Latest / Verbal Diorama / Atlantis: The Lost Empire

Transcript

Atlantis: The Lost Empire · Verbal Diorama

1:57
Hi,
1:57
everyone.
1:57
I'm
1:58
Em
1:58
and
1:58
welcome
1:58
to
1:58
verbal
1:59
diorama,
1:59
episode
1:59
289,
2:01
Atlantis,
2:02
the
2:03
Lost
2:03
Empire.
2:04
This
2:04
is
2:04
the
2:04
podcast
2:05
all
2:05
about
2:05
the
2:05
history
2:06
and
2:06
legacy
2:06
of
2:06
movies,
2:07
you
2:07
know
2:07
and
2:07
movies
2:08
you
2:08
don't
2:08
that
2:09
knows
2:09
the
2:09
difference
2:09
between
2:09
the
2:10
ciphers
2:10
for
2:10
R
2:11
and
2:11
C.
2:12
As
2:12
always,
2:12
a
2:12
huge
2:13
welcome
2:13
to
2:13
Verbal
2:14
Diorama.
2:14
Whether
2:14
you're
2:15
a
2:15
brand
2:15
new
2:15
listener,
2:16
whether
2:16
you're
2:16
a
2:16
regular
2:17
returning
2:17
listener,
2:18
welcome
2:18
back.
2:19
If
2:19
you
2:19
are,
2:19
thank
2:20
you
2:20
for
2:20
being
2:20
here.
2:20
Thank
2:21
you
2:21
for
2:21
choosing
2:21
to
2:21
listen
2:21
to
2:22
this
2:22
podcast.
2:22
I
2:23
am,
2:23
as
2:23
always,
2:23
so
2:24
happy
2:24
to
2:24
have
2:24
you
2:24
here
2:25
for
2:25
the
2:25
history
2:26
and
2:26
legacy
2:26
of
2:27
Atlantis,
2:27
the
2:28
Lost
2:28
Empire.
2:29
And
2:30
this
2:30
is
2:30
the
2:31
final
2:31
episode
2:32
of
2:32
animation
2:33
season.
2:33
It's
2:34
also
2:34
the
2:34
final
2:35
episode
2:35
of
2:36
the
2:36
three
2:36
episode
2:37
birthday
2:37
extravaganza
2:38
for
2:39
Verbal
2:39
Diorama.
2:40
Because
2:40
Verbal
2:41
Diorama
2:42
is
2:42
now
2:42
six
2:42
years
2:43
old,
2:43
this
2:43
podcast
2:44
started
2:44
in
2:45
February
2:45
of
2:46
2019.
2:47
Every
2:48
year
2:48
I
2:48
do
2:48
animation
2:49
season
2:49
and
2:50
every
2:50
year
2:50
for
2:50
the
2:50
anniversary
2:51
of
2:51
this
2:51
podcast
2:52
I
2:52
get
2:52
to
2:53
talk
2:53
about
2:53
animated
2:53
movies.
2:54
And
2:54
this
2:55
time
2:55
around
2:56
I
2:56
wanted
2:57
to
2:57
look
2:57
at
2:57
Disney,
2:58
undoubtedly
2:59
the
2:59
biggest
3:00
animation
3:00
studio
3:01
in
3:01
the
3:01
world,
3:02
and
3:02
I
3:02
wanted
3:02
to
3:02
look
3:03
at
3:03
the
3:04
Renaissance
3:05
era,
3:05
but
3:05
specifically
3:06
pre
3:06
Renaissance,
3:07
the
3:07
actual
3:08
Renaissance
3:08
and
3:09
post
3:09
Renaissance
3:10
and
3:11
Atlantis
3:11
falls
3:12
very
3:12
much
3:12
into
3:13
that
3:13
post
3:13
Renaissance
3:14
era.
3:15
As
3:15
I
3:16
mentioned,
3:16
this
3:16
is
3:17
Animation
3:17
Season
3:18
2025.
3:18
This
3:19
is
3:19
the
3:19
final
3:19
episode
3:20
of
3:21
Animation
3:21
Season
3:21
2025.
3:23
It
3:23
wasn't
3:23
going
3:24
to
3:24
be
3:24
the
3:24
final
3:24
episode.
3:25
However,
3:26
I
3:26
have
3:27
ever
3:27
so
3:27
slightly
3:28
overdone
3:28
it
3:28
and
3:29
I
3:29
have
3:30
actually
3:30
ran
3:30
out
3:30
of
3:30
time
3:31
to
3:31
do
3:31
another
3:32
episode.
3:33
But
3:33
I'm
3:34
going
3:34
to
3:34
try
3:34
and
3:34
plan
3:35
the
3:35
episode
3:35
in
3:35
in
3:36
a
3:36
few
3:36
months
3:36
time.
3:37
So
3:37
don't
3:37
worry.
3:38
There
3:38
will
3:38
be
3:38
another
3:39
animated
3:39
movie
3:40
coming
3:40
on
3:40
Verbal
3:41
Diorama
3:41
very
3:41
soon
3:42
and
3:42
it
3:42
is
3:42
an
3:43
absolutely
3:43
outstanding
3:44
movie
3:45
as
3:45
well.
3:46
I
3:46
just
3:46
couldn't
3:46
quite
3:46
fit
3:47
it
3:47
in
3:47
because
3:47
as
3:48
it
3:48
turns
3:48
out,
3:48
having
3:49
a
3:49
podcast
3:49
and
3:50
trying
3:50
to
3:50
do
3:51
three
3:51
episodes
3:52
to
3:53
be
3:53
released
3:53
in
3:53
a
3:54
one
3:54
week
3:54
period
3:54
when
3:55
you
3:55
don't
3:55
take
3:55
any
3:56
time
3:56
off
3:56
work
3:56
to
3:56
do
3:56
them
3:57
is
3:58
really
3:58
hard.
3:59
So.
3:59
So
4:00
yeah,
4:00
I've
4:00
had
4:00
to
4:01
unfortunately
4:02
finish
4:02
animation
4:03
season
4:03
a
4:03
little
4:04
bit
4:04
earlier,
4:04
but
4:04
hopefully
4:05
finishing
4:06
it
4:06
in
4:07
style.
4:08
This
4:08
is
4:08
the
4:09
fifth
4:09
annual
4:09
animation
4:10
season
4:10
and
4:11
it's
4:12
just
4:12
a
4:12
huge
4:12
celebration
4:13
of
4:13
everything
4:14
to
4:14
do
4:14
with
4:14
animation
4:15
from
4:16
all
4:16
the
4:16
animation
4:17
studios
4:17
that
4:18
you
4:18
know
4:18
and
4:18
the
4:19
ones
4:19
that
4:19
you
4:19
don't
4:20
as
4:20
well.
4:21
Animation,
4:21
it's
4:22
not
4:22
just
4:22
for
4:22
children.
4:23
I
4:23
think
4:23
this
4:23
movie
4:24
proves
4:24
that
4:24
animation
4:25
is
4:26
not
4:26
a
4:26
genre,
4:27
Animation
4:28
is
4:28
just
4:29
an
4:29
incredible
4:29
art
4:30
form.
4:31
And
4:31
Animation
4:31
Season
4:32
is
4:32
here
4:32
to
4:32
highlight
4:33
those
4:33
incredible
4:34
animated
4:34
films
4:35
that
4:35
you
4:35
may
4:36
have
4:36
discounted
4:36
for
4:37
whatever
4:37
reason,
4:38
but
4:38
you
4:39
really
4:39
shouldn't
4:39
be
4:40
discounting
4:41
movies
4:41
just
4:41
because
4:41
they're
4:42
animated.
4:43
As
4:43
I
4:43
mentioned,
4:44
this
4:44
podcast
4:44
is
4:44
now
4:45
six
4:45
years
4:45
old.
4:45
And
4:46
just
4:46
a
4:46
huge
4:47
thank
4:47
you
4:47
to
4:47
everyone
4:48
who
4:49
has
4:49
supported
4:49
this
4:50
podcast
4:50
over
4:50
the
4:50
last
4:51
six
4:51
years
4:51
who
4:51
has
4:51
supported
4:52
me
4:53
doing
4:53
this
4:53
podcast
4:54
over
4:54
the
4:54
last
4:54
six
4:54
years.
4:56
This
4:56
podcast
4:57
is
4:57
genuinely
4:58
one
4:58
of
4:58
the
4:58
biggest
4:58
joys
4:58
of
4:59
my
4:59
life.
4:59
And
5:00
being
5:00
able
5:00
to
5:01
go
5:01
on
5:02
this
5:02
podcast,
5:02
to
5:03
produce
5:03
this
5:03
podcast,
5:04
to
5:04
research
5:05
stuff
5:05
for
5:05
this
5:06
podcast
5:06
genuinely
5:07
brings
5:07
me
5:08
so
5:08
much
5:08
joy.
5:09
And
5:10
considering
5:11
I've
5:11
been
5:11
doing
5:11
it
5:11
for
5:11
six
5:12
years,
5:12
you'd
5:12
think
5:12
I'd
5:12
be
5:13
pretty
5:13
tired
5:13
of
5:13
it
5:13
by
5:13
now,
5:14
but
5:14
I'm
5:14
actually
5:14
not.
5:14
I.
5:15
I
5:15
genuinely
5:16
love
5:16
everything
5:17
that
5:17
I
5:17
do
5:17
for
5:17
this
5:17
podcast
5:18
and
5:19
I
5:19
am
5:19
so
5:20
grateful
5:20
for
5:21
you
5:21
listening
5:21
to
5:21
this
5:22
podcast.
5:22
Even
5:22
if
5:22
this
5:23
is
5:23
your
5:23
first
5:23
episode,
5:24
hopefully
5:25
you'll
5:25
want
5:25
to
5:25
listen
5:25
to
5:26
some
5:26
others.
5:27
But
5:27
from
5:27
the
5:28
bottom
5:28
of
5:28
my
5:28
heart,
5:29
thank
5:29
you
5:30
for
5:30
supporting
5:31
me
5:31
for
5:31
supporting
5:31
this
5:32
podcast
5:32
for
5:32
the
5:32
last
5:33
six
5:33
years
5:33
and
5:34
hopefully
5:35
for
5:35
another
5:36
six
5:36
years.
5:36
I'LL
5:36
still
5:37
be
5:37
here.
5:37
And
5:37
I'll
5:37
still
5:38
be
5:38
talking
5:39
about
5:39
the
5:39
histories
5:39
and
5:40
legacies
5:40
of
5:40
the
5:41
movies.
5:41
That
5:41
are
5:42
just
5:42
miracles
5:43
and
5:43
fascinating
5:44
and
5:44
wonderful.
5:45
And
5:46
Atlantis,
5:46
the
5:47
Lost
5:47
Empire
5:48
ticks
5:48
all
5:48
of
5:48
those
5:48
boxes
5:49
for
5:49
me.
5:50
The
5:50
Disney
5:51
renaissance
5:51
officially
5:52
ended
5:52
in
5:52
1999.
5:53
With
5:53
Tarzan,
5:55
Fantasia
5:56
2000,
5:56
Dinosaur
5:57
and
5:57
the
5:57
Emperor's
5:58
New
5:58
Groove
5:59
followed.
6:00
I'm
6:00
especially
6:00
fond
6:01
of
6:01
the
6:01
Emperor's
6:01
New
6:01
Groove.
6:02
I've
6:02
done
6:02
an
6:02
episode
6:03
on
6:03
that.
6:03
This
6:03
episode,
6:03
Owned
6:04
at
6:04
90,
6:05
that
6:05
is
6:05
also
6:05
a
6:06
fascinating
6:06
story.
6:07
But
6:07
the
6:08
start
6:08
of
6:08
the
6:08
new
6:08
millennium
6:09
was
6:09
a
6:09
traditional
6:10
time
6:10
for
6:10
Disney.
6:11
An
6:11
attempt
6:12
to
6:12
do
6:12
something
6:13
different,
6:13
to
6:14
broaden
6:14
its
6:14
horizons.
6:15
And
6:16
to
6:16
do
6:16
a
6:16
movie
6:16
on
6:16
one
6:16
of
6:17
the
6:17
most
6:17
famous
6:17
lost
6:18
civilizations
6:19
of
6:19
all
6:19
time.
6:21
From
6:21
last
6:21
episode's
6:22
myth
6:22
of
6:23
Hercules.
6:24
Now
6:24
to
6:25
the
6:25
myth
6:25
of
6:26
Atlantis.
6:27
Or
6:27
is
6:28
it
6:28
a
6:28
myth?
6:29
Here's
6:29
the
6:30
trailer
6:30
for
6:30
Atlantis,
6:31
the
6:31
Lost
6:32
Empire.
9:22
In
9:22
1914,
9:23
young
9:24
linguist
9:24
orphan
9:25
Milo
9:25
Thatch,
9:26
grandson
9:26
of
9:26
Thaddeus
9:27
Thatch,
9:28
buries
9:28
himself
9:28
in
9:28
books
9:29
trying
9:29
to
9:29
unlock
9:30
the
9:30
secret
9:30
to
9:30
the
9:31
destruction
9:31
of
9:32
Atlantis.
9:33
Although
9:33
his
9:33
theories
9:34
are
9:34
ridiculed
9:34
by
9:35
his
9:35
colleagues.
9:35
He's
9:36
persistent
9:36
in
9:37
his
9:37
dreams
9:37
of
9:37
one
9:38
day
9:38
discovering
9:38
the
9:39
lost
9:39
isle.
9:40
His
9:40
dreams
9:40
are
9:40
realized
9:41
when
9:41
he's
9:41
given
9:41
a
9:42
spot
9:42
in
9:42
an
9:42
expedition
9:43
financed
9:44
by
9:44
a
9:44
friend
9:44
of
9:45
his
9:45
grandfather.
9:46
To
9:46
go
9:46
in
9:46
search
9:46
of
9:47
Atlantis.
9:47
Following
9:48
Milo's
9:48
guide,
9:49
the
9:49
Shepherd's
9:49
Journal.
9:50
The
9:50
intrepid
9:51
crew
9:51
find
9:52
Atlantis.
9:52
And
9:52
a
9:52
whole
9:53
indigenous
9:53
population.
9:54
Who
9:55
live
9:55
by
9:55
powerful
9:56
crystal
9:56
energy.
9:57
But
9:58
some
9:58
members
9:58
of
9:59
the
9:59
crew
9:59
want
9:59
to
9:59
steal
10:00
the
10:00
powerful
10:00
crystal
10:01
energy
10:01
for
10:02
themselves.
10:03
Let's
10:04
run
10:04
through
10:04
the
10:04
cast
10:04
of
10:04
this
10:05
movie.
10:05
We
10:05
have
10:06
Michael
10:06
J.
10:06
Fox
10:07
as
10:07
Milo
10:07
Thatch,
10:08
James
10:09
Garner
10:09
as
10:09
Commander
10:10
Rourke
10:11
Kreesommer
10:11
as
10:12
Keeda,
10:13
Don
10:13
Novello
10:14
as
10:14
Vinnie,
10:15
Phil
10:15
Morris
10:16
as
10:16
Sweet
10:17
Claudia
10:17
Christian
10:18
as
10:18
Helga,
10:19
Jacqueline
10:20
Obradors
10:21
as
10:21
Audrey,
10:22
Florence
10:22
Stanley
10:23
as
10:23
Packard,
10:24
John
10:24
Mahoney
10:25
as
10:25
Preston
10:26
B.
10:26
Whitmore,
10:27
Jim
10:28
Varney
10:28
as
10:28
Cookie,
10:29
Corey
10:30
Burton
10:30
as
10:30
Mole
10:31
and
10:32
Leonard
10:32
Nimoy
10:33
as
10:33
Kashikim,
10:34
the
10:34
King
10:34
of
10:34
Atlantis
10:36
Atlantis
10:36
the
10:37
Lost
10:37
Empire
10:37
has
10:37
a
10:38
screenplay
10:38
by
10:38
Tab
10:39
Murphy,
10:39
a
10:40
story
10:40
by
10:40
Kirk
10:41
Wise,
10:41
Gary
10:42
Trousdale,
10:42
Joss
10:43
Whedon,
10:43
Bruce
10:44
Zabel,
10:44
Jackie
10:45
Zabel
10:45
and
10:45
Tab
10:46
Murphy,
10:47
and
10:47
was
10:47
directed
10:48
by
10:48
Gary
10:48
Trousdale
10:49
and
10:49
Kirk
10:50
Wise.
10:51
If
10:51
Atlantis
10:52
really
10:52
existed,
10:53
no
10:54
one
10:54
wrote
10:54
about
10:55
it
10:55
until
10:55
Plato,
10:56
who
10:56
did
10:57
so
10:57
9,000
10:58
years
10:58
after
10:59
its
10:59
destruction.
11:00
Which
11:00
does
11:00
beg
11:01
the
11:01
question
11:01
of
11:01
why
11:02
no
11:02
one
11:02
else
11:02
wrote
11:03
about
11:03
Atlantis.
11:04
Plato's
11:05
Atlantis
11:05
myth
11:06
appears
11:06
in
11:06
two
11:07
of
11:07
his
11:07
dialogues,
11:08
Tinius
11:09
and
11:09
crotius,
11:10
written
11:10
around
11:11
360
11:12
BC.
11:13
According
11:13
to
11:13
Plato,
11:14
Atlantis
11:15
was
11:15
a
11:15
powerful
11:16
island
11:16
civilization
11:17
beyond
11:18
the
11:18
pillars
11:18
of
11:18
Hercules,
11:19
the
11:19
modern
11:20
Strait
11:20
of
11:20
Gibraltar.
11:21
Originally
11:22
created
11:22
by
11:22
Poseidon,
11:23
who
11:23
fell
11:24
in
11:24
love
11:24
with
11:24
a
11:24
mortal
11:25
woman
11:25
named
11:25
Cleto,
11:26
Atlantis
11:27
was
11:27
rich
11:28
in
11:28
natural
11:28
resources,
11:29
including
11:30
a
11:30
precious
11:30
metal
11:31
called
11:31
orichalcum.
11:33
It
11:33
was
11:33
highly
11:33
advanced
11:34
and
11:34
protected
11:34
by
11:35
massive
11:35
walls
11:36
plated
11:36
with
11:36
bronze,
11:37
tin
11:38
and
11:38
orichalcum.
11:39
The
11:39
Atlantean
11:40
Empire
11:40
attempted
11:41
to
11:41
conquer
11:41
Europe
11:42
and
11:42
Asia.
11:43
Athens
11:43
then
11:44
led
11:44
the
11:44
resistance
11:45
against
11:45
Atlantis
11:46
and
11:46
succeeded
11:46
in
11:47
defeating
11:47
them.
11:48
Shortly
11:48
afterward,
11:49
a
11:49
natural
11:49
disaster
11:50
struck
11:50
Atlantis
11:51
with
11:51
floods
11:52
and
11:52
earthquakes
11:53
and
11:53
the
11:53
island
11:54
sank
11:54
into
11:54
the
11:54
sea
11:55
in
11:55
a
11:55
single
11:56
day
11:56
and
11:56
night.
11:57
Atlantis
11:57
the
11:58
Lost
11:58
Empire
11:58
draws
11:59
from
11:59
Plato's
12:00
original
12:00
Atlantis
12:01
myth
12:01
as
12:02
well
12:02
as
12:02
classic
12:02
adventure
12:03
stories
12:03
like
12:03
Jules
12:04
Verne's
12:04
Journey
12:05
to
12:05
the
12:05
center
12:05
of
12:05
the
12:05
Earth
12:06
from
12:06
1864
12:07
and
12:08
20,000
12:08
Leagues
12:09
under
12:09
the
12:09
Sea
12:09
from
12:10
1870,
12:11
as
12:11
well
12:11
as
12:12
Victorian
12:12
era
12:12
adventure
12:13
fiction
12:13
and
12:13
steampunk,
12:14
various
12:15
New
12:15
Age
12:15
interpretations
12:16
of
12:16
Atlantis
12:17
and
12:17
elements
12:18
from
12:18
Edgar
12:19
Cayce's
12:19
readings
12:20
about
12:20
Atlantis.
12:21
I'm
12:21
going
12:21
to
12:22
come
12:22
back
12:22
to
12:22
Edgar
12:23
Cayce
12:23
in
12:23
a
12:24
little
12:24
bit.
12:25
The
12:25
creation
12:25
of
12:26
Atlantis
12:26
the
12:26
Lost
12:27
Empire
12:27
first
12:27
started
12:28
over
12:28
a
12:28
lunch
12:29
in
12:29
1996
12:30
with
12:30
Don
12:31
Hahn,
12:31
Gary
12:31
Trousdale,
12:32
Kirk
12:33
Wise
12:33
and
12:33
Tad
12:34
Murphy.
12:34
Having
12:35
recently
12:35
completed
12:36
the
12:36
Hunchback
12:36
of
12:36
Notre
12:37
Dame
12:38
and
12:38
wanting
12:38
to
12:38
do
12:38
something
12:39
new
12:39
with
12:39
the
12:39
Hunchback,
12:40
approved.
12:41
The
12:41
idea
12:41
was
12:42
to
12:42
draw
12:42
inspiration
12:42
from
12:43
Jules
12:43
Verne's
12:44
Journey
12:44
to
12:44
the
12:44
center
12:45
of
12:45
the
12:45
Earth
12:45
and
12:46
20,000
12:46
Leagues
12:47
under
12:47
the
12:47
Sea,
12:48
set
12:48
around
12:48
the
12:48
legendary
12:49
city
12:49
of
12:50
Atlantis,
12:51
Having
12:51
a
12:51
movie
12:51
set
12:52
within
12:52
an
12:52
Adventureland
12:53
setting
12:54
rather
12:54
than
12:54
a
12:55
Fantasyland
12:55
setting,
12:56
with
12:56
Adventureland
12:57
and
12:57
Fantasyland
12:58
both
12:58
being
12:58
Disney
12:59
theme
12:59
Park
12:59
areas.
13:00
The
13:01
team
13:01
were
13:01
keen
13:01
to
13:02
produce
13:02
an
13:02
action
13:03
heavy
13:03
animated
13:04
film
13:04
set
13:04
in
13:04
the
13:05
mythological
13:05
lost
13:06
city
13:06
of
13:06
Atlantis,
13:07
which
13:07
Verne's
13:08
work
13:08
had
13:08
briefly
13:09
touched
13:09
upon.
13:10
Trousdale
13:11
soon
13:11
approached
13:11
Disney
13:12
chairman
13:12
and
13:12
CEO
13:13
Michael
13:13
Eisner
13:14
with
13:14
the
13:14
pitch
13:14
for
13:14
Atlantis,
13:15
the
13:15
Lost
13:15
Empire.
13:16
Eisner
13:17
was
13:17
a
13:17
big
13:17
supporter
13:18
of
13:18
Wise
13:18
and
13:19
Trousdale.
13:19
They
13:20
directed
13:20
Beauty
13:20
and
13:20
the
13:21
Beast
13:21
and
13:21
at
13:22
the
13:22
time
13:22
Eisner
13:23
was
13:23
feuding
13:23
with
13:24
Roy
13:24
E.
13:24
Disney,
13:25
Watts
13:25
nephew
13:26
and
13:26
a
13:26
powerful
13:27
member
13:27
of
13:27
the
13:27
board
13:28
for
13:28
control
13:28
of
13:29
the
13:29
company.
13:29
Executive
13:30
Peter
13:31
Schneider,
13:31
the
13:31
president
13:32
of
13:32
Walt
13:32
Disney
13:33
Feature
13:33
Animation
13:34
and
13:34
Thomas
13:34
Schumacher,
13:35
Disney
13:36
Studios
13:36
President,
13:37
were
13:37
focusing
13:38
more
13:38
of
13:38
their
13:39
attention
13:39
on
13:39
Disney
13:40
Theatrical,
13:41
the
13:41
stage
13:42
play
13:42
and
13:42
musicals
13:43
divisions,
13:43
basically
13:44
the
13:44
Broadway
13:44
versions.
13:45
Because
13:46
of
13:46
all
13:46
of
13:46
these
13:47
factors,
13:47
Atlantis
13:48
didn't
13:48
just
13:49
get
13:49
an
13:49
immediate
13:50
green
13:50
light,
13:51
but
13:51
senior
13:52
management
13:52
trusted
13:53
Trousdale
13:53
and
13:53
Wise
13:54
to
13:54
do
13:54
what
13:54
they
13:55
needed
13:55
to
13:55
do.
13:56
Eisner
13:57
was
13:57
distracted
13:58
and
13:58
this
13:58
would
13:59
lead
13:59
to
13:59
very
13:59
little
14:00
executive
14:00
medley.
14:01
Trousdale
14:02
and
14:02
Wise
14:02
were
14:02
in
14:03
agreement
14:03
that
14:03
the
14:03
film
14:04
they
14:04
were
14:04
making
14:04
would
14:05
not
14:05
be
14:05
musical.
14:06
Eisner
14:07
just
14:07
happened
14:07
to
14:07
be
14:07
the
14:08
executive
14:08
at
14:08
Paramount
14:09
who'd
14:09
given
14:09
the
14:10
green
14:10
light
14:10
to
14:10
a
14:10
little
14:11
movie
14:11
called
14:11
Raiders
14:12
at
14:12
the
14:12
Lost
14:12
Ark
14:13
and
14:13
he
14:13
wanted
14:14
a
14:14
similar
14:15
action
14:15
adventure
14:16
vibe
14:16
for
14:17
the
14:17
Lost
14:18
Empire.
14:18
Famously,
14:19
the
14:19
production
14:20
crew
14:20
wore
14:20
T
14:20
shirts
14:21
to
14:21
work
14:21
that
14:21
read
14:22
Atlantis.
14:23
Fewer
14:23
songs,
14:24
more
14:24
explosions.
14:25
Trousdale
14:26
and
14:26
Wise
14:27
disliked
14:27
that
14:27
the
14:28
city
14:28
of
14:28
Atlantis
14:28
was
14:29
often
14:29
portrayed
14:30
as
14:30
just
14:30
a
14:31
mess
14:31
of
14:31
collapsed
14:31
columns
14:32
underwater.
14:33
So
14:33
they
14:33
extensively
14:34
investigated
14:35
the
14:35
legend
14:35
of
14:35
Atlantis
14:36
from
14:36
various
14:36
sources
14:37
in
14:37
order
14:38
to
14:38
create
14:38
a
14:38
movie
14:39
that
14:39
thoroughly
14:39
examined
14:40
the
14:40
civilization.
14:41
Trousdale
14:42
and
14:42
Wise
14:42
chose
14:43
to
14:43
portray
14:43
the
14:43
city
14:44
as
14:44
a
14:44
magnificent
14:45
futuristic
14:46
metropolis
14:47
with
14:47
cutting
14:48
edge
14:48
technology
14:49
driven
14:49
by
14:49
the
14:50
heart
14:50
of
14:50
Atlantis,
14:51
a
14:51
powerful
14:52
crystal
14:52
that
14:52
also
14:53
served
14:53
as
14:53
the
14:53
city's
14:54
protector.
14:55
This
14:55
was
14:55
partially
14:56
inspired
14:56
by
14:56
the
14:57
writings
14:57
of
14:57
late
14:58
19th
14:58
century
14:58
Clairvoyant
14:59
Edgar
15:00
Cayce,
15:00
with
15:01
the
15:01
magical
15:01
crystal
15:02
also
15:02
giving
15:02
the
15:02
city's
15:03
residents
15:03
longevity
15:04
and
15:04
healing
15:05
abilities.
15:06
Cayce
15:06
was
15:07
a
15:07
self
15:07
proclaimed
15:08
psychic
15:08
who
15:09
gave
15:09
numerous
15:09
readings
15:10
about
15:10
Atlantis
15:11
while
15:11
in
15:11
trance
15:12
states.
15:12
He
15:13
described
15:13
Atlanteans
15:14
using
15:14
powerful
15:14
crystals
15:15
for
15:15
energy
15:16
and
15:16
technology
15:17
as
15:17
well
15:17
as
15:17
having
15:18
healing
15:18
and
15:18
life
15:19
extending
15:19
properties.
15:20
He
15:21
spoke
15:21
of
15:21
Atlantis
15:22
having
15:22
advanced
15:22
technology
15:23
beyond
15:23
what
15:24
existed
15:24
in
15:24
his
15:25
time.
15:25
The
15:25
film
15:26
depicts
15:26
Atlantis
15:27
as
15:27
having
15:27
highly
15:28
advanced
15:28
technology
15:29
including
15:30
flying
15:30
vehicles
15:31
and
15:31
energy
15:31
based
15:32
weapons
15:32
powered
15:33
by
15:33
the
15:33
crystal
15:34
energy.
15:35
Casey
15:35
also
15:36
described
15:36
Atlantis
15:37
being
15:37
destroyed
15:38
due
15:38
to
15:38
the
15:38
misuse
15:39
of
15:39
its
15:39
crystal
15:40
technology.
15:41
The
15:41
film's
15:41
backstory
15:42
involves
15:42
Atlantis
15:43
being
15:43
submerged
15:44
due
15:44
to
15:44
a
15:45
catastrophic
15:45
event
15:46
related
15:46
to
15:46
crystal
15:47
power.
15:48
You'll
15:48
notice
15:49
I
15:49
mentioned
15:49
the
15:49
name
15:50
Joss
15:50
Whedon
15:50
when
15:51
I
15:51
was
15:51
mentioning
15:51
the
15:51
story
15:52
credits
15:52
and
15:53
Joss
15:53
Whedon
15:54
is
15:54
credited
15:55
for
15:55
the
15:55
story,
15:56
but
15:56
his
15:56
involvement
15:57
was
15:57
actually
15:58
non
15:58
existent.
15:59
He
15:59
had
16:00
been
16:00
briefly
16:00
involved
16:01
with
16:01
a
16:01
Marco
16:02
Polo
16:02
musical
16:03
when
16:03
he
16:03
worked
16:04
at
16:04
Disney
16:04
Animation,
16:05
and
16:05
elements
16:06
of
16:06
his
16:06
work
16:07
included
16:07
references
16:08
to
16:08
Atlantis.
16:09
The
16:10
final
16:10
film
16:10
contains
16:11
none
16:11
of
16:11
Whedon's
16:12
work,
16:13
but
16:13
he
16:13
received
16:14
a
16:14
credit
16:14
anyway,
16:15
mostly
16:16
due
16:16
to
16:16
the
16:16
advice
16:16
of
16:17
Disney's
16:17
legal
16:17
team.
16:18
Tab
16:19
Murphy
16:19
wrote
16:20
the
16:20
screenplay,
16:21
set
16:21
in
16:21
1914,
16:22
which
16:23
focused
16:23
on
16:23
Milo
16:24
Sach,
16:24
a
16:25
young,
16:25
ambitious
16:26
linguist
16:26
and
16:26
cartographer
16:27
at
16:27
the
16:27
Smithsonian
16:28
Institute
16:29
who
16:29
thinks
16:29
he's
16:30
discovered
16:30
the
16:30
way
16:30
to
16:31
Atlantis.
16:32
Milo
16:32
teams
16:33
up
16:33
with
16:33
an
16:33
eccentric
16:34
millionaire
16:34
and
16:34
friend
16:35
of
16:35
his
16:35
late
16:35
grandfather
16:36
who
16:36
offers
16:37
to
16:37
finance
16:38
the
16:38
mission
16:38
and
16:38
send
16:39
a
16:39
team
16:39
of
16:39
experts
16:39
to
16:40
help
16:40
Milo
16:41
in
16:41
his
16:41
ambitious
16:42
quest.
16:42
After
16:42
the
16:43
museum's
16:43
board
16:44
rejects
16:44
his
16:44
proposed
16:45
mission,
16:46
Charles,
16:46
Dale
16:46
and
16:47
Wise
16:47
insisted
16:47
on
16:48
developing
16:48
a
16:48
whole
16:49
spoken
16:49
and
16:49
written
16:50
language
16:50
for
16:50
the
16:50
Atlanteans
16:51
in
16:52
an
16:52
effort
16:52
to
16:52
accurately
16:53
portray
16:53
Atlantis
16:54
as
16:54
its
16:54
own
16:54
distinct
16:55
civilization.
16:56
They
16:57
hired
16:57
Mark
16:57
Akrund,
16:58
an
16:59
American
16:59
linguist
16:59
who
17:00
created
17:00
the
17:00
Klingon
17:01
language
17:01
for
17:01
the
17:01
Star
17:02
Trek
17:02
TV
17:02
series
17:03
and
17:03
its
17:03
follow
17:04
up
17:04
movies.
17:05
For
17:05
the
17:05
Atlantean
17:06
language,
17:06
Okrand
17:07
used
17:07
an
17:07
Indo
17:08
European
17:08
word
17:09
stock
17:09
with
17:09
a
17:10
unique
17:10
grammatical
17:11
framework
17:11
in
17:12
order
17:12
to
17:12
generate
17:13
words
17:13
that
17:13
sounded
17:13
completely
17:14
different
17:14
from
17:14
any
17:15
language
17:15
that
17:15
was
17:15
known
17:15
to
17:16
exist.
17:16
Okrand
17:17
spent
17:17
months
17:18
developing
17:18
the
17:18
spoken
17:19
language.
17:20
Coincidentally,
17:20
Leonard
17:21
Nimoy
17:21
also
17:22
stars
17:22
in
17:22
this
17:22
movie,
17:23
and
17:23
obviously
17:23
he's
17:24
most
17:24
famous
17:24
for
17:25
playing
17:25
Spock
17:26
in
17:26
Star
17:26
Trek.
17:27
John
17:28
Emerson
17:28
created
17:29
the
17:29
written
17:29
Atlantean
17:30
language
17:31
by
17:31
drawing
17:32
hundreds
17:32
of
17:32
random
17:32
drawings
17:33
of
17:33
individual
17:34
letters
17:34
from
17:35
which
17:35
the
17:35
filmmakers
17:36
selected
17:36
the
17:36
ones
17:36
that
17:37
best
17:37
reflected
17:37
their
17:38
own
17:38
concept
17:38
for
17:39
the
17:39
language
17:40
in
17:40
order
17:40
to
17:40
illustrate
17:41
the
17:41
Atlantean's
17:42
intimate
17:42
ties
17:43
to
17:43
the
17:43
land
17:43
and
17:43
ocean.
17:44
The
17:44
finished
17:45
patterns
17:45
typically
17:46
included
17:46
swirling
17:47
lines
17:47
and
17:47
dots.
17:48
All
17:49
of
17:49
the
17:49
text
17:49
was
17:50
boustropheden,
17:51
meaning
17:51
the
17:51
first
17:52
line
17:52
should
17:52
be
17:52
read
17:52
from
17:53
left
17:53
to
17:53
right,
17:54
the
17:54
second
17:54
from
17:55
right
17:55
to
17:55
left,
17:55
and
17:56
so
17:56
on.
17:57
The
17:57
purpose
17:57
of
17:57
this
17:57
continuous
17:58
zigzag
17:59
design
17:59
was
17:59
to
18:00
mimic
18:00
the
18:00
natural
18:00
flow
18:01
of
18:01
water.
18:02
And
18:02
of
18:02
course,
18:02
a
18:02
major
18:03
plot
18:03
point
18:03
in
18:03
the
18:04
movie
18:04
is
18:04
that
18:05
the
18:05
Atlanteans
18:06
have
18:06
forgotten
18:06
to
18:06
read
18:07
their
18:07
own
18:07
language,
18:08
and
18:08
the
18:08
only
18:08
person
18:09
who
18:09
can
18:09
is
18:10
Milo
18:10
Thatch.
18:11
The
18:12
filmmakers
18:12
wanted
18:12
Atlantis,
18:13
the
18:13
Lost
18:13
Empire,
18:14
to
18:14
have
18:14
a
18:14
distinct
18:15
look
18:15
and
18:15
feel
18:15
from
18:16
what
18:16
came
18:16
before
18:16
it.
18:17
The
18:17
primary
18:18
source
18:18
of
18:18
inspiration
18:19
for
18:19
Wise
18:20
and
18:20
Trousdale
18:21
was
18:21
the
18:21
comic
18:21
book
18:22
artwork
18:22
of
18:22
Hellboy
18:23
creator
18:23
Mike
18:24
Mignola.
18:25
They
18:25
were
18:25
inspired
18:26
by
18:26
the
18:26
Hercules
18:27
team's
18:27
experience
18:28
working
18:29
with
18:29
renowned
18:29
illustrator
18:30
Gerald
18:30
Scarfe,
18:31
and
18:31
then
18:31
hired
18:32
Mignola
18:32
to
18:33
contribute
18:33
character
18:34
designs,
18:34
work
18:35
on
18:35
design
18:35
features
18:36
like
18:36
the
18:36
Atlantean
18:37
temples,
18:38
and
18:38
work
18:38
on
18:38
story
18:39
ideas,
18:39
including
18:40
the
18:40
creation
18:40
of
18:41
steampunk
18:41
elements
18:42
and
18:42
mechanical
18:43
flying
18:43
fish
18:44
machines.
18:44
For
18:44
the
18:44
film's
18:45
Conclusion.
18:46
Every
18:46
visual
18:47
element
18:47
of
18:47
the
18:47
final
18:48
film
18:48
reflected
18:49
Mignola's
18:50
unique
18:50
style,
18:50
with
18:51
sharp
18:51
angular
18:52
edges
18:52
and
18:52
deep
18:53
lines,
18:53
which
18:53
mirrored
18:54
the
18:54
artwork
18:54
of
18:55
comic
18:55
books.
18:56
To
18:57
further
18:57
differentiate
18:57
the
18:58
movie
18:58
from
18:58
anything
18:59
that
18:59
had
18:59
come
18:59
before
18:59
it,
19:00
they
19:00
had
19:00
the
19:01
idea
19:01
to
19:01
film
19:02
in
19:02
CinemaScope
19:03
70mm
19:04
widescreen
19:04
format.
19:05
Executives
19:06
were
19:06
initially
19:07
concerned
19:07
about
19:07
the
19:08
required
19:08
paper
19:09
size
19:09
because
19:09
the
19:10
format
19:10
increased
19:11
the
19:11
cost
19:11
of
19:12
notable
19:12
Disney
19:13
flops,
19:13
Sleeping
19:14
Beauty
19:14
and
19:14
the
19:14
Blue
19:15
Cauldron
19:16
to
19:16
viewing
19:16
a
19:17
test
19:17
sequence
19:17
in
19:17
the
19:17
70
19:18
mm
19:18
format.
19:19
Eisner
19:20
approved
19:20
the
19:20
change
19:20
in
19:21
production
19:21
method
19:22
from
19:22
here.
19:23
Charleston
19:23
and
19:23
Weiss
19:24
were
19:24
inspired
19:24
by
19:24
filmmakers
19:25
who
19:25
had
19:25
used
19:26
the
19:26
format
19:26
in
19:26
the
19:27
past,
19:27
particularly
19:28
Steven
19:28
Spielberg,
19:29
David
19:29
Lean
19:30
and
19:30
Akira
19:30
Kurosawa,
19:31
with
19:32
Spielberg's
19:32
Raiders
19:33
of
19:33
the
19:33
Lost
19:33
Ark
19:34
consistently
19:35
used
19:35
as
19:35
a
19:35
reference
19:36
point
19:36
for
19:36
the
19:36
production
19:37
team.
19:37
The
19:37
animators
19:38
who
19:38
worked
19:39
on
19:39
Sleeping
19:39
Beauty
19:40
were
19:40
sketching
19:40
on
19:41
bed
19:41
sheet
19:41
sized
19:42
paper,
19:42
and
19:43
there
19:43
were
19:43
discussions
19:43
about
19:44
relocating
19:44
the
19:45
whole
19:45
Atlantis
19:45
crew
19:46
to
19:46
a
19:46
new
19:46
facility
19:47
with
19:47
dedicated
19:48
larger
19:49
workstations.
19:50
However,
19:50
this
19:51
would
19:51
have
19:51
cost
19:51
a
19:51
fortune,
19:52
so
19:53
a
19:53
compromise
19:53
was
19:54
made.
19:54
The
19:54
figures
19:55
and
19:55
backgrounds
19:55
would
19:56
be
19:56
smaller
19:56
and
19:56
it
19:57
would
19:57
therefore
19:57
fit
19:58
on
19:58
a
19:58
normal
19:59
sized
19:59
piece
19:59
of
20:00
paper,
20:00
which
20:00
was
20:01
effective
20:01
because
20:02
of
20:02
how
20:02
stylized
20:03
it
20:03
all
20:03
was.
20:04
Everything
20:04
about
20:05
Atlantis
20:06
the
20:06
Lost
20:06
Empire,
20:06
though,
20:07
was
20:07
huge
20:07
in
20:08
style
20:08
and
20:09
scope.
20:09
The
20:10
first
20:10
two
20:10
acts
20:10
were
20:11
storyboarded
20:11
and
20:12
ran
20:12
over
20:13
two
20:13
hours.
20:13
A
20:14
number
20:14
of
20:14
characters
20:15
were
20:15
removed
20:15
from
20:15
the
20:15
script,
20:16
including
20:17
a
20:17
phony
20:17
mystic
20:18
that
20:18
joins
20:18
them
20:18
on
20:18
the
20:19
journey,
20:19
Mr.
20:20
Whitmore's
20:20
nephew
20:21
and
20:21
Milo's
20:22
pet
20:22
rat,
20:22
Plato.
20:23
There
20:23
goes
20:24
the
20:24
cute
20:24
animal
20:25
sidekick.
20:25
A
20:25
number
20:26
of
20:26
action
20:26
sequences
20:27
and
20:27
monster
20:27
attacks
20:28
were
20:28
dramatically
20:29
pared
20:29
down,
20:29
with
20:30
the
20:30
journey
20:30
to
20:30
Atlantis
20:31
becoming
20:31
shorter
20:32
and
20:32
less
20:32
eventful
20:33
and
20:33
the
20:33
parts
20:34
in
20:34
Atlantis
20:34
receiving
20:35
more
20:35
focus.
20:36
But
20:36
with
20:37
this
20:37
removal
20:37
of
20:37
huge
20:38
chunks
20:38
of
20:38
the
20:38
movie
20:39
came
20:39
a
20:40
reduction
20:40
in
20:40
budget,
20:41
which
20:41
led
20:41
to
20:42
tough
20:42
choices
20:42
on
20:43
what
20:43
to
20:43
focus
20:43
their
20:44
attention
20:44
on
20:45
and
20:45
what
20:45
to
20:45
skimp
20:46
on.
20:47
A
20:47
lavish
20:48
original
20:48
prologue
20:49
featuring
20:49
a
20:49
group
20:50
of
20:50
Vikings
20:51
using
20:51
the
20:51
same
20:52
ancient
20:52
manuscript
20:53
to
20:53
find
20:53
Atlantis
20:54
cost
20:54
$5
20:55
million
20:55
to
20:56
produce.
20:56
It
20:57
was
20:57
fully
20:57
animated
20:58
and
20:58
color
20:58
timed,
20:59
but
20:59
late
20:59
in
20:59
the
20:59
production
21:00
they
21:00
realized
21:01
it
21:01
wasn't
21:01
working.
21:02
That
21:02
prologue
21:03
was
21:03
also
21:03
scrapped
21:04
and
21:04
changed
21:05
up
21:05
for
21:05
the
21:05
destruction
21:06
of
21:06
Atlantis
21:07
to
21:07
show
21:08
why
21:08
it's
21:08
now
21:08
below
21:09
the
21:09
water
21:09
and
21:09
to
21:09
introduce
21:10
Keda.
21:11
Artistic
21:11
supervisor
21:12
for
21:12
story,
21:12
John
21:13
Sanford,
21:13
pitched
21:14
the
21:14
new
21:14
idea
21:15
to
21:15
Don
21:15
Hard
21:16
and
21:16
Wise,
21:16
and
21:16
Trousdale
21:17
agreed
21:17
the
21:18
new
21:18
idea
21:18
was
21:18
better.
21:19
It
21:19
was
21:19
storyboarded
21:20
overnight
21:21
and
21:21
pitched
21:21
to
21:22
Disney
21:22
executives
21:23
the
21:23
next
21:23
day.
21:24
But
21:25
this
21:25
was
21:25
still
21:25
a
21:25
Disney
21:26
movie,
21:26
and
21:26
as
21:26
the
21:26
production
21:27
scaled
21:27
back,
21:28
so
21:28
did
21:29
some
21:29
of
21:29
the
21:29
edge.
21:29
In
21:30
the
21:30
original
21:30
screenplay,
21:31
there's
21:31
still
21:32
a
21:32
character
21:32
smoking,
21:33
but
21:33
this
21:33
was
21:34
before
21:34
Disney
21:34
removed
21:35
smoking
21:35
from
21:35
all
21:36
productions.
21:36
But
21:37
characters
21:37
still
21:37
brandish
21:38
guns
21:38
and
21:39
there
21:39
are
21:39
still
21:39
gunfights.
21:40
Then
21:41
during
21:41
production,
21:42
Columbine
21:43
happened.
21:44
At
21:44
the
21:44
time,
21:45
it
21:45
was
21:45
the
21:45
second
21:45
most
21:46
fatal
21:46
school
21:47
shooting
21:47
in
21:47
American
21:47
history.
21:48
It's
21:49
now
21:49
the
21:49
sixth.
21:50
After
21:50
this,
21:51
questions
21:51
were
21:51
asked
21:52
on
21:52
depiction
21:52
of
21:52
guns
21:53
or
21:53
gunplay
21:54
in
21:54
films
21:54
and
21:54
TV
21:55
shows.
21:55
Episodes
21:56
of
21:56
TV
21:57
shows
21:57
containing
21:57
guns
21:58
in
21:58
schools
21:58
was
21:59
postponed,
21:59
such
22:00
as
22:00
an
22:00
episode
22:00
of
22:00
Buffy
22:01
called
22:01
Earshot,
22:02
and
22:02
Disney
22:03
decided
22:03
to
22:03
also
22:04
scale
22:04
the
22:04
guns
22:05
back
22:05
in
22:05
Atlantis
22:06
in
22:06
response
22:06
to
22:07
the
22:07
massacre.
22:08
When
22:08
it
22:08
came
22:09
to
22:09
casting,
22:09
Michael
22:10
J.
22:10
Fox
22:10
had
22:10
the
22:11
choice
22:11
to
22:11
star
22:11
in
22:12
Atlantis
22:13
or
22:13
Titan
22:14
ae.
22:14
Titan
22:15
AE
22:15
being
22:15
the
22:16
very
22:16
first
22:16
episode
22:16
of
22:16
this
22:17
podcast,
22:17
of
22:17
course.
22:18
So
22:18
Fox
22:19
gave
22:19
the
22:19
choice
22:19
to
22:19
his
22:20
young
22:20
son,
22:20
who
22:21
chose
22:21
Atlantis.
22:22
Kree
22:23
Summer,
22:23
a
22:23
prolific
22:24
voice
22:24
actor
22:24
at
22:24
the
22:25
time,
22:25
was
22:25
cast
22:26
as
22:26
Kida.
22:27
Her
22:27
personality
22:27
and
22:28
demeanor
22:28
were
22:28
also
22:29
written
22:29
into
22:29
how
22:30
Keeda
22:30
reacts
22:30
to
22:31
Milo.
22:31
And
22:32
is
22:32
Kida
22:33
actually
22:33
the
22:33
first
22:34
black
22:34
Disney
22:34
princess?
22:35
The
22:36
fans
22:36
certainly
22:37
think
22:37
so.
22:38
The
22:38
rest
22:38
of
22:38
the
22:38
cast
22:39
is
22:39
as
22:39
racially
22:39
diverse
22:40
as
22:40
the
22:40
crew
22:41
of
22:41
the
22:41
Ulysses,
22:42
which
22:42
is
22:42
actually
22:42
refreshing
22:43
to
22:43
see
22:43
in
22:43
an
22:44
early
22:44
2000s
22:45
Disney
22:45
movie.
22:46
It
22:46
feels
22:46
like
22:47
some
22:47
actual
22:47
thought
22:48
has
22:48
not
22:48
only
22:49
been
22:49
put
22:49
into
22:49
the
22:49
diversity
22:50
of
22:50
the
22:50
crew
22:50
on
22:51
screen,
22:51
but
22:52
also
22:52
ensuring
22:52
that
22:53
those
22:53
different
22:53
racial
22:54
backgrounds
22:54
are
22:54
represented
22:55
off
22:55
screen
22:56
too.
22:57
Jim
22:57
Varney,
22:57
who
22:58
voiced
22:58
Cookie,
22:59
died
22:59
of
22:59
lung
22:59
cancer
23:00
in
23:00
February
23:00
2000
23:01
and
23:02
so
23:02
never
23:02
saw
23:02
the
23:02
finished
23:03
film.
23:04
Supplementary
23:04
dialogue
23:05
for
23:05
Cookie
23:05
was
23:05
recorded
23:06
by
23:06
Stephen
23:07
Barr.
23:08
Atlantis,
23:08
the
23:08
Lost
23:09
Empire
23:09
utilized
23:10
more
23:10
than
23:10
350
23:11
animators,
23:12
artists
23:13
and
23:13
technicians
23:13
at
23:14
its
23:14
peak.
23:14
In
23:15
order
23:15
to
23:15
maintain
23:16
consistency
23:16
in
23:16
the
23:17
look,
23:17
the
23:17
film
23:18
used
23:18
the
23:19
services
23:19
of
23:19
Walt
23:19
Disney
23:20
Feature
23:20
Animation
23:21
in
23:21
Burbank,
23:21
California,
23:22
Disney
23:23
Feature
23:23
Animation,
23:23
Florida,
23:24
and
23:24
Disney
23:25
Animation,
23:25
France.
23:26
Designs
23:27
were
23:27
either
23:27
faxed,
23:28
couriered
23:28
or
23:28
shared
23:29
digitally
23:29
between
23:30
the
23:30
three
23:30
studios.
23:32
The
23:32
movie
23:32
would
23:32
eventually
23:33
feature
23:33
over
23:33
360
23:34
digital
23:35
effects
23:35
shots
23:36
which
23:36
took
23:37
more
23:37
than
23:37
three
23:37
years
23:38
to
23:38
create
23:38
and
23:39
featured
23:39
more
23:39
computer
23:40
generated
23:40
imagery
23:41
than
23:41
any
23:41
other
23:42
Disney
23:42
animated
23:42
feature
23:43
film
23:43
to
23:43
date.
23:44
Computer
23:44
software
23:45
was
23:45
used
23:45
to
23:46
smoothly
23:46
integrate
23:47
3D
23:47
created
23:48
objects
23:48
and
23:48
artwork
23:49
with
23:49
the
23:49
2D
23:50
animation,
23:51
especially
23:51
in
23:51
scenes
23:52
involving
23:52
the
23:52
Ulysses
23:53
submarine.
23:54
The
23:54
directors
23:55
also
23:55
made
23:55
use
23:55
of
23:56
a
23:56
revolutionary
23:57
virtual
23:57
camera
23:58
which
23:58
made
23:58
it
23:58
possible
23:59
for
23:59
the
23:59
camera
23:59
to
23:59
move
24:00
fluidly
24:00
through
24:01
a
24:01
digital
24:01
wireframe
24:02
set
24:02
while
24:03
post
24:03
production
24:04
added
24:04
details
24:04
and
24:05
background.
24:06
Only
24:06
two
24:06
sequences
24:07
in
24:07
Atlantis,
24:08
the
24:08
Lost
24:08
Empire
24:09
have
24:09
no
24:10
3D
24:10
elements
24:11
in
24:12
one
24:12
sequence.
24:12
Milo,
24:13
who
24:13
is
24:13
obviously
24:14
a
24:14
hand
24:14
drawn
24:14
character,
24:15
is
24:15
chased
24:16
through
24:16
lava
24:16
tubes
24:17
that
24:17
lead
24:17
to
24:17
Atlantis.
24:18
Background
24:19
painters
24:19
used
24:20
deep
24:20
canvas
24:21
software
24:21
to
24:21
paint
24:21
the
24:22
tubes.
24:22
However,
24:23
the
24:23
lava
24:23
following
24:24
Milo
24:24
through
24:24
the
24:25
tubes
24:25
was
24:25
drawn
24:25
by
24:26
hand.
24:26
In
24:26
the
24:26
effects
24:27
department,
24:28
one
24:28
of
24:28
the
24:28
most
24:29
complex
24:29
effects
24:30
created
24:30
digitally
24:31
was
24:31
the
24:31
crystal,
24:32
the
24:32
power
24:32
source
24:33
for
24:33
Atlantis,
24:34
which
24:34
looks
24:34
like
24:34
a
24:34
tube
24:35
of
24:35
light
24:35
surrounded
24:36
by
24:36
rotating
24:37
stone
24:37
shields.
24:38
There
24:38
were
24:38
three
24:39
levels
24:39
of
24:39
different
24:40
color
24:40
membranes
24:41
emitting
24:41
a
24:41
three
24:42
dimensional
24:42
kind
24:42
of
24:43
light.
24:43
Animating
24:44
these
24:44
crystals
24:45
traditionally
24:45
would
24:46
have
24:46
been
24:46
impossible
24:47
to
24:47
do.
24:47
The
24:48
Leviathan
24:48
had
24:49
100
24:49
moving
24:49
parts
24:50
and
24:50
animating
24:51
it
24:51
used
24:51
traditional
24:52
techniques
24:53
Adapted
24:53
for
24:53
digital
24:54
3D
24:54
creation.
24:55
The
24:55
backgrounds
24:56
for
24:56
these
24:56
shots
24:56
were
24:57
painted
24:57
digitally.
24:58
The
24:58
Leviathan
24:59
creature,
24:59
the
24:59
main
24:59
submarine
25:00
and
25:00
the
25:00
mini
25:01
subs
25:01
are
25:01
all
25:01
3D
25:02
models.
25:03
The
25:03
3D
25:03
team
25:04
rendered
25:04
tens
25:04
of
25:04
thousands
25:05
of
25:05
layers
25:06
to
25:06
create
25:06
individual
25:07
pieces
25:07
of
25:07
art
25:08
for
25:08
the
25:08
lines,
25:08
tone
25:09
and
25:09
paint.
25:10
The
25:10
film's
25:11
final
25:11
shot,
25:12
a
25:12
pull
25:12
out
25:12
shot
25:13
reminiscent
25:13
of
25:13
the
25:14
closing
25:14
shot
25:14
in
25:15
the
25:15
Hunchback
25:15
of
25:15
Notre
25:16
Dame,
25:16
which
25:17
the
25:17
animators
25:17
initially
25:18
felt
25:18
was
25:18
too
25:18
straightforward
25:19
and
25:20
wanted
25:20
to
25:20
elaborate
25:21
on,
25:21
begins
25:22
with
25:22
a
25:22
close
25:22
up
25:23
of
25:23
Milo
25:24
drawn
25:25
on
25:25
a
25:25
40.5
25:26
centimeter
25:27
piece
25:27
of
25:27
paper.
25:28
It
25:28
then
25:28
pulls
25:28
out
25:29
to
25:29
reveal
25:29
Atlantis
25:30
in
25:30
all
25:30
its
25:31
splendor.
25:31
And
25:32
this
25:32
is
25:32
drawn
25:32
on
25:33
a
25:33
massive
25:34
45-720-centimeter
25:37
piece
25:37
of
25:37
paper.
25:38
It's
25:38
often
25:39
cited
25:39
as
25:39
the
25:40
most
25:40
difficult
25:40
shot
25:41
in
25:41
Disney's
25:41
history.
25:42
At
25:43
the
25:43
same
25:43
time,
25:44
Aladdin
25:44
and
25:44
Hercules
25:45
directors
25:46
Ron
25:46
Clements
25:46
and
25:46
John
25:46
Muska
25:47
were
25:48
finally
25:48
getting
25:48
to
25:49
work
25:49
on
25:49
their
25:49
passion
25:50
project,
25:50
Treasure
25:51
Planet,
25:51
which
25:51
was
25:52
due
25:52
out
25:52
the
25:52
following
25:53
year
25:53
after
25:54
Atlantis
25:54
the
25:54
Lost
25:55
Empire.
25:55
Treasure
25:56
Planet
25:56
and
25:57
Atlantis
25:57
share
25:58
similar
25:58
aesthetics,
25:59
a
25:59
mix
25:59
of
26:00
hand
26:00
drawn
26:00
animation
26:01
and
26:01
cutting
26:02
edge
26:02
CG
26:03
animation
26:03
as
26:04
well
26:04
as
26:04
a
26:04
steampunk
26:05
style.
26:05
It
26:06
was
26:06
another
26:06
new
26:06
avenue
26:07
for
26:07
Disney
26:07
animation
26:08
and
26:08
everyone
26:09
was
26:09
waiting
26:10
with
26:10
bated
26:10
breath
26:11
to
26:11
see
26:12
how
26:12
Atlantis
26:13
the
26:13
Lost
26:13
Empire
26:14
would
26:14
be
26:14
received.
26:15
Speaking
26:16
of
26:16
new
26:17
avenues.
26:17
Or
26:17
at
26:18
least
26:18
the
26:18
opposite
26:18
of
26:18
new
26:18
avenues
26:19
because
26:19
this
26:19
is
26:19
nothing
26:20
new,
26:20
it's
26:21
time
26:21
for
26:21
the
26:21
obligature
26:22
Keanu
26:22
reference
26:23
of
26:23
this
26:23
episode.
26:24
And
26:24
this
26:24
is
26:24
a
26:24
part
26:24
of
26:25
the
26:25
podcast
26:25
where
26:25
I
26:25
try
26:25
and
26:26
link
26:26
every
26:26
movie
26:26
that
26:27
I
26:27
feature
26:27
with
26:27
Keanu
26:28
Reeves
26:28
for
26:29
no
26:29
reason
26:29
other
26:29
than
26:30
he
26:30
is
26:30
the
26:30
best
26:30
of
26:31
men.
26:31
And
26:32
originally
26:32
I
26:32
thought
26:33
there
26:33
was
26:33
no
26:34
way
26:34
I
26:34
would
26:34
be
26:34
able
26:34
to
26:35
link
26:35
Keanu
26:36
Reeves
26:36
to
26:36
Atlantis
26:37
Thanos
26:37
Empire.
26:38
Until
26:39
I
26:39
googled
26:40
Keanu
26:41
Atlantis
26:42
thinking
26:43
something's
26:44
gotta
26:44
be
26:44
there.
26:45
And
26:45
it
26:45
was
26:46
literally
26:46
straight
26:47
away.
26:47
The
26:48
Keanu
26:48
Reeves
26:49
is
26:49
associated
26:50
with
26:50
the
26:50
character
26:51
B
26:51
from
26:52
the
26:52
comic
26:52
book
26:53
Berserker,
26:54
and
26:54
the
26:54
character
26:55
Bee
26:55
is
26:55
an
26:56
immortal
26:56
warrior
26:57
who
26:57
protects
26:58
Atlantis,
26:59
theoretically
27:00
the
27:00
same
27:00
version
27:01
of
27:01
Atlantis
27:02
that
27:02
Mino
27:03
and
27:03
the
27:03
team
27:03
visit
27:04
in
27:04
this
27:04
movie.
27:05
So
27:05
that
27:05
is
27:05
the
27:06
easiest
27:06
and
27:07
best
27:07
and
27:07
most
27:08
brilliant
27:08
way
27:08
that
27:08
I
27:09
can
27:09
link
27:09
Keanu
27:09
Reeves
27:10
to
27:10
Atlantis
27:11
the
27:11
Lost
27:11
Empire.
27:12
So
27:13
while
27:13
Kirk
27:13
Wise
27:14
and
27:14
Gary
27:14
Trousdale
27:15
agreed
27:15
that
27:15
Atlantis
27:16
the
27:16
Lost
27:16
Empire
27:17
would
27:17
not
27:17
be
27:18
a
27:18
musical,
27:18
the
27:19
studio's
27:19
marketing
27:20
department
27:20
insisted
27:21
that
27:21
at
27:22
least
27:22
one
27:22
song
27:22
be
27:23
featured
27:23
during
27:23
the
27:24
film's
27:24
end
27:24
credits.
27:25
And
27:25
this
27:25
was
27:26
mostly
27:26
to
27:26
adhere
27:26
to
27:27
tradition
27:28
they
27:28
enlisted
27:28
Oscar
27:29
nominated
27:29
songwriter
27:30
Diane
27:31
Warren
27:31
to
27:31
write
27:32
a
27:32
track
27:32
entitled
27:33
where
27:33
the
27:33
Dream
27:34
Takes
27:34
yous
27:35
and
27:35
Grammy
27:35
Award
27:36
winning
27:36
singer
27:37
Mhi'ya
27:37
was
27:37
hired
27:38
to
27:38
record
27:38
the
27:39
song.
27:39
Maya
27:40
was
27:40
riding
27:40
on
27:41
a
27:41
bit
27:41
of
27:41
a
27:41
high
27:41
at
27:41
the
27:42
time,
27:42
having
27:42
just
27:43
been
27:43
part
27:43
of
27:44
the
27:44
Lady
27:44
Marmalade
27:45
collaboration
27:46
with
27:46
Pink,
27:47
Christina
27:47
Aguilera,
27:48
Lil
27:48
Kim
27:49
and
27:49
Missy
27:49
Elliot.
27:50
The
27:51
idea
27:51
being
27:51
that
27:51
where
27:52
the
27:52
Dream
27:52
Takes
27:52
you
27:53
would
27:53
bolster
27:53
Maya's
27:54
career
27:55
the
27:55
same
27:55
way
27:55
Christina
27:56
Aguilera's
27:57
had
27:57
been
27:57
when
27:58
she
27:58
recorded
27:58
the
27:58
song
27:59
Reflection
28:00
for
28:00
Mulan
28:00
in
28:01
1990.
28:02
And
28:02
if
28:02
you're
28:03
wondering
28:03
why
28:04
you've
28:04
never
28:04
heard
28:05
of
28:05
where
28:05
the
28:05
Dream
28:06
Takes
28:06
you,
28:07
it's
28:07
because
28:07
it
28:07
flopped
28:08
pretty
28:08
hard,
28:09
both
28:09
commercially
28:10
and
28:10
critically
28:11
Transferred
28:12
and
28:12
wise
28:12
approached
28:13
composer
28:14
James
28:14
Newton
28:14
Howard,
28:15
who'd
28:15
recently
28:16
finished
28:16
Dinosaur
28:17
score
28:17
for
28:18
the
28:18
movie's
28:18
instrumental
28:19
score.
28:20
Since
28:20
there
28:20
would
28:20
be
28:21
no
28:21
dialogue
28:21
in
28:22
a
28:22
number
28:22
of
28:22
the
28:22
film's
28:23
pivotal
28:23
scenes,
28:23
Howard
28:24
collaborated
28:25
closely
28:25
with
28:25
the
28:26
directors
28:26
to
28:27
create
28:27
a
28:27
moving
28:28
soundtrack
28:28
that
28:28
reflected
28:29
the
28:29
emotional
28:29
meaning
28:30
of
28:30
each
28:30
scene.
28:31
In
28:31
order
28:31
to
28:31
create
28:32
distinct
28:32
musical
28:33
themes
28:33
for
28:33
the
28:33
surface
28:34
world
28:34
and
28:34
Atlantis,
28:35
Newton
28:36
Howard
28:36
used
28:37
an
28:37
Indonesian
28:37
orchestral
28:38
style
28:38
for
28:39
the
28:39
Atlantean
28:40
theme.
28:40
Now
28:41
I've
28:41
mentioned
28:41
this
28:42
was
28:42
obviously
28:42
a
28:42
completely
28:43
new
28:43
avenue
28:44
for
28:44
Disney
28:45
to
28:45
go
28:45
down.
28:45
This
28:46
was
28:46
a
28:46
completely
28:46
new
28:46
type
28:47
of
28:47
movie.
28:48
There
28:48
would
28:48
be
28:48
no
28:49
songs.
28:50
It
28:50
would
28:50
have
28:50
a
28:50
more
28:51
grown
28:51
up
28:51
feel
28:52
than
28:52
other
28:52
Disney
28:53
animated
28:53
movies.
28:54
And
28:54
in
28:55
the
28:55
fledgling
28:55
Internet
28:56
era,
28:57
Disney
28:57
did
28:58
try
28:58
to
28:58
utilize
28:59
Internet
28:59
marketing
29:00
for
29:00
Atlantis,
29:01
including
29:02
a
29:02
website
29:02
with
29:03
mini
29:03
games,
29:03
three
29:04
mobile
29:04
phone
29:05
networks
29:05
for
29:05
mobile
29:06
games.
29:06
McDonald's
29:07
also
29:08
did
29:08
the
29:08
traditional
29:09
Happy
29:09
Meal
29:09
promotions
29:10
with
29:10
toys
29:11
elsewhere
29:12
at
29:12
Disney,
29:12
though
29:13
plans
29:14
were
29:14
afoot.
29:15
Big
29:15
plans.
29:16
They
29:17
had
29:17
already
29:17
envisioned
29:17
Atlantis
29:18
as
29:18
an
29:19
Adventureland
29:20
style
29:20
movie
29:21
taking
29:21
inspiration
29:22
from
29:22
Disney's
29:22
theme
29:23
parks.
29:23
But
29:23
within
29:24
the
29:24
Disney
29:24
theme
29:25
park
29:25
management,
29:26
there
29:26
were
29:26
plans
29:27
to
29:27
redo
29:28
Submarine
29:28
voyage
29:29
at
29:29
Disneyland
29:29
California,
29:30
an
29:30
attraction
29:31
which
29:31
already
29:32
paid
29:32
homage
29:32
to
29:33
20,000
29:33
Leagues
29:34
under
29:34
the
29:34
Sea,
29:35
an
29:35
attraction
29:35
that
29:35
had
29:36
opened
29:36
in
29:36
1959
29:38
itself.
29:38
Inspiration
29:39
for
29:40
Atlantis
29:41
Summary
29:42
Voyage
29:42
closed
29:43
in
29:43
July
29:44
1998
29:45
and
29:45
the
29:45
plans
29:46
to
29:46
refresh
29:46
this
29:47
attraction
29:47
with
29:48
an
29:48
upcoming
29:49
feature
29:49
film
29:50
made
29:50
sense.
29:51
Rebrand
29:52
it
29:52
with
29:52
Disney's
29:53
next
29:53
big
29:54
animated
29:54
adventure.
29:55
Disney
29:56
saw
29:56
franchise
29:57
material
29:57
for
29:58
Atlantis.
29:59
An
29:59
Atlantean
30:00
encounter,
30:00
as
30:01
it
30:01
was
30:01
set
30:01
to
30:01
be
30:01
known,
30:02
was
30:02
going
30:02
to
30:02
be
30:03
narrated
30:03
by
30:03
Preston
30:04
B.
30:04
Whitmore,
30:05
have
30:05
an
30:05
encounter
30:06
with
30:06
the
30:06
Leviathan,
30:07
and
30:08
other
30:08
characters
30:08
would
30:08
come
30:09
over
30:09
the
30:09
intercom
30:10
as
30:10
the
30:10
ride
30:10
continued.
30:11
The
30:12
plans
30:12
were
30:12
to
30:12
open
30:12
the
30:13
attraction
30:13
in
30:14
2003.
30:15
However,
30:16
that
30:16
never
30:17
happened.
30:17
What
30:18
else
30:18
happened
30:18
in
30:18
2003?
30:20
Finding
30:20
Nemo
30:21
came
30:21
out
30:21
and
30:22
was
30:22
a
30:22
huge
30:22
hit.
30:23
So
30:23
this
30:23
particular
30:24
attraction
30:25
is
30:25
now
30:25
Finding
30:26
Nemo's
30:27
Submarine
30:27
Voyage.
30:29
That
30:29
wasn't
30:29
the
30:30
only
30:30
project
30:30
planned
30:31
for
30:31
Disney
30:31
Parks
30:32
though
30:32
also
30:33
planned
30:33
was
30:33
Fire
30:34
Mountain,
30:35
the
30:35
latest
30:36
mountain
30:36
to
30:36
add
30:36
to
30:37
Space
30:37
Mountains,
30:38
Splash
30:38
Mountain,
30:39
Big
30:39
Thunder
30:39
Mountain
30:40
Railroad
30:40
and
30:41
Expedition
30:41
Everest
30:42
Forbidden
30:43
Mountain.
30:43
This
30:44
attraction
30:44
for
30:45
Walt
30:45
Disney
30:45
World's
30:46
Magic
30:46
Kingdom
30:46
in
30:46
Florida
30:47
planned
30:48
an
30:48
epic
30:48
roller
30:48
coaster
30:49
where
30:49
guests
30:50
hung
30:50
like
30:50
a
30:50
hand
30:50
glider,
30:51
emulating
30:52
the
30:52
final
30:52
part
30:53
of
30:53
the
30:53
movie,
30:54
taking
30:54
you
30:54
through
30:54
an
30:55
exploding
30:55
volcano.
30:56
Fire
30:57
Mountain
30:57
had
30:57
originally
30:58
been
30:58
planned
30:58
20,000
30:59
leagues
30:59
under
31:00
the
31:00
Sea
31:00
but
31:00
was
31:01
scrapped
31:01
and
31:02
again,
31:02
having
31:03
a
31:03
brand
31:03
new
31:03
ride
31:04
for
31:04
Disney's
31:04
brand
31:05
new
31:05
big
31:05
movie
31:06
made
31:06
a
31:07
lot
31:07
of
31:07
sense
31:07
at
31:07
the
31:08
time.
31:08
But
31:08
just
31:09
like
31:09
Atlantis
31:10
itself,
31:10
theme
31:11
park
31:11
ride
31:11
plans
31:12
also
31:12
just
31:13
disappeared,
31:14
becoming
31:14
myths
31:15
in
31:15
their
31:15
own
31:15
lore.
31:16
Atlantis
31:17
the
31:17
Lost
31:17
Empire
31:18
had
31:18
its
31:18
world
31:18
premiere
31:19
at
31:19
Disney's
31:19
El
31:19
Capitan
31:20
Theatre
31:20
in
31:21
Hollywood
31:21
on
31:22
3
31:23
June
31:23
2001.
31:24
Destination
31:25
Atlantis
31:26
was
31:26
on
31:26
display
31:27
at
31:27
the
31:27
premiere,
31:28
featuring
31:28
behind
31:29
the
31:29
scenes
31:29
props
31:29
from
31:30
the
31:30
film
31:30
and
31:30
information
31:31
of
31:31
the
31:31
legend
31:32
of
31:32
Atlantis
31:33
with
31:33
video
31:33
games,
31:34
displays,
31:34
laser
31:35
tag
31:35
and
31:35
other
31:36
attractions.
31:36
The
31:37
Aquarium
31:37
of
31:37
the
31:38
Pacific
31:38
loaned
31:39
a
31:39
variety
31:39
of
31:39
fish
31:40
for
31:40
display
31:40
within
31:41
the
31:41
attraction
31:42
and
31:42
limited
31:42
release,
31:43
then
31:43
followed
31:43
in
31:44
New
31:44
York
31:44
City
31:44
and
31:44
Los
31:45
Angeles
31:45
on
31:45
8
31:46
June
31:47
2001
31:47
with
31:48
a
31:48
wide
31:48
release
31:49
following
31:49
on
31:49
15
31:50
June
31:51
2001.
31:52
Due
31:53
to
31:53
its
31:53
limited
31:53
first
31:54
week
31:54
opening
31:54
in
31:54
two
31:55
cinemas,
31:55
it
31:56
opened
31:56
at
31:56
13th
31:57
at
31:57
the
31:57
box
31:57
office
31:58
the
31:58
same
31:58
week
31:58
as
31:59
Swordfish
31:59
and
32:00
Evolution.
32:01
Swordfish
32:01
went
32:02
to
32:02
number
32:02
one
32:02
that
32:02
week.
32:03
Shrek
32:04
was
32:04
second
32:05
being
32:05
out
32:06
five
32:06
weeks
32:06
at
32:06
that
32:07
point.
32:07
And
32:07
yes,
32:08
there
32:08
is
32:08
a
32:08
reason
32:08
I'm
32:09
mentioning
32:09
Shrek
32:10
in
32:10
Atlantis.
32:11
Second
32:11
week
32:12
it
32:12
opened
32:12
wide
32:13
and
32:13
jumped
32:13
up
32:14
to
32:14
second
32:14
place
32:15
after
32:15
brand
32:15
new
32:16
release
32:16
Lana
32:16
Croft
32:17
Tomb
32:17
Raider
32:18
Shrek
32:19
was
32:19
at
32:19
third
32:20
the
32:20
following
32:21
week
32:21
Atlantis
32:22
fell
32:22
to
32:22
fourth,
32:23
Shrek
32:23
was
32:23
fifth
32:24
with
32:24
only
32:24
a
32:25
few
32:25
million
32:25
dollars
32:26
in
32:26
between
32:26
the
32:26
two
32:27
movies.
32:28
The
32:28
next
32:28
week
32:29
Lantis
32:29
fell
32:29
to
32:29
fifth
32:30
and
32:30
Shrek
32:31
to
32:31
sixth,
32:32
this
32:32
time
32:32
only
32:33
$87,000
32:35
between
32:35
the
32:35
two
32:35
in
32:36
revenue.
32:36
The
32:37
next
32:37
week
32:37
Atlantis
32:38
fell
32:38
to
32:39
ninth,
32:39
Shrek
32:40
was
32:40
eighth
32:41
earning
32:41
$1.5
32:42
million
32:43
more.
32:44
Shrek
32:44
had
32:44
been
32:44
out
32:45
nine
32:45
weeks
32:45
at
32:46
this
32:46
point
32:46
to
32:47
Atlantis's
32:47
five
32:48
weeks.
32:48
The
32:49
following
32:49
week
32:49
Atlantis
32:50
was
32:50
out
32:50
at
32:51
the
32:51
top
32:51
10,
32:51
but
32:52
Shrek
32:53
was
32:53
not.
32:54
And
32:54
it's
32:55
easy
32:55
to
32:55
blame
32:55
Shrek
32:56
for
32:56
the
32:56
failure
32:57
of
32:57
Atlantis
32:57
the
32:57
Lost
32:58
Empire.
32:59
However,
32:59
they
32:59
were
33:00
very
33:00
different
33:00
movies.
33:01
One
33:01
was
33:02
very
33:02
bright,
33:02
very
33:03
colorful,
33:04
very
33:04
funny
33:05
and
33:05
clearly
33:05
aimed
33:06
at
33:06
a
33:06
more
33:07
family
33:07
market.
33:08
Atlantis
33:09
was
33:10
something
33:10
completely
33:11
different.
33:11
Shrek
33:12
was
33:12
the
33:12
new
33:12
kid
33:12
on
33:13
the
33:13
block.
33:13
Everyone
33:14
was
33:14
talking
33:14
about
33:14
Shrek
33:15
and
33:15
it
33:15
unfortunately
33:16
just
33:17
pushed
33:17
Atlantis
33:18
the
33:18
Lost
33:18
Empire
33:18
out
33:19
of
33:19
the
33:19
limelight
33:20
a
33:20
little
33:20
bit.
33:21
On
33:21
his
33:21
$120
33:22
million
33:23
budget,
33:23
Atlantis
33:22
The
33:24
Lost
33:24
Empire
33:25
grossed
33:25
$84.1
33:26
million
33:27
domestically
33:28
in
33:28
the
33:28
US
33:29
and
33:27
$102
33:30
million
33:30
internationally
33:31
for
33:32
a
33:32
total
33:32
worldwide
33:33
gross
33:33
of
33:30
$186.1
33:33
million,
33:36
which
33:36
was
33:36
a
33:36
huge
33:37
financial
33:37
loss
33:38
for
33:38
Disney.
33:39
In
33:39
recent
33:39
years,
33:39
the
33:40
studio
33:40
has
33:40
ironically
33:41
all
33:42
but
33:42
buried
33:42
Atlantis.
33:43
It's
33:44
available
33:44
on
33:44
Disney,
33:45
but
33:45
there's
33:45
no
33:45
merchandising
33:46
or
33:47
characters
33:47
in
33:47
promotional
33:48
material.
33:49
It
33:49
also
33:49
has
33:50
a
33:50
disappointing
33:51
48%
33:51
of
33:52
rotten
33:52
tomatoes,
33:53
with
33:53
the
33:53
consensus
33:54
reading
33:55
Atlantis
33:55
provides
33:56
a
33:56
fast
33:56
paced
33:57
spectacle
33:57
but
33:58
stints
33:58
on
33:58
such
33:58
things
33:59
as
33:59
character
33:59
development
34:00
and
34:00
a
34:00
coherent
34:01
plot.
34:02
While
34:02
some
34:02
critics
34:03
like
34:03
Roger
34:03
Ebert
34:04
praised
34:04
the
34:04
film
34:04
as
34:05
rousing
34:05
in
34:05
an
34:06
old
34:06
pulp
34:06
science
34:07
fiction
34:07
sort
34:07
of
34:07
way,
34:08
and
34:08
the
34:08
New
34:08
York
34:09
Times
34:09
declared
34:09
it
34:10
a
34:10
monumental
34:10
treat,
34:11
Variety
34:12
called
34:12
the
34:12
film
34:13
all
34:13
talking,
34:13
no
34:14
singing,
34:14
no
34:14
dancing,
34:15
and
34:15
in
34:15
the
34:16
end
34:16
no
34:16
fun,
34:17
and
34:17
the
34:17
Washington
34:18
Post
34:18
panned
34:18
it
34:19
as
34:19
a
34:19
new
34:19
fashioned
34:20
but
34:20
old
34:20
fangled
34:21
hash
34:21
for
34:22
the
34:22
74th
34:23
Academy
34:23
Awards.
34:24
The
34:24
Academy
34:24
of
34:25
Motion
34:25
Picture
34:25
Arts
34:25
and
34:26
Sciences
34:26
finally
34:27
recognized
34:28
animated
34:28
feature
34:29
films
34:29
with
34:29
a
34:29
new
34:30
category
34:31
thanks
34:31
to
34:31
the
34:31
growth
34:32
of
34:32
animation
34:32
studios
34:33
like
34:33
Pixar
34:34
and
34:34
DreamWorks.
34:35
Ten
34:35
years
34:36
after
34:36
beauty
34:36
and
34:36
the
34:37
Beast
34:37
had
34:37
been
34:37
nominated
34:38
for
34:38
Best
34:38
picture
34:39
at
34:39
the
34:39
64th
34:40
Academy
34:40
Awards,
34:41
Disney
34:42
were
34:42
presumably
34:43
confident
34:43
that
34:44
Atlantis
34:44
would
34:45
be
34:45
in
34:45
with
34:45
a
34:45
shot.
34:46
Not
34:46
only
34:46
was
34:47
rival
34:47
animation
34:48
studio
34:48
DreamWorks
34:49
Shrek
34:50
the
34:50
inaugural
34:51
Best
34:51
Animated
34:52
Feature
34:52
winner,
34:53
Atlantis
34:53
the
34:53
Lost
34:54
Empire
34:54
was
34:55
not
34:55
even
34:55
nominated
34:56
for
34:56
the
34:56
award,
34:57
which
34:57
further
34:58
exacerbated
34:59
its
34:59
box
34:59
office
34:59
losses
35:00
and
35:00
Disney's
35:01
overall
35:02
feelings
35:02
towards
35:02
it.
35:03
Atlantis
35:04
deserved
35:05
better
35:05
though.
35:06
In
35:06
what
35:07
world
35:07
is
35:08
Ginny
35:08
Neutron
35:09
Boy
35:09
Genius
35:10
better
35:10
than
35:11
this?
35:12
Just
35:13
like
35:13
the
35:13
proposed
35:13
attractions
35:14
for
35:14
Disneyland
35:15
and
35:15
Walt
35:15
Disney
35:16
World,
35:16
the
35:16
planned
35:17
animated
35:18
series,
35:18
which
35:18
was
35:19
going
35:19
to
35:19
be
35:19
Disney
35:19
Television's
35:20
answer
35:20
to
35:20
the
35:21
X
35:21
Files,
35:22
was
35:22
also
35:22
quietly
35:23
canceled.
35:24
The
35:24
series,
35:24
called
35:25
Team
35:25
Atlantis,
35:26
was
35:26
going
35:26
to
35:27
be
35:27
hugely
35:27
ambitious,
35:28
investigating
35:29
otherworldly
35:30
phenomena
35:31
and
35:31
ancient
35:31
cultures.
35:32
Every
35:32
week
35:33
the
35:33
first
35:33
three
35:33
episodes
35:34
of
35:34
the
35:34
TV
35:35
series
35:35
were
35:35
cobbled
35:36
together
35:36
and
35:36
packaged
35:37
as
35:37
a
35:37
direct
35:38
to
35:38
video
35:38
sequel
35:39
called
35:39
Atlantis
35:40
Milo's
35:41
Return,
35:41
released
35:42
almost
35:42
two
35:43
years
35:43
after
35:43
the
35:43
original
35:44
film.
35:45
Now
35:46
there
35:46
are
35:46
no
35:46
other
35:47
sequels
35:47
and
35:47
there
35:47
is
35:48
no
35:48
remake
35:48
of
35:49
Atlantis
35:49
the
35:49
Lost
35:50
Empire.
35:50
However,
35:51
there
35:51
is
35:51
controversy
35:52
surrounding
35:53
Atlantis
35:54
that
35:54
maybe
35:54
it
35:54
was
35:55
a
35:55
remake
35:55
of
35:55
something
35:56
else
35:57
because
35:57
there
35:57
were
35:57
a
35:58
number
35:58
of
35:58
similarities
35:59
between
36:00
Atlantis
36:00
the
36:01
Lost
36:01
Empire
36:02
and
36:02
the
36:02
anime
36:02
series
36:03
the
36:04
Secret
36:04
of
36:04
Blue
36:05
Water,
36:05
which
36:05
aired
36:06
in
36:06
1990-1991,
36:08
and
36:09
this
36:09
was
36:09
pointed
36:09
out
36:10
by
36:10
several
36:10
viewers,
36:11
especially
36:12
in
36:12
story,
36:13
setting
36:13
and
36:13
character
36:14
design.
36:15
Nadia
36:15
was
36:16
based
36:16
on
36:16
a
36:16
concept
36:17
by
36:17
Hayao
36:17
Miyazaki
36:18
and
36:18
Hideaki
36:19
Anno,
36:20
directed
36:20
by
36:20
Anno,
36:21
the
36:21
director
36:21
of
36:21
Shin
36:22
Godzilla.
36:23
Both
36:23
Japanese
36:23
and
36:24
American
36:24
viewers
36:25
recognized
36:25
similarities
36:26
which
36:27
were
36:27
so
36:27
strong
36:27
that
36:28
the
36:28
film's
36:28
production
36:29
company,
36:29
Gainax,
36:30
was
36:30
recommended
36:31
to
36:31
sue
36:31
for
36:32
plagiarism.
36:33
Gainax
36:33
refused
36:34
to
36:34
sue
36:35
citing
36:35
Disney's
36:36
strong
36:36
legal
36:36
team
36:37
and
36:37
the
36:37
potential
36:38
for
36:38
reprisals.
36:40
The
36:40
1870
36:41
Jules
36:41
Verne
36:42
novel
36:42
Twenty
36:42
Thousand
36:43
Leagues
36:43
under
36:43
the
36:43
Sea
36:44
served
36:44
as
36:45
some
36:45
inspiration
36:46
for
36:46
both
36:46
Atlantis
36:47
and
36:47
Nadia,
36:48
and
36:48
Kirk
36:48
Wise
36:49
would
36:49
later
36:49
say
36:49
that
36:50
he'd
36:50
never
36:50
heard
36:50
of
36:50
the
36:51
anime
36:51
until
36:52
long
36:52
after
36:53
Atlantis
36:53
had
36:54
completed
36:54
production.
36:55
However,
36:56
there
36:56
are
36:56
far
36:56
more
36:56
similarities
36:57
not
36:57
connected
36:58
with
36:58
20,000
36:59
leagues
36:59
under
36:59
the
37:00
Sea,
37:00
including
37:01
the
37:01
characters.
37:02
Nadia
37:02
being
37:03
the
37:03
rightful
37:03
heir
37:04
to
37:04
the
37:04
throne
37:04
of
37:04
Atlantis,
37:05
just
37:05
like
37:05
Kira,
37:06
Gene
37:07
being
37:07
a
37:08
spirited
37:08
wide
37:08
eyed
37:09
adventurer
37:09
just
37:10
like
37:10
Mino
37:11
and
37:11
the
37:11
magic
37:11
blue
37:12
crystal
37:12
based
37:12
technology
37:13
in
37:13
both
37:14
both
37:15
start
37:15
on
37:15
land
37:16
tradition
37:16
to
37:17
an
37:17
American
37:17
boat
37:18
before
37:18
descending
37:19
underwater
37:19
via
37:20
submarine
37:21
featuring
37:21
a
37:22
patriarchal
37:22
captain,
37:23
a
37:23
blonde
37:24
second
37:24
in
37:25
command,
37:25
and
37:25
a
37:26
cast
37:26
of
37:26
international
37:27
figures
37:28
as
37:28
well
37:28
as
37:28
the
37:28
crew
37:29
combating
37:29
a
37:30
nautical
37:30
creature.
37:31
I'm
37:31
not
37:32
saying
37:32
it's
37:32
exactly
37:33
like
37:33
Nadia,
37:34
but
37:34
I'm
37:34
not
37:35
not
37:35
saying
37:35
that
37:36
either
37:36
because
37:36
the
37:36
evidence
37:37
would
37:37
suggest
37:38
that
37:38
it
37:38
is
37:39
very,
37:39
very
37:39
similar,
37:40
allegedly.
37:41
Because
37:41
obviously
37:42
Gainax
37:43
have
37:43
never
37:43
filed
37:44
any
37:44
legal
37:45
suit
37:45
against
37:45
Disney
37:46
for
37:46
plagiarism.
37:47
So
37:48
allegedly
37:49
Nadia
37:50
and
37:50
Atlantis
37:51
are
37:51
very
37:51
similar.
37:53
Had
37:53
Atlantis
37:54
the
37:54
Lost
37:54
Empire
37:55
been
37:55
a
37:55
box
37:55
office
37:56
success,
37:57
it
37:57
could
37:57
have
37:57
easily
37:58
revolutionized
37:59
Disney.
37:59
It
38:00
would
38:00
have
38:00
opened
38:00
up
38:00
a
38:01
whole
38:01
new
38:01
world,
38:02
pun
38:02
intended
38:03
for
38:03
animation,
38:04
with
38:04
Treasure
38:05
Planet
38:05
following
38:05
suit,
38:06
pushing
38:07
the
38:07
limits
38:07
of
38:08
theatrical
38:08
and
38:08
television
38:09
animation
38:10
while
38:10
taking
38:10
the
38:11
studio's
38:11
cherished
38:12
animated
38:13
production
38:13
in
38:14
a
38:14
daring
38:14
new
38:14
direction
38:15
and
38:15
possibly
38:16
prolonging
38:17
the
38:17
life
38:17
of
38:17
2D
38:18
hand
38:18
drawn
38:18
animation.
38:19
Unfortunately,
38:21
it
38:21
was
38:21
a
38:22
pipe
38:22
dream
38:22
and
38:23
that
38:23
was
38:23
not
38:24
meant
38:24
to
38:24
be.
38:25
But
38:25
it's
38:26
not
38:26
all
38:26
doom
38:26
and
38:26
gloom
38:27
for
38:27
the
38:27
Lost
38:28
Empire.
38:28
It
38:29
remains
38:29
one
38:29
of
38:29
the
38:30
most
38:30
beautiful
38:30
and
38:31
epic
38:31
movies
38:32
of
38:32
Disney's
38:32
animated
38:33
back
38:33
catalog.
38:34
It's
38:34
also
38:35
gained
38:35
something
38:36
many
38:36
Disney
38:36
movies
38:37
never
38:37
do.
38:38
Atlantis
38:39
the
38:39
Lost
38:39
Empire
38:39
has
38:40
grown
38:40
into
38:40
a
38:40
true
38:41
cult
38:41
classic
38:42
in
38:42
the
38:42
years
38:43
since
38:43
its
38:43
release.
38:44
It
38:44
has
38:44
a
38:45
fervent
38:45
fan
38:46
base
38:46
who
38:46
adore
38:46
the
38:47
movie
38:47
and
38:47
its
38:47
lore.
38:48
People
38:49
cosplay
38:49
as
38:49
the
38:50
entire
38:50
crew
38:50
of
38:50
the
38:51
Ulysses.
38:52
There
38:52
are
38:52
fan
38:52
petitions
38:53
to
38:53
make
38:53
Keeda
38:54
an
38:54
official
38:54
Disney
38:55
princess,
38:56
although
38:56
let's
38:56
be
38:56
honest,
38:57
she's
38:57
kinda
38:57
cooler
38:58
without
38:58
that
38:58
label.
38:59
It
38:59
has
38:59
a
39:00
diverse
39:00
cast
39:01
and
39:01
it's
39:01
just
39:01
unfortunate
39:02
that
39:02
we
39:02
never
39:02
got
39:03
to
39:03
see
39:03
more
39:03
from
39:04
this
39:04
world.
39:05
The
39:05
movie
39:06
squeezes
39:06
in
39:06
the
39:07
brief
39:07
experimental
39:08
period
39:08
between
39:08
the
39:08
Disney
39:09
renaissance
39:10
and
39:10
what
39:10
is
39:11
popularly
39:11
referred
39:11
to
39:12
as
39:12
the
39:12
Disney
39:12
Revival,
39:13
where
39:14
the
39:14
studio
39:14
was
39:14
experimenting
39:15
with
39:15
genres
39:16
and
39:16
styles
39:17
in
39:17
the
39:17
2D
39:17
animated
39:18
world
39:18
world.
39:18
And
39:19
while
39:19
there
39:19
might
39:19
have
39:20
been
39:20
changes
39:20
made
39:21
and
39:21
corners
39:21
cut,
39:22
there
39:22
is
39:22
nothing
39:23
that
39:23
looks
39:23
or
39:24
feels
39:24
like
39:24
Atlantis
39:25
the
39:25
Lost
39:25
Empire
39:26
in
39:26
the
39:26
history
39:27
of
39:27
Disney
39:27
animation.
39:28
The
39:28
filmmakers
39:29
took
39:29
the
39:30
lack
39:30
of
39:30
oversight
39:31
from
39:31
Disney
39:31
executives
39:32
and
39:32
used
39:33
it
39:33
to
39:33
their
39:33
full
39:33
advantage.
39:34
Its
39:35
striking
39:35
visual
39:36
style
39:36
is
39:36
genuinely
39:37
unlike
39:38
anything
39:38
Disney
39:38
had
39:39
produced
39:39
to
39:39
that
39:39
point
39:40
or
39:40
even
39:40
to
39:41
this
39:41
day.
39:41
It's
39:42
little
39:42
wonder
39:42
the
39:43
film
39:43
has
39:43
a
39:43
passionate
39:44
fan
39:44
base
39:45
and
39:45
is
39:45
considered
39:46
to
39:46
be
39:46
an
39:46
underrated
39:47
cult
39:47
classic.
39:48
Enthusiasm
39:49
for
39:49
Atlantis
39:50
led
39:50
to
39:50
a
39:50
cast
39:50
and
39:51
crew
39:51
livestream
39:52
reunion
39:52
in
39:52
2021
39:54
for
39:54
its
39:54
20th
39:54
anniversary
39:55
and
39:55
again
39:56
in
39:56
2022.
39:58
If
39:58
Disney
39:58
want
39:59
to
39:59
do
39:59
live
40:00
action
40:00
remakes,
40:01
do
40:01
it
40:02
on
40:02
this.
40:03
This
40:03
would
40:03
be
40:04
a
40:04
perfect
40:05
live
40:05
action
40:05
remake.
40:06
It
40:06
doesn't
40:07
have
40:07
songs
40:07
or
40:08
a
40:08
cuddly
40:08
animal
40:09
sidekick,
40:09
it's
40:10
a
40:10
true
40:10
homage
40:11
to
40:11
pulp
40:11
action
40:12
adventure
40:12
films.
40:13
And
40:13
with
40:13
Indiana
40:14
Jones
40:14
movie
40:14
seemingly
40:15
running
40:15
out
40:15
of
40:16
steam,
40:16
it
40:17
seems
40:17
like
40:17
the
40:17
ideal
40:17
opportunity
40:18
for
40:18
Disney
40:19
to
40:19
embrace
40:20
Atlantis.
40:21
You
40:21
can
40:21
fix
40:22
the
40:22
plot
40:22
weaknesses
40:23
and
40:23
cliched
40:24
characters,
40:24
give
40:25
Kida
40:25
more
40:26
agency,
40:26
make
40:27
it
40:27
a
40:27
true
40:27
period
40:28
piece,
40:29
and
40:29
Disney
40:29
don't
40:29
even
40:30
need
40:30
to
40:30
bill
40:30
it
40:31
as
40:31
a
40:31
live
40:31
action
40:32
remake
40:32
because
40:33
the
40:33
fans
40:33
who
40:33
know
40:34
will
40:34
love
40:34
it
40:34
and
40:35
those
40:35
that
40:35
don't
40:36
will
40:36
want
40:37
to
40:37
see
40:37
a
40:37
fun,
40:38
well
40:38
made
40:39
action
40:39
adventure.
40:40
Timothee
40:41
Chalamet
40:42
would
40:42
make
40:42
a
40:42
great
40:43
Milo
40:43
Thatch
40:44
Tell
40:44
me
40:44
it's
40:45
not
40:45
just
40:45
me
40:45
who
40:45
sees
40:46
it
40:46
and
40:46
Michael
40:47
J.
40:47
Fox
40:47
is
40:47
retired
40:48
from
40:48
acting
40:48
now,
40:49
but
40:49
how
40:49
amazing
40:50
would
40:50
it
40:50
be
40:51
to
40:51
see
40:51
a
40:51
little
40:51
Easter
40:52
egg,
40:52
a
40:52
book
40:52
on
40:53
Milo's
40:53
shelf
40:53
written
40:54
by
40:54
Michael
40:55
J.
40:55
Fox,
40:56
something
40:56
to
40:56
call
40:57
back
40:57
to
40:57
Fox
40:57
and
40:58
how
40:58
much
40:58
he
40:58
brings
40:59
to
40:59
the
40:59
character
40:59
of
40:59
Milo,
41:00
who's
41:01
written
41:01
quite
41:01
flat,
41:02
but
41:03
Fox
41:03
brings
41:03
him
41:03
to
41:03
life
41:04
with
41:04
his
41:04
always
41:05
energetic
41:05
performance.
41:07
Similarly,
41:07
though,
41:08
it's
41:08
not
41:08
all
41:08
roses
41:09
for
41:09
this
41:09
movie
41:09
either.
41:10
This
41:10
movie
41:11
does
41:11
have
41:11
glaring
41:12
issues
41:12
too,
41:13
most
41:13
notably
41:13
the
41:14
white
41:14
savior
41:14
narrative
41:15
and
41:15
the
41:15
fact
41:16
that
41:16
a
41:16
genuinely
41:17
fascinating
41:17
story
41:18
of
41:18
indigenous
41:19
peoples
41:19
and
41:19
their
41:20
culture
41:20
and
41:21
background
41:21
is
41:21
overshadowed
41:22
by
41:22
the
41:22
story
41:23
of
41:23
the
41:23
explorers
41:24
and
41:24
the
41:24
obvious
41:25
betrayal
41:25
of
41:25
Roark.
41:26
Keda
41:27
should
41:27
have
41:27
been
41:27
the
41:27
savior
41:28
of
41:28
her
41:28
own
41:28
people.
41:29
The
41:29
idea
41:29
that
41:29
a
41:30
white
41:30
American
41:30
kid
41:31
knew
41:31
more
41:32
about
41:32
the
41:32
language
41:32
than
41:33
the
41:33
people
41:33
did
41:34
is
41:34
just
41:34
baffling
41:35
logic.
41:36
The
41:36
story
41:36
and
41:36
characters
41:37
is
41:37
where
41:37
this
41:37
movie
41:38
just
41:38
struggles.
41:39
As
41:39
interesting
41:39
as
41:39
Kida
41:40
is,
41:40
and
41:41
I
41:41
genuinely
41:41
think
41:42
she's
41:42
got
41:42
huge
41:42
potential
41:43
to
41:43
be
41:44
such
41:44
a
41:44
terrific
41:45
character
41:45
in
41:45
Disney
41:46
history,
41:46
even
41:47
without
41:47
being
41:48
an
41:48
official
41:48
princess.
41:49
I
41:49
want
41:50
to
41:50
know
41:50
more
41:50
about
41:51
Atlantean
41:51
culture,
41:52
the
41:52
crystals,
41:53
what
41:53
it
41:53
all
41:54
means.
41:54
But
41:54
what
41:54
does
41:55
it
41:55
all
41:55
mean
41:55
though?
41:56
Why
41:56
does
41:56
she
41:56
start
41:57
floating?
41:57
I
41:58
really
41:58
have
41:58
no
41:58
idea.
41:59
And
41:59
this
41:59
movie
42:00
makes
42:00
no
42:00
sense.
42:01
Even
42:01
in
42:01
the
42:02
background.
42:02
Disney
42:03
were
42:03
quietly
42:03
retiring
42:04
hand
42:04
drawn
42:05
animation,
42:05
making
42:06
huge
42:06
layoffs
42:07
in
42:07
their
42:07
animation
42:08
department
42:08
and
42:08
salary
42:09
cutbacks,
42:10
but
42:10
what
42:10
saves
42:11
this
42:11
movie
42:11
is
42:12
the
42:12
stunning
42:12
animation.
42:13
Mike
42:14
Mignola's
42:14
art
42:15
style
42:15
is
42:15
something
42:15
so
42:16
different
42:16
to
42:16
what
42:16
came
42:17
before
42:18
the
42:18
Lost
42:19
Empire.
42:19
Like
42:20
Hercules
42:20
before
42:21
it
42:21
looks
42:22
so
42:22
unique
42:23
and
42:23
unusual
42:24
and
42:24
underappreciated.
42:26
It
42:26
feels
42:26
like
42:26
the
42:27
rare
42:27
Disney
42:27
movie.
42:28
Not
42:28
made
42:29
for
42:29
merchandising,
42:30
not
42:30
made
42:30
for
42:31
toys
42:31
or
42:31
fast
42:32
food
42:32
tie
42:32
ins.
42:33
It
42:33
was
42:33
made
42:33
purely
42:34
for
42:34
the
42:34
love
42:34
of
42:35
adventure
42:35
movies.
42:36
It
42:36
didn't
42:37
cater
42:37
to
42:37
children.
42:38
It
42:38
was
42:38
made
42:38
more
42:39
for
42:39
teenagers
42:39
and
42:40
adults.
42:40
It's
42:41
ardent
42:41
fans
42:42
love
42:42
it
42:42
because
42:42
it
42:43
exposed
42:43
them
42:43
to
42:43
archaeology
42:44
and
42:45
linguistics
42:46
subjects.
42:46
Other
42:47
animated
42:47
films
42:48
just
42:48
don't
42:48
even
42:49
touch
42:49
on
42:50
Atlantis.
42:51
The
42:51
Lost
42:51
Empire
42:51
may
42:52
have
42:52
its
42:52
flaws,
42:53
but
42:53
it's
42:53
also
42:54
one
42:54
of
42:54
Disney's
42:55
most
42:55
unique
42:55
treasures,
42:56
like
42:57
a
42:57
diamond
42:58
or
42:58
indeed
42:59
a
42:59
crystal.
43:00
Thank
43:00
you
43:01
for
43:01
listening.
43:01
As
43:01
always,
43:01
I
43:01
would
43:01
love
43:02
to
43:02
hear
43:02
your
43:02
thoughts
43:02
on
43:03
Atlantis,
43:03
the
43:03
Lost
43:04
Empire.
43:04
And
43:04
thank
43:05
you
43:05
for
43:05
your
43:05
continued
43:06
support
43:06
of
43:06
this
43:07
podcast.
43:07
If
43:08
you
43:08
want
43:08
to
43:08
get
43:08
involved
43:09
and
43:09
help
43:09
this
43:09
podcast,
43:10
you
43:10
could
43:10
tell
43:11
your
43:11
friends
43:11
and
43:11
family
43:11
about
43:12
this
43:12
podcast.
43:13
You
43:13
could
43:13
leave
43:13
a
43:13
rating
43:14
or
43:14
review
43:14
wherever
43:14
you
43:15
found
43:15
this
43:15
podcast.
43:16
Or
43:16
you
43:16
can
43:17
find
43:17
me.
43:17
I'm
43:17
at
43:18
Verbal
43:18
Diorama
43:19
on
43:19
all
43:19
major
43:20
social
43:20
media
43:20
platforms.
43:21
You
43:22
can
43:22
like
43:22
posts,
43:23
you
43:23
can
43:23
share
43:23
posts,
43:24
you
43:24
can
43:24
comment
43:24
on
43:25
posts,
43:25
you
43:25
can
43:25
do
43:26
anything
43:26
you
43:26
want
43:26
with
43:27
posts.
43:27
Or
43:28
you
43:28
can
43:28
just
43:28
send
43:28
me
43:28
a
43:28
message
43:29
on
43:29
one
43:29
of
43:30
the
43:30
social
43:30
medias.
43:31
But
43:31
either
43:31
way
43:32
you
43:32
can
43:32
follow
43:32
Verbal
43:33
Diorama.
43:34
It
43:34
all
43:34
helps
43:34
with
43:35
visibility.
43:36
Now,
43:37
as
43:37
I
43:37
mentioned,
43:37
this
43:37
is
43:38
the
43:38
final
43:38
episode
43:39
of
43:39
animation
43:39
season.
43:40
However,
43:41
it
43:41
is
43:41
not
43:42
the
43:42
final
43:42
episode
43:42
of
43:43
Verbal
43:43
Diorama.
43:44
I
43:44
am
43:44
not
43:44
quitting
43:45
yet.
43:45
And
43:46
the
43:46
next
43:46
month
43:47
on
43:47
Verbal
43:47
Diorama
43:48
is
43:48
going
43:48
to
43:49
be
43:49
celebrating
43:50
International
43:50
Women's
43:51
Day
43:51
and
43:51
Women's
43:52
History
43:52
Month.
43:53
And
43:53
all
43:53
of
43:54
the
43:54
movies
43:54
that
43:54
I
43:54
feature
43:55
in
43:55
the
43:55
month
43:55
of
43:55
March
43:56
are
43:57
going
43:57
to
43:57
be
43:57
focused
43:58
on
43:58
true
43:59
stories
44:00
featuring
44:00
women.
44:00
Or
44:01
shall
44:01
we
44:01
say
44:02
inspired
44:02
by
44:03
the
44:03
true
44:03
stories
44:04
of
44:04
women.
44:05
And
44:05
I'm
44:05
going
44:06
to
44:06
be
44:06
starting
44:06
with
44:07
the
44:07
remarkable
44:08
story
44:08
of
44:09
an
44:09
all
44:09
female
44:10
unit
44:10
of
44:10
warriors
44:11
who
44:11
protected
44:12
the
44:12
African
44:13
kingdom
44:13
of
44:13
dahomey
44:14
in
44:14
the
44:14
1800s.
44:15
It
44:16
is
44:16
the
44:16
story
44:16
of
44:17
the
44:17
Agoji
44:18
and
44:18
it
44:19
is
44:19
the
44:19
movie
44:20
the
44:20
Woman
44:20
King.
44:21
I
44:21
am
44:21
so
44:22
excited
44:22
to
44:22
be
44:22
talking
44:23
about
44:23
the
44:23
Woman
44:23
King.
44:24
I
44:24
hope
44:24
you
44:24
will
44:24
join
44:25
me
44:25
next
44:25
episode
44:26
for
44:26
the
44:26
history
44:27
and
44:27
legacy
44:28
of
44:28
the
44:28
Woman
44:28
King.
44:29
Now
44:30
I
44:30
always
44:30
like
44:30
to
44:31
say
44:31
that
44:31
this
44:31
podcast
44:31
is
44:32
free
44:32
and
44:32
it
44:33
always
44:33
will
44:33
be
44:33
free.
44:33
There
44:34
will
44:34
never
44:34
be
44:34
any
44:34
charge
44:35
to
44:35
listen
44:35
to
44:35
this
44:36
podcast.
44:37
However,
44:37
it
44:37
is
44:37
not
44:37
free
44:38
to
44:38
make
44:38
a
44:38
podcast
44:39
and
44:39
I
44:39
rely
44:40
on
44:40
some
44:40
exceptionally
44:41
generous
44:42
people
44:42
to
44:42
help
44:43
fund
44:43
Verbal
44:44
Diorama
44:45
and
44:45
secure
44:45
the
44:45
future
44:46
of
44:46
Verbal
44:46
Diorama
44:47
as
44:47
well.
44:48
Now
44:48
you're
44:49
under
44:49
no
44:49
obligation
44:49
to
44:50
join
44:50
those
44:50
people.
44:51
You
44:51
can
44:51
continue
44:51
to
44:52
listen
44:52
for
44:52
free
44:52
forever.
44:53
However,
44:54
if
44:54
you
44:55
enjoy
44:55
what
44:56
I
44:56
do
44:56
and
44:56
you
44:56
get
44:56
value
44:57
out
44:57
of
44:57
what
44:57
I
44:57
do,
44:58
and
44:58
you
44:58
want
44:58
to
44:58
support
44:59
an
44:59
indie
45:00
creator
45:00
who
45:00
does
45:01
all
45:01
of
45:01
this
45:01
on
45:01
her
45:02
own,
45:02
then
45:03
you
45:03
can.
45:03
You
45:04
can
45:04
do
45:04
that
45:04
in
45:04
one
45:05
of
45:05
two
45:05
ways.
45:05
You
45:06
can
45:06
go
45:06
to
45:06
verbaldiorama.com
45:08
tips
45:08
and
45:08
give
45:09
a
45:09
one
45:09
off
45:09
tip.
45:10
Or
45:10
you
45:10
can
45:10
go
45:11
to
45:11
verbaldiorama
45:11
dot
45:12
com
45:12
patreon
45:13
and
45:13
you
45:13
can
45:13
join
45:14
the
45:14
amazing
45:14
patrons
45:15
of
45:15
this
45:15
podcast.
45:16
They
45:17
are
45:17
Claudia,
45:18
Simon,
45:18
Laurel,
45:19
Derek,
45:20
Kat,
45:20
Andy,
45:21
Mike,
45:21
Luke,
45:22
Michael,
45:22
Scott,
45:23
Brendan,
45:23
Lisa,
45:24
Sam,
45:24
Jack,
45:25
Dave,
45:25
Stuart,
45:26
Nicholas.
45:26
So,
45:27
Kev,
45:27
Pete,
45:28
Heather,
45:28
Danny,
45:29
Ali,
45:29
Stu,
45:30
Brett,
45:30
Philip
45:31
M,
45:31
Michelle,
45:32
Zenos,
45:32
Sean,
45:33
Rhino,
45:33
Philip
45:33
K,
45:34
Adam,
45:34
Elaine,
45:35
Kyle
45:36
and
45:36
Aaron.
45:37
If
45:37
you
45:37
want
45:37
to
45:38
get
45:38
in
45:38
touch,
45:38
you
45:38
can
45:38
email
45:39
verbal
45:39
dioramail.com
45:41
you
45:42
can
45:42
also
45:42
fill
45:42
out
45:42
the
45:42
little
45:42
contact
45:43
form@verbaldiorama.com
45:45
as
45:45
well.
45:46
You
45:46
can
45:46
also
45:46
find
45:47
bits
45:47
that
45:47
I
45:48
do@filmstories.co.uk
45:50
articles
45:51
and
45:51
magazines
45:52
and
45:52
such
45:53
like.
45:53
But
45:54
mostly,
45:55
thank
45:55
you
45:55
for
45:55
being
45:56
with
45:56
this
45:56
podcast
45:57
for
45:57
six
45:57
years.
45:57
And
45:58
here's
45:58
to
45:58
the
45:58
next
45:59
six.
46:00
And
46:00
finally.
47:16
Bye.