Latest / The Shadow | Old Time Radio / The Shadow - "The Isle of the Living Dead" (Old Time Radio)
Transcript
- 0:00Speaker 1: October 13th, 1940 brought Mutual Broadcasting System listeners episode 197
- 0:07Speaker 1: of The Shadow, sponsored.
- 0:09Speaker 2: By Blue Coal.
- 0:11Speaker 1: In The Isle of the Living Dead, Lamont Cranston and
- 0:14Speaker 1: Margot Lane reach the tropical island of St. Jude in
- 0:18Speaker 1: a storm, answering Betty Fulton's appeal for help in finding
- 0:22Speaker 1: her missing fiancé, David Belmont. Island warnings lead them toward
- 0:27Speaker 1: the hilltop plantation of Mrs. Nesbitt, where frightening folklore and
- 0:32Speaker 1: a human mystery meet. Bill Johnstone is Lamont Cranston and
- 0:38Speaker 1: the Shadow, with Marjorie Anderson as Margot Lane, in a
- 0:42Speaker 1: script by Jerry Devine.
- 0:44Speaker 2: And now, our story begins. Who knows what evil lurks
- 1:12Speaker 2: in the hearts of men? The shadow knows. The shadow knows.
- 1:20Speaker 3: The Shadow is on the air in a new series
- 1:22Speaker 3: of thrilling dramatizations brought to you each week by the
- 1:26Speaker 3: Blue Coal Dealers of America. These programs are designed to
- 1:30Speaker 3: demonstrate forcibly to old and young alike that crime does
- 1:34Speaker 3: not pay. Before we start today's shadow story, have you
- 1:40Speaker 3: ever stopped to consider that some things are worth far
- 1:43Speaker 3: more than worldly wealth?
- 1:44Speaker 2: Of course you have.
- 1:46Speaker 3: And you and I know that friendliness can't be measured
- 1:48Speaker 3: in mere dollars and cents. Friendliness is a characteristic of
- 1:53Speaker 3: your blue coal dealer. He takes a friendly interest in
- 1:56Speaker 3: your home heating problem, gives you friendly advice, renders a
- 2:00Speaker 3: friendly service. So why not phone your neighborhood blue coal
- 2:04Speaker 3: dealer first thing in the morning? Let him prove to
- 2:07Speaker 3: you that the blue coal way is the easy way
- 2:10Speaker 3: to heat your home. The shadow, mysterious character who aids
- 2:19Speaker 3: the forces of law and order... is in reality Lamont Cranston,
- 2:23Speaker 3: wealthy young man about town. As the shadow, Cranston is
- 2:27Speaker 3: gifted with hypnotic power to cloud men's minds so that
- 2:30Speaker 3: they cannot see him. Cranston's friend and companion, the lovely
- 2:35Speaker 3: Margot Lane, is the only person who knows to whom
- 2:38Speaker 3: the voice of the invisible shadow belongs. Today's story, The
- 2:43Speaker 3: Isle of the Living Dead. Margot, Lamont, and Margot's aunt
- 2:53Speaker 3: are on a cruise of the West Indies. It is
- 2:56Speaker 3: early evening as their ship sails into the harbor of
- 2:58Speaker 3: the little island of St.
- 2:59Speaker 4: Jude.
- 3:02Speaker 3: In spite of the thunderstorm that is in progress, Margot
- 3:05Speaker 3: insists that they go ashore. Her aunt refuses. So only
- 3:09Speaker 3: Lamont accompanies her as they walk down the ship's gangplank
- 3:12Speaker 3: to a waiting lodge.
- 3:16Speaker 5: But Lamont, you told me yourself that these tropical storms
- 3:18Speaker 5: never last long.
- 3:19Speaker 2: But this is the rainy season, Margo. Oh, look out.
- 3:23Speaker 2: One more slip and you'll swim to St. Jude.
- 3:25Speaker 5: I don't see why they don't put escalators on these gangplanks.
- 3:28Speaker 5: After all, they have them at the best department stores.
- 3:30Speaker 2: But the best department stores don't float. Yeah? Yeah. Let
- 3:34Speaker 2: me help you into the launch.
- 3:35Speaker 5: There we are.
- 3:37Speaker 2: All right, pilot.
- 3:39Speaker 6: Yes, sir.
- 3:41Speaker 2: That's off your line. Well, let's go into the pilot's cabin.
- 3:48Speaker 2: Get out of this rain.
- 3:49Speaker 5: All right. Go ahead, Margo.
- 3:53Speaker 2: Thanks. That's it. Good evening. Kind of a rough night
- 3:58Speaker 2: for you, isn't it, pilot?
- 3:59Speaker 7: Maybe.
- 4:00Speaker 5: Well, we'll get to shore all right, won't we?
- 4:02Speaker 2: Maybe.
- 4:04Speaker 5: Jolly fellow.
- 4:06Speaker 2: Are you a native of St.
- 4:07Speaker 5: Jude?
- 4:08Speaker 2: Yes. Well, it certainly looks like a beautiful place.
- 4:12Speaker 7: You think so?
- 4:13Speaker 2: Well, I... Yes. Yes. You have been here before? No,
- 4:19Speaker 2: we haven't.
- 4:20Speaker 7: Then wait and see before you talk.
- 4:23Speaker 5: You must be a big help to the Chamber of Commerce.
- 4:27Speaker 2: What's wrong with the island, pilot?
- 4:29Speaker 7: One half of island good. Other half belong to devil.
- 4:35Speaker 2: What do you mean?
- 4:37Speaker 7: Look through window. You see big hill over there?
- 4:40Speaker 2: Oh, yes. I can just barely make it out.
- 4:44Speaker 7: That plantation belonged to Devil Lady, Mrs.
- 4:47Speaker 2: Nesbitt.
- 4:48Speaker 5: Devil Lady?
- 4:49Speaker 2: Yes.
- 4:51Speaker 7: No one go near her place.
- 4:53Speaker 2: Why not?
- 4:54Speaker 7: You ever hear of zombie?
- 4:57Speaker 5: Zombies?
- 4:58Speaker 2: Zombies, Margo, are supposed to be dead men here in
- 5:00Speaker 2: the tropics who walk about with no mind or soul.
- 5:03Speaker 2: Native superstition. What about these zombies, pilot? Are there supposed
- 5:08Speaker 2: to be zombies on the plantation? Well, answer me.
- 5:13Speaker 7: No talk to pilot when he steer boat.
- 5:17Speaker 5: He must have read that on a streetcar someplace. Come on, Lamont,
- 5:20Speaker 5: let's go out on deck.
- 5:21Speaker 2: Yes. Yes, all right.
- 5:27Speaker 5: What do you suppose he meant, Lamont?
- 5:29Speaker 2: About the island? I don't know. Say, isn't that the
- 5:33Speaker 2: young girl that played bridge with us on the boat? Where?
- 5:36Speaker 2: Sitting back there in the stern.
- 5:38Speaker 5: Yes, of course. Betty Fulton. Lamont, she's crying. I wonder
- 5:42Speaker 5: what the trouble is.
- 5:43Speaker 2: Well, let's find out.
- 5:46Speaker 5: Hello there.
- 5:49Speaker 2: Oh, hello, Margo.
- 5:52Speaker 4: Lamont.
- 5:52Speaker 2: Anything wrong, Betty?
- 5:54Speaker 4: No. No.
- 5:57Speaker 6: That is.
- 6:00Speaker 4: I'm leaving the ship.
- 6:01Speaker 5: Why, Betty?
- 6:03Speaker 4: I'm going to the island to look for my fiancé,
- 6:06Speaker 4: David Belmont.
- 6:07Speaker 2: Well, that shouldn't be an occasion for sadness, David.
- 6:11Speaker 4: I'm afraid that something's happened to him. That's why I'm here.
- 6:17Speaker 4: That's why I've come to this sinister, terrifying island.
- 6:20Speaker 2: Now, now, Betty, how do you know that something's happened
- 6:23Speaker 2: to him?
- 6:24Speaker 4: Well, six months ago, he went to New York to
- 6:27Speaker 4: find work. I heard from him regularly. And then one day,
- 6:32Speaker 4: I received a letter telling me that he secured a
- 6:35Speaker 4: job on the island of St.
- 6:36Speaker 5: Jude.
- 6:37Speaker 2: What kind of a job?
- 6:39Speaker 4: Something to do with a sugar plantation.
- 6:42Speaker 5: Sugar plantation? Lamont, isn't that the place that the pilot.
- 6:45Speaker 2: Well, there must be more than one sugar plantation, Margo.
- 6:49Speaker 2: What happened next, Betty?
- 6:50Speaker 4: I never heard from him again. I wrote to the
- 6:53Speaker 4: steamship company and learned that he had definitely come to St. Jude,
- 6:57Speaker 4: so I came to New York and booked passage on.
- 6:59Speaker 5: The first ship.
- 7:00Speaker 2: But, Betty, there might have been a mix-up in the
- 7:02Speaker 2: mails or any number of.
- 7:03Speaker 4: No, no, I've heard too many strange things about the
- 7:06Speaker 4: island of St.
- 7:07Speaker 5: Jude.
- 7:08Speaker 4: Now that I'm here and I feel the mystery of
- 7:11Speaker 4: this tropical night, I'm sure something has happened to David.
- 7:17Speaker 5: Lamont, listen. What is it?
- 7:20Speaker 2: It's probably a native celebration. Why, of course. Look up
- 7:24Speaker 2: there on the hill. See that faint line of lights
- 7:26Speaker 2: bobbing along?
- 7:27Speaker 5: Lamont, that's on the plantations the pilot told us about.
- 7:30Speaker 2: Come on, Margo. We'll ask the pilot what all this means.
- 7:32Speaker 5: Lamont.
- 7:35Speaker 5: Do you suppose it can be zombies?
- 7:37Speaker 2: I don't suppose anything, yes.
- 7:40Speaker 4: Pilot?
- 7:42Speaker 2: Pilot, those lights moving along that hillside, what are they? Lights? Yes,
- 7:46Speaker 2: and what are those drums we're hearing?
- 7:47Speaker 7: I hear no drums.
- 7:48Speaker 5: No drums, but.
- 7:49Speaker 7: I see no lights.
- 7:50Speaker 2: Now, wait a minute. Are those zombies? Are they? Ask Jandy.
- 7:57Speaker 2: He know.
- 7:58Speaker 7: Jandy know everything. He say drum mean death.
- 8:03Speaker 5: John D. Well, who is John D.
- 8:05Speaker 2: Well, we'll never learn from this one.
- 8:07Speaker 4: Lamont, Margo, did you find out what those lights are?
- 8:11Speaker 2: No, Betty.
- 8:13Speaker 4: Now you know what I mean about the island. It's
- 8:16Speaker 4: taken David from me.
- 8:18Speaker 2: Betty, Margo and I have a day and a half
- 8:20Speaker 2: to spend on this island. If it leaves your mind,
- 8:23Speaker 2: we'll help you look for David. And believe me, we
- 8:26Speaker 2: won't give up until he's found.
- 8:38Speaker 5: Lamont, perhaps we should have gotten one of the natives
- 8:41Speaker 5: to guide us to the Nesbitt plantation.
- 8:43Speaker 2: I couldn't find anyone who'd take the job. I'm all
- 8:46Speaker 2: full of superstitious fear. I won't go near the Nesbitt place.
- 8:49Speaker 2: I even had trouble hiring these saddle horses to make
- 8:51Speaker 2: this trip tonight.
- 8:52Speaker 4: Has Mrs. Nesbitt the only plantation on the island?
- 8:55Speaker 2: Nobody. There's one other. If we don't find David tonight,
- 8:58Speaker 2: we'll visit there in the morning. Oh, look. Look ahead there.
- 9:02Speaker 2: Isn't that someone standing in the road?
- 9:03Speaker 5: Yes. Perhaps he can tell us the way.
- 9:06Speaker 2: Get up. Get up there. Come on. We'll talk to him.
- 9:08Speaker 5: This little speed job I'm riding certainly must miss the
- 9:12Speaker 5: old milk wagon.
- 9:14Speaker 2: I say there. I wonder if you can help us.
- 9:18Speaker 2: We are looking for the Nesbitt Plantation.
- 9:21Speaker 4: Nesbitt.
- 9:22Speaker 2: Yes. Nesbitt Plantation. Yes, yes. Keep away. Hey, come back here.
- 9:29Speaker 8: Come back.
- 9:31Speaker 5: He ran into the underbrush. Did you see his face, Lamont?
- 9:35Speaker 5: That weird, half-dark face.
- 9:37Speaker 2: Yes.
- 9:37Speaker 4: Do you suppose he... Do you suppose he was a zombie?
- 9:40Speaker 2: Now, please, both of you. Let's not have any more
- 9:43Speaker 2: talk about zombies. The... The drums. Those same drums. Oh, David.
- 9:51Speaker 5: David.
- 9:52Speaker 2: Look. Over there through the trees. There's a light.
- 9:55Speaker 5: And there's the plantation.
- 9:56Speaker 2: I hope so. Come on. Get up, boy. Come on.
- 10:00Speaker 5: Lamont.
- 10:01Speaker 2: Yes, Margo.
- 10:02Speaker 5: While you were hiring the horses, I asked one of
- 10:04Speaker 5: the natives about the zombies and the drums.
- 10:06Speaker 2: Yes?
- 10:07Speaker 5: He told me that when the tom-toms played, that meant
- 10:10Speaker 5: that another body has risen from its grave to wander
- 10:13Speaker 5: about the Nesbitt plantation.
- 10:15Speaker 2: Of course, that's a native superstition.
- 10:17Speaker 5: Yeah, I wonder.
- 10:18Speaker 2: Look.
- 10:19Speaker 4: There's a house right there.
- 10:21Speaker 2: Oh, boy. Oh, yes. Well, we'd better leave the horses here.
- 10:25Speaker 4: Will we find him?
- 10:27Speaker 5: Will he be here? Betty, David's all right, and we'll
- 10:29Speaker 5: find him.
- 10:30Speaker 2: A grim-looking place, isn't it? Here, we'll tie the horses
- 10:33Speaker 2: to this tree. There we are.
- 10:37Speaker 5: It looks like the front door right over there, Lamont.
- 10:39Speaker 2: Good. Well, let's see what happens.
- 10:42Speaker 5: Lamont, I don't like any part of this business. Quiet here.
- 10:50Speaker 5: It's almost like a.
- 10:50Speaker 4: Like a graveyard. Isn't that what you meant to say?
- 10:54Speaker 5: Well, no. No, it is. It is like a graveyard.
- 10:59Speaker 5: Maybe David's graveyard. I, uh.
- 11:02Speaker 2: I'd better knock again.
- 11:03Speaker 5: Maybe they just don't want.
- 11:07Speaker 2: Quiet, Martha. Oh, good evening. We'd like to see Mrs. Nesbitt, please. Yes?
- 11:13Speaker 2: Are you Mrs. Nesbitt?
- 11:14Speaker 5: Yes, I am. Won't you come in?
- 11:15Speaker 2: Well, thank you. This is Miss Lane, Miss Walton, and
- 11:19Speaker 2: I'm Lamont Cranston.
- 11:20Speaker 5: How do you do? How do you do?
- 11:21Speaker 8: Well, I'm happy to meet all of you. Won't you
- 11:23Speaker 8: come in the study?
- 11:24Speaker 2: Well, thank you very much.
- 11:25Speaker 5: Lamont, she isn't at all like that.
- 11:27Speaker 8: I'm not at all as the natives told you I'd be.
- 11:29Speaker 8: Wasn't that what you were going to say, Miss Lane? Yes, well,
- 11:33Speaker 8: the Islanders love to talk about anything or anyone, and
- 11:37Speaker 8: as I'm a white woman living alone, well, I suppose
- 11:40Speaker 8: I'm a good target, that's all.
- 11:41Speaker 2: Mistress, ma'am. Well? You need me more?
- 11:45Speaker 5: No, Mondo, you may go.
- 11:47Speaker 2: It's bad night tonight. I keep watch.
- 11:50Speaker 9: Go, Mondo.
- 11:51Speaker 2: I go.
- 11:54Speaker 8: The natives are always uneasy in this rainy season.
- 11:58Speaker 2: Yes.
- 11:59Speaker 6: Mrs.
- 11:59Speaker 2: Nesbitt, I'd like to explain the reason for our late
- 12:02Speaker 2: visit tonight.
- 12:02Speaker 1: Yes?
- 12:03Speaker 2: We called on you to learn if you had ever
- 12:05Speaker 2: heard of a young man here on the island named
- 12:06Speaker 2: David Belmont.
- 12:08Speaker 5: David Belmont? No, I'm afraid I don't know him.
- 12:11Speaker 2: Oh.
- 12:12Speaker 4: Oh, I'd hoped that you.
- 12:13Speaker 8: Well, there's another plantation on the island. Have you looked
- 12:15Speaker 8: for him there?
- 12:16Speaker 2: No, we came to you first.
- 12:18Speaker 8: Well, I wish I could help you, but I'm afraid
- 12:20Speaker 8: I can't.
- 12:21Speaker 2: I see. Well, it looks like... What was that? It
- 12:25Speaker 2: sounds as if it were in this house.
- 12:26Speaker 5: No, it couldn't be.
- 12:27Speaker 2: Now, listen. That seems to come from under this room.
- 12:31Speaker 5: Now, don't be alarmed. I'll find out what the disturbance is.
- 12:35Speaker 2: Mondo? Mondo?
- 12:36Speaker 4: Look!
- 12:37Speaker 2: Over there at the window.
- 12:39Speaker 4: Someone's looking in. They're facing at me, old man.
- 12:42Speaker 5: Quiet, you little fool. There's no one at the window. I.
- 12:45Speaker 8: I beg your pardon.
- 12:47Speaker 2: But look, look, all of you.
- 12:48Speaker 5: Do you see anyone there?
- 12:50Speaker 2: No. No, I don't. I know.
- 12:53Speaker 4: I saw someone.
- 12:54Speaker 5: I know I did. Now, Betty, Betty, don't. Please.
- 12:58Speaker 7: You call mistress, ma'am?
- 13:01Speaker 5: What was that noise, Mondo?
- 13:03Speaker 2: I find John D. outside. I chase him away. But
- 13:07Speaker 2: what was the noise beneath the house? Noise beneath house? Yes, those...
- 13:12Speaker 2: those moons. That... that was hot. Rain, make them restless tonight.
- 13:19Speaker 5: Oh, of course.
- 13:20Speaker 8: I'd forgotten in the rainy season we put the horses
- 13:23Speaker 8: in the cellar under this room.
- 13:25Speaker 2: Mistress, ma'am, that attend to horses?
- 13:28Speaker 5: Yes, yes. I.
- 13:29Speaker 8: I'm afraid you must excuse me.
- 13:31Speaker 2: Well, of course, sir. We were leaving anyway.
- 13:33Speaker 5: Sorry to have disturbed you, Mrs.
- 13:34Speaker 2: Nelson.
- 13:34Speaker 5: Quite all right.
- 13:35Speaker 8: Quite all right.
- 13:36Speaker 2: Mistress, ma'am, better tend to horses.
- 13:38Speaker 7: Quick, yes.
- 13:38Speaker 5: Yes, Mondo.
- 13:39Speaker 8: Good night, Miss Lane.
- 13:40Speaker 5: Miss Fulton.
- 13:42Speaker 2: Good night. And thank you anyway for.
- 13:45Speaker 5: Well, back where I come from, that's known as the
- 13:48Speaker 5: bomb's rush.
- 13:49Speaker 4: They almost pushed us out that door.
- 13:51Speaker 5: Lamont, did you hear that servant speak of John Dee?
- 13:54Speaker 2: Yes.
- 13:54Speaker 5: And the pilot on the boat spoke of John Dee, too.
- 13:57Speaker 2: Yes, that's right. He said, ask John D. John D.
- 14:00Speaker 2: knows everything.
- 14:01Speaker 4: Why do you think Mrs. Nesbitt was so upset about
- 14:03Speaker 4: the horses?
- 14:04Speaker 2: Because they're most unusual animals, Betty.
- 14:07Speaker 5: What do you mean, Lamont?
- 14:08Speaker 2: Well, do you remember those moans we heard in the house?
- 14:11Speaker 5: I don't see how I could forget them. Why do
- 14:13Speaker 5: you ask?
- 14:14Speaker 2: That was the first time, Margo, I'd ever heard a
- 14:17Speaker 2: horse moan with the vocal cords of a human being.
- 14:31Speaker 3: More about the mystery of the Nesbitt Plantation in just
- 14:34Speaker 3: a moment. Meanwhile, a word from our guest of honor, Mr.
- 14:37Speaker 3: Al Demler, a blue coal dealer from Boston, Massachusetts. Let's
- 14:41Speaker 3: hear what Mr. Demler considers the most important part of
- 14:44Speaker 3: his blue coal service.
- 14:46Speaker 10: Well, I'd say the most important part of my job
- 14:49Speaker 10: is meeting and getting acquainted with my customers. You see,
- 14:52Speaker 10: I'm convinced that my business relationship should be based upon friendships.
- 14:57Speaker 10: as well as selling America's finest home fuel. And you're
- 15:01Speaker 10: certainly a real friend to your customers, Mr. Demler, when
- 15:03Speaker 10: you provide them with blue coal, the fuel that gives
- 15:06Speaker 10: them steady, dependable, healthful heat from cellar to attic.
- 15:10Speaker 2: Yes, sir.
- 15:11Speaker 10: We advise our customers that blue coal is their best
- 15:14Speaker 10: buy for comfort, economy, and convenience. But we go further
- 15:19Speaker 10: than that. We give them the full benefit of extra
- 15:23Speaker 10: blue coal customer service. For instance, We tell them about
- 15:27Speaker 10: the blue coal heat regulator, which saves them time, trouble,
- 15:31Speaker 10: and money. And we show them that the blue coal
- 15:33Speaker 10: way is the easy way to heat their homes and
- 15:36Speaker 10: save money, too.
- 15:37Speaker 2: Thank you, Mr. Demmler.
- 15:38Speaker 3: You're a worthy representative of the friendly blue coal dealers
- 15:41Speaker 3: of America. Now, here's my recommendation. Phone your friendly blue
- 15:46Speaker 3: coal dealer tomorrow. His name is listed in the where-to-buy
- 15:49Speaker 3: section of your classified telephone directory under the word blue coal.
- 15:55Speaker 4: Now.
- 15:57Speaker 2: Back to the Isle of the Living Dead. I believe
- 16:10Speaker 2: there's an inn just down the street. We can rest
- 16:12Speaker 2: there before we go to the other plantation in the morning.
- 16:14Speaker 5: Well, it's almost morning now, isn't it, Lamont?
- 16:16Speaker 2: No, it's only two o'clock, Margo.
- 16:18Speaker 4: I suppose it would be too much for us to
- 16:20Speaker 4: go to that other plantation tonight.
- 16:22Speaker 2: Well, it'd be quite a journey on a night like this.
- 16:24Speaker 4: I've got to know something about David soon.
- 16:28Speaker 2: If David isn't at the other plantation, I'd like to
- 16:31Speaker 2: pay another visit to our friend Mrs. Nesbitt. Why, Lamont? Oh, boy.
- 16:36Speaker 2: We'll leave the horses here. Well, someone's awake at the
- 16:40Speaker 2: local inn.
- 16:40Speaker 5: Lamont, why do you want to go back to the
- 16:42Speaker 5: Nesbitt place?
- 16:44Speaker 2: Well, for one thing, I'd like to learn more about
- 16:47Speaker 2: those moons that came from her cellar.
- 16:49Speaker 5: But they did sound human.
- 16:51Speaker 2: They were human, Margo.
- 16:53Speaker 5: What about this man, John? The one who knows everything.
- 16:57Speaker 2: I very much enjoy meeting him, Margo. Well, shall we
- 17:01Speaker 2: go in? Coming, Betty? Yes.
- 17:05Speaker 4: Well, well.
- 17:07Speaker 5: Nightlife on St. Jude's.
- 17:09Speaker 2: It seems to consist of one large bar and piano,
- 17:12Speaker 2: two small tables, and some local barflies.
- 17:15Speaker 5: At least we're out of the rain. I don't know
- 17:18Speaker 5: whether I want coffee or a clothes wringer.
- 17:20Speaker 4: Michael, I don't know how to thank you both for
- 17:23Speaker 4: practically risking pneumonia just for my sake.
- 17:26Speaker 5: Oh, it's all right, Betty. Well, here, let's not stand
- 17:28Speaker 5: here and drip all over the floor. If we must
- 17:30Speaker 5: make puddles, let's do it at the table. What's going
- 17:33Speaker 5: on over there?
- 17:34Speaker 1: I don't know.
- 17:35Speaker 2: There seems to be a crowd gathered around someone at
- 17:38Speaker 2: the end of the bar.
- 17:38Speaker 5: Watch him do this one. What are we waiting for?
- 17:41Speaker 2: Come on, Betty.
- 17:42Speaker 1: Look, Lamont.
- 17:43Speaker 5: The center of attraction seems to be one of the natives.
- 17:48Speaker 2: Yes.
- 17:48Speaker 5: What's he up to?
- 17:49Speaker 2: His eyes closed? Swaying back and forth in rhythm.
- 17:56Speaker 4: And that stupid grin on his face.
- 18:01Speaker 5: He's saying something. Listen.
- 18:02Speaker 2: Well, I... I can't, old boy, I really can't, don't
- 18:06Speaker 2: you know?
- 18:07Speaker 5: Why, he talks like a cultured Englishman.
- 18:10Speaker 2: So sorry, so sorry and all that. Go on, give
- 18:13Speaker 2: us some more, that's not enough.
- 18:15Speaker 4: Look, look, he's holding out his hat and they're putting.
- 18:17Speaker 5: Money in it.
- 18:19Speaker 2: That's odd. Now he's talking in a native voice.
- 18:23Speaker 5: And just a moment ago he spoke like an Englishman.
- 18:25Speaker 2: Let's find out about this. I beg your pardon, sir. Yes?
- 18:30Speaker 2: Who is this man? Oh, just one of the natives. Yes,
- 18:32Speaker 2: but his speech. First he spoke perfect English, and then
- 18:35Speaker 2: he reverted to a guttural native voice. That's why we're
- 18:38Speaker 2: throwing money in his hat. Now, this man is sort
- 18:41Speaker 2: of half-witted drunken. He's a character around.
- 18:44Speaker 1: These parts because he's been gifted with a remarkable talent
- 18:47Speaker 1: for imitating any sound he hears.
- 18:49Speaker 2: Oh, I see. I've been told of such cases. It's
- 18:52Speaker 2: rather uncanny when you first hear it.
- 18:53Speaker 5: Yes, I should say it is.
- 18:54Speaker 2: Now, look, he's working up another imitation. You see, he sings. Hey.
- 19:02Speaker 2: I just stuck in here for a quick pick-me-up. Now, don't,
- 19:04Speaker 2: for heaven's sakes, tell my wife.
- 19:05Speaker 1: He just impersonated Clancy, the storekeeper.
- 19:09Speaker 2: It was perfect, too.
- 19:10Speaker 5: Isn't he amazing, Lamont?
- 19:11Speaker 2: Yeah. Now, most folks feed him liquor and money to
- 19:14Speaker 2: keep up on the local gossip. You see, he repeats
- 19:16Speaker 2: anything he's heard in the voice of the person who
- 19:19Speaker 2: said it. More money? More money for Yandy? Yandy? Did
- 19:23Speaker 2: he say Yandy? Yes, that's his name. More money, more
- 19:25Speaker 2: money for Yandy?
- 19:26Speaker 5: Lamont, he must be the one that was around the
- 19:28Speaker 5: Nesbitt place tonight. The one the pilot spoke to us about.
- 19:31Speaker 2: Yes, Yandy. Money, money for Yandy?
- 19:34Speaker 5: Give him some money, Lamont. Let's see what happens.
- 19:36Speaker 2: All right. Yandy, here's some money for you. Yandy, listen
- 19:40Speaker 2: to me. Can you talk like Mrs. Nesbitt, the plantation owner? Meters.
- 19:46Speaker 5: Meters. Meters.
- 19:50Speaker 4: Nesbitt.
- 19:51Speaker 2: Come on, John D. Come on, he's.
- 19:52Speaker 5: Closing his eyes. He's swaying back and forth.
- 19:57Speaker 4: Yes.
- 19:57Speaker 2: I think he's going to talk.
- 19:59Speaker 8: Listen. Listen closely to me, do you hear?
- 20:03Speaker 2: It's Mrs. Nesbitt's voice.
- 20:04Speaker 5: Exactly.
- 20:05Speaker 8: This night on, you're my slave. You must obey me.
- 20:08Speaker 8: You have your orders. Now do as I command.
- 20:11Speaker 5: Lamont, who do you suppose she was talking to?
- 20:12Speaker 2: Quiet, Margot. He hasn't finished. Yes, mistress. Yes, mistress, I
- 20:17Speaker 2: do as you command.
- 20:18Speaker 7: No!
- 20:19Speaker 4: Oh, no!
- 20:20Speaker 5: Lamont!
- 20:21Speaker 2: Betty! Betty, what's the trouble, Betty? The young lady there.
- 20:24Speaker 5: Where is he?
- 20:25Speaker 2: Where is he?
- 20:26Speaker 5: Who, Betty?
- 20:27Speaker 4: That man, John Day.
- 20:28Speaker 2: Why, he's... Where did he go? He just ran out. No!
- 20:32Speaker 4: No, find him!
- 20:33Speaker 2: Find him! Well, what is it, Betty? Why do you
- 20:34Speaker 2: want John Day? Because that... that... that voice.
- 20:37Speaker 4: that voice that answered Mrs. Nesbitt was my fiancé, David. Oh!
- 20:50Speaker 8: Mondo?
- 20:51Speaker 1: Yes, mistress, ma'am.
- 20:53Speaker 8: What's that lantern you're carrying? Keep it dry.
- 20:55Speaker 2: Yes, mistress, ma'am.
- 20:56Speaker 8: Rain or no rain, they're going out into the field
- 20:59Speaker 8: and work. Crop will be ruined if they don't. Swine
- 21:03Speaker 8: eating my food, carrying for them. Mondo, what's that lantern?
- 21:07Speaker 2: Yes, mistress, ma'am.
- 21:09Speaker 8: Oh, their false arrange will come, and they'll suffer for it.
- 21:13Speaker 8: They'll be punished. We must hurry, Mondo. Drug will wear off.
- 21:17Speaker 8: I don't give each another injection.
- 21:18Speaker 7: Oh, oh.
- 21:20Speaker 9: Mondo, no like to be around when you stick needles
- 21:24Speaker 9: in men's arms.
- 21:25Speaker 8: Mondo, open that cellar door.
- 21:27Speaker 2: No, no.
- 21:28Speaker 5: No, no.
- 21:28Speaker 2: Make me go in with them.
- 21:30Speaker 8: I said open that cellar door.
- 21:32Speaker 2: Mistress, ma'am. I... No, no. Not the whip, ma'am. I.
- 21:37Speaker 5: I open.
- 21:39Speaker 2: I open. Close it quickly.
- 21:43Speaker 5: Quiet, you fools.
- 21:44Speaker 8: Now listen to me, all of you. I don't expect
- 21:48Speaker 8: you to know what I'm saying, but listen anyway. You
- 21:51Speaker 8: understand that you're no longer men, you're swine in chains,
- 21:55Speaker 8: bound together. Filthy cattle who labor in the cane fields
- 21:59Speaker 8: under my command. For two days now it's rained. Because
- 22:02Speaker 8: of that rain, you haven't worked. You've eaten my food,
- 22:05Speaker 8: you've gotten my care, while my crop's rotting in the fields.
- 22:08Speaker 2: Please, I can leave here. Mistress, ma'am. Quiet, Mondo.
- 22:13Speaker 8: I only keep all of you alive because I save
- 22:15Speaker 8: money using you to labor for me instead of native help. Fortunately,
- 22:20Speaker 8: the silly superstition of zombies has kept all people away.
- 22:24Speaker 8: And now you've brought this rain, so I'm going to
- 22:27Speaker 8: punish you for it. Before you go to the fields,
- 22:30Speaker 8: you're going to feel the lash of a whip across
- 22:32Speaker 8: your back. We'll see how the slime like this... No, no, no.
- 22:40Speaker 2: No, no, we can't. Something bad may happen. You idiot,
- 22:44Speaker 2: come here. Come here. They do not obey.
- 22:49Speaker 8: They must obey. Come here to me, I command you.
- 22:54Speaker 2: What was that? They no longer obey your commands, Mrs. Nesbitt.
- 23:00Speaker 5: Who speaks?
- 23:01Speaker 7: Who talks to me?
- 23:02Speaker 2: Has one of you broken the spell? I spoke, Mrs. Nesbitt.
- 23:05Speaker 2: But I'm not one of your slaves.
- 23:07Speaker 5: Who are you?
- 23:09Speaker 2: Men call me the Shadow. I can see no one.
- 23:14Speaker 2: He speaks. I see no one. I'm standing right beside you, Mondor.
- 23:19Speaker 4: No.
- 23:20Speaker 5: No.
- 23:20Speaker 2: No one beside me. My hypnotic powers make me invisible
- 23:24Speaker 2: to your eyes.
- 23:25Speaker 5: What do you want? Why are you here?
- 23:27Speaker 2: I've come to free these men from the evil spell
- 23:29Speaker 2: that you've cast upon them.
- 23:30Speaker 8: No. No, you have no business here. Get out!
- 23:33Speaker 2: Get out! My power frightens you, Mrs. Nesbitt. Frightens you
- 23:39Speaker 2: because it's far greater than yours.
- 23:41Speaker 5: No. No, no one.
- 23:42Speaker 8: Has greater power than I. Mondo, seize this man. Listen
- 23:46Speaker 8: for the location of his voice and seize him.
- 23:48Speaker 2: Yes, Mondo. Come on. Seize me. If you dare.
- 23:51Speaker 9: Oh.
- 23:52Speaker 2: Now, Mondo, no, like voice. Mondo, no one to be
- 23:55Speaker 2: near voice. Mondo, run away from voice. Mondo.
- 23:59Speaker 5: Mondo, come back here.
- 24:04Speaker 2: Your faithful Mondo has deserted you, Mrs. Nesbitt.
- 24:07Speaker 6: He's not only deserted you, but he's also locked you
- 24:10Speaker 6: in the cellar with the slaves you've so cruelly treated.
- 24:12Speaker 5: Oh, no.
- 24:13Speaker 2: And they're becoming restless, Mrs.
- 24:15Speaker 7: Nesbitt.
- 24:16Speaker 6: Perhaps they feel that the power you hold over them
- 24:18Speaker 6: is not as strong as you've led them to believe.
- 24:20Speaker 2: No. No, let me out of here.
- 24:22Speaker 5: Come on, now. Come on, now.
- 24:23Speaker 2: Open that door.
- 24:24Speaker 6: That door will remain locked until you tell me the
- 24:27Speaker 6: secret you've used to turn these poor creatures into living
- 24:30Speaker 6: dead men.
- 24:31Speaker 2: Slaves who move and act like animals. I can't.
- 24:33Speaker 8: I can't tell you that.
- 24:34Speaker 2: The men are becoming more restless, Mrs. Nesbitt. Soon your
- 24:38Speaker 2: power will wear off altogether. And when it does, I
- 24:41Speaker 2: must warn you. It would be futile for me to
- 24:44Speaker 2: attempt to save you from their mad rage. No, no.
- 24:46Speaker 2: Hear them? You haven't much time, Mrs. Nesbitt.
- 24:48Speaker 8: You can't keep me locked up in here.
- 24:50Speaker 5: You must let me out.
- 24:51Speaker 6: I cannot release you until you tell me what you've
- 24:53Speaker 6: done to these men.
- 24:54Speaker 5: All right.
- 24:55Speaker 7: All right, I'll tell you.
- 24:56Speaker 8: I've been feeding them a drug, a secret drug that
- 24:59Speaker 8: I discovered here on the island.
- 25:00Speaker 2: I thought so. Is there an antidote for that drug?
- 25:04Speaker 5: No, no, it's not necessary.
- 25:05Speaker 8: Unless it's administered daily, the effect wears off.
- 25:08Speaker 5: Now, please, let me out of here.
- 25:09Speaker 2: Not yet, Mrs. Nesbitt.
- 25:11Speaker 6: First, you must tell me who these men are.
- 25:13Speaker 5: Some of them are natives.
- 25:14Speaker 8: The others are white men that are hired in this state.
- 25:16Speaker 6: And you gave them this drug and put them to
- 25:18Speaker 6: work in your fields as slaves.
- 25:19Speaker 2: Isn't that right?
- 25:20Speaker 4: Yes.
- 25:21Speaker 6: And you created the superstition of zombies and the tom-toms
- 25:24Speaker 6: just to keep away anyone who might be curious about
- 25:26Speaker 6: your activities.
- 25:26Speaker 2: Yes. Yes, now let me out of here. I must
- 25:28Speaker 2: learn one more thing. Is one of these men David Belmont?
- 25:34Speaker 2: Answer me. Is he among them? Yes.
- 25:37Speaker 5: Something is.
- 25:37Speaker 6: Open the door.
- 25:39Speaker 2: You promised me.
- 25:39Speaker 4: Please, Shadow.
- 25:40Speaker 2: I keep my promise. Shadow.
- 25:43Speaker 4: He's run between me and the door.
- 25:46Speaker 2: They're powering my way.
- 25:49Speaker 5: Shadow.
- 25:50Speaker 2: Shadow, are you still there? Well, we'd better.
- 26:13Speaker 8: Be getting to the boat, Lamont.
- 26:15Speaker 2: Yes. I want to thank you again, Mr. Cranston, for
- 26:17Speaker 2: all that you've done for Betty and me. Don't mention it, David. Goodbye, Betty.
- 26:21Speaker 5: Goodbye.
- 26:22Speaker 4: And remember, we'll see you soon in the sink.
- 26:25Speaker 5: All right, Betty.
- 26:25Speaker 2: Bye-bye. Watch your step, Margo. I'm getting into the launch.
- 26:29Speaker 2: That's it.
- 26:30Speaker 5: All aboard, sir.
- 26:32Speaker 4: We'll go out to the ship now.
- 26:34Speaker 5: Well, Lamont, I can't say that I'm sorry to be
- 26:37Speaker 5: bidding farewell to the dreamy little isle of St. Jude.
- 26:41Speaker 2: It wasn't dull, Margo.
- 26:43Speaker 5: Oh, I'm glad that the authorities cleared the men of
- 26:46Speaker 5: any responsibility for Mrs. Nesbitt's death.
- 26:48Speaker 2: Well, it was easy to prove that she died of shock.
- 26:51Speaker 2: Shock induced by fear of the living dead men that
- 26:54Speaker 2: she herself had created.
- 26:56Speaker 5: Yes. Well, I've settled one point in my mind anyway.
- 27:00Speaker 2: Oh? What's that?
- 27:02Speaker 5: The only zombies that I ever want to see again
- 27:04Speaker 5: are the kind they serve in a nightclub in a long,
- 27:07Speaker 5: cool glass.
- 27:18Speaker 3: And now it's time for John Barclay, America's home heating expert.
- 27:22Speaker 4: Mr.
- 27:22Speaker 2: Barclay. Thank you, Ken Roberts, and good evening, friends.
- 27:26Speaker 9: I'm not much on writing letters, but I certainly like
- 27:29Speaker 9: to get letters from you folks.
- 27:32Speaker 2: And I get hundreds of them, too.
- 27:34Speaker 9: Yesterday I received a letter from a lady up in
- 27:37Speaker 9: Connecticut who has trouble heating a second-story room on the
- 27:40Speaker 9: north side of her house. Well, folks, Problem like that
- 27:46Speaker 9: is just duck soup for a blue-cold John Barkley-trained serviceman.
- 27:51Speaker 9: And after he's sized up the situation, that serviceman can
- 27:55Speaker 9: explain in plain everyday language just how to economically overcome
- 28:01Speaker 9: this particular problem. It's really very simple. What's more, he's
- 28:07Speaker 9: showing blue-cold customers every day how to save thousands of
- 28:11Speaker 9: needless trips to the basements.
- 28:14Speaker 3: And he'll help you.
- 28:15Speaker 9: Too, to cut down the cost of heating your home.
- 28:19Speaker 9: This information won't cost you one penny. So why not
- 28:23Speaker 9: take advantage of this extra customer service made possible by
- 28:27Speaker 9: your friendly blue coal dealer? Just phone him tomorrow and
- 28:32Speaker 9: tell him your problem.
- 28:34Speaker 2: Thank you.
- 28:41Speaker 3: Don't fail to listen to next week's program. The Oracle
- 28:44Speaker 3: of Death. Lamont Cranston encounters one of the strangest.
- 28:47Speaker 2: Adventures of his career.
- 28:49Speaker 3: After having received death threats, Cranston is quietly waiting in
- 28:53Speaker 3: his study for the killer to make his death.
- 28:57Speaker 2: Rain o'clock. Well, we'll soon know. Four.
- 29:02Speaker 9: Five. Six.
- 29:05Speaker 2: Seven. Eight. Well? It appears to be one time that
- 29:14Speaker 2: our young man's prophecy didn't work as he thought. Well,
- 29:18Speaker 2: I could use a good night's... Yes? Well, what do
- 29:24Speaker 2: you think you're... That's for.
- 29:27Speaker 7: Luck, Cranston.
- 29:29Speaker 3: Today's program is based on a story copyrighted by the
- 29:38Speaker 3: Shadow Magazine. Characters, names, places, and plots are existent. Any
- 29:43Speaker 3: similarity to persons living or dead is purely coincidental.
- 29:48Speaker 2: The weed of crime bears bitter fruit. Crime does not pay.
- 29:56Speaker 2: The shadow knows.
- 30:00Speaker 3: Next week, same time, same station, the Blue Coal Dealers
- 30:04Speaker 3: of America bring you another thrilling adventure of the shadow.
- 30:07Speaker 3: So be sure to listen, and be sure to phone
- 30:10Speaker 3: your friendly Blue Coal Dealer for greater heating comfort at
- 30:13Speaker 3: less cost. This is Ken Roberts saying, keep the home
- 30:17Speaker 3: fires burning with Blue Coal.
- 30:25Speaker 1: That was The Shadow in the Isle of the Living Dead.
- 30:28Speaker 1: Good night, and thank you for sharing another hour of
- 30:31Speaker 1: classic radio.