Latest / Ridiculous History / Popeye Changed America, Part One: A Breakout Star
Transcript
- 0:00Speaker 1: Ridiculous History is a production of iHeartRadio. Welcome back to
- 0:27Speaker 1: the show Ridiculous Historians. Thank you, as always so much
- 0:30Speaker 1: for tuning in. That's our own cartoonist super producer, mister
- 0:35Speaker 1: Max Williams.
- 0:39Speaker 2: Do you know that I really love spinach, but.
- 0:42Speaker 3: I can't eat it?
- 0:43Speaker 1: No edition, he's got the condition complex vegetables. I'm so
- 0:48Speaker 1: glad that you have approved of us putting that weird
- 0:54Speaker 1: Victorian malady term on the condition.
- 0:57Speaker 3: It's just we knew, we knew it was serious when
- 1:00Speaker 3: Max just started coughing kind of wheedily into a hanky
- 1:03Speaker 3: and then a little bit of blood kind of came out,
- 1:05Speaker 3: you know, and you.
- 1:06Speaker 1: Kept You bought the fainting couch, and you keep fainting.
- 1:09Speaker 3: Yeah.
- 1:10Speaker 2: The vapors vapor, yeah yeah. And then and then I
- 1:14Speaker 2: got the tobacco smoke animals. I started reading Jayjay's book
- 1:17Speaker 2: and I read that. I'm like, oh, that's on the
- 1:19Speaker 2: fifth page.
- 1:20Speaker 3: Oh, yes, of course, The Year of Living constitutionally available anywhere.
- 1:23Speaker 3: Fine books are so quick. Question, Max, if you can't
- 1:25Speaker 3: eat spinach, where do you derive your super strength from? Oh?
- 1:29Speaker 2: He rubs a head, okay, and the twenty inches of
- 1:32Speaker 2: hair as well, and.
- 1:34Speaker 1: We are your host of ridiculous history. I'm Ben Bollen,
- 1:36Speaker 1: joined as always with the man, the myth, the legend,
- 1:39Speaker 1: mister Noel Brown, Noel Barcelona Brown. Okay, I'll think it's
- 1:43Speaker 1: been called sometimes and so as you can probably tell
- 1:46Speaker 1: from our uh, from our spinach references and a little
- 1:50Speaker 1: bit of some great uh, some great catchphrasing here, today's
- 1:54Speaker 1: episode is about Popeye the Sailor. Uh No, what's the
- 1:57Speaker 1: first thing you think about when you hear the Popeye?
- 2:01Speaker 3: I think of expanding biceps with a giant steamship tattoo
- 2:06Speaker 3: that it was. It becomes larger and larger and starts
- 2:09Speaker 3: to pump like vapors out into the air, you know,
- 2:11Speaker 3: it starts to animate and then punch and stuff, big,
- 2:15Speaker 3: big punching, serious violence in that cartoon. Oh yeah, for sure.
- 2:20Speaker 1: I mean Popeye the Sailor for almost a century has
- 2:23Speaker 1: been a mainstay of comics and cartoons, and of course
- 2:27Speaker 1: the film helmed by Robin Williams.
- 2:29Speaker 3: We all saw that one, you know. I've been wanting
- 2:31Speaker 3: to for ages. It's sort of been on my list,
- 2:33Speaker 3: but I haven't seen it. I just know the song
- 2:36Speaker 3: from it, sung by Shelley Devall. That was used delightfully
- 2:40Speaker 3: non sequitarily in Paul Thomas Anderson's Punch Chunk Love. He
- 2:44Speaker 3: needs me, he needs me, he needs me, the olive
- 2:48Speaker 3: oil kind of love theme. I guess I have not
- 2:51Speaker 3: seen Robert Altman's Popeye movie. It's apparently freakin' Bonker's weird.
- 2:57Speaker 1: Yeah, it kind of whent over my head the first
- 2:59Speaker 1: time I saw so in the course of this we
- 3:02Speaker 1: you know I rewatched this. Why are we talking about
- 3:06Speaker 1: Popeye today? Well, the guy's ridiculous. You know, he's got
- 3:10Speaker 1: a strong sense of right and wrong. You described his
- 3:14Speaker 1: situational super strength perfectly. He's got this bizarre pantheon and
- 3:20Speaker 1: entourage of allies and villains. And in full transparency. We
- 3:25Speaker 1: do a lot of stuff for a lot of different shows,
- 3:27Speaker 1: and one Saturday, we're working on something about credit cards
- 3:31Speaker 1: and instead found ourselves in a cost coat sized rabbit
- 3:36Speaker 1: hole about Popeye. What do you say, Noel, should we
- 3:39Speaker 1: crack open this podcast? Spinach can does that work? Yeah?
- 3:43Speaker 3: Because that's how he does it right. He just sort
- 3:45Speaker 3: of squeezes it and then the lid pops off and
- 3:49Speaker 3: the spinach shoots up into the air and immediately just
- 3:53Speaker 3: goes right down his gully hole, at which point he
- 3:56Speaker 3: is imbued with super strength and vanquishes his foes with
- 4:01Speaker 3: righteous indignation. As you said, Ben, Popeye is he doesn't
- 4:04Speaker 3: like bullies, and he's got a couple of nemeses that
- 4:09Speaker 3: we've seen over time, But I think the one most
- 4:12Speaker 3: people will probably remember is Bluto, the quintessential kind of
- 4:17Speaker 3: thick necked bully. He was essentially a bit of a
- 4:20Speaker 3: sex pest. He's always coming after olive oil like some
- 4:24Speaker 3: sort of weird, stalker ish kind of you know, misogynistic weirdo.
- 4:29Speaker 3: Right a more, Yeah, no shade on lumber checks. But man, Bluto,
- 4:37Speaker 3: what a bad guy. And I didn't know how many
- 4:39Speaker 3: words and terms in the kind of popular vernacular came
- 4:43Speaker 3: from Popeye the other way around. We're gonna get to
- 4:46Speaker 3: all this stuff. It's so fun because you think about
- 4:49Speaker 3: a character named Wimpy, and you think, oh, surely they
- 4:52Speaker 3: named Wimpy after the word wimpy. Well, it turns out
- 4:56Speaker 3: not quite the case. The story of Popeye, or as
- 5:06Speaker 3: some people in more of the like Midwest and maybe
- 5:09Speaker 3: Boston area might refer to him as Popeye. I say
- 5:13Speaker 3: this because Mitch from The dough Boys. I was always
- 5:17Speaker 3: talking about Popeye's Fried Chicken, so I think it's very charming.
- 5:21Speaker 3: But his creator, I was an American cartoonist named Elsie
- 5:25Speaker 3: Chrissler Seeger who was born December eighth, eighteen ninety four
- 5:30Speaker 3: in Chester, Illinois. Yeah, and just.
- 5:33Speaker 1: Like a lot of up and coming artists, he has
- 5:36Speaker 1: a ton of jobs. In his early years. He paints houses.
- 5:39Speaker 1: That is not an assassination euphemism. He was actually painting houses.
- 5:43Speaker 1: He paints signs, which is a cool thing to do.
- 5:46Speaker 1: As a job, he works as a projectionist with motion pictures,
- 5:52Speaker 1: and the entire time he's doing this, he is continually
- 5:56Speaker 1: cold calling, or I guess I would say cold pitching
- 6:00Speaker 1: cartoons to papers magazines of the day. And eventually, also
- 6:06Speaker 1: he gets bupkus. They're not listening to him or taking
- 6:09Speaker 1: his submissions until he travels to Chicago and gets a
- 6:14Speaker 1: little gets by with a little help from his friend.
- 6:17Speaker 3: That's right, a fellow by the name of Richard m
- 6:20Speaker 3: out Cult was a little bit, you know, more kind
- 6:25Speaker 3: of up and coming in the field, and he liked
- 6:27Speaker 3: the cut of Seeger's jib, and he used his influence
- 6:32Speaker 3: in the industry to get him a gig at the Herald,
- 6:35Speaker 3: the Chicago Herald, drawing Charlie Chaplin's comic capers, which we
- 6:40Speaker 3: love the alliteration. Oh, it's a very illiterative story today.
- 6:44Speaker 3: But yeah, it would have been, you know, I guess
- 6:47Speaker 3: Chaplin was such a brand. It never really occurred to
- 6:50Speaker 3: me that he would have had his own cartoon in
- 6:52Speaker 3: the newspapers, but of course he did. So this would
- 6:55Speaker 3: have been like the equivalent of getting a job, you know,
- 6:58Speaker 3: drawing for the Simpsons or something. Thing. Right, You're not
- 7:00Speaker 3: necessarily gonna use your own style, You're probably following a
- 7:05Speaker 3: style guide. But it's steady work, right.
- 7:08Speaker 1: Yeah, it's steady work, you know, And it seems like
- 7:12Speaker 1: a really promising thing because even even back then, of course,
- 7:16Speaker 1: working in any creative field can be intensely competitive, right,
- 7:20Speaker 1: and a to be a heck of a slog. So
- 7:22Speaker 1: he was able, through this personal relationship to get a
- 7:26Speaker 1: real plum gig that a lot of other people were
- 7:29Speaker 1: doubtlessly vying for. Unfortunately, this Herald, this paper he's working at,
- 7:35Speaker 1: it ceases publication in nineteen seventeen, so he relocates again.
- 7:39Speaker 1: He moves to New York. Now he's got some bona fides, right,
- 7:42Speaker 1: he's got a resume, he's got a CV, he's got
- 7:45Speaker 1: proven published cartoons. And he uses this to talk to
- 7:50Speaker 1: a group called King Features Syndicate, and he pitches his
- 7:55Speaker 1: own strip. That's the dream. We know a lot of artists.
- 7:58Speaker 1: All that's the dream is to have your own original work.
- 8:01Speaker 3: Everyone wants to own strip in the funny papers. That's
- 8:04Speaker 3: how that's how you know you've made it as an
- 8:06Speaker 3: honest today. Okay, maybe a measure of a different era,
- 8:10Speaker 3: but certainly the measure of this era. King's Features Syndicate,
- 8:14Speaker 3: which sounds like some sort of weird movie cartel, doesn't it.
- 8:18Speaker 1: It does syndicate.
- 8:20Speaker 3: No, there were syndicate. I just think of crime syndicate.
- 8:23Speaker 3: But no, this is a feature syndicate. And yeah, he
- 8:27Speaker 3: pitched this idea and it was accepted. You saw it
- 8:30Speaker 3: for the first time in nineteen nineteen called Thimble Theater.
- 8:35Speaker 3: At first, the strip dealt with the fat, tabulous adventures
- 8:40Speaker 3: of Olive Oil spelled oh oh y l olive Oil, which, okay,
- 8:46Speaker 3: just to just maybe hyperbolically to describe maybe what we're
- 8:49Speaker 3: all thinking a little bit sort of a bit of
- 8:52Speaker 3: a bean polely kind of gawky old maid. For some
- 8:57Speaker 3: reason at the time, you know, unmarried women were a
- 9:01Speaker 3: source of scorn and yeah not cool. So Olive oil
- 9:07Speaker 3: was sort of fit into that role and was maybe
- 9:10Speaker 3: made a bit of a point of mockery, right, yeah, yeah,
- 9:17Speaker 3: my brother was also depicted as kind of an idiot, right,
- 9:20Speaker 3: who's had an equally hilarious name, a little oakfish.
- 9:23Speaker 1: You know, these are cartoon characters, right, but there is
- 9:26Speaker 1: there is definitely that prejudice against women baked into the strip.
- 9:31Speaker 1: Olive has a.
- 9:35Speaker 3: Suitor, a paramole brother. By the way, the castor oil
- 9:41Speaker 3: still O y L.
- 9:43Speaker 1: Yeah, so they never got to avocado oil, but maybe
- 9:48Speaker 1: that's a note in the future, Olive has Olive has
- 9:52Speaker 1: again this suitor, this uh, this lover of man named
- 9:57Speaker 1: originally he's named Harold ham Gravy all one word and
- 10:01Speaker 1: then it gets shortened to ham.
- 10:02Speaker 3: Gravy, ham gravy. Maybe her boyfriend, right, also somewhat buffoonish
- 10:10Speaker 3: is he, I don't know, sort of a proto Popeye
- 10:14Speaker 3: in a way, right, because I mean that's what Popeye
- 10:17Speaker 3: became was, you know, by the sailor man, he's about
- 10:21Speaker 3: protecting his lady love Olive Oil. They're they're betrothed. In
- 10:25Speaker 3: the stars is written that Popeye and Olive shall be one.
- 10:30Speaker 1: Yeah, and for a while they kind of had this
- 10:32Speaker 1: sort of what we could call a Dagwood blondie vibe,
- 10:36Speaker 1: like here or here's the here are the one shot
- 10:40Speaker 1: adventures of these two, this odd couple, and they would
- 10:46Speaker 1: have a rotating cast, you know how, like in X
- 10:50Speaker 1: Files there's a Monster of the.
- 10:51Speaker 3: Week of course, right, so there's there's my favorite episode.
- 10:55Speaker 1: Same dude. I think they're tight, just structurally as well
- 10:59Speaker 1: as relistically. But they're except for Home, which we don't
- 11:03Speaker 1: have to get into.
- 11:04Speaker 3: That's a freaky one. That's a weird one.
- 11:07Speaker 1: So in Thimble Theater, originally they have a bunch of
- 11:10Speaker 1: these one shot characters who show up in these various
- 11:15Speaker 1: different styles. It's meant to be somewhat like an anthology,
- 11:19Speaker 1: hence the name Thimble Theater. But to your point, to
- 11:23Speaker 1: your excellent earlier point, man Segar keeps refining his universe
- 11:28Speaker 1: and he'll try characters out and then he'll cut them
- 11:31Speaker 1: if I guess he doesn't like drawing them or they
- 11:34Speaker 1: don't get a good audience response. There was for instance,
- 11:39Speaker 1: a villain named Willie Wormwood, and he cut Willy about
- 11:43Speaker 1: a year like over the first year, and then he said,
- 11:47Speaker 1: all right, I'm going to focus on the the dynamic
- 11:51Speaker 1: between ham gravy and olive oil. And it was still
- 11:55Speaker 1: like the classic you know, first first couple panels, set
- 12:00Speaker 1: up a joke, next is the punchline, right, and they
- 12:04Speaker 1: would call this a gag a day kind of thing.
- 12:07Speaker 1: Eventually he starts, I think it's around nineteen twenty two,
- 12:12Speaker 1: our cartoonists starts saying, well, let me take some longer
- 12:16Speaker 1: storylines over the course of multiple strips, which reminds me
- 12:19Speaker 1: a little bit by the way of our pal Dan's
- 12:23Speaker 1: work on Rick and Morty, because remember Rick and Morty
- 12:26Speaker 1: used to be just like one shot, twenty something minute adventures,
- 12:29Speaker 1: and they started building out the Mythos Navin story.
- 12:32Speaker 3: Yeah, we love a good we love some good lore
- 12:35Speaker 3: and world building. I mean it makes sense that the
- 12:38Speaker 3: format first was much more of like a you know,
- 12:41Speaker 3: one off kind of jokey handful of frames beginning, middle,
- 12:45Speaker 3: and end, move on. And I still kind of enjoy
- 12:48Speaker 3: comics like that. There's a whole subgenre of manga horror
- 12:52Speaker 3: comics that are these very tightly contained like beginning, middle,
- 12:58Speaker 3: and end, almost like a punch line joke kind of
- 13:01Speaker 3: set up, but with a horror story that usually only
- 13:04Speaker 3: take about a page or so to tell you this
- 13:08Speaker 3: usually pretty twisted little taiale. So I'm a fan of
- 13:12Speaker 3: that kind of brevity. But then, of course it's as
- 13:15Speaker 3: a creator obviously really cool to be able to expand
- 13:18Speaker 3: that universe, and honestly, Popeye, it was sort of righte
- 13:23Speaker 3: for that. Because you already mentioned the rotating cast of characters.
- 13:26Speaker 3: Now we're going to start to see some recurring characters.
- 13:30Speaker 1: Yes, yes, sir, it might surprise some of us ridiculous
- 13:34Speaker 1: historians playing along at home to learn that Popeye did
- 13:38Speaker 1: not appear in Thimble Theater until a like a decade
- 13:42Speaker 1: after the thing you've been running.
- 13:45Speaker 3: Olive Oil was the first of the bunch, right.
- 13:48Speaker 1: Right, Popeye shows up on January seventeenth of nineteen twenty nine.
- 13:59Speaker 1: And here's the set up, all right. He's hired by
- 14:02Speaker 1: you know, our kind of oafish brother boy Castor Oil
- 14:07Speaker 1: and Olive Oil's boyfriend, Ham Gravy. These two guys hire
- 14:13Speaker 1: this new dude, Popeye, to crew a ship for a
- 14:17Speaker 1: voyage to Dice Island. Dice Island is important in the
- 14:21Speaker 1: show or in the strip because it is home to
- 14:25Speaker 1: a casino owned by a crooked gambler named Fade Well
- 14:31Speaker 1: all one.
- 14:31Speaker 3: Word, great name. And by the way, ham gravy. First
- 14:35Speaker 3: of all, I don't maybe maybe gravy on a pork chop,
- 14:38Speaker 3: but gravy on a piece of ham. That's a little
- 14:40Speaker 3: weird for me. Maybe it was a different time, but
- 14:43Speaker 3: to look at this fella, he is a little bit
- 14:46Speaker 3: of a sad sack. He's kind of almost like a
- 14:48Speaker 3: Charlie Brown, sort of always a little hangdog walking around.
- 14:52Speaker 3: But he weirdly is like the dude version of olive oil.
- 14:56Speaker 3: He has the same pointy shaped nose, the same kind
- 14:59Speaker 3: of wiry frame, uh, the same more or less kind
- 15:04Speaker 3: of seemingly bald head minus the braids coming down the side.
- 15:08Speaker 3: But yeah, he very much seems to be like a
- 15:10Speaker 3: male olive oil. So they you know, it makes sense
- 15:13Speaker 3: that they pair it to them. But I guess what
- 15:15Speaker 3: did did Popeye literally steal her away from ham gravy
- 15:19Speaker 3: with his muscles and nautical skills?
- 15:22Speaker 1: Well, this is where we get into some mythos, right,
- 15:25Speaker 1: So our buddy Castor Oil says, I'm gonna I've got
- 15:29Speaker 1: a ringer. I'm gonna break the bank at the casino
- 15:33Speaker 1: because Bernice the Whiffle hid, who is kind of our
- 15:36Speaker 1: first spinach.
- 15:37Speaker 3: We'll see what we mean, folks. If you if you.
- 15:39Speaker 1: Pet Bernice correctly, then for a limited amount of time,
- 15:44Speaker 1: you get incredible good luck. So they do this spoiler
- 15:48Speaker 1: it's you know, it's a comic strip. Uh, And Popeye
- 15:52Speaker 1: returns because he now he has like you were saying, no,
- 15:57Speaker 1: he has this mission to romantically pursue Olive Oil, and
- 16:02Speaker 1: she breaks up with Ham to date Popeye in March
- 16:06Speaker 1: of nineteen thirty, and then he also gets the Originally
- 16:12Speaker 1: his superpowers are given to him by petting or rubbing
- 16:16Speaker 1: Bernice the whiffle hen, but then later, of course the spinach.
- 16:21Speaker 2: And it's jumping real quick. I was also very curious
- 16:24Speaker 2: about ham gravy nol. It turns out, at least for
- 16:27Speaker 2: my very brief research, that ham gravy is just like
- 16:31Speaker 2: gravy made from the drippings of ham.
- 16:33Speaker 3: Mm hmm, okay, he can clear on anything. Gravy is
- 16:36Speaker 3: gravy exactly.
- 16:37Speaker 2: It's not like gravy specifically for ham, but it's gravy.
- 16:41Speaker 3: That makes us like mushroom gravy or any Okay, fair enough,
- 16:45Speaker 3: thank you. This has been Max's culinary corner or Max
- 16:49Speaker 3: with the Max with the fact is that seeking in
- 16:53Speaker 3: the phone and he's fallen. Lolgh, it's just for you
- 16:59Speaker 3: right now. Oh yeah, that too. They're interchangeable. But yeah, so,
- 17:07Speaker 3: I mean, okay, so, but it is true though, Ben,
- 17:09Speaker 3: that they wrote into the storyline that olive oil dumps
- 17:14Speaker 3: Sam gravy. Yeah, in favor of of of the uh,
- 17:18Speaker 3: I guess slightly more fetching than Edgy, somewhat dangerous but
- 17:23Speaker 3: weirdly misshapen jawlined Popeye.
- 17:27Speaker 1: He's a bad boy. Yeah, he is some bad things.
- 17:31Speaker 1: There's a yeah, which we'll get to. There's a bevy
- 17:34Speaker 1: of unique and eccentric characters that are continually showing up
- 17:39Speaker 1: before and after Popeye, and we'll describe some of those
- 17:42Speaker 1: in a moment. This guy became so popular he was
- 17:45Speaker 1: a sky rocketing success in the world of comics. He
- 17:48Speaker 1: was also inherently associated with Spinach. Just six years after
- 17:53Speaker 1: he first appears going to Dice Island, the town of
- 17:56Speaker 1: Crystal City, Texas, built a statue for Popeye for fictional
- 18:02Speaker 1: character because Crystal City, Texas, at the time was a
- 18:06Speaker 1: huge agricultural center for spinach. Then they renamed the copy strip.
- 18:12Speaker 1: It's no longer Thimble Theaters Thimble Theater starring Popeye, and
- 18:16Speaker 1: then later they shorten it and they just say Popeye.
- 18:19Speaker 3: Yeah, And then anyone's thinking of Popeye the salor man.
- 18:23Speaker 3: That's largely from the theme of the cartoon. That'll come later,
- 18:27Speaker 3: and quick cook point of on the spinach thing, the marketing,
- 18:30Speaker 3: I don't see it anymore, but for years you could
- 18:33Speaker 3: get bagged spinach that was logoed up with Popeye cartoons,
- 18:38Speaker 3: and I don't know what happened if the deal run.
- 18:42Speaker 3: I mean a lot of this stuff is public domain.
- 18:43Speaker 3: Actually we'll get to that too. There's some interesting gray
- 18:46Speaker 3: area questions around the public domain mess of the Popeye character.
- 18:51Speaker 3: But I wonder what happened. I would love to figure out,
- 18:53Speaker 3: because for years you'd get bags spin into the grocery
- 18:56Speaker 3: store and it would be covered in Popeye logo. It
- 19:00Speaker 3: might be a.
- 19:01Speaker 1: Thing where because they definitely still have Popeye brand canned spinach,
- 19:05Speaker 1: it may be a thing where maybe a particular grocery
- 19:09Speaker 1: store does not have that supplier anymore, but Popeye brand
- 19:12Speaker 1: Spinach is still very much in playee.
- 19:14Speaker 3: I'm sure, I'm sure it is, just it used to
- 19:15Speaker 3: be everywhere at the you know, in our neck of
- 19:17Speaker 3: the woods, the Kroger or the publics of the world,
- 19:21Speaker 3: which is typically what we get around here. But yeah,
- 19:25Speaker 3: Crystal City, Boomtown for Spinach at the time already hitching
- 19:29Speaker 3: their wagon to Popeye's pipe, I guess. And he gets
- 19:35Speaker 3: so popular right at a time when animated cartoons are
- 19:40Speaker 3: really starting to be a thing like this is in
- 19:42Speaker 3: the early days of Disney from the Ink, well really
- 19:46Speaker 3: weird psychedelic cartoons from the Fleischer brothers, Max and Dave,
- 19:51Speaker 3: who produced all these cartoons shorts, they decided to, you know,
- 19:56Speaker 3: capitalize on Popeye's popularity as a comic. It creates an
- 20:01Speaker 3: animated version voiced by Jack Mercer, and that's where you
- 20:05Speaker 3: get here and all of that stuff. That really is
- 20:09Speaker 3: what absolutely elevates Popeye into the stratosphere pop culturally speaking,
- 20:16Speaker 3: is to have that voice and that theme song, you know,
- 20:19Speaker 3: And it's honestly something I grew up with. It's forever
- 20:24Speaker 3: with me, you know, all my I remember I had
- 20:26Speaker 3: a friend who told me during a sleepover once he
- 20:29Speaker 3: was messing with me, but he swore to me that
- 20:32Speaker 3: his mother would not let him watch Popeye cartoons because
- 20:35Speaker 3: they were too violent. But it turns out he pretty
- 20:38Speaker 3: with me, but they were violent, you.
- 20:40Speaker 1: Know, the older ones, especially, I mean, Popeye is part
- 20:43Speaker 1: of the World War two propaganda moves that brought in
- 20:48Speaker 1: Disney and had Donald Duck do some questionable things, and
- 20:52Speaker 1: then in the it persists into the nineteen sixties nineteen seventies.
- 20:56Speaker 1: Popeye cartoons are made for American TV, and the old
- 21:01Speaker 1: it triggers a wave of nostalgia. Weirdly enough, because a
- 21:05Speaker 1: certain amount of decades have passed, so now people are
- 21:07Speaker 1: finding the old cartoons as well. And Popeye comic books
- 21:11Speaker 1: have been around since the nineteen thirties. They were still
- 21:14Speaker 1: up until or publishing up until the nineteen seventies. There
- 21:17Speaker 1: were toys, clothing, merchandise. It's very spaceballs.
- 21:22Speaker 3: We know that.
- 21:23Speaker 1: We already talked about how Robin Williams was in the
- 21:26Speaker 1: star of the live action Popeye film in nineteen eighty,
- 21:29Speaker 1: but maybe we describe Popeye a little bit more. He's
- 21:35Speaker 1: thirty four years old when you first meet him. Even
- 21:38Speaker 1: though the stablished this yeah, even though it looks like
- 21:41Speaker 1: he's maybe mid fifties, hard lived, put away wet, but
- 21:45Speaker 1: he's got one eye in the beginning is he is
- 21:48Speaker 1: weirdly enough, specifically from Santa Monica, California, So I don't
- 21:53Speaker 1: know who seeger met.
- 21:54Speaker 3: You know, I never really thought of him of just
- 21:55Speaker 3: having one eye. I thought it was more of a
- 21:57Speaker 3: really hard squint yeah in the rock yeah, you know,
- 22:01Speaker 3: kind of yeah. And the things that I always found
- 22:04Speaker 3: interesting about the character design of Popeye is that, aside
- 22:08Speaker 3: from his weirdly bulging muscles, he's like rail thin everywhere else.
- 22:15Speaker 3: He's got these noodley arms. He looks like a freakin'
- 22:18Speaker 3: what is it like a muffler on a car, you know,
- 22:21Speaker 3: where it's like a tiny tube. Can I do a
- 22:24Speaker 3: big old honking thing and then another tiny tube coming
- 22:26Speaker 3: out on the other side.
- 22:27Speaker 1: And he always has a pipe, yeah, in his weird,
- 22:31Speaker 1: weird little mouth.
- 22:32Speaker 3: And he's yeah, he's always aggressively.
- 22:34Speaker 1: Right, He's always ready to fight in place of reasonable discussion.
- 22:39Speaker 1: He's got a grabbling voice. There's a subreddit called thirteen
- 22:43Speaker 1: or thirty which is entirely photographs. I don't know if
- 22:46Speaker 1: you guys have seen it, but it's entirely photographs of
- 22:49Speaker 1: people who look bizarrely not their age in one direction
- 22:52Speaker 1: or another.
- 22:53Speaker 3: I haven't seen this, but I know the vibe.
- 22:56Speaker 1: Yeah, Popeye's one of these. And one of his most
- 22:58Speaker 1: popular catchphrases is also, I would argue his fundamental like
- 23:03Speaker 1: philosophical and moral axiom, I am what I am, and
- 23:08Speaker 1: that's all what I am.
- 23:09Speaker 3: Yeah, And you know, you know you hit on something
- 23:11Speaker 3: just now, Ben. He does almost have like a lilting
- 23:17Speaker 3: kind of Irish accent almost. It's more like, you know,
- 23:23Speaker 3: the voice of Willem Dafoe in the in the Lighthouse.
- 23:27Speaker 1: You know, he's kind of got this grizzled.
- 23:29Speaker 3: Like Seeman's kind of brogue, I guess you could call it.
- 23:34Speaker 3: And he does have a spouse sort of a personal philosophy. Uh.
- 23:39Speaker 3: And he does so often very weirdly monologuing to himself
- 23:46Speaker 3: under his breath, kind of like demons. He the guy's
- 23:52Speaker 3: a bit of a of a of a crazy person.
- 23:55Speaker 3: Let's not let's not men's words here.
- 24:03Speaker 1: And to the point made earlier the comic strip, the
- 24:08Speaker 1: original strip was pretty violent by today's measures. In his
- 24:12Speaker 1: first appearance, you know, rubbing Bernice. The Whifflehn gives him
- 24:17Speaker 1: the ability to survive fifteen gunshot wounds and he's fine.
- 24:22Speaker 1: But that's a lot for kids. We would imagine today,
- 24:25Speaker 1: and it's the end of nineteen twenty nine when his
- 24:29Speaker 1: strength is no longer derived from Bernice. Instead it's derived
- 24:34Speaker 1: by spinach, by the consumption of spinach, often in the
- 24:38Speaker 1: most cartoonish method possible. He squeezes the can. Sometimes it
- 24:43Speaker 1: goes into his mouth, sometimes through his pipe.
- 24:45Speaker 3: It's weird he does go through I forgot about that
- 24:47Speaker 3: is he's smoking it? What's going on?
- 24:49Speaker 1: Smoking the spinach?
- 24:50Speaker 3: He's smoking that sweet sweet green leaf by the way,
- 24:54Speaker 3: really quickly. Just which as we're talking about his weird
- 24:56Speaker 3: personal philosophy and mumblings, he had a couple other can
- 25:00Speaker 3: phrases besides I am what I am, and that's all
- 25:03Speaker 3: I am. Uh, that's all I can stand because I
- 25:06Speaker 3: can't stands no more. That's a good one. And uh,
- 25:10Speaker 3: let's see you. You got a face I like to touch, Yeah,
- 25:15Speaker 3: talking to all of talking to all of yeah, and
- 25:18Speaker 3: I am disgustiated. And a personal classic which sort of
- 25:23Speaker 3: shows his you know, if you're not with me, you're
- 25:26Speaker 3: against me. Mentality. If we can't be friends, we'll be enemies. Yeah.
- 25:32Speaker 1: That was always chilling to me reading this, And we
- 25:36Speaker 1: also know that there are a lot of other catchphrases,
- 25:39Speaker 1: cultural tropes. We set this up so well in the
- 25:41Speaker 1: beginning that come not just from Popeye himself Popeye the Man,
- 25:46Speaker 1: but come from his pantheon of side characters, villains, ed allies,
- 25:51Speaker 1: Jay Wellington. Wimpy of course be one of one of
- 25:55Speaker 1: the crowd favorites. He's kind of lazy, he's not in
- 25:59Speaker 1: the shape he beat me here, Max. He loves hamburger.
- 26:05Speaker 3: Oh yeah, he came up organically on a recent episode
- 26:07Speaker 3: where you said something to the effect of I'll gladly
- 26:09Speaker 3: pay you Tuesday for a hamburger today, which was his
- 26:13Speaker 3: catch phrase. But he he did sometimes in the way
- 26:16Speaker 3: that a lay about comic relief kind of character will
- 26:19Speaker 3: sometimes be the hero of the day. Sometimes Wimpy accidentally
- 26:23Speaker 3: inspector gadgets his way into sort of like you know,
- 26:27Speaker 3: being the lynchpin of what leads to the successful outcome
- 26:30Speaker 3: and the caper.
- 26:31Speaker 1: M one hundred percent. And you made this point so
- 26:35Speaker 1: well earlier, the way that Popeye has informed American culture,
- 26:40Speaker 1: and indeed American English. A lot of etymologists will argue
- 26:46Speaker 1: that Wimpy is actually the source of the word wimp
- 26:51Speaker 1: meaning timid or cowardly or not strong.
- 26:54Speaker 3: Or you know, wimpy. That's a wimpy guy right there.
- 26:58Speaker 1: You know, it's also a huge Hamberg chain, right or
- 27:01Speaker 1: it was? Are they still around?
- 27:03Speaker 3: I guess it was in England, right because I'm not
- 27:06Speaker 3: familiar with it, but perfect branding. Also, Popeyes the restaurant
- 27:12Speaker 3: unaffiliated with Popeye is the cartoon the chicken restaurant. I
- 27:15Speaker 3: think at some point there was some litigation around that.
- 27:19Speaker 3: I'd have to I think you're right, but I think
- 27:21Speaker 3: they sorted it out because Popeyes is still Popeyes, Popeye
- 27:24Speaker 3: the cartoon, and the intellectual property is still that. So yeah,
- 27:28Speaker 3: Wimpy became a bit of a fan favorite. Mm hmmmm,
- 27:33Speaker 3: he sure did.
- 27:33Speaker 1: He actually became the next or the third full time
- 27:39Speaker 1: major character alongside Popeye and all of Maybe one of
- 27:42Speaker 1: the weirdest comparisons to draw is the in the world
- 27:47Speaker 1: of DC comics, the three main members of the Justice
- 27:50Speaker 1: League are Superman that's our Popeye, Olive Oil that's our
- 27:54Speaker 1: Wonder Woman, and Wimpy, who I guess now is our batman.
- 27:59Speaker 1: I have painted by self into a comparison quarter there.
- 28:02Speaker 2: Also to jump in real quick, I did some quick
- 28:05Speaker 2: diving into wimpy Burrs. They are basically out of the
- 28:09Speaker 2: United States.
- 28:10Speaker 1: There's one in Memphis, Okay.
- 28:13Speaker 2: Where they really found success was South Africa. They're headquarters
- 28:18Speaker 2: in Johannesburg, and they have four hundred and fifty three outlets. Obviously,
- 28:22Speaker 2: this is according to the modern day Great Library of
- 28:26Speaker 2: Alexandria Wikipedia. So yeah. And they're also in the United
- 28:30Speaker 2: Kingdom with sixty two outlets. So yes, very much around.
- 28:34Speaker 2: Not easy to find one unless you go to Memphis.
- 28:36Speaker 2: According to Ben.
- 28:58Speaker 1: South Africa, the country that is perhaps best known for
- 29:02Speaker 1: its love of whippy hamburgers. A couple other things happened
- 29:06Speaker 1: there too. You guys ever heard of jolliby, Yes, in
- 29:09Speaker 1: the Philippines. It's so popular in the Philippines.
- 29:11Speaker 3: There are some elsewhere, Like I think there's there's something
- 29:14Speaker 3: like Boss California, California. That's right, I'm slute, You're absolutely right, California.
- 29:18Speaker 3: But it is a Filipino fried chicken and spaghetti joints
- 29:23Speaker 3: that also makes like crushed Hawaiian ices and various odd
- 29:28Speaker 3: kind of boba type sweets, but I really want to go.
- 29:34Speaker 3: I saw an Anthony board an episode where I think
- 29:36Speaker 3: it was David Chang took him there. But it seems
- 29:38Speaker 3: very interesting. It's good. Unrelated to Popeye, but one thing
- 29:41Speaker 3: that is related to Popeye is the Fleischer cartoon. Obviously,
- 29:46Speaker 3: is when you started to see all of these characters
- 29:48Speaker 3: joining the Fray. You had Eugene the Jeep, which was
- 29:52Speaker 3: a dog who's dog like, he's the Jeep. He's a jeep,
- 29:58Speaker 3: that's what he is.
- 30:00Speaker 1: He only has the one word such is jeep.
- 30:03Speaker 3: And apparently.
- 30:06Speaker 1: He is not named after the vehicle or the type
- 30:09Speaker 1: of vehicle, the jeep, the automotive Jeep is named after
- 30:13Speaker 1: this cartoon.
- 30:14Speaker 3: Once again, first to market man, this is the thirties,
- 30:17Speaker 3: they're gonna be. They're creating a lot of powerful pop
- 30:20Speaker 3: cultural kind of like phenomenon, you know, and they didn't
- 30:23Speaker 3: even realize it. I always, for some reason, assumed jeep
- 30:26Speaker 3: was an acronym, though I couldn't tell you what that
- 30:28Speaker 3: would possibly be. I don't know, it just seems like
- 30:31Speaker 3: one of those words that would be. But Eugene the Jeep,
- 30:34Speaker 3: he's a dog sort of, but he's really just a jeep.
- 30:37Speaker 3: Who says jeep. He's magical though, isn't he. I think
- 30:40Speaker 3: he has some like shape shifting kind of Sasquatch esque
- 30:45Speaker 3: powers of teleportation sort of right.
- 30:49Speaker 1: Yeah, he is very difficult to kill because of his
- 30:53Speaker 1: magical powers. And he does not look like a jeep
- 30:56Speaker 1: by the way, like the vehicle. He is sort of
- 30:59Speaker 1: a yellow, green spotted like we said, vague dog like yeah,
- 31:05Speaker 1: with a big h with a big balloon shaped nose.
- 31:10Speaker 3: Trebasis, yes, just so.
- 31:13Speaker 1: Yeah, and he's got a schnaz for sure, and he uh,
- 31:17Speaker 1: his powers are explained by the fact that he is
- 31:20Speaker 1: in the three dimensional world, but he's from a fourth
- 31:24Speaker 1: dimensional world. They got deep into the lore pretty quickly.
- 31:28Speaker 3: Pretty cool. Popeye and his nautical explanation explorations, one would
- 31:34Speaker 3: imagine found a rift in space time where he took
- 31:38Speaker 3: his his sloop into another dimension and came back with
- 31:42Speaker 3: the jeep.
- 31:43Speaker 1: It's a really weird kind of thing, right, and the uh,
- 31:47Speaker 1: the army vehicle was called the general Purpose Vehicle and
- 31:53Speaker 1: then shortened to jeep. But we're pretty sure that happened
- 31:56Speaker 1: because of the propaganda cartoons that were shown to soldiers
- 32:01Speaker 1: to kind of boost morale. So we went from GP
- 32:04Speaker 1: to JEEP. Look, this is our segue to learning together
- 32:11Speaker 1: with you ridiculous historians, that this is a two part episode.
- 32:15Speaker 3: We already know much fun. You already know what it is.
- 32:18Speaker 3: This is one of those not posthumous. That's not the
- 32:21Speaker 3: right word. What's the right word.
- 32:22Speaker 1: We can say post script.
- 32:24Speaker 3: Or Look, guys, it's summer. We're all trying to take
- 32:28Speaker 3: a little time off. We thought this one was a
- 32:30Speaker 3: beefy one part or a nice nuggety, spinach bite sized
- 32:36Speaker 3: two parter for you to enjoy this week. And I
- 32:38Speaker 3: don't know, man, I think Popeye deserves his own week.
- 32:41Speaker 3: It's Popeye Week here on Ridiculous History.
- 32:44Speaker 1: Yeah, and maybe we can also answer some other questions
- 32:49Speaker 1: that surely are burning in our collective minds, folks, in
- 32:53Speaker 1: Part two of the Ridiculous History of Popeye. But for now,
- 32:58Speaker 1: we've got a a lot of thank yous. We're always
- 33:01Speaker 1: grateful when we do our credits. It's it's a fun
- 33:04Speaker 1: it's a fun thing for us. So, of course, shout
- 33:07Speaker 1: out to the man the myths legend, mister Max Williams. Also,
- 33:12Speaker 1: you know what, shout out to Casey Pegram I think
- 33:14Speaker 1: we should have him back on the show.
- 33:16Speaker 3: It's oh, we must he's got his hands full with
- 33:18Speaker 3: fatherhood and other podcast duties. But boy do we love
- 33:21Speaker 3: that guy. I want to say now, I want to
- 33:23Speaker 3: take this opportunity to add something that I think we
- 33:25Speaker 3: didn't get into in either of these episodes, where we
- 33:28Speaker 3: might have just glossed over. I didn't really think about this.
- 33:32Speaker 3: And again, we've we've promised this, and we're going to
- 33:34Speaker 3: fully deliver and report back. Gonna go down some YouTube
- 33:37Speaker 3: rabbit holes rewatching some of these classic Popeye cartoons. But
- 33:40Speaker 3: I had forgotten, or maybe it had never acknowledged or
- 33:44Speaker 3: noticed in the first place, that not only does spinach
- 33:46Speaker 3: give Popeye super strength, it often gives him other kind
- 33:52Speaker 3: of like side.
- 33:54Speaker 1: Like playing the piano yeah, or.
- 33:56Speaker 3: Whatever is required in the moment to be the most
- 34:00Speaker 3: ass right, yeah exactly, dance like it make him dance
- 34:04Speaker 3: like Barishnakoff all of a sudden, right right.
- 34:07Speaker 1: We also may at some point another thing we forgot
- 34:11Speaker 1: is we mentioned this, but we may at some point
- 34:13Speaker 1: need to explain why Popeye's Chicken is not related to
- 34:19Speaker 1: popeye'es this Popeye the Sailor.
- 34:22Speaker 3: Right, Yes, maybe you know what, maybe will do that
- 34:24Speaker 3: in our Out show for episode two. I think that's
- 34:27Speaker 3: a smashing idea, and I just want to play on
- 34:30Speaker 3: a couple other things. Originally, I think you had mentioned this,
- 34:33Speaker 3: the chicken, the whiffle Hen. It was a luck factor, right,
- 34:38Speaker 3: so essentially what up? It's like it's like maxing out
- 34:41Speaker 3: your luck parameter in a Fallout game, right, And all
- 34:46Speaker 3: of a sudden, everywhere you go, people are just throwing
- 34:48Speaker 3: themselves at you to give give you their stuff, and
- 34:50Speaker 3: you know, whatever crate you open full of like magical
- 34:53Speaker 3: items that you'd never find, and.
- 34:55Speaker 2: A psychopath shows up starts shooting people for you. Have
- 34:58Speaker 2: you found his document in Nick Valentine's office and fall
- 35:02Speaker 2: It four?
- 35:03Speaker 3: No, I haven't gotten there yet. I also I have
- 35:05Speaker 3: a Skyrim related question that I want to post to you,
- 35:07Speaker 3: but not quite this second. So luck was what the
- 35:10Speaker 3: Whifflehen was about. But the spinach he could at times
- 35:14Speaker 3: he'd turn into like a human bullet, you know, or
- 35:17Speaker 3: like a like a rocket, a cruise missile, you know.
- 35:20Speaker 1: Yeah, absolutely, And we're going to answer all these questions
- 35:25Speaker 1: and more in part two of our series this week.
- 35:29Speaker 1: Thank you so much for joining us.
- 35:30Speaker 3: Folks.
- 35:30Speaker 1: Thanks to our superducer mister Max Williams, Our Blue Toe,
- 35:34Speaker 1: Jonathan Strickland aka the Twister of course, AJ Jacobs, Bahamas
- 35:39Speaker 1: and who else.
- 35:41Speaker 2: And just jumping here real quick. Special shout out to
- 35:43Speaker 2: our research associate for this episode, no other than mister
- 35:47Speaker 2: Ben Bolin.
- 35:48Speaker 3: Oh Chriss rossiotis here in spirit. He's Jeff Coats wherever
- 35:52Speaker 3: they may roam, check out Eve's podcast on Theme. They
- 35:57Speaker 3: just did a really cool live lit event here in
- 36:00Speaker 3: Atlanta in conjunction with our buddy Michael Alder. June is
- 36:05Speaker 3: part of the Right Club series, so do check out
- 36:08Speaker 3: their podcast on Theme with Eaves, Jeffcoats and Katie Mitchell
- 36:12Speaker 3: out now wherever you get your podcasts, man About covers
- 36:17Speaker 3: the thank you, Thank you Ben for your human abilities
- 36:21Speaker 3: of podcasting.
- 36:22Speaker 1: Oh yeah, yeah, it's all the spinach.
- 36:24Speaker 3: We'll see you next time, folks. For more podcasts from iHeartRadio,
- 36:34Speaker 3: visit the iHeartRadio app, Apple Podcasts, or wherever you listen
- 36:38Speaker 3: to your favorite shows.