Latest / Arroe Collins Like It's Live / Big Hooks Rockin Guitar Riffs And Spot On Choruses Ryan Jones From Corvus Lore

Transcript

Big Hooks Rockin Guitar Riffs And Spot On Choruses Ryan Jones From Corvus Lore · Arroe Collins Like It's Live

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  Speaker 1: Aero dot Net. It's that one place that you can
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  Speaker 1: find a lot of things. You know, in radio, they
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  Speaker 1: teach us one thought per break. Shouldn't podcasts be the same.
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  Speaker 1: Don't just shove everything into one calendar. Here's what we
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  Speaker 1: level sports. It's more than baseball, professional basketball, or hockey.
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  Speaker 1: This is all level of sports only on aero dot
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  Speaker 1: net a R r oe dot net. Enjoy your exploration.
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  Speaker 1: Hey man, how are you doing today?
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  Speaker 2: I'm doing awesome. How about yourself?
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  Speaker 3: Man?
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  Speaker 2: Doing very well.
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  Speaker 1: It's one of those things where I don't know this
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  Speaker 1: digital age that we're in, you know, and phone calls
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  Speaker 1: don't connect, but yet you see them that we did connect,
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  Speaker 1: but you can't hear anything on the other side. There's
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  Speaker 1: no guarantee in a phone.
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  Speaker 2: Call, no technology. You love it or hate it. You know,
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  Speaker 2: people get pissed off.
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  Speaker 4: How come my WiFi is not working at thirty four
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  Speaker 4: thousand feet in an airplane?
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  Speaker 1: You know, how's going with you guys in the band.
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  Speaker 2: We're doing great.
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  Speaker 4: We're doing great, just chugging along and excited to drop
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  Speaker 4: the new album.
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  Speaker 2: Man, it's been a lot of long time coming.
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  Speaker 1: Oh my god. And I mean that to me is
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  Speaker 1: like the you know, because a lot of listeners don't
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  Speaker 1: understand that the expectation of a band or the members
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  Speaker 1: in a studio, and then it reaches to them and
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  Speaker 1: then they you know, they just automatically go get it
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  Speaker 1: from Spotify or iHeart, but they don't know the journey
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  Speaker 1: to get there.
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  Speaker 4: Yeah, the journey is something to behold, right. It's not
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  Speaker 4: for the week at Heart. And we've we wanted to
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  Speaker 4: come out with the album much much sooner, but it
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  Speaker 4: just didn't feel right, you know, and you want to
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  Speaker 4: make sure before you put it on the wild that
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  Speaker 4: is something that you're going to be able to look
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  Speaker 4: back and listen to and go, yeah, we did it right,
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  Speaker 4: you know.
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  Speaker 2: So it's it's definitely a process for sure.
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  Speaker 1: Well, you're definitely right about that, because so many times
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  Speaker 1: people will judge the book by its cover. They don't
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  Speaker 1: they don't give you the opportunity. They sit there and
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  Speaker 1: call it what it is right there from the very beginning,
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  Speaker 1: without going back in and listening to it and really
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  Speaker 1: studying the actions.
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  Speaker 4: Yeah, it's it's funny you mentioned that. I mean, I
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  Speaker 4: don't know how you feel about it. But nowadays, just
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  Speaker 4: like the digital age, it's like, how many people really
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  Speaker 4: digest the entire album when you put it out there? Right,
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  Speaker 4: It's kind of like, you know, it's like you drop
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  Speaker 4: a single here or there, and people are able to
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  Speaker 4: like cherry pick things apart.
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  Speaker 2: And that's great.
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  Speaker 4: I love that that they're having those choices. But there's
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  Speaker 4: something about being able to like dive deep into a
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  Speaker 4: full length album and how things weave together and get
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  Speaker 4: the full story of what's going on with that, you know,
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  Speaker 4: piece of body of work.
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  Speaker 2: Right. It's it's a little bit lost nowadays in my opinion. Yeah.
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  Speaker 1: See, I don't understand that there are reasons for doing
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  Speaker 1: that because they'll sit there and they'll listen to their
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  Speaker 1: Spotify the entire list. There'll be there'll be thirty five
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  Speaker 1: forty songs they check out. But you give them an
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  Speaker 1: album and it's like, Okay, I'll get around to listening
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  Speaker 1: to the rest of it. Well, you just missed out
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  Speaker 1: on the whole entire concept of the album. You've got
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  Speaker 1: to get.
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  Speaker 2: Eaten to it, right.
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  Speaker 4: I think a perfect example of that would be like
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  Speaker 4: Queen's Reich Operation mind Crime.
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  Speaker 2: Right.
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  Speaker 5: Yeah, I don't know, but you know, it's great to
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  Speaker 5: be able to, you know, be in a position to
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  Speaker 5: put music out there and the opportunity for people like
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  Speaker 5: your fan base and others to hear you know.
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  Speaker 2: I mean, that's the overarching point. And let me just
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  Speaker 2: get good music out there and keep it going.
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  Speaker 4: So whatever however that works nowadays, it's sometimes it's beyond me,
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  Speaker 4: but it's exciting.
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  Speaker 2: Nonetheless.
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  Speaker 1: I was just recently with David Porter, who was one
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  Speaker 1: of the founding members of Stax Records way back there
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  Speaker 1: in the fifties and sixties, and he talked about today's
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  Speaker 1: musicians versus what went on back there. He's so inspired
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  Speaker 1: with what you guys are doing today because you've got
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  Speaker 1: creative control, you're you're able to do it at your
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  Speaker 1: own pace and need and stuff like that. And here's
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  Speaker 1: this legendary a man of music, and he's like going, No, No,
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  Speaker 1: where we're at is where we you know, this is
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  Speaker 1: this is where it's going to happen.
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  Speaker 2: No, that's that's an interesting point. I'm really gloawd to
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  Speaker 2: hear that. I mean, I think you're definitely right.
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  Speaker 4: I think artists nowadays have much much more control all
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  Speaker 4: over the creative process and the creative content.
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  Speaker 2: I think the.
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  Speaker 4: Challenge obviously is nowadays is you know, the platforms like
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  Speaker 4: Spotify and whatnot.
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  Speaker 2: I mean, everybody has their hand in the kittie.
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  Speaker 4: So for artists that maybe aren't on a major label
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  Speaker 4: or anything like that, it's difficult right to break through,
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  Speaker 4: but you do. To your point, that's one hundred percent
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  Speaker 4: spot on. I couldn't agree more as you have that
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  Speaker 4: liberty of having creative control over what you put out there,
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  Speaker 4: so that that is in itself is a blessing.
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  Speaker 2: Maybe a trade off, right, I don't know.
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  Speaker 1: Well that being said, I definitely got to hear the
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  Speaker 1: story on Promise You because I'm hearing a down note
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  Speaker 1: in other words, it's like it's almost very grungy like,
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  Speaker 1: but at the same time it is so so attractive
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  Speaker 1: in the way that I'm going, I don't hear anything
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  Speaker 1: like this on the radio. This is what I want
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  Speaker 1: to hear right now.
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  Speaker 4: Wow, oh man, that is Thank you for sharing that. Yeah,
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  Speaker 4: Promise You is. It's a different side of Corbus Lore.
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  Speaker 4: We just felt like, you know, we had we wanted
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  Speaker 4: to show that other side because we we have going
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  Speaker 4: back to the album thing, right, It's like there are
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  Speaker 4: songs on our albums that showed completely different side to
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  Speaker 4: cover slore, but people never never hear so Promise You
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  Speaker 4: being as strong as it is, we felt like, you
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  Speaker 4: know what, if we want to show to another side
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  Speaker 4: of the band, this would be the song, you know,
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  Speaker 4: to your point. It's it's you know, it gets down
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  Speaker 4: into the ditches of things in life, and it's grungy
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  Speaker 4: to use your words, but.
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  Speaker 2: It has a beautiful and uplifting message.
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  Speaker 4: And it was a song that I actually wrote over
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  Speaker 4: five years or so ago and had my bike, yeah,
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  Speaker 4: I had in my back pocket and wasn't gonna it
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  Speaker 4: wasn't going to go on the album. And when I
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  Speaker 4: was in between recording breaks with our producer Tim Narducci,
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  Speaker 4: we were just hanging out and I played him just
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  Speaker 4: an iPhone recording of Promise You, just me doing it
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  Speaker 4: on acoustic, and he looked at me and he's like,
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  Speaker 4: are you on friggin drugs?
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  Speaker 2: Why is this not on the album? And I'm like, oh, okay, well,
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  Speaker 2: let me take it to the band and see what
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  Speaker 2: they think and lost our short. Here we are, but
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  Speaker 2: promise you.
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  Speaker 4: It's really about my covenant with the family, you know,
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  Speaker 4: my wife, My wife my kids and just being there
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  Speaker 4: with them through everything, all the storms of life and
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  Speaker 4: all the joys and that, you know, there's nothing greater
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  Speaker 4: than that, and that's my promise to them. And you know,
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  Speaker 4: so in the way we write it, you know, it's
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  Speaker 4: it's not so on the nose, so the listener can
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  Speaker 4: interpret it into their own ways, and you know, they
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  Speaker 4: could digest it and bring it into meaning their life.
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  Speaker 2: Right. So, but yeah, it's it's it's definitely a great song.
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  Speaker 2: We're really proud of it, and we hope it continues
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  Speaker 2: to do well.
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  Speaker 1: Was was the hook of the song right there, from
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  Speaker 1: the very beginning, because once you hit that hook, I mean,
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  Speaker 1: everything widens up and it's like, oh, here we go.
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  Speaker 1: I mean it's like getting to the top of a
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  Speaker 1: roller coaster and it's like, okay, there's no turning back
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  Speaker 1: now we're on our way.
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  Speaker 4: Yeah, that that chorus, it didn't come right away. I
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  Speaker 4: actually had all kinds of versions of it. But what
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  Speaker 4: really inspired that melody was the music. The music was
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  Speaker 4: written first, and I knew there was something there and
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  Speaker 4: I just felt like I got to do something with
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  Speaker 4: this and.
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  Speaker 2: Then never did.
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  Speaker 4: And then going back to my comment with Norducci. When
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  Speaker 4: he said what he said, I was like, Okay, I
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  Speaker 4: got to go back and revisit this and finalize a song.
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  Speaker 4: As soon as I wrote that melody for the chorus
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  Speaker 4: and just as important the words that are being saying
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  Speaker 4: that to me, I was like, Okay, this song is
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  Speaker 4: something that I'm not going to be able to let go.
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  Speaker 4: It's very rare when you write something and at the
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  Speaker 4: moment and I kind of get chills, I'm like, that's
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  Speaker 4: something special, and that did it for me.
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  Speaker 2: So it's great. I appreciate you sharing that.
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  Speaker 1: Please do not move. There's more with Ryan Jones from
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  Speaker 1: Corvus Lohr coming up next. Hey Man, thanks for coming
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  Speaker 1: back to my conversation with one of the greatest people
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  Speaker 1: in the music industry today, mister Ryan Jones from Corvus Lohr. Well,
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  Speaker 1: I got to tell you what. I really love the
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  Speaker 1: idea that you guys put a theater in there for
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  Speaker 1: the video, because that not only is it intimate, but
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  Speaker 1: I'll tell you what there are And maybe it's because
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  Speaker 1: we hear in Charlotte we still value that that old
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  Speaker 1: theater as kind of vibe. I mean, it's like when
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  Speaker 1: you guys are in there, I'm going, oh my god,
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  Speaker 1: I feel like I've been to this place before, and
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  Speaker 1: then the storyline just really draws you into it.
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  Speaker 2: Thank you.
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  Speaker 4: Yeah, that's we were trying to find an old theater
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  Speaker 4: and trying to create that vibe in the mood that
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  Speaker 4: what the song is itself, you know, rejecting not only
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  Speaker 4: through the music but through the lyrics.
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  Speaker 2: But that's at the Sebastiane Theater.
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  Speaker 4: And Sonoma and it's like a hundred it's like one
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  Speaker 4: hundred and thirty years old. The place was just absolutely amazing.
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  Speaker 4: I mean, there are no fake phony stuff going on there.
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  Speaker 4: It was just it was perfect. It's kind of like
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  Speaker 4: dark and moody, and we just looked scotted out very
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  Speaker 4: locations within the theater itself to kind of to do
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  Speaker 4: our prime shots.
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  Speaker 3: You think we would do it on the stage, but no, no,
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  Speaker 3: we put Joe on the drums and the lobby next
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  Speaker 3: to like the candy and all that stuff, you know.
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  Speaker 2: But and so you know, it was just it was
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  Speaker 2: just really cool.
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  Speaker 4: It's a great experience, and we were grateful for them
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  Speaker 4: opening up their doors to us.
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  Speaker 1: Well, you brought back so many instant memories of me
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  Speaker 1: with our Manner Theater here where Yeah, the drummers in
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  Speaker 1: the perfect place because that's where I put the drummer
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  Speaker 1: at at the Manor Theater. And then because it means
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  Speaker 1: everything about that because dude, I was looking at the seats.
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  Speaker 1: I wanted to make sure those were authentic, and I
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  Speaker 1: wanted I really wanted that vibe. As I was sitting
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  Speaker 1: there staring at the background. It's almost like one of
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  Speaker 1: those where it's like, if you're going to give me
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  Speaker 1: this picture to look at, I'm gonna study the darn
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  Speaker 1: thing while listening to the song.
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  Speaker 2: Yeah. No, it's it's legit. I mean it was. It
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  Speaker 2: was amazing. I mean when we were walking and.
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  Speaker 4: Getting set up, we were on the main stage but
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  Speaker 4: behind the screen and it's just old school, antiky hardwood
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  Speaker 4: floors and you know, the curtains are still being pulled
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  Speaker 4: up by sandbags down and stuff like that, and I'm like, it.
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  Speaker 2: Was just awesome. It was such a cool live, really
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  Speaker 2: cool live.
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  Speaker 1: Yeah. They just reopened the Carolina Theater here in town,
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  Speaker 1: and that's where Elvis Presley played so many times. Back
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  Speaker 1: before everybody knew him as Elvis. He was just some
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  Speaker 1: truck driver that would come into Charlotte and he would
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  Speaker 1: sing at this theater and and that's part of the
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  Speaker 1: reason why they preserved it was because it's Elvis's old house.
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  Speaker 2: Basically, well, what's the name of the theater.
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  Speaker 1: It's called the Carolina Theater.
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  Speaker 2: Carolina Theater. Dang, that's so cool.
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  Speaker 1: Yeah, and wow, we played in there one time. Dude,
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  Speaker 1: no electricity, And what happened was we had to run
• 10:42
  Speaker 1: all of our courts outside to a completely different building.
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  Speaker 1: But we wanted to have the essence of playing in
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  Speaker 1: that building.
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  Speaker 2: Yeah, no, I get it.
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  Speaker 4: I mean those theaters are you don't see them anymore, right,
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  Speaker 4: and so when you come across one and it's getting refurbished,
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  Speaker 4: it's something special.
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  Speaker 2: Again. We were beyond stoke to be able.
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  Speaker 4: To get into the Sebastiani they are there and do
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  Speaker 4: what we did.
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  Speaker 1: One of the things that I love about your music
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  Speaker 1: is it I'll sit there and I mean I really
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  Speaker 1: dive beyond what I called the beats, and I always
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  Speaker 1: sit there and go did it start out as a
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  Speaker 1: piano piece? Did it start out acoustically? But as a
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  Speaker 1: creative mind, you give me that option to sit there
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  Speaker 1: and go, well, what's your interpretation? And I think that
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  Speaker 1: that's a great way to get me engaged or other
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  Speaker 1: listeners engaged in the entire project.
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  Speaker 2: Right right, No, I think you don't want to like.
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  Speaker 4: More or less, put just a total button on it
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  Speaker 4: right away, and it's like this way or no other
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  Speaker 4: way type of thing.
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  Speaker 2: For a lot of the music that we write.
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  Speaker 4: It's kind of funny you mentioned piano or acoustic or
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  Speaker 4: something like that. A lot of the songs have been
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  Speaker 4: derived off of just sitting down with an acoustic guitar.
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  Speaker 4: So you know, even songs like feather Me Through, which
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  Speaker 4: is a very hard hitting, heavy song, it was feather
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  Speaker 4: Me it was on acoustic.
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  Speaker 2: Last album Lining Broken, that song was originally was done
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  Speaker 2: on acoustic.
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  Speaker 4: But you know, I think if you have good bones,
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  Speaker 4: it doesn't matter what instrument you're playing it on. It
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  Speaker 4: could actually translate to all kinds of different instruments. So
• 12:18
  Speaker 4: you know, I think that's a good sign if you
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  Speaker 4: have some good bones that we're able to, you know,
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  Speaker 4: play them across different instruments.
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  Speaker 1: So yeah, and listeners that are just coming across with you,
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  Speaker 1: guys coming up in either on Spotify or even iHeartRadio,
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  Speaker 1: they need to understand that your music is so much
• 12:32
  Speaker 1: bigger than just earbuds. Earbuds are a cool connection, but
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  Speaker 1: my god, you got to hear the full, full environment
• 12:38
  Speaker 1: of what you guys are setting for the tone of
• 12:40
  Speaker 1: it all.
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  Speaker 2: Yeah, well, we live in a world of earbuds, don't we.
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  Speaker 4: Yeah, although you know, I see everybody walking around with
• 12:52
  Speaker 4: the big cans. I guess, well, hold on, maybe that
• 12:54
  Speaker 4: didn't come out right. No, but I totally get what
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  Speaker 4: you mean. I think, well, we're gon we're talking about
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  Speaker 4: this one is uh.
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  Speaker 2: I think we're gonna do some vinyl on this one.
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  Speaker 4: Man.
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  Speaker 1: Oh that's good. Yeah, because I mean, I guess I'm
• 13:08
  Speaker 1: the spoiled snot with with my bows sound system, And
• 13:11
  Speaker 1: so when I have my l ones out there and
• 13:13
  Speaker 1: I'm listening to the music, it's like, wait, and then
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  Speaker 1: you want me to wear earbuds with this, I can't
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  Speaker 1: do it, but you see, but now listen to it
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  Speaker 1: would be on vinyl. My god, Now you're gonna have
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  Speaker 1: that really deep kind of tone in.
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  Speaker 4: It, right right, They're just gonna be like all kinds
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  Speaker 4: of hitting gems, and I gets that will come to life.
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  Speaker 2: So yeah, we're excited to do some vinyl on this.
• 13:32
  Speaker 1: Now, how much of the new album. Are you going
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  Speaker 1: to take onto the road with you? Or is that
• 13:35
  Speaker 1: just something you it's trial and error as you grow
• 13:37
  Speaker 1: through it.
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  Speaker 2: You know, it's funny and mentioning that.
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  Speaker 4: So tomorrow we're actually getting together and just kind of
• 13:46
  Speaker 4: going over everything again and we'll vet that stuff out.
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  Speaker 4: But you know, there's I would say we would do
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  Speaker 4: the majority of the album without a doubt. U. I mean,
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  Speaker 4: it's nine songs, and each one lends themselves really to
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  Speaker 4: be played lied live.
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  Speaker 2: There's there's probably.
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  Speaker 4: One song maybe two that would require a special type
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  Speaker 4: of show or venue that would afford itself to come
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  Speaker 4: on stage and be played. There's this there's a song
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  Speaker 4: that the that that closes out the album called Backyard Stars.
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  Speaker 2: That is it's over six minutes long and it's a
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  Speaker 2: journey and it's it's it hits this massive.
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  Speaker 4: Crescendo and it's really cool. But I'm not sure if
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  Speaker 4: it's for every venue. But we we still like to
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  Speaker 4: play a lot of the other stuff, you know, off
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  Speaker 4: of the first album, like Stardus Man is a is
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  Speaker 4: a crowd favorite, and also from Lucida Boxing doll Arena
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  Speaker 4: and Splinter and all those other songs.
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  Speaker 2: So we'll have a good, good.
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  Speaker 4: Good representation of this new album, bury the beauty out
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  Speaker 4: there for for everybody to hear.
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  Speaker 1: Well, I'm glad you're talking about being up on that
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  Speaker 1: live stage and the way that you that it does
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  Speaker 1: it's been made for that live stage, because that's the
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  Speaker 1: one thing that I always envision when when I'm listening
• 15:00
  Speaker 1: to the full thing, because when I when I'm listening
• 15:02
  Speaker 1: to it, I'm doing things around the house, but it's
• 15:04
  Speaker 1: still on. And that's the way I look at the
• 15:06
  Speaker 1: way listeners are. They're not just sitting there, they're doing
• 15:09
  Speaker 1: things and it's a part of what they do. And
• 15:11
  Speaker 1: my god, this one is such a summertime collection here, dude.
• 15:16
  Speaker 2: Yeah, awesome, Yeah, no, it's great.
• 15:19
  Speaker 4: It's it's great. I really appreciate that. And yeah, we're
• 15:23
  Speaker 4: just looking to put something out there that whether you know,
• 15:26
  Speaker 4: people are preoccupied doing things around the house or whatever,
• 15:29
  Speaker 4: or maybe it's a perfect road trip album. I don't know,
• 15:33
  Speaker 4: but it definitely is. I can tell you this. I
• 15:36
  Speaker 4: could promise you this, no pun intended. Yeah, it takes
• 15:39
  Speaker 4: you on a journey, it really does. There's there's this
• 15:42
  Speaker 4: saying is loaded with a ton of emotion and each
• 15:47
  Speaker 4: band member really delivered and then some so we're super
• 15:50
  Speaker 4: proud of this one.
• 15:51
  Speaker 1: Now when you take when you talk like that, now
• 15:53
  Speaker 1: I have to ask the question, what was it like
• 15:54
  Speaker 1: for you to put that list together for that you know,
• 15:57
  Speaker 1: the final layout, because I mean that that cannot be
• 15:59
  Speaker 1: an easy to ask for you guys.
• 16:02
  Speaker 2: Uh, yeah, you know it. We don't.
• 16:06
  Speaker 4: There's actually songs that didn't make the cut and it
• 16:08
  Speaker 4: was funny how promise you wasn't on it but then
• 16:10
  Speaker 4: made it.
• 16:12
  Speaker 2: But it's kind of like, I don't know, we really during.
• 16:16
  Speaker 4: The writing process, we spend the time on the songs
• 16:18
  Speaker 4: that we know that from the get go are like, okay,
• 16:21
  Speaker 4: it's moving something within you. So it's I don't want
• 16:25
  Speaker 4: to say it's been easy, but it's it's been obvious,
• 16:28
  Speaker 4: shall I say, And pulling all of these songs together
• 16:31
  Speaker 4: for this particular album, I mean obviously there was some
• 16:34
  Speaker 4: that were left to decide and everything, but it wasn't
• 16:37
  Speaker 4: like you know, ro Schambeau.
• 16:39
  Speaker 2: It was like we knew, we knew which ones we're
• 16:42
  Speaker 2: gonna make it.
• 16:43
  Speaker 4: So we're a blessing that regard that. You know, it
• 16:47
  Speaker 4: was was obvious from the get go.
• 16:48
  Speaker 1: Wow, where can people go to find out more about
• 16:50
  Speaker 1: you and if you guys are gonna be performing live
• 16:52
  Speaker 1: real soon and more importantly, because I know that here
• 16:54
  Speaker 1: in the Carolinas we love our merch even from long
• 16:57
  Speaker 1: distance bands, where can we go?
• 17:00
  Speaker 4: Well, you just go over to the corpuslore dot com
• 17:03
  Speaker 4: right to check us out, see what's going on with
• 17:05
  Speaker 4: the latest of the band. And then we're on all
• 17:07
  Speaker 4: the usual suspects, you know, the Spotify and the iTunes
• 17:10
  Speaker 4: and our Heart radio and all those other guys.
• 17:12
  Speaker 1: So do you see that now that iHeartRadio has stopped
• 17:15
  Speaker 1: saying classic rock and they want to involve all rock,
• 17:17
  Speaker 1: do you see that as being an open door for
• 17:19
  Speaker 1: you guys to start getting some airplay on more you know,
• 17:22
  Speaker 1: iHeart stations, you.
• 17:25
  Speaker 2: Know, possibly.
• 17:27
  Speaker 4: I mean again, going back to the conversation we had
• 17:31
  Speaker 4: earlier about just you know, the freedom of liberty and
• 17:34
  Speaker 4: all this stuff in the digital age. A lot of
• 17:37
  Speaker 4: those a lot of those platforms, it's you know, whether
• 17:40
  Speaker 4: people realize it or not, it's a pay to play thing, yeah,
• 17:43
  Speaker 4: you know, and it's just how willing are you to
• 17:46
  Speaker 4: invest the time and energy and resources to make that happen.
• 17:49
  Speaker 4: And that's what's I'd answer your question, yes, but I
• 17:53
  Speaker 4: just think still it's it's it is a pay to
• 17:56
  Speaker 4: play thing, and there's a lot of great music out there.
• 17:59
  Speaker 4: I feel that never gets heard because maybe people don't
• 18:01
  Speaker 4: have the resources to pull that stuff off. So I
• 18:04
  Speaker 4: would hope, I would think so, but you never know.
• 18:08
  Speaker 1: Excellent, Well, dude, you got to come back to this
• 18:09
  Speaker 1: show anytime in the future. The door is always going
• 18:11
  Speaker 1: to be open for you. You know that already.
• 18:14
  Speaker 2: I love that. I appreciate it.
• 18:16
  Speaker 4: You're always a lot of fun man, and I love
• 18:18
  Speaker 4: the voodoo that you do.
• 18:19
  Speaker 2: You do it also, well, my friend, thank you.
• 18:20
  Speaker 1: Will you be brilliant today?
• 18:22
  Speaker 2: Okay, all right, thank you man. You guys be good.