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How to Smash the Patriarchy to Music | Maintaining Frame 137 · Honey Badger Radio

• 0:00
  Speaker 1: Hello everyone, and welcome to Honeybatger Radio. My name is
• 0:03
  Speaker 1: Brian Allison and this is maintaining frame number one thirty seven,
• 0:08
  Speaker 1: how to Smash the patriarchy to.
• 0:10
  Speaker 2: Music or the beat or the beat?
• 0:14
  Speaker 1: Yes, yeah, wow, it's just a feminist whale music.
• 0:21
  Speaker 2: It's just the same.
• 0:22
  Speaker 1: Oh, it's like it just sounds like every song now
• 0:27
  Speaker 1: that a woman does, they all sound the same to me.
• 0:30
  Speaker 3: So but whispering whaling kind of quality.
• 0:34
  Speaker 2: Yeah, it's like that breathy whaley, you know, like yeah
• 0:41
  Speaker 2: that stuff.
• 0:42
  Speaker 4: Okay, all right, okay, okay, what okay?
• 0:53
  Speaker 1: Oh too much of that? That actually sounds better. That's
• 0:56
  Speaker 1: a that's a cat cover of a Billie Eilish song.
• 1:00
  Speaker 2: That that was.
• 1:03
  Speaker 1: That's a real song, but it's just a cat cover
• 1:05
  Speaker 1: of it. And it was on the Barbie soundtrack. And
• 1:09
  Speaker 1: when women on TikTok and social media wanted to, you know,
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  Speaker 1: emote their fifees when they were sad or lonely or
• 1:17
  Speaker 1: felt depressed, they would cry over that music and put
• 1:20
  Speaker 1: words on the screen.
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  Speaker 2: Not kidding.
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  Speaker 1: So that that is the absolute state of music right now.
• 1:31
  Speaker 1: But we're going to be looking at this video from
• 1:35
  Speaker 1: a channel called beth Rors and I suppose Beth Rhors
• 1:39
  Speaker 1: does music reviews, or she's a musicologist or whatever they
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  Speaker 1: call people who are music scientists now, and she's reacting
• 1:48
  Speaker 1: to a song called labor. I'm not kidding by Paris Paloma,
• 1:55
  Speaker 1: who I've never heard of. I have officially become a
• 1:59
  Speaker 1: far like. I used to try to keep up with
• 2:02
  Speaker 1: the latest music trends, and I listened to the bands all
• 2:05
  Speaker 1: the way through the twenty tens, and then I just like,
• 2:09
  Speaker 1: music is so bad now I just stopped caring, so
• 2:13
  Speaker 1: it's all fallen behind me.
• 2:14
  Speaker 2: Bring back led Zeppelin.
• 2:16
  Speaker 3: Yeah, and I think that would probably traumatize people today.
• 2:21
  Speaker 2: Yeah.
• 2:23
  Speaker 3: By the way, that that song you played, my cat
• 2:27
  Speaker 3: really resonated with it.
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  Speaker 5: And she is.
• 2:30
  Speaker 3: Yowling her little heart out because she only got two
• 2:35
  Speaker 3: cans of cat food today and she obviously deserves four.
• 2:41
  Speaker 3: And she's oppressed. She's oppressed by the human archy.
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  Speaker 5: Yeah, there she is.
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  Speaker 3: She's gonna make her opinion known.
• 2:53
  Speaker 2: Okay, all right.
• 2:54
  Speaker 5: All right, so what did you so?
• 2:56
  Speaker 2: That's it?
• 2:57
  Speaker 3: Was?
• 2:57
  Speaker 5: Well, I guess let's just get right into it.
• 2:59
  Speaker 2: Let's just do do you want to do any things
• 3:01
  Speaker 2: before we do this?
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  Speaker 3: Oh?
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  Speaker 5: Yeah, that's right.
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  Speaker 3: Well, I would do the things, except I still don't
• 3:07
  Speaker 3: have the monthly fundraiser up.
• 3:09
  Speaker 2: Well, you could just do the thing for super childs,
• 3:13
  Speaker 2: all right, all right.
• 3:13
  Speaker 3: So if you would like to send us a tip,
• 3:15
  Speaker 3: and with that tip, a comment, which is the very
• 3:17
  Speaker 3: best way to send us a tip, and probably the
• 3:19
  Speaker 3: best way for you to send us a comment, go
• 3:21
  Speaker 3: to feed the Badger dot com slash just the tip
• 3:24
  Speaker 3: and throw a few shekels in the hat and very
• 3:27
  Speaker 3: much appreciated, and we will read your comment, and it
• 3:30
  Speaker 3: also sort of hang out in the discord for other
• 3:32
  Speaker 3: people to discuss as well and to cogitate upon. So
• 3:36
  Speaker 3: let's yeah, let's get to the first time code.
• 3:41
  Speaker 2: Yeah, feel this.
• 3:43
  Speaker 3: It's going to exhaust my cringe gland.
• 3:46
  Speaker 1: Yeah, all right, let's uh, let's let's let me look
• 3:49
  Speaker 1: at what I think we should see the intro. It's
• 3:51
  Speaker 1: not a long video, it's only eight minutes, but she's
• 3:55
  Speaker 1: going to talk about the song and let's just get
• 4:00
  Speaker 1: let's just listen to the first couple of like half
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  Speaker 1: like half a minute so we can get a feel
• 4:05
  Speaker 1: for what this is gonna be like and the lyrics.
• 4:10
  Speaker 6: I was sitting in my produce studio and he was
• 4:14
  Speaker 6: working on another artist's music that he was helping her
• 4:17
  Speaker 6: work on a live version of it and played a
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  Speaker 6: little bit to me and it was this song and
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  Speaker 6: apparently it had already gone viral on TikTok wait.
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  Speaker 3: Still do listen.
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  Speaker 6: This is a great song. It's so powerful and there
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  Speaker 6: is a reason that it went hame.
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  Speaker 7: So tight soot.
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  Speaker 2: Do you see what I mean? Do you do? You
• 4:40
  Speaker 2: see what I mean? Like all all music almost sounds
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  Speaker 2: like this.
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  Speaker 1: Now, It's like and this one, whoever this is, she's
• 4:49
  Speaker 1: gonna get a job where she's going to do a
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  Speaker 1: breathy cover of a very popular song from the eighties
• 4:59
  Speaker 1: or nineties. But it's gonna be slowed down with a
• 5:02
  Speaker 1: lot of like distortions, and it's gonna have like you
• 5:06
  Speaker 1: know what I mean.
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  Speaker 2: This is like a thing.
• 5:08
  Speaker 1: That they do for all like like new modern TV
• 5:11
  Speaker 1: shows and movies. They just take an old song like
• 5:14
  Speaker 1: Sweet Dreams or you know, Tainted Love or something like that,
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  Speaker 1: and then they sing it really slow and they have
• 5:20
  Speaker 1: like some woman do it and she's vocally vocally frying
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  Speaker 1: all the way through. It's it's predicted I could like
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  Speaker 1: make a million dollars, like I could just I can
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  Speaker 1: find a song and say, okay, let's get a woman
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  Speaker 1: to cover this. I'm sorry, I'm a little caffeinated. Let's
• 5:35
  Speaker 1: get a woman to cover this and just like vocal
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  Speaker 1: fry all the way through it, and then we'll auto
• 5:40
  Speaker 1: tune it and I'll be rich.
• 5:42
  Speaker 2: I swear. Yeah, I just played like thirty seconds, so
• 5:45
  Speaker 2: we'll be careful.
• 5:46
  Speaker 3: You can also just get a really good filter and
• 5:48
  Speaker 3: you could be the.
• 5:49
  Speaker 1: Yeah, Alison, you dropped your your audio cut out or something.
• 5:57
  Speaker 2: I can't hear you. You got to fix it. Uh
• 6:04
  Speaker 2: it's yeah, there you go.
• 6:06
  Speaker 1: Yeah, yeah, you're breaking up again.
• 6:15
  Speaker 2: Uh yeah.
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  Speaker 1: It basically makes it sound like everything you've heard before,
• 6:22
  Speaker 1: but it is supposedly a new song that's viral. And
• 6:25
  Speaker 1: Allison dropped dropped out of the call at the whim
• 6:30
  Speaker 1: of the cat. All right, don't forget the segue into
• 6:38
  Speaker 1: ancient Rome. Remove the cat.
• 6:48
  Speaker 2: Yeah, now Allison's completely gone. I don't know.
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  Speaker 3: Okay, this is this is the fly in the ointment.
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  Speaker 7: She is the one.
• 7:00
  Speaker 3: She's the source of the technical difficulties. I'll put her
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  Speaker 3: in the other room.
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  Speaker 8: Okay, all right.
• 7:14
  Speaker 5: Let's go.
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  Speaker 2: Let's listen to some more.
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  Speaker 7: This was an escape science Cas did so many and
• 7:29
  Speaker 7: dive into the ways below.
• 7:32
  Speaker 8: All right.
• 7:33
  Speaker 1: So she's resonating with the lyrics, but I can barely
• 7:37
  Speaker 1: make them out? Can you make them out? I went
• 7:39
  Speaker 1: and looked them up to help us out here, yea
• 7:42
  Speaker 1: the lyrics to you.
• 7:43
  Speaker 3: Yeah, I think that's probably a good idea.
• 7:46
  Speaker 2: It's just us yeah.
• 7:48
  Speaker 1: Verse one, which we just heard, she says, why are
• 7:50
  Speaker 1: you hanging on so tight to the rope that I'm
• 7:53
  Speaker 1: hanging from off this island? This was an escape plan?
• 7:58
  Speaker 1: This was an escape plan here fully timed it. So
• 8:01
  Speaker 1: let me go and dive into the waves below.
• 8:07
  Speaker 2: Deep. Okay, so listen to some more.
• 8:17
  Speaker 7: Bo fixes.
• 8:29
  Speaker 2: All right, so I'll read that again. Who tends the orchards?
• 8:32
  Speaker 2: Who fixes up the gables? Emotional torture from the head
• 8:37
  Speaker 2: of your high table.
• 8:40
  Speaker 3: All right, Well, the person who most likely fixed the
• 8:42
  Speaker 3: gables was potentially the groundskeeper, who would have been a man.
• 8:47
  Speaker 3: The person who likely tended the orchard was probably an orchardist,
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  Speaker 3: also likely to be a man. So essentially there this
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  Speaker 3: song is stolen valor.
• 9:00
  Speaker 2: Yeah.
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  Speaker 1: And even on top of that, like she has to
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  Speaker 1: make a reference to like, you know, ancient times in
• 9:07
  Speaker 1: order to make this point, like it's look, I don't know.
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  Speaker 1: I think that the any woman who finds this relatable
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  Speaker 1: is just engaging in cope at this point, like I'm sorry,
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  Speaker 1: but you're not oppressed.
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  Speaker 2: You're not like you.
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  Speaker 1: You are not experiencing any form of labor, much less
• 9:28
  Speaker 1: emotional labor, and I have no sympathy. You know, I
• 9:33
  Speaker 1: really don't care, Margaret, is basically my response.
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  Speaker 2: So that I.
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  Speaker 1: Really don't care. I'm gonna get a pipe. I'm gonna
• 9:39
  Speaker 1: start smoking a pipe.
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  Speaker 5: I think I don't care Margaret, just so.
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  Speaker 2: I can hold it in my hand.
• 9:44
  Speaker 5: I don't say that.
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  Speaker 3: First of all, if she was the lady of the manner,
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  Speaker 3: she probably wouldn't be setting the table. She'd be directing
• 9:55
  Speaker 3: an entire a small army of household staff.
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  Speaker 1: Unless yes, they were living like they didn't have servants
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  Speaker 1: and stuff, in which case the probably.
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  Speaker 3: Wouldn't have silverware or glassware. Right, This is this is
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  Speaker 3: what's they construct, this fiction about history, this absolute fiction
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  Speaker 3: about history, and then they lay in front of it
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  Speaker 3: and pretend they're a victim of it. And yes, there
• 10:19
  Speaker 3: was a comment of a couple of days ago about
• 10:21
  Speaker 3: a woman who was saying we we were oppressed in
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  Speaker 3: the medieval times, and it's like, okay, so you are
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  Speaker 3: now a guest stalt with every woman that's ever lived.
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  Speaker 5: Missed me with that shit.
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  Speaker 1: And men, by the way, because like men were also
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  Speaker 1: oppressed in medieval times. There was a class of people
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  Speaker 1: who were you know, who were probably considered lower class.
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  Speaker 1: I don't even know if that means oppression, to be honest,
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  Speaker 1: I mean it was life was hard for everybody. Yeah,
• 10:49
  Speaker 1: of course people today have it better than kings of old, yes.
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  Speaker 3: Pretty yeah, like and the that's that's the truth. Like
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  Speaker 3: the guy at the head of the table, probably a
• 10:59
  Speaker 3: couple of his brothers died in war to have that
• 11:02
  Speaker 3: table and that land. But of course we don't this
• 11:08
  Speaker 3: This is just it's defeating. Honestly, when I listen to this,
• 11:12
  Speaker 3: when I see how upvoted it gets, and how much
• 11:17
  Speaker 3: is invested in this mentality, this distortion of history, and
• 11:21
  Speaker 3: also this distortion of women's situation currently, it's just like
• 11:25
  Speaker 3: I definitely find it depressing. I suppose that's not a
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  Speaker 3: really helpful thing to stay.
• 11:31
  Speaker 1: I think that women do this, like what they I
• 11:38
  Speaker 1: don't know, maybe what they want is to feel safe
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  Speaker 1: and loved, and they don't and so they lash out
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  Speaker 1: at men in the abstract and they they're, they're, they're,
• 11:50
  Speaker 1: I don't know, way of trying to take control of
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  Speaker 1: their situation without actually like getting off their ass and
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  Speaker 1: doing something with their life is to listen the music
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  Speaker 1: and say, oh, I so relate to that, and then
• 12:03
  Speaker 1: share that with other women online through social media, at
• 12:08
  Speaker 1: least in today's day and age. And then other women
• 12:10
  Speaker 1: see that and they also it's like this crazy this
• 12:14
  Speaker 1: you know, you haven't watched it yet, Alison, but in
• 12:16
  Speaker 1: Midsummer there's a scene that was extremely striking of one
• 12:21
  Speaker 1: woman experiencing pain and this cult they have all these
• 12:24
  Speaker 1: other women come around her and they all cry with her,
• 12:28
  Speaker 1: even though they're not.
• 12:28
  Speaker 2: Experiencing the pain that she's experiencing.
• 12:31
  Speaker 1: They're just crying together like some kind of you know,
• 12:35
  Speaker 1: like collective blob of sadness and agony.
• 12:40
  Speaker 2: And she is made.
• 12:41
  Speaker 1: More upset by that, but also felt more connected to
• 12:44
  Speaker 1: those women even though they didn't have the experiences she had.
• 12:48
  Speaker 1: And as the man, I just don't get it. So
• 12:50
  Speaker 1: I'm on the outside looking and I'm just like, you
• 12:52
  Speaker 1: guys look absolutely insane, But I think this is what
• 12:55
  Speaker 1: women do.
• 12:56
  Speaker 2: They they.
• 12:58
  Speaker 1: You know, like with well, whatever happens to be going on, right,
• 13:02
  Speaker 1: like with with the whole like you know, your body,
• 13:05
  Speaker 1: my choice, right, Women who probably will never actually have
• 13:10
  Speaker 1: to confront any of that, any of the consequences of that,
• 13:13
  Speaker 1: because I would imagine that they would be somewhat careful
• 13:16
  Speaker 1: with their you know, with their fertility. But they really
• 13:20
  Speaker 1: wanted to be a part of this fisterhood thing that
• 13:23
  Speaker 1: was going on, so they went on social media and
• 13:26
  Speaker 1: they started crying or they started making you know, pretending
• 13:29
  Speaker 1: to be Catnus Everdeen, you know from Hunger Games and
• 13:33
  Speaker 1: like fighting the patriarchy. But they aren't going to do anything.
• 13:37
  Speaker 2: It's just cope. That's what I think.
• 13:40
  Speaker 1: I I and I you know, it's fine, Like I'll
• 13:43
  Speaker 1: laugh at it because I think it's just cope.
• 13:46
  Speaker 3: And uh yeah, it's definitely because despite being the most
• 13:51
  Speaker 3: oppressed group of people throughout all of human history, in
• 13:54
  Speaker 3: every single human epic epoch of history, women have never
• 14:02
  Speaker 3: made much of an effort.
• 14:03
  Speaker 5: To get out of their oppression.
• 14:05
  Speaker 1: Mm hmm.
• 14:06
  Speaker 3: You know, like slaves had the underground railroad, they in
• 14:10
  Speaker 3: some cases appealed to third parties like the North End slavery.
• 14:14
  Speaker 3: You know, Spartacus led a slave rebellion. The Jews had,
• 14:19
  Speaker 3: you know, the Promised land they went through hell to
• 14:22
  Speaker 3: get to.
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  Speaker 5: And what have women done.
• 14:27
  Speaker 8: Right?
• 14:29
  Speaker 3: Which just appeals to them more.
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  Speaker 5: I mean, it is not very appealing.
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  Speaker 3: Not I'm not saying that feminism is very appealing, but
• 14:36
  Speaker 3: all at the end of of the day, feminists have
• 14:39
  Speaker 3: as a solution to their problems is to continue to
• 14:42
  Speaker 3: ask men for more stuff, the very people who they
• 14:45
  Speaker 3: say would never give them a thing like. No, that
• 14:49
  Speaker 3: is not the behavior of any oppressed group of people
• 14:51
  Speaker 3: throughout history. No oppressed group of people directly ask the
• 14:55
  Speaker 3: people who oppressed them for clemency or consider a They
• 15:01
  Speaker 3: had to build real power, They had to build financial power,
• 15:04
  Speaker 3: They had to build connections with other parties that had
• 15:07
  Speaker 3: a vested interest in destroying their oppressors to actually get anywhere.
• 15:12
  Speaker 3: Or they had to pick up a sword like and
• 15:16
  Speaker 3: or they had to flee into the desert and go
• 15:18
  Speaker 3: to a place where nobody was, nobody wanted the land
• 15:21
  Speaker 3: and just geek out a living right.
• 15:24
  Speaker 2: But not women. Yeah, most God forgive forbid, they don't
• 15:30
  Speaker 2: anything about it.
• 15:31
  Speaker 1: Yeah, God forbid. A man put food on the table
• 15:34
  Speaker 1: and the woman like cook it. I mean that's kind
• 15:37
  Speaker 1: of like this, you know, like, Okay, I don't know,
• 15:41
  Speaker 1: but again I think this is just oh by the way,
• 15:45
  Speaker 1: because this woman doesn't really go too deep into the
• 15:47
  Speaker 1: politics of it. I mean she does say this is
• 15:49
  Speaker 1: like a feminist anthem and shit like that. But I
• 15:52
  Speaker 1: decided to see what feminists on Reddit were saying about it,
• 15:56
  Speaker 1: and I found a post so we could read through it.
• 15:59
  Speaker 2: It's with our witches versus patriarchy.
• 16:02
  Speaker 1: Yes, a real place on the Internet, and they have
• 16:06
  Speaker 1: opinions too, so but do you want to listen to
• 16:09
  Speaker 1: more of this or do you want me to read
• 16:10
  Speaker 1: that reddit?
• 16:12
  Speaker 3: Let's save the reddit for after, like, let's lessen yeah, yeah,
• 16:15
  Speaker 3: move through the cringe order of receiving it.
• 16:20
  Speaker 2: Yeah, sounds good. Let's listen to some of this.
• 16:22
  Speaker 7: Then and walk back down again in your shop.
• 16:31
  Speaker 6: I'm gonna let it run through the chorus.
• 16:37
  Speaker 1: Okay, the beat drops, but let me just read more
• 16:40
  Speaker 1: of the lyrics so you know what she is said,
• 16:43
  Speaker 1: because you can barely hear it because it's breathy and
• 16:46
  Speaker 1: like faint, and I don't know, I just don't vibe
• 16:49
  Speaker 1: with it. Emotional torture from the head of your high
• 16:53
  Speaker 1: table who fetches the water from the rocky mountain spring
• 16:56
  Speaker 1: you and walk back down again to feel your words
• 17:00
  Speaker 1: and their sharp sting. And I'm getting fucking tired. Oh
• 17:04
  Speaker 1: she dropped an F bomb, Guys, she really means it.
• 17:09
  Speaker 3: So I don't know, ast and why are you so
• 17:14
  Speaker 3: ineffectual at it? Like women have had how much power,
• 17:19
  Speaker 3: how much spending power, how much discretionary income, how much
• 17:24
  Speaker 3: access to land? And all you've freaking done is sit
• 17:28
  Speaker 3: and whine Like every other oppressed people throughout history would
• 17:31
  Speaker 3: give their it teeth for your ability to create a
• 17:35
  Speaker 3: world that doesn't oppress you, and yet you haven't done it.
• 17:40
  Speaker 3: I'm calling your bluff. I'm calling your bluff right. The
• 17:45
  Speaker 3: reason why you aren't walking away is there's nothing to
• 17:48
  Speaker 3: walk away from.
• 17:51
  Speaker 5: Yeah, all right, let's.
• 17:53
  Speaker 2: Let's let's listen more to the now.
• 17:55
  Speaker 1: She's getting to the chorus, which, of course this chick
• 17:57
  Speaker 1: is vibing with big times asting if.
• 18:05
  Speaker 7: Somebody those.
• 18:12
  Speaker 8: All right?
• 18:12
  Speaker 1: So the lyric is just you know, the capillaries in
• 18:18
  Speaker 1: my eyes are bursting if our love died? Would that
• 18:21
  Speaker 1: be the worst thing for somebody I thought was my savior?
• 18:25
  Speaker 1: You sure make me do a whole lot of labor.
• 18:28
  Speaker 1: That's what That's what she's saying.
• 18:32
  Speaker 3: Again, are you you realize that life is work?
• 18:36
  Speaker 4: Right?
• 18:37
  Speaker 2: Yeah? What do you What do you think life is
• 18:39
  Speaker 2: supposed to be? Life is suffering?
• 18:42
  Speaker 3: Yeah, go ahead, you have to do like there's no
• 18:47
  Speaker 3: way around it. Do you do you think that the
• 18:51
  Speaker 3: the the the creatures in the field don't actually have
• 18:56
  Speaker 3: to make an effort to exist. It makes you do
• 19:00
  Speaker 3: a lot of later and this is your big oppression. Okay,
• 19:02
  Speaker 3: So why was your big freedom doing labor.
• 19:06
  Speaker 5: In jobs like this?
• 19:08
  Speaker 8: Is this?
• 19:08
  Speaker 5: This is the thing you.
• 19:11
  Speaker 3: Setting aside, the absolute bullshit that this is. Historically, you
• 19:18
  Speaker 3: were freed to labor in a job, right. You were
• 19:24
  Speaker 3: freed from homemaking, which in the fifties, as I've said
• 19:29
  Speaker 3: multiple times, went from something that was six twelve hours
• 19:32
  Speaker 3: a day, six days a week to about three hours
• 19:35
  Speaker 3: a day, five days a week. So it was a
• 19:38
  Speaker 3: part time job because of all of the labor saving
• 19:42
  Speaker 3: devices that men invented. And your husband would have bought
• 19:45
  Speaker 3: for you because he prioritized your free time.
• 19:49
  Speaker 5: All Right, you.
• 19:51
  Speaker 3: Were free from labor for the first time in human history.
• 19:56
  Speaker 3: And again, women have never forgiven men for that. They
• 20:01
  Speaker 3: have never forgiven men for that. They called it a prison.
• 20:08
  Speaker 5: Like who knew?
• 20:08
  Speaker 8: Guys?
• 20:09
  Speaker 3: You know you you you build a home, You invest
• 20:13
  Speaker 3: all kinds of labor saving devices.
• 20:15
  Speaker 5: You turn your wife's.
• 20:16
  Speaker 3: Job from something that you know permanently swells her knuckles
• 20:21
  Speaker 3: up so that she looks like a backstreet brawler because
• 20:24
  Speaker 3: she has to constantly go out in the freezing cold
• 20:26
  Speaker 3: to beat up freaking laundry. You know, she has to
• 20:29
  Speaker 3: do her own wood chopping to get heat, she has
• 20:32
  Speaker 3: to make tallow candles. If you want lighting, she has
• 20:35
  Speaker 3: to can and if if there is canning, she has
• 20:38
  Speaker 3: to preserve all the food. You take that job. That
• 20:42
  Speaker 3: probably took a nineteen year old girl, and by the
• 20:45
  Speaker 3: time she hit twenty five, she looked like she was
• 20:47
  Speaker 3: in her fifties. You took all of that, You removed
• 20:50
  Speaker 3: it from her life. You gave her a safe place
• 20:55
  Speaker 3: with indoor plumbing, heating, lighting, access to the world's knowledge, ovens, laundry,
• 21:08
  Speaker 3: machine washing machines, refrigerator.
• 21:12
  Speaker 6: All of that.
• 21:13
  Speaker 3: This pew this to absolutely completely remove almost all of
• 21:18
  Speaker 3: the labor of a home to the point where men
• 21:21
  Speaker 3: could actually live without a housekeeper. Now that's the other
• 21:24
  Speaker 3: thing that we don't talk about before men would need
• 21:27
  Speaker 3: a housekeeper because a house had to be kept. It
• 21:30
  Speaker 3: wasn't something that you could You couldn't batch in the past.
• 21:33
  Speaker 3: But anyway you did all of that, give it.
• 21:37
  Speaker 5: To your wives.
• 21:40
  Speaker 3: Two generations later, you still haven't heard the end of
• 21:45
  Speaker 3: how horrible you were. Honestly, if we could go back
• 21:49
  Speaker 3: in time at the beginning of the Industrial Revolution, I
• 21:52
  Speaker 3: would tell men, do not make the washing machine, do
• 21:56
  Speaker 3: not make the dishwasher, do not make the oven, do
• 21:58
  Speaker 3: not make the refrigerator. Let them continue to labor because
• 22:02
  Speaker 3: they won't appreciate it.
• 22:06
  Speaker 2: Yep.
• 22:08
  Speaker 1: While that you know, yeah, like I was saying, they're
• 22:10
  Speaker 1: just cause playing victimhood like it's their favorite thing to
• 22:13
  Speaker 1: do because it gets them.
• 22:15
  Speaker 2: Most of this is not for men. This is for
• 22:17
  Speaker 2: other women.
• 22:18
  Speaker 1: They're they're trying to get in the good graces of
• 22:23
  Speaker 1: let's say, you know, socially hostile women that will shame
• 22:30
  Speaker 1: them and condemn them and alienate them and turn other
• 22:34
  Speaker 1: women against them. In social media, which is call of
• 22:36
  Speaker 1: duty for women, is the battlefield under which that happens.
• 22:40
  Speaker 1: So when women dress up as ketchup bottles to protest
• 22:44
  Speaker 1: a Handmaid's Tale, they're mostly doing that so other women
• 22:47
  Speaker 1: see them doing it. When Selena Gomez cries on camera
• 22:52
  Speaker 1: about like the you know, her people being deported, she's
• 22:56
  Speaker 1: not doing that because she actually cares about those people,
• 22:59
  Speaker 1: because otherwise she give them one of.
• 23:00
  Speaker 2: Her four mansions.
• 23:02
  Speaker 1: She's doing that so that other women see her doing that,
• 23:05
  Speaker 1: and so she's like, look at me, I'm one of
• 23:07
  Speaker 1: the good ones. It's literally the male feminist does the
• 23:10
  Speaker 1: same thing for women's appeal, right, and these women they're
• 23:15
  Speaker 1: causeplaying victimhood.
• 23:16
  Speaker 2: They're not actually in danger. They know that they're not
• 23:18
  Speaker 2: in danger.
• 23:19
  Speaker 1: They know that they can safely protest because men won't
• 23:23
  Speaker 1: actually do the thing to them that they claim that
• 23:26
  Speaker 1: they're afraid of them men doing to them.
• 23:29
  Speaker 2: It won't happen.
• 23:30
  Speaker 3: So well, men won't even tell them to shut the
• 23:33
  Speaker 3: hell up.
• 23:33
  Speaker 7: This is bullshit.
• 23:35
  Speaker 2: Yeah, men won't even make them shut up.
• 23:36
  Speaker 3: Right, Well, I guess I guess people men and Pearl
• 23:40
  Speaker 3: are starting to do that.
• 23:42
  Speaker 2: Yeah, they are.
• 23:43
  Speaker 1: But then, like the women, I think the reason why
• 23:46
  Speaker 1: they're hostile towards you know, like the men who call
• 23:49
  Speaker 1: them out or women like Pearl, is because they're afraid
• 23:54
  Speaker 1: that this. You know, they're not afraid. It's another opportunity
• 23:59
  Speaker 1: to double down on that, that fake victimhood, that cosplay.
• 24:04
  Speaker 8: So that's right about this.
• 24:10
  Speaker 3: I was thinking about the mentality behind all of this,
• 24:14
  Speaker 3: and I actually, I actually have had a sort of
• 24:17
  Speaker 3: a close brush with a woman who very much embodies
• 24:20
  Speaker 3: this kind of mentality, and it occurred to me listening
• 24:23
  Speaker 3: to her and listening to chaos she sewed around her
• 24:27
  Speaker 3: that she doesn't perceive that she exists unless she's a victim.
• 24:32
  Speaker 3: So it's like she permanently lives in a state of darkness,
• 24:36
  Speaker 3: just complete empty darkness. Like she screams and nothing nothing,
• 24:40
  Speaker 3: nobody hears, she moves her, nothing really changes, you know,
• 24:46
  Speaker 3: it just just complete void. And then there's these moments
• 24:51
  Speaker 3: where she can light a match and she has a
• 24:53
  Speaker 3: little bit of heat and warmth, and it's when she's
• 24:56
  Speaker 3: a victim. And that's this mentality. This is the lives
• 25:01
  Speaker 3: they live, these women. The only time they exist, they
• 25:05
  Speaker 3: have a little bit of heat and light and warmth
• 25:07
  Speaker 3: in their lives is when they're a victim. Nothing else
• 25:12
  Speaker 3: of them exists because they disavow it. I mean, if
• 25:17
  Speaker 3: you make a choice and it has a negative consequence,
• 25:19
  Speaker 3: well that was the patriarchy, right, you know, but if
• 25:22
  Speaker 3: you make a choice the positive consequence, then really that's
• 25:25
  Speaker 3: still the patriarchy, because the patriarchy didn't intervene to make
• 25:29
  Speaker 3: you make the negative choice. Right, So everything, everything of
• 25:33
  Speaker 3: you that exists outside of simply receiving the actions of
• 25:38
  Speaker 3: others doesn't exist. You imagine that, Brian. Imagine waking up
• 25:42
  Speaker 3: one day and you can recognize none of the consequences
• 25:46
  Speaker 3: of your actions, and the only time you exist as
• 25:48
  Speaker 3: a person is when you perceive, or you can you
• 25:52
  Speaker 3: can perform victimhood.
• 25:55
  Speaker 5: M Imagine living like that?
• 25:58
  Speaker 2: No I can't, No, no.
• 26:01
  Speaker 3: Well, I can't imagine living like that because I got
• 26:03
  Speaker 3: a great imagination and I can tell you it fucking sucks.
• 26:07
  Speaker 3: And as much as I've dealt with to oppose that
• 26:12
  Speaker 3: attitude and in that way that enforcing that mentality on women,
• 26:16
  Speaker 3: and I have gone through a lot of shit over
• 26:19
  Speaker 3: the years, you know, and we're I'm finding out more
• 26:22
  Speaker 3: and more why apparently we're on multiple lists. But regardless,
• 26:29
  Speaker 3: no matter what happens, I would rather live with this
• 26:35
  Speaker 3: kind of I don't know if I want to call
• 26:38
  Speaker 3: it prosecution, but you know, basically just rough waters, shall
• 26:43
  Speaker 3: we say, I would rather live through the suffering that
• 26:46
  Speaker 3: I have than live.
• 26:48
  Speaker 2: Is that.
• 26:51
  Speaker 1: I mean, it's not it's not real victim. It's like
• 26:54
  Speaker 1: porn for them.
• 26:55
  Speaker 3: No, but it's like I know, it's just like porn
• 26:57
  Speaker 3: for them. But you got to realize, imagine, you don't
• 27:02
  Speaker 3: exist until you're a victim, or you can put think
• 27:07
  Speaker 3: of all that you lose, Brian, I mean I can
• 27:09
  Speaker 3: see it. Basically lose all of the worth of your life.
• 27:15
  Speaker 3: That's the life they live.
• 27:17
  Speaker 5: That's the life this woman is living.
• 27:19
  Speaker 3: I mean we think, oh, she's just she's enjoying being
• 27:23
  Speaker 3: a victim. She is only she only exists when she
• 27:28
  Speaker 3: is a victim, like she has nothing else. And this
• 27:33
  Speaker 3: is what I've been seeing. I mean, some of them,
• 27:34
  Speaker 3: I suppose, have a few perception, like a dim perception
• 27:37
  Speaker 3: that they are actions, that they also exist as actions
• 27:40
  Speaker 3: in the greater world. But when I was, like I said,
• 27:43
  Speaker 3: when I observed one of them up close, I realized
• 27:49
  Speaker 3: that there is nothing in her life but victimhood. Nothing,
• 27:53
  Speaker 3: no cope, no no strategy for herself as as a
• 27:59
  Speaker 3: person accept victimhood. It's like a life without color or light.
• 28:04
  Speaker 3: And it's why they're becoming increasingly They're in a death
• 28:06
  Speaker 3: spiral in which they're becoming increasingly miserable, like it's getting
• 28:10
  Speaker 3: it's accelerating, the misery of this woman is accelerating, and
• 28:16
  Speaker 3: it's I don't want to say it's sad, because Karen
• 28:20
  Speaker 3: would say they they they have made their bed, they
• 28:23
  Speaker 3: lie in it. But it's certainly nothing that I would
• 28:27
  Speaker 3: want for myself.
• 28:29
  Speaker 2: Pathetic is the word that comes to mind for me,
• 28:32
  Speaker 2: and I think.
• 28:33
  Speaker 3: That they're missing out on so much, right.
• 28:38
  Speaker 1: I wonder if they believe somewhere in their mind that
• 28:42
  Speaker 1: they don't deserve to like be happy, Like they don't
• 28:46
  Speaker 1: deserve good things that come into their life, so they
• 28:48
  Speaker 1: just wallow in their victimhood as a It's like, at
• 28:52
  Speaker 1: least I'm being seen this way kind of a thing.
• 28:54
  Speaker 1: And that's not me saying that out of sympathy. I
• 28:57
  Speaker 1: just think it's pathetic. And you know, they're adults, so yeah, at.
• 29:02
  Speaker 3: Some point you have to accept the choices that you've made.
• 29:05
  Speaker 3: I'm just saying, like, good God.
• 29:07
  Speaker 2: Girl, Absolutely, Okay, let's just listen to more of.
• 29:12
  Speaker 6: The song I often cracking thing and the Silent Song
• 29:19
  Speaker 6: sub It has become an anthem for young women for
• 29:26
  Speaker 6: feminism and looking at women's role in the world throughout history.
• 29:31
  Speaker 1: And you really okay, let me read the last of
• 29:34
  Speaker 1: those lyrics in case you didn't understand them.
• 29:37
  Speaker 5: You make me do too much labor.
• 29:40
  Speaker 1: Yeah, so it's like the cacapilaris in my eyes are bursting.
• 29:44
  Speaker 1: If our love died, would that be the worst thing
• 29:46
  Speaker 1: for somebody?
• 29:46
  Speaker 8: I thought?
• 29:46
  Speaker 1: With my savior, you sure make me do a whole
• 29:49
  Speaker 1: lot of labor. The callous skin on my hands is cracking.
• 29:52
  Speaker 1: If our love ends, would that be a bad thing?
• 29:55
  Speaker 1: And the silence haunts our bedchamber? You make me do
• 29:58
  Speaker 1: too much labor. Why does the silence haunt your bedchamber?
• 30:02
  Speaker 1: You're not putting out and.
• 30:03
  Speaker 2: He's getting like you're interested? Oh yeah, are you?
• 30:07
  Speaker 1: You seem to be creating your own problems, and you
• 30:10
  Speaker 1: instead of like figuring out solutions, you're just sort of
• 30:13
  Speaker 1: like you're just oh my god, it's so hard. Why
• 30:16
  Speaker 1: are you being so so awful a husband? I'm not
• 30:19
  Speaker 1: doing anything to make things better. I'm not even asking questions,
• 30:22
  Speaker 1: I'm not trying to communicate. I'm just over here with
• 30:24
  Speaker 1: catalyus hands because obviously I'm not an actor in my
• 30:28
  Speaker 1: own life.
• 30:29
  Speaker 2: So yeah, this is an anthem of feminism. I guess
• 30:32
  Speaker 2: you're right.
• 30:33
  Speaker 5: Why don't you invent stuff to reduce your labor?
• 30:36
  Speaker 2: Yeah?
• 30:37
  Speaker 5: Oh, ship, men had to do that.
• 30:40
  Speaker 3: Gree all that freedom that women had in the fifties,
• 30:46
  Speaker 3: starting the forties, forties, fifties, sixties, all that freedom, and
• 30:50
  Speaker 3: this is what they constructed. They could have used their
• 30:54
  Speaker 3: free time to invent new forms of our philosophy or mathematics,
• 30:59
  Speaker 3: you know, because they were not excluded from libraries instead.
• 31:07
  Speaker 5: Yeah, yeah, okay, let's keep going, all.
• 31:11
  Speaker 2: Right, So this is h yeah for feminism.
• 31:15
  Speaker 6: They see it in the music video as well. Here.
• 31:17
  Speaker 6: I think the lyrics are very visceral and very understandable.
• 31:22
  Speaker 7: And very strong.
• 31:24
  Speaker 6: I love all the illiteration in it, talus tns, cracking
• 31:28
  Speaker 6: things like that. They're very very on a matter, poet.
• 31:31
  Speaker 6: You really really can live within that imagery, which is
• 31:35
  Speaker 6: really really beautiful.
• 31:37
  Speaker 2: How she uses her what is wrong with women? Why?
• 31:40
  Speaker 2: Like I don't I don't get it.
• 31:42
  Speaker 1: Like I I love music and I've heard some great lyrics,
• 31:47
  Speaker 1: but I've never sat there and said, oh my god,
• 31:49
  Speaker 1: my soul is entering the body of the guy singing
• 31:51
  Speaker 1: the song.
• 31:52
  Speaker 2: I'm just like, yeah, that's that's catchy. I don't know.
• 31:56
  Speaker 2: I don't I don't, I don't know. I don't get it.
• 31:57
  Speaker 1: Like it's like they want to like mind meld with people,
• 32:02
  Speaker 1: you know, like they want to feel their pain, like
• 32:04
  Speaker 1: that's what their desire.
• 32:06
  Speaker 2: I don't know. It just it just makes me cringe.
• 32:10
  Speaker 2: It just makes me cringe.
• 32:11
  Speaker 3: I'm still confused by the logic. Who do you expect
• 32:14
  Speaker 3: to do the labor?
• 32:17
  Speaker 2: No, I mean they don't like it's women's idea. Women's
• 32:22
  Speaker 2: idea of.
• 32:23
  Speaker 1: Rights comes down to something that they really don't want
• 32:26
  Speaker 1: but they think they want, which is ultimate comfort. And
• 32:30
  Speaker 1: they want men to essentially be their arms and legs
• 32:36
  Speaker 1: and do everything to maximize their comfort and their desires
• 32:42
  Speaker 1: and their desires of every person is bottomless, but they
• 32:46
  Speaker 1: don't care. That's why when you ask feminism about like, well,
• 32:50
  Speaker 1: what rights do men have that women don't, and they'll
• 32:54
  Speaker 1: bring up some bullshit like you know, free this, or
• 32:58
  Speaker 1: this kind of service or this kind of basically men's
• 33:01
  Speaker 1: labor right, Like I want to be able to walk
• 33:04
  Speaker 1: home in the middle of the night and feel safe. Well,
• 33:06
  Speaker 1: what does that require? Well, requires good men to do
• 33:10
  Speaker 1: everything in their power to make sure that you're safe.
• 33:12
  Speaker 1: So that you live in a bubble where you don't
• 33:14
  Speaker 1: even know that there's like threats out there in the world,
• 33:18
  Speaker 1: right or if you yeah, go ahead, Well I was
• 33:21
  Speaker 1: going to.
• 33:22
  Speaker 3: Say, of course, they argue that the reason why they're
• 33:25
  Speaker 3: unsafe is men. So why can't men stop criminal men?
• 33:30
  Speaker 1: It's like, well, well, yeah, they have to appeal to patriarchy,
• 33:33
  Speaker 1: to contriarchy.
• 33:35
  Speaker 3: Yeah, Like women are manufacturing criminal men. Where do they
• 33:41
  Speaker 3: come from? Single mother homes? Where do male rapists often
• 33:45
  Speaker 3: come from? Sexual abuse by women? Not saying that the
• 33:48
  Speaker 3: women they abuse are responsible, but if we want to
• 33:52
  Speaker 3: actually get rid of male criminals, we have to address
• 33:57
  Speaker 3: the harms that are done by mothers sons, and we're
• 34:01
  Speaker 3: not prepared to.
• 34:02
  Speaker 4: Do that, right.
• 34:03
  Speaker 3: And because we're not prepared to do that, we have
• 34:06
  Speaker 3: to employ men at the end of the cycle to
• 34:09
  Speaker 3: try to control the violence of these other men.
• 34:13
  Speaker 2: Right.
• 34:13
  Speaker 3: And again, like there's also like genetic components. It's just
• 34:19
  Speaker 3: not something that men can control consciously. They cannot change
• 34:23
  Speaker 3: the existence of criminal men because there are genetic markers
• 34:28
  Speaker 3: for antisocial personality disorder. There always will be unless we
• 34:31
  Speaker 3: breed it out through eugenics, and there will always be
• 34:36
  Speaker 3: a small percentage of abused boys who go on to
• 34:39
  Speaker 3: lash out at the world. How do we deal with this, Well,
• 34:44
  Speaker 3: we take the men who don't have these deficits and
• 34:48
  Speaker 3: we waste their lives on managing them for the benefit
• 34:52
  Speaker 3: of everyone. And of course that is the existence of
• 34:57
  Speaker 3: the criminals is evidence of men's nature rather than all
• 35:02
  Speaker 3: of the men who prevent the criminals, and when they
• 35:05
  Speaker 3: do engage in these kinds of activities, punish and put
• 35:08
  Speaker 3: them away. That those men are they don't reflect men's nature.
• 35:13
  Speaker 3: All right, So let's let's sorry.
• 35:15
  Speaker 1: Fore, Yeah, it's okay, I got another No, it's okay,
• 35:18
  Speaker 1: I got a super chat. Let me just check to
• 35:20
  Speaker 1: make sure we didn't miss any super chowds.
• 35:22
  Speaker 2: No we didn't.
• 35:22
  Speaker 1: From Albatross, who gives us five bucks and says one
• 35:25
  Speaker 1: of the lyrics was something like, I thought you were
• 35:27
  Speaker 1: my savior, but you make me do labor. You're a feminist,
• 35:31
  Speaker 1: but you're dependent on a guy rescuing you. Well, I mean,
• 35:34
  Speaker 1: like all yes, but the ultimate goal of this is
• 35:37
  Speaker 1: another one of these kind of anti relationship, anti male
• 35:41
  Speaker 1: things where it's like, oh, I don't need you you
• 35:44
  Speaker 1: you make my life harder for no reason. So I'm
• 35:46
  Speaker 1: going to leave you now, but like, you know, no,
• 35:49
  Speaker 1: it's a good point though, Yeah, it is. I mean
• 35:52
  Speaker 1: obviously that's like the at the root of it is
• 35:55
  Speaker 1: we want men to do our bidding and not expect
• 35:58
  Speaker 1: anything in return.
• 36:00
  Speaker 2: That that like almost all of this boils down to
• 36:02
  Speaker 2: the same dynamic.
• 36:04
  Speaker 1: Yeah, Like if you're when you're dating, when you look
• 36:06
  Speaker 1: at those dating interviews and the guy and the the
• 36:09
  Speaker 1: you know, the man on the street is asking the
• 36:10
  Speaker 1: woman like what do you expect from a man? And
• 36:12
  Speaker 1: they'll list off all of the things that they want.
• 36:15
  Speaker 1: But then when they say, well what is what what
• 36:17
  Speaker 1: do you bring to the table, and now should be
• 36:19
  Speaker 1: well my presence, it's me, I'm here, and so like
• 36:23
  Speaker 1: that you just expand that. And it's the same when
• 36:26
  Speaker 1: feminists say this is what we expect and we don't
• 36:28
  Speaker 1: want to be doing, like we don't want to do labor, but.
• 36:30
  Speaker 2: We have expectations. It's the same thing.
• 36:34
  Speaker 1: Go, you can go back to Manifestel who always says
• 36:36
  Speaker 1: what men are labor and men are risk What does
• 36:38
  Speaker 1: that mean? Well, I don't want to do stuff for dudes,
• 36:41
  Speaker 1: and I also think they're dangerous, So like what does
• 36:44
  Speaker 1: that mean, Well, you you're not going to be able
• 36:46
  Speaker 1: to commit like there are. You're basically saying there are
• 36:49
  Speaker 1: no good men, so I'm just going to not breed
• 36:52
  Speaker 1: and I'm going to die alone and that.
• 36:54
  Speaker 2: And I mean, like, I know women.
• 36:56
  Speaker 1: Don't want that, but that's the attitude they have right now.
• 36:59
  Speaker 1: And then inevitably they get like up to their thirties
• 37:02
  Speaker 1: and they're putting up videos on TikTok from their car
• 37:05
  Speaker 1: saying where are all the good men? Whereas the good
• 37:08
  Speaker 1: men have good women, probably found good women. Yes, So
• 37:13
  Speaker 1: you know, it's it's what it starts with humility and yeah,
• 37:19
  Speaker 1: these people don't have it well.
• 37:20
  Speaker 5: And here's the thing, it's not the truth.
• 37:23
  Speaker 3: Okay, all relationships are risk and all relationships are work.
• 37:28
  Speaker 3: And in fact, when women end up dating other women,
• 37:31
  Speaker 3: they discover that other women are more risk and more
• 37:36
  Speaker 3: labor than men. Okay, And I mean I remember that,
• 37:40
  Speaker 3: but I don't know, did you did you bring up
• 37:42
  Speaker 3: this anecdote? There was a female doctor who ended up,
• 37:45
  Speaker 3: you know, pursuing a relationship with a woman, and the
• 37:49
  Speaker 3: woman made less than her, and because she made less
• 37:52
  Speaker 3: than her, she automatically assumed the female doctor would flit
• 37:56
  Speaker 3: the bill for everything mm hmm. And and she even amazingly,
• 38:02
  Speaker 3: she even treated this woman much like a man. She
• 38:06
  Speaker 3: would say, well, you know you make more, My time
• 38:09
  Speaker 3: is more valuable, so you have to you know, you
• 38:13
  Speaker 3: should be the one who's paying, and stuff like that,
• 38:17
  Speaker 3: and it's like, yeah, you're getting the male experience. Men
• 38:21
  Speaker 3: are expected to do the labor in courtship, and then
• 38:25
  Speaker 3: for some reason we think that the gender that expects
• 38:29
  Speaker 3: to have the labor done in courtship isn't going to
• 38:33
  Speaker 3: resent doing the labor necessary to build a life with
• 38:36
  Speaker 3: another person. This is what's really funny about it all.
• 38:39
  Speaker 3: Like suddenly we're supposed to believe that women who expect
• 38:43
  Speaker 3: to be served in courtship when they get into a relationship,
• 38:47
  Speaker 3: set that aside and become the hard done by partner
• 38:51
  Speaker 3: who's doing all the work. And I don't buy it.
• 38:55
  Speaker 3: I don't buy it. I think that what's really happening
• 38:58
  Speaker 3: is you go from a courtship where a man is
• 39:00
  Speaker 3: doing literally everything. Don't do that, guys, bye, by the way,
• 39:02
  Speaker 3: don't there because the honest to god truth of is,
• 39:07
  Speaker 3: you do literally everything in a courtship. And she has
• 39:09
  Speaker 3: no sense of reciprococity as soon as the necessary work
• 39:14
  Speaker 3: of a relationship starts, where building a life starts, two
• 39:17
  Speaker 3: out the door like a rat out of an act
• 39:19
  Speaker 3: due to aqueduct, she's gonna be starting to stalk her ex, right.
• 39:24
  Speaker 5: So don't don't, don't even play by those rules.
• 39:27
  Speaker 3: But regardless, as soon as the woman hits the work
• 39:31
  Speaker 3: necessary to build a life, and she has experienced throughout
• 39:35
  Speaker 3: the courtship not having to pull her own weight, what
• 39:38
  Speaker 3: does she do. She starts to think that she's being
• 39:41
  Speaker 3: taken advantage of. Yep, yeah, this is the thing. Courtship
• 39:47
  Speaker 3: is to demonstrate at most that a man will provide
• 39:50
  Speaker 3: for you when you are incapable of providing for yourself,
• 39:53
  Speaker 3: which is taking care of children, gestation, lactation, taking care
• 39:57
  Speaker 3: of young children. It's not in order to show that
• 40:01
  Speaker 3: the man is gonna haul your ass from A to
• 40:04
  Speaker 3: Z for the rest of your frickin life. And that's
• 40:07
  Speaker 3: what this song is about. It's about a woman who
• 40:10
  Speaker 3: doesn't want to lift her own fucking head. She gets
• 40:14
  Speaker 3: no sense of pride, no sense of self from doing
• 40:20
  Speaker 3: for herself none whatsoever. All she does is all she
• 40:25
  Speaker 3: gets it from is victimhood and getting other people to
• 40:28
  Speaker 3: do things for her, and that is it's sad and
• 40:32
  Speaker 3: you cannot have a relationship with someone like that. I
• 40:36
  Speaker 3: hate saying this, but wait for Sax, wait for AI
• 40:40
  Speaker 3: and relationship bots I'm gonna call them. I'm gonna call
• 40:43
  Speaker 3: them girlfriend bots because it's not sex bots at this point.
• 40:47
  Speaker 3: It's someone who can at least emulate a sense of gratitude,
• 40:53
  Speaker 3: fair play, and reciprocrocity. All right, I'm done my little rant.
• 41:00
  Speaker 2: Some more.
• 41:01
  Speaker 6: Her voice is really interesting. I'm gonna go and scoop
• 41:03
  Speaker 6: back to the first verse. I think she's probably kind
• 41:06
  Speaker 6: of a metso alto singer. And if you she's bringing
• 41:10
  Speaker 6: her head voice down really low, so it's good to because.
• 41:12
  Speaker 1: She talks a little bit about the you know, the
• 41:15
  Speaker 1: the music science or whatever.
• 41:17
  Speaker 2: I don't know if that's as interesting. Two fifty.
• 41:22
  Speaker 1: I guess there might be more on feminism here, but
• 41:24
  Speaker 1: there isn't a lot.
• 41:26
  Speaker 6: Twenty six seconds in and.
• 41:29
  Speaker 7: The ways below.
• 41:33
  Speaker 6: The hot Child, it's quite hard for me to stay
• 41:37
  Speaker 6: in head voice out though Hoo turns the hard chard
• 41:40
  Speaker 6: would be an easier to do the slightly hard voice.
• 41:44
  Speaker 6: It sounds like someone who has sat by herself in
• 41:47
  Speaker 6: her room and some with her guitar not too loude
• 41:50
  Speaker 6: so people can't hear next door, and it means that
• 41:54
  Speaker 6: then she's maked it really really close, and you get
• 41:56
  Speaker 6: all the sounds of her mouth and the movement. It's
• 42:00
  Speaker 6: very precise, very small. And then when we get into
• 42:03
  Speaker 6: this chorus, let's have a look, there's.
• 42:05
  Speaker 1: A big all right, I'm pausing it there for the banana.
• 42:08
  Speaker 1: I got a super chaar.
• 42:09
  Speaker 2: I'm sorry.
• 42:09
  Speaker 1: A rumble rant from Nova fan twenty one, who says,
• 42:13
  Speaker 1: I hope these insufferable women get even more insufferable and
• 42:17
  Speaker 1: then get surprised when men refuse to put up with them.
• 42:20
  Speaker 1: They would ironically create their own handmade's tail. Well, yeah,
• 42:24
  Speaker 1: I mean that's been going on for a while.
• 42:25
  Speaker 2: There's there are ways that.
• 42:27
  Speaker 1: Women take themselves out of the dating pool, and it's
• 42:31
  Speaker 1: usually because they're they're they're delusional.
• 42:35
  Speaker 2: I don't know what else say they're delusional about, like.
• 42:38
  Speaker 1: The way first of all, you know, they they don't
• 42:41
  Speaker 1: treat men like human beings with their own laws.
• 42:44
  Speaker 2: What was that? That was me? Oh, you sounded really
• 42:47
  Speaker 2: weird for a second there.
• 42:49
  Speaker 3: Okay, sorry about that. I was just fixing, fixing my
• 42:52
  Speaker 3: like moving things around here in my little nest of wires. Yeah, okay,
• 42:58
  Speaker 3: so well, yeah, that's the and the unrealistic thing is
• 43:03
  Speaker 3: they want to like have a man crawl into their
• 43:07
  Speaker 3: skin and live their life for them. It's like, that's
• 43:10
  Speaker 3: not what a man is for. For companionship. You know,
• 43:15
  Speaker 3: it's uh to have an extra pair of hands when
• 43:18
  Speaker 3: you need something done. You know, it's to build a
• 43:21
  Speaker 3: life together. It's not two totally take over the entirety
• 43:26
  Speaker 3: of your agency and breathe for you. He makes labor,
• 43:32
  Speaker 3: He doesn't breathe.
• 43:35
  Speaker 8: Right.
• 43:36
  Speaker 1: Women have been liberated right out of like reality, like
• 43:39
  Speaker 1: there they can't even perceive what they're supposed They're so
• 43:42
  Speaker 1: liberated they don't even know what life is. And I
• 43:46
  Speaker 1: think it's actually a really tragic thing. They need a
• 43:49
  Speaker 1: wake up call, they really do, because I mean, it's
• 43:53
  Speaker 1: either gonna Like the thing about it is that suffering
• 43:57
  Speaker 1: is inevitable, and the longer you put it off by
• 44:01
  Speaker 1: like trying to like avoid it or protect yourself from
• 44:03
  Speaker 1: it or whatever without actually confronting it, the harder it's
• 44:08
  Speaker 1: going to be. And I mean, like some people are
• 44:11
  Speaker 1: gonna get through it, and they're gonna be better for
• 44:14
  Speaker 1: it in the long run.
• 44:15
  Speaker 2: But I don't have a lot of hope.
• 44:18
  Speaker 1: For some of these women that live in these bubbles
• 44:20
  Speaker 1: because they're they're completely like.
• 44:23
  Speaker 2: Living in a different reality.
• 44:25
  Speaker 1: It's so safe for them and they're so free that
• 44:28
  Speaker 1: they don't know how bad it could get. I mean
• 44:31
  Speaker 1: people in Germany are figuring that out. But I mean, like,
• 44:34
  Speaker 1: but yeah, Western women they think that it's the worst
• 44:37
  Speaker 1: time to be alive right now, And it's like, are
• 44:40
  Speaker 1: you kidding me?
• 44:43
  Speaker 3: You know, well, I mean maybe it's the worst time
• 44:46
  Speaker 3: because they feel like life is pointless. But the other
• 44:49
  Speaker 3: but you're constructing that by not allowing your actions to
• 44:52
  Speaker 3: have meaning.
• 44:53
  Speaker 2: Yeah, I mean whose job is it to make your
• 44:55
  Speaker 2: life have a point? Yeah?
• 44:57
  Speaker 5: Exactly.
• 44:57
  Speaker 3: And I think maybe that's the fury they have towards men,
• 45:01
  Speaker 3: is that men can do everything, but make your life
• 45:04
  Speaker 3: have a point. You have to do that for yourself.
• 45:07
  Speaker 3: And actually men can't do everything. But that's part of
• 45:10
  Speaker 3: what confuses me about these women. It's like I would
• 45:13
  Speaker 3: want to do Like when she says you made me
• 45:16
  Speaker 3: do too much labor, I'm like, well, what kind of
• 45:18
  Speaker 3: labor does he make you do? Because some kinds of
• 45:22
  Speaker 3: labor were really worth doing. And when you take responsibility
• 45:26
  Speaker 3: for them you grow.
• 45:28
  Speaker 1: Yeah, I mean you have to take baths and cook
• 45:32
  Speaker 1: yourself meals.
• 45:33
  Speaker 3: And we're not talking about.
• 45:36
  Speaker 1: Their clothes on take out the trash. Maybe you live alone,
• 45:40
  Speaker 1: you should know how to do those things, is what
• 45:42
  Speaker 1: I'm saying. Like, why is it that, for example, these
• 45:46
  Speaker 1: you know, female dating strategy types that will say that
• 45:51
  Speaker 1: like having a man is a problem because the men
• 45:53
  Speaker 1: are not doing things around the house, not sharing in
• 45:56
  Speaker 1: the housework, or they're not doing their part of the housework.
• 45:58
  Speaker 1: And it's like, yeah, but if you live you'd have
• 46:00
  Speaker 1: to do those things too, So like what's the what
• 46:03
  Speaker 1: are you talking about?
• 46:04
  Speaker 2: Like do you do? You not? Do you live in
• 46:07
  Speaker 2: your root in your own.
• 46:08
  Speaker 1: Ship and you don't take any trash out, and you
• 46:10
  Speaker 1: don't go to the bathroom, and you don't put on clothes,
• 46:12
  Speaker 1: and you don't shower, you don't wash your hair. You
• 46:14
  Speaker 1: just sit there and just like shit yourself and then
• 46:17
  Speaker 1: starve to death because nobody fed you.
• 46:19
  Speaker 2: Like what what like what is your life?
• 46:22
  Speaker 3: Return to the to the the the ultimate infancy, the
• 46:27
  Speaker 3: ultimate state of utter infancy.
• 46:29
  Speaker 1: So yeah, don't get mad because like if you like,
• 46:32
  Speaker 1: if you live alone, you have to take care of
• 46:34
  Speaker 1: yourself and you have to take care of your home.
• 46:37
  Speaker 1: If you live with someone, like you're married or something,
• 46:40
  Speaker 1: then you have to you know, you do this as
• 46:43
  Speaker 1: a team. That's what people do. It's very I don't
• 46:48
  Speaker 1: even like, why am I explaining this. I don't understand.
• 46:52
  Speaker 6: Simple thing.
• 46:54
  Speaker 3: Just ask yourself what you would have to do without
• 46:56
  Speaker 3: your partner. There you go, that's it. And in many
• 46:59
  Speaker 3: case these women wouldn't even be able to pay their
• 47:01
  Speaker 3: own bills without their partner. Well, yeah, I wonder how
• 47:06
  Speaker 3: many there are still living at home with their parents.
• 47:09
  Speaker 2: But you know, there is no.
• 47:13
  Speaker 1: Push to get them out. Like we judge men based
• 47:18
  Speaker 1: on whether or not they live with their parents and
• 47:20
  Speaker 1: if they.
• 47:21
  Speaker 2: Don't like, what do they like?
• 47:22
  Speaker 1: What does their situation look like? We don't do that
• 47:24
  Speaker 1: to women at all. I remember I knew a guy
• 47:27
  Speaker 1: who was my boss.
• 47:27
  Speaker 2: When I used to work in an art supply store
• 47:30
  Speaker 2: and I was the assistant manager. He was a store
• 47:31
  Speaker 2: manager and he.
• 47:32
  Speaker 1: Had a wife and they were very happy, and I've
• 47:36
  Speaker 1: been to his plays and we would hang out and
• 47:37
  Speaker 1: watch movies. And then one day his wife got just
• 47:42
  Speaker 1: he caught our cheating on him, and they got a divorce.
• 47:45
  Speaker 1: And they both had to move in with their parents
• 47:48
  Speaker 1: for a while because they were sharing everything, and then
• 47:51
  Speaker 1: they had to live on their own. And he was
• 47:54
  Speaker 1: so ashamed of having to live with his parents for
• 47:56
  Speaker 1: any period of time. And he was like, I can't
• 47:59
  Speaker 1: even start dating again, because he was like in his forties, right,
• 48:02
  Speaker 1: I can't even eve of like going back out there
• 48:04
  Speaker 1: and dating again until my situation changes.
• 48:07
  Speaker 2: And he was right to think that.
• 48:09
  Speaker 1: But his ex wife no problem, found a guy right away,
• 48:12
  Speaker 1: lived at home with her parents. Why because men don't
• 48:15
  Speaker 1: do that, They don't hold women to those standards. Maybe
• 48:17
  Speaker 1: they should maybe that, you know, if we want like
• 48:20
  Speaker 1: something that it looks like equality, maybe men should start
• 48:23
  Speaker 1: saying do you live at home with your parents?
• 48:25
  Speaker 2: Do you like live in your mom's basement like a loser?
• 48:28
  Speaker 2: You know, they should maybe that.
• 48:31
  Speaker 3: It is This is actually a very unique time period
• 48:35
  Speaker 3: because men would have hold held women to those standards
• 48:37
  Speaker 3: in the past. Do you have a dowry?
• 48:39
  Speaker 4: Miss?
• 48:41
  Speaker 2: Yeah?
• 48:41
  Speaker 3: Do you know how to keep it home? Do you
• 48:44
  Speaker 3: have other skills in terms of.
• 48:46
  Speaker 5: Being able to buy and sell?
• 48:48
  Speaker 8: Like?
• 48:48
  Speaker 3: What what will you bring to our a household, to
• 48:51
  Speaker 3: a potential household? Because I'm not just marrying a lump.
• 48:54
  Speaker 3: That used to be a conversation people would have about
• 48:58
  Speaker 3: building a relationship, building a marriage, building a family. Don't
• 49:02
  Speaker 3: do that anymore. It's just basically incredibly one sided. Is
• 49:07
  Speaker 3: this is the first era in which well, you know,
• 49:09
  Speaker 3: no equivalente answer the question what do you bring to
• 49:13
  Speaker 3: the table?
• 49:13
  Speaker 1: Okay, yeah, yeah, Well I was gonna say, you know what,
• 49:15
  Speaker 1: the equivalent of this today is probably the single mom.
• 49:20
  Speaker 2: And I mean like that's sort of like the parallel.
• 49:22
  Speaker 1: It's like, essentially you have failed at life, or at
• 49:28
  Speaker 1: least you're struggling, and you're and and this your situation
• 49:33
  Speaker 1: is a red flag. So a woman with kids from
• 49:35
  Speaker 1: a previous man or whatever irresponsible with her fertility is
• 49:40
  Speaker 1: I guess the closest thing to a guy who is
• 49:44
  Speaker 1: a failure to launch, that's like stuck at home. And
• 49:47
  Speaker 1: even then that guy can change his situation, you know,
• 49:50
  Speaker 1: if he like he puts his mind to it. The
• 49:53
  Speaker 1: woman might be in a worse situation because it's like
• 49:56
  Speaker 1: those decisions should have been made before.
• 49:57
  Speaker 2: But I think it's the closest thing.
• 49:59
  Speaker 1: I mean, I you know, and and the thing is
• 50:02
  Speaker 1: is that men will wipe up single moms they'll they'll
• 50:05
  Speaker 1: do it, so it's not even that even then the
• 50:08
  Speaker 1: men aren't like as dismissive. So anyway, do you want
• 50:13
  Speaker 1: to listen to more? Yes of the music analysis Okay.
• 50:18
  Speaker 6: Drum underneath which she makes it really tribal, but she
• 50:21
  Speaker 6: is going lower and warmer rather than higher and bigger.
• 50:26
  Speaker 7: They thoughts.
• 50:33
  Speaker 8: Cracking.
• 50:36
  Speaker 3: Sometimes I feel like I just crush these women by
• 50:39
  Speaker 3: looking at them. They're just like, where the hell did
• 50:43
  Speaker 3: you come from? Some sort of other dimension in which
• 50:47
  Speaker 3: people are made out of floss like gossamer, sugar floss
• 50:51
  Speaker 3: and light like, yeah.
• 50:56
  Speaker 2: I got a super chow.
• 51:00
  Speaker 1: Great Indoors gives us ten dollars and says if you
• 51:03
  Speaker 1: would look at Hal's sees music video Girl is a Gun, Yes,
• 51:08
  Speaker 1: the artist HBr reviewed previously the one with Trent Reznor
• 51:13
  Speaker 1: or Last Dinner Parties music video Feminine Urge. They both
• 51:17
  Speaker 1: feature women in eighteenth century dresses and mansions having some
• 51:21
  Speaker 1: sort of a mental breakdown.
• 51:24
  Speaker 2: Life is greater than Art, is greater than life, et cetera,
• 51:28
  Speaker 2: or maybe he needs his a. Life imitates art imitates light. Life.
• 51:32
  Speaker 1: Also, if you go on the website AllMusic dot Com,
• 51:35
  Speaker 1: a website a frequently visited in the past. It now
• 51:39
  Speaker 1: has an article up talking about the importance of queer representation.
• 51:43
  Speaker 1: Last new music I thought was in twenty eleven, but
• 51:46
  Speaker 1: last new music I bought was in twenty eleven.
• 51:49
  Speaker 2: I'm mainly interested in reissues now.
• 51:51
  Speaker 1: But then again, biovinyl and Brickwall remastering has put a
• 51:56
  Speaker 1: dent in that as well.
• 51:59
  Speaker 2: So that was a lot. Did Is he the one
• 52:01
  Speaker 2: who sent this in? No, he's not. That was Rich Okay, okay.
• 52:09
  Speaker 1: Well, yeah, the thing about the eighteenth century dresses thing,
• 52:13
  Speaker 1: I think that's a there's like I don't know, maybe
• 52:18
  Speaker 1: I'm wrong, but I think that women they they want
• 52:22
  Speaker 1: when they want to make a statement, but they also
• 52:24
  Speaker 1: want not just like a political political statement.
• 52:28
  Speaker 2: It's not really political, so much is just whining.
• 52:30
  Speaker 1: But they want to make a whiny political statement, and
• 52:33
  Speaker 1: but they also want it to look good. So they
• 52:35
  Speaker 1: have this They're drawn to this Victorian stuff like big time, right.
• 52:40
  Speaker 1: They love it, even though they think it's like the
• 52:42
  Speaker 1: worst time to be alive, I mean, after the modern type,
• 52:46
  Speaker 1: the modern days. So and I think that the eighteenth
• 52:51
  Speaker 1: century thing, it's like I said, like it's just so
• 52:53
  Speaker 1: easy if you think about it. I think women are
• 52:56
  Speaker 1: kind of attached at the hip to culture and whatever
• 52:59
  Speaker 1: culture is doing, like like television, movies, whatever, they will
• 53:04
  Speaker 1: make it their personality. They'll like make that their identity.
• 53:08
  Speaker 1: So you know, if everyone's watching, like I don't know,
• 53:11
  Speaker 1: whatever's on Netflix, there's probably like period movies and shows
• 53:15
  Speaker 1: that take place in Victorian whatever with like black queens
• 53:20
  Speaker 1: and whatnot.
• 53:20
  Speaker 2: And then the women will watch that and they'll love.
• 53:22
  Speaker 1: The dresses because it's all about the costumes and stuff
• 53:25
  Speaker 1: and the drama. And then they'll they'll use that aesthetic
• 53:29
  Speaker 1: to say something else that they think is really important,
• 53:32
  Speaker 1: even though it's just lame. So I don't know that
• 53:36
  Speaker 1: I would like put that much stock into this image
• 53:40
  Speaker 1: of a woman in the eighteenth century dress having a
• 53:43
  Speaker 1: mental breakdown, because I mean, she could just be wearing
• 53:46
  Speaker 1: a T shirt and jeans.
• 53:49
  Speaker 2: You just think it's more, it's cooler. It's just like, oh,
• 53:52
  Speaker 2: I like the aesthetic.
• 53:53
  Speaker 8: Right.
• 53:54
  Speaker 3: Ultimately, her complaints is simply that he makes her do
• 53:57
  Speaker 3: too much labor. You thought you were going to be saved.
• 53:59
  Speaker 2: From lay in a Victorian dress, right, Don't.
• 54:02
  Speaker 3: You don't you want to do for yourself? Like, don't
• 54:06
  Speaker 3: you want to feel like you're part of something that
• 54:09
  Speaker 3: you are a you know, like you're you're a partner
• 54:13
  Speaker 3: in something that you're building, Like why would you? Why
• 54:16
  Speaker 3: is laziness the ultimate being saved?
• 54:19
  Speaker 2: Mm hmm, Okay, all right, I guess we'll listen more.
• 54:26
  Speaker 6: Yes, I love that syncopation. If love ends not really
• 54:32
  Speaker 6: such a.
• 54:32
  Speaker 1: Good sense syncopation is what does it say? Rhythms that
• 54:36
  Speaker 1: accent or emphasize the offbeats?
• 54:39
  Speaker 6: Okay, rhythm, She's got such a good sense of rhythm.
• 54:42
  Speaker 6: That warmth is a really different way of doing it.
• 54:45
  Speaker 6: Normally you rise up into the chorus. She's coming back
• 54:48
  Speaker 6: down and being warmer and then layering those vocals so.
• 54:51
  Speaker 1: You do have so yeah, I mean most of this
• 54:53
  Speaker 1: video is really just her analyzing the music itself from
• 54:56
  Speaker 1: like a you know, just purely like mechanical perspective, which
• 55:01
  Speaker 1: I mean, did Richard beerre watch this video? Yeah? Because
• 55:05
  Speaker 1: I don't know if I miss something, I could jump
• 55:07
  Speaker 1: ahead to the next thing.
• 55:09
  Speaker 5: Well, maybe he'll.
• 55:10
  Speaker 3: Give us a time code that he was in particular.
• 55:12
  Speaker 3: I think it's just the analysis of the music itself.
• 55:17
  Speaker 2: I could just I could I have the all the
• 55:19
  Speaker 2: lyrics right in front of me. I could just reach it.
• 55:21
  Speaker 5: Let me just ask something really quick.
• 55:22
  Speaker 3: Does at any point does she say, oh, these lyrics
• 55:26
  Speaker 3: are awesome and they really evoke the feeling of being
• 55:30
  Speaker 3: a woman in.
• 55:33
  Speaker 2: Whatever.
• 55:34
  Speaker 5: Whenever, However, does she ever say.
• 55:36
  Speaker 2: That, Oh, I don't I watched it, but I thought
• 55:41
  Speaker 2: that after this, it's just like there isn't much.
• 55:44
  Speaker 1: She kind of gushes over the song and doesn't really
• 55:47
  Speaker 1: make any political statements or anything about the lyrics, just
• 55:51
  Speaker 1: like her the technique that this singer is using from
• 55:55
  Speaker 1: what I remember.
• 55:57
  Speaker 2: So.
• 55:59
  Speaker 3: Yeah, yeah, sure, let's just go the go through the
• 56:01
  Speaker 3: lyrics real.
• 56:02
  Speaker 1: Raven is saying, this is a music production, Why don't
• 56:05
  Speaker 1: you react to the music directly? Well, I don't know
• 56:07
  Speaker 1: that that's what we're supposed to be doing. I think
• 56:09
  Speaker 1: we're talking about the lyrics.
• 56:11
  Speaker 3: Yeah, you realize that we'll get YEATD if.
• 56:13
  Speaker 2: We do that. Yeah, I'm not.
• 56:16
  Speaker 1: I don't want to tear down music producers that are
• 56:18
  Speaker 1: good at their job. I mean, like I said, she's
• 56:20
  Speaker 1: got she she made a boneheaded comment about feminism, but
• 56:24
  Speaker 1: like everybody who does usually makes a bone headed comment
• 56:27
  Speaker 1: about it.
• 56:28
  Speaker 3: So yeah, you have to sort of grade on a
• 56:30
  Speaker 3: curve when it comes to feminism. Yeah, most people aren't
• 56:33
  Speaker 3: as deep into the swamp as us. You know, they
• 56:36
  Speaker 3: were not quite as hardened, certainly not as much as me.
• 56:39
  Speaker 3: Like twenty years of of seeing feminists marginalized male victims
• 56:44
  Speaker 3: has made me very hardened.
• 56:45
  Speaker 5: Shall we see? Shall we say?
• 56:48
  Speaker 2: But I mean people are saying that she's not like misinderous,
• 56:52
  Speaker 2: But look, I said she does. She does say.
• 56:55
  Speaker 1: This is an anthem for feminism and young women. And
• 56:59
  Speaker 1: I'm not saying that means that she hates men, but
• 57:01
  Speaker 1: that means that she does co sign feminist, which is
• 57:06
  Speaker 1: at the end of the day, Like I mean, she
• 57:09
  Speaker 1: hasn't obviously been I don't.
• 57:10
  Speaker 2: I don't think she's an activist per se.
• 57:13
  Speaker 3: And we haven't really called her out.
• 57:15
  Speaker 1: No, I haven't said anything about her. Mostly we've been
• 57:18
  Speaker 1: talking about the lyrics.
• 57:19
  Speaker 3: We've basically just been using responding to her video to
• 57:23
  Speaker 3: respond to the song so we don't have to directly
• 57:26
  Speaker 3: respond to the song and get YEATD see how we're
• 57:29
  Speaker 3: being sneaky, all right, but we can read some lyrics
• 57:32
  Speaker 3: and we'll respond directly to the lyrics just.
• 57:34
  Speaker 5: To speed this up.
• 57:35
  Speaker 2: Do you want me to read the lyrics? Okay? Well,
• 57:37
  Speaker 2: I got them right here. I also have the reddit
• 57:42
  Speaker 2: that we could look at as well.
• 57:43
  Speaker 5: But oh, yes, definitely.
• 57:47
  Speaker 3: Oh and also, guys, if you do want to support us,
• 57:50
  Speaker 3: I did just get the fundraiser up, so it's feedbadgery
• 57:54
  Speaker 3: dot com slash support and uh and actually great, indoors,
• 57:59
  Speaker 3: are you suggesting you would like us to go through
• 58:02
  Speaker 3: a song?
• 58:06
  Speaker 5: If so, then just something.
• 58:07
  Speaker 2: I don't love playing music videos?
• 58:10
  Speaker 3: You playing music videos is not something that we really
• 58:13
  Speaker 3: can do.
• 58:14
  Speaker 2: Yeah, because that's what he said, take a look, get
• 58:17
  Speaker 2: away with stuff?
• 58:18
  Speaker 3: We get away with nothing nothing like Yeah, because because
• 58:22
  Speaker 3: we're being written by a mault, like an entire alphabet
• 58:25
  Speaker 3: soup worth of agencies.
• 58:28
  Speaker 2: Okay, yeah, I don't. I don't have a well.
• 58:32
  Speaker 1: Look, the music itself is not my cup of tea.
• 58:35
  Speaker 1: Like I said, it's all starting to blend together. I
• 58:38
  Speaker 1: think the general quality of our culture is in decline.
• 58:42
  Speaker 1: I'm not saying that no one can make anything good,
• 58:45
  Speaker 1: but like the stuff that tends to the yeah, the
• 58:49
  Speaker 1: stuff that tends to rise to the top.
• 58:52
  Speaker 2: I didn't watch the Grammys. Yes, what was it the
• 58:54
  Speaker 2: other day was the Grammys?
• 58:56
  Speaker 1: I didn't watch them because I don't watch award shows anymore.
• 58:58
  Speaker 1: I haven't for many years. Yes, but I would not
• 59:02
  Speaker 1: be surprised if all of the music that was like
• 59:05
  Speaker 1: that one or was nominated was something that I couldn't
• 59:09
  Speaker 1: get into because I don't. I haven't really heard anything
• 59:13
  Speaker 1: new that's good in a while that's popular. So but anyway,
• 59:17
  Speaker 1: all right, lyrics, So here's the bridge. This came after
• 59:21
  Speaker 1: the last set of lyrics I read all day every
• 59:24
  Speaker 1: day therapist mother made so not okay. So there's more
• 59:28
  Speaker 1: about labor stuff, right, Nymph than a virgin nurse than
• 59:32
  Speaker 1: a servant, just an appendage lived to attend him so
• 59:37
  Speaker 1: that he never lifts a finger twenty four to seven,
• 59:40
  Speaker 1: baby machine, so he can live out his picket fence dreams.
• 59:44
  Speaker 1: It's not an act of love. If you make her,
• 59:47
  Speaker 1: you make me do too much labor. Wow, that was
• 59:52
  Speaker 1: like a real, a real mother load of crap right there.
• 59:56
  Speaker 1: Let me put it on the screen so you guys
• 59:58
  Speaker 1: can see it.
• 59:59
  Speaker 2: So this is the break every day therapist mother.
• 1:00:02
  Speaker 1: Made Nymph and a virgin nurse and a servant just
• 1:00:05
  Speaker 1: an appendance live to attend him so that he never
• 1:00:07
  Speaker 1: lifts a finger twenty four to seven, baby machine, so
• 1:00:10
  Speaker 1: he can live out his picket fence streams. It's a
• 1:00:13
  Speaker 1: non an act of love. If you make her, you
• 1:00:15
  Speaker 1: make me do too much labor gish gallup in a song. Yeah, Alison,
• 1:00:21
  Speaker 1: you'r I can't hear you if you're talking. I still
• 1:00:25
  Speaker 1: can't hear you if you're talking.
• 1:00:31
  Speaker 2: Yeah, okay, all right, I'm back.
• 1:00:33
  Speaker 3: Well let's discuss this, all right, So what is acceptable labor?
• 1:00:44
  Speaker 2: Okay, all day, every day, therapist, mother.
• 1:00:50
  Speaker 3: Mother maid? Okay, what is acceptable labor bringing in half
• 1:00:59
  Speaker 3: the income?
• 1:01:00
  Speaker 1: What does okay, Well, let's just go when one thing
• 1:01:02
  Speaker 1: at a time. So what is meant by therapists? Do
• 1:01:05
  Speaker 1: you mean that if he has like if he's struggling
• 1:01:08
  Speaker 1: with something and and he has problems at his job
• 1:01:13
  Speaker 1: or at home or something else, that you don't think
• 1:01:18
  Speaker 1: that you should help him with that?
• 1:01:21
  Speaker 8: Like?
• 1:01:21
  Speaker 1: What did people do before therapists existed when they were
• 1:01:25
  Speaker 1: when they were stressed out or dealing with something? What
• 1:01:30
  Speaker 1: did men maybe depend on their wives to help them?
• 1:01:34
  Speaker 1: Isn't that like what it means to be somebody's partner.
• 1:01:39
  Speaker 3: Well, they might go down to the pub and talk
• 1:01:42
  Speaker 3: to their you know, friends, but can't do that anymore
• 1:01:46
  Speaker 3: because pubs were forced to be miss mixed sex. They
• 1:01:49
  Speaker 3: could have gone to gentlemen's clubs. Nope, they could have
• 1:01:53
  Speaker 3: I mean, if if you don't want to do this labor,
• 1:01:57
  Speaker 3: then you have to allow men the space to do it.
• 1:02:00
  Speaker 2: I mean, do you love him or not? Like if
• 1:02:03
  Speaker 2: you if you love him, is it labor?
• 1:02:10
  Speaker 1: Like when you when you have children and and you
• 1:02:13
  Speaker 1: have babies who are completely helpless, are they labor?
• 1:02:19
  Speaker 8: Like?
• 1:02:19
  Speaker 2: What?
• 1:02:19
  Speaker 1: What is it?
• 1:02:19
  Speaker 2: What is it in women's.
• 1:02:21
  Speaker 1: Brains that makes them see people who who they who
• 1:02:27
  Speaker 1: depend on them as some kind of obstacle.
• 1:02:30
  Speaker 3: I think the honest to god truth, Brian, is that
• 1:02:33
  Speaker 3: they've been utterly and completely broken by a world that
• 1:02:37
  Speaker 3: doesn't demand enough from them. That and the and what
• 1:02:40
  Speaker 3: I mean by demanding enough is I think that women
• 1:02:43
  Speaker 3: have been broken by this socialization. And like this is
• 1:02:47
  Speaker 3: the first time in human history that women don't have
• 1:02:49
  Speaker 3: their own job. They don't have their own skills that
• 1:02:53
  Speaker 3: are recognized like spinning and weaving. They don't have their
• 1:02:57
  Speaker 3: own space where they can pursue a job, which you
• 1:03:00
  Speaker 3: know it's and it's like it's like their brains have
• 1:03:03
  Speaker 3: dropped out of their hands.
• 1:03:04
  Speaker 2: You make it sound like that they would do it
• 1:03:06
  Speaker 2: if they knew they could do it, they don't want to.
• 1:03:08
  Speaker 3: No, no, no, no, I'm not saying that at this
• 1:03:11
  Speaker 3: point in time. I'm not saying that's the truth. I'm
• 1:03:14
  Speaker 3: saying that after generations of this, I think they've lost
• 1:03:20
  Speaker 3: their way profoundly. And it's like like if you took
• 1:03:24
  Speaker 3: a kid and gave them absolutely no way of understanding
• 1:03:27
  Speaker 3: the consequences of their actions or how they could take
• 1:03:30
  Speaker 3: care of themselves, you would understand the damage that does. Right,
• 1:03:36
  Speaker 3: It's like you have to go out of your way
• 1:03:38
  Speaker 3: to teach Like I have a dog, I have to
• 1:03:40
  Speaker 3: go out of my way to teach the dog how
• 1:03:42
  Speaker 3: to behave in certain circumstances. Still, I you know, fail
• 1:03:45
  Speaker 3: in some ways. But but if you don't do that,
• 1:03:50
  Speaker 3: if you don't teach them these things, they don't have
• 1:03:54
  Speaker 3: the skills. Like, for example, if you punish the dog
• 1:03:58
  Speaker 3: for barking, the dog gains control over his barking. Right.
• 1:04:04
  Speaker 3: If you don't actually punish people for certain behavior, they
• 1:04:08
  Speaker 3: don't gain control over that behavior, Like they become compulsive
• 1:04:13
  Speaker 3: about that behavior. We have nothing in our society that
• 1:04:16
  Speaker 3: punishes women when they pay to play the victim. So
• 1:04:19
  Speaker 3: they have completely dissolved into that, and it's just like
• 1:04:25
  Speaker 3: it's it's like watching a person's brain melt and anything
• 1:04:31
  Speaker 3: any ask they can't stand up to. Like they talk
• 1:04:36
  Speaker 3: about liberation and empowerment, but they've become so fragile they
• 1:04:41
  Speaker 3: can't stand up to things that.
• 1:04:46
  Speaker 5: Anything.
• 1:04:47
  Speaker 3: They can't stand up to adversity or suffering somebody else's responsibility,
• 1:04:52
  Speaker 3: anything that they suffer somebody else's responsibility, so they gain
• 1:04:55
  Speaker 3: no growth. Like that quote that you have repeated several times,
• 1:05:00
  Speaker 3: what's the quote suffering?
• 1:05:03
  Speaker 2: Oh, it's let me look it up really quick. I
• 1:05:06
  Speaker 2: can't remember right now. I'll just think me a second, omens.
• 1:05:11
  Speaker 1: I think it's like, yeah, because it's in the Bible, okay,
• 1:05:20
  Speaker 1: so uh yeah, uh, rejoice in your sufferings because suffering
• 1:05:27
  Speaker 1: produces endurance.
• 1:05:29
  Speaker 2: Endurance produces character, and character produces hope. And I think
• 1:05:34
  Speaker 2: that's true.
• 1:05:35
  Speaker 1: I mean I've been through a lot, and I think
• 1:05:38
  Speaker 1: that it's like, you know, after cancer and having to
• 1:05:42
  Speaker 1: flee the city and everything else, and and Lindsay sticking
• 1:05:45
  Speaker 1: by me this through the whole thing, which was absolutely humongous.
• 1:05:50
  Speaker 1: I think that it's put me in that position of
• 1:05:53
  Speaker 1: I don't get blackpilled, you know. So yeah, yeah, but think.
• 1:05:59
  Speaker 3: About it, We've tried to remove all of women's labor,
• 1:06:02
  Speaker 3: all of women's suffering, and they have developed nothing in
• 1:06:07
  Speaker 3: the way of endurance, nothing in the way of character
• 1:06:11
  Speaker 3: and everything, Like in a relationship, simply being asked to
• 1:06:16
  Speaker 3: care about your partner, to listen to his troubles has
• 1:06:19
  Speaker 3: become too big of an ask and they can't stand
• 1:06:23
  Speaker 3: up to the least amount of expectation. And it's I
• 1:06:28
  Speaker 3: don't know what to say, I don't know how to
• 1:06:30
  Speaker 3: I don't know what to do to change that. But
• 1:06:34
  Speaker 3: it's it's what do you have have character? Like what
• 1:06:38
  Speaker 3: do you have if you don't have your ability to
• 1:06:42
  Speaker 3: overcome adversity? Like what do you have left if you
• 1:06:46
  Speaker 3: don't have that?
• 1:06:48
  Speaker 1: Yeah, I mean the suffering is the suffering is coming.
• 1:06:51
  Speaker 1: There's like it, and the longer you put it off,
• 1:06:54
  Speaker 1: the worse it's.
• 1:06:55
  Speaker 6: Going to be.
• 1:06:56
  Speaker 1: Well, see how and how you respond to it is
• 1:07:00
  Speaker 1: going to determine, like you know, whether or not you
• 1:07:04
  Speaker 1: continue to suffer or if you will actually like find
• 1:07:08
  Speaker 1: some hope.
• 1:07:09
  Speaker 3: If they are complaining about this, they they have they
• 1:07:14
  Speaker 3: are in for a rude awakening, then virgin than a servant,
• 1:07:19
  Speaker 3: like well, first of all right. Now, in the US,
• 1:07:23
  Speaker 3: according to the General Social Survey, men do about four
• 1:07:27
  Speaker 3: to five hours more work a week than women. And
• 1:07:30
  Speaker 3: that isn't even accounting for the fact that men and
• 1:07:32
  Speaker 3: women judge work differently. A woman will, like a if
• 1:07:37
  Speaker 3: a man and a woman are doing laundry, a woman
• 1:07:40
  Speaker 3: will call it work from the moment she puts the
• 1:07:44
  Speaker 3: laundry into the washing machine and turns it on, and
• 1:07:49
  Speaker 3: then goes and reads a book and waits for it
• 1:07:52
  Speaker 3: to stop. She will count that as as as labor.
• 1:07:57
  Speaker 3: So she puts the turns the washing machine on, she
• 1:08:00
  Speaker 3: goes and reads a book I don't know with fabio
• 1:08:03
  Speaker 3: on the cover. And then when it's chimes, she goes in.
• 1:08:06
  Speaker 3: She puts it into the dryer, she turns it on,
• 1:08:10
  Speaker 3: goes reads the book, the chimes, she takes it out,
• 1:08:13
  Speaker 3: and she folds it. You know, like maybe three hours right,
• 1:08:16
  Speaker 3: All of that she will list as labor. Every single
• 1:08:20
  Speaker 3: minute of that will be three hours of labor that
• 1:08:24
  Speaker 3: she did. A man will do exactly the same task,
• 1:08:28
  Speaker 3: and he will estimate his labor how long it took
• 1:08:31
  Speaker 3: him to turn it on, put the stuff in, how
• 1:08:35
  Speaker 3: long it took him to move it into the washer
• 1:08:38
  Speaker 3: and then turn it on, and how long it took
• 1:08:41
  Speaker 3: him to fold it. So three hours of labor that
• 1:08:45
  Speaker 3: a woman will say that she did is like twenty
• 1:08:47
  Speaker 3: five for a man. So you got to imagine the
• 1:08:50
  Speaker 3: general social survey has women saying, well, I was doing
• 1:08:54
  Speaker 3: laundry for three hours and Sunday morning, and a man
• 1:08:58
  Speaker 3: is like, well, I was doing injury for twenty five
• 1:09:00
  Speaker 3: minutes Sunday morning. So how much does that actually how
• 1:09:05
  Speaker 3: much does that actually distort the picture when it comes
• 1:09:07
  Speaker 3: to men and women?
• 1:09:08
  Speaker 7: We don't know.
• 1:09:10
  Speaker 3: And these are questions that are asked that are not
• 1:09:12
  Speaker 3: that are not accommodated. But we do know that at
• 1:09:16
  Speaker 3: the very least, men do four to five more hours
• 1:09:19
  Speaker 3: a week.
• 1:09:20
  Speaker 5: Okay, And if you're going to include.
• 1:09:23
  Speaker 3: Mental labor, what about the it's not a nail mental
• 1:09:27
  Speaker 3: labor that men are expected to do, right, yeah, what
• 1:09:32
  Speaker 3: I mean?
• 1:09:33
  Speaker 2: Women will call it men. Men are never women's therapists.
• 1:09:36
  Speaker 2: That doesn't happen.
• 1:09:40
  Speaker 3: Are you kidding?
• 1:09:41
  Speaker 1: Like?
• 1:09:42
  Speaker 3: Are you Okay? Here's an example of a one sided relationship.
• 1:09:48
  Speaker 3: My husband's mother comes over and lays out all of
• 1:09:51
  Speaker 3: the drama, all of the stuff going on, and he
• 1:09:55
  Speaker 3: doesn't say the same back. And this is what I
• 1:09:57
  Speaker 3: see constantly, And this is not considered a mos labor
• 1:10:01
  Speaker 3: because men don't see their relationships with women in the
• 1:10:03
  Speaker 3: same way. They're not constantly sharpening their pencils and saying, wow,
• 1:10:10
  Speaker 3: I listen to you for approximately thirteen and sixteen seconds.
• 1:10:15
  Speaker 3: That is thirteen and sixteen seconds more than you listen.
• 1:10:18
  Speaker 3: You know, they don't do that. You just see something
• 1:10:20
  Speaker 3: that needs fixing and they do it. You know they
• 1:10:24
  Speaker 3: need They see a woman with a nail in her
• 1:10:26
  Speaker 3: head and her saying well, it's not about the nail,
• 1:10:28
  Speaker 3: and they have the emotional labor of biting their tongue
• 1:10:31
  Speaker 3: and saying, well, how does the nail make you feel
• 1:10:34
  Speaker 3: dear right? And what about the emotional labor that men
• 1:10:38
  Speaker 3: do during conflicts because conflicts, relationship conflicts are actually more
• 1:10:43
  Speaker 3: anxiety inducing for men, so they have to be able
• 1:10:46
  Speaker 3: to manage their anxiety more than women do because.
• 1:10:50
  Speaker 5: They have more of it.
• 1:10:51
  Speaker 3: Is that considered emotional labor, Like, well, let's get down
• 1:10:54
  Speaker 3: to the nitty gritty, let's do a real audit of
• 1:10:57
  Speaker 3: who is doing what in relationships. I think that women
• 1:11:00
  Speaker 3: would be quite surprised there would be fastly shocked. At
• 1:11:06
  Speaker 3: what men are actually doing in their relationships, how little
• 1:11:10
  Speaker 3: men lean.
• 1:11:11
  Speaker 2: On them for their emention. We don't even study that though,
• 1:11:15
  Speaker 2: No we don't.
• 1:11:17
  Speaker 3: We just indulge in this idea that if women are
• 1:11:20
  Speaker 3: asked anything, it's too much. And the funny thing is,
• 1:11:24
  Speaker 3: I know why we do this because this is what
• 1:11:27
  Speaker 3: generates guilt in men, and guilt in men generates investment
• 1:11:32
  Speaker 3: in the system.
• 1:11:33
  Speaker 2: Right.
• 1:11:34
  Speaker 3: That's women are guilt dispensers. They just vomit out guilt
• 1:11:37
  Speaker 3: and that's their purpose in life, and it's destroying their
• 1:11:40
  Speaker 3: mental health. It's destroying their sense of self, it's destroying
• 1:11:45
  Speaker 3: their sense of purpose in life. That's what I say
• 1:11:52
  Speaker 3: when I say that it's like this kind of corruption.
• 1:11:55
  Speaker 3: I don't think women are like this outside this kind
• 1:11:59
  Speaker 3: of social corruption, Brian. I mean, after all, one hundred
• 1:12:04
  Speaker 3: years ago, our grandmothers were people were like, oh, you
• 1:12:07
  Speaker 3: should have the vote, and they were like no, So
• 1:12:10
  Speaker 3: obviously they had some kind of wisdom or understanding, okay,
• 1:12:16
  Speaker 3: and they did vote, like women predominantly voted conservative up
• 1:12:19
  Speaker 3: to the point where this whole like propagandizing, this this
• 1:12:24
  Speaker 3: entire propaganda, like they took pages out of Nazi Germany.
• 1:12:34
  Speaker 3: Propaganda against Jews, segregationists, propaganda against black people, you know,
• 1:12:39
  Speaker 3: the Ku Klux Klan, propaganda against black people. And I'm
• 1:12:43
  Speaker 3: not going to get into whether or not it was accurate, okay,
• 1:12:46
  Speaker 3: but they took all of that those visual tropes. Feminists
• 1:12:51
  Speaker 3: took all of those visual tropes and applied it to men,
• 1:12:55
  Speaker 3: subjected women to generations of this kind of propaganda. And
• 1:12:59
  Speaker 3: this is where we're at. I don't know why we
• 1:13:03
  Speaker 3: did this to ourselves, but here we are.
• 1:13:07
  Speaker 1: Maybe, well, I think that's a there's another Yeah, that's
• 1:13:13
  Speaker 1: a whole other show. But all right, so the lyrics,
• 1:13:18
  Speaker 1: all right, so nymph, then a virgin nurse and a
• 1:13:22
  Speaker 1: servant just an appendage live to attend him so that
• 1:13:25
  Speaker 1: he never lives a finger because men don't work twenty
• 1:13:28
  Speaker 1: four to seven baby machines, so he can live out
• 1:13:30
  Speaker 1: his picket fence streams. It's not an act of love.
• 1:13:33
  Speaker 1: If you make her, you make me do too much
• 1:13:36
  Speaker 1: labor all day, every day, therapist.
• 1:13:38
  Speaker 2: But it's the same thing. So that's the bridge, you know,
• 1:13:45
  Speaker 2: his thrall, it's the thrall we're back on that.
• 1:13:48
  Speaker 1: I don't know, doesn't it say it doesn't matter men
• 1:13:51
  Speaker 1: do that men do this to women and you're crazy
• 1:13:53
  Speaker 1: for questioning it.
• 1:13:54
  Speaker 2: Chorus.
• 1:13:55
  Speaker 3: It's sort of critical for me, like, I would like
• 1:13:57
  Speaker 3: to know how this happens.
• 1:14:00
  Speaker 2: Oh, I know, but they have no interest in answering
• 1:14:02
  Speaker 2: that question.
• 1:14:03
  Speaker 3: I would like a good and reasonable argument for why
• 1:14:06
  Speaker 3: I should give up my sense of responsibility and consequences
• 1:14:12
  Speaker 3: to my actions in my life, because as far as
• 1:14:15
  Speaker 3: I can, it's like I've got this little horde of gold,
• 1:14:18
  Speaker 3: and the feminists are like, you.
• 1:14:19
  Speaker 5: Don't need that.
• 1:14:20
  Speaker 2: I'm like, no, I think.
• 1:14:21
  Speaker 3: I think you're gonna have to give a better argument
• 1:14:24
  Speaker 3: to me before I give up my resources to you feminists.
• 1:14:28
  Speaker 1: All right, all right, So then there's the they do
• 1:14:33
  Speaker 1: the chorus again. So capillaries and my eyes are bursting
• 1:14:36
  Speaker 1: all day every day. Therapist, mother maid, if our love died,
• 1:14:38
  Speaker 1: would that be the worst thing? Nymfenovirgin nurse and a servant.
• 1:14:42
  Speaker 1: So it's basically the whole thing is about labor. And
• 1:14:45
  Speaker 1: we've already read so if I go to this reddit,
• 1:14:48
  Speaker 1: so let me share this with you guys, they're basically
• 1:14:51
  Speaker 1: then are like, if this is the feminist interpretation of
• 1:14:54
  Speaker 1: the song, which is kind of on the nose anyway,
• 1:14:57
  Speaker 1: so it's not like there's a lot to it from
• 1:15:00
  Speaker 1: Sonic Witchcraft, or at least this is Oh, I'm sorry,
• 1:15:03
  Speaker 1: I don't know how to read it so because I
• 1:15:05
  Speaker 1: avoid that place like the plague. But our witches versus
• 1:15:09
  Speaker 1: patriarchy ask the questions, how do you guys feel about
• 1:15:13
  Speaker 1: the song Labor by Paris Paloma. It's about the emotional
• 1:15:16
  Speaker 1: labor women are forced and have been forced to do
• 1:15:19
  Speaker 1: for hundreds of years. The music video is highly symbolic
• 1:15:23
  Speaker 1: and the lyrics are fantastic. Here are some details I noticed.
• 1:15:28
  Speaker 1: I know you're a smart man. I know you're a
• 1:15:30
  Speaker 1: smart man. And weaponize the false incompetence its dominance under
• 1:15:35
  Speaker 1: a guise addressing how men will pretend they can't do something,
• 1:15:40
  Speaker 1: do something badly on purpose, won't do something until they're asked, etc.
• 1:15:45
  Speaker 3: You know what's really funny is like they recycle things
• 1:15:48
  Speaker 3: that Hannah Wallin has pointed out about women years ago.
• 1:15:52
  Speaker 2: Mm hmm.
• 1:15:53
  Speaker 3: She talked about she had a blog post. I forget
• 1:15:57
  Speaker 3: what she called it, but she talked about weapons and
• 1:16:00
  Speaker 3: competence and how women engage in it in order to
• 1:16:03
  Speaker 3: avoid certain activities like cleaning bathrooms, picking up.
• 1:16:08
  Speaker 2: Changing the tire on your car, yeah, and all kinds of.
• 1:16:12
  Speaker 3: Stuff like that, and painting and all kinds of tasks
• 1:16:16
  Speaker 3: that are laborious. And now apparently only men do this.
• 1:16:22
  Speaker 3: Yeah yeah, Actually no, first of all, not only men
• 1:16:26
  Speaker 3: do this. Isn't this isn't another situation where only men
• 1:16:30
  Speaker 3: do it. It's like this, this constant drive to blame
• 1:16:33
  Speaker 3: all negative human behavior on men. But regardless, it's just like,
• 1:16:40
  Speaker 3: first of all, not only men do it. And second
• 1:16:43
  Speaker 3: of all, does the false incompetence come from not wanting
• 1:16:49
  Speaker 3: to do it or having done it and then been
• 1:16:52
  Speaker 3: picked at because you did it wrong? So you simply
• 1:16:58
  Speaker 3: decide to pretend you can't do it any further? Because
• 1:17:01
  Speaker 3: this is another thing that women do. They demand men
• 1:17:03
  Speaker 3: do something and then they micromanage them.
• 1:17:06
  Speaker 2: Yes, I know about that.
• 1:17:09
  Speaker 1: Well, it's like they want things done a certain way,
• 1:17:12
  Speaker 1: and men may have their way of doing things, but
• 1:17:14
  Speaker 1: instead of doing it themselves, they just insist men do
• 1:17:17
  Speaker 1: it the way that they want them to do it,
• 1:17:19
  Speaker 1: and that's when they become micromanagers.
• 1:17:21
  Speaker 8: Yes.
• 1:17:22
  Speaker 3: And also this emotional labor thing, like we before we
• 1:17:26
  Speaker 3: start buying into who does more emotionally, God damn, think
• 1:17:31
  Speaker 3: of the emotional labor of having to be in a
• 1:17:33
  Speaker 3: relationship with someone who talks about emotional labor. Yeah, accounting system, good,
• 1:17:42
  Speaker 3: good fricking lord. You know, I'm actually looking forward to
• 1:17:46
  Speaker 3: women dating each other. How do you determine who has
• 1:17:49
  Speaker 3: to do the emotional labor? I guess it's the doctor
• 1:17:51
  Speaker 3: who makes more. She can't be expected to her partner
• 1:17:56
  Speaker 3: to do emotional labor because she in the money, so
• 1:18:00
  Speaker 3: she should be the one who does all the emotional
• 1:18:02
  Speaker 3: labor in most of the housework. It's it's something that
• 1:18:05
  Speaker 3: I noticed in the past, Like it was actually a
• 1:18:11
  Speaker 3: movie that I watched that was about a horror, like
• 1:18:13
  Speaker 3: a survival horror. There was a zombies and or something
• 1:18:17
  Speaker 3: was going on, and there was these two women. They
• 1:18:19
  Speaker 3: were sisters, and what ended up happening is the more
• 1:18:24
  Speaker 3: sporty and tomboyish of the two girls ended up being
• 1:18:29
  Speaker 3: put into the man's role. And so her first sister,
• 1:18:33
  Speaker 3: who was an ungrateful, resentful shit heel, would extort stuff
• 1:18:38
  Speaker 3: out of her using weaponizing her victimhood. That's another thing
• 1:18:42
  Speaker 3: that women weaponize victimhood in order to make everything revolve
• 1:18:46
  Speaker 3: around them.
• 1:18:46
  Speaker 2: For sure.
• 1:18:47
  Speaker 3: And she did this and it's like when when women
• 1:18:51
  Speaker 3: have to contend with other women, what happens is one
• 1:18:54
  Speaker 3: is sort of crushed into the male role of service
• 1:18:58
  Speaker 3: to the other and abiding. But and this woman, the
• 1:19:02
  Speaker 3: sister that was the damsel I guess to the other,
• 1:19:05
  Speaker 3: the woman's tomboy. She made everything about her everything. And
• 1:19:13
  Speaker 3: the big climax is the tomboy actually falls in love
• 1:19:17
  Speaker 3: with this guy and potentially was gonna leave with him,
• 1:19:21
  Speaker 3: except her sister was raped and she had to stay,
• 1:19:23
  Speaker 3: and her sister couldn't leave with them for some apparent reason,
• 1:19:28
  Speaker 3: and it was this big moment that well, actually she
• 1:19:31
  Speaker 3: just didn't want to or something where her sister used
• 1:19:34
  Speaker 3: her victimhood to extort the destruction of her other sister's life.
• 1:19:40
  Speaker 3: And I'm like, yeah, that's what you got to look
• 1:19:41
  Speaker 3: forward to, Ladies. One of you will end up being
• 1:19:45
  Speaker 3: the one who has to sacrifice, the one that's seen
• 1:19:47
  Speaker 3: this slightly more masculine, the one that has to do
• 1:19:49
  Speaker 3: the emotional labor, the one that has to pay the bills,
• 1:19:52
  Speaker 3: the one that obviously should be underwriting everything because you're
• 1:19:56
  Speaker 3: the doctor and she's a waitress or whatever. Good luck.
• 1:20:00
  Speaker 3: And what's interesting is now that we have a generation
• 1:20:03
  Speaker 3: of girls who are pursuing this, their mental health is
• 1:20:06
  Speaker 3: in the toilet, Like women's mental health has been in
• 1:20:09
  Speaker 3: the toilet for a long time. But this generation of
• 1:20:11
  Speaker 3: girls pursuing relationships with other women in a generation they
• 1:20:21
  Speaker 3: they you know that that mil that Bill Maher joke
• 1:20:24
  Speaker 3: about lesbians. You know, they're you know, the old lesbians
• 1:20:28
  Speaker 3: who've been.
• 1:20:29
  Speaker 5: Maybe it's not Bill Maher, but it was a joke.
• 1:20:30
  Speaker 3: It was a stand up comedian who talked about, you know,
• 1:20:33
  Speaker 3: go to a lesbian bar and not the young lesbians
• 1:20:36
  Speaker 3: who are just fresh, but the ones who've been in
• 1:20:38
  Speaker 3: the in the scene for like five years, chain smoking
• 1:20:41
  Speaker 3: and you know, and and shooting back vodka. And they're like, oh,
• 1:20:47
  Speaker 3: they just look like been on the rigs for ten years.
• 1:20:51
  Speaker 8: Yea.
• 1:20:52
  Speaker 3: They just had because they've had to deal with women,
• 1:20:56
  Speaker 3: m h. And they don't have the emotional hormonal system
• 1:21:04
  Speaker 3: of men, because you guys are sort of made to
• 1:21:07
  Speaker 3: deal with us.
• 1:21:09
  Speaker 8: Yeah, all right, let's keep going.
• 1:21:11
  Speaker 2: All right.
• 1:21:13
  Speaker 1: So then they talk a bit about the lyrics, the
• 1:21:16
  Speaker 1: other lyrics all day every day. Therapist's mother made nymph
• 1:21:19
  Speaker 1: and a virgin nurse than a servant just an appendage
• 1:21:22
  Speaker 1: live to attend him so that he never lives a finger.
• 1:21:25
  Speaker 1: And the feminists under this rites and I know they're
• 1:21:27
  Speaker 1: feminists because this is witches versus patriarchy, refers to the
• 1:21:31
  Speaker 1: unfair standards are held up to be crazy in bed.
• 1:21:35
  Speaker 1: But a virgin be a mother slash nurse first and
• 1:21:38
  Speaker 1: a wife second. The last line, do all the work
• 1:21:41
  Speaker 1: so he doesn't even have to even move. But it
• 1:21:43
  Speaker 1: also means do all the work so he doesn't hit you.
• 1:21:47
  Speaker 2: Oh my god, go ahead.
• 1:21:50
  Speaker 3: This is just excuses for failure. It's like I talked
• 1:21:54
  Speaker 3: about this a while back. I don't know if it
• 1:21:57
  Speaker 3: was with you or with the writers group, but oh no,
• 1:22:00
  Speaker 3: I was with you. I talked about how you get
• 1:22:03
  Speaker 3: these these girl directors. I don't want to say female
• 1:22:06
  Speaker 3: directors are woman directors, They're just girl directors. You get
• 1:22:08
  Speaker 3: these girl directors, these woman child directors, and they preload
• 1:22:13
  Speaker 3: their failures like they march out and there they'll say
• 1:22:17
  Speaker 3: in front of their producers. Yeah, well, if I lose money,
• 1:22:20
  Speaker 3: it's because of the evil misogynist who didn't come to
• 1:22:23
  Speaker 3: see my movie. And by the way, this movie is
• 1:22:25
  Speaker 3: for men. It isn't for men, and it isn't for picknies.
• 1:22:29
  Speaker 3: And it isn't for pickny adjacents, and it isn't for
• 1:22:32
  Speaker 3: straits or sisters or any of you guys. And you know,
• 1:22:37
  Speaker 3: and if you don't go, you are the bad ones.
• 1:22:40
  Speaker 3: And it's like and then her movie tanks. But she's
• 1:22:42
  Speaker 3: pre loaded failure. She's explained why she's gonna fail. This
• 1:22:46
  Speaker 3: is another thing I find really annoying with women. They
• 1:22:50
  Speaker 3: seem to love this shit, the pre failure self talk.
• 1:22:58
  Speaker 3: So this entire song is pre failure of a relationship.
• 1:23:06
  Speaker 3: So this is this is what she's saying, so that
• 1:23:09
  Speaker 3: she doesn't have to take responsibility for the failure of
• 1:23:11
  Speaker 3: a relationship. It's somebody else's fault. She doesn't have to
• 1:23:15
  Speaker 3: take responsibility for abjectly failing to keep a relationship. It's
• 1:23:21
  Speaker 3: really the man's fault for wanting her to have a
• 1:23:24
  Speaker 3: you know, provide something at all, Like how dare He
• 1:23:27
  Speaker 3: made me do too much labor. That's why the relationship failed.
• 1:23:30
  Speaker 3: He relied on me for anything. I mean, geez, like,
• 1:23:34
  Speaker 3: what man would do that? What misogynist would rely on
• 1:23:36
  Speaker 3: a woman for anything?
• 1:23:38
  Speaker 2: Like?
• 1:23:39
  Speaker 3: You know, how dare? Like, don't you realize that women
• 1:23:43
  Speaker 3: are completely unreliable and incapable how dare you rely on
• 1:23:47
  Speaker 3: them for anything? And then that's pre loading the failure
• 1:23:50
  Speaker 3: of the relationship, even preloading the failure of getting into
• 1:23:53
  Speaker 3: a relationship in the first place, and continuing a bunch
• 1:23:56
  Speaker 3: of casual sexual encounters. And you're just like, it's not
• 1:24:00
  Speaker 3: because I'm a coward with poor social skills.
• 1:24:06
  Speaker 1: I'm just thinking, like, yeah, it's because the other thing
• 1:24:10
  Speaker 1: is there? Is it they're referencing. So it's a feminist
• 1:24:16
  Speaker 1: referencing or relating to another feminist who wrote a song
• 1:24:22
  Speaker 1: that makes a claim about men, and she's using the
• 1:24:26
  Speaker 1: claim that the one feminist makes about men to like
• 1:24:29
  Speaker 1: co sign her own claims about men.
• 1:24:32
  Speaker 2: What I mean by that is this lyric.
• 1:24:36
  Speaker 1: Just an appendage lived to attend him so that he
• 1:24:39
  Speaker 1: never lifts a finger. And then this person extrapolates from
• 1:24:43
  Speaker 1: that the last line means do all the work so
• 1:24:46
  Speaker 1: he doesn't have to even move, but it also means
• 1:24:49
  Speaker 1: do all the work so he doesn't hit you. So
• 1:24:53
  Speaker 1: now we're presuming that the original person who wrote the lyrics,
• 1:24:57
  Speaker 1: and they probably did mean this like as a double meaning,
• 1:25:00
  Speaker 1: right that not only because men, you know, we never
• 1:25:04
  Speaker 1: do anything. We don't work, we don't do anything around
• 1:25:06
  Speaker 1: the house. We're just lazy bums and also violent to
• 1:25:10
  Speaker 1: our spouses because reasons. And you also married that guy
• 1:25:15
  Speaker 1: under like well, uh but the you know, this is
• 1:25:18
  Speaker 1: like there is an allegation, and I think it's very
• 1:25:21
  Speaker 1: serious to imply this stuff when women can so easily
• 1:25:26
  Speaker 1: just be like, oh, I know what you meant by that,
• 1:25:29
  Speaker 1: you know, so yeah, Like and of course here.
• 1:25:34
  Speaker 3: We all know that domestic violence is reciprocal, like it well,
• 1:25:39
  Speaker 3: it's not always reciprocal, but women engage in as least
• 1:25:43
  Speaker 3: as much as men.
• 1:25:44
  Speaker 7: Mmkay.
• 1:25:46
  Speaker 3: So this is the like in all of this, as
• 1:25:48
  Speaker 3: I said, is pre loading failure. And I think it's
• 1:25:53
  Speaker 3: just like, I think what we're seeing is the hoof
• 1:25:56
  Speaker 3: prints of massive insecurity. Like these are really insecure women
• 1:26:02
  Speaker 3: who are buying into narratives that preload failure, that excuse
• 1:26:07
  Speaker 3: their cowardice, is self righteousness, that make them think that
• 1:26:13
  Speaker 3: wanting desperately to find a man that's going to fix
• 1:26:16
  Speaker 3: them is empowerment, like and that playing the victim is independence.
• 1:26:24
  Speaker 3: It's like, this is such a ball of mental fuck.
• 1:26:30
  Speaker 3: Where do you start?
• 1:26:32
  Speaker 1: Okay, yes, all right, I speak, I got a rumble
• 1:26:35
  Speaker 1: rant I should read really I'll be right black. All right,
• 1:26:37
  Speaker 1: NOBA Fan twenty one gives a dollar and says, I
• 1:26:40
  Speaker 1: think instead of waiting for women to get into relationships
• 1:26:42
  Speaker 1: with the women, we can just wait for women to
• 1:26:44
  Speaker 1: be each other's roommate.
• 1:26:46
  Speaker 2: Women can never get enough drama in their lives.
• 1:26:48
  Speaker 3: Lol.
• 1:26:49
  Speaker 2: All right, thank you for that, Noba fan. It was
• 1:26:54
  Speaker 2: Bill Burr.
• 1:26:54
  Speaker 1: That's right, ja Obales, that was Bill Burr that told
• 1:26:57
  Speaker 1: that joke about lesbians.
• 1:26:59
  Speaker 2: I think that this is just like women poisoning the relationship.
• 1:27:06
  Speaker 2: It's crabs in a bucket mentality.
• 1:27:08
  Speaker 1: Ultimately, like, this is why I never go on Reddit,
• 1:27:12
  Speaker 1: even for the men's rights reddit, except for like maybe
• 1:27:14
  Speaker 1: to look for stories, because everyone on there is like
• 1:27:18
  Speaker 1: a nihilist pisshand and they all drag each other down,
• 1:27:22
  Speaker 1: but when it comes to victimhood they love it, especially
• 1:27:24
  Speaker 1: these feminist pages.
• 1:27:26
  Speaker 2: Holy shit, I'm sorry, but I can't do it. Okay.
• 1:27:32
  Speaker 1: Then she talks about the music video, which I don't
• 1:27:35
  Speaker 1: think we should watch, but she says the music video,
• 1:27:38
  Speaker 1: as I said, is symbolic. At the beginning of the
• 1:27:40
  Speaker 1: music video, you don't get to see the woman's face.
• 1:27:43
  Speaker 1: She's invisible. In the middle of the video, she starts
• 1:27:45
  Speaker 1: eating a pomegranate, a fruit representing fertility and marriage, but
• 1:27:49
  Speaker 1: also representing death and feminine independence. That's kind of all
• 1:27:53
  Speaker 1: over the place. Near the end of the song, when
• 1:27:56
  Speaker 1: she sings about what would happen if she had a daughter,
• 1:27:58
  Speaker 1: children start singing the chorus with her. If you guys
• 1:28:01
  Speaker 1: haven't listened to this song, I highly recommend it. There
• 1:28:04
  Speaker 1: are no lyrics that talk about a daughter though, just
• 1:28:08
  Speaker 1: some twenty four to seven baby machine, which is like,
• 1:28:12
  Speaker 1: you know, like there are videos of women who are
• 1:28:14
  Speaker 1: mothers who have children and they talk about how much
• 1:28:17
  Speaker 1: they regret having children, Like I you know, when those
• 1:28:21
  Speaker 1: kids see that video, they're gonna be like, what the fuck?
• 1:28:23
  Speaker 2: Mom?
• 1:28:24
  Speaker 1: But anyway, Yeah, there's a lot of they've pre they
• 1:28:29
  Speaker 1: did not only are they like just kind of pathetic,
• 1:28:33
  Speaker 1: but they've also not only preloaded their failure, but they've
• 1:28:36
  Speaker 1: also preloaded their baby child mommy issues with their kids.
• 1:28:41
  Speaker 8: I don't know.
• 1:28:42
  Speaker 2: So it's it's fucked up, uh okay, even Pats Yeah.
• 1:28:50
  Speaker 1: Ala La Love Good says one of my favorite songs
• 1:28:52
  Speaker 1: since I heard it for the first song first time.
• 1:28:55
  Speaker 1: It's perfect for angry moods, sad moods, and I've had
• 1:28:57
  Speaker 1: male friends tell me to explain things in a way
• 1:28:59
  Speaker 1: they've never considered. So twelve out of ten those guys
• 1:29:03
  Speaker 1: are called orbiters and they just want to fuck you, lady.
• 1:29:09
  Speaker 3: They've never considered the.
• 1:29:12
  Speaker 2: Yeah, I know whoa WestEd women.
• 1:29:16
  Speaker 3: You never Nicktims, I never heard Chattel, says Chattel dudes.
• 1:29:25
  Speaker 2: Okay.
• 1:29:25
  Speaker 1: Noba fan gives another dollar and says feminist state bad
• 1:29:28
  Speaker 1: boys and ignore healthy men. Also feminists, why don't men
• 1:29:31
  Speaker 1: do all the housework after his full time job? And
• 1:29:33
  Speaker 1: why do men refuse to take us.
• 1:29:35
  Speaker 2: At our word?
• 1:29:37
  Speaker 3: Uh?
• 1:29:38
  Speaker 1: Dude, I don't know, man, we know uh Dinashworth's choice says,
• 1:29:42
  Speaker 1: Can we talk about how this song is a spell? Like,
• 1:29:45
  Speaker 1: holy fuck, you can feel the power vibrated down to
• 1:29:47
  Speaker 1: the mitochron mitochondrial DNA.
• 1:29:52
  Speaker 2: Oh, oh my god, it's a spell, guys, a spell. Yes,
• 1:30:00
  Speaker 2: in the name of Satan.
• 1:30:03
  Speaker 1: My favorite line. Yeah yeah, my kiddo sent this to me.
• 1:30:07
  Speaker 1: Woke me the fuck up, and I'm eternally grateful.
• 1:30:10
  Speaker 2: Oh no, you fucked your kid up too. Yeah, so
• 1:30:14
  Speaker 2: these are just like woke you up to?
• 1:30:17
  Speaker 3: What? Like isn't isn't our society completely saturated the idea
• 1:30:23
  Speaker 3: that women are victims, because again, that's women's function, that's
• 1:30:27
  Speaker 3: their main function in our society is to dispense guilt
• 1:30:30
  Speaker 3: in order to get men to buy into the system.
• 1:30:34
  Speaker 3: It's like, I don't know, I don't feel like that's
• 1:30:36
  Speaker 3: my only role in life, just moment forth guilt to
• 1:30:41
  Speaker 3: make men feel like they're obligated.
• 1:30:45
  Speaker 1: Or if you want to subject yourself to it and
• 1:30:47
  Speaker 1: you're watching. The song is called Labor with a You
• 1:30:51
  Speaker 1: by Paris Paloma, and it's actually the song came out
• 1:30:56
  Speaker 1: like two years ago or something, so it's not actually
• 1:31:02
  Speaker 1: a new song. Came out in twenty twenty three, Yeah,
• 1:31:07
  Speaker 1: March twenty third, so like two years ago. And the
• 1:31:12
  Speaker 1: woman who made the video response made it a year ago.
• 1:31:16
  Speaker 1: So what I'm guessing is is that the song is old,
• 1:31:19
  Speaker 1: but it went viral on TikTok later because there's a
• 1:31:22
  Speaker 1: lot of songs on TikTok that become popularized through TikTok
• 1:31:27
  Speaker 1: and that's why beth Rors made a video about it.
• 1:31:32
  Speaker 2: But it's trash and people who like it are also trash.
• 1:31:37
  Speaker 3: Well, it's pre failure. There needs to be things that
• 1:31:42
  Speaker 3: women can fail at, and they need to be able
• 1:31:46
  Speaker 3: to fail at life and men need to stop saving them.
• 1:31:54
  Speaker 1: But Alison, it's everything is the fault of Adam's original
• 1:31:58
  Speaker 1: sin in the garden when he lamed Eve, and we
• 1:32:01
  Speaker 1: have to like bring back the divine patriarchy by restoring
• 1:32:04
  Speaker 1: that and make everybody a special brand of Orthodox Christian
• 1:32:08
  Speaker 1: that I don't even know how to define. And that's
• 1:32:10
  Speaker 1: the only way we're gonna save anybody. Sorry, I just
• 1:32:13
  Speaker 1: wanted to get that out anything specific.
• 1:32:17
  Speaker 3: Wine patriarchy agrees with my every political belief.
• 1:32:21
  Speaker 2: Yeah, it just so happens, but it's very specific.
• 1:32:24
  Speaker 3: Yeah, Okay, I don't know if we should allude to
• 1:32:28
  Speaker 3: our own No.
• 1:32:29
  Speaker 2: I just I just want to throw it out there
• 1:32:31
  Speaker 2: in case you're wondering.
• 1:32:32
  Speaker 3: That's Do you ever rewatched Coast to Coast when it
• 1:32:36
  Speaker 3: was Art Bell. He used to have this color called
• 1:32:39
  Speaker 3: j C.
• 1:32:40
  Speaker 2: Space goes Coast to Coast. No, No, that's so, I
• 1:32:44
  Speaker 2: don't know. I didn't watch either of those, but I
• 1:32:47
  Speaker 2: was just.
• 1:32:47
  Speaker 3: Curious based on an actual talk show called Coast to
• 1:32:54
  Speaker 3: Coast that dealt with the paranormal and the coast used
• 1:32:57
  Speaker 3: to have this guy call in called j C who's
• 1:33:00
  Speaker 3: a bit deranged like he was. Yeah, he believed that
• 1:33:05
  Speaker 3: Satan was behind everything, and he's a bit of a
• 1:33:07
  Speaker 3: Bible thumper.
• 1:33:09
  Speaker 1: Does j C stand for Jesus Christ? Because maybe he
• 1:33:11
  Speaker 1: was onto something. Somebody asked him what is the j
• 1:33:16
  Speaker 1: C stand for?
• 1:33:18
  Speaker 3: But but anyway, and it feels like maybe we've got
• 1:33:21
  Speaker 3: our own jac He used to be hilarious when he'd
• 1:33:24
  Speaker 3: call in and he'd say to Art below, you're you're
• 1:33:28
  Speaker 3: you're full, You're you're a spawn a Satan or something.
• 1:33:31
  Speaker 3: It's just it was good, all right. I'm just saying
• 1:33:35
  Speaker 3: that this is a little bit of an obscure reference.
• 1:33:36
  Speaker 3: So I made another obscure reference to increase the obscurity.
• 1:33:39
  Speaker 1: And it's pretty obscure. Apparently that show you're talking about
• 1:33:43
  Speaker 1: is still on.
• 1:33:45
  Speaker 3: Yeah, it is, it's just a different Okay. I gotta,
• 1:33:48
  Speaker 3: I gotta, I gotta.
• 1:33:50
  Speaker 1: Satiate the cat, all right, maybe we should wrap it up.
• 1:33:55
  Speaker 1: I don't think there's any more blood we can get
• 1:33:57
  Speaker 1: out of this rock.
• 1:33:58
  Speaker 2: Nor juice.
• 1:34:00
  Speaker 7: Squeeze.
• 1:34:01
  Speaker 3: You gotta squeeze the cat. Squeeze it and then and
• 1:34:06
  Speaker 3: then she settles. Squeeze the cat. He's the kiddie. Gotta
• 1:34:11
  Speaker 3: gotta hold her like a football.
• 1:34:14
  Speaker 5: People know some people know this reference.
• 1:34:16
  Speaker 3: Okay, okay, all right, all right, Yeah, there's nothing more
• 1:34:21
  Speaker 3: that we can squeeze out of this rock. Yeah, it's done.
• 1:34:25
  Speaker 8: It is.
• 1:34:25
  Speaker 2: I hope, I hope this was a satisfying dive into
• 1:34:30
  Speaker 2: you know. It's.
• 1:34:31
  Speaker 1: What it does tell me, though, is honestly, it's very
• 1:34:34
  Speaker 1: easy for a woman to make a lot of money
• 1:34:38
  Speaker 1: with music, because all you gotta do is sing about
• 1:34:41
  Speaker 1: how hard it is for women. You don't have to
• 1:34:43
  Speaker 1: be good at singing. You can auto tune it, you
• 1:34:45
  Speaker 1: can have AI write the lyrics and then just just
• 1:34:48
  Speaker 1: put it out.
• 1:34:49
  Speaker 2: I swear to God, you will make millions, You'll make
• 1:34:51
  Speaker 2: a mint. Maybe I should do it.
• 1:34:53
  Speaker 1: I can get I can get an AI voice that
• 1:34:55
  Speaker 1: sounds like a woman, and then you get a to
• 1:34:58
  Speaker 1: write it, and then just put a beat to it
• 1:35:00
  Speaker 1: and put it out there on on the on TikTok,
• 1:35:04
  Speaker 1: and maybe like put stock footage of a woman crying
• 1:35:08
  Speaker 1: in her bathroom or something with like past garro running
• 1:35:11
  Speaker 1: down her face.
• 1:35:11
  Speaker 2: And I'm done. I'm gonna wait. I just wait for
• 1:35:14
  Speaker 2: the checks to come.
• 1:35:17
  Speaker 3: I'm a woman, and I'm a victim of everything imaginable.
• 1:35:26
  Speaker 2: Of all the things imaginable exactly.
• 1:35:28
  Speaker 3: I'm a victim.
• 1:35:33
  Speaker 8: Of this.
• 1:35:35
  Speaker 3: I'm a victim of my alcomolism. I'm a victim of
• 1:35:40
  Speaker 3: talk Cosmoses. I'm a victim. I'm a victim. I need
• 1:35:46
  Speaker 3: a man to save me, but don't save me because
• 1:35:50
  Speaker 3: I'm independent. Why won't you save me?
• 1:35:55
  Speaker 4: On and on and on and on.
• 1:35:57
  Speaker 3: I'm not I'm not trying to be good.
• 1:35:59
  Speaker 5: That's all right, all right, yeah, I think I think yeah.
• 1:36:05
  Speaker 3: Like all right, So if you enjoy this show, you
• 1:36:09
  Speaker 3: want to send us a message and a tip, or
• 1:36:11
  Speaker 3: a tip and a message, you can go to feed
• 1:36:12
  Speaker 3: the Badger dot com slash just tip and send us
• 1:36:16
  Speaker 3: a few sheckles and whatever you whatever comes to mind.
• 1:36:19
  Speaker 3: Maybe send us lyrics for the anthem of the terribly
• 1:36:25
  Speaker 3: oppressed woman who is totally empowered by right. Send us
• 1:36:31
  Speaker 3: the anthem and we'll read it on air. And if
• 1:36:35
  Speaker 3: you want to support the show.
• 1:36:37
  Speaker 2: That was a big sigh, Brian, Well, I don't know. Yeah,
• 1:36:42
  Speaker 2: I'm sorry, I haven't. I hadn't breathed in a bit.
• 1:36:45
  Speaker 3: So if you want to support the show, Feedbadger dot
• 1:36:51
  Speaker 3: com slash support. Thank you for Richard for sending this
• 1:36:53
  Speaker 3: in very much appreciated, and maybe we'll do some more songs.
• 1:36:59
  Speaker 3: Maybe not. It seems like this is this is a
• 1:37:03
  Speaker 3: big sigh territory for Brian.
• 1:37:07
  Speaker 5: It's not big sky, big sigh. All right, so back
• 1:37:11
  Speaker 5: to Brian.
• 1:37:12
  Speaker 2: All right, what do you want to do? That's cool.
• 1:37:15
  Speaker 1: If you guys liked this video, please don't like subscribe
• 1:37:17
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• 1:37:19
  Speaker 2: Us a comment.
• 1:37:20
  Speaker 1: Let us know what you guys think about what we
• 1:37:22
  Speaker 1: discussed on the show today and what oh uh, and
• 1:37:29
  Speaker 1: let well just share the video.
• 1:37:30
  Speaker 2: I guess if you want to torture somebody, share the video.
• 1:37:34
  Speaker 1: All right, Thank you guys so much for coming on
• 1:37:36
  Speaker 1: today's episode of Maintaining Frame, and we will talk to
• 1:37:38
  Speaker 1: you guys in the next