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All Black Everything · The Breakfast Club

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  Speaker 1: I'm wanting to sell you love this room anywhere. It's
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  Speaker 1: on your Frinda Yo Friday. That's the world's moll stagers
• 0:08
  Speaker 1: want to shut the camera. Greeks show in this listen city.
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  Speaker 1: Solf Ri te J Harry, the captain of this we
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  Speaker 1: usually eat, the only one who can keep these guys
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  Speaker 1: in che Logne The Gods Breakfast Club. Good morning usc
• 0:38
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
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  Speaker 1: yo yo yo yo yo yo yo yo yo yo
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  Speaker 1: yo yo yo yo yo yo yo yo yo yo
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  Speaker 1: yo yo yo yo yo yo. Good morning angela Ye,
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  Speaker 1: good Morning's Amy Cholomagne, the guy pasted up playing it
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  Speaker 1: is Friday. Yes, it's Friday. Another big Friday at the
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  Speaker 1: Breakfast Club. The Big Breakfast Club home a big steppers
• 1:00
  Speaker 1: squashed feet. Wendy Williams boots dropped on a clues bomb
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  Speaker 1: for us. Good morning, Well, good morning. It's also Chinese
• 1:07
  Speaker 1: New Year today, so happy Chinese New Year to everybody
• 1:10
  Speaker 1: who celebrates that. It's the year of the Ox this year.
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  Speaker 1: I saw saw Eddie hung posting about that last night
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  Speaker 1: they did I think what do they call it? A
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  Speaker 1: lunar event? They did something last night on on Instagram.
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  Speaker 1: In the new year. Him in the Star of Boogie
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  Speaker 1: came up with a brother's name right now, But it'll
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  Speaker 1: come to me, all right, Well, shout to a little logan.
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  Speaker 1: Little Logan passes driving test yesterday, Big logan, big step,
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  Speaker 1: big step, Let me hold some of them. Foreign's dad.
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  Speaker 1: So he's out and about yesterday. Yesterday he drove four
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  Speaker 1: hundred and forty two miles. Yes, he drove. I don't
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  Speaker 1: know if it was really found forty two miles in
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  Speaker 1: forty two miles. Damn you being not talking maybe DC
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  Speaker 1: maybe yeah, maybe give me three No, you're being in Virginia.
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  Speaker 1: But yeah, he drove everywhere. I looked on him because
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  Speaker 1: you know I can follow where he goes. He picked
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  Speaker 1: must have picked up everybody in town and took him
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  Speaker 1: for a ride. But he's excited, he's happy, So shout
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  Speaker 1: the little logan. He passed yesterday. Nice snow bunnies in
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  Speaker 1: the passenger all through the town. All right, Logan, I
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  Speaker 1: see you. What's wrong with you? Man? Can went to
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  Speaker 1: the gym. That's what we went yesterday. All right, Okay,
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  Speaker 1: whatever he told you that, I ain't gonna blow logan
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  Speaker 1: spot up. Okay, all right? So he located the play
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  Speaker 1: of him hate is be talking about. All right, well
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  Speaker 1: today let's start the show. Daniel Kaluya will be joining
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  Speaker 1: us this morning. You know him from get Out and
• 2:38
  Speaker 1: what else was he? And he was a bunch of movies.
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  Speaker 1: He was in get Out like Black Panther. And he's
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  Speaker 1: in a phenomenal new film called Judas and the Black Messiah. Yes, yes, him,
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  Speaker 1: he's starting in that with Lakeith Stanfield. Judas in the
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  Speaker 1: Black Side is a really great movie. It's out now
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  Speaker 1: on HBO on Max. But you know, we watched it
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  Speaker 1: a couple of weeks ago. But phenomenal film. Yeah, and
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  Speaker 1: director will be joining us too. Shaka King went to
• 3:00
  Speaker 1: school with ye yes and Brooklyn Yeah, so we'll be
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  Speaker 1: kicking with both of them today. And then we got
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  Speaker 1: front page news. What we're talking about, Well, let's talk
• 3:09
  Speaker 1: about this gorilla glue thing gone wrong. Another man has
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  Speaker 1: ended up in the er and tell you what this
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  Speaker 1: has to do with gorilla glue. He earned it. I mean,
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  Speaker 1: today's might as well just be a Judas in the
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  Speaker 1: Black Side. There. We're playing songs off the soundtrack too. Yes,
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  Speaker 1: we're gonna started off with this. This is a song
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  Speaker 1: everybody's been asking about. I think it was the track
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  Speaker 1: listing was leaked a couple of days ago. This is
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  Speaker 1: jay Z Nipsey Hustle. What it feel like? What it
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  Speaker 1: feel like? Credible? We're gonna be playing this every hour
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  Speaker 1: on the hour. So feels like r I P to
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  Speaker 1: the Big krypt Nip Beautiful black Man taking from us
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  Speaker 1: too soon. Can't help but listen to that record and
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  Speaker 1: feel happy, sad. Also, Sean Carter the greatest c of
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  Speaker 1: all time? Right at this point, it's not debatable, right,
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  Speaker 1: I didn't never debate on that. Who did you debate
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  Speaker 1: that with you? I mean, I mean we all have
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  Speaker 1: our favorite, right, I'm like, my favorite is ghost Face, right,
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  Speaker 1: it's my favorite rapper of all times. Whole is in
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  Speaker 1: my top five. Hole is my favorite. But if you're
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  Speaker 1: being objective, you would have to say he's the greatest
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  Speaker 1: of all time. My opinion hands there. But I wonder
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  Speaker 1: if we grade Whole want a curve because he's fifty one,
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  Speaker 1: and in hip hop we don't think someone should still
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  Speaker 1: be great at that age. I wonder, No, I think
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  Speaker 1: he did his damn thing in his twenties. I think
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  Speaker 1: he did his damn thing in his thirties. I think
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  Speaker 1: he did his thing in his forties. Be still barn
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  Speaker 1: people up, still born people up. Yeah, all right, well,
• 4:37
  Speaker 1: let's get in some front page news where we starting you? Well,
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  Speaker 1: you know today is the last day with House impeachment managers. Uh,
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  Speaker 1: first of all, they finalized presenting their case and they
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  Speaker 1: are they adjourned yesterday until noon today, and so right
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  Speaker 1: now the defense is going to be making their case
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  Speaker 1: and then that should be it. Now let's talk about
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  Speaker 1: Jamie Raskin, the lead impeachment manager. He thanked the members
• 5:03
  Speaker 1: of the Senate for the close attention and seriousness of
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  Speaker 1: purpose that they demonstrated during their presentations and said this,
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  Speaker 1: The question here is not whether President Trump committed a
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  Speaker 1: crime under the Federal Code or DC law or the
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  Speaker 1: law of any state. Impeachment does not result in criminal penalties.
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  Speaker 1: Impeachment was created for a purpose separate and distinct from
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  Speaker 1: criminal punishment. It was created to prevent and deter elected
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  Speaker 1: officials who swear an oath to represent America but then
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  Speaker 1: commit dangerous offenses against our republic. That's a constitutional crime.
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  Speaker 1: I don't know what he's saying, because it sounds like
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  Speaker 1: a lot of legal jogging. I don't understand what it
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  Speaker 1: sounds like. He's saying Trump should be in jail. Well,
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  Speaker 1: he's saying, this is not criminal, This will not result
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  Speaker 1: in him ending up in jail. This is an impeachment
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  Speaker 1: child that has to do with politics, So this has
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  Speaker 1: nothing to do well, yeah, a crime, but this is
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  Speaker 1: not a criminal case. So that's something that would have
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  Speaker 1: to be done federally, this says. So that's a whole
• 6:07
  Speaker 1: other situation, all right. So right now, defense attorneys are
• 6:12
  Speaker 1: arguing there's no direct link between actions of the rioters
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  Speaker 1: and Donald Trump, and so that's what they're trying to say.
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  Speaker 1: But I think the best witnesses are the actual rioters themselves,
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  Speaker 1: because they use a lot of their video footage and
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  Speaker 1: a lot of them that got arrested what they had
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  Speaker 1: to say, and a lot of them were saying basically,
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  Speaker 1: they were doing what they thought the president wanted them
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  Speaker 1: to do. They thought they were acting on behalf of
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  Speaker 1: Donald Trump. So right, so some people feel like some
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  Speaker 1: Republicans feel like it's not legal to even be having
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  Speaker 1: this proceeding right now because Donald Trump's not in office.
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  Speaker 1: So that's their easy way out of having to make
• 6:47
  Speaker 1: a decision. They feel like this isn't even legal all
• 6:50
  Speaker 1: right now. A man in Louisiana ended up visiting the er.
• 6:53
  Speaker 1: He felt like he should disprove the claims about guerrilla glue,
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  Speaker 1: and he went ahead and put it on his lip.
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  Speaker 1: Is Len Martin recording himself unpaceful. I'm gonna gorilla glue
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  Speaker 1: right here. I'm gonna take it, thrill his cup, put
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  Speaker 1: in my mouth and don't be licked and get at all.
• 7:09
  Speaker 1: It's easy. That's good for his ass. That's right. He
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  Speaker 1: earned it. And if you didn't want to talk to
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  Speaker 1: your woman on Valentine's Day, just say that, bro, you
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  Speaker 1: ain't had to put gorilla glue on your goddamn lips.
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  Speaker 1: People so stupid because we're living in a stupid society.
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  Speaker 1: I don't know when we're gonna understand that. He ended
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  Speaker 1: up in the ear. He had to undergo what he
• 7:28
  Speaker 1: described a painful peeling at the hands of doctors. He
• 7:32
  Speaker 1: was informed that if his wound doesn't help properly, he'll
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  Speaker 1: need to have a surgical procedure with the tip of
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  Speaker 1: his lip will be removed. To drop on a clues
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  Speaker 1: bombs for stupid. Ye, that's like saying well, I can't
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  Speaker 1: sleeps let me crazy glue my eyelids together so I
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  Speaker 1: can sleep a little longer. Man, Why are your lips?
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  Speaker 1: Why not? Why not do something that you know you
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  Speaker 1: don't have to use every day? Why I knew your
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  Speaker 1: big toe together until you're told next to it? You
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  Speaker 1: know what I'm saying. Look like you got a little
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  Speaker 1: webtoes or something that would have been easy. Why are you?
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  Speaker 1: Why are your lips? Of all things? And why did
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  Speaker 1: he feel it need to get online and trying to
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  Speaker 1: prove that girl wrong? That's y'all problem. Y'all. See people
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  Speaker 1: do things, y'all hearing people say things, and y'all just
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  Speaker 1: so quick to want to prove people wrong. That's all
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  Speaker 1: social media is people going back and forth of all
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  Speaker 1: day trying to prove people wrong. You'll earn that show, definitely.
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  Speaker 1: You got what you deserve. What you say? I can't
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  Speaker 1: hear you? What do you say? Are you trying to
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  Speaker 1: say something back? All? Right? Well, that is front page news.
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  Speaker 1: Get it off your chest eight hundred five eight five
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  Speaker 1: one oh five one. If you need to vet hit
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  Speaker 1: us uping now else to Breakfast Club, good morning, But
• 8:28
  Speaker 1: it's the Breakfast Club wake up, wake up, wake up,
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  Speaker 1: your time to get it off your chest, your man
• 8:38
  Speaker 1: or blas. We want to hear from you on the
• 8:39
  Speaker 1: breakfast club. Hello, who's this Joe far As? I got through?
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  Speaker 1: What's up? Broke? Good morning? How are you going? Man?
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  Speaker 1: Good morning, Charlotte, Man, Good morning after the game. So yeah,
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  Speaker 1: I've been having some rough times down here in Florida,
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  Speaker 1: and uh, right now I'm curly there's the bus, catching
• 9:01
  Speaker 1: the bus, getting ready to good work. But man, I
• 9:03
  Speaker 1: just wanted to just say it's rough. Yeah, it's at
• 9:08
  Speaker 1: least you're going to work though a lot of people
• 9:09
  Speaker 1: don't have a job. Yes, I do have a job,
• 9:12
  Speaker 1: but the thing is a trouble trying to say a float,
• 9:16
  Speaker 1: you know, with me and my fun and uh the boyling,
• 9:20
  Speaker 1: all that beginning, all down to the beginning. Man, I
• 9:23
  Speaker 1: need somebody to cash at me one hundred dollars so
• 9:26
  Speaker 1: I hat my damn that one. Yeah, man, I didn't
• 9:32
  Speaker 1: know what nowhere else to turn. I asked people. Nobody
• 9:34
  Speaker 1: would to help me, and that's all I needed. What's
• 9:36
  Speaker 1: your cash? Help? What is Jiggie Smith? Which is a
• 9:42
  Speaker 1: capital J everything else lower K I G G Y
• 9:46
  Speaker 1: capital M M I C h one word. Did you
• 9:49
  Speaker 1: combine Will Smith's name and his single getting Jiggie with It?
• 9:52
  Speaker 1: Jiggie Smith? Oh no, No, that's been my nickname forever.
• 9:56
  Speaker 1: All right, Jakie Smith, you gotta upgrade your nickname Jiggy
• 9:59
  Speaker 1: All right, le Jackie Smith, you need all you need?
• 10:02
  Speaker 1: One hundred dollars, one hundred dollars. It's old. Jigie Smith
• 10:04
  Speaker 1: needs one hundred dollars. Y'all send Jigie Smith some money.
• 10:07
  Speaker 1: What's the next line? I thought the next ground was
• 10:08
  Speaker 1: gonna I'm gonna send Jiggie twenty dollars. Man, y'all gonna
• 10:12
  Speaker 1: help me. Y'all gonna pitch you in y'all everybody listening
• 10:13
  Speaker 1: out there. I'm gonna send Jigie twenty dollars. I got ten,
• 10:16
  Speaker 1: y'all send twenty two, twenty two dollars, but twenty two.
• 10:19
  Speaker 1: You know what I mean? Twenty dollars? Hello? Who's this is? Jack?
• 10:22
  Speaker 1: Jack on High six Society, Go Morning practis Club Jack.
• 10:25
  Speaker 1: Jackie's incredible. Get it off at your man, Yes, man,
• 10:30
  Speaker 1: I forgot I didn't get to quire you yesterday. Black.
• 10:32
  Speaker 1: Congratulations on your Mega man mixtape with all the foods
• 10:35
  Speaker 1: you has on them the le brain and your love.
• 10:37
  Speaker 1: What is it nineteen years? It's eighteen years and you
• 10:39
  Speaker 1: call it a mega man? Tell me what's going on on?
• 10:45
  Speaker 1: Only fans? He got a tape full of mega man.
• 10:47
  Speaker 1: He do? He do? And Ball had small? Hey you
• 10:49
  Speaker 1: sign the real suspect this morning? Per usual? How you
• 10:52
  Speaker 1: doing small? I kind of liked that. When Chicago, baby,
• 10:59
  Speaker 1: when are the next next time you come to Chicago?
• 11:01
  Speaker 1: I have an all girl skate party here? Okay? Are
• 11:06
  Speaker 1: you doing it now? Though? Even during this pandemic or
• 11:09
  Speaker 1: it's starting in I gee, you was a super spreader
• 11:12
  Speaker 1: like two weeks ago. Back. No from me. I'm just asking.
• 11:19
  Speaker 1: I'm just asking. I haven't had coronavirus yet, so I'm
• 11:22
  Speaker 1: still playing it safe. Like we see you are questioning
• 11:26
  Speaker 1: skate party and don't you don't don't act like you
• 11:30
  Speaker 1: won't do it. Just don't come bringing that runa because
• 11:32
  Speaker 1: you know you'll be out in the streets. Let me ask,
• 11:35
  Speaker 1: Let me ask. So I'm just asking an honest question.
• 11:38
  Speaker 1: Is it still going on now? When it's a skate party?
• 11:40
  Speaker 1: So we know what's the rules, all right? So it's
• 11:42
  Speaker 1: limited capacity. It's in Chicago. Um, everybody listening you can
• 11:46
  Speaker 1: check high check societies in sagrama's h I G H
• 11:50
  Speaker 1: H I C s O C I ec y Mark.
• 11:54
  Speaker 1: I got my bag from you. I got my bag
• 11:56
  Speaker 1: from you back wall. Finally, Yes, it's beautiful, nice, bright
• 12:00
  Speaker 1: blue color. Have it right here. You check the inside
• 12:04
  Speaker 1: of it. But you know you blessed in highly favorite.
• 12:07
  Speaker 1: That's right, thank you. I want to know more about
• 12:10
  Speaker 1: this mega Man mixtape's there's no man no I need
• 12:14
  Speaker 1: to know. I need really only fans shut up, get
• 12:19
  Speaker 1: it off your chests eight hundred five eighty five one
• 12:21
  Speaker 1: on five one. If you need to n hit this up.
• 12:22
  Speaker 1: As to breakfast Club, good morning, this is your time
• 12:27
  Speaker 1: to get it off your chests. Whether you're Man or
• 12:29
  Speaker 1: blast so Peo better have the same in we want
• 12:31
  Speaker 1: to hear from you on the breakfast club. Hello. Who's
• 12:35
  Speaker 1: this hey? Good morning Heavy, Good morning, Charlotte Man, Good
• 12:39
  Speaker 1: morning Angela, Happy Friday. What's happening on? Hey? So, I
• 12:45
  Speaker 1: want to talk about that jay Z verse. I know
• 12:47
  Speaker 1: Charlomagne was talking about whether or not we judge day
• 12:49
  Speaker 1: Z on the curb. I think back in the day
• 12:51
  Speaker 1: we used to talk about hip hop being like a
• 12:53
  Speaker 1: young man's sport, it's not no more man's hip hop.
• 12:56
  Speaker 1: You American up hip hop is is is all American
• 13:01
  Speaker 1: right now, and it's a popular culture. Though I don't
• 13:04
  Speaker 1: think we should be looking at it as a young
• 13:06
  Speaker 1: man's sport anymore, because back in the day when it
• 13:08
  Speaker 1: was a young culture, we could say that. But it's
• 13:10
  Speaker 1: become American culture, right, so we can't. We gotta look
• 13:14
  Speaker 1: at JAYZ in the same category like the Who and
• 13:16
  Speaker 1: the Rolling Stones and all that. He's a legend and
• 13:19
  Speaker 1: we can't compare him to the young boys, but we
• 13:22
  Speaker 1: can't just say it's the young boys sport anymore. It's
• 13:24
  Speaker 1: evolved into anybody could do it at any time, as
• 13:28
  Speaker 1: long as you do it from the heart. Agree, you know,
• 13:31
  Speaker 1: jay Z legend number one, MC got MC of all
• 13:35
  Speaker 1: time and that verse. I don't know when jd Rapp,
• 13:37
  Speaker 1: I feel like you's sucking to me all the time.
• 13:40
  Speaker 1: It's a scripture. It's a scripture. He puts my he
• 13:42
  Speaker 1: puts my thoughts in perspective, like when he said, you
• 13:44
  Speaker 1: let them cracking storm your capital, put their feet up
• 13:46
  Speaker 1: on your desk, and yet you're talking tough to me.
• 13:48
  Speaker 1: I lost all my little respect. That's how I'd be
• 13:51
  Speaker 1: feeling when I'd be like, man, I feel like democrats
• 13:53
  Speaker 1: are cowards. Republicans and cowards, you know what I mean.
• 13:56
  Speaker 1: It's like, but they want to talk tough to us,
• 13:58
  Speaker 1: but you let them for run up in your capital.
• 14:00
  Speaker 1: When to put their feet up, ball in your desk? Yep?
• 14:02
  Speaker 1: Come on, man, Hello, who's this yo? Everybody was going
• 14:06
  Speaker 1: on man, mellow, mellow? What up? Man getting off her chest? Mellow?
• 14:09
  Speaker 1: All right? First things first, all the beautiful ladies out there.
• 14:12
  Speaker 1: I don't care. He's got a Valentine and not happy
• 14:14
  Speaker 1: Valentine's Day, you know what I mean. That's first things first.
• 14:18
  Speaker 1: And second of all, I need everybody stopped hunting my
• 14:21
  Speaker 1: god with Charlotte because he really looked like Morris Chestnuts
• 14:23
  Speaker 1: for rever listen, brother getting into heaven, I said, Morris Chestnut. Nah,
• 14:31
  Speaker 1: I mean if he looked I mean, he looked like
• 14:34
  Speaker 1: Morris Chestnut if he was too expensive on Amazon. So
• 14:37
  Speaker 1: you trying to go to Wish and you that's that's
• 14:39
  Speaker 1: what you're gonna get, yo. Yo, My heaven revoked. See
• 14:42
  Speaker 1: you got into heaven and then you got your call.
• 14:44
  Speaker 1: You got revoked, yo. But no, I got a proposition
• 14:46
  Speaker 1: for you. Because I thought I looked like Trey Storm.
• 14:48
  Speaker 1: Somebody said I looked like Trey Romes. So I'm thinking,
• 14:51
  Speaker 1: you know what I mean? You look like Morris Left.
• 14:54
  Speaker 1: I looked like Trey Romes. We can start a singing
• 14:56
  Speaker 1: group called boys to nick Man, we can really take boys.
• 15:00
  Speaker 1: Boys didn't listen. I'm gonna be honest with you. I
• 15:06
  Speaker 1: didn't say I looked like Marks chesting up the screech.
• 15:07
  Speaker 1: Didn't know you did. Hello, this is the undisputed w
• 15:14
  Speaker 1: m DC. Good morning, enjoy Harry got snack Man. Now,
• 15:20
  Speaker 1: people who don't know if you just joined the snack
• 15:22
  Speaker 1: Man as a comedian's first comedian a god man, tell
• 15:27
  Speaker 1: you joke now that the CDC has suggested that we
• 15:32
  Speaker 1: wear two masks. Yo, I'm not mad. Ever since I've
• 15:36
  Speaker 1: been of age, I have always double bagged it. Yo.
• 15:39
  Speaker 1: King you got a social distance from comedy, bro like
• 15:42
  Speaker 1: you gotta like like you should just you should just
• 15:44
  Speaker 1: social distance. I mean as far away from comedy as possible,
• 15:47
  Speaker 1: not even six feet like twelve eighteen maybe twenty four.
• 15:52
  Speaker 1: That was one of his better ones. It wasn't trash.
• 15:58
  Speaker 1: It made sense, elease, I didn't make sense. There was
• 16:01
  Speaker 1: like a beginning middle of that. Normally he just kind
• 16:02
  Speaker 1: of leaves us side clu. It always leaves us like
• 16:05
  Speaker 1: I don't want to hit the punchline. I just want
• 16:06
  Speaker 1: him to get punched. Get it off your chest? Eight
• 16:09
  Speaker 1: hundred five, eight five, one oh five, what we got
• 16:11
  Speaker 1: rumors on the way. Yes, And since we're doing comedy,
• 16:14
  Speaker 1: let's talk about Dave Chappelle. He puts something out overnight
• 16:18
  Speaker 1: and this Redemption song. Yes he did, and he started
• 16:22
  Speaker 1: off talking about the cowards who had something to say
• 16:24
  Speaker 1: about his him getting coronavirus. All right, we'll get into
• 16:27
  Speaker 1: that next. It's the Breakfast Club. Go more. Listen, just
• 16:31
  Speaker 1: stand Oh gosh, got report got Breakfast Club? All right, Well,
• 16:41
  Speaker 1: Young Blue had some issues with Tory Lane's remixing his
• 16:44
  Speaker 1: song Your Mind still featuring Drake. Listen to this, I
• 16:48
  Speaker 1: always day weekend change listen, don't facing she got my
• 16:54
  Speaker 1: heartbeat risten that same time, don't go me because you
• 17:04
  Speaker 1: mist and I don't want to let you man me.
• 17:10
  Speaker 1: Pretty face, pretty tiding. We heard a song on the
• 17:14
  Speaker 1: pretty taught me all the lessons. He played a lot
• 17:17
  Speaker 1: of it. Yeah, So Young Blue did not appreciate Tory
• 17:22
  Speaker 1: Lane's and not reaching out to him, tagging him or
• 17:24
  Speaker 1: nothing like that. Here's what he said. I hope he
• 17:26
  Speaker 1: ain't take you long to record that song. I hope
• 17:29
  Speaker 1: he ain't spend a lot of money twil hours of
• 17:31
  Speaker 1: studio recording that song, because soon you upload YouTube, come
• 17:36
  Speaker 1: straight down. So go get your money back, Go get
• 17:38
  Speaker 1: a refund, go get a receipt. Well, you didn't tag me,
• 17:41
  Speaker 1: you didn't show the lord man. Don't get it by life. Hey,
• 17:45
  Speaker 1: I agree with Young Blue because you should cite your source,
• 17:48
  Speaker 1: especially with a young artist. Yeah, with a young artists, absolutely,
• 17:51
  Speaker 1: because it's I'm gonna tell you why. It's folks out
• 17:53
  Speaker 1: there who who don't know who Young Blue is, you
• 17:55
  Speaker 1: know what I mean? But they know Tory Lane. They
• 17:57
  Speaker 1: might hear that song and be like, oh, that's Tory
• 17:59
  Speaker 1: Lane's record. It's like, no, it's Young Blue record. Give
• 18:01
  Speaker 1: the young man some credit. If he was an older,
• 18:02
  Speaker 1: more established artist that people know, I would understand the
• 18:05
  Speaker 1: jacket for beat. But just to take a young artist
• 18:07
  Speaker 1: song and not at least say what up Young Blue
• 18:09
  Speaker 1: or something? Nah, he's a top ten artist and artist's
• 18:13
  Speaker 1: been doing it since hip hop was created. Somebody puts
• 18:15
  Speaker 1: out a record and somebody does a freestyle over it.
• 18:18
  Speaker 1: You do it all the time. I've heard just Tory
• 18:20
  Speaker 1: every artist. I've heard that record, but I don't know
• 18:22
  Speaker 1: Young Blue. I had a record on the radio, but
• 18:24
  Speaker 1: I don't know who that is. What does that mean?
• 18:26
  Speaker 1: Jay Z has done a whole mixtape taking people's beats. Yes,
• 18:30
  Speaker 1: Gods has done it. You know change all right? Well,
• 18:33
  Speaker 1: well Young Blie and his team had had that song
• 18:36
  Speaker 1: taken down and he can do that. And then he
• 18:39
  Speaker 1: tweeted tag me and I put it back. I'm a
• 18:42
  Speaker 1: real and word at Tory Lanes and Tory Lanez had
• 18:44
  Speaker 1: at Young Blue. Crazy thing is. I love your music
• 18:46
  Speaker 1: and your song. That's why I remixed it. You're an
• 18:48
  Speaker 1: incredible artist and I've been listening to you since. Unappreciated,
• 18:51
  Speaker 1: but he felt some sort of way we can just
• 18:53
  Speaker 1: talk like men over a phone and not social media.
• 18:56
  Speaker 1: Love bro, So Drake has done it many times a
• 18:59
  Speaker 1: lot of people. The easiest thing to do is give
• 19:01
  Speaker 1: somebody some credit. I mean all all a young man
• 19:04
  Speaker 1: wanted was an add on Twitter. You know what I'm saying.
• 19:06
  Speaker 1: At least cite your source and say tell me the
• 19:08
  Speaker 1: original record is. Young Blue responded to that and said
• 19:11
  Speaker 1: I can't call you if I don't have your number.
• 19:13
  Speaker 1: G I don't want to beef. I like the record. Actually,
• 19:15
  Speaker 1: I just felt disrespected. You just saw me at Rolling
• 19:18
  Speaker 1: Loud tonight and ain't say a word to me. And
• 19:20
  Speaker 1: I even performed the song you said you like when
• 19:22
  Speaker 1: I took a pick with your artist. I go get
• 19:24
  Speaker 1: in my sprinter and see you remix my song and
• 19:26
  Speaker 1: ain't show love either. So I'm a real person. I
• 19:29
  Speaker 1: get offended. Send your jack let's talk like men. It's
• 19:31
  Speaker 1: on you. I'm leaving it alone though, but let's not
• 19:33
  Speaker 1: play victim gang. I don't never be on no cloud ish. Yeah,
• 19:36
  Speaker 1: I agree artists been jacking for years. But I do
• 19:39
  Speaker 1: agree with him. He's a young artist. He's on to
• 19:41
  Speaker 1: come up. People don't know him yet. Just to get
• 19:43
  Speaker 1: him in some credit, get him a shout out. Ot
• 19:45
  Speaker 1: Genesis did it. Mary J. Blige just done it, Like
• 19:48
  Speaker 1: that's what the hip hop is about. Just I think
• 19:49
  Speaker 1: it yourself out like I just saw you tonight and
• 19:53
  Speaker 1: you ain't saying nothing rollout Loud. What's happening, I guess.
• 20:02
  Speaker 1: So I don't think it's nothing wrong giving a young
• 20:05
  Speaker 1: boy credit, all right, now, let's talk about Dave Chappelle.
• 20:08
  Speaker 1: Overnight he put out a Redemption song and it's a
• 20:11
  Speaker 1: new ten minute clip. You know, he has this deal
• 20:13
  Speaker 1: with Netflix and he's been putting out all kinds of content,
• 20:16
  Speaker 1: and he's been performing in Austin, Texas. I think they
• 20:19
  Speaker 1: just closed out all their shows in Austin. Dave Chappelle
• 20:22
  Speaker 1: did end up getting coronavirus. You know, he's been doing
• 20:24
  Speaker 1: these shows in Yellow Springs, Ohio, and then he moved
• 20:28
  Speaker 1: it over to Austin with Joe Rogan, and he started
• 20:31
  Speaker 1: it off talking about getting coronavirus. And I just tried
• 20:35
  Speaker 1: to find a way that I could work. You see
• 20:37
  Speaker 1: what we've been doing, all of you who had didn't
• 20:40
  Speaker 1: endure this invasive test on were these masks just so
• 20:43
  Speaker 1: we could be out and hang out and be together.
• 20:45
  Speaker 1: I tried and if all these months, after doing all
• 20:48
  Speaker 1: all these shows, God David, my number was up, and
• 20:51
  Speaker 1: then I had the rona all when I said I
• 20:55
  Speaker 1: had the coronavirus, the overwhelming majority of people wished me, well,
• 21:00
  Speaker 1: we hope you get better, take care of yourself. We
• 21:02
  Speaker 1: don't want anything bead to happen to you. But there
• 21:04
  Speaker 1: was a faction of people who said, you see that day, Chappelle,
• 21:09
  Speaker 1: that's why we stay inside where its safe. Well, enjoy yourselves, mother,
• 21:15
  Speaker 1: because I'm better now, all right, And then he goes
• 21:20
  Speaker 1: on to talk about actually like quarantine shaming a little bit,
• 21:24
  Speaker 1: But well, I think like quarantine shaming just a little bit,
• 21:28
  Speaker 1: you know what I mean, Just because people want to
• 21:29
  Speaker 1: follow see see gudelines and stay in the house, that's fine, Yeah,
• 21:33
  Speaker 1: you know what I mean. I think I think he
• 21:35
  Speaker 1: was talking about people that were like, ha ha, you
• 21:37
  Speaker 1: see you see. But he's saying that he's from months
• 21:39
  Speaker 1: done this. He's you know, gotten people tested to even
• 21:42
  Speaker 1: attend his shows. They socially distanced at the shows. Anybody
• 21:44
  Speaker 1: that participates and activities with him has to get tested
• 21:47
  Speaker 1: before they come, get tested twice a day. And he
• 21:50
  Speaker 1: dared what he could. Yeah, but he's proved that even
• 21:52
  Speaker 1: if you take profitable cautions, you can still get it.
• 21:54
  Speaker 1: But even so, that don't mean that, you know, even
• 21:56
  Speaker 1: if you still want to stay in the house, that's
• 21:57
  Speaker 1: still fine, right, But yes, he had an issue with
• 22:00
  Speaker 1: people who didn't just say hey, we wish you well.
• 22:02
  Speaker 1: There were people that were like, good for you, ha ha,
• 22:05
  Speaker 1: and well that's how we felt. And so anyway, he
• 22:08
  Speaker 1: goes on to talk about his show, The Chappelle Show
• 22:10
  Speaker 1: coming back to Netflix. Here's what he said. I never
• 22:14
  Speaker 1: asked Comedy Central for anything. If you remember, I said,
• 22:18
  Speaker 1: I'm going to my real boss, and I came to you.
• 22:22
  Speaker 1: I asked you to stop watching the show, and thank
• 22:25
  Speaker 1: God Almighty for you you did. You made that show
• 22:29
  Speaker 1: worthless because without your eyes, it's nothing. And when you
• 22:34
  Speaker 1: stopped watching it, they called me and I got my
• 22:38
  Speaker 1: name back, and I got my license back, and I
• 22:42
  Speaker 1: got my show back and they paid me millions of dollars.
• 22:48
  Speaker 1: Thank you very much. I mean, there was no doubt
• 22:51
  Speaker 1: that he wouldn't get a show back. I mean, he's Dave,
• 22:54
  Speaker 1: mother f and Chappelle. And I'm also very happy that
• 22:57
  Speaker 1: he saluted Chris McCarthy to drop on a clues bons
• 23:00
  Speaker 1: for Chris McCarthy. If you watch the you know the
• 23:02
  Speaker 1: whole thing he shouted like Chris McCarthy. Chris McCarthy as
• 23:04
  Speaker 1: a guy who gave me my first ever overall deal
• 23:07
  Speaker 1: in TV. And he's an executive who gets it. Not
• 23:09
  Speaker 1: only does he have a great out for talent, more importantly,
• 23:11
  Speaker 1: he always wants to do what's right by people. I
• 23:14
  Speaker 1: love that guy. We need more executives like him, and
• 23:16
  Speaker 1: he's got seven women on his senior management team. Pluton,
• 23:19
  Speaker 1: I think he and if you watch a Chappelle was
• 23:21
  Speaker 1: also saying that people were telling him he was never
• 23:24
  Speaker 1: gonna get his show back and there was nothing they
• 23:25
  Speaker 1: could do about it. For those people who don't know
• 23:27
  Speaker 1: the business then, and they don't know the leverye Dave
• 23:29
  Speaker 1: Chapelle has and they don't know the powers that be
• 23:31
  Speaker 1: that are in position now at CBS Viacom, because if
• 23:34
  Speaker 1: they actually knew Chris McCarthy, they would know, yes, they
• 23:37
  Speaker 1: would get his show back, and Dave got the power
• 23:40
  Speaker 1: at this point, he's in the power position position. Right.
• 23:43
  Speaker 1: He tell people not to watch it, and like he said, financially,
• 23:46
  Speaker 1: it didn't make sense for them. If nobody's gonna watch
• 23:49
  Speaker 1: the show, doesn't make sense to put it on. And
• 23:52
  Speaker 1: more correctly, I'm telling you Chris McCarthy will always do
• 23:55
  Speaker 1: what's right. If you know Chris McCarthy didn't, then you
• 23:57
  Speaker 1: know that that's what that's the type of stuff he
• 23:59
  Speaker 1: fights for. All right, Well that is your rumor report,
• 24:03
  Speaker 1: all right. Now, when we come back, we got front
• 24:05
  Speaker 1: page news. What we're talking about, Well, let's talk about
• 24:08
  Speaker 1: Casey Goodson's junior. Now we've had his mom and his
• 24:11
  Speaker 1: attorney and his mom's attorney. I'm previously he was shot
• 24:14
  Speaker 1: and killed by police and then back as he was
• 24:16
  Speaker 1: entering his own home. They are gonna give us an update.
• 24:19
  Speaker 1: And I want you guys to really pay attention to
• 24:21
  Speaker 1: this because it's heartbreaking to hear. And the police officer
• 24:23
  Speaker 1: who's shot and killed him is still working, still has
• 24:26
  Speaker 1: his job, all right, So we'll talk to him next.
• 24:28
  Speaker 1: And then every hour on an hour, we're playing this
• 24:30
  Speaker 1: Nipsey jay Z joint. What it feels like to get
• 24:33
  Speaker 1: your ass up. It's the Breakfast Local Morner and this
• 24:36
  Speaker 1: is what it feels like, all right. That was what
• 24:39
  Speaker 1: it feels like. Nipsey Hustle and jay Z off the
• 24:42
  Speaker 1: Jewish and the Black Messiah soundtrack. Tell me that's not
• 24:45
  Speaker 1: a hard ball. When jay Z says you're letting cracking
• 24:48
  Speaker 1: storm your capital, put their feet up on your desk,
• 24:50
  Speaker 1: and yet you talking tough to me, I lost all
• 24:52
  Speaker 1: my little respect. That's how I feel about in Cowards, Yes,
• 24:57
  Speaker 1: And you know, jay Z never gets bad like like
• 25:00
  Speaker 1: you know, people say, yoh, when orders get old. No, no,
• 25:03
  Speaker 1: And that's what I'm saying, not at all. It's like
• 25:05
  Speaker 1: Tom Brady, right like you you know Tom Brady is great,
• 25:08
  Speaker 1: but you appreciate him more because he's forty three. Correct.
• 25:12
  Speaker 1: You don't expect him to still be doing what he's
• 25:13
  Speaker 1: doing at forty three, just like you don't expect Hold
• 25:15
  Speaker 1: to still be doing what he's doing at fifty one.
• 25:18
  Speaker 1: That's only because the rappers we saw before him that
• 25:21
  Speaker 1: age were so whack. You know, they got bad, they
• 25:25
  Speaker 1: got terrible without bad, Yes, they got bad for whatever
• 25:28
  Speaker 1: reason he has it and not just spoiled. Look at
• 25:31
  Speaker 1: he's he's not the oldest. Think about scarf face. Scarf
• 25:34
  Speaker 1: face is still phenomenal. Scar Face still get business. No,
• 25:36
  Speaker 1: plenty of rappers over forty still phenomenal. Nas rights to
• 25:39
  Speaker 1: five nine, but you know, jee a lot of rappers
• 25:43
  Speaker 1: before they still get busy. Yeah, all right, anyway, well
• 25:45
  Speaker 1: let's get in some front page news. We're doing a
• 25:47
  Speaker 1: different this morning. Yeah, and I feel like this is
• 25:49
  Speaker 1: an important story that we do really need to highlight
• 25:51
  Speaker 1: because I haven't seen much activity around the killing of
• 25:55
  Speaker 1: Casey Goodson Junior. So we are going to have his mother,
• 25:58
  Speaker 1: Tamla Paine, and his attorney, Shaan Walton give us some
• 26:01
  Speaker 1: updates on what's happening. The officer who shot and killed
• 26:04
  Speaker 1: Casey Goodson, who was only twenty three years old, still
• 26:07
  Speaker 1: has his job, and they're going to talk about what
• 26:10
  Speaker 1: they know about the killing of Casey Goodson Junior and
• 26:13
  Speaker 1: where they are right now with the investigation. Yeah, quick update.
• 26:16
  Speaker 1: He was coming home from the dentist, walking in into
• 26:18
  Speaker 1: his house and the officers shot him five times. He
• 26:22
  Speaker 1: had illegal gun on him, legally owned gun on him,
• 26:28
  Speaker 1: and now let's talk to the mom and attorney. Good morning.
• 26:30
  Speaker 1: Thank you again for having us. You know, we respect
• 26:33
  Speaker 1: and appreciate this platform so much. And Tamerla insisted that
• 26:37
  Speaker 1: she wanted to talk to her friends as we released
• 26:38
  Speaker 1: more information. So you know, we appreciate you guys uplifting
• 26:43
  Speaker 1: Casey Gudson's name that we know now more than ever
• 26:46
  Speaker 1: that Casey Gudson, Jr. Was an innocent black man who
• 26:50
  Speaker 1: was murdered by Franklin County Sheriff's Deputy Jason me on
• 26:55
  Speaker 1: December four of twenty twenty. And we didn't know before.
• 26:58
  Speaker 1: We thought that he was shot in in the back
• 27:00
  Speaker 1: a few times. Casey's grandmother and saw three gunshots. But
• 27:04
  Speaker 1: we've spoken with the county corner that performed the autopsy
• 27:08
  Speaker 1: in case he was shot in his back six times,
• 27:11
  Speaker 1: five times in his back and once in his butt
• 27:14
  Speaker 1: with a high powered rifle. And he was shot through
• 27:17
  Speaker 1: his screen door as he walked into his own home.
• 27:19
  Speaker 1: He was shot from behind. His keys were in the door,
• 27:23
  Speaker 1: he had subway in his hand, and so it was
• 27:25
  Speaker 1: a cold blooded execution and Casey was murdered and the
• 27:29
  Speaker 1: world needs to know that. Yeah, and I see now
• 27:31
  Speaker 1: that there could potentially be some federal charges. Is that true? Yeah,
• 27:35
  Speaker 1: So the Department of Justice and the FBI have been
• 27:38
  Speaker 1: leading this investigation because the ball was dropped early on
• 27:40
  Speaker 1: by the local police, and so the fairs have been investigating,
• 27:44
  Speaker 1: and they may bring federal charges, they may bring state charges,
• 27:48
  Speaker 1: but they had been in consistent communication with us, and
• 27:51
  Speaker 1: so we understand that they're pursuing the truth, and the
• 27:54
  Speaker 1: truth is going to lead to the understanding that Casey
• 27:58
  Speaker 1: was murdered. So, yeah, they are spaghetti and they could
• 28:01
  Speaker 1: bring subtle charges. How are you doing, How are you
• 28:04
  Speaker 1: holding up? How is everything with you? I mean, I'm
• 28:07
  Speaker 1: doing as well as I can really. As I stated before,
• 28:11
  Speaker 1: I don't really really allow myself to feel right now,
• 28:14
  Speaker 1: I feel like if I allow myself to feel, and
• 28:16
  Speaker 1: I can't fight. And my whole everyday purposes to fight
• 28:19
  Speaker 1: for justice, because, as Sean said, Kathy wasn't murdered, he
• 28:23
  Speaker 1: was executed. I've seen the picture of my son's back.
• 28:28
  Speaker 1: He blew a chunk out of my son's back. He
• 28:31
  Speaker 1: had sermons where he talks about hunting people and uses
• 28:35
  Speaker 1: his platform as a pastor to describe police brutality, so
• 28:42
  Speaker 1: to speak. And he's bragged about how he hunts people
• 28:45
  Speaker 1: and he throws the first punch. And unfortunately, on that day,
• 28:49
  Speaker 1: he definitely hunted my son and he killed him in
• 28:52
  Speaker 1: cold blood, you know, and I want justice. I mean,
• 28:55
  Speaker 1: my son was a twenty three year old man. He's
• 28:57
  Speaker 1: never been in troubling the law. He was a family man,
• 29:00
  Speaker 1: he didn't club, he's never I mean, he was a
• 29:02
  Speaker 1: good kid. He didn't deserve this. He was coming home
• 29:05
  Speaker 1: from the dentist. You know. When the case first started,
• 29:07
  Speaker 1: we thought he was only shot three times in the
• 29:10
  Speaker 1: back because there were three boot holes in the screen door.
• 29:12
  Speaker 1: So the assumption was there were three shots to his back,
• 29:15
  Speaker 1: but there's five shots. There's five shots to the back
• 29:17
  Speaker 1: and one to his button. I've seen every shot. I
• 29:20
  Speaker 1: did sit down with the corner and a pathologist that
• 29:23
  Speaker 1: performed the autop DNA twain every bullet one to me
• 29:26
  Speaker 1: in great deep Still he hit basically every organ my
• 29:30
  Speaker 1: son has. It's just, I mean, it's no way to
• 29:35
  Speaker 1: explain how I feel other than in fact I want
• 29:37
  Speaker 1: him in jail. The man still has a job. He's
• 29:40
  Speaker 1: still employed. To this day is day sixty eight, and
• 29:44
  Speaker 1: he still has a job. He shouldn't have been on
• 29:47
  Speaker 1: the assignment he was on in the first place because
• 29:50
  Speaker 1: of his extensive rutger as a shirt deputy. He was
• 29:54
  Speaker 1: involved in an altercation in two thousand and eighteen that
• 29:57
  Speaker 1: left two men dead. He was involved in another shooting.
• 30:00
  Speaker 1: He was on a no contact order with inmates where
• 30:03
  Speaker 1: he worked. Where where your job is to work with
• 30:05
  Speaker 1: the MMA, he couldn't even have contact with him, So
• 30:07
  Speaker 1: he shouldn't have been on the apogement that he was
• 30:09
  Speaker 1: on the day that he was on it that led
• 30:12
  Speaker 1: to my son's murder in the first place, and then
• 30:14
  Speaker 1: he still has a job after sixty eight days. You know,
• 30:17
  Speaker 1: he still has a job. He hasn't been arrested. You know,
• 30:20
  Speaker 1: he doesn't deserve a job. And that's the officer, Jason Meade,
• 30:24
  Speaker 1: who you're speaking on. I want to flash back to
• 30:26
  Speaker 1: what you said. So I saw there was a video
• 30:29
  Speaker 1: or something that he was posting where he was talking
• 30:31
  Speaker 1: about using religion to justify brutality. Is that what you
• 30:35
  Speaker 1: were referencing earlier. Yes, he made a signment. I actually
• 30:40
  Speaker 1: listened to it for the first time the other day.
• 30:41
  Speaker 1: I've heard about altbred some of the things that he said,
• 30:44
  Speaker 1: but the first time I actually listened to the video
• 30:47
  Speaker 1: was Saturday. To be honest with you, and yes, in
• 30:50
  Speaker 1: the video, he definitely says he hunts people. He stated
• 30:55
  Speaker 1: that the people that I hit you wish you could
• 30:57
  Speaker 1: hit too, and this congregation laugh. He bragged about his
• 31:01
  Speaker 1: colleague and his supervisors being a part of the congregation.
• 31:05
  Speaker 1: They were all asking and charing and clapping him all.
• 31:07
  Speaker 1: He also said he throws the first punch. He doesn't
• 31:10
  Speaker 1: wait for the first puns to be thrown. He thrown
• 31:12
  Speaker 1: was the first punch. So yeah, he used it to
• 31:14
  Speaker 1: brag about police brutality and basically killing innocent black man.
• 31:19
  Speaker 1: It's clear, no, no. As far as this case, what's
• 31:22
  Speaker 1: the what's next now? One is the immediate termination of
• 31:26
  Speaker 1: Jason meet you know, calling for that and also his
• 31:28
  Speaker 1: arrest and pushing for that, keeping that pressure on. You know,
• 31:30
  Speaker 1: there's no video, but what we know is that the
• 31:33
  Speaker 1: physical evidence shows that he was hunted and he was killed,
• 31:36
  Speaker 1: and there's no justification for so calling for meats termination,
• 31:41
  Speaker 1: holding his sheriff's office accountable, as well as holding the
• 31:44
  Speaker 1: Department of Justice accountable for prosecuting him. Also, we're going
• 31:48
  Speaker 1: to have a website, um Justice for Casey Goodson junior
• 31:51
  Speaker 1: dot com. It's going to aggregate all this information and
• 31:54
  Speaker 1: keep and keep folks updated on calls to action and uh,
• 31:58
  Speaker 1: you know, making sure that this and die down. As
• 32:00
  Speaker 1: we know with George Floyd and Eric Garner and others,
• 32:04
  Speaker 1: seeing video is something that has lifted those names up.
• 32:08
  Speaker 1: But in cases like Brianna Taylor, it's to push from
• 32:12
  Speaker 1: the people across the country that gets justice and those
• 32:16
  Speaker 1: officers still weren't in diets. We want to make sure
• 32:17
  Speaker 1: that we have justice here, we have a conviction, and
• 32:20
  Speaker 1: that we normalize the conversation around black people and guns.
• 32:22
  Speaker 1: That's really important. It's perfectly normal for people like Katy
• 32:26
  Speaker 1: to be lawful gun owners and even myself and anybody
• 32:30
  Speaker 1: anybody else in this country, and that can't be a
• 32:32
  Speaker 1: death sentence or Tama Lapaine, attorney Shaan L. Walton, thank
• 32:35
  Speaker 1: you for checking in and just give us any updates
• 32:37
  Speaker 1: anytime something pops up. Please yeah, always welcome. We definitely
• 32:41
  Speaker 1: want to make sure we keep everybody in form. Thank you,
• 32:43
  Speaker 1: thank you, thank you all all right, well, thank you
• 32:46
  Speaker 1: Tama La Paine, Thank you to Sean Walton. It brings
• 32:48
  Speaker 1: tears in my eyes every time I have to think
• 32:50
  Speaker 1: about a mother not being able to see her son anymore.
• 32:52
  Speaker 1: He did nothing wrong. He was going into his home correct,
• 32:56
  Speaker 1: holding a bag of subway sandwiches. And if you follow
• 32:59
  Speaker 1: her on Instagram, is painful just to see all the
• 33:02
  Speaker 1: things that she's posting. You know, she has other children
• 33:05
  Speaker 1: as well, and like she said, she didn't want to
• 33:06
  Speaker 1: put out the picture of him because she doesn't want
• 33:09
  Speaker 1: her kids to have to see that. But it's things
• 33:11
  Speaker 1: like that I think that finally will motivate people to
• 33:13
  Speaker 1: have the empathy they need to have for this woman.
• 33:16
  Speaker 1: Absolutely all right, we lat is your front page news now.
• 33:20
  Speaker 1: When we come back Daniel Kaluya will be joining us.
• 33:23
  Speaker 1: You know him from get Out, you know from Black Panther,
• 33:25
  Speaker 1: and we're gonna be kicking it with him, all right,
• 33:27
  Speaker 1: so don't move. It's the Breakfast Club. Good morning morning.
• 33:29
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We
• 33:33
  Speaker 1: are the Breakfast Club. We got a special guest in
• 33:36
  Speaker 1: the building on the line right now, Daniel Kaluya. Welcome,
• 33:40
  Speaker 1: brother Yo, thanks for having mem Nice to see you guys.
• 33:44
  Speaker 1: Have you ever I don't think you've ever been here
• 33:45
  Speaker 1: in person? Have you? Have you? Daniel? Good to meet
• 33:50
  Speaker 1: you over zoom man. But to me, Tima have enjoyed
• 33:54
  Speaker 1: you in several projects. You've been attached to some really
• 33:56
  Speaker 1: great movies. I mean, of course Get Out, Black Panther
• 34:00
  Speaker 1: and now Judith in The Black Messiah, which I you know,
• 34:02
  Speaker 1: I don't want to put too much sauce on it.
• 34:04
  Speaker 1: I just think it's a phenomenal film first and foremost
• 34:08
  Speaker 1: so so what made you want to do this film? What? What? What?
• 34:11
  Speaker 1: What feature interest on this film? It was Ryan and
• 34:14
  Speaker 1: Zinzi Kogler on a set of Black Panther on the
• 34:17
  Speaker 1: reshoots pulled me to the side and they were just like,
• 34:20
  Speaker 1: I were making a film about Chairman Fred. I was
• 34:23
  Speaker 1: speaking about that, and then I was like, and then
• 34:25
  Speaker 1: they were speaking that Lakeith was a part of it,
• 34:26
  Speaker 1: mckith Stanfield and Shaky King was directing, and they told
• 34:30
  Speaker 1: they told me about their intentions and their reasons for
• 34:32
  Speaker 1: doing it. I just it just really spoke to me,
• 34:34
  Speaker 1: re resonating with me. And then a lot of things
• 34:37
  Speaker 1: happened because I was in the middle of to get
• 34:39
  Speaker 1: out press room at that time. So I sat down
• 34:41
  Speaker 1: with Shaka in New York and I read the script
• 34:44
  Speaker 1: literally the first script I read after the Oscars. First
• 34:46
  Speaker 1: script I read was Judis in Black Missile, and I
• 34:49
  Speaker 1: just said, yeah, I'm in What did they say were
• 34:51
  Speaker 1: the intentions behind doing it about UNI? It's about bringing
• 34:55
  Speaker 1: people together, talking about how Chairman Fred was this beacon
• 34:59
  Speaker 1: and he just broke people together and that's what we
• 35:02
  Speaker 1: want people to do out there, you know. And I
• 35:05
  Speaker 1: just read that really spoke to me. Did you know
• 35:07
  Speaker 1: much about the character beforehand or did you have to
• 35:09
  Speaker 1: study or Chairman Fred? I knew. I knew bits and pieces,
• 35:12
  Speaker 1: you know here and now hearing conversations and stuff. I
• 35:15
  Speaker 1: remember one I was played somewhere and I was like, oh,
• 35:18
  Speaker 1: saw the date that he was born in a date
• 35:20
  Speaker 1: he was assassinated. And I was like, well, wait, hold on,
• 35:22
  Speaker 1: that can't be right. I was like, what that can't
• 35:24
  Speaker 1: be right? How old was held? What's going on? And
• 35:28
  Speaker 1: then and I was googling, and I was like, he
• 35:30
  Speaker 1: can't have been twenty one. Not only that he was
• 35:32
  Speaker 1: assassinating the twenty one, but he made it to be
• 35:35
  Speaker 1: chairman of the Internet chapter of the Black Pipe of
• 35:37
  Speaker 1: Party by twenty one. I was just like, that's that's incredible,
• 35:40
  Speaker 1: you know, And I just on that day, I remember
• 35:42
  Speaker 1: I went on it. I was like, yo, I need
• 35:43
  Speaker 1: to do a real read on all that stuff when
• 35:46
  Speaker 1: I got time. And then luckily I was blessed to
• 35:48
  Speaker 1: have this opportunity. Yeah, he was assassinated on December four,
• 35:51
  Speaker 1: of jay Z's born day. You know, I'm listening to
• 35:53
  Speaker 1: you talk man, and I will always be intrigued by
• 35:56
  Speaker 1: British actors who can make their accents go away for
• 35:59
  Speaker 1: certain roles. I'm from South Carolina and I can't get
• 36:01
  Speaker 1: rid of this accent to save my life. Ever, how
• 36:03
  Speaker 1: how is it, how are y'all able to do that?
• 36:06
  Speaker 1: That's what Bro. It's like, it's like it's like you're
• 36:09
  Speaker 1: gonna You're gonna get I mean, it's like if you're
• 36:12
  Speaker 1: like being a vessel for Chairman Fred, you're just going.
• 36:14
  Speaker 1: You can't even approach it with your accident, you know
• 36:16
  Speaker 1: what I'm saying, with your experience, you have to kind
• 36:18
  Speaker 1: of surrender, let yourself go. You're understanding, and then it's
• 36:22
  Speaker 1: kind of just come to it, you undersaying, and when
• 36:24
  Speaker 1: you come to it, you have to adopt these not
• 36:26
  Speaker 1: only speech ribbons, but foot rhythms. You're saying. It's like
• 36:30
  Speaker 1: you have to think in a way in that space,
• 36:32
  Speaker 1: think in that space, and then your speech changes. You
• 36:35
  Speaker 1: can't think like a brother from London, you know what
• 36:37
  Speaker 1: I'm saying. You can't think like you're looking at it.
• 36:40
  Speaker 1: So it's kind of like a it's a scenario surrendering,
• 36:43
  Speaker 1: you know. You know the story of the Black Panthers
• 36:45
  Speaker 1: has been so misconstrued, like people try to compare the
• 36:48
  Speaker 1: Black Panthers to the KKK. Knowing this, did you feel
• 36:52
  Speaker 1: extra pressure to make sure that they were portrayed correctly. Yeah,
• 36:55
  Speaker 1: you know that that comparison is just laced and based
• 36:58
  Speaker 1: in white fear and white anxiet, you know, because it
• 37:01
  Speaker 1: doesn't it doesn't make no sense to compare the Black
• 37:04
  Speaker 1: Panther Party, an organization that was providing free healthcare and
• 37:08
  Speaker 1: breakfast program kids and educating kids, to another group that
• 37:16
  Speaker 1: lynches black people. And I'm saying, it's like, that's not
• 37:18
  Speaker 1: even you know, it's so it's h Like I said,
• 37:21
  Speaker 1: we're just navigating white fear and white anxiety and we're
• 37:24
  Speaker 1: kind of pushing it to the side and saying, Yo,
• 37:26
  Speaker 1: this is from our perspective, this is the truth. You know,
• 37:29
  Speaker 1: this is actually what they did, This is what they
• 37:31
  Speaker 1: had to go through, and then that they still loved themselves,
• 37:33
  Speaker 1: and then that they still loved the Black commu community
• 37:35
  Speaker 1: and poured love into the black community. Did they teach
• 37:38
  Speaker 1: you a lot about the Black Panthers in the UK?
• 37:40
  Speaker 1: Because even growing up in New York, they really didn't
• 37:43
  Speaker 1: teach us much about the Black Panthers, Like, you know,
• 37:45
  Speaker 1: they they would teach us about Martinlauke, the King, drips
• 37:48
  Speaker 1: and drabs of Malcolm X, very little about the Panthers.
• 37:52
  Speaker 1: So did you learn much about the Panthers growing up
• 37:54
  Speaker 1: in the UK? You know, it is at school we
• 37:56
  Speaker 1: did the civil rights movement at school, and it was
• 37:59
  Speaker 1: it was a lot of Montgomery bus Boycott, lot on
• 38:02
  Speaker 1: Rosa Parts, a lot on Martin Luther King, and then
• 38:05
  Speaker 1: mentioned of Malcolm X and then skipp to JFK and
• 38:07
  Speaker 1: you know, and then it's just like John saying, it's
• 38:09
  Speaker 1: kinda like and then I remember, I just see the
• 38:11
  Speaker 1: other day, like a couple of weeks ago, I was
• 38:12
  Speaker 1: looking at my old school papers, and I saw that
• 38:15
  Speaker 1: there was like this printed like kind of typed up
• 38:18
  Speaker 1: or kind of sections, and I had written the Black
• 38:20
  Speaker 1: Panther Party in the middle of something, in the middle
• 38:23
  Speaker 1: of it. In my writing, I'm probably like a thirteen fourteen,
• 38:25
  Speaker 1: so it was in passing, you know. But then when
• 38:28
  Speaker 1: you're when you're a young black man navigating the Western construct,
• 38:33
  Speaker 1: you're gonna attract those kind of ideas. If you love yourself,
• 38:35
  Speaker 1: if if you wanted to empower yourself, the Black Panther
• 38:38
  Speaker 1: Party is going to arrive to you. And so it
• 38:40
  Speaker 1: came to me in natural ways and conversations or in
• 38:43
  Speaker 1: watching things or taking an art and like you're just
• 38:45
  Speaker 1: taking a lot of stuff. That's how it kind of
• 38:47
  Speaker 1: came to me. And I educated myself on it by myself,
• 38:50
  Speaker 1: like I read a Starter's book like that was just
• 38:52
  Speaker 1: me doing stuff in my spare time, you know, because
• 38:54
  Speaker 1: it was stuff that I would that cared about. How
• 38:57
  Speaker 1: do you think a movie like Judea's in the Blackness
• 38:59
  Speaker 1: Diet is relevant as far as what's going on in
• 39:02
  Speaker 1: the world today, Like could you see Fred Hampton existing?
• 39:05
  Speaker 1: Do you know anybody that's like that to try to
• 39:07
  Speaker 1: bring together all different groups of people to fight against
• 39:10
  Speaker 1: police brutality. There is the probably is Chairman Fred out there,
• 39:15
  Speaker 1: you know, And that's what it is about Judas and
• 39:16
  Speaker 1: Black Side. We're trying to show that this man is
• 39:18
  Speaker 1: a human being. You know that you have the capacity.
• 39:20
  Speaker 1: Anyone out there has the capacity to go out there
• 39:23
  Speaker 1: and support their community, you know, and and empower their
• 39:27
  Speaker 1: own to free themselves. You know. But in terms of
• 39:30
  Speaker 1: like how it's like today, I feel Chairman Fred and
• 39:33
  Speaker 1: Black Panther Party and through this film just articulating how
• 39:37
  Speaker 1: a lot of people are feeling right now. You see
• 39:39
  Speaker 1: it we largely with the murders of George Floyd and
• 39:41
  Speaker 1: Brianna Taylor, And the response to that is that, like
• 39:45
  Speaker 1: this film articulates how people are feeling and what to
• 39:49
  Speaker 1: do about it, you know, because I have one of
• 39:51
  Speaker 1: my favorite sayings is do something, start small, start local,
• 39:53
  Speaker 1: keep going. You know what I'm saying. And I feel
• 39:56
  Speaker 1: it's that it's like decentralized empowerment. You know, that's how
• 40:01
  Speaker 1: phil It's about, Yo, Let's take the power for ourselves
• 40:03
  Speaker 1: and empower people around us. I mean, there's a lot
• 40:06
  Speaker 1: of brothers and sisters out here doing the work right now,
• 40:08
  Speaker 1: and we may have a Fred Hampton type figure in
• 40:11
  Speaker 1: our miss now, but we just don't appreciate them, like
• 40:13
  Speaker 1: the Tamica Mallory's, the Philip bag News. They bring people together,
• 40:16
  Speaker 1: they fight against police brutality. But you know his history
• 40:20
  Speaker 1: always tells a different story after people are gone. Yeah,
• 40:23
  Speaker 1: that's one I'm saying to say, Charloman, why don't we
• 40:25
  Speaker 1: empower and put those people up in the platform now
• 40:28
  Speaker 1: because they're out there. It's like they're just doing the work.
• 40:31
  Speaker 1: They're on the front line. Sometimes like real change is quiet,
• 40:35
  Speaker 1: and it's it's like like, yo, let's let's put our
• 40:37
  Speaker 1: attention towards them. Let's empower them. Let's put all resources
• 40:40
  Speaker 1: towards those people. They are in Carolina, are in like
• 40:44
  Speaker 1: New York, the are in in Oakland that aren't doing
• 40:47
  Speaker 1: the work. You know, all we have more with Daniel
• 40:49
  Speaker 1: Caluya when we come back, don't move. It's to breakfast club,
• 40:52
  Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 40:56
  Speaker 1: the guy. We are the breakfast club. We're still kicking
• 40:58
  Speaker 1: it with Daniel Caluya. So let me ask you a question.
• 41:00
  Speaker 1: What's the racial climate in the UK? I mean it's
• 41:03
  Speaker 1: a similar, similar dynamic. I mean, and people need to
• 41:06
  Speaker 1: be I think people need to be clear that the
• 41:08
  Speaker 1: root of all ideas is usually in the language that
• 41:12
  Speaker 1: people speak. So the fact that like we are all
• 41:14
  Speaker 1: on this cool speaking English, because the construct that we
• 41:18
  Speaker 1: are all navigating as like in terms of like racism
• 41:21
  Speaker 1: in this towards black people is rooted in England. You know,
• 41:24
  Speaker 1: they came over and they did what they did. So
• 41:26
  Speaker 1: in England it's a climate is different because it's their land.
• 41:30
  Speaker 1: There's there is a conflict. There is there is a conflict,
• 41:32
  Speaker 1: but it is subtle. You know, there isn't there isn't
• 41:35
  Speaker 1: an insecurity that they stole it, but there is there
• 41:37
  Speaker 1: is police brutality. I mean you can see it in
• 41:39
  Speaker 1: Mark Duggan. You know, that's kicked off the twenty eleven
• 41:42
  Speaker 1: London riots and his murder. There's so many black figures
• 41:46
  Speaker 1: and black people who have been killed by They've just
• 41:50
  Speaker 1: been they've just been murdered by the police, and they've
• 41:52
  Speaker 1: been risings and you know the Brixton riots in the eighties,
• 41:55
  Speaker 1: there's been so there's the battle is still going on
• 41:58
  Speaker 1: within England as well. What do you say the critics
• 42:02
  Speaker 1: who say roles like Fred Hampton should go to Black
• 42:04
  Speaker 1: Americans only. I listened to them. I'm not trying to
• 42:08
  Speaker 1: say anything to them because i feel like I'm in
• 42:10
  Speaker 1: a position where I'm about union in the in the diasporal,
• 42:14
  Speaker 1: you know. But if someone's feeling like what, I'm gonna
• 42:17
  Speaker 1: listen saying I'm gonna find how can we come together?
• 42:20
  Speaker 1: And if that's how they feel, it's been a history
• 42:22
  Speaker 1: of people ignoring and dismissing what African American people with
• 42:25
  Speaker 1: feeling and what they're expressing. I'm not gonna contribute to
• 42:28
  Speaker 1: that culture. I'm not in the business. It's the reality.
• 42:31
  Speaker 1: So if they're feeling the way, they're gonna listen, I'm
• 42:33
  Speaker 1: gonna say ya, I'm here to unite. And if they
• 42:35
  Speaker 1: feel like yeah, I don't want to unite with you.
• 42:36
  Speaker 1: That's been cool. You also got to reunite with the
• 42:39
  Speaker 1: character William or Neill play with Diala Keith scan Field.
• 42:42
  Speaker 1: Obviously you guys worked on Get Out Together. And I
• 42:45
  Speaker 1: want to ask you what you think about what he
• 42:48
  Speaker 1: had to do because he's the one that infiltrated the
• 42:50
  Speaker 1: Black Panther Party and Judas and the Black Messiah, and
• 42:55
  Speaker 1: I just think like, we'll give it too much away. Now,
• 42:57
  Speaker 1: you give it a lot of way, but it's called
• 42:59
  Speaker 1: Judas and the Black Syre, and the whole movie is
• 43:01
  Speaker 1: about how this guy infiltrated the Black Panther Party, So
• 43:03
  Speaker 1: I don't think it's a secreted a true story. Yeah.
• 43:07
  Speaker 1: So I just wanted to ask you when you think
• 43:09
  Speaker 1: about what he did right as that character, is there
• 43:13
  Speaker 1: any redemption you can find for somebody like that, because
• 43:16
  Speaker 1: the whole movie I just can't being like I can't
• 43:18
  Speaker 1: stand him. Yeah, I mean the stuff I read that
• 43:22
  Speaker 1: he did after that was just you know, he killed himself. Yeah,
• 43:26
  Speaker 1: well not even that's how he carried on in the
• 43:28
  Speaker 1: area and what he did to that community. But for me,
• 43:31
  Speaker 1: it's just to be clear that he is, uh who
• 43:36
  Speaker 1: you know, you know, it's like it's like he's a
• 43:39
  Speaker 1: it's the FBI, you know, like it's the it's that
• 43:43
  Speaker 1: he is being used I people, And I think what
• 43:47
  Speaker 1: you what you see in this film is the danger
• 43:49
  Speaker 1: of not caring, the danger of apathy, how like, and
• 43:53
  Speaker 1: the danger of self preservation. And you think you're preserving
• 43:56
  Speaker 1: yourself taking carry yourself, taking, carry yourself, taking, carry yourself.
• 43:58
  Speaker 1: And it led to him destroy himself because and its
• 44:02
  Speaker 1: whole community. He destroyed the whole movement. But the movement
• 44:05
  Speaker 1: can't be destroyed, Andrew, it can't be destroyed. And Fred
• 44:09
  Speaker 1: saying it can't be destroyed. That's why people out there
• 44:11
  Speaker 1: last last year, right and not there's people out there
• 44:14
  Speaker 1: out on the front line. We just it's just not
• 44:15
  Speaker 1: the topic that we're talking about right now. But the
• 44:17
  Speaker 1: movement cannot be destroyed. Ever, have you ever experienced the
• 44:21
  Speaker 1: type of betrayal by one of your own that Fred
• 44:24
  Speaker 1: Hampton experienced in regard to the William O'Neil. No, probably,
• 44:28
  Speaker 1: I don't know. I would have to think about that.
• 44:30
  Speaker 1: I don't know that he's getting into therapy land. I'm
• 44:36
  Speaker 1: sure you needed some therapy after this role, because that's
• 44:39
  Speaker 1: an intense role because you had to take on the
• 44:41
  Speaker 1: trauma of a whole generation, the trauma of a whole movement.
• 44:45
  Speaker 1: I'm sure you had to do some therapy to get
• 44:46
  Speaker 1: that out. You. Yeah, I had to look at myself.
• 44:48
  Speaker 1: I had to really look at myself, and I was
• 44:51
  Speaker 1: blessed I have the pandemic. You know, I really just
• 44:53
  Speaker 1: sit down. The first time I probably sat still since
• 44:55
  Speaker 1: probably know it's like twenty fifteen. It was a lot
• 44:58
  Speaker 1: to take and a can see that, like how I
• 45:01
  Speaker 1: access characters, I abandoned myself and I don't advise anyone
• 45:06
  Speaker 1: to do that. You know, I'm saying, it's um, there's
• 45:09
  Speaker 1: a way that you can get what you want whilst
• 45:11
  Speaker 1: taking care of yourself and loving yourself at the same time.
• 45:13
  Speaker 1: But you know, sometimes you kind of go, well, this
• 45:15
  Speaker 1: is all I have, especially when you come from not
• 45:16
  Speaker 1: a lot, not a lot of money, not a lot
• 45:18
  Speaker 1: of anything, that you're gonna use yourself as raw materials
• 45:20
  Speaker 1: you're saying, But you don't realize you're burning yourself like
• 45:22
  Speaker 1: a raw material, you know what I'm saying, instead of
• 45:24
  Speaker 1: enriching yourself and pouring into yourself whilst giving yourself. You know,
• 45:28
  Speaker 1: I had to look at that, and I'm still looking
• 45:30
  Speaker 1: at that. I like that phrase. You you you abandoned yourself,
• 45:33
  Speaker 1: like when during the role or after during during when
• 45:37
  Speaker 1: I creatively, I like a kind of I just I
• 45:39
  Speaker 1: do the habits of that person. So I'm waking up
• 45:42
  Speaker 1: listening to Michael Mets and I'm like waking up listen
• 45:44
  Speaker 1: to Martin Luther King's speeches. I am taking up smoking.
• 45:47
  Speaker 1: I am I'm in the space. I'm doing the thing
• 45:50
  Speaker 1: you're saying. I'm not me. I'm not living as me. Yeah,
• 45:53
  Speaker 1: I'm not doing like I'm living as how I feel
• 45:55
  Speaker 1: Chairman Fred was living in order to be in that
• 45:58
  Speaker 1: spiritual space, and then I would associate that to abandon me.
• 46:02
  Speaker 1: You know, I'm saying, and that's just not that's not cool.
• 46:04
  Speaker 1: I'm saying, that's not that method acting? Is that what
• 46:06
  Speaker 1: they can't? Method acting? I want to call that method acting.
• 46:08
  Speaker 1: I don't know method acts when you're in character all
• 46:10
  Speaker 1: the time, when I'm just hearing and I'm just like, Yo, Angela,
• 46:13
  Speaker 1: you call me Fred, that's it, call me chairman, that's it.
• 46:15
  Speaker 1: That's all I want to hear. Um. I don't really
• 46:17
  Speaker 1: do that, but for me, it's just like I just
• 46:18
  Speaker 1: want to It's like rituals, like triggers to consistently like, yeah,
• 46:22
  Speaker 1: this is you're in the space. You're in the space.
• 46:24
  Speaker 1: You're in the space. But I didn't. I don't know
• 46:25
  Speaker 1: if I took care of myself going into it, and
• 46:27
  Speaker 1: I don't think I took care of myself going out.
• 46:29
  Speaker 1: So I'm gonna look at my process. You know, how
• 46:31
  Speaker 1: do you get out of that? How do you get
• 46:33
  Speaker 1: out of it to get back to some type of norbusy.
• 46:36
  Speaker 1: It takes a well, my guy, it takes a well,
• 46:40
  Speaker 1: a lot of boss, a lot of taking care of yourself,
• 46:42
  Speaker 1: a lot of just like kind of catching yourself. What
• 46:44
  Speaker 1: I used to do is like I used to go
• 46:45
  Speaker 1: away for a week by myself, take my phone off,
• 46:48
  Speaker 1: and thought that that would reset me. But you know
• 46:50
  Speaker 1: what it is, I realized last year I'd carried everything
• 46:52
  Speaker 1: since get out, every role I've taken, I'd carried and
• 46:55
  Speaker 1: I hadn't said bye to it. I hadn't say bye
• 46:57
  Speaker 1: to it. It was in my body, you know, And
• 46:59
  Speaker 1: so I had to had to look at myself. When
• 47:01
  Speaker 1: you say you take baths, you put some salt in
• 47:03
  Speaker 1: that water man, nothing like a relaxing, salt bath, some
• 47:05
  Speaker 1: epsence and you know I put somethen some of him
• 47:07
  Speaker 1: and laying yeah, right with it. I get right with it,
• 47:12
  Speaker 1: making start up man bro right all we got more
• 47:20
  Speaker 1: with Daniel Caluya when we come back, don't move. It's
• 47:22
  Speaker 1: to breakfast Club. Good morning morning. Everybody is dj Envy
• 47:29
  Speaker 1: Angela Yee. Charlomagne the guy we are the Breakfast Club.
• 47:32
  Speaker 1: You know him from get Out Black Panther and now
• 47:34
  Speaker 1: Judas in the Black Messiah were still kicking with Daniel
• 47:37
  Speaker 1: Kaloya yee. Did you talk to I'm Fred Hampton Junior
• 47:40
  Speaker 1: about this role. Also, we met the family. So I
• 47:43
  Speaker 1: went to Chicago before the shoot because I already wanted
• 47:46
  Speaker 1: to meet the family and we couldn't do that, couldn't
• 47:48
  Speaker 1: do it on that trip. And I went to Maywood
• 47:50
  Speaker 1: and went to his chairman friends, old school or homes,
• 47:52
  Speaker 1: everybody everywhere he went and where he used to speed cap,
• 47:55
  Speaker 1: spoke to people in Chicago, understood what just understood how
• 47:58
  Speaker 1: he how he felt to the people in Chicago. And
• 48:00
  Speaker 1: then later on we went to a trip and we
• 48:02
  Speaker 1: went to meet cham and Junior and Mama Korem Chamman,
• 48:07
  Speaker 1: Fred's partner and yeah, it was like a seven eight
• 48:09
  Speaker 1: hour meeting and it was real, saying it was real.
• 48:12
  Speaker 1: You know, he had views and saying I mean and
• 48:14
  Speaker 1: he kind of just looked to us and say, yo,
• 48:17
  Speaker 1: why are you doing this? And then why'd you do this?
• 48:19
  Speaker 1: You know, like I remember Mama Quid said, why did
• 48:21
  Speaker 1: you make up? You know what? What does it up
• 48:23
  Speaker 1: mean to you? You know, saying I found out stuff
• 48:25
  Speaker 1: about myself in that situation. But I didn't really sit
• 48:28
  Speaker 1: down with the families, go yo, you know, I don't
• 48:31
  Speaker 1: even engage with people like that, saying I engaged with
• 48:33
  Speaker 1: me on me this. I'm in a position I don't
• 48:35
  Speaker 1: want to come here and respect and reverence, understanding and
• 48:38
  Speaker 1: humility and I'm moved like that, saying I wouldn't want
• 48:42
  Speaker 1: to go. I don't I don't move in a way
• 48:44
  Speaker 1: that I want to take from black people from me.
• 48:46
  Speaker 1: You know, it's so interesting just this short conversation we've had,
• 48:50
  Speaker 1: I can tell that this role really impacted you in
• 48:53
  Speaker 1: a real way. And what have you realized about yourself
• 48:56
  Speaker 1: after playing the role of Fred Hampton. The power of love,
• 49:01
  Speaker 1: the power of loving yourself unapologetically in the face of
• 49:05
  Speaker 1: people that want you to like w I call it.
• 49:07
  Speaker 1: It's like in the face of fear dressed as hate.
• 49:11
  Speaker 1: It's the power of that I'm saying. And what the
• 49:14
  Speaker 1: fact that we're sitting here nearly fifty two years later
• 49:17
  Speaker 1: speaking back Chairman Fred is the power of self. Love
• 49:20
  Speaker 1: is the power of love, and your own is the
• 49:22
  Speaker 1: power of love, and your community. You know what I'm saying,
• 49:24
  Speaker 1: and that stuff. Who cares if you're celebrated in that way,
• 49:28
  Speaker 1: you know, as long as you're doing it, and that
• 49:30
  Speaker 1: will reverberate. I'm a firm believer. I don't try and
• 49:33
  Speaker 1: change the world. I try and change my world, and
• 49:36
  Speaker 1: then change my world. Then it reverberates to the world
• 49:39
  Speaker 1: I'm saying. So I kind of just see it like that.
• 49:41
  Speaker 1: I think it really, Yeah, it really. I had to
• 49:43
  Speaker 1: really look at myself. I had to really look at
• 49:45
  Speaker 1: my ideas. You have to look at it. I'm going
• 49:47
  Speaker 1: into this room reading this stuff like twenty eighteen, twenty nineteen,
• 49:51
  Speaker 1: I can't look at I'm a product of his assassination
• 49:55
  Speaker 1: in that sense, I mean, in that fear of speaking up,
• 49:57
  Speaker 1: in that fear of telling the truth. At that time
• 50:00
  Speaker 1: in the late sixties, he didn't have that fit. They
• 50:02
  Speaker 1: didn't have that shame, They didn't come with that they
• 50:03
  Speaker 1: come do you mean? It's like so it's like really
• 50:06
  Speaker 1: looking at the fears that I had. You know what
• 50:08
  Speaker 1: I'm saying, I'm buying what are they They're just they're
• 50:11
  Speaker 1: just a way to empower them, empowered to with the
• 50:14
  Speaker 1: concept of white supremacy. What it's white supremacy? What hate
• 50:18
  Speaker 1: group is allowed to be called by their beliefs. That's
• 50:22
  Speaker 1: white privilege within hate. What I'm saying, it's like they're
• 50:25
  Speaker 1: white extremists. I don't call I don't believe white people
• 50:28
  Speaker 1: are supremo from me. That I'm saying, I need too
• 50:31
  Speaker 1: easy to look over that while I'm empowering them with
• 50:33
  Speaker 1: a belief that oppresses me. How can empower people that
• 50:35
  Speaker 1: don't like me? And I'm sense you feel me? I
• 50:39
  Speaker 1: need to really look at that. When you look at
• 50:40
  Speaker 1: the words I say, When you look at because my
• 50:42
  Speaker 1: body's listening, you feel me when you say stuff your
• 50:44
  Speaker 1: body listens to you. Did you find yourself looking at
• 50:47
  Speaker 1: Lukkeith differently after the way he played this role, because
• 50:50
  Speaker 1: he did it too well, he still got beef sharloming.
• 50:54
  Speaker 1: Is that was it? Is that? What was happening. I
• 51:00
  Speaker 1: never had an issue with him. I do feel like
• 51:01
  Speaker 1: he was born to play this role. Though, Wow, we're
• 51:06
  Speaker 1: not having that. We're not having that, we're not having
• 51:07
  Speaker 1: that way is yet in this film he makes the
• 51:11
  Speaker 1: biggest sacrifice sacrifice And in this film he's serving Chairman
• 51:16
  Speaker 1: Fred because in order to show you what Chairman Fred is,
• 51:19
  Speaker 1: you have to show him what he isn't. You can't
• 51:22
  Speaker 1: see the light without the dark, that's right, you know
• 51:24
  Speaker 1: what I'm saying. And he served that and he put
• 51:26
  Speaker 1: himself in a light that's not his politics at all.
• 51:28
  Speaker 1: You know, he doesn't that's not how he feels at all.
• 51:31
  Speaker 1: And it was really tough on him on certain dates.
• 51:32
  Speaker 1: I mean, he was really going through it as for
• 51:35
  Speaker 1: him to to not be aligned politically to O'Neil and
• 51:38
  Speaker 1: still give it his all and still humanize him in
• 51:41
  Speaker 1: order to show who Chairman Fred was, to show who
• 51:44
  Speaker 1: the Black Panther Party was. That's incredible and absolute, absolute
• 51:48
  Speaker 1: the key for that. Now he's doing an incredible job. Yeah,
• 51:52
  Speaker 1: I think all of yours special love answer to Dominique
• 51:58
  Speaker 1: true she wrote that poem. It's incredible. Director Gibson, Ashton, Sanders,
• 52:02
  Speaker 1: alg Smith Dominique Thorn killed this film, saying, there's so
• 52:06
  Speaker 1: many incredible people in this film, you know, Jesse Plemons,
• 52:09
  Speaker 1: It's like it's like it's a dream to be standing
• 52:11
  Speaker 1: amongst these kinds of people. Like it's like you're like, wow,
• 52:14
  Speaker 1: you look around, You're like, well, I'm just I'm so
• 52:16
  Speaker 1: proud to be here for me. Yeah, I don't think.
• 52:18
  Speaker 1: I don't think there's any black piece of art needs
• 52:20
  Speaker 1: validation from any of these award shows. But I would
• 52:23
  Speaker 1: love to see this film when all of the awards.
• 52:25
  Speaker 1: I think you and Lakeith need to be up for
• 52:28
  Speaker 1: Best Active, Best Supportant Act, or whatever it is. I
• 52:30
  Speaker 1: think it should be Best Picture. Like I think it
• 52:32
  Speaker 1: was that good. Yeah, you know what it isn't those recognizations,
• 52:35
  Speaker 1: recognizing organizations are away for more people to see it,
• 52:39
  Speaker 1: And that's the intention of film. You want this to
• 52:41
  Speaker 1: reach as many people as possible. I feel that this
• 52:43
  Speaker 1: is an entertaining film at the same time, Yeah, it's
• 52:45
  Speaker 1: got the politics complex ideas. This is entertaining. I watched
• 52:48
  Speaker 1: this my friends. I make films for my friends that
• 52:50
  Speaker 1: I grew up with, saying, so I really care about
• 52:53
  Speaker 1: things being you know, I'm a firm believe of accessible excellence,
• 52:56
  Speaker 1: you know, simple special Johnder saying, and it being accessible,
• 53:00
  Speaker 1: still reaching for like excellence in terms of craft, and
• 53:03
  Speaker 1: I feel like this is this is this is able
• 53:04
  Speaker 1: to reach the masses. Before this is the last question,
• 53:07
  Speaker 1: how would you define Fred Hampton's legacy? How do you
• 53:09
  Speaker 1: want this film to define Fred Hampton's legacy. It's about
• 53:13
  Speaker 1: being in what people choose to learn from it, in
• 53:18
  Speaker 1: what way people choose to move from it. It's how
• 53:21
  Speaker 1: I feel I want this film to impact. It's that
• 53:23
  Speaker 1: and also just being clear that this is a man
• 53:26
  Speaker 1: that had incredible ideas and really implement He executed these
• 53:30
  Speaker 1: ideas in turbulent times. You know, I'm saying, with a
• 53:34
  Speaker 1: breakfast program, with the health free healthcare, with the educating kids,
• 53:38
  Speaker 1: with the Rainbow Coalition. This man like really did it,
• 53:41
  Speaker 1: you know what I'm saying, and really tired about his
• 53:43
  Speaker 1: own And it's people understanding that and taking it in
• 53:46
  Speaker 1: and feeling that and wanting to read up on it
• 53:49
  Speaker 1: and wanted to learn more about it, want to empower themselves,
• 53:51
  Speaker 1: wanted to love themselves the way they see the Black
• 53:53
  Speaker 1: Pap Party loving themselves and loving their community. I want
• 53:56
  Speaker 1: that all right, appreciate you for Jordas. And what about
• 54:00
  Speaker 1: the soundtrack? And did you listen to the soundtrack and
• 54:02
  Speaker 1: you ride out to the soundtrack at Yeah, I've had
• 54:04
  Speaker 1: a couple of riddings, Bro, A couple of riddings are crazy,
• 54:07
  Speaker 1: A couple sound tracks a bit crazy, Bro, the soundtracks
• 54:10
  Speaker 1: a bit crazy, John saying that Nipsey jay Z that's
• 54:13
  Speaker 1: a that's A that's a that's a Newsy Bro. And
• 54:15
  Speaker 1: when you get really rich, you should buy a black
• 54:17
  Speaker 1: panther because it's something the universe is trying to tell
• 54:20
  Speaker 1: you about black panthers. You've been in the movie Black Panther.
• 54:23
  Speaker 1: Now you playing Fred Hampton. You should actually buy a
• 54:25
  Speaker 1: black panther the way Mike Tyson out a white Tige
• 54:27
  Speaker 1: as a pet. Buy a black panthers a pet. Yeah,
• 54:29
  Speaker 1: my mom really grew up in Africa. I don't know
• 54:31
  Speaker 1: what you feel about that. We have people people. Why
• 54:39
  Speaker 1: are you buying these people buying wild animals? My guy,
• 54:43
  Speaker 1: I'm buying wild animals. I'm cool about my God, I
• 54:49
  Speaker 1: supposed one for you. I could to shame a man.
• 54:55
  Speaker 1: It's the breakfast Club. Good morning, my big guys. Morning.
• 55:00
  Speaker 1: Everybody is d J Envy, Angela Yee, Charlomagne the guy.
• 55:04
  Speaker 1: We are to Breakfast Club on this Friday. What do
• 55:08
  Speaker 1: you guys do for Valentis? I'm just curious watching Judas
• 55:10
  Speaker 1: in The Black messire y'all should definitely go check that
• 55:12
  Speaker 1: movie out. All right. It's very triggering, very dark, but
• 55:15
  Speaker 1: it's a good movie to watch for the weekend, good
• 55:18
  Speaker 1: date night movie. What about your gear? I don't really
• 55:21
  Speaker 1: have any plans on Sunday. I'll just be home. You know,
• 55:26
  Speaker 1: my boyfriend doesn't live here. So all right, what what
• 55:28
  Speaker 1: you're doing? Another angle swap for COVID? Maybe? Okay? Do
• 55:32
  Speaker 1: that you need? You need your situation for the swap. No,
• 55:37
  Speaker 1: I'm good, Okay, I'm one tested. All right, well, yeah,
• 55:40
  Speaker 1: I got it. It is brown at the end. Let's
• 55:46
  Speaker 1: get to the rooms. Let's talk Morris's chestnuts. Okay. This
• 55:50
  Speaker 1: is the Rumor Report with Angela Yee Breakfast Club. Mars
• 56:00
  Speaker 1: Tessnat was talking to Timz about the new series The
• 56:03
  Speaker 1: Best Man the final chapters, and he discusses his character
• 56:07
  Speaker 1: Lance and what could be happening because remember his wife
• 56:10
  Speaker 1: in the movie actually die from was yeah, dying from cancer.
• 56:14
  Speaker 1: So here's what you can expect. The last time we
• 56:17
  Speaker 1: saw Lance, he was going through it emotionally and it
• 56:20
  Speaker 1: kind of ended there, so we kind of never really,
• 56:23
  Speaker 1: we never really saw how Lance really dealt with that loss.
• 56:28
  Speaker 1: I think in the in the series, you're going to
• 56:30
  Speaker 1: see how Lance deals with it emotionally, and sometimes he
• 56:34
  Speaker 1: may go a little bit overboard, but we'll have to
• 56:35
  Speaker 1: see that's him dealing with it. Does do we see
• 56:38
  Speaker 1: him move on to another love interest at all in
• 56:40
  Speaker 1: this upcoming series? That's a possibility. I am very excited
• 56:45
  Speaker 1: about the Best Man TV series. I'm happy they get
• 56:47
  Speaker 1: in ten episodes on NBC. Peacock all right. In another
• 56:52
  Speaker 1: series that's in the works is Ray has a new
• 56:56
  Speaker 1: show with HBO Max called rap Is Shows right and
• 57:00
  Speaker 1: to a half hour comedy. It's going to tell the
• 57:01
  Speaker 1: story of two alienated high school friends from Miami who
• 57:04
  Speaker 1: get together and assemble a rap group. And guess who
• 57:07
  Speaker 1: is going to be working on this the city's co
• 57:10
  Speaker 1: executive producers that said should happen months ago, drop on
• 57:15
  Speaker 1: a clues box with each Ray DAMMI Okay, Remember I
• 57:18
  Speaker 1: said that people were like, why you give people that
• 57:20
  Speaker 1: actually do TV chances and opportunities? No, that makes too
• 57:23
  Speaker 1: much sense. You're doing a TV show about a rap
• 57:26
  Speaker 1: group in Miami, a female rap group. Why wouldn't you
• 57:28
  Speaker 1: hilt to City Girls? Come on? All right? Also, the
• 57:32
  Speaker 1: label coach K and P from Quality Control will also
• 57:36
  Speaker 1: be involved as well. And she should cast Pretty V.
• 57:39
  Speaker 1: She should cast pretty Views from Miami. And Pretty V
• 57:42
  Speaker 1: would be a great on the show like that. I
• 57:44
  Speaker 1: don't know what role she would play. She could be
• 57:46
  Speaker 1: one of the main characters and not. I don't know,
• 57:48
  Speaker 1: but I just think Pretty V should be on that
• 57:49
  Speaker 1: show and show way shape or form shout out QC.
• 57:51
  Speaker 1: They do it a lot outside of just music. I
• 57:53
  Speaker 1: know they got a bunch of sports players that play
• 57:56
  Speaker 1: for the NFL. I know they're doing films. They're really
• 57:58
  Speaker 1: expanding their brand. I love to all right. Twitter has
• 58:01
  Speaker 1: confirmed and Donald Trump will never return now. The CFO
• 58:06
  Speaker 1: Ned Segal was on CNBC squawk Box and here's what
• 58:09
  Speaker 1: he said. So, the way our policies work, when you're
• 58:12
  Speaker 1: removed from the platform, you're removed from the platform, whether
• 58:15
  Speaker 1: you're a commentator or a CFO, or you are a
• 58:20
  Speaker 1: former or current public official. And so remember our policies.
• 58:24
  Speaker 1: You're designed to make sure that people are not inciting violence,
• 58:28
  Speaker 1: and if anybody does that, we have to remove him
• 58:30
  Speaker 1: from the service and our policies to allow people to
• 58:33
  Speaker 1: come back. That's a lie. Twitter, y'all don't get no
• 58:35
  Speaker 1: props for that. The four years that man was in power,
• 58:37
  Speaker 1: y'all did nothing. Yell should have had that same energy
• 58:39
  Speaker 1: four years ago. It is easy to do that when
• 58:41
  Speaker 1: he's not the president of the United States anymore, you
• 58:44
  Speaker 1: know what I mean. Should have did that when he
• 58:45
  Speaker 1: was in power. No props for that. And there's plenty
• 58:48
  Speaker 1: of people threatening death on on folks every single day
• 58:50
  Speaker 1: on social media. What are you talking about all right now?
• 58:54
  Speaker 1: A Krispy Kreme Donuts that was owned by Shack was
• 58:57
  Speaker 1: in flames early Wednesday, and they said the structure was
• 59:02
  Speaker 1: heavily damaged. Atlanta fire crews did respond to that Krispy
• 59:06
  Speaker 1: Creme on ponstantly on they said it's just unsalvageable right now.
• 59:09
  Speaker 1: So it was one of the first locations established outside
• 59:12
  Speaker 1: of the company's main base of operations in Winston Salem,
• 59:15
  Speaker 1: North Carolina and Nashville, Tennessee. Now, Shaq said, I hope
• 59:18
  Speaker 1: no one was hurt and we will bounced back better
• 59:20
  Speaker 1: than ever, so was it was it operating like it?
• 59:23
  Speaker 1: Was it open at the time? Was it after hours?
• 59:25
  Speaker 1: I think it was after hours. I think it was nighttime,
• 59:26
  Speaker 1: wasn't it? It was it was early Wednesday and they
• 59:29
  Speaker 1: said firefighters did say most of the building and the
• 59:31
  Speaker 1: fire started in the back. There were no injuries and
• 59:34
  Speaker 1: the cause of the fire was under investigation. You know
• 59:37
  Speaker 1: they opening one on Route Fur. Did you see it?
• 59:39
  Speaker 1: You know what I mean? That? In New Jersey? Yeah?
• 59:41
  Speaker 1: In New Jersey. You know that McDonald's used to be
• 59:43
  Speaker 1: on Route for right when you get over the George
• 59:44
  Speaker 1: Washington Bridge on the right hand side. They building a
• 59:47
  Speaker 1: whole big Krispy Creme over there, which is just gonna
• 59:49
  Speaker 1: mess up. One on, It's one on, It's one on.
• 59:52
  Speaker 1: What that all right? I would have been me a
• 59:55
  Speaker 1: dozen during the fire though if it wasn't too bad.
• 59:57
  Speaker 1: I'm not gonna lie City Sun. Justin Comes has landed
• 1:00:01
  Speaker 1: a late night show respectively, Justin on a Revolt of course,
• 1:00:04
  Speaker 1: and he's gonna have social media personality Justin the Boy
• 1:00:07
  Speaker 1: on to co host now did he has already made
• 1:00:10
  Speaker 1: a comment about the show. He said, Justin the Boy
• 1:00:12
  Speaker 1: is one of the biggest is the biggest social media
• 1:00:14
  Speaker 1: starr in our culture. There is no better place for
• 1:00:16
  Speaker 1: his debut show. We are thrilled to welcome him to
• 1:00:18
  Speaker 1: the Revolt family. And the show already has some huge
• 1:00:21
  Speaker 1: guests like Chris Brown lined up, and they're also going
• 1:00:23
  Speaker 1: to have a demon time segment complete with champagne and music,
• 1:00:26
  Speaker 1: respectfully dropping the clue's bombs for Justin's Justin the Boy
• 1:00:29
  Speaker 1: and Justin comes all right, Well that is your room
• 1:00:33
  Speaker 1: and report. I'm Angela yee, all right, thank you, miss ye. Now, Charlomage,
• 1:00:36
  Speaker 1: who're giving that? Donken Man, let's talk Gorilla song jelly
• 1:00:39
  Speaker 1: all right, four after the hour? Right, do you want
• 1:00:41
  Speaker 1: your plans? Room for Valentine's Day? We'll talk about it,
• 1:00:43
  Speaker 1: all right, we'll get into it next it's the Breakfast Club.
• 1:00:45
  Speaker 1: Good Morning's time for Donkey of the Day. I'm a
• 1:00:53
  Speaker 1: Democrat for being Donkey of the days, a little bit
• 1:00:56
  Speaker 1: of a mixed so like a dog. Now. I've been
• 1:01:04
  Speaker 1: called a lot of my twenty three years. But Donkey
• 1:01:06
  Speaker 1: of the Bay is a new wife. Yes, Donkey of
• 1:01:09
  Speaker 1: Today for Friday, February twelfth, goes to a Louisiana man
• 1:01:12
  Speaker 1: named Lynn Martin. Lynn is thirty seven years old. I
• 1:01:15
  Speaker 1: have no idea what he does with his life, and
• 1:01:18
  Speaker 1: I am quite intrigued to find out, because whatever it
• 1:01:20
  Speaker 1: is he does, he needs to do more. Okay, he's
• 1:01:23
  Speaker 1: clearly got too much time on his hands. Now we
• 1:01:25
  Speaker 1: all know the legend of Tessica Brown by now right.
• 1:01:28
  Speaker 1: Tessica Brown was the forty year old woman who ran
• 1:01:31
  Speaker 1: out of her usual hairspray and decided to use gorilla
• 1:01:34
  Speaker 1: glue spray adhesive, which caused their hair to become stuck
• 1:01:38
  Speaker 1: in place up and it stuck my ass. Okay, I
• 1:01:41
  Speaker 1: hear you, Cardy, But Tessica Brown proves up isn't the
• 1:01:43
  Speaker 1: only place things can get stuck because she was trying
• 1:01:46
  Speaker 1: to lay her hair down. Listen to Tessica, my hair
• 1:01:49
  Speaker 1: has been like this for about a month now. It's
• 1:01:51
  Speaker 1: not much choice. My hell, it don't move, it burns.
• 1:01:56
  Speaker 1: Then they got some people out there saying she did
• 1:01:58
  Speaker 1: this for coke. I put it on social media to
• 1:02:02
  Speaker 1: get help. Now, Tessica was able to get the gorilla
• 1:02:06
  Speaker 1: seeming removed after a procedure was done by Beverly Hills
• 1:02:09
  Speaker 1: based plastic surgeon doctor Michael Obeying. Okay, dropping the clues
• 1:02:13
  Speaker 1: bomb for Tessica. I'm glad you're back. You got that
• 1:02:16
  Speaker 1: out your hair. Okay. Now, you would think that Tessica
• 1:02:19
  Speaker 1: would be an example to us all. I don't know
• 1:02:22
  Speaker 1: how you all operate, but I operate from the smart
• 1:02:24
  Speaker 1: people learn from their own mistakes. Wise people learn from
• 1:02:27
  Speaker 1: the mistakes of others. Model Tessica did that, so hopefully
• 1:02:30
  Speaker 1: you don't have to go through that. But yesterday I
• 1:02:33
  Speaker 1: was reminded yet again as to why I've been here
• 1:02:35
  Speaker 1: on the Breakfast Club for ten years, Monday through Friday,
• 1:02:38
  Speaker 1: and every day at eight o four a m. L clockwork.
• 1:02:40
  Speaker 1: I never have a shortage of people to give the
• 1:02:44
  Speaker 1: credit they deserve for being stupid. Because Lynn Martin, thirty
• 1:02:47
  Speaker 1: seven years old, decided that he had to see what
• 1:02:50
  Speaker 1: that gorilla jids was hitting for himself. Why did he
• 1:02:53
  Speaker 1: want to rub this gorilla baby battle on his lips? Wow?
• 1:02:56
  Speaker 1: Because Lynn clearly refuses to believe all women. Whatever story
• 1:03:00
  Speaker 1: Tessica was selling, Lynn wasn't buying. Let's go to w
• 1:03:03
  Speaker 1: k b U CBS twenty seven for the report. Please,
• 1:03:06
  Speaker 1: I'm gonna sure y'all got some grilla glue right here.
• 1:03:08
  Speaker 1: I'm gonna take it Parolea's cup put in my mouth,
• 1:03:10
  Speaker 1: then it't gonna be the liquid and get at all.
• 1:03:12
  Speaker 1: It's easy the rilla glue garbage. But that was actually Linna.
• 1:03:16
  Speaker 1: Let me hear Lynde again. I can't really unerstand. I
• 1:03:17
  Speaker 1: don't speak nigga like I used to live. At what
• 1:03:18
  Speaker 1: he's saying. Let me hear. I'm gonna sure y'all got
• 1:03:23
  Speaker 1: some grilla glue right here. I'm gonna take it. Perarolea's
• 1:03:25
  Speaker 1: cup put in my mouth, then it't gonna be the
• 1:03:27
  Speaker 1: licking and get at all. It's easy the glue garbage. Okay,
• 1:03:30
  Speaker 1: let me translate. So Lynna decided to take this gorilla
• 1:03:33
  Speaker 1: banana nut milk and apply it to a Red Solo cup.
• 1:03:36
  Speaker 1: First of all the levels of niggatry in this story,
• 1:03:38
  Speaker 1: the Red Solo Cup. The Red Solo Cup is like
• 1:03:40
  Speaker 1: the Super Bowl Trophia kickbacks. I can only imagine that
• 1:03:44
  Speaker 1: the way holding an Oscar fields for actors after winning
• 1:03:47
  Speaker 1: is how I feel when I got that Red Solo
• 1:03:49
  Speaker 1: Cup in my hand with a few cubes and I
• 1:03:51
  Speaker 1: icing some Cassenger going to san jejo in it. I right,
• 1:03:53
  Speaker 1: the Red Solo Cup does not get the respect it
• 1:03:55
  Speaker 1: deserves for the joy it has bought so many of us,
• 1:03:58
  Speaker 1: young and old, black and white, man a female. It
• 1:04:00
  Speaker 1: don't matter drop on a Colos bombs for the Red
• 1:04:02
  Speaker 1: Solo Cup. If it's one thing all of us have
• 1:04:05
  Speaker 1: in common in the Divided States of America is that
• 1:04:07
  Speaker 1: whatever function we having from Bob Mitziph's the barbecues, gender showers,
• 1:04:11
  Speaker 1: that I finally got this gorilla oyster droppings out my hair.
• 1:04:15
  Speaker 1: That damn Red Solo Cup is dead. Now. That Red
• 1:04:17
  Speaker 1: Solo Cup had a front row seat all right to
• 1:04:21
  Speaker 1: a great moment, just like Red Solo cups have had
• 1:04:22
  Speaker 1: a front row seat to a lot of great moments
• 1:04:24
  Speaker 1: and a lot of dumb ones. This is a dumb
• 1:04:26
  Speaker 1: one because Lynn put the gorilla pearl jam on the
• 1:04:28
  Speaker 1: Red Solo Cup and attached it to his lip because
• 1:04:31
  Speaker 1: whatever is between his ears and under his dredge and
• 1:04:36
  Speaker 1: under that dirty ass snapback, it told him he could
• 1:04:39
  Speaker 1: just lick it off all right. Three hours later, Lynn
• 1:04:42
  Speaker 1: showed up to the hospital with a Red Solo Cup
• 1:04:45
  Speaker 1: stuck on his upper lip. I hate it here. Now,
• 1:04:48
  Speaker 1: let's go to w KBU CBS twenty seven for the report.
• 1:04:51
  Speaker 1: I was there for maybe about a little over an
• 1:04:54
  Speaker 1: hour or two hours or so. Basically I had my
• 1:04:57
  Speaker 1: pressure was up. I mean, I have was going through
• 1:04:58
  Speaker 1: a lot of distress also, and they did like a peeling,
• 1:05:03
  Speaker 1: basically a marshman peeling, you know, to get it off
• 1:05:06
  Speaker 1: from then from my upper skin on my lip. Basically
• 1:05:09
  Speaker 1: all that has been torn off, you know. Okay, let
• 1:05:13
  Speaker 1: me translate, because once again some of y'all don't speak nigga.
• 1:05:16
  Speaker 1: All right, He took the gorilla glue, put it on
• 1:05:22
  Speaker 1: a red solo cup and attached it to his lip. Okay,
• 1:05:26
  Speaker 1: because he wanted to prove that you could just lick
• 1:05:30
  Speaker 1: the gorilla glue off his lip. Let me tell you something.
• 1:05:32
  Speaker 1: Jealousy and envy are really the root of all evil,
• 1:05:35
  Speaker 1: especially on social media. This dude, Lynn was just straight
• 1:05:38
  Speaker 1: up envious of the attention Tessica was receiving. People would
• 1:05:42
  Speaker 1: be so jealous an upset of the attention folks receive.
• 1:05:45
  Speaker 1: It doesn't matter if a person who's going viral for
• 1:05:47
  Speaker 1: all the wrong reasons, folks will still get upset that
• 1:05:49
  Speaker 1: it's not them. This young lady, Tessica started to go
• 1:05:52
  Speaker 1: fund me, got thirteen thousand dollars, and Lynn said, oh hell, no,
• 1:05:55
  Speaker 1: hold my beer in this red Solo cup I'm going in.
• 1:05:58
  Speaker 1: That was absolutely paratively zero reason for Lynda to involve
• 1:06:02
  Speaker 1: himself in this situation. But what also scares me about
• 1:06:04
  Speaker 1: this is that a thirty seven year old man doesn't
• 1:06:07
  Speaker 1: know the difference between real and fake. A lot of
• 1:06:10
  Speaker 1: y'all don't when it comes to the Internet. This is
• 1:06:12
  Speaker 1: a prime example of it. Lynn, and I'm sure plenty
• 1:06:15
  Speaker 1: of others thought Tessica was doing this for cloud. She
• 1:06:17
  Speaker 1: just wanted attention, Okay, like all these other digital d heads.
• 1:06:20
  Speaker 1: So even though something was actually real, you didn't believe it.
• 1:06:24
  Speaker 1: But if something is fake, y'all do believe it. Virtual
• 1:06:26
  Speaker 1: reality has ruined folks natural discernment. And now you got
• 1:06:31
  Speaker 1: Lynn who probably won't be able to use his lips
• 1:06:34
  Speaker 1: the same way he used to. Ever again, he might
• 1:06:37
  Speaker 1: even lose some of his upper lip, and I must say,
• 1:06:39
  Speaker 1: if that happens, he earned it. See, when you don't
• 1:06:43
  Speaker 1: appreciate what you have, God, the universe will take it
• 1:06:46
  Speaker 1: from you. And do you know, Lynda's the same brother
• 1:06:48
  Speaker 1: who was going in stores licking ice cream doing that
• 1:06:50
  Speaker 1: nutass ice cream challenge. Listen, we saw that you're on
• 1:06:53
  Speaker 1: Doctor Oz in regards of the ice cream challenge, and
• 1:06:56
  Speaker 1: then from looking on your Facebook page, we do see
• 1:06:58
  Speaker 1: that you're a rapper, and many insinuate that you're doing
• 1:07:02
  Speaker 1: these challenges to seek attention, to boost a rap career,
• 1:07:06
  Speaker 1: or even just to go viral. So what are your
• 1:07:08
  Speaker 1: thoughts on that. Well, I would never want to stick
• 1:07:11
  Speaker 1: no gorilla glue to my lip and have it stuck
• 1:07:13
  Speaker 1: there and have to go through all these situations I
• 1:07:15
  Speaker 1: went through. Basically I was trying to start. Of course,
• 1:07:17
  Speaker 1: everybody knows social media runs things right now, everybody's on
• 1:07:20
  Speaker 1: social media. It gets a lot of attention, and that's
• 1:07:23
  Speaker 1: what's going on. I mean, we do there's a lot
• 1:07:25
  Speaker 1: of different challenges, so I wouldn't say that I'm doing
• 1:07:28
  Speaker 1: it to boost my career because people start a new
• 1:07:30
  Speaker 1: challenge every day. I didn't think it was going to
• 1:07:32
  Speaker 1: go this far. Boiling Cardy and all Set said they
• 1:07:35
  Speaker 1: do anything for Claude ain't never lie. Now he's putting
• 1:07:38
  Speaker 1: gorilla prick liquid on his lips to prove a point.
• 1:07:41
  Speaker 1: Let me tell you something. You don't respect your mouth,
• 1:07:44
  Speaker 1: you don't respect your tongue, your lips. You want to
• 1:07:48
  Speaker 1: disrespect that part of your face well, let me take
• 1:07:50
  Speaker 1: something of it away from you. That's what the universe
• 1:07:51
  Speaker 1: is saying, all right, so maybe you'll appreciate it more
• 1:07:55
  Speaker 1: once it's gone. And this Sunday is Valentine's Day, Lena.
• 1:07:58
  Speaker 1: If you got a girlfriend, a baby, mama, a wife,
• 1:08:01
  Speaker 1: I'm here to tell you that she deserves better. And
• 1:08:04
  Speaker 1: by better I mean a man with functioning lips, A
• 1:08:07
  Speaker 1: man who didn't have a red Solo cup stuck to
• 1:08:10
  Speaker 1: his mouth this week, all right, because he wanted to
• 1:08:12
  Speaker 1: take the lips on her face. Why'd you bleet me?
• 1:08:15
  Speaker 1: I need to know you can't everything when you're going downstairs.
• 1:08:20
  Speaker 1: Well it's not I'm sorry. I'm a good storyteller. Okay,
• 1:08:24
  Speaker 1: let me try to say that over there? You know, uh,
• 1:08:27
  Speaker 1: your woman deserves better, And by better I mean a
• 1:08:31
  Speaker 1: man with functioning lips, A man who didn't have a
• 1:08:33
  Speaker 1: red Solo cup stuck to his mouth because he wanted
• 1:08:36
  Speaker 1: to taste gorilla slung jelly. Can I say that? Yes?
• 1:08:42
  Speaker 1: How you gonna perform oral sex on your woman? There
• 1:08:48
  Speaker 1: you go? When your woman's lips down in there, when
• 1:08:51
  Speaker 1: you don't have any lips up there? How you gonna
• 1:08:55
  Speaker 1: even give you a woman? Sweet kisses on the lips
• 1:08:57
  Speaker 1: on her face when you don't even even have any
• 1:08:58
  Speaker 1: lips on your face. There you go, Okay, listen to brother.
• 1:09:02
  Speaker 1: The story you're saying, you niggas is dumb as a
• 1:09:04
  Speaker 1: under statement. All right, this is really the world we
• 1:09:06
  Speaker 1: live in. And what's sad? These are the people you
• 1:09:09
  Speaker 1: all be catering to on social media when you get
• 1:09:11
  Speaker 1: online and you wait for folks to tell you how
• 1:09:13
  Speaker 1: to feel about things. These are the people you are
• 1:09:17
  Speaker 1: listening to. Okay, And guess what, all of y'all gonna
• 1:09:20
  Speaker 1: get what you deserve, every single one of you. And
• 1:09:23
  Speaker 1: right now, what Lynn Martin deserves is for remy Ma
• 1:09:26
  Speaker 1: to give him the biggest he ha he ha he ha,
• 1:09:29
  Speaker 1: you stupid mother? Fun? Are you dumb? What you're thinking about? Nothing?
• 1:09:38
  Speaker 1: What do you I'm not talking to you? Who's who
• 1:09:40
  Speaker 1: says I'm talking to you? Why you can see it?
• 1:09:41
  Speaker 1: So triggering? Why you get trigger? What's wrong? Talk about
• 1:09:46
  Speaker 1: some guys lips? And you start looking at me? What's wrong?
• 1:09:48
  Speaker 1: Something wrong? The drawn tell me what's wrong? Nothing? What's
• 1:09:51
  Speaker 1: wrong with you? I feel fun? Sure? How are you?
• 1:09:54
  Speaker 1: What's the climate in here? Hot? What's your Are you kinky? Man,
• 1:10:00
  Speaker 1: I knew it right up next we have the director
• 1:10:07
  Speaker 1: of Judas and the Black Messiah, Shaka King. He's the
• 1:10:12
  Speaker 1: producer director. We're gonna talk to him next and don't move.
• 1:10:14
  Speaker 1: It's the Breakfast Club. Good morning, Breakfast Club. We know
• 1:10:18
  Speaker 1: that you ride black people right right morning. Everybody is
• 1:10:23
  Speaker 1: DJ Envy, angela Ye, Charlomagne the guy. We are the
• 1:10:27
  Speaker 1: Breakfast Club. We got a special guest in the building
• 1:10:30
  Speaker 1: the last hour. We spoke to Danielle Kalua. And now
• 1:10:33
  Speaker 1: we have the producer and director of Judas and the
• 1:10:36
  Speaker 1: Black Messiah. We have Shaka King. Good morning brother. Well,
• 1:10:40
  Speaker 1: first of all, congratulations on this movie. This is they're
• 1:10:44
  Speaker 1: already talking about oscars and all of that. Does that
• 1:10:47
  Speaker 1: matter to you? Um No, why not because we don't
• 1:10:53
  Speaker 1: need white validation, but because when I first started, but
• 1:11:00
  Speaker 1: I'd not even when I first started, honestly, for like
• 1:11:02
  Speaker 1: my duration up until now, I've found Hollywood to be,
• 1:11:07
  Speaker 1: you know, as racists, you know the rest of this country. Um,
• 1:11:12
  Speaker 1: I would say that my experiences, you know, I went
• 1:11:14
  Speaker 1: to school, I'm from Brooklyn and school and day Ridge
• 1:11:18
  Speaker 1: as auel. You know you can attest that experience, you know,
• 1:11:23
  Speaker 1: like I had cops making monkey sounds me when I
• 1:11:25
  Speaker 1: was in seventh grade, you know what I mean. Nothing compares,
• 1:11:28
  Speaker 1: though the experience of racism, my experience in Hollywood, you know,
• 1:11:32
  Speaker 1: as an adult, and so when you go through that,
• 1:11:35
  Speaker 1: you know, as I have, I at least my my
• 1:11:39
  Speaker 1: reaction to it was to kind of recognize that Hollywood
• 1:11:42
  Speaker 1: wasn't a meritocracy and that I couldn't measure my success
• 1:11:47
  Speaker 1: based upon you know, whether you know, a white male
• 1:11:51
  Speaker 1: dominant industry recognize me as talented. And so even though
• 1:11:56
  Speaker 1: it's it's taken literally years of the programming for me
• 1:12:00
  Speaker 1: to get to a place where I don't invest in
• 1:12:04
  Speaker 1: that stuff. While I recognize that, you know, it's a gift,
• 1:12:08
  Speaker 1: my prayer would make things easier to get made. And
• 1:12:10
  Speaker 1: like you know, there's always going to be a part
• 1:12:12
  Speaker 1: of you that wants to, you know, just be appreciated
• 1:12:15
  Speaker 1: and have your work appreciated, especially by people you respect.
• 1:12:18
  Speaker 1: At the same time, I can't sacrifice my power that
• 1:12:22
  Speaker 1: way anymore. You know, I agree with you, but I
• 1:12:25
  Speaker 1: think this film is phenomenal. And even though I totally
• 1:12:28
  Speaker 1: agree with you, what everything you're saying about, you know,
• 1:12:30
  Speaker 1: receiving validation from these award shows, these white male dominated
• 1:12:33
  Speaker 1: a war shows. I want y'all to win all the
• 1:12:34
  Speaker 1: awards because I don't know what else quantifies success. I
• 1:12:40
  Speaker 1: want y'all to make all the money, win all the awards,
• 1:12:42
  Speaker 1: because I know if that happens, more of these films
• 1:12:44
  Speaker 1: will be made. I think this year in particular is
• 1:12:46
  Speaker 1: one where I've had to sort of work through that,
• 1:12:48
  Speaker 1: just because you know, normally you have the box office
• 1:12:51
  Speaker 1: to prove whether it will be a success, and because
• 1:12:53
  Speaker 1: everything is going to be streaming and did at the
• 1:12:55
  Speaker 1: same time, you don't have the box office to determine
• 1:12:58
  Speaker 1: whether a success. So this is an instance where you know,
• 1:13:02
  Speaker 1: a lot of emphasis is going to be placed on
• 1:13:04
  Speaker 1: awards to determine whether a movie did well. And I
• 1:13:07
  Speaker 1: recognize that, you know, this movie literally stands on the
• 1:13:11
  Speaker 1: success the shoulders of a Black Panther. I mean literally,
• 1:13:14
  Speaker 1: you know what I mean, Like, we don't even get
• 1:13:16
  Speaker 1: a meeting if you know, Ryan wasn't coming off the
• 1:13:19
  Speaker 1: success of that film. And my hope is that, you know,
• 1:13:23
  Speaker 1: films like this lead to more films about more revolutionaries
• 1:13:26
  Speaker 1: across the globe. So who doesn't want that, you know
• 1:13:29
  Speaker 1: what I'm saying? But at the same time, just on
• 1:13:30
  Speaker 1: a personal level, I can't allow myself to get too
• 1:13:33
  Speaker 1: invested in, you know what, what the industry says about
• 1:13:37
  Speaker 1: the about the film, it just wouldn't be just the
• 1:13:40
  Speaker 1: my psyche, you know. And this is a different kind
• 1:13:42
  Speaker 1: of movie from you from things that you've done in
• 1:13:44
  Speaker 1: the past too. You know, obviously we know you're from Brooklyn,
• 1:13:47
  Speaker 1: so you've done, you know, works that actually revolve around Brooklyn,
• 1:13:52
  Speaker 1: Glyn and your experiences here. But I think one thing
• 1:13:55
  Speaker 1: that people don't understand is they think this movie is
• 1:13:58
  Speaker 1: mostly about Fred Hampton, like he hes the main character,
• 1:14:00
  Speaker 1: but it's really the mformant William O'Neill who's the main
• 1:14:04
  Speaker 1: character in this movie. Correct. I mean, I think it's
• 1:14:08
  Speaker 1: really like talk about how the field came about before
• 1:14:11
  Speaker 1: you break it out, Like, how did you even do this? Sure? Sure,
• 1:14:14
  Speaker 1: well it came to me from the Lucas Brothers um
• 1:14:16
  Speaker 1: comedy duo friends of Mine and Brilliant brilliant cast, and
• 1:14:21
  Speaker 1: they reached out to me and they were like, well,
• 1:14:22
  Speaker 1: we want to make a movie about Wayne O'Neill and
• 1:14:24
  Speaker 1: Fred Hampton that we see as the Departed, set inside
• 1:14:28
  Speaker 1: the world of Corntell pro Corntel program um the FBI's
• 1:14:31
  Speaker 1: kind of intelligence program that was designed by Jago Hoover
• 1:14:35
  Speaker 1: to crush you know, anyone that he did dissident. And
• 1:14:38
  Speaker 1: so I just thought that was a brilliant concept. I
• 1:14:42
  Speaker 1: thought it was really, quite frankly, the only way you'd
• 1:14:44
  Speaker 1: ever have a movie made about Fred Hampton. And the
• 1:14:48
  Speaker 1: truth of the matter is is that, you know, when
• 1:14:50
  Speaker 1: you're talking about making a period film, a movie that
• 1:14:53
  Speaker 1: takes place in nineteen sixty eight sixty nine, with that
• 1:14:55
  Speaker 1: kind of scope, you can only make it at a
• 1:14:57
  Speaker 1: studio just because it's going to cost a certain amount
• 1:14:59
  Speaker 1: of money. It's gonna acquire. This is gonna acquire that,
• 1:15:02
  Speaker 1: you know. And so when they pitched it to me,
• 1:15:05
  Speaker 1: I was just like, Yeah, this is brilliant. I can
• 1:15:07
  Speaker 1: see it. I see this as an opportunity to put
• 1:15:09
  Speaker 1: forth not just this history, but this great man's ideas
• 1:15:13
  Speaker 1: and this great organization's ideas that I think are just
• 1:15:17
  Speaker 1: as applicable to the world we live in today. In
• 1:15:20
  Speaker 1: a piece of pop culture that travels across the globe
• 1:15:22
  Speaker 1: and that entertains people, and they could you know, as
• 1:15:25
  Speaker 1: as Chairman Ford Hampton Jane says, you know, put the
• 1:15:27
  Speaker 1: medicine and the apple sauce, you know what I mean.
• 1:15:29
  Speaker 1: I was asking a question about just making this because
• 1:15:32
  Speaker 1: I saw some critiques of it and people saying talking
• 1:15:35
  Speaker 1: about Fred Hampton and how they didn't feel like his
• 1:15:38
  Speaker 1: character was developed enough and they didn't show this. But
• 1:15:40
  Speaker 1: this really was more about William O'Neill, and obviously fred
• 1:15:44
  Speaker 1: Hampton was a huge part in why William O'Neill were
• 1:15:47
  Speaker 1: focused on him. But can you just break that down
• 1:15:49
  Speaker 1: and why it was more told from that point of view? Well,
• 1:15:52
  Speaker 1: I don't. I don't think it's actually told. Really. It
• 1:15:55
  Speaker 1: to me that it's more of a two hander. It's
• 1:15:56
  Speaker 1: like heat more than it is, you know, a movie
• 1:16:00
  Speaker 1: where it's told through O'Neil's POV. I mean the truth
• 1:16:02
  Speaker 1: that matter is. It's like, I think that people think
• 1:16:04
  Speaker 1: that because we use this interview that waym O'Neill gave
• 1:16:08
  Speaker 1: to Eyes on the Prize too. We recreate the interview
• 1:16:11
  Speaker 1: and then you know, I'm not going to spoil it,
• 1:16:13
  Speaker 1: but the interview plays a role in the film, even
• 1:16:16
  Speaker 1: though it's not in the film a ton But I
• 1:16:18
  Speaker 1: think because of that structure, people think that the movie
• 1:16:21
  Speaker 1: is from O'Neill's perspective. But the truth that matter is
• 1:16:23
  Speaker 1: that when you're looking at Fred, he's most of the
• 1:16:25
  Speaker 1: time independent of O'Neill, and it's actually from Deborah Johnson's
• 1:16:28
  Speaker 1: perspective that's when you really get a sense of who
• 1:16:31
  Speaker 1: he is. And so the reason we chose to make
• 1:16:34
  Speaker 1: it a two hander was because we literally the framing
• 1:16:37
  Speaker 1: device that we first thought of, and it's changed as
• 1:16:40
  Speaker 1: we've made the thing, was the departed in the world
• 1:16:42
  Speaker 1: of Colan tempo. That was how we were going to
• 1:16:44
  Speaker 1: get the movie made. That was how we were going
• 1:16:46
  Speaker 1: to get the movie out there. I think from a
• 1:16:48
  Speaker 1: political perspective, the reason to kind of make it a
• 1:16:52
  Speaker 1: two hander and lean into that is that you have
• 1:16:55
  Speaker 1: an opportunity to present almost like two poles of nity.
• 1:17:00
  Speaker 1: You know what I mean. You have in Fred Hampton
• 1:17:02
  Speaker 1: one of the bravest, most courageous people of all time.
• 1:17:05
  Speaker 1: You have WAYM. O'Neill, you know, one of the most
• 1:17:07
  Speaker 1: coward like, biggest cowards we can think of in history.
• 1:17:10
  Speaker 1: You know, you have in Fred Hampton someone who is
• 1:17:13
  Speaker 1: interested in building coalitions. You haven't William O'Neill, a pure individualist.
• 1:17:18
  Speaker 1: You know, in Fred Hampton. You have a socialist in
• 1:17:21
  Speaker 1: a Marxist and so to me, you have this opportunity
• 1:17:24
  Speaker 1: to really like look at these two people who exist
• 1:17:28
  Speaker 1: on kind of you know, two different Posy Vanny, and
• 1:17:32
  Speaker 1: kind of explore that. And I think in some ways,
• 1:17:34
  Speaker 1: you know, if we did our job correctly, it you
• 1:17:37
  Speaker 1: as a viewer can kind of watch it, watch this
• 1:17:39
  Speaker 1: movie and even subconsciously question like where you are fit,
• 1:17:43
  Speaker 1: you know, along along that like spectrum, Like everyone wants
• 1:17:48
  Speaker 1: to believe that they would be Fred Hampton um, but
• 1:17:51
  Speaker 1: the truth of the matter is is that there are
• 1:17:53
  Speaker 1: a lot more William O'Neil's in this world than there
• 1:17:55
  Speaker 1: are Fred Hampton's. And you know, it's kind of a
• 1:17:58
  Speaker 1: lost opportunity, just like make this guy just like a
• 1:18:01
  Speaker 1: cartoon villain, um, when you know he's just he was
• 1:18:05
  Speaker 1: an eighteen year old guy who made like really bad
• 1:18:08
  Speaker 1: decisions and some really bad choices. Like, Yo, how many
• 1:18:11
  Speaker 1: people do we know in prison right now? And they're
• 1:18:14
  Speaker 1: in prisons because someone you know, told, told told of them. Yeah, right,
• 1:18:20
  Speaker 1: so many more people would be like, I'm not going
• 1:18:22
  Speaker 1: to jail. I am telling it what y'all need need
• 1:18:24
  Speaker 1: to do, So I don't got to go to jail.
• 1:18:26
  Speaker 1: And that's just I mean, he seduced. He seduced. Like
• 1:18:31
  Speaker 1: it's starting. It starts with the way that they do
• 1:18:33
  Speaker 1: it is they go listen, you don't know this guy,
• 1:18:37
  Speaker 1: Just go and tell me what you hear. You don't
• 1:18:39
  Speaker 1: just just keep just see what you're here. If you know,
• 1:18:41
  Speaker 1: if you hear something, tell me. And then they start
• 1:18:43
  Speaker 1: paying them. Here's some money, here's a drink, here's a cigar,
• 1:18:46
  Speaker 1: have a good times. And they just started. Don't you win?
• 1:18:49
  Speaker 1: We have more with the director of Judas in The
• 1:18:51
  Speaker 1: Black Messiah when we come back Shaka Kings, don't move
• 1:18:54
  Speaker 1: us to breakfast club. The more everybody is d j Envy,
• 1:18:58
  Speaker 1: Angela Yee, Charlemagne, the guy we are the breakfast Club.
• 1:19:02
  Speaker 1: We're kicking it with Shaka King, the director of Judas
• 1:19:05
  Speaker 1: and The Black Messiah. Charlemagne. You think it's more important
• 1:19:08
  Speaker 1: for white people to see this movie or black people.
• 1:19:10
  Speaker 1: I think it's important for everyone to see it. I
• 1:19:12
  Speaker 1: made it for my first people. I made it for us,
• 1:19:15
  Speaker 1: was for black people. You know, there's certain decisions, I
• 1:19:19
  Speaker 1: mean every decision, but there's some specific, specific decisions and
• 1:19:23
  Speaker 1: even like how we framed the assassination that it was
• 1:19:25
  Speaker 1: like very clear, like, Okay, we're not going to show
• 1:19:28
  Speaker 1: you know this, this man getting shot in the head.
• 1:19:31
  Speaker 1: I'm not gonna put us through that. You know, there
• 1:19:35
  Speaker 1: were choice, there were decisions that you know, there was
• 1:19:38
  Speaker 1: a desire at one point, not on my start the
• 1:19:41
  Speaker 1: movie with the Jagger Hoover sequence that you see fairly
• 1:19:44
  Speaker 1: early in the film, and I was like, yeah, we
• 1:19:46
  Speaker 1: can't start the movie with Jagger Hoover talking about the Panthers.
• 1:19:49
  Speaker 1: We have to let the panthers speak for themselves. You know.
• 1:19:52
  Speaker 1: I would say that was who I made it for.
• 1:19:55
  Speaker 1: But I also did certain things. There's certain pieces in
• 1:19:58
  Speaker 1: the movie that I made for white like the character
• 1:20:01
  Speaker 1: of Roy Mitchell and how I shaped that character. I
• 1:20:04
  Speaker 1: made that specifically for white people because I wanted them
• 1:20:08
  Speaker 1: to understand the shortcomings of being a white centrist, you
• 1:20:12
  Speaker 1: know what I mean, Like that that's not actually true
• 1:20:14
  Speaker 1: ally ship and this whole idea of decency and all
• 1:20:16
  Speaker 1: that jazz, it's just performative. It's it's hollow, you know,
• 1:20:20
  Speaker 1: like a centrist will shoot you in the head and
• 1:20:24
  Speaker 1: two years later try to name a city block after you,
• 1:20:28
  Speaker 1: you know what I mean, how long does it take
• 1:20:30
  Speaker 1: to research a movie like this, Like just so people
• 1:20:33
  Speaker 1: know the whole process, because it's not just writing a
• 1:20:36
  Speaker 1: script and going into it. How much goes into research?
• 1:20:39
  Speaker 1: I mean true though, like three years research, three to
• 1:20:42
  Speaker 1: four years of research. You know, it's the four year
• 1:20:44
  Speaker 1: process to get it to the screen. And I was
• 1:20:46
  Speaker 1: still doing I mean I was going to research up
• 1:20:48
  Speaker 1: until we got when we were in Cleveland, So I
• 1:20:51
  Speaker 1: say four years. I say four years probably aside from
• 1:20:54
  Speaker 1: sharing the life and legacy of Fred Hampton. What method
• 1:20:57
  Speaker 1: do you want this movie to sin? But one of
• 1:20:58
  Speaker 1: the reasons for me to make O'Neill a private characters,
• 1:21:02
  Speaker 1: I really wanted to show the dangers of being a
• 1:21:04
  Speaker 1: political you know what I'm saying. And we made this
• 1:21:06
  Speaker 1: movie in two nineteen. You know, obviously twenty twenty happens,
• 1:21:11
  Speaker 1: and I don't think many people came out of two
• 1:21:13
  Speaker 1: thousand and twenty eight political right, But like, you know,
• 1:21:17
  Speaker 1: I think it's still an important message to get across,
• 1:21:19
  Speaker 1: just this idea of you know, it's it's the old phase.
• 1:21:22
  Speaker 1: If you stand for nothing, you'll fall for anything, you know.
• 1:21:25
  Speaker 1: William O'Neill's decision to really believe in nothing other and
• 1:21:29
  Speaker 1: invest in nothing other than you know, essentially a capitalist
• 1:21:33
  Speaker 1: ideology and culture. It didn't just crush I hate to
• 1:21:38
  Speaker 1: use the term crushing movement, but it really did. It
• 1:21:41
  Speaker 1: really really was deeply detrimental. You know, the Panthers remained
• 1:21:45
  Speaker 1: active in Illinois Kill nineteen seventy four for five years
• 1:21:49
  Speaker 1: after the assassination, but it was incredibly detrimental not just
• 1:21:53
  Speaker 1: to you know, the Illinois chapter, but to the national
• 1:21:56
  Speaker 1: chapters a whole, and to Chicago as a whole. Chicago
• 1:21:58
  Speaker 1: would have been a different place handing so his but
• 1:22:01
  Speaker 1: his actually then just hurt those people. It hurt him.
• 1:22:04
  Speaker 1: You look at how his story ends, you know, talking
• 1:22:07
  Speaker 1: about a dude who in the seventies walked away with
• 1:22:09
  Speaker 1: almost two hundred thousand in his pocket. Damn there the
• 1:22:11
  Speaker 1: equivalent of that had two phones in his car, you
• 1:22:14
  Speaker 1: know what I mean in the seventies, and he still
• 1:22:17
  Speaker 1: took his own life at forty years old. You know,
• 1:22:20
  Speaker 1: he still didn't get a nice, a nice, a nice piece,
• 1:22:24
  Speaker 1: you know what I mean. So so he couldn't live
• 1:22:28
  Speaker 1: with himself. So I think that there's there's value in
• 1:22:30
  Speaker 1: putting that out there, um, you know, And I think
• 1:22:35
  Speaker 1: there's just millions of things take. You know, there's obviously
• 1:22:37
  Speaker 1: highlighting the legacy of the of the Panthers, but it's
• 1:22:41
  Speaker 1: also I think showing this country's history of you know,
• 1:22:45
  Speaker 1: repressing voices of dissent. You know. I think I think that,
• 1:22:49
  Speaker 1: you know, like I said on a part of Roy Mitchell,
• 1:22:51
  Speaker 1: there's there's, you know, an indictment of white central centrism.
• 1:22:54
  Speaker 1: I think there's a number of things you could take
• 1:22:56
  Speaker 1: from this movie. It's a dense film. That's why I'm
• 1:22:58
  Speaker 1: glad it's HBO. Maxallyople watch it two times and get
• 1:23:01
  Speaker 1: something different out of it the second time. You know, well,
• 1:23:03
  Speaker 1: I think y'all did a great job. Man. I think
• 1:23:05
  Speaker 1: it's a phenomenal film. I think it's one of those
• 1:23:08
  Speaker 1: ones for for a generation. You know, how when you
• 1:23:11
  Speaker 1: was I mean I'm forty two, how old you about
• 1:23:13
  Speaker 1: we was younger? You know, you watched the autobiography of
• 1:23:14
  Speaker 1: Malcolm X, You're like, wow, I gotta I gotta know.
• 1:23:17
  Speaker 1: I want to know more about the nation. I want
• 1:23:19
  Speaker 1: to know more about you know, Malcolm Nonibo, Elijah Muhammed.
• 1:23:22
  Speaker 1: I think y'all definitely created one of those personally, That's
• 1:23:26
  Speaker 1: how I feel. Thank you, Thank you. Thank you. That
• 1:23:28
  Speaker 1: was the goal I was to me, that's the blueprint
• 1:23:31
  Speaker 1: in terms of biopics and in terms of I remember
• 1:23:33
  Speaker 1: how I felt leaving the theater as a kid watching
• 1:23:36
  Speaker 1: Malcolm X. I read the autobiography because my parents had
• 1:23:39
  Speaker 1: me on that young you know, but I reread it
• 1:23:43
  Speaker 1: a million times after that movie, and it's it's just
• 1:23:46
  Speaker 1: it's the blueprint in my opinion. Yeah, I read it
• 1:23:49
  Speaker 1: once a year. I think we should start calling movies
• 1:23:51
  Speaker 1: like that, and we should start calling movies like Judas
• 1:23:53
  Speaker 1: in the Black Side. We should start calling these types
• 1:23:55
  Speaker 1: of movies proper Ganda because the proper stories are being told.
• 1:24:01
  Speaker 1: I love that. I love that. I love that. But
• 1:24:04
  Speaker 1: thank you Shaka so much for making time for us.
• 1:24:06
  Speaker 1: Judis and the Blacking Science is available now to make
• 1:24:09
  Speaker 1: sure you guys stream that. However you have to watch it.
• 1:24:12
  Speaker 1: It's on HBO Max, right, yep, HBO Max. And did
• 1:24:16
  Speaker 1: the same day, Shaka, Thank you, brother. I hope you
• 1:24:18
  Speaker 1: get the opportunity to thank you. I'm already tell more
• 1:24:21
  Speaker 1: of our stories, man, because you did a great job.
• 1:24:23
  Speaker 1: Appreciate it, yes, so much. Thank you. The Breakfast Club
• 1:24:30
  Speaker 1: Morning everybody is DJ Envy Angela ye, Charlemagne the guy.
• 1:24:33
  Speaker 1: We are the Breakfast Club. Let's get to the rooms.
• 1:24:35
  Speaker 1: Let's talk charge. It's about this report, Angela Yee on
• 1:24:46
  Speaker 1: the Breakfast Club. Yes, so Charlemagne has launched a Mental
• 1:24:52
  Speaker 1: Wealth Alliance foundation to establish fundamental and far reaching generational
• 1:24:57
  Speaker 1: support system for black mental health. You want to tell
• 1:24:59
  Speaker 1: us about it? Yeah, it's the Mental Health Alliance. Um,
• 1:25:03
  Speaker 1: it's myself and Debbie Brown, my man, Tim Shriver and
• 1:25:06
  Speaker 1: Marvett Brittle. And you know, my goal is to raise
• 1:25:09
  Speaker 1: one hundred million dollars over the next five years. Uh,
• 1:25:13
  Speaker 1: you know, in order to fund Black lad mental health
• 1:25:16
  Speaker 1: organizations and experts. You know, we want to provide scholarships
• 1:25:19
  Speaker 1: with people that are you know, going into the mental
• 1:25:21
  Speaker 1: health space as far as like you know, mental health
• 1:25:23
  Speaker 1: work like clinical service providers, and we want to provide
• 1:25:27
  Speaker 1: ten million Black people with free therapy over the next
• 1:25:31
  Speaker 1: five years. And we're advocating for the implemmation of social
• 1:25:34
  Speaker 1: and emotional learning and mental health literacy in schools across
• 1:25:38
  Speaker 1: the country. So it's purpose, it's purpose field work. Congratulations
• 1:25:42
  Speaker 1: that because you know I've been, I've been, I've been
• 1:25:45
  Speaker 1: an unofficial mental health advocate you know, for the past
• 1:25:48
  Speaker 1: few years. So it's just like, you know, why not,
• 1:25:50
  Speaker 1: why not why not do the work for real, for real?
• 1:25:52
  Speaker 1: And now no, I don't even want to call it
• 1:25:53
  Speaker 1: doing the work. Why not do do purpose field things
• 1:25:57
  Speaker 1: for real for real? Okay, yes, all right? Where can
• 1:26:01
  Speaker 1: people donate? Oh, you can go to the Mental Wealth
• 1:26:04
  Speaker 1: Alliance dot com. You can go to the Mental Wealth
• 1:26:06
  Speaker 1: Alanes dot com. I actually made some donations yesterday Salute
• 1:26:09
  Speaker 1: to Suit the Death Cham My Man, My Man, Jeff
• 1:26:12
  Speaker 1: Harleston at death Cham. You know, they made a very
• 1:26:15
  Speaker 1: generous donation as well as as well as finish Line.
• 1:26:17
  Speaker 1: So um I made some donations to a few organizations yesterday.
• 1:26:21
  Speaker 1: So it's gonna keep all right. Now, Another good news
• 1:26:25
  Speaker 1: Tory Lanes, who remix Young Blues Your Mind still featuring Drake.
• 1:26:30
  Speaker 1: We told you earlier this morning about the back and
• 1:26:32
  Speaker 1: forth they have because Tory Lanes did not give Young
• 1:26:35
  Speaker 1: Blue any credit for his song. Well, it looks like
• 1:26:36
  Speaker 1: the two of them are now in the studio after
• 1:26:39
  Speaker 1: they're back back and forth last night online. If fich
• 1:26:44
  Speaker 1: remix might niver Now officially, I'm gonna tag them on
• 1:26:49
  Speaker 1: anything I ever do ever in life now we're here.
• 1:26:54
  Speaker 1: We just made a hit. We're gonna keep making hit.
• 1:26:57
  Speaker 1: That's what he should have done. Drop on a clues
• 1:26:59
  Speaker 1: box for Tory Lanes on the right thing. Getting young
• 1:27:01
  Speaker 1: boys with credit, man, that's the least you can. Don't
• 1:27:03
  Speaker 1: think it was malice though. That's everybody does that to
• 1:27:06
  Speaker 1: everybody's soul. I never said it was malis, but I
• 1:27:09
  Speaker 1: can understand why Young Blue would be upset. He's like,
• 1:27:11
  Speaker 1: I'm a new artist, I'm on to come up. You
• 1:27:12
  Speaker 1: remix my song? Damn at least tag a brother. And
• 1:27:17
  Speaker 1: probably was also thinking that it's a well known song
• 1:27:20
  Speaker 1: and people know it's his. But you know, he wanted
• 1:27:22
  Speaker 1: a little he probably and he said he liked it.
• 1:27:25
  Speaker 1: I'm Blue said he liked it. But I guess you know.
• 1:27:27
  Speaker 1: I'm glad they worked it out. They didn't know each other,
• 1:27:29
  Speaker 1: so now they've spoken, now they know each other. That
• 1:27:31
  Speaker 1: all worked out for the best. Sometimes credit is more
• 1:27:34
  Speaker 1: important than anything else, because sometimes people just need to
• 1:27:36
  Speaker 1: know who you are. Now now now a lot more
• 1:27:38
  Speaker 1: people know who Young Blue is. After the day. Correct,
• 1:27:41
  Speaker 1: young Young Blue got a record with Drake. But I
• 1:27:47
  Speaker 1: bet you people don't know that Young Blue. Yeah, I
• 1:27:49
  Speaker 1: think they do. I mean, he's pretty popular amongst a
• 1:27:53
  Speaker 1: certain demo, the casual person actually, and check out his
• 1:27:56
  Speaker 1: latest episode of lip service. He's been on lip service also,
• 1:27:59
  Speaker 1: just I mean, I think a couple of weeks ago,
• 1:28:01
  Speaker 1: shout out to Young Blue. All right now, Erica Banks,
• 1:28:05
  Speaker 1: her Busted remix features Travis Scott, so that's pretty amazing
• 1:28:09
  Speaker 1: for her. Here is a preview of that bucket. Locke
• 1:28:14
  Speaker 1: it drop it. We're going. I'm like to stock it
• 1:28:18
  Speaker 1: outside it inside the level with chocolate throwing watching cake
• 1:28:23
  Speaker 1: it profit biscuit and big get my bus side of pocket.
• 1:28:27
  Speaker 1: She keep it up without my bus on a locket.
• 1:28:33
  Speaker 1: What did you come in with? Gaily? Your phone at
• 1:28:35
  Speaker 1: the hotel? She know my body? She don't even think intel. Okay,
• 1:28:40
  Speaker 1: I like it. I like it. I know I do.
• 1:28:45
  Speaker 1: I like it. I don't hear Travis Scott or bust. Sorry,
• 1:28:49
  Speaker 1: I thought it sounded good. All right now fifty cent.
• 1:28:52
  Speaker 1: According to reports after that Super Bowl party that he
• 1:28:55
  Speaker 1: had the venue where he had it lost its lease. So,
• 1:28:58
  Speaker 1: according to Tampa Bay Time, sky Attic Aviation has just
• 1:29:01
  Speaker 1: six months to pack up and leave. It's a three
• 1:29:04
  Speaker 1: thousand square foot hanger in office space day I wonder
• 1:29:08
  Speaker 1: if that's directly because of him or it just was timing, Like,
• 1:29:12
  Speaker 1: I don't know if they did that just because of
• 1:29:15
  Speaker 1: him having that party there, or if it's because they
• 1:29:19
  Speaker 1: were already going to do that. I don't know timing honestly.
• 1:29:23
  Speaker 1: All Right. Now, doctor Dre and April Jones, who were
• 1:29:25
  Speaker 1: spotted together and now people are saying that they are dating.
• 1:29:29
  Speaker 1: Doctor Dre was spotted entering Boa Steakhouse in La Wednesday night,
• 1:29:32
  Speaker 1: and the woman that he's with is April Jones. You
• 1:29:36
  Speaker 1: know April as the mother of a Marian's children. She's
• 1:29:38
  Speaker 1: been on Love and hip hop. She also is a
• 1:29:41
  Speaker 1: singer and songwriter. So I don't know what it means,
• 1:29:45
  Speaker 1: but people think that it does mean that they're having
• 1:29:48
  Speaker 1: a little date night during this time period. That's not
• 1:29:52
  Speaker 1: a bad one for her, all right. And halle Berry
• 1:29:56
  Speaker 1: posted on Instagram women don't owe you ish and that's on.
• 1:30:01
  Speaker 1: Mary had a little lamb Now. She also talked about
• 1:30:04
  Speaker 1: paying child support. She said, I've been paying it for
• 1:30:06
  Speaker 1: a decade now. I feel if a woman or a
• 1:30:08
  Speaker 1: man is having to pay support, that is way more
• 1:30:10
  Speaker 1: than the reasonable needs to help support the child. I
• 1:30:12
  Speaker 1: think that is wrong. She also clarified that while some
• 1:30:15
  Speaker 1: parents may need help, she feels that in these modern times,
• 1:30:18
  Speaker 1: both men and women have the responsibility to financially take
• 1:30:21
  Speaker 1: care of their children and work hard and make every
• 1:30:22
  Speaker 1: effort to do so. She blasted up parents who used
• 1:30:25
  Speaker 1: children in order to be awarded money to live a
• 1:30:27
  Speaker 1: lifestyle that not only did they not earn, but that
• 1:30:30
  Speaker 1: is way above and beyond the child's reasonable needs. And
• 1:30:32
  Speaker 1: there's so many baby daddies out there saying, preach, Holly, preach,
• 1:30:36
  Speaker 1: now you know how we finally feel. Yes, absolutely everything
• 1:30:41
  Speaker 1: she said is one hundred percent correct. And she pays
• 1:30:47
  Speaker 1: sixteen thousand a month in child support right now, come on, man,
• 1:30:50
  Speaker 1: come on, she said, it's extortion. Do you listen. You
• 1:30:54
  Speaker 1: know how many baby daddy's been feeling like that forever,
• 1:30:56
  Speaker 1: Not to mention baby daddy's getting locked up when they
• 1:30:58
  Speaker 1: get behind on their child support, Like come on, Yes,
• 1:31:01
  Speaker 1: she's absolutely right, but also remember it goes both ways.
• 1:31:06
  Speaker 1: All right, Well that is your rumor report. All right,
• 1:31:08
  Speaker 1: thank you, Miss Eye Nash out to revote. We'll see
• 1:31:11
  Speaker 1: you all on Monday. Everybody else, we're gonna get to
• 1:31:13
  Speaker 1: the mix. Before we get to the mix, we playing
• 1:31:14
  Speaker 1: the song nough. We ain't playing this out now, we'll
• 1:31:16
  Speaker 1: play before the document place. Okay, m goggle something we
• 1:31:21
  Speaker 1: can to goggle? Man? What's wrong with you? Man? I
• 1:31:23
  Speaker 1: just told you need to google you so you got
• 1:31:25
  Speaker 1: a little cold or something? Just making sure you got
• 1:31:26
  Speaker 1: two masks on. You're making us nervous. Who guys are
• 1:31:30
  Speaker 1: kinky this morning? Yes? And I also want to give
• 1:31:32
  Speaker 1: a shout out to doctor Darius and to Bushman and
• 1:31:34
  Speaker 1: Detroit on JLB. They've been helping me out a lot
• 1:31:37
  Speaker 1: with my store private label and Detroit that open private
• 1:31:40
  Speaker 1: label extensions on eight Miles and de Quinder they've actually
• 1:31:43
  Speaker 1: been doing these giveaways with gift cards for women before
• 1:31:47
  Speaker 1: Valentine's Day to go ahead and get some hair. So
• 1:31:49
  Speaker 1: today's the last day for that, so make sure y'all
• 1:31:51
  Speaker 1: tune in for that. But thank y'all so much. You
• 1:31:53
  Speaker 1: guys have been really helpful, so I appreciate you. Wanning.
• 1:31:56
  Speaker 1: Everybody is Stee j Envy and Jula yee all. I
• 1:32:00
  Speaker 1: mean the guy we are the Breakfast Club. That's Black
• 1:32:02
  Speaker 1: History Month. Charlemagne who we reppen today, Well listen, we
• 1:32:05
  Speaker 1: know today Judas and the Black Messiah is out on
• 1:32:08
  Speaker 1: HBO Max. It is the story of the assassination of
• 1:32:12
  Speaker 1: Fred Hampton. And you know, one of our producers tailor
• 1:32:14
  Speaker 1: tellors like twenty something. She said to me, I'm mad
• 1:32:16
  Speaker 1: they didn't teach us about this in school. Well, that's
• 1:32:19
  Speaker 1: why we all have to educate ourselves outside of these
• 1:32:22
  Speaker 1: white folk schools. Okay, well, I'm about to play for you.
• 1:32:24
  Speaker 1: Is a quick two minute history lesson on Fred Hampton.
• 1:32:27
  Speaker 1: Less listen. The Breakfast Club presents a new Black History
• 1:32:31
  Speaker 1: Month legend. I am people, I'm not the pig. You
• 1:32:34
  Speaker 1: got to make a descision and the people are going
• 1:32:37
  Speaker 1: to have to attack the pig. The people are going
• 1:32:39
  Speaker 1: to have to stand up aginst the Hampton graduated high
• 1:32:42
  Speaker 1: school in nineteen sixty six with honors, then went on
• 1:32:45
  Speaker 1: to pursue of law degree. He dropped out and became
• 1:32:47
  Speaker 1: a member at the Black Panther Party in Chicago. He
• 1:32:49
  Speaker 1: and other Panthers follow police, watching out for police brutality
• 1:32:53
  Speaker 1: and using his knowledge as the laws of means of presents,
• 1:32:56
  Speaker 1: quickly becoming leader of the Chicago Black Panther Chapter. Young
• 1:32:59
  Speaker 1: Hampton make many significant achievements, such as negotiating a peace
• 1:33:03
  Speaker 1: treaty between some of Chicago's most powerful street games. While
• 1:33:07
  Speaker 1: Hampton's intelligence and dominance made him a leader in the
• 1:33:10
  Speaker 1: eyes of many, it also made him a threat to
• 1:33:12
  Speaker 1: the FBI. And while they want to get really need
• 1:33:14
  Speaker 1: to call I'm saying something that wins the Mother's funny
• 1:33:17
  Speaker 1: people as some other friends people and about these people
• 1:33:20
  Speaker 1: ever get together, these things spun less, we'll be running
• 1:33:23
  Speaker 1: into the league. That's why they want to get rid
• 1:33:24
  Speaker 1: of it. He was later assassinated and a police raid
• 1:33:27
  Speaker 1: led by the FBI. He was only twenty one years old,
• 1:33:31
  Speaker 1: and that was another New Black History Month legend courtesy
• 1:33:34
  Speaker 1: of the Breakfast Class. Right, make sure you watch Judas
• 1:33:37
  Speaker 1: in the Black Messiah, you know this weekend on HBO Max. Man,
• 1:33:40
  Speaker 1: it's it's absolutely positively worn't fit if you don't have
• 1:33:43
  Speaker 1: HBO Max downloaded watching the movie, canceled it. But I'm
• 1:33:46
  Speaker 1: telling you it's a phenomenal film, all right. Well, and
• 1:33:48
  Speaker 1: a lot of people do have HBO Max and don't
• 1:33:50
  Speaker 1: know it. So if you do, if you are subscribed
• 1:33:52
  Speaker 1: to the HBO package, you already have it. You just
• 1:33:55
  Speaker 1: have to log into it, all right. I shout out
• 1:33:57
  Speaker 1: to everybody that is trying to get a record deal?
• 1:34:00
  Speaker 1: How do I get on? Today is the last day
• 1:34:03
  Speaker 1: to get your record deal. If you want to get
• 1:34:05
  Speaker 1: a record deal, you might have a chance to get
• 1:34:06
  Speaker 1: signed with Spart Distribution. Be mentored by me and Angela Yee.
• 1:34:10
  Speaker 1: All you gotta do is go to our heart radio
• 1:34:12
  Speaker 1: dot com slash How can I get on? And good
• 1:34:15
  Speaker 1: luck to all the rappers and R and B singers
• 1:34:17
  Speaker 1: out there. Also shout out to everybody that's going to
• 1:34:19
  Speaker 1: my seminars in two weeks in Atlanta. We're gonna be
• 1:34:23
  Speaker 1: teaching people about how to get into I don't want
• 1:34:26
  Speaker 1: to say in the real estate game, but yeah, to
• 1:34:28
  Speaker 1: get in a real estate game. But I'm not being
• 1:34:31
  Speaker 1: in Atlanta in two weeks too, I should come to
• 1:34:34
  Speaker 1: the seminar. I don't know if I'll come for the
• 1:34:35
  Speaker 1: whole thing, but yeah, come on in. Yeah, it's only
• 1:34:38
  Speaker 1: thirty percent capacity, so we have it's gonna be safe.
• 1:34:41
  Speaker 1: People have to wear masks, and we're gonna teach people
• 1:34:44
  Speaker 1: how to get into industry, whether it's buying their first
• 1:34:47
  Speaker 1: home or buying an investment property. I speak to people
• 1:34:50
  Speaker 1: all the time and they want more knowledge. So we're
• 1:34:52
  Speaker 1: gonna be in Atlanta in two weeks. For more information,
• 1:34:54
  Speaker 1: just click the link in my bio. Now, Charlemagne, you
• 1:34:56
  Speaker 1: got a positive note, yes man. My positive note of
• 1:34:59
  Speaker 1: the day is coming from Fred Hampton himself. Fred Hampton said,
• 1:35:03
  Speaker 1: and I quote, if you walk through life and don't
• 1:35:05
  Speaker 1: help anybody, you haven't had much of a life. Breakfast clubs, y'all,
• 1:35:09
  Speaker 1: finish it, y'all done.