Latest / Crime Night / The $11,000 Debt and the Unsettling Pride: Unmasking the Asyut Murderers
Transcript
- 0:00Speaker 1: I imagine this scene in the middle of the day
- 0:01Speaker 1: in albert aresute. The ear's warm, you know, thick with
- 0:04Speaker 1: that earthy smell of the poultry he just dropped off.
- 0:07Speaker 1: Thirty year old commis sitting there. They've offered him a drink,
- 0:10Speaker 1: this really syrupy sweet juice. He's just there for a
- 0:14Speaker 1: simple task, albeit a frustrating one, collect a debt that's
- 0:17Speaker 1: been outstanding for way too long. So he drinks. But
- 0:20Speaker 1: underneath that sweetness there's this faint bitterness, pharmaceutical almost, but
- 0:24Speaker 1: he doesn't really register it, not immediately. Then, maybe fifteen
- 0:27Speaker 1: minutes later, the room starts to shift. The faces. He
- 0:30Speaker 1: knows Latifa, her daughter's Shama Mona. They start to blur
- 0:33Speaker 1: a little. This sudden, heavy disorientation just washes over him.
- 0:37Speaker 1: Kamis tries to get up, you know, shake off this
- 0:39Speaker 1: weird lethargy, but his body just isn't responding right, his
- 0:42Speaker 1: visions swimming. But he looks up one last time at
- 0:45Speaker 1: the three women. He later recalled their expressions fixed, deeply, unsettling, cold,
- 0:52Speaker 1: and in that sickening moment, it hits him he wasn't
- 0:54Speaker 1: there to collect money. He'd walk straight into a trap.
- 0:56Speaker 2: Yeah, it's just the ultimate betrayal, and it's rooted in
- 0:59Speaker 2: this really terri verifying contradiction. You have. Commis, this guy
- 1:02Speaker 2: everyone liked, trusted, He spent a whole decade building his
- 1:05Speaker 2: business purely on credit, on good faith, and yet he's
- 1:07Speaker 2: executed brutally, premeditated by the very clients he trusted most.
- 1:12Speaker 2: And not ever some big business dispute. No, it was
- 1:14Speaker 2: over wounded pride. Basically, the price tag on his life
- 1:18Speaker 2: just eleven thousand Egyptian pounds.
- 1:20Speaker 1: Okay, let's really unpack this. Then, this is the deep
- 1:23Speaker 1: dive into the ascute murders, a truly chilling story about
- 1:26Speaker 1: how three women put perceived status, this misplaced pride ahead
- 1:31Speaker 1: of a man's life, all for eleven thousand egp. So Commis,
- 1:35Speaker 1: he was thirty, an itinerant vendor working hard in the
- 1:38Speaker 1: Albadari Center, sold a bit of everything, closed appliance's poultry ducks,
- 1:41Speaker 1: all on installment plants. People knew he was incredibly kind.
- 1:44Speaker 1: He was supporting his wife, his daughter, his eldly parents
- 1:46Speaker 1: all through this business that relied on flexibility. His whole
- 1:49Speaker 1: system was built on trust. He kept meticulous records. You know,
- 1:52Speaker 1: every payment every debt in this big ledger book at.
- 1:55Speaker 2: Home, right, and then you have Latifah and her two daughters,
- 1:58Speaker 2: Shama and Mona. Latifa was the head of the household
- 2:01Speaker 2: since her husband died a couple of years back. Now,
- 2:04Speaker 2: outwardly to the village, she was just another customer, maybe
- 2:06Speaker 2: a bit difficult, but still but there was this hitting
- 2:09Speaker 2: truth about her finances. Her husband had worked in Saudi
- 2:12Speaker 2: Arabia for years, right, and he left her quite well off,
- 2:16Speaker 2: a big plot of land, a house with multiple floors,
- 2:19Speaker 2: and crucially, a bank transfer of two million Egyptian pounds.
- 2:23Speaker 2: Let's be clear, that's a lot of money. They were
- 2:25Speaker 2: financially secure. Despite all this, Latifa was Comz's most problematic client,
- 2:30Speaker 2: always delaying payment on this eleven thousand EGP debt for
- 2:34Speaker 2: seven years. She dragged it out, always claiming she had
- 2:37Speaker 2: no money.
- 2:38Speaker 1: Seven years. That's an incredibly long time to carry a
- 2:41Speaker 1: debt like that, especially when it's your working capital needed
- 2:43Speaker 1: to support your own family. So eventually Commies had to
- 2:45Speaker 1: do something. He needed to protect his business. He had
- 2:47Speaker 1: to make it more formal. With Latifa. He took a
- 2:50Speaker 1: step that was purely professional really, he had her sign
- 2:53Speaker 1: a promisory note. It's called the wazle Amana.
- 2:55Speaker 2: There exactly, And this is where things really changed legally
- 2:58Speaker 2: and emotionally. How weslamana isn't just some casual iou under
- 3:03Speaker 2: Egyptian law, It's serious. It's a receipt of trust. If
- 3:06Speaker 2: you default on it, a civil debt can instantly become
- 3:09Speaker 2: a criminal matter. It basically meant Latifa formally acknowledged that
- 3:13Speaker 2: eleven thousand EGP wasn't just something she owed, it was
- 3:16Speaker 2: a legal obligation she couldn't just ignore.
- 3:19Speaker 1: Okay. And here's where it gets well, really mind boggling.
- 3:21Speaker 1: Despite pleading poverty, despite dodging this now serious legal note,
- 3:26Speaker 1: Commies finds out just how hypocritical Latifa was being. He
- 3:29Speaker 1: discovers she's actually building a third floor under her house,
- 3:32Speaker 1: a project costing something like two hundred thousand EGP. Wait
- 3:35Speaker 1: a minute, two hundred thousand EGP for construction. While refusing
- 3:39Speaker 1: for seven years to pay eleven thousand, they risked, well,
- 3:43Speaker 1: they committed murder over what was essentially pocket change for them.
- 3:46Speaker 2: Precisely, that's the core of it. The refusal wasn't about
- 3:48Speaker 2: the money itself, not about lacking funds it was about pride,
- 3:51Speaker 2: all about control, about not being dictated to by a vendor.
- 3:55Speaker 2: This huge disparity spending a fortune on the house while
- 3:57Speaker 2: stonewalling on a minor, legally binding debt, that's what sparks
- 4:01Speaker 2: the final fatal confrontation.
- 4:03Speaker 1: So Comis goes straight to her house and the argument.
- 4:06Speaker 1: It wasn't quiet, it was heated, loud, public. Basically, he
- 4:10Speaker 1: confronts Latifah, calls her out on the construction project, demands
- 4:14Speaker 1: she finally settle up. She refuses, so he does what
- 4:18Speaker 1: he probably felt he had no choice but to do.
- 4:20Speaker 1: He threatens to take that Wizomanana straight to the police.
- 4:23Speaker 1: The very next day. And the crucial detail here, neighbors
- 4:27Speaker 1: heard it, the whole loud argument, and both daughters, Shama
- 4:31Speaker 1: and Mona, they were right there watching Commis apparently with
- 4:35Speaker 1: this really cold, silent intensity and.
- 4:37Speaker 2: That public argument, his loud voice being heard outside their house.
- 4:41Speaker 2: That became their justification, at least the one they gave. Later,
- 4:44Speaker 2: the three women get together right after Kami's leaves. Their rationale,
- 4:47Speaker 2: which came out in their testimonies, was all about how
- 4:49Speaker 2: Kamis had dishonored them because he was loud, because neighbors heard.
- 4:53Speaker 2: It was perceived as this huge slight against the family status,
- 4:57Speaker 2: their reputation in the village.
- 4:58Speaker 1: I still find that hard to swallow, though loud voice
- 5:00Speaker 1: is the sole reason. It feels like there must have
- 5:02Speaker 1: been this deeper resentment festering over those seven years of
- 5:05Speaker 1: dodging the debt.
- 5:07Speaker 2: Oh. Absolutely, the seven years laid the groundwork, No doubt
- 5:10Speaker 2: that constant pressure, the evasion it built resentment on both sides,
- 5:14Speaker 2: I imagine, But the public confrontation that was a tipping point,
- 5:18Speaker 2: The immediate unforgivable offense in their eyes, for a family
- 5:21Speaker 2: that seems to have been wealthy but maybe trying to
- 5:23Speaker 2: project even more status, being publicly shamed by a vendor
- 5:27Speaker 2: over a small debt intolerable. They couldn't just pay him
- 5:30Speaker 2: then that would almost validate his challenge to their authority,
- 5:33Speaker 2: their image. So instead, the decision was made Kamis must
- 5:37Speaker 2: be taught a lesson. He had to disappear completely. The
- 5:41Speaker 2: murder was about protecting that facade, that reputation, far more
- 5:44Speaker 2: than it was about the eleven thousand EGP itself.
- 5:47Speaker 1: The planning that followed who it was just so meticulous,
- 5:50Speaker 1: so cold. Exactly one week After the argument, Shaima calls Kamis.
- 5:54Speaker 1: She sounds friendly, apparently tells them they're finally ready to
- 5:56Speaker 1: pay the whole debt. The lure was simple, bring some poultry.
- 5:59Speaker 1: She asked this key bring the promisory note so she
- 6:02Speaker 1: could tear it up once he was paid.
- 6:03Speaker 2: Right. And while Shema's making that call, the others are
- 6:05Speaker 2: getting things ready. Mona, the younger daughter, is out in
- 6:08Speaker 2: the garden digging a hole, a large hole sized for
- 6:12Speaker 2: a man. Shemah prepares the juice, laces it heavily with
- 6:15Speaker 2: sleeping pills, sedatives, and Latifa the mother, the matriarch. She's
- 6:20Speaker 2: finalizing the logistics, making sure everything's in place for what's
- 6:23Speaker 2: about to happen.
- 6:24Speaker 1: So Commie's arrives on his motorcycle, completely unsuspecting. He didn't
- 6:29Speaker 1: tell anyone where he was going specifically, and the first
- 6:32Speaker 1: thing Shama does is tell him to bring the motorcycle
- 6:35Speaker 1: inside their compound, say she's worried about it being stolen,
- 6:38Speaker 1: a totally false concerned, of course, but it gets him
- 6:41Speaker 1: and his bike completely inside trapped.
- 6:45Speaker 2: He drinks the juice they offer him, and then about
- 6:47Speaker 2: fifteen minutes later, as the drugs start taking hold, he
- 6:49Speaker 2: has that awful moment of clarity, he realizes what they've done,
- 6:53Speaker 2: what's happening. Even as he's slipping into unconsciousness, Latifa is
- 6:56Speaker 2: apparently still focused purely on the money, pressing him about
- 6:59Speaker 2: where the promise note is.
- 7:00Speaker 1: He tries to fight it, tries desperately to stand up
- 7:03Speaker 1: to get out of there, even as the drugs are
- 7:05Speaker 1: paralyzing him, but he's too slow, too weak. Before he
- 7:09Speaker 1: can even take a step, Shamma attacks him with a
- 7:12Speaker 1: big club or a heavy stick, hits him over the head,
- 7:14Speaker 1: on his back, again and again until he just collapses
- 7:17Speaker 1: onto the floor, unconscious. And the really horrifying part confirmed
- 7:21Speaker 1: later by the medical examiner. Even after that savage beating,
- 7:25Speaker 1: Comis was still alive.
- 7:26Speaker 2: Yeah, and this is where it moves from a brutal
- 7:28Speaker 2: assault into something else, something deeply disturbing. It's like a
- 7:31Speaker 2: post mortem preparation, but on a living person. Latifa goes
- 7:34Speaker 2: and gets supplies. They had already prepared, a big roll
- 7:37Speaker 2: of rope, two large sacks, adhesive tape. They work fast, efficiently.
- 7:41Speaker 2: They bind the unconscious comedies completely head to toe, secure
- 7:44Speaker 2: him tightly with the rope. Then they pull the two
- 7:46Speaker 2: sacks over his entire body, tape his mouth shut and
- 7:49Speaker 2: reinforce all the bindings, just completely packaged.
- 7:52Speaker 1: But they weren't taking any chances. They needed to be
- 7:54Speaker 1: absolutely sure. Latifa, the leader here it seems, performs the
- 7:58Speaker 1: final act herself. She strangles the already bound, unconscious Commis,
- 8:02Speaker 1: making certain he was dead before they moved on to
- 8:04Speaker 1: the burial.
- 8:05Speaker 2: The cleanup afterwards shows just how terrifyingly planted this was.
- 8:09Speaker 2: The three of them carry the body out to the
- 8:11Speaker 2: hole Mona had dug earlier. They bury him, cover the
- 8:14Speaker 2: grave with stones to make it look undisturbed. Shima immediately
- 8:18Speaker 2: takes Coami's's mobile phone, drives to the nearest canal and
- 8:21Speaker 2: throws it in, gets rid of the main way he
- 8:23Speaker 2: could be tracked. Meanwhile, Mona hides the motorcycle in their
- 8:26Speaker 2: chicken farm area gathers tools. The plan is to dismantle
- 8:30Speaker 2: it piece by piece and dispose of it later, probably
- 8:32Speaker 2: in the same canal.
- 8:33Speaker 1: The psychological detachment needed for what happens next is well,
- 8:37Speaker 1: it's staggering. All of this, the murder, the binding, the burial.
- 8:41Speaker 1: It's finished by about one point zero PM, and the
- 8:43Speaker 1: switch back to normal life is instantaneous. Mona just goes
- 8:47Speaker 1: off to our afternoon lesson, like nothing happened. Latifa and
- 8:50Speaker 1: Schama stay home, prepare lunch, eat lunch, as if they
- 8:53Speaker 1: just spent the morning doing chores. One minute, they're burying
- 8:56Speaker 1: a man they just murdered it in their garden, the
- 8:58Speaker 1: next they're making sandwiches. It suggests this terrifying ability to
- 9:02Speaker 1: just compartmentalize, or maybe a complete lack of empathy.
- 9:06Speaker 2: That evening, around ten zero pm, Kamisi's family knows something
- 9:09Speaker 2: is seriously wrong. They report him missing. They stress to
- 9:12Speaker 2: the police this is completely unlike him, his phone being off,
- 9:16Speaker 2: not contacting anyone, unheard of. They emphasize who was reliable, punctual,
- 9:20Speaker 2: He didn't have any known enemies, no ongoing conflicts they
- 9:23Speaker 2: were aware of. There were certain something terrible had happened.
- 9:25Speaker 1: The police start investigating. They begin at Commi's house looking
- 9:28Speaker 1: for clues, and they find the key pretty quickly. That
- 9:31Speaker 1: meticulous financial ledger he kept. The agenda leads him through
- 9:34Speaker 1: his clients, his debts, and appoints him to the last
- 9:36Speaker 1: active debtor who owed a significant sum a woman listed
- 9:40Speaker 1: as Imed owing eleven thousand EGP. A quick check identifies
- 9:45Speaker 1: aghmed It's Latifa.
- 9:48Speaker 2: So three days after Kammi's disappeared, the police show up
- 9:51Speaker 2: at Latifa's house, and the women's reaction is described as unnerving.
- 9:54Speaker 2: They're calm, cool, collected. They stick rigidly to the story
- 9:58Speaker 2: they'd obviously rehearsed. Yes, Kamye came by, he collected his money,
- 10:01Speaker 2: left the poultry he brought. He left around one point
- 10:04Speaker 2: zero pm, end of story. But the police officers felt
- 10:07Speaker 2: something was off, something wasn't right. They specifically noted the
- 10:10Speaker 2: daughter's stairs difficult, suspicious, maybe that same unsettling intensity Commis
- 10:15Speaker 2: himself saw in his final moments.
- 10:16Speaker 1: The real breakthrough comes when the investigators dig a bit
- 10:19Speaker 1: deeper in the community and learn about that loud public
- 10:22Speaker 1: argument Kami's had with the family just a week before
- 10:25Speaker 1: he vanished that raises serious red flags. They get a
- 10:28Speaker 1: search warrant and go back for a thorough inspection. The
- 10:31Speaker 1: main house is clean, nothing seems out of place, but
- 10:33Speaker 1: then they moved to check the poultry farm area on
- 10:35Speaker 1: the property, and that's where they find it damning evidence,
- 10:41Speaker 1: remnants of a motorcycle, tools specifically for dismantling machinery, and
- 10:45Speaker 1: in that exact moment watching the police find these items monopanics.
- 10:50Speaker 1: Her reaction is visible, undeniable. It confirms their suspicions on
- 10:54Speaker 1: the spot, and.
- 10:55Speaker 2: Once they're confronted with this evidence, the United Friend just
- 10:57Speaker 2: crumbles instantly. It becomes a blame game. Tifa is charged.
- 11:00Speaker 2: Sima immediately confesses, but maybe trying to shield her mother,
- 11:04Speaker 2: she claims she did it all herself, acted entirely alone.
- 11:07Speaker 2: Latifah and Mona initially go along with that, pointing the
- 11:10Speaker 2: finger only at Shoma, but under more intense questioning, Shama breaks.
- 11:14Speaker 2: Maybe she realizes she was about to take the fall
- 11:16Speaker 2: for everyone. She changes her story and implicates all three
- 11:19Speaker 2: of them.
- 11:19Speaker 1: The police then excavate the garden recover Kami's body from
- 11:22Speaker 1: that shallow grave. The medical examiner's report confirms the grim
- 11:26Speaker 1: sequence of events, high levels of sedatives found in his system,
- 11:30Speaker 1: multiple bruises, contusions all over his body from the beating,
- 11:34Speaker 1: a severe blow to the head that fractured his skull,
- 11:37Speaker 1: and the ultimate cause of death, strangulation.
- 11:40Speaker 2: But the forensics revealed something else, a detail even more
- 11:44Speaker 2: unsettling in a way than the murder itself. The medical
- 11:47Speaker 2: examiner specifically noted the method used for binding the body,
- 11:50Speaker 2: the knots, the way the rope and sacks were applied.
- 11:53Speaker 2: It wasn't clumsy and not panicked work by first timers.
- 11:55Speaker 2: It was professional, meticulous. It required a specific kind of knowledge,
- 11:59Speaker 2: a practice technique. The report suggested that this method indicated
- 12:02Speaker 2: they were likely not first time killers.
- 12:04Speaker 1: That detail is just chilling. It implies a skill set.
- 12:07Speaker 1: You don't just pick up knowledge of not spinding techniques.
- 12:10Speaker 1: It suggests something more, maybe military background, medical training, or disturbingly,
- 12:16Speaker 1: a history of dealing with bodies before exactly.
- 12:19Speaker 2: It completely shifts how you see them, doesn't it. It
- 12:21Speaker 2: elevates them from seemingly desperate debtors lashing out over pride
- 12:24Speaker 2: to something more like organized, proficient operators, and their complete
- 12:28Speaker 2: lack of remorse during their testimonies seems to back that up.
- 12:32Speaker 2: They genuinely appeared to believe Kami's deserved what he got
- 12:35Speaker 2: because he dared to challenge them, dared to threaten the
- 12:37Speaker 2: pride of this wealthy, apparently untouchable family. Latifa even tried
- 12:42Speaker 2: one last, absolutely desperate and repulsive lie to the police,
- 12:46Speaker 2: claiming Kami's had tried to assault her. A final attempt
- 12:50Speaker 2: to justify the unjustifiable.
- 12:52Speaker 1: That stark contrast really is the heart of this whole
- 12:54Speaker 1: tragic story, isn't it? A truly heinous, meticulously planned murder, drugging, beating, strangling,
- 13:00Speaker 1: burying a man who was, by all accounts a decent
- 13:02Speaker 1: member of his community, all committed to avoid paying eleven
- 13:05Speaker 1: thousand EGP, an amount that was trivial to them given
- 13:08Speaker 1: their actual wealth. They killed to protect a reputation that
- 13:11Speaker 1: was itself built on a lie of needing that money.
- 13:14Speaker 1: For these crimes, Latifa, Shayama and modapt, the women now
- 13:17Speaker 1: known as the as You Debt murderers, were convicted. They
- 13:20Speaker 1: were sentenced to death in twenty seventeen.
- 13:21Speaker 2: But it leaves you with this really disturbing question, doesn't it,
- 13:24Speaker 2: especially given that level of coordination, the careful planning of
- 13:28Speaker 2: the disposal, and particularly that very specific professional binding technique.
- 13:32Speaker 2: The examiner noted, what else might this family have done?
- 13:35Speaker 2: Is it possible Kamis wasn't the first? Were there other secrets,
- 13:39Speaker 2: other acts of violence hidden beneath that quiet, respectable, well
- 13:43Speaker 2: off facade, or did they simply possess skills that point
- 13:46Speaker 2: to a much darker, perhaps unrelated history. Something for you
- 13:49Speaker 2: to definitely mull over