Latest / The Breakfast Club / T.I and The Hustle Gang / Bruno Mars Interview and More

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T.I and The Hustle Gang / Bruno Mars Interview and More · The Breakfast Club

• 0:01
  Speaker 1: Dan Dan, everybody come to the breakfast club. I call
• 0:04
  Speaker 1: this the hot seat. Your around, You're gonna live. You
• 0:09
  Speaker 1: are don't control? I not even doing you. I'm so big?
• 0:13
  Speaker 1: Are you so bad? The world's most dangerous Morning Jo
• 0:17
  Speaker 1: DJ bitch ANGELI. I stay in everybody's business, but in
• 0:21
  Speaker 1: a good way. Charlomagne, the the ruler rubbing you the
• 0:23
  Speaker 1: wrong way. The breakfast club ain't for everybody. Good morning
• 0:39
  Speaker 1: you s a yo yo yo yo yo yo yo
• 0:41
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:43
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:45
  Speaker 1: yo yo yo yo yo yo yo yo yo yo yo. Hey,
• 0:48
  Speaker 1: good morning, Charlomagne, Good morning ANGELI ye, guess what day
• 0:52
  Speaker 1: it is? Guess what day it is? Look at who's
• 0:58
  Speaker 1: here in bright eyed and bushy tis. I don't know
• 1:00
  Speaker 1: on brighter and bush because I am a little tired,
• 1:02
  Speaker 1: but I am here on time. Drop on the clues
• 1:03
  Speaker 1: bombs from me. But I'm talking about even though I
• 1:05
  Speaker 1: shouldn't celebrate what I'm supposed to do, No should not.
• 1:08
  Speaker 1: I always say you shouldn't celebrate what' you're supposed to do?
• 1:11
  Speaker 1: Cam My kids exactly. You don't celebrate people like that
• 1:13
  Speaker 1: just supposed to negro. Okay, I'm supposed to be here
• 1:15
  Speaker 1: on time, but I am here. We're all like, well,
• 1:18
  Speaker 1: how was lip Service Live? Last night? Let Service Live
• 1:20
  Speaker 1: was great. It went a lot longer than I anticipated,
• 1:23
  Speaker 1: but it was really good. You know, all the Hustle
• 1:25
  Speaker 1: Gang came through. It's like twelve of them. So imagine
• 1:28
  Speaker 1: having a conversation with four women and twelve members of
• 1:31
  Speaker 1: Hustle Gang at once. Well, Hustle the Gang gonna be
• 1:33
  Speaker 1: here this morning, and we don't have enough chairs and
• 1:34
  Speaker 1: we don't have enough microphones, so I think that we
• 1:36
  Speaker 1: should only accommodate five. I guarantee you some of them
• 1:38
  Speaker 1: aren't gonna make it anyway this morning after last night.
• 1:41
  Speaker 1: Oh that's good because we don't need twelve people in
• 1:43
  Speaker 1: here and it's urry nothing. Aka Tasha from Power came through, okay,
• 1:47
  Speaker 1: drop on the clues bombs from Power. She was filming,
• 1:51
  Speaker 1: and she blessed us and came through right after she
• 1:53
  Speaker 1: finished filming Power. So they filming season season season five? Now, yeah,
• 1:57
  Speaker 1: they can season five. She'd give you any spoilers. I
• 2:00
  Speaker 1: asked her for some and her answer was, um, I live.
• 2:04
  Speaker 1: I'm alive. Oh, so that means that it's more death
• 2:06
  Speaker 1: gonna happen this season, which means that power was coming
• 2:09
  Speaker 1: to a close, which means that she could was really
• 2:11
  Speaker 1: just saying, I'm filming, so I'm alive. I can't give
• 2:13
  Speaker 1: you any information basically, so she meant she was alive. Okay,
• 2:18
  Speaker 1: got you. So that was all she was like, I
• 2:20
  Speaker 1: can't tell you anything more than that. So she's still filming,
• 2:22
  Speaker 1: She's still alive. And then we had a couple of
• 2:25
  Speaker 1: other women who joined us. One of them was like, oh,
• 2:27
  Speaker 1: you guys talked about me on the Breakfast Club before.
• 2:30
  Speaker 1: Her name is Teller Leanne Chandler. She has a Tello
• 2:32
  Speaker 1: book coming out next year, and she's a date Michael Phelps,
• 2:35
  Speaker 1: the swimmer Olympic swimmer, but she is she's intersex. What's
• 2:40
  Speaker 1: that mean? So remember when he got the d uy
• 2:42
  Speaker 1: and got pulled over. That's when the whole story came
• 2:44
  Speaker 1: out about them dating. So that means she was born
• 2:46
  Speaker 1: with both a penisanna vagiant or her malphi date. But
• 2:49
  Speaker 1: that's what we used to call him back in min day. Yeah,
• 2:51
  Speaker 1: that's defensive now, but her mamphida is offensive. Yeah, come on, man,
• 2:54
  Speaker 1: stop it, stop stop. Where's the offensive Handbook. How all
• 2:59
  Speaker 1: of a sudden is her for that fire? It's in
• 3:01
  Speaker 1: the dictionary. It's a word. Yeah, but intersex, I guess
• 3:04
  Speaker 1: is different. What's the difference? I mean, I I don't
• 3:06
  Speaker 1: know the difference. So when you tell me that person
• 3:08
  Speaker 1: was born with both sex, we used to call out
• 3:10
  Speaker 1: in her mamphidae right right, So now I guess there's
• 3:12
  Speaker 1: something else. But don't say it's offensive. I just don't know.
• 3:16
  Speaker 1: But anyway, but she has stuff with a lot of celebrities.
• 3:19
  Speaker 1: So she actually named the names of different athletes and
• 3:23
  Speaker 1: you know, entertainers that she's been with. And she said
• 3:27
  Speaker 1: she also didn't used to tell people at first. So
• 3:30
  Speaker 1: she was married six times, only her last husband new. Well,
• 3:33
  Speaker 1: I guess now, everybody, I'm confused, like what is? What is?
• 3:37
  Speaker 1: You know what? I'm still adam an a realm understanding.
• 3:39
  Speaker 1: I just want to talk to hustle game this morning.
• 3:41
  Speaker 1: I learned about all of that later. I ain't got
• 3:42
  Speaker 1: time for this. I said a line of love who
• 3:44
  Speaker 1: was also a guest last night, and that's it. Yeah,
• 3:46
  Speaker 1: She's like I'm at Harving talking to a bunch of
• 3:48
  Speaker 1: millennials and they jumping on their uncle. Charlotte for what
• 3:51
  Speaker 1: he don't know. I'll just learned later. Jesus Christ. Don't
• 3:54
  Speaker 1: say the wrong thing, Charlotte, I can't. You can't say
• 3:56
  Speaker 1: it's the wrong thing if I simply don't know. I
• 3:58
  Speaker 1: know you talked something my whole life and all of
• 4:00
  Speaker 1: a sudden, Nope, I've caught it anymore. I don't know
• 4:02
  Speaker 1: what it's called. I got time for that. Now. You
• 4:05
  Speaker 1: got Front Page News coming up next. But Hustle Gang
• 4:07
  Speaker 1: is joining us this morning, so that'll be Ti Young
• 4:10
  Speaker 1: drow Um Trader Truth will be here as well as
• 4:14
  Speaker 1: Tokyo Jetson Trans. I think that's a nice starting five.
• 4:16
  Speaker 1: That is the starting five Hut game, by the way, Yeah,
• 4:18
  Speaker 1: that's gonna be fun. I guess Bill B's the six
• 4:20
  Speaker 1: many will be starting. We have a good time, but
• 4:23
  Speaker 1: we are going to talk about the slave trade in
• 4:25
  Speaker 1: Libya and we're talking about this, Okay, Well, most day
• 4:28
  Speaker 1: just want to show And this young lady's nominated for
• 4:30
  Speaker 1: two Grammys Cardi b as the Breakfast Club mcmun It's
• 4:35
  Speaker 1: not like I need the Grammys to validate anything, because
• 4:39
  Speaker 1: I always tell people don't go with the flow. The flow,
• 4:42
  Speaker 1: and it's like, don't go with the main scream when
• 4:44
  Speaker 1: we are the screen. But it feels good to see
• 4:47
  Speaker 1: Cardi being nominated for two Grammy Awards. Okay, but don't
• 4:50
  Speaker 1: think Grammy's dead. You know, Cardi is any cooler because
• 4:53
  Speaker 1: y'all nominator, or y'all are cooler because y'all nominated. All right,
• 4:56
  Speaker 1: it's a difference. Now you got front page news, Yes, talk,
• 5:00
  Speaker 1: let's talk about this slave trade in Libya. This has
• 5:03
  Speaker 1: become actually quite a trending topic these past couple of days.
• 5:08
  Speaker 1: Now these pictures have emerged, and there was also a
• 5:11
  Speaker 1: CNN investigation that produced footage of West Africans being sold
• 5:15
  Speaker 1: at slave markets in November. According to reports, what happens
• 5:21
  Speaker 1: is people are trying to flee from several African countries.
• 5:24
  Speaker 1: They fled war, they fled poverty, they're fleeing unemployment in
• 5:27
  Speaker 1: their countries, and they have to go through the desert
• 5:30
  Speaker 1: and they have paid smugglers to get to Libya to
• 5:32
  Speaker 1: try to cross the Mediterranean into Europe. Now, the problem
• 5:35
  Speaker 1: in Libya is that their system has failed there. They
• 5:38
  Speaker 1: don't have a real government right now, and they're considering
• 5:42
  Speaker 1: it a failed state. They were in civil war back
• 5:44
  Speaker 1: in twenty fourteen, you know that Barack Obama and Hillary
• 5:47
  Speaker 1: Clinton's fault, by the way, but I'll tell y'all in
• 5:49
  Speaker 1: the many continue right. So what happens is these people
• 5:52
  Speaker 1: are getting to Libya. There's no type of registration process,
• 5:56
  Speaker 1: but the tens of thousands of refugees and the detention
• 5:59
  Speaker 1: centers unsupervised in some parts of Libya, their story to torture, rape,
• 6:03
  Speaker 1: forced labor. When the centers are getting too crowded, people
• 6:06
  Speaker 1: are then allegedly sold off like goods in an open market.
• 6:09
  Speaker 1: So what people are doing is that they're using smartphones
• 6:12
  Speaker 1: to connect with smugglers to get to Libya's coast, and
• 6:15
  Speaker 1: then that's where they're being sold, being held for ransom,
• 6:18
  Speaker 1: or are being forced into labor. I would really like
• 6:21
  Speaker 1: to see what President Obama and Hillary Clinton have to
• 6:23
  Speaker 1: say about this, because this is pretty much their fault.
• 6:27
  Speaker 1: Because under President George bushing Old three, the US negotiated
• 6:30
  Speaker 1: an agreement with Kadaftie, and the deal was that he
• 6:32
  Speaker 1: would give up his weapons of mass destruction peacefully and
• 6:34
  Speaker 1: the US wouldn't try to depose him. But for whatever reason,
• 6:36
  Speaker 1: the Obama administration didn't stick to that deal and they
• 6:39
  Speaker 1: wouldn't to Libya and overthrew Kadafi, and Rock said that
• 6:41
  Speaker 1: was the worst mistake of his presidency because they failed
• 6:44
  Speaker 1: to prepare for the aftermath of outthink Gadaffi, and they
• 6:47
  Speaker 1: got him out of there, but no new government or
• 6:49
  Speaker 1: regime took charge, so chaos and civil war broke out,
• 6:52
  Speaker 1: which ultimately led to people being enslaved. Yeah, really awful footage.
• 6:57
  Speaker 1: And to imagine that something like this is happening today.
• 7:00
  Speaker 1: So I guess right now, the France's ambassador to the
• 7:03
  Speaker 1: UN is urging that they imposed sanctions on the people
• 7:05
  Speaker 1: involved in Libya slave trade. So we don't even know
• 7:07
  Speaker 1: if that's going to really do anything or not. All right,
• 7:12
  Speaker 1: let's talk about the Bellagio. An armed robber held up
• 7:15
  Speaker 1: the poker cage at the Bellagio Hotel and Casino. This
• 7:17
  Speaker 1: happened yesterday afternoon around three forty five pm. A white
• 7:21
  Speaker 1: man wearing a mask quietly walked over to the cage.
• 7:23
  Speaker 1: He had a gun and he demanded an unspecified amount
• 7:26
  Speaker 1: of money. That's the same place where they filmed Oceans eleven,
• 7:28
  Speaker 1: by the way, they had that whole elaborate scheme, and
• 7:31
  Speaker 1: this guy just walks up with a gun. Yes, Lidi
• 7:33
  Speaker 1: watched that movie one too many times. You can't do
• 7:34
  Speaker 1: Ocean one Bro. Well, he got away with it right
• 7:38
  Speaker 1: Teller's stay Calm gave him the cash. He's still at large.
• 7:40
  Speaker 1: They're still trying to find him now. The actor James
• 7:43
  Speaker 1: Woods was inside the Bellagio when this happened, and he
• 7:46
  Speaker 1: tweeted about it. He said, so, we're playing poker at
• 7:48
  Speaker 1: the Bellagio when a guy walks up with the gun
• 7:50
  Speaker 1: and robs the cage thirty feet from us, ten minutes ago.
• 7:53
  Speaker 1: Bellagio staff are fantastic. They surrended the money quietly so
• 7:57
  Speaker 1: no customers would get hurt. Nobody even realized it was happening.
• 8:00
  Speaker 1: Excellent staff, cool under pressure. Oh, James Woods called nine
• 8:03
  Speaker 1: one one before he decided to tweet. Did you call
• 8:06
  Speaker 1: for any type of assistance before he decided to tweet
• 8:08
  Speaker 1: about the event or was your first thought to tweet
• 8:10
  Speaker 1: about it? Yeah? I don't know, he said, You know,
• 8:12
  Speaker 1: they did everything so quietly. I don't know if he
• 8:14
  Speaker 1: knew about it after or he watched it happen, but
• 8:17
  Speaker 1: that's you know. And right now residence in Vegas are
• 8:21
  Speaker 1: looking for a silver Chevrolet Cruise with Nevada license places,
• 8:24
  Speaker 1: say that's what the suspect is believed to be driving.
• 8:26
  Speaker 1: What happened to? If you see something, say something it
• 8:28
  Speaker 1: shouldn't be. If you see something, tweet something, Okay, James
• 8:31
  Speaker 1: Woods was not getting involved us. He was in casino.
• 8:34
  Speaker 1: Now we gotta get it off your chest. Coming up next,
• 8:36
  Speaker 1: one five and five, one oh five one. If you
• 8:38
  Speaker 1: want to vent about anything, okay, If you want to
• 8:41
  Speaker 1: celebrate life, if you want to tell us how good
• 8:43
  Speaker 1: things are going for you, if you want to tell
• 8:44
  Speaker 1: us how bad things are going for you, whatever, call
• 8:47
  Speaker 1: reach out and touch this. One hundred and five and five,
• 8:49
  Speaker 1: one oh five one. It's the wild most dangerous. Want
• 8:51
  Speaker 1: to show the breakfast club, the breakfast club, This is
• 8:58
  Speaker 1: your time to get it off your chest. Your man
• 9:00
  Speaker 1: flashing from you on the breakfast club. But you got
• 9:04
  Speaker 1: something on your mom? Good morning? Who is this? This
• 9:08
  Speaker 1: is very hi? How are you? Good morning? Mary? Tell
• 9:10
  Speaker 1: us what you want to get up your chest this morning?
• 9:13
  Speaker 1: All right, So let me tell you why I'm at so.
• 9:15
  Speaker 1: I took my ex boyfriend to the jay Z concert
• 9:19
  Speaker 1: on Saturday four four four, Yes, and we were very close.
• 9:22
  Speaker 1: We were in her fifteen and the lows like we
• 9:24
  Speaker 1: saw him, we were really close, and then the next
• 9:26
  Speaker 1: day I find out he's cheating on me. No, but
• 9:29
  Speaker 1: first of all, it is your ex boyfriend. Yes, oh yes, Nowadays,
• 9:33
  Speaker 1: the moment I found out, I was, I'm gonna tell
• 9:35
  Speaker 1: you something, man, you gotta be a real piece of
• 9:37
  Speaker 1: pig pieces to cheat on somebody. After watching jay Z
• 9:39
  Speaker 1: apologize to be once on stage, okay, can't er, you
• 9:43
  Speaker 1: can't go, Eric Banade to day after jay Z tells
• 9:46
  Speaker 1: you not to go, Eric Bade. Now tell me how
• 9:47
  Speaker 1: you found out how he was cheating Mary. Well, so
• 9:50
  Speaker 1: I clicked on his tender profile and he changed the
• 9:52
  Speaker 1: bio and added pictures from when we were dating, so
• 9:55
  Speaker 1: I knew it was kind of about that. Wow. Yeah,
• 9:59
  Speaker 1: let me tst to him about it, and he said
• 10:01
  Speaker 1: that he didn't ease Tender and didn't know how those
• 10:04
  Speaker 1: photos got up there. Wow. How did your boyfriend act
• 10:06
  Speaker 1: when jay Z performed the actual four four fourth song?
• 10:09
  Speaker 1: Because he was actually pretty boring the whole concert, to
• 10:12
  Speaker 1: be honest. He was just kind of standing there taking
• 10:14
  Speaker 1: snapchat for her story. You know. See, he wasn't paying attention.
• 10:17
  Speaker 1: I was having a good time. I was jamming along, dancing,
• 10:19
  Speaker 1: singing the song he was just so he wasn't paying
• 10:22
  Speaker 1: attention and texting his other booze and probably who knows.
• 10:26
  Speaker 1: After you watch jay Z performed fourth four, you would
• 10:28
  Speaker 1: never want to cheat on your girl because jay Z says,
• 10:30
  Speaker 1: this is the most difficult song that I've ever had
• 10:32
  Speaker 1: to perform, and it really looks like you while he's
• 10:33
  Speaker 1: performing it. And now, Mary, are you gonna take him back? No?
• 10:36
  Speaker 1: Absolutely not, all right, just asking now, you can't be
• 10:40
  Speaker 1: that way. Now you can't. Go listen to Beyonce's Lemonade
• 10:42
  Speaker 1: and maybe you'll reconsider. All right, if Beyonce you can
• 10:44
  Speaker 1: take jay Z back, you can take your boyfriend. Leonade
• 10:47
  Speaker 1: came before four four four. That's the point. Go go
• 10:49
  Speaker 1: go back to listen to Lemonade and learn what forgiveness is. Okay,
• 10:53
  Speaker 1: maybe he'd have to get me Beyonce tickets for me
• 10:55
  Speaker 1: to take him back. There you go. Now we're talking.
• 10:58
  Speaker 1: Now we're talking. Have a blood day, mano. No all jokes.
• 11:02
  Speaker 1: You got to see j D perform four before. It's hilarious.
• 11:04
  Speaker 1: Looks sad, he looks so sad. That's part of the bet.
• 11:07
  Speaker 1: This is the part of the apology plan. Monologue you listen.
• 11:10
  Speaker 1: They had this worked out. Every day. You're gonna get
• 11:13
  Speaker 1: on that stage and you're gonna say I apologize over
• 11:15
  Speaker 1: and over. Dudes in the crowdy hugging their girl saying
• 11:17
  Speaker 1: I'm sorry. I was about to apologize and I realized
• 11:19
  Speaker 1: I ain't didn't nothing. I'm not putting myself in this situation.
• 11:22
  Speaker 1: Now tell I'll get it off your chests. One hundred
• 11:24
  Speaker 1: and five and five one or five one. If you
• 11:26
  Speaker 1: want to vent call us. It's the breakfast Club. The
• 11:28
  Speaker 1: breakfast Club, and pick up the mother mother phone and down.
• 11:34
  Speaker 1: This is your time to get it off your chest.
• 11:36
  Speaker 1: Whether you're mad or blessed. We want to hear from
• 11:40
  Speaker 1: you on the breakfast Club. So you better have the
• 11:41
  Speaker 1: same energy. Good morning, miss to pay it for it.
• 11:44
  Speaker 1: Get it up your chests that you're mad or blessed.
• 11:46
  Speaker 1: I'm super blessed man. Listen. Last Wednesday, thanks to Solomon God,
• 11:50
  Speaker 1: I went and I hit the streets to New York
• 11:52
  Speaker 1: compatison and I set the homeless and it was a
• 11:55
  Speaker 1: crazier turn up that I ever could have expected it
• 11:57
  Speaker 1: to be. Um. I got about twenty trades the food
• 12:00
  Speaker 1: that was donated to me, and uh, Charlotte Maye hooked
• 12:04
  Speaker 1: team out a volunteer to drive me around and we
• 12:07
  Speaker 1: hit the streets in New York com Patterson and even
• 12:09
  Speaker 1: some of the streets in New York and we cut
• 12:11
  Speaker 1: the homeless. And it was a crazy turnout. Man. So
• 12:13
  Speaker 1: I'm just blessed something. Oh good to you. That's out. Glad.
• 12:17
  Speaker 1: I'm glad your dream became a reality, sir, Yes, thank you, man,
• 12:20
  Speaker 1: I appreciate So. I just wanted a lot of people. Uh,
• 12:23
  Speaker 1: this week, I'm gonna be handing out clothes to the homeless.
• 12:26
  Speaker 1: I'm going around collective clothes and hand warmers and stuff
• 12:29
  Speaker 1: like that. I could go give it to the homeless again.
• 12:31
  Speaker 1: I just won't encourage anybody who knows, you know, anywhere
• 12:34
  Speaker 1: where the homeless people are. You know, everybody has extra
• 12:36
  Speaker 1: clothes and things they don't wear it, things they don't
• 12:38
  Speaker 1: put on, and they don't even think that someone else
• 12:40
  Speaker 1: could use it. I just want to encourage them to
• 12:41
  Speaker 1: just go hand it out to people and need man. Hey,
• 12:44
  Speaker 1: I rock with you, Manny. Life gives to the giver. Man.
• 12:46
  Speaker 1: Salute to you, my brother. I appreciate you, my brother. Yes, plus,
• 12:49
  Speaker 1: good morning. Who's this Clarissa Clarissa. Yes, good morning, Clarissa,
• 12:55
  Speaker 1: get it up your chest. Good morning everyone. I want
• 12:58
  Speaker 1: to be a one while I'm why are you mad? Reason?
• 13:02
  Speaker 1: I'm mad because my fiance her mama's so called some
• 13:06
  Speaker 1: in the morning for work. He got to wrork at
• 13:09
  Speaker 1: sex o'clock and she's calling at four o'clock. I'm like,
• 13:13
  Speaker 1: my like he got an alarm clock, said, we got
• 13:16
  Speaker 1: a time to say, and you killing I'll sleep, And
• 13:19
  Speaker 1: I'm like, she's I'm just weak and sure he I'm like, okay,
• 13:22
  Speaker 1: he's no more time to get up. We do the
• 13:24
  Speaker 1: every single day and she calls every day and I'd
• 13:27
  Speaker 1: be won the tailor off so bad, but I said,
• 13:29
  Speaker 1: just my mama law soon to be mama law. I
• 13:32
  Speaker 1: got look here, now look here. Now you know my dog.
• 13:35
  Speaker 1: You know my dog gotta get up at four o'clock. Man,
• 13:37
  Speaker 1: if you get up any lady, you're probably gonna run leap. Man.
• 13:39
  Speaker 1: I'm no like ten minutes a week. I don't have
• 13:45
  Speaker 1: to call that early. Listen, it's the eight four three
• 13:48
  Speaker 1: in us. Man. I'm the same way. You see, I'm
• 13:50
  Speaker 1: lead here every damn day and I and I get
• 13:53
  Speaker 1: up at four twenty. We we loved on the street
• 13:56
  Speaker 1: and we got alarm set for five o'clock. Well, yeah,
• 13:58
  Speaker 1: maybe you can get up as my calling three time.
• 14:01
  Speaker 1: Y'all could get up a little earlier and get a
• 14:03
  Speaker 1: little something something before you go to work. No, we
• 14:05
  Speaker 1: get that, man weird before that. We need heart up Rana.
• 14:10
  Speaker 1: Look at you now, y'all want to grind up early
• 14:12
  Speaker 1: in the morning. You're gonna rock up each other. That's
• 14:15
  Speaker 1: the most vision to go get it. That's why we
• 14:17
  Speaker 1: go get it every morning. Hey, salute to the eight
• 14:19
  Speaker 1: four three man. I love y'all. All right, Well we
• 14:21
  Speaker 1: do that every morning. Get it off your chest. If
• 14:23
  Speaker 1: you want to vent about something, if you want to
• 14:24
  Speaker 1: celebrate life, call us one one hundred and five and
• 14:26
  Speaker 1: five one five. When we do that every morning. You
• 14:28
  Speaker 1: got rumor report coming up? Yes I do. And we're
• 14:30
  Speaker 1: gonna let cute tip from a child called Quest tell
• 14:32
  Speaker 1: you why he's mad. And we're also gonna let let
• 14:34
  Speaker 1: you know West Coast tell you what she's mad about
• 14:36
  Speaker 1: as well. One of these people, I really hate that
• 14:38
  Speaker 1: you're about to talk. It's not cute tip. It's definitely
• 14:40
  Speaker 1: not cute tip, all right, And I'm not gonna say
• 14:42
  Speaker 1: hate hate the scrong word, but I hate how she acts.
• 14:44
  Speaker 1: There we go, we'll talk about it when we come back.
• 14:45
  Speaker 1: It's the Breakfast Club, the Breakfast Club. Hey, hey, it's
• 14:52
  Speaker 1: two more dangerous morning show to Breakfast Club. Charlomagne and
• 14:54
  Speaker 1: God Angelie or DJ Envy is still in board bors
• 14:57
  Speaker 1: spending change for change money. Okay, angel League got rumoring
• 15:00
  Speaker 1: Paul coming up and she'll be talking about young lady names.
• 15:04
  Speaker 1: She know West Coast. This is the rumor report with Angela. Ye,
• 15:15
  Speaker 1: do you have to talk about you know West Coast? Well, yeah, okay,
• 15:18
  Speaker 1: all right, So now West Coast was trying to get
• 15:20
  Speaker 1: in the club and things didn't go well. The bouncer
• 15:23
  Speaker 1: wouldn't allow her to jump the line. He also told
• 15:25
  Speaker 1: her he only let two of the people with her in,
• 15:27
  Speaker 1: and she had I think like six girls with her.
• 15:30
  Speaker 1: She also was with Apple from Black Eyed Peas, which
• 15:32
  Speaker 1: is which looks bad on Apple, Apple, why are you around?
• 15:35
  Speaker 1: He tried to get her away from the door, like
• 15:38
  Speaker 1: come on, let's go, but she is not trying to
• 15:41
  Speaker 1: stop going in on that doorman. She also got upset
• 15:44
  Speaker 1: because somebody asked if one of the people with her
• 15:47
  Speaker 1: was little Pump all right, here's what happened. You'll never
• 15:50
  Speaker 1: more than the Curney were bitch. The county loves the
• 15:55
  Speaker 1: hold out whoever they can because they used the cure
• 15:58
  Speaker 1: round the whole life. Wish you a little, did you
• 16:03
  Speaker 1: wish needs like I can't with the home Girl the
• 16:12
  Speaker 1: Apple from black Out beef let it some a relevant
• 16:19
  Speaker 1: big want to a fart on Chanelle west Coast is
• 16:24
  Speaker 1: life or her life? Okay? Salute to that bouncer for
• 16:27
  Speaker 1: doing his job keeping thugs and riff raft out in
• 16:29
  Speaker 1: the club. And I don't wish violence on anyone, but
• 16:31
  Speaker 1: Chanelle west Coast needs to get beat up. She got
• 16:34
  Speaker 1: too mad about that that she made too big of
• 16:36
  Speaker 1: a scene with people filming, and listen all of that.
• 16:40
  Speaker 1: You hate your job. I'm gonna tell a big black
• 16:43
  Speaker 1: man you want to be a little white girl. Listen.
• 16:45
  Speaker 1: You can tell people who have never been punched in
• 16:47
  Speaker 1: the face. Okay, Chanelle has never been punched in the face.
• 16:49
  Speaker 1: When you noticed that it stretch of violence, you move different. Now,
• 16:52
  Speaker 1: tell me, honestly, when you see people act like that,
• 16:54
  Speaker 1: don't you wish somebody would just slap them one time?
• 16:56
  Speaker 1: I hate when people do that, you know, who I.
• 16:58
  Speaker 1: Oh my god, especially when you ain't nobody, because if
• 17:01
  Speaker 1: you somebody, you don't gotta say you somebody. Listen. If
• 17:04
  Speaker 1: that happens to me, I'm gonna just walk away. I'm
• 17:06
  Speaker 1: not even I don't even want to go in. If
• 17:07
  Speaker 1: that all right, thank you, good night. That's it. I
• 17:10
  Speaker 1: got a homegirl named Mey West in La. I wanted
• 17:11
  Speaker 1: to put hands on you. Now, Major's got to charge
• 17:14
  Speaker 1: messing with Matt bonn To. We can't have that. But yeah,
• 17:17
  Speaker 1: we don't want to do that, all right. So if
• 17:19
  Speaker 1: you have a chance to see that video, make sure
• 17:20
  Speaker 1: you check it out now. Cute Tip is not too
• 17:22
  Speaker 1: happy about not being nominated for the Chipe called Quest
• 17:25
  Speaker 1: album at the Grammys. You know, in particular, he's mad
• 17:28
  Speaker 1: because he did go and performed. He said, we closed
• 17:31
  Speaker 1: your show out and they didn't get any nominations because
• 17:33
  Speaker 1: they performed last year shortly after a five past. And
• 17:37
  Speaker 1: here's what he had to say on social media, sticking
• 17:39
  Speaker 1: up names. Man, get us to get out there before
• 17:44
  Speaker 1: last year, y'all don't get us no nominations. Nice? What happened?
• 17:49
  Speaker 1: We polly and doing all it? You know what I'm saying?
• 17:52
  Speaker 1: I got respect for nice, my man. They was trying
• 17:55
  Speaker 1: to get me to come out there to vote in
• 17:56
  Speaker 1: the Rap categoy for solut that they're doing. I ain't doing,
• 18:00
  Speaker 1: you know what I'm saying, And we don't get sho
• 18:02
  Speaker 1: for that album, for that album trying to fight my
• 18:06
  Speaker 1: total time of trying to be nice. We're dropping a
• 18:10
  Speaker 1: clues bomb for the guard you tip. Look, it's always
• 18:13
  Speaker 1: good when people from our culture are celebrated, but the
• 18:15
  Speaker 1: Grammys don't validate our culture at all. The Grammys have
• 18:18
  Speaker 1: been historically culturally clueless for a long time. Some things
• 18:20
  Speaker 1: they get right, some things they get wrong. They absolutely
• 18:23
  Speaker 1: got it wrong when it came to tribal call quest. Now,
• 18:25
  Speaker 1: some people thought he had issues with Ninth Wonder because
• 18:27
  Speaker 1: he addresses ninth Wonder and he clears that up as well. Yeah,
• 18:31
  Speaker 1: this is from my man, Knife Wonder shouts out tonight.
• 18:34
  Speaker 1: It was no disrespect me and none of that. She
• 18:36
  Speaker 1: understopped it. That's my man. I was talking about me
• 18:39
  Speaker 1: and him was pollying about what is what is? What is?
• 18:41
  Speaker 1: What is? Just some other know what I'm saying, nothing
• 18:44
  Speaker 1: to do with it? Shouts out, love him, Yo, world,
• 18:47
  Speaker 1: Up y'all, Grammy got me on my Mica after they
• 18:51
  Speaker 1: snubbed that off the wall, get my Thriller bag one
• 18:56
  Speaker 1: number one in ten countries and certified of performing and
• 19:00
  Speaker 1: snubbing tribe don't look bad and makes the Grammys look bad. Okay,
• 19:07
  Speaker 1: like stop trying to go mainstream and realize that hip
• 19:09
  Speaker 1: hop culture is mainscream. We control the crewel Grammys look
• 19:11
  Speaker 1: cooler when they embrace us, not the other way around.
• 19:14
  Speaker 1: All right, Well, I'm angela ye and that is your
• 19:16
  Speaker 1: rumor reports. Yes, and we got the Hustle gag coming
• 19:18
  Speaker 1: up next to that's Ti, that's Young Drow. That's a
• 19:21
  Speaker 1: trade of truth. Newcomers, Transli and Tokyo Jets. We'll talk
• 19:25
  Speaker 1: to them right after this. It's the breakfast Club. Yeah,
• 19:28
  Speaker 1: it's too almost day. Just want to show to Breakfast Club.
• 19:30
  Speaker 1: Charlomagne and God angela Ye. Dj Envia is in bar
• 19:33
  Speaker 1: bar spending all that change for change money we raised
• 19:35
  Speaker 1: last week. Don't say that that's not true. But we
• 19:38
  Speaker 1: got a got a very humble team in there. Okay.
• 19:40
  Speaker 1: The reason I say that the humble because this is
• 19:42
  Speaker 1: the hustle gang. Ladies and gentlemen. Now Ti and Young
• 19:46
  Speaker 1: Droe have sold the most records out of everybody. You know,
• 19:48
  Speaker 1: we know the work traded. Truth is putt in translient
• 19:51
  Speaker 1: Tokyo while y'all sitting and they standing because they're not
• 19:57
  Speaker 1: to be honest with you. My coat is so clear.
• 20:00
  Speaker 1: I didn't want to see this coat. Now the coat
• 20:02
  Speaker 1: don't got a man to do with it, because I mean,
• 20:04
  Speaker 1: I need some breath for all this peanut button jail
• 20:06
  Speaker 1: I got on. Now I can do you roll. You know,
• 20:10
  Speaker 1: it's just like man, when you had to walk to
• 20:12
  Speaker 1: the pencil shot and then claim before you get to
• 20:13
  Speaker 1: take your coat on. Yeah you want everybody to see
• 20:15
  Speaker 1: what you're wearing. Yeah, absolutely, like you go all yeah, yeah.
• 20:28
  Speaker 1: How does it feel be on this hustle game promo tours?
• 20:31
  Speaker 1: It's like unreal. I feel like I'm gonna wake up
• 20:33
  Speaker 1: because I'm dreaming I'm to go to work one day,
• 20:36
  Speaker 1: going up, going up, like you know, being a big
• 20:39
  Speaker 1: fan of Tip, It's just like like you said, unreal,
• 20:41
  Speaker 1: even be it so got out to y'all. Man. I
• 20:44
  Speaker 1: always tell all these new artists that are trying to
• 20:46
  Speaker 1: get attention to keep on posting things online because you
• 20:49
  Speaker 1: never know what can happen from it. People are always like, oh, well,
• 20:52
  Speaker 1: how do I get sign? How do I get this
• 20:53
  Speaker 1: person's attention. I'm like, y'all gotta work, y'all gotta constantly
• 20:56
  Speaker 1: be out there doing shows, posting things on YouTube because
• 20:59
  Speaker 1: sometimes people get discourage. You gotta be moving, like it's
• 21:02
  Speaker 1: one of the things where you just can't stop. Like
• 21:03
  Speaker 1: when people ask me, how do you get on? Like
• 21:05
  Speaker 1: like I meant tip through a barber, just like in
• 21:08
  Speaker 1: my music, and she handed it to somebody who handed
• 21:10
  Speaker 1: it to somebody. Like it's no right answer. It's no
• 21:13
  Speaker 1: right answer, Like you just gotta be doing stuff. But
• 21:14
  Speaker 1: the one answer is to work hard and keep on work.
• 21:17
  Speaker 1: People think sometimes oh I'm gonna just send them a
• 21:20
  Speaker 1: DM or I'm gonna post them on Twitter. That can't
• 21:23
  Speaker 1: work though, because that's kind of what happens, nothing to do.
• 21:31
  Speaker 1: It might have made you click on the message Hey, look,
• 21:37
  Speaker 1: that's not true. It's not true. It was really the bar. No,
• 21:40
  Speaker 1: he had commented on one of my videos before I
• 21:42
  Speaker 1: DM they were really the bar like she she she
• 21:44
  Speaker 1: was going hard. She was going hard, and she was
• 21:47
  Speaker 1: saying stuff that you know, people didn't expect me to say. Yeah,
• 21:51
  Speaker 1: like a she she it wasn't It wasn't sexually oriented oriented.
• 21:55
  Speaker 1: It was more so the perspective of a female who
• 21:58
  Speaker 1: who who were read by a man of respect, you
• 22:01
  Speaker 1: know what I'm saying. So I had to pay attention
• 22:04
  Speaker 1: to it. But that's because of your upbringing too, though, Tokyo,
• 22:05
  Speaker 1: you're from jack and kill right, Yeah, I'm from Jacksonville.
• 22:12
  Speaker 1: That upbringing effect with you what you talk about. I mean,
• 22:14
  Speaker 1: that's what my music comes from. All my music is true,
• 22:17
  Speaker 1: like if it's if it's not something I've been through,
• 22:19
  Speaker 1: it something somebody around me been through and I was
• 22:20
  Speaker 1: close enough to note every detail of it. Little Duvall
• 22:24
  Speaker 1: takes a lot of credit for you. Probably, No, he
• 22:26
  Speaker 1: won't take the credit. And then he's taking it in
• 22:28
  Speaker 1: front of you. He won't take the credit in the front.
• 22:32
  Speaker 1: I mean that's and then like you know, when I
• 22:35
  Speaker 1: heard her and her delivery and her perspective account of
• 22:39
  Speaker 1: it was refreshing because it's a sound that I haven't
• 22:41
  Speaker 1: heard from and a female from a female in such
• 22:44
  Speaker 1: a long time. It kind of put me in the
• 22:45
  Speaker 1: mind like a Southern eve, you know what I'm saying.
• 22:49
  Speaker 1: You could tell that she has sex appeal, but that
• 22:52
  Speaker 1: ain't what she opening the door leading with you know
• 22:55
  Speaker 1: what I'm saying, So you gotta respect that you didn't
• 22:58
  Speaker 1: have a bit of taste in your mouth or other
• 23:00
  Speaker 1: female artists after what happened with U nah Man, not
• 23:03
  Speaker 1: at all. He made some money off that, I mean
• 23:05
  Speaker 1: with they ain't got hing to do with it. I'm
• 23:07
  Speaker 1: gonna make money anyway. I mean, like for real, every
• 23:10
  Speaker 1: individual is responsible for their own actions. Every individual will
• 23:16
  Speaker 1: be held accountable for their own actions. I can't take
• 23:19
  Speaker 1: what one individual has done and high situation turned out
• 23:22
  Speaker 1: and apply that to the next. Now, I'd like to
• 23:25
  Speaker 1: see you in trade. Also very inspirational, just really out
• 23:28
  Speaker 1: there in the community bringing attention to a lot of things.
• 23:30
  Speaker 1: You know that I think. You know, some artists feel like,
• 23:33
  Speaker 1: I don't want to get political. I don't want to
• 23:34
  Speaker 1: boy some do and some don't. But I do love
• 23:37
  Speaker 1: the fact that you guys genuinely are in the community
• 23:39
  Speaker 1: and care about things and bring attention to it and
• 23:41
  Speaker 1: don't hesitate even with any type of backlash or people
• 23:44
  Speaker 1: you know going back and forth with you. Well, that's
• 23:46
  Speaker 1: what I think, that's what we need. You know, we
• 23:48
  Speaker 1: need more than in our community. And I mean regardless
• 23:51
  Speaker 1: of which generation to come from. I think that the
• 23:53
  Speaker 1: our generation minds and trades. I think we have the
• 23:58
  Speaker 1: most the easiest ability to relate to the younger generation
• 24:02
  Speaker 1: and to appeal to the older generations. You know what
• 24:05
  Speaker 1: I'm saying. So we write there smack dab in the
• 24:07
  Speaker 1: middle of it. We got to use our voices, our influence.
• 24:10
  Speaker 1: For me, it's by doing enough good that a kind
• 24:13
  Speaker 1: of light offset all the bad that I did in
• 24:16
  Speaker 1: my life. A man, you can't You ain't my dad
• 24:17
  Speaker 1: a man? And I hate to say it, that's really
• 24:26
  Speaker 1: the mentality we got. Man like can't tell me nothing
• 24:30
  Speaker 1: like being my mom. I really ain't trying to hear
• 24:32
  Speaker 1: what you're talking about. I'm gonna do what I feel
• 24:33
  Speaker 1: I want to do. That's how we That's how we do.
• 24:35
  Speaker 1: I mean, that's how we've been. We were raised that way.
• 24:37
  Speaker 1: That we got to take that forgive excuse my language,
• 24:40
  Speaker 1: but that I don't give an attitude and apply it
• 24:42
  Speaker 1: to something positive, you know what I'm saying, Because we
• 24:45
  Speaker 1: was we had that attitude before, we was just applying
• 24:47
  Speaker 1: it to all of the negative, just the horrendous things
• 24:52
  Speaker 1: that we did in the past. So now we're just
• 24:54
  Speaker 1: applied it the positivity and trying to, you know, uplift
• 24:57
  Speaker 1: the community and make it, give it a better chance
• 25:00
  Speaker 1: answer self sustaining. Try. Can you even focus on this
• 25:02
  Speaker 1: moment though, because you've been a relief game a couple
• 25:05
  Speaker 1: of months. How easy to make that transition to hustle
• 25:08
  Speaker 1: game hard? Um, I think with that situation, you know,
• 25:12
  Speaker 1: at the end of the day, Houston, Houston suffering right now?
• 25:15
  Speaker 1: Really Texas in general from Houston Beaumont, pulled author Dickinson Galveston.
• 25:20
  Speaker 1: It's just like me and Tip half conversations all the time,
• 25:23
  Speaker 1: and I think everybody who really unsupported me, even including you,
• 25:26
  Speaker 1: everybody understood I kind of really just put the music
• 25:29
  Speaker 1: to the side. And now, I mean, I can't call
• 25:31
  Speaker 1: myself mister Houston or a big home of the city
• 25:35
  Speaker 1: and then watch watch my people's suffer. So I kind
• 25:38
  Speaker 1: of really ain't even been the studio on months. I
• 25:40
  Speaker 1: don't know, want them to get back in it. I
• 25:42
  Speaker 1: gotta might have to build my confidence back because I'm
• 25:44
  Speaker 1: so focused on on what me and mister Rogers doing.
• 25:48
  Speaker 1: But I just feel right now it's it's important. And
• 25:52
  Speaker 1: you know, at first I kind of didn't agree with
• 25:55
  Speaker 1: Tip because he was just we was talking and he
• 25:57
  Speaker 1: was trying to tell me, I gotta I got a
• 26:00
  Speaker 1: bigger mission and it's way more bigger than other stuff
• 26:03
  Speaker 1: I got going on. And you know, at first, all like, yeah,
• 26:06
  Speaker 1: I'm just you know, I do this from the heart,
• 26:08
  Speaker 1: but you know, I love my music. But at the
• 26:10
  Speaker 1: end of the day, I get it, you know. So
• 26:12
  Speaker 1: I'm trying to just balance. You were telling him not
• 26:14
  Speaker 1: rapt it. Now I just tell him them. Man, you
• 26:20
  Speaker 1: know what I'm saying, you got you gotta take what
• 26:22
  Speaker 1: you gotta take what the universe give you. You know
• 26:24
  Speaker 1: what I'm saying, The universe giving you, uh, showing you
• 26:27
  Speaker 1: that you're calling is service, you know, servicing the community
• 26:32
  Speaker 1: rather than entertainment. And you know you gotta you gotta
• 26:35
  Speaker 1: get to your service work. You know what I'm saying,
• 26:37
  Speaker 1: you gotta go tintoe down and full steam heads saying
• 26:40
  Speaker 1: where you would if an album will come to that,
• 26:42
  Speaker 1: and I feel like that would he's been doing, you
• 26:43
  Speaker 1: know what I'm saying, He's been relieve ganging like you know,
• 26:46
  Speaker 1: he like that. That's that's a huge, huge movement with
• 26:51
  Speaker 1: a very significant purpose, and you can't put that to
• 26:54
  Speaker 1: the side for something is you know. I mean, even though,
• 26:58
  Speaker 1: no matter how successfully, maybe it's gonna make an album
• 27:00
  Speaker 1: seeing trivial. You know what I'm saying, it's so many
• 27:02
  Speaker 1: albums coming at so many people who get entertained. But
• 27:06
  Speaker 1: it ain't but one month. We do what Trey doing
• 27:08
  Speaker 1: right now, and that's him. It just feels like more
• 27:11
  Speaker 1: important work. We got more with TI and Hustle Gang
• 27:13
  Speaker 1: coming up next on the World Most Dangerous. Want to
• 27:15
  Speaker 1: show to Breakfast Club? The Breakfast club. I want to
• 27:20
  Speaker 1: show to Breakfast club. We got TI and Hustle Gang
• 27:23
  Speaker 1: in the building. Now trade trade The truth is here.
• 27:26
  Speaker 1: Why did you decide to call out JJ Watt At
• 27:28
  Speaker 1: the end of the day, it's a lot going on
• 27:29
  Speaker 1: in the city and a lot of people not touching
• 27:33
  Speaker 1: the areas that we're touching. You know, we've been out
• 27:34
  Speaker 1: there almost ninety five, almost one hundred days straight easy,
• 27:38
  Speaker 1: and I took I want. I went about a different approach.
• 27:42
  Speaker 1: I reached out to try to reach out to JJ. Well,
• 27:45
  Speaker 1: first of all, the topic of discussion is you know
• 27:47
  Speaker 1: what I'm saying, brother brother. JJ had raised all that
• 27:50
  Speaker 1: money and and Trey was rightfully interested in Okay, well
• 27:59
  Speaker 1: where's this money? Because you know what I'm saying, if
• 28:01
  Speaker 1: you're interested in helping people to really need to be
• 28:03
  Speaker 1: helping and getting it into the homes in the hands
• 28:06
  Speaker 1: of people who need it the most. Him and mister
• 28:08
  Speaker 1: Rogers the one day to day their boots on the
• 28:11
  Speaker 1: ground getting it done so rightfully. So, you know, BRO
• 28:14
  Speaker 1: reached out to him like, hey, yo, I don't know
• 28:16
  Speaker 1: what you got going on, but maybe we can join,
• 28:19
  Speaker 1: you know, join together and get it done. And it's
• 28:21
  Speaker 1: being respectful. You didn't respect respectful, and you know, he um,
• 28:27
  Speaker 1: he didn't respond, and you know, I said, I was
• 28:29
  Speaker 1: gonna wait a few days. I just wanted to see
• 28:31
  Speaker 1: because at the end of the day, I really, if
• 28:33
  Speaker 1: we're doing it for the city and the state, I
• 28:35
  Speaker 1: want to see it. I don't want to deal with
• 28:36
  Speaker 1: nobody who ain't genuine anyway, So you know, I felt
• 28:40
  Speaker 1: that he was gonna be genuine and reached back, and
• 28:42
  Speaker 1: he didn't. You know, at the end of the day,
• 28:43
  Speaker 1: I felt the city need to know. I let him know, Hey,
• 28:46
  Speaker 1: I rest out. You didn't reach back. So, you know,
• 28:49
  Speaker 1: as far as everybody, how can I say, like people
• 28:54
  Speaker 1: keep me and him both on the pedestal out there.
• 28:56
  Speaker 1: As far as helping the city, but at the end
• 28:58
  Speaker 1: of the day, they know what I'm doing with him.
• 29:01
  Speaker 1: My whole thing is, Okay, if you are helping the
• 29:03
  Speaker 1: way you say you're helping, I would rather you deal
• 29:07
  Speaker 1: with the people itself, you know what I'm saying. So
• 29:08
  Speaker 1: somebody can show you, show you the ropes of what's
• 29:11
  Speaker 1: going on here. Nobody Yeah, and they can't nobody in
• 29:14
  Speaker 1: the office tell you what's going on because they're out here,
• 29:16
  Speaker 1: they're going home, or they wiping kids everything. Everything can
• 29:19
  Speaker 1: come to Houston and connect with you and know that
• 29:21
  Speaker 1: you know what where, where the money should go, and
• 29:23
  Speaker 1: who to help. Then JJ watch you do very simple man,
• 29:26
  Speaker 1: And even to this day Henry stops. So you know,
• 29:28
  Speaker 1: at the end of the day, we're still doing what
• 29:30
  Speaker 1: we need to do. I think you know what I'm saying.
• 29:32
  Speaker 1: I think I think that from what I got from
• 29:35
  Speaker 1: whatever his response was, it was more like he was
• 29:37
  Speaker 1: dealing with like big big corporations like the food banking
• 29:41
  Speaker 1: you know what's that which And we all know from
• 29:44
  Speaker 1: Puerto Rico, from from from uh Katrina or even far
• 29:49
  Speaker 1: back in Katrina, from UH, from from Harvey, people like Fame,
• 29:53
  Speaker 1: more people like Red Cross people like like, we're still
• 29:57
  Speaker 1: wondering where that money. So when you did with people
• 30:00
  Speaker 1: like that, you know what I'm saying, it kind of
• 30:03
  Speaker 1: put it raised the antennas of us cynical thinkers anyway,
• 30:08
  Speaker 1: you know what I'm saying, Like, Okay, wait a minute, Well,
• 30:11
  Speaker 1: why would you be dealing with them? And you know
• 30:12
  Speaker 1: that it's already questionable, you know how these funds are
• 30:16
  Speaker 1: being dispersed. If you're really interested in getting the materials
• 30:20
  Speaker 1: and the resources into the hands in the homes of
• 30:22
  Speaker 1: the people that need it, why not deal with the
• 30:24
  Speaker 1: person you see on TV every day, see like you
• 30:27
  Speaker 1: ain't no question who is out here sincerely working for
• 30:32
  Speaker 1: the purpose of the people. When I wanted to do
• 30:34
  Speaker 1: any money, I ain't thinking nobody but track. Yeah, I
• 30:37
  Speaker 1: wouldn't put my money in no place up and you know,
• 30:40
  Speaker 1: and it's and that's the reason why a lot of
• 30:42
  Speaker 1: people are like, man, why why y'all post so much?
• 30:44
  Speaker 1: But at the end of the day, I feel people
• 30:46
  Speaker 1: need to two things. People need to see whether money
• 30:49
  Speaker 1: was going and they also need to see that it's
• 30:52
  Speaker 1: a need, like right now, it's still a need. Like
• 30:55
  Speaker 1: me and mister Roger, we may we may be tapped
• 30:57
  Speaker 1: out soon. So where we ain't got a dollar level,
• 30:59
  Speaker 1: we're gonna still figure out whatever we can, whatever we
• 31:02
  Speaker 1: can do. And a lot of people they don't have
• 31:04
  Speaker 1: social media because it's a lot of elder people, a
• 31:07
  Speaker 1: lot of undocumented people. You know, they couldn't even ask
• 31:10
  Speaker 1: for help point blank pier because you stay in the
• 31:13
  Speaker 1: chance of getting deported, they're taking your kids from you, everything.
• 31:16
  Speaker 1: So it's like we focused on all the people that
• 31:19
  Speaker 1: that can't get the help. So that was the reason
• 31:21
  Speaker 1: why I'll be reaching out hearing the other different people,
• 31:24
  Speaker 1: and you know, some people reach back. A lot of
• 31:26
  Speaker 1: them tend to feel like, hey, it ain't it's not
• 31:29
  Speaker 1: affecting me directly. So and I told Treyer what he
• 31:32
  Speaker 1: needed to do a goal head, start putting the list
• 31:34
  Speaker 1: together and tell people who ain't reached back out because
• 31:38
  Speaker 1: theyin't know using being out here man, trying to put
• 31:40
  Speaker 1: your face into place like you this and you then
• 31:42
  Speaker 1: and you know what I'm saying, you bought a thousand
• 31:44
  Speaker 1: chains and drifty mellon call then with somebody, you know
• 31:48
  Speaker 1: what I'm saying, reach out to you by something significant,
• 31:50
  Speaker 1: something they can help people. And you know what, I'm
• 31:52
  Speaker 1: saying you had like you broke now that that's the
• 31:55
  Speaker 1: main reason for calling out Jig. You just want the
• 31:56
  Speaker 1: money to go to the right place. Yeah, I feel
• 31:58
  Speaker 1: like I feel like, Hey, I don't want your money.
• 32:01
  Speaker 1: I don't. You don't need to send nothing my way.
• 32:03
  Speaker 1: I just want to help you to understand the ways
• 32:06
  Speaker 1: of Houston a little more. And actually, you know, I
• 32:08
  Speaker 1: would have brought him out this so you will see
• 32:11
  Speaker 1: it yourself and get your own opinion of what people
• 32:14
  Speaker 1: going through because you and I ain't never in my
• 32:15
  Speaker 1: life think I'll see kids sleeping on molded floors, are
• 32:19
  Speaker 1: in tents. The Houston ain't no city for you to
• 32:21
  Speaker 1: be sleeping the tents in the front of the backyard
• 32:23
  Speaker 1: because you can't go in your house, you know what
• 32:24
  Speaker 1: I'm saying. So it's just a frustrating situation. Who's gonna
• 32:27
  Speaker 1: be air built up ten years at the least for
• 32:30
  Speaker 1: us to even slightly get back on track. How do
• 32:33
  Speaker 1: you guys determine whose album's coming out when? Because I'm
• 32:35
  Speaker 1: sure everybody in Hustle Gang is ready to be up
• 32:37
  Speaker 1: next and drop the album after the whole Hustle Gang
• 32:40
  Speaker 1: album came out. Who has the hits. Who's ready. This
• 32:44
  Speaker 1: is what because this is not a recolator. This is
• 32:46
  Speaker 1: what we consider an institution of culture, you know what
• 32:49
  Speaker 1: I mean. So it's bigger than just dropping albums or whatnot.
• 32:53
  Speaker 1: We really won't. I won't something from the most intellectual,
• 32:58
  Speaker 1: introspective thought evoking that be tran trans lead Bob, who
• 33:04
  Speaker 1: just dropped the upside down. By the way, if you're
• 33:08
  Speaker 1: a part of the game, absolutely we want smoke. Yeah, absolutely,
• 33:12
  Speaker 1: ever want to tell him to please stop putting out
• 33:14
  Speaker 1: his up crazy theory. I want him to speak. He
• 33:20
  Speaker 1: said recently that you don't believe flaves exist because you
• 33:23
  Speaker 1: never saw Hey, listen, man, come on now, come on now, listen, man, listen, listen, listen.
• 33:32
  Speaker 1: To be honest with you, a lot of the things
• 33:34
  Speaker 1: that Bob speaks on is that's Bob's opinion, and everybody
• 33:39
  Speaker 1: in the world is entitled if nothing else too, an opinion.
• 33:42
  Speaker 1: That's true. So let him have his opinion. If you disagree,
• 33:46
  Speaker 1: then don't subscribe. But I think all of our uh
• 33:51
  Speaker 1: theories and things that we've been taught, everything we've been,
• 33:55
  Speaker 1: everything we've been taught, everything we've learned, should be challenged.
• 33:58
  Speaker 1: Everything should be challenged because nobody really knows. I mean,
• 34:02
  Speaker 1: maybe the thought of that nobody really knows. I want listen,
• 34:09
  Speaker 1: I'm saying, maybe not that actual act of slavery, but
• 34:15
  Speaker 1: the way we know it, how it happened, where it
• 34:19
  Speaker 1: came from, how many people actually came from Africa versus
• 34:24
  Speaker 1: how many people were already here. You know, there are
• 34:26
  Speaker 1: a lot of things. And so even if he might
• 34:30
  Speaker 1: have you know, got a little far deep into the
• 34:33
  Speaker 1: water with how he presented it, it still raises a
• 34:36
  Speaker 1: lot of healthy dialogue about things within slavery that we
• 34:40
  Speaker 1: probably wouldn't be discussing if not that true. True he
• 34:44
  Speaker 1: really went to bat for Bob. I like that. This
• 34:49
  Speaker 1: is the people probably wouldn't hear as well before. I think,
• 34:54
  Speaker 1: you know what I'm saying. I mean, but I think
• 34:56
  Speaker 1: all of these things, all these things need to be
• 34:58
  Speaker 1: challenged because we've been taught a bunch of bullsh, whether
• 35:01
  Speaker 1: y'all know it or not, we've been talking about a
• 35:03
  Speaker 1: bunch of bullsh. Listen, man, this is revote and we're
• 35:05
  Speaker 1: trying to I'm trying to learn this. Yeah, man, and
• 35:11
  Speaker 1: man and so and so. I think that that's that's
• 35:14
  Speaker 1: that's all of our word collective and individual responsibility to
• 35:20
  Speaker 1: ourselves and our children to find the truth and spread it.
• 35:25
  Speaker 1: You know what I'm saying. And back to the Hustle Game,
• 35:28
  Speaker 1: We're institution of culture. And with an institution of culture,
• 35:31
  Speaker 1: I think that you know, from the most introspective, uh
• 35:34
  Speaker 1: intellectual rap to the most ratchet you know, I guess
• 35:39
  Speaker 1: fun good time having wrapped. I think you got to
• 35:43
  Speaker 1: have something from the high, the high to the lord
• 35:45
  Speaker 1: of that, you know what I'm saying. And I think
• 35:46
  Speaker 1: here Hustle Game, we are the only place you can
• 35:48
  Speaker 1: come and get it out. We got more with ti
• 35:50
  Speaker 1: Hustle Game coming up in minutes. If the world the
• 35:52
  Speaker 1: most Dangers want to show the Breakfast Club Charlomagne and
• 35:54
  Speaker 1: God Angeli dj nbia is on vacation, we got ti
• 35:57
  Speaker 1: trade the truth, Young Droe, Transli and Tokyo on the
• 36:00
  Speaker 1: is the generational gap affecting Hustle Game because it seems
• 36:03
  Speaker 1: to be the civil war amongst the youth and the
• 36:05
  Speaker 1: elders in the game like that you feel like it's
• 36:08
  Speaker 1: that the elders are giving them a hard time. Well,
• 36:11
  Speaker 1: first with did you feel that resistance when you was
• 36:13
  Speaker 1: coming up from the old Yeah, I mean, well, not
• 36:16
  Speaker 1: me per se, Okay, because I was different. I'm an
• 36:20
  Speaker 1: old soul for one plus, I grew up in New York,
• 36:22
  Speaker 1: you know what I'm saying. Yeah, I mean, And I
• 36:27
  Speaker 1: did notice, you know, during my during my time, my tenure,
• 36:32
  Speaker 1: that there was older, predominantly East Coast rappers that were like, yo,
• 36:40
  Speaker 1: all these Southern that well, what's what this bamer rap? Yo?
• 36:43
  Speaker 1: You know what I mean? So that was their version
• 36:46
  Speaker 1: of trying to critique us and trying to make us
• 36:50
  Speaker 1: more like they were or expecting something more like that
• 36:54
  Speaker 1: they were used to from the generation. And now this
• 36:56
  Speaker 1: generation it's not regional. It's more so social, you know
• 37:01
  Speaker 1: what I'm saying. How they dress, how they act, what
• 37:04
  Speaker 1: they say, the drugs they choose to use, the way
• 37:08
  Speaker 1: their music is presented, and I mean, like to behind
• 37:12
  Speaker 1: it with you can't nobody tell nobody how to have
• 37:17
  Speaker 1: their moment. When I had my moment, couldn't tell me
• 37:20
  Speaker 1: what I should be doing. You could not tell me
• 37:22
  Speaker 1: what to do. This is my moment. I work hard
• 37:25
  Speaker 1: for this moment, and when you had your moment, could
• 37:27
  Speaker 1: nobody tell you? So I just feel the same way
• 37:29
  Speaker 1: about the Yongsters and some I agree with it and
• 37:31
  Speaker 1: something I don't. But at the same time, if I
• 37:33
  Speaker 1: don't like it, I won't listen to it. It's not
• 37:35
  Speaker 1: for me to say y'all should be this and y'all
• 37:37
  Speaker 1: should be that. That's not my place for real. Yeah.
• 37:41
  Speaker 1: And the other thing I think is a lot of
• 37:43
  Speaker 1: a lot of cats be insecure. Man, They be worried
• 37:48
  Speaker 1: about competition. When you solid cats like us, it don't
• 37:50
  Speaker 1: matter what the next person to do, Like do you
• 37:52
  Speaker 1: do a best suit? Shoot, we're gonna do regards to
• 37:55
  Speaker 1: what you're doing, We're gonna do us. So I mean,
• 37:57
  Speaker 1: we're telling to reach out to a little bit, a
• 37:58
  Speaker 1: little bit of everybody. Y'all know. I deal with all
• 38:00
  Speaker 1: kinds of orders like I ain't never been wonder to
• 38:03
  Speaker 1: feel they need to be this way or be that way.
• 38:06
  Speaker 1: At the end of the day, do what you gotta
• 38:07
  Speaker 1: do to take care of you on yours. And another thing,
• 38:10
  Speaker 1: give when people complain about this generation or rapper, Hey listen, bro,
• 38:16
  Speaker 1: just like you have a twenty one Savage or a
• 38:20
  Speaker 1: little pump or code that black man, it's also Ja
• 38:23
  Speaker 1: Coles and Ken and trans leads out. You just got
• 38:27
  Speaker 1: the fan. What you like, you just got the fan
• 38:30
  Speaker 1: what you like, it ain't like it don't exist. You
• 38:32
  Speaker 1: got the largest variety of mcs out there right now
• 38:38
  Speaker 1: for you to choose from the suits your life. For everybody,
• 38:41
  Speaker 1: stop complaining about the stuff you don't like, and Jeff,
• 38:43
  Speaker 1: focus on the stuff that you do like and traveling.
• 38:45
  Speaker 1: You scribe me as one of the young and that
• 38:47
  Speaker 1: you don't even like a lot of this generations music.
• 38:50
  Speaker 1: I mean, I like it, but why do you think
• 38:52
  Speaker 1: this generations? It was bull every generation? Don't you remember
• 38:58
  Speaker 1: the Bully? They came out of our generation. But I
• 39:00
  Speaker 1: kind of agree with you though, because I'm from the South,
• 39:02
  Speaker 1: so a lot of the stuff that I liked, those
• 39:04
  Speaker 1: hip hop purists, right, I think bull when I came up,
• 39:07
  Speaker 1: man U, g K and Too and jay Z made
• 39:13
  Speaker 1: nobody up. Who was a pimp Awards in New York?
• 39:19
  Speaker 1: The South, the South got something to say, South got
• 39:22
  Speaker 1: something saying. I would say this being from New York.
• 39:25
  Speaker 1: It also, music was so regional back then because we
• 39:27
  Speaker 1: didn't have the Internet, net and streaming and all of
• 39:29
  Speaker 1: that like we have now, So everything was just on
• 39:32
  Speaker 1: the radio here what we heard, so we didn't get
• 39:34
  Speaker 1: that exposure. I feel like and I do feel like
• 39:37
  Speaker 1: back then, you know, hip hop started in New York
• 39:40
  Speaker 1: and we were very protective of it and we didn't
• 39:43
  Speaker 1: get exposed to a lot of other stuff, so the
• 39:45
  Speaker 1: genres of other regions had to come up. Hip hop
• 39:47
  Speaker 1: would have really died verypody would have just been real
• 39:50
  Speaker 1: New York and New York would have been no. But
• 39:55
  Speaker 1: I think the South gave it a feeling like in
• 39:57
  Speaker 1: the West Coast you can't try like sometimes like people
• 40:05
  Speaker 1: in the South, you know, you can't really vibe with that.
• 40:07
  Speaker 1: I think people like Casts and Tip put real lyrics
• 40:10
  Speaker 1: over vibing as beats Man, you can't beat that. It's
• 40:18
  Speaker 1: truthfully in the world that's smaller now because there's people
• 40:20
  Speaker 1: you can't even tell where they're from. Sometimes it used
• 40:23
  Speaker 1: to be people had a certain sound, but now with
• 40:26
  Speaker 1: the Internet and all of that, it's like music is
• 40:28
  Speaker 1: just kind of more universal. Well I'll be I'll be
• 40:31
  Speaker 1: honest and say it, like my first album, people didn't
• 40:33
  Speaker 1: know where I was from, and that pitched me off
• 40:36
  Speaker 1: when I dropped them seriously, like where is he from?
• 40:38
  Speaker 1: You know what I'm saying? Like, I know, you know
• 40:46
  Speaker 1: how the lack of intelligence plagues the entertainment, and you
• 40:49
  Speaker 1: know what I'm saying. So people just they just didn't know,
• 40:52
  Speaker 1: at least they acted like they didn't know. So that's
• 40:54
  Speaker 1: why that's why I went That's why I went so
• 40:57
  Speaker 1: so hard on trap music. You sound like, Okay, this album,
• 41:01
  Speaker 1: they're definitely gonna know, you know what I mean. But
• 41:04
  Speaker 1: I think that right now, man, you just have to
• 41:06
  Speaker 1: you have to find what you identify with. And I
• 41:09
  Speaker 1: think there's a lot of dope artists out there. Man,
• 41:12
  Speaker 1: that's about thought you coming on the twenty one Savage posting,
• 41:15
  Speaker 1: And then I wonder the architect of trap music, do
• 41:17
  Speaker 1: you feel it's a is did much of a difference
• 41:19
  Speaker 1: between rapping about telling dope and rapping about using dope?
• 41:23
  Speaker 1: But they both destructive to the community. Sure, But I
• 41:26
  Speaker 1: mean they both exist, Okay, like they both exist. And
• 41:32
  Speaker 1: as I've said numerous times before, this culture, this music,
• 41:38
  Speaker 1: this art form, it originated from us speaking about the
• 41:44
  Speaker 1: conditions of the environment, you know what I mean. So
• 41:48
  Speaker 1: all we're doing is speaking about the conditions of the environment.
• 41:53
  Speaker 1: If you don't want nobody to wrap about using drugs,
• 41:57
  Speaker 1: then the environs the environment cannot consist of people using drugs.
• 42:06
  Speaker 1: Or selling them, as long as that exists in the environment,
• 42:08
  Speaker 1: it will continue to exist within the music, right, ain't
• 42:11
  Speaker 1: nowhere around. So while everybody trying to fix the music
• 42:15
  Speaker 1: to everybody think, Okay, if we get them to stop
• 42:19
  Speaker 1: this in the music, we can stop it in the environment. No,
• 42:22
  Speaker 1: it's the other way around. Get out there and stop
• 42:24
  Speaker 1: it in the environment and then it will dissipate in
• 42:26
  Speaker 1: the music. Now, if you think it's disproportionate the amount
• 42:29
  Speaker 1: of artists that are now coming forward talking about dealing
• 42:32
  Speaker 1: with things like depression and addiction, because I feel like
• 42:35
  Speaker 1: so many artists have dealt with things that we don't
• 42:37
  Speaker 1: even know about old topics. Yeah, I don't know, man,
• 42:43
  Speaker 1: I I empathize. I'm sensitive to it. But God gave
• 42:49
  Speaker 1: every human being everything they need to overcome any problem
• 42:55
  Speaker 1: that the earth can throw at them, you know what
• 42:58
  Speaker 1: I'm saying. And when you get a from that and
• 43:01
  Speaker 1: you forget that, I think that's what makes you weak.
• 43:04
  Speaker 1: You know what I'm saying, Like, first of all, anything
• 43:06
  Speaker 1: i'm hit with, yeah weak Without Jesus, I know, God
• 43:09
  Speaker 1: can get me a week, seven days. You know what
• 43:11
  Speaker 1: I'm saying. Anything I could go through, anything, anything that
• 43:23
  Speaker 1: the Earth or the universe could throw at me. I
• 43:26
  Speaker 1: know that through God and through the resources and the
• 43:29
  Speaker 1: relationships that God and the experiences that God has blessed
• 43:34
  Speaker 1: me to get through and have around me, I can
• 43:36
  Speaker 1: get through anything. So I empathize, and you know what
• 43:39
  Speaker 1: I'm saying. I'm not trying to speak down on anyone
• 43:42
  Speaker 1: else's plight, but I I can't put myself in that mind.
• 43:47
  Speaker 1: I would you handle that with one of your artis
• 43:49
  Speaker 1: what if you found out one of your artists was
• 43:50
  Speaker 1: using and then they started rapping about it in the
• 43:52
  Speaker 1: music heavy Like, what if, Oh, try to make this hypothetical.
• 44:09
  Speaker 1: You try to you try to force this. I've been
• 44:11
  Speaker 1: winning the new ones, the new artists still bro like, man, listen, man,
• 44:16
  Speaker 1: thing I ain't gonna never do. Man, I ain't gonna
• 44:18
  Speaker 1: never try and to tell you how to speak your truth.
• 44:23
  Speaker 1: It's not authentic, right, that's the hustle gang. I'm all right.
• 44:27
  Speaker 1: Now we want to suppose that right Black Friday, when
• 44:34
  Speaker 1: Black Friday come out that last Friday, man shut out,
• 44:40
  Speaker 1: shut out, my shout out, my hometown husband, Alabama. Here, baby,
• 44:44
  Speaker 1: you see this, don't you get a good look at
• 44:45
  Speaker 1: me on the here right here right now. Better shout
• 44:47
  Speaker 1: out Jackonville the whole Duval at the same time. So
• 44:52
  Speaker 1: all right, that's the hustle gang, y'all. Man may appreciate
• 44:56
  Speaker 1: everybody who did everything that could to help. We your
• 45:00
  Speaker 1: need help now, y'all can cancers Relief game dot com
• 45:03
  Speaker 1: or angel about nature dot com. You know we're still
• 45:05
  Speaker 1: fighting every day. The music will be coming soon from
• 45:08
  Speaker 1: me soon, but right now, you know, we gotta take
• 45:10
  Speaker 1: care of Texas. Breakfast up the Breakfast Club to one
• 45:17
  Speaker 1: of the most dangerous morning show, The Breakfast Club, Charlemagne
• 45:19
  Speaker 1: and God, Angela Yee dj Envia is on vacationon Angelie
• 45:23
  Speaker 1: has a rumor report coming up next, and another man
• 45:25
  Speaker 1: is down because of sexual harassment. It's about report, is
• 45:33
  Speaker 1: the rumor report. Angela Yee's found the Breakfast Club. Not
• 45:40
  Speaker 1: Matt Lower. He just got fired over sexual harassment allegations
• 45:46
  Speaker 1: Jesus Christ. According to NBC Now, the NBC News president
• 45:49
  Speaker 1: Andrew Lack said on Monday night, we received a detailed
• 45:52
  Speaker 1: complaint from a colleague about inappropriate sexual behavior in the
• 45:56
  Speaker 1: workplace by Matt Lower. He said that the allegation against
• 46:00
  Speaker 1: him represented, after serious review, a clear violation of our
• 46:04
  Speaker 1: company's standards. As a result, we've decided to terminate his employment.
• 46:09
  Speaker 1: Here is Matt Lowe's co host Savannah Guthrie announcing the
• 46:12
  Speaker 1: news on today. On Monday night, we received a detailed
• 46:15
  Speaker 1: complaint from a colleague about inappropriate sexual behavior in the
• 46:19
  Speaker 1: workplace by Matt lower. As a result, we have decided
• 46:22
  Speaker 1: to terminate his employment. While it is the first complaint
• 46:25
  Speaker 1: about his behavior in the over twenty years he has
• 46:28
  Speaker 1: been at NBC News, we were also presented with reason
• 46:31
  Speaker 1: to believe this may not have been an isolated incident.
• 46:34
  Speaker 1: Our highest priority is to create a workplace environment where
• 46:38
  Speaker 1: everyone feels safe and protected, and to ensure that any
• 46:41
  Speaker 1: actions that run counter to our core values are met
• 46:44
  Speaker 1: with consequences, no matter who the offender. Now there's a
• 46:47
  Speaker 1: wall going on outside. No man is safe from Okay, Now,
• 46:49
  Speaker 1: you mean to tell me the complaint came in Monday
• 46:51
  Speaker 1: night and by Wednesday morning you a wrap. I need
• 46:54
  Speaker 1: to know how much investigation is going into these allegations,
• 46:56
  Speaker 1: because that don't sound like much of an investigation now.
• 46:58
  Speaker 1: As co host Savenah Guthrie also said that he was
• 47:01
  Speaker 1: a dear, dear friend and she's heartbroken for the brave
• 47:04
  Speaker 1: colleague who came forward to tell her story. So she said,
• 47:07
  Speaker 1: it's part of a national reckoning. She said, how do
• 47:09
  Speaker 1: you reconcile your love for someone with the revelation that
• 47:11
  Speaker 1: they have behaved badly? If they are really investigating these
• 47:15
  Speaker 1: situations and finding out these guys are doing these things fair.
• 47:17
  Speaker 1: But if this is just people getting fired because of
• 47:19
  Speaker 1: his say, that's not right. Well, we don't know other
• 47:21
  Speaker 1: details yet. I know what everybody deserves due process. You
• 47:24
  Speaker 1: don't think that's a fast investigation. They come in Monday night.
• 47:27
  Speaker 1: I don't know if they had gone well, what if
• 47:30
  Speaker 1: they had some type of evidence video that's true. We
• 47:32
  Speaker 1: don't know. We don't know the details, and I'm sure
• 47:35
  Speaker 1: that those are going to come out, but we do
• 47:36
  Speaker 1: know that this investigation started Monday. Today. He is fired,
• 47:40
  Speaker 1: and I guess they did. They said a review and decided,
• 47:43
  Speaker 1: and he's been there for twenty years. I'm sure they
• 47:45
  Speaker 1: didn't ask what I'm saying. I'm sure they didn't want
• 47:47
  Speaker 1: to fire him. But maybe there's some emails, maybe there's footage,
• 47:50
  Speaker 1: maybe there's messages. If we don't know what they happen,
• 47:53
  Speaker 1: it's all of that that's a quick invest Let's not
• 47:55
  Speaker 1: say what it is yet, we just don't know. It
• 47:58
  Speaker 1: could be, could be. Hopefully it's all of that because
• 48:00
  Speaker 1: Jesus Christ, all right, Ryan Leslie is going to be
• 48:03
  Speaker 1: losing his entire music catalog, at least temporarily. He has
• 48:07
  Speaker 1: agreed to give up the rights. Now, remember when his
• 48:09
  Speaker 1: laptop got stolen and he offered a one million dollar
• 48:12
  Speaker 1: reward oh to whoever found it lost something clear, So
• 48:17
  Speaker 1: then he got sued right for breaching that million dollar
• 48:20
  Speaker 1: reward offer that he made online after his laptop got
• 48:23
  Speaker 1: returned to him by Army and Augstein, And so now
• 48:26
  Speaker 1: the Jerry found him liable that he has to pay
• 48:28
  Speaker 1: one point one eight million dollars in damages, and then
• 48:31
  Speaker 1: Ryan Leslie foiled for bankruptcy. So this guy's been trying
• 48:34
  Speaker 1: to get his million dollar reward ever since. So now
• 48:37
  Speaker 1: I guess the deal is that he's entitled to receive
• 48:40
  Speaker 1: up to five hundred and thirty eight thousand dollars from
• 48:42
  Speaker 1: Ryan Leslie's royalties, and if after six years he hasn't
• 48:45
  Speaker 1: made at least three hundred thousand, then he has those
• 48:48
  Speaker 1: rights until he hits that mark. So once he sat mark,
• 48:51
  Speaker 1: then Ryan Leslie gets his catalog back. That's why you
• 48:54
  Speaker 1: can't just go online and be promising million dollars rewards.
• 48:57
  Speaker 1: All right now, Jed the meek Mill judge as we
• 49:01
  Speaker 1: all know, Judge Jennie at Brinkley who was sentenced him
• 49:03
  Speaker 1: the two to four years after probation violation. According to
• 49:06
  Speaker 1: new court documents, he was trying to get a higher
• 49:09
  Speaker 1: court to get him out of prison. Now, the higher
• 49:12
  Speaker 1: court did refuse to release meek Mail, but then they
• 49:14
  Speaker 1: said that the judge has to get on board and
• 49:16
  Speaker 1: decide meek Mil's fate without further delay. So he's trying
• 49:19
  Speaker 1: to get a bill hearing and the judge has to
• 49:22
  Speaker 1: do it. A sap man, meek Mill, bet to stop
• 49:24
  Speaker 1: playing with that judge and go get him a root
• 49:26
  Speaker 1: doctor and have the root doctor put that thing on there.
• 49:28
  Speaker 1: Put that to put that root on that woman, all right,
• 49:31
  Speaker 1: stop playing with that lady. Go find you ain't got
• 49:32
  Speaker 1: no Haitian hunts now nothing. By the way, what's up
• 49:36
  Speaker 1: man meek Come on man? Why do you? Also has
• 49:39
  Speaker 1: just put out a new visual called Free Meek in
• 49:41
  Speaker 1: support of meek Mail. Also a right, all right, now,
• 49:45
  Speaker 1: let's discuss been had to wear me on him. Jennifer
• 49:47
  Speaker 1: Hudson and David A Tonga, then you go a tuna exactly.
• 49:52
  Speaker 1: Jennifer Hudson and David A Tonga. They have reached a
• 49:54
  Speaker 1: temporary custody agreement. Now we told you the two of
• 49:56
  Speaker 1: them have separated, and they do have an eight year
• 49:59
  Speaker 1: old son to get she was trying to get she
• 50:01
  Speaker 1: got a restraining order, but she did get that order
• 50:03
  Speaker 1: protection dropped. Apparently, now David is going to be their
• 50:06
  Speaker 1: son's primary caregiver because Jennifer Hudson has a lot of
• 50:10
  Speaker 1: traveling to do. She's going to be doing the voice
• 50:12
  Speaker 1: and she's doing the voice UK, so she's going back
• 50:14
  Speaker 1: and forth. So right now he's the primary caregiver. So
• 50:17
  Speaker 1: I guess she had to drop that order protection in
• 50:19
  Speaker 1: order to make sure that their son could be with
• 50:21
  Speaker 1: the dad. That's crazy. I always feel like both parents
• 50:24
  Speaker 1: should be equally involved. I don't think one parents should
• 50:27
  Speaker 1: have full custody, especially when it's the father well primary
• 50:31
  Speaker 1: custom primary custody, Okay, yeah, I mean if she's doing
• 50:34
  Speaker 1: a lot of traveling and he's with the dad the
• 50:36
  Speaker 1: majority of the time, I'm sure she's still going to
• 50:38
  Speaker 1: see him a better right Okay, Well I'm Angela Yee
• 50:42
  Speaker 1: and that is your rumor report. All right, now, let's
• 50:47
  Speaker 1: get into it. Charlemagne, I saw a lot of people
• 50:50
  Speaker 1: adding you yesterday asked me to give somebody Donkey of
• 50:52
  Speaker 1: the Day. I don't know if you're gonna give it
• 50:53
  Speaker 1: to that person. I don't know who you're giving your
• 50:55
  Speaker 1: donkey to today. Well, I actually have a double donkey
• 50:58
  Speaker 1: coming up because I feel like I feel like both
• 51:01
  Speaker 1: of these individuals deserve donkey. One actually has had a
• 51:04
  Speaker 1: donkey moment. The other is truly a donkey. So I
• 51:07
  Speaker 1: need I need Ben Gordon and Chanelle West close to
• 51:11
  Speaker 1: come to the front of the congation together. No, but
• 51:14
  Speaker 1: they are to night to day. I'd like to have
• 51:15
  Speaker 1: a world with both of them. All right, Well, Donkey
• 51:17
  Speaker 1: of the Day is coming up next on the Breakfast
• 51:19
  Speaker 1: Club char Maine, say the game don't man, you are it?
• 51:30
  Speaker 1: Donkey today does not discriminate. I might not have the
• 51:32
  Speaker 1: song of today, but I got the donkey that day.
• 51:34
  Speaker 1: So if you ever feel I need to be a
• 51:36
  Speaker 1: donkey man the Breakfast Club, bitch, they just don't keep
• 51:41
  Speaker 1: the day today. Yes, Donkey to Day for Wednesday, November
• 51:44
  Speaker 1: twenty ninth is a double donkey because there's two people
• 51:47
  Speaker 1: who need to get the credit they deserve for being stupid.
• 51:50
  Speaker 1: One is Donkey of the Day, one is just a donkey. Okay,
• 51:54
  Speaker 1: it's a difference, all right, let me explain. See, Donkey
• 51:57
  Speaker 1: of Today is a feature that gives people to credit
• 51:59
  Speaker 1: they deserve for being stupid. Right, But we all have
• 52:02
  Speaker 1: donkey moments. But that doesn't make us a total donkey
• 52:05
  Speaker 1: just because you had a donkey moment. But some people
• 52:07
  Speaker 1: are so consistently stupid that they are actual donkeys in
• 52:11
  Speaker 1: the form of human beings. And Chanelle West Coast is
• 52:14
  Speaker 1: the latter, Okay, but we'll get to her in a second.
• 52:16
  Speaker 1: First of all, Ben Gordon former NBA player Ben Gordon
• 52:20
  Speaker 1: was arrested in LA on Monday afternoon. Now, according to TMZ,
• 52:23
  Speaker 1: Ben Gordon allegedly beat up a guide an apartment building
• 52:26
  Speaker 1: and left with several thousand dollars of his money. Now,
• 52:28
  Speaker 1: Ben Gordon went to the apartment complex where he used
• 52:30
  Speaker 1: to live and an effort to get his security deposit back.
• 52:35
  Speaker 1: I know that feeling, Okay. I remember when I moved
• 52:38
  Speaker 1: back to New York in two and ten and I
• 52:40
  Speaker 1: was gonna live in Brooklyn, ANGELI yees borrow? Yeah, all right? Now,
• 52:43
  Speaker 1: I put a security deposit down on this apartment. Then
• 52:45
  Speaker 1: I decided I didn't want to live in Brooklyn because
• 52:47
  Speaker 1: parking sucked and I didn't feel like I could hide
• 52:50
  Speaker 1: in Brooklyn the way I like to hide, all right,
• 52:52
  Speaker 1: So I went to try to get my deposit back
• 52:55
  Speaker 1: from that apartment complex and they wasn't having it. So
• 52:57
  Speaker 1: I definitely acted like I could bring the what'd you do? Right,
• 53:01
  Speaker 1: that's a little tough talk, and they gave me deposit back,
• 53:04
  Speaker 1: all right, But I didn't physically touch the guy. It
• 53:05
  Speaker 1: was all verbal. But the moral of the story is
• 53:08
  Speaker 1: when you broke getting that security deposit back can be
• 53:11
  Speaker 1: a life for death situation, right, So I understand Ben Gordon? Right,
• 53:15
  Speaker 1: Ben Gordon allegedly put hands on him man, So the
• 53:18
  Speaker 1: man gave him some of his money back, But after
• 53:20
  Speaker 1: cops were called and came to the building, Ben Gordon
• 53:23
  Speaker 1: came back and demanded the rest of his security deposit,
• 53:27
  Speaker 1: but instead he got arrested on the spot for felony robbery.
• 53:31
  Speaker 1: Now why does this make Ben Gordon donkey to day? Charlottaine?
• 53:34
  Speaker 1: If you say you understand for one reason and one
• 53:36
  Speaker 1: reason only. He's thirty four years old, and he played
• 53:39
  Speaker 1: in the NBA for about ten or eleven seasons and
• 53:42
  Speaker 1: made more than eighty four million dollars during his NBA career.
• 53:49
  Speaker 1: I'm not counting nobody's pockets. But if you're thirty four
• 53:52
  Speaker 1: years old and made eighty four million dollars in your life,
• 53:54
  Speaker 1: but now you're back living in apartments and beating up
• 53:57
  Speaker 1: guys to get your security deposit back, on the scale
• 53:59
  Speaker 1: of one to tyrese, you clearly wasn't managing your money correctly. Okay,
• 54:05
  Speaker 1: it's the principal. So no, it ain't the principle. They ain't.
• 54:08
  Speaker 1: Ain't the damn principle. You messed up. Your money been guarded.
• 54:10
  Speaker 1: So I need you to sit right there in the
• 54:11
  Speaker 1: first pew of the congregation and wait to receive your
• 54:14
  Speaker 1: heath has sir. Now, Chanelle West Coast, I need you
• 54:16
  Speaker 1: to come step to the front of the congregation. I'd
• 54:18
  Speaker 1: like to talk to you for a second. Okay, I
• 54:20
  Speaker 1: am sick and tired of being sick and tired of
• 54:23
  Speaker 1: Chanelle West Coast. All right. I feel the way that
• 54:26
  Speaker 1: Meek Mills judge feels about me towards Chanelle West Coast. Okay, Chanelle,
• 54:30
  Speaker 1: don't text my phone later and try to explain. All right,
• 54:33
  Speaker 1: you have a terrible attitude, young lady. I've told you
• 54:35
  Speaker 1: over and over that it's a thin line between confidence
• 54:38
  Speaker 1: and delusion. Okay, Chanelle West Coast, you are delusional. I
• 54:41
  Speaker 1: don't know who gassed you up and told you that
• 54:43
  Speaker 1: you are some A list celebrity. I don't know who
• 54:45
  Speaker 1: gassed you up and told you that you are a
• 54:46
  Speaker 1: dope rapper. I don't think anyone ever told you these things.
• 54:49
  Speaker 1: I just truly believe that you hear voices in your
• 54:51
  Speaker 1: head and they are telling you these things. But I'm
• 54:54
  Speaker 1: letting you know right now that voice in your head
• 54:56
  Speaker 1: is the devil, and the devil is a what a liar? Okay,
• 55:00
  Speaker 1: you are not famous, you are infamous. It's a difference.
• 55:02
  Speaker 1: You're not a dope rapper. In fact, you are trash, gobach, rubbish,
• 55:06
  Speaker 1: waste to breathe, jump scraps and whatever sending them they
• 55:10
  Speaker 1: have for trash. That's what your balls are. But I
• 55:12
  Speaker 1: can deal with you being a trash ass rapper, but
• 55:14
  Speaker 1: I can't deal with you being a trash ass person. Okay,
• 55:16
  Speaker 1: my grandma always told me, man as will take you
• 55:18
  Speaker 1: where money won't treat people the way you want to
• 55:20
  Speaker 1: be treated. You need to learn these things, okay. Because
• 55:23
  Speaker 1: Chanelle West Coast was trying to get into some club
• 55:26
  Speaker 1: in LA and the bouncer did his job and didn't
• 55:29
  Speaker 1: let her in because it's bounce his job to keep
• 55:31
  Speaker 1: all the potential threats out the club. And he must
• 55:33
  Speaker 1: have felt your energy because he didn't let this thug
• 55:36
  Speaker 1: Chanelle West Coast in the club. And when she was denied,
• 55:39
  Speaker 1: she went full blown privileged entitled white girl. Let's hear it.
• 55:44
  Speaker 1: You know we got bitch. I went he here for
• 55:46
  Speaker 1: seven hot girls for way too long, way too popping,
• 55:51
  Speaker 1: popping of my house. You'll never hord of the journey, bitch.
• 56:00
  Speaker 1: He loves the whole down, whoever the hand, because they
• 56:04
  Speaker 1: on the whole life. Wish you you wished. I can't
• 56:17
  Speaker 1: behave the hot girl the apple from black eutdeep. Go
• 56:21
  Speaker 1: let it from a relevant sport because I want to
• 56:25
  Speaker 1: far on Chanelle West Coasts life. Please. Now, I don't
• 56:30
  Speaker 1: wish violence on anyone, but you Knowell West Coast needs
• 56:33
  Speaker 1: to get beat up, all right. You can tell people
• 56:35
  Speaker 1: who have never been punched in the face. Chanelle has
• 56:37
  Speaker 1: never been punched in the face. When when when you
• 56:40
  Speaker 1: know that this threats the violence, you move a little different. Okay,
• 56:42
  Speaker 1: you can't tell me you don't hear this woman and
• 56:45
  Speaker 1: not think to yourself, somebody please slap her. All right?
• 56:48
  Speaker 1: She deserves a light drag, just a light one, all right.
• 56:51
  Speaker 1: My thing is this, If a person gets hands put
• 56:53
  Speaker 1: on them and they still act and talk like Chanelle
• 56:55
  Speaker 1: West Coast acted with that buntie, I'm fine with that
• 56:57
  Speaker 1: because she understands the consequences of her accents. Chanelle doesn't
• 57:01
  Speaker 1: realize how real things can get. That's why she's talking
• 57:04
  Speaker 1: so reckless. All right. She's delusional about her talent, she's
• 57:07
  Speaker 1: delusional about her level of fame, and she's clearly delusional
• 57:10
  Speaker 1: about her gangster. And one good ass whipping will bring
• 57:13
  Speaker 1: her back to reality, at least about her gangster. Okay, Chanell,
• 57:16
  Speaker 1: do you realize a bad attitude can literally block love,
• 57:19
  Speaker 1: blessings and destiny from finding you? All right? Now, I'm
• 57:22
  Speaker 1: not the highest grade of weed in the dispensary, but
• 57:24
  Speaker 1: your attitude is probably one of the reasons you haven't succeeded.
• 57:27
  Speaker 1: Outside of ridiculousness, Okay. The only true disability in life
• 57:31
  Speaker 1: is a bad attitude, and you, Chanelle, are spiritually and
• 57:34
  Speaker 1: emotionally disabled. All right, Chanelle. A bad attitude is like
• 57:37
  Speaker 1: a flat tire. You won't get far until you change it. Period.
• 57:40
  Speaker 1: Listen to your uncle Charlote, Chanelle, I'm telling you what
• 57:43
  Speaker 1: you need to hear, not trying to insult you. Okay.
• 57:45
  Speaker 1: One or two things is gonna happen to you. One
• 57:47
  Speaker 1: you're either gonna change your attitude and become a better,
• 57:49
  Speaker 1: more likable person. Won't make you a better rapper, but
• 57:52
  Speaker 1: who cares about being a good rapper. You need to
• 57:53
  Speaker 1: be a good human being if you don't change your attitude.
• 57:56
  Speaker 1: The second option will be us watching a video of
• 57:58
  Speaker 1: you online getting beat up. I prefer an option too,
• 58:01
  Speaker 1: but for your sake, I pray you choose option one,
• 58:04
  Speaker 1: or the next world star moment we see online would
• 58:06
  Speaker 1: probably be about you. All right. Please give Ben Gordon
• 58:09
  Speaker 1: and Chanelle West Coast to sweet Sounds of the Hamletones Place.
• 58:12
  Speaker 1: Oh no you are do gee, Oh the da gee,
• 58:23
  Speaker 1: oh the day. Ye Now, Angelia, you don't have no
• 58:30
  Speaker 1: girls in that. I was about to just say something,
• 58:34
  Speaker 1: Do not anybody put hands on Chanelle West Coast. I
• 58:36
  Speaker 1: would hate for someone to go to jail for a
• 58:38
  Speaker 1: situation like that. I'm getting in the way of what
• 58:40
  Speaker 1: God got planning for a person. Do not do that.
• 58:43
  Speaker 1: We do not encourage you. Let God. Let God do
• 58:45
  Speaker 1: his work. Who are you to be jumping in the
• 58:47
  Speaker 1: way of nobody? Listen, don't get yourself in trouble. I'm not.
• 58:53
  Speaker 1: I don't. I don't get in the way of what
• 58:54
  Speaker 1: God never someone a woman in the cup. I don't
• 58:58
  Speaker 1: say who it is. I don't remember those types of things.
• 59:00
  Speaker 1: Would drink on now, just throwing a drink, I think
• 59:02
  Speaker 1: that's fine, but not about drinking her. I threw it
• 59:05
  Speaker 1: drink in the direction of her section. It was a
• 59:07
  Speaker 1: guys over there too, so whoever wanted to could get it.
• 59:09
  Speaker 1: All right? Was the Riginal Love and Hip podcast? All right,
• 59:14
  Speaker 1: I was a different human being than I. Don't do
• 59:16
  Speaker 1: those types of things no more. Okay, it's been on
• 59:18
  Speaker 1: reality TV now Angelie, you have asked, yes, I do.
• 59:23
  Speaker 1: Let me thank you for a nice segue. Yes. If
• 59:26
  Speaker 1: you need advice one hundred and five eight five one
• 59:28
  Speaker 1: oh five one, call us up. I have some people
• 59:31
  Speaker 1: in my DMS right now. Saying that they need advice desperately,
• 59:34
  Speaker 1: So call us up right now for ask ye. It's
• 59:37
  Speaker 1: the Breakfast Club, the Breakfast Club. What's up? It's Angela. Ye,
• 59:43
  Speaker 1: it's the Breakfast Club. And that was a notorious big
• 59:46
  Speaker 1: where juicy And right now we are doing ask ye
• 59:49
  Speaker 1: and we have Crystal on the line. Hi, Andrew, Okay,
• 59:53
  Speaker 1: the thing is okay. Me and my husband has been
• 59:55
  Speaker 1: together for seven years, we've been married for three and
• 1:00:00
  Speaker 1: um he when I basically when I first started, when
• 1:00:03
  Speaker 1: we first started dating, he worked at Wendy's. Now he
• 1:00:06
  Speaker 1: doesn't work at Wendy's anymore. He works now for the
• 1:00:08
  Speaker 1: government government the county, driving buses. But now he wants
• 1:00:11
  Speaker 1: to work for the government. The thing is each job
• 1:00:14
  Speaker 1: that he had, I've always assisted him with resumes, assisted
• 1:00:18
  Speaker 1: him with the job applications and everything. But now that
• 1:00:20
  Speaker 1: he's wanted to go to the county the government job,
• 1:00:25
  Speaker 1: he wants to work for us custom That application is
• 1:00:28
  Speaker 1: very difficult, and he's looking at me to do the application,
• 1:00:31
  Speaker 1: and I'm trying to explaining him that I can't do
• 1:00:33
  Speaker 1: the application because I don't want to do the application
• 1:00:35
  Speaker 1: and get it wrong. I'm only a room attended at
• 1:00:37
  Speaker 1: a hotel, like I don't know how to do this application,
• 1:00:40
  Speaker 1: and stop saying I'm only this, I'm only that, okay,
• 1:00:44
  Speaker 1: because clearly it very smile. You've already gotten him two jobs.
• 1:00:47
  Speaker 1: So don't downplay yourself and a lot of the jobs
• 1:00:50
  Speaker 1: that way. But I got him a lot of okay,
• 1:00:53
  Speaker 1: So don't don't downplay your intelligence and say government jobs.
• 1:00:58
  Speaker 1: Don't get overwhelmed by thinking that you're not good enough
• 1:01:01
  Speaker 1: to first of all, the fact that you've been the
• 1:01:03
  Speaker 1: one holding him down really like those are jobs that
• 1:01:06
  Speaker 1: you've got. It's really what you've been doing, you know,
• 1:01:08
  Speaker 1: even though and I think I'm gonna tell you this,
• 1:01:11
  Speaker 1: like anything that my boyfriend has to do, I always
• 1:01:13
  Speaker 1: try to help him out as much as possible because
• 1:01:15
  Speaker 1: I want to, right, And that's the thing he thinks
• 1:01:17
  Speaker 1: I don't want to do it. I do want to
• 1:01:19
  Speaker 1: do it. I just don't want to mess it up.
• 1:01:20
  Speaker 1: And he don't get the job because of me. If
• 1:01:22
  Speaker 1: why he should be doing it with you? It ain't
• 1:01:24
  Speaker 1: like you're gonna sit there and do the whole thing
• 1:01:26
  Speaker 1: for him, right, Isn't he sitting there doing it with you?
• 1:01:28
  Speaker 1: He's doing it with me. But he's not. It's like,
• 1:01:31
  Speaker 1: we need somebody else there with us, Like I can't.
• 1:01:34
  Speaker 1: I don't know how to do this application. All right, listen,
• 1:01:36
  Speaker 1: this is what I don't know how difficult it is
• 1:01:38
  Speaker 1: because I've never seen this application. But do you know
• 1:01:41
  Speaker 1: somebody that can come and help y'all? Because you know what,
• 1:01:44
  Speaker 1: Sometimes I was telling him they have recruiters for this.
• 1:01:48
  Speaker 1: They have recruiters that tell him about the job and
• 1:01:50
  Speaker 1: help him with the application. And I'm telling him, let's
• 1:01:52
  Speaker 1: get a recruiter. And he's like, oh, you just don't
• 1:01:55
  Speaker 1: want to do it, and I'm like, that's not it.
• 1:01:56
  Speaker 1: It's likely he's no. You tell him. I just want
• 1:01:59
  Speaker 1: to ensure that you have the best possible chance at
• 1:02:02
  Speaker 1: getting this job, that's all. And what you need to do,
• 1:02:06
  Speaker 1: it's go ahead and call that recruited yourself and make
• 1:02:09
  Speaker 1: it happen, because I guarantee you he's not going to
• 1:02:11
  Speaker 1: turn it down when it's happening, when you're like, okay, baby,
• 1:02:14
  Speaker 1: let's go do this, furry. Because when I suggested that,
• 1:02:18
  Speaker 1: I said, okay, if I got to go to the
• 1:02:19
  Speaker 1: airport itself at somebody that US custom officer and be like, hey,
• 1:02:24
  Speaker 1: do you know what I can do to get my
• 1:02:26
  Speaker 1: husband on. He's like, oh, make sure you at a
• 1:02:29
  Speaker 1: US custom and not a TSA worker. And I'm like, so,
• 1:02:34
  Speaker 1: what are you trying to say? Am I supider? Am
• 1:02:35
  Speaker 1: I smart? You don't think I know the difference between
• 1:02:37
  Speaker 1: the two officers, Like, I think the problem is that
• 1:02:40
  Speaker 1: we're arguing. Yeah. I think that you guys are both
• 1:02:43
  Speaker 1: just stressed out about this opportunity because obviously you want
• 1:02:46
  Speaker 1: him to get it really badly. He wants to get
• 1:02:48
  Speaker 1: it really badly. And sometimes we don't talk to each
• 1:02:50
  Speaker 1: other and treat each other well when we get a
• 1:02:52
  Speaker 1: little stressed. Y're nervous about something. So it's important for
• 1:02:55
  Speaker 1: you guys to have that positive energy and to make
• 1:02:57
  Speaker 1: sure that you're supportive of him, but for him to
• 1:02:59
  Speaker 1: also acknowledge the fact that you are going well above
• 1:03:01
  Speaker 1: and beyond. Yeah, And I want to ask I want
• 1:03:04
  Speaker 1: to ask you something, Cristal, because I don't like how
• 1:03:06
  Speaker 1: you said, well, I'm just a room attendant. You're doing
• 1:03:09
  Speaker 1: all these applications and doing all this for him. Why
• 1:03:11
  Speaker 1: don't you do it for yourself too? Oh my god.
• 1:03:14
  Speaker 1: That's why I wanted to make sure Charlemagne is there
• 1:03:17
  Speaker 1: because I read his book, and his book literally I
• 1:03:22
  Speaker 1: see myself as more but I'm very self conscious. And
• 1:03:26
  Speaker 1: I read his book physically, and then I listened to
• 1:03:28
  Speaker 1: it while I'm at work that I have the audible
• 1:03:31
  Speaker 1: app and his book made me ask my job for
• 1:03:34
  Speaker 1: a promotion for supervisor. They denied me, and they denied
• 1:03:38
  Speaker 1: me because I wanted to. I think I emailed you
• 1:03:40
  Speaker 1: about that. They denied me because I didn't speak Spanish.
• 1:03:43
  Speaker 1: And then I just went out and I made my
• 1:03:45
  Speaker 1: applicant my resume better for like supervisor position, and I
• 1:03:49
  Speaker 1: started my new supervisor position tomorrow. Egulations yes, and I'm
• 1:03:55
  Speaker 1: so nervous, say you say Brunsky no, But and you
• 1:04:00
  Speaker 1: know what bad. There's nothing wrong. There's nothing wrong with
• 1:04:03
  Speaker 1: it with being nervous. Okay, sometimes we feel like we
• 1:04:06
  Speaker 1: shouldn't be. But when we have great, big things happen
• 1:04:08
  Speaker 1: in our lives and we get the little nervousness, there's
• 1:04:11
  Speaker 1: nothing wrong with that. We all get nervous, don't matter
• 1:04:13
  Speaker 1: who you are, so nervous, like I'm so nervous of
• 1:04:16
  Speaker 1: messing up, Like it really does something to me when
• 1:04:19
  Speaker 1: you know mess up, and don't be afraid to ask
• 1:04:22
  Speaker 1: them helping here and work or anything in life. Okay, Yeah,
• 1:04:26
  Speaker 1: that's what I'm Therefore, I was learning what I'm doing it.
• 1:04:29
  Speaker 1: So I'm hopefully I'm going to start this and hopefully
• 1:04:32
  Speaker 1: I'll make him listen to it later and he can
• 1:04:34
  Speaker 1: understand it. It's not that I don't want to help.
• 1:04:36
  Speaker 1: It's just I don't want to mess up and I
• 1:04:37
  Speaker 1: want I want the best for both of us. Men. Okay,
• 1:04:40
  Speaker 1: but whatever it's meant to be will be, and you
• 1:04:41
  Speaker 1: just all you could do is do your best to
• 1:04:43
  Speaker 1: make things happen. That's all that's all I have. So
• 1:04:46
  Speaker 1: all right, christ and remember even if things don't even
• 1:04:49
  Speaker 1: if things don't work out the first time, that don't
• 1:04:51
  Speaker 1: mean it's over. Keep going. Everybody didn't get told yes
• 1:04:54
  Speaker 1: the first time. Everybody didn't get that job the first time. Okay, yeah,
• 1:05:00
  Speaker 1: out it all right. Congratulations to you though, thank you well,
• 1:05:05
  Speaker 1: thank you Crystal for reading my book Black Privilege. Opportunity
• 1:05:08
  Speaker 1: you comes to those who creative. You can go pick
• 1:05:09
  Speaker 1: that up whether you buy books right now. And we're
• 1:05:12
  Speaker 1: still in the middle of as Key, so if you
• 1:05:13
  Speaker 1: want to ask you anything, call her right now one
• 1:05:16
  Speaker 1: hundred five five one or five one. If you need
• 1:05:17
  Speaker 1: advice about anything. Let me rephrase that, not ask her anything.
• 1:05:20
  Speaker 1: If you need advice about anything, all right, it's to
• 1:05:22
  Speaker 1: breakfast club. That's to breakfast club. And we are doing
• 1:05:24
  Speaker 1: ask ye Now, who do we have on the line,
• 1:05:27
  Speaker 1: joss Man, jazz Man? What's that girl? What's your question for?
• 1:05:30
  Speaker 1: Ask ye? Hi um? Okay. So recently me and my
• 1:05:34
  Speaker 1: husband we took over our stepkids, my stepkids and my daughter.
• 1:05:39
  Speaker 1: My stepdaughter has been acting out a lot more in school.
• 1:05:41
  Speaker 1: Now we let her mom, her mom, come and see her,
• 1:05:45
  Speaker 1: and ever since then it's been bad. Her mom had
• 1:05:48
  Speaker 1: abandoned her about two years old and had her back
• 1:05:52
  Speaker 1: and forth between two and now she's like seven. And
• 1:05:56
  Speaker 1: my question and she's been asking because she see her,
• 1:05:59
  Speaker 1: and really we're not sure if we should because every
• 1:06:02
  Speaker 1: time she comes, she disappears and we have to pick
• 1:06:05
  Speaker 1: up the pieces though, why mommy's here, why mommy doesn't
• 1:06:08
  Speaker 1: love me, and etcetera. Right, And that's a hard thing
• 1:06:11
  Speaker 1: when you have a parent that is in and out
• 1:06:13
  Speaker 1: of the child's life, and then when they do show up,
• 1:06:16
  Speaker 1: it's exciting for the daughter, but then when she's gone,
• 1:06:19
  Speaker 1: it makes things even worse than when the mother was there,
• 1:06:22
  Speaker 1: but I will say that I do think it's important
• 1:06:25
  Speaker 1: to try to establish I guess she's not willing to
• 1:06:28
  Speaker 1: establish no type of routine. No, we tried endless things
• 1:06:32
  Speaker 1: like she doesn't get along with me, so we like ask,
• 1:06:35
  Speaker 1: do you want us to send her to like her grandmother?
• 1:06:38
  Speaker 1: And you guys meet up like that anything and trying
• 1:06:40
  Speaker 1: not to cause too much of a scene. But that
• 1:06:43
  Speaker 1: hasn't worked either. She'll say she'll come, and then it'll
• 1:06:46
  Speaker 1: be five o'clock, ten o'clock, and you know, she has
• 1:06:49
  Speaker 1: school the next day, so she's crying late at night,
• 1:06:52
  Speaker 1: and then we have to pick up the pieces. And
• 1:06:54
  Speaker 1: she's seven, so she knows her mom. She knows I'm
• 1:06:57
  Speaker 1: not her birth mom and it's you know, and she
• 1:07:00
  Speaker 1: knows that you guys love her. But no matter what,
• 1:07:02
  Speaker 1: for a child, you don't know how that can affect them.
• 1:07:04
  Speaker 1: Those feelings of abandonment, those feelings of somebody not coming
• 1:07:08
  Speaker 1: through on their promises, and feeling like my mom just
• 1:07:10
  Speaker 1: doesn't want me. And all you can really do is
• 1:07:13
  Speaker 1: be as supportive and loving as possible. And I'm sure
• 1:07:16
  Speaker 1: your husband is as well. Yeah, but it's hard her
• 1:07:18
  Speaker 1: to see him at all. But I me personally being
• 1:07:21
  Speaker 1: a woman and a mom. I want her to establish
• 1:07:25
  Speaker 1: that relationship with her mom. It's just, you know, the
• 1:07:27
  Speaker 1: holidays are coming up. I don't want her to be
• 1:07:29
  Speaker 1: disappointed around waiting for her and she doesn't show up,
• 1:07:32
  Speaker 1: and then you know, yeah, I think what maybe you
• 1:07:36
  Speaker 1: need to do is and I do this sometimes, is
• 1:07:38
  Speaker 1: that I have a good friend that had an issue
• 1:07:40
  Speaker 1: like that as well, where you know, she had a
• 1:07:43
  Speaker 1: daughter and the father would always be saying he was
• 1:07:45
  Speaker 1: going to come and see her and bring her presence
• 1:07:47
  Speaker 1: and never show up. And her daughter would be sitting
• 1:07:49
  Speaker 1: by the window all night waiting for her dad to
• 1:07:50
  Speaker 1: show up and he just wouldn't show up. And he
• 1:07:53
  Speaker 1: did that like multiple times, but she still kept trying
• 1:07:56
  Speaker 1: to get it right, is he? I'm sure the mom
• 1:07:58
  Speaker 1: is not willing to go into any type of counseling
• 1:08:00
  Speaker 1: or anything parenting counseling or nothing. No. She declined that
• 1:08:05
  Speaker 1: after previous court situation, thankfood, it was sifted up to
• 1:08:09
  Speaker 1: us our depression if you allow her to see her
• 1:08:12
  Speaker 1: And I didn't want to deny her that because she
• 1:08:14
  Speaker 1: was so young, and you also don't want later in
• 1:08:16
  Speaker 1: life for the mom to be like well, I was
• 1:08:18
  Speaker 1: trying to see you, but they wouldn't let me. You know,
• 1:08:22
  Speaker 1: all I can say is, man, when the mom is
• 1:08:24
  Speaker 1: not reliable, you know, maybe not tell your daughter that
• 1:08:27
  Speaker 1: she's coming, and then if she does show up, great,
• 1:08:29
  Speaker 1: and if she doesn't, she'll never know that she was
• 1:08:31
  Speaker 1: supposed to come at all. Okay, I mean I can't.
• 1:08:34
  Speaker 1: I know it sucks, but I also agree with you
• 1:08:36
  Speaker 1: of not wanting to deny the mom the right to
• 1:08:38
  Speaker 1: see her daughter. But you don't want your daughter to
• 1:08:40
  Speaker 1: get her hopes up, and all you can do is
• 1:08:42
  Speaker 1: treat her like she's your own, which I'm sure you
• 1:08:44
  Speaker 1: do already now, right, and you know, just be as
• 1:08:48
  Speaker 1: loving to her as you possibly can, to be as understanding,
• 1:08:51
  Speaker 1: let her know anything she wants to express you, she
• 1:08:53
  Speaker 1: could always talk to you about it. Let her know
• 1:08:55
  Speaker 1: that it's not her fault that her mom acts like this.
• 1:08:58
  Speaker 1: It's that her mom has issues and has nothing to
• 1:09:00
  Speaker 1: do with her. Okay, you know, but I would just
• 1:09:02
  Speaker 1: not tell her, and then if the mom does show up,
• 1:09:04
  Speaker 1: oh my god, is surprised. And if she doesn't, then
• 1:09:07
  Speaker 1: you never knew she was supposed to be there in
• 1:09:08
  Speaker 1: the first place. Yeah, all right, I'm so sorry to
• 1:09:11
  Speaker 1: hear that. Hopefully she could get it together because I
• 1:09:13
  Speaker 1: don't understand how anybody could treat their child like that.
• 1:09:15
  Speaker 1: I don't understand Mom, Dad, really yell okay and thank
• 1:09:22
  Speaker 1: God and thank God for you. Yeah, all right, that
• 1:09:25
  Speaker 1: is ask ye now again. You can always call us up.
• 1:09:28
  Speaker 1: We do this every Wednesday and Thursday, or you could
• 1:09:30
  Speaker 1: always email me help me ye at gmail dot com.
• 1:09:33
  Speaker 1: Now you got rumor report coming up? Yes, and we
• 1:09:35
  Speaker 1: have a surprise guest calling in. It's not surprised anymore.
• 1:09:39
  Speaker 1: Who is it? But Bruno Myers is gonna be on
• 1:09:41
  Speaker 1: the phone with us and he has a big announcement
• 1:09:43
  Speaker 1: because tonight's a big night for him. I'm not excited
• 1:09:45
  Speaker 1: about that. And the reason I'm not excited about that
• 1:09:46
  Speaker 1: because Bruno Mars has never bought his ass to the
• 1:09:48
  Speaker 1: breakfast club, so I don't give a damn about no
• 1:09:50
  Speaker 1: funky ass phone. Well, hopefully he will soon. But you can,
• 1:09:52
  Speaker 1: Bruno mis be super busy. I can't lie. He's older.
• 1:09:56
  Speaker 1: You busy to to He's not even in New York. Ever.
• 1:09:59
  Speaker 1: I've seen Bruno Mars in this building. I've walked right.
• 1:10:03
  Speaker 1: I haven't seen him in the lobby of this building,
• 1:10:05
  Speaker 1: coming to visit somebody else. Okay, well, damn all right,
• 1:10:08
  Speaker 1: Bruno Mars. Well, I guess she will be held Liabel
• 1:10:10
  Speaker 1: this morning, but we're still gonna talk to him, right.
• 1:10:13
  Speaker 1: I guess I went to his first show ever in
• 1:10:15
  Speaker 1: New York City, the first time he ever performed in
• 1:10:17
  Speaker 1: New York. He's just a great performance, very talented guy
• 1:10:20
  Speaker 1: who's never been to the Breakfast Club. Yeah, that's it, Yes,
• 1:10:22
  Speaker 1: all right, the Breakfast Club. Bruno Mars up next for
• 1:10:24
  Speaker 1: rumor report, The Breakfast Club. Good morning, it's the Breakfast Club.
• 1:10:32
  Speaker 1: We got Bruno Mars on the line. What's up, Bruno, Bruno?
• 1:10:36
  Speaker 1: You want to boost mobile? Man, your phone sounds horrible.
• 1:10:38
  Speaker 1: You're good? Oh my bad. I'm in Chili right now. Man,
• 1:10:41
  Speaker 1: I'm hoping the reductions. All right. You don't gotta show
• 1:10:44
  Speaker 1: off and tell us where you at. Let me choose that.
• 1:10:48
  Speaker 1: Let me do that, Leke, we know you're getting money.
• 1:10:51
  Speaker 1: Salute to all your Grammy nominations too, sir, Thank you, man,
• 1:10:55
  Speaker 1: appreciate it. Do you even care about that kind of
• 1:10:57
  Speaker 1: stuff at this point? Oh man, it's awesome. You can't
• 1:11:00
  Speaker 1: take that up for granted? And how hard I worked
• 1:11:02
  Speaker 1: on this album and the fact that it's being recognized
• 1:11:05
  Speaker 1: like this and people come to the shows and dancing
• 1:11:07
  Speaker 1: and its being nominated these categories, it's incredible. He also
• 1:11:11
  Speaker 1: won five so Chain Awards. Come on, throw me up.
• 1:11:14
  Speaker 1: Who was the intro? Like, y'all don't need give me
• 1:11:16
  Speaker 1: no like intro or nothing. You know why we ain't
• 1:11:17
  Speaker 1: give you no damn intro, Bruno, because you ain't never
• 1:11:20
  Speaker 1: been to the breakfast club. Okay, you call man, listen,
• 1:11:23
  Speaker 1: let me thank something. I'm fine, man, I haven't had
• 1:11:26
  Speaker 1: a week off and over a year they set up
• 1:11:28
  Speaker 1: my tool. I'm just singing every night I trod with y'all.
• 1:11:31
  Speaker 1: I'm gonna come down there and we can trash. Oh
• 1:11:34
  Speaker 1: and by the way, you don't need no introduction. You're
• 1:11:36
  Speaker 1: Bruno mass Wayne stands A nice big introduction. Now what
• 1:11:40
  Speaker 1: are you? Bruno? I've always wondered that I was gonna
• 1:11:42
  Speaker 1: wait and ask you that when you come here. But
• 1:11:43
  Speaker 1: what is your nationalegy? You could have googled it? Yeah,
• 1:11:46
  Speaker 1: google bad. Every time I google it, the only thing
• 1:11:49
  Speaker 1: that comes up is the showing these mascot. But congratulations. Also, now,
• 1:11:57
  Speaker 1: I love the fact that you came to the Apolot
• 1:11:59
  Speaker 1: Theater to do your television special. That was so that
• 1:12:02
  Speaker 1: was so special. Men, I grew up watching Showtime at
• 1:12:05
  Speaker 1: the Apollo um. So people don't understand that before American Idol,
• 1:12:09
  Speaker 1: before extracting all the seam competition, you know, there was
• 1:12:13
  Speaker 1: show Time at the Apollo, and that stage is built.
• 1:12:16
  Speaker 1: You know, it has the mentality of what I preached
• 1:12:18
  Speaker 1: in my bands and and just in life when it
• 1:12:22
  Speaker 1: comes to entertainment where you grow up there, if you
• 1:12:24
  Speaker 1: kill it, they'll the haul them. Audience will let you know.
• 1:12:28
  Speaker 1: And if you go out there and blow it, you're
• 1:12:30
  Speaker 1: getting getting the stand man coming out and getting booed
• 1:12:33
  Speaker 1: off stage. Right. It is very entertainment one on one
• 1:12:37
  Speaker 1: and it would be much easier for me to just
• 1:12:39
  Speaker 1: social cameras up there one of these contests that were
• 1:12:42
  Speaker 1: performing at but I wanted to do something new and
• 1:12:45
  Speaker 1: special and hopefully make it a little more intimate for
• 1:12:47
  Speaker 1: the viewers at home and get Apolo feed. It was just, uh,
• 1:12:52
  Speaker 1: it was managed. As soon as I walked through the building,
• 1:12:54
  Speaker 1: I said, man, this is where it had to be
• 1:12:58
  Speaker 1: absolutely word now, Brune, I'm gonna be honest with you, man.
• 1:13:02
  Speaker 1: We're happy that you called from Chile, but I'm not
• 1:13:04
  Speaker 1: gonna sit on this phone and act like I want
• 1:13:06
  Speaker 1: to talk to you because I rather talk to you
• 1:13:07
  Speaker 1: face to face. I hate phone calls. I'll be honest.
• 1:13:12
  Speaker 1: I'm happy you called, but I'm like, I don't want
• 1:13:15
  Speaker 1: to talk to him over the phone. And Bruno, I
• 1:13:17
  Speaker 1: just want to say I'm excited to watch this special.
• 1:13:18
  Speaker 1: You are definitely and I can't with no hesitation, I
• 1:13:21
  Speaker 1: think unanimously people would say one of the greatest entertainers
• 1:13:24
  Speaker 1: that we have right now. Now, I'm gonna be honest,
• 1:13:28
  Speaker 1: I don't know if you better than on Marion, but
• 1:13:30
  Speaker 1: you're good killer seem crazy, Bruno's not falling for it.
• 1:13:41
  Speaker 1: He's a well seasoned performer. You can do this. Do
• 1:13:44
  Speaker 1: you think you're better than Miguel Bruno? What you got? Bruno?
• 1:13:49
  Speaker 1: Do you think you're better than Miguel the girl cold
• 1:13:54
  Speaker 1: blooded man? What you're gonna do on the phone? Yes, yes,
• 1:13:58
  Speaker 1: because I don't like phone interview, So you can do
• 1:14:00
  Speaker 1: all your tell me when I'm up there, we can
• 1:14:03
  Speaker 1: go toward the toe. When I'm up there with you're
• 1:14:05
  Speaker 1: trying to I know you ain't trying to battle me
• 1:14:07
  Speaker 1: and dancing. Oh Hey, he's gonna kill you, Bruno by
• 1:14:14
  Speaker 1: have a good day. Okay, I'm tired of talking to
• 1:14:15
  Speaker 1: you on this phone. All right. I can't wait to
• 1:14:16
  Speaker 1: see you when you come back to New York and
• 1:14:18
  Speaker 1: everyone know. Let everyone know my special line with your
• 1:14:21
  Speaker 1: polo three o'clock on BBS on CBS. There you go.
• 1:14:25
  Speaker 1: That's how we know you getting money when you get
• 1:14:27
  Speaker 1: on the white network like CBS was music special. Congratulations
• 1:14:30
  Speaker 1: to you, Bruno. Thank you all right, brother, Let good
• 1:14:36
  Speaker 1: talk to y'all. I don't have interest in talking to
• 1:14:38
  Speaker 1: people who've never been to the show. When Bruno comes
• 1:14:40
  Speaker 1: to the show, to me and him can have a
• 1:14:41
  Speaker 1: real conversation, giving us a little funky phone call. All right. Well,
• 1:14:44
  Speaker 1: I have an update for you about Matt Lower. Now.
• 1:14:46
  Speaker 1: We told you earlier that he was fired from the
• 1:14:48
  Speaker 1: Today Show. Well, now we have more news about it
• 1:14:51
  Speaker 1: from page six. Now the source has told Page six
• 1:14:53
  Speaker 1: that he's sexually allegedly sexually assaulted the female NBC staffer
• 1:14:57
  Speaker 1: during the Real Olympics. The staffer has not yet been named.
• 1:15:00
  Speaker 1: She does wish to remain anonymous, but she complained to
• 1:15:02
  Speaker 1: her bosses, and that's what prompted them to move fast
• 1:15:05
  Speaker 1: and fire him. So there were rumors about Matt having
• 1:15:08
  Speaker 1: affairs with subordinates at NBC for years, but those who
• 1:15:11
  Speaker 1: believed to be consensual, this incident in Rio was not.
• 1:15:14
  Speaker 1: That's according to the source. Well, that makes sense. And
• 1:15:16
  Speaker 1: they said The New York Times was rumored to be
• 1:15:18
  Speaker 1: putting out an article about him soon, right. Yeah, they
• 1:15:20
  Speaker 1: actually said there were several outlets that have all kinds
• 1:15:23
  Speaker 1: of information about him that they were planning to put
• 1:15:26
  Speaker 1: out as sometime soon. There were numerous news outlets working
• 1:15:29
  Speaker 1: on stories about his alleged sexual misconduct. I have no
• 1:15:32
  Speaker 1: problem with that as long as the investigation is thorough.
• 1:15:35
  Speaker 1: It sounds like they did a thorough investigation because the
• 1:15:37
  Speaker 1: way it was reported initially was we didn't know anything
• 1:15:39
  Speaker 1: about Yeah, complaint came in Monday night, Whenday morning, these files. Like,
• 1:15:44
  Speaker 1: I'm glad to know that they actually did a thorough investigation. Right.
• 1:15:47
  Speaker 1: Apparently they've been knowing about some type of misconducts for
• 1:15:50
  Speaker 1: some time now, And I guess this just kind of
• 1:15:52
  Speaker 1: put the icing on the cake. But we'll see. As
• 1:15:55
  Speaker 1: you can see it throughout the day, I'm sure our
• 1:15:56
  Speaker 1: more updates will come in. Hey, man, I feel sorry
• 1:15:59
  Speaker 1: for all you do out there. I keep saying I
• 1:16:01
  Speaker 1: hope that y'all was keeping y'all noses clean. If you didn't,
• 1:16:05
  Speaker 1: bye bye. And I'm not mad at the ladies because
• 1:16:07
  Speaker 1: this is going to change the culture of that industry
• 1:16:10
  Speaker 1: for a long time, forever. Action you know, is it
• 1:16:13
  Speaker 1: surprising that all the things that women have to deal with.
• 1:16:16
  Speaker 1: I always say, like people act like it's so equal,
• 1:16:18
  Speaker 1: but women really deal with a lot that sometimes we
• 1:16:21
  Speaker 1: don't even speak on. And as you can see, a
• 1:16:23
  Speaker 1: lot of these women deal with stuff for decades. Well,
• 1:16:25
  Speaker 1: the music industry is next. I just want y'all to
• 1:16:27
  Speaker 1: know that the only thing now you read the Russell
• 1:16:29
  Speaker 1: Simmons allegations, Russell ain't gonna be the only one. But
• 1:16:32
  Speaker 1: I'm saying it's already started. It's gonna be Listen, it's
• 1:16:35
  Speaker 1: been a lot of ain'tus La Reid? Yeah that too.
• 1:16:38
  Speaker 1: It's going gonna get worse. All right. Well, that is
• 1:16:41
  Speaker 1: your rumor report. And again thanks to Bruno Mars for
• 1:16:44
  Speaker 1: calling us that. Make sure y'all check him out tonight
• 1:16:46
  Speaker 1: on CBS on his scush at the Apollo Everybody revoked, goodbye,
• 1:16:49
  Speaker 1: We're not going to be here to marn but we
• 1:16:50
  Speaker 1: will be back on Friday. Yes. In DJ. Envy is
• 1:16:52
  Speaker 1: coming up next with the People's Choice Friends. I don't
• 1:16:54
  Speaker 1: think Envy should be allowed to mix when he goes
• 1:16:56
  Speaker 1: on vacids. Listen, I got this, especially he don't he
• 1:16:58
  Speaker 1: talked during it. I'm talking during it. If he did,
• 1:17:00
  Speaker 1: he talk during it, yeah and yeah, all right, whatever,
• 1:17:04
  Speaker 1: boo boo, all right, it's the world most days. Want
• 1:17:06
  Speaker 1: to show the Breafast club people's traces mixed up next