24Speaker 3: I think I'd like it here myself. No neighbors, but
- 5:26Speaker 3: lots of company passing through.
- 5:28Speaker 8: It ain't all good company.
- 5:31Speaker 2: Lots of people travel, good and bad.
- 5:33Speaker 9: True.
- 5:35Speaker 2: Like the man who held up Jim Buck's stage yesterday
- 5:39Speaker 2: and shot that passenger. What about him? Well, you might
- 5:43Speaker 2: call him the bad kind, don't you think?
- 5:46Speaker 8: What I think won't raise the dead, Marshal.
- 5:49Speaker 2: It might keep more people from dying, though. I figure
- 5:53Speaker 2: that's what you're doing here, looking for that fella.
- 5:57Speaker 3: Jim Buck thinks it might have been that gunman you
- 5:59Speaker 3: were talking to here, the day of the holdup.
- 6:01Speaker 8: That was Nat Pilcher, but I don't care what Jim
- 6:04Speaker 8: Buck thinks.
- 6:06Speaker 3: Now, everybody expects a stage to get held up once
- 6:08Speaker 3: in a while, but it's a different matter to shoot
- 6:11Speaker 3: people down for nothing. I don't figure this man, unless
- 6:15Speaker 3: he's just a born killer.
- 6:17Speaker 2: He could have a lot of reasons. Men are all different. Yeah, sure.
- 6:22Speaker 8: All got different reasons for doing what they do, living
- 6:25Speaker 8: the way they live. Yes, it's what's happened to him
- 6:29Speaker 8: In the past, spells it out.
- 6:32Speaker 2: That's true.
- 6:35Speaker 8: I'll tell you something, Marshal, but ain't what you want
- 6:37Speaker 8: to hear. I believe in letting every man kill his
- 6:40Speaker 8: own snakes.
- 6:42Speaker 9: Ah.
- 6:43Speaker 3: This business is between whoever the bandit is and me.
- 6:47Speaker 2: Is that it?
- 6:48Speaker 8: That's it exactly. Every man for himself, you might say.
- 6:52Speaker 8: I won't interfere, but I won't help.
- 6:54Speaker 2: I see. Got to be like that. Even though a
- 6:58Speaker 2: man was killed for nothing. Let dog eat dog, I see. Yeah.
- 7:04Speaker 2: I hope you won't regret it, Daggett.
- 7:08Speaker 8: One more regret won't break me, Marshal.
- 7:19Speaker 3: Trying to get anything out of Jesse Daggett was hopeless.
- 7:23Speaker 2: But I still couldn't agree with Jim Buck that he
- 7:25Speaker 2: was partners with a road agent... Daggett somehow wasn't that
- 7:29Speaker 2: kind of man. Anyway, there was nothing to do but
- 7:32Speaker 2: wait and let things happen.
- 7:36Speaker 3: Two days passed while Chester and I sat in the
- 7:39Speaker 3: eating room and played two-handed stud.
- 7:42Speaker 2: Now we got mighty restless.
- 7:44Speaker 3: Late afternoon of the second day, however, Jim Buck drove
- 7:47Speaker 3: back with his stage. The travelers came in first, went
- 7:52Speaker 3: to their rooms, and then Jim came.
- 7:55Speaker 2: Over to say hello.
- 7:58Speaker 7: I wish I had a job like yours. Nothing to
- 8:00Speaker 7: do but sit around, play cards.
- 8:03Speaker 2: Drink whiskey.
- 8:04Speaker 5: Well, we do a lot of thinking, Jim. That's what
- 8:07Speaker 5: makes up for it.
- 8:08Speaker 6: You do, huh? Well, you done any about finding Jesse
- 8:12Speaker 6: Daggett's friend, Nat Pilcher?
- 8:14Speaker 2: Well, if we did find him, Jim, we couldn't prove anything.
- 8:16Speaker 6: No, neither could I, I guess. But you might just
- 8:20Speaker 6: shoot him for luck.
- 8:23Speaker 2: You're too suspicious, Jim. He was probably just some cowboy
- 8:26Speaker 2: riding through. Maybe.
- 8:30Speaker 7: There's another pilgrim for supper. Where's Daggett, anyway?
- 8:33Speaker 5: Well, he went outside just after you pulled in. Didn't
- 8:35Speaker 5: you see him?
- 8:36Speaker 7: I was busy with the horses. And I still got
- 8:39Speaker 7: work to do. I'll see you at supper.
- 8:42Speaker 5: You know, that's a hard life, driving a stage, Mr.
- 8:45Speaker 6: Dillon.
- 8:46Speaker 5: I don't think I'd want to do that.
- 8:47Speaker 2: You might give it a try, First Chester. Wait a minute.
- 8:54Speaker 9: I heard there was a marshal here.
- 8:58Speaker 2: Yeah, that's right. What can I do for you?
- 9:02Speaker 6: Me?
- 9:04Speaker 9: You can't do nothing for me, Marshal.
- 9:06Speaker 2: Oh? Then what do you want?
- 9:09Speaker 9: I just wanted to see what a Marshal looks like.
- 9:13Speaker 5: A live one.
- 9:21Speaker 2: Satisfied? Sure. Then get out of here.
- 9:28Speaker 9: You're touchy, Marshal.
- 9:29Speaker 2: Real touchy.
- 9:31Speaker 5: I don't want him to start no trouble.
- 9:33Speaker 6: I want him to come in to say hello.
- 9:35Speaker 2: Friendly like. What's your name? Pilcher.
- 9:39Speaker 6: Not Pilcher.
- 9:39Speaker 2: I thought so. Sure.
- 9:42Speaker 9: I'm a friend of Jesse Daggett's. An old friend.
- 9:45Speaker 2: Where do you live, Pilcher? You got a job around here?
- 9:48Speaker 9: I'm a cowboy, Marshal.
- 9:49Speaker 5: Know anybody who needs a good hand?
- 9:51Speaker 2: What do you do besides ride? Funny. You ask that.
- 9:57Speaker 2: Is it?
- 9:58Speaker 9: You being a lawman.
- 9:59Speaker 10: Dear.
- 10:01Speaker 5: Ever hear of Charlie Hall, sheriff over in New Mexico?
- 10:04Speaker 2: I have.
- 10:05Speaker 5: They say Clay Allison shot him.
- 10:09Speaker 9: That's what they say, Marshal. But I know for a
- 10:12Speaker 9: fact it wasn't Clay.
- 10:18Speaker 2: Nice meeting you, Marshal.
- 10:20Speaker 5: See you later.
- 10:38Speaker 3: Jesse Daggett's stage station lay on the prairie miles from anywhere.
- 10:44Speaker 3: It would be an easy thing for a man like
- 10:46Speaker 3: Nat Pilcher to ride in long enough to.
- 10:48Speaker 2: Check on a stagecoach and.
- 10:50Speaker 3: the value of its cargo, and then ride up the
- 10:53Speaker 3: road a few miles and wait for it. But I
- 10:56Speaker 3: still didn't believe Daggett was in on the deal, even
- 10:59Speaker 3: though he and Pilcher had obviously known each other somewhere before.
- 11:03Speaker 3: The next morning at dawn, Jim Buck loaded his passengers
- 11:09Speaker 3: aboard and pulled out.
- 11:12Speaker 2: Daggett and I stood there and.
- 11:14Speaker 3: Watched the little cloud of dust as it moved up
- 11:16Speaker 3: the Santa Fe Trail toward Wagon Bed Spring.
- 11:21Speaker 8: Make Dodge tonight, and he'll be back here tomorrow. I, uh,
- 11:26Speaker 8: met your friend, Nat Pilcher, last.
- 11:28Speaker 2: Night, Dagon. Pilcher rode out before supper. Yeah, I know.
- 11:31Speaker 3: Seems like he only came in to tell me what
- 11:33Speaker 3: a hard case he is. To warn me about it.
- 11:38Speaker 2: Didn't have much effect. You're still here. You don't think
- 11:43Speaker 2: I scare that easy. All right, Marshal. Things will work
- 11:49Speaker 2: out here without you.
- 11:51Speaker 3: Daggett, I don't know what's going on down here, and
- 11:53Speaker 3: if I'm meddling in your affairs, I'm.
- 11:55Speaker 2: Sorry, but....
- 11:57Speaker 3: A stage has been robbed and a man's been killed,
- 11:59Speaker 3: and that makes it my affair, too.
- 12:01Speaker 8: I want to thank you for not thinking I got
- 12:03Speaker 8: anything to do with all that much.
- 12:04Speaker 3: Well, I wasn't sure at first, but I am now.
- 12:08Speaker 3: Even so, I'm not going back to Dodge without a man.
- 12:12Speaker 6: No.
- 12:12Speaker 2: No, I suppose you won't. Well, let's go inside. Sure. You, uh.
- 12:19Speaker 3: I ought to plant some trees there, Daggett. It'd sure
- 12:21Speaker 3: improve the place.
- 12:22Speaker 2: Not enough water. Dig for it, then.
- 12:26Speaker 3: You'll never get a woman to come out here and
- 12:27Speaker 3: marry you unless you've at least got some trees.
- 12:29Speaker 2: How's that? There's no offense.
- 12:33Speaker 3: I was just remarking that women like things growing around
- 12:37Speaker 3: the place. Let's say I meant it generally.
- 12:43Speaker 2: No offense.
- 12:46Speaker 8: I thought to have a woman here once when I
- 12:49Speaker 8: first planned about running a stage station.
- 12:52Speaker 2: It was over in New Mexico. Seemed like a long
- 12:55Speaker 2: time ago.
- 12:56Speaker 8: Things don't always work out. I was mighty fond of her, Marshal.
- 12:59Speaker 8: But I lost her. I've been a little lonely ever since.
- 13:03Speaker 2: You came close. That's better than some men do. I
- 13:06Speaker 2: don't know about that.
- 13:09Speaker 8: It is funny how a man goes right on living,
- 13:12Speaker 8: even when his luck's about run out.
- 13:14Speaker 2: Yeah.
- 13:16Speaker 8: Come on inside.
- 13:19Speaker 2: I'll heat up some coffee. Good. Got him, Chester. Mr.
- 13:38Speaker 5: Dillon, do you mind if we don't play anymore? I'm
- 13:41Speaker 5: beginning to see things.
- 13:44Speaker 2: It's okay with me. The stage ought to be here
- 13:48Speaker 2: soon anyway.
- 13:49Speaker 5: I just think Jim Buck's been all the way to
- 13:51Speaker 5: Dodge and back, and we've just been sitting here another
- 13:54Speaker 5: two days.
- 13:55Speaker 2: Well, waiting's always the hardest part.
- 13:58Speaker 5: Well, there's the stage now. At least there'll be some
- 14:00Speaker 5: people around here.
- 14:01Speaker 2: Yeah.
- 14:02Speaker 10: Hello, Jim.
- 14:07Speaker 6: Come out here, Marshal. What?
- 14:10Speaker 2: More trouble, Jim?
- 14:11Speaker 6: Can you stop me again, Marshal? By heaven, I'm going
- 14:15Speaker 6: after him now if you don't. Take a look in
- 14:20Speaker 6: the coach here. What?
- 14:27Speaker 2: What, the woman?
- 14:28Speaker 5: Is she dead, Jim?
- 14:29Speaker 2: Of course she's dead.
- 14:30Speaker 6: She's got a bullet in her.
- 14:33Speaker 2: Where are your other passengers?
- 14:34Speaker 6: There ain't any. She's the only one this trip.
- 14:37Speaker 2: Look at her, Marshal.
- 14:38Speaker 6: He killed her.
- 14:39Speaker 2: That is some blood sucking through your jacket, Jim. You
- 14:42Speaker 2: hit bad. In the shoulder.
- 14:43Speaker 6: Knocked me off the box.
- 14:45Speaker 2: I wasn't going to stop at all.
- 14:46Speaker 6: And he just rode up and put a bullet in
- 14:49Speaker 6: her and rode off.
- 14:50Speaker 2: Never said a word. You think it was culture? Well,
- 14:53Speaker 2: let's ask Jesse Daggett here who it was. No.
- 14:58Speaker 6: Take a look in the coach, Daggett.
- 15:01Speaker 2: Take a good look.
- 15:15Speaker 6: Well, Duggan, what do you think of killing women?
- 15:25Speaker 2: Look at him, Marshal. I told you. Did you ever
- 15:29Speaker 2: see a guiltier looking man? You're wrong, Jim. It doesn't
- 15:32Speaker 2: even make sense. Well, he didn't do it. No. But
- 15:35Speaker 2: he's in on it somehow.
- 15:36Speaker 3: Chester, I'll help you bring the woman inside. Then we'll
- 15:39Speaker 3: see what we can do about your shoulder, Jim.
- 15:41Speaker 2: Come on. It doesn't make sense. None at all. But
- 15:53Speaker 2: I figured it would soon.
- 15:56Speaker 3: And after I did what I could for Jim Buck's shoulder, Chester.
- 15:59Speaker 2: And I buried the woman.
- 16:02Speaker 3: Put a cross over her grave. We'd find out later
- 16:05Speaker 3: who she was. The rest of the night, we took
- 16:10Speaker 3: turns watching for a move from Jesse Daggett. And sure enough,
- 16:15Speaker 3: an hour before dawn, he saddled up and rode out
- 16:17Speaker 3: into the prairie.
- 16:19Speaker 2: We let him get a.
- 16:20Speaker 3: Little start and then took a couple of his horses
- 16:22Speaker 3: and followed him.
- 16:27Speaker 5: You think he's going to meet Pilcher?
- 16:29Speaker 2: If he can find him.
- 16:31Speaker 5: He must have come ten miles already.
- 16:33Speaker 2: Yeah, about that. We shouldn't have let him get so
- 16:35Speaker 2: far ahead of us, though.
- 16:36Speaker 5: We're right on his trail.
- 16:38Speaker 2: Yeah, I know. Hey, what's that up there? Look.
- 16:43Speaker 5: Watch the man.
- 16:44Speaker 2: Yeah, come on.
- 16:53Speaker 8: Where's Daggett, Mr.
- 16:54Speaker 6: Dillon?
- 16:55Speaker 5: He's been shot.
- 16:56Speaker 2: Yeah, fine. You followed me, Marshal. How bad are you hurt, Daggett?
- 17:06Speaker 6: Pretty bad.
- 17:07Speaker 2: Pilcher? I killed him, but my gun didn't go off.
- 17:11Speaker 8: Then he got me easier than him.
- 17:14Speaker 2: No luck left at all.
- 17:16Speaker 6: Right.
- 17:16Speaker 3: Any idea where Pilcher is now, Daggett? Said he was
- 17:19Speaker 3: going back to the station to get you. Took my
- 17:22Speaker 3: horse with him. I'd have come with you this morning.
- 17:25Speaker 2: Wasn't your business.
- 17:27Speaker 8: This was between me and Pilcher. I'm here looking for
- 17:32Speaker 8: a fight. I didn't want to kill anybody no more.
- 17:35Speaker 2: Not even him. So he drove me to it. Finally,
- 17:40Speaker 2: that woman yesterday... No, I couldn't stand that.
- 17:45Speaker 3: You mean he shot her and the other passenger just
- 17:49Speaker 3: to prod you into a fight?
- 17:50Speaker 2: Marshal, I'll tell you now about.
- 17:54Speaker 8: I had a woman out in New Mexico. Nat Bilcher
- 17:58Speaker 8: tried to run off with her. I didn't shoot him, no.
- 18:02Speaker 2: I shot her instead.
- 18:03Speaker 8: I figured it made more sense.
- 18:06Speaker 2: You killed her?
- 18:07Speaker 8: I don't think he'd have minded so much if I'd
- 18:08Speaker 8: have killed him, but I figured.
- 18:11Speaker 2: He.
- 18:11Speaker 8: Wasn't doing nothing I didn't want to do myself. I
- 18:13Speaker 8: didn't blame him, none.
- 18:16Speaker 2: I blamed her. Wiltshire's been after me ever since. I
- 18:20Speaker 2: could have stopped all this if you told me sooner.
- 18:23Speaker 8: Every man's got to kill his own snakes, Marshal.
- 18:28Speaker 2: I tried. You can have them now. I ain't gonna
- 18:33Speaker 2: live long. I'm sorry, Daggett. Uh, Chester will stay with you.
- 18:43Speaker 2: I'm going back to the station. You both go. I
- 18:45Speaker 2: can die alone. I ain't afraid, no. Goodbye, Daggett. Goodbye, Marshal. Chester. Yes, sir.
- 19:00Speaker 2: Do what you can for him.
- 19:02Speaker 5: Poor fellow.
- 19:03Speaker 2: I'll send somebody out to help you bring him in. Later. Yes, sir.
- 19:22Speaker 6: That's about time you got here, Marshal.
- 19:24Speaker 2: Where's Pilcher, Jim?
- 19:25Speaker 6: Jogging back, looking for whiskey. Where's everybody else?
- 19:29Speaker 2: It's been a busy morning. How's your shoulder?
- 19:31Speaker 6: It hurts. I gotta get up to dodge somehow and
- 19:34Speaker 6: see it.
- 19:38Speaker 5: Morning, Marshal.
- 19:39Speaker 7: Morning.
- 19:42Speaker 2: Oh. Hello, Pilcher.
- 19:47Speaker 9: You been riding?
- 19:48Speaker 2: So have you.
- 19:50Speaker 9: Man like me rides a lot, Marshal.
- 19:51Speaker 2: You should have kept going.
- 19:52Speaker 9: I wanted to see you again before I left.
- 19:57Speaker 2: That's what Jesse Daggett told me. I'm gonna kill you.
- 20:01Speaker 9: And then Jim here.
- 20:05Speaker 2: Wait a... Shut up, Jim. Pilcher, you can drop your
- 20:08Speaker 2: gun belt and take your chances in court. If you like.
- 20:14Speaker 9: Our chances are better right here, Marshal.
- 20:15Speaker 2: It's your choice.
- 20:17Speaker 9: It's always been my choice. Except for the night Jesse
- 20:21Speaker 9: Daggett shot his wife. Did he tell you about that?
- 20:25Speaker 2: It doesn't matter now.
- 20:28Speaker 10: To me, it does.
- 20:41Speaker 9: You killed him, Marshal.
- 20:43Speaker 2: Yeah. Yeah.
- 20:45Speaker 6: You hit? No.
- 20:48Speaker 2: What's this all about? A woman. Jim, I'm going to
- 20:54Speaker 2: hitch up the stage and drive you into Dodge. I'd
- 20:57Speaker 2: be grateful for that. We'll have to go out of
- 20:59Speaker 2: our way some. Why? Daggett's luck ran all the way
- 21:03Speaker 2: out this morning, that's why.
- 21:10Speaker 8: THE END.
- 21:43Speaker 4: Gunsmoke, under the direction of Norman MacDonald, stars William Conrad
- 21:47Speaker 4: as Matt Dillon, U.S.
- 21:48Speaker 2: Marshal.
- 21:50Speaker 4: Tonight's story was specially written for Gunsmoke by John Meston,
- 21:53Speaker 4: with music composed and conducted by Rex Corey. Featured in
- 21:57Speaker 4: the cast were Jack Edwards, Lawrence Dobkin, and John Daner.
- 22:01Speaker 4: Parley Bear is Chester. Ken Peters speaking. Our freedom to
- 22:06Speaker 4: worship God.
- 22:07Speaker 2: Is a precious national heritage.
- 22:09Speaker 4: Attend the church or synagogue of your choice with your
- 22:12Speaker 4: family and support it actively. Light your children's life with faith.
- 22:17Speaker 4: Bring them to worship this week. Join us again next
- 22:21Speaker 4: week as Matt Dillon, U.S. Marshal, tracks a renegade during
- 22:26Speaker 4: his fight to bring law and order out of the
- 22:28Speaker 4: wild violence of the West in Gunsmoke.
- 22:42Speaker 1: That brings our Gunsmoke presentation to a close. Good night,
- 22:45Speaker 1: and thank you for joining us.