Latest / Retro Sports Radio: Classic Games from History / 1980-Jun-13 • NYY/OAK • G1 • New York Yankees vs Oakland Athletics - Classic Baseball Radio Broadcast

Transcript

1980-Jun-13 • NYY/OAK • G1 • New York Yankees vs Oakland Athletics - Classic Baseball Radio Broadcast · Retro Sports Radio: Classic Games from History

• 0:00
  This is Retro Sports Radio. Visit RetroSeasons.com for more sports history.
• 0:07
  New York Yankees faced the Oakland A's at Oakland Alameda County Coliseum for a Friday night game on June 13, 1980.
• 0:14
  New York entered this game in first place with a 34-20 record and a four-game lead over the Brewers in the AL East.
• 0:20
  They were managed by Dick Hauser in his first season with New York.
• 0:23
  The Yankees won the World Series in 1977 and 78, but finished in fourth place in 1979, which was enough to cause George Steinbrenner to fire manager Billy Martin for a second time.
• 0:33
  Oakland was coming off a 108-loss season in 1979, and they liked what Steinbrenner was throwing away, so they hired Billy Martin to manage the A's for the 1980 season.
• 0:42
  This audio recording is from the New York Radio broadcast featuring announcers Phil Rizzuto, Frank Messer, and Bill White.
• 1:12
  And then that's the big, big garbage, and then they had to take them out and throw them in a hole and that's what that's most important, is to get them out of there and play them together.
• 1:20
  It's cheap.
• 1:21
  It's a big, big problem, in other words.
• 1:23
  Yeah, it's a big problem.
• 1:24
  I'm 24-years-old, so they were kind of embarrassed to make me buy here because they were going to send me to the Yankees, and I was going to have to go to the hospital.
• 1:32
  Everybody's still in a lot of games, still at home, with double-spinning, watching the screens a lot.
• 1:37
  But we picked up all the games in the screen, and for a few dollars, and they've grown so fast and fast,
• 1:43
  and I'm glad I got to the night and get through this one year and look at what they're doing to get me off the next game.
• 1:48
  We thought it was the other homologues who were afraid to speed along because they had a chance of getting hurt,
• 1:53
  but it was the police who were the catcher, the danger, being hit by a bat and fall off the end of the dozen-millimeter shot.
• 1:59
  They told me, I'm confident they're jumping the ball up to the plate, and then we had to battle with the project team,
• 2:05
  and we had to get the young company to the Yankees, and we had to get the position to get out there and watch them off.
• 2:10
  So they've been properly and it's time-tested, and they'll be able to get back in the game,
• 2:15
  and it's not an ordinary thing.
• 2:18
  This is a question of not being afraid of being hit, because they know what they're doing.
• 2:22
  They're afraid that they're going to make mistakes.
• 2:24
  They're going to make a very, very, very big mistake.
• 2:27
  They're afraid they're going to make mistakes.
• 2:29
  I thought not getting through that act was going to be a role, but it was a mistake that they were going to make,
• 2:34
  and it makes me feel on the road at any time.
• 2:36
  It was really just right there, and I don't know how we're going to find it.
• 2:39
  I guess we'll be back in just one minute.
• 2:43
  This is an alternative to putting down violent juvenile offenders in jails.
• 2:48
  I'm Tom Callahan, Chief Director of Probation.
• 2:51
  Many counties in New York State have a program that my youngsters are working in order to pay back their victims
• 2:58
  for a long term denial of restitution and threats like this.
• 3:02
  Appendix 4 eligible, dependent, courts approve, a placement, climate deployment, community service,
• 3:10
  or educational training programs, including a pay at the minimum wage.
• 3:15
  There is no cost to the employer.
• 3:18
  Part of their pay go into it including victims to repay them for their losses.
• 3:24
  We need your help in placing these youngsters, a program that designs a benefit,
• 3:30
  and we need your help to put this in the community.
• 3:33
  Please contact us at our federal district office in Portland.
• 3:38
  If you and our offense is not learned, the cost of crime will be more inexperienced.
• 3:46
  I'm Mark Rappel, spokesperson for the Niagara Baseball Association.
• 3:49
  I'm the manager of the open-based football team.
• 3:51
  I'm the director of the basketball team at the Cable Tour once or twice a year.
• 3:54
  I'm the director of the basketball team at the Cable Tour once or twice a year.
• 3:57
  What are you confident is the opportunity that the entering state is going to bring
• 4:00
  to the mental bad dark red
• 4:24
  I think I've never heard of that kind of relationship.
• 4:27
  When the service blows you up, like, you don't have a home or people that, you know,
• 4:31
  I don't have that, you appreciate it.
• 4:33
  Well, I guess the 90-year-old-fast plan just goes with this.
• 4:36
  It's a very well-balanced relationship of the requirement charge,
• 4:39
  but it's interesting to see so much of the community right now.
• 4:42
  You have that general effort of waiting to really get that done.
• 4:46
  I mean, just the way things go with the process now, I think it's a call.
• 4:51
  I think it's a very, very good relationship, and I think you can see the difference in the service.
• 4:55
  You know, I talked to her, I think, and she was clear as a neck to neck with what I make the best of it.
• 5:00
  I think I'm a lot more than she tries to do in leadership, but I think she makes the best of it.
• 5:04
  I think that's a beautiful way to monitor the open-age plan,
• 5:07
  but I'm only trying to prevent the risk of being taken and being taken up.
• 5:12
  I'm part of a problem, and I want to try that.
• 5:16
  So, in order to do that, you really are the one trying to話 my pelo around the world.
• 5:21
  This whole teen business thing is one roof over the roof, and you're not exactly ameliorating that.
• 5:25
  But if there's one doing a style like to break up the punch, a self- знаешь,
• 5:30
  and I understand why that's the way of work, we focus a lot on that.
• 5:34
  It's going to be a big thing because we naturally come here to encourage people to do their job.
• 5:39
  That's really great to hear.
• 5:41
  But I'm excited that at the same time Re вдруг has got more of a life
• 5:45
  This is not that far away.
• 5:46
  She knew we could get there from there on.
• 5:48
  We were about to get there in about three hours.
• 5:51
  She had been walking on our side.
• 5:53
  She knew we were going to get there in about a minute.
• 5:55
  She knew we were going to get there in about a minute.
• 5:59
  And then she went on and scored some extra points.
• 6:01
  She was absolutely bizarre.
• 6:02
  She was going to get there in about a minute.
• 6:04
  We were a lot of fun.
• 6:06
  You can make this a dream.
• 6:08
  It's the only thing I love about playing in the NBA.
• 6:11
  It's the only thing I love about playing in the NBA.
• 6:12
  So it's an Easy bunk remove, and then the GoTree division.
• 6:19
  How are yourprintlegcorporations make you think about playing in this league for the Mar drills when you realize your transveeria low- soitjuin five on teams and playing on the fan free best by someone who is's the injury player in a real world tournament.
• 6:26
  Well these start a marotion.
• 6:27
  I think we had something special planned on our scores this be
• 6:28
  I think we had something special planned on our attendance this be
• 6:29
  I think we had something special planned on the accomplishments I just like we played well in many respects and playing both role.
• 6:34
  We're trying to get back into the race.
• 6:35
  And, you know, the look just to get back in there was increasing accuracy and fruits of their part that really.
• 6:39
  There are things going on in this league, Max Camip Gotta grander something big.
• 6:40
  There are things going on in this league, Max Camip Gotta grander something big.
• 6:42
  I was in the program for all of the years and I just want to begin with, I can do a little
• 6:47
  bit of a focus, but I've been a lot of time in the select viewers and the anchors are
• 6:50
  happy to hear you so we've got no bitterness between the few and the anchors.
• 6:53
  Well, first of all, I'd like to thank you, we are all in our own thing, and I've been
• 6:58
  in this for a very long time.
• 6:59
  I thought when you talk about fashion campus, you really think you're in touch with the
• 7:03
  other way, it's going to be out of the office, and you're in the idea.
• 7:05
  I do, it's been a while since I've been in a room with 15-hundreds of folks, and the
• 7:09
  other thing to ask is, how is your recording of 1922, three months, all friends of all
• 7:13
  kinds, over a year, do you have a lot of time to think about?
• 7:16
  I share a lot of work and feel, but I know, growing up, I was a little white lie, a
• 7:22
  brand new, you've got to be watching the nightly print books, and you said, I've got to
• 7:26
  feel that maybe some special point of view.
• 7:28
  Well, that's not special, we're just going to take the good life out of it, and we've
• 7:32
  got to take pictures of all the events that we've been doing.
• 7:35
  We've reconverted candy, we've targeted too many things out of it, except the candy
• 7:39
  out there, and we've got to try to get a good picture.
• 7:41
  So we're going to try to get an opportunity to let this couple look talented.
• 7:45
  And I'm going to spray the thought to you, best of luck, we're very happy to do that,
• 7:48
  and we're going to show you the fact that we're going to do that.
• 7:50
  Okay, my guest has been Billy Martin, the manager of the opening of the Freakly
• 7:53
  Pillars Project.
• 8:13
  Let's go.
• 8:35
  She is the best department in the county, keep your pride low.
• 8:39
  She needs to learn from you, and tell her how to do your part of it all.
• 8:43
  Every day's been like one of his days.
• 8:47
  We got to get a profit, we have to stand alone.
• 8:51
  We're trying to work with my own mind, we're called.
• 8:54
  Please to his lean business, and that will be learned by joining Project Fitness.
• 8:58
  He will be proud to show us he knows how to make this.
• 9:01
  We're proud to be the best department in the county.
• 9:13
  Why don't we all try to do something different,
• 9:17
  and be the best department in the county.
• 9:21
  We're going to be the best department in the county.
• 9:25
  We're going to be the best department in the county.
• 9:29
  We're going to be the best department in the county.
• 9:33
  We're going to be the best department in the county.
• 9:37
  The end of this will be five big times.
• 9:41
  Chancellor, Vice Chancellor, Landa, reading off the race track,
• 9:44
  and how the book, The Red Shirt, was written in the lines of Paul Borgman,
• 9:49
  who is the head of the unit group, inside of Sports Magazine,
• 9:53
  Robert Lampley, how the book, Fires Down Tigers,
• 9:56
  以前 notebook, and Trenton, how the book is�
• 10:00
  the学生, and so forth, and college, and it will be coming to you,
• 10:12
  blues.
• 10:12
  and we're so happy to have you here and hoping that you will make it into the
• 10:14
  ,
• 10:14
  track right that for a while on the spring stand.
• 10:16
  So if I'd been here in San Diego before, I'd make it out of the all the what?
• 10:19
  case I'd make it out of the
• 10:20
  office
• 10:20
  .
• 10:21
  ubful
• 10:21
  that,
• 10:22
  When you do it at!]
• 10:23
  Newmanburg support
• 10:23
  counseling
• 10:24
  They I
• 10:24
  The Reds were the double-hander, it'll be a hard game for the East-West, the Yankees won 6-1-2.
• 10:29
  And as they're going into the first game for the opening, it will be a prime game for the East-West, Andrews won 2-1-2.
• 10:34
  I mean, Fox steps to the second game, will be 3-3, Yankees left the band, they call the Underwood against the Natties,
• 10:40
  you know, it's a great game for them in the first game.
• 10:44
  They have fliers on, it's a cool defense for the starting lineup, and a part of tonight's action for them right after the Aspen City.
• 10:50
  Matthew, a minute, please. I do like my
• 10:55
  best friend, William, I'm on the road to Colorado, and I'm so sick when he runs you.
• 10:59
  I brought the tickets, hotel reservations, buying books, and I brought a new bag for you to carry on the plane.
• 11:05
  Oh, I never been more than I'm on the road, and I swear when he says an extra I dance every day like this,
• 11:11
  I still don't know the plane's size.
• 11:13
  My dear sugar, can you just grab your sex and credit card so we don't have to carry too much cash?
• 11:19
  Oh, let's pay a toll.
• 11:20
  It's a list of where we're staying, we'll leave it with the children and chase the eagles to reach the slum plane.
• 11:25
  Oh, I love the place.
• 11:28
  A good trip abroad starts at home, so plan early, and while you're on your trip, if you run into serious trouble,
• 11:34
  contact your nearest embassy or consulate, they're there to help and advise you.
• 11:39
  I know, when I get my passport, you'll have to give me a nice horse to get on.
• 11:44
  Oh, I will turn, I feel the government's a little heavy to take.
• 11:47
  See you there.
• 11:49
  A message from the U.S. Department of State.
• 11:53
  I'm going to go home and you can go back and you can go back and you can go back and you can go back and go back.
• 12:18
  Military Association Officer Vincent Dut facile Welcome to the Truth announced a double-level torture of love.
• 12:30
  now, this program has no
• 12:48
  The state's finest act of sports is identification.
• 12:53
  Out in the North Yankee baseball network,
• 12:55
  State with the winners, 1817 Yankee baseball,
• 12:58
  on the WROW, Albany, the Cousins, and the Marjano.
• 13:03
  Played under a football ground,
• 13:04
  those with the fire, blue and yellow, behind the plate.
• 13:07
  The four more firsts,
• 13:09
  the South Park, El Playa, and second.
• 13:11
  The N.C. is El Playa, and third,
• 13:13
  the Yankees, 20 right and left,
• 13:18
  40 left and 20 second base.
• 13:20
  The N.C. is having a fire here,
• 13:22
  about the 3-21,
• 13:23
  with one on first and 20 left side,
• 13:25
  and the N.C. is still going to get to the base.
• 13:27
  Tom, the field, a bad center for the Yankees,
• 13:29
  the N.C. will play left field at the first game.
• 13:31
  The South Park, the N.C. hitter,
• 13:33
  will back third.
• 13:34
  Red, D. Jackson, will back fourth,
• 13:36
  and he'll play right field.
• 13:38
  Brad, the goal, is a third base left set.
• 13:40
  Chukwitz, the best two,
• 13:41
  will hit sixth, he'll play for a face.
• 13:44
  Bobby Brown, the center field, will back third.
• 13:47
  The catcher, Rick Churl, after one day,
• 13:49
  Red, D. and I, and the day's best play,
• 13:52
  after the Anthony Nikes,
• 13:53
  we have the N.C. with the left field catch,
• 13:55
  Brad Maddy,
• 13:57
  that's what the N.C. will play,
• 13:58
  so it's back to that thing.
• 14:00
  The Yankees, on the bottom,
• 14:01
  have Panther, Rod, Gidry,
• 14:03
  Gidry making the 13th,
• 14:04
  he's already had his,
• 14:05
  there was a weekend,
• 14:06
  he wants to get up,
• 14:07
  he's going to 6-1, 2,
• 14:09
  and Rod, Gidry, by the way,
• 14:11
  is in our clean and front,
• 14:12
  that's why he has a second one.
• 14:14
  Going back up to the field,
• 14:15
  there he is,
• 14:16
  that's 6-5,
• 14:18
  and the reductival,
• 14:19
  by the center,
• 14:20
  that's Gidry, that's 17,
• 14:22
  3, right down to that 2,
• 14:23
  that's 21,
• 14:24
  so today, that's the field.
• 14:28
  And we will wait now for the play
• 14:31
  and the paint on the next basket,
• 14:32
  here, open.
• 14:35
  Take a look at the bottom of the screen here.
• 14:37
  And Donald, here's the last one.
• 14:40
  So that's what we included
• 16:06
  I'll be sorry for the opening, but I have a bad feeling that I'm going to be in for
• 16:29
  your life after this.
• 16:30
  Thank you.
• 16:31
  Oh hi, it's Elijah and I don't know the difference between the two.
• 16:36
  I'm talking to you from the Lockhart's living room because the Lockhart's got a lot different
• 16:41
  door and they're not home.
• 16:43
  I know that because they left the door on the door so they could be back at three.
• 16:46
  Now, if I walk up, I can knock their house and get out of here by the door and see if
• 16:51
  they would do anything to me.
• 16:52
  It's a very nice house, hey?
• 16:53
  It's hysterical.
• 16:54
  The point is, the Lockhart's made two different doors.
• 16:55
  They should never have done a door like that.
• 17:02
  They should always have knocked the door.
• 17:07
  They're very tensed.
• 17:08
  Now, it's my job to teach you to protect yourselves better.
• 17:11
  So, for me, it's a handsome dog with a fresh coat and the long ears.
• 17:15
  Meantime, find out more about the Manhattan Prime.
• 17:19
  Write the Doc 6600, Knock the Emerald Toll-Aid, Fireball, and One More Thing.
• 17:23
  Lock your doors and help me take a bite out of Climb.
• 17:26
  A message from the Climb Prevention Coalition of the Ad Council.
• 17:31
  Hi, this is John Allen.
• 17:34
  You have a 10-year travel ban because you have a consistent regulation around the most
• 17:40
  tense production of the virus.
• 17:42
  Part of the treatment called travel bans is to contain the virus.
• 17:46
  The only way to avoid it is without one shot.
• 17:49
  So, for your 10-year travel ban, you have to travel back to your country and not have
• 17:54
  to be in the shade for more than two to nine.
• 17:57
  That's the travel ban.
• 17:58
  That's what we told you.
• 17:59
  Lockhart, you can see, you have all of the two to nine.
• 18:02
  I'll see you there.
• 18:03
  Have a good day.
• 18:04
  Thank you.
• 18:05
  Hello, this is the NICU honor field for the April address.
• 18:13
  Interest is leading off of the lane.
• 18:15
  Let's say, okay, we're at the A-plane.
• 18:17
  We have the Alex's Elliott, usually designated as an IV list.
• 18:21
  Third, the day of reference will play its first phase in bad form.
• 18:24
  Second, just to play twice field, we'll call the ARMA.
• 18:28
  The catcher of Orbury and Yankee, like the 4-6, will be followed by another of Orbury
• 18:32
  and Yankee, which is just the third phase.
• 18:35
  And the third, to celebrate Yankee, our Yolterero.
• 18:41
  And third, thanks to Climb, like the phase, for the OCD.
• 18:44
  Day of the game, we get to play for the Coral Blue Jays.
• 18:47
  One of them, just finishing his warm-ups, right after time,
• 18:50
  he's making a few little starts, and that is just one complete game.
• 18:55
  And the reference will win as we take the line.
• 18:58
  One minute job, but just a Yankee, that's it.
• 19:01
  We get behind the mic.
• 19:02
  Thank you very much, go like that.
• 19:05
  Good evening, everybody.
• 19:06
  I'm Robert Rehman.
• 19:07
  Here with me is the New York Yankee baseball first game of the summer.
• 19:10
  We're going to have a late, late show for you tonight.
• 19:14
  Beautiful weather out here in Oakland, California,
• 19:16
  a little bit on the nippy side, but a bright, clear, fun, shiny day.
• 19:20
  The sun is still shining brightly.
• 19:22
  No lights on, this ballpark is yet as bloody with a dust.
• 19:25
  That's that against whether they're bright or dark.
• 19:27
  Getting to the first pitch of the game, and I like to know how they're going to stay
• 19:30
  in the playoff line.
• 19:31
  And I think that's a good thing.
• 19:33
  My ad is right there, and I'm ready to go.
• 19:36
  All right, let's just get going.
• 19:41
  We've got a player like any Yankee on this field.
• 19:44
  That's that guy.
• 19:45
  Not only does he start to press the b's, but he's just coming around the off-riff.
• 19:49
  That's all of his press for the one and one.
• 19:52
  And he's got his player friends up in the shell, all of the grass up their face.
• 19:56
  John Field chasing to right field.
• 20:00
  There's a gap in one center for the center fielder.
• 20:03
  Murphy, he's getting to that right.
• 20:05
  He's got a right fielder on him.
• 20:07
  Drawing the line, more than one pitch.
• 20:09
  Inside, the letters on the counters for the ball, it's going to strike.
• 20:13
  A little effect of that effect, but frankly, if you talk about players playing,
• 20:17
  that's not what they're playing.
• 20:18
  They're playing the game.
• 20:19
  But you might have a little bit of a typical connection.
• 20:23
  I'm sure if we talk to the ball, I'm sure they had a big, grand display.
• 20:28
  And that's not a real show for a straight play, but it's a way of playing on the same ground
• 20:36
  on the other side.
• 20:37
  And by the time that is what you would call a grand off of, that's what you would call a grand off.
• 20:42
  That's just the offensive, only at that ball, it's the short throw.
• 20:45
  Now let's look at the principle of the hole for a reference hit.
• 20:50
  I think the judge thinks it's beautifully in there.
• 20:53
  That's just the offensive in there on the short stuff.
• 20:56
  And the same with the single-barrel out there on the bar, the way it is right now.
• 21:03
  All right, a round off the board.
• 21:04
  You have been in three points.
• 21:05
  That was a great starting average.
• 21:06
  Adam Gilbert Carrero is fielding average, just a little bit.
• 21:10
  Joe LaFey has got seven left-handed in length there.
• 21:13
  Let's go to three inches.
• 21:15
  LaFey is outing two-nineties, six-four, home-bombs, nine runs, seven-in.
• 21:19
  The play of my board's soft, easy to come out of down and on,
• 21:23
  and the series against the Angels, the set-by game, but on the pitch.
• 21:27
  LaFey looks down the strike line, home-bombs.
• 21:33
  Take the black pick on Sunday against the Red Sox, and got no one to say
• 21:37
  that the RCA has lost the ball, game 6-1.
• 21:40
  The right-hander is trying to play a good play, game losing streak.
• 21:45
  The last man was on May 3rd on a size of three, complete game over the Detroit Tigers here.
• 21:54
  The ball is going to strike on Joe LaFey.
• 21:58
  The fat man on the bench likes to fall like an old car.
• 22:10
  That gives the guys quite a road trip.
• 22:13
  The one-five has lost four on the bridge.
• 22:17
  The one-on-one play foul on a great ball, and you have a successful 50-80 game over five
• 22:22
  on the third-road record.
• 22:24
  It is the best in the American League where they've won 19 in the last 11.
• 22:29
  And they're just coming.
• 22:31
  The play of the glass is high.
• 22:33
  The Angels with 24 wins and 20 losses, that's the best record in the many committees.
• 22:38
  The Patriots have been the best guard since we were 55 in 19, and then 19, 50-8.
• 22:44
  They're also 31, 20, and 19, 61.
• 22:49
  Yeah, he hasn't been in first place since May 14th.
• 22:54
  Right now they have a three-and-a-half game lead over second place, no walking for orders.
• 22:59
  The second-five, Ken, when he checked Randolph with a left foot,
• 23:02
  he could have the pitch inside, and that's how he's going to stop Carrero, broken behind Randolph
• 23:08
  and England pitch to the base with an upside of an infield wide over him.
• 23:15
  Right behind the point around the outfield, Ricky Anderson on the left,
• 23:20
  DeWade working in the center and Tony Perlman in the right.
• 23:23
  They're spread out for the base.
• 23:26
  There's Carrero back in behind Randolph and throwing away a state.
• 23:30
  On the infield, Ricky Corbett says, they have a very overridden shot stop.
• 23:34
  They have a K and a second day of revering output.
• 23:39
  So the base has a good outfield.
• 23:43
  They're in field according to their coach.
• 23:47
  Former Yankee player, Clay Coyle, leaves a little bit to be desired.
• 23:53
  Now the first-five, Ken, on the pitch.
• 23:56
  Followed by a left-side in the top, and then he has sent two balls into his right.
• 24:03
  They make a message, well, that our electric scoreboards out in left-side or right-center fields
• 24:09
  are not in operation.
• 24:11
  You know, the scoreboards are our auxiliary scoreboards.
• 24:15
  Hanging over the experience for space lines are really the shallow right-field and left-side lines.
• 24:22
  Now the pitch is coming in and it is lined for all of the way on the left side.
• 24:28
  The coach on the end has just bought the electric scoreboard
• 24:33
  and is looking at an operation later on this season.
• 24:37
  So you've got this little bit of a crowd you've got to see here.
• 24:40
  Probably the biggest crowd they've had here for baseball in a long time.
• 24:43
  Well, they expect, of course, to 30 or 40,000.
• 24:47
  But it looks like the Georgia staff is trying to stick a third to third.
• 24:50
  They're really interested.
• 24:52
  Long line, it's not that.
• 24:54
  Well, they have predicted 40 to 45,000 for the game tonight.
• 24:57
  They can predict that many if they take it over 30 seconds over.
• 25:00
  That's Charlie.
• 25:02
  That's Charlie DeJar.
• 25:04
  John, good thing, 20,000 now.
• 25:07
  Brian Traynham, the steps officer, that's probably what it's starting to look like.
• 25:10
  It's all important.
• 25:11
  They've been thinking, and it's going to be a big thing for the ballpark because we've seen it.
• 25:15
  It's a big thing for the field.
• 25:17
  There's a pitch inside ball three and four campus.
• 25:22
  He was trying to get in touch with the other Charlie's, but he was late the other day.
• 25:29
  But they said that Charlie is in a lot of no-phone calls.
• 25:33
  I mean, that is just not the way he looks.
• 25:35
  So he is very, very happy.
• 25:37
  On track by King, the man, the pitch for the play.
• 25:40
  It is the end of the field.
• 25:42
  The big thing for the ballpark is that they're going to file a line.
• 25:44
  He's not going to have to make it to the game.
• 25:46
  That's not going to play the half way next.
• 26:15
  That's going to be a big thing for the ballpark.
• 26:44
  That's going to be a big thing for the ballpark.
• 27:13
  That's going to be a big thing for the ballpark.
• 27:42
  That's going to be a big thing for the ballpark.
• 28:11
  That's going to be a big thing for the ballpark.
• 28:40
  That's going to be a big thing for the ballpark.
• 29:09
  Band based to think about.
• 29:12
  Again, on the road one second.
• 29:13
  Sand off the second don't walk out.
• 29:25
  Keep your eyes open.
• 29:26
  The Television has our game.
• 29:26
  www.youtube.com Eagle League Orange and Nope
• 29:26
  Of Sch Festival you can hear our guys.
• 29:34
  Game 9.
• 29:34
  Dude, that's a real good pitch.
• 29:35
  Good fountains.
• 29:36
  Give them the air,
• 29:36
  Way involved.
• 29:37
  So I'm not going to get very mixed up.
• 29:39
  I'm a little bit out of my track, I think.
• 29:41
  So if this is a risk, I have a problem.
• 29:44
  That's the catch.
• 29:46
  So I'm not going to get very mixed up.
• 29:50
  I'm going to get a little bit out of my track.
• 29:55
  I have a lot of risk for my team.
• 30:02
  I might get some other things to do.
• 30:05
  I'll go ahead and come out.
• 30:08
  The most important thing is to go home all.
• 30:11
  I'll be out and do a little bit of catch-up for you,
• 30:13
  and score a couple of bucks.
• 30:19
  I'll be in here halfway around on the third base to
• 30:21
  get Ricky Jackson going to take up the run.
• 30:24
  Right here starting 270, 121, 129, and we're up side in.
• 30:38
  I'm going to go out and get Ricky.
• 30:40
  He's going to be on the way to the base line.
• 30:48
  I'm going to go out on the line.
• 30:50
  Most of it, the place is just right there.
• 30:53
  I'm going to go for the most down on a pistol.
• 31:00
  No matter how hard he gets to the gap, I'm full lined up.
• 31:07
  I'm on my foot.
• 31:09
  I'm going to go all the way to the left side of the left.
• 31:13
  I'm going to get his first 26 game, and it is a 3-0 lead.
• 31:25
  I'll take my thousands of baseball men and four-foot up by a little zero.
• 31:30
  Look out.
• 31:37
  I'm going to go out on the third.
• 31:44
  In field, deep and shade at the right side.
• 31:46
  Down field, shade toward right, and I have a fish with Jackson.
• 31:49
  I'll back him and I'll go in the blue.
• 32:00
  I'm going to go for the bottom.
• 32:11
  Now, looks like he needs some shrine.
• 32:13
  It'll be wide on the fish with Jackson.
• 32:17
  He's going to have to pull by.
• 32:23
  Definitely got the excavator dependent.
• 32:25
  I'm going to go for the series.
• 32:30
  They will sell a new record here in a little bit.
• 32:32
  They're going to be spending 40,000 tonight, 35,000 tomorrow, and another 40,000 on Sunday.
• 32:39
  I'm going to go for the play that they do.
• 32:42
  I just paid ever for a three-day regular season series here with 81,512.
• 32:48
  Back in 1971, that's Jackson.
• 32:52
  I'm going to go for the third one, a little zero, off the end of the third.
• 32:56
  I'm going to go out and buy the second round of the score.
• 32:59
  And the end of the series, what was happening,
• 33:01
  was actually about the end of the series over the years.
• 33:04
  And I thought that all those different charts were just quite interesting.
• 33:09
  Now, we can go right to the old part.
• 33:12
  What's going to be in the play, I think, is the right stuff.
• 33:17
  Obviously, it's a priority. It's all fucking going down.
• 33:22
  Who's making the touchdown? Who's being a USA?
• 33:25
  Everybody's got a fair way to go.
• 33:29
  And we're going to see them in the full drive-by.
• 33:31
  I'm trying to get stuff to start going, of course, so I can start going all the way.
• 33:37
  I'll go for the 90-second job.
• 33:39
  I'll try to play a higher-end different draw.
• 33:41
  I've got a guy coming down to the top of the hole, kind of like the other barters out here.
• 33:45
  I don't know if anybody's going to go out and buy the second round of the score.
• 33:47
  Nobody really wants that kind of baseball-offensive.
• 33:50
  That was a good one because it was just going to go over those 50-second
• 33:53
  critical breast-baths to get people out of the way.
• 33:55
  But nobody wants to do that.
• 33:57
  And those 50-second draw will go to the next 30-second.
• 34:02
  The left-hander will buy the first round, lower-right.
• 34:04
  Right now, we're about our ad-banks for the score.
• 34:07
  The guy just hitting.44, you're selling all rounds, trying to run the 5-against him.
• 34:13
  He's got some exciting two-hour C-anchors already walking around.
• 34:21
  Now the stretch, the step, and the fish-to-metal.
• 34:25
  Outside, I'll see if they can get one ball, one strike.
• 34:30
  I'm finding out the crowd's going to show up here for the series.
• 34:33
  The NTSB, the American Marine, and average attendance on the roads, 3,400,241.
• 34:43
  A lot of people around the American Marine come out to see the Yankees play baseball.
• 34:48
  The step-and, fish-to-metal, ball, ball, they fall over the strike-tucked bridge.
• 34:54
  Two-hours, Ricky has struck and base, the Yankees lead one, the NTSB.
• 34:58
  In real, the last four cities, the Yankees have been to the inflationary four largest
• 35:03
  round of the year, 33,077 in Toronto on May 25, 35,161 in Kansas City,
• 35:11
  June 7, and 43,594 in Seattle, Missouri.
• 35:19
  The two-hours, the Yankees have been to the Yankees play before the four-game-long
• 35:26
  practice round of the season, and that was a sell-out, 39,593 in 1994-2014.
• 35:36
  The Yankees are projecting approximately 415,000 attendance for their next call to
• 35:42
  the stand, which will begin Monday night against serious L.C.O.
• 35:48
  Mark said a tough time for the Baycast, yeah, it's a blue to yellow already.
• 35:54
  It's a pretty one, but you've got another little foul back in the counters,
• 35:58
  full three and two.
• 36:02
  All right, next to Martin is his third base, look, three-pointer.
• 36:09
  That's a lot of third base, but it's a stand-out standing third base.
• 36:16
  They've got that play-ish look.
• 36:20
  But all the way from all these games from late in his playing days,
• 36:26
  so that's boy's base for your two-fish, no ground fish to a player base.
• 36:32
  Okay, and a close one-on-one champion, that's a lot to do,
• 36:36
  a lot of ground on the man left, a little fast, a lot of ground open coming back.
• 36:41
  No perfect racing machines, no running cars, no late-play women,
• 36:47
  no jockeys, no gladness, just greyhounds against greyhound bone
• 36:52
  and muscles screaming for the finish line.
• 36:55
  Boy hounds, that's a single blue to blue, you can bet on it.
• 37:00
  No, you want the greyhounds.
• 37:02
  First out on Wednesday through Saturday, 7 to 25 p.m., Sunday, 1-3.
• 37:06
  We'll be on the racetrack at 7.
• 37:09
  Follow them up.
• 37:11
  All right, everybody, that's four to zero for our lunch.
• 37:14
  We're going to be talking about the price of penipind.
• 37:17
  I know you want to come along, but I'll give you a price of penipind.
• 37:21
  We'd be happy to meet you.
• 37:23
  Join me on the simple economic approach, so we can get a lot of juice,
• 37:26
  animals and supplies.
• 37:28
  And a beautiful six-year-old parent's got a business,
• 37:31
  fully-borrowed in San Mariano, Oregon,
• 37:33
  is waking up to the price of penipind.
• 37:35
  And the price is going to never be over right now.
• 37:37
  I know how much of the time you're celebrating about the $1,000
• 37:40
  is going to be spent on the business, and the business is going to be
• 37:45
  going to be a lot better than it was in the past.
• 37:47
  And I know that the price of penipind is going to be $12.68.
• 37:51
  And we're going to be celebrating the quality of customers,
• 37:54
  the quality of professionals, and the quality of the price of penipind.
• 37:57
  I want to thank you for your work for your personal work for the new penipind
• 38:01
  and the quality of your company.
• 38:03
  So, come on down.
• 38:04
  I need to come forward and do it all on the capitol district.
• 38:07
  I need you to join me on the capitol.
• 38:14
  The base team probably turns it up,
• 38:16
  and we've got a few guys on the household coming in for a break.
• 38:21
  Well, I agree.
• 38:22
  I want to be up there while we include a little text up on the score.
• 38:25
  It's text is please, from one of the people at that campus, six.
• 38:28
  They went to five, Minnesota, two, and here's a four.
• 38:32
  It's right in Chicago, and now we've got people at the fourth.
• 38:35
  We're going to be at Kansas, and they're going to be at the QBall game at the time of one,
• 38:38
  and the P.M. at two.
• 38:40
  When it's all aboard, you'll be on at Baltimore, that's Seattle.
• 38:43
  Tonight's the week, so that's the night.
• 38:45
  Nothing's happening at Kansas, two and a half.
• 38:48
  And we're going to be in Chicago, seven to six.
• 38:51
  We're going to be on Los Angeles, two, and the four and a half.
• 38:54
  That's part of three, and it's going to be a four and a half.
• 38:57
  We're going to be at the San Diego one, after two.
• 39:00
  And then, Barclays, and the Lids, it's night of one, and he has the four on the right.
• 39:05
  Rick Anderson, kind of definitely, as I said, is right from the bottom of his box.
• 39:10
  Right now, they're about in three, 17, and when all runs, 17 runs running in.
• 39:15
  Every one, and the first six, Anderson, foul, all back out of play, it's quite wide.
• 39:20
  Six was, hopefully, high, and Anderson followed the back.
• 39:24
  Anderson is in three straight.
• 39:27
  And, all those three games, we have the 11 at bat for the against,
• 39:32
  the S27 has been a blast, 52 at bat.
• 39:35
  Don McGraw, for Detroit, the Bucks, the
• 39:40
  Bucks are back, ball is high, the count is one, one.
• 39:44
  Henderson leads the American League in stolen bases with 29.
• 39:51
  The Bucks have a lot of good players, and they like to keep up the base fast.
• 39:57
  The Bucks have a lot of nails high.
• 40:00
  Henry's started out as good as last time, so 15 times, for someone,
• 40:04
  he doesn't think, just a ball is out, especially when it starts playing four,
• 40:07
  and someone's over-reaching.
• 40:11
  He's up, not having the control to get the ball there.
• 40:14
  Now, the show is one, but Henderson, high, way high.
• 40:18
  He's got to be in five, and if there are any, he's going to walk three,
• 40:21
  he's got to have five, and if he has all five, he's got to run.
• 40:27
  He's been cancer-sick, and he's been restarted on the road for seven,
• 40:31
  so he's got to walk four.
• 40:34
  Well, he's got to run away, and he might have had other chances running.
• 40:40
  The most famous players from here at the previous show do not run on their own,
• 40:46
  but they do run on their own ways.
• 40:50
  Only on a sign from Michael.
• 40:54
  Henry started his first season, he had Henderson run his first race,
• 40:58
  but the dog he stole in 29 missed races.
• 41:02
  Now he has stolen successfully on 19 of his last 25 of that season.
• 41:09
  There is blame, but he's been in five straight games,
• 41:12
  and he has been in his last 20 of that, and 20 of his last 22 of that.
• 41:17
  He's gone up to have everybody, 30, 30, 30, and a knockout after a shot on the open block.
• 41:23
  You're pretty much in Henderson, and he delivers Marquise,
• 41:26
  possibly on the third run, and makes it to the third run.
• 41:29
  Henderson is simply a player, and he's been in the game for a long time.
• 41:44
  That's okay.
• 41:45
  We're in the early of this year.
• 41:50
  Elliott brought a brilliant car, the Giant, to 1970,
• 41:53
  and he was out of baseball last year, and into spring training with the Huron.
• 41:59
  He's had his time under the ESPN, and was signed to an off-ditch on break.
• 42:07
  He has not strived this season until the open block.
• 42:11
  He is here now, and batting the 167.
• 42:14
  However, really mind-matching, not enough of a three-stop, right-handed,
• 42:18
  fires first and third, and he'll back with a double play on the pitch inside the ball.
• 42:26
  The Yankees lead by nothing, but the A's have a threat.
• 42:30
  That third base, what the Henderson talks with, looks pretty poor.
• 42:36
  Here's the fetching foul by Bindman on the hands.
• 42:47
  And the Yankees take the outless down and play a first-side.
• 42:51
  They've got it one ball, one strike, and an exchange of pitch balls.
• 43:03
  Going to keep on in that Murphy-Eakins field of base.
• 43:06
  That ball comes in a rolling five.
• 43:10
  The Stroumans reflect the lead, so they want to get a last 22 attempts.
• 43:17
  They have a score of all five times in six drives.
• 43:20
  They have six double steals and a triple steal.
• 43:26
  Here's the fetch.
• 43:28
  The Browns get the first-side.
• 43:30
  That will be up around the third.
• 43:33
  The Browns take the play.
• 43:35
  The Yankees lead by nothing, but the A's have a threat.
• 43:40
  That third base, what the Henderson talks with, looks pretty poor.
• 43:45
  They've got it one ball, one strike, and an exchange of pitch balls.
• 43:49
  That third base, what the Henderson talks with, looks pretty poor.
• 43:53
  They have a score of all five times in six drives.
• 43:56
  They have six double steals and a triple steal.
• 43:59
  That last people are more on the ball, but no extended argument.
• 44:05
  The Gannis tie to an off-the-table reverie.
• 44:07
  The
• 44:16
  Gannis tie to an off-the-table reverie.
• 44:29
  The
• 44:49
  Gannis tie to an off-the-table reverie.
• 45:15
  The
• 45:45
  Gannis tie to an off-the-table reverie.
• 45:58
  The
• 46:18
  Gannis tie to an off-the-table reverie.
• 46:31
  The
• 46:42
  Gannis tie to an off-the-table reverie.
• 46:55
  The
• 47:02
  Gannis tie to an off-the-table reverie.
• 47:12
  The
• 47:19
  Gannis tie to an off-the-table reverie.
• 47:33
  The
• 47:53
  Gannis tie to an off-the-table reverie.
• 48:03
  The
• 48:13
  Gannis tie to an off-the-table reverie.
• 48:23
  The
• 48:33
  Gannis tie to an off-the-table reverie.
• 48:43
  The
• 48:53
  Gannis tie to an off-the-table reverie.
• 49:03
  The
• 49:13
  Gannis tie to an off-the-table reverie.
• 49:23
  The
• 49:33
  Gannis tie to an off-the-table reverie.
• 49:43
  The
• 49:53
  Gannis tie to an off-the-table reverie.
• 50:03
  The
• 50:13
  Gannis tie to an off-the-table reverie.
• 50:23
  The
• 50:33
  Gannis tie to an off-the-table reverie.
• 50:43
  The
• 50:53
  Gannis tie to an off-the-table reverie.
• 51:03
  The
• 51:13
  Gannis tie to an off-the-table reverie.
• 51:23
  The
• 51:33
  Gannis tie to an off-the-table reverie.
• 51:43
  The
• 51:53
  Gannis tie to an off-the-table reverie.
• 52:03
  The
• 52:13
  Gannis tie to an off-the-table reverie.
• 52:23
  The
• 52:33
  Gannis tie to an off-the-table reverie.
• 52:43
  The
• 52:53
  Gannis tie to an off-the-table reverie.
• 53:03
  The
• 53:13
  Gannis tie to an off-the-table reverie.
• 53:23
  The
• 53:33
  Gannis tie to an off-the-table reverie.
• 53:43
  The
• 53:53
  Gannis tie to an off-the-table reverie.
• 54:03
  The
• 54:13
  Gannis tie to an off-the-table reverie.
• 54:23
  The
• 54:33
  Gannis tie to an off-the-table reverie.
• 54:43
  The
• 54:53
  Gannis tie to an off-the-table reverie.
• 55:03
  The
• 55:13
  Gannis tie to an off-the-table reverie.
• 55:23
  The
• 55:33
  Gannis tie to an off-the-table reverie.
• 55:43
  The
• 55:53
  Gannis tie to an off-the-table reverie.
• 56:03
  The
• 56:13
  Gannis tie to an off-the-table reverie.
• 56:23
  The
• 56:33
  Gannis tie to an off-the-table reverie.
• 56:43
  The
• 56:53
  Gannis tie to an off-the-table reverie.
• 57:03
  The
• 57:13
  Gannis tie to an off-the-table reverie.
• 57:23
  The
• 57:33
  Gannis tie to an off-the-table reverie.
• 57:43
  The
• 57:53
  Gannis tie to an off-the-table reverie.
• 58:03
  The
• 58:13
  Gannis tie to an off-the-table reverie.
• 58:23
  The
• 58:33
  Gannis tie to an off-the-table reverie.
• 58:43
  The
• 58:53
  Gannis tie to an off-the-table reverie.
• 59:03
  The
• 59:13
  Gannis tie to an off-the-table reverie.
• 59:23
  The
• 59:33
  Gannis tie to an off-the-table reverie.
• 59:43
  The
• 59:53
  Gannis tie to an off-the-table reverie.
• 1:00:03
  The
• 1:00:13
  Gannis tie to an off-the-table reverie.
• 1:00:23
  The
• 1:00:33
  Gannis tie to an off-the-table reverie.
• 1:00:43
  The
• 1:00:53
  Gannis tie to an off-the-table reverie.
• 1:01:03
  The
• 1:01:13
  Gannis tie to an off-the-table reverie.
• 1:01:23
  The
• 1:01:33
  Gannis tie to an off-the-table reverie.
• 1:01:43
  The
• 1:01:53
  Gannis tie to an off-the-table reverie.
• 1:02:03
  The
• 1:02:13
  Gannis tie to an off-the-table reverie.
• 1:02:23
  The
• 1:02:33
  Gannis tie to an off-the-table reverie.
• 1:02:43
  The
• 1:02:53
  Gannis tie to an off-the-table reverie.
• 1:03:03
  The
• 1:03:13
  Gannis tie to an off-the-table reverie.
• 1:03:23
  The
• 1:03:33
  Gannis tie to an off-the-table reverie.
• 1:03:43
  The
• 1:03:53
  Gannis tie to an off-the-table reverie.
• 1:04:03
  The
• 1:04:13
  Gannis tie to an off-the-table reverie.
• 1:04:23
  The
• 1:04:33
  Gannis tie to an off-the-table reverie.
• 1:04:43
  The
• 1:04:53
  Gannis tie to an off-the-table reverie.
• 1:05:03
  The
• 1:05:13
  Gannis tie to an off-the-table reverie.
• 1:05:23
  The
• 1:05:33
  Gannis tie to an off-the-table reverie.
• 1:05:43
  The
• 1:05:53
  Gannis tie to an off-the-table reverie.
• 1:06:03
  The
• 1:06:13
  Gannis tie to an off-the-table reverie.
• 1:06:23
  The
• 1:06:33
  Gannis tie to an off-the-table reverie.
• 1:06:43
  The
• 1:06:53
  Gannis tie to an off-the-table reverie.
• 1:07:03
  The
• 1:07:13
  Gannis tie to an off-the-table reverie.
• 1:07:23
  The
• 1:07:33
  Gannis tie to an off-the-table reverie.
• 1:07:43
  The
• 1:07:53
  Gannis tie to an off-the-table reverie.
• 1:08:03
  The
• 1:08:13
  Gannis tie to an off-the-table reverie.
• 1:08:23
  The
• 1:08:33
  Gannis tie to an off-the-table reverie.
• 1:08:43
  The
• 1:08:53
  Gannis tie to an off-the-table reverie.
• 1:09:03
  The
• 1:09:13
  Gannis tie to an off-the-table reverie.
• 1:09:23
  The
• 1:09:33
  Gannis tie to an off-the-table reverie.
• 1:09:43
  The
• 1:09:53
  Gannis tie to an off-the-table reverie.
• 1:10:03
  The
• 1:10:13
  Gannis tie to an off-the-table reverie.
• 1:10:23
  The
• 1:10:33
  Gannis tie to an off-the-table reverie.
• 1:10:43
  The
• 1:10:53
  Gannis tie to an off-the-table reverie.
• 1:11:03
  The
• 1:11:13
  Gannis tie to an off-the-table reverie.
• 1:11:23
  The
• 1:11:33
  Gannis tie to an off-the-table reverie.
• 1:11:43
  The
• 1:11:53
  Gannis tie to an off-the-table reverie.
• 1:12:03
  The
• 1:12:13
  Gannis tie to an off-the-table reverie.
• 1:12:23
  The
• 1:12:33
  Gannis tie to an off-the-table reverie.
• 1:12:43
  The
• 1:12:53
  Gannis tie to an off-the-table reverie.
• 1:13:03
  The
• 1:13:13
  Gannis tie to an off-the-table reverie.
• 1:13:23
  The
• 1:13:33
  Gannis tie to an off-the-table reverie.
• 1:13:43
  The
• 1:13:53
  Gannis tie to an off-the-table reverie.
• 1:14:03
  The
• 1:14:13
  Gannis tie to an off-the-table reverie.
• 1:14:23
  The
• 1:14:33
  Gannis tie to an off-the-table reverie.
• 1:14:43
  The
• 1:14:53
  Gannis tie to an off-the-table reverie.
• 1:15:03
  The
• 1:15:13
  Gannis tie to an off-the-table reverie.
• 1:15:23
  The
• 1:15:33
  Gannis tie to an off-the-table reverie.
• 1:15:43
  The
• 1:15:53
  Gannis tie to an off-the-table reverie.
• 1:16:03
  The
• 1:16:13
  Gannis tie to an off-the-table reverie.
• 1:16:23
  The
• 1:16:33
  Gannis tie to an off-the-table reverie.
• 1:16:43
  The
• 1:16:53
  Gannis tie to an off-the-table reverie.
• 1:17:03
  The
• 1:17:13
  Gannis tie to an off-the-table reverie.
• 1:17:23
  The
• 1:17:33
  Gannis tie to an off-the-table reverie.
• 1:17:43
  The
• 1:17:53
  Gannis tie to an off-the-table reverie.
• 1:18:03
  The
• 1:18:13
  Gannis tie to an off-the-table reverie.
• 1:18:23
  The
• 1:18:33
  Gannis tie to an off-the-table reverie.
• 1:18:43
  The
• 1:18:53
  Gannis tie to an off-the-table reverie.
• 1:19:03
  The
• 1:19:13
  Gannis tie to an off-the-table reverie.
• 1:19:23
  The
• 1:19:33
  Gannis tie to an off-the-table reverie.
• 1:19:43
  The
• 1:19:53
  Gannis tie to an off-the-table reverie.
• 1:20:03
  The
• 1:20:13
  Gannis tie to an off-the-table reverie.
• 1:20:23
  The
• 1:20:33
  Gannis tie to an off-the-table reverie.
• 1:20:43
  The
• 1:20:53
  Gannis tie to an off-the-table reverie.
• 1:21:03
  The
• 1:21:13
  Gannis tie to an off-the-table reverie.
• 1:21:23
  The
• 1:21:33
  Gannis tie to an off-the-table reverie.
• 1:21:43
  The
• 1:21:53
  Gannis tie to an off-the-table reverie.
• 1:22:03
  The
• 1:22:13
  Gannis tie to an off-the-table reverie.
• 1:22:23
  The
• 1:22:33
  Gannis tie to an off-the-table reverie.
• 1:22:43
  The
• 1:22:53
  Gannis tie to an off-the-table reverie.
• 1:23:03
  The
• 1:23:13
  Gannis tie to an off-the-table reverie.
• 1:23:23
  The
• 1:23:33
  Gannis tie to an off-the-table reverie.
• 1:23:43
  The
• 1:23:53
  Gannis tie to an off-the-table reverie.
• 1:24:03
  The
• 1:24:13
  Gannis tie to an off-the-table reverie.
• 1:24:23
  The
• 1:24:33
  Gannis tie to an off-the-table reverie.
• 1:24:43
  The
• 1:24:53
  Gannis tie to an off-the-table reverie.
• 1:25:03
  The
• 1:25:13
  Gannis tie to an off-the-table reverie.
• 1:25:23
  The
• 1:25:33
  Gannis tie to an off-the-table reverie.
• 1:25:43
  The
• 1:25:53
  Gannis tie to an off-the-table reverie.
• 1:26:03
  The
• 1:26:13
  Gannis tie to an off-the-table reverie.
• 1:26:23
  The
• 1:26:33
  Gannis tie to an off-the-table reverie.
• 1:26:43
  The
• 1:26:53
  Gannis tie to an off-the-table reverie.
• 1:27:03
  The
• 1:27:13
  Gannis tie to an off-the-table reverie.
• 1:27:23
  The
• 1:27:33
  Gannis tie to an off-the-table reverie.
• 1:27:43
  The
• 1:27:53
  Gannis tie to an off-the-table reverie.
• 1:28:03
  The
• 1:28:13
  Gannis tie to an off-the-table reverie.
• 1:28:23
  The
• 1:28:33
  Gannis tie to an off-the-table reverie.
• 1:28:43
  The
• 1:28:53
  Gannis tie to an off-the-table reverie.
• 1:29:03
  The
• 1:29:13
  Gannis tie to an off-the-table reverie.
• 1:29:23
  The
• 1:29:33
  Gannis tie to an off-the-table reverie.
• 1:29:43
  The
• 1:29:53
  Gannis tie to an off-the-table reverie.
• 1:30:03
  The
• 1:30:13
  Gannis tie to an off-the-table reverie.
• 1:30:23
  The
• 1:30:33
  Gannis tie to an off-the-table reverie.
• 1:30:43
  The
• 1:30:53
  Gannis tie to an off-the-table reverie.
• 1:31:03
  The
• 1:31:13
  Gannis tie to an off-the-table reverie.
• 1:31:23
  The
• 1:31:33
  Gannis tie to an off-the-table reverie.
• 1:31:43
  The
• 1:31:53
  Gannis tie to an off-the-table reverie.
• 1:32:03
  The
• 1:32:13
  Gannis tie to an off-the-table reverie.
• 1:32:23
  The
• 1:32:33
  Gannis tie to an off-the-table reverie.
• 1:32:43
  The
• 1:32:53
  Gannis tie to an off-the-table reverie.
• 1:33:03
  The
• 1:33:13
  Gannis tie to an off-the-table reverie.
• 1:33:23
  The
• 1:33:33
  Gannis tie to an off-the-table reverie.
• 1:33:43
  The
• 1:33:53
  Gannis tie to an off-the-table reverie.
• 1:34:03
  The
• 1:34:13
  Gannis tie to an off-the-table reverie.
• 1:34:23
  The
• 1:34:33
  Gannis tie to an off-the-table reverie.
• 1:34:43
  The
• 1:34:53
  Gannis tie to an off-the-table reverie.
• 1:35:03
  The
• 1:35:13
  Gannis tie to an off-the-table reverie.
• 1:35:23
  The
• 1:35:33
  Gannis tie to an off-the-table reverie.
• 1:35:43
  The
• 1:35:53
  Gannis tie to an off-the-table reverie.
• 1:36:03
  The
• 1:36:13
  Gannis tie to an off-the-table reverie.
• 1:36:23
  The
• 1:36:33
  Gannis tie to an off-the-table reverie.
• 1:36:43
  The
• 1:36:53
  Gannis tie to an off-the-table reverie.
• 1:37:03
  The
• 1:37:13
  Gannis tie to an off-the-table reverie.
• 1:37:23
  The
• 1:37:33
  Gannis tie to an off-the-table reverie.
• 1:37:43
  The
• 1:37:53
  Gannis tie to an off-the-table reverie.
• 1:38:03
  The
• 1:38:13
  Gannis tie to an off-the-table reverie.
• 1:38:23
  The
• 1:38:33
  Gannis tie to an off-the-table reverie.
• 1:38:43
  The
• 1:38:53
  Gannis tie to an off-the-table reverie.
• 1:39:03
  The
• 1:39:13
  Gannis tie to an off-the-table reverie.
• 1:39:23
  The
• 1:39:33
  Gannis tie to an off-the-table reverie.
• 1:39:43
  The
• 1:39:53
  Gannis tie to an off-the-table reverie.
• 1:40:03
  The
• 1:40:13
  Gannis tie to an off-the-table reverie.
• 1:40:23
  The
• 1:40:33
  Gannis tie to an off-the-table reverie.
• 1:40:43
  The
• 1:40:53
  Gannis tie to an off-the-table reverie.
• 1:41:03
  The
• 1:41:13
  Gannis tie to an off-the-table reverie.
• 1:41:23
  The
• 1:41:33
  Gannis tie to an off-the-table reverie.
• 1:41:43
  The
• 1:41:53
  Gannis tie to an off-the-table reverie.
• 1:42:03
  The
• 1:42:13
  Gannis tie to an off-the-table reverie.
• 1:42:23
  The
• 1:42:33
  Gannis tie to an off-the-table reverie.
• 1:42:43
  The
• 1:42:53
  Gannis tie to an off-the-table reverie.
• 1:43:03
  The
• 1:43:13
  Gannis tie to an off-the-table reverie.
• 1:43:23
  The
• 1:43:33
  Gannis tie to an off-the-table reverie.
• 1:43:43
  The
• 1:43:53
  Gannis tie to an off-the-table reverie.
• 1:44:03
  The
• 1:44:13
  Gannis tie to an off-the-table reverie.
• 1:44:23
  The
• 1:44:33
  Gannis tie to an off-the-table reverie.
• 1:44:43
  The
• 1:44:53
  Gannis tie to an off-the-table reverie.
• 1:45:03
  The
• 1:45:13
  Gannis tie to an off-the-table reverie.
• 1:45:23
  The
• 1:45:33
  Gannis tie to an off-the-table reverie.
• 1:45:43
  The
• 1:45:53
  Gannis tie to an off-the-table reverie.
• 1:46:03
  The
• 1:46:13
  Gannis tie to an off-the-table reverie.
• 1:46:23
  The
• 1:46:33
  Gannis tie to an off-the-table reverie.
• 1:46:43
  The
• 1:46:53
  Gannis tie to an off-the-table reverie.
• 1:47:03
  The
• 1:47:13
  Gannis tie to an off-the-table reverie.
• 1:47:23
  The
• 1:47:33
  Gannis tie to an off-the-table reverie.
• 1:47:43
  The
• 1:47:53
  Gannis tie to an off-the-table reverie.
• 1:48:03
  The
• 1:48:13
  Gannis tie to an off-the-table reverie.
• 1:48:23
  The
• 1:48:33
  Gannis tie to an off-the-table reverie.
• 1:48:43
  The
• 1:48:53
  Gannis tie to an off-the-table reverie.
• 1:49:03
  The
• 1:49:13
  Gannis tie to an off-the-table reverie.
• 1:49:23
  The
• 1:49:33
  Gannis tie to an off-the-table reverie.
• 1:49:43
  The
• 1:49:53
  Gannis tie to an off-the-table reverie.
• 1:50:03
  The
• 1:50:13
  Gannis tie to an off-the-table reverie.
• 1:50:23
  The
• 1:50:33
  Gannis tie to an off-the-table reverie.
• 1:50:43
  The
• 1:50:53
  Gannis tie to an off-the-table reverie.
• 1:51:03
  The
• 1:51:13
  Gannis tie to an off-the-table reverie.
• 1:51:23
  The
• 1:51:33
  Gannis tie to an off-the-table reverie.
• 1:51:43
  The
• 1:51:53
  Gannis tie to an off-the-table reverie.
• 1:52:03
  The
• 1:52:13
  Gannis tie to an off-the-table reverie.
• 1:52:23
  The
• 1:52:33
  Gannis tie to an off-the-table reverie.
• 1:52:43
  The
• 1:52:53
  Gannis tie to an off-the-table reverie.
• 1:53:03
  The
• 1:53:13
  Gannis tie to an off-the-table reverie.
• 1:53:23
  The
• 1:53:33
  Gannis tie to an off-the-table reverie.
• 1:53:43
  The
• 1:53:53
  Gannis tie to an off-the-table reverie.
• 1:54:03
  The
• 1:54:13
  Gannis tie to an off-the-table reverie.
• 1:54:23
  The
• 1:54:33
  Gannis tie to an off-the-table reverie.
• 1:54:43
  The
• 1:54:53
  Gannis tie to an off-the-table reverie.
• 1:55:03
  The
• 1:55:13
  Gannis tie to an off-the-table reverie.
• 1:55:23
  The
• 1:55:33
  Gannis tie to an off-the-table reverie.
• 1:55:43
  The
• 1:55:53
  Gannis tie to an off-the-table reverie.
• 1:56:03
  The
• 1:56:13
  Gannis tie to an off-the-table reverie.
• 1:56:23
  The
• 1:56:33
  Gannis tie to an off-the-table reverie.
• 1:56:43
  The
• 1:56:53
  Gannis tie to an off-the-table reverie.
• 1:57:03
  The
• 1:57:13
  Gannis tie to an off-the-table reverie.
• 1:57:23
  The
• 1:57:33
  Gannis tie to an off-the-table reverie.
• 1:57:43
  The
• 1:57:53
  Gannis tie to an off-the-table reverie.
• 1:58:03
  The
• 1:58:13
  Gannis tie to an off-the-table reverie.
• 1:58:23
  The
• 1:58:33
  Gannis tie to an off-the-table reverie.
• 1:58:43
  The
• 1:58:53
  Gannis tie to an off-the-table reverie.
• 1:59:03
  The
• 1:59:13
  Gannis tie to an off-the-table reverie.
• 1:59:23
  The
• 1:59:33
  Gannis tie to an off-the-table reverie.
• 1:59:43
  The
• 1:59:53
  Gannis tie to an off-the-table reverie.
• 2:00:03
  The
• 2:00:13
  Gannis tie to an off-the-table reverie.
• 2:00:23
  The
• 2:00:33
  Gannis tie to an off-the-table reverie.
• 2:00:43
  The
• 2:00:53
  Gannis tie to an off-the-table reverie.
• 2:01:03
  The
• 2:01:13
  Gannis tie to an off-the-table reverie.
• 2:01:23
  The
• 2:01:33
  Gannis tie to an off-the-table reverie.
• 2:01:43
  The
• 2:01:53
  Gannis tie to an off-the-table reverie.
• 2:02:03
  The
• 2:02:13
  Gannis tie to an off-the-table reverie.
• 2:02:23
  The
• 2:02:33
  Gannis tie to an off-the-table reverie.
• 2:02:43
  The
• 2:02:53
  Gannis tie to an off-the-table reverie.
• 2:03:03
  The
• 2:03:13
  Gannis tie to an off-the-table reverie.
• 2:03:23
  The
• 2:03:33
  Gannis tie to an off-the-table reverie.
• 2:03:43
  The
• 2:03:53
  Gannis tie to an off-the-table reverie.
• 2:04:03
  The
• 2:04:13
  Gannis tie to an off-the-table reverie.
• 2:04:23
  The
• 2:04:33
  Gannis tie to an off-the-table reverie.
• 2:04:43
  The
• 2:04:53
  Gannis tie to an off-the-table reverie.
• 2:05:03
  The
• 2:05:13
  Gannis tie to an off-the-table reverie.
• 2:05:23
  The
• 2:05:33
  Gannis tie to an off-the-table reverie.
• 2:05:43
  The
• 2:05:53
  Gannis tie to an off-the-table reverie.
• 2:06:03
  The
• 2:06:13
  Gannis tie to an off-the-table reverie.
• 2:06:23
  The
• 2:06:33
  Gannis tie to an off-the-table reverie.
• 2:06:43
  The
• 2:06:53
  Gannis tie to an off-the-table reverie.
• 2:07:03
  The
• 2:07:13
  Gannis tie to an off-the-table reverie.
• 2:07:23
  The
• 2:07:33
  Gannis tie to an off-the-table reverie.
• 2:07:43
  The
• 2:07:53
  Gannis tie to an off-the-table reverie.
• 2:08:03
  The
• 2:08:13
  Gannis tie to an off-the-table reverie.
• 2:08:23
  The
• 2:08:33
  Gannis tie to an off-the-table reverie.
• 2:08:43
  The
• 2:08:53
  Gannis tie to an off-the-table reverie.
• 2:09:03
  The
• 2:09:13
  Gannis tie to an off-the-table reverie.
• 2:09:23
  The
• 2:09:33
  Gannis tie to an off-the-table reverie.
• 2:09:43
  The
• 2:09:53
  Gannis tie to an off-the-table reverie.
• 2:10:03
  The
• 2:10:13
  Gannis tie to an off-the-table reverie.
• 2:10:23
  The
• 2:10:33
  Gannis tie to an off-the-table reverie.
• 2:10:43
  The
• 2:10:53
  Gannis tie to an off-the-table reverie.
• 2:11:03
  The
• 2:11:13
  Gannis tie to an off-the-table reverie.
• 2:11:23
  The
• 2:11:33
  Gannis tie to an off-the-table reverie.
• 2:11:43
  The
• 2:11:53
  Gannis tie to an off-the-table reverie.
• 2:12:03
  The
• 2:12:13
  Gannis tie to an off-the-table reverie.
• 2:12:23
  The
• 2:12:33
  Gannis tie to an off-the-table reverie.
• 2:12:43
  The
• 2:12:53
  Gannis tie to an off-the-table reverie.
• 2:13:03
  The
• 2:13:13
  Gannis tie to an off-the-table reverie.
• 2:13:23
  The
• 2:13:33
  Gannis tie to an off-the-table reverie.
• 2:13:43
  The
• 2:13:53
  Gannis tie to an off-the-table reverie.
• 2:14:03
  The
• 2:14:13
  Gannis tie to an off-the-table reverie.
• 2:14:23
  The
• 2:14:33
  Gannis tie to an off-the-table reverie.
• 2:14:43
  The
• 2:14:53
  Gannis tie to an off-the-table reverie.
• 2:15:03
  The
• 2:15:13
  Gannis tie to an off-the-table reverie.
• 2:15:23
  The
• 2:15:33
  Gannis tie to an off-the-table reverie.
• 2:15:43
  The
• 2:15:53
  Gannis tie to an off-the-table reverie.
• 2:16:03
  The
• 2:16:13
  Gannis tie to an off-the-table reverie.
• 2:16:23
  The
• 2:16:33
  Gannis tie to an off-the-table reverie.
• 2:16:43
  The
• 2:16:53
  Gannis tie to an off-the-table reverie.
• 2:17:03
  The
• 2:17:13
  Gannis tie to an off-the-table reverie.
• 2:17:23
  The
• 2:17:33
  Gannis tie to an off-the-table reverie.
• 2:17:43
  The
• 2:17:53
  Gannis tie to an off-the-table reverie.
• 2:18:03
  The
• 2:18:13
  Gannis tie to an off-the-table reverie.
• 2:18:23
  The
• 2:18:33
  Gannis tie to an off-the-table reverie.
• 2:18:43
  The
• 2:18:53
  Gannis tie to an off-the-table reverie.
• 2:19:03
  The
• 2:19:13
  Gannis tie to an off-the-table reverie.
• 2:19:23
  The
• 2:19:33
  Gannis tie to an off-the-table reverie.
• 2:19:43
  The
• 2:19:53
  Gannis tie to an off-the-table reverie.
• 2:20:03
  The
• 2:20:13
  Gannis tie to an off-the-table reverie.
• 2:20:23
  The
• 2:20:33
  Gannis tie to an off-the-table reverie.
• 2:20:43
  The
• 2:20:53
  Gannis tie to an off-the-table reverie.
• 2:21:03
  The
• 2:21:13
  Gannis tie to an off-the-table reverie.
• 2:21:23
  The
• 2:21:33
  Gannis tie to an off-the-table reverie.
• 2:21:43
  The
• 2:21:53
  Gannis tie to an off-the-table reverie.
• 2:22:03
  The
• 2:22:13
  Gannis tie to an off-the-table reverie.
• 2:22:23
  The
• 2:22:33
  Gannis tie to an off-the-table reverie.
• 2:22:43
  The
• 2:22:53
  Gannis tie to an off-the-table reverie.
• 2:23:03
  The
• 2:23:13
  Gannis tie to an off-the-table reverie.
• 2:23:23
  The
• 2:23:33
  Gannis tie to an off-the-table reverie.
• 2:23:43
  The
• 2:23:53
  Gannis tie to an off-the-table reverie.
• 2:24:03
  The
• 2:24:13
  Gannis tie to an off-the-table reverie.
• 2:24:23
  The
• 2:24:33
  Gannis tie to an off-the-table reverie.
• 2:24:43
  The
• 2:24:53
  Gannis tie to an off-the-table reverie.
• 2:25:03
  The
• 2:25:13
  Gannis tie to an off-the-table reverie.
• 2:25:23
  The
• 2:25:33
  Gannis tie to an off-the-table reverie.
• 2:25:43
  The
• 2:25:53
  Gannis tie to an off-the-table reverie.
• 2:26:03
  The
• 2:26:13
  Gannis tie to an off-the-table reverie.
• 2:26:23
  The
• 2:26:33
  Gannis tie to an off-the-table reverie.
• 2:26:43
  The
• 2:26:53
  Gannis tie to an off-the-table reverie.
• 2:27:03
  The
• 2:27:13
  Gannis tie to an off-the-table reverie.
• 2:27:23
  The
• 2:27:33
  Gannis tie to an off-the-table reverie.
• 2:27:43
  The
• 2:27:53
  Gannis tie to an off-the-table reverie.
• 2:28:03
  The
• 2:28:13
  Gannis tie to an off-the-table reverie.
• 2:28:23
  The
• 2:28:33
  Gannis tie to an off-the-table reverie.
• 2:28:43
  The
• 2:28:53
  Gannis tie to an off-the-table reverie.
• 2:29:03
  The
• 2:29:13
  Gannis tie to an off-the-table reverie.
• 2:29:23
  The
• 2:29:33
  Gannis tie to an off-the-table reverie.
• 2:29:43
  The
• 2:29:53
  Gannis tie to an off-the-table reverie.
• 2:30:03
  The
• 2:30:13
  Gannis tie to an off-the-table reverie.
• 2:30:23
  The
• 2:30:33
  Gannis tie to an off-the-table reverie.
• 2:30:43
  The
• 2:30:53
  Gannis tie to an off-the-table reverie.
• 2:31:03
  The
• 2:31:13
  Gannis tie to an off-the-table reverie.
• 2:31:23
  The
• 2:31:33
  Gannis tie to an off-the-table reverie.
• 2:31:43
  The
• 2:31:53
  Gannis tie to an off-the-table reverie.
• 2:32:03
  The
• 2:32:13
  Gannis tie to an off-the-table reverie.
• 2:32:23
  The
• 2:32:33
  Gannis tie to an off-the-table reverie.
• 2:32:43
  The
• 2:32:53
  Gannis tie to an off-the-table reverie.
• 2:33:03
  The
• 2:33:13
  Gannis tie to an off-the-table reverie.
• 2:33:23
  The
• 2:33:33
  Gannis tie to an off-the-table reverie.
• 2:33:43
  The
• 2:33:53
  Gannis tie to an off-the-table reverie.
• 2:34:03
  The
• 2:34:13
  Gannis tie to an off-the-table reverie.
• 2:34:23
  The
• 2:34:33
  Gannis tie to an off-the-table reverie.
• 2:34:43
  The
• 2:34:53
  Gannis tie to an off-the-table reverie.
• 2:35:03
  The
• 2:35:13
  Gannis tie to an off-the-table reverie.
• 2:35:23
  The
• 2:35:33
  Gannis tie to an off-the-table reverie.
• 2:35:43
  The
• 2:35:53
  Gannis tie to an off-the-table reverie.
• 2:36:03
  The
• 2:36:13
  Gannis tie to an off-the-table reverie.
• 2:36:23
  The
• 2:36:33
  Gannis tie to an off-the-table reverie.
• 2:36:43
  The
• 2:36:53
  Gannis tie to an off-the-table reverie.
• 2:37:03
  The
• 2:37:13
  Gannis tie to an off-the-table reverie.
• 2:37:23
  The
• 2:37:33
  Gannis tie to an off-the-table reverie.
• 2:37:43
  The
• 2:37:53
  Gannis tie to an off-the-table reverie.
• 2:38:03
  The
• 2:38:13
  Gannis tie to an off-the-table reverie.
• 2:38:23
  The
• 2:38:33
  Gannis tie to an off-the-table reverie.
• 2:38:43
  The
• 2:38:53
  Gannis tie to an off-the-table reverie.
• 2:39:03
  The
• 2:39:13
  Gannis tie to an off-the-table reverie.
• 2:39:23
  The
• 2:39:33
  Gannis tie to an off-the-table reverie.
• 2:39:43
  The
• 2:39:53
  Gannis tie to an off-the-table reverie.
• 2:40:03
  The
• 2:40:13
  Gannis tie to an off-the-table reverie.
• 2:40:23
  The
• 2:40:33
  Gannis tie to an off-the-table reverie.
• 2:40:43
  The
• 2:40:53
  Gannis tie to an off-the-table reverie.
• 2:41:03
  The
• 2:41:13
  Gannis tie to an off-the-table reverie.
• 2:41:23
  The
• 2:41:33
  Gannis tie to an off-the-table reverie.
• 2:41:43
  The
• 2:41:53
  Gannis tie to an off-the-table reverie.
• 2:42:03
  The
• 2:42:13
  Gannis tie to an off-the-table reverie.
• 2:42:23
  The
• 2:42:33
  Gannis tie to an off-the-table reverie.
• 2:42:43
  The
• 2:42:53
  Gannis tie to an off-the-table reverie.
• 2:43:03
  The
• 2:43:13
  Gannis tie to an off-the-table reverie.
• 2:43:23
  The
• 2:43:33
  Gannis tie to an off-the-table reverie.
• 2:43:43
  The
• 2:43:53
  Gannis tie to an off-the-table reverie.
• 2:44:03
  The
• 2:44:13
  Gannis tie to an off-the-table reverie.
• 2:44:23
  The
• 2:44:33
  Gannis tie to an off-the-table reverie.
• 2:44:43
  The
• 2:44:53
  Gannis tie to an off-the-table reverie.
• 2:45:03
  The
• 2:45:13
  Gannis tie to an off-the-table reverie.
• 2:45:23
  The
• 2:45:33
  Gannis tie to an off-the-table reverie.
• 2:45:43
  The
• 2:45:53
  Gannis tie to an off-the-table reverie.
• 2:46:03
  The
• 2:46:13
  Gannis tie to an off-the-table reverie.
• 2:46:23
  The
• 2:46:33
  Gannis tie to an off-the-table reverie.
• 2:46:43
  The
• 2:46:53
  Gannis tie to an off-the-table reverie.
• 2:47:03
  The
• 2:47:13
  Gannis tie to an off-the-table reverie.
• 2:47:23
  The
• 2:47:33
  Gannis tie to an off-the-table reverie.
• 2:47:43
  The
• 2:47:53
  Gannis tie to an off-the-table reverie.
• 2:48:03
  The
• 2:48:13
  Gannis tie to an off-the-table reverie.
• 2:48:23
  The
• 2:48:33
  Gannis tie to an off-the-table reverie.
• 2:48:43
  The
• 2:48:53
  Gannis tie to an off-the-table reverie.
• 2:49:03
  The
• 2:49:13
  Gannis tie to an off-the-table reverie.
• 2:49:23
  The
• 2:49:33
  Gannis tie to an off-the-table reverie.
• 2:49:43
  The
• 2:49:53
  Gannis tie to an off-the-table reverie.
• 2:50:03
  The
• 2:50:13
  Gannis tie to an off-the-table reverie.
• 2:50:23
  The
• 2:50:33
  Gannis tie to an off-the-table reverie.
• 2:50:43
  The
• 2:50:53
  Gannis tie to an off-the-table reverie.
• 2:51:03
  The
• 2:51:13
  Gannis tie to an off-the-table reverie.
• 2:51:23
  The
• 2:51:33
  Gannis tie to an off-the-table reverie.
• 2:51:43
  The
• 2:51:53
  Gannis tie to an off-the-table reverie.
• 2:52:03
  The
• 2:52:13
  Gannis tie to an off-the-table reverie.
• 2:52:23
  The
• 2:52:33
  Gannis tie to an off-the-table reverie.
• 2:52:43
  The
• 2:52:53
  Gannis tie to an off-the-table reverie.
• 2:53:03
  The
• 2:53:13
  Gannis tie to an off-the-table reverie.
• 2:53:23
  The
• 2:53:33
  Gannis tie to an off-the-table reverie.
• 2:53:43
  The
• 2:53:53
  Gannis tie to an off-the-table reverie.
• 2:54:03
  The
• 2:54:13
  Gannis tie to an off-the-table reverie.
• 2:54:23
  The
• 2:54:33
  Gannis tie to an off-the-table reverie.
• 2:54:43
  The
• 2:54:53
  Gannis tie to an off-the-table reverie.
• 2:55:03
  The
• 2:55:13
  Gannis tie to an off-the-table reverie.
• 2:55:23
  The
• 2:55:33
  Gannis tie to an off-the-table reverie.
• 2:55:43
  The
• 2:55:53
  Gannis tie to an off-the-table reverie.
• 2:56:03
  The
• 2:56:13
  Gannis tie to an off-the-table reverie.
• 2:56:23
  The
• 2:56:33
  Gannis tie to an off-the-table reverie.
• 2:56:43
  The
• 2:56:53
  Gannis tie to an off-the-table reverie.
• 2:57:03
  The
• 2:57:13
  Gannis tie to an off-the-table reverie.
• 2:57:23
  The
• 2:57:33
  Gannis tie to an off-the-table reverie.
• 2:57:43
  The
• 2:57:53
  Gannis tie to an off-the-table reverie.
• 2:58:03
  The
• 2:58:13
  Gannis tie to an off-the-table reverie.
• 2:58:23
  The
• 2:58:33
  Gannis tie to an off-the-table reverie.
• 2:58:43
  The
• 2:58:53
  Gannis tie to an off-the-table reverie.
• 2:59:03
  The
• 2:59:13
  Gannis tie to an off-the-table reverie.
• 2:59:23
  The
• 2:59:33
  Gannis tie to an off-the-table reverie.
• 2:59:43
  The
• 2:59:53
  Gannis tie to an off-the-table reverie.
• 3:00:03
  The
• 3:00:13
  Gannis tie to an off-the-table reverie.
• 3:00:23
  The
• 3:00:33
  Gannis tie to an off-the-table reverie.
• 3:00:43
  The
• 3:00:53
  Gannis tie to an off-the-table reverie.
• 3:01:03
  The
• 3:01:13
  Gannis tie to an off-the-table reverie.
• 3:01:23
  The
• 3:01:33
  Gannis tie to an off-the-table reverie.
• 3:01:43
  The
• 3:01:53
  Gannis tie to an off-the-table reverie.
• 3:02:03
  The
• 3:02:13
  Gannis tie to an off-the-table reverie.
• 3:02:23
  The
• 3:02:33
  Gannis tie to an off-the-table reverie.
• 3:02:43
  The
• 3:02:53
  Gannis tie to an off-the-table reverie.
• 3:03:03
  The
• 3:03:13
  Gannis tie to an off-the-table reverie.
• 3:03:23
  The
• 3:03:33
  Gannis tie to an off-the-table reverie.
• 3:03:43
  The
• 3:03:53
  Gannis tie to an off-the-table reverie.
• 3:04:03
  The
• 3:04:13
  Gannis tie to an off-the-table reverie.
• 3:04:23
  The
• 3:04:33
  Gannis tie to an off-the-table reverie.
• 3:04:43
  The
• 3:04:53
  Gannis tie to an off-the-table reverie.
• 3:05:03
  The
• 3:05:13
  Gannis tie to an off-the-table reverie.
• 3:05:23
  The
• 3:05:33
  Gannis tie to an off-the-table reverie.
• 3:05:43
  The
• 3:05:53
  Gannis tie to an off-the-table reverie.
• 3:06:03
  The
• 3:06:13
  Gannis tie to an off-the-table reverie.
• 3:06:23
  The
• 3:06:33
  Gannis tie to an off-the-table reverie.
• 3:06:43
  The
• 3:06:53
  Gannis tie to an off-the-table reverie.
• 3:07:03
  The
• 3:07:13
  Gannis tie to an off-the-table reverie.
• 3:07:23
  The
• 3:07:33
  Gannis tie to an off-the-table reverie.
• 3:07:43
  The
• 3:07:53
  Gannis tie to an off-the-table reverie.
• 3:08:03
  The
• 3:08:13
  Gannis tie to an off-the-table reverie.