Latest / The Bald Brothers Podcast / 142: Top 10 Celebrity Childhood Crushes | #thebaldbrotherspodcast

Transcript

142: Top 10 Celebrity Childhood Crushes | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: Yo, before you watch this episode of The Ball Brothers,
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• 0:31
  Speaker 1: Listen.
• 0:31
  Speaker 3: Somebody said a lot of people are weird in the world.
• 0:33
  Speaker 3: That's true, the people are weird. All we did was
• 0:36
  Speaker 3: and we asked regular questions.
• 0:37
  Speaker 1: Ask regular questions.
• 0:38
  Speaker 3: If we get to answer, y'all didn't even see the
• 0:40
  Speaker 3: Weird City Dallas alone. Freak cent Dallas was sex capades
• 0:47
  Speaker 3: and that one ain't even want to be So when
• 0:49
  Speaker 3: we get that episode right for you, me and Tony
• 0:51
  Speaker 3: had a justice thing, we gotta we gotta say some
• 0:53
  Speaker 3: different stuff because Dallas is a bunch.
• 0:55
  Speaker 1: Of sex freaks. Friends.
• 0:57
  Speaker 3: But anyway, speaking of sex, not freaks, just regular normal stuff. Today,
• 1:02
  Speaker 3: we're talking Top ten celebrity crushes from me and Tony's
• 1:07
  Speaker 3: childhood were saying anywhere from birth up to eighteen, although
• 1:10
  Speaker 3: he had to crush on somebody at birth. You as
• 1:11
  Speaker 3: a well aware baby, you.
• 1:14
  Speaker 1: Kick it off. You'll kick it off. Number one, your lie,
• 1:17
  Speaker 1: my first crush. It can be your first or your
• 1:19
  Speaker 1: number one whatever. We're gonna do some combined top ten. Okay.
• 1:22
  Speaker 1: I don't know if I got a solid number one.
• 1:24
  Speaker 1: I remember my first crush. Ever, just do that. Kick
• 1:27
  Speaker 1: it off with that wonder woman, Linda Carter. Wonder woman. Yeah,
• 1:31
  Speaker 1: I used to. I was young, but I was like,
• 1:35
  Speaker 1: I like, she used to spin around and just turn
• 1:38
  Speaker 1: into the constume. I was like, man, that's a woman, right,
• 1:42
  Speaker 1: that's a wonderful man. I ain't even started school yet.
• 1:45
  Speaker 1: I was like, dad, is a woman, not wonder what is?
• 1:49
  Speaker 1: I don't know what this feeling is.
• 1:51
  Speaker 3: She is the wonder woman to me, by the way, Yeah,
• 1:53
  Speaker 3: nobody has even equal down the doll.
• 1:57
  Speaker 1: Has not surpassed Linda Carter's Hey gal, a dog cut out.
• 2:02
  Speaker 1: Now you must come with me now, Max Lord, shut
• 2:09
  Speaker 1: the hell up. Goal, this isn't right. Come with me now,
• 2:14
  Speaker 1: given you.
• 2:15
  Speaker 3: Nothing, give me the stone now, Max Lord, now Goal.
• 2:23
  Speaker 2: I want the feelings to kill her.
• 2:24
  Speaker 1: What what's what's Chris Pine's name in that movie? Oh?
• 2:27
  Speaker 1: I don't know. I wish I can remember his name.
• 2:31
  Speaker 3: She was saying, I feel like she just got the
• 2:33
  Speaker 3: movie because she's pretty. Yeah, she cannot act that all
• 2:36
  Speaker 3: to me?
• 2:38
  Speaker 1: To feel the nile delivery, you feel the nie anyway?
• 2:44
  Speaker 1: All right? Can I go? First? White woman? I just win?
• 2:48
  Speaker 1: I mean, I mean, can I go? Now?
• 2:49
  Speaker 3: My first is whatever? Cindy Crawford, Okay, yeah, man, America
• 2:54
  Speaker 3: told me she was beautiful, and I agreed.
• 2:56
  Speaker 1: I agreed.
• 2:57
  Speaker 3: She was drinking that pepsi. It looks so cool and refreshing.
• 3:00
  Speaker 3: Dick Crawford was legit. She was shared that beauty mark
• 3:04
  Speaker 3: perfect to kiss the ball all along. She was on
• 3:10
  Speaker 3: TV tough when I was a kid.
• 3:12
  Speaker 1: It was like she was Posters. She was TV. Did
• 3:16
  Speaker 1: you watch that movie fair Game with her and William Baldwin.
• 3:19
  Speaker 1: Now it was an action joint with her. It bombed
• 3:22
  Speaker 1: at the box office.
• 3:22
  Speaker 3: I hear that she was at Angel's music video Yeah
• 3:26
  Speaker 3: one Margarita, which was crazy. Uh but yeah, Cindy Crawford.
• 3:29
  Speaker 3: I was like, that's a woman. She was the woman.
• 3:33
  Speaker 3: That's the first crush I ever remember having, which she
• 3:35
  Speaker 3: tells you how much of an impact media plays on you. Yeah,
• 3:37
  Speaker 3: because I don't even think she had no competitor in
• 3:39
  Speaker 3: my childhood.
• 3:41
  Speaker 1: It was hurting her long. Cindy Crawford was legit. She
• 3:43
  Speaker 1: was tough. All right, you're up now. I had a
• 3:46
  Speaker 1: crush on Lisa from Saved by the Bell vorehees. She
• 3:52
  Speaker 1: was the reason I even watched Save by the Bill,
• 3:54
  Speaker 1: really just having to be on TV. I was like,
• 3:55
  Speaker 1: who is this black girl right here? And I just
• 3:58
  Speaker 1: see I kept coming around for her, and then pretty
• 4:01
  Speaker 1: soon I started liking the whole show. The black was like, man,
• 4:05
  Speaker 1: that black girl hanging out with them kids, Lisa saying,
• 4:10
  Speaker 1: and I was like, and then and then after a while,
• 4:13
  Speaker 1: I was just like, all right, I like the whole show. Wow.
• 4:16
  Speaker 1: But she's the reason I even tuned in for the
• 4:19
  Speaker 1: first nine episodes, got it. I was looking for her
• 4:22
  Speaker 1: when they Saved the Bell say my Bell Start. I
• 4:24
  Speaker 1: can't remember eighties. I think it was like late late eighties.
• 4:29
  Speaker 3: Yeah, I think might have been eighty nine. It was
• 4:31
  Speaker 3: early nineties, all right. My next one is Holly Berry.
• 4:36
  Speaker 3: Holly Berry took me out of Sidney Cross.
• 4:38
  Speaker 1: How old was you?
• 4:39
  Speaker 3: I was like, b was Boomerang. I was nine years
• 4:43
  Speaker 3: old when I saw Boomerang. I said, you get out
• 4:47
  Speaker 3: of here, Sidney Crowford. Ain't nobody showed me. This ain't nobody.
• 4:50
  Speaker 3: And she got a drink, no PEPSI from me to
• 4:52
  Speaker 3: pay attention. You get out Boomerang, Pixie Cut.
• 4:55
  Speaker 1: It was crazy. I said, oh my god, it was crazy.
• 4:59
  Speaker 1: That's a woman. I was when wed, like, now, this
• 5:02
  Speaker 1: is a woman, y'all. Even so as soon as she
• 5:06
  Speaker 1: was on the screen and I was like, no disrespect
• 5:10
  Speaker 1: to Robin Gibbs. Yeah, yeah, yeah, let me get the
• 5:13
  Speaker 1: fuck up out of here. Man, what are we talking
• 5:16
  Speaker 1: about that? No disrespect wasn't enough for what you were
• 5:18
  Speaker 1: about to say. You're just gonna says respect of Robin
• 5:21
  Speaker 1: Gibbs whatsoever. But excuse me, this girl I'm working with
• 5:26
  Speaker 1: is just you know what I'm saying. I was like, please,
• 5:32
  Speaker 1: I'd of been over Robin gives in a hot quick minute.
• 5:36
  Speaker 3: Oh even in losing Isaiah when she was the chef,
• 5:38
  Speaker 3: but I was like, I see right through, I see you.
• 5:40
  Speaker 1: When she was cracked down in Jungle Fever, I was
• 5:42
  Speaker 1: still like, that's a good looking crackhead rock is.
• 5:44
  Speaker 3: Not that bad of the Druger guys, listen, cracks not
• 5:47
  Speaker 3: even that bad.
• 5:48
  Speaker 1: Just like yo, man, because you can see you man
• 5:52
  Speaker 1: before the crack, she was fine. I know she can
• 5:55
  Speaker 1: help you, man, we can get you off the streets.
• 5:59
  Speaker 1: Let me get your off the street. I definitely had
• 6:01
  Speaker 1: a crush. Now.
• 6:02
  Speaker 3: Let me tell you what that that beauty couldn't save
• 6:05
  Speaker 3: that dribbling scene in Batman or her Catwoman. Oh she
• 6:09
  Speaker 3: was playing basketball. I said, now, Holly, that was a
• 6:11
  Speaker 3: dumpster fu Man. You ain't never played no basketball.
• 6:15
  Speaker 1: Put it down, Holli. It was the music. It was
• 6:19
  Speaker 1: the Mexican dude. Hell. I was like, man, turn it off,
• 6:22
  Speaker 1: turn it off. And she's still fine, still fine, happy
• 6:27
  Speaker 1: today she's selling lube. She looked like she's having a
• 6:29
  Speaker 1: great time with Van Hunt. Yeah, being all up in
• 6:32
  Speaker 1: her having a great she'd be saying that that ain't me. Yeah,
• 6:37
  Speaker 1: he got the louve and win to town. I mean, Holly,
• 6:40
  Speaker 1: children on the she like I'm living I'm living free now,
• 6:45
  Speaker 1: sick of it all? Right? Next up to Panga.
• 6:51
  Speaker 3: Okay, oh my god, I said, to go to I
• 6:55
  Speaker 3: can't think of her name, Danielle man boy where it
• 7:00
  Speaker 3: was my show? Uh to Panga? Was like Winny and
• 7:04
  Speaker 3: the Wonder Years. He was just a little bit leveled up.
• 7:06
  Speaker 1: I never had a crush on win I didn't either.
• 7:09
  Speaker 2: I was just like, that's important to you to watch.
• 7:14
  Speaker 3: We got the same name. But I feel you, bro brother,
• 7:20
  Speaker 3: but the panga, I'm rooting for you. The pang I
• 7:22
  Speaker 3: get it man to Pega.
• 7:25
  Speaker 1: For some reason, I always felt like I was older
• 7:27
  Speaker 1: than her, so I never crossed over to the crush,
• 7:30
  Speaker 1: even though she's probably your age or two years what
• 7:33
  Speaker 1: I'm saying. But you know, when I was watching uh
• 7:36
  Speaker 1: boy Meats World, I felt older. Let's see what she
• 7:40
  Speaker 1: Oh yeah number three but four four from you. But
• 7:44
  Speaker 1: that's a that's a big gap when I was younger.
• 7:47
  Speaker 1: That's a kid.
• 7:48
  Speaker 3: Yeah yeah, I was like what so I never Yeah,
• 7:50
  Speaker 3: you can't go all the way crossed over two years older.
• 7:53
  Speaker 1: But she's definitely she had like a little bit of olive.
• 7:56
  Speaker 1: So you got some women pepper in you. Yeah you
• 7:58
  Speaker 1: ain't regular gave you that vibe like what's going on? Yeah?
• 8:02
  Speaker 1: What's your lips so full? There's something else that play
• 8:06
  Speaker 1: man ask the question, yeah, asked the question, but yeah,
• 8:12
  Speaker 1: it was big time love man. I had big crush
• 8:16
  Speaker 1: on Cindy from InVogue, which one is Cindy. She's the
• 8:21
  Speaker 1: one that was in Juice. Cindy and I don't know
• 8:28
  Speaker 1: on she sings no, What's Terry kicks it off in
• 8:33
  Speaker 1: the beginning, but then Cindy sings lead on that one,
• 8:36
  Speaker 1: What's going on? Hold on to your love? Hold? But
• 8:44
  Speaker 1: then I had a crush on the whole group eventually. Yeah,
• 8:47
  Speaker 1: but it started with Cindy. Was beautiful to me because
• 8:50
  Speaker 1: they would all get leads. Yeah, and so there you
• 8:53
  Speaker 1: could sing. They would all switch off, like all right, Max,
• 8:56
  Speaker 1: see you got free your mind, say lest bit look
• 9:02
  Speaker 1: at this. So then then I was like Dawn and
• 9:05
  Speaker 1: I was just group. Man, that's a fine ass group
• 9:10
  Speaker 1: in Vogue was just man, come on, I'm with you.
• 9:13
  Speaker 3: But Cindy was first though I'm gonna jump out here
• 9:16
  Speaker 3: talking okay, and I shouldn't have done this, but she
• 9:18
  Speaker 3: had a true impact on my life.
• 9:20
  Speaker 1: A Dina Howard, Oh.
• 9:21
  Speaker 3: Yeah, I said, I'm gonna be a freak until the
• 9:24
  Speaker 3: day and we could pump pump.
• 9:26
  Speaker 2: Pull was at that age.
• 9:28
  Speaker 1: Yeah, I said, man, the Dina Howard was right, he
• 9:33
  Speaker 1: was fine.
• 9:35
  Speaker 2: I said, man, I'm riding my bike.
• 9:39
  Speaker 1: To the early.
• 9:40
  Speaker 3: Mommore, I want to do I'm high powered for the
• 9:47
  Speaker 3: Dina Howard to Sleep.
• 9:49
  Speaker 1: I felt that on that.
• 9:50
  Speaker 2: Ghostly she was so dog on, like edgy, sexy for
• 9:55
  Speaker 2: a young kid.
• 9:56
  Speaker 1: On the bike at that time, it was like she
• 9:58
  Speaker 1: was but ass naked and when you when you look
• 10:01
  Speaker 1: back at it, it was mad tange. But at the
• 10:05
  Speaker 1: time I was, man, how's this on TV? How are
• 10:08
  Speaker 1: they showing this broad Day? This is Cinemax. I was
• 10:13
  Speaker 1: right here, man, how are they showing this? She was like, Man,
• 10:17
  Speaker 1: I was like, yeah, I like it. I like it.
• 10:21
  Speaker 1: Along that same vein, I had a crush on Patra Patra. Yes,
• 10:26
  Speaker 1: who was that? Oh Kevin.
• 10:30
  Speaker 3: Kevin fresh Hacker, Yes, Jamaican singer Patra?
• 10:35
  Speaker 1: Was it?
• 10:36
  Speaker 3: Whoo?
• 10:37
  Speaker 1: I'd be watching Caribbean rhythms on BT I'd never heard
• 10:42
  Speaker 1: of Oh okay, man, you didn't have cable.
• 10:45
  Speaker 3: I didn't have cable, you didn't have te we had
• 10:48
  Speaker 3: thirteen channels.
• 10:49
  Speaker 1: Patrick had me in a daze. Boy, I was like,
• 10:53
  Speaker 1: who romantic? If I get to my baby down on
• 10:59
  Speaker 1: the catch Halvy man for show, shut up the patch.
• 11:09
  Speaker 3: I think if I'm if I'm jumping out with my
• 11:12
  Speaker 3: I'm talking about the most impact. It probably was Hillary Banks.
• 11:16
  Speaker 3: Oh yeah, yeah, actually, but Hillary was just I said, man,
• 11:24
  Speaker 3: and she was in Major Pain too.
• 11:26
  Speaker 1: I started liking her outside of Fresh Prince, like she
• 11:30
  Speaker 1: was a major pain in class act. Then I was like,
• 11:33
  Speaker 1: because she was too she was too ditsie. I didn't
• 11:35
  Speaker 1: care to connect. Yeah. I was just like, man, she
• 11:39
  Speaker 1: dumb though, even though that was a character. But then
• 11:42
  Speaker 1: when I saw her other.
• 11:43
  Speaker 3: So like, oh yeah, yeah, she was so much more
• 11:46
  Speaker 3: like around the way girl in Major Pain. I really
• 11:50
  Speaker 3: wish you got to do Major Pain first, because I
• 11:52
  Speaker 3: feel like Fresh Prince put you in it, put you
• 11:56
  Speaker 3: in a box as far as like who you could
• 11:58
  Speaker 3: be seen as. And I just thought I was happy.
• 12:02
  Speaker 3: When Trevor died, I was like, yeah, he.
• 12:05
  Speaker 1: Really killed that man on it.
• 12:10
  Speaker 3: I ain't no rocket scientist. I don't think he's about
• 12:13
  Speaker 3: to be smacking smacking to the ground like that. I
• 12:15
  Speaker 3: was like, yeah, that was telling me that's the chance.
• 12:19
  Speaker 1: Imagine getting that script. We're gonna kill your man. Be
• 12:23
  Speaker 1: like what, Karen Parsons, I respect it alright with me.
• 12:28
  Speaker 1: I had a crush on t Bars. I was gonna
• 12:31
  Speaker 1: say that that was my honorable mention. I had a
• 12:34
  Speaker 1: crush on Bus.
• 12:39
  Speaker 2: Said with this, I was trying to look up the
• 12:42
  Speaker 2: TV when it went.
• 12:44
  Speaker 1: I was if you paused it just right, because let
• 12:51
  Speaker 1: me tell you something. I was pausing every one and
• 12:53
  Speaker 1: then zooming in. I was like, yo, there's there's no way.
• 12:58
  Speaker 1: We can't get a glimpse the way the way the
• 13:01
  Speaker 1: pajama said is flowing. There's no way. And I found it.
• 13:06
  Speaker 1: Paused it right there, you know, when they be having
• 13:08
  Speaker 1: them little dames like if you pause the Lion King
• 13:10
  Speaker 1: you said six, and I was like, pause the creep
• 13:14
  Speaker 1: video for maximum Nils, the crush on Tea buys developing
• 13:20
  Speaker 1: the baby Baby Baby video, I was just like, hold on,
• 13:23
  Speaker 1: what we get it? Because initially it was chili. Yeah, yeah, yeah, chili,
• 13:27
  Speaker 1: you know what I'm saying. Then the baby baby baby video.
• 13:30
  Speaker 1: You can get a better look at tea. But I
• 13:32
  Speaker 1: was just like, hold on, yeah, but really TFC, they
• 13:36
  Speaker 1: three and them.
• 13:37
  Speaker 3: Come on and it looks the park come on. Burnt
• 13:39
  Speaker 3: Andre Roger's house down. I was like, hey, man, sometimes
• 13:41
  Speaker 3: people got to burn your house.
• 13:42
  Speaker 1: It was crushings all up into man, watch out man.
• 13:46
  Speaker 1: When she when she was walking down the hallway for
• 13:48
  Speaker 1: twenty minutes in that down there Jones video, like this
• 13:51
  Speaker 1: is a long ass hallway, left eye. But she was
• 13:53
  Speaker 1: looking good walking through because that whole group is crashed. Yeah,
• 13:57
  Speaker 1: that's all right.
• 13:59
  Speaker 3: Anama mentioned, I got to say this if we if
• 14:01
  Speaker 3: we can't get all of me, because I can go
• 14:03
  Speaker 3: a little bit longer. Little Kim that poster where she sat,
• 14:08
  Speaker 3: I said, the squat, Oh my god, I said that
• 14:13
  Speaker 3: was that was an epic.
• 14:15
  Speaker 1: As a twelve year old, it felt so filthy. It
• 14:21
  Speaker 1: was my homeboy had in his room. Now it's light work,
• 14:24
  Speaker 1: light work. But hold up, baby cooking biscuits on Instagram.
• 14:32
  Speaker 1: Butt ass naked now with just little flaws over the nest.
• 14:36
  Speaker 1: And this is how I make my biscuits, y'all. We
• 14:38
  Speaker 1: love it. Little Kim was looking at me, Kevin, everywhere
• 14:44
  Speaker 1: I went in the room. It's frightening me.
• 14:48
  Speaker 3: She looks so fine, I mean, just beautiful skin.
• 14:53
  Speaker 1: She was hard and she was a great rapper. She
• 14:56
  Speaker 1: was like so nineties fine. Was flipped.
• 14:59
  Speaker 2: Our said, I want to be into your mouth.
• 15:03
  Speaker 3: I'm lett or I could be enjoy your getting little
• 15:06
  Speaker 3: season Outvin, God dog appear.
• 15:11
  Speaker 1: Never let me have that kind of poster. You got
• 15:13
  Speaker 1: to have it. I know that that poster could even
• 15:16
  Speaker 1: make it pass your threshold. I used to go look
• 15:19
  Speaker 1: at Walmart.
• 15:19
  Speaker 3: I used to go here, y'all, man, I used to
• 15:23
  Speaker 3: sell the posters. Used to Jurassic Park. Little Kim, that
• 15:26
  Speaker 3: polls right there. I'm gonna go look at the toys.
• 15:29
  Speaker 3: I'm swinging by.
• 15:30
  Speaker 1: The hard could yeah hard God.
• 15:34
  Speaker 2: I smoked me a cigarette.
• 15:35
  Speaker 1: I tried to look. Give you all right, We love Kim.
• 15:39
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  Speaker 1: Man.
• 18:01
  Speaker 2: I just thought that was a thing.
• 18:03
  Speaker 1: They stuck to it. They they never broke, did they ever?
• 18:07
  Speaker 1: I never saw. I don't know either. The ultimate neighbor.
• 18:13
  Speaker 1: There's two, Yeah, there's two, but I'm gonna say this
• 18:18
  Speaker 1: is the number one neighbor simply because he took over
• 18:21
  Speaker 1: the whole show. Yeah, Steve, absolutely, Steve Erkele changed the
• 18:26
  Speaker 1: whole show.
• 18:27
  Speaker 3: I can't believe that what that show was supposed to be,
• 18:31
  Speaker 3: that show gets canceled.
• 18:33
  Speaker 1: Once he came on the scene, everything changed. So that's
• 18:36
  Speaker 1: the ultimate neighbor in television history. That show was originally
• 18:40
  Speaker 1: designed for Joe A. Marie Payton. Wasn't it perfect? Perfect?
• 18:44
  Speaker 3: Strangers shout out to my boy Balky, And when he
• 18:48
  Speaker 3: came in, they were like, so sorry.
• 18:50
  Speaker 1: We're changing things up. Excuse me. Yeah, he's selling merch
• 18:54
  Speaker 1: and people called it. You know, I'm watch An Rkle
• 18:57
  Speaker 1: for sure still to this day. So yeah, we never
• 19:01
  Speaker 1: had a neighbor impact the show like that where he
• 19:05
  Speaker 1: was just like, it's.
• 19:05
  Speaker 3: My show now so much that he got another character,
• 19:08
  Speaker 3: Stephan Erkell.
• 19:09
  Speaker 1: He had he went the teaen characters. He was his cousin.
• 19:14
  Speaker 1: He was his cousin. What was her name?
• 19:16
  Speaker 3: Myrtle Myrtle also speaking of crushes his girl the lights
• 19:23
  Speaker 3: myn Myra. I said, boy, you focused on lord man
• 19:28
  Speaker 3: Myra right there. Myra was in his grim piece myral
• 19:32
  Speaker 3: right there, like lord, excuse me anyway, don't listen.
• 19:39
  Speaker 1: She don't like you. Myra's hearing now, right there, hearing now.
• 19:46
  Speaker 1: She was crazy about Steve and fine, she was like, man,
• 19:50
  Speaker 1: Steve tripping, tripping he was. They chose Myra, any personality, Steve,
• 19:56
  Speaker 1: Stephan myrtleing.
• 19:58
  Speaker 3: Erkley Meyers show over. I'm sorry, laurd you, mister chance,
• 20:02
  Speaker 3: rest in peace.
• 20:03
  Speaker 1: Absolutely, I'm going okay.
• 20:06
  Speaker 3: I feel like was so funny her against Pam Gina.
• 20:14
  Speaker 1: Nails braid. She did not like Pam. She was like, hey,
• 20:21
  Speaker 1: hey came, she did not like the women. It's so good.
• 20:28
  Speaker 1: It's very obviously Martin. I really looked at.
• 20:32
  Speaker 3: Is a totally different character. She just looks like Martin,
• 20:36
  Speaker 3: but it's not Martin Lawrence.
• 20:37
  Speaker 1: It totally disassociated it from Mark.
• 20:40
  Speaker 3: One thousand percent. It doesn't even feel like Martin in
• 20:43
  Speaker 3: a wig. It feels like like that is just so
• 20:49
  Speaker 3: really Mama Pain too, even though he had the mustache,
• 20:51
  Speaker 3: but like Mama Pain.
• 20:52
  Speaker 1: They feel like Martin. He had the mustache and everything
• 20:56
  Speaker 1: watch out, but felt like a fully realized different person
• 21:02
  Speaker 1: to the wardrobe and everything. You gotta go Cosmo, motherfucking
• 21:09
  Speaker 1: Kramer Man oh man, he was funny is now now
• 21:15
  Speaker 1: he he could have took over that show, but he
• 21:17
  Speaker 1: didn't because they worked as a ensemble eventually. But he
• 21:20
  Speaker 1: was like the standout early on because he was just
• 21:23
  Speaker 1: coming there with a different kind of energy because you know,
• 21:25
  Speaker 1: Seinfeld is like dry humor. The Kramer would just bust
• 21:28
  Speaker 1: up in there, going his refrigerator and just up the energy.
• 21:32
  Speaker 3: And so you always had the adventures going to always
• 21:35
  Speaker 3: something going on. I knew the guy that had to
• 21:37
  Speaker 3: think my friend Bob Sacamano. He always talked about Bob
• 21:40
  Speaker 3: Sacamano always.
• 21:43
  Speaker 1: He was like, what do you got in the fridge?
• 21:45
  Speaker 1: I don't know what's in there? And Jerry never knew
• 21:47
  Speaker 1: what was on fridge, Like, yeah, I always know what's
• 21:49
  Speaker 1: in my refrigerator.
• 21:50
  Speaker 2: Would you forgive of actor?
• 21:52
  Speaker 1: Or is he done? I still watch Seinfeld.
• 21:56
  Speaker 2: But but that's Kramer. Yeah, I'm talking about Michael Richard.
• 21:59
  Speaker 1: I don't know, man, I can't trust you now. Oh
• 22:01
  Speaker 1: yeah that was I can't trust you. Where did that
• 22:04
  Speaker 1: come from? Yeah? He was tripping. You know what I'm saying,
• 22:06
  Speaker 1: Like you too, You're too grown for that. If you
• 22:09
  Speaker 1: was a kid, I give you grades. If you was
• 22:11
  Speaker 1: doing some dumb shit when you was a team, when
• 22:14
  Speaker 1: you fully in your fifties. He was fifty. Man, this
• 22:17
  Speaker 1: has been sitting in you. You know what I'm saying.
• 22:20
  Speaker 1: It's like, God, I ain't even a joke like that
• 22:23
  Speaker 1: Mark Wahlberg stuff that he did when he was a kid.
• 22:25
  Speaker 1: I kind of like he was a he was a
• 22:27
  Speaker 1: kid doing dumb ship. I'm still just kind of like
• 22:32
  Speaker 1: you was you was young, I did. I did dumb
• 22:34
  Speaker 1: shit when I was young. But when you're grown taking
• 22:37
  Speaker 1: it there for no reason how long it's been man
• 22:40
  Speaker 1: naming in your soul, Michael Richard. I've been a fan
• 22:45
  Speaker 1: of him even before Sinfield he was just he was
• 22:48
  Speaker 1: just a small player. He was in uh that weird
• 22:50
  Speaker 1: Yankovic movie. He was in Problem Child. He was the
• 22:54
  Speaker 1: serial killer who thought Jr. Was yeah a bowtime killer.
• 23:01
  Speaker 1: Junior idalyzed him.
• 23:02
  Speaker 2: And he thought he was a serial kill.
• 23:03
  Speaker 1: He foundt he was a kid.
• 23:04
  Speaker 2: He was like, that's wrong, man, Julia was crazy.
• 23:09
  Speaker 1: Julia was wild.
• 23:10
  Speaker 3: Junior and Pixie, oh my god, you talking. They don't
• 23:13
  Speaker 3: make those movies no more. They don't make no movies
• 23:17
  Speaker 3: for kids that is not animated, but just for kids
• 23:19
  Speaker 3: with kids.
• 23:20
  Speaker 1: They don't little giants, uh, goonies, Sandline. We used all
• 23:25
  Speaker 1: those mid budget movies. They don't want to do the
• 23:27
  Speaker 1: mid budgets. That's the problem, man, But we had good movies. Problem.
• 23:30
  Speaker 2: It ain't gonna make a hundred million at the box office,
• 23:32
  Speaker 2: but it's important.
• 23:33
  Speaker 1: If you only spend fifteen to twenty on it, you
• 23:35
  Speaker 1: gonna get that funny back. They wouldn't even make Home
• 23:37
  Speaker 1: alone today, No wouldn't get made. Would go straight to streaming,
• 23:41
  Speaker 1: straight to streaming, man, and then nobody would Hey, streaming
• 23:44
  Speaker 1: movies don't hit the same They don't, man, because you
• 23:46
  Speaker 1: be having your phone halfway man. Damon revealed the song.
• 23:50
  Speaker 3: We was just talking about that on the podcast. Man
• 23:52
  Speaker 3: David revealed the sauce and that's a shame. We're gonna
• 23:55
  Speaker 3: keep you keep reiterating the plot seven times a film.
• 23:59
  Speaker 1: I don't want to do that. I don't want it either, man,
• 24:01
  Speaker 1: That's what I want. Netflix getting on the brother I know.
• 24:04
  Speaker 3: And then you see Tad was like, okay, okay, we
• 24:05
  Speaker 3: can keep the movies in for forty five days.
• 24:07
  Speaker 1: No fuck that. I grew up in the era where
• 24:10
  Speaker 1: movies was out. They was in theaters for months, and
• 24:13
  Speaker 1: then it was a gap, and then it was on video.
• 24:16
  Speaker 1: Now dollar two. Oh yeah, you have to go to
• 24:18
  Speaker 1: the dollar for a minute, because I used to have
• 24:20
  Speaker 1: to wait dollar theater.
• 24:21
  Speaker 3: But the good thing about that, you know, you're poor.
• 24:23
  Speaker 3: You couldn't get it spoiled. Somebody have to tell you.
• 24:26
  Speaker 3: Oh but for long theatrical run.
• 24:31
  Speaker 1: If it made money, it's saying theaters from mad long.
• 24:33
  Speaker 1: And then was in there all summer long.
• 24:37
  Speaker 3: Sure you were like, man, been in there two months?
• 24:39
  Speaker 3: You going, we might have only had four or five
• 24:41
  Speaker 3: showings now, but it's in there.
• 24:42
  Speaker 1: Home alone was number one for like eleven twelve weeks.
• 24:46
  Speaker 1: That means Christmas been gone, Christmas passed the week to
• 24:50
  Speaker 1: the new year. Now Camber, it's number one, the whole
• 24:53
  Speaker 1: whole holidays one and the King Day. There might have
• 24:56
  Speaker 1: been number one for thirteen weeks. I can't remember.
• 24:58
  Speaker 2: That's crazy.
• 25:00
  Speaker 1: So you know you ain't getting a sniff of the video. Nah,
• 25:04
  Speaker 1: He's like, man, it's still in the theater. We got
• 25:05
  Speaker 1: to go.
• 25:06
  Speaker 3: And that's the thing like there was by the time
• 25:09
  Speaker 3: it came to Blockbuster, that movie been out for for
• 25:14
  Speaker 3: six months, eight months, you were like, Okay, finally it's
• 25:18
  Speaker 3: on video.
• 25:19
  Speaker 1: Video was like, all right, you cheap bastard, you cheat mother.
• 25:24
  Speaker 1: You you really held down for nine months. A whole
• 25:29
  Speaker 1: baby developed before you finally was like, woo, let's watch
• 25:34
  Speaker 1: Home alone because your cheap ass didn't go to the theater.
• 25:37
  Speaker 3: Then you wait, like another year he'd be on TV. Yes,
• 25:40
  Speaker 3: but by then it's out, the sequels out.
• 25:43
  Speaker 1: If you was the type of person that finally saw
• 25:46
  Speaker 1: a hit movie on TV the world, you really was
• 25:50
  Speaker 1: not fucking with the movie theater or just I watched
• 25:55
  Speaker 1: network television only smoking the Bandit is coming on to night.
• 26:01
  Speaker 1: I've never seen it. That movie ten years old. I
• 26:05
  Speaker 1: can't wait.
• 26:06
  Speaker 3: Come on, man, unless it was like Jack the five
• 26:08
  Speaker 3: American dream Man go to the theater, to theater. There
• 26:11
  Speaker 3: are so many movies I found on TV like Shawshank Redemption. Yeah,
• 26:15
  Speaker 3: I used to watch that on TVs all the time.
• 26:17
  Speaker 1: And that movie Bomb when it came still. And that's
• 26:20
  Speaker 1: the thing.
• 26:20
  Speaker 3: That's why we don't have those movies because there's no
• 26:22
  Speaker 3: second window. You used to have the theater, then you
• 26:24
  Speaker 3: have to you could have VHS. You can find your
• 26:27
  Speaker 3: cold classic. You didn't have to make it all in theaters.
• 26:29
  Speaker 3: Now you're only big bets. It's only big bets and
• 26:31
  Speaker 3: big losses for sure, because you have a one bat
• 26:34
  Speaker 3: after another.
• 26:36
  Speaker 1: Huge. Why that budget was that line? It was crazy.
• 26:42
  Speaker 1: Mission Apostle four hundred million. At least that was time.
• 26:45
  Speaker 1: At least you can see that money though. Yeah, Nigga
• 26:47
  Speaker 1: did jump off the mission impossible. Looks like this ship
• 26:50
  Speaker 1: was expensive. Yeah, they got all the locations going. They
• 26:53
  Speaker 1: went to Denver for man. A lot of it was
• 26:57
  Speaker 1: just Leo running around. Costs one hundred seven millions. We
• 27:01
  Speaker 1: gotta play Leo, now, you know Leo. He said, I
• 27:04
  Speaker 1: don't want one paycheck after that, you Leo? He he
• 27:07
  Speaker 1: does back end stuff a lot, so where we getting
• 27:11
  Speaker 1: the one seventy from? Even if you pay Leo twenty,
• 27:14
  Speaker 1: still got one fifty. You know what I'm saying. What
• 27:16
  Speaker 1: a lot of people in that movie though, but not
• 27:18
  Speaker 1: expensive people. Benisi Champain is expensive, Inia Benisio and there
• 27:22
  Speaker 1: he did that dance. I'll give you five to ten million, okay,
• 27:26
  Speaker 1: thirty five?
• 27:28
  Speaker 3: Yeah, they probably ain't pay Regina. Yeah, chasing Ffinny probably
• 27:31
  Speaker 3: didn't get paid crazy. Well, no, fifty didn't get paid crazy.
• 27:36
  Speaker 1: I'm like where that money go? Yeah, I don't know.
• 27:39
  Speaker 1: One hundred and seventy is Christy? That's wild? All right?
• 27:42
  Speaker 1: How many is that? Man? We're just getting stuck.
• 27:47
  Speaker 3: We just talking about it around what you have from lunch? Anyway,
• 27:51
  Speaker 3: I'm gonna say.
• 27:56
  Speaker 1: I'm gonna say Sandra Clark from two two seven, Okay,
• 28:00
  Speaker 1: that's Jackie Jackie Harry. I remember growing up on that.
• 28:04
  Speaker 3: Mar Mel Mitchell just did an impersonation of her on TikTok.
• 28:09
  Speaker 2: Jackie Harry is just a cultural icon.
• 28:13
  Speaker 1: Yeah, she.
• 28:15
  Speaker 3: Mann just like it worked for sure. It's just like
• 28:21
  Speaker 3: she's like Jennifer cool Age is like a knockoff Jackie
• 28:26
  Speaker 3: Harry to me, you know what I mean? Like Jackie
• 28:28
  Speaker 3: Harry was the gold standard for that. I know my
• 28:31
  Speaker 3: big I'm gonna do my big comedically. Also very beautiful
• 28:34
  Speaker 3: to me. Yeah, education on her too, Okay, Jackie here,
• 28:37
  Speaker 3: I know, I'm I had several crushes by the way. Yeah,
• 28:39
  Speaker 3: we can go for twenty we could get the whole
• 28:42
  Speaker 3: episode of Crush City. Actually from Me to Young the
• 28:45
  Speaker 3: eighteen everybody was in there.
• 28:47
  Speaker 1: Janet Madonna. You know what I'm saying. I had as
• 28:49
  Speaker 1: I had. I had a crush on Madonna from like
• 28:52
  Speaker 1: Papa Don't Preach to uh the truth of their movie.
• 28:57
  Speaker 1: I don't remember. On Madonna, I did, man, Papa Don't Preach.
• 29:00
  Speaker 1: She had this short haircut. I was feeling it. And
• 29:03
  Speaker 1: then the Cherish video when she was on the beach
• 29:05
  Speaker 1: with the mermaids and ship, and I was like, man,
• 29:07
  Speaker 1: what's happening here? Madonna? Man cherish indeed, cherish Indeed. I
• 29:16
  Speaker 1: never felt that way about she want to ug me?
• 29:17
  Speaker 2: But I like that Madonna. She was also kind of weird.
• 29:22
  Speaker 1: From that Papa Don't Preach. She was still all right,
• 29:24
  Speaker 1: but then she got super like, you know, like a
• 29:27
  Speaker 1: prayer and she's taking it there. But in the in
• 29:30
  Speaker 1: the Vogue video, I'm still like, but yeah, I saw
• 29:33
  Speaker 1: her side boom in the vote, in the in the
• 29:35
  Speaker 1: expression yourself. I was done on this side boom going.
• 29:42
  Speaker 2: Can't imagine what the whole thing looked like.
• 29:45
  Speaker 1: This is crazy. She had the side moves on. Man,
• 29:48
  Speaker 1: that's the side. My head exploded. I was like, this
• 29:50
  Speaker 1: video is crazy. What is it doing on this drill?
• 29:55
  Speaker 1: Expressial self? Madonna was sexy. The man with that window,
• 30:02
  Speaker 1: it was a window, all right, another neighbor. All right.
• 30:05
  Speaker 3: I want to talk to you about our sponsor, Real
• 30:08
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• 30:54
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• 30:59
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• 31:02
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• 31:23
  Speaker 1: And now back to the show, Roger Man. You gotta
• 31:27
  Speaker 1: throw Rogers roger Man. Everybody was great. Roger was good.
• 31:35
  Speaker 1: Roger was a good. It was a good time with
• 31:37
  Speaker 1: Roger Man. You forget he was in the R and
• 31:39
  Speaker 1: B group. He was Did you see that Brandie is
• 31:42
  Speaker 1: the reason that Nigga had that patch. Romeo Brandy threw
• 31:47
  Speaker 1: a book at him. Yeah his right, now, Yeah, that's crazy.
• 31:50
  Speaker 1: By mistake. It was a mistake. She was mad at
• 31:53
  Speaker 1: somebody else. She like flung a book back. She hit
• 31:55
  Speaker 1: him in the eye disconnect. His lens came out. I said,
• 32:00
  Speaker 1: what that?
• 32:00
  Speaker 3: I just thought he had a song about it. He
• 32:02
  Speaker 3: was like, Brandy knocked my eye out, but I forgive you.
• 32:05
  Speaker 1: Was like, Brandy did what that's crazy? I had know.
• 32:09
  Speaker 3: I thought he was just looking cool. I didn't know
• 32:11
  Speaker 3: anything was wrong with his eyes. I was just like,
• 32:13
  Speaker 3: I got my eye thing going because I want to
• 32:15
  Speaker 3: stand out.
• 32:15
  Speaker 1: It makes it even cooler now that it is something
• 32:18
  Speaker 1: really wrong with the eye, for sure, it is. It's
• 32:21
  Speaker 1: cooler when it's real. Oh man, you got a store.
• 32:24
  Speaker 1: I would change the story every time, like the joker.
• 32:27
  Speaker 1: I was in the shoetout man, crazy bullet came right in,
• 32:30
  Speaker 1: went out the side of my head, but the back
• 32:33
  Speaker 1: of my head heeled up completely. Put the eyes. We
• 32:40
  Speaker 1: went to Mexico. We was at the strip club. These
• 32:43
  Speaker 1: strippers came out stilettos. They had knives on it underneath
• 32:48
  Speaker 1: cook my eyes, slice it right down the middle. We
• 32:51
  Speaker 1: were young, were supposed to be his head. Put the
• 32:55
  Speaker 1: patch on that day. I would change it up every time.
• 32:59
  Speaker 1: So we was in the lab right and it was explosion.
• 33:02
  Speaker 1: Violes came out and exploded Charly right in my eyes,
• 33:06
  Speaker 1: but there was some liquid on it. I also had
• 33:08
  Speaker 1: special ability. Now I can see it to the future.
• 33:11
  Speaker 1: I don't know what they was working on, but that's
• 33:14
  Speaker 1: a raven that would change it every time. Oh my god,
• 33:19
  Speaker 1: all right, my next one is it? You mean you?
• 33:22
  Speaker 1: It's me. I'm gonna go brother man from That's a
• 33:28
  Speaker 1: role I would love to play. I would love to
• 33:32
  Speaker 1: play bro Man low Key.
• 33:34
  Speaker 3: How your Arromachael character was You had a chance to
• 33:37
  Speaker 3: come back and do more?
• 33:38
  Speaker 1: Nah, they brought me back. Yeah, that was like a
• 33:41
  Speaker 1: different character, I think, but they brought me back. But
• 33:43
  Speaker 1: they cut that scene. God damn, they always cut cut
• 33:47
  Speaker 1: me out. Shout out to one of them days with
• 33:50
  Speaker 1: leaving me in.
• 33:51
  Speaker 3: Yeah, church is chicken. We forgot the biscuits on churches.
• 33:54
  Speaker 3: They made a TikTok on us churches. Was mad these
• 34:00
  Speaker 3: voice and then they cut to him with the churches
• 34:02
  Speaker 3: chicken and they posted it.
• 34:03
  Speaker 1: On TikTok Churches was not half it.
• 34:05
  Speaker 3: I threw under the bus. I said, mar Queen and
• 34:07
  Speaker 3: Bradley forgot churches.
• 34:11
  Speaker 1: Forgot. I can't believe I forgot.
• 34:15
  Speaker 2: Until they said it in the commons. They said, how
• 34:18
  Speaker 2: y'all to do churches.
• 34:18
  Speaker 1: I said churches would have been in the finals. Yeah,
• 34:22
  Speaker 1: I'm sorry churches, y'all. Chickens are big though. The chicken
• 34:25
  Speaker 1: I don't even know chicken as your.
• 34:27
  Speaker 3: Head chicken man, church has got a different supplier. These
• 34:32
  Speaker 3: chickens are out, they are. The chickens be like this
• 34:37
  Speaker 3: be like, bro, that's not right. The chickens can't be
• 34:40
  Speaker 3: this bit. The pieces are weirdly big, like hey man,
• 34:44
  Speaker 3: let me see the farm, y'all. Because these are gargantuan
• 34:48
  Speaker 3: chicken sizes.
• 34:49
  Speaker 2: Man, they're not right. They're not regular toll for real.
• 34:53
  Speaker 3: The legs like the chicken was like like Myndo burgers.
• 34:59
  Speaker 2: The chickens are big, man, that's crazy, crazy big.
• 35:02
  Speaker 1: I can't do it. No, it's not good. Okay, I'm sorry. Churches.
• 35:07
  Speaker 1: The Biscus churches is all grease now buscus.
• 35:10
  Speaker 3: That's why Church's Chicken is like churches Texas Chicken now
• 35:13
  Speaker 3: is in the name, and they changed the stampers like.
• 35:16
  Speaker 1: Church's Texas Chicken. Real big chickens. It's weird everything everything
• 35:22
  Speaker 1: big in Texas. That's what they say, all right. Uh
• 35:25
  Speaker 1: another neighbor, Yeah, I'm gonna combine this because they were
• 35:29
  Speaker 1: just all fired Maxine Shall over to and cod I
• 35:34
  Speaker 1: was gonna say them too, all Latin neighbor action. That
• 35:37
  Speaker 1: was killing. That's technically though. It was Max and neighbors
• 35:42
  Speaker 1: she was.
• 35:42
  Speaker 3: I don't think she lived in the same building over Tim. Yeah, yeah,
• 35:47
  Speaker 3: Colin Overton were.
• 35:48
  Speaker 1: Like they right there in the building. Yeah. But Max.
• 35:52
  Speaker 1: I also thought she was fine too. Yeah, everybody was
• 35:55
  Speaker 1: really fine living single was they didn't miss I was like, man,
• 35:58
  Speaker 1: it's a good looking I said, man, man, crap. Queen
• 36:01
  Speaker 1: the TVA. Did you see Stephen he played Alcopone Stephen.
• 36:06
  Speaker 1: Oh yeah, Stephen Miller.
• 36:09
  Speaker 3: He's like a quarters jamaking by the way, Stephen from
• 36:12
  Speaker 3: Adolescence Graham.
• 36:14
  Speaker 1: Stephen, he was talking. He was like, yeah, I want
• 36:17
  Speaker 1: to think. Yeah, I feel like Queen the Teva would
• 36:20
  Speaker 1: have that sort of impact. You got a couple of
• 36:22
  Speaker 1: shoutouts that night. Everybody loves Queen the TV.
• 36:24
  Speaker 3: It's the only celebrity that I can think of that
• 36:26
  Speaker 3: I've never heard anybody say anything negative about it, And
• 36:29
  Speaker 3: I don't wish this on her.
• 36:30
  Speaker 1: Nobody's ever like Queen the TVA shut the door in
• 36:32
  Speaker 1: my face.
• 36:33
  Speaker 3: Like everybody loves Queen of TVA.
• 36:36
  Speaker 1: She's the equalizer.
• 36:37
  Speaker 4: She's dope. Man, what a career she was Taxi she
• 36:40
  Speaker 4: slipped the motorcycle taxi. Uh, I think that's ten. Then
• 36:48
  Speaker 4: re add off Maxine and calling them, yeah that's three.
• 36:53
  Speaker 1: You could do the team. No, I mean, I don't
• 36:55
  Speaker 1: feel stronger. I don't want to say nothing, just I
• 36:56
  Speaker 1: don't feel strong Wallona from a good times as strong
• 36:59
  Speaker 1: as hell. But you don't remember good times because you
• 37:02
  Speaker 1: was too young. A good time. Yeah, you wouldn't watch that. Yeah,
• 37:06
  Speaker 1: but Wolona was fires and they who played there? The
• 37:10
  Speaker 1: mother and I'm gonna get you, sucker. Okay, I know
• 37:13
  Speaker 1: he talking about remember her name, Yeah, that's who. That's
• 37:16
  Speaker 1: who is. I ain't know.
• 37:17
  Speaker 3: I'm sorry, y'all. Good times a little bit before my time,
• 37:20
  Speaker 3: good time living from my time.
• 37:24
  Speaker 1: Janet Dubois, that's her name.
• 37:25
  Speaker 3: She is so good and I'm gonna get you, sucker.
• 37:28
  Speaker 3: When Kennan locked her in the door close.
• 37:33
  Speaker 1: She passed, I didn't know she went on COVID. COVID
• 37:42
  Speaker 1: got her. Oh, don't say, I gotta do my research.
• 37:47
  Speaker 1: I didn't know. I didn't know that and I didn't
• 37:49
  Speaker 1: watch that show. And that's another crush though. No. Uh,
• 37:56
  Speaker 1: the daughter in Good Times? What kind of think of
• 37:58
  Speaker 1: her name right now? She was eighty seven? Maximum crush
• 38:04
  Speaker 1: on that one. Why can't I think of her name?
• 38:07
  Speaker 1: Chad not chat chat the daughter in good Time? Themma, yeah,
• 38:14
  Speaker 1: damn Bernard dead status.
• 38:19
  Speaker 5: Look it up, Kevis, I know I remember, no refreshed,
• 38:24
  Speaker 5: burn it dead way, Bernard dead stainus them from good
• 38:28
  Speaker 5: times is the old matter of fact.
• 38:32
  Speaker 1: I'm gonna just say she's the number one sitcom girl
• 38:36
  Speaker 1: for me. She's she's pretty. I think I put her
• 38:41
  Speaker 1: at number one. Pretty. Yeah, she looks great. That's all right.
• 38:47
  Speaker 3: Claude, Claude, alright, moving on? This is that barbecue?
• 38:54
  Speaker 1: Is it? Tony? Tony? Cue me up? Man? You ain't
• 38:57
  Speaker 1: we're doing this or that put on for your city? Barbecue? Edish?
• 39:01
  Speaker 1: All right?
• 39:03
  Speaker 3: I love these cards, man, mar quit a probably man,
• 39:05
  Speaker 3: how are you a black woman? And you can afford it?
• 39:08
  Speaker 3: Coco butter and vibe. She's gonna come on time in
• 39:11
  Speaker 3: our cards.
• 39:11
  Speaker 1: Man. I feel like Jimmy fallon the cards. Okay, here
• 39:18
  Speaker 1: we go, barbecue with Disney. You like barbecue, love Barbara,
• 39:21
  Speaker 1: you be BBQ and BBQ getting ribs and stuff. She'd
• 39:25
  Speaker 1: be having it for breakfast. You'd be rolling over at
• 39:27
  Speaker 1: the end of the night briskey sandwich for breakfast. All right,
• 39:36
  Speaker 1: Memphis versus Houston. Who you got who you got? Man
• 39:44
  Speaker 1: on the barbecue tip?
• 39:46
  Speaker 3: Okay, okay, Memphis, So not Texans, just Houston, just Houston.
• 39:52
  Speaker 1: Don't bring no other Texas. So I'm going on based
• 39:54
  Speaker 1: on places I've eaten that. Yeah you can't.
• 39:57
  Speaker 3: You know places I've eaten that I've had better barbecue
• 40:00
  Speaker 3: Memphis then Houston.
• 40:02
  Speaker 1: Houston.
• 40:03
  Speaker 3: I think they got the drive up going, they got
• 40:07
  Speaker 3: some of they got sweet sauce going.
• 40:10
  Speaker 1: Man for love.
• 40:15
  Speaker 3: Houston for a lot of reasons, but straight up barbecue. Say, keV,
• 40:19
  Speaker 3: you got a private plane. This is a hypothetical. You
• 40:22
  Speaker 3: get to go to one place for barbecue. Houston, Me
• 40:26
  Speaker 3: and John Morant all that.
• 40:29
  Speaker 1: Yeah, Okay, Austin, Texas or Kansas City, MISSOI Austin. Oh
• 40:36
  Speaker 1: you said that quit Austin got Terry Blair. Disrespect respect barbecue.
• 40:41
  Speaker 1: The Gates.
• 40:42
  Speaker 2: I've been to Gates.
• 40:44
  Speaker 1: I've been the Gates Gates. Is that spot was just
• 40:46
  Speaker 1: like it's just like this tourist.
• 40:48
  Speaker 3: Yeah, I've been a couple of places in I might
• 40:50
  Speaker 3: not been to the best one. The last time they
• 40:52
  Speaker 3: told me a new place. It wasn't Gates by getting
• 40:54
  Speaker 3: chest to go there. But down Austin, Texas, Terry Blacks
• 40:57
  Speaker 3: down Austin, you got a brisket going with Terry Black.
• 41:00
  Speaker 3: You go, you take care of tell Terry Black, get
• 41:03
  Speaker 3: him from out the back. They got the smoking house
• 41:05
  Speaker 3: on the side of the restaurant. You go and look
• 41:07
  Speaker 3: like you go over there, and they got the smoking
• 41:10
  Speaker 3: smoking meats. And Terry Blacks in Dallas ain't the same
• 41:13
  Speaker 3: with Terry Blacks and Austin Terry Black. And in Dallas,
• 41:17
  Speaker 3: I'll go to Kansas City. But Austin, Texas, I'll go.
• 41:20
  Speaker 1: It's the move. And also my boy Bishop Liz in Austin,
• 41:23
  Speaker 1: he make good the best corn bread ever had in
• 41:25
  Speaker 1: my life. In Kansas City. Going to Kansas City, Yeah,
• 41:28
  Speaker 1: Kansas City here right, come.
• 41:30
  Speaker 2: Austin, Texas.
• 41:31
  Speaker 3: Baby, Okay, yeah, Terry Black, you got got a man
• 41:34
  Speaker 3: with me, Terry Black.
• 41:35
  Speaker 1: Terry Black, all right, Lexington, Kentucky, Lexington, Touchy Birmingham, Alabama, Alabama.
• 41:48
  Speaker 3: Is quietly a really good barbecue place. And I feel
• 41:51
  Speaker 3: like you don't get enough credit. Kentucky. You all right
• 41:54
  Speaker 3: with me? Angel from there they got horses in blue.
• 41:57
  Speaker 3: Take me down Birmingham, Alabama.
• 41:59
  Speaker 1: You go to Birmonham.
• 42:00
  Speaker 3: They ain't got to be the white sauce. Alabama has
• 42:02
  Speaker 3: his white sauce. That be like a thief, but than anything.
• 42:06
  Speaker 3: But I think I got to let people know that
• 42:07
  Speaker 3: Alabama got some good barbecue down there. We go down
• 42:11
  Speaker 3: to Montgomery and throw some people off a boat and
• 42:12
  Speaker 3: start a fight, and then you head down Birmingham and
• 42:15
  Speaker 3: have you some barbecue Alabama.
• 42:16
  Speaker 1: Alright with me? Birmingham, Birmingham, Okay, all right?
• 42:22
  Speaker 3: I like fat blacks cooking fat, fat, flat.
• 42:29
  Speaker 1: I don't I don't mind being fat.
• 42:32
  Speaker 3: I don't the world trying to mind me, but me,
• 42:36
  Speaker 3: it's myself. Maybe Tennis ain't ever bothered me. And I
• 42:40
  Speaker 3: don't want another fat.
• 42:41
  Speaker 1: Person to cook.
• 42:42
  Speaker 3: I don't mind me if I really don't. I'm okay
• 42:45
  Speaker 3: with being fat. Alabama, we got fat people down there.
• 42:48
  Speaker 3: I have my family down I remember everybody in fat.
• 42:51
  Speaker 1: They came and see me.
• 42:52
  Speaker 3: It's a lot of huffing and puffing and shoveling and shaving.
• 42:55
  Speaker 3: But when I tell you, when that plates come out,
• 42:57
  Speaker 3: it's gonna be all right. I don't want no healthy
• 43:01
  Speaker 3: mcgig down erijon when it come to eating now, I don't.
• 43:03
  Speaker 1: Want none of that.
• 43:04
  Speaker 3: I don't want somebody who got fat. I don't like
• 43:08
  Speaker 3: fat people.
• 43:09
  Speaker 1: We'd be fun.
• 43:12
  Speaker 3: Give me some fat people making my barbecue and my
• 43:15
  Speaker 3: Christmas and Thanksgiving.
• 43:16
  Speaker 1: I'm east to dinner too. Oh that's funny, dump all right,
• 43:22
  Speaker 1: all right, all right. Charleston versus Atlanta.
• 43:31
  Speaker 3: Oh, now Charleston got that honey gold. They got gold
• 43:35
  Speaker 3: barbecue down Charleston. Atlanta has really good food. Atlanta's a
• 43:40
  Speaker 3: really good food city for me. I think because I
• 43:43
  Speaker 3: spent a lot of time in Atlanta.
• 43:44
  Speaker 1: Last time I was there, I got introduced to oxtail grits.
• 43:47
  Speaker 1: Is that barbecue? No, I just I just on food
• 43:52
  Speaker 1: barbecue I like.
• 43:54
  Speaker 3: Okay, of the two, I probably go Charleston because because
• 43:57
  Speaker 3: their barbecue is, they got their own thing going that
• 44:00
  Speaker 3: honey Gold is a It's like I like when you
• 44:03
  Speaker 3: go to a city and.
• 44:04
  Speaker 1: They do a thing, you know what I mean. Like
• 44:06
  Speaker 1: I like Chicago.
• 44:08
  Speaker 3: We make our hot I mean we make our hot dogs,
• 44:10
  Speaker 3: no ketchup, you know what I'm saying. Like I want
• 44:13
  Speaker 3: your city to be like this is how you do
• 44:14
  Speaker 3: it here. I don't care where you. You might not go, honey,
• 44:17
  Speaker 3: go the city.
• 44:19
  Speaker 1: This is how we do it. We do it in Charleston.
• 44:21
  Speaker 3: We do it in Charleston, so it has a little
• 44:23
  Speaker 3: bit more character to me than Atlanta going Charleston. Okay,
• 44:28
  Speaker 3: got it all right? Man, another good episode. Man, My
• 44:31
  Speaker 3: quit a Bradley Mexico in the four seasons.
• 44:35
  Speaker 1: That's two things.
• 44:36
  Speaker 3: But that letter you give her four seasons in Mexico,
• 44:38
  Speaker 3: you might not see your full round a month Bob Brothers,
• 44:43
  Speaker 3: nor sink it ain't that Bradley bad. Thank y'all for
• 44:50
  Speaker 3: watching the Bob Brothers. I'm keme on stage, Monny Baker,
• 44:52
  Speaker 3: will see y'all next week. Please check us out on
• 44:55
  Speaker 3: to be. We want to get another season and that's
• 44:57
  Speaker 3: only gonna happen if y'all watch it, tune in. If
• 45:00
  Speaker 3: you don't do that, and I don't know what else
• 45:02
  Speaker 3: y'all want, they'd be telling me, keV, I don't want
• 45:04
  Speaker 3: to watch the ads. Well, nigga, when I put it
• 45:05
  Speaker 3: behind the paywall, you don't want to pay when it's free,
• 45:07
  Speaker 3: you don't want to watch? You pay me personally, then
• 45:11
  Speaker 3: I can't win. When it was on the island, we
• 45:14
  Speaker 3: need to find out a cave and they still in
• 45:15
  Speaker 3: the passwords.
• 45:16
  Speaker 1: Now it's Freeta. I got to watch the commercial and
• 45:17
  Speaker 1: watch the commercials. You're gonna have to do something. If
• 45:20
  Speaker 1: you gonna have to do something, man, you.
• 45:22
  Speaker 3: Gotta watch commercials on Netflix now if you're watching wrestling
• 45:24
  Speaker 3: in the football, I can't. I can't change the whole
• 45:27
  Speaker 3: dynamic of the world, all right, man, Bye,