Latest / Crime Night / The Case of the Six-Fingered Baby: Murder and Deception in 1957 Cairo
Transcript
- 0:00Speaker 1: Let's take you somewhere. Imagine stepping back way back about
- 0:04Speaker 1: seven decades into the heart of Cairo.
- 0:07Speaker 2: We're talking nineteen fifty seven.
- 0:10Speaker 1: Specifically the Sayye design Ab district. And this isn't some
- 0:13Speaker 1: quiet street. It's alive. It's this incredibly dense, chaotic market
- 0:18Speaker 1: a souk.
- 0:19Speaker 2: Yeah, and the air itself is just heck. You've got
- 0:21Speaker 2: roasted spices, strong coffee brewing, and this constant sweet haze
- 0:26Speaker 2: from incense smoke.
- 0:27Speaker 1: It's noisy, NonStop motion, people everywhere. You'd think nothing could
- 0:31Speaker 1: happen unseen.
- 0:32Speaker 2: But that's the thing, isn't it. Sometimes that exact chaos,
- 0:35Speaker 2: that density, it provides cover, It allows the unthinkable.
- 0:38Speaker 1: And right there in the middle of it all, near
- 0:40Speaker 1: the mosque, there's Kyrie. She sells incense from a small stall,
- 0:44Speaker 1: just trying.
- 0:45Speaker 2: To make ends meet, known in the community, apparently liked.
- 0:48Speaker 1: Yeah. But her real focus, her whole world, that's on
- 0:51Speaker 1: this little matt right beside her, her baby daughter Amal, sleeping there.
- 0:54Speaker 1: She's constantly watching her, even while dealing with customers.
- 0:57Speaker 2: That constant divided attention, it's understandable, but creates vulnerability.
- 1:01Speaker 1: A tiny window and that window opens a customer needs something,
- 1:05Speaker 1: A quick haggle, maybe counting out change just takes a few.
- 1:08Speaker 2: Seconds seconds, that's all it needed.
- 1:10Speaker 1: Koreasinisius turns back to check on them all and the
- 1:14Speaker 1: math it's empty. Oh god, just the impression where the
- 1:18Speaker 1: baby was? That's silence before the sound. It must have
- 1:21Speaker 1: been horrifying. Then this awful scream. Everything stops. The noise
- 1:26Speaker 1: of the market just pauses. Everyone turns, a mall is gone.
- 1:31Speaker 2: And what unfolds next, Well, it's far from a simple
- 1:34Speaker 2: desperate kidnapping. This deep dive. It's really about how one calculated,
- 1:38Speaker 2: active deception spirals into something truly monstrous.
- 1:41Speaker 1: We need to unpack how cruelty was layered upon cruelty,
- 1:44Speaker 1: and how the investigation back in the fifties faced huge
- 1:47Speaker 1: limitations that were actually exploited.
- 1:49Speaker 2: Exactly. The lack of technology, the environment, it all plays apart.
- 1:53Speaker 1: So the authorities show up, but picture the scene. It's
- 1:56Speaker 1: a packed marketplace in the nineteen fifties, right.
- 1:58Speaker 2: No CCTV everywhere like today, know instant DNA tests. Trying
- 2:02Speaker 2: to find a missing baby in that it's like searching
- 2:04Speaker 2: for a needle in a haystack. The size of a
- 2:05Speaker 2: city district.
- 2:06Speaker 1: They're completely reliant on what people saw or thought they saw,
- 2:10Speaker 1: witness testimony, and maybe just maybe some early forensic work,
- 2:15Speaker 1: but it's.
- 2:16Speaker 2: Primitive, very primitive fingerprints, maybe if they're lucky and clean,
- 2:20Speaker 2: but mostly it's about observation, about unique identifiers, something someone
- 2:24Speaker 2: would notice and remember.
- 2:26Speaker 1: In kyriea in her shock, she gives them the one
- 2:29Speaker 1: thing they can cling to, the only concrete lead.
- 2:32Speaker 2: What was it?
- 2:33Speaker 1: Her daughter Amal was born with a very specific condition, polydactyvely,
- 2:38Speaker 1: meaning six fingers on each hand.
- 2:41Speaker 2: Wow, Okay, that's distinctive, highly distinctive.
- 2:45Speaker 1: Absolutely Suddenly that's not just a missing baby case, it's
- 2:49Speaker 1: the case of the missing six fingered baby. Becomes the
- 2:51Speaker 1: single thread they can pull.
- 2:53Speaker 2: That detail changes everything. It makes her identifiable far beyond
- 2:56Speaker 2: the immediate area. Without that, hope fades much faster. It
- 3:01Speaker 2: becomes the absolute cornerstone of the investigation.
- 3:03Speaker 1: But finding the kidnapper is still a nightmare. As the
- 3:05Speaker 1: police are scrambling, Kyrie's mind is racing. It takes about
- 3:08Speaker 1: a day the shock starts to wear off, justin night.
- 3:11Speaker 2: But she remembers something.
- 3:12Speaker 1: Yes, she recalls this woman, someone who had been sort
- 3:16Speaker 1: of hanging around her stall for a few days before
- 3:19Speaker 1: Amal disappeared, lurking pretty much. Yeah, Perry had described her
- 3:22Speaker 1: as having frightening features, dark skin, average height, a noticeable squint.
- 3:28Speaker 2: Okay, a distinct description too.
- 3:30Speaker 1: But it was more than just how she looked. It
- 3:32Speaker 1: was the behavior. This woman kept buying, tiny amounts of incense,
- 3:36Speaker 1: like barely anything, over and over, just excuses to be
- 3:39Speaker 1: there exactly. And Carrie remembered her staring, staring intently at
- 3:44Speaker 1: the wall while she slept.
- 3:45Speaker 2: That's chilling. It shows premeditation. This wasn't impulsive, No, it.
- 3:49Speaker 1: Feels incredibly methodical, the surveillance identifying the target, waiting for
- 3:53Speaker 1: that brief lapse and attention.
- 3:55Speaker 2: Which makes you wonder, doesn't it why this specific baby?
- 3:57Speaker 2: Was it just convenience the location or was there something
- 4:00Speaker 2: else drawing this woman to Kyria and a mall something
- 4:03Speaker 2: for you listening to think about.
- 4:05Speaker 1: So the investigation hits a wall. Weeks turn into months,
- 4:09Speaker 1: three long, agonizing months pass, no sign of them all.
- 4:13Speaker 2: Imagine Kyrie's state. The reports say she was at the
- 4:16Speaker 2: police station almost constantly, just waiting, hoping.
- 4:20Speaker 1: That kind of waiting must be torture, reliving that moment
- 4:23Speaker 1: over and over, but.
- 4:24Speaker 2: The police still have those descriptions logged. The woman with
- 4:27Speaker 2: the squint, the baby with six fingers. It's all they've got,
- 4:30Speaker 2: hoping for a break.
- 4:31Speaker 1: And then in the fourth month it happens a tip
- 4:34Speaker 1: comes in finally from a nearby district. Someone reports a
- 4:38Speaker 1: woman named Hindya and guess what she matches the description,
- 4:42Speaker 1: dark complexion, the squint.
- 4:44Speaker 2: What was suspicious about her?
- 4:45Speaker 1: Well, she had vanished from our neighborhood for a while.
- 4:48Speaker 1: Then suddenly she reappeared with a baby. Ah. But then
- 4:53Speaker 1: almost as suddenly as the baby appeared, it disappeared again.
- 4:57Speaker 2: That sequence, Yeah, that raises red flag. Immediately appearing with
- 5:01Speaker 2: the baby and then the baby vanishes. Highly suspicious.
- 5:04Speaker 1: So the police track Hindia down. They'd bring Kyria in
- 5:08Speaker 1: instant recognition. Kyrie points her out immediately, that's her, That's
- 5:12Speaker 1: the woman from the stall.
- 5:12Speaker 2: Okay, so they have the kidnapper. Now the question is
- 5:15Speaker 2: why and where is a mall?
- 5:18Speaker 1: This is where the motive starts to unravel, and it's
- 5:20Speaker 1: deeply disturbing. The investigators dig into Hindia's background.
- 5:24Speaker 2: What did they find.
- 5:25Speaker 1: She'd been married briefly to Baker, a guy named Rita
- 5:29Speaker 1: about thirty five years old, but the marriage only lasted
- 5:32Speaker 1: a month.
- 5:32Speaker 2: A month why so short?
- 5:34Speaker 1: Rita found out Hindia was infertile, and apparently he felt
- 5:38Speaker 1: she'd deliberately hidden it from him before they married.
- 5:41Speaker 2: Ah, so he felt deceived.
- 5:43Speaker 1: Exactly, He divorced her, cast her out basically, and that rejection,
- 5:47Speaker 1: that humiliation, it seems so.
- 5:49Speaker 2: Festered into a plan for revenge.
- 5:51Speaker 1: Precisely. Hindia's entire elaborate scheme was about getting back at Rita,
- 5:57Speaker 1: about proving him wrong, reclaiming her staff.
- 6:00Speaker 2: How would kidnapping a baby achieve?
- 6:02Speaker 1: That? Her plan was audacious. She intended to disappear for
- 6:06Speaker 1: about eight months, roughly the length of her pregnancy, and
- 6:09Speaker 1: she'd returned to Rita with a baby and present it
- 6:12Speaker 1: as their child, a secret pregnancy. He knew nothing.
- 6:16Speaker 2: About good grief. She was counting on him believing her.
- 6:19Speaker 1: She must have thought he was gullible enough or maybe
- 6:21Speaker 1: desperate enough to accept it. It would prove he'd abandon
- 6:24Speaker 1: her unfairly, that she could bear children.
- 6:26Speaker 2: So Amal wasn't chosen for any reason other than availability.
- 6:29Speaker 2: She was a means to an.
- 6:30Speaker 1: End, it seems so, a prop in this twisted play
- 6:34Speaker 1: for revenge and validation. Amal was simply there, vulnerable at
- 6:40Speaker 1: the wrong moment.
- 6:41Speaker 2: Unbelievable. So what about Rata, the ex husband.
- 6:44Speaker 1: He's the next piece of the puzzle. The police bring
- 6:47Speaker 1: him in and the reports describe him as just falling apart, terrified, utterly,
- 6:53Speaker 1: visibly shaking, nervous. It apparently took almost no pressure at
- 6:57Speaker 1: all for him to crack. He knew something, he knew everything.
- 7:00Speaker 1: He confessed immediately said he was hiding a catastrophe. That's
- 7:03Speaker 1: the word used, a catastrophe.
- 7:05Speaker 2: Okay, so he was involved after the fact.
- 7:07Speaker 1: It seems Hindia brought Amel to him, passed her off
- 7:09Speaker 1: as his daughter. He must have believed it.
- 7:11Speaker 2: At least initially, and bonded with the baby for how
- 7:14Speaker 2: long about a month?
- 7:15Speaker 1: Based on the timeline, Hindia let him get attached, thinking
- 7:18Speaker 1: this was his child. That attachment becomes crucial.
- 7:22Speaker 2: Tragically, Why what happened next?
- 7:24Speaker 1: Rada leads the police somewhere completely unexpected A graveyard.
- 7:29Speaker 2: A graveyard Why he takes.
- 7:30Speaker 1: Him to a specific tune. It wasn't a fresh grave,
- 7:33Speaker 1: but one that had been recently used or opened for
- 7:36Speaker 1: someone else. Yeah, temporary storage maybe Reddy goes into the
- 7:40Speaker 1: tomb alone. The police wait. Minutes pass then he comes
- 7:44Speaker 1: back out. He's carrying a small bundle. It's Almo's body.
- 7:47Speaker 2: Oh no, so she didn't survive. No.
- 7:51Speaker 1: But the real horror, the detail that elevates this beyond
- 7:55Speaker 1: tragic neglect or accidental death, comes during the forensic examination.
- 7:59Speaker 2: What did they find?
- 8:00Speaker 1: They check the one thing that could definitively identify her,
- 8:05Speaker 1: the single most important piece of evidence in the whole case.
- 8:07Speaker 1: The six finger gone both hands. They now only have
- 8:11Speaker 1: five fingers each.
- 8:12Speaker 2: They remove them.
- 8:12Speaker 1: They remove the extra fingers, the unique identifier. The proof
- 8:16Speaker 1: had been brutally deliberately erased.
- 8:19Speaker 2: My god, so how does she actually die?
- 8:22Speaker 1: The forensics were clear, them all didn't starve. She wasn't
- 8:26Speaker 1: neglected to death in the traditional sense. She died about
- 8:28Speaker 1: seven to ten days after she was kidnapped from the
- 8:31Speaker 1: wings from the infection caused by the crude amputation of
- 8:33Speaker 1: her extra fingers. I just can't wrap my head around
- 8:36Speaker 1: that doing that to an infant, knowing the police are
- 8:39Speaker 1: looking for a child specifically with that feature.
- 8:42Speaker 2: It speaks to a terrifying level of cold calculation, and
- 8:46Speaker 2: the confessions from both Hendia and Rita lay out the
- 8:49Speaker 2: whole horrific sequence.
- 8:51Speaker 1: Tell us how did it escalate to that?
- 8:53Speaker 2: Okay? Step one, Hendia, let's riad a bond with them
- 8:56Speaker 2: all for a month, gets him invested thinking she's his daughter.
- 9:00Speaker 1: Okay, building the emotional connection.
- 9:02Speaker 2: Step two. Then she reveals the truth. This isn't his baby.
- 9:07Speaker 2: She was kidnapped. The police are looking and now Rita,
- 9:09Speaker 2: you're involved. You're an accomplice.
- 9:11Speaker 1: The manipulation is incredible.
- 9:12Speaker 2: She tracks him exactly and step three the blackmail. Hindia
- 9:17Speaker 2: tells him they know about the six fingers. It's registered.
- 9:19Speaker 2: If they find her like this, we're both finished. So
- 9:22Speaker 2: the solution was in their worked logic. The only way
- 9:25Speaker 2: to save themselves was to destroy the evidence, to remove
- 9:28Speaker 2: the extra fingers, erase them all's unique identity.
- 9:31Speaker 1: How do they do it?
- 9:32Speaker 2: The details are just stomach churing. They used a simple
- 9:34Speaker 2: razor blade, no, yes, a razor blade to sever the fingers.
- 9:39Speaker 2: The reports mentioned the baby screaming, bleeding profusely, but their
- 9:43Speaker 2: only concern was removing the identifying feature, hiding their crime.
- 9:47Speaker 1: The indifference. It's monstrous.
- 9:49Speaker 2: Amal couldn't survive that. The trauma, the inevitable infection from
- 9:53Speaker 2: such a crude, unsterile act. She died from those wounds,
- 9:57Speaker 2: henrita what do you do?
- 9:58Speaker 1: Then?
- 9:59Speaker 2: Completely wrapped desperate, he paid someone an undertaker or someone
- 10:03Speaker 2: who worked at the graveyard who was willing to look.
- 10:05Speaker 1: The other way to bury her secretly.
- 10:07Speaker 2: Yes, to place Amal's body in that tomb without any
- 10:10Speaker 2: official record, hoping the whole catastrophe, as he called it,
- 10:14Speaker 2: would just disappear in Hindia.
- 10:16Speaker 1: What was her reaction when confronted with all this?
- 10:19Speaker 2: Reports say she showed almost complete indifference, confessed yes, but
- 10:24Speaker 2: without any apparent remorse for the sheer brutality of it all.
- 10:27Speaker 1: Both of them were eventually sentenced.
- 10:28Speaker 2: To death right yes, for kidnapping, for the horrific mutilation,
- 10:32Speaker 2: and for murder. Justice in that sense was served.
- 10:36Speaker 1: It's just the timeline, the calculated cruelty, surveillance, abduction, manipulation,
- 10:42Speaker 1: the blackmail, and then that final unthinkable act, all driven
- 10:46Speaker 1: by Hindia's obsession with revenge and getting her old life back.
- 10:49Speaker 2: And the nineteen fifties setting is so key here. Think
- 10:52Speaker 2: about it today, DNA extensive databases, it would be harder,
- 10:58Speaker 2: maybe impossible, to rely solely on erasing one physical trait.
- 11:03Speaker 2: But back then, back then, that unique physical marker of
- 11:06Speaker 2: the six fingers was the high tech evidence. It was
- 11:08Speaker 2: the DNA of its day for this case.
- 11:11Speaker 1: And they targeted it directly. It didn't just kill her,
- 11:14Speaker 1: they tried to destroy the very evidence that made her identifiable.
- 11:17Speaker 2: It shows how desperate people become to maintain a lie,
- 11:20Speaker 2: especially when they realize a simple biological fact is the
- 11:23Speaker 2: biggest threat to their freedom.
- 11:25Speaker 1: So where does this leave us? What does it all
- 11:27Speaker 1: mean for you listening?
- 11:28Speaker 2: Maybe it's this. This crime wasn't committed in a moment
- 11:31Speaker 2: of passion or rage. It was the end result of
- 11:34Speaker 2: months of planning and deceit.
- 11:36Speaker 1: So the thought we want to leave you with is
- 11:37Speaker 1: this what happens inside a person, to their conscience when
- 11:41Speaker 1: they commit such an atrocity, not impulsively, but as a cold,
- 11:44Speaker 1: calculated step, the final move in a long game of manipulation,
- 11:49Speaker 1: Willing to destroy an innocent life just to preserve their
- 11:52Speaker 1: own fabrication.
- 11:53Speaker 2: That's something profound to consider.