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INTERVIEW: Kevin Hart Speaks On The Jokes At His Roast + More · The Breakfast Club

• 0:01
  Speaker 1: Every day a week clicks up the Breakfast Club.
• 0:05
  Speaker 2: Finish for y'all done.
• 0:07
  Speaker 3: Yes, it's the world most dangerous morning to show the
• 0:09
  Speaker 3: Breakfast Club dj NV just hilarious. Charlamagne, the God, Envy
• 0:12
  Speaker 3: and Jets are not here today, but Lauren l. Rossa
• 0:15
  Speaker 3: is and they're about to miss a good one because
• 0:17
  Speaker 3: the Great Kevin Hard his.
• 0:18
  Speaker 1: Head, the great Kevin Hart.
• 0:20
  Speaker 2: You are the great Kevin Hart.
• 0:21
  Speaker 1: I'm agreeing. It wasn't a It wasn't like I wasn't
• 0:27
  Speaker 1: angry about that. Yeah, before ship own it. It's about time.
• 0:33
  Speaker 1: I'm here for it. What's going on?
• 0:35
  Speaker 2: How are you for us all?
• 0:36
  Speaker 1: How am I? I'm I'm great. Uh. Life is good,
• 0:40
  Speaker 1: work is good, family is good. I have no complaints. Man,
• 0:44
  Speaker 1: I think, uh, you get busier oddly, which is crazy.
• 0:49
  Speaker 1: So uh after the last like venture, just things are
• 0:53
  Speaker 1: like shaping up and a manner that I thought it
• 0:56
  Speaker 1: would but eventually, Uh no, that's that's not a venture.
• 1:01
  Speaker 3: That's a project.
• 1:03
  Speaker 1: Yeah, the A B G my deal with group so
• 1:07
  Speaker 1: the brand and the building of more brands, et cetera.
• 1:12
  Speaker 1: So I can't complain. Along, man, where do we start?
• 1:15
  Speaker 1: Start with the roses?
• 1:16
  Speaker 4: We start?
• 1:17
  Speaker 1: Yeah, start whatever you want as long as we get
• 1:20
  Speaker 1: long as we get to the book at the.
• 1:22
  Speaker 2: End the books, I thought you a TV movie.
• 1:25
  Speaker 1: That too, I gotta do something. I know that's you
• 1:29
  Speaker 1: start what you want.
• 1:30
  Speaker 4: But I'm saying, like take casual flex like I mean
• 1:33
  Speaker 4: that as.
• 1:35
  Speaker 1: Long as we get to the Yeah, you start what
• 1:37
  Speaker 1: you want.
• 1:37
  Speaker 3: Like I like how you are not doing to die
• 1:40
  Speaker 3: today the die. Yeah, you know everybody be doing to
• 1:43
  Speaker 3: die the black man.
• 1:44
  Speaker 1: You gotta give it a break every once in a while.
• 1:46
  Speaker 1: You gotta let you. You gotta let your hair also breathe.
• 1:48
  Speaker 2: That's why I was in with here.
• 1:49
  Speaker 3: You could tell him that you can't go Joe refuse
• 1:51
  Speaker 3: to give it a break.
• 1:52
  Speaker 1: What is fat? Joe's only doing the the go team.
• 1:56
  Speaker 2: Right, that's the whole thing.
• 1:57
  Speaker 1: Yeah, nothing, you gotta you gotta be careful with that,
• 2:00
  Speaker 1: Like you can't go full throttle all the time, like
• 2:04
  Speaker 1: you gotta. You gotta let your your real side show.
• 2:07
  Speaker 1: So then your hair is in damage. Crazy, you just dying, dying, dying.
• 2:11
  Speaker 5: No MV came back from his vacation with a whole hairline.
• 2:14
  Speaker 5: And then but now you don't even have.
• 2:15
  Speaker 3: Any one.
• 2:18
  Speaker 4: Go on like you know, like.
• 2:23
  Speaker 1: Hairline he had somebody like.
• 2:25
  Speaker 5: Right now, his corners do like like a you. But
• 2:28
  Speaker 5: the top of the week it was like a sharp
• 2:29
  Speaker 5: l like it was different, like.
• 2:30
  Speaker 1: Are you saying, are you telling me that he's is
• 2:33
  Speaker 1: he doing the unit and he's.
• 2:36
  Speaker 3: Very very low and he puts a little paint on
• 2:38
  Speaker 3: it like a little just a little coat.
• 2:40
  Speaker 1: Here's my problem. Okay, I don't like I don't like
• 2:44
  Speaker 1: that people do that because it's not a secret, Like,
• 2:48
  Speaker 1: hey man, you like that's not your head. It's like
• 2:51
  Speaker 1: it's so when you're doing it, the look that you're
• 2:53
  Speaker 1: going for is not a it's not a natural look.
• 2:56
  Speaker 1: So I don't know. Don't go aggressive with the die
• 2:58
  Speaker 1: all the time. Every once in a while you got
• 2:59
  Speaker 1: show the girl.
• 3:00
  Speaker 2: I completely agree.
• 3:01
  Speaker 1: That's why you see the salt and pepper right now.
• 3:02
  Speaker 3: Now, let's let's salt with the roast. I think that's
• 3:04
  Speaker 3: the true place to start, whatever you want to start.
• 3:06
  Speaker 3: What let's I want to ask? I want to ask
• 3:07
  Speaker 3: you all the questions that people were asking about the roast. Okay,
• 3:11
  Speaker 3: you start with simple things. Why didn't anybody roast Regina Hall?
• 3:14
  Speaker 3: Nobody gave Regina no smoke?
• 3:16
  Speaker 2: Regina was a.
• 3:16
  Speaker 1: Late add to the roast, so nobody had time to
• 3:19
  Speaker 1: prepare jokes for Regina.
• 3:21
  Speaker 5: But a lot of people were going off the prompter
• 3:23
  Speaker 5: and like this at a fly and people were notably saying,
• 3:26
  Speaker 5: I ain't gonna, I ain't coming for Regina.
• 3:28
  Speaker 1: Well, Regina Regina as a late ad a friend sister like,
• 3:33
  Speaker 1: she's not Regina's not in war territory. So Regina came
• 3:37
  Speaker 1: because she's like, oh, no, I want to go. I
• 3:39
  Speaker 1: want to show up a ca. There's something cool that
• 3:41
  Speaker 1: I can do. They had a creative bit material, et cetera.
• 3:44
  Speaker 1: But Regina wasn't somebody that the comics had a chance
• 3:47
  Speaker 1: to prepare for. So, like with the roast, comics have
• 3:50
  Speaker 1: an opportunity to prepare. The comics are the only ones
• 3:53
  Speaker 1: that can go out. You can figure out whatever the
• 3:56
  Speaker 1: material is that you want to do. You're doing it
• 3:57
  Speaker 1: on your own. You show up the day of the
• 3:59
  Speaker 1: Rose as a comic, you're prepared, you're what you want,
• 4:03
  Speaker 1: what you want to do, you have free will to
• 4:05
  Speaker 1: do it. Nobody is guarding you or acting as a guardian.
• 4:09
  Speaker 1: That's not the dynamic of a Rose. So nobody had
• 4:12
  Speaker 1: anything for Virginia.
• 4:12
  Speaker 2: That's why why didn't Tiffany Hattis participate?
• 4:15
  Speaker 1: Tiffany Haddis was there like a support So if you
• 4:18
  Speaker 1: notice the backdrop was like Kevin's close friends Philadelphia, liked
• 4:25
  Speaker 1: Dwayne was there like as a real husband's of Hollywood,
• 4:30
  Speaker 1: like shot out or homage Philadelphia, the Plastic Cupboys, the roots. Mean,
• 4:35
  Speaker 1: it was very Philly. It was very oh man, this
• 4:38
  Speaker 1: is Kevin's space, Kevin's world, and now we're going to
• 4:42
  Speaker 1: roast within it. That was the setup.
• 4:43
  Speaker 3: That's why Okay, Michael Jay Okay said he pulled out
• 4:47
  Speaker 3: as a writer. And then he said the writers the
• 4:50
  Speaker 3: writer's room was exclusively white. Posted a picture of like
• 4:52
  Speaker 3: six six riders.
• 4:54
  Speaker 2: They were all white.
• 4:55
  Speaker 1: I mean, you do have white writers, but you you
• 4:57
  Speaker 1: also have black writers. So if you highlight the white ones,
• 5:01
  Speaker 1: then of course you want to see the white ones.
• 5:03
  Speaker 1: I mean, I think I had seven writers working with
• 5:06
  Speaker 1: me in Edwards, Chris Spencer, Joey Wells, Ter Span Corten.
• 5:15
  Speaker 4: I listened to did name right as well.
• 5:18
  Speaker 1: Name didn't write for me. Na worked on his own set.
• 5:21
  Speaker 1: But I mean, you you have a if you if
• 5:26
  Speaker 1: you feed into the the rage bait of what is,
• 5:31
  Speaker 1: then that's what it appears to be like none of
• 5:33
  Speaker 1: it is true that you have a very balanced portfolio
• 5:37
  Speaker 1: of personnel that's participating in the roast. You also have
• 5:41
  Speaker 1: to understand, I think, what the reason why I don't
• 5:44
  Speaker 1: I don't feed in it, or why I haven't fed
• 5:46
  Speaker 1: into it, Like either you understand the roaster you don't, right,
• 5:50
  Speaker 1: roast didn't just become hard hitting racial slurs or attacks
• 5:58
  Speaker 1: on like this is the foundation of a rose. It's
• 6:01
  Speaker 1: brutal comedy. You are going for dark humor. That's it.
• 6:06
  Speaker 1: If you go and you look back at prior, when
• 6:09
  Speaker 1: Prior and Robin Williams we're doing a roast, and I
• 6:13
  Speaker 1: think Rob Williams had a joke about prior where he
• 6:15
  Speaker 1: was like, the way that we greet Prior in small
• 6:18
  Speaker 1: towns is with a rope hanging from a tree. That's
• 6:22
  Speaker 1: how we say hi to Richard. And then he went
• 6:24
  Speaker 1: on on Robert Williams. Robert Williams sucked everybody dick it
• 6:27
  Speaker 1: like that's what a roast is. It's brutal. If it's
• 6:30
  Speaker 1: not going to be that, then you're not doing a roast.
• 6:34
  Speaker 1: So this particular platform is meant to be that and
• 6:39
  Speaker 1: nothing else, Like this is why you don't have a
• 6:41
  Speaker 1: lot of comics that can do roast. It's why you
• 6:42
  Speaker 1: see the same faces that are apart. I mean I personally,
• 6:46
  Speaker 1: I can jump in, jump out. So whether it's my material,
• 6:49
  Speaker 1: whether it's an hour, whether it's hosting, whether it's hard dark,
• 6:54
  Speaker 1: I can float within all. So I think my first
• 6:58
  Speaker 1: roast is probably with Bieber. When I host to Bieber's roast.
• 7:02
  Speaker 1: Then you go look at like flavor flavs ROAs like
• 7:04
  Speaker 1: they've been bad, Like it's the jokes are fucked up.
• 7:08
  Speaker 1: They're supposed to be fucked up. So in this particular case,
• 7:13
  Speaker 1: me sitting in a chair, I'm I'm sitting in the chair.
• 7:17
  Speaker 1: If you sign up to be roasted, that mean you're
• 7:19
  Speaker 1: saying that you can say whatever the fuck you want.
• 7:22
  Speaker 1: I'm cool, I'm confident, I'm secure. I'm not going to buckle.
• 7:26
  Speaker 1: I'm not going to give the face of I'm not
• 7:28
  Speaker 1: having a good time or that these jokes hurt differently,
• 7:32
  Speaker 1: like that's not what roast is.
• 7:33
  Speaker 3: But what about the people who didn't sign up for
• 7:35
  Speaker 3: the roast? Meaning like the George Floyd, the Charlie Kirks.
• 7:38
  Speaker 1: Of you, You're you're dealing with talent that's looking for
• 7:42
  Speaker 1: shock factor. Okay, So if I'm if I'm looking for
• 7:45
  Speaker 1: shock factor and I'm looking for a moment to get
• 7:48
  Speaker 1: people to go ooh or ah, I'm looking for something
• 7:51
  Speaker 1: to get people talking. Well, how do people? How do
• 7:54
  Speaker 1: people get popular in today's time? What you're you're in
• 7:58
  Speaker 1: show business. So if you're if you're looking for that
• 8:02
  Speaker 1: and that's what you want, have ad it, but deal
• 8:05
  Speaker 1: with the consequences and the repercussions if it goes the
• 8:07
  Speaker 1: other way. That's that's the nature of a comedian. Like
• 8:11
  Speaker 1: everything you want to do and everything you want to
• 8:13
  Speaker 1: say isn't gonna be perceived as funny all the time.
• 8:17
  Speaker 1: That's the risk that you take. In this case, Yeah,
• 8:20
  Speaker 1: the George Floor joke, it wasn't a tasteful joke to
• 8:23
  Speaker 1: our culture, to our audience, but our audience that's watching
• 8:28
  Speaker 1: the roast. If you're watching the roast, you get why
• 8:32
  Speaker 1: they're doing it. You get why the racial humor is
• 8:36
  Speaker 1: is on the table. Like it's not. I wasn't shocked,
• 8:41
  Speaker 1: Like that's what they do. Go look at the Tom
• 8:42
  Speaker 1: Brady one, like that's what they do. It's it happens
• 8:46
  Speaker 1: every year when they do a roast. It's not new.
• 8:48
  Speaker 1: This isn't a new it's not a new agenda. It's
• 8:52
  Speaker 1: not a new approach to comedy.
• 8:53
  Speaker 3: Do you feel like Tony Hinchcliffe went too far when
• 8:55
  Speaker 3: you made that joke about.
• 8:56
  Speaker 1: George it's Tony Hinchcliffe, Like, I don't like, I don't
• 9:01
  Speaker 1: expect less, I don't expect more.
• 9:02
  Speaker 2: I feel I feel like you're saying going too far
• 9:04
  Speaker 2: as the point, I don't know if it was.
• 9:05
  Speaker 1: Yes, I mean that's why you're there. And I hate
• 9:10
  Speaker 1: to say this, but I'm going to because we're being honest.
• 9:13
  Speaker 1: People are talking about that joke, talk about a set.
• 9:18
  Speaker 1: Tony Hinchcliffe arguably had the best set, or one of
• 9:23
  Speaker 1: the best sets between Tony and Cheryl, and I would
• 9:26
  Speaker 1: say Naim had a really strong, strong laugh.
• 9:31
  Speaker 3: I was laughing out loud at Tony until that joke,
• 9:33
  Speaker 3: but not even just that joke. I don't like when
• 9:36
  Speaker 3: people joke about violent tragic death. I like Pete sitting
• 9:39
  Speaker 3: and I was like, I peek peete.
• 9:42
  Speaker 1: Pete had a great set too. Pete had a Charlie
• 9:44
  Speaker 1: Kurk joking Like would I tell those jokes? No? But
• 9:48
  Speaker 1: do I get why they're being told? Yes? Like, I'm
• 9:50
  Speaker 1: not looking at Pete crazy, I'm not looking at Tony
• 9:53
  Speaker 1: like that's what I know what you're going to do.
• 9:56
  Speaker 1: I know your style of comedy.
• 9:58
  Speaker 5: Did you see the interview that I did with Terrence
• 9:59
  Speaker 5: F George Floyd's brother. No, so he said.
• 10:02
  Speaker 4: No to you, No, No, that's.
• 10:05
  Speaker 1: I'm never watching it.
• 10:06
  Speaker 4: That's fine.
• 10:07
  Speaker 1: I just want to clear I'm never watching that, even
• 10:10
  Speaker 1: now that you told me, I'm not going to go
• 10:12
  Speaker 1: back and go look at that interview because he's you
• 10:16
  Speaker 1: want to make clear what I do with my time, like,
• 10:19
  Speaker 1: I'm never doing that.
• 10:21
  Speaker 5: I just asked because he's so, he's a fan of you.
• 10:24
  Speaker 5: He saw the joke and it picked up pretty big.
• 10:27
  Speaker 5: So I didn't know if you saw it, but he
• 10:29
  Speaker 5: basically said, like, as a fan of you and knowing
• 10:31
  Speaker 5: that you came to the funeral to support his family
• 10:33
  Speaker 5: even though it's a rose and Tony, that's what he does.
• 10:35
  Speaker 5: They expected you to kind of be the person that
• 10:38
  Speaker 5: would like stop it right in the moment, or just
• 10:41
  Speaker 5: not allowed for certain thing that.
• 10:42
  Speaker 3: He wanted you to come harder. He said, joke, Why
• 10:45
  Speaker 3: you ain't coming harder with your own jokes?
• 10:47
  Speaker 1: All right?
• 10:47
  Speaker 2: Racist jokes?
• 10:48
  Speaker 1: I guess this is this is actually a good a
• 10:50
  Speaker 1: good thing to give a rebuttal.
• 10:51
  Speaker 4: To about mine.
• 10:54
  Speaker 1: They talked about my dead mom and my dead dad
• 10:57
  Speaker 1: said that they were running a train on my mind
• 11:00
  Speaker 1: and health. The jokes about Kevin was on a slave
• 11:10
  Speaker 1: ship in a bottle with like the ship in the bottle,
• 11:14
  Speaker 1: like I'm going to appreciate humor. I don't get affected
• 11:22
  Speaker 1: by the attempt of humor. I get it right in
• 11:26
  Speaker 1: this case, like do more. It's my production, we're live.
• 11:32
  Speaker 1: The more is what? Like, what what is it that
• 11:35
  Speaker 1: you expect me? You want me to to take a
• 11:38
  Speaker 1: live production and stand up and and fight Tony or
• 11:42
  Speaker 1: have a reaction like Tony told a joke. It wasn't
• 11:45
  Speaker 1: a tasteful joke to us. We didn't like it. Okay,
• 11:50
  Speaker 1: hey man, fuck that joke. We move on. I don't
• 11:53
  Speaker 1: understand why we stand on the hill and it becomes
• 11:57
  Speaker 1: like this this big thing of like, man, the motherfuckers
• 12:01
  Speaker 1: they do this and they're attacking the culture. It doesn't
• 12:04
  Speaker 1: have to be that. It literally is either you're a
• 12:06
  Speaker 1: fan of this level of content or you're not. And
• 12:10
  Speaker 1: if you're not a fan and you don't watch it,
• 12:14
  Speaker 1: it's it's that simple for me, like it's it's black
• 12:16
  Speaker 1: and white. I think country music is a big genre, right,
• 12:20
  Speaker 1: I don't really. I don't really listen to country music,
• 12:23
  Speaker 1: So I'm not going to a country music festival to go,
• 12:26
  Speaker 1: hey man, this ship is ass Why am I there?
• 12:30
  Speaker 1: I shouldn't have bought a fucking ticket. I didn't have
• 12:32
  Speaker 1: to fucking go. You don't have to watch.
• 12:35
  Speaker 3: It, do I understand what you're saying, but I do
• 12:37
  Speaker 3: think that's a false equivalency. The reason I say that
• 12:38
  Speaker 3: is because.
• 12:39
  Speaker 1: Don't start with your work. Don't start, you.
• 12:46
  Speaker 2: Know me, triggering to others and with you.
• 12:49
  Speaker 3: You've made jokes about your father, and like you said,
• 12:51
  Speaker 3: you signed up for the role. Cheryl Undwood signed up
• 12:53
  Speaker 3: for the Rose pet Davis is signed up for. Yes,
• 12:55
  Speaker 3: George Wood family wasn't a part of the rules.
• 12:56
  Speaker 1: You can't. You can't do that, right, you can't. I
• 13:00
  Speaker 1: get the point that you're trying to make, but I
• 13:04
  Speaker 1: can't speak for the narrative of another talent partaking in
• 13:10
  Speaker 1: this particular event and what they're going to do. I
• 13:14
  Speaker 1: want to make this very clear. I didn't say the
• 13:16
  Speaker 1: fucking joke. Mother fucker looking at me like I said
• 13:19
  Speaker 1: to Joe, I didn't say.
• 13:21
  Speaker 5: The fucking Joel yes.
• 13:24
  Speaker 1: And and that being the case, I'm going to make
• 13:27
  Speaker 1: people understand it's not a Netflix special. It's a fucking roast.
• 13:32
  Speaker 1: Tom Brady did a roast man. He just went through
• 13:35
  Speaker 1: his shit with his wife and we hit Tom hard hard.
• 13:39
  Speaker 1: Tom afterwards dealt with all the shit that he had
• 13:42
  Speaker 1: to deal with. But that's the nature of the road.
• 13:44
  Speaker 1: We didn't apologize to Tom. Tom's my fucking friend. I
• 13:48
  Speaker 1: love him to death. I hit Tom hard. I didn't go,
• 13:52
  Speaker 1: hey man, are you cool with that? Tom? You know
• 13:54
  Speaker 1: what it is. It has to be there, so we
• 13:56
  Speaker 1: can't do it. I get it. keV all right, I'm
• 14:00
  Speaker 1: not going to speak for him, y'all gotta talk to Tony.
• 14:04
  Speaker 1: Talk to him right like his his approach to to
• 14:08
  Speaker 1: to getting your laugh. That's what Tony does. By the way,
• 14:14
  Speaker 1: the narrative attached to Tony now and the racial and
• 14:17
  Speaker 1: he's racist and this and that. Hey man, I don't
• 14:21
  Speaker 1: know that. The god that I know is a fucking comic.
• 14:23
  Speaker 1: He's a funny comic. I don't know that world. I
• 14:26
  Speaker 1: don't know. I haven't known, so that particular narrative that
• 14:30
  Speaker 1: is now being placed on him and Shane. They're fucking comics.
• 14:34
  Speaker 1: They're funny comics, man, but like to deal with the consequence,
• 14:39
  Speaker 1: so that conversation is one that should be presented to them,
• 14:44
  Speaker 1: like in this particular case, it's a bad joke. I
• 14:49
  Speaker 1: want to say, it's a bad joke. Yeah, I told
• 14:52
  Speaker 1: a joke about AIDS.
• 14:55
  Speaker 3: It was a violent, tragic death that we all watched.
• 14:59
  Speaker 1: Man, I understand your point, which is why I would
• 15:04
  Speaker 1: never make a joke as such. I didn't say the joke,
• 15:10
  Speaker 1: but in his writing and in his world of going
• 15:13
  Speaker 1: and getting the laugh, he felt that there was a
• 15:15
  Speaker 1: clever play on words from tragedy to this and that,
• 15:18
  Speaker 1: and that's what his attempt was speaking as a comedian.
• 15:21
  Speaker 1: Is it going to work? Probably not, that's your business.
• 15:27
  Speaker 2: I think.
• 15:27
  Speaker 3: I think you also pissed people off when you woke
• 15:29
  Speaker 3: up the next day and you was laying in the
• 15:30
  Speaker 3: bed with no shirt on and you was.
• 15:32
  Speaker 1: Just talking about well, actually I didn't see criticism. They
• 15:38
  Speaker 1: were saying, no, I'm never I'm never looking at that,
• 15:40
  Speaker 1: I'm never on my ship for that. I'm actually giving
• 15:43
  Speaker 1: a shout out to the fucking oh man. It was dope.
• 15:48
  Speaker 2: You dismissed what people were saying.
• 15:49
  Speaker 1: So that's the problem with people. But I mean the assumptions,
• 15:53
  Speaker 1: assumptions that most make are never correct, never correct me
• 15:58
  Speaker 1: waking up after fucking going out, being at the after party,
• 16:02
  Speaker 1: coming in at fucking four am. It's the after new
• 16:04
  Speaker 1: Hey man, I want to thank everybody for protecting or
• 16:07
  Speaker 1: participating in the rose Man. Shout out too set everybody's name,
• 16:11
  Speaker 1: Shout out to Netflix, the production, giving you a fucking
• 16:13
  Speaker 1: overall thank you to everybody that helped make the production
• 16:17
  Speaker 1: what it was. It was a great show. Granted the
• 16:21
  Speaker 1: show had distasteful moments. I'm not disregarding that. I'm not
• 16:26
  Speaker 1: unaware of that. I got it those moments. Okay, you
• 16:31
  Speaker 1: can remove them and you can say that you didn't
• 16:33
  Speaker 1: like that, but you can't fucking go and not say
• 16:36
  Speaker 1: that the production in the show wasn't funny and wasn't good,
• 16:39
  Speaker 1: Like you can't do that.
• 16:40
  Speaker 5: And then you're saying the video though that like it
• 16:42
  Speaker 5: roast it's not for everybody, Like you can't saying the
• 16:45
  Speaker 5: same thing now.
• 16:46
  Speaker 4: But I'm saying, like people thought that that was in
• 16:47
  Speaker 4: response to the backglass.
• 16:48
  Speaker 1: Did I say that to people? Did I say Hey, guys,
• 16:50
  Speaker 1: I'm responding the backlash. No, guys, I gotta take a
• 16:53
  Speaker 1: second to fucking acknowledge everybody that participated in the rose.
• 16:57
  Speaker 1: That's called a genuine thank you from the guy at
• 16:59
  Speaker 1: the top, whether we realize it or not, or whether
• 17:01
  Speaker 1: we want to be aware of it. Respectfully, I'm in charge,
• 17:06
  Speaker 1: so at the being in charge the work environment that
• 17:09
  Speaker 1: I create, by the way, which gives jobs to so many.
• 17:12
  Speaker 1: This production probably probably fed over one hundred and fifty people,
• 17:17
  Speaker 1: from your workers that are building the set, to the
• 17:21
  Speaker 1: people that are participating in craft services, transportation, wardrobe, et cetera.
• 17:26
  Speaker 1: Not just talent to make something like this happen. You
• 17:29
  Speaker 1: are feeding one hundred and fifty to two hundred fucking people.
• 17:33
  Speaker 4: Cheryl getting a special afterwards.
• 17:35
  Speaker 1: Why do you think she's getting a special ask?
• 17:36
  Speaker 4: She said, It's because of the rose.
• 17:38
  Speaker 1: It's because of not just a road, a fucking Kevin,
• 17:42
  Speaker 1: you fucking genius, Like, what do you mean? That's why
• 17:45
  Speaker 1: I get obsected? And by the way, this is why,
• 17:48
  Speaker 1: this is why I'm fucking going. As soon as the
• 17:51
  Speaker 1: rose was over and before the roads, I said, Cheryl,
• 17:54
  Speaker 1: I want you to do the rose. Cheryl said, well, Kevin,
• 17:58
  Speaker 1: I don't know. They're saying that I can't say this.
• 17:59
  Speaker 1: I said, who's saying I'm talking to people? And they
• 18:03
  Speaker 1: saying I should really think about the jokes. I said, who,
• 18:06
  Speaker 1: Sure you didn't talk to me. Sure you're gonna do
• 18:09
  Speaker 1: whatever the fuck you want.
• 18:10
  Speaker 3: That's why you're here, So you didn't They They also
• 18:13
  Speaker 3: said that you saw the jokes beforehand.
• 18:14
  Speaker 1: So why am I? Why am I reading jokes beforehand?
• 18:19
  Speaker 1: I cannot so I can be in the chair because
• 18:23
  Speaker 1: everything you're never you're never fucking guarding like you're not
• 18:28
  Speaker 1: acting as a as a as A as A. No
• 18:32
  Speaker 1: wall and dow wall at the top comedians. I need
• 18:34
  Speaker 1: to see everything y'all doing before your That's not what
• 18:37
  Speaker 1: comics do. No comics operate like that. So from Pete
• 18:41
  Speaker 1: to fucking uh Naim to Big Jay two to Ryl
• 18:48
  Speaker 1: to Chelsea, Jeff Ross, uh Tony Shane, No, those I'm
• 19:01
  Speaker 1: saying are comics. These are These are comics. During the
• 19:04
  Speaker 1: week of in LA you just saw people in the past.
• 19:08
  Speaker 1: We were all comedy clubs working on our ship. Everybody
• 19:11
  Speaker 1: was going up testing this ship. But hey, man, I
• 19:13
  Speaker 1: don't want to see your ship. What time you're going up.
• 19:15
  Speaker 1: All right, I'm gonna come back. I'll be back in
• 19:16
  Speaker 1: like twenty Let you go. I don't want to see
• 19:18
  Speaker 1: your ship. We don't want to cheat. We don't want
• 19:20
  Speaker 1: to go and and and have an advantage or be
• 19:23
  Speaker 1: it a disadvantage. That's like you're taking away the fun
• 19:25
  Speaker 1: of the fucking roads. So to my point that I'm
• 19:29
  Speaker 1: making to you, no, I didn't see nobody's jokes. Well, no,
• 19:34
  Speaker 1: I don't see nobody jokes beforehand.
• 19:36
  Speaker 3: Let's let's I want to keep talking about well, keep
• 19:38
  Speaker 3: talking a lot, but we got to get to We'll
• 19:40
  Speaker 3: get to it.
• 19:40
  Speaker 2: What Chelsea hands said, you saw what Chelsea Handles said?
• 19:43
  Speaker 5: No, okay, you be I love how you what Chelsea said?
• 19:48
  Speaker 3: She basically said, what you said earlier about Shane is racist,
• 19:51
  Speaker 3: and uh, Tony Henscliff is racist. And I was just
• 19:55
  Speaker 3: gonna ask you, do you believe it's possible that certain
• 19:57
  Speaker 3: comedians jokes are genuinely racist?
• 20:00
  Speaker 2: Or is anything just permissible in comedy roles?
• 20:02
  Speaker 1: I personally don't have the time or energy to feed
• 20:06
  Speaker 1: into that level of thought, Like what what is that
• 20:09
  Speaker 1: doing for me? If let's let's say they are right.
• 20:13
  Speaker 1: Let's say you say, oh my god, they're racist. Okay,
• 20:17
  Speaker 1: well now what don't Well, if they are, what does
• 20:22
  Speaker 1: it do for me? My engine, my world, my business,
• 20:27
  Speaker 1: my my level of thinking, my mental what does that
• 20:30
  Speaker 1: do for me? What is that level of anger do
• 20:32
  Speaker 1: for me? Do I strongly believe that Shane is a racist? No? No,
• 20:39
  Speaker 1: I know fucking Shane. Shane's about to do a fucking
• 20:42
  Speaker 1: stadium in Philadelphia. I'm like, Shane, I'm gonna come pop
• 20:44
  Speaker 1: up on you. Shane's fucking funny, like I know Shane.
• 20:48
  Speaker 1: Does Shane have the ability to go dark? Yes? Tony?
• 20:52
  Speaker 1: Do I believe that Tony's a racist?
• 20:54
  Speaker 2: No?
• 20:55
  Speaker 1: Do I think Tony goes hard with his racial humor? Yes?
• 21:00
  Speaker 1: Does everybody get it from Tony? Yes? And if you
• 21:03
  Speaker 1: go look at Tony and you go familiarize yourself with
• 21:06
  Speaker 1: Tony's material, everybody gets it. He goes hard on all
• 21:11
  Speaker 1: fucking races. That's his style of comedy. Also, the shock
• 21:17
  Speaker 1: factor of doing such a thing sometimes gets the reaction
• 21:20
  Speaker 1: that it's getting. I'm gonna tell you the thing that
• 21:23
  Speaker 1: makes me fucking laugh, like respectfully, Rodney King, when the
• 21:33
  Speaker 1: thing happened for Ridey King? All right, crazy, our culture? Well,
• 21:41
  Speaker 1: we were the ones joking about it.
• 21:43
  Speaker 3: He died.
• 21:44
  Speaker 1: Listen to me, though it was. It was a brutal
• 21:46
  Speaker 1: fucking thing, though, a crazy beating that we witnessed live.
• 21:50
  Speaker 1: If you go google Ridney King and you go google comics,
• 21:54
  Speaker 1: I promise you're going to see a plethora off comics
• 21:56
  Speaker 1: that have Rodney King bits. Right is in a sense
• 22:01
  Speaker 1: do we want to say it's insensitive? Do we want
• 22:02
  Speaker 1: to say that the family may not have liked it?
• 22:04
  Speaker 1: Do we want to say that the family may have
• 22:05
  Speaker 1: felt a certain way we could? Did it matter? Did
• 22:09
  Speaker 1: the joke still happen? Did people still go and approach
• 22:13
  Speaker 1: it right? I'm not saying that either is right or wrong.
• 22:17
  Speaker 1: I'm saying yes, and I'm saying we can't have a
• 22:21
  Speaker 1: light switch of convenient right, like you can't do that
• 22:25
  Speaker 1: either either we are understanding the basis of comedy or not.
• 22:30
  Speaker 1: I remove emotion when you're talking about the laugh. Comedy
• 22:34
  Speaker 1: took a major backstep over the last how many years
• 22:38
  Speaker 1: because we're compromising what we can laugh at versus what
• 22:41
  Speaker 1: we can't. So all the controversy around comedy is based
• 22:44
  Speaker 1: off of emotions or feelings from others, right or wrong.
• 22:49
  Speaker 1: I don't disagree, but if you start this engine, if
• 22:53
  Speaker 1: we started, it doesn't stop, you can't start peeling it.
• 22:57
  Speaker 1: It's either we are understanding that people are trying to
• 22:59
  Speaker 1: be funny, and you either say not funny, funny, or
• 23:04
  Speaker 1: or there's no conversation at all.
• 23:07
  Speaker 3: Well, I think, I think, I think you're right, But
• 23:08
  Speaker 3: then I think there's a range of emotions.
• 23:10
  Speaker 2: I think everybody's feelings here are valid.
• 23:13
  Speaker 1: I don't disagree.
• 23:13
  Speaker 3: People have the right to be offended, people have the
• 23:15
  Speaker 3: right to be upset. They have the right to think
• 23:16
  Speaker 3: it's funny if they think it's funny. Like I think
• 23:18
  Speaker 3: all feelings about whatever jokes were made are valid.
• 23:22
  Speaker 1: I do not disagree, but then it should be left there,
• 23:27
  Speaker 1: like like the ongoing conversation attached to it, if it's
• 23:31
  Speaker 1: making you angry, or if it's if you right now,
• 23:35
  Speaker 1: all all that's happening, to what you're telling me and
• 23:38
  Speaker 1: all the things and people talking about this, all you're doing,
• 23:41
  Speaker 1: that's what Tony wanted. You did the thing that he wanted.
• 23:45
  Speaker 1: He's looking for shock factor, he's looking for a response,
• 23:48
  Speaker 1: he's looking for the fucking reaction, he's looking for more popularity. Respectfully,
• 23:54
  Speaker 1: it worked This is proof that it worked, whether you
• 23:58
  Speaker 1: like it or not. That's why he did it. So
• 24:02
  Speaker 1: all of the conversation attached to it, Well, what's in
• 24:04
  Speaker 1: every fucking piece, his name, his picture? Once again, respectfully,
• 24:12
  Speaker 1: if that's what you want, then okay, have added that's
• 24:16
  Speaker 1: That's the point that I'm making, is like, be aware, man,
• 24:19
  Speaker 1: Like fucking be smarter. It's easy to be angry, it's
• 24:23
  Speaker 1: hard to fucking think things through.
• 24:25
  Speaker 3: You didn't commit the crime. You're actually pointing him out he's.
• 24:30
  Speaker 1: Doing There you go, officer, he right there, he got
• 24:34
  Speaker 1: the white jacket on the blue shirt. I didn't say
• 24:37
  Speaker 1: it sort What the fuck are y'all talking for?
• 24:40
  Speaker 2: Man?
• 24:41
  Speaker 1: Kevin? Kevin was there? What? Yeah, I'm there. I'm sitting
• 24:43
  Speaker 1: in the fucking chair. What am I supposed to do?
• 24:46
  Speaker 1: I signed up to sit in his seat and let
• 24:49
  Speaker 1: people say whatever the fuck they want.
• 24:50
  Speaker 2: But you can understand how the Floyd family feels.
• 24:52
  Speaker 1: I can. I Once again, how many times have I
• 24:54
  Speaker 1: said I do not disagree? My response is I didn't
• 24:59
  Speaker 1: say it is that simple for me? That's it? Like,
• 25:01
  Speaker 1: that's that's all I have. I didn't say the joke.
• 25:04
  Speaker 1: Are you mad that I'm laughing? Are you mad that
• 25:07
  Speaker 1: I am sitting in a chair and I'm on stage
• 25:10
  Speaker 1: and cameras are on and I'm giving the fucking look
• 25:13
  Speaker 1: of comfort once again, respectfully, that's my job.
• 25:16
  Speaker 3: Do you think that's one of the times your performative
• 25:18
  Speaker 3: laugh came back to bite you?
• 25:19
  Speaker 2: Because sometimes you.
• 25:20
  Speaker 1: Know, because his said because he was killing.
• 25:22
  Speaker 2: But you do have a nice performative last sometimes.
• 25:24
  Speaker 1: If you don't have one, if you don't have Comedian
• 25:29
  Speaker 1: was up here the other day.
• 25:30
  Speaker 2: He was like, Kevin Hawk got a nice performative laugh.
• 25:32
  Speaker 1: If you listen, If you don't have a fucking laugh
• 25:34
  Speaker 1: that you can just pull out the guy damn back pocket.
• 25:37
  Speaker 1: You're fucked.
• 25:37
  Speaker 2: He said, you hit him with that same laugh.
• 25:39
  Speaker 1: I hit everybody with that laugh. You know how many
• 25:40
  Speaker 1: people say dumb sh it to me all day? You
• 25:43
  Speaker 1: know how many niggas come up to me every day
• 25:44
  Speaker 1: with a stupid ass comment. You can't, hey boy, he's small,
• 25:51
  Speaker 1: get the fuck out of the FAA. Yes, I'm giving
• 25:55
  Speaker 1: a comfortable laugh. Yeah, I do it every fucking day.
• 25:58
  Speaker 1: You know how many people don't don't know what to
• 26:00
  Speaker 1: say when they see me, so they say dumb shit.
• 26:02
  Speaker 1: You like apples? I haven't eaten an apple in fucking
• 26:09
  Speaker 1: fifteen years. Man, get the fuck out my face, Like really, yes,
• 26:12
  Speaker 1: I don't eat fucking apples, and I don't want to
• 26:13
  Speaker 1: talk about apples. I'm using the example, man, I'm using
• 26:17
  Speaker 1: it as a fucking example. It's like, yeah, I gotta
• 26:19
  Speaker 1: fake laugh. Yes, there's a performative laugh. Once again, what
• 26:24
  Speaker 1: was the job of Kevin Hart. I have to sit
• 26:27
  Speaker 1: in this seat, and I have to let everybody fucking
• 26:30
  Speaker 1: say something about me, and I gotta show a face
• 26:34
  Speaker 1: of a good time. Because the first time that you
• 26:36
  Speaker 1: showed discomfort, the first time that you look bothered, well,
• 26:40
  Speaker 1: how weird does that look? When they go he he,
• 26:43
  Speaker 1: they that mo fucker uncomfortable getting fucked up? Look at him.
• 26:46
  Speaker 1: Man here about to cry if they say something about
• 26:49
  Speaker 1: my mom and my lips start shaking.
• 26:51
  Speaker 2: Yeah, keV, you good.
• 26:59
  Speaker 3: I feel like you was trying to stop Regina though.
• 27:01
  Speaker 1: No, it was a It's a bit, me and Regina
• 27:08
  Speaker 1: doing a bit. That's what I said. You guys are
• 27:11
  Speaker 1: stupid fucking idiots. We're doing a bit, Regina. Don't you
• 27:15
  Speaker 1: say it, Kevin. I'm not. I'm not. That's my fucking sister.
• 27:19
  Speaker 1: There's nobody that I can act off of better and
• 27:22
  Speaker 1: faster than Regina Hall. She is the best at improving.
• 27:25
  Speaker 1: She is the best at reactions. Me and Regina we're
• 27:27
  Speaker 1: doing a bit. Me and the Rock We're doing a
• 27:30
  Speaker 1: fucking bit. Cat came out. Cat had a fucking strong
• 27:34
  Speaker 1: ass set. I sat there and laughed at everything. Me
• 27:37
  Speaker 1: and Cat talked before annasaon Cat, go hard, keV. We
• 27:41
  Speaker 1: just got back in a good place. Go hard, do
• 27:44
  Speaker 1: what you want. Cat have a good fucking set. Rock out, man.
• 27:49
  Speaker 2: Let's talk about that, right.
• 27:50
  Speaker 3: And I want you people to know it was nuanceing
• 27:52
  Speaker 3: that you weren't saying the people that had criticism by
• 27:53
  Speaker 3: George Floyd was stupid.
• 27:54
  Speaker 2: You said the people who had criticism about.
• 27:56
  Speaker 1: You getting the fact to explain it.
• 28:00
  Speaker 5: I know, but I need people to know that I'm.
• 28:03
  Speaker 1: Talking them right now. I got right now.
• 28:12
  Speaker 2: I'm just trying.
• 28:12
  Speaker 1: You woke up in the morning and you gave robutto
• 28:14
  Speaker 1: not I didn't even know people saying.
• 28:16
  Speaker 3: That Kevin har says people who are mad at him
• 28:18
  Speaker 3: about George Floyd is stupid.
• 28:20
  Speaker 1: Okay, let me here's here's my point. Right, what if
• 28:23
  Speaker 1: that was the headline? No, no, no, no, I know
• 28:26
  Speaker 1: it's not, But I'm saying, what if it was. I
• 28:29
  Speaker 1: can't do nothing about that headline. It's not true, So
• 28:33
  Speaker 1: why am I letting that affect me. That's the point
• 28:36
  Speaker 1: that I think you guys have to like really grab
• 28:39
  Speaker 1: on to. I'm at a different place in my life. Man,
• 28:42
  Speaker 1: I'm forty six years old. I can't control the narratives
• 28:46
  Speaker 1: of so many We are in the time today where everybody,
• 28:50
  Speaker 1: every everybody says this, this is the time that we're
• 28:53
  Speaker 1: living in now. People grab their phone and they go
• 28:55
  Speaker 1: all right, y'all. I know y'all waiting to see what
• 28:58
  Speaker 1: I think. Wait a minute, here, what you got to say.
• 29:03
  Speaker 1: There's thirty people in there. Man, I'm gonna tell you
• 29:06
  Speaker 1: all my opinion. Everybody has a platform, everybody has a microphone,
• 29:12
  Speaker 1: everybody has a a false green screen behind them. You
• 29:16
  Speaker 1: were in the time of creative entrepreneurs. I get it,
• 29:20
  Speaker 1: have ad it, but like, at a point, it is
• 29:23
  Speaker 1: just that, it's it's just that, it's feelings, it's opinion.
• 29:27
  Speaker 1: Once again, I'm going to say this on record and
• 29:30
  Speaker 1: then you can ask your next question. I didn't say
• 29:33
  Speaker 1: the joke. I don't think the joke was a tasteful joke.
• 29:38
  Speaker 1: I think that the feelings and emotion attached to the
• 29:41
  Speaker 1: joke being said are more than valid, and I think
• 29:45
  Speaker 1: that that's it. There's nothing that you can do about it.
• 29:49
  Speaker 1: It's over. The joke was told. There's gonna be more roast.
• 29:53
  Speaker 1: Comedians are going to tell more racial fucking based jokes
• 29:58
  Speaker 1: and have a more clever approach to racial humor. It's
• 30:02
  Speaker 1: going to happen. It will happen on roast. A roast
• 30:06
  Speaker 1: is war. Say what you want. I'm gonna say what
• 30:09
  Speaker 1: I want. I said crackers, okay, But but do I
• 30:14
  Speaker 1: say crackers in my fucking every day life?
• 30:16
  Speaker 2: Yes?
• 30:16
  Speaker 1: No? No, No, No, that's what's that's when we're talking.
• 30:21
  Speaker 1: Probably I'm saying Do I say it in my every
• 30:24
  Speaker 1: day work business? No? Okay? On the Roast, I chose
• 30:29
  Speaker 1: to go a little edgier, hence the age joke, hence
• 30:33
  Speaker 1: the fucking the comments about fucking diabetes and cancer and
• 30:38
  Speaker 1: you're going harder. Do I say that? Am I every day? No?
• 30:43
  Speaker 1: But on this particular platform, under this brand, it's war.
• 30:49
  Speaker 1: So I can move on from war, and I suggest
• 30:53
  Speaker 1: that other people move on from the war as well.
• 30:57
  Speaker 1: If you don't, you're highlighting your branding. You're amplifying the
• 31:02
  Speaker 1: person that you were so angry at, and I'm just
• 31:05
  Speaker 1: making you guys aware that's the intent behind the shock
• 31:10
  Speaker 1: fucking value. I'm going to do this, So I get this.
• 31:14
  Speaker 1: You're doing it. This is a fact.
• 31:18
  Speaker 2: Okay.
• 31:19
  Speaker 3: So, Cat Williams, did you feel pressure to publicly reconcile?
• 31:24
  Speaker 3: Are because the culture wanted closure? Or was that personal
• 31:27
  Speaker 3: for you?
• 31:28
  Speaker 2: No?
• 31:28
  Speaker 1: Man can have been We've we've reconciled. How long prior? No,
• 31:34
  Speaker 1: probably like maybe eight months ago.
• 31:39
  Speaker 2: How did that happen?
• 31:40
  Speaker 3: Because everybody knows the infamous club station and if you
• 31:42
  Speaker 3: plus you just be you've been taking shots at you
• 31:43
  Speaker 3: for years?
• 31:44
  Speaker 2: Right? What what happened?
• 31:48
  Speaker 1: Cat and I had a conversation, conversation, a private conversation
• 31:54
  Speaker 1: between me and Cat. But the baseline was like, we're older.
• 32:00
  Speaker 1: This is years and years and years of there's no
• 32:05
  Speaker 1: reason why we shouldn't like figure out a world of
• 32:12
  Speaker 1: compromise where we can get along and we can give
• 32:16
  Speaker 1: the fan base something different with us, something that's unexpected,
• 32:22
  Speaker 1: and figure out a way to work together, right, figure
• 32:24
  Speaker 1: out a way to fucking bring the comedy minds that
• 32:28
  Speaker 1: we both have and put them at the table and
• 32:30
  Speaker 1: do shit. Cat thought it was a fucking time to
• 32:34
  Speaker 1: do it, as did I shook hands. Great conversation, great dialogue.
• 32:39
  Speaker 1: The first thing that came up, of course, was the rose.
• 32:42
  Speaker 1: When the opportunity for the rose came up, reached out
• 32:44
  Speaker 1: the cat. It'd be dope as fuck if you did it.
• 32:47
  Speaker 1: Kat said. We just got in a good space, Kevin.
• 32:49
  Speaker 1: If I do it, I'm gonna do it. I said,
• 32:50
  Speaker 1: have ad it. Cat had ad it. And our conversations
• 32:53
  Speaker 1: are private. Like that's another thing too, man, I'm not
• 32:56
  Speaker 1: big one running too the microphone and telling personal business like,
• 33:00
  Speaker 1: be a fucking adult, be an adult. Go call the person,
• 33:04
  Speaker 1: go call whatever whomever, have a conversation. After that conversation
• 33:09
  Speaker 1: has had, that's your all business. Me and Cat's business
• 33:12
  Speaker 1: is ours. We are in a good spot, thankfully, finally.
• 33:17
  Speaker 1: And it's a good feeling when you can say like
• 33:19
  Speaker 1: you've put the fucking the problems of old behind you
• 33:23
  Speaker 1: right once again. Forty six i'a be fifty soon. That's
• 33:27
  Speaker 1: half your life, man, that's half of a life coming up.
• 33:32
  Speaker 1: Granted I get there, then you got another half. How
• 33:37
  Speaker 1: are you trying to live your life?
• 33:39
  Speaker 3: Like?
• 33:39
  Speaker 1: What are you looking for in life and your negativity
• 33:43
  Speaker 1: is just that the shit gets tiring after a while.
• 33:46
  Speaker 1: I'm in a place of calm, peace, and if it's
• 33:49
  Speaker 1: not that, it just doesn't deserve my attention. And I
• 33:51
  Speaker 1: say that humbly, respectfully, like I don't see that shit
• 33:56
  Speaker 1: because I'm go looking for it.
• 33:57
  Speaker 2: I see, I hear you saying all that positivehit now.
• 33:59
  Speaker 3: But you couldn't wait to get that microphone to get
• 34:01
  Speaker 3: the last word at that rose and you had some bosses.
• 34:04
  Speaker 1: Yeah, by the way.
• 34:05
  Speaker 2: You couldn't wait to tell everybody, he'd be lying.
• 34:07
  Speaker 1: Yeah, guess what, that's my truth.
• 34:11
  Speaker 4: Yeah, all right, that's my truth.
• 34:12
  Speaker 1: It's fucking I'm gonna say what the fuck I want
• 34:15
  Speaker 1: to say what I sat and let everybody else say, okay,
• 34:18
  Speaker 1: have at it, and then that I'm still a fucking
• 34:20
  Speaker 1: comic and I'm good at what I do. So hey man,
• 34:23
  Speaker 1: I'm gonna put material together in the set. I'm gonna
• 34:25
  Speaker 1: take shots at everybody, but it's all so fun.
• 34:28
  Speaker 3: I did find it interesting that y'all did it there
• 34:30
  Speaker 3: because Cats spent so much time criticizing Hollywood, criticizing the
• 34:34
  Speaker 3: Hollywood system, criticizing you as a plant, but then he
• 34:37
  Speaker 3: decided to show up to the Netflix Netflix roles because
• 34:40
  Speaker 3: to me, I'm like, well, damn, did you believe any
• 34:42
  Speaker 3: of the stuff that you told everybody?
• 34:44
  Speaker 1: I think that, and I might. I'm not even gonna
• 34:48
  Speaker 1: say because it's me speaking for Cats. I'm not gonna
• 34:50
  Speaker 1: speak for Cat during the time of cats uh interview
• 34:56
  Speaker 1: and all things was said. Okay, that's that's Cat in
• 35:00
  Speaker 1: his bag of conversation. Right. People aren't dumb, like what
• 35:07
  Speaker 1: is a plant? What the fuck is a plan and
• 35:11
  Speaker 1: a conversation attached to a plant? It only comes up
• 35:15
  Speaker 1: when people are like winning, Right, So if a plant's
• 35:18
  Speaker 1: a winner, then I'm a fucking big plan. I'm a winner.
• 35:23
  Speaker 1: I win, I don't lose. I win. I know how
• 35:26
  Speaker 1: to do it. I've done it very well, and I've
• 35:30
  Speaker 1: done it through a crazy duration of time. Be a
• 35:33
  Speaker 1: fan or not, it's not going to stop me from
• 35:36
  Speaker 1: doing what I know how to do. Whether it's in business,
• 35:39
  Speaker 1: whether it's in entertainment, whether it's in the ecosystem of
• 35:44
  Speaker 1: Kevin and Venture. I'm going to figure out how to
• 35:47
  Speaker 1: fucking win. That's it. So the narrative attached during that
• 35:54
  Speaker 1: or from that, what did it do? What did it
• 35:57
  Speaker 1: affect Cat? Is a crazy fan base. That fan base
• 36:03
  Speaker 1: isn't going nowhere. That's a talented ass comic. He's a
• 36:06
  Speaker 1: funny fucking guy. I want nothing but the best for Cat.
• 36:10
  Speaker 1: And that's why our conversation was so dope. It's like, Nigga,
• 36:12
  Speaker 1: I don't I don't want to fucking argue with you.
• 36:16
  Speaker 1: What is it doing? Like, it's not doing anything. We
• 36:19
  Speaker 1: can do shit together. We can make money together, we
• 36:22
  Speaker 1: can do ship together. Like this is a waste of
• 36:25
  Speaker 1: it's a waste of your time because it's not affecting me,
• 36:29
  Speaker 1: So why can't we figure out a way to put
• 36:30
  Speaker 1: it the rest. That's me being a grown ass man
• 36:33
  Speaker 1: and an adult, Like, we're better together.
• 36:37
  Speaker 2: Bother you a little bit.
• 36:38
  Speaker 3: I'm gonna say Why'm gonna say why because you're such
• 36:40
  Speaker 3: a hard work of Kevau because we see I've.
• 36:42
  Speaker 5: Seen you Nelix Netflix having her hand up, be a
• 36:46
  Speaker 5: whole behind stuff like that.
• 36:48
  Speaker 4: I mean that was that was what he said in
• 36:49
  Speaker 4: the job.
• 36:49
  Speaker 1: It's a good joke. It's a good joke. When I
• 36:53
  Speaker 1: said Kevin was a puppet, what I meant was Netflix
• 36:57
  Speaker 1: has their hands so far off. Kevin's ass said, have Netflix.
• 37:02
  Speaker 1: That's a funny fucking joke. I laughed.
• 37:07
  Speaker 3: But when somebody just credits your hard work, because I
• 37:09
  Speaker 3: know how much you work, how hard you work, you
• 37:11
  Speaker 3: know the sacrifice you gotta make not being around your
• 37:13
  Speaker 3: not being with your family, probably as much as you
• 37:14
  Speaker 3: want your stuff. Like that, when somebody says you a
• 37:17
  Speaker 3: plant and you just you know, god on.
• 37:20
  Speaker 1: You do, have ad it? Listen, have ad it? Man
• 37:24
  Speaker 1: like you? Okay, I make sure I keep saying this
• 37:29
  Speaker 1: and your clips that come we know we idiots, no, no, no, yeah,
• 37:35
  Speaker 1: yes again. Respectfully, my circle and those that are supposed
• 37:43
  Speaker 1: to know what I do and the level I do
• 37:46
  Speaker 1: that they know people that have no idea, that don't
• 37:52
  Speaker 1: understand that don't get it. They might not never get it,
• 37:57
  Speaker 1: have had it? Like, what what are we doing? At
• 38:01
  Speaker 1: this point? It's very hard to see the POV from
• 38:06
  Speaker 1: the moon down unless you're one of the few people
• 38:08
  Speaker 1: that have been to space. Not a lot of people
• 38:11
  Speaker 1: can say they've been there. Right when you're talking about
• 38:14
  Speaker 1: quote unquote the top, well, how many people can say
• 38:16
  Speaker 1: they've been there. There's a lot of people in the
• 38:18
  Speaker 1: business of radio, there's a lot of people that have
• 38:20
  Speaker 1: been doing this for a long time, are they having
• 38:23
  Speaker 1: your same success and having the conversations that you guys
• 38:25
  Speaker 1: are having. Are they a part of the new opportunities
• 38:29
  Speaker 1: or the new levels of what can be done in radio? No?
• 38:32
  Speaker 1: Will they? They might not. So do they understand what
• 38:37
  Speaker 1: is happening up here for you guys to do it? No?
• 38:40
  Speaker 1: Is it your job to make them understand If they
• 38:43
  Speaker 1: don't want to understand, if they go, ah, they got
• 38:45
  Speaker 1: that because they fucking fucked the lady that was in
• 38:48
  Speaker 1: charge of the motherfucker Charlam Maine man. No, okay, So
• 38:53
  Speaker 1: does it affect you? All right? So you gotta that
• 38:57
  Speaker 1: got solved. Dad got a little soft Oh I don't
• 39:00
  Speaker 1: believe you. Oh he broke. Now you know my shit.
• 39:04
  Speaker 1: Have been real confident the whole way through. I got
• 39:07
  Speaker 1: real confident the whole way through. I said, do you
• 39:10
  Speaker 1: do it's trying to get through?
• 39:18
  Speaker 2: If I did that at the roles, you'd be like,
• 39:19
  Speaker 2: all right, we got to keep going.
• 39:22
  Speaker 4: I got a question for both of y'all.
• 39:23
  Speaker 5: Right, just in listening to y'all talk, a lot of
• 39:25
  Speaker 5: this is like people putting responsibility on y'all because y'all
• 39:28
  Speaker 5: are black men doing really, really well in the space.
• 39:30
  Speaker 5: How much of that responsibility do I mean, Kevin or
• 39:33
  Speaker 5: try how much?
• 39:34
  Speaker 2: Kevin?
• 39:34
  Speaker 5: How much of the responsibility do you feel like you
• 39:36
  Speaker 5: actually have to lean into because people are like, you're
• 39:38
  Speaker 5: the gatekeeper because you're so big at what you're doing,
• 39:41
  Speaker 5: and you're also black for us.
• 39:44
  Speaker 1: So I'm not gonna say all that I do because
• 39:46
  Speaker 1: I don't have to write there is not a person
• 39:49
  Speaker 1: in my position during more than me for their culture.
• 39:53
  Speaker 1: I want to say that's a fact. In the space
• 39:56
  Speaker 1: of comedy. There is not a person that has done
• 40:00
  Speaker 1: more for comedians than Kevin Hart, more for black comedians
• 40:06
  Speaker 1: than Kevin Hart. I'm an example of fucking camaraderie, loyalty.
• 40:12
  Speaker 1: If you look at my team, you see the same
• 40:14
  Speaker 1: fucking guys that you've seen with me from the beginning.
• 40:17
  Speaker 1: All of them are doing very well in life. All
• 40:20
  Speaker 1: of them have now put other people in positions around
• 40:23
  Speaker 1: them to do better. I've created a fucking ecosystem of
• 40:27
  Speaker 1: the time passing. I don't have to fucking brag about it.
• 40:31
  Speaker 1: I don't have to say it. I don't have to
• 40:33
  Speaker 1: say the comics lives that I've changed, or the people
• 40:36
  Speaker 1: that are now getting X, Y and Z. I do
• 40:39
  Speaker 1: it because I want to do it. I do it
• 40:41
  Speaker 1: because I find joy in doing it. I do it
• 40:43
  Speaker 1: because that is now my new responsibility. I got here,
• 40:47
  Speaker 1: so it's my job to get other people here. And
• 40:50
  Speaker 1: if you really go down that fucking tree of people
• 40:53
  Speaker 1: that Kevin has reached out to, helped, been there for,
• 40:57
  Speaker 1: created platforms, you go look, just go to your resarch.
• 41:01
  Speaker 1: We're very lazy, man. When I say we, I'm not
• 41:04
  Speaker 1: just talking about our culture. I'm saying people in general
• 41:07
  Speaker 1: are very lazy. We're in the time of headline only.
• 41:11
  Speaker 1: We're in the time of the seven second clip that
• 41:14
  Speaker 1: justifies the reaction of the masses. Do your fucking research.
• 41:19
  Speaker 3: But that's why I stuff like this is important these
• 41:20
  Speaker 3: conversations because you know, and I say it all the time,
• 41:23
  Speaker 3: when I know people, when I actually know what they do,
• 41:26
  Speaker 3: and then you see certain headlines, you's like, come on,
• 41:28
  Speaker 3: that's some bulls. It's but like, and you want the
• 41:32
  Speaker 3: right narrative to be out there, not even a narrative,
• 41:34
  Speaker 3: you want the direcord to be out there, the truth
• 41:36
  Speaker 3: to be out there.
• 41:36
  Speaker 2: Kevin Hart is not a coon.
• 41:40
  Speaker 1: If you're not talking about me and I'm doing something wrong,
• 41:45
  Speaker 1: right if the narrative attached to me, and the new
• 41:50
  Speaker 1: is coon or sell out or whatever the fuck it
• 41:53
  Speaker 1: is is that I don't doesn't reach me. So whatever
• 41:57
  Speaker 1: it is, I'm unaware because when I go out to
• 42:00
  Speaker 1: do whatever it is I'm doing, it's love. So if
• 42:04
  Speaker 1: you go and you want to search or you're gonna
• 42:07
  Speaker 1: find everything you're searching for. You want to know who
• 42:10
  Speaker 1: you are, well go look at your phone and go
• 42:14
  Speaker 1: look at whatever is on your Explore page, your search engine,
• 42:17
  Speaker 1: because algorithms now are based off of you and your voice.
• 42:22
  Speaker 1: So if you see a bunch of toxic shit on
• 42:24
  Speaker 1: your phone, if you see a bunch of fights, you
• 42:27
  Speaker 1: see a bunch of racial shit, you see a bunch
• 42:29
  Speaker 1: of weird fucking shit, that's what you talk about on
• 42:33
  Speaker 1: the regular. That's what your phone is picking up. And
• 42:35
  Speaker 1: that's now how they're feeding information to the beasts. It's
• 42:39
  Speaker 1: called technology. It's the new age of technology. So if
• 42:42
  Speaker 1: you want a real reaction as to what you are
• 42:45
  Speaker 1: and how you operate, that's your proof of concept right there.
• 42:50
  Speaker 1: I don't look for dumb shit. I don't have the time.
• 42:54
  Speaker 1: So in this case, all right, great, we're having a conversation.
• 42:58
  Speaker 1: I don't need to have this commonversation because I know
• 43:01
  Speaker 1: the factual side to myself and my responsibility and what
• 43:05
  Speaker 1: the ins and outs are and work. So when you
• 43:07
  Speaker 1: go on and everybody has an opinion and the culture
• 43:10
  Speaker 1: and this and this motherfucker he should have did this,
• 43:13
  Speaker 1: everybody had all the answers when they don't have the opportunity.
• 43:17
  Speaker 1: I'll say it again, everybody has all the answers with
• 43:20
  Speaker 1: no opportunity. Of Course, you're a genius because you're not
• 43:23
  Speaker 1: doing shit. Of course, of course you know what you
• 43:26
  Speaker 1: would do, because you're never gonna do it. Damn oh,
• 43:29
  Speaker 1: I would have you got it? When will you get
• 43:32
  Speaker 1: a chance to do it? I challenge you, When will
• 43:35
  Speaker 1: you get a chance to do it? The seat I
• 43:38
  Speaker 1: sit in is a different fucking seat. And I don't
• 43:40
  Speaker 1: say it cocky, I say it humbly. You will never
• 43:43
  Speaker 1: sit in this fucking seat, So stop talking to me
• 43:46
  Speaker 1: like you understand what this seat possesses.
• 43:48
  Speaker 2: You don't. I don't want to be it happens.
• 43:54
  Speaker 1: It happens, and the nature of business and the nature
• 43:56
  Speaker 1: of entertainment and the nature of help support, et cetera.
• 44:00
  Speaker 1: I know what this seat fucking his man, I know
• 44:03
  Speaker 1: what I have to do and how much I do.
• 44:05
  Speaker 1: I'm never compromising that. I'm never compromising my side of knowledge,
• 44:10
  Speaker 1: my side of understanding to fucking argue with whom Kevin
• 44:14
  Speaker 1: Hart's cool really Okay, at the fucking Roots and Meek
• 44:18
  Speaker 1: Mill and all this. It was It couldn't be Blacker
• 44:21
  Speaker 1: on fucking on a live thing on Netflix. What the
• 44:24
  Speaker 1: fuck are we talking about? I mean, Jesus Christ, all.
• 44:27
  Speaker 2: These niggas around, these white people, I mean, I just.
• 44:29
  Speaker 1: Don't understand what we're talking about. Like, what's happening? What
• 44:32
  Speaker 1: about I got the plastic cupboys on stage not saying
• 44:36
  Speaker 1: the word, these nigga's just in the back. What is
• 44:41
  Speaker 1: Kevin doing? Oh, Kevin's putting his guys on more, Kevin's
• 44:45
  Speaker 1: putting this city on more. Kevin's putting his brother on more.
• 44:51
  Speaker 1: Like what do you mean talking about? Like it's dumb?
• 44:56
  Speaker 2: Now listen because the dead or roast already came out.
• 45:00
  Speaker 3: I would even go so far as to say a
• 45:02
  Speaker 3: hit piece, okay, and the headline said, inside the Year
• 45:04
  Speaker 3: of Chaos and Conflict at Kevin Heart's media company. Okay,
• 45:09
  Speaker 3: so it's a reporter about layoffs and executive sha shakeups
• 45:12
  Speaker 3: and internal chaos. When you see an article like that,
• 45:15
  Speaker 3: knowing the media empire, your building, what.
• 45:18
  Speaker 1: Do you think it's dumb?
• 45:21
  Speaker 2: It's dumb like on the day of your ros.
• 45:24
  Speaker 1: It's well, yeah, because people are looking for fucking clickbait.
• 45:27
  Speaker 1: They're looking for clicks man, So okay, how can we
• 45:29
  Speaker 1: take advantage of a narrative? Facts and Kevin Hurts business?
• 45:32
  Speaker 1: Kevin Hurt just did a big deal with Authentic Brands Group.
• 45:35
  Speaker 1: You're doing a big deal with Authentic Brands Group. Kevin
• 45:37
  Speaker 1: downsize Heartbeat Like the rest of the fucking entertainment business.
• 45:41
  Speaker 1: Reducing op X overhead expenses means you cut back. Why
• 45:46
  Speaker 1: because you want to keep your margins of plus well,
• 45:48
  Speaker 1: you want to keep them conservative, eba. It is important.
• 45:52
  Speaker 1: Making money in the business is important. A failing business
• 45:55
  Speaker 1: is not well. Making sure that my business operates efficiently
• 45:59
  Speaker 1: is what I did. Also, in the world of fucking content,
• 46:03
  Speaker 1: it's forever changing. So do I want to own all
• 46:06
  Speaker 1: content now? No? Are we producing and developing as we were? Yes,
• 46:11
  Speaker 1: you just saw Funny as Fuck on Netflix Hit a
• 46:14
  Speaker 1: Great Thing The Roost was produced by Heartbeat. The Roast
• 46:18
  Speaker 1: Kevin Hart's next movie, seventy two Hours produce by Heartbeat
• 46:21
  Speaker 1: the movie after that, produce My Heartbeat. Fucking Kimor and
• 46:25
  Speaker 1: Lee Simmons unscripted reality show, produce My Heartbeat Barbershop the
• 46:30
  Speaker 1: TV show which is coming through, produce my Heartbeat, like
• 46:33
  Speaker 1: I don't have to like it's dumb. So a conversation
• 46:38
  Speaker 1: attached to the business that's forever growing, that just like
• 46:43
  Speaker 1: joined a machine to make the business even better, like
• 46:48
  Speaker 1: authentic as a thirty two billion dollars a year company,
• 46:51
  Speaker 1: like respectfully, Shack, David Beckham, Kevin Hart acted as the
• 46:58
  Speaker 1: icons underneath the umbrella of all Brands Group. Our businesses
• 47:02
  Speaker 1: grow within brand concepts, those brand concepts become evergreen. So
• 47:07
  Speaker 1: David Beckham's business as an owner, as a face, as
• 47:11
  Speaker 1: an ambassador, as a fucking uh uh, I want to
• 47:15
  Speaker 1: say developer. Okay, Beckham has businesses in his portfolio that
• 47:22
  Speaker 1: now reach a global fucking audience. Shack the same an ambassador,
• 47:27
  Speaker 1: an owner, like we just fucking bought We just bought
• 47:30
  Speaker 1: Lee's Lee jeans. We just bought Naven Marcus like we
• 47:34
  Speaker 1: we are now a part of an ecosystem that will
• 47:37
  Speaker 1: compete with the likes of Bernard or Not, who is luxury,
• 47:41
  Speaker 1: et cetera. Authentic brands group is doing the same thing
• 47:44
  Speaker 1: or no, the business of authentic brands groups is not different.
• 47:49
  Speaker 1: Guess Jeans like we Champion Rebod Like there's shit that
• 47:54
  Speaker 1: we fucking have underneath this capsule that's growing and you're
• 47:58
  Speaker 1: gonna look up and fuck in five years and you're
• 48:01
  Speaker 1: gonna see Shaq, Kevin and Beckham And I'm like, damn, man,
• 48:04
  Speaker 1: these motherfuckers have been moving like this for quite some time.
• 48:07
  Speaker 1: They're moving and operating at a scale everybody can't understand that.
• 48:14
  Speaker 1: You can't see that, you don't understand that. So what
• 48:18
  Speaker 1: my goals are at this point, what I'm trying to
• 48:21
  Speaker 1: do at this point is some shit that is ridiculously
• 48:26
  Speaker 1: crazy to achieve. And if my focus is on dumb shit,
• 48:30
  Speaker 1: well how am I fucking working hard at this?
• 48:32
  Speaker 3: So there is still a heartbeat because people are saying,
• 48:36
  Speaker 3: no longer a company, it's all authentic, Like.
• 48:38
  Speaker 1: Kevin Harp will never do a movie a project and
• 48:41
  Speaker 1: allow someone else to produce for me. It has to
• 48:44
  Speaker 1: come from the concepts of the minds that I believe
• 48:47
  Speaker 1: are great. Underneath the heartbeat, unbrother, my executive team is
• 48:51
  Speaker 1: still there. My team of creatives are still there. Did
• 48:55
  Speaker 1: I reduce? Yes, my company was too fucking big. I
• 48:59
  Speaker 1: don't need I didn't need eighty people to operate how
• 49:01
  Speaker 1: we're operating now downside. Save the money, Save the fucking money.
• 49:06
  Speaker 1: I got offices in New York Atlanta. Why do I
• 49:08
  Speaker 1: need all that? Why am I watching other businesses get smarter?
• 49:11
  Speaker 1: Why does Netflix laying off people but heartbeats maintaining the masses?
• 49:16
  Speaker 1: Like it's called operation operation calls. So when you're thinking
• 49:20
  Speaker 1: about a business, make the best decisions on behalf of
• 49:23
  Speaker 1: the business.
• 49:23
  Speaker 5: I know you don't like to like talk and clear
• 49:25
  Speaker 5: up their stuff, because we get it, you don't have
• 49:27
  Speaker 5: the time.
• 49:27
  Speaker 4: But like, I think a lot of this is education.
• 49:29
  Speaker 5: Because La Times did this article and in the article
• 49:32
  Speaker 5: they have former and current employees of Heartbeat that they
• 49:35
  Speaker 5: say that they talk to No one's on record though, right,
• 49:37
  Speaker 5: and they say heart employees say that they were that
• 49:40
  Speaker 5: this deal marks the beginning of the end of Heartbeat.
• 49:42
  Speaker 5: They talk about you know, staff meetings that have been
• 49:45
  Speaker 5: canceled the development of new film and TV projects, that
• 49:47
  Speaker 5: have slowed down, new podcasts that were pitched but never produced,
• 49:50
  Speaker 5: that went they didn't even mention you going months or
• 49:53
  Speaker 5: weeks without coming to the office, right, but when you
• 49:55
  Speaker 5: talk about building the business, there's an act.
• 49:57
  Speaker 1: Should have been in the office. I'm filming Jumanji. I
• 50:01
  Speaker 1: don't understand what what is what is the what does
• 50:05
  Speaker 1: the CEO do? The CEO is also talent? Like it's
• 50:10
  Speaker 1: not it's not hard to look at false narratives. Who
• 50:14
  Speaker 1: works for Heartbeat that doesn't understand Kevin's schedule touring acting?
• 50:20
  Speaker 1: Or who who would not understand that? Like who would
• 50:24
  Speaker 1: not understand that you're putting people in position in the
• 50:28
  Speaker 1: office to run a business so that you can have
• 50:30
  Speaker 1: the business and still go do your job? Like who
• 50:33
  Speaker 1: wouldn't understand that when you go, oh this is said,
• 50:36
  Speaker 1: but it's nobody, Yeah, we don't our name was not meant,
• 50:40
  Speaker 1: Like it's not hard to fucking look at smoking mirrors
• 50:44
  Speaker 1: and realize it's smoking mirrors. Man. I will say factually,
• 50:49
  Speaker 1: there is not an employee that has ever worked for
• 50:51
  Speaker 1: Heartbeat that would not say that. Kevin is not only
• 50:54
  Speaker 1: the hardest working guy, he is a man of his word.
• 50:58
  Speaker 1: And when it comes to anybody under the being umbrether,
• 51:01
  Speaker 1: I've never done wrong by anybody. I've done right by
• 51:04
  Speaker 1: all employees when we were going through fucking I think
• 51:07
  Speaker 1: it was a when when the COVID shit happened and
• 51:10
  Speaker 1: everything was changing, like my team didn't feel it. My
• 51:16
  Speaker 1: staff didn't feel it, like when we were having our
• 51:20
  Speaker 1: woes ups and downs with my staff never felt it.
• 51:24
  Speaker 1: People's salaries never felt it. So with every piece of negative,
• 51:29
  Speaker 1: if you went to go look, you'll find thirty pieces
• 51:31
  Speaker 1: of positive, like I'm a good fucking CEO. Man, I'm
• 51:35
  Speaker 1: a good dude.
• 51:36
  Speaker 3: You said something earlier that's true to everybody's downside. Yes,
• 51:39
  Speaker 3: do you think Hollywood when it comes has lied to
• 51:42
  Speaker 3: creators about what's sustainable?
• 51:43
  Speaker 1: Listen now you're now. The business is forever changing, which
• 51:47
  Speaker 1: is why like when you hear micro mini dramas and
• 51:50
  Speaker 1: you hear content changing in the world of AI and
• 51:53
  Speaker 1: what AI is doing okay, well in a dog eat
• 51:56
  Speaker 1: dog world of creatives, well, people are competing not just
• 52:01
  Speaker 1: for security within job, but for reason to fucking like
• 52:05
  Speaker 1: withstand the test of time. You need me as an exec.
• 52:10
  Speaker 1: We can't get rid of me because if we do,
• 52:12
  Speaker 1: we won't be able to create such and such. People
• 52:15
  Speaker 1: are fighting to show value. People are fighting to truly
• 52:19
  Speaker 1: show like not just their importance but their reason. So
• 52:23
  Speaker 1: internally with these big corporations, Man, these people are expensive,
• 52:27
  Speaker 1: and now the corporation is going, look we creating, We
• 52:29
  Speaker 1: spend all this money filming, shooting, developing. Do we have
• 52:33
  Speaker 1: to spend all the money within staff? Can we start
• 52:36
  Speaker 1: to like compile this so people have more responsibilities from within?
• 52:40
  Speaker 1: Can we save another twenty million? Can we cut off
• 52:43
  Speaker 1: ten million? Like that's called operations overhead costs? Even if
• 52:50
  Speaker 1: you go down to mom and pop shots, you cannot
• 52:52
  Speaker 1: have a sustainable business if you do not manage your finances,
• 52:57
  Speaker 1: if you do not manage your staff, your employe's, your salaries.
• 53:01
  Speaker 1: Like everybody wants more, everybody feels they deserve more. You
• 53:05
  Speaker 1: guys probably argue about to raise every year because you
• 53:08
  Speaker 1: feel like you deserve it. When it's time, when it's
• 53:10
  Speaker 1: time to go and renegotiate, what's the first thing you
• 53:12
  Speaker 1: ask for more money? All right, So in the offices
• 53:16
  Speaker 1: of probably he just got whatever. Listen, whatever whatever it
• 53:21
  Speaker 1: is that he's got, I'm saying. I'm saying there is
• 53:23
  Speaker 1: a conversation attacking you to his value. And that means
• 53:27
  Speaker 1: that the people that are operating this engine have to
• 53:30
  Speaker 1: hear it from you, and he thinks in that moment, Yeah, man,
• 53:33
  Speaker 1: it's just it's me. They're hearing it from everybody across
• 53:37
  Speaker 1: the board. Everybody every day wants more. So when you're
• 53:42
  Speaker 1: at the top, how much of a drain is it
• 53:45
  Speaker 1: to have this dialogue every fucking day. I gotta I
• 53:48
  Speaker 1: gotta fucking sit and listen to somebody tell me. I
• 53:52
  Speaker 1: feel like, because of what I do, I should get X,
• 53:56
  Speaker 1: Y and Z, and I think my value and they
• 54:00
  Speaker 1: to feel like they're the only one to say it.
• 54:01
  Speaker 1: So you have to listen. You have to understand, and
• 54:04
  Speaker 1: then you got to figure out the best way to
• 54:05
  Speaker 1: service those that should be and then you got to
• 54:09
  Speaker 1: do it over and over again. It's business. Stop reading
• 54:13
  Speaker 1: the dumb shit, man.
• 54:15
  Speaker 2: It is business.
• 54:16
  Speaker 3: And I think sometimes these articles go out and people
• 54:19
  Speaker 3: don't even know what the fuck they're reading. So like
• 54:21
  Speaker 3: the social media will confuse downsizing with dying, and I
• 54:26
  Speaker 3: only feel like they do that when it's a black person,
• 54:28
  Speaker 3: especially a black person from the coach.
• 54:30
  Speaker 5: I got another one after that, Yeah, I was gonna say,
• 54:33
  Speaker 5: because there was a headline about the current legal situation
• 54:36
  Speaker 5: with the two employees that were let go from Heartbeat
• 54:38
  Speaker 5: because they created the company while working for your company,
• 54:41
  Speaker 5: and then went out and tried to pitch like podcasts,
• 54:43
  Speaker 5: like relationships that you had right when you When you
• 54:47
  Speaker 5: read that on his face and some of the conversation
• 54:49
  Speaker 5: about it, it's like, oh my god, Kevin Hart fired
• 54:50
  Speaker 5: these two black employees. But the business of it is
• 54:54
  Speaker 5: they you're a legend that they violated contracts in certain
• 54:57
  Speaker 5: rules by like going out and creating a competing.
• 55:00
  Speaker 1: Well, respectfully, that's way below my radar. Like I have
• 55:10
  Speaker 1: people that are managing and operating on behalf of teams.
• 55:15
  Speaker 1: It's your responsibility. I pay you for you to operate
• 55:21
  Speaker 1: and control this. This engine has to be serviced because
• 55:24
  Speaker 1: of you. That's justification of your salary. So those problems
• 55:28
  Speaker 1: they go to you. However you choose to deal with
• 55:31
  Speaker 1: those problems is how you choose to deal with those problems.
• 55:33
  Speaker 1: When things come to my desk, it means that it
• 55:36
  Speaker 1: was so big that you couldn't handle it, that I
• 55:39
  Speaker 1: had to be bought into the landscape. And Kevin, you
• 55:42
  Speaker 1: gotta figure this out because I don't know what to
• 55:44
  Speaker 1: do other than that that's not my fucking job. I'm
• 55:48
  Speaker 1: not fucking talking on behalf of our podcast or pocket.
• 55:52
  Speaker 1: I'm not having those conversations.
• 55:54
  Speaker 2: Like that with movies too.
• 55:55
  Speaker 1: I just want you to notice I'm not doing that.
• 55:58
  Speaker 2: We sold a movie. I was like, keV, you know
• 55:59
  Speaker 2: we sold this movie.
• 55:59
  Speaker 1: He was like, really, yeah, I'm not. I'm not. That's
• 56:02
  Speaker 1: not my fucking You're talking to my studio head. You're
• 56:05
  Speaker 1: talking to the development people there, keV. You know we're
• 56:07
  Speaker 1: doing something. What you're doing when I when I'm bought
• 56:13
  Speaker 1: into the loop, I'm getting updates, I'm getting an overview. Okay,
• 56:17
  Speaker 1: this is cool. Once again, the business is changing. So
• 56:21
  Speaker 1: what I can tell you podcast business is not a
• 56:25
  Speaker 1: fucking great business to be in. You have to get
• 56:27
  Speaker 1: to a point where you have ads. I'm saying for
• 56:31
  Speaker 1: in bulk. You have to get to a point to
• 56:34
  Speaker 1: where you have an audience, to where that audience shows
• 56:36
  Speaker 1: up every day, to where now you can add AD revenue.
• 56:39
  Speaker 1: If you're not there in the beginning stages of it,
• 56:42
  Speaker 1: what are you doing? You're just doing every day and
• 56:45
  Speaker 1: then I'm spending money waiting for money to come in.
• 56:48
  Speaker 1: No cut that we don't need that, that's not that's
• 56:52
  Speaker 1: that's actually it's actually like a blur on the radar
• 56:55
  Speaker 1: from what we should be doing. Focus here. Yes, Kevin
• 56:59
  Speaker 1: is cutting, Kevin is offloading. Yes, what's working versus what's
• 57:04
  Speaker 1: not working. I'm with Authentic Brands group. Now, okay, why
• 57:08
  Speaker 1: do I need a brand side to Heartbeat? Why do
• 57:11
  Speaker 1: I need brand activation within the entity of Heartbeat? When
• 57:15
  Speaker 1: I got it over here at offen it cut that.
• 57:18
  Speaker 1: Save that money. It's called making smart decisions. It's not dumb.
• 57:24
  Speaker 1: So granted, headlines or headlines. Articles will be articles, ones
• 57:29
  Speaker 1: that have truth in them, good for them, ones that
• 57:31
  Speaker 1: don't good for them. Like the narrative attached to a
• 57:34
  Speaker 1: lot of this stuff is it's comedy. To me, it's
• 57:38
  Speaker 1: like comedy. And you know, people don't get to hear
• 57:40
  Speaker 1: me talk like this because I don't talk like this often.
• 57:46
  Speaker 1: But if you actually hear me speak and hear me
• 57:49
  Speaker 1: talk about these things, you'll go, oh, no, mofucker seem
• 57:52
  Speaker 1: to have a pretty good hit on the shoulders. Kind
• 57:54
  Speaker 1: of seems to like know what he's doing. I don't
• 57:57
  Speaker 1: have to prove it right, Like the operations are operations
• 58:00
  Speaker 1: for a reason.
• 58:01
  Speaker 2: What do you think this season of your life is
• 58:02
  Speaker 2: teaching you? Can?
• 58:05
  Speaker 1: I think now, dude, I'm so focused on I'm so
• 58:11
  Speaker 1: focused on like the bridge for others and having something
• 58:17
  Speaker 1: that's concrete for this generation of nets that's stable enough
• 58:23
  Speaker 1: for them to like walk through, run through, drive through.
• 58:26
  Speaker 1: So all things that I'm trying to create to be
• 58:32
  Speaker 1: a part of, they are attached to the ecosystem of normal, right,
• 58:37
  Speaker 1: meaning how we operate on the daily things that we need.
• 58:40
  Speaker 1: What can I build, What can I put inside this
• 58:43
  Speaker 1: space of commerce, entertainment, etc. What can I have that's
• 58:49
  Speaker 1: evergreen enough so that it's on a visible for years
• 58:52
  Speaker 1: and years and years on it. So the idea of
• 58:55
  Speaker 1: family wealth, the idea of longevity, and the idea of
• 58:59
  Speaker 1: the name Heart being attached to it. I want that.
• 59:02
  Speaker 1: Why Why wouldn't I? Why shouldn't I? I want that.
• 59:05
  Speaker 1: I want Heart to be associated with what Kevin Hart built,
• 59:11
  Speaker 1: did and what others are able to go and do
• 59:14
  Speaker 1: and go above and beyond. Example with Funny af Right,
• 59:20
  Speaker 1: you just saw comics like come On perform in this competition.
• 59:25
  Speaker 1: Shout out to Ron Taylor who won. But now if
• 59:28
  Speaker 1: you go look at those comics sold out shows.
• 59:32
  Speaker 5: I went to the premiere Tata. That's why I love her,
• 59:35
  Speaker 5: Like discover the.
• 59:37
  Speaker 1: Show literally like sold out, comedy club, sold out this
• 59:40
  Speaker 1: Every comic that participated in that show has seen a
• 59:44
  Speaker 1: spike an audience, attendance, and now revenue. Ron Taylor is
• 59:49
  Speaker 1: going to do an hour special. When at our special drops,
• 59:52
  Speaker 1: Ron Taylor's life will change. Ron Taylor was living in
• 59:55
  Speaker 1: a fucking van. Ron Taylor was homeless. Homeless. Ron Taylor's
• 1:00:03
  Speaker 1: life is now flipped upside down, and Ryn's like, what
• 1:00:06
  Speaker 1: the fuck good for you? Ron? Now, let me go
• 1:00:10
  Speaker 1: figure out how to create the next Ron. Let me
• 1:00:13
  Speaker 1: figure out how to fucking make the bridge for the
• 1:00:15
  Speaker 1: next guy to walk through. What I think people should
• 1:00:20
  Speaker 1: notice and should respect. Man, I'm I'm not selfish with
• 1:00:25
  Speaker 1: the fucking luxury. I want other people to like have
• 1:00:29
  Speaker 1: had it. Man, I want to see so many people win.
• 1:00:32
  Speaker 1: So this season of my life is about creating new
• 1:00:37
  Speaker 1: ground for this fucking next generation to walk on, run through,
• 1:00:41
  Speaker 1: bridge ground, whatever you wanna call it. I love talent.
• 1:00:46
  Speaker 1: I love to see talent be talented. So what can
• 1:00:50
  Speaker 1: I have that services the need of a pedestal to
• 1:00:55
  Speaker 1: allow his talent to stay.
• 1:00:56
  Speaker 3: I'm glad to hear you say that, because you know
• 1:00:58
  Speaker 3: another thing this article talked about was burnout. At what
• 1:01:02
  Speaker 3: point did you realize I might be stretching myself to thin.
• 1:01:04
  Speaker 3: I can't be doing everything. I can't be in everything.
• 1:01:06
  Speaker 1: Every day, every fucking day. I do way too much,
• 1:01:11
  Speaker 1: which to my point earlier like, yeah, I'm not having
• 1:01:14
  Speaker 1: those conversations like I'm offloading responsibility to those around me.
• 1:01:18
  Speaker 1: That's why I did the deal an Authentic Brands group.
• 1:01:20
  Speaker 1: I have reached my ceiling. I've done it. This is
• 1:01:24
  Speaker 1: the highest that I can go on my own. I'm
• 1:01:28
  Speaker 1: now going to cross the street and go to the
• 1:01:30
  Speaker 1: bigger fucking like the bigger opportunities to get help, to
• 1:01:34
  Speaker 1: go and get bigger. Like, you can't spread yourself thin forever.
• 1:01:40
  Speaker 1: You need help. You need more minds, more ideas, more opportunity,
• 1:01:46
  Speaker 1: more possibility. I went and got it and doing it
• 1:01:50
  Speaker 1: all right. I can take some steps back now, Okay,
• 1:01:54
  Speaker 1: and taking some steps back, I can breathe a little bit.
• 1:01:56
  Speaker 1: It's not as much stress, not as much pressure. So
• 1:02:00
  Speaker 1: reading myself then, is what I've done for fucking forty
• 1:02:03
  Speaker 1: five years at age forty six, it's now reduced. Hints,
• 1:02:09
  Speaker 1: Why when you're like, did you see the amilt? No?
• 1:02:11
  Speaker 4: But even when you walked in I was like, long night,
• 1:02:15
  Speaker 4: and he was like long life.
• 1:02:16
  Speaker 1: Yea long life.
• 1:02:17
  Speaker 5: Yeah, because he was saying he was tired, and he
• 1:02:20
  Speaker 5: sat down.
• 1:02:21
  Speaker 4: Yeah, he sat down and.
• 1:02:23
  Speaker 3: Yeah, I'm like, you had a long night, why you
• 1:02:25
  Speaker 3: started shooting?
• 1:02:26
  Speaker 2: You wonder why you thought it?
• 1:02:27
  Speaker 1: Saying you look like a ma No he did not
• 1:02:30
  Speaker 1: say I look like it just looks like.
• 1:02:32
  Speaker 3: Oh, okay, you got you said you got a book
• 1:02:34
  Speaker 3: coming up.
• 1:02:35
  Speaker 1: Yes, Uh, it's actually a dope book, a new audio.
• 1:02:38
  Speaker 1: I did it with audible and it's coming out Father's
• 1:02:42
  Speaker 1: Day and this is one that I actually want people
• 1:02:44
  Speaker 1: to like respond to. So it's like it's on parenting right,
• 1:02:49
  Speaker 1: and the narrative attached to black fathers and that has
• 1:02:54
  Speaker 1: been attached to black fathers for so long is you know,
• 1:02:57
  Speaker 1: more negative than positive. So show can fatherhood from the
• 1:03:02
  Speaker 1: point of view of a black man that's like really
• 1:03:06
  Speaker 1: embracing it, has embraced it, but also talking about the
• 1:03:10
  Speaker 1: ups and downs and the craziness of it. Right, the
• 1:03:13
  Speaker 1: relationship with kids, the world of friendship versus the world
• 1:03:17
  Speaker 1: of discipline, and just how you operate and having four kids.
• 1:03:20
  Speaker 1: What I've learned from my kids, what do my kids
• 1:03:22
  Speaker 1: learned from me? And it's so dope to hear people
• 1:03:27
  Speaker 1: speak from a place with love but also a place
• 1:03:29
  Speaker 1: of transparency. And it's me basically narrating several chapters of
• 1:03:36
  Speaker 1: a book that I work really hard on through the
• 1:03:39
  Speaker 1: steps of Kid one through.
• 1:03:41
  Speaker 2: Four, called kids Make Me Angry.
• 1:03:42
  Speaker 1: Kids Make Me Angry. It's a very dope title because
• 1:03:47
  Speaker 1: kids do make you angry, but without that anger, you
• 1:03:50
  Speaker 1: don't have the level of love that you should have.
• 1:03:52
  Speaker 1: So my relationship with my sons daughters, having two kids
• 1:03:56
  Speaker 1: going to college, you know, having two younger ones, and
• 1:04:00
  Speaker 1: what the younger ones now benefit from because of what
• 1:04:03
  Speaker 1: I know that I didn't know when my two oldest
• 1:04:06
  Speaker 1: were young. Like, it's so dope to just be transparent.
• 1:04:10
  Speaker 1: So if anything, man, I think as black men, just
• 1:04:16
  Speaker 1: start to be better examples for ourselves so that those
• 1:04:19
  Speaker 1: that aren't doing the job are more motivated to do
• 1:04:22
  Speaker 1: the job.
• 1:04:23
  Speaker 5: You posted a video in the car with Heaven and
• 1:04:25
  Speaker 5: she was driving, and I was like, man, it feels
• 1:04:27
  Speaker 5: like we literally watched them grow through social media. And
• 1:04:29
  Speaker 5: I'm like, if I feel like that, I can imagine
• 1:04:31
  Speaker 5: how you feel because she's just like her own self
• 1:04:34
  Speaker 5: now and like beautiful and just it's scary.
• 1:04:37
  Speaker 1: I mean she's in college. Yeah, Like she's a full
• 1:04:42
  Speaker 1: fledged independent adult, driven, motivated to do so much in life.
• 1:04:47
  Speaker 1: There's nothing that makes me happier. They're looking at my daughter, shine.
• 1:04:50
  Speaker 1: My son is a D one track star. Now, I
• 1:04:56
  Speaker 1: got Division one dick, I got sperm. That's sending them
• 1:04:59
  Speaker 1: to fucking school, Like this is.
• 1:05:01
  Speaker 2: Drop that crazy?
• 1:05:02
  Speaker 1: All what you want?
• 1:05:03
  Speaker 2: Division?
• 1:05:04
  Speaker 1: Well, I mean my son is going D one. I
• 1:05:07
  Speaker 1: did that. That's crazy chopping up how we want have it?
• 1:05:11
  Speaker 1: I'll tell you what's my fucking route have at it.
• 1:05:13
  Speaker 1: I'm hype as fuck. My son's a track star, dope
• 1:05:16
  Speaker 1: as fuck, stepping up every day doing his job like
• 1:05:21
  Speaker 1: on his own. I didn't make him a track star.
• 1:05:23
  Speaker 1: I didn't say you gotta do this. He discovered it.
• 1:05:26
  Speaker 1: He works hard as fuck at it, and it's like
• 1:05:29
  Speaker 1: benefiting from the rewards of his labor. Go man, go
• 1:05:33
  Speaker 1: crushing in school graduating like, my daughter is a fucking
• 1:05:39
  Speaker 1: three point eight g p A Like, yeah, I'm gonna
• 1:05:41
  Speaker 1: talk shit about my kids.
• 1:05:42
  Speaker 3: Did your daughter ask you about Regina's joke?
• 1:05:44
  Speaker 1: No, my daughter didn't come to the roads, But.
• 1:05:46
  Speaker 2: Did she hear it? She had to see it. Somewhere.
• 1:05:48
  Speaker 1: No, no, did she probably gonna go look at I'm
• 1:05:52
  Speaker 1: gonna here about it. But my daughter like she she
• 1:05:55
  Speaker 1: didn't want to come. She said, I'm not coming and
• 1:05:56
  Speaker 1: listen to people talk about my dad. Wow, Heaven non
• 1:05:58
  Speaker 1: play that. Heaven's very sensitive when it comes to me.
• 1:06:02
  Speaker 2: This is my last question.
• 1:06:04
  Speaker 3: Because we've seen you grow, we've seen you fail, we've
• 1:06:07
  Speaker 3: seen you bounce back, grow and become larger than life.
• 1:06:10
  Speaker 3: Do you feel you have to be transparent and show
• 1:06:13
  Speaker 3: people the growing pains of being the superstar that you
• 1:06:17
  Speaker 3: are and building the business, building a business and a
• 1:06:20
  Speaker 3: magnitude that you are that you're building.
• 1:06:21
  Speaker 1: I think information is important, right, I don't. I don't
• 1:06:25
  Speaker 1: think you should be selfish with information. We have an
• 1:06:27
  Speaker 1: opportunity to give it if you're informing. Yes, extremely important.
• 1:06:33
  Speaker 1: Transparency is key how you built, what's working, what's not,
• 1:06:37
  Speaker 1: why something failed, the lessons learned, all of that. Yes,
• 1:06:43
  Speaker 1: explaining is different.
• 1:06:46
  Speaker 2: I don't.
• 1:06:47
  Speaker 1: I'm not explaining myself, not at this stage. Like I'm
• 1:06:51
  Speaker 1: not looking to prove or show proof or like you,
• 1:06:56
  Speaker 1: you learn as you get older and as you start
• 1:07:00
  Speaker 1: to stack up the winds more like the things that
• 1:07:04
  Speaker 1: you thought you should care about are actually likes it's
• 1:07:08
  Speaker 1: white noise. Sh Some people get tune out white noise.
• 1:07:13
  Speaker 1: Some people can't. Some people like fucking cut it off.
• 1:07:16
  Speaker 1: I tune it out very well. And when you have
• 1:07:20
  Speaker 1: that talent, you'll find that, like, your mind is just
• 1:07:25
  Speaker 1: much more clear, right, Like you like, being bothered about
• 1:07:30
  Speaker 1: what you can't control is the worst thing in the world.
• 1:07:34
  Speaker 1: But I get why some people are like, the mind
• 1:07:37
  Speaker 1: is a is a fucking amazing thing if you study it.
• 1:07:40
  Speaker 1: Mental health, mental awareness, all of the stuff that we're
• 1:07:43
  Speaker 1: like seeing more and more today, like from people that
• 1:07:46
  Speaker 1: have stepped forward and saying what their struggles are. When
• 1:07:49
  Speaker 1: you get in your head and you allow things to
• 1:07:51
  Speaker 1: get in your fucking head, it can consume you in
• 1:07:55
  Speaker 1: a manner like you've never seen. All you think about,
• 1:07:58
  Speaker 1: all your people said. People are saying people like you
• 1:08:00
  Speaker 1: can drive yourself fucking crazy if you learn how to
• 1:08:04
  Speaker 1: shut that shit off and how to move accordingly and
• 1:08:09
  Speaker 1: not allow that shit to like enter your ecosystem of thought.
• 1:08:12
  Speaker 1: Oh my god, life just gets better, man, it gets
• 1:08:16
  Speaker 1: fucking better. My Nico showed me something. Nego showed me
• 1:08:20
  Speaker 1: this thing. It was like, uh, they said, Kevin's getting
• 1:08:24
  Speaker 1: a divorced because, uh, his kids asked need a certain
• 1:08:29
  Speaker 1: amount of money, like it was something stupid, Like it
• 1:08:31
  Speaker 1: was he's getting divorced because my kids were asking for
• 1:08:33
  Speaker 1: a certain amount of money a month, and Nego was like,
• 1:08:35
  Speaker 1: I'm not giving it. Just people can just say, shit,
• 1:08:40
  Speaker 1: we're laughing at home. It's white noise. It's not I
• 1:08:45
  Speaker 1: got We gotta fix this, We gotta do something right now.
• 1:08:48
  Speaker 1: We can't let them say this. It's white fucking noise.
• 1:08:53
  Speaker 1: Go on a fucking refrigerator, Get a popsicle, Listen a popsicle. Yeah,
• 1:08:58
  Speaker 1: come on, kids, le's going for a walk. Like, where
• 1:09:00
  Speaker 1: are you at in your life, in your frame of thought?
• 1:09:05
  Speaker 1: If you want peace, fine peace and peace doesn't necessarily
• 1:09:08
  Speaker 1: mean money. Everybody goes money first. Peace means mind, a
• 1:09:14
  Speaker 1: peace of mind. Do you have it? Do you understand it?
• 1:09:20
  Speaker 1: And do you want it? If so, work on that
• 1:09:24
  Speaker 1: everything else comes. Man, give yourself some peace of fucking mind.
• 1:09:28
  Speaker 1: I'm a fan of these devices. I think they've done
• 1:09:30
  Speaker 1: an amazing job. I think technology is going, but I
• 1:09:32
  Speaker 1: also think that there's a fucking massive, like a massive
• 1:09:35
  Speaker 1: l attached to where we are. Everybody wants approval from
• 1:09:40
  Speaker 1: the masses that you will never meet, not gonna see
• 1:09:45
  Speaker 1: these fucking people. Do you know the difference from a
• 1:09:48
  Speaker 1: bot in comments? Do you know the difference from like
• 1:09:50
  Speaker 1: fake and real? Like you don't know these fucking people.
• 1:09:52
  Speaker 1: But people are so consumed with the they say, how
• 1:09:58
  Speaker 1: many likes to get? People like this shit? Yeah, they
• 1:10:01
  Speaker 1: loving this. Fuck They're not fucking with this. You're so
• 1:10:04
  Speaker 1: consumed with it. If you don't learn how to fucking
• 1:10:08
  Speaker 1: put it down well at the same time utilizing it
• 1:10:10
  Speaker 1: to be like the thing to your advantage, you get lost. Man.
• 1:10:14
  Speaker 1: You know, I think the streamers are doing such an
• 1:10:18
  Speaker 1: amazing job. I think this new form of entertainment is
• 1:10:22
  Speaker 1: so dope when you see people just documenting their everyday life, right,
• 1:10:27
  Speaker 1: but also think it's feeding off of like real time
• 1:10:31
  Speaker 1: like reaction. But you don't see these people fucking reacting
• 1:10:36
  Speaker 1: in real time what they're saying, what they You get outside, man,
• 1:10:41
  Speaker 1: balance it, Get around some fucking people. There was a
• 1:10:45
  Speaker 1: time where the motherfuckers trapped in the basement talking to themselves.
• 1:10:49
  Speaker 1: We're weird. You can get weird fast. Put yourself around
• 1:10:55
  Speaker 1: some fucking people. Man, balance your shit out. Have a
• 1:10:58
  Speaker 1: seesaw some understanding. That's my one piece of advice to
• 1:11:04
  Speaker 1: the new wave. Y'all are fucking crushing, crushing, find him
• 1:11:08
  Speaker 1: a ways to make money in his business than we
• 1:11:10
  Speaker 1: ever thought would fucking present itself. Bounce it out. Be
• 1:11:16
  Speaker 1: people too, motherfuckers staring at the screen all day. And
• 1:11:20
  Speaker 1: the basement was weird. It was weird. Man, don't fucking
• 1:11:23
  Speaker 1: don't talk to Charlie. Man, Charlie was weird. Man, what
• 1:11:26
  Speaker 1: do you what do you think he's doing in there?
• 1:11:28
  Speaker 1: So motherfucker you were so concerned about the motherfuckering the basement,
• 1:11:32
  Speaker 1: the creepy man looking at the fucking screen on the Hey, man,
• 1:11:35
  Speaker 1: is he all right?
• 1:11:35
  Speaker 2: I see what happened. That's why you went and got
• 1:11:37
  Speaker 2: Kay and the basement purpose.
• 1:11:39
  Speaker 1: I wanted to go and embrace them, but the same time, like, yeah, man,
• 1:11:46
  Speaker 1: I could come fuck with y'all. But like this ship
• 1:11:49
  Speaker 1: over here, you gotta do this too, Like do this,
• 1:11:53
  Speaker 1: do this too. I like that Cad took a break too.
• 1:11:57
  Speaker 1: I like that he took a fucking break. Man. You
• 1:11:59
  Speaker 1: just can't. You cannot do this ship every day.
• 1:12:03
  Speaker 4: That's how he be looking.
• 1:12:14
  Speaker 1: You can't fucking do that, man, Like I remember, I
• 1:12:18
  Speaker 1: told Kyle one time, I fucking love him. I jaily
• 1:12:21
  Speaker 1: loved I told Cod one time, I said, hey man,
• 1:12:25
  Speaker 1: you gotta get outside, bro, like you look dead like
• 1:12:28
  Speaker 1: this nigga's face. He was staring at his grave for
• 1:12:31
  Speaker 1: fifty four days and some shiit motheruck was in the trance.
• 1:12:35
  Speaker 1: I said, hey man, well, lat's time you've been outside,
• 1:12:39
  Speaker 1: been in this fucking room for three months.
• 1:12:42
  Speaker 3: You know what's so funny about that? Since k I
• 1:12:43
  Speaker 3: got to teached outside, he ain't been back.
• 1:12:45
  Speaker 1: In that room. He's been living his life. And by
• 1:12:50
  Speaker 1: the way, he's gonna come back to it. But he
• 1:12:52
  Speaker 1: took a second, like take a breathere, go do your
• 1:12:56
  Speaker 1: ship like it's the same thing. I'm in the same shit.
• 1:12:59
  Speaker 1: I gotta work, show up every day, okay, But then
• 1:13:02
  Speaker 1: I'm let me step outside, let me go be around
• 1:13:05
  Speaker 1: some fucking people, shake some hands, say hello. So you
• 1:13:09
  Speaker 1: don't get consumed in this capsule of whatever the fuck
• 1:13:11
  Speaker 1: this is. Let me make sure I still know what
• 1:13:13
  Speaker 1: this is.
• 1:13:14
  Speaker 2: To beat your record?
• 1:13:16
  Speaker 4: And what's the youngest.
• 1:13:18
  Speaker 5: Now, he's the youngest person that hosts to bet whereas
• 1:13:20
  Speaker 5: you were the youngest at the ship.
• 1:13:22
  Speaker 3: But he as he should at what.
• 1:13:35
  Speaker 1: He's no Kevin be saying he's just hosted right right, right,
• 1:13:40
  Speaker 1: right right now. He should like, that's my guy. With
• 1:13:44
  Speaker 1: another example, embracing them just to show you, like how
• 1:13:51
  Speaker 1: I think, how's your teacher? I am embracing them was
• 1:13:55
  Speaker 1: to further them. I don't give a fuck. I'm not
• 1:13:58
  Speaker 1: doing it for me. I don't need to go and
• 1:14:01
  Speaker 1: be on the stream. I want to see these young
• 1:14:03
  Speaker 1: guys advanced. Let me come put my arm around him,
• 1:14:07
  Speaker 1: fuck with him, give him this energy, and let me
• 1:14:10
  Speaker 1: hope that energy follows. Drew Ski is a star. I
• 1:14:14
  Speaker 1: will say it. He's a fucking star. Drew Ski is
• 1:14:20
  Speaker 1: one project away from getting to the next stage, and
• 1:14:26
  Speaker 1: that next stage is just more opportunities and the project.
• 1:14:30
  Speaker 1: It doesn't mean like it's the biggest movie, but it's
• 1:14:32
  Speaker 1: the right movie. It's the right thing where he can
• 1:14:35
  Speaker 1: be the number three on the fucking call sheet or
• 1:14:38
  Speaker 1: in the cast and that character pops in It's fun.
• 1:14:41
  Speaker 1: He is one single way I've I have been progressively
• 1:14:47
  Speaker 1: trying to create the thing. We still still are like developing. Try.
• 1:14:54
  Speaker 1: I have not cracked the thing yet, am I trying? Fuck? Yeah,
• 1:14:57
  Speaker 1: well I get it, Yeah, I'll get it. It takes
• 1:15:00
  Speaker 1: time to get it. It takes time to find I
• 1:15:02
  Speaker 1: can't just put him in the fucking movie because it
• 1:15:04
  Speaker 1: might not be the right movie, or there was other
• 1:15:05
  Speaker 1: people that were better for the movie, like seventy two
• 1:15:07
  Speaker 1: hours we had uh I had him come in an audition.
• 1:15:10
  Speaker 1: Nick gave a great audition, but we had to go
• 1:15:12
  Speaker 1: with the fucking the better actor for the part. And
• 1:15:15
  Speaker 1: I'm like, fuck, man, like I want to get my guy,
• 1:15:18
  Speaker 1: but I still got to also make the projects. Accordingly,
• 1:15:22
  Speaker 1: Drew Ski is a fucking star. Kai Kai will be
• 1:15:26
  Speaker 1: a star. Kai is a entrepreneur, Kai as a creative Kai.
• 1:15:30
  Speaker 1: There's a lot of fucking genius in my guy's mind.
• 1:15:34
  Speaker 1: And once he just like gets it to where he's like, Okay,
• 1:15:37
  Speaker 1: it's gonna be this now because Kyle scattered, he want
• 1:15:39
  Speaker 1: to do he want to like I got it, I
• 1:15:42
  Speaker 1: want to Okay, now I'm gonna he scattered. Once he
• 1:15:45
  Speaker 1: just locks in and says, Okay, this is the thing
• 1:15:47
  Speaker 1: and I'm here for a while. He'll see the benefits
• 1:15:49
  Speaker 1: from it. And I think that's what the whole clear
• 1:15:51
  Speaker 1: in his head and taking his step back. That's why
• 1:15:53
  Speaker 1: I said, I love that he did it. But all
• 1:15:57
  Speaker 1: of those guys in those in those streaming things, they're
• 1:16:00
  Speaker 1: just finding ways to showcase what makes them special. And
• 1:16:06
  Speaker 1: when you see it, you can clearly go, oh, no,
• 1:16:09
  Speaker 1: this motherfucker's got something different. Oh he's got something different.
• 1:16:13
  Speaker 1: Some of them have it, and as a matter of
• 1:16:15
  Speaker 1: time before that thing goes. I just hope that they
• 1:16:18
  Speaker 1: don't fall in love with the money too much that
• 1:16:20
  Speaker 1: it prevents them from getting to the next thing, because
• 1:16:22
  Speaker 1: the next thing doesn't pay. When it's like the beginning,
• 1:16:26
  Speaker 1: you gotta work your way to get to the pay.
• 1:16:27
  Speaker 4: But that's what they got you for not to well.
• 1:16:30
  Speaker 1: I mean, I give the information. That's what I said.
• 1:16:32
  Speaker 1: If you know me, then I'm never not telling. I'm
• 1:16:34
  Speaker 1: never not giving gems. I'm never not like putting it
• 1:16:39
  Speaker 1: on the table so they can really understand.
• 1:16:41
  Speaker 2: Don't you have a movie?
• 1:16:42
  Speaker 1: Yeah, okay, it's funny, is coming out. It's coming out.
• 1:16:46
  Speaker 1: It's funny though, just like figuring out where we're putting it.
• 1:16:51
  Speaker 1: Just a conversation right now. But it's funny. It's like
• 1:16:55
  Speaker 1: it's it's embracing the world of streaming, so it's like
• 1:16:59
  Speaker 1: live stream from hell and it's we did like a
• 1:17:02
  Speaker 1: silly ass horror live stream. Livestream goes down and then
• 1:17:07
  Speaker 1: a bunch of ship like happens during the live stream.
• 1:17:10
  Speaker 1: But it was simple. I said, like, let's just do
• 1:17:12
  Speaker 1: it and have fun. He's funny, man, he's funny. I
• 1:17:17
  Speaker 1: don't want him to lose too much weight though, you
• 1:17:21
  Speaker 1: know what I mean.
• 1:17:22
  Speaker 2: He's got this joyful.
• 1:17:23
  Speaker 1: He's right there, and he go down a little bit more.
• 1:17:26
  Speaker 1: It's gonna get weird. I told him on the phone,
• 1:17:29
  Speaker 1: I said, you got to gain something back.
• 1:17:30
  Speaker 2: Damn you wanted to gain something.
• 1:17:32
  Speaker 1: You need to be I told him a little bit.
• 1:17:34
  Speaker 1: He's gotta put it.
• 1:17:35
  Speaker 4: You think it rests with it's funny or like, why no.
• 1:17:37
  Speaker 1: His head is just getting a little weird.
• 1:17:39
  Speaker 3: Why I think he had to lose something for the
• 1:17:40
  Speaker 3: sketches because when he's flying in on stuff, like when he.
• 1:17:42
  Speaker 1: That's a tough pool, a tough pol pulling that pull.
• 1:17:49
  Speaker 2: Somebody and Williams got a movie together?
• 1:17:51
  Speaker 1: Is uh No, Williams don't have a movie together. We will,
• 1:17:55
  Speaker 1: we will, but we do not. I want to. I
• 1:17:59
  Speaker 1: want to work with that, like I think we owe
• 1:18:01
  Speaker 1: it to our audiences to do something like I told you,
• 1:18:04
  Speaker 1: I'll say it again Cat Mike, you know the differences
• 1:18:07
  Speaker 1: that we had in the past, like the result. But
• 1:18:09
  Speaker 1: I want to work. I want to work with them.
• 1:18:11
  Speaker 1: Mike is in seventy two hours.
• 1:18:13
  Speaker 5: I was about to say I saw that people didn't
• 1:18:14
  Speaker 5: catch that. He's like, it was real quick. He was
• 1:18:16
  Speaker 5: in the trailer.
• 1:18:17
  Speaker 1: In the trailer, Mike is funny, He's in seventy two hours.
• 1:18:19
  Speaker 1: But we like we just want before it's said and done,
• 1:18:25
  Speaker 1: we all have to do something together. I don't I
• 1:18:29
  Speaker 1: don't give a fuck what it is, but we all
• 1:18:31
  Speaker 1: have to have a piece of content that is justification
• 1:18:36
  Speaker 1: of comedy for the culture, with the cultures like conglomerates,
• 1:18:44
  Speaker 1: like we have to The roaster is different, man, Like
• 1:18:49
  Speaker 1: everybody's not. Everybody's not doing that like that. It's a
• 1:18:51
  Speaker 1: different style of comedy, you know what I mean. Like
• 1:18:53
  Speaker 1: it's not everybody doesn't have like like that engine is
• 1:18:58
  Speaker 1: not snapping right like it's it's different. So I think
• 1:19:03
  Speaker 1: that there's a certain there's a certain side of comics
• 1:19:06
  Speaker 1: that want to do that, and this comedy is like
• 1:19:08
  Speaker 1: I don't really do that. I really fuck with that.
• 1:19:11
  Speaker 1: And you can't have many like you can only have
• 1:19:13
  Speaker 1: like six of them like Pete, I can't sit Pete
• 1:19:17
  Speaker 1: Davidson is a fucking great role, like he's a great
• 1:19:19
  Speaker 1: comic jobs, but when it comes to roasting like Pete,
• 1:19:22
  Speaker 1: Pete can go, Like there's certain niggas that can go
• 1:19:26
  Speaker 1: and put that pin to the pad. I think they
• 1:19:29
  Speaker 1: did a good job of putting, putting like uh, a
• 1:19:33
  Speaker 1: variety of those that can't do it. And also like
• 1:19:37
  Speaker 1: some people just don't want to do it.
• 1:19:39
  Speaker 5: It was people you askeds saying now, yes, Cyril, I
• 1:19:41
  Speaker 5: ain't funk with that kill Hell no, absolutely not, but
• 1:19:45
  Speaker 5: you would be great.
• 1:19:46
  Speaker 1: No, no, no, no, I don't want to do that
• 1:19:48
  Speaker 1: because they gonna be talking about.
• 1:19:49
  Speaker 5: Me because like I saw some more in there, and
• 1:19:51
  Speaker 5: I was like, I wonder if she would have been
• 1:19:52
  Speaker 5: good on the stage.
• 1:19:53
  Speaker 1: I wanted some more to do it.
• 1:19:54
  Speaker 3: So all the people people wanted, like the Chris Rocky
• 1:19:56
  Speaker 3: Dave Chapelle's, they probably was like, nah, they're.
• 1:19:58
  Speaker 1: Not doing like I'm not doing that, Like I don't
• 1:20:01
  Speaker 1: want people fucking talking shit about me for what Why
• 1:20:03
  Speaker 1: am I signing up for that? That's a difference Like
• 1:20:05
  Speaker 1: that in itself is a different thing. You gotta be
• 1:20:10
  Speaker 1: okay with that. Like a lot of people aren't for
• 1:20:14
  Speaker 1: whatever weird reason. I am, I don't give a fuck
• 1:20:16
  Speaker 1: have it.
• 1:20:18
  Speaker 3: Let's get keV out of here. Man, I do feel keV, like,
• 1:20:20
  Speaker 3: you know, this could be a rough patch?
• 1:20:24
  Speaker 1: What is that little little little a.
• 1:20:26
  Speaker 2: Little rough patch, a little rough patch?
• 1:20:28
  Speaker 3: But do you actually think this could be the best thing?
• 1:20:31
  Speaker 1: The fuck is this?
• 1:20:32
  Speaker 3: This will be the best thing that happens to you
• 1:20:34
  Speaker 3: and the company long term.
• 1:20:35
  Speaker 2: I really believe that.
• 1:20:36
  Speaker 1: I I think.
• 1:20:38
  Speaker 2: I've seen you. I've seen this happened to you a
• 1:20:40
  Speaker 2: couple of times.
• 1:20:40
  Speaker 1: Okay, so this is this is where this is weird?
• 1:20:43
  Speaker 1: Right to show, like how removed diet. He's like, this
• 1:20:47
  Speaker 1: could be a rough patch. I'm like, what where? What
• 1:20:52
  Speaker 1: rough patch? It happens.
• 1:20:53
  Speaker 3: It happens to all of us when you've been around
• 1:20:55
  Speaker 3: long enough, and every now and then you have a
• 1:20:57
  Speaker 3: little turmoil and amongst these people, the media, whoever.
• 1:21:02
  Speaker 1: But it's not. But it's it's not like it's it's
• 1:21:06
  Speaker 1: not so if you if you can identify, like dude
• 1:21:11
  Speaker 1: being angry, is it's it's now it's a popular contest, right,
• 1:21:18
  Speaker 1: It's cool. Let's jump on the fucking train of conversation.
• 1:21:22
  Speaker 1: It's the new end is there real substance behind it?
• 1:21:27
  Speaker 1: In this case, I will agree that George Floyd joke,
• 1:21:32
  Speaker 1: what's bad? Okay? Now what like, are you you're gonna
• 1:21:42
  Speaker 1: march on Tony? You're gonna you're marching on Netflix? Like,
• 1:21:46
  Speaker 1: what's the plan here? What's the what are we? What
• 1:21:49
  Speaker 1: are we doing? And what do we want? This has
• 1:21:53
  Speaker 1: to stop? What has to stop? It's over the roads happen.
• 1:21:58
  Speaker 1: So now the next rose, are you guys like gonna
• 1:22:02
  Speaker 1: go there and make sure that the the white guys
• 1:22:04
  Speaker 1: don't say this? And if they do, like, what's the
• 1:22:07
  Speaker 1: plan here?
• 1:22:07
  Speaker 4: Would you next ropes? Make sure that things like that
• 1:22:09
  Speaker 4: don't have her You don't care.
• 1:22:10
  Speaker 1: I'm not ever stepping in the way of a creative
• 1:22:15
  Speaker 1: as a comic. You have an opportunity to do whatever
• 1:22:19
  Speaker 1: the fuck you want to do. If I'm in control
• 1:22:22
  Speaker 1: of said thing. When you touch that stave, you're on
• 1:22:25
  Speaker 1: your own. I'm not in charge of your destiny. I'm
• 1:22:28
  Speaker 1: not in charge of like your dialogue, your verbiage. No,
• 1:22:32
  Speaker 1: why would I take that responsibility? Cause that means that
• 1:22:36
  Speaker 1: I gotta take all the good and I gotta take
• 1:22:38
  Speaker 1: the bad. Because I'm saying that I'm in charge absolutely
• 1:22:41
  Speaker 1: not have at it. At the end of the day,
• 1:22:45
  Speaker 1: what is everybody trying to do? Make it? Everybody's trying
• 1:22:49
  Speaker 1: to be an I want to be a star. However,
• 1:22:54
  Speaker 1: the fuck you feel like you should approach it have
• 1:22:58
  Speaker 1: at it ain't on me. So when you say like
• 1:23:03
  Speaker 1: rough patch, it's not. Life couldn't be better right now,
• 1:23:08
  Speaker 1: Work couldn't be better. Business is booming, work booming, opportunities booming,
• 1:23:16
  Speaker 1: creative booming like dialogue attached to a fucking roast. Numbers
• 1:23:22
  Speaker 1: don't lie.
• 1:23:24
  Speaker 2: No, But see, that's what you're messing up at.
• 1:23:25
  Speaker 3: And I'm gonna tell you why, I Ken, because a
• 1:23:27
  Speaker 3: lot of people's lives aren't booming right now and they
• 1:23:31
  Speaker 3: don't want to hear that shit from white people at
• 1:23:34
  Speaker 3: a time like this.
• 1:23:35
  Speaker 1: Once again, Charlamagne, you you just flipped your question. You said, Ken,
• 1:23:40
  Speaker 1: this could be a rough patch, So you were pertaining
• 1:23:43
  Speaker 1: to me. We're not talking about people's lives or whatever.
• 1:23:46
  Speaker 1: I'm never comparing or generalizing.
• 1:23:48
  Speaker 2: That that's the rough patch.
• 1:23:49
  Speaker 3: I mean the culture that you know you come from,
• 1:23:51
  Speaker 3: the culture that feels like they helped with your success tremendously. Yes,
• 1:23:54
  Speaker 3: they feel like they were hurt by something that happened that.
• 1:23:57
  Speaker 1: I did not say it, So stop.
• 1:24:00
  Speaker 4: But they're pushing back, would be you allowed it?
• 1:24:03
  Speaker 1: Stop? You can't say that it didn't come from my
• 1:24:07
  Speaker 1: fucking mouth. I didn't say it. And after said joke
• 1:24:11
  Speaker 1: was said, it was the end of his set. Nobody
• 1:24:14
  Speaker 1: else went up and nobody else went on the train
• 1:24:17
  Speaker 1: of nobody else was offended, nobody else was affected. The
• 1:24:22
  Speaker 1: night went on. Your rage can't be greater than those
• 1:24:27
  Speaker 1: that actually were on the stage that dealt with it
• 1:24:29
  Speaker 1: and then fired back. Sheryl is an example of what
• 1:24:33
  Speaker 1: the fuck you're supposed to do, Chelsea. Yes, Chelsea said,
• 1:24:37
  Speaker 1: oh you fucking uh nazis you this your that? Like
• 1:24:40
  Speaker 1: you okay? Like that's what you're supposed to do. So
• 1:24:45
  Speaker 1: my last my last note for all attached to this,
• 1:24:52
  Speaker 1: it's very simple. Okay, whatever the headlines or whatever the
• 1:24:56
  Speaker 1: dialogue is, my rebuttal is simplicity. Remove me from it.
• 1:25:01
  Speaker 1: I didn't say it. If you are upset that the
• 1:25:04
  Speaker 1: night went on, that's a different conversation. It's nothing I
• 1:25:07
  Speaker 1: can do. It's a production. It's a live production. I'm
• 1:25:12
  Speaker 1: not compromising the live production for a reaction of what
• 1:25:15
  Speaker 1: what do you want to do? I'mna drag him off.
• 1:25:17
  Speaker 1: I mean to fight afterwards when we turn it into
• 1:25:20
  Speaker 1: what That's not what I agreed to do. That's not
• 1:25:23
  Speaker 1: the job at hand. The job in hand was to
• 1:25:25
  Speaker 1: produce a successful Rose, which I did. I also got
• 1:25:29
  Speaker 1: the rebuttal I also got to say shit at the end,
• 1:25:33
  Speaker 1: what are we dealing with here? I'll say it again.
• 1:25:37
  Speaker 1: Stop talking as if I said it so when you
• 1:25:39
  Speaker 1: say the family and the family's affected. I didn't disrespect
• 1:25:42
  Speaker 1: the family, showed up for the family when it happened,
• 1:25:46
  Speaker 1: made sure that the family felt support it, made sure
• 1:25:48
  Speaker 1: that all things there were actually cool behind the scenes.
• 1:25:52
  Speaker 1: Just as an example. You know, the one person that
• 1:25:55
  Speaker 1: I talked to and I'm not even gonna take the
• 1:25:57
  Speaker 1: conversation Steve and Jackson.
• 1:25:59
  Speaker 2: I know you.
• 1:26:00
  Speaker 1: That's because that's my nigga, Hey Stack, let me just
• 1:26:03
  Speaker 1: call you man so I can explain to you, like
• 1:26:05
  Speaker 1: the world of the Rose, x Y and Z we talked.
• 1:26:08
  Speaker 1: I'll get it, keV. We had a great conversation. But
• 1:26:12
  Speaker 1: that's what I mean when I say, hey man, let
• 1:26:13
  Speaker 1: me call the one person after and that's before whatever
• 1:26:18
  Speaker 1: you're talking about. That's immediate that Hey, Tony, Tony threw
• 1:26:23
  Speaker 1: one out. There is this and this, but you do
• 1:26:26
  Speaker 1: know that that's what this ship is. A rose. I
• 1:26:28
  Speaker 1: just want you to know from my side that man
• 1:26:30
  Speaker 1: is on his own lead with that keV.
• 1:26:33
  Speaker 2: The whole time.
• 1:26:34
  Speaker 1: I don't need to I don't fucking need to prove
• 1:26:37
  Speaker 1: the people that I give a fuck.
• 1:26:39
  Speaker 3: No, I don't no, no.
• 1:26:43
  Speaker 1: If you open that door, then that's the door that
• 1:26:45
  Speaker 1: people expect on. Why the fuck do I need to
• 1:26:48
  Speaker 1: do that.
• 1:26:48
  Speaker 5: I think it's because of how much the George Floyd
• 1:26:51
  Speaker 5: situation affected so many people. This is I think I
• 1:26:53
  Speaker 5: get what you're saying and how you're staying on your business,
• 1:26:55
  Speaker 5: and I respect you business to say it. But their
• 1:27:02
  Speaker 5: pushback is it happened at Kevin Hart's Rose. Kevin Hart
• 1:27:05
  Speaker 5: who is like, he's like, so many of us support you.
• 1:27:10
  Speaker 3: To hear you say what you said today is tasteless.
• 1:27:12
  Speaker 3: You actually reached out to somebody who's considered the family.
• 1:27:15
  Speaker 1: I have the I have the best example. If I
• 1:27:19
  Speaker 1: go to a If I go to a night club
• 1:27:21
  Speaker 1: and like, we're celebrating, right, and two people get killed
• 1:27:27
  Speaker 1: that night at the nightclub, what's the headline?
• 1:27:31
  Speaker 2: Kevin Hart's party shot two people.
• 1:27:33
  Speaker 1: That Kevin Hart party. Right, people may say, I'm not
• 1:27:38
  Speaker 1: going to Kevin Hart's party again. Man, you can't go
• 1:27:40
  Speaker 1: to Kevin Harsh. Kevin Harsher ain't safe. I ain't fucking
• 1:27:43
  Speaker 1: with keV. You heard what happened, but I didn't. I
• 1:27:46
  Speaker 1: didn't do it. I didn't even know the people that
• 1:27:49
  Speaker 1: fucking were shooting. I didn't even know the two people
• 1:27:51
  Speaker 1: that got killed. That's the nature of being the name.
• 1:27:57
  Speaker 1: Your name is attached to things to make things bigger.
• 1:28:02
  Speaker 1: What is mofucking? I didn't shoot the gun? Why am
• 1:28:06
  Speaker 1: I arguing? Why am I doing interviews after party?
• 1:28:09
  Speaker 2: Were guns?
• 1:28:09
  Speaker 1: But who knows? I didn't. I'm I don't work the
• 1:28:12
  Speaker 1: metal detectors. I'm not. I'm not the security guys. The
• 1:28:16
  Speaker 1: club does all that I don't. I don't have those answers.
• 1:28:20
  Speaker 1: Do you understand what I'm saying? Like the responsibility just
• 1:28:23
  Speaker 1: it starts to compile as if I'm the one in charge.
• 1:28:27
  Speaker 1: We are not in charge of the dialogue from anybody
• 1:28:30
  Speaker 1: on that stage.
• 1:28:31
  Speaker 3: The only difference is if it was a party, you
• 1:28:34
  Speaker 3: would have invited the men. If you invited them to
• 1:28:36
  Speaker 3: the party and you knew they was coming, and you
• 1:28:37
  Speaker 3: knew they was gonna be there, and you know they
• 1:28:39
  Speaker 3: potentially might.
• 1:28:42
  Speaker 2: Like you know you, you know how Tony get down.
• 1:28:44
  Speaker 1: Okay, so the Tom Brady ROAs was a big hit, right,
• 1:28:49
  Speaker 1: what was the talent attached to tom Brady's rose that was
• 1:28:51
  Speaker 1: a huge hit? Also asked Nicki Glazer to do it.
• 1:28:55
  Speaker 1: Tony and Nicky were the two stands outs from that ross.
• 1:29:00
  Speaker 1: They were they were the big fucking winners of that roast.
• 1:29:04
  Speaker 1: I'm gonna get the winners of that roast to come
• 1:29:06
  Speaker 1: back and fuck with me on mine. It's that simple.
• 1:29:08
  Speaker 1: There was no other thought. I don't know the track
• 1:29:11
  Speaker 1: record of and what I'm going from. Hey man, bring
• 1:29:15
  Speaker 1: the hitters back. Let's see we can get Nikki and
• 1:29:17
  Speaker 1: Tony because they crushed on the last one. Jeff, you
• 1:29:19
  Speaker 1: gotta do this one too. Okay. What is Kevin pulling
• 1:29:23
  Speaker 1: the talent from? I'm pulling it from what success? That's
• 1:29:27
  Speaker 1: it is that simple. So so all of this like
• 1:29:31
  Speaker 1: idea of Kevin invited to them, He knowed they How
• 1:29:34
  Speaker 1: the fuck do you think you think I'm hanging out
• 1:29:36
  Speaker 1: with these people? Do you think I'm you think I'm
• 1:29:38
  Speaker 1: on a day to day with these fucking people?
• 1:29:40
  Speaker 2: Well, if they said you was hanging out with them.
• 1:29:43
  Speaker 1: I mean, if the attempt behind humor is that if
• 1:29:50
  Speaker 1: you get your laugh, have at it. If you don't
• 1:29:52
  Speaker 1: deal with it, all I'm saying is take this world
• 1:29:54
  Speaker 1: of responsibility off my fucking plate. When it's not what
• 1:29:59
  Speaker 1: is not not valid.
• 1:30:00
  Speaker 3: If Tony calls you right now, I says man cav Man,
• 1:30:02
  Speaker 3: I was out of the comedy club. Man and man,
• 1:30:05
  Speaker 3: this dude man said he was George Flay brother smacked
• 1:30:07
  Speaker 3: the ship out me.
• 1:30:08
  Speaker 1: Ye'all deal with that. What do you want me to do?
• 1:30:15
  Speaker 1: You want me to do? That's the consequences of the ship.
• 1:30:19
  Speaker 1: You gotta deal with the consequences once again. If I
• 1:30:22
  Speaker 1: deserve the consequences, guess what I do. I'll sit in
• 1:30:25
  Speaker 1: the seat and I'll take it off. Ah, why am
• 1:30:29
  Speaker 1: I getting out like what I'm not. I'm not the
• 1:30:32
  Speaker 1: fucking the corporate I'm not the guy. So have at
• 1:30:38
  Speaker 1: it with the emotions or the anger. I get it.
• 1:30:44
  Speaker 1: I'm saying, you have to get it. You can be
• 1:30:47
  Speaker 1: upset about the joke, but then you have to move
• 1:30:50
  Speaker 1: on like it's it's you can't like what we're doing
• 1:30:55
  Speaker 1: now and what we're living in now. It's too much.
• 1:30:59
  Speaker 1: And what you're doing is the complete opposite of what
• 1:31:02
  Speaker 1: you think you're doing. If you don't like the product
• 1:31:06
  Speaker 1: and you keep talking about the product, you're going to
• 1:31:09
  Speaker 1: make the product bigger. So what are you doing at
• 1:31:13
  Speaker 1: this point other than feeding in to the idea of
• 1:31:17
  Speaker 1: the gimmick. It's that simple that that that's a fact.
• 1:31:23
  Speaker 1: So whatever conversation you choose to just keep going and
• 1:31:28
  Speaker 1: and continue, that's your choice. Once again, I can't control that.
• 1:31:33
  Speaker 1: I can't control what you choose to talk about, what
• 1:31:36
  Speaker 1: you choose to fucking like be upset about. That's not
• 1:31:40
  Speaker 1: my responsibility. It's no different over here. Kevin Hart would
• 1:31:45
  Speaker 1: never make a joke at such. Kevin Hart did not
• 1:31:48
  Speaker 1: make a joke at such. Kevin Hart, even in his
• 1:31:52
  Speaker 1: jokes of all, did not have any slurs attached to anyone,
• 1:31:56
  Speaker 1: because that's not my style of comedy. You're looking at
• 1:31:59
  Speaker 1: a stop, you're looking at a choice. This isn't new.
• 1:32:04
  Speaker 1: Go look up Don Rickles, Go look up Sam Kennison,
• 1:32:11
  Speaker 1: Go look up Archie Bunker. It's a choice. It's a style.
• 1:32:18
  Speaker 1: You don't have to like the style. Go look up
• 1:32:20
  Speaker 1: Andrew dice Clan his prime. What the fuck are we
• 1:32:24
  Speaker 1: talking about? Man, This is not new, it's comedy. It's
• 1:32:27
  Speaker 1: a choice, it's a gimmick. That's it. Stop being fucking ignorant,
• 1:32:35
  Speaker 1: ignorant and thought ignorant and understanding. It's very easy to
• 1:32:38
  Speaker 1: look at something and react. It's hard to process and
• 1:32:42
  Speaker 1: break down and understand. Bad joke, taste, his joke. I
• 1:32:47
  Speaker 1: don't like that joke. Yes, that's it, So so be
• 1:32:51
  Speaker 1: offended and then like, go to work, go to go
• 1:32:55
  Speaker 1: have it like your day. It shouldn't be this. It's
• 1:32:58
  Speaker 1: too much. It's too much, especially when you're a student
• 1:33:01
  Speaker 1: of the comedy and you know, like if this was
• 1:33:03
  Speaker 1: new and this is the first time we heard something
• 1:33:05
  Speaker 1: like this, oh my god, well then this deserves the uproar.
• 1:33:09
  Speaker 1: But it's not new by time. Brady ROAs, she heard
• 1:33:12
  Speaker 1: versus jokes the roast before that, you heard versus jokes.
• 1:33:14
  Speaker 1: Go watch Flavor Flames roast. You want to you want
• 1:33:16
  Speaker 1: to see some ship, Go watch Flavor Flames. I mean,
• 1:33:19
  Speaker 1: you want to see some ship.
• 1:33:20
  Speaker 3: Now.
• 1:33:20
  Speaker 1: The flavor Flame Rose is the only one where I
• 1:33:22
  Speaker 1: was like whoa, I mean that one. I was a
• 1:33:25
  Speaker 1: little uncomfortable. I was like, sh flame. I kept looking
• 1:33:30
  Speaker 1: at the flavor and Flave at one point, didn't know
• 1:33:32
  Speaker 1: it's going on. I don't think nobody explained the flame
• 1:33:37
  Speaker 1: flake was like, what the fuck? What the fuck is ship?
• 1:33:41
  Speaker 4: He's so happy and jolly.
• 1:33:43
  Speaker 1: I mean they fucked flave up?
• 1:33:45
  Speaker 2: Was y'all telling me it's a celebration and then you
• 1:33:47
  Speaker 2: fucking gunning?
• 1:33:48
  Speaker 1: Well, first of all, I wasn't Once again, I wasn't there.
• 1:33:52
  Speaker 1: I didn't do it. I'm saying the roaster flavor flame
• 1:33:54
  Speaker 1: Kevin Harm wasn't there. But I'm saying that ROAs go
• 1:33:57
  Speaker 1: look at it, Go look at go look at the
• 1:33:59
  Speaker 1: comics black and White and how they attacked that fucking days. Yeah,
• 1:34:04
  Speaker 1: go educate yourself on it. But this is a good conversation.
• 1:34:07
  Speaker 2: Conversation Kevin Hart, thank you.
• 1:34:09
  Speaker 1: And I didn't mean it. You guys are idiots.
• 1:34:12
  Speaker 5: The first of all, when you first said it, you
• 1:34:15
  Speaker 5: single me. I'm glad you just included him because he's
• 1:34:17
  Speaker 5: the dumbest called everybody dumb.
• 1:34:19
  Speaker 1: Don't it's not but I'm not. But I don't mean it.
• 1:34:22
  Speaker 2: Yes he does.
• 1:34:22
  Speaker 1: I'm just saying you're.
• 1:34:26
  Speaker 2: Very Oh okay, it's it's Kevin Hart. It's the Breakfast Club.
• 1:34:31
  Speaker 1: Kids made me Angry Father's Day seventy two hours dropping
• 1:34:35
  Speaker 1: in July. Big movie, Big comedy, Hard are great, Young
• 1:34:41
  Speaker 1: cast I can't wait for you guys to see it.
• 1:34:45
  Speaker 1: And Funny Ye Shimming on Netflix. Make sure you guys
• 1:34:48
  Speaker 1: go see it. Shout out to Ron Taylor. I Winter,
• 1:34:50
  Speaker 1: but you guys should just see the world of this
• 1:34:51
  Speaker 1: fucking comedy competition show is great and the roadse to
• 1:34:54
  Speaker 1: Kevin Heart Still Shimming on Netflix. Go check it out
• 1:34:56
  Speaker 1: so you can understand what all of the uproar is about.
• 1:35:00
  Speaker 1: You guys made me away, Okay.
• 1:35:02
  Speaker 2: It's Kevin Hoffins and Breakfast Club.
• 1:35:04
  Speaker 3: Hold up every day I wake up, click your ass
• 1:35:08
  Speaker 3: up the Breakfast Club. You'll finish for y'all dumb