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Transcript

MENOR DA VG _ PERERA DJ - Podpah _1047 · Luke's English Podcast

• 0:15
  Speaker 1: It's dry. Our sandwich is dry. We can't eat it right.
• 0:21
  Speaker 1: We just need to brush it. We need it. Creaminess
• 0:27
  Speaker 1: is what's missing. It's just Hellmann's that saves. Pass the
• 0:33
  Speaker 1: Supreme over.
• 0:36
  Speaker 2: Here.
• 0:36
  Speaker 3: Hot dog or bread with egg.
• 0:39
  Speaker 1: With Supreme it's more creamy. Dry snack never again. Can
• 0:50
  Speaker 1: you teach me how to kick better than my brother?
• 0:57
  Speaker 2: Okay.
• 0:57
  Speaker 4: To hit it wherever.
• 0:59
  Speaker 1: And whenever you want, the trick is to repeat with
• 1:03
  Speaker 1: a small target.
• 1:04
  Speaker 5: Do this three times a week for 30 to 45 minutes.
• 1:07
  Speaker 6: And your accuracy will go up a lot.
• 1:08
  Speaker 5: Days one to four.
• 1:09
  Speaker 4: Pointing.
• 1:16
  Speaker 1: Welcome to Podpá, a special.
• 1:18
  Speaker 3: Podpá of Funk. For God's sake.
• 1:20
  Speaker 1: Whenever there's Funk here, it's a joy. For God's sake.
• 1:24
  Speaker 3: I can ask for a.
• 1:24
  Speaker 5: Hand because we're with the audience today.
• 1:27
  Speaker 1: Please.
• 2:08
  Speaker 7: What about you?
• 2:09
  Speaker 6: I like it when we come with similar clothes and
• 2:11
  Speaker 6: it doesn't even match. Like, the two black jackets, white sneakers.
• 2:16
  Speaker 6: I feel our harmony from afar, man.
• 2:17
  Speaker 4: We're interconnected. You're connected, man. I love you. I love
• 2:21
  Speaker 4: you too.
• 2:21
  Speaker 1: Fuck yeah. Beautiful, right?
• 2:23
  Speaker 8: You have to say it.
• 2:25
  Speaker 6: You have to say it.
• 2:28
  Speaker 1: That's it. That's it.
• 2:29
  Speaker 8: Talk to your.
• 2:30
  Speaker 7: Friend, you love him. It's hard to.
• 2:32
  Speaker 1: Say that to a man, right?
• 2:33
  Speaker 4: You say, I love you, I love you.
• 2:37
  Speaker 6: Let's go, man. Look, let's talk about our sponsors, guys.
• 2:39
  Speaker 6: Before we talk... My God, the Paulistano elite is on
• 2:42
  Speaker 6: the table today. I want to talk about our sponsors,
• 2:45
  Speaker 6: starting with our secondary school. Starting with ChatGPT.
• 2:49
  Speaker 4: Mítico Jovem. What a mess, huh?
• 2:51
  Speaker 8: What a mess.
• 2:52
  Speaker 6: So, the lesson is this. It's generally being prepared for
• 2:54
  Speaker 6: the Seleção games. So, there's barbecue, screaming, from start to finish.
• 2:56
  Speaker 6: I use ChatGPT to solve the daily stuff, like... Ah,
• 2:59
  Speaker 6: what to do when this happens? Ah, what's the best
• 3:01
  Speaker 6: place for the dog when it's having... Burning fires all
• 3:04
  Speaker 6: over the place. Including, Mítico Jovem.
• 3:14
  Speaker 6: O mais legal do ChatGPT é que você pode usar
• 3:17
  Speaker 6: texto ou voz, porque ele tem as duas funções.
• 3:19
  Speaker 7: Eu uso muito voz ao vivo, a câmera ao vivo também.
• 3:22
  Speaker 8: Você gosta?
• 3:22
  Speaker 7: Eu uso, é sério.
• 3:23
  Speaker 6: Que isso? Funciona pra tudo, pra você, como eu disse, né?
• 3:26
  Speaker 6: Cuidar dos seus dogos no dia de fogos, pra qualquer coisa.
• 3:29
  Speaker 6: E o lance é o seguinte, eu quero saber, Mítico Jovem,
• 3:32
  Speaker 6: se você consegue ir no Rápido, um prompt, uma listinha
• 3:36
  Speaker 6: de churrasco pra 10.
• 3:37
  Speaker 1: Amigos, mano.
• 3:39
  Speaker 4: Let's zoom in here. He already did it for me.
• 3:41
  Speaker 9: Two kilos of picanha. Two kilos of picanha, a kilo
• 3:44
  Speaker 9: and a half of sausage, chicken. In total, it's five
• 3:47
  Speaker 9: kilos of meat for ten. I said, GPT tea, I
• 3:50
  Speaker 9: want to.
• 3:50
  Speaker 1: Make a barbecue.
• 3:51
  Speaker 6: And there's bread, right?
• 3:52
  Speaker 7: There's still bread, cheese. Bread, salad, seasoning, coarse salt and chimichurri.
• 3:56
  Speaker 4: Chimichurri? Yeah.
• 3:58
  Speaker 9: A charcoal barbecue of eight kilos, a pack of lighters. Oh,
• 4:00
  Speaker 9: I'm one of those to make barbecue with lighters, brother.
• 4:03
  Speaker 4: I'm not even there.
• 4:04
  Speaker 8: No, it has to be.
• 4:06
  Speaker 7: Can I ask him to say hi live here?
• 4:07
  Speaker 4: Let's see.
• 4:09
  Speaker 7: Hey chat, I'm live, can you give us a shout out?
• 4:13
  Speaker 2: A shout out.
• 4:14
  Speaker 1: Full of vibration for PodPai and everyone who's listening.
• 4:16
  Speaker 9: No, man, a shout out like a maloqueiro. Give a
• 4:19
  Speaker 9: shout out now like a maloqueiro.
• 4:22
  Speaker 7: Hey, family.
• 4:23
  Speaker 1: Calm down, chat.
• 4:24
  Speaker 4: Hey, chat, thank you.
• 4:27
  Speaker 9: I'm going to make this barbecue that you prepared for me.
• 4:30
  Speaker 9: Sending the good vibrations to these churras, Thiago.
• 4:34
  Speaker 4: May each piece of chicken be a story told. Any.
• 4:39
  Speaker 8: Man, the guys got Negão Cinco Estrelas, bro. You know
• 4:41
  Speaker 8: this guy?
• 4:42
  Speaker 1: Wow.
• 4:42
  Speaker 7: Thanks, bro.
• 4:43
  Speaker 6: Access chatgpt.com.br and let him help you, okay?
• 4:48
  Speaker 1: My comrade.
• 4:48
  Speaker 7: Talk, Negão Underground, Coco Máximo.
• 4:50
  Speaker 6: Talk about our sponsor, Master. There's something that always happens
• 4:54
  Speaker 6: when the time of the games comes, Mítico Jovem.
• 4:56
  Speaker 2: Talk.
• 4:56
  Speaker 6: We get together to watch and do that review. Call
• 4:59
  Speaker 6: your friends and order a snack. And hope for the
• 5:01
  Speaker 6: snack to come with what?
• 5:03
  Speaker 1: Fake.
• 5:05
  Speaker 6: That snack that you start to chew and in the
• 5:08
  Speaker 6: salt of the mouth it gets dry, stuck.
• 5:09
  Speaker 1: I'm preparing one for you.
• 5:10
  Speaker 5: Really?
• 5:10
  Speaker 4: Thank you, okay?
• 5:11
  Speaker 8: That's why I love you.
• 5:13
  Speaker 7: Wow, I gave a chuchada here.
• 5:15
  Speaker 2: Please.
• 5:15
  Speaker 8: It came out a lot. Take it easy, go to
• 5:17
  Speaker 8: the other one.
• 5:18
  Speaker 9: There's another one here.
• 5:20
  Speaker 1: No, try it.
• 5:22
  Speaker 8: Let's go.
• 5:22
  Speaker 1: Why?
• 5:22
  Speaker 4: Can't you eat a dry snack?
• 5:26
  Speaker 5: It's good.
• 5:26
  Speaker 8: How is the soup?
• 5:28
  Speaker 1: Oh, Alexinho. Oh, the soup.
• 5:29
  Speaker 4: Now you're on average. I like it a lot, man.
• 5:31
  Speaker 7: Oh, ketchup and ham, you're crazy. This one is supreme.
• 5:33
  Speaker 4: Is it good?
• 5:34
  Speaker 5: Inclusive?
• 5:36
  Speaker 8: It's really good.
• 5:37
  Speaker 9: And it's hot, the production.
• 5:40
  Speaker 6: Made it hot for us. The thing is that this
• 5:44
  Speaker 6: snack now is more creamy.
• 5:47
  Speaker 8: It's more delicious.
• 5:48
  Speaker 6: I also want to thank Helmas for supporting the visitors
• 5:51
  Speaker 6: with us. We're together. This snack was even better. So
• 5:55
  Speaker 6: you already scanned the QR Code, ask for your Ketchup
• 5:58
  Speaker 6: Helmas Supreme and Never Again Dry Snack, okay? Send the
• 6:02
  Speaker 6: dry snack to the store. By the way, get this
• 6:04
  Speaker 6: one because I need to work. A little better than
• 6:31
  Speaker 6: on TV, right?
• 6:32
  Speaker 8: Wonderful guests. Receive them with a lot of affection. Make
• 6:34
  Speaker 8: a lot of noise. Clap your hands.
• 6:35
  Speaker 6: Drop this studio. There's a lot of people here. I
• 6:37
  Speaker 6: want to hear real noise, guys. Zona Norte is at home.
• 6:40
  Speaker 6: Menor da VG and DJ Pereira na.
• 6:44
  Speaker 1: Na porra do Podpá. That's it. That's it. Look at
• 6:53
  Speaker 1: Pereira's picota! Look at the look he put on! Damn!
• 6:57
  Speaker 7: Mafioso!
• 6:58
  Speaker 4: It's beautiful, brother! Thank you, we're together. The guys are
• 7:02
  Speaker 4: all elegant.
• 7:03
  Speaker 8: Who did this vignette?
• 7:04
  Speaker 4: MCAW.
• 7:05
  Speaker 5: Damn!
• 7:05
  Speaker 1: DJ Pereira! Original!
• 7:07
  Speaker 9: I think he's the DJ who has the best vignettes.
• 7:11
  Speaker 1: Vignettes, right?
• 7:12
  Speaker 4: For sure.
• 7:12
  Speaker 1: He's already called a guy who's there.
• 7:14
  Speaker 4: Yeah, he's there. There's a legend there, right?
• 7:16
  Speaker 1: My God!
• 7:18
  Speaker 8: How are you, Mr.
• 7:19
  Speaker 7: Renato?
• 7:19
  Speaker 2: All good, thank God.
• 7:20
  Speaker 1: And you guys are kind of....
• 7:23
  Speaker 6: This is the guy, man. How are you, brother?
• 7:26
  Speaker 10: I'm fine, family.
• 7:27
  Speaker 1: First of all, I'd like to thank God, because I'm very.
• 7:30
  Speaker 10: Afraid of God, I have a lot of faith.
• 7:34
  Speaker 1: And being here for the third time is a great
• 7:36
  Speaker 1: privilege for me, knowing that the guests who come here
• 7:41
  Speaker 1: from a very high level and I'm here for the
• 7:42
  Speaker 1: third time is a privilege. Along with this guy here,
• 7:46
  Speaker 1: who is responsible, one of the most responsible for me
• 7:50
  Speaker 1: being in Funk, for me being admitted to Funk, My
• 7:53
  Speaker 1: first song.
• 7:53
  Speaker 10: That hit was with DJ Pereira, so he's a guy
• 7:55
  Speaker 10: I love a lot. We'll want to know about that, bro.
• 7:57
  Speaker 7: For sure.
• 7:58
  Speaker 4: I'll tell you, this guy is hard-working.
• 7:59
  Speaker 10: Pereira is hard-working? But in a little while I'll tell you.
• 8:02
  Speaker 1: I also wanted to congratulate you for the structure, the
• 8:05
  Speaker 1: structure is wonderful, gigantic, of a very high standard too,
• 8:08
  Speaker 1: nothing less than what you deserve, you know?
• 8:10
  Speaker 10: I wanted to thank you all, the.
• 8:11
  Speaker 1: Whole team too, it's a gigantic team working there, and, man,
• 8:13
  Speaker 1: so many congratulations, bro, straight talk. It's cool.
• 8:21
  Speaker 10: And I know you guys were doing the... How was it?
• 8:24
  Speaker 10: The playlist?
• 8:25
  Speaker 4: The playlist.
• 8:25
  Speaker 1: You have to go back with the playlist. You're going
• 8:27
  Speaker 1: to go back, aren't you?
• 8:27
  Speaker 7: Brother, he only promises, this son of a bitch.
• 8:30
  Speaker 4: We have to go back.
• 8:31
  Speaker 10: What's the deal?
• 8:32
  Speaker 6: I'm going to send the deal now, since I'm a VG.
• 8:35
  Speaker 9: I'm one of those who always tell him to go
• 8:38
  Speaker 9: back and.
• 8:38
  Speaker 6: Do this shit. I did it there, both in 2016.
• 8:40
  Speaker 6: What a magical year, what a beautiful moment we lived there.
• 8:43
  Speaker 8: I recorded....
• 8:45
  Speaker 6: And then the third one was... People keep asking for it, right?
• 8:50
  Speaker 6: But I think it's like you, when you have a hit,
• 8:52
  Speaker 6: then you've already done the first one, fuck it.
• 8:54
  Speaker 8: The second one, fuck it. You're like, calm down, bro.
• 8:57
  Speaker 6: Afraid of missing the third one, of not being like
• 8:59
  Speaker 6: the first two. And now, with Podpah Records, we have
• 9:03
  Speaker 6: a record company today, you know? So I can very
• 9:05
  Speaker 6: well go to GR6 again, put everyone together again and
• 9:07
  Speaker 6: do it again. Because July 12th is the day of funk.
• 9:10
  Speaker 6: So I'm planning to release.
• 9:13
  Speaker 1: the.
• 9:13
  Speaker 6: Funk playlist on July 12th, the third one. If everything
• 9:16
  Speaker 6: goes right, if everything goes well, we're working to make
• 9:19
  Speaker 6: it happen.
• 9:20
  Speaker 7: Hello, JR6, let's make this happen.
• 9:23
  Speaker 1: No!
• 9:23
  Speaker 11: Fuck!
• 9:23
  Speaker 1: Oh, and... Porventura also, already enjoying it.
• 9:30
  Speaker 10: It was very top.
• 9:33
  Speaker 10: Did you like it, brother?
• 9:36
  Speaker 4: Our song there, man, we like it a lot.
• 9:38
  Speaker 1: So that's it, for us it's a privilege to be here,
• 9:40
  Speaker 1: for me it's a privilege, I'm sure that for Pereira too,
• 9:42
  Speaker 1: and thank you, brother, thank you for your person, for
• 9:45
  Speaker 1: your life, and I thank God a lot for us
• 9:47
  Speaker 1: being in this cycle, after 12 years, being here, on
• 9:50
  Speaker 1: a very high level, in this program here, which is
• 9:53
  Speaker 1: the biggest in Brazil, for sure.
• 9:54
  Speaker 9: When we called your names together, we said, man, it's
• 9:56
  Speaker 9: going to be a very strong episode, there's a lot
• 9:58
  Speaker 9: of history, there's a.
• 9:59
  Speaker 3: Lot of stuff.
• 10:10
  Speaker 10: I went on the second and I don't think I
• 10:11
  Speaker 10: went on the first one.
• 10:12
  Speaker 8: Yeah, the first one didn't even have a studio. It
• 10:14
  Speaker 8: was ours.
• 10:15
  Speaker 1: How did it happen?
• 10:16
  Speaker 7: You came with duplas there too, right?
• 10:19
  Speaker 4: We made a song with Davi at the time.
• 10:21
  Speaker 8: He also came with Davi and came alone. Davi, bro!
• 10:24
  Speaker 6: We came with a song at the time. I just
• 10:26
  Speaker 6: sent it to Davi. I saw that Davi was on
• 10:28
  Speaker 6: a tour, weekend. And then I posted some stuff on
• 10:32
  Speaker 6: Melhor Amiga, I commented with him and he.
• 10:33
  Speaker 1: Said, ah, yes, pa. Then he, Monday I'm going to Podpá,
• 10:36
  Speaker 1: I'm going to show you, but listen to my album.
• 10:38
  Speaker 8: I said, calm down.
• 10:39
  Speaker 6: You have to mark it.
• 10:40
  Speaker 8: You'll confirm the ideas with me later. Davi, bro, he's
• 10:42
  Speaker 8: the guy who.
• 10:42
  Speaker 1: Accelerated.
• 10:43
  Speaker 6: If you call him and say, it's now, it's now.
• 10:45
  Speaker 6: Make a song in 10 minutes, it's now.
• 10:47
  Speaker 9: It's more now that the man is healthy, right? He's
• 10:51
  Speaker 9: posting photos without a t-shirt, right, Davi?
• 10:52
  Speaker 2: He's black.
• 10:53
  Speaker 7: We saw, we saw, Davi, that you lost weight.
• 10:54
  Speaker 1: Everyone saw.
• 10:55
  Speaker 8: It's pretty, it's pretty. It's pretty, it's cool.
• 10:56
  Speaker 1: See, you said.
• 10:57
  Speaker 7: Something very curious here at the beginning, that I wanted.
• 10:58
  Speaker 6: To start from there. Was it possible for 12 years
• 11:01
  Speaker 6: ago to imagine that you would be saying that you
• 11:03
  Speaker 6: have 12 years of funk career? well-succeeded, living from it,
• 11:11
  Speaker 6: did you imagine that?
• 11:12
  Speaker 8: Or was it kind of utopian?
• 11:14
  Speaker 1: It was kind of utopian because I wanted to live
• 11:18
  Speaker 1: in this market, participate at a very high level. Actually,
• 11:23
  Speaker 1: at the beginning, I think there was even a certain innocence,
• 11:28
  Speaker 1: the absence of commercial intention.
• 11:31
  Speaker 4: That's good, right?
• 11:32
  Speaker 1: A lot.
• 11:32
  Speaker 4: It's pure, right?
• 11:33
  Speaker 1: It's very good. It's very good because... I'm not saying
• 11:37
  Speaker 1: that today we can't develop it, but at that time
• 11:40
  Speaker 1: I believe that.
• 11:41
  Speaker 8: It was something 100% authentic.
• 11:42
  Speaker 1: The recognition, to go out and listen to our songs
• 11:46
  Speaker 1: in a beautiful choral, in a dance, was sometimes a payment,
• 11:50
  Speaker 1: sometimes even.
• 11:51
  Speaker 8: Bigger than.
• 11:52
  Speaker 1: Bigger, even because I thought that was the peak, right?
• 11:55
  Speaker 1: I thought that winning that money, that standard, was the peak.
• 11:58
  Speaker 10: I swear to you, I.
• 11:59
  Speaker 1: I was a guy with little ambition. I was more
• 12:00
  Speaker 1: compulsive than ambitious. I think I even said that in
• 12:03
  Speaker 1: the first podcast.
• 12:04
  Speaker 8: Man, but let's remember, because it's already a quote, right?
• 12:06
  Speaker 10: Sorry, I'm just making this addendum, because.
• 12:09
  Speaker 6: But when you said that you're more compulsive than.
• 12:12
  Speaker 4: It was.
• 12:13
  Speaker 8: It was.
• 12:14
  Speaker 1: It was.
• 12:14
  Speaker 8: But it was what?
• 12:15
  Speaker 6: Like, for you, it was all right. If you have
• 12:17
  Speaker 6: an X salary, and you're living off it, you don't
• 12:19
  Speaker 6: have the pretension of being.
• 12:21
  Speaker 8: Or at that time, right? I want a lot more.
• 12:23
  Speaker 6: How did you work at that time? I was able in.
• 12:26
  Speaker 1: The sense of just wanting to make music all the time,
• 12:29
  Speaker 1: thinking about music, everything was... Man, like, there was a
• 12:31
  Speaker 1: time when I went out with a piece of folded paper, pencil, rubber, pen,
• 12:36
  Speaker 1: I was in the breeze, if I broke the pencil,
• 12:37
  Speaker 1: there had to be another... You know? It was like
• 12:39
  Speaker 1: a crazy thing. The breeze of the crazy poet, right?
• 12:41
  Speaker 1: The breeze of the crazy. If I was going to
• 12:43
  Speaker 1: do it somewhere in... on a path from point A
• 12:46
  Speaker 1: to point B, and I had an idea in my head,
• 12:49
  Speaker 1: I would stop in the first place to write that idea.
• 12:51
  Speaker 7: You were the crazy guy of the song.
• 12:54
  Speaker 1: Crazy guy of the song.
• 12:55
  Speaker 2: Crazy, bro.
• 12:56
  Speaker 1: Pereira... Did.
• 12:57
  Speaker 7: You ever do, like, what?
• 12:58
  Speaker 9: Like, some abnormal things, let's say, like, stop anywhere randomly
• 13:02
  Speaker 9: to write a song? At the moment, nothing to do,
• 13:06
  Speaker 9: you wait and see a song like that, right?
• 13:07
  Speaker 1: I worked as an office boy in a period there,
• 13:10
  Speaker 1: that I was seeing that if I didn't fix a trap,
• 13:12
  Speaker 1: things would get a little harder, right?
• 13:15
  Speaker 10: And I was about to give.
• 13:17
  Speaker 1: My last gasp to the fan, who was already over
• 13:19
  Speaker 1: 20 years old. Wow, 20 years old is.
• 13:22
  Speaker 7: That age that you say, bro, either go or smash.
• 13:25
  Speaker 8: That age that your father is looking.
• 13:27
  Speaker 10: At you like that.
• 13:28
  Speaker 1: And then? My mother, I lost my father very early,
• 13:30
  Speaker 1: but my mother, she used to say to me, you
• 13:36
  Speaker 1: want a new tennis, you want a new thing, you
• 13:37
  Speaker 1: don't think it's better, I think I think the funk
• 13:40
  Speaker 1: will work, she said she always had this care to
• 13:42
  Speaker 1: say I think it will work, I hope for you,
• 13:45
  Speaker 1: it's cool, you don't want to fix a service, really, right?
• 13:49
  Speaker 1: And I was thinking, it was just me and my
• 13:50
  Speaker 1: brother at the time, right? I thought, but old, we
• 13:52
  Speaker 1: were a little rebellious, right? Then, at that time, I
• 13:55
  Speaker 1: was entering that line of awareness, I was afraid of
• 13:57
  Speaker 1: getting ready on the street and leaving my crown, and
• 13:59
  Speaker 1: my brother was also kind of crazy, I said, man,
• 14:01
  Speaker 1: you have to.
• 14:06
  Speaker 8: I'll take care of it.
• 14:18
  Speaker 10: I took out the paper and stopped at the first square.
• 14:20
  Speaker 1: It was a crazy square, man.
• 14:22
  Speaker 10: It was a crazy square.
• 14:23
  Speaker 8: That square that only has four benches.
• 14:24
  Speaker 1: Four benches. I would stop at one and write the
• 14:27
  Speaker 1: things down. And when I would see that I was
• 14:29
  Speaker 1: already late, I would.
• 14:30
  Speaker 10: Run and do the work. Then I would keep these
• 14:32
  Speaker 10: papers in my wallet, man.
• 14:33
  Speaker 6: Pereira, a guy like that, 15 years ago, in this stereotype,
• 14:37
  Speaker 6: with a little paper, looking at the sky, stopping at
• 14:39
  Speaker 6: the square.
• 14:39
  Speaker 8: He is taken out of his mind, right?
• 14:41
  Speaker 4: For sure.
• 14:42
  Speaker 6: How did you meet each other? Was he in this picota?
• 14:45
  Speaker 6: How did it happen?
• 14:46
  Speaker 11: When he arrived in the studio, he came with Juninho
• 14:50
  Speaker 11: da Norte. Juninho da Norte had set the schedule with me.
• 14:56
  Speaker 4: My table was here. The kid was recording here. And
• 14:59
  Speaker 4: here was the tank, right? I improvised on the tank,
• 15:01
  Speaker 4: on the sink.
• 15:02
  Speaker 7: The sink, your mother's big sink.
• 15:03
  Speaker 1: Then my brother was next to me.
• 15:05
  Speaker 4: I said, let me sing a song for you. He said, okay,
• 15:07
  Speaker 4: you're going to sing now.
• 15:10
  Speaker 11: You wanted to get closer, right? Yeah, we wanted to
• 15:13
  Speaker 11: get closer, you know? And Juninho was recording and stuff.
• 15:15
  Speaker 11: I said, we're going to record now.
• 15:16
  Speaker 1: He was kicking his ass, right, man? He was kicking
• 15:19
  Speaker 1: his ass! He was focused, right? Yeah, I was recording.
• 15:21
  Speaker 7: Calm down, man.
• 15:22
  Speaker 10: I was going to give him attention.
• 15:23
  Speaker 7: Calm down, man.
• 15:24
  Speaker 4: And when I saw him, he already took some roles.
• 15:27
  Speaker 11: He already had several songs written and stuff.
• 15:30
  Speaker 4: But at that moment, how was your career? Man, I
• 15:33
  Speaker 4: was flying. I was already flying.
• 15:40
  Speaker 8: What year was it, Pereira?
• 15:41
  Speaker 2: 2014? 2014.
• 15:41
  Speaker 4: I had already hit Dondondon, Kama Sutra.
• 15:45
  Speaker 7: So you were already making noise.
• 15:48
  Speaker 6: Man, I just lived it. Mítico, I swear to God,
• 15:50
  Speaker 6: I just saw it. That's why the guys said, Mandao,
• 15:53
  Speaker 6: you know so much about music. It's because I lived it, literally, man.
• 15:56
  Speaker 6: I swear to God, the coolest thing about funk at
• 15:59
  Speaker 6: that time was to follow Pereira's page on funk. Because
• 16:02
  Speaker 6: we heard the funk that was going to explode with
• 16:07
  Speaker 6: him before.
• 16:07
  Speaker 1: And the MC behind.
• 16:08
  Speaker 4: How many videos did you do?
• 16:10
  Speaker 6: It was like a preview of if it was going
• 16:13
  Speaker 6: to explode or not. Because today it's very normal to
• 16:16
  Speaker 6: see this. But I felt that you did it there.
• 16:18
  Speaker 8: On Facebook.
• 16:19
  Speaker 4: The guys didn't like it because they were very shy.
• 16:21
  Speaker 2: I am too.
• 16:21
  Speaker 11: But I said, let's record a video here. But you
• 16:24
  Speaker 11: were the one who.
• 16:25
  Speaker 1: Pulled the bond?
• 16:25
  Speaker 8: Yeah, I pulled the bond.
• 16:26
  Speaker 11: I said, I'm going to record here and you do
• 16:28
  Speaker 11: the preview there.
• 16:31
  Speaker 7: But where did you get the idea?
• 16:32
  Speaker 11: Did you get inspired by the gringa from somewhere else?
• 16:35
  Speaker 11: We just said, let's record. Then it worked out, and
• 16:37
  Speaker 11: after it worked out.
• 16:38
  Speaker 7: We didn't stop anymore. What was the first video that gave,
• 16:40
  Speaker 7: I don't know, 50,000 views, and you.
• 16:42
  Speaker 2: Said, fuck it.
• 16:43
  Speaker 4: I think it was Livinho's.
• 16:44
  Speaker 11: I think it was Livinho's, then we recorded Maracujá' s too.
• 16:47
  Speaker 11: And we started to make several.
• 16:48
  Speaker 1: Livinho was already more forward, he already made the video.
• 16:52
  Speaker 10: He was more loose.
• 16:54
  Speaker 7: When he was alone, it was only.
• 16:55
  Speaker 1: From the sound box.
• 16:56
  Speaker 9: In your opinion, the day you signed with him, you
• 16:58
  Speaker 9: were excited, you said, my God, I have to appear
• 17:01
  Speaker 9: as much as possible, I have to release the pure ones.
• 17:04
  Speaker 7: And there was a previous event that he said, but.
• 17:07
  Speaker 1: Answering your question, And going to the squares to make
• 17:14
  Speaker 1: the sound wasn't crazy cheap.
• 17:15
  Speaker 10: Crazy cheap comes later. You asked what was.
• 17:18
  Speaker 1: What was the craziest thing that happened when I was compulsive.
• 17:21
  Speaker 1: I took this pile of paper, man, instead of passing
• 17:23
  Speaker 1: it clean, leaving everything organized, I was too messy.
• 17:26
  Speaker 10: So I put all this paper in my wallet.
• 17:29
  Speaker 6: So you imagine, that huge wallet, it looked like an
• 17:31
  Speaker 6: old man's wallet, with all due.
• 17:32
  Speaker 7: Respect to our grandparents, right, bro?
• 17:35
  Speaker 10: That gigantic wallet, without any money, just with a pile
• 17:38
  Speaker 10: of paper.
• 17:38
  Speaker 1: Then one day I was there, broken with my partners,
• 17:43
  Speaker 1: I took a picture of the rocams, bro.
• 17:44
  Speaker 10: The rocams saw us, we were in a big mess, right, bro?
• 17:47
  Speaker 10: Then the rocams touched, you know?
• 17:48
  Speaker 1: Then we said, go that way, right, bro? The guys
• 17:52
  Speaker 1: already that way, already without patience, already started to talk.
• 17:55
  Speaker 8: No, they're not like that.
• 17:56
  Speaker 1: No, no, super educated. Let me rectify.
• 17:58
  Speaker 10: They were super educated. No, they were educated even, but educated,
• 18:03
  Speaker 10: but that way.
• 18:04
  Speaker 4: Excuse me, gentlemen. imagine if it was a big gang
• 18:06
  Speaker 4: in the.
• 18:07
  Speaker 1: Square just a rare piece they did their job but
• 18:10
  Speaker 1: in that way they wanted to go out soon because
• 18:12
  Speaker 1: they were all kids then when the guy saw this
• 18:14
  Speaker 1: wallet of mine the guy opened that wallet and started
• 18:17
  Speaker 1: to take that lot of paper then he said, dude,
• 18:20
  Speaker 1: are you crazy? I said, dude, you....
• 18:28
  Speaker 10: Steve, this guy is retarded.
• 18:29
  Speaker 1: He would take the papers out and throw them on
• 18:32
  Speaker 1: the floor. He would throw everything on the floor.
• 18:34
  Speaker 6: He would take them out like a fool.
• 18:35
  Speaker 1: And I was like that, man. You know why?
• 18:37
  Speaker 6: I think you're saying that it's cool that it's a joke,
• 18:42
  Speaker 6: but I think we don't have an incentive for art.
• 18:44
  Speaker 6: And what you were doing there was.
• 18:46
  Speaker 4: Art, you know?
• 18:47
  Speaker 1: It was an incomprehensible art, logically, because the guy, first
• 18:52
  Speaker 1: of all, he tried to open some papers, but the
• 18:54
  Speaker 1: scratches were very ugly, he didn't even understand what was written, brother.-
• 18:58
  Speaker 1: What the fuck is this? Can I say it again?-
• 19:00
  Speaker 1: Of course!- What the fuck is this? This guy is Steve!
• 19:03
  Speaker 10: And I started to joke with the other cop.
• 19:05
  Speaker 6: Pereira, don't you believe that great composers like VG and
• 19:09
  Speaker 6: many people that people like a lot, they compose like
• 19:12
  Speaker 6: that too. It's out of nowhere. You can't just wait
• 19:14
  Speaker 6: for the day of inspiration. You have to be a
• 19:16
  Speaker 6: little bit in the know, right?
• 19:18
  Speaker 4: Compositions are a very crazy thing, right?
• 19:19
  Speaker 1: Like.
• 19:19
  Speaker 4: Many times, David at 2 am, 3 am, Don Juan.
• 19:25
  Speaker 4: The guys are shitting I.
• 19:26
  Speaker 10: Did it here I did it here listen to it
• 19:28
  Speaker 10: listen to.
• 19:29
  Speaker 11: It then you will hear the song is like a
• 19:30
  Speaker 11: hit that is today you understand very cool like this
• 19:33
  Speaker 11: you have to believe the guys live the stuff and
• 19:36
  Speaker 11: composition the thing is very crazy.
• 19:37
  Speaker 10: But you can go out whole you can go out
• 19:39
  Speaker 10: in pieces.
• 19:41
  Speaker 9: You said what to the policeman you said to the policeman.
• 19:45
  Speaker 6: It's my fucking art no he said imagine talking to
• 19:47
  Speaker 6: the policeman that you were doing funk.
• 19:49
  Speaker 3: In 2012 in 2012.
• 19:50
  Speaker 4: Yeah, my funk, look.
• 19:52
  Speaker 1: No, man, he said that a lot of garbage is
• 19:54
  Speaker 1: this here that you keep, man.
• 19:56
  Speaker 11: Fuck.
• 19:56
  Speaker 10: This stuff here, man, he took the paper, man, but
• 19:57
  Speaker 10: the stuff was like this.
• 19:59
  Speaker 1: It was messy. Visually speaking, the stuff was ugly.
• 20:01
  Speaker 10: Because it was this paper, you know, you.
• 20:03
  Speaker 1: Take a sheet of a notebook, then the other notebook
• 20:06
  Speaker 1: is kind of, it has another tone, more clear, more dark,
• 20:09
  Speaker 1: it was this paper.
• 20:32
  Speaker 6: But when you went to Pereira's studio for the first time,
• 20:35
  Speaker 6: what was the song that you said, like, I need
• 20:37
  Speaker 6: to show this, because this is my best?
• 20:39
  Speaker 8: So, when I.
• 20:40
  Speaker 1: Started dating, I stopped going out a little bit, right?
• 20:45
  Speaker 1: At that beginning, I was in love, I just wanted
• 20:47
  Speaker 1: to know about V & M, you know? Normal, right?
• 20:50
  Speaker 7: And then... That beginning of love, right?
• 20:53
  Speaker 3: Fuck, man.
• 20:53
  Speaker 10: Love is always the same, right? But that beginning is...
• 20:57
  Speaker 10: The vassal.
• 20:58
  Speaker 1: The vassal.
• 20:59
  Speaker 4: And I stopped being a spy.
• 20:59
  Speaker 1: You know? And then there was a time when I
• 21:02
  Speaker 1: started to fight, and I fought with her, and I
• 21:06
  Speaker 1: would get to the break and I would say, look,
• 21:07
  Speaker 1: they're looking at the dance there, let's go, let's go,
• 21:09
  Speaker 1: let's go, bro. And when I got to the dance,
• 21:11
  Speaker 1: the only thing I could notice was the sound cars
• 21:12
  Speaker 1: playing the songs, bro. So I started a song like that,
• 21:15
  Speaker 1: a beat, and I said, let's go there, let's go
• 21:17
  Speaker 1: there and get a drink. I wanted to stay close
• 21:19
  Speaker 1: to the... You were hunting for the song. I was
• 21:21
  Speaker 1: hunting for that sound, a lot of cars, a lot
• 21:23
  Speaker 1: of those big old street dances, you know, bro?
• 21:25
  Speaker 2: Wow.
• 21:27
  Speaker 1: That ends with the peace of the neighbors, a lot
• 21:30
  Speaker 1: of complaints, police at the end.
• 21:32
  Speaker 6: But you have to leave the youth, right? It's the reality,
• 21:35
  Speaker 6: it's part of it.
• 21:36
  Speaker 10: A happy environment.
• 21:37
  Speaker 1: I believe that this is being much improved and we
• 21:40
  Speaker 1: can talk about it later.
• 21:42
  Speaker 10: And then I stuck it in the.
• 21:44
  Speaker 1: Dances and realized, you know, brother, that it had changed
• 21:48
  Speaker 1: a little, it was more that more sensual rhythm, more
• 21:52
  Speaker 1: sensual and erotic. I was starting to grow a lot
• 21:58
  Speaker 1: and I was just doing it consciously. Then I got
• 22:00
  Speaker 1: to some friends who walked with me and I said
• 22:03
  Speaker 1: to them, I'm thinking that I think I'm going to
• 22:06
  Speaker 1: start doing some because he's playing a lot. And then
• 22:08
  Speaker 1: I was going to a dance, when I was going
• 22:10
  Speaker 1: to the other dance on the other side of the city, I.
• 22:12
  Speaker 9: Was playing the same songs. Do you remember any songs
• 22:15
  Speaker 9: you were playing?
• 22:17
  Speaker 10: I noticed Dondon a little bit later, but he was
• 22:19
  Speaker 10: playing that... You're crazy, man.
• 22:20
  Speaker 1: You're crazy.
• 22:21
  Speaker 6: You know?
• 22:22
  Speaker 1: So I was playing those. And I was playing others too.
• 22:24
  Speaker 1: But those, I remember.
• 22:25
  Speaker 6: When you played the dance, you went crazy.
• 22:28
  Speaker 4: Those were very strong.
• 22:30
  Speaker 7: And they played all the dance.
• 22:31
  Speaker 10: In dance A, dance B, they played.
• 22:46
  Speaker 1: So I thought, if my song is playing there, I
• 22:50
  Speaker 1: imagine it will be seen in other ballets. For me,
• 22:52
  Speaker 1: the biggest promotion would be it playing in all the ballets.
• 22:55
  Speaker 1: So I said to my friends, I said, bro, I
• 22:58
  Speaker 1: think I'll have to migrate to this thing of singing
• 23:00
  Speaker 1: heavier songs, speaking a lot of words there, bro. And
• 23:03
  Speaker 1: the guys all laughed. Then there was a friend, DJ Bugas,
• 23:06
  Speaker 1: who said, He took a notebook and said, this is
• 23:09
  Speaker 1: just for you to do the dancing. I said, it
• 23:12
  Speaker 1: took time. Then I interned, but then I was in
• 23:14
  Speaker 1: this thing, I was already watching Pereira's videos. And also
• 23:19
  Speaker 1: the R7, I was already hitting some songs here, some montages.
• 23:22
  Speaker 10: The montages of the R7, man.
• 23:23
  Speaker 1: I played at the ball and Barata was... You entered
• 23:26
  Speaker 1: another universe.
• 23:26
  Speaker 4: The R7, for real.
• 23:28
  Speaker 1: Man, then the R7, and then a friend said to me, man,
• 23:32
  Speaker 1: did you see... Pedrinho, Pedrinho, from Quebrado. I said, let
• 23:36
  Speaker 1: me listen to this song. Wow! Mano, that barato came
• 23:42
  Speaker 1: into my mind, and wherever I went, that thing was playing.
• 23:47
  Speaker 1: I said, man, how didn't I notice this song? It exploded,
• 23:51
  Speaker 1: it was meteoric. Then I said, I have to record
• 23:54
  Speaker 1: this guy here. And I had already talked to him
• 23:58
  Speaker 1: on Facebook, I already knew Olivinho. Before DJI 6, I
• 24:01
  Speaker 1: already knew Livinho from Quebrada. I used to sing at
• 24:04
  Speaker 1: Quebrada too. Peri is also crazy. And then... I said,
• 24:10
  Speaker 1: we have to record with Peri. To get the contact
• 24:13
  Speaker 1: of this crazy guy. No one passed.
• 24:15
  Speaker 10: It's like recording with Dr.
• 24:17
  Speaker 2: Dre.
• 24:17
  Speaker 6: I'm going after the guy who's with the scene.
• 24:18
  Speaker 8: I'm exaggerating. And even today, he's still seen as a
• 24:21
  Speaker 8: great reference.
• 24:22
  Speaker 4: I think he's an idol.
• 24:23
  Speaker 10: Both our idol and idol.
• 24:30
  Speaker 1: It's the guy who put me in the game. Rodrigo, obviously,
• 24:34
  Speaker 1: is the guy who believed, who employed capital. In the
• 24:38
  Speaker 1: capitalist world, especially in our country, where the incentive is low,
• 24:44
  Speaker 1: especially in a movement like funk.
• 24:46
  Speaker 6: But when it comes to the synergy of recording, it
• 24:48
  Speaker 6: was with the guy.
• 24:50
  Speaker 1: I went to lunch with a friend that I always
• 24:52
  Speaker 1: went to lunch with. He worked at G6, he was
• 24:54
  Speaker 1: a G6 advertiser, you know? I was in contact with
• 24:58
  Speaker 1: his partner, Coluna. He's working with us today.
• 25:00
  Speaker 4: Coluna?
• 25:01
  Speaker 2: Coluna.
• 25:01
  Speaker 4: Look at his partners.
• 25:02
  Speaker 2: Coluna.
• 25:03
  Speaker 11: I think his name is Renato too, if I'm not mistaken.
• 25:05
  Speaker 4: I may be mistaken, but.
• 25:06
  Speaker 7: We know him as Coluna.
• 25:07
  Speaker 1: He works with Vitão today, who.
• 25:08
  Speaker 10: Is from the same line as us.
• 25:09
  Speaker 1: Coluna.
• 25:09
  Speaker 10: There's Pustelo, Coluna, Tibia, there's all of that.
• 25:23
  Speaker 1: The Guiné! The Guiné! The Guiné!
• 25:26
  Speaker 4: No, no, no!
• 25:27
  Speaker 1: I'm not the Guiné! The Guiné is neck meat! What
• 25:30
  Speaker 1: was the song you sang?
• 25:31
  Speaker 4: So.
• 25:31
  Speaker 10: Then my partner said... I said, bro, let's have lunch tomorrow,
• 25:36
  Speaker 10: what's up, bro?
• 25:36
  Speaker 1: I used to hang out with him to have lunch,
• 25:38
  Speaker 1: because he used to hang out at G6. To talk
• 25:41
  Speaker 1: about funk, to update me about what was going on.
• 25:44
  Speaker 1: When I went to get some flyers, he said, get
• 25:45
  Speaker 1: some flyers there so you can help me promote. I
• 25:47
  Speaker 1: was stupid, I went to work for free. I went
• 25:48
  Speaker 1: there to get some flyers. Then when I saw the
• 25:50
  Speaker 1: guys at JIC, all with t-shirts like that, I couldn't
• 25:52
  Speaker 1: believe I was at that level, right?
• 25:53
  Speaker 10: And then I started talking to him directly, I.
• 25:55
  Speaker 1: Said, let's have lunch tomorrow too, let's have lunch, I'll pay, ok?
• 25:58
  Speaker 1: He said, no, I'll pay. Then he stayed there, we
• 25:59
  Speaker 1: became friends. We were already friends, actually, but we were
• 26:02
  Speaker 1: having lunch periodically there. It got stronger.
• 26:04
  Speaker 7: Then there was a day when he said, damn, tomorrow I.
• 26:06
  Speaker 1: Won't... I won't be able to have lunch with you tomorrow,
• 26:08
  Speaker 1: because tomorrow I'm going to take Juninho da Norte, MC
• 26:11
  Speaker 1: Juninho da Norte... At DJ Pereira.
• 26:13
  Speaker 8: I'll go with you.
• 26:15
  Speaker 4: Why did you say that?
• 26:17
  Speaker 8: I've never asked for.
• 26:18
  Speaker 1: Anything from anyone, man. I think that, in general, I've
• 26:21
  Speaker 1: never asked for favors.
• 26:24
  Speaker 10: I think that life prepared this moment to ask me.
• 26:25
  Speaker 10: To spend this card. Of course I've asked for favors,
• 26:30
  Speaker 10: but I say this in the sense of funk. We
• 26:31
  Speaker 10: were going to the fight through art, making music and
• 26:34
  Speaker 10: releasing it on YouTube.
• 26:41
  Speaker 1: At the time, we didn't have any platforms. Then my
• 26:43
  Speaker 1: friend said, man, I'm going to Pereira. I said, bro,
• 26:46
  Speaker 1: I've never asked you for anything. Don't you let me
• 26:49
  Speaker 1: touch you? He said, no, it took time. Let's go,
• 26:51
  Speaker 1: you throw me in such and such a place. I
• 26:53
  Speaker 1: remember that I took a bus and went to another place.
• 26:56
  Speaker 1: From there, I went to another place and Pereira lived
• 26:58
  Speaker 1: near my house. But only if I meet them there
• 26:59
  Speaker 1: in Pereira.
• 27:00
  Speaker 4: But anyway, thanks.
• 27:02
  Speaker 10: Then it happened, but what Pereira said was on the
• 27:05
  Speaker 10: second day.
• 27:05
  Speaker 1: On the first day, Juninho recorded it, and I stayed
• 27:09
  Speaker 1: there quietly, in the laundry room, very quietly, I even
• 27:11
  Speaker 1: told the guys, because.
• 27:12
  Speaker 10: MC is a very boring race, right? He wants to
• 27:14
  Speaker 10: sing all the time.
• 27:16
  Speaker 1: It's that dream, right, bro?
• 27:18
  Speaker 6: Screaming and saying, wow, will I have another opportunity?
• 27:21
  Speaker 1: Go now! Yeah, like that, sometimes the guy is there,
• 27:23
  Speaker 1: he sees the opportunity and starts, right? He starts to
• 27:26
  Speaker 1: send it. Then I told the guys, I said, bro,
• 27:30
  Speaker 1: I'm going to go, but I'm going to stay quiet,
• 27:32
  Speaker 1: I swear to you, I'm not going to say anything.
• 27:34
  Speaker 1: I just want to go and meet them.
• 27:36
  Speaker 10: And I went and stayed quiet. And at the end,
• 27:38
  Speaker 10: when I was leaving, So I said, fuck it, let's
• 27:41
  Speaker 10: do it.
• 27:42
  Speaker 1: It was already recorded. It was too quiet.
• 27:45
  Speaker 4: At the time of leaving, I said, I'll tell you, bro.
• 27:46
  Speaker 1: I don't know if you remember, that MC talk that
• 27:49
  Speaker 1: every MC says. Every MC says that. Do you remember me?
• 27:51
  Speaker 1: I talked to you on Facebook.
• 27:53
  Speaker 10: He doesn't remember very well.
• 27:54
  Speaker 1: So I said, your.
• 27:55
  Speaker 10: MC has some songs, bro, it has to be with
• 27:57
  Speaker 10: you this one.
• 28:05
  Speaker 1: That notebook that a friend lent me, I interned for
• 28:08
  Speaker 1: about two months, bro.
• 28:09
  Speaker 10: So I had several.
• 28:10
  Speaker 1: Then I was cleaning all of them and took the
• 28:13
  Speaker 1: best ones and passed them to a sheet of paper.
• 28:16
  Speaker 1: But I only went with one that day. That was
• 28:18
  Speaker 1: the first one he sent. It was the first one.
• 28:22
  Speaker 8: And I was already in that melody, there was only that.
• 28:31
  Speaker 1: And then what made me do it was the songs
• 28:33
  Speaker 1: from the time that I realized that there was an introduction,
• 28:35
  Speaker 1: that there was something. Then I said, I think it's
• 28:37
  Speaker 1: too short. Then I thought, if I do just that,
• 28:40
  Speaker 1: he's going to play another voice.
• 28:43
  Speaker 8: Then the song will turn into someone else's.
• 28:44
  Speaker 10: And if it's better, another voice?
• 28:46
  Speaker 1: It will cover me. Because in my view, man. I'm
• 28:51
  Speaker 1: talking too much, right? In my opinion, I was not
• 28:54
  Speaker 1: so good like that, like that, in my opinion.
• 28:58
  Speaker 10: There was a lot of insecurity, you know?
• 29:01
  Speaker 1: So I thought like this, no, I have to make
• 29:04
  Speaker 1: a complete song there and such, complete, then I started
• 29:07
  Speaker 1: working at the beginning, right?
• 29:09
  Speaker 10: And nothing was combining, then the beginning.
• 29:11
  Speaker 8: Came out, right?
• 29:12
  Speaker 6: Pereira, but when you heard this for the first time,
• 29:13
  Speaker 6: you said like this, how was your reaction?
• 29:16
  Speaker 11: Usually when I'm listening to some artists singing for the
• 29:19
  Speaker 11: first time, I lower my head.
• 29:21
  Speaker 4: To not deliver, right?
• 29:23
  Speaker 8: Let's pay attention here.
• 29:24
  Speaker 4: They said, sing the song.
• 29:26
  Speaker 1: We were leaving already.
• 29:26
  Speaker 4: At the gate of his house.
• 29:27
  Speaker 1: He sings the song. And I lowered my head. When
• 29:29
  Speaker 1: I heard the melody, I was like....
• 29:40
  Speaker 4: And at the time, you think.
• 29:41
  Speaker 10: You're singing, you look for the tone, you look for it.
• 29:43
  Speaker 1: And the security is crazy. Then I started.
• 29:47
  Speaker 10: I tried to make a lullaby.
• 29:48
  Speaker 1: Then he thought....
• 30:00
  Speaker 8: No, it was the third time.
• 30:02
  Speaker 4: No, it was the second time.
• 30:03
  Speaker 10: I sang and he raised his head and said, sing again,
• 30:06
  Speaker 10: send it again.
• 30:06
  Speaker 1: That's what made me want to do a little beginning,
• 30:09
  Speaker 1: you know? Then he said, bro, it's good, bro, get
• 30:13
  Speaker 1: my contact there, get my contact there with Juninho, with.
• 30:16
  Speaker 10: The boy there, call me, we'll mark it.
• 30:19
  Speaker 6: Hey Pereira, what was your speed at that time when
• 30:21
  Speaker 6: the artist went to your studio, left the voice, and
• 30:25
  Speaker 6: how long was she ready?
• 30:26
  Speaker 11: Se gravasse três da tarde, sete horas já tava no YouTube.
• 30:30
  Speaker 8: Era no mesmo dia?
• 30:32
  Speaker 1: Mas na segunda foi mais rápido.
• 30:34
  Speaker 4: Foi mais rápido, não foi?
• 30:35
  Speaker 6: Porque assim, eu tenho muita curiosidade pra te perguntar várias
• 30:38
  Speaker 6: coisas que eu vejo alguns elementos nas suas.
• 30:41
  Speaker 6: I want to know where you got these elements from,
• 30:43
  Speaker 6: because when he started singing the Don Don Don, I
• 30:46
  Speaker 6: got that knife noise right away.
• 30:48
  Speaker 8: You know what I mean? And he was singing a
• 30:50
  Speaker 8: lot of things.
• 30:51
  Speaker 6: There was someone screaming like this. So, where did these
• 30:58
  Speaker 6: elements come from? Because it made a total difference in
• 31:00
  Speaker 6: the song. It may seem that it's just a sound
• 31:02
  Speaker 6: of a knife, but this thing seems to prepare the
• 31:04
  Speaker 6: moment for the song.
• 31:05
  Speaker 4: I don't know.
• 31:05
  Speaker 6: I don't know how to explain it to you. You'll
• 31:08
  Speaker 6: know better.
• 31:08
  Speaker 11: We were testing some things. At the time there was
• 31:11
  Speaker 11: also a lot of reference. I used to listen to
• 31:14
  Speaker 11: Selminho a lot. Selminho is my teacher.
• 31:16
  Speaker 4: What is Selminho?
• 31:17
  Speaker 11: For me, Selminho is Pica, right? He blew Copinho, Luan...
• 31:51
  Speaker 11: You and.
• 31:52
  Speaker 6: Jorginho did this a lot, right? The song's points were
• 31:55
  Speaker 6: on top of the melody of.
• 31:56
  Speaker 1: What was sung.
• 31:56
  Speaker 11: Because I believe that sometimes there are songs that you
• 31:58
  Speaker 11: don't remember the lyrics. But the melody is in your head.
• 32:01
  Speaker 11: You can subvert the song, but sometimes you don't remember
• 32:04
  Speaker 11: the lyrics. Melody is a very important thing in music.
• 32:09
  Speaker 9: At that moment, was there anyone who said that Pereira
• 32:12
  Speaker 9: was crazy?
• 32:12
  Speaker 7: What is he putting in the song? What is it, Pereira?
• 32:14
  Speaker 4: What is it? I don't think so. The guys liked it.
• 32:16
  Speaker 8: The guys liked it, right?
• 32:17
  Speaker 6: Yeah, the guys liked it and I kept.
• 32:19
  Speaker 4: On making it. You kept on inventing, putting it.
• 32:22
  Speaker 6: But it's not crazy if you think that you're the producer,
• 32:25
  Speaker 6: you're messing with the song, I'll put a knife noise.
• 32:30
  Speaker 6: I'll put a guy screaming.
• 32:33
  Speaker 1: Because, man.
• 32:33
  Speaker 4: The Carlzinho scream, he pulled to get the drop, you know?
• 32:36
  Speaker 11: So in my head, as I heard a lot of
• 32:39
  Speaker 11: electronic music too, instead of pulling with.
• 32:42
  Speaker 4: I.
• 32:42
  Speaker 11: Came with a Carlzinho scream in reverse, still screaming like that.
• 32:47
  Speaker 11: Then when I dropped the beat.
• 32:49
  Speaker 4: The thing.
• 32:50
  Speaker 6: That's what I wanted to extract, because it's not just
• 32:53
  Speaker 6: the Carlzinho scream, it's the Carlzinho scream.
• 32:54
  Speaker 8: In reverse, which makes a total difference.
• 32:56
  Speaker 4: So, like.
• 32:57
  Speaker 6: I don't know if people notice, but it's something that
• 33:00
  Speaker 6: makes a huge difference in music.
• 33:02
  Speaker 11: Yeah, I can't stand it when I'm listening to someone
• 33:05
  Speaker 11: else's song. I'm looking for elements in the song that
• 33:09
  Speaker 11: are similar to this one.
• 33:10
  Speaker 4: Or you listen to it and.
• 33:12
  Speaker 9: Think, wow, if he had put this in at that moment,
• 33:15
  Speaker 9: it would be even better.
• 33:16
  Speaker 11: Yeah, there are songs that I listen to and think, wow,
• 33:19
  Speaker 11: I would stop like that.
• 33:21
  Speaker 9: Or you already took the song and made your own version.
• 33:26
  Speaker 9: And what did you think the first day he sent
• 33:29
  Speaker 9: the song? How was it for him to come back
• 33:31
  Speaker 9: and record it?
• 33:33
  Speaker 1: It was easy.
• 33:33
  Speaker 4: He's lying.
• 33:34
  Speaker 1: It was easy, tell the truth.
• 33:36
  Speaker 8: I think the.
• 33:36
  Speaker 4: Result was blessed. The result was easier.
• 33:39
  Speaker 1: Than I thought.
• 33:39
  Speaker 10: I thought it would be better.
• 33:51
  Speaker 7: I was already 8 years old when I.
• 33:53
  Speaker 1: Recorded the first one.
• 33:54
  Speaker 10: The first one we recorded already worked. But I was
• 33:55
  Speaker 10: already 8 years old recording with a crowd that was already.
• 33:58
  Speaker 1: Flying.
• 33:58
  Speaker 10: The guys are there until today, by the way.
• 34:00
  Speaker 1: What was the question again?
• 34:02
  Speaker 4: Sorry.
• 34:03
  Speaker 10: How was it for you to record?
• 34:04
  Speaker 1: It took a long time. It was hard because I
• 34:07
  Speaker 1: got his number, but it's hard for a man to answer.
• 34:16
  Speaker 10: And it was still Nextel.
• 34:17
  Speaker 3: Wow!
• 34:18
  Speaker 10: It was at the end of Nextel, you know?
• 34:20
  Speaker 2: In 2014.
• 34:20
  Speaker 10: Wasn't it? It was Nextel, right, bro?
• 34:22
  Speaker 7: So it took a month, then it took longer. I...
• 34:24
  Speaker 7: That week I still.
• 34:26
  Speaker 1: Managed to score, but... I don't know if it was
• 34:28
  Speaker 1: that week, but it was on a Monday that we scored.
• 34:32
  Speaker 1: And the man, at the time, he was kind of
• 34:34
  Speaker 1: a baller, right?
• 34:35
  Speaker 10: So he left on Friday, Saturday and Sunday. Then I
• 34:37
  Speaker 10: think he left on Sunday, bro.
• 34:38
  Speaker 1: I'm not sure.
• 34:39
  Speaker 6: And then I got there.
• 34:41
  Speaker 1: Monday was late, right?
• 34:41
  Speaker 10: Monday I got there, I was at the door, there...
• 34:45
  Speaker 10: A cup of tea.
• 34:45
  Speaker 1: I played the campaign and nothing, nothing, nothing. I said, bro,
• 34:48
  Speaker 1: I'm not leaving here, bro. I'm not leaving here.
• 34:51
  Speaker 10: I was already thinking, I said, what am I going
• 34:52
  Speaker 10: to say if someone appears? Because I didn't know, right?
• 34:54
  Speaker 1: Like, imagine, in the corridor where Pereira lived, I said, bro,
• 34:57
  Speaker 1: I don't know if anyone else lives there, I'm going
• 34:59
  Speaker 1: to be playing the campaign a couple of times, right, man?
• 35:02
  Speaker 6: That's when the introduction of the song for the girls
• 35:04
  Speaker 6: comes in.
• 35:06
  Speaker 1: It's from there.
• 35:07
  Speaker 6: When I make a documentary about funk, people will have
• 35:10
  Speaker 6: to call me.
• 35:11
  Speaker 10: No, you have.
• 35:12
  Speaker 4: It's a pod.
• 35:13
  Speaker 1: It's a big HD. It's a good memory card from
• 35:15
  Speaker 1: the old days. Memory card.
• 35:17
  Speaker 2: Then.
• 35:22
  Speaker 1: This guy didn't show up, he didn't show up, he
• 35:24
  Speaker 1: didn't show up, and in a little while I was
• 35:27
  Speaker 1: there like this, just looking. He's there, bro. His sister
• 35:30
  Speaker 1: showed up.
• 35:31
  Speaker 4: I think his sister said, look if he's gone. Look
• 35:35
  Speaker 4: if he's gone.
• 35:35
  Speaker 1: Then his sister just put her face like this. I
• 35:38
  Speaker 1: saw it, huh? I said, I marked with Pereira, you
• 35:40
  Speaker 1: were there, here.
• 35:44
  Speaker 10: He just woke up and said, don't tell him what
• 35:46
  Speaker 10: I'm waiting for, I came from far away.
• 35:48
  Speaker 1: I live close to him, you know? I said, no,
• 35:49
  Speaker 1: I came from far away, I can't go back. He said, okay.
• 35:53
  Speaker 1: I stayed there for a while, then he showed up.
• 35:56
  Speaker 1: I say that the mark of this story is the
• 36:00
  Speaker 1: drop of the scene here, wet by.
• 36:02
  Speaker 10: Because it's like this.
• 36:03
  Speaker 8: You just took a shower.
• 36:04
  Speaker 1: I just took a shower, I had breakfast in the morning,
• 36:06
  Speaker 1: and I stayed there, shivering. Imagine, bro, I was very nervous.
• 36:09
  Speaker 1: It just made me more nervous for that moment.
• 36:13
  Speaker 10: That day you were alone, right?
• 36:14
  Speaker 1: I was alone that day, I went to record this
• 36:16
  Speaker 1: song alone. In the studio, the first times, especially with
• 36:19
  Speaker 1: a guy who was already.
• 36:22
  Speaker 8: I've been in the studio for a.
• 36:24
  Speaker 1: Long time, but it was different that day, and I
• 36:27
  Speaker 1: really had created a very different expectation for that day,
• 36:31
  Speaker 1: you know?
• 36:32
  Speaker 10: And at that time, Pereira, you, as VG already.
• 36:34
  Speaker 6: Played here, you were, but it was already happening to you, right?
• 36:37
  Speaker 6: You were already making your money and such. But I
• 36:40
  Speaker 6: wanted to know there, because I've seen a very cool
• 36:44
  Speaker 6: speech of yours, like, when you produced the sound of
• 36:46
  Speaker 6: the radio, it was the exchange of a.
• 36:48
  Speaker 4: A car sound.
• 36:49
  Speaker 6: What was already offered to Pereira to produce?
• 36:54
  Speaker 6: .
• 36:57
  Speaker 11: .
• 36:57
  Speaker 4: .
• 37:03
  Speaker 11: .
• 37:03
  Speaker 8: I heard it, Rodrigo J6 said he
• 37:05
  Speaker 8: gave a little wheel game. I didn't do that.
• 37:07
  Speaker 1: Car wheel game? I don't want to offer this thing.
• 37:09
  Speaker 8: The guys have already offered the car.
• 37:11
  Speaker 4: Sound, terrain, motorcycle. And you accepted the terrain? No, like this,
• 37:16
  Speaker 4: I listened to the MC like this.
• 37:17
  Speaker 11: I said, bro, I'm not going to take the guy's.
• 37:21
  Speaker 1: Money, you know?
• 37:22
  Speaker 8: I'm going to tell the.
• 37:23
  Speaker 1: Guy to take it.
• 37:32
  Speaker 11: Make a singing lesson, study something, you know?
• 37:36
  Speaker 4: A lot of kids used to come like that. They
• 37:37
  Speaker 4: were starting, right? I sold my motorcycle to record here,
• 37:40
  Speaker 4: I don't know what. I said, sing, dog.
• 37:42
  Speaker 11: The same way, I lowered my head. I lowered my
• 37:44
  Speaker 11: head and said, dog, take this money, go study. I
• 37:47
  Speaker 11: said it with great affection, right? So as not to
• 37:49
  Speaker 11: hurt the heart of the guy, right? And I already
• 37:51
  Speaker 11: offered a lot of stuff.
• 37:52
  Speaker 4: But the VG was money, really. Yeah, I was the
• 37:55
  Speaker 4: first production I paid, you know? It was only the
• 38:01
  Speaker 4: first one.
• 38:01
  Speaker 10: I thought I needed it.
• 38:04
  Speaker 8: It was the most well-paid.
• 38:05
  Speaker 1: Production of my life. And the song was already made
• 38:07
  Speaker 1: on that day?
• 38:07
  Speaker 7: No, then it was the other.
• 38:08
  Speaker 9: This thing with Gota was the following.
• 38:10
  Speaker 10: Then he goes up, I'm seeing him go up there.
• 38:17
  Speaker 10: I said, bro... That smell of shit, bro.
• 38:19
  Speaker 7: That vibe.
• 38:19
  Speaker 4: I was so nervous, dude. He.
• 38:20
  Speaker 1: I was... I was already sweating, already sweating, and thin
• 38:24
  Speaker 1: doesn't sound, right?
• 38:25
  Speaker 10: So when it sounds, it's because it's bad, you know?
• 38:27
  Speaker 1: Then I took.
• 38:28
  Speaker 10: He said, okay, come in, I don't know what, opened
• 38:33
  Speaker 10: the gate.
• 38:33
  Speaker 1: Then when he turned his back to go down the stairs,
• 38:35
  Speaker 1: I saw his hair wet like that. I said, look, bro,
• 38:38
  Speaker 1: I went to take a shower and... I thought I.
• 38:41
  Speaker 10: Was already waiting for the MC. MC, bro, MC is
• 38:44
  Speaker 10: worth nothing, right?
• 38:45
  Speaker 4: I thought.
• 38:46
  Speaker 1: Then we recorded the first one, he did that marketing
• 38:50
  Speaker 1: of the previews, bro. He filmed the sound box playing
• 38:53
  Speaker 1: the preview, right? And then the guys were enjoying it
• 38:57
  Speaker 1: a lot, until I showed up. When I showed up... Seriously? Why?
• 39:01
  Speaker 1: How so? Because the guys already hated you a lot, bro.
• 39:05
  Speaker 1: Who is this guy, huh? Wow, bro.
• 39:07
  Speaker 10: Seriously, the search is good, but this one, I don't know.
• 39:12
  Speaker 1: Mano, eu já teve um período muito, tipo assim, a
• 39:15
  Speaker 1: gente lançou muita música.
• 39:17
  Speaker 4: Eu lancei muita música.
• 39:20
  Speaker 3: I think it won't work.
• 39:21
  Speaker 7: And you were like, how do I sell this stuff,
• 39:23
  Speaker 7: these comments?
• 39:24
  Speaker 1: Man, I already... There was a period... Like, we released
• 39:28
  Speaker 1: a lot of music.
• 39:29
  Speaker 10: I released a lot.
• 39:29
  Speaker 1: Of music on YouTube before certain firsts, right? So I
• 39:32
  Speaker 1: was already used to the nervous hits, right? Those ugly montages,
• 39:35
  Speaker 1: those cuts that cut the ear, cut everything, right, man?
• 39:39
  Speaker 1: Those banners very, very... It's made by us in the...
• 39:44
  Speaker 1: Paint Blush, I don't know what the name of those
• 39:46
  Speaker 1: things is.
• 39:46
  Speaker 4: Paint.
• 39:48
  Speaker 1: And I had a lot of hate, but I knew
• 39:49
  Speaker 1: that I was hitting, that I was giving a lot
• 39:52
  Speaker 1: of visualization to his previews.
• 39:53
  Speaker 10: People were talking bad, but I was hitting.
• 39:56
  Speaker 1: That's what matters. I didn't know anything, people didn't even
• 39:59
  Speaker 1: see me. And then I was ashamed of myself.
• 40:07
  Speaker 10: I didn't care about the comments, but I didn't want
• 40:09
  Speaker 10: to watch it either. The video was great, I said, no,
• 40:13
  Speaker 10: leave it there.
• 40:14
  Speaker 7: Did you see the comments? It's there.
• 40:16
  Speaker 1: It's there, man.
• 40:18
  Speaker 8: Pereira.
• 40:19
  Speaker 10: And MC has a thing, excuse me.
• 40:20
  Speaker 8: No, what is it?
• 40:21
  Speaker 1: MC, just pay attention, DJ too, just pay attention to
• 40:24
  Speaker 1: the criticism.
• 40:25
  Speaker 10: Without praise, the guy doesn't answer at all, pretends not
• 40:27
  Speaker 10: to see.
• 40:28
  Speaker 8: The human being, right?
• 40:28
  Speaker 7: Ah, I don't see, I don't.
• 40:29
  Speaker 10: Have time to see, lie, see, see everything.
• 40:31
  Speaker 1: Kevin said that, right? Yeah.
• 40:34
  Speaker 10: And then, when someone criticizes, the guy goes there and
• 40:36
  Speaker 10: enters a debate on the internet.
• 40:37
  Speaker 1: But sorry, you can talk.
• 40:37
  Speaker 4: No, I think that's it.
• 40:38
  Speaker 6: We have to pay attention to who is praising, who
• 40:41
  Speaker 6: wants our good, bro. The guys talking there, normally when
• 40:43
  Speaker 6: you answer this person there, VG, you're.
• 40:44
  Speaker 1: Crazy, I'm your fan. Then you say, ah, but.
• 40:46
  Speaker 7: And it's happened several times already.
• 40:48
  Speaker 1: Always is.
• 40:49
  Speaker 8: But when you released... Ah, I cursed you.
• 40:50
  Speaker 1: To know, just to talk to you.
• 40:51
  Speaker 9: You released the preview, you already felt it, you said,
• 40:53
  Speaker 9: this is going to be good.
• 40:56
  Speaker 11: No, when he started singing for the first time, for me,
• 40:57
  Speaker 11: I already knew that, like, his melody was already different,
• 41:00
  Speaker 11: you know? And in the studios, I started to show
• 41:03
  Speaker 11: it to the guys, Livinho, Pedrinho, I started to... In
• 41:06
  Speaker 11: my head, I said, man, we have to put the
• 41:08
  Speaker 11: guys together.
• 41:08
  Speaker 8: To make the mess very strong. Everyone sang the melody, and.
• 41:11
  Speaker 4: The melody on the beat together, I said, we have
• 41:14
  Speaker 4: to put the guys together.
• 41:15
  Speaker 1: And he did the same, he was the one who
• 41:16
  Speaker 1: took everyone to J6, actually.
• 41:17
  Speaker 10: The majority, before.
• 41:19
  Speaker 1: It was filtered by Pedro.
• 41:20
  Speaker 11: I got there, I told the guys, go there, sing it.
• 41:23
  Speaker 11: Lemo Rodrigo said, sing it then, MC. I said, this
• 41:26
  Speaker 11: kid is good, let him sing for you to see.
• 41:29
  Speaker 11: I remember a big wall of J.A.C.E.
• 41:30
  Speaker 1: In the second one I went to thank them, because
• 41:31
  Speaker 1: the first one was so hard that when I went
• 41:32
  Speaker 1: to record the second one I ran already, when I
• 41:35
  Speaker 1: released the first one I already wanted to mark another day.
• 41:37
  Speaker 1: I said, bro, see another date for me, because the
• 41:40
  Speaker 1: difficulty I had to record the first one, I don't
• 41:42
  Speaker 1: want to have to record the second one.
• 41:44
  Speaker 10: Then I went there and said, where's the money to record?
• 41:47
  Speaker 1: I didn't have the money. That's why he said I
• 41:49
  Speaker 1: paid only the first one, because in the second one
• 41:51
  Speaker 1: I said, bro, here's the thing, bro. I should have
• 41:53
  Speaker 1: brought the money. Already recorded! The song was already recorded!
• 41:55
  Speaker 8: I came with the lie.
• 41:56
  Speaker 10: Do you know those lies that everyone tells?
• 41:57
  Speaker 6: But I just want to know that at the moment
• 41:59
  Speaker 6: you said that, the song was already recorded, right?
• 42:00
  Speaker 7: No, it was the second one, right?
• 42:02
  Speaker 4: No, I already had my mustache before recording.
• 42:05
  Speaker 1: That notebook with those scratches, I passed everything with a
• 42:08
  Speaker 1: piece of paper.
• 42:09
  Speaker 10: And the first one, I only took that one.
• 42:11
  Speaker 1: Then in the second studio session, I took that sheet
• 42:14
  Speaker 1: and told him, look, there are some here, I'll sing
• 42:16
  Speaker 1: them all, and then what you like the most, you
• 42:18
  Speaker 1: say and we record it.
• 42:22
  Speaker 10: That's when we recorded on Monday. When we finished.
• 42:24
  Speaker 1: Recording, when we were about to pay, I said, bro,
• 42:27
  Speaker 1: there's a problem, you know? Then I came up with
• 42:31
  Speaker 1: that excuse that everyone comes up with, bro.
• 42:33
  Speaker 10: I had an affair with my mom. I used to.
• 42:38
  Speaker 1: Buy things from the door of the house, the guys
• 42:40
  Speaker 1: used to sell it, tapawé. Tapawé, then tapawé. My mom
• 42:43
  Speaker 1: made me look like the guy from Panela. Iacuti, Panela.
• 42:47
  Speaker 1: Say I'm not... And I said, no, it was to
• 42:49
  Speaker 1: receive me, I couldn't.
• 42:49
  Speaker 10: Then the same thing, I said, bro, here's the thing, bro.
• 42:51
  Speaker 1: The guy was lending me money there, you know, bro.
• 42:52
  Speaker 1: The guy didn't pay me and.
• 42:53
  Speaker 4: Lies, man.
• 42:53
  Speaker 1: He wasn't lending me shit. You were just out of money.
• 42:57
  Speaker 1: I was out of money, man.
• 42:58
  Speaker 7: I said to him, I said, bro.
• 43:00
  Speaker 1: Until Wednesday, if I don't pay you, you can exclude
• 43:02
  Speaker 1: the project, you can exclude voice, you can exclude everything.
• 43:04
  Speaker 10: He said, no, okay, calm down.
• 43:05
  Speaker 1: Then we recorded and such. Then at the time that my...
• 43:07
  Speaker 1: I think my nephew had.
• 43:08
  Speaker 10: Already been born, he had just been born, if I'm
• 43:11
  Speaker 10: not mistaken.
• 43:12
  Speaker 1: I said, I'm going to have to go and such, man.
• 43:15
  Speaker 1: My sister-in-law is thinking about my brother here. Let's go.
• 43:17
  Speaker 1: When I got home, the song was already on YouTube.
• 43:20
  Speaker 1: The song is crazy. My God, man. Throw that guy
• 43:22
  Speaker 1: on the screen. I want to know how much this
• 43:26
  Speaker 1: guy helped to promote this song.
• 43:27
  Speaker 4: Ah, yes, yes.
• 43:27
  Speaker 8: Walter William, my God. This guy here. Brother, I'm from Diadema,
• 43:30
  Speaker 8: I'm Paulista.
• 43:31
  Speaker 1: Do you think I'm going to steal.
• 43:33
  Speaker 4: In the knife?
• 43:34
  Speaker 8: He steals with a gun.
• 43:35
  Speaker 6: I'm a worker, brother. Can I sing a rap here
• 43:38
  Speaker 6: for you?
• 43:39
  Speaker 1: You're crazy, Pereira Funk.
• 43:40
  Speaker 3: Mano.
• 43:49
  Speaker 1: When he pulled this song, man.
• 43:51
  Speaker 6: When did this happen? Did this help the song to run?
• 43:54
  Speaker 1: Ah, man, I'll be honest with you. I, like, even
• 43:58
  Speaker 1: at the time... I don't know if it's healthy to
• 44:01
  Speaker 1: say this, but at the time I even talked to
• 44:03
  Speaker 1: some friends that I wanted... I was in contact with
• 44:07
  Speaker 1: him to see if I could pay a lawyer for
• 44:09
  Speaker 1: him to leave at the time. I think the help
• 44:10
  Speaker 1: was even.
• 44:10
  Speaker 10: It was much more, right?
• 44:11
  Speaker 1: The help was.
• 44:12
  Speaker 8: It was more.
• 44:13
  Speaker 1: Just one year. Just one year of being in Curitiba. No,
• 44:17
  Speaker 1: it gave a... Wow.
• 44:17
  Speaker 2: A gas.
• 44:18
  Speaker 1: A gas, like, I said, man, the guy is going
• 44:20
  Speaker 1: to jail there, the guy is singing this song. To
• 44:22
  Speaker 1: what extent... What a coincidence!
• 44:27
  Speaker 6: What level of coincidence can that be? Dude, the song
• 44:31
  Speaker 6: was very exploded.
• 44:33
  Speaker 9: But what was your first impression when you saw this video?
• 44:36
  Speaker 9: I didn't even believe it was a record.
• 44:38
  Speaker 2: How was it?
• 44:39
  Speaker 10: The guys sent it to me.
• 44:40
  Speaker 4: We had some pages there. I said, man, it's not possible.
• 44:44
  Speaker 4: You say, it's not possible. No, the guys already started.
• 44:47
  Speaker 4: They already sent me. I said, man, sharing.
• 44:50
  Speaker 8: The pages, everything.
• 44:51
  Speaker 1: Let's use it.
• 44:55
  Speaker 4: We were using it, but I said, man, that's crazy.
• 44:56
  Speaker 6: I came just to make a piano, brother.
• 44:58
  Speaker 4: I came just to make a piano. Wow, that's crazy.
• 45:00
  Speaker 7: So this was important. It was wonderful.
• 45:02
  Speaker 6: He asks to film a police officer. He can film
• 45:05
  Speaker 6: a police officer? I don't think it was wonderful.
• 45:06
  Speaker 1: From his individual point of view, in his situation, in prison,
• 45:09
  Speaker 1: in the situation of the crime scene. I don't think
• 45:11
  Speaker 1: it was cool. I don't want anyone to go to
• 45:14
  Speaker 1: prison to sing my song. But if you go to prison,
• 45:16
  Speaker 1: you can sing.
• 45:17
  Speaker 3: It will help.
• 45:17
  Speaker 1: Inclusive, Tala comes out on As Nova and can sing. Wow,
• 45:20
  Speaker 1: but that was amazing, man.
• 45:23
  Speaker 7: It was one of the biggest memes of that time.
• 45:26
  Speaker 10: He appeared again after that.
• 45:27
  Speaker 1: Did you know he appeared again after that?
• 45:29
  Speaker 4: He was arrested again.
• 45:30
  Speaker 10: He was swimming on the.
• 45:32
  Speaker 1: Floor like this. I don't even know what he's talking about.
• 45:34
  Speaker 1: He's very strong. But that was amazing.
• 45:36
  Speaker 7: Oh, by the way.
• 45:38
  Speaker 8: Say it, Igão.
• 45:38
  Speaker 1: 7h10pm.
• 45:43
  Speaker 4: What?
• 45:44
  Speaker 6: The album of the youngest member of ABG has.
• 45:46
  Speaker 1: Just been released.
• 45:48
  Speaker 2: Applause!
• 45:49
  Speaker 6: A sarcastic album.
• 45:50
  Speaker 1: I'm sure I'm not wrong. Tell us, please. Did it
• 45:52
  Speaker 1: really come out, guys?
• 45:53
  Speaker 6: They told me that A7 was going to come out.
• 45:54
  Speaker 1: Do you want to put that link in the video? Really?
• 45:56
  Speaker 6: So thank you, thank you very much.
• 45:57
  Speaker 8: You're crazy, man.
• 46:07
  Speaker 1: I wanted to make a thank you. I already thanked
• 46:11
  Speaker 1: a lot. That time was the day of the salute, right?
• 46:12
  Speaker 1: I sent a salute to everyone. I think they never
• 46:15
  Speaker 1: counted how many salutes I sent that day. Please, come
• 46:17
  Speaker 1: back to this podcast.
• 46:18
  Speaker 6: It was the top 2 who sent the longest salute.
• 46:19
  Speaker 4: He and the FBC. True, Jorge Vicente.
• 46:25
  Speaker 1: And once they told me that I looked like him,
• 46:27
  Speaker 1: that I was a good person. Do you think we're
• 46:29
  Speaker 1: going to talk.
• 46:29
  Speaker 6: About it together? Do you think we talk too much?
• 46:32
  Speaker 6: I think if you two come here, you'll.
• 46:33
  Speaker 1: Have to schedule the week for you two. It's going
• 46:35
  Speaker 1: to be just Salvo. You'll start the video with a
• 46:38
  Speaker 1: list of Salvo. But now I'm going to do a
• 46:39
  Speaker 1: thank you.
• 46:39
  Speaker 4: Thank you guys.
• 46:40
  Speaker 10: Thank you once again for the opportunity. Not only you,
• 46:42
  Speaker 10: but the whole team. And thank you to this.
• 46:43
  Speaker 1: Wonderful team that worked on this album with us.
• 46:45
  Speaker 10: That works with us on a daily basis, you know?
• 46:47
  Speaker 10: That's there with us.
• 46:50
  Speaker 1: And you know our challenges as an artist in a
• 46:53
  Speaker 1: country like Brazil, especially a peripheral genre.
• 46:59
  Speaker 10: We are the newest film.
• 47:00
  Speaker 1: Of rap and samba, I believe.
• 47:03
  Speaker 10: You know? I also think so.
• 47:05
  Speaker 1: So we have a flag, it's very serious to talk
• 47:08
  Speaker 1: about funk, you know?
• 47:09
  Speaker 10: These guys work very seriously, they took it very seriously.
• 47:12
  Speaker 1: And I'm not just thanking you in the name of
• 47:13
  Speaker 1: those who are here thanking you, but I thank you
• 47:15
  Speaker 1: every day, bro.
• 47:16
  Speaker 10: But thank you in the name of those who were
• 47:17
  Speaker 10: there too, because for me funk is.
• 47:21
  Speaker 1: For me, it's not only about the guys who can
• 47:23
  Speaker 1: do it, but it's also about those who tried and
• 47:24
  Speaker 1: couldn't do it. I think that's the craziest.
• 47:26
  Speaker 6: Thing, because the movement is huge. I think you guys
• 47:29
  Speaker 6: are very big fans too.
• 47:30
  Speaker 1: When I say that, I think like this, you know?
• 47:33
  Speaker 1: I could say hundreds of thousands, but I believe that
• 47:36
  Speaker 1: even millions, millions of young people want to be MCs
• 47:41
  Speaker 1: and DJs, but we know that only a few hundreds
• 47:42
  Speaker 1: will be able to do it. And that's what I'm
• 47:50
  Speaker 1: always worried about, you know? What will this other guy
• 47:52
  Speaker 1: not be able to do? It will be. And it's
• 47:56
  Speaker 1: interesting that they are here, the next ones, right?
• 48:00
  Speaker 6: And I'm listening mainly because I think that, the same
• 48:03
  Speaker 6: way you mentioned samba and rap, I don't know, who
• 48:06
  Speaker 6: couldn't be a sambista, a rapper, bro.
• 48:08
  Speaker 8: What did you get out of this movement?
• 48:11
  Speaker 6: At least when Samba appeared, he talked a lot to
• 48:14
  Speaker 6: protect himself, right? Because the streets were dangerous, military dictatorship, etc. Rap,
• 48:18
  Speaker 6: when it comes, is a lot of that too. Dangerous streets,
• 48:22
  Speaker 6: watch out for the police, anyway. Various lines too. I
• 48:25
  Speaker 6: think that for those who can't live from the funk dream,
• 48:28
  Speaker 6: being an MC or DJ, there are so many other
• 48:30
  Speaker 6: professions here, there are a lot of people here who
• 48:31
  Speaker 6: work with funk too, but I think it's more like,
• 48:34
  Speaker 6: if your life didn't happen, through the movement, take something
• 48:37
  Speaker 6: good for you. Listen to someone who will give you
• 48:40
  Speaker 6: a vision, will... bring a good thought, something... Because that's it, like,
• 48:44
  Speaker 6: I didn't become a rapper, but with rationality, bro, I
• 48:47
  Speaker 6: think I learned a lot more than if I had
• 48:49
  Speaker 6: become a rapper, you know? So I think that's it,
• 48:52
  Speaker 6: it's taking something good from the movement, because, bro, a
• 48:55
  Speaker 6: totally peripheral movement, totally peripheral, totally Brazilian, fucking disbelieved, from
• 49:01
  Speaker 6: the bottom of my heart, how many died? They really died,
• 49:04
  Speaker 6: for us to be here sitting talking about the thing,
• 49:06
  Speaker 6: you know? What happened at the Baixada Santista, Rio de Janeiro.
• 49:09
  Speaker 3: São Paulo, everywhere.
• 49:10
  Speaker 10: Sometimes it happens, but it's not on the news.
• 49:12
  Speaker 1: Exactly.
• 49:13
  Speaker 10: So, how many kids dream, they're funkers, they only listen
• 49:15
  Speaker 10: to this, you know?
• 49:33
  Speaker 6: I even liked samba, but the music that talked to
• 49:36
  Speaker 6: me at that time, at that age, until today is funk,
• 49:37
  Speaker 6: you know? So it's something that is very visceral of mine,
• 49:40
  Speaker 6: it's not forced. I've been cursed for being a funk fan.
• 49:42
  Speaker 1: No, you're a funk fan. I've been fired. You're a
• 49:44
  Speaker 1: funk fan, you can see it. Walking like a madman.
• 49:46
  Speaker 6: Once I got to a partner's house, the guy took
• 49:48
  Speaker 6: me off as a motoboy, pants from a trash bag,
• 49:51
  Speaker 6: but it's because I always dressed like that. Then, today,
• 49:54
  Speaker 6: what's in fashion? Put the vest on the eyebrow, I
• 49:56
  Speaker 6: don't know what. The guys will use it, but at
• 49:58
  Speaker 6: that time, what did you hear? that we heard. So
• 50:01
  Speaker 6: it's cool to talk about it.
• 50:03
  Speaker 1: And funk, in this poetic and philosophical sense, is the
• 50:07
  Speaker 1: glow in the eye, you know? I always say that...
• 50:10
  Speaker 1: There's a song that didn't hit, but it's called I'm
• 50:13
  Speaker 1: the Funk, it's on YouTube, it's not part of the album.
• 50:15
  Speaker 10: The album just came.
• 50:16
  Speaker 4: Out, let's talk about it.
• 50:18
  Speaker 1: But that's it, funk is the glow in the eye.
• 50:20
  Speaker 1: For me, funk has a fundamental role today, we as funkers,
• 50:23
  Speaker 1: not only the funkers themselves who are producing art, but
• 50:26
  Speaker 1: all these people, thank you very much, All these people
• 50:28
  Speaker 1: have a fundamental role, because I think that today Funk
• 50:31
  Speaker 1: is at the same level of impotency.
• 50:32
  Speaker 10: To educate people.
• 50:35
  Speaker 1: I see Funk more or less, of course at another level,
• 50:37
  Speaker 1: as a Jiu-Jitsu. Funk has to bring improvement from beginning
• 50:41
  Speaker 1: to end. So the guy who comes to Funk, sometimes
• 50:43
  Speaker 1: he comes from the street, he comes with that trickery.
• 50:47
  Speaker 1: He has to be educated by Funk, he has to
• 50:49
  Speaker 1: be instructed by Funk, you know? Funk gives space to
• 50:51
  Speaker 1: the youngest, it gives the seat to.
• 50:53
  Speaker 10: The oldest, to the elderly.
• 50:55
  Speaker 1: He's the one who respects the workers, the students.
• 50:59
  Speaker 6: It's the most popular rhythm, man. Like, from the heart. Pereira,
• 51:02
  Speaker 6: you know this, man. Me, a kid from the outskirts,
• 51:06
  Speaker 6: any person from scratch can't do a sertanejo. A person
• 51:09
  Speaker 6: from scratch hardly does a samba, which is still a
• 51:12
  Speaker 6: popular song, but it needs a lot of elements. The
• 51:15
  Speaker 6: song that the guy can do from scratch is funk, man.
• 51:17
  Speaker 1: It's rap.
• 51:18
  Speaker 6: So this has to be valued, man, because funk is
• 51:21
  Speaker 6: the genre... that I see hugging everyone like this, obviously
• 51:25
  Speaker 6: we have social problems and such, but what I want
• 51:27
  Speaker 6: to say is, a child is successful, an old man
• 51:30
  Speaker 6: is successful, a girl, a boy, there's no guy, there's
• 51:34
  Speaker 6: no way, there's no stereotype, you know?
• 51:36
  Speaker 1: Give it a chance, right?
• 51:38
  Speaker 8: Because it's plural, bro.
• 51:39
  Speaker 1: And so, not to weigh too much, because my fear
• 51:41
  Speaker 1: was precisely this, I can talk too much, right? It's smooth, bro. No,
• 51:45
  Speaker 1: because I want, I don't want to disturb my brother's time.
• 51:48
  Speaker 4: No, stay in peace.
• 51:48
  Speaker 1: But it's the following, the album just came out, the
• 51:51
  Speaker 1: link is in the description.
• 51:53
  Speaker 6: Why this sarcastic name? I think your last studio album
• 51:57
  Speaker 6: is from 10 years ago, right?
• 51:59
  Speaker 1: 2016, Sipá? No, I think it came there.
• 52:04
  Speaker 4: 2022?
• 52:04
  Speaker 8: Is there another 2022?
• 52:05
  Speaker 2: 2022, right?
• 52:05
  Speaker 1: Was it the VG Session?
• 52:07
  Speaker 2: It was.
• 52:07
  Speaker 10: It's the Session.
• 52:10
  Speaker 1: And there was 2018, Melodia das Favelas, right? 2018, 2019.
• 52:13
  Speaker 6: So, what's the importance of this album, my brother? And
• 52:16
  Speaker 6: why sarcastic?
• 52:17
  Speaker 10: Man, sarcastic is the following, usually people.
• 52:21
  Speaker 1: The artists tend to create a contextual line of the
• 52:27
  Speaker 1: album where things have a certain meaning. And this album,
• 52:32
  Speaker 1: I was, I think I'm entering another phase now, but
• 52:35
  Speaker 1: I was in a phase where I was feeling that I.
• 52:36
  Speaker 10: Was working little.
• 52:45
  Speaker 1: Seeing the pace, Pereira can talk a little better about it,
• 52:48
  Speaker 1: the pace of the studio has accelerated more. It's faster now,
• 52:53
  Speaker 1: the guys make the sound faster, produce faster, they already
• 52:56
  Speaker 1: make the clip there many times at the.
• 52:57
  Speaker 10: Time or part of it, partially.
• 52:59
  Speaker 1: So, the sarcastic thing is precisely.
• 53:02
  Speaker 10: In fact, it was another name, right?
• 53:04
  Speaker 3: It was.
• 53:04
  Speaker 10: How was it?
• 53:05
  Speaker 7: It was.
• 53:05
  Speaker 10: Try as you want. Try as you want, right? Because, like.
• 53:11
  Speaker 1: I was kind of without creativity, to tell the truth.
• 53:13
  Speaker 1: So I was entering the studio, and let the art flow.
• 53:17
  Speaker 1: The DJs were releasing the beats, we were making the songs,
• 53:20
  Speaker 1: and as there is a negotiation between the DJs, because
• 53:23
  Speaker 1: many times we are doing a project, but the DJ
• 53:25
  Speaker 1: is doing another project, which is his, from his life too,
• 53:28
  Speaker 1: and the song was very cool, he wants to release
• 53:31
  Speaker 1: on his album, I want to release on mine, so
• 53:33
  Speaker 1: it was a selection of many songs that we did
• 53:35
  Speaker 1: a job there, of capturing many voices with.
• 53:40
  Speaker 4: Many DJs, we did.
• 53:41
  Speaker 10: How many tracks?
• 53:42
  Speaker 1: We did more than 25 tracks, and then we did
• 53:44
  Speaker 1: a lot and we selected 15, right?
• 53:46
  Speaker 5: Foda!
• 53:47
  Speaker 4: Complete album.
• 53:48
  Speaker 1: The sarcastic thing is that I think it's this moment
• 53:51
  Speaker 1: that I'm in, that I... I realized, bro, that, for example,
• 53:54
  Speaker 1: to come here, when I got the news that we
• 53:56
  Speaker 1: were going to come here, they said it would be
• 53:59
  Speaker 1: a duo, when they said it was with Pereira, I
• 54:01
  Speaker 1: was calm, but it gave me that feeling of wanting
• 54:05
  Speaker 1: to get ready, you know, bro? And I think that
• 54:09
  Speaker 1: in the middle of the preparation, it showed me that
• 54:13
  Speaker 1: all the preparation was for me to be myself.
• 54:15
  Speaker 10: You don't need to build a character.
• 54:16
  Speaker 8: And I think it's more or less in that sense.
• 54:18
  Speaker 1: It's a kind of ironic thing, kind of sarcastic, because
• 54:21
  Speaker 1: it doesn't have a meaning.
• 54:33
  Speaker 10: They are there to be interpreted, literally, for people to.
• 54:36
  Speaker 6: It's not in a form.
• 54:38
  Speaker 1: No, it's not. People can identify themselves, there are some
• 54:43
  Speaker 1: styles there.
• 54:44
  Speaker 10: In this album there.
• 54:45
  Speaker 1: Is no bullshit, there is no song focused on the erotic. Why?
• 54:50
  Speaker 1: To do a more segmented thing this time.
• 54:53
  Speaker 10: I think that.
• 54:57
  Speaker 1: I think there are listeners who mix in the two rhythms,
• 54:59
  Speaker 1: in the conscious, there are people who listen to the
• 55:02
  Speaker 1: conscious and listen to the erotic, but there are those
• 55:05
  Speaker 1: who don't mix in there, so I think I was
• 55:10
  Speaker 1: already giving some songs more lettered, songs that bring... But
• 55:14
  Speaker 1: there are some more bold, but it doesn't get to
• 55:16
  Speaker 1: be that heavy rhythm, you know? And that's it, man,
• 55:18
  Speaker 1: I created this album, GM started working with me a
• 55:22
  Speaker 1: year ago, who is my producer, a little over a year,
• 55:27
  Speaker 1: And I said to him, I want to speed up,
• 55:29
  Speaker 1: I want to make a difference. I think I finished,
• 55:33
  Speaker 1: the rhythm that I worked served so far, but from
• 55:36
  Speaker 1: now on I need to get into the rhythm of
• 55:37
  Speaker 1: these guys, of these guys who are coming. showing a
• 55:42
  Speaker 1: new method, a new format, so I need to update
• 55:44
  Speaker 1: myself and I said to him, let's do something, let's
• 55:46
  Speaker 1: start to go to the studio and record a lot.
• 55:48
  Speaker 1: We started to record a lot, a lot, a lot,
• 55:50
  Speaker 1: and many tracks started to come, let's do an album,
• 55:51
  Speaker 1: let's go. So I confess to you that, now without sarcasm,
• 55:54
  Speaker 1: that the team that, my team that was.
• 56:03
  Speaker 1: Who made the whole concept, the whole cover, the guys
• 56:05
  Speaker 1: even praised it a lot, yesterday I received a lot
• 56:08
  Speaker 1: of compliments on top of the cover, it was cool.
• 56:10
  Speaker 1: The teaser too, have you uploaded the teaser? The teaser
• 56:14
  Speaker 1: was also very cool, we've been working on J6 for
• 56:17
  Speaker 1: 12 years. And that's it, man, it's sarcastic. Are you
• 56:19
  Speaker 1: happy with the result of the show?
• 56:21
  Speaker 8: Very, no, I'm even happier to be able to.
• 56:23
  Speaker 1: Launch here, to be here with the guy who brought
• 56:24
  Speaker 1: me to this game, you know? There wouldn't be any
• 56:31
  Speaker 1: chairs here to bring all the people who brought me
• 56:35
  Speaker 1: to this game.
• 56:36
  Speaker 10: But this guy is one.
• 56:37
  Speaker 4: Of the most important.
• 56:38
  Speaker 8: Today is a day of contemplation.
• 56:39
  Speaker 1: Very cool.
• 56:40
  Speaker 5: Very cool.
• 56:40
  Speaker 6: And I think that something you said to bring Pereira
• 56:45
  Speaker 6: to this conversation, because this thing you said about the
• 56:48
  Speaker 6: pace of the studio being accelerated. What is the care
• 56:51
  Speaker 6: that you have to take as an MC, especially as
• 56:53
  Speaker 6: a producer, like, guys, the rhythm is accelerated, to have
• 56:57
  Speaker 6: the balance between volume and creativity, so it doesn't end
• 57:03
  Speaker 6: up like fast food, the same snack, the same song,
• 57:05
  Speaker 6: the same beat.
• 57:05
  Speaker 11: What we have is like DJ Maurinho who is on
• 57:09
  Speaker 11: the track there, who is our partner, so he is
• 57:11
  Speaker 11: in all the dances listening to what is happening, and
• 57:14
  Speaker 11: then he comes to me and says, Pereira, this is
• 57:17
  Speaker 11: the rhythm. All the dances that we are there are
• 57:19
  Speaker 11: like that. Then we say to the MCs, we have
• 57:21
  Speaker 11: to come in this line here, that's what's playing on the.
• 57:23
  Speaker 1: Street, that's it.
• 57:24
  Speaker 6: When is the time to go against everything? When you
• 57:28
  Speaker 6: look and say, ok, it's just playing this, but maybe
• 57:31
  Speaker 6: if I come once again in this, it won't... And
• 57:33
  Speaker 6: if VG comes now the other way around, will it
• 57:35
  Speaker 6: differentiate everything?
• 57:36
  Speaker 8: When is this moment?
• 57:38
  Speaker 4: No, it depends on the moment, there is no right
• 57:39
  Speaker 4: moment like that.
• 57:40
  Speaker 7: Is it more of a feeling?
• 57:42
  Speaker 11: It's more of a feeling like that, that we are
• 57:45
  Speaker 11: even planning a new album.
• 57:46
  Speaker 7: And what is the current moment, then, that you see
• 57:49
  Speaker 7: from funk?
• 57:50
  Speaker 11: I think it's more commercial, but we're going to start...
• 57:56
  Speaker 11: That's what I call a reset, right? Like when Funk
• 58:00
  Speaker 11: Ostentação came out at the time, it was a reset
• 58:02
  Speaker 11: and it came in a mess.
• 58:04
  Speaker 4: And we're already preparing some... Some resets?
• 58:06
  Speaker 8: A reset that BG.
• 58:07
  Speaker 11: Is already going to start coming in this line of 2014.
• 58:11
  Speaker 1: Cool.
• 58:14
  Speaker 4: With Livinho also in the line of 2014.
• 58:16
  Speaker 9: You realize that the audience is asking for it.
• 58:19
  Speaker 11: If you go to the Spotify For Arts, the playlists
• 58:23
  Speaker 11: are only Funk 2014, Funk 2015.
• 58:24
  Speaker 9: Why do you think it marked so much this time
• 58:28
  Speaker 9: for us? Because at this time, all the fans we.
• 58:34
  Speaker 7: Know, all the fans we like.
• 58:36
  Speaker 9: Tell me, funk fan, what do you think marked so
• 58:40
  Speaker 9: much this generation of funk, man?
• 58:43
  Speaker 11: I don't know if it's the beat, the melody... The moment... The.
• 58:47
  Speaker 4: Moment, the youth... Not that it's not today, ok?
• 58:49
  Speaker 6: But I think that when you listen to the VG's menorah,
• 58:53
  Speaker 6: you say, damn, it's authenticity. It's different. When you listen
• 58:56
  Speaker 6: to Livinho, Livinho was Livinho. Pedrinho is Pedrinho.
• 58:58
  Speaker 5: VG is VG.
• 58:59
  Speaker 6: There was nothing like each other. So everything was new.
• 59:02
  Speaker 6: That's true.
• 59:03
  Speaker 4: He's a funk fan.
• 59:04
  Speaker 8: Did you listen to Na Perereca? Na Perereca. There's no
• 59:08
  Speaker 8: other song that looks like Na Perereca.
• 59:09
  Speaker 6: He had no flow.
• 59:10
  Speaker 7: It's Pedrinho who did it.
• 59:12
  Speaker 1: What Livinho does, Livinho does. It was very unique. It
• 59:15
  Speaker 1: was very striking.
• 59:23
  Speaker 6: Young people create this nostalgia, but I think that's it,
• 59:26
  Speaker 6: because it was authentic to the maximum, there was no
• 59:30
  Speaker 6: way to replicate, this is what is happening now, no,
• 59:33
  Speaker 6: they made a movement, not from scratch, it was what
• 59:36
  Speaker 6: was already there.
• 59:37
  Speaker 4: But you understood what I meant.
• 59:38
  Speaker 11: And it was a challenge, because each artist sang in
• 59:41
  Speaker 11: a way, so I had to do a beat for
• 59:43
  Speaker 11: VG in one way, I had to do a beat
• 59:45
  Speaker 11: for Livinho in another, I had to do a beat
• 59:47
  Speaker 11: for Pedrinho in another way, it was a challenge.
• 59:51
  Speaker 6: Pereira, what was the MC What was the event, the music,
• 59:55
  Speaker 6: the MC, I don't know, that you looked and said like.
• 59:59
  Speaker 8: Fuck, what's going on? Is it Pedrinho, when.
• 1:00:01
  Speaker 4: He arrives with.
• 1:00:03
  Speaker 8: 3 years old?
• 1:00:04
  Speaker 6: What was it at that time that you looked and
• 1:00:06
  Speaker 6: said like, bro... What is this? I'm living something... I
• 1:00:10
  Speaker 6: can't explain.
• 1:00:11
  Speaker 4: Historical.
• 1:00:12
  Speaker 1: Historical, exactly.
• 1:00:13
  Speaker 11: Man, I believe it was a sum of... Of several factors, right? Like, Pedrinho,
• 1:00:19
  Speaker 11: when I saw the TH of Detona Funk there, I
• 1:00:20
  Speaker 11: found his video there. We posted on the pages, and
• 1:00:24
  Speaker 11: then came those criticisms, a 9-year-old boy singing bullshit, people massacring,
• 1:00:29
  Speaker 11: and then TH had a code, right, that you gave
• 1:00:32
  Speaker 11: the F12 and opened the prompt, you pasted the prompt
• 1:00:36
  Speaker 11: in the post, then marked the best friends of VG,
• 1:00:38
  Speaker 11: marked the best friends of Igão.
• 1:00:39
  Speaker 8: So he sent it to everyone.
• 1:00:41
  Speaker 11: Yeah, when you saw the post, we had more than
• 1:00:43
  Speaker 11: I don't know how many thousand comments, and then, like,
• 1:00:46
  Speaker 11: who was the son of a bitch who marked me
• 1:00:47
  Speaker 11: in this video?
• 1:00:48
  Speaker 4: And then it started to spread, right? I believe that
• 1:00:50
  Speaker 4: when we got it right.
• 1:00:51
  Speaker 6: These tricks make a total difference.
• 1:00:53
  Speaker 11: It makes a difference. It made a great difference. At
• 1:00:56
  Speaker 11: the time, imagine... You reached people that you didn't even know.
• 1:01:00
  Speaker 9: You already said, but since we're talking about him, how
• 1:01:03
  Speaker 9: was it for you to see Pedrinho, the kid, getting crazy?
• 1:01:06
  Speaker 7: What were your first impressions, man?
• 1:01:08
  Speaker 4: Man, I was.
• 1:01:09
  Speaker 11: I don't even know how to say it. It's something
• 1:01:12
  Speaker 11: to be in shock, right?
• 1:01:13
  Speaker 1: I was in shock.
• 1:01:14
  Speaker 4: I saw his video on Friday.
• 1:01:15
  Speaker 11: Then I called Giovanna, his sister. I said, bring Pedrinho
• 1:01:20
  Speaker 11: here on Monday, I want to record with him. Then
• 1:01:23
  Speaker 11: I said, is there an entrepreneur?
• 1:01:24
  Speaker 4: No, there is not. He arrived on Monday and he
• 1:01:26
  Speaker 4: was already with the entrepreneur, security, he already had everything.
• 1:01:29
  Speaker 4: Because the video had bombed, right? Then the guys must
• 1:01:31
  Speaker 4: have said, hey.
• 1:01:32
  Speaker 7: Come here, boy.
• 1:01:33
  Speaker 11: And then it started. Then I started to gather the guys, right?
• 1:01:37
  Speaker 11: It was at the time that I told you, the
• 1:01:39
  Speaker 11: perception of the video. No, I think it matches with
• 1:01:42
  Speaker 11: the VG. Then we did Vem Periquita. And the VG
• 1:01:45
  Speaker 11: wrote most of these guys there.
• 1:01:49
  Speaker 6: That's what I wanted to know, Vigê. Do you have
• 1:01:50
  Speaker 6: some compositions in the voices of other MCs?
• 1:01:54
  Speaker 10: There are a few, not many.
• 1:01:57
  Speaker 1: For example, there are some composers who don't interpret, but
• 1:02:01
  Speaker 1: there are many more.
• 1:02:02
  Speaker 10: And there are many more MCs.
• 1:02:03
  Speaker 1: Davi himself has many. B.O.
• 1:02:05
  Speaker 10: Has many.
• 1:02:06
  Speaker 1: B.O.
• 1:02:06
  Speaker 4: Has many? I'm a fan of B.O.
• 1:02:07
  Speaker 1: B.O. is a nervous pen.
• 1:02:09
  Speaker 4: It's a nervous pen.
• 1:02:19
  Speaker 1: You know what, answering your question, I think that one
• 1:02:25
  Speaker 1: of the factors, because I think that this recipe, you know,
• 1:02:29
  Speaker 1: like the butterfly effect, that if you changed even the card,
• 1:02:33
  Speaker 1: it would be another thing, it's more or less that,
• 1:02:36
  Speaker 1: I think. But one of the factors, I think, was
• 1:02:41
  Speaker 1: the non-commercial look. I think that this.
• 1:02:45
  Speaker 10: By the way, maybe thinking that.
• 1:02:48
  Speaker 1: We didn't know that it would sell so much, much
• 1:02:51
  Speaker 1: more than it really does.
• 1:02:54
  Speaker 10: I think it was one thing.
• 1:02:55
  Speaker 1: Now this thing of the songs being similar, I think
• 1:03:01
  Speaker 1: it has some connection with this speed of the studios.
• 1:03:05
  Speaker 4: Yes, yes.
• 1:03:06
  Speaker 6: Or I think it's the speed of the market, right?
• 1:03:08
  Speaker 6: Of the platforms, you have to deliver, right?
• 1:03:10
  Speaker 2: Yes.
• 1:03:11
  Speaker 1: Yeah, but I'll tell you, the launch methodologies, both for
• 1:03:16
  Speaker 1: music and digital marketing today, these things, the cases that
• 1:03:20
  Speaker 1: make paid traffic for dropshipping, there are a million strategies
• 1:03:23
  Speaker 1: that are not just the massive launch, right? There are
• 1:03:28
  Speaker 1: launch strategies with more scarcity, among others too, right?
• 1:03:32
  Speaker 6: I feel that whoever can achieve this balance of scarcity
• 1:03:36
  Speaker 6: and also the balance of volume along with scarcity, He
• 1:03:41
  Speaker 6: can be in the moment, playing the songs of the moment,
• 1:03:43
  Speaker 6: but he can also stop, say, I'm going to the casino,
• 1:03:46
  Speaker 6: I'm going to make an album, and the fans stop
• 1:03:49
  Speaker 6: to listen to that album. Because I think what should
• 1:03:52
  Speaker 6: scare the MCs, the producers, is like, bro, I'm getting
• 1:03:54
  Speaker 6: it right, why am I going to stop? Because normally
• 1:03:57
  Speaker 6: when we're talking about funk here, we're talking about a
• 1:03:59
  Speaker 6: situation where the guy, the girl wants to turn, bro.
• 1:04:01
  Speaker 6: There's not much time. Sometimes he's with the pregnant woman,
• 1:04:06
  Speaker 6: Someone stuck in the family.
• 1:04:07
  Speaker 4: It's a feeling of urgency.
• 1:04:10
  Speaker 1: It's urgent.
• 1:04:11
  Speaker 6: I'm going to tell the guy to build his career,
• 1:04:13
  Speaker 6: but the money is coming now. It's crazy, but I
• 1:04:16
  Speaker 6: think that you, as you work with it, have to
• 1:04:18
  Speaker 6: find this balance, even for the movement not to become
• 1:04:24
  Speaker 6: totally commercial, market-wise. Because I think that funk can't stop
• 1:04:28
  Speaker 6: talking to the street.
• 1:04:30
  Speaker 1: No, it shouldn't. If it stops talking to the street,
• 1:04:32
  Speaker 1: I think it can change the name. It shouldn't be
• 1:04:34
  Speaker 1: called funk anymore. And I think there's also this thing of...
• 1:04:40
  Speaker 1: This work is one of the few works, art, when
• 1:04:43
  Speaker 1: you earn a living doing it, is one of the
• 1:04:47
  Speaker 1: few works that you have the flexibility to choose.
• 1:04:49
  Speaker 10: The time you arrive, the time you leave.
• 1:04:53
  Speaker 1: If you put a friend to work with you, if
• 1:04:56
  Speaker 1: you professionalize someone, or if you already look for a professional.
• 1:04:59
  Speaker 6: But let's get into a discussion here, will it? Because
• 1:05:01
  Speaker 6: I saw Mano Brown saying something that I agreed a lot.
• 1:05:03
  Speaker 6: I think the artist obviously has a greater flexibility, right?
• 1:05:06
  Speaker 6: It's not a rule, but it's a flexibility. Yeah, but
• 1:05:10
  Speaker 6: if you also accommodate and say like this, ah, I'm
• 1:05:13
  Speaker 6: going to the studio only when VG arrives. Or I'll
• 1:05:15
  Speaker 6: compose only when I'm in the studio with Pereira. I
• 1:05:18
  Speaker 6: think you guys will be stuck. You have to be
• 1:05:21
  Speaker 6: there feeding, working, right?
• 1:05:23
  Speaker 8: It's a job. You have to deliver hours.
• 1:05:24
  Speaker 4: To the work, right? It's studio time, you'll be doing
• 1:05:26
  Speaker 4: as much as possible.
• 1:05:27
  Speaker 1: I agree with that phrase from Racionais when he said
• 1:05:29
  Speaker 1: that the song is ungrateful and if you don't deliver everything,
• 1:05:33
  Speaker 1: it doesn't return. I agree, but it's that, right, bro?
• 1:05:38
  Speaker 1: You're putting the blood and sweat in that, for sure.
• 1:05:41
  Speaker 1: It's different, for example. In the case of similar songs,
• 1:05:46
  Speaker 1: this thing of turning.
• 1:05:47
  Speaker 10: More of the same, maybe, right?
• 1:05:49
  Speaker 1: Yeah, this thing of making music as if you were
• 1:05:51
  Speaker 1: making a very fast miojo. I don't disagree, I think
• 1:05:53
  Speaker 1: they are methodologies that will be used on a regular basis,
• 1:05:59
  Speaker 1: but that more orthodox style, that more classic style, it's still...
• 1:06:05
  Speaker 1: The style of the notebook, the pen and paper still remains.
• 1:06:09
  Speaker 6: I also think that the style of authenticity is more
• 1:06:11
  Speaker 6: difficult to be right. But when it's right, it's something like...
• 1:06:15
  Speaker 6: For example, unfortunately, Oliver Tree, this kid, recently passed away.
• 1:06:19
  Speaker 6: But why are you talking so much about him?
• 1:06:22
  Speaker 1: He's authentic, man.
• 1:06:23
  Speaker 7: He's fucking authentic.
• 1:06:24
  Speaker 6: You look at the guy and say, there's nothing like
• 1:06:26
  Speaker 6: this kid. And maybe if he kept thinking, no, I
• 1:06:29
  Speaker 6: need to be like Post Malone. No, I need to
• 1:06:30
  Speaker 6: be like Travis Scott. He wouldn't be the artist he was.
• 1:06:33
  Speaker 4: I agree.
• 1:06:34
  Speaker 1: I'll be a little ignorant. I don't know, because I
• 1:06:37
  Speaker 1: don't know much... I didn't know much about... Even those
• 1:06:41
  Speaker 1: songs that hit a lot, I had already heard a
• 1:06:43
  Speaker 1: lot on social media. But I didn't know much about
• 1:06:46
  Speaker 1: his work. But obviously the artist always makes more post-mortem success.
• 1:06:51
  Speaker 1: He talked about that, brother. He will always be more
• 1:06:53
  Speaker 1: valued after his death. Because in the absence, people play themselves....
• 1:06:59
  Speaker 7: For example, if Ka-1 wasn't Ka-1.
• 1:07:00
  Speaker 6: The way Ka-1 is, do you think it would last
• 1:07:02
  Speaker 6: for so long?
• 1:07:02
  Speaker 1: Man, I don't think so. You know?
• 1:07:04
  Speaker 8: Original to the maximum level. I think it's good.
• 1:07:07
  Speaker 1: Either you have a very strong opinion and you know
• 1:07:09
  Speaker 1: how to conduct it, or you need good friends by
• 1:07:12
  Speaker 1: your side to often say, it's not cool. For example,
• 1:07:16
  Speaker 1: in our album, my producer said, man, we have to
• 1:07:18
  Speaker 1: make an album. I said, let's do something different now.
• 1:07:30
  Speaker 1: I'm going through a bit of a turbulent phase, but
• 1:07:34
  Speaker 1: I want to do this thing right now, I want
• 1:07:36
  Speaker 1: to do it with quality. So I'm going to record
• 1:07:39
  Speaker 1: all the tracks, my part, and then we'll run after
• 1:07:40
  Speaker 1: the voices.
• 1:07:41
  Speaker 10: Instead of going with each MC and doing the.
• 1:07:43
  Speaker 1: Session together, I said, man, I'm going to pull a
• 1:07:46
  Speaker 1: sequence of songs, we send it to the guys that
• 1:07:49
  Speaker 1: like it, they jump.
• 1:07:51
  Speaker 7: On the song.
• 1:07:51
  Speaker 1: And it was like that, you know? And then it
• 1:07:53
  Speaker 1: was a more.
• 1:07:56
  Speaker 1: It's more practical.
• 1:07:57
  Speaker 9: I want to ask you, Pereira. At the time, you
• 1:08:00
  Speaker 9: were promoting pre-production. What are you doing nowadays to promote
• 1:08:05
  Speaker 9: the sounds?
• 1:08:06
  Speaker 11: I'm with the guys from JR6 Filmes now.
• 1:08:10
  Speaker 4: If there's a guy.
• 1:08:11
  Speaker 6: Who feeds the channel on YouTube, it's DJ Pereira.
• 1:08:13
  Speaker 4: We're doing some vlogs. In the studio.
• 1:08:16
  Speaker 11: There's a lot I have to cut because the MCs
• 1:08:18
  Speaker 11: like to talk a lot of bullshit.
• 1:08:20
  Speaker 4: I have to cut a lot.
• 1:08:23
  Speaker 7: But the strategy is still the same, right?
• 1:08:25
  Speaker 11: The strategy is always the same. We have some pages too.
• 1:08:27
  Speaker 11: It's important to invest in pages nowadays, I think it's
• 1:08:30
  Speaker 11: super important.
• 1:08:31
  Speaker 6: It always was, right, brother? I think the pages always
• 1:08:33
  Speaker 6: made a difference in Funk.
• 1:08:34
  Speaker 4: At the time of Facebook, I had about 17 pages,
• 1:08:36
  Speaker 4: I think. Me, Natinho, Detona Funk.
• 1:08:38
  Speaker 9: I'm asking you this because I imagine there are a
• 1:08:40
  Speaker 9: lot of MCs, a lot of DJs listening to us now.
• 1:08:42
  Speaker 9: What are you doing to promote, you know? We usually
• 1:08:44
  Speaker 9: have the team of my IR there, who take care.
• 1:08:45
  Speaker 4: Of the GR6 there.
• 1:08:52
  Speaker 11: It's just that in the past there were no IRs.
• 1:08:54
  Speaker 11: We used to do the work.
• 1:08:56
  Speaker 1: What does the IR do?
• 1:08:57
  Speaker 2: The IR.
• 1:08:59
  Speaker 10: Wants to talk here, Vitor.
• 1:09:00
  Speaker 2: Come here.
• 1:09:01
  Speaker 4: Let the IR talk a little. Come here.
• 1:09:03
  Speaker 6: Come on, Costa.
• 1:09:05
  Speaker 1: Applause for Vitor!
• 1:09:06
  Speaker 10: Applause for Vitor!
• 1:09:10
  Speaker 8: Vitor is live on Podpapa, all over Brazil.
• 1:09:12
  Speaker 1: This is the crazy joker. I call him the crazy joker. Really?
• 1:09:15
  Speaker 6: He doesn't know why.
• 1:09:17
  Speaker 8: Good afternoon, guys.
• 1:09:19
  Speaker 12: I'm going to defend my friends here, it's a very
• 1:09:23
  Speaker 12: important function in the music industry, but it's very difficult
• 1:09:26
  Speaker 12: to say exactly what we do, because it depends a
• 1:09:28
  Speaker 12: lot on the artist's need. Pereira is a music producer, studio,
• 1:09:33
  Speaker 12: studio session, bringing new artists, organizing all the closing of
• 1:09:37
  Speaker 12: his tracks that he finishes.
• 1:09:40
  Speaker 6: So he's the guy who's going to clean everything up, right? Like,
• 1:09:43
  Speaker 6: today Pereira has access.
• 1:09:44
  Speaker 8: To the studio.
• 1:09:45
  Speaker 4: He's going to leave everything ready.
• 1:09:47
  Speaker 1: He's going to leave the internal interests, the interests of
• 1:09:49
  Speaker 1: the artist inside the company.
• 1:09:51
  Speaker 10: A direct connection with the producer.
• 1:09:53
  Speaker 12: VG, for example, he does shows. How many years have you.
• 1:09:55
  Speaker 4: Been doing dance?
• 1:09:56
  Speaker 1: 12 years.
• 1:09:57
  Speaker 2: Thank God.
• 1:09:58
  Speaker 12: Pereira doesn't do shows anymore, so there are some needs
• 1:10:00
  Speaker 12: that we align with VG, that.
• 1:10:02
  Speaker 2: I don't have the need to do with Pereira.
• 1:10:04
  Speaker 7: Which artists are you cheating on?
• 1:10:05
  Speaker 12: Pereira, VG, MC Vitória, Gleneck. Glennner, DJ Torricelli, who is new. No,
• 1:10:12
  Speaker 12: he's on a journey, but he's also an artist from GR.
• 1:10:17
  Speaker 12: I also work with Caco, but it's a bigger team.
• 1:10:20
  Speaker 12: I also work with Markst, but it's a bigger team.
• 1:10:24
  Speaker 12: You talked about weak people.
• 1:10:26
  Speaker 10: Now imagine, take care of everyone.
• 1:10:28
  Speaker 12: I'm going to mention everyone here, Sara, Sol, Yudzi.
• 1:10:31
  Speaker 4: There are more than 15 artists.
• 1:10:32
  Speaker 12: There's R7 too, I started working with a great R7.
• 1:10:35
  Speaker 2: Man, I've never seen a smile from R7.
• 1:10:37
  Speaker 8: I think I've seen it too.
• 1:10:38
  Speaker 4: You smile and they keep telling you to fuck off.
• 1:10:41
  Speaker 1: Yeah, they keep pointing fingers.
• 1:10:45
  Speaker 7: Man, that's cool. It's a very important.
• 1:10:47
  Speaker 1: Job, right?
• 1:10:48
  Speaker 2: It's a very important job.
• 1:10:49
  Speaker 12: In fact, we end up absorbing a lot of these
• 1:10:52
  Speaker 12: artists' needs and giving continuity.
• 1:10:54
  Speaker 2: But it's always a learning process. I learn a lot
• 1:10:56
  Speaker 2: here at Funk.
• 1:10:57
  Speaker 12: Like, for example, there's a Maurinho who has an experience
• 1:11:00
  Speaker 12: as a producer for a long time. So he ends
• 1:11:02
  Speaker 12: up learning a lot from other professionals. So I see
• 1:11:05
  Speaker 12: it as a position where I learn more than I teach.
• 1:11:07
  Speaker 12: The artists are very boring, right? The artists are complicated.
• 1:11:13
  Speaker 6: It's a novelty for no one.
• 1:11:15
  Speaker 2: But it's amazing.
• 1:11:16
  Speaker 6: A round of applause for the people who are in
• 1:11:18
  Speaker 6: the backstage, okay? It makes everything happen. To be all right,
• 1:11:22
  Speaker 6: for your favorite artist to be singing, a lot of
• 1:11:24
  Speaker 6: people have already worked.
• 1:11:27
  Speaker 4: It's crazy.
• 1:11:27
  Speaker 11: These guys are charged, because the guys are boring. They say, man,
• 1:11:30
  Speaker 11: I want the song to be in the air all day.
• 1:11:32
  Speaker 11: Then the guys have to run after Fly.
• 1:11:35
  Speaker 10: MC is the most patient person in the world.
• 1:11:38
  Speaker 3: Yeah, right?
• 1:11:40
  Speaker 7: Yeah.
• 1:11:42
  Speaker 1: Super patient.
• 1:11:43
  Speaker 8: What's your friend, the MC, that you say.
• 1:11:45
  Speaker 6: Is the easiest to deal with, the youngest in the VG?
• 1:11:47
  Speaker 6: That you say, wow, this one is easy to deal with.
• 1:11:50
  Speaker 10: Man, easy ironically, right?
• 1:11:52
  Speaker 6: Ironically, sarcastically.
• 1:11:53
  Speaker 1: Sarcastically, man.
• 1:11:54
  Speaker 10: I don't know if that brings.
• 1:11:57
  Speaker 6: No, but it's that friend that you can talk about.
• 1:12:00
  Speaker 10: So there are many, right, man, that it's difficult, that
• 1:12:02
  Speaker 10: it's hard work, man.
• 1:12:04
  Speaker 7: To mark a session, only 2027.
• 1:12:07
  Speaker 6: To find him, to talk to him.
• 1:12:09
  Speaker 10: I talked to him yesterday at a session with Lelê.
• 1:12:12
  Speaker 1: It's hard.
• 1:12:12
  Speaker 10: Lelê is in a coma right now.
• 1:12:13
  Speaker 2: Congratulations to him too.
• 1:12:14
  Speaker 4: It's important.
• 1:12:15
  Speaker 11: Pedrinho is not in the company anymore, you know.
• 1:12:17
  Speaker 7: It's very hard.
• 1:12:18
  Speaker 1: To get his voice I had to go to your Crazy,
• 1:12:22
  Speaker 1: otherwise I wouldn't go. I had to go there.
• 1:12:24
  Speaker 4: Pereira is like that.
• 1:12:25
  Speaker 8: I swear to God.
• 1:12:26
  Speaker 4: I want your voice. I said, okay.
• 1:12:36
  Speaker 6: Open the door, I'm here.
• 1:12:37
  Speaker 4: We recorded, right? You and Marcos.
• 1:12:39
  Speaker 6: Who else do you.
• 1:12:40
  Speaker 1: Think is difficult?
• 1:12:41
  Speaker 10: I'm trying to.
• 1:12:42
  Speaker 11: The most difficult to record, to talk about is Tutu.
• 1:12:46
  Speaker 4: Kelvinho, to get him out of FIFA, forget it.
• 1:12:48
  Speaker 10: No, and Kelvinho is like this, he likes to leave early.
• 1:12:51
  Speaker 4: Forget it, yeah.
• 1:12:51
  Speaker 6: And he has to go to Sérgio Pereira.
• 1:12:53
  Speaker 10: Yeah, it's 6, 7 o'clock at night.
• 1:12:55
  Speaker 2: Bye.
• 1:12:56
  Speaker 11: No, he says he'll go there if FIFA.
• 1:13:00
  Speaker 1: Is going on.
• 1:13:01
  Speaker 7: And who is the most rat in the studio? You say,
• 1:13:04
  Speaker 7: this one, if he can, he's all day, bro.
• 1:13:06
  Speaker 10: I don't know who's going to talk, but.
• 1:13:08
  Speaker 4: No, but he's in the studio all day.
• 1:13:09
  Speaker 1: Davi... We're in the studio all day, because.
• 1:13:12
  Speaker 10: Ariel, Cadu too, Cadu too. The social consecration circles, man.
• 1:13:16
  Speaker 4: Cadu too. Cadu, Davi.
• 1:13:18
  Speaker 7: Cadu is the rat in the.
• 1:13:20
  Speaker 1: Studio, right?
• 1:13:21
  Speaker 4: Wow, man. K2 is crazy. Harry too.
• 1:13:23
  Speaker 1: David too.
• 1:13:24
  Speaker 10: The new generation guys too. When the guys come to
• 1:13:29
  Speaker 10: the studio like this.
• 1:13:29
  Speaker 4: These guys are all from the studio.
• 1:13:31
  Speaker 2: They live in the studio.
• 1:13:32
  Speaker 10: DJ Wilton did the record of 100.
• 1:13:33
  Speaker 1: They are all here. GH is with me.
• 1:13:34
  Speaker 5: Very cool.
• 1:13:34
  Speaker 4: The history of funk. We are in the studio every day.
• 1:13:37
  Speaker 4: I'll tell you.
• 1:13:37
  Speaker 10: Never G6 will be empty.
• 1:13:38
  Speaker 11: Never.
• 1:13:39
  Speaker 1: There's no way.
• 1:13:40
  Speaker 6: You'll find these guys there on Monday and Friday.
• 1:13:51
  Speaker 1: In prime time.
• 1:13:51
  Speaker 6: Brother, when I went there in 2015, I already thought
• 1:13:53
  Speaker 6: it was crazy. Imagine how it must be today.
• 1:13:56
  Speaker 8: I think that now.
• 1:13:57
  Speaker 7: No, the structure, yes.
• 1:13:58
  Speaker 1: The structure is gigantic too. The guys have the structure here.
• 1:14:06
  Speaker 4: But the northern zone is black.
• 1:14:07
  Speaker 3: And yellow, it's been a while.
• 1:14:08
  Speaker 1: Man, I think it's a little bit, it could.
• 1:14:10
  Speaker 6: Be a lot more than a million.
• 1:14:12
  Speaker 4: We've been making the call for the guys.
• 1:14:29
  Speaker 1: I'm going to take advantage of it. I just released
• 1:14:31
  Speaker 1: an album today, but next month we're going to release
• 1:14:33
  Speaker 1: an EP, me and Pereira.
• 1:14:34
  Speaker 3: Ah, applause!
• 1:14:35
  Speaker 10: Now it's going to be like this.
• 1:14:36
  Speaker 2: A collaborative, one after the other.
• 1:14:38
  Speaker 1: I'm not going to release a song.
• 1:14:41
  Speaker 6: No, it's Na Relíquia da Relíquia.
• 1:14:43
  Speaker 1: Na Relíquia da.
• 1:14:44
  Speaker 6: but the beats will be in the relic too it
• 1:14:47
  Speaker 6: will be in the relic I hope.
• 1:14:49
  Speaker 1: You like it in a month so we'll let it
• 1:14:51
  Speaker 1: go ahead now it's going to be like this it's
• 1:14:53
  Speaker 1: going to be just the cover and a punch 5
• 1:14:55
  Speaker 1: 10 15 12 8 just project just like that already
• 1:14:58
  Speaker 1: want to play because you said I think a while
• 1:15:02
  Speaker 1: ago it was 40,000 phonograms Globally speaking, per day, I
• 1:15:12
  Speaker 1: think it's 100,000. Only GW releases 10,000.
• 1:15:14
  Speaker 10: GW releases 1,000 per day.
• 1:15:16
  Speaker 6: I think GW went to the studio every day for
• 1:15:18
  Speaker 6: about three months. And today he's just counting money. He's
• 1:15:22
  Speaker 6: at the beach. He's just counting money.
• 1:15:25
  Speaker 4: Deluxe too. In his house, he's just sending voices to
• 1:15:27
  Speaker 4: the DJs.
• 1:15:27
  Speaker 1: MC Deluxe, GW, Vuk Vuk.
• 1:15:28
  Speaker 6: I don't know where you are, Vuk Vuk. if it
• 1:15:34
  Speaker 6: was already that God has it brother Pedrinho is a
• 1:15:36
  Speaker 6: lot of voice brother a lot.
• 1:15:38
  Speaker 9: Of voice but what is the breeze of this one
• 1:15:41
  Speaker 9: is an album is the EP against the tracks that
• 1:15:43
  Speaker 9: you can.
• 1:15:44
  Speaker 1: Talk about it was an EP but it became an
• 1:15:46
  Speaker 1: album because it only had to make four tracks ended
• 1:15:49
  Speaker 1: up doing five we entered the studio and made another
• 1:15:51
  Speaker 1: four then we went to see we separated eight tracks
• 1:15:54
  Speaker 1: right there's only one track there that we need to
• 1:15:57
  Speaker 1: be sure but it's from seven to eight tracks we.
• 1:15:59
  Speaker 4: Have For now, no. There are only two hits.
• 1:16:02
  Speaker 1: Two. The one we're not sure about. That's it.
• 1:16:05
  Speaker 4: I see. You can't say it yet.
• 1:16:07
  Speaker 5: Okay.
• 1:16:07
  Speaker 6: You talked about the funk moment at the beginning. I
• 1:16:11
  Speaker 6: remember this video that some pearls came out on the
• 1:16:15
  Speaker 6: day of the Maracujá release session. Who was in that session?
• 1:16:17
  Speaker 6: And what was sung on that day in the studio?
• 1:16:20
  Speaker 11: There were 2K, Livinho, J.R. Bin Laden, you, me and Fernando.
• 1:16:26
  Speaker 2: Where's Fernando?
• 1:16:28
  Speaker 4: How did you manage to hide it there?
• 1:16:30
  Speaker 6: Man, everything that was sung there was a hit. In
• 1:16:35
  Speaker 6: that video, you all together. In that video, it became
• 1:16:39
  Speaker 6: a single song.
• 1:16:40
  Speaker 10: It became a montage. That day I was passing by, unpretentious.
• 1:16:43
  Speaker 2: Always.
• 1:16:44
  Speaker 1: I don't want anything, pretending that I was just passing by.
• 1:16:53
  Speaker 1: Then I got there, I rang the bell, there were
• 1:16:55
  Speaker 1: a lot of people, I saw a lot of cars
• 1:16:56
  Speaker 1: at Caso Pereira's door.
• 1:16:58
  Speaker 10: I said, I'm going to stop here, I'm going.
• 1:17:00
  Speaker 1: To thank you for the sound we made yesterday. And
• 1:17:02
  Speaker 1: there's a very good session, I'm sure. I'm sure there
• 1:17:05
  Speaker 1: are people there, bro. Then I got there, there were
• 1:17:06
  Speaker 1: guys playing video games, playing soccer there.
• 1:17:08
  Speaker 4: And they were.
• 1:17:09
  Speaker 10: Like, hey, MC Quatuzói. I've already told you that.
• 1:17:12
  Speaker 1: Hey, MC Quatuzói. I said, hey, bro. I've already told
• 1:17:14
  Speaker 1: you that once. Then the guys put everything in the studio.
• 1:17:22
  Speaker 10: Then I was outside, and Fernandão said, why are you here?
• 1:17:38
  Speaker 1: I was like, there's a guy
• 1:17:46
  Speaker 1: there who does some pedradas, you didn't say that the
• 1:17:48
  Speaker 1: guy is good, so I put him in the song.
• 1:17:49
  Speaker 4: I always show it to the guys. Then they put
• 1:17:51
  Speaker 4: me in the song.
• 1:17:52
  Speaker 10: And my part got a little highlight.
• 1:17:53
  Speaker 4: A little.
• 1:17:53
  Speaker 1: Sing the part that you sang. Can I?
• 1:17:55
  Speaker 10: She goes, she goes, she goes, she goes, she goes.
• 1:17:59
  Speaker 10: I don't like to sing.
• 1:17:59
  Speaker 4: No, sing the original then.
• 1:18:09
  Speaker 10: I took this verse out of the original.
• 1:18:11
  Speaker 1: I got so nervous at the time that each of
• 1:18:14
  Speaker 1: them did a part and no one sang a verse
• 1:18:17
  Speaker 1: similar to any other song. Each one did an exclusive part.
• 1:18:28
  Speaker 1: I was nervous, I didn't know what to do. It's
• 1:18:31
  Speaker 1: not like today, when we have the pen at the time.
• 1:18:33
  Speaker 10: I was very nervous.
• 1:18:34
  Speaker 1: I said, what am I going to sing?
• 1:18:36
  Speaker 4: They said, come on, do something.
• 1:18:37
  Speaker 10: I said, I don't know what I'm going to do.
• 1:18:39
  Speaker 1: I was looking desperate at Pereira.
• 1:18:42
  Speaker 8: Everyone was looking at him.
• 1:18:43
  Speaker 10: Everyone already did his.
• 1:18:44
  Speaker 1: I was looking desperate at Pereira.
• 1:18:46
  Speaker 6: Bin Lada at that time should have been... Ah, no,
• 1:18:48
  Speaker 6: because in Pereira's studio you can't.
• 1:18:49
  Speaker 4: No, I never could.
• 1:18:51
  Speaker 1: Fumasas, goles.
• 1:18:52
  Speaker 8: No, no, goles are crazy.
• 1:18:54
  Speaker 1: The boy is from.
• 1:18:57
  Speaker 7: The church.
• 1:18:57
  Speaker 1: You have to respect him. His crown.
• 1:19:00
  Speaker 6: Pereira, some MC came to you in the studio and said, brother,
• 1:19:04
  Speaker 6: I want to do this here. And the first time
• 1:19:06
  Speaker 6: you heard it, it was a total madness, but you listened,
• 1:19:08
  Speaker 6: did it, And something that turned into a hit, it
• 1:19:13
  Speaker 6: was awesome. Did someone come with some madness that you
• 1:19:15
  Speaker 6: believed and it worked?
• 1:19:17
  Speaker 4: Or all of them?
• 1:19:18
  Speaker 11: I had a lot of ideas that the guys came
• 1:19:21
  Speaker 11: like that, but I had a lot of ideas that
• 1:19:23
  Speaker 11: I kind of... Not that I cut it, but I said,
• 1:19:25
  Speaker 11: let's do it like this. This idea is great, but
• 1:19:28
  Speaker 11: if we came from this.
• 1:19:28
  Speaker 8: Side and such.
• 1:19:29
  Speaker 6: Can you talk about any that went to another side
• 1:19:32
  Speaker 6: and that you helped to go to the opposite side.
• 1:19:35
  Speaker 4: Which was very good? Man, the one from.
• 1:19:40
  Speaker 11: Livinho wanted to do the fatal kick using some Disney stuff,
• 1:19:43
  Speaker 11: you know? But I said, man, there will be a
• 1:19:46
  Speaker 11: lot of things that we won't be able to use, man.
• 1:19:48
  Speaker 11: Because I had already done the Tati Zaki, you know?
• 1:19:51
  Speaker 6: Ah, it was you who.
• 1:19:52
  Speaker 1: Did that one.
• 1:19:52
  Speaker 2: It was mine, man.
• 1:19:54
  Speaker 4: But the clip fell.
• 1:19:55
  Speaker 1: Everything fell, everyone fell.
• 1:19:56
  Speaker 8: Wow, but this song exploded a lot. With a lot
• 1:19:59
  Speaker 8: of force.
• 1:19:59
  Speaker 7: Like, her employer said, man, he wanted to use the
• 1:20:01
  Speaker 7: Disney stuff.
• 1:20:02
  Speaker 11: I didn't know yet, I said, ah, Let's go! I
• 1:20:12
  Speaker 11: already used it. When this song started to explode, I
• 1:20:16
  Speaker 11: had a problem.
• 1:20:17
  Speaker 4: I said, no, you asked for it, I just did it.
• 1:20:19
  Speaker 4: Then he held the gun. But it was a big problem. Wow,
• 1:20:23
  Speaker 4: you're crazy. You're crazy, it.
• 1:20:25
  Speaker 8: Was a matter of funk at the time.
• 1:20:26
  Speaker 1: But it wasn't as big a problem as it was
• 1:20:28
  Speaker 1: in the song of Nande Luanzinho, when they put Barato do.
• 1:20:33
  Speaker 6: The prayer of the Muslims, of the Torah, of the Qur'an, sorry.
• 1:20:36
  Speaker 4: The Qur'an is of the Jews, right?
• 1:20:38
  Speaker 6: The Qur'an is of the Muslims.
• 1:20:40
  Speaker 1: That's crazy.
• 1:20:40
  Speaker 10: There's a bomb there in the studio.
• 1:20:43
  Speaker 4: The R7 is awesome, it.
• 1:20:44
  Speaker 1: Had a lot of acapella.
• 1:20:45
  Speaker 8: But that was a mess.
• 1:20:46
  Speaker 4: The guy posted on YouTube.
• 1:21:25
  Speaker 10: The thing was that I was.
• 1:21:25
  Speaker 11: Crazy about beats, you know? So I said, let's use it.
• 1:21:29
  Speaker 11: So I did a lot. Maracujá, Passinho do Romano... Juninho JTR, right?
• 1:21:32
  Speaker 1: I used it a lot.
• 1:21:33
  Speaker 4: Then the one from Danilanzinho, I said, damn... Was it
• 1:21:36
  Speaker 4: you or Pereira? It was R7.
• 1:21:37
  Speaker 10: I think it was R7.
• 1:21:38
  Speaker 1: It was R7?
• 1:21:38
  Speaker 10: I don't remember if it was him.
• 1:21:39
  Speaker 4: But there was a problem, they had to change the song.
• 1:21:41
  Speaker 1: The song was starting to hit. It started raining Arabs
• 1:21:47
  Speaker 1: in the comments, and the guys translated the video.
• 1:21:50
  Speaker 4: And at the time, the guys were passing knives to
• 1:21:52
  Speaker 4: the others, right?
• 1:21:53
  Speaker 10: That was the time, I think.
• 1:21:55
  Speaker 1: Ah, I think it was in that video, well produced,
• 1:21:58
  Speaker 1: that Estado Islâmico was doing there.
• 1:22:00
  Speaker 7: Yes, I remember.
• 1:22:01
  Speaker 4: The guys were like, yeah, okay.
• 1:22:04
  Speaker 1: ISIS, right?
• 1:22:04
  Speaker 8: That time of ISIS.
• 1:22:05
  Speaker 1: Yeah, man. The guys deleted the video, apologized.
• 1:22:09
  Speaker 6: I didn't even know what he was talking about. It's crazy.
• 1:22:12
  Speaker 4: I think the Arabs asked for an apology.
• 1:22:13
  Speaker 1: And translated it. Imagine if the Arabs said like this...
• 1:22:16
  Speaker 1: I don't even know.
• 1:22:17
  Speaker 6: If it's Arabic. Then the guys got it and said...
• 1:22:19
  Speaker 6: Let me see what Lonazinho is saying here.
• 1:22:21
  Speaker 4: Translate it, my God.
• 1:22:23
  Speaker 8: I think that's why.
• 1:22:23
  Speaker 6: Did they translate it?
• 1:22:25
  Speaker 1: The Arab said.
• 1:22:33
  Speaker 10: What do you mean?
• 1:22:34
  Speaker 1: A guy without a helmet in the group, and blah
• 1:22:36
  Speaker 1: blah blah, he's going to hit them, and the guys
• 1:22:38
  Speaker 1: are like, are you crazy?
• 1:22:38
  Speaker 10: What the fuck is this guy talking about?
• 1:22:39
  Speaker 4: Those girls are from Burkina Faso.
• 1:22:41
  Speaker 1: That's not how the lineage is. Man, that's crazy.
• 1:22:43
  Speaker 2: Okay.
• 1:22:44
  Speaker 6: I'm very happy, as I said, it's happening. We have
• 1:22:46
  Speaker 6: a producer there, an MMPC assembled.
• 1:22:47
  Speaker 8: What's going to happen?
• 1:22:50
  Speaker 4: You know, DJ Guiné brought something there.
• 1:22:53
  Speaker 8: But before, before, before, before.
• 1:23:03
  Speaker 10: What day is it today?
• 1:23:06
  Speaker 7: Today?
• 1:23:07
  Speaker 4: Today is.
• 1:23:08
  Speaker 6: Thursday.
• 1:23:09
  Speaker 10: What day were you born?
• 1:23:12
  Speaker 1: I was born on Tuesday. Today is your birthday, right?
• 1:23:15
  Speaker 6: It's my man's birthday.
• 1:23:17
  Speaker 2: How old are you, brother?
• 1:23:18
  Speaker 5: 20.
• 1:23:18
  Speaker 2: 22.
• 1:23:18
  Speaker 6: Almost admit it.
• 1:23:19
  Speaker 1: I'm 34. Cool.
• 1:23:20
  Speaker 3: Congratulations, bro.
• 1:23:20
  Speaker 6: From the bottom of my heart.
• 1:23:22
  Speaker 8: You're crazy.
• 1:23:22
  Speaker 1: You're a monster. It's bad, right? It's bad, right? It's bad, right?
• 1:23:28
  Speaker 1: It's bad, right?
• 1:23:53
  Speaker 10: You guys have become very big, commercially speaking.
• 1:23:56
  Speaker 1: Your show is huge. But it's the third time I'm here.
• 1:23:58
  Speaker 1: I know there are a lot of guests. It could
• 1:24:02
  Speaker 1: be the second time of another person, very cool.
• 1:24:04
  Speaker 10: It could be the first time of someone who hasn't come.
• 1:24:06
  Speaker 1: And to be here, really, I see the size you've become,
• 1:24:10
  Speaker 1: the size of the studio, the team and such.
• 1:24:12
  Speaker 10: For me it's a great privilege to know that we're
• 1:24:15
  Speaker 10: still here.
• 1:24:15
  Speaker 1: And also to know that you're with this guy, who
• 1:24:18
  Speaker 1: is a guy who... I think he's one of the
• 1:24:20
  Speaker 1: most beloved guys. I believe he's the talisman of funk today.
• 1:24:24
  Speaker 1: He's one of the biggest references of funk. So he's
• 1:24:27
  Speaker 1: here on my birthday, on the biggest show in Brazil,
• 1:24:29
  Speaker 1: the biggest audience, the biggest podcast in Brazil, together with
• 1:24:32
  Speaker 1: this guy here. It's a privilege for me.
• 1:24:33
  Speaker 10: And you guys are funkers. I've always seen this guy.
• 1:24:36
  Speaker 1: You know, you're also a 7th generation. You're going back
• 1:24:37
  Speaker 1: to do shows. I'm watching you too.
• 1:24:39
  Speaker 7: Sometimes I feel like doing a show, man. It's awesome, man.
• 1:24:42
  Speaker 7: It's awesome as hell.
• 1:24:43
  Speaker 4: I'm going to tell you, I love it a lot.
• 1:24:44
  Speaker 1: It's something that.
• 1:24:48
  Speaker 1: I spent a week without dancing. Sometimes it happens, it
• 1:24:51
  Speaker 1: can happen. Last week I got nervous, it's a strange feeling.
• 1:24:55
  Speaker 1: I really like to work. And I see that you
• 1:24:58
  Speaker 1: guys are a big fan. I don't know all of them.
• 1:24:59
  Speaker 4: I believe that funk is that.
• 1:25:01
  Speaker 7: It's a lifestyle.
• 1:25:02
  Speaker 1: It's a philosophy that obviously still has a lot to fix.
• 1:25:04
  Speaker 1: I think that this organization, Brain Net, a single brain,
• 1:25:19
  Speaker 1: When everything becomes one thing.
• 1:25:20
  Speaker 6: Congratulations to you.
• 1:25:24
  Speaker 1: On this date. It wasn't us. Many happiness. Many years
• 1:25:30
  Speaker 1: of life. Congratulations to you.
• 1:25:33
  Speaker 3: On this date, dear.
• 1:25:39
  Speaker 1: The sarcastic album came out. Can you do it, man? No,
• 1:25:44
  Speaker 1: calm down. Calm down.
• 1:25:46
  Speaker 12: The mother of Pereira is watching.
• 1:25:53
  Speaker 1: It's time. It's time.
• 1:25:59
  Speaker 4: It's time.
• 1:26:00
  Speaker 1: It's time. It's time. It's time.
• 1:26:03
  Speaker 8: Mítico, sing congratulations.
• 1:26:04
  Speaker 6: The person who is receiving congratulations is in a awkward situation.
• 1:26:08
  Speaker 10: He doesn't know what to do right.
• 1:26:10
  Speaker 6: My grandmother is watching. But brother, congratulations on your day.
• 1:26:12
  Speaker 10: I would like to thank everyone's presence.
• 1:26:14
  Speaker 2: Thank you very much.
• 1:26:15
  Speaker 10: Thank you, everyone.
• 1:26:16
  Speaker 1: I would like to.
• 1:26:16
  Speaker 10: Let's give a salve here?
• 1:26:18
  Speaker 1: Please.
• 1:26:21
  Speaker 4: I have a gift for you.
• 1:26:23
  Speaker 6: What's written on this CD?
• 1:26:26
  Speaker 1: Show it to me. This one can be used as
• 1:26:27
  Speaker 1: a record.
• 1:26:28
  Speaker 10: But they did it without our consent.
• 1:26:29
  Speaker 1: What is this?
• 1:26:30
  Speaker 6: Why is this here in my company? If you want,
• 1:26:33
  Speaker 6: the stock doesn't go out.
• 1:26:35
  Speaker 4: I'll find someone who can.
• 1:26:36
  Speaker 10: It's for you to compose, right?
• 1:26:37
  Speaker 1: Mini letters. Annotations. I have a question.
• 1:26:49
  Speaker 10: Can I give a shoutout to Don Salve? Sure, you can.
• 1:26:52
  Speaker 4: Do you think about.
• 1:26:54
  Speaker 10: Having an artist here at Podipa Records?
• 1:26:56
  Speaker 6: From the beginning, as it's something... Not a big deal,
• 1:27:00
  Speaker 6: because it's already big, but it's something that's starting. The
• 1:27:04
  Speaker 6: interest is not yet to have artists, because what we
• 1:27:07
  Speaker 6: want to do, for example... Man, I'd like to do
• 1:27:09
  Speaker 6: a project with you, a song. So we sit down,
• 1:27:12
  Speaker 6: exchange ideas about that project. You'll talk about your demands,
• 1:27:15
  Speaker 6: we'll talk about ours. And then, is everything okay? You'll
• 1:27:17
  Speaker 6: sign a contract there, and you'll do that thing, and
• 1:27:19
  Speaker 6: then you'll see what happens. It's another place of, like,
• 1:27:23
  Speaker 6: a platform of dissemination, a place for us to do
• 1:27:26
  Speaker 6: something different and such. But not necessarily, at least at
• 1:27:29
  Speaker 6: the moment... Managing artists, right?
• 1:27:30
  Speaker 7: The answer is yes, right?
• 1:27:33
  Speaker 10: Not in the beginning, but later. Everything can change.
• 1:27:35
  Speaker 4: You know, Mítico is Franco's business man.
• 1:27:37
  Speaker 8: I know that if I put... It's a lot of work.
• 1:27:38
  Speaker 6: Whatever the artist is, he needs attention, he wants to explode.
• 1:27:42
  Speaker 8: It's a company.
• 1:27:43
  Speaker 4: Every artist is a company. It's a dream.
• 1:27:45
  Speaker 6: If I don't have time now, how can I put
• 1:27:46
  Speaker 6: another one here that will wait for Igão to come
• 1:27:48
  Speaker 6: and I.
• 1:27:49
  Speaker 1: Won't pay attention to the boy?
• 1:27:50
  Speaker 10: Just to have, so better not.
• 1:27:59
  Speaker 6: I think we're going to make a deal here, do
• 1:28:01
  Speaker 6: you agree? Sign up cute so you don't.
• 1:28:04
  Speaker 4: Have to talk later.
• 1:28:05
  Speaker 10: Any tape you need in relation to this.
• 1:28:06
  Speaker 4: You can contact me.
• 1:28:07
  Speaker 6: You're crazy, I want you in the projects, bro.
• 1:28:09
  Speaker 4: For sure, let's.
• 1:28:10
  Speaker 1: Do a cool thing there.
• 1:28:13
  Speaker 6: What I feel like doing here is a camp of Pereira.
• 1:28:16
  Speaker 8: Pereira stays here, living?
• 1:28:19
  Speaker 6: Thank you for the cake.
• 1:28:20
  Speaker 4: It was a surprise.
• 1:28:30
  Speaker 1: Thank you for the cake, it was a surprise, right?
• 1:28:33
  Speaker 8: What is it from?
• 1:28:34
  Speaker 10: Here, there's the flavor here.
• 1:28:35
  Speaker 1: What flavor? I want to send a kiss to my
• 1:28:52
  Speaker 1: family who are watching, especially to my daughter.
• 1:28:54
  Speaker 10: She shouldn't be watching, she should be playing. Let her play.
• 1:28:56
  Speaker 10: I want to thank my family in general, all my.
• 1:28:59
  Speaker 1: Friends who are watching.
• 1:29:00
  Speaker 2: A kiss in the heart.
• 1:29:01
  Speaker 1: And send a kiss to my family who are there
• 1:29:04
  Speaker 1: in Ceará. The people there in Ceará, the heads there
• 1:29:07
  Speaker 1: in Ceará, you know? From Maracanaú to Ajussara. Fortaleza is
• 1:29:16
  Speaker 1: in the area, Crato is also there, Quixadá, Quixeramubim, everyone
• 1:29:20
  Speaker 1: from Ceará, Pajussara, our place where I lived for two years,
• 1:29:24
  Speaker 1: I have a.
• 1:29:25
  Speaker 8: Lot of friends there.
• 1:29:26
  Speaker 6: Before we go to the singing rooms, I have a
• 1:29:29
  Speaker 6: quick game here, can you stop?
• 1:29:30
  Speaker 10: I'm with you, let's go.
• 1:29:33
  Speaker 8: This is for Pereira. For Touls or UFL?
• 1:29:36
  Speaker 4: You can say whatever you want.
• 1:29:40
  Speaker 2: Eibleton.
• 1:29:41
  Speaker 8: Is it better, bro? What do you understand.
• 1:29:44
  Speaker 4: Better about it? It's much faster, right? You think, you
• 1:29:47
  Speaker 4: just drag the program, it's much faster. It's something that
• 1:29:50
  Speaker 4: talks better, right?
• 1:29:51
  Speaker 11: I have some stuff that already connects in Ableton Live,
• 1:29:55
  Speaker 11: so it's much faster for me.
• 1:29:57
  Speaker 6: If you didn't work with music, what would you do?
• 1:30:00
  Speaker 4: Music.
• 1:30:02
  Speaker 6: Even if you don't spend money, right?
• 1:30:04
  Speaker 7: I insist, the thing is even.
• 1:30:08
  Speaker 6: Man, I think you two were not going to do
• 1:30:10
  Speaker 6: anything else.
• 1:30:10
  Speaker 1: I don't know if I was going to do anything else, man.
• 1:30:13
  Speaker 1: I think I was going to be a f *
• 1:30:14
  Speaker 1: * * ed up trying to make music. I think
• 1:30:17
  Speaker 1: I was going to try to do a psychology or
• 1:30:19
  Speaker 1: law school.
• 1:30:20
  Speaker 7: Very f * * * ed.
• 1:30:21
  Speaker 3: F * * * ed.
• 1:30:22
  Speaker 6: One thing that should be forbidden in the studio?
• 1:30:24
  Speaker 1: Who doesn't compose... And those who don't produce... Those who
• 1:30:33
  Speaker 1: don't sing. will scream in the studio, wanting to compliment
• 1:30:35
  Speaker 1: and make videos.
• 1:30:36
  Speaker 4: They'll hit the door.
• 1:30:37
  Speaker 9: They'll start to attack.
• 1:30:40
  Speaker 10: That must be really bad. They'll hit the door.
• 1:30:42
  Speaker 1: Now, the studios are fast, but... Keep going. No, no, no.
• 1:30:45
  Speaker 1: That's it.
• 1:30:46
  Speaker 6: Are the studios turning into lounges?
• 1:30:48
  Speaker 1: It's because people go and there's a lot of people.
• 1:30:50
  Speaker 1: That's what I'm saying. The Funk needs to understand this
• 1:30:54
  Speaker 1: respect for art. Sometimes the guy doesn't write, doesn't compose, doesn't.
• 1:30:58
  Speaker 10: Produce, doesn't turn on a camera, He doesn't do anything.
• 1:31:00
  Speaker 1: Then he gets there, wants to make a video, wants
• 1:31:03
  Speaker 1: to scream, wants to greet, instead of greeting, the guy
• 1:31:08
  Speaker 1: is recording.
• 1:31:08
  Speaker 7: You're crazy!
• 1:31:10
  Speaker 10: This is something that I think should happen.
• 1:31:12
  Speaker 4: There's a guy who knocks on the door and looks. Oh, no.
• 1:31:15
  Speaker 3: Oh, no.
• 1:31:15
  Speaker 1: He stops the whole session.
• 1:31:16
  Speaker 6: The guys in the middle of the neighborhood, the voice.
• 1:31:20
  Speaker 1: It's one of the things that has to end, but
• 1:31:22
  Speaker 1: we understand our friends.
• 1:31:24
  Speaker 4: This is being studied.
• 1:31:24
  Speaker 10: They are being educated.
• 1:31:25
  Speaker 6: Once I went to the studio, I have to count
• 1:31:27
  Speaker 6: here with them once, with Kian, Febê and such. Then
• 1:31:30
  Speaker 6: the guys, not them, but other guys who were in
• 1:31:32
  Speaker 6: the studio like that. Brother, the thing turned into a lounge,
• 1:31:35
  Speaker 6: they started to carburetor a lot. When it was for
• 1:31:38
  Speaker 6: us to record the voice, the guys looked at me
• 1:31:42
  Speaker 6: and said like this.
• 1:31:43
  Speaker 8: It can't be.
• 1:31:44
  Speaker 1: We passed.
• 1:31:44
  Speaker 4: No, no, no.
• 1:31:44
  Speaker 1: I'm lazy.
• 1:31:45
  Speaker 2: I can't.
• 1:31:45
  Speaker 8: Let's change the idea. Another day.
• 1:31:47
  Speaker 1: Another day. An international dream feat.
• 1:31:53
  Speaker 4: Bad Bunny.
• 1:31:54
  Speaker 1: Bad Bunny?
• 1:31:54
  Speaker 4: If it's a myth, I can do it for you.
• 1:31:56
  Speaker 4: Two calls, man. Oh, so recording can't go to the record. Wow!
• 1:32:00
  Speaker 1: It's Grammy. Damn, man. International dream feat.
• 1:32:04
  Speaker 10: I'll tell you, man.
• 1:32:07
  Speaker 4: It's hard.
• 1:32:07
  Speaker 8: And when you think, I'll play one more for Pereira.
• 1:32:09
  Speaker 1: Go there, go there.
• 1:32:09
  Speaker 6: Which artist that you say, this man, his voice in funk,
• 1:32:14
  Speaker 6: in a specific way that I think.
• 1:32:16
  Speaker 3: Hugo FK.
• 1:32:16
  Speaker 1: Is it? It was fast, you didn't even finish the song.
• 1:32:21
  Speaker 1: If he goes, he takes a series of assaults.
• 1:32:25
  Speaker 10: I'm going to play Snoop Dogg.
• 1:32:26
  Speaker 4: Hariel clicked, he's in the studio saying that. You have
• 1:32:31
  Speaker 4: to sing funk.
• 1:32:31
  Speaker 1: Then the bug was all.
• 1:32:32
  Speaker 7: If I see this again, I'm going to say, man, I'm.
• 1:32:35
  Speaker 4: Going to release a man, man. No, he's very good,
• 1:32:36
  Speaker 4: he's very good. You're crazy.
• 1:32:37
  Speaker 1: Yeah, FK.
• 1:32:38
  Speaker 8: Yeah, it's here.
• 1:32:39
  Speaker 4: Yeah, FK.
• 1:32:41
  Speaker 1: My international feat is Snoop Dogg, because I can do
• 1:32:45
  Speaker 1: a Tragedy as well.
• 1:32:45
  Speaker 4: I can invent.
• 1:32:47
  Speaker 1: It from the United States. His must be complicated.
• 1:32:51
  Speaker 8: A vape flavor that you would invent?
• 1:32:54
  Speaker 4: Cannabis.
• 1:32:55
  Speaker 2: He must already know.
• 1:32:57
  Speaker 6: Sabor, Sabor Cannabis.
• 1:32:59
  Speaker 1: Sabor Cannabis.
• 1:33:00
  Speaker 6: The vape flavor? Yeah, it's already been answered. The biggest
• 1:33:05
  Speaker 6: calote you took from a contractor?
• 1:33:07
  Speaker 1: Shhh, I don't know.
• 1:33:09
  Speaker 2: No, I'm kidding. My contractors.
• 1:33:10
  Speaker 10: My contractors don't give me a call out.
• 1:33:11
  Speaker 4: Not mine.
• 1:33:11
  Speaker 2: Not mine.
• 1:33:11
  Speaker 1: Not mine. Not mine.
• 1:33:11
  Speaker 5: Not mine. Not mine. Not mine.
• 1:33:12
  Speaker 4: Not mine.
• 1:33:12
  Speaker 2: Not mine.
• 1:33:12
  Speaker 4: Not mine. Not mine.
• 1:33:13
  Speaker 3: Not mine.
• 1:33:13
  Speaker 1: Not mine. Not mine.
• 1:33:13
  Speaker 2: Not mine.
• 1:33:13
  Speaker 5: Not mine.
• 1:33:14
  Speaker 2: Not mine. Not mine. Not mine.
• 1:33:14
  Speaker 1: Not mine.
• 1:33:14
  Speaker 5: Not mine.
• 1:33:15
  Speaker 2: Not mine.
• 1:33:15
  Speaker 1: Not mine.
• 1:33:15
  Speaker 4: Not mine.
• 1:33:15
  Speaker 5: Not mine. Not mine. Not mine.
• 1:33:16
  Speaker 3: Not mine.
• 1:33:16
  Speaker 2: Not mine.
• 1:33:16
  Speaker 1: Not mine.
• 1:33:16
  Speaker 2: Not mine.
• 1:33:16
  Speaker 1: Not mine.
• 1:33:17
  Speaker 2: Not mine.
• 1:33:17
  Speaker 5: Not mine.
• 1:33:17
  Speaker 2: Not mine.
• 1:33:17
  Speaker 1: Not mine.
• 1:33:17
  Speaker 4: Not mine.
• 1:33:17
  Speaker 1: Not mine.
• 1:33:18
  Speaker 2: Not mine. Not mine. Not mine.
• 1:33:18
  Speaker 5: Not mine.
• 1:33:18
  Speaker 2: Not mine.
• 1:33:19
  Speaker 5: Not mine.
• 1:33:19
  Speaker 1: Not mine. Not mine.
• 1:33:19
  Speaker 2: Not mine. Not mine.
• 1:33:20
  Speaker 1: Not mine. Not mine.
• 1:33:20
  Speaker 4: Not mine. Not mine. Not mine.
• 1:33:20
  Speaker 5: Not mine.
• 1:33:21
  Speaker 4: Not mine. Not mine.
• 1:33:21
  Speaker 1: Not mine.
• 1:33:21
  Speaker 4: Not mine. Not mine.
• 1:33:22
  Speaker 1: Not mine.
• 1:33:22
  Speaker 4: Not mine.
• 1:33:22
  Speaker 2: Not mine. Not mine.
• 1:33:22
  Speaker 4: Not mine. Not mine.
• 1:33:23
  Speaker 1: Not mine. Not mine. Not mine.
• 1:33:23
  Speaker 4: Not We played a GR6 in front of it and
• 1:33:25
  Speaker 4: we decided.
• 1:33:26
  Speaker 1: Mine happened at Casa Verde, we were going to do
• 1:33:28
  Speaker 1: a big show, it was packed.
• 1:33:29
  Speaker 10: At the time, the guy.
• 1:33:30
  Speaker 1: Apologized for paying less. There are several that the guys...
• 1:33:33
  Speaker 1: The guys came in, but he was very crazy. He said, if.
• 1:33:36
  Speaker 10: You don't sing, bro, you'll see what I'm going to do.
• 1:33:39
  Speaker 10: Then my brother, my producer, the guys from the time, said,
• 1:33:41
  Speaker 10: go to Havan, go to Havan.
• 1:33:42
  Speaker 1: Then I went to Havan, the guys were all coming,
• 1:33:45
  Speaker 1: we were leaving, we were like, hey, MC, what's up?
• 1:33:47
  Speaker 1: Already wanting to take one, right? Then the guy got
• 1:33:49
  Speaker 1: on the stage and said on the microphone that we
• 1:33:52
  Speaker 1: weren't going to sing because.
• 1:33:53
  Speaker 4: Of the mess.
• 1:33:53
  Speaker 10: He said a value that I don't remember.
• 1:33:55
  Speaker 6: And it was me and Orelha from Rio.
• 1:33:56
  Speaker 1: Man, imagine, Orelha, man. Man, the guy is very quiet.
• 1:34:02
  Speaker 1: He's a very brave MC, but he's very calm.
• 1:34:05
  Speaker 8: He's on his own.
• 1:34:06
  Speaker 1: I can imagine the guy talking a lot about Orel
• 1:34:09
  Speaker 1: and me too. Then we left the party and people
• 1:34:12
  Speaker 1: started to attack us. They went to the van door
• 1:34:15
  Speaker 1: and hit us, saying that we were going to sing.
• 1:34:17
  Speaker 10: Almost 300 reais. Then we left without singing. Man, and
• 1:34:20
  Speaker 10: if it was your.
• 1:34:22
  Speaker 2: Money, right?
• 1:34:22
  Speaker 6: You woke up, everything was fine.
• 1:34:27
  Speaker 11: Yeah, because there's a lot of parties that are full
• 1:34:29
  Speaker 11: and the contractor says that there's no one.
• 1:34:31
  Speaker 10: That didn't sell, right? I don't even remember his name,
• 1:34:33
  Speaker 10: but I remember everything.
• 1:34:33
  Speaker 1: Don't say it.
• 1:34:34
  Speaker 10: I'm not going to say his name.
• 1:34:35
  Speaker 11: Our contractors are light, because now the MCs put the
• 1:34:38
  Speaker 11: guys from the team to take a look at the party.
• 1:34:40
  Speaker 4: Yeah, to stay by the bar. To see if it's
• 1:34:43
  Speaker 4: really empty.
• 1:34:44
  Speaker 7: You can't fool anyone.
• 1:34:45
  Speaker 4: But I'm going to tell you today, it's very.
• 1:34:48
  Speaker 5: Right.
• 1:34:48
  Speaker 1: The contractor....
• 1:34:53
  Speaker 10: They are doing a much better job nowadays.
• 1:34:56
  Speaker 6: VG, a funk that is not yours but you wanted
• 1:34:58
  Speaker 6: to have written.
• 1:35:00
  Speaker 1: Tears fall that have already passed in suffering. Heart beats fast,
• 1:35:06
  Speaker 1: a longing. Tears.
• 1:35:08
  Speaker 6: Pereira, a funk that is not yours and you wanted
• 1:35:10
  Speaker 6: to have produced.
• 1:35:11
  Speaker 11: Man, the funk that passed in my hand, that I
• 1:35:15
  Speaker 11: wanted to have hit at the time, was Tá Tranquilo
• 1:35:17
  Speaker 11: Tá Favorável.
• 1:35:18
  Speaker 4: It was mine.
• 1:35:18
  Speaker 1: Really?
• 1:35:19
  Speaker 8: It was.
• 1:35:20
  Speaker 1: But because of the rush of the day, I didn't
• 1:35:22
  Speaker 1: produce it.
• 1:35:23
  Speaker 4: I didn't produce it.
• 1:35:25
  Speaker 10: I didn't produce it.
• 1:35:26
  Speaker 1: I didn't produce it. She passed by, I recorded her voice. Mano.
• 1:35:29
  Speaker 11: Then Mano, I think it was Mano who did it
• 1:35:32
  Speaker 11: and the thing exploded.
• 1:35:33
  Speaker 6: Mano DJ?
• 1:35:33
  Speaker 4: Mano DJ. It was the same song. It was like, fuck,
• 1:35:36
  Speaker 4: it was supposed to be mine.
• 1:35:38
  Speaker 2: Another one.
• 1:35:39
  Speaker 4: Thank God it was Mano, my partner, it's also good.
• 1:35:40
  Speaker 4: It blew up.
• 1:35:41
  Speaker 8: This song was also the moment of the time.
• 1:35:43
  Speaker 4: Jesus, Jesus loved.
• 1:35:44
  Speaker 7: Let's go back in time?
• 1:35:48
  Speaker 4: I'm like Faustão here, bro. What's up, Guiné?
• 1:35:52
  Speaker 1: Sorry. I even heard it.
• 1:35:54
  Speaker 4: Sorry.
• 1:35:54
  Speaker 10: How do you want to start?
• 1:35:58
  Speaker 6: You have to start like this. Chronological order, right?
• 1:36:04
  Speaker 4: What's up, Guiné?
• 1:36:10
  Speaker 3: DJ Vini, bro.
• 1:36:10
  Speaker 10: His name is DJ Vini. What's your Instagram, bro?
• 1:36:14
  Speaker 6: DJ Vini OFC. There are two N's, there are Y's.
• 1:36:18
  Speaker 8: Vinico 2Ns, OFC.
• 1:36:19
  Speaker 6: Follow him.
• 1:36:20
  Speaker 1: Follow him, guys.
• 1:36:21
  Speaker 10: Say hi to his last picture, DJ Guiné. He's our friend,
• 1:36:22
  Speaker 10: right from the city center.
• 1:36:24
  Speaker 1: Let's go. Let's go.
• 1:36:25
  Speaker 4: Let's start our Antigone, DJ.
• 1:36:28
  Speaker 1: Do you want to do the beat? Do you want
• 1:36:31
  Speaker 1: to start which one? Which one?
• 1:36:32
  Speaker 10: Did you put that beat there?
• 1:36:34
  Speaker 4: I'll say it right away. Did you put that beat there?
• 1:36:36
  Speaker 10: We didn't have time, right? No, we arrived late.
• 1:36:43
  Speaker 1: No, it's because I saw a video today, a medley,
• 1:36:46
  Speaker 1: and it was hitting a lot. I even sent it
• 1:36:47
  Speaker 1: to you, I think I sent it to GM. I said, man,
• 1:36:50
  Speaker 1: I have to put this original beat to do these there,
• 1:36:52
  Speaker 1: but it's... I was praising the team, but for God's sake.
• 1:36:57
  Speaker 6: It was the one we posted, wasn't it?
• 1:36:59
  Speaker 10: It was, it was.
• 1:37:00
  Speaker 1: Oh, it was, it's true. What song are.
• 1:37:01
  Speaker 8: You singing there? I don't remember now.
• 1:37:03
  Speaker 1: Are you listening, Guiné? So let's go, let's start. The
• 1:37:06
  Speaker 1: first one, the first one. I got there, the man
• 1:37:07
  Speaker 1: just got out of the bathroom, the box, wet hair.
• 1:37:10
  Speaker 10: Which one are you going to sing?
• 1:37:11
  Speaker 1: I said like this, look. Novinha tá demais, apavorando a
• 1:37:24
  Speaker 1: festa Vai com a perereca, vem com a perereca Novinha
• 1:37:29
  Speaker 1: tá demais, abre bem as pernas E vem com a perereca,
• 1:37:33
  Speaker 1: vem com a perereca Só vou mandar um papo, pra
• 1:37:37
  Speaker 1: novinha ficar esperta Só vou mandar um papo, pra novinha
• 1:37:41
  Speaker 1: ficar esperta Novinha, sapeca Se der bobeira o nosso monte
• 1:37:48
  Speaker 1: te pega Pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa Se der bobeira o nosso bom... Tipo
• 1:38:02
  Speaker 1: o baile de favela, tá ligado?
• 1:38:12
  Speaker 1: There's a song of
• 1:38:21
  Speaker 1: yours that I used to listen to at McDonald's when
• 1:38:27
  Speaker 1: I worked there.
• 1:38:28
  Speaker 2: And I want to.
• 1:38:28
  Speaker 6: Know if it was released before or after Na Perereca.
• 1:38:32
  Speaker 4: Right.
• 1:38:39
  Speaker 6: O meu cabelo quadradinho, chamou atenção do Zé Povinho.
• 1:38:42
  Speaker 1: Disco 9-0 querendo... Eu não deu, eu fiquei com dó.
• 1:38:46
  Speaker 1: Eu tava fumando um verdinho, fui preparado com carinho. E
• 1:38:50
  Speaker 1: quando os policia chegou, eu já tinha até despejado o B.O.
• 1:38:53
  Speaker 1: Com a Maxi, com o meu radinho, com o Beck,
• 1:38:56
  Speaker 1: com a minha motoca. Eu fui liberado, peguei.
• 1:38:59
  Speaker 10: Dude, I forgot the lyrics.
• 1:39:00
  Speaker 2: To this song.
• 1:39:00
  Speaker 1: This is 2012. Do you believe that this song is
• 1:39:02
  Speaker 1: not for people who think it's a key?
• 1:39:03
  Speaker 6: Thinking about the image, square hair, kitty and tattoo.
• 1:39:06
  Speaker 1: It's going to a thousand with intensity, just for crazy life,
• 1:39:09
  Speaker 1: who's in the jungle is wild. Passa de moto, mó chave,
• 1:39:24
  Speaker 1: perseguido por imagens, cabelo quadrado, kit e malandragem. Tá passando
• 1:39:30
  Speaker 1: a mil com intensidade, pra vida louca pintar na selva
• 1:39:35
  Speaker 1: é selvagem. Pra vida louca pintar... Não era pra me
• 1:39:39
  Speaker 1: esquecer dessa música, essa música marcou minha vida, que é
• 1:39:41
  Speaker 1: o seguinte.
• 1:39:41
  Speaker 6: Mas quanto tempo tem essa?
• 1:39:42
  Speaker 1: Essa daí tem.
• 1:39:45
  Speaker 6: I think I listened to it with Mikael in 2012.
• 1:39:47
  Speaker 4: Yes, yes, yes.
• 1:39:47
  Speaker 1: Oh my God.
• 1:39:49
  Speaker 4: He really remembers, bro.
• 1:39:50
  Speaker 1: What is that? 14 years, 14 years.
• 1:39:52
  Speaker 8: What is the tape?
• 1:39:53
  Speaker 6: We had some experiences and we looked for the music
• 1:39:55
  Speaker 6: that matched that experience. So, for example, Mikael... Were you
• 1:39:59
  Speaker 6: using drugs?
• 1:40:00
  Speaker 1: No.
• 1:40:01
  Speaker 6: But I had the will. Mikael, a big hug, my
• 1:40:05
  Speaker 6: partner from Vila Dirce, Cidade Ariston, Carapicuíba. You know it's
• 1:40:09
  Speaker 6: for you. McDonald's coach. What was the tape?
• 1:40:10
  Speaker 8: Does he still work there?
• 1:40:11
  Speaker 6: No, I don't think so.
• 1:40:12
  Speaker 1: Right.
• 1:40:12
  Speaker 4: But we worked together there and then.
• 1:40:15
  Speaker 10: Thanks to God too, right, kid?
• 1:40:18
  Speaker 6: I'm from Osasco, he was from Carapuíba, so I'm from
• 1:40:21
  Speaker 6: a city before. And we used to go back by motorcycle,
• 1:40:23
  Speaker 6: he had a fan, a titan fan. So I listened
• 1:40:25
  Speaker 6: to this song, and he had a little square, we
• 1:40:28
  Speaker 6: were going back by motorcycle, we put this song, we
• 1:40:30
  Speaker 6: exchanged there, and the motorcycle came back home. So it's
• 1:40:33
  Speaker 6: like looking for our breeze there, or a companion song.
• 1:40:37
  Speaker 10: Looking for our breeze.
• 1:40:38
  Speaker 6: God, I don't believe that at 16 years old you
• 1:40:40
  Speaker 6: would do that.
• 1:40:41
  Speaker 8: No, but I remember a lot of various.
• 1:40:42
  Speaker 1: Sounds, man. Brother, I was joking about McDonald's, ok? If
• 1:40:48
  Speaker 1: you want to hire us to do a jingle, you
• 1:40:50
  Speaker 1: can do it. McDonald's gives the opportunity for new guys
• 1:40:53
  Speaker 1: to get their first job, right? Was it your first job, McDonald's? Yeah,
• 1:40:55
  Speaker 1: my first job, formally, with a signed wallet.
• 1:40:57
  Speaker 6: And when the client is fired, do you go to
• 1:40:59
  Speaker 6: the restaurant?
• 1:41:00
  Speaker 1: No.
• 1:41:06
  Speaker 7: I think.
• 1:41:27
  Speaker 1: DJ Guiné.
• 1:41:28
  Speaker 10: It's like this, this session from the beginning, what happens?
• 1:41:31
  Speaker 6: Is Beat Ori gone?
• 1:41:32
  Speaker 10: Beat Ori is gone.
• 1:41:34
  Speaker 1: It's his fault, man. DJ Guiné, man. Can you believe it?
• 1:41:36
  Speaker 6: So, since Beat Ori is gone, it's all good. But
• 1:41:38
  Speaker 6: just for the girls, Beat is here, right?
• 1:41:41
  Speaker 8: Ah, go, go, go.
• 1:41:42
  Speaker 1: Bye. I know, it's coming like a jet on top
• 1:41:45
  Speaker 1: of the.
• 1:42:11
  Speaker 1: You're crazy, huh, cachorreira?
• 1:42:13
  Speaker 6: You're coming like a jet over the clouds, huh, dog?
• 1:42:16
  Speaker 6: When you went to see, it's over.
• 1:42:18
  Speaker 1: It's over. You didn't understand anything, huh?
• 1:42:31
  Speaker 8: So go, so go.
• 1:42:32
  Speaker 1: Just for the girls who know how to do it.
• 1:42:34
  Speaker 1: Lean on it, take a look, go and throw it back.
• 1:42:36
  Speaker 1: Lean on it, take a look, go and throw it back.
• 1:42:39
  Speaker 1: Just for the girls who know how to do it.
• 1:42:42
  Speaker 1: Look at DJ Pereira, go and throw it back. Look
• 1:42:44
  Speaker 1: at DJ Pereira, go and throw it back. You're crazy.
• 1:42:59
  Speaker 6: Is this the picota you're wearing? I remember the one
• 1:43:23
  Speaker 6: where you get to the peak in a mafioso Italian pickaxe.
• 1:43:26
  Speaker 1: Here's the beat. Here's the volume. Olha tu traga, tu prende,
• 1:43:42
  Speaker 1: tu passa, segura, arruma-se depois Olha lá, entra na brisa,
• 1:43:46
  Speaker 1: ela chapa, esquece da baga de novo Senta devagar, ô moça,
• 1:43:50
  Speaker 1: quer pra não se machucar E depois senta com força,
• 1:43:54
  Speaker 1: eu vou fazer ela Olha tu traga, tu prende, tu passa, segura,
• 1:43:58
  Speaker 1: arruma-se depois Olha lá, entra na brisa, ela chapa, esquece
• 1:44:02
  Speaker 1: da baga de novo Senta devagar, ô moça, quer pra
• 1:44:06
  Speaker 1: não se machucar E depois senta com força, eu vou
• 1:44:09
  Speaker 1: fazer ela Ah.
• 1:44:11
  Speaker 6: Ah, ah Passando com a zemio, quem foi que viu?
• 1:44:15
  Speaker 1: Cadê a foto? Cada dia com uma moto Meia meia
• 1:44:19
  Speaker 1: o helicóptero Só fala qual é o plano, qual que
• 1:44:22
  Speaker 1: é o fluxo que eu encosto Humildade eu sempre posso,
• 1:44:25
  Speaker 1: com certeza é tudo nosso É iPhone, lançamento, modelo A
• 1:44:31
  Speaker 1: bombeta é da gringa Todos que tem aliado Pouco morro
• 1:44:36
  Speaker 1: e mato Nunca foi minha preferência Primeiro queremos paz Mas
• 1:44:40
  Speaker 1: depois Um barraco de sabano A geladeira vazia A barriga
• 1:44:46
  Speaker 1: tá roncando Eu já passei também família Se hoje eu
• 1:44:50
  Speaker 1: tenho condição Eu fortaleço o bonde Quem é sábio do
• 1:44:54
  Speaker 1: que eu falo Pra ter sempre fiz por onde Agora
• 1:44:57
  Speaker 1: quer vir falar Que eu tô ficando mala Nunca me
• 1:45:01
  Speaker 1: fortaleceu Toma vergonha na cara Meu ditado é antigo Mas
• 1:45:06
  Speaker 1: funciona até o momento Cuidado que a indecisão acaba Esgotando
• 1:45:10
  Speaker 1: o tempo Andando com a Z1000 Quem foi que viu?
• 1:45:14
  Speaker 1: Cadê a foto? Cada dia com uma moto Meia-meia ou
• 1:45:18
  Speaker 1: helicóptero Só falar qual é o plano E qual que
• 1:45:20
  Speaker 1: é o fluxo que eu encosto Com humildade eu sempre
• 1:45:23
  Speaker 1: posso Com certeza é tudo nosso Tudo nosso Tudo nosso.
• 1:45:27
  Speaker 6: Ah Brother, whatever you want, because if not I'll just
• 1:45:30
  Speaker 6: stay here.
• 1:45:30
  Speaker 1: Let go, let go, let go of the beginning, let
• 1:45:32
  Speaker 1: go of the beginning, let go of the beginning of
• 1:45:33
  Speaker 1: the show.
• 1:45:34
  Speaker 10: When we start, you know the beginning too.
• 1:45:35
  Speaker 5: Let go.
• 1:45:36
  Speaker 1: No, no entry, damn it. Which is the first one?
• 1:45:39
  Speaker 10: Let go of the first one.
• 1:45:40
  Speaker 1: Isn't it there?
• 1:45:41
  Speaker 10: Say it to him.
• 1:45:42
  Speaker 1: Go, go.
• 1:45:43
  Speaker 4: This one I even cut it for you to see.
• 1:45:47
  Speaker 5: Wow.
• 1:45:48
  Speaker 10: But this is the first one.
• 1:45:56
  Speaker 1: DJ Victor. You were in doubt?
• 1:45:57
  Speaker 8: Our set is also from DJ Victor.
• 1:45:58
  Speaker 1: DJ Vini, okay? DJ Victor.
• 1:46:01
  Speaker 2: Look.
• 1:46:01
  Speaker 1: Welcome to the tropical paradise that catches fire from December
• 1:46:07
  Speaker 1: to Carnival. Ilha Bela, 35 degrees. A snack in a
• 1:46:12
  Speaker 1: surreal moment. Welcome to the tropical paradise that catches fire.
• 1:46:19
  Speaker 6: From December to Carnival.
• 1:46:21
  Speaker 1: Ilha Bela, 35 degrees. A snack in a surreal moment.
• 1:46:27
  Speaker 3: I love you.
• 1:46:28
  Speaker 1: I love you. Let the kids run away Let the
• 1:46:56
  Speaker 1: kids live We have a lot to buy We have
• 1:47:00
  Speaker 1: a lot to sew Today they will fly again Today
• 1:47:09
  Speaker 1: they will understand that the VG came to stay at
• 1:47:13
  Speaker 1: the Podpapa. You already see the tropical paradise that catches
• 1:47:17
  Speaker 1: fire in December at the carnival. Ilha Bela, 35 degrees,
• 1:47:22
  Speaker 1: a lunch in the sea, a surreal moment. Bate palma, né? Caralho, né?
• 1:47:57
  Speaker 1: I know you from before, since you were a girl.
• 1:48:01
  Speaker 1: I squeezed your breasts, I got in your ass, I
• 1:48:03
  Speaker 1: touched your thigh. I made you cry, I made you smile.
• 1:48:07
  Speaker 1: And this little mouth has already made a little love here.
• 1:48:12
  Speaker 1: It was delicious, it was delicious.
• 1:48:15
  Speaker 6: She making a nice love with the little mouth of gold.
• 1:48:20
  Speaker 1: A chat on the talent To return to the old
• 1:48:22
  Speaker 1: steps What is going down? Very tasty tukica Very tasty
• 1:48:26
  Speaker 1: tukica Give a stir because you know it instigates me
• 1:48:31
  Speaker 1: Very tasty tukica It's the man's production, right? It's one
• 1:48:39
  Speaker 1: of the many, right?
• 1:48:40
  Speaker 4: Which one wasn't?
• 1:48:41
  Speaker 1: It's easier to say which one wasn't. It's the man's production, right?
• 1:48:46
  Speaker 10: It's one of the many, right?
• 1:48:48
  Speaker 1: Which one wasn't?
• 1:48:50
  Speaker 6: It's easier to say which one wasn't.
• 1:48:52
  Speaker 1: It's the man's production, right? It's the man's production, right?
• 1:48:58
  Speaker 10: It's the man's production, right?
• 1:48:59
  Speaker 1: It's the man's production, right? Ela tá de sorrisinho crel
• 1:49:07
  Speaker 1: Vai ter resuminho no motel Se não vai mó pergunta Perguntei,
• 1:49:11
  Speaker 1: não tem frescura Ela falou aí Eu.
• 1:49:15
  Speaker 6: Quero é mais.
• 1:49:16
  Speaker 1: Senta gostoso e vai Deslizando no colo do pai Então
• 1:49:20
  Speaker 1: senta gostoso e vai Deslizando no colo do pai Então
• 1:49:24
  Speaker 1: senta gostoso e vai Deslizando no colo Fecha a porta
• 1:49:29
  Speaker 1: Apaga a luz e concentra e senta You were going
• 1:49:35
  Speaker 1: to say something, sorry. No, I was going to ask.
• 1:49:42
  Speaker 6: What was the one you did at the beginning with Pedrinho.
• 1:49:49
  Speaker 4: You remembered. That even in the album that will come,
• 1:49:52
  Speaker 4: comes at 2.
• 1:49:53
  Speaker 1: Come at 2? Let me see the MC here, because
• 1:49:55
  Speaker 1: I wasn't MC. That's why I was reelected, do you believe?
• 1:49:59
  Speaker 4: I wasn't MC, bro.
• 1:50:00
  Speaker 1: That's it, then.
• 1:50:00
  Speaker 8: Juliette 24, Canaça.
• 1:50:02
  Speaker 4: As bolotas. The lyrics go on and on.
• 1:50:06
  Speaker 1: When my name is sent down, it goes down. When
• 1:50:09
  Speaker 1: I tell you to come here, come. Piriquita, come, come, piriquita. Come, piriquita, come, come, piriquita. Come, piriquita, come, come, piriquita.
• 1:50:21
  Speaker 1: Go like this, you beautiful woman.
• 1:50:23
  Speaker 10: Come here, come here.
• 1:50:24
  Speaker 1: I weighed it there in Pereira because of that. I
• 1:50:28
  Speaker 1: sang like this, right? Come, come, piriquita, come, come, piriquita. Hey, hey, hey, hey, hey!
• 1:50:36
  Speaker 6: I said, Pereira, I won't reach this tone.
• 1:50:39
  Speaker 1: I don't know, man, straight talk, I didn't understand.
• 1:50:42
  Speaker 10: Today I don't understand much yet, right, Pedro?
• 1:50:45
  Speaker 1: But I understood much less yet, because I didn't even
• 1:50:47
  Speaker 1: know that there was this leveling. I thought that if
• 1:50:50
  Speaker 1: the guy sang high, the other had to sing high too.
• 1:50:53
  Speaker 1: I didn't even realize the question of the duet, of
• 1:50:55
  Speaker 1: making this opening of the voice, these tapes.
• 1:50:57
  Speaker 6: But, you know, the tone of Pedrinho doesn't work, man.
• 1:51:00
  Speaker 8: It's more childlike.
• 1:51:00
  Speaker 4: No, it didn't, but I was like this.
• 1:51:01
  Speaker 1: I said, no, man, you're crazy, he's going to sing
• 1:51:03
  Speaker 1: like this, I'm going to sing like this. He said,
• 1:51:04
  Speaker 1: but you know nothing, man, shut up, man.
• 1:51:06
  Speaker 11: O mais agudo da época quero brinquedo era mais agudo
• 1:51:09
  Speaker 11: ainda e o chubita e o chubita acho que o
• 1:51:11
  Speaker 11: brinquedo era mais nossa tu vai dar beijo.
• 1:51:19
  Speaker 9: Né o aproveitar a presença do homem aqui para quem
• 1:51:23
  Speaker 9: não sabe a voz desse cara Deus me livre mas
• 1:51:25
  Speaker 9: mano tá tudo só para saber como.
• 1:51:26
  Speaker 7: Que foi para você chamar ele para.
• 1:51:33
  Speaker 13: How did the vignette come about?
• 1:51:34
  Speaker 1: Yeah, how did it come about?
• 1:51:35
  Speaker 4: You're crazy, man.
• 1:51:36
  Speaker 5: Say it, you can say it. Say it, say it.
• 1:51:38
  Speaker 4: I have.
• 1:51:38
  Speaker 5: Man, how many years has it been?
• 1:51:39
  Speaker 3: Let me.
• 1:51:42
  Speaker 7: Confirmed, just to take advantage of the presence.
• 1:51:44
  Speaker 1: It was Vini, Vini pulled it from there.
• 1:51:46
  Speaker 7: Here's the relic of funk, man.
• 1:51:47
  Speaker 1: First of all, thank you, bro.
• 1:51:48
  Speaker 5: It's a pleasure to be with you guys.
• 1:51:50
  Speaker 4: We're together, bro.
• 1:51:50
  Speaker 7: With these two legends here. Even before I tell you
• 1:51:52
  Speaker 7: a little.
• 1:51:52
  Speaker 5: Bit, I think that... Of course, except if it was
• 1:51:54
  Speaker 5: an episode of mine, but I don't think there would
• 1:51:56
  Speaker 5: be a better episode of me being here, meeting you guys.
• 1:51:58
  Speaker 5: That's awesome, man. Pereira is who I am today because
• 1:52:04
  Speaker 5: of this guy here. He's the father of all, right?
• 1:52:07
  Speaker 5: There's no way. It was because of him that I
• 1:52:08
  Speaker 5: was born in funk. And VG, who is a guy
• 1:52:11
  Speaker 5: that I always tell everyone, who is a mirror that
• 1:52:13
  Speaker 5: I always had. I think that out of 100% of
• 1:52:16
  Speaker 5: my projects that worked in my career, 90% have come
• 1:52:17
  Speaker 5: from VG. So something he brings me, I think it's luck,
• 1:52:19
  Speaker 5: I don't know. I love being in a project with
• 1:52:21
  Speaker 5: him because I know it's going to work. Man, the
• 1:52:27
  Speaker 5: vignettes started a little crazy. I remember... One thing I
• 1:52:30
  Speaker 5: remember at the beginning was that... I'm already a friend
• 1:52:33
  Speaker 5: of Pereira since he was at MC.
• 1:52:34
  Speaker 1: I was his DJ, man.
• 1:52:36
  Speaker 5: Pereira was my DJ, man.
• 1:52:37
  Speaker 1: Fer was a duo, man.
• 1:52:38
  Speaker 10: He won't say it, but I'll say it. Fer was
• 1:52:40
  Speaker 10: a duo.
• 1:52:41
  Speaker 1: He was from Noni Fezio, Nas Antigas. I also started
• 1:52:45
  Speaker 1: right away.
• 1:52:46
  Speaker 5: Now he's his DJ, right?
• 1:52:47
  Speaker 6: No, it's not because of KZL, right?
• 1:52:49
  Speaker 8: KZL, KZM.
• 1:52:50
  Speaker 1: No, never. I couldn't stand it, then.
• 1:52:53
  Speaker 4: I wasn't capable.
• 1:52:55
  Speaker 5: I started singing in 2008, I met VG at that time.
• 1:52:57
  Speaker 5: Pereira was my friend from the same region. He was
• 1:52:59
  Speaker 5: my DJ when I sang, we had a story. Then
• 1:53:13
  Speaker 5: one time we were in the same group, I went
• 1:53:15
  Speaker 5: to a party, I had taken a few more things,
• 1:53:16
  Speaker 5: and we were in the same group with a bunch
• 1:53:19
  Speaker 5: of people, I started sending a lot of audio and
• 1:53:21
  Speaker 5: talking a lot of bullshit. And then he said, man,
• 1:53:23
  Speaker 5: you said some crazy stuff, some funny stuff, we should
• 1:53:25
  Speaker 5: put these things in a song, right? I said, you're crazy.
• 1:53:28
  Speaker 5: I had already sung, I had abandoned it.
• 1:53:30
  Speaker 1: He said, you're crazy, Pereira. You're crazy, Pereira. You're crazy, Pereira.
• 1:53:33
  Speaker 1: You're crazy, Pereira.
• 1:53:34
  Speaker 5: You're crazy, Pereira.
• 1:53:35
  Speaker 7: You're crazy, Pereira.
• 1:53:36
  Speaker 1: You're crazy, Pereira.
• 1:53:36
  Speaker 2: You're crazy, Pereira. You're crazy, Pereira.
• 1:53:38
  Speaker 5: You're crazy, Pereira. You're crazy, Pereira. I remember that my
• 1:53:53
  Speaker 5: brother has a drawing of a pássaro tattooed on his arm.
• 1:53:55
  Speaker 1: It's a pássaro.
• 1:53:55
  Speaker 5: He said, it's a pássaro. It was all Eira, man.
• 1:53:58
  Speaker 5: It was the time we put Eira at the end.
• 1:53:59
  Speaker 5: And then Pereira said, come one day to the studio.
• 1:54:02
  Speaker 5: I used to go there a lot. I took some
• 1:54:03
  Speaker 5: friends of mine to record with him. And I went
• 1:54:05
  Speaker 5: to the studio and he said, man, let's put some
• 1:54:08
  Speaker 5: stuff in the song, your voice, to make a carimbo.
• 1:54:10
  Speaker 5: I said, no, man, I don't want to know any
• 1:54:11
  Speaker 5: funk anymore, you know? Are you crazy? And then he said, man,
• 1:54:14
  Speaker 5: just so we can see how it's going to be. Man,
• 1:54:20
  Speaker 5: I'm going to turn on the microphone and.
• 1:54:21
  Speaker 1: You're going to say some things.
• 1:54:22
  Speaker 5: What were you cheating on at that time? I was
• 1:54:25
  Speaker 5: selling pieces of balance.
• 1:54:26
  Speaker 3: Of drugs?
• 1:54:27
  Speaker 5: No, I hadn't reached that stage yet. I sold pieces
• 1:54:29
  Speaker 5: of balance.
• 1:54:29
  Speaker 4: Nothing to do with it.
• 1:54:30
  Speaker 5: I was going to Trump's house, I was going out
• 1:54:33
  Speaker 5: of Trump's house, I was going to Pereira de Socialzinho.
• 1:54:35
  Speaker 5: That's right. And then he.
• 1:54:36
  Speaker 4: Turned on the microphone.
• 1:54:40
  Speaker 5: I said, man, I'm going to say some things, but
• 1:54:42
  Speaker 5: just so you can hear how it would be, but
• 1:54:43
  Speaker 5: it's not to use, man. He said, no, I'm not
• 1:54:45
  Speaker 5: going to use it. It's the story I remember.
• 1:54:47
  Speaker 2: And you believed in him.
• 1:54:48
  Speaker 4: I believed in him.
• 1:54:49
  Speaker 5: And I recorded several things, and then I started talking,
• 1:54:52
  Speaker 5: and then I said, are you crazy, dog? And then
• 1:54:55
  Speaker 5: I said, are you crazy, dog? I don't know where,
• 1:54:56
  Speaker 5: it was God who put the word in my mouth,
• 1:54:58
  Speaker 5: and I said, are you crazy, dog? I don't know what.
• 1:55:01
  Speaker 5: And I said a few things, some vignettes there, the
• 1:55:03
  Speaker 5: first time I recorded, I think, about four or five vignettes.
• 1:55:06
  Speaker 5: I was talking, there was no formed vignette, what comes
• 1:55:08
  Speaker 5: to mind, I was talking. He listened, and I said, bro,
• 1:55:11
  Speaker 5: it was cool, man, put this shit out, I don't
• 1:55:12
  Speaker 5: want to put it in the song, no. He went
• 1:55:14
  Speaker 5: and went crazy there, like, gave that little thing like that.
• 1:55:17
  Speaker 5: He was crazy and closed the show.
• 1:55:18
  Speaker 2: And I left.
• 1:55:19
  Speaker 1: He saved the show.
• 1:55:20
  Speaker 5: After a few days, I remember he sent me a
• 1:55:22
  Speaker 5: song by Juninho JR. He said, listen to this song.
• 1:55:24
  Speaker 5: I listened to a little bit. I said, I listened
• 1:55:27
  Speaker 5: to everything. I listened to a little bit and I said, wow,
• 1:55:29
  Speaker 5: it's heavy. He said, you didn't listen to it? I said, damn,
• 1:55:32
  Speaker 5: I didn't listen to it. How does he know? I said,
• 1:55:34
  Speaker 5: he kept listening. Out of nowhere, my voice entered the song.
• 1:55:36
  Speaker 5: What's up, Pereira Detona Funk? You're crazy, huh, cachorreira? I said, wow,
• 1:55:41
  Speaker 5: he used my voice.
• 1:55:43
  Speaker 6: But in the first one there was only the phrase,
• 1:55:45
  Speaker 6: until the crazy guy in cachorreira, there was nothing else.
• 1:55:48
  Speaker 5: But I think the one that was, I can't say.
• 1:55:51
  Speaker 1: It's like Arsenal. It's good to get it, man. It's Arsenal's.
• 1:55:55
  Speaker 1: It's Arsenal's.
• 1:55:57
  Speaker 5: These days the video of Humana has been viralized, everyone
• 1:56:00
  Speaker 5: comments on my stuff now, on this vignette. And then
• 1:56:02
  Speaker 5: I said, man, Pereira, I saw, I said, Pereira, I said...
• 1:56:05
  Speaker 5: I'll tell you in.
• 1:56:05
  Speaker 1: The off, the vignette, you'll remember.
• 1:56:11
  Speaker 5: I said, dude, you used my voice. He said, take
• 1:56:12
  Speaker 5: a look at the comments of the song. It was
• 1:56:15
  Speaker 5: full of comments, basically just talking about the vignette. He said, man,
• 1:56:19
  Speaker 5: look at that, it worked. Then I said, my God, man,
• 1:56:22
  Speaker 5: you're crazy. He said, man, I'm going to use it,
• 1:56:24
  Speaker 5: I'm going to use it in the songs. Then he
• 1:56:27
  Speaker 5: started using it in his songs.
• 1:56:29
  Speaker 7: And it was very successful.
• 1:56:30
  Speaker 6: I remember that I was traveling at the end of
• 1:56:32
  Speaker 6: the year, President Epitácio, interior of São Paulo, and my
• 1:56:35
  Speaker 6: cousin said like this, there was this song from Mijano Guaraná.
• 1:56:38
  Speaker 1: For God's sake, for God's sake, for God's sake.
• 1:56:40
  Speaker 6: And then I said like this, but he didn't say
• 1:56:43
  Speaker 6: anything about Mijano Guaraná. Then the vignette arrives, the girls
• 1:56:46
  Speaker 6: are Mijano Guaraná, bitch. When I heard that, I said,
• 1:56:49
  Speaker 6: they are Mijano Guaraná.
• 1:56:50
  Speaker 1: They are Mijano Guaraná.
• 1:56:52
  Speaker 4: It changed, it changed.
• 1:56:54
  Speaker 6: Yeah, but I was the one who pulled it. But
• 1:56:55
  Speaker 6: it's working, right? It's coming out nice and clean.
• 1:56:57
  Speaker 7: It's coming out?
• 1:56:58
  Speaker 6: Yeah, it was just down there. It was just down
• 1:57:00
  Speaker 6: there that it disconnected. So, bro, this is really crazy.
• 1:57:02
  Speaker 4: I want.
• 1:57:03
  Speaker 6: How did you come up with these things, bro? Because
• 1:57:06
  Speaker 6: Mijana Guaraná is coming like a jet over the clouds.
• 1:57:08
  Speaker 8: When it was seen, it was gone.
• 1:57:09
  Speaker 1: It's gone, it's gone.
• 1:57:10
  Speaker 8: But I think.
• 1:57:12
  Speaker 5: It's the one that people like the most. No, but
• 1:57:13
  Speaker 5: how do you come up with the Guaraná one? Ah, bro,
• 1:57:16
  Speaker 5: the Guaraná one has a story.
• 1:57:18
  Speaker 7: Tell us, tell us.
• 1:57:18
  Speaker 2: Is it good?
• 1:57:19
  Speaker 5: It's like this. Of all the lives I've done, There
• 1:57:23
  Speaker 5: were two things that I used as a reference. The
• 1:57:27
  Speaker 5: first was, I don't understand you, which I put at
• 1:57:30
  Speaker 5: the end. Because there was a friend who was kind
• 1:57:31
  Speaker 5: of chubby. The guys called him chubby, right? They said,
• 1:57:35
  Speaker 5: hey chubby, hey chubby. What chubby, uncle?
• 1:57:36
  Speaker 3: I'm chubby, right?
• 1:57:37
  Speaker 4: I'm chubby, uncle.
• 1:57:38
  Speaker 5: I don't understand you. I was saying like that, you know?
• 1:57:40
  Speaker 5: Then I was like, I don't understand you, I'm going
• 1:57:42
  Speaker 5: to put it on a vignette. I put it at
• 1:57:44
  Speaker 5: the end, I don't understand you. And Domijano Guaraná.
• 1:57:50
  Speaker 5: I used to work at the time, I remember that
• 1:57:51
  Speaker 5: one time we were going to lunch and then I
• 1:57:55
  Speaker 5: was talking to a partner who lived in Brazil at
• 1:57:57
  Speaker 5: the time, Anderson, and then he said like this, damn,
• 1:58:01
  Speaker 5: Saturday there will be a samba there in Quebrada, you know,
• 1:58:04
  Speaker 5: the samba there is very good there in Brazil, you
• 1:58:06
  Speaker 5: have to go there, Felipinho, he said to me, Felipinho,
• 1:58:08
  Speaker 5: I said, really? He said, you put on a nervous beca,
• 1:58:11
  Speaker 5: put on that samba hat. Man, the girls when I
• 1:58:12
  Speaker 5: saw them, they were all jaguarana.
• 1:58:13
  Speaker 10: I looked at him and said, what jaguarana?
• 1:58:15
  Speaker 5: He said, you don't know what jaguarana is, man. I said, man,
• 1:58:24
  Speaker 5: did you hear him say that? He said, man, the
• 1:58:26
  Speaker 5: girls are all f * * * * * g
• 1:58:27
  Speaker 5: f * * * * * g. Then I went
• 1:58:29
  Speaker 5: to the veranda, I said, man, I saw something there,
• 1:58:30
  Speaker 5: I'm going to put it on the vignette. But I
• 1:58:32
  Speaker 5: think the people who like it the most are the...
• 1:58:34
  Speaker 5: It's coming, it's with a blessed hand, man, dog. Each production,
• 1:58:37
  Speaker 5: MC Millionário.
• 1:58:38
  Speaker 1: It's a great idea. Yeah, it worked.
• 1:58:40
  Speaker 10: It's like Jato, Por Cima das Nuvens.
• 1:58:42
  Speaker 11: Jato.
• 1:58:42
  Speaker 10: It's really good.
• 1:58:44
  Speaker 5: Jato, do Miche no Guaraná, do... Pô, at the time
• 1:58:47
  Speaker 5: we accepted. And then there are some that I did exclusively.
• 1:58:49
  Speaker 5: He said, he sent me a song. Oh, I need
• 1:58:51
  Speaker 5: to release this song here. Play a vignette for this
• 1:58:52
  Speaker 5: song there. Then I had the time, from the bus
• 1:58:55
  Speaker 5: that left from Belém to Vila Maria, to play. I
• 1:58:57
  Speaker 5: was under a lot of pressure. What did you play?
• 1:58:58
  Speaker 1: The vignette.
• 1:58:59
  Speaker 4: I never knew how to make a vignette like that.
• 1:59:00
  Speaker 5: I used to say to Pereira, look at the microphone,
• 1:59:03
  Speaker 5: let me talk. All the vignettes that I did, even
• 1:59:06
  Speaker 5: for other DJs, I never knew how to create. It
• 1:59:07
  Speaker 5: was like, at the time I was recording a song,
• 1:59:09
  Speaker 5: I say something.
• 1:59:17
  Speaker 5: And the guy said, hey, you can do this as
• 1:59:19
  Speaker 5: a vignette. And Nike Rose did it.
• 1:59:21
  Speaker 4: Man, very cool, very cool.
• 1:59:22
  Speaker 6: I want to know who is from the YouTube era, because...
• 1:59:25
  Speaker 6: Do you see that we are real fans?
• 1:59:28
  Speaker 8: I've already.
• 1:59:28
  Speaker 6: I've already mimicked you, look here.
• 1:59:31
  Speaker 8: You mimicked me?
• 1:59:33
  Speaker 4: Pereira.
• 1:59:33
  Speaker 1: Ah, ok, ok.
• 1:59:34
  Speaker 2: He's from.
• 1:59:35
  Speaker 10: Our little brothers.
• 1:59:44
  Speaker 1: You're crazy, dog! The girls can't take it anymore!
• 1:59:46
  Speaker 5: They must be listening to this and all, peeing on
• 1:59:49
  Speaker 5: the grass!
• 1:59:49
  Speaker 1: I don't.
• 1:59:51
  Speaker 7: Understand you!
• 1:59:53
  Speaker 1: You're crazy, man! That's a lot of keys, bro!
• 1:59:58
  Speaker 8: That's crazy, man! The story of the thing here.
• 2:00:01
  Speaker 1: It was at that time, right? There must be a
• 2:00:04
  Speaker 1: date there.
• 2:00:04
  Speaker 5: And then I said that these guys are very important,
• 2:00:06
  Speaker 5: because the first.
• 2:00:07
  Speaker 3: I was anonymous, right, bro?
• 2:00:09
  Speaker 5: I was anonymous, it was only my.
• 2:00:11
  Speaker 1: Voice that was known. I was less than a year old, sorry.
• 2:00:14
  Speaker 5: I was less than a year old. But our beginning
• 2:00:17
  Speaker 5: was very close. And I remember that I was anonymous,
• 2:00:19
  Speaker 5: it was my voice that was known.
• 2:00:21
  Speaker 1: Nobody knew, right?
• 2:00:22
  Speaker 5: Who is the guy from the vignette? Until one day
• 2:00:24
  Speaker 5: when Pereira said, look, I'm going to show your face.
• 2:00:27
  Speaker 5: Then he posted something on his Facebook. There were two
• 2:00:31
  Speaker 5: owners of Facebook at that time, it was Mark and Pereira.
• 2:00:33
  Speaker 5: Pereira was the owner of Facebook, bro. He posted, I
• 2:00:35
  Speaker 5: remember that I went from his house to my house,
• 2:00:37
  Speaker 5: it was very close walking, my cell phone appeared in
• 2:00:39
  Speaker 5: a samba school in my pocket, shaking of notification, because
• 2:00:41
  Speaker 5: we didn't stop arriving. When I got home, it was
• 2:00:43
  Speaker 5: already full of 5,000 followers there, 5,000 friends, and everyone
• 2:00:47
  Speaker 5: was saying, wow, it's you, I'm your fan, and they
• 2:00:49
  Speaker 5: started saying that I was already a fan, and I said, wow,
• 2:00:51
  Speaker 5: that's crazy, bro.
• 2:00:52
  Speaker 4: But it is, bro, you brought.
• 2:00:54
  Speaker 8: Did you praise the structure?
• 2:00:58
  Speaker 6: It's awesome, here it's scarce. But the point is that
• 2:01:00
  Speaker 6: there you brought an extra charisma to the music, which
• 2:01:03
  Speaker 6: for sure, At first they listened to it because of
• 2:01:07
  Speaker 6: the vignette, then they learned to like the song along
• 2:01:09
  Speaker 6: with the vignette. Pereira can tell you better, did you
• 2:01:11
  Speaker 6: feel this movement happening?
• 2:01:13
  Speaker 11: People hugged me, and from the other songs they wanted
• 2:01:15
  Speaker 11: the vignette.
• 2:01:16
  Speaker 4: Do you want to know.
• 2:01:17
  Speaker 1: If the vignette worked? This album that we are releasing,
• 2:01:19
  Speaker 1: we said, if we don't have the vignettes of Fê.
• 2:01:21
  Speaker 4: We won't release it.
• 2:01:23
  Speaker 6: Very cool, brother.
• 2:01:25
  Speaker 7: Do you have any to sing from the new album?
• 2:01:27
  Speaker 1: This one is more 18, right? This one is heavy.
• 2:01:31
  Speaker 7: But what about the one you released today?
• 2:01:33
  Speaker 10: What's up, Guiné? You got something? DJ Vini, DJ Vini, man.
• 2:01:38
  Speaker 10: I don't want anyone calling.
• 2:01:39
  Speaker 8: The guy Guiné, just me, man. It's already done. It's
• 2:01:44
  Speaker 8: already done.
• 2:01:45
  Speaker 4: Calm down, Guiné. Calm down, Guiné.
• 2:01:46
  Speaker 8: Look at.
• 2:01:49
  Speaker 5: The guys, man.
• 2:01:49
  Speaker 10: Play the drums, play the drums.
• 2:01:51
  Speaker 6: But this one, I think.
• 2:01:52
  Speaker 1: Do I sing it together or not?
• 2:01:53
  Speaker 10: Because I think it's good to hear, guys, right?
• 2:01:55
  Speaker 2: Man, you know, you know.
• 2:01:56
  Speaker 7: It's just for the guys to feel what's going on.
• 2:01:58
  Speaker 1: Do the playback, pick those fake singers from the 90s.
• 2:02:00
  Speaker 10: This is from the album Mente de Vilão.
• 2:02:01
  Speaker 1: Me and Raridade, this.
• 2:02:04
  Speaker 2: One.
• 2:02:04
  Speaker 1: Ariel, Anderson Ariel.
• 2:02:05
  Speaker 5: DJ Wilson.
• 2:02:07
  Speaker 10: I got the miles, went to the store and didn't
• 2:02:12
  Speaker 10: see the price.
• 2:02:24
  Speaker 1: Sei que meu Deus foi muito bom, generoso comigo. Eu
• 2:02:28
  Speaker 1: ganho bem, tenho muito mais do que mereço. Conta forrado,
• 2:02:33
  Speaker 1: se quebrar da mansão dos malocos. Vou dar um pião
• 2:02:36
  Speaker 1: pra distrair, fumar um verdinho. Conto o dinheiro, bebo whisky
• 2:02:41
  Speaker 1: e lá vai Marola. Pra afastar uma olhada do nosso caminho.
• 2:02:48
  Speaker 1: Mente de vilão faz dinheiro Se o povinho inveja a
• 2:02:54
  Speaker 1: gente Só porque nós é maloqueiro Só porque nós é
• 2:03:01
  Speaker 1: delinquente Mente de vilão faz dinheiro Daniel.
• 2:03:07
  Speaker 3: Daniel. Australian but the mind that drives the bag is
• 2:03:54
  Speaker 3: not the opposite.
• 2:03:56
  Speaker 5: The path will be demolished without weakness for the adversaries
• 2:04:00
  Speaker 5: I'm following.
• 2:04:00
  Speaker 3: Standing the way the enemy doesn't want to all give
• 2:04:03
  Speaker 3: a fight to.
• 2:04:04
  Speaker 1: Anyone who doesn't make money listen something sarcastic listen just
• 2:04:08
  Speaker 1: because we are crazy people Only because we are criminals.
• 2:04:22
  Speaker 1: The mind of a villain makes money. Zé Polinho envies us.
• 2:04:30
  Speaker 1: Only because we are madmen. Only because we are smart.
• 2:04:36
  Speaker 1: Come on, Wilton.
• 2:04:39
  Speaker 3: Come on.
• 2:04:39
  Speaker 1: Come on, Wilton. No way, who is it? I'm thinking
• 2:04:46
  Speaker 1: who it is. DJ Wilton! With each violin he shakes
• 2:04:50
  Speaker 1: the floor!
• 2:04:53
  Speaker 10: DJ Wilton, DJ Wilton, guys.
• 2:04:55
  Speaker 1: Tons of monsters on the track in Camarote.
• 2:04:57
  Speaker 10: For those who don't know, he's the.
• 2:05:00
  Speaker 1: Man, producer... Of who? Of our beloved MC Da Leste.
• 2:05:05
  Speaker 6: Applause for DJ Wilton and MC Da Leste! What a
• 2:05:07
  Speaker 6: story they made! Which one did you produce?
• 2:05:09
  Speaker 10: Tell me three that you produced. Just three, go.
• 2:05:12
  Speaker 6: What was the other goddess of temptation?
• 2:05:37
  Speaker 1: I call her a bandit, she calls me a villain.
• 2:05:41
  Speaker 1: A real one, but a god of ostentation. She likes
• 2:05:45
  Speaker 1: Rayabus and has one of each color. Put on shorts.
• 2:05:49
  Speaker 6: My God, I love this heat.
• 2:05:50
  Speaker 1: I want to dance. What were you going to say?
• 2:05:53
  Speaker 1: Do Guimê.
• 2:05:54
  Speaker 2: Do Guimê.
• 2:05:55
  Speaker 1: Ah, that's right.
• 2:05:55
  Speaker 10: Can I say it? Placet of 100, right?
• 2:05:57
  Speaker 1: Placet of 100, right? Counting the placets of 100. This
• 2:05:58
  Speaker 1: song is.
• 2:05:59
  Speaker 6: Played every day in Osasco.
• 2:06:01
  Speaker 2: Wow.
• 2:06:05
  Speaker 1: This guy here is DJ Wilton, you know? A guy
• 2:06:09
  Speaker 1: who has been playing at a very high level since
• 2:06:12
  Speaker 1: that period. He's there every day with us, he works
• 2:06:14
  Speaker 1: a lot. Guys, everyone here, man. These guys here are
• 2:06:18
  Speaker 1: there every day working. Guys there, Vina, my partner Renato.
• 2:06:21
  Speaker 1: We call him Renato Russo too, the crazy joker.
• 2:06:25
  Speaker 3: Guys, Léo. Everyone, everyone.
• 2:06:26
  Speaker 1: Caio Pavão.
• 2:06:26
  Speaker 10: The Pavão brothers, actually.
• 2:06:30
  Speaker 1: Hello, Pavão.
• 2:06:31
  Speaker 10: My partner Nandinho too, without a word.
• 2:06:34
  Speaker 1: Man, there's nothing to say about this team, we're there
• 2:06:37
  Speaker 1: every day. And this guy here is a guy who
• 2:06:39
  Speaker 1: really deserves more recognition, right, bro? Send a shout out
• 2:06:41
  Speaker 1: to our brothers too, who are doing a beautiful project too.
• 2:06:44
  Speaker 1: The guys there, o Goodie, who's doing a great job.
• 2:06:46
  Speaker 1: You recorded some stuff now. He's got a new project
• 2:06:49
  Speaker 1: in GIC, revealing new artists.
• 2:06:52
  Speaker 10: Sometimes the guy.
• 2:06:53
  Speaker 1: Doesn't even know what he's recording. He's recording with Jay Wilton,
• 2:06:56
  Speaker 1: the legend. And this guy deserves a lot more recognition. Guys,
• 2:06:59
  Speaker 1: follow Jay Wilton, listen to his songs. I remember one time,
• 2:07:02
  Speaker 1: maybe Mano won't remember, because it's been a long time.
• 2:07:09
  Speaker 6: But I remember that in 2015 I went to GR6
• 2:07:10
  Speaker 6: and by chance, I don't know if he was from there,
• 2:07:12
  Speaker 6: was Gabi HG. And when I saw him, I said, Didier,
• 2:07:14
  Speaker 6: oh my God. They're friends, by the way.
• 2:07:16
  Speaker 4: You're crazy.
• 2:07:17
  Speaker 1: They're friends. It must be. It must be.
• 2:07:19
  Speaker 3: You, look.
• 2:07:19
  Speaker 1: I'm just telling.
• 2:07:23
  Speaker 2: The story.
• 2:07:24
  Speaker 1: Me too.
• 2:07:25
  Speaker 4: Of the movement. Okay?
• 2:07:27
  Speaker 6: Hello, Gabi HG, Didier THG, all the guys from Funk.
• 2:07:30
  Speaker 6: Funk has to be.
• 2:07:38
  Speaker 1: Discussed at a very high level, always at a very
• 2:07:40
  Speaker 1: high level, always as a subject, you know?
• 2:07:44
  Speaker 6: I want to know, Vini, do you happen to have
• 2:07:48
  Speaker 6: the beat of the Bonnie and Clyde couple?
• 2:07:51
  Speaker 10: If I didn't have it too, I'll tell you.
• 2:07:53
  Speaker 2: And tell the.
• 2:07:54
  Speaker 6: Fisherman too we can do these.
• 2:07:57
  Speaker 7: Two before before cutting the cake.
• 2:08:00
  Speaker 6: There's one more, which one?
• 2:08:01
  Speaker 8: Let it go then, I want to hear if you're
• 2:08:05
  Speaker 8: a monster damn.
• 2:08:05
  Speaker 10: He came with a surprise there.
• 2:08:07
  Speaker 11: You know sometimes we think that people envy our car
• 2:08:15
  Speaker 11: our house, but they envy.
• 2:08:20
  Speaker 10: Our way of being, right?
• 2:08:21
  Speaker 1: Come on! Walk, from Caliangá to Quebrada, by motorcycle always
• 2:08:26
  Speaker 1: with the cats. They take care of my life a lot,
• 2:08:29
  Speaker 1: but they never gave me anything. Spaniel from Ed Hard,
• 2:08:31
  Speaker 1: the cats came to Ferrari. The watch is Rolex, Nativa
• 2:08:35
  Speaker 1: from Lange, also Bulgari. You have to walk straight, it's
• 2:08:39
  Speaker 1: no use walking crooked. I walk with my hands shaking
• 2:08:42
  Speaker 1: and drinking whiskey to go crazy. I put the name
• 2:08:46
  Speaker 1: without fear, if you're afraid, drink Lenti. Very cool, isn't it, man?
• 2:08:52
  Speaker 1: It's good to hear. Yeah, it's cool, man. Pega na
• 2:09:09
  Speaker 1: bala ou na faca Nunca vi você na capa respeitar
• 2:09:12
  Speaker 1: meu bom Taca, fogo na inveja ataca Pega na bala
• 2:09:17
  Speaker 1: ou na faca Nunca vi você na capa respeitar meu
• 2:09:20
  Speaker 1: bom Taca, fogo na inveja ataca Pega na bala ou
• 2:09:24
  Speaker 1: na faca Nunca vi você na capa respeitar meu bom Fato,
• 2:09:28
  Speaker 1: é que eu só pego as gata Roupa é só
• 2:09:31
  Speaker 1: de marca I love you. Lorena vende almoço Lorena vende
• 2:09:50
  Speaker 1: sobremesa Aproveita que eu te pago Hoje é tudo na
• 2:09:54
  Speaker 1: faixa Sabe que é pelo sorriso Que os invejosos se
• 2:09:57
  Speaker 1: atacam Fogo na inveja ataca Pega na bala ou na
• 2:10:01
  Speaker 1: faca Nunca vi você na capa Respeita meu bom, ataca
• 2:10:05
  Speaker 1: Fogo na inveja ataca Pega na bala ou na faca
• 2:10:09
  Speaker 1: Nunca vi você na capa Respeita meu bom.
• 2:10:15
  Speaker 10: Everyone can have, but few can be, you know, boy?
• 2:10:18
  Speaker 1: Clap your hands, Henrique. Holy shit!
• 2:10:20
  Speaker 8: If you have a 2 and a 3, you can
• 2:10:22
  Speaker 8: drop it.
• 2:10:22
  Speaker 6: Gratitude, gratitude, guys. Thank you very much.
• 2:10:25
  Speaker 1: This one I had the privilege of recording with our
• 2:10:31
  Speaker 1: brother MC Davi, you know?
• 2:10:32
  Speaker 10: Canetinha de ouro, the king of the choruses. Ah, ah, ah,
• 2:10:40
  Speaker 10: until he starts, look.
• 2:10:41
  Speaker 3: Life has changed, right?
• 2:10:42
  Speaker 1: It's comfortable even to step on. The girl is not
• 2:10:45
  Speaker 1: from Zé, who spoke badly and today wants to like it.
• 2:10:49
  Speaker 1: I prefer to be without this car, looking like I'm
• 2:10:51
  Speaker 1: with conjuntivism. There are those who involve and it works,
• 2:10:54
  Speaker 1: and take me to another Zekit, oh. It's a good
• 2:10:55
  Speaker 1: place to stay, everything good and everything Big Zé. I
• 2:10:58
  Speaker 1: wanted to get addicted, there's nothing missing, right? See if
• 2:11:01
  Speaker 1: you don't forget the ice. Que a bebida não pode
• 2:11:06
  Speaker 1: esquentar Também não esquece do isqueiro A definição de inveja
• 2:11:10
  Speaker 1: no Aurélio Inveja Desgosto provocado pela felicidade Ou prosperidade alheia
• 2:11:16
  Speaker 1: Desejo irrefriável de possuir Ou gozar o que é de
• 2:11:20
  Speaker 1: outrem Inveja, Inveja, Inveja, Inveja, Inveja, Inveja, Inveja You sent
• 2:11:51
  Speaker 1: me this preview on the day you did it.
• 2:11:54
  Speaker 4: This one? I swear, man.
• 2:11:55
  Speaker 1: And this one, I didn't even know.
• 2:11:57
  Speaker 5: If Kevin was going to pass the voice, you know?
• 2:12:05
  Speaker 6: I said, I'm going to do.
• 2:12:19
  Speaker 1: I'm going to call him and if he says no,
• 2:12:21
  Speaker 1: I'm going to beat him up. I knew he was
• 2:12:24
  Speaker 1: going to say, Kevin, our talisman, wherever we go, we're
• 2:12:27
  Speaker 1: always going to take the name of MC Kevin.
• 2:12:30
  Speaker 10: Alô, Tia Val, Nascimento.
• 2:12:32
  Speaker 1: Let's go. They only know how to criticize and speak badly.
• 2:12:37
  Speaker 1: But in fact, Zé Povinho pays a lot. See the progress,
• 2:12:40
  Speaker 1: don't sleep and feel bad. It's burning in the break
• 2:12:45
  Speaker 1: with the general. Yesterday I spent a day, I'm going
• 2:12:48
  Speaker 1: to want to get married. E ele se mordeu. No
• 2:12:57
  Speaker 1: outro dia eu tava de ser bem no grau. E
• 2:13:01
  Speaker 1: ele se foi.
• 2:13:02
  Speaker 3: E aí?
• 2:13:04
  Speaker 1: Por recalcado. É fogo. Pra trás alado. É fogo. E
• 2:13:11
  Speaker 1: pros comédia. É fogo. É fogo na inveja.
• 2:13:18
  Speaker 5: Vai!
• 2:13:18
  Speaker 1: Por recalcado. É fogo. Por atrasalado. É fogo. E pros comédia.
• 2:13:27
  Speaker 1: É fogo. É fogo na inveja. É fogo na inveja.
• 2:13:36
  Speaker 1: É fogo.
• 2:13:39
  Speaker 10: Ah. É, tá ligado, mano.
• 2:13:43
  Speaker 1: Até o invejoso é invejado, tá ligado, mano?
• 2:13:50
  Speaker 6: DJ Guiné, pode fechar, moleque. Ó, na sequência, manda o
• 2:13:57
  Speaker 6: casal Bonnie e Clyde e conta do pescador pra gente
• 2:13:59
  Speaker 6: encerrar esse episódio maravilhoso.
• 2:14:01
  Speaker 8: From the bottom of my heart, I want to thank
• 2:14:03
  Speaker 8: you very much, ok?
• 2:14:04
  Speaker 6: DJ Wilton, Fê Cachorreira, DJ Pereira, Menor da VG, Mítico Jovem.
• 2:14:09
  Speaker 10: I want to thank you once again, once again, send
• 2:14:11
  Speaker 10: a shout out. But in other words, I want to
• 2:14:12
  Speaker 10: thank once again the whole team, from our little brother Marcel.
• 2:14:16
  Speaker 10: Have I talked about Marcel here today? Didn't I talk
• 2:14:22
  Speaker 10: about Maciel?
• 2:14:22
  Speaker 8: I don't think so.
• 2:14:23
  Speaker 10: So, Maciel, the aunts who work with us there, keeping
• 2:14:25
  Speaker 10: the place shiny, right, bro?
• 2:14:26
  Speaker 1: All the guys from G6, from the goalkeeper to the sellers,
• 2:14:29
  Speaker 1: our brothers, our relatives who are watching at this moment,
• 2:14:32
  Speaker 1: our friends from the heart. I'm not going to send
• 2:14:33
  Speaker 1: a greeting to everyone, but everyone knows how much I care.
• 2:14:36
  Speaker 1: Mano DJ Pereira also knows, right, bro? How much we
• 2:14:38
  Speaker 1: are in our daily lives. I think love doesn't need
• 2:14:40
  Speaker 1: to be said. He's there, in our hearts, and we
• 2:14:49
  Speaker 1: express that in our eyes, right? So I wanted to
• 2:14:50
  Speaker 1: thank the guys from Salvo Conduto as well, where I'm part,
• 2:14:54
  Speaker 1: I'm president of the Salvo Conduto Institute, where we defend
• 2:14:59
  Speaker 1: the medicinal cannabis.
• 2:15:01
  Speaker 10: Patient, we fight for the patient's defense.
• 2:15:02
  Speaker 1: We understand that in Brazil, This is very late. In
• 2:15:05
  Speaker 1: the most developed countries of the planet, this is already
• 2:15:09
  Speaker 1: being discussed at a very high level. And here in Brazil,
• 2:15:11
  Speaker 1: we continue to imprison young people.
• 2:15:13
  Speaker 10: So I would like to ask the.
• 2:15:15
  Speaker 1: Authorities to review this, to discuss this at a very
• 2:15:17
  Speaker 1: high level, because our young people cannot be arrested because
• 2:15:20
  Speaker 1: of a little booze, because of a cigarette, you know?
• 2:15:22
  Speaker 1: They must focus on the studies there, really focus on
• 2:15:26
  Speaker 1: their professionalization, so that in the very near future, instead
• 2:15:29
  Speaker 1: of them being in jail because of a booze, they
• 2:15:32
  Speaker 1: will be here in these chairs here in front of you.
• 2:15:34
  Speaker 1: Thank you so much.
• 2:15:55
  Speaker 10: You made the contact, the answer will be fast, it
• 2:15:56
  Speaker 10: will be fast and high, always, you know?
• 2:15:58
  Speaker 1: Manigão, thank you from the bottom of my heart, you know,
• 2:16:01
  Speaker 1: you're also a funk fan, you know all of them.
• 2:16:03
  Speaker 1: Sometimes I watch some episodes and you sing some that
• 2:16:06
  Speaker 1: sometimes I don't even remember, you know?
• 2:16:09
  Speaker 7: Like an MC is at the table and remembers.
• 2:16:10
  Speaker 1: I don't even remember mine, I don't even remember mine here,
• 2:16:13
  Speaker 1: imagine if you remember then. Thank you, thank you. In
• 2:16:15
  Speaker 1: the name of all the fans who have already passed here,
• 2:16:18
  Speaker 1: those who have not passed and will still pass.
• 2:16:20
  Speaker 10: Thank you very much to all the fans, to all
• 2:16:21
  Speaker 10: the DJs, right?
• 2:16:40
  Speaker 1: To make her fall in love with me, it's easy,
• 2:16:42
  Speaker 1: like taking candy as a child. But if I didn't
• 2:16:45
  Speaker 1: give her a kiss, and she fell in love, and
• 2:16:48
  Speaker 1: when I wanted to, I called her by her name.
• 2:16:50
  Speaker 1: I was already waiting for a look. Ah, woman, if
• 2:16:53
  Speaker 1: it's a commitment, I'm out. If it's a resume, I'll
• 2:16:55
  Speaker 1: take it. In reality, I'm your desire, so it's a.
• 2:16:58
  Speaker 10: Dream of consumption. Please dream with me.
• 2:17:00
  Speaker 1: And when I wake up, I'll take it. Ah, and
• 2:17:03
  Speaker 1: in my dreams, I'll be crying while I'm in my habit.
• 2:17:07
  Speaker 1: And in this beat, everything gets better. Hans Taden, the
• 2:17:26
  Speaker 1: book by Hans Taden, which was indicated by Dr. Ricardo Rando,
• 2:17:29
  Speaker 1: and changed my conception about Brazil, about politics.
• 2:17:32
  Speaker 10: In Brazil, about Brazilian society.
• 2:17:34
  Speaker 2: Dr.
• 2:17:35
  Speaker 1: Thiago Tobias, who is one of the 100 most influential
• 2:17:38
  Speaker 1: black young people in the world, received this.
• 2:17:40
  Speaker 10: Award at the UN, and is a guy, they are
• 2:17:43
  Speaker 10: my professors, Dr.
• 2:17:44
  Speaker 1: Ricardo Rando, Dr. Thiago Tobias, gave me the opportunity to
• 2:17:47
  Speaker 1: preside over a health care institute, where we have there
• 2:17:49
  Speaker 1: addresses for God bless you.
• 2:17:56
  Speaker 10: Thank you, my family. Instituto Salva Conduta is the name.
• 2:17:58
  Speaker 10: You can like it. I even made an invitation for
• 2:18:00
  Speaker 10: you to get to know the structure. To get to
• 2:18:02
  Speaker 10: know how serious the work is.
• 2:18:03
  Speaker 1: We'll go there curiously.
• 2:18:05
  Speaker 8: You can go there curiously.
• 2:18:06
  Speaker 1: You'll see that the work is very serious. The theme
• 2:18:08
  Speaker 1: advances a lot.
• 2:18:08
  Speaker 10: And, thank God, we're very faithful.
• 2:18:14
  Speaker 13: Calça colada, decote fino Ela vem regolado como sempre sorrindo
• 2:18:21
  Speaker 13: As invejosas já cruzam os dedos Mas.
• 2:18:25
  Speaker 1: Deus é bem mais forte, sabe, não tem segredo Então
• 2:18:29
  Speaker 1: ela causa, causa mesmo Rouba a cena, o filme incomoda
• 2:18:36
  Speaker 1: Porque sabe que é lindo e humilde E ainda por
• 2:18:42
  Speaker 1: cima tá na moda Encantadora, maravilhosa Mexe comigo, com meus
• 2:18:48
  Speaker 1: amigos Mexe com todos, ela é gostosa Menina, a mãe
• 2:18:53
  Speaker 1: é professora Ensino errado, a mãe tem que ser nada
• 2:18:56
  Speaker 1: Mais uma sim, ela é boa Encantadora, maravilhosa Mexe comigo,
• 2:19:03
  Speaker 1: com meus amigos Mexe com todos, ela é gostosa The
• 2:19:06
  Speaker 1: girl is a teacher.
• 2:19:08
  Speaker 10: She teaches wrong, but she teaches nothing.
• 2:19:11
  Speaker 1: Even so, she is good.
• 2:19:12
  Speaker 10: But not only MC Dodida, who works with us too.
• 2:19:14
  Speaker 2: Monster.
• 2:19:14
  Speaker 1: Congratulations.
• 2:19:16
  Speaker 2: Come here, GP.
• 2:19:16
  Speaker 1: Wow, your episode. Your birthday, brother. Welcome.
• 2:19:18
  Speaker 5: What's up, man?
• 2:19:18
  Speaker 4: Peace?
• 2:19:19
  Speaker 8: Fuck, of course.
• 2:19:20
  Speaker 10: Are you okay, boy?
• 2:19:20
  Speaker 5: Peace?
• 2:19:34
  Speaker 8: What's up, bro?
• 2:19:35
  Speaker 1: That's it. These episodes are just for fun. These guys
• 2:19:39
  Speaker 1: are with us on a daily basis, working hard. Not
• 2:19:42
  Speaker 1: only for them, bro. These guys work for a collective,
• 2:19:46
  Speaker 1: help the younger MCs, help the DJs. There's no bad
• 2:19:49
  Speaker 1: time here, bro. These guys become producers, become roadies, become fashionistas.
• 2:19:54
  Speaker 1: Van drivers. Van drivers. So here we have this... There's
• 2:19:57
  Speaker 1: a lot more, of course. I even wanted to send
• 2:19:58
  Speaker 1: a hug to the next song. It's Jorginho, right? And
• 2:20:04
  Speaker 1: I think he would have a third chair here. He
• 2:20:07
  Speaker 1: really deserves it. In our funk, in our team here,
• 2:20:10
  Speaker 1: there is no vanity. We could talk about any MC,
• 2:20:12
  Speaker 1: any DJ, because we feel that we are really that.
• 2:20:15
  Speaker 1: We are the funk. If they are successful, I am
• 2:20:18
  Speaker 1: also making success, you know? So, I also wanted to
• 2:20:21
  Speaker 1: send a shout out to Jorginho, who was a super
• 2:20:23
  Speaker 1: important DJ in my career. We are going to close
• 2:20:25
  Speaker 1: with a song of his.
• 2:20:26
  Speaker 10: I wanted to tell him that, man, regardless of anything,
• 2:20:29
  Speaker 10: we are.
• 2:20:31
  Speaker 10: Always with him, any walk we need, we'll knock on
• 2:20:33
  Speaker 10: the doors.
• 2:20:34
  Speaker 1: There he is. The doors... The doors.
• 2:20:37
  Speaker 10: The doors.
• 2:20:39
  Speaker 1: Will always be open, and so.
• 2:20:40
  Speaker 10: I wanted to thank these guys here. Here, look.
• 2:20:43
  Speaker 1: Fica Churreira, Dispensa Comentário, DJ Pereira too. MC Dodida.
• 2:20:47
  Speaker 10: Do you want to say a quick Instagram?
• 2:20:48
  Speaker 3: Please.
• 2:20:49
  Speaker 1: Dodida Oficial.
• 2:20:50
  Speaker 8: Dodida Oficial.
• 2:20:51
  Speaker 1: Say it here, say it here, Instagram here, look.
• 2:20:52
  Speaker 8: Excuse me, I can't get there.
• 2:20:54
  Speaker 3: Damn, of course.
• 2:20:55
  Speaker 1: Dodida Oficial.
• 2:20:57
  Speaker 10: But it's the MC who took the MC. I don't
• 2:20:59
  Speaker 10: know why.
• 2:20:59
  Speaker 1: Put the MC there. MC Dodida. It's Dodida Oficial.
• 2:21:02
  Speaker 5: It's the whole world who doesn't know my Instagram. It's
• 2:21:06
  Speaker 5: just Cachorreira?
• 2:21:07
  Speaker 7: It's Cachorreira.
• 2:21:08
  Speaker 8: Follow Cachorreira, guys.
• 2:21:10
  Speaker 6: And really, you guys who like my playlist, on A2,
• 2:21:13
  Speaker 6: you have the best WG, Cachorreira is there.
• 2:21:14
  Speaker 1: Please. The smallest crowd in VG.
• 2:21:17
  Speaker 10: Not everyone knows the smallest crowd in VG. The audience
• 2:21:19
  Speaker 10: is huge.
• 2:21:19
  Speaker 1: There are so many personalities here that the audience is huge.
• 2:21:22
  Speaker 10: I see the guys from Lua. I really like Luta.
• 2:21:25
  Speaker 4: Really, bro? He loves it. He loves Luta.
• 2:21:27
  Speaker 1: When there's a Luta.
• 2:21:28
  Speaker 8: Guy here who wants to meet him, he's Lua.
• 2:21:29
  Speaker 1: For sure. He'll be there just to see the ideas.
• 2:21:32
  Speaker 1: He loves Luta.
• 2:21:34
  Speaker 4: He loves Luta.
• 2:21:35
  Speaker 6: I also got bad for Carapota.
• 2:21:36
  Speaker 4: I lost, man.
• 2:21:37
  Speaker 10: I was very sad.
• 2:21:37
  Speaker 1: I'm a big fan of Poatan, Carlos Prats, all the
• 2:21:41
  Speaker 1: old guys, Anderson Silva, Wanderley. I really like Miluta. You
• 2:21:44
  Speaker 1: bring a lot of personalities here. So, there are a
• 2:21:46
  Speaker 1: lot of people on your channel who don't know Menor
• 2:21:50
  Speaker 1: da VG.
• 2:21:50
  Speaker 10: So, follow him too.
• 2:21:52
  Speaker 1: Menor.davg on Instagram, Menor.davg on TikTok too, right, Gemi?
• 2:21:56
  Speaker 2: Gemi.
• 2:21:57
  Speaker 10: Do you want to appear here, Gemi?
• 2:21:57
  Speaker 1: Come here, Gemi.
• 2:21:58
  Speaker 10: I don't like to appear, but I do.
• 2:21:59
  Speaker 1: Applause for Gemi!
• 2:22:00
  Speaker 2: That's it, Gemi!
• 2:22:04
  Speaker 1: GM, producer, right?
• 2:22:06
  Speaker 6: He's the guy who's been taking.
• 2:22:08
  Speaker 1: Our career to another level, you know? So I'd like
• 2:22:10
  Speaker 1: to thank this guy a lot. We've been working together
• 2:22:12
  Speaker 1: for over a year and in this year there were
• 2:22:15
  Speaker 1: big differences. Throughout my career, I could mention any one
• 2:22:19
  Speaker 1: of the parts, but throughout my career, in all the parts,
• 2:22:21
  Speaker 1: in all the sectors, he was fundamental, you know?
• 2:22:24
  Speaker 10: So DJ Maurinho do Kit is older than me in the.
• 2:22:27
  Speaker 1: Company, okay? He's older than me in the company. Before
• 2:22:29
  Speaker 1: he even became a DJ, I remember! DJ Maurinho do Kit?
• 2:22:35
  Speaker 1: How is his Instagram? Instagram. Instagram. DJ Maurinho do Kit.
• 2:22:41
  Speaker 10: DJ Maurinho do Kit. Kit is K-I-T, mute.
• 2:22:44
  Speaker 6: I remember when I arrived at GR6, there was Jader.
• 2:22:49
  Speaker 8: Abel.
• 2:22:49
  Speaker 5: Abel.
• 2:22:49
  Speaker 1: The end of Abel.
• 2:22:50
  Speaker 8: He died, unfortunately, during Covid.
• 2:22:52
  Speaker 6: And then I remember... Abel? What's going on? Then he said, no, Abel, dude, stop.
• 2:23:09
  Speaker 5: Okay.
• 2:23:09
  Speaker 8: He talked to Abel, opened it.
• 2:23:11
  Speaker 4: It's not like that, it's not like that.
• 2:23:13
  Speaker 1: He said that and already... He already slept. He already slept.
• 2:23:17
  Speaker 10: It was a great character that we lost there in COVID.
• 2:23:19
  Speaker 1: COVID was a lot of stuff. And, by the way,
• 2:23:21
  Speaker 1: I've never seen anyone announce that COVID is over. Is
• 2:23:23
  Speaker 1: this shit still on my list? It exists, right?
• 2:23:26
  Speaker 6: It's good to get vaccinated.
• 2:23:27
  Speaker 1: I've never seen anyone... The WHO didn't say it's over.
• 2:23:29
  Speaker 1: It won't end like the flu, it's there, right? It's... GM, producer... At.
• 2:23:34
  Speaker 10: The beginning of the war we died a lot of people.
• 2:23:36
  Speaker 1: Yes, yes. Here, DJ Wilton. DJ Wilton only, right?
• 2:23:40
  Speaker 4: DJ Wilton?
• 2:23:41
  Speaker 1: DJ Wilton. W-I-L-T-O-M, right? Wilton. M or N? N at
• 2:23:45
  Speaker 1: the end.
• 2:23:46
  Speaker 10: N at the end. I'm learning Portuguese well, okay.
• 2:23:49
  Speaker 1: DJ GH. DJ GH, man, a relic. Here, guys, it's
• 2:23:51
  Speaker 1: all from the East Zone. Here is most of the
• 2:23:52
  Speaker 1: East Zone. Here is the East Zone too. East Zone, right, bro?
• 2:23:55
  Speaker 1: East Zone, East Zone, North, North. It comes from Baixada,
• 2:23:59
  Speaker 1: from the coast of... from Raiz do Funk, together with
• 2:24:03
  Speaker 1: Rio de Janeiro, DJ GH, Brabo too, you just beat.
• 2:24:06
  Speaker 10: A Brabo too with Kelvinho, right bro? How many were
• 2:24:08
  Speaker 10: on Kelvinho's album? 5. 5? How many tracks were there?
• 2:24:11
  Speaker 1: There are 5 tracks.
• 2:24:11
  Speaker 10: No, there are 15 tracks, that is, 30%, 33% of
• 2:24:13
  Speaker 10: the album on Kelvinho. He's in the human world, he
• 2:24:19
  Speaker 10: even hit a song now and it's from G.G.P.
• 2:24:20
  Speaker 6: No one talked about the card, these things.
• 2:24:33
  Speaker 1: DJ GP bro, he's also bravo,
• 2:24:36
  Speaker 1: he's the housekeeper, you know?
• 2:24:38
  Speaker 10: The housekeeper too, he's being... He's very well instructed by
• 2:24:40
  Speaker 10: the friends here, but.
• 2:24:41
  Speaker 1: There are many others, there's DJ Nenê, there's DJ Novecentes,
• 2:24:45
  Speaker 1: there's Matt D, there's DJ Yuri Pedrada... Man, there's... Anyway, guys,
• 2:24:48
  Speaker 1: I'm sorry that I didn't say it, but you know
• 2:24:50
  Speaker 1: that you live in my heart, and to finish... I
• 2:24:52
  Speaker 1: already said it, who wants to say something? You say it, Pedro,
• 2:24:55
  Speaker 1: I'm sorry, bro. Play the sound in Guiné! No, wait, before, before, before!
• 2:24:59
  Speaker 1: I wanted to thank you, send a greeting, send a greeting,
• 2:25:04
  Speaker 1: Send a greeting to everyone, from Marcel to everyone.
• 2:25:06
  Speaker 10: Send a greeting to Rodrigo.
• 2:25:07
  Speaker 1: Hello Rodrigão, God bless you, thank you. I wanted to thank.
• 2:25:11
  Speaker 10: Number one!
• 2:25:11
  Speaker 1: I wanted to thank Rodrigo in 2014.
• 2:25:14
  Speaker 10: Many people believed in me, but we know how it is.
• 2:25:17
  Speaker 1: We live in a country where money is worth a
• 2:25:20
  Speaker 1: little less every day. I don't know where this will stop,
• 2:25:23
  Speaker 1: but I know that this guy believed in me. I
• 2:25:33
  Speaker 1: remember that he went to Paraguay and bought an MPC,
• 2:25:36
  Speaker 1: and the guys were like, you're crazy, you're going to
• 2:25:38
  Speaker 1: buy an MPC, this guy won't even have a show.
• 2:25:39
  Speaker 1: And in a month we were already doing shows, we
• 2:25:41
  Speaker 1: were already running all over Brazil.
• 2:25:43
  Speaker 8: And after that one month of shows, until today you.
• 2:25:44
  Speaker 1: Haven't stopped, right?
• 2:25:45
  Speaker 10: 12 years, thank God.
• 2:25:46
  Speaker 1: I'm very grateful to be here until today with these guys,
• 2:25:48
  Speaker 1: to be part.
• 2:25:49
  Speaker 4: Of the movement.
• 2:25:49
  Speaker 1: And I wanted to thank all our contractors, all the
• 2:25:52
  Speaker 1: fans from the heart. I know that I had, I think,
• 2:25:55
  Speaker 1: 100 fan clubs. 98 changed only the name. I had too,
• 2:25:59
  Speaker 1: now it's all Bad Bunny's fan club. Yeah, they became
• 2:26:02
  Speaker 1: another fan club. But I wish that all those who
• 2:26:04
  Speaker 1: have already passed through our career, that one day dreamed
• 2:26:07
  Speaker 1: with us, those who worked with us and today don't
• 2:26:08
  Speaker 1: work anymore, that God bless and know that they can
• 2:26:10
  Speaker 1: count on us. I have a hard time saying no.
• 2:26:12
  Speaker 1: Sometimes my silence is... It's a no.
• 2:26:14
  Speaker 10: I have a hard time saying no, but I.
• 2:26:26
  Speaker 10: I'll always have the sim for my friends. So, thank
• 2:26:28
  Speaker 10: you very much for this opportunity. Thank you very much
• 2:26:30
  Speaker 10: in general. You always have my sim, bro.
• 2:26:31
  Speaker 1: So, what you need... I don't know if you're going
• 2:26:33
  Speaker 1: to need it, because you're rich, all millionaires.
• 2:26:35
  Speaker 6: No, two little notes there on the anniversary day.
• 2:26:37
  Speaker 1: It's good, right? Thank you very much from the heart.
• 2:26:41
  Speaker 4: And that's it, DJ Vini.
• 2:26:43
  Speaker 1: Guine.
• 2:26:43
  Speaker 10: Send a salve to all our team that works with
• 2:26:45
  Speaker 10: us at night. Let's see if I can forget someone.
• 2:26:49
  Speaker 1: From the end of the line, Pio, our driver, who
• 2:26:51
  Speaker 1: doesn't miss a dance. He goes to sleep, but he
• 2:26:55
  Speaker 1: doesn't lose. He goes to sleep, but he doesn't lose. Rafinha,
• 2:26:59
  Speaker 1: he's with us today. Bolinha, my childhood friend, who's been
• 2:27:03
  Speaker 1: with us since the beginning. Don't forget to comment, you know?
• 2:27:08
  Speaker 1: Help me out. Where's Isaac? He's right there.
• 2:27:10
  Speaker 10: Where is he?
• 2:27:11
  Speaker 1: Wait, wait.
• 2:27:15
  Speaker 10: Everyone has a very pejorative nickname, very messed up.
• 2:27:18
  Speaker 1: NB, ND, it's Isaac, our little brother. Then, the black guy,
• 2:27:20
  Speaker 1: Paulo Sampaio, our security guy, he's the oldest in.
• 2:27:23
  Speaker 8: The team, he's been with us for a long.
• 2:27:25
  Speaker 10: Time, I really want to thank this guy.
• 2:27:30
  Speaker 1: And then, the big guy, Paulo Sampaio, our security guy,
• 2:27:35
  Speaker 1: he's the oldest in the team, he's been with us
• 2:27:36
  Speaker 1: for a long time, I wanted to thank him a lot.
• 2:27:38
  Speaker 1: He's the security guy, not only for the MC, but
• 2:27:41
  Speaker 1: for the whole team, he's in charge of everything, he's
• 2:27:44
  Speaker 1: a crazy guy.
• 2:27:45
  Speaker 10: He must have saved you from many.
• 2:27:46
  Speaker 1: From all of them, actually. Júruna, who's our photographer, our
• 2:27:50
  Speaker 1: official photographer, he's a great guy, he doesn't waste a single.
• 2:27:54
  Speaker 8: One, he's strong.
• 2:27:56
  Speaker 1: He's also our little brother. Can I say these things?
• 2:27:58
  Speaker 2: Yes, of course.
• 2:27:59
  Speaker 1: Is there a fire in the sponsorship?
• 2:28:00
  Speaker 6: No, no.
• 2:28:03
  Speaker 1: Juruna, Dodida, who has been working with us for some time,
• 2:28:08
  Speaker 1: making the second voice, but he's also a top MC,
• 2:28:11
  Speaker 1: he's a guy who follows his partner, follows his songs,
• 2:28:13
  Speaker 1: he's already released some albums too, he has several huge partnerships. Matheus,
• 2:28:17
  Speaker 1: who is the video maker, you know? Matheus is Vicentino, right?
• 2:28:24
  Speaker 1: Where is he? He's here! Our little brother is the
• 2:28:28
  Speaker 1: youngest in the team, while the security is the oldest.
• 2:28:30
  Speaker 1: This is the youngest. There's Felipinho, who is Rody. He's
• 2:28:35
  Speaker 1: my childhood friend too. He's a guy I really love.
• 2:28:37
  Speaker 1: He's been with the most rebellious part of my life.
• 2:28:40
  Speaker 1: He's a guy I admire the most. And DJ Guiné.
• 2:28:42
  Speaker 10: Did I forget someone?
• 2:28:46
  Speaker 1: And GM, GM is here, GM is the producer, responsible
• 2:28:49
  Speaker 1: for the team, you know, bro?
• 2:28:50
  Speaker 8: I'm with the motto of Guiné, bro.
• 2:28:52
  Speaker 1: And that's it, guys, thank you very much, thank you, man,
• 2:28:56
  Speaker 1: send a kiss to everyone in my family who is watching.
• 2:28:59
  Speaker 10: Do you want to send a kiss to your family too?
• 2:29:01
  Speaker 10: Do you want to enjoy?
• 2:29:02
  Speaker 4: Kiss mom, kiss dad.
• 2:29:03
  Speaker 8: Ah, no, family just asks now, right, bro? Family, you
• 2:29:05
  Speaker 8: just ask, bro. Who sent you, who sent you to
• 2:29:07
  Speaker 8: be a.
• 2:29:08
  Speaker 6: Provider, who sent you to be a provider, the day
• 2:29:10
  Speaker 6: you ask and miss.
• 2:29:17
  Speaker 1: It's better when you have it, when you can send it.
• 2:29:19
  Speaker 8: No, no, I was kidding, right? Not even for my
• 2:29:21
  Speaker 8: parents here.
• 2:29:21
  Speaker 1: But the uncles, the cousins... Before the hi!
• 2:29:23
  Speaker 2: No, the uncles, the cousins, brother!
• 2:29:24
  Speaker 1: The uncle said, I'm going to improve here, calm down.
• 2:29:26
  Speaker 8: Calm down, calm down.
• 2:29:27
  Speaker 7: But it's for the cousins, for the uncles, for the.
• 2:29:29
  Speaker 6: For the aggregates.
• 2:29:35
  Speaker 6: Say hi, pretend that you care about my life as
• 2:29:38
  Speaker 6: I am. I don't send pics directly.
• 2:29:41
  Speaker 1: It's awesome, man. No, but they care, they care. The
• 2:29:43
  Speaker 1: apostolic artist is always the most important.
• 2:29:47
  Speaker 10: Family, may God bless you. I'm going to send this
• 2:29:49
  Speaker 10: idea now, right, my friend?
• 2:29:50
  Speaker 1: Please.
• 2:29:51
  Speaker 10: Thank you very much. May God bless you, DJ Vini.
• 2:29:55
  Speaker 6: DJ Pereira, thank you very much, brother.
• 2:30:11
  Speaker 10: Ah, ah, episode more than special, right, brother?
• 2:30:14
  Speaker 1: Thank you very much, from the bottom of my heart.
• 2:30:18
  Speaker 1: It's the man's birthday.
• 2:30:19
  Speaker 3: Congratulations.
• 2:30:20
  Speaker 2: Thank you.
• 2:30:22
  Speaker 1: Hello Jorginho, I've never seen anyone dancing like this girl
• 2:30:26
  Speaker 1: I've never seen anyone dance like this girl In front
• 2:30:30
  Speaker 1: of me she drives me crazy, from behind she fascinates
• 2:30:33
  Speaker 1: me In front of me she drives me crazy, from
• 2:30:35
  Speaker 1: behind she fascinates me It was me and Jorginho, scaring
• 2:30:39
  Speaker 1: her feet When she appears she's hot, and if she's
• 2:30:43
  Speaker 1: hot I care De repente percebi, já estava encantado Com
• 2:30:50
  Speaker 1: a gata hipnotizando e o baile hipnotizado Eu falei que
• 2:30:54
  Speaker 1: tava bom, mas ainda vai melhorar É fato que eu quero,
• 2:30:58
  Speaker 1: é nesse fato eu vou consumar Dez minutos de ideia,
• 2:31:02
  Speaker 1: ela já abraçou E foi aí que a sereia caiu
• 2:31:06
  Speaker 1: no conto do pescador Eu nunca vi ninguém dançando como
• 2:31:11
  Speaker 1: essa mina Eu nunca vi nenhuma dançando I never saw
• 2:31:16
  Speaker 1: anyone dancing like this girl.
• 2:31:17
  Speaker 10: I never saw anyone dancing like.
• 2:31:29
  Speaker 1: Thank you very much, family. Thank you very much, Geraldo,
• 2:31:32
  Speaker 1: for supporting this project. We're together, guys. Give it a like,
• 2:31:39
  Speaker 1: subscribe to the channel. Follow Menor da VG, follow Pereira.
• 2:31:47
  Speaker 3: It's chat time!
• 2:31:48
  Speaker 1: Let's cut this cake. We're together. Wait a minute. Sorry, Mítico.
• 2:31:51
  Speaker 1: After the World Cup, Argentina has to break the UFC.
• 2:31:53
  Speaker 1: Or is it now?
• 2:31:54
  Speaker 4: It's now.
• 2:31:54
  Speaker 6: Live with Marcelinho Carioca Souza, Marcos Assunção, Corpo de Pai,
• 2:31:58
  Speaker 6: Ju Canália.
• 2:31:58
  Speaker 1: Let's go. We're together, guys.
• 2:31:59
  Speaker 4: Dignity now.
• 2:31:59
  Speaker 8: This show is one of the best. Congratulations, guys.
• 2:32:01
  Speaker 1: We're together. It's dry.
• 2:32:21
  Speaker 5: My sandwich is dry.
• 2:32:23
  Speaker 1: It's dry.
• 2:32:25
  Speaker 6: My sandwich is dry.
• 2:32:27
  Speaker 1: I can't eat it properly.
• 2:32:31
  Speaker 6: All that's missing is to spread it.
• 2:32:34
  Speaker 1: It's missing. Creaminess is what's missing. It's only Hellmann's that
• 2:32:40
  Speaker 1: saves us. Our Supreme, come here. Give me a trick
• 2:32:48
  Speaker 1: so I can shoot better than my brother.
• 2:32:52
  Speaker 5: Okay. To hit the target wherever.
• 2:33:02
  Speaker 6: And whenever you want, the trick is to repeat with
• 2:33:06
  Speaker 6: a small target.
• 2:33:13
  Speaker 5: Do this workout three times a week for 30 to
• 2:33:15
  Speaker 5: 45 minutes and your accuracy will go up a lot.
• 2:33:18
  Speaker 3: Days 1 to 4.
• 2:33:18
  Speaker 4: Bontaria.
• 2:34:16
  Speaker 5: Thank you.