Latest / Verbal Diorama / Lake Placid

Transcript

Lake Placid · Verbal Diorama

• 1:42
  Hi,
• 1:42
  everyone.
• 1:42
  I'm
• 1:43
  Em,
• 1:43
  and
• 1:43
  welcome
• 1:43
  to
• 1:43
  Verbal
• 1:44
  Diorama,
• 1:44
  episode
• 1:45
  303,
• 1:47
  Lake
• 1:47
  Placid.
• 1:48
  This
• 1:48
  is
• 1:48
  the
• 1:48
  podcast
• 1:49
  that's
• 1:49
  all
• 1:49
  about
• 1:49
  the
• 1:49
  history
• 1:49
  and
• 1:50
  legacy
• 1:50
  of
• 1:50
  movies
• 1:50
  you
• 1:51
  know
• 1:51
  and
• 1:51
  movies
• 1:52
  you
• 1:52
  don't.
• 1:52
  That
• 1:53
  was
• 1:53
  going
• 1:53
  to
• 1:53
  be
• 1:53
  called
• 1:53
  Lake
• 1:54
  Placid,
• 1:54
  but
• 1:55
  someone
• 1:55
  said
• 1:55
  that
• 1:56
  name
• 1:56
  was
• 1:56
  taken.
• 1:57
  Huge.
• 1:58
  Hi,
• 1:58
  and
• 1:59
  welcome
• 1:59
  to
• 2:00
  Verbal
• 2:00
  Diorama.
• 2:01
  To
• 2:01
  you
• 2:01
  all,
• 2:01
  whether
• 2:01
  you're
• 2:02
  a
• 2:02
  brand
• 2:02
  new
• 2:02
  listener,
• 2:02
  whether
• 2:03
  you're
• 2:03
  a
• 2:03
  returning
• 2:03
  listener,
• 2:04
  thank
• 2:05
  you
• 2:05
  very
• 2:05
  much
• 2:05
  for
• 2:05
  being
• 2:05
  here.
• 2:05
  Thank
• 2:06
  you
• 2:06
  for
• 2:06
  choosing
• 2:06
  to
• 2:06
  listen
• 2:07
  to
• 2:07
  this
• 2:07
  podcast.
• 2:08
  I
• 2:08
  am
• 2:08
  so
• 2:08
  happy
• 2:09
  to
• 2:09
  have
• 2:09
  you
• 2:09
  here
• 2:09
  for
• 2:09
  the
• 2:10
  history
• 2:10
  and
• 2:10
  legacy
• 2:11
  of
• 2:11
  Lake
• 2:12
  Placid.
• 2:13
  And
• 2:13
  just
• 2:13
  generally,
• 2:14
  a
• 2:14
  huge
• 2:14
  thanks
• 2:14
  to
• 2:14
  everyone
• 2:15
  who
• 2:15
  listens
• 2:15
  to
• 2:15
  this
• 2:15
  podcast
• 2:16
  who
• 2:17
  has
• 2:17
  continued
• 2:17
  to
• 2:18
  listen
• 2:18
  and
• 2:18
  support
• 2:18
  this
• 2:19
  podcast
• 2:20
  over
• 2:20
  the
• 2:20
  last
• 2:20
  six
• 2:20
  years
• 2:21
  and
• 2:21
  300
• 2:22
  plus
• 2:22
  episodes.
• 2:23
  I
• 2:24
  am
• 2:24
  so
• 2:24
  grateful
• 2:24
  for
• 2:24
  your
• 2:25
  support.
• 2:25
  Thank
• 2:25
  you
• 2:25
  so
• 2:25
  much
• 2:26
  for
• 2:26
  being
• 2:26
  here.
• 2:27
  It
• 2:27
  really
• 2:27
  does
• 2:27
  mean
• 2:28
  so
• 2:28
  much,
• 2:28
  especially
• 2:29
  coming
• 2:29
  back
• 2:29
  after
• 2:30
  a
• 2:30
  short
• 2:30
  break
• 2:31
  doing
• 2:31
  Anaconda
• 2:32
  last
• 2:32
  week.
• 2:33
  This
• 2:34
  month
• 2:35
  I'm
• 2:35
  dubbing
• 2:36
  it
• 2:36
  Baby
• 2:36
  Kaijune.
• 2:37
  And
• 2:38
  if
• 2:39
  you
• 2:39
  haven't
• 2:39
  listened
• 2:39
  to
• 2:40
  last
• 2:40
  week's
• 2:40
  episode
• 2:40
  on
• 2:40
  Anaconda,
• 2:41
  maybe
• 2:41
  because
• 2:41
  you're
• 2:42
  more
• 2:42
  of
• 2:43
  a
• 2:43
  fan
• 2:43
  of
• 2:43
  crocodiles
• 2:44
  than
• 2:44
  snakes,
• 2:45
  Kaijune
• 2:46
  was
• 2:46
  a
• 2:46
  series
• 2:46
  that
• 2:46
  I
• 2:46
  did
• 2:47
  a
• 2:47
  couple
• 2:47
  of
• 2:47
  years
• 2:47
  ago,
• 2:48
  mostly
• 2:49
  because
• 2:49
  I
• 2:49
  love
• 2:49
  monster
• 2:50
  movies,
• 2:50
  I
• 2:51
  love
• 2:51
  creature
• 2:51
  features,
• 2:53
  just
• 2:53
  anything
• 2:53
  to
• 2:53
  do
• 2:54
  with
• 2:54
  huge
• 2:54
  monsters,
• 2:54
  really.
• 2:56
  And
• 2:56
  that
• 2:57
  series
• 2:57
  included
• 2:58
  episodes
• 2:59
  on
• 2:59
  Bong
• 2:59
  Joon
• 3:00
  Ho's
• 3:00
  the
• 3:00
  Host,
• 3:00
  which
• 3:01
  is
• 3:01
  a
• 3:01
  great
• 3:01
  movie
• 3:01
  if
• 3:02
  you've
• 3:02
  not
• 3:02
  seen
• 3:02
  it.
• 3:03
  Godzilla
• 3:03
  1998,
• 3:04
  which
• 3:05
  is
• 3:05
  a
• 3:05
  lot
• 3:05
  better
• 3:06
  than
• 3:06
  a
• 3:06
  lot
• 3:06
  of
• 3:06
  people
• 3:07
  give
• 3:07
  it
• 3:07
  credit
• 3:07
  for.
• 3:07
  And
• 3:07
  it's
• 3:08
  got
• 3:08
  a
• 3:08
  great
• 3:08
  story
• 3:08
  behind
• 3:08
  the
• 3:09
  scenes
• 3:09
  as
• 3:09
  well.
• 3:10
  Shin
• 3:10
  Godzilla,
• 3:11
  which
• 3:11
  is
• 3:11
  also
• 3:12
  a
• 3:12
  great
• 3:12
  movie,
• 3:13
  full
• 3:13
  of
• 3:13
  bureaucracy
• 3:14
  and
• 3:14
  red
• 3:14
  tape
• 3:14
  and
• 3:15
  politics.
• 3:15
  And
• 3:16
  Pacific
• 3:16
  Rim,
• 3:17
  which
• 3:17
  is
• 3:17
  my
• 3:18
  boy,
• 3:18
  Guillermo
• 3:18
  del
• 3:19
  Toro.
• 3:19
  Love
• 3:19
  that
• 3:20
  movie.
• 3:20
  Smashy,
• 3:20
  smashy.
• 3:21
  Perfect.
• 3:22
  No
• 3:22
  notes.
• 3:23
  So
• 3:24
  that
• 3:24
  was
• 3:24
  the
• 3:24
  main
• 3:24
  Kaijune
• 3:25
  season.
• 3:25
  I
• 3:25
  did
• 3:25
  that
• 3:25
  a
• 3:26
  couple
• 3:26
  of
• 3:26
  years
• 3:26
  ago
• 3:26
  and
• 3:27
  it
• 3:27
  was
• 3:27
  really
• 3:27
  well
• 3:28
  received
• 3:28
  on
• 3:28
  the
• 3:28
  podcast,
• 3:29
  actually.
• 3:30
  And
• 3:30
  then
• 3:30
  I
• 3:30
  didn't
• 3:30
  do
• 3:31
  it
• 3:31
  last
• 3:31
  year,
• 3:32
  and
• 3:32
  then
• 3:32
  this
• 3:32
  year
• 3:32
  I
• 3:33
  thought,
• 3:33
  I
• 3:33
  want
• 3:33
  to
• 3:33
  bring
• 3:34
  Kaijune
• 3:34
  back.
• 3:35
  But
• 3:35
  I
• 3:35
  realized
• 3:36
  I
• 3:36
  only
• 3:36
  had
• 3:36
  two
• 3:36
  weeks
• 3:37
  in
• 3:37
  the
• 3:37
  month
• 3:37
  of
• 3:38
  June.
• 3:38
  So
• 3:38
  I
• 3:39
  devised
• 3:39
  this
• 3:39
  thing
• 3:39
  called
• 3:40
  Baby
• 3:40
  Kaijune.
• 3:40
  And
• 3:41
  that's
• 3:41
  because
• 3:42
  this
• 3:43
  series
• 3:43
  is
• 3:43
  smaller
• 3:44
  than
• 3:44
  usual.
• 3:44
  The
• 3:45
  monsters
• 3:45
  are
• 3:46
  a
• 3:46
  bit
• 3:46
  smaller
• 3:46
  than
• 3:47
  the
• 3:47
  previous
• 3:47
  ones,
• 3:49
  but
• 3:49
  they're
• 3:49
  still
• 3:50
  really
• 3:50
  scary.
• 3:51
  As
• 3:52
  I
• 3:52
  mentioned,
• 3:52
  last
• 3:52
  episode
• 3:52
  was
• 3:53
  on
• 3:53
  Anaconda
• 3:54
  and
• 3:54
  this
• 3:54
  is
• 3:55
  a
• 3:55
  movie
• 3:55
  that
• 3:55
  I
• 3:55
  think
• 3:55
  pairs
• 3:56
  really
• 3:56
  well
• 3:56
  with
• 3:56
  Anaconda
• 3:57
  because
• 3:57
  both
• 3:57
  of
• 3:58
  them
• 3:58
  are
• 3:58
  basically
• 3:59
  flying
• 3:59
  the
• 3:59
  flag.
• 4:00
  The
• 4:00
  late
• 4:01
  90s
• 4:01
  Hollywood
• 4:02
  creature
• 4:02
  features
• 4:03
  and
• 4:03
  I
• 4:03
  kind
• 4:03
  of
• 4:04
  wanted
• 4:04
  to
• 4:04
  go
• 4:04
  into
• 4:04
  well,
• 4:05
  are
• 4:05
  Anaconda
• 4:06
  and
• 4:06
  Lake
• 4:06
  Placid
• 4:07
  Kaiju
• 4:07
  movies.
• 4:08
  And
• 4:08
  I
• 4:09
  suppose
• 4:09
  first
• 4:09
  of
• 4:10
  all,
• 4:10
  it
• 4:10
  depends
• 4:10
  on
• 4:10
  your
• 4:10
  definition
• 4:11
  of
• 4:11
  Kaiju.
• 4:12
  Technically
• 4:12
  speaking,
• 4:13
  yes
• 4:13
  they
• 4:13
  are,
• 4:14
  because
• 4:14
  Kaiju
• 4:15
  means
• 4:15
  strange
• 4:16
  beast
• 4:16
  and
• 4:17
  is
• 4:17
  mostly
• 4:17
  used
• 4:17
  to
• 4:18
  refer
• 4:18
  to
• 4:18
  giant
• 4:18
  monsters.
• 4:19
  And
• 4:19
  obviously
• 4:20
  the
• 4:20
  monsters
• 4:20
  in
• 4:21
  Anaconda
• 4:21
  and
• 4:22
  Lake
• 4:22
  Placid,
• 4:22
  yes,
• 4:23
  they
• 4:23
  are
• 4:23
  real
• 4:23
  monsters.
• 4:24
  These
• 4:24
  aren't
• 4:24
  formed
• 4:25
  from
• 4:26
  nuclear
• 4:26
  incidents
• 4:27
  or
• 4:27
  any
• 4:27
  kind
• 4:27
  of
• 4:28
  event
• 4:28
  or
• 4:28
  anything
• 4:29
  like
• 4:29
  that,
• 4:30
  but
• 4:30
  they
• 4:31
  are
• 4:31
  bigger
• 4:32
  than
• 4:32
  the
• 4:33
  creatures
• 4:33
  that
• 4:33
  you
• 4:33
  would
• 4:34
  normally
• 4:34
  see
• 4:34
  in
• 4:34
  real
• 4:34
  life.
• 4:35
  Now,
• 4:35
  broadly
• 4:36
  speaking,
• 4:36
  Kaiju
• 4:37
  are
• 4:37
  generally
• 4:38
  monsters
• 4:38
  of
• 4:39
  Japanese
• 4:39
  origin,
• 4:40
  but
• 4:40
  the
• 4:40
  term
• 4:40
  is
• 4:41
  applied
• 4:41
  to
• 4:41
  animals
• 4:42
  of
• 4:42
  unnaturally
• 4:43
  giant
• 4:43
  size
• 4:44
  that
• 4:44
  attack
• 4:44
  humans
• 4:45
  and
• 4:45
  cause
• 4:45
  widespread
• 4:46
  destruction.
• 4:47
  So
• 4:48
  sort
• 4:48
  of
• 4:48
  Kaiju,
• 4:49
  not
• 4:49
  Kaiju
• 4:50
  enough.
• 4:50
  The
• 4:51
  Diet
• 4:51
  Coke
• 4:52
  of
• 4:52
  Kaiju.
• 4:53
  Kaiju,
• 4:54
  as
• 4:55
  in
• 4:55
  normal
• 4:55
  sized
• 4:55
  Kaiju,
• 4:56
  will
• 4:56
  return
• 4:57
  talking
• 4:58
  full
• 4:58
  sized
• 4:58
  and
• 4:59
  fully
• 4:59
  powered
• 5:00
  next
• 5:00
  year.
• 5:01
  It's
• 5:01
  something
• 5:01
  that
• 5:01
  I
• 5:01
  really
• 5:02
  want
• 5:02
  to
• 5:02
  do
• 5:02
  because
• 5:03
  I
• 5:03
  feel
• 5:03
  like
• 5:03
  I've
• 5:04
  kind
• 5:04
  of
• 5:04
  got
• 5:04
  the
• 5:04
  bug
• 5:04
  now.
• 5:05
  I
• 5:05
  really
• 5:05
  love
• 5:05
  to
• 5:06
  do
• 5:06
  it.
• 5:06
  I
• 5:06
  don't
• 5:07
  want
• 5:07
  to
• 5:07
  commit
• 5:07
  to
• 5:07
  too
• 5:08
  much,
• 5:09
  but
• 5:09
  let's
• 5:09
  just
• 5:10
  say,
• 5:11
  yes,
• 5:11
  I
• 5:11
  want
• 5:12
  to
• 5:12
  do
• 5:12
  King
• 5:12
  Kong
• 5:12
  from
• 5:13
  1933.
• 5:15
  Yes,
• 5:15
  I
• 5:15
  want
• 5:15
  to
• 5:15
  do
• 5:16
  Godzilla
• 5:16
  from
• 5:16
  1954
• 5:18
  and
• 5:18
  yes,
• 5:18
  I
• 5:18
  absolutely
• 5:19
  want
• 5:19
  to
• 5:20
  also
• 5:20
  do
• 5:20
  Godzilla
• 5:21
  minus
• 5:21
  one.
• 5:22
  As
• 5:22
  for
• 5:22
  anything
• 5:23
  else,
• 5:23
  I'm
• 5:23
  really
• 5:24
  kind
• 5:24
  of
• 5:24
  open
• 5:24
  to
• 5:25
  suggestion
• 5:25
  as
• 5:25
  to
• 5:26
  what
• 5:26
  it
• 5:26
  could
• 5:27
  possibly
• 5:27
  be.
• 5:28
  Please
• 5:28
  get
• 5:29
  in
• 5:29
  touch
• 5:29
  and
• 5:29
  let
• 5:29
  me
• 5:29
  know
• 5:30
  what
• 5:30
  you
• 5:30
  would
• 5:30
  like
• 5:30
  to
• 5:30
  see
• 5:31
  in
• 5:31
  this
• 5:31
  hypothetical
• 5:32
  future
• 5:33
  Kaijune
• 5:33
  season
• 5:34
  that
• 5:34
  I'm
• 5:34
  thinking
• 5:34
  of
• 5:35
  doing.
• 5:35
  But
• 5:36
  I
• 5:36
  feel
• 5:36
  like
• 5:37
  absolutely
• 5:37
  you
• 5:37
  would
• 5:38
  have
• 5:38
  to
• 5:38
  do
• 5:38
  King
• 5:38
  Kong
• 5:39
  and
• 5:39
  Godzilla
• 5:39
  like
• 5:40
  the
• 5:40
  og
• 5:41
  I
• 5:42
  only
• 5:42
  actually
• 5:42
  watched
• 5:43
  King
• 5:43
  Kong
• 5:43
  very
• 5:44
  recently.
• 5:44
  It
• 5:44
  was
• 5:44
  only
• 5:45
  like
• 5:45
  last
• 5:45
  year
• 5:45
  that
• 5:46
  I
• 5:46
  saw
• 5:46
  the
• 5:46
  1933
• 5:47
  King
• 5:47
  Kong
• 5:47
  for
• 5:48
  the
• 5:48
  first
• 5:48
  time
• 5:48
  and
• 5:49
  I
• 5:49
  was
• 5:49
  completely
• 5:50
  blown
• 5:50
  away.
• 5:50
  I
• 5:50
  thought
• 5:50
  it
• 5:51
  was
• 5:51
  absolutely
• 5:51
  magical.
• 5:52
  Little
• 5:53
  bit
• 5:53
  racist,
• 5:53
  let's
• 5:54
  be
• 5:54
  honest.
• 5:54
  It's
• 5:54
  a
• 5:54
  movie
• 5:54
  from
• 5:54
  the
• 5:55
  30s,
• 5:55
  but
• 5:56
  just
• 5:56
  totally
• 5:57
  magical.
• 5:57
  Like
• 5:58
  just
• 5:58
  wonderful
• 5:59
  movie.
• 5:59
  I
• 5:59
  adored
• 6:00
  it.
• 6:01
  So
• 6:01
  yeah,
• 6:02
  get
• 6:02
  in
• 6:02
  touch.
• 6:03
  My
• 6:03
  email
• 6:03
  address
• 6:03
  is
• 6:04
  in
• 6:04
  the
• 6:04
  show
• 6:04
  notes.
• 6:04
  You
• 6:04
  can
• 6:05
  contact
• 6:05
  me
• 6:05
  on
• 6:05
  social
• 6:05
  media.
• 6:06
  I
• 6:06
  would
• 6:06
  love
• 6:06
  to
• 6:06
  hear
• 6:07
  what
• 6:07
  sort
• 6:07
  of
• 6:07
  Kaiju
• 6:08
  movies
• 6:08
  you
• 6:08
  really
• 6:08
  like
• 6:09
  and
• 6:10
  hypothetical
• 6:11
  season
• 6:11
  next
• 6:11
  year
• 6:11
  let's
• 6:12
  talk
• 6:12
  about
• 6:12
  what
• 6:12
  we
• 6:13
  could
• 6:13
  possibly
• 6:14
  do
• 6:14
  for
• 6:14
  the
• 6:14
  history
• 6:14
  and
• 6:15
  legacy
• 6:15
  on.
• 6:16
  But
• 6:16
  anyway,
• 6:17
  let's
• 6:18
  get
• 6:18
  back
• 6:18
  to
• 6:18
  the
• 6:19
  main
• 6:19
  feature
• 6:20
  because
• 6:21
  unfortunately
• 6:22
  I'm
• 6:22
  really
• 6:22
  sorry
• 6:22
  to
• 6:23
  say
• 6:23
  that
• 6:23
  this
• 6:23
  episode
• 6:24
  isn't
• 6:25
  on
• 6:25
  Lake
• 6:26
  Placid.
• 6:26
  The
• 6:27
  host
• 6:27
  of
• 6:27
  the
• 6:27
  1932
• 6:28
  and
• 6:28
  1980
• 6:29
  Winter
• 6:29
  Olympics,
• 6:30
  the
• 6:30
  1972
• 6:31
  and
• 6:31
  2023
• 6:32
  Winter
• 6:32
  World
• 6:32
  University
• 6:33
  Games,
• 6:34
  or
• 6:34
  the
• 6:34
  host
• 6:35
  of
• 6:35
  the
• 6:35
  2000
• 6:36
  Goodwill
• 6:36
  Winter
• 6:36
  Games,
• 6:37
  because
• 6:38
  that's
• 6:38
  located
• 6:38
  in
• 6:39
  Essex
• 6:39
  County,
• 6:40
  New
• 6:40
  York.
• 6:41
  So
• 6:41
  sorry,
• 6:41
  sports
• 6:42
  fans.
• 6:43
  Nor
• 6:44
  is
• 6:44
  it
• 6:44
  about
• 6:44
  the
• 6:45
  body
• 6:45
  of
• 6:45
  water
• 6:45
  named
• 6:46
  Lake
• 6:46
  Placid
• 6:47
  that's
• 6:47
  on
• 6:47
  the
• 6:47
  northern
• 6:47
  side
• 6:48
  of
• 6:48
  the
• 6:48
  village
• 6:48
  of
• 6:48
  Lake
• 6:49
  Placid,
• 6:49
  New
• 6:49
  York.
• 6:50
  So
• 6:50
  sorry,
• 6:51
  random
• 6:51
  New
• 6:52
  York
• 6:52
  lake
• 6:52
  fans.
• 6:53
  This
• 6:54
  one
• 6:54
  is
• 6:54
  for
• 6:54
  fans
• 6:54
  of
• 6:55
  crocs.
• 6:56
  Not
• 6:57
  the
• 6:57
  awful
• 6:57
  plastic
• 6:58
  footwear,
• 6:58
  the
• 6:58
  real
• 6:59
  crocs.
• 6:59
  The
• 7:00
  I'm
• 7:00
  gonna
• 7:00
  eat
• 7:00
  you
• 7:01
  types
• 7:01
  of
• 7:01
  crocs.
• 7:02
  The
• 7:02
  ones
• 7:02
  that
• 7:02
  gave
• 7:02
  me
• 7:03
  nightmares
• 7:03
  as
• 7:03
  a
• 7:04
  child.
• 7:04
  This
• 7:05
  is
• 7:05
  for
• 7:05
  you
• 7:05
  guys.
• 7:06
  Here's
• 7:07
  the
• 7:07
  trailer
• 7:07
  for
• 7:08
  Lake
• 7:08
  Placid.
• 8:55
  Shortly
• 8:56
  after
• 8:56
  horrifying
• 8:57
  underwater
• 8:57
  attack
• 8:57
  in
• 8:58
  Maine's
• 8:58
  Black
• 8:59
  Lake,
• 8:59
  New
• 8:59
  York
• 9:00
  City
• 9:00
  paleontologist
• 9:01
  Kelly
• 9:01
  Scott
• 9:02
  arrives
• 9:02
  to
• 9:03
  help
• 9:03
  local
• 9:03
  fish
• 9:03
  and
• 9:04
  game
• 9:04
  officer
• 9:04
  Jack
• 9:05
  Wells
• 9:05
  to
• 9:05
  investigate.
• 9:06
  With
• 9:07
  only
• 9:07
  a
• 9:07
  mangled
• 9:08
  body
• 9:08
  as
• 9:08
  their
• 9:08
  starting
• 9:09
  point,
• 9:09
  Jack
• 9:10
  and
• 9:10
  Kelly
• 9:10
  embark
• 9:10
  on
• 9:11
  a
• 9:11
  mission
• 9:11
  to
• 9:11
  find
• 9:11
  the
• 9:11
  mysterious
• 9:12
  creature.
• 9:13
  As
• 9:13
  Sheriff
• 9:13
  Hank
• 9:14
  Keough
• 9:14
  and
• 9:14
  mythology
• 9:15
  professor
• 9:15
  Hector
• 9:16
  Sear
• 9:16
  both
• 9:17
  want
• 9:17
  to
• 9:17
  locate
• 9:17
  the
• 9:18
  elusive
• 9:18
  predator
• 9:19
  first.
• 9:19
  But
• 9:20
  something
• 9:20
  deadly
• 9:21
  is
• 9:21
  lurking
• 9:21
  beneath
• 9:21
  a
• 9:22
  silent
• 9:22
  pond.
• 9:23
  And
• 9:23
  it's
• 9:23
  already
• 9:23
  taken
• 9:24
  a
• 9:24
  liking
• 9:24
  to
• 9:24
  the
• 9:25
  juicy
• 9:25
  human
• 9:25
  flesh.
• 9:26
  And
• 9:26
  an
• 9:26
  eccentric
• 9:27
  elderly
• 9:28
  widow
• 9:28
  seems
• 9:29
  to
• 9:29
  know
• 9:29
  more
• 9:29
  than
• 9:29
  she's
• 9:30
  letting
• 9:30
  on.
• 9:31
  Let's
• 9:32
  run
• 9:32
  through
• 9:32
  the
• 9:32
  cast
• 9:33
  of
• 9:33
  this
• 9:33
  movie.
• 9:33
  We
• 9:34
  have
• 9:34
  stacked
• 9:35
  cast,
• 9:35
  actually,
• 9:35
  for
• 9:36
  a
• 9:36
  late
• 9:36
  90s
• 9:36
  creature
• 9:37
  feature,
• 9:38
  we
• 9:38
  have
• 9:38
  Bill
• 9:38
  Pullman
• 9:39
  as
• 9:39
  Jack
• 9:40
  Wells,
• 9:40
  Bridget
• 9:41
  Fonda
• 9:41
  as
• 9:42
  Kelly
• 9:42
  Scott,
• 9:43
  Brendan
• 9:43
  Gleason
• 9:44
  as
• 9:44
  Sheriff
• 9:45
  Hank
• 9:45
  Keough,
• 9:46
  Oliver
• 9:47
  Platt
• 9:47
  as
• 9:47
  Hector
• 9:48
  Sear,
• 9:49
  Betty
• 9:49
  White
• 9:50
  as
• 9:50
  Dolores
• 9:51
  Bickerman,
• 9:51
  and
• 9:52
  Meredith
• 9:52
  Salinger
• 9:53
  as
• 9:53
  Deputy
• 9:53
  Sharon
• 9:54
  Gare.
• 9:55
  Lake
• 9:56
  Placid
• 9:56
  was
• 9:57
  written
• 9:57
  by
• 9:57
  David
• 9:57
  E.
• 9:58
  Kelly
• 9:58
  and
• 9:58
  was
• 9:59
  directed
• 9:59
  by
• 10:00
  Steve
• 10:00
  Miner.
• 10:02
  Now,
• 10:02
  creature
• 10:02
  features
• 10:03
  are
• 10:03
  nothing
• 10:03
  new,
• 10:03
  having
• 10:03
  originated
• 10:04
  in
• 10:04
  the
• 10:04
  1910s
• 10:05
  with
• 10:05
  the
• 10:05
  lost
• 10:06
  German
• 10:06
  silent
• 10:07
  film
• 10:07
  The
• 10:07
  Golem
• 10:08
  in
• 10:08
  1915
• 10:09
  and
• 10:09
  its
• 10:09
  sequel
• 10:10
  the
• 10:10
  How
• 10:11
  He
• 10:11
  Came
• 10:11
  into
• 10:11
  the
• 10:11
  World
• 10:11
  in
• 10:12
  1920.
• 10:13
  And
• 10:13
  of
• 10:13
  course
• 10:13
  the
• 10:14
  work
• 10:14
  of
• 10:14
  Willis
• 10:15
  H.
• 10:15
  O'
• 10:15
  Brien
• 10:15
  in
• 10:15
  the
• 10:16
  Lost
• 10:16
  World
• 10:16
  in
• 10:16
  1925
• 10:18
  through
• 10:18
  to
• 10:18
  the
• 10:18
  legendary
• 10:19
  King
• 10:19
  Kong
• 10:19
  in
• 10:20
  1933,
• 10:21
  which
• 10:21
  would
• 10:21
  inspire
• 10:22
  Ray
• 10:22
  Harryhausen
• 10:23
  to
• 10:23
  work
• 10:23
  with
• 10:23
  O'
• 10:24
  Brien
• 10:24
  on
• 10:24
  Mighty
• 10:24
  Joe
• 10:25
  Young
• 10:25
  in
• 10:25
  1949.
• 10:27
  It
• 10:27
  kick
• 10:27
  started
• 10:28
  the
• 10:28
  1950s
• 10:29
  wave
• 10:29
  of
• 10:29
  creature
• 10:29
  features
• 10:30
  like
• 10:31
  Creature
• 10:31
  from
• 10:31
  the
• 10:31
  Black
• 10:32
  Lagoon
• 10:32
  in
• 10:32
  1954.
• 10:34
  Them
• 10:34
  in
• 10:34
  1954.
• 10:35
  It
• 10:36
  came
• 10:36
  from
• 10:36
  beneath
• 10:37
  the
• 10:37
  sea
• 10:37
  in
• 10:37
  1955,
• 10:38
  Tarantula
• 10:39
  in
• 10:40
  1955,
• 10:41
  the
• 10:41
  deadly
• 10:41
  Mantis
• 10:42
  in
• 10:42
  1957
• 10:43
  and
• 10:43
  20
• 10:44
  million
• 10:44
  miles
• 10:45
  to
• 10:45
  earth
• 10:45
  in
• 10:45
  1957.
• 10:47
  It
• 10:47
  was
• 10:47
  in
• 10:47
  the
• 10:47
  1950s
• 10:48
  that
• 10:48
  Toho
• 10:49
  produced
• 10:49
  Godzilla,
• 10:50
  arguably
• 10:51
  the
• 10:51
  most
• 10:51
  famous
• 10:52
  Kaiju
• 10:52
  of
• 10:53
  all
• 10:53
  time,
• 10:53
  which
• 10:54
  adapted
• 10:54
  the
• 10:54
  nuclear
• 10:55
  concept
• 10:55
  from
• 10:55
  the
• 10:55
  beast
• 10:56
  from
• 10:56
  20,000
• 10:56
  fathoms
• 10:57
  from
• 10:58
  a
• 10:58
  Japanese
• 10:58
  perspective
• 10:59
  rooted
• 11:00
  in
• 11:00
  real
• 11:00
  life
• 11:01
  Japanese
• 11:01
  historical
• 11:02
  events
• 11:02
  such
• 11:02
  as
• 11:03
  the
• 11:03
  atomic
• 11:03
  bombings
• 11:03
  of
• 11:04
  Hiroshima
• 11:04
  and
• 11:04
  Nagasaki
• 11:05
  in
• 11:05
  1945
• 11:07
  and
• 11:07
  the
• 11:07
  Daigo
• 11:08
  Fukury
• 11:08
  Maru
• 11:09
  incident
• 11:09
  in
• 11:09
  1954.
• 11:11
  Steven
• 11:12
  Spielberg
• 11:12
  then
• 11:13
  pioneered
• 11:13
  the
• 11:13
  genre
• 11:14
  with
• 11:14
  Jaws
• 11:14
  in
• 11:14
  1975,
• 11:16
  which
• 11:16
  is
• 11:16
  one
• 11:16
  of
• 11:16
  the
• 11:16
  few
• 11:17
  monster
• 11:17
  movies
• 11:17
  based
• 11:18
  on
• 11:18
  a
• 11:18
  real
• 11:18
  incident.
• 11:19
  The
• 11:20
  New
• 11:20
  Jersey
• 11:20
  shark
• 11:20
  attacks
• 11:21
  of
• 11:21
  1916.
• 11:22
  Imagine
• 11:23
  that
• 11:23
  real
• 11:23
  creatures
• 11:24
  are
• 11:24
  out
• 11:24
  there
• 11:24
  that
• 11:25
  could
• 11:25
  kill
• 11:25
  you.
• 11:26
  I
• 11:26
  guess
• 11:26
  we're
• 11:26
  coming
• 11:26
  back
• 11:26
  to
• 11:27
  that.
• 11:27
  Other
• 11:28
  animal
• 11:28
  based
• 11:28
  horror
• 11:29
  features
• 11:29
  followed
• 11:29
  Jaws's
• 11:30
  inspiration,
• 11:31
  like
• 11:31
  Orca,
• 11:32
  the
• 11:32
  killer
• 11:32
  whale
• 11:32
  in
• 11:32
  1977,
• 11:34
  Piranha
• 11:35
  in
• 11:35
  1978
• 11:36
  and
• 11:36
  Alligator
• 11:37
  in
• 11:37
  1980,
• 11:38
  which
• 11:38
  was
• 11:38
  itself
• 11:39
  inspired
• 11:39
  by
• 11:39
  the
• 11:40
  urban
• 11:40
  legend
• 11:40
  of
• 11:40
  alligators
• 11:41
  living
• 11:41
  in
• 11:41
  sewers,
• 11:42
  in
• 11:42
  particular
• 11:43
  an
• 11:43
  account
• 11:43
  of
• 11:44
  alligators
• 11:44
  being
• 11:44
  found
• 11:45
  in
• 11:45
  New
• 11:45
  York
• 11:45
  City.
• 11:46
  These
• 11:47
  were
• 11:47
  followed
• 11:47
  by
• 11:47
  more
• 11:48
  horror
• 11:48
  comedies
• 11:48
  in
• 11:48
  the
• 11:49
  early
• 11:49
  90s
• 11:49
  like
• 11:50
  tremors
• 11:50
  and
• 11:50
  Arachnophobia.
• 11:52
  Spielberg
• 11:53
  perfected
• 11:53
  the
• 11:53
  formula
• 11:54
  further
• 11:54
  with
• 11:54
  Jurassic
• 11:55
  park
• 11:55
  in
• 11:55
  1993,
• 11:56
  which
• 11:57
  set
• 11:57
  a
• 11:57
  new
• 11:57
  benchmark
• 11:58
  in
• 11:58
  the
• 11:58
  genre
• 11:59
  with
• 11:59
  innovative
• 11:59
  use
• 12:00
  of
• 12:00
  CGI
• 12:01
  and
• 12:01
  tried
• 12:01
  and
• 12:02
  tested
• 12:02
  animatronics
• 12:03
  to
• 12:03
  recreate
• 12:04
  dinosaurs.
• 12:05
  But
• 12:05
  Jurassic
• 12:05
  park
• 12:06
  also
• 12:06
  dawned
• 12:06
  the
• 12:07
  new
• 12:07
  era
• 12:07
  of
• 12:07
  monster
• 12:08
  movies.
• 12:08
  They
• 12:09
  didn't
• 12:09
  need
• 12:09
  rubber
• 12:09
  suits
• 12:10
  or
• 12:10
  cardboard
• 12:11
  sets.
• 12:11
  They
• 12:11
  had
• 12:12
  big
• 12:12
  enough
• 12:12
  budgets
• 12:13
  for
• 12:13
  big
• 12:13
  names
• 12:13
  and
• 12:14
  big
• 12:14
  enough
• 12:14
  budgets
• 12:15
  for
• 12:15
  big
• 12:15
  effects.
• 12:16
  Unlike
• 12:16
  the
• 12:17
  often
• 12:17
  mindless
• 12:17
  beasts
• 12:18
  of
• 12:18
  earlier
• 12:18
  B
• 12:19
  movies,
• 12:20
  Jurassic
• 12:20
  Park's
• 12:20
  dinosaurs
• 12:21
  displayed
• 12:21
  cunning
• 12:22
  intelligence,
• 12:23
  particularly
• 12:24
  the
• 12:24
  Velociraptors.
• 12:25
  This
• 12:26
  shift
• 12:26
  towards
• 12:26
  smart,
• 12:27
  strategic
• 12:27
  predators
• 12:28
  became
• 12:28
  a
• 12:29
  hallmark
• 12:29
  of
• 12:29
  90s
• 12:30
  creature
• 12:30
  features,
• 12:31
  which
• 12:31
  made
• 12:31
  the
• 12:32
  very
• 12:32
  real
• 12:32
  creatures
• 12:32
  of
• 12:33
  the
• 12:33
  likes
• 12:33
  of
• 12:33
  Anaconda
• 12:34
  Lake,
• 12:34
  Placid
• 12:35
  and
• 12:35
  Deep
• 12:35
  Blue
• 12:36
  Sea
• 12:36
  somewhat
• 12:37
  more
• 12:37
  terrifying
• 12:38
  when
• 12:38
  you
• 12:38
  realize
• 12:38
  that
• 12:38
  they
• 12:39
  could
• 12:39
  kill
• 12:39
  you
• 12:39
  and
• 12:40
  they
• 12:40
  were
• 12:40
  more
• 12:40
  intelligent
• 12:41
  than
• 12:41
  you.
• 12:42
  The
• 12:42
  90s
• 12:43
  was
• 12:43
  a
• 12:43
  rich
• 12:43
  vista
• 12:44
  of
• 12:44
  creature
• 12:44
  features
• 12:45
  and
• 12:45
  disaster
• 12:45
  movies.
• 12:46
  And
• 12:46
  I
• 12:46
  do
• 12:46
  want
• 12:47
  to
• 12:47
  do
• 12:47
  some
• 12:47
  disaster
• 12:47
  movies
• 12:48
  real
• 12:48
  soon
• 12:48
  on
• 12:48
  the
• 12:49
  podcast,
• 12:49
  because
• 12:49
  there
• 12:49
  are
• 12:49
  a
• 12:50
  couple
• 12:50
  I
• 12:50
  really
• 12:51
  love.
• 12:51
  But
• 12:51
  Even
• 12:52
  in
• 12:52
  the
• 12:52
  90s,
• 12:52
  the
• 12:53
  creature
• 12:53
  feature
• 12:53
  landscape
• 12:54
  was
• 12:54
  continually
• 12:55
  evolving.
• 12:56
  And
• 12:56
  if
• 12:56
  you're
• 12:56
  wondering
• 12:57
  if
• 12:57
  I
• 12:57
  copied
• 12:57
  that
• 12:57
  verbatim
• 12:58
  from
• 12:58
  the
• 12:58
  last
• 12:59
  episode
• 12:59
  on
• 12:59
  Anaconda,
• 13:00
  well,
• 13:00
  you'd
• 13:00
  be
• 13:01
  right.
• 13:01
  Reduce,
• 13:02
  reuse,
• 13:02
  recycle.
• 13:03
  Keeps
• 13:03
  our
• 13:03
  waterways
• 13:04
  and
• 13:04
  lakes
• 13:04
  clear
• 13:05
  of
• 13:05
  rubbish.
• 13:05
  It's
• 13:06
  very
• 13:06
  important
• 13:06
  for
• 13:06
  the
• 13:07
  local
• 13:07
  wildlife,
• 13:08
  including
• 13:08
  crocodiles,
• 13:09
  even
• 13:09
  if
• 13:10
  they're
• 13:10
  not
• 13:10
  native
• 13:10
  to
• 13:11
  this
• 13:11
  particular
• 13:11
  part
• 13:12
  of
• 13:12
  the
• 13:12
  world.
• 13:13
  Anaconda
• 13:14
  and
• 13:14
  Lake
• 13:14
  Placid
• 13:14
  obviously
• 13:15
  share
• 13:15
  a
• 13:15
  little
• 13:15
  bit
• 13:16
  of
• 13:16
  DNA.
• 13:16
  They're
• 13:17
  both
• 13:17
  90s
• 13:17
  creature
• 13:18
  features.
• 13:18
  They're
• 13:18
  both
• 13:19
  set
• 13:19
  in
• 13:19
  and
• 13:19
  around
• 13:20
  water.
• 13:20
  They
• 13:20
  both
• 13:21
  have
• 13:21
  very
• 13:21
  sharp
• 13:21
  teeth.
• 13:22
  But
• 13:22
  while
• 13:23
  one
• 13:23
  creature
• 13:23
  is
• 13:23
  unknown
• 13:24
  for
• 13:24
  eating
• 13:24
  humans,
• 13:25
  the
• 13:25
  other
• 13:26
  most
• 13:26
  definitely
• 13:27
  is.
• 13:28
  The
• 13:28
  saltwater
• 13:29
  crocodile
• 13:29
  is
• 13:30
  the
• 13:30
  largest
• 13:30
  living
• 13:31
  reptile.
• 13:32
  Both
• 13:32
  crocodiles
• 13:32
  and
• 13:33
  dinosaurs
• 13:33
  evolved
• 13:34
  from
• 13:34
  a
• 13:34
  common
• 13:34
  archosaur
• 13:35
  ancestor.
• 13:36
  During
• 13:36
  the
• 13:36
  Triassic
• 13:37
  period,
• 13:37
  the
• 13:38
  evolutionary
• 13:38
  tree
• 13:39
  split
• 13:39
  early,
• 13:39
  with
• 13:40
  one
• 13:40
  branch
• 13:40
  leading
• 13:40
  to
• 13:41
  crocodilians
• 13:41
  and
• 13:42
  and
• 13:42
  the
• 13:42
  other
• 13:42
  leading
• 13:43
  to
• 13:43
  dinosaurs
• 13:44
  and
• 13:44
  eventually
• 13:44
  birds.
• 13:45
  They
• 13:46
  survived
• 13:46
  the
• 13:46
  mass
• 13:46
  extinction
• 13:47
  event
• 13:47
  that
• 13:47
  killed
• 13:48
  the
• 13:48
  non
• 13:48
  avian
• 13:49
  dinosaurs
• 13:49
  66
• 13:50
  million
• 13:50
  years
• 13:50
  ago.
• 13:51
  Modern
• 13:52
  crocodiles,
• 13:52
  like
• 13:53
  the
• 13:53
  saltwater
• 13:54
  crocodile,
• 13:54
  are
• 13:55
  the
• 13:55
  largest
• 13:55
  living
• 13:55
  reptiles
• 13:56
  and
• 13:56
  apex
• 13:57
  predators,
• 13:58
  continuing
• 13:58
  the
• 13:59
  archosaur
• 13:59
  legacy.
• 14:00
  I
• 14:00
  have
• 14:01
  always
• 14:01
  had
• 14:01
  a
• 14:02
  very
• 14:02
  intense
• 14:02
  fear
• 14:03
  of
• 14:03
  crocodiles,
• 14:03
  and
• 14:04
  people
• 14:04
  should
• 14:05
  be
• 14:05
  afraid.
• 14:06
  Males,
• 14:06
  the
• 14:07
  larger
• 14:07
  of
• 14:07
  the
• 14:07
  species,
• 14:08
  can
• 14:08
  grow
• 14:08
  up
• 14:08
  to
• 14:08
  a
• 14:08
  weight
• 14:09
  of
• 14:09
  1,000
• 14:09
  to
• 14:10
  1,500
• 14:11
  kg
• 14:11
  and
• 14:12
  a
• 14:12
  length
• 14:12
  of
• 14:12
  20ft.
• 14:13
  They
• 14:14
  are
• 14:14
  large
• 14:14
  and
• 14:15
  they
• 14:15
  are
• 14:15
  deadly.
• 14:16
  They
• 14:16
  ambush
• 14:17
  most
• 14:17
  of
• 14:17
  their
• 14:17
  prey
• 14:18
  and
• 14:18
  drown
• 14:18
  or
• 14:19
  swallow
• 14:19
  it
• 14:19
  whole.
• 14:20
  They
• 14:20
  will
• 14:20
  prey
• 14:21
  on
• 14:21
  almost
• 14:21
  any
• 14:21
  animal
• 14:22
  that
• 14:22
  enters
• 14:22
  their
• 14:23
  territory,
• 14:23
  including
• 14:24
  other
• 14:24
  predators
• 14:25
  like
• 14:25
  sharks,
• 14:26
  fish,
• 14:26
  crustaceans,
• 14:27
  amphibians,
• 14:29
  other
• 14:29
  reptiles,
• 14:30
  birds
• 14:30
  and
• 14:30
  mammals.
• 14:31
  They
• 14:32
  will
• 14:32
  eat
• 14:32
  whatever
• 14:33
  is
• 14:33
  in
• 14:33
  their
• 14:33
  territory.
• 14:34
  They're
• 14:35
  partially
• 14:35
  resistant
• 14:36
  to
• 14:36
  toxins
• 14:36
  from
• 14:36
  toads,
• 14:37
  unlike
• 14:37
  alligators,
• 14:39
  and
• 14:39
  they
• 14:39
  have
• 14:39
  the
• 14:39
  strongest
• 14:40
  bite
• 14:40
  of
• 14:41
  any
• 14:41
  living
• 14:41
  animal.
• 14:43
  Unlike
• 14:43
  Anaconda,
• 14:44
  which
• 14:44
  don't
• 14:44
  tend
• 14:45
  to
• 14:45
  kill
• 14:45
  humans,
• 14:46
  saltwater
• 14:47
  crocodiles
• 14:47
  have
• 14:47
  a
• 14:47
  long
• 14:48
  history
• 14:48
  of
• 14:49
  attacking
• 14:49
  humans,
• 14:50
  often
• 14:50
  killing
• 14:50
  them.
• 14:51
  One
• 14:51
  or
• 14:52
  two
• 14:52
  fatal
• 14:52
  attacks
• 14:53
  are
• 14:53
  reported
• 14:53
  per
• 14:53
  year
• 14:54
  in
• 14:54
  Australia,
• 14:55
  which
• 14:55
  doesn't
• 14:55
  sound
• 14:56
  like
• 14:56
  a
• 14:56
  lot,
• 14:56
  but
• 14:56
  that's
• 14:57
  just
• 14:57
  the
• 14:57
  fatal
• 14:58
  attacks.
• 14:59
  Most
• 14:59
  attacks
• 15:00
  are
• 15:00
  successfully
• 15:01
  prevented
• 15:01
  due
• 15:02
  to
• 15:02
  better
• 15:02
  warning
• 15:03
  systems.
• 15:03
  But
• 15:04
  in
• 15:04
  other
• 15:04
  countries,
• 15:04
  most
• 15:05
  attacks
• 15:05
  go
• 15:05
  unreported.
• 15:07
  Do
• 15:07
  not
• 15:07
  think
• 15:08
  that
• 15:08
  you
• 15:08
  can
• 15:08
  successfully
• 15:09
  wrestle
• 15:09
  a
• 15:09
  crocodile
• 15:10
  down.
• 15:11
  Do
• 15:11
  not
• 15:11
  think
• 15:11
  you
• 15:12
  can
• 15:12
  outswim
• 15:12
  them.
• 15:13
  Heck,
• 15:13
  don't
• 15:13
  even
• 15:14
  think
• 15:14
  you
• 15:14
  can
• 15:14
  outrun
• 15:15
  them.
• 15:16
  Just
• 15:16
  stay
• 15:16
  out
• 15:17
  of
• 15:17
  their
• 15:17
  territory.
• 15:19
  In
• 15:19
  this
• 15:19
  movie,
• 15:19
  the
• 15:19
  character
• 15:20
  of
• 15:20
  Hector
• 15:20
  Seer,
• 15:21
  played
• 15:21
  by
• 15:21
  Oliver
• 15:21
  Platt,
• 15:22
  is
• 15:22
  fascinated
• 15:23
  by
• 15:23
  crocodiles
• 15:24
  and
• 15:24
  believes
• 15:24
  he
• 15:24
  has
• 15:24
  a
• 15:25
  spiritual
• 15:25
  connection
• 15:26
  with
• 15:26
  them,
• 15:26
  seeing
• 15:27
  them
• 15:27
  as
• 15:27
  ancient
• 15:27
  and
• 15:28
  sacred.
• 15:29
  Crocodiles
• 15:30
  have
• 15:30
  been
• 15:30
  revered
• 15:30
  as
• 15:30
  gods
• 15:31
  or
• 15:31
  sacred
• 15:31
  beings
• 15:32
  in
• 15:32
  several
• 15:32
  cultures
• 15:33
  throughout
• 15:33
  history
• 15:34
  and
• 15:34
  in
• 15:34
  some
• 15:34
  cases
• 15:35
  continue
• 15:35
  to
• 15:35
  be
• 15:36
  today.
• 15:37
  The
• 15:37
  most
• 15:37
  famous
• 15:37
  example
• 15:38
  is
• 15:38
  ancient
• 15:39
  Egypt,
• 15:39
  where
• 15:39
  the
• 15:39
  crocodile
• 15:40
  God
• 15:40
  Sobek
• 15:41
  was
• 15:41
  worshipped
• 15:41
  as
• 15:42
  a
• 15:42
  deity
• 15:42
  of
• 15:42
  the
• 15:42
  Nile
• 15:43
  fertility
• 15:44
  and
• 15:44
  protection.
• 15:45
  Sobek
• 15:45
  was
• 15:46
  depicted
• 15:46
  as
• 15:46
  either
• 15:46
  a
• 15:46
  crocodile
• 15:47
  or
• 15:47
  a
• 15:47
  man
• 15:48
  with
• 15:48
  a
• 15:48
  crocodile
• 15:48
  head,
• 15:49
  and
• 15:49
  live
• 15:50
  crocodiles
• 15:50
  were
• 15:50
  kept
• 15:51
  in
• 15:51
  temples
• 15:51
  and
• 15:51
  mummified
• 15:52
  after
• 15:52
  death.
• 15:53
  The
• 15:54
  city
• 15:54
  of
• 15:54
  Crocodilopidis
• 15:55
  was
• 15:55
  a
• 15:55
  major
• 15:55
  center
• 15:56
  of
• 15:56
  Sobek
• 15:57
  worship.
• 15:57
  The
• 15:58
  citizens
• 15:58
  worshipped
• 15:59
  a
• 15:59
  tame
• 15:59
  sacred
• 16:00
  crocodile
• 16:00
  called
• 16:00
  Pets,
• 16:02
  the
• 16:02
  son
• 16:02
  of
• 16:02
  Sucos,
• 16:03
  that
• 16:03
  was
• 16:03
  adorned
• 16:04
  with
• 16:04
  gold
• 16:04
  and
• 16:04
  gem
• 16:05
  pendants.
• 16:06
  Petsukos
• 16:07
  lived
• 16:07
  in
• 16:07
  a
• 16:07
  special
• 16:07
  temple
• 16:08
  pond
• 16:08
  and
• 16:08
  was
• 16:08
  fed
• 16:08
  by
• 16:09
  the
• 16:09
  priests
• 16:09
  with
• 16:10
  food
• 16:10
  provided
• 16:11
  by
• 16:11
  visitors.
• 16:12
  When
• 16:12
  Petsukos
• 16:13
  died,
• 16:13
  it
• 16:14
  was
• 16:14
  replaced
• 16:14
  by
• 16:15
  another.
• 16:16
  In
• 16:16
  Hindu
• 16:17
  tradition,
• 16:17
  crocodiles
• 16:18
  are
• 16:18
  associated
• 16:18
  with
• 16:19
  various
• 16:19
  deities.
• 16:20
  The
• 16:20
  Ganges
• 16:21
  river
• 16:21
  crocodile
• 16:22
  is
• 16:22
  considered
• 16:22
  sacred
• 16:23
  and
• 16:23
  crocodiles
• 16:24
  appear
• 16:24
  in
• 16:24
  stories
• 16:25
  about
• 16:25
  Vishnu's
• 16:26
  incarnations.
• 16:27
  The
• 16:27
  Makara,
• 16:28
  a
• 16:28
  crocodile
• 16:29
  like
• 16:29
  creature,
• 16:29
  serves
• 16:30
  as
• 16:30
  the
• 16:30
  vehicle
• 16:30
  of
• 16:30
  the
• 16:31
  river
• 16:31
  goddess
• 16:31
  Ganja
• 16:32
  and
• 16:32
  the
• 16:32
  sea
• 16:33
  God
• 16:33
  Varuna.
• 16:34
  And
• 16:34
  once
• 16:34
  again,
• 16:34
  apologies
• 16:35
  for
• 16:35
  any
• 16:36
  incorrect
• 16:36
  pronunciations
• 16:37
  of
• 16:37
  anything
• 16:38
  in
• 16:38
  this
• 16:38
  episode.
• 16:39
  Several
• 16:39
  African
• 16:40
  cultures
• 16:40
  have
• 16:40
  traditionally
• 16:41
  revered
• 16:41
  crocodiles.
• 16:42
  In
• 16:42
  parts
• 16:43
  of
• 16:43
  Burkina
• 16:43
  Faso,
• 16:44
  Mali
• 16:45
  and
• 16:45
  other
• 16:45
  West
• 16:45
  African
• 16:46
  regions,
• 16:46
  crocodiles
• 16:47
  are
• 16:47
  considered
• 16:48
  sacred
• 16:48
  ancestors
• 16:49
  or
• 16:49
  spirits.
• 16:50
  Some
• 16:50
  communities
• 16:51
  have
• 16:51
  sacred
• 16:51
  pools
• 16:52
  where
• 16:52
  crocodiles
• 16:53
  are
• 16:53
  protected
• 16:53
  and
• 16:53
  fed,
• 16:54
  believing
• 16:54
  they
• 16:55
  bring
• 16:55
  good
• 16:55
  fortune
• 16:56
  and
• 16:56
  protection.
• 16:58
  So
• 16:58
  the
• 16:58
  idea
• 16:58
  that
• 16:58
  Hector
• 16:59
  Seer
• 16:59
  might
• 17:00
  revere
• 17:00
  the
• 17:00
  crocodile
• 17:01
  as
• 17:02
  a
• 17:02
  God
• 17:02
  or
• 17:02
  a
• 17:03
  spiritual
• 17:03
  being
• 17:04
  is
• 17:04
  not
• 17:04
  actually
• 17:05
  that
• 17:05
  far
• 17:05
  fetched.
• 17:07
  While
• 17:07
  Lake
• 17:07
  Placid
• 17:08
  may
• 17:08
  be
• 17:08
  seen
• 17:08
  as
• 17:08
  something
• 17:09
  of
• 17:09
  a
• 17:09
  spiritual
• 17:09
  successor
• 17:10
  to
• 17:10
  the
• 17:10
  1980
• 17:11
  film
• 17:11
  Alligator,
• 17:12
  both
• 17:12
  films
• 17:13
  share
• 17:13
  the
• 17:13
  basic
• 17:13
  premise
• 17:14
  of
• 17:14
  a
• 17:14
  giant
• 17:14
  reptilian
• 17:15
  predator
• 17:15
  terrorizing
• 17:16
  people,
• 17:17
  but
• 17:17
  they
• 17:17
  approach
• 17:17
  the
• 17:18
  concept
• 17:18
  differently.
• 17:19
  Lake
• 17:19
  Placid
• 17:20
  seems
• 17:20
  to
• 17:20
  be
• 17:20
  more
• 17:21
  directly
• 17:21
  inspired
• 17:21
  by
• 17:22
  Jaws
• 17:22
  than
• 17:22
  Alligator.
• 17:24
  From
• 17:24
  the
• 17:24
  film's
• 17:24
  point
• 17:24
  of
• 17:25
  view
• 17:25
  shots,
• 17:25
  the
• 17:25
  local
• 17:26
  police
• 17:26
  sheriff
• 17:26
  as
• 17:26
  a
• 17:27
  lead
• 17:27
  character
• 17:27
  and
• 17:28
  the
• 17:28
  eccentric
• 17:28
  character
• 17:29
  brought
• 17:29
  in
• 17:29
  to
• 17:29
  hunt
• 17:29
  an
• 17:30
  aquatic
• 17:30
  monster,
• 17:31
  Lake
• 17:31
  Placid
• 17:32
  is
• 17:32
  clearly
• 17:32
  inspired
• 17:33
  by
• 17:33
  Jaws.
• 17:34
  Technically,
• 17:35
  Alligator
• 17:35
  did
• 17:36
  have
• 17:36
  its
• 17:36
  own
• 17:36
  actual
• 17:37
  successor
• 17:37
  in
• 17:37
  Alligator
• 17:38
  2.
• 17:39
  But
• 17:39
  just
• 17:39
  like
• 17:39
  that
• 17:40
  movie,
• 17:40
  and
• 17:40
  like
• 17:40
  Jaws
• 17:41
  and
• 17:41
  like
• 17:41
  Anaconda,
• 17:42
  an
• 17:43
  animatronic
• 17:43
  crocodile
• 17:44
  would
• 17:44
  be
• 17:44
  the
• 17:45
  star
• 17:45
  of
• 17:45
  this
• 17:45
  show.
• 17:46
  Lake
• 17:47
  Placid,
• 17:47
  despite
• 17:48
  having
• 17:48
  all
• 17:48
  the
• 17:48
  Creature
• 17:49
  Feature
• 17:49
  pedigree
• 17:50
  and
• 17:50
  being
• 17:50
  shopped
• 17:51
  around
• 17:51
  in
• 17:51
  the
• 17:51
  very
• 17:51
  creature
• 17:52
  feature
• 17:52
  90s
• 17:53
  kept
• 17:53
  getting
• 17:54
  turned
• 17:54
  down
• 17:54
  by
• 17:55
  all
• 17:55
  the
• 17:55
  major
• 17:55
  studios.
• 17:56
  By
• 17:57
  the
• 17:57
  time
• 17:57
  the
• 17:57
  script
• 17:57
  appeared
• 17:58
  on
• 17:58
  director
• 17:58
  Steve
• 17:59
  Miner's
• 17:59
  desk,
• 18:00
  it
• 18:00
  had
• 18:00
  already
• 18:01
  been
• 18:01
  turned
• 18:01
  down
• 18:02
  by
• 18:02
  every
• 18:02
  other
• 18:03
  studio.
• 18:04
  Miner
• 18:04
  was
• 18:04
  already
• 18:05
  associated
• 18:05
  with
• 18:05
  the
• 18:06
  horror
• 18:06
  genre,
• 18:06
  being
• 18:06
  the
• 18:07
  associate
• 18:07
  producer,
• 18:08
  assistant
• 18:08
  director
• 18:09
  and
• 18:09
  unit
• 18:09
  production
• 18:10
  manager.
• 18:10
  For
• 18:10
  Friday
• 18:11
  the
• 18:11
  13th
• 18:11
  in
• 18:12
  1980,
• 18:13
  directing
• 18:13
  Friday
• 18:14
  the
• 18:14
  13th
• 18:14
  Part
• 18:15
  2
• 18:15
  in
• 18:15
  1981,
• 18:16
  Friday
• 18:17
  the
• 18:17
  13th
• 18:17
  Part
• 18:18
  3
• 18:18
  in
• 18:18
  1982,
• 18:19
  House
• 18:20
  in
• 18:20
  1985,
• 18:21
  and
• 18:21
  Warlock
• 18:22
  in
• 18:22
  1989.
• 18:23
  Technically,
• 18:24
  this
• 18:24
  was
• 18:24
  the
• 18:25
  man
• 18:25
  who
• 18:25
  birthed
• 18:26
  Jason
• 18:26
  Voorhees
• 18:27
  as
• 18:27
  a
• 18:27
  horror
• 18:27
  icon.
• 18:28
  He
• 18:28
  would
• 18:29
  even
• 18:29
  step
• 18:29
  into
• 18:29
  the
• 18:29
  Halloween
• 18:30
  franchise,
• 18:30
  helming
• 18:31
  Halloween
• 18:32
  H20
• 18:32
  in
• 18:33
  1998.
• 18:34
  He
• 18:34
  did
• 18:34
  that
• 18:35
  during
• 18:35
  pre
• 18:35
  production
• 18:36
  of
• 18:36
  Lake
• 18:36
  Placid,
• 18:37
  just
• 18:37
  because
• 18:37
  things
• 18:37
  here
• 18:38
  were
• 18:38
  taking
• 18:38
  a
• 18:38
  while
• 18:39
  and
• 18:39
  work
• 18:39
  is
• 18:40
  work.
• 18:40
  But
• 18:41
  Miner
• 18:41
  knew
• 18:41
  as
• 18:42
  soon
• 18:42
  as
• 18:42
  he
• 18:42
  got
• 18:42
  on
• 18:42
  board
• 18:42
  this
• 18:43
  little
• 18:43
  boat
• 18:43
  in
• 18:43
  Maine
• 18:44
  that
• 18:44
  there
• 18:44
  was
• 18:44
  one
• 18:45
  man
• 18:45
  he
• 18:45
  wanted
• 18:45
  to
• 18:46
  work
• 18:46
  with.
• 18:47
  The
• 18:47
  legendary
• 18:47
  Stan
• 18:48
  Winston.
• 18:49
  Winston
• 18:49
  and
• 18:49
  Minor
• 18:50
  sort
• 18:50
  of
• 18:50
  worked
• 18:51
  together
• 18:51
  in
• 18:51
  1981
• 18:52
  briefly
• 18:53
  on
• 18:53
  Friday
• 18:54
  the
• 18:54
  13th
• 18:54
  Part
• 18:55
  2.
• 18:55
  Originally,
• 18:56
  special
• 18:56
  effects
• 18:57
  artist
• 18:57
  Tom
• 18:57
  Savini
• 18:58
  was
• 18:58
  asked
• 18:58
  to
• 18:58
  work
• 18:58
  on
• 18:59
  the
• 18:59
  film,
• 18:59
  but
• 18:59
  declined
• 19:00
  because
• 19:00
  he
• 19:00
  was
• 19:01
  already
• 19:01
  working
• 19:01
  on
• 19:01
  another
• 19:02
  project.
• 19:03
  Savini
• 19:03
  was
• 19:04
  replaced
• 19:04
  by
• 19:04
  Stan
• 19:05
  Winston,
• 19:05
  but
• 19:06
  he
• 19:06
  had
• 19:06
  a
• 19:06
  scheduling
• 19:07
  conflict
• 19:07
  and
• 19:07
  had
• 19:08
  to
• 19:08
  back
• 19:08
  out.
• 19:09
  The
• 19:09
  makeup
• 19:09
  effects
• 19:10
  for
• 19:10
  that
• 19:10
  film
• 19:10
  would
• 19:11
  be
• 19:11
  done
• 19:11
  by
• 19:11
  Carl
• 19:12
  Fullerton.
• 19:13
  Winston
• 19:13
  would
• 19:14
  contribute
• 19:14
  a
• 19:14
  small
• 19:14
  amount
• 19:15
  of
• 19:15
  visual
• 19:15
  effects
• 19:16
  to
• 19:16
  Friday
• 19:16
  the
• 19:16
  13th
• 19:17
  Part
• 19:17
  3,
• 19:18
  also
• 19:18
  directed
• 19:18
  by
• 19:19
  Minor,
• 19:19
  but
• 19:20
  his
• 19:20
  effects
• 19:20
  were
• 19:20
  in
• 19:21
  an
• 19:21
  unused
• 19:21
  ending.
• 19:22
  And
• 19:22
  just
• 19:23
  in
• 19:23
  case
• 19:23
  you're
• 19:24
  unsure
• 19:24
  of
• 19:24
  who
• 19:24
  Stan
• 19:24
  Winston
• 19:25
  was,
• 19:26
  he's
• 19:26
  been
• 19:26
  mentioned
• 19:27
  countless
• 19:27
  times
• 19:27
  on
• 19:27
  this
• 19:28
  podcast
• 19:28
  for
• 19:29
  his
• 19:29
  effects
• 19:30
  work
• 19:30
  on
• 19:30
  the
• 19:30
  likes
• 19:31
  of
• 19:31
  Edward
• 19:31
  Scissorhands,
• 19:32
  Batman
• 19:32
  Returns,
• 19:33
  the
• 19:33
  terminator,
• 19:34
  terminator
• 19:35
  2,
• 19:35
  aliens,
• 19:36
  the
• 19:36
  thing,
• 19:36
  Jurassic
• 19:37
  park,
• 19:37
  the
• 19:37
  Lost
• 19:38
  World,
• 19:38
  Jurassic
• 19:38
  park,
• 19:39
  literally.
• 19:40
  Some
• 19:40
  of
• 19:40
  the
• 19:40
  greatest
• 19:41
  movies
• 19:41
  in
• 19:41
  existence
• 19:42
  exist
• 19:43
  because
• 19:43
  of
• 19:43
  Stan
• 19:44
  Winston's
• 19:44
  incredible
• 19:45
  skill
• 19:45
  at
• 19:46
  visual
• 19:46
  effects,
• 19:47
  makeup,
• 19:47
  animatronics,
• 19:48
  puppets,
• 19:49
  design
• 19:49
  and
• 19:50
  sculpture.
• 19:51
  The
• 19:51
  first
• 19:52
  thing
• 19:52
  Steve
• 19:52
  Miner
• 19:53
  did
• 19:53
  when
• 19:53
  he
• 19:53
  joined
• 19:53
  Lake
• 19:54
  Placid
• 19:54
  was
• 19:55
  send
• 19:55
  the
• 19:55
  script
• 19:55
  by
• 19:56
  Ally
• 19:56
  McBeal
• 19:56
  writer
• 19:57
  David
• 19:57
  E.
• 19:57
  Kelly
• 19:58
  to
• 19:58
  Stan
• 19:58
  Winston.
• 19:59
  The
• 19:59
  project
• 20:00
  didn't
• 20:00
  even
• 20:00
  have
• 20:01
  financing
• 20:01
  at
• 20:01
  this
• 20:01
  point,
• 20:02
  but
• 20:02
  Winston
• 20:03
  was
• 20:03
  so
• 20:03
  on
• 20:03
  board
• 20:04
  that
• 20:04
  he
• 20:04
  started
• 20:04
  building
• 20:05
  an
• 20:05
  18
• 20:05
  to
• 20:05
  20
• 20:06
  foot
• 20:06
  crocodile
• 20:07
  immediately
• 20:08
  out
• 20:08
  of
• 20:08
  his
• 20:08
  own
• 20:08
  pocket,
• 20:09
  despite
• 20:09
  not
• 20:10
  even
• 20:10
  knowing
• 20:10
  if
• 20:10
  the
• 20:11
  movie
• 20:11
  was
• 20:11
  going
• 20:11
  ahead.
• 20:12
  This
• 20:12
  decision
• 20:13
  by
• 20:13
  Stan
• 20:13
  Winston
• 20:14
  to
• 20:14
  spend
• 20:14
  a
• 20:15
  million
• 20:15
  dollars
• 20:15
  of
• 20:16
  his
• 20:16
  own
• 20:16
  money
• 20:17
  turned
• 20:17
  out
• 20:17
  to
• 20:17
  be
• 20:17
  a
• 20:17
  blessing
• 20:18
  because
• 20:18
  when
• 20:19
  the
• 20:19
  project
• 20:19
  was
• 20:19
  put
• 20:19
  in
• 20:20
  turnaround
• 20:20
  by
• 20:20
  Fox
• 20:21
  2000,
• 20:22
  Steve
• 20:22
  Miner
• 20:22
  went
• 20:23
  to
• 20:23
  Mike
• 20:23
  Medavoy
• 20:24
  of
• 20:24
  Phoenix
• 20:24
  Pictures,
• 20:25
  who
• 20:25
  contacted
• 20:26
  French
• 20:26
  investors.
• 20:27
  Those
• 20:28
  investors
• 20:28
  got
• 20:28
  to
• 20:29
  see
• 20:29
  Winston's
• 20:29
  crocodile
• 20:30
  up
• 20:30
  close
• 20:31
  and
• 20:31
  in
• 20:31
  the
• 20:31
  flesh.
• 20:32
  They
• 20:32
  saw
• 20:32
  it
• 20:32
  opening
• 20:33
  and
• 20:33
  closing
• 20:33
  its
• 20:33
  jaws
• 20:34
  and
• 20:34
  eyes.
• 20:35
  It
• 20:35
  impressed
• 20:35
  the
• 20:36
  investor
• 20:36
  so
• 20:37
  much.
• 20:37
  That's
• 20:38
  how
• 20:38
  this
• 20:38
  film
• 20:39
  got
• 20:39
  its
• 20:39
  financing.
• 20:41
  The
• 20:41
  crocodile
• 20:42
  in
• 20:42
  this
• 20:42
  movie
• 20:43
  is
• 20:43
  a
• 20:43
  massive
• 20:43
  30
• 20:44
  foot
• 20:44
  long
• 20:44
  animatronic
• 20:45
  puppet,
• 20:46
  making
• 20:46
  it
• 20:46
  one
• 20:46
  of
• 20:46
  the
• 20:47
  largest
• 20:47
  practical
• 20:47
  creature
• 20:48
  effects
• 20:48
  ever
• 20:49
  created
• 20:49
  for
• 20:49
  a
• 20:49
  film
• 20:50
  at
• 20:50
  that
• 20:50
  time.
• 20:51
  Firstly,
• 20:52
  they
• 20:52
  built
• 20:52
  a
• 20:52
  maquette
• 20:53
  which
• 20:53
  served
• 20:53
  as
• 20:53
  the
• 20:53
  guideline
• 20:54
  for
• 20:54
  the
• 20:54
  full
• 20:54
  sized
• 20:55
  crocodile.
• 20:56
  A
• 20:56
  full
• 20:56
  sized
• 20:56
  foam
• 20:57
  head
• 20:57
  and
• 20:57
  body
• 20:57
  were
• 20:58
  built
• 20:58
  and
• 20:58
  served
• 20:58
  as
• 20:59
  a
• 20:59
  reference
• 20:59
  for
• 20:59
  the
• 20:59
  main
• 21:00
  crocodile
• 21:00
  mold,
• 21:01
  which
• 21:01
  was
• 21:01
  painted
• 21:01
  with
• 21:02
  water
• 21:02
  resistant
• 21:02
  urethane
• 21:03
  on
• 21:03
  the
• 21:03
  inside
• 21:04
  to
• 21:04
  create
• 21:05
  the
• 21:05
  skins.
• 21:06
  From
• 21:06
  this,
• 21:06
  a
• 21:06
  fiberglass
• 21:07
  body
• 21:07
  was
• 21:07
  made
• 21:08
  which
• 21:08
  housed
• 21:08
  the
• 21:08
  animatronics,
• 21:09
  hydraulics
• 21:10
  and
• 21:10
  internal
• 21:11
  metal
• 21:11
  armature.
• 21:12
  The
• 21:12
  water
• 21:12
  resistant
• 21:13
  skin
• 21:13
  was
• 21:13
  applied
• 21:14
  by
• 21:14
  hand
• 21:14
  to
• 21:14
  the
• 21:14
  fiberglass
• 21:15
  underbody.
• 21:16
  The
• 21:16
  crew
• 21:16
  had
• 21:17
  to
• 21:17
  wear
• 21:17
  full
• 21:17
  body
• 21:18
  clean
• 21:18
  air
• 21:18
  suits
• 21:19
  to
• 21:19
  protect
• 21:19
  themselves
• 21:20
  from
• 21:20
  the
• 21:20
  toxic
• 21:20
  chemicals.
• 21:21
  The
• 21:22
  crocodile's
• 21:22
  hydraulics
• 21:23
  worked
• 21:23
  fairly
• 21:23
  well
• 21:24
  in
• 21:24
  a
• 21:24
  water
• 21:24
  environment
• 21:25
  as
• 21:25
  long
• 21:25
  as
• 21:25
  they
• 21:26
  were
• 21:26
  protected
• 21:26
  in
• 21:26
  waterproof
• 21:27
  housings
• 21:28
  and
• 21:28
  was
• 21:28
  surrounded
• 21:29
  by
• 21:29
  water
• 21:29
  resistant
• 21:30
  urethane
• 21:30
  skin.
• 21:31
  The
• 21:31
  animatronic
• 21:32
  could
• 21:32
  perform
• 21:32
  various
• 21:33
  lifelike
• 21:33
  movements,
• 21:34
  including
• 21:34
  jaw
• 21:35
  snapping,
• 21:35
  head
• 21:36
  turning,
• 21:36
  eye
• 21:36
  movement
• 21:37
  and
• 21:37
  full
• 21:37
  body
• 21:38
  thrashing
• 21:38
  motions
• 21:39
  to
• 21:39
  simulate
• 21:40
  attack
• 21:40
  sequences.
• 21:41
  To
• 21:42
  test
• 21:42
  the
• 21:42
  crocodile
• 21:43
  puppet
• 21:43
  efficacy
• 21:44
  in
• 21:44
  water,
• 21:45
  the
• 21:45
  crew
• 21:45
  took
• 21:45
  it
• 21:46
  up
• 21:46
  to
• 21:46
  Kestaic
• 21:46
  Lake
• 21:47
  in
• 21:47
  the
• 21:47
  Los
• 21:47
  Angeles
• 21:48
  National
• 21:48
  Forest
• 21:49
  prior
• 21:49
  to
• 21:49
  painting
• 21:50
  it
• 21:50
  and
• 21:50
  dropped
• 21:50
  it
• 21:51
  in.
• 21:51
  They
• 21:51
  had
• 21:52
  to
• 21:52
  adjust
• 21:52
  the
• 21:52
  buoyancy,
• 21:53
  but
• 21:53
  remarkably,
• 21:54
  the
• 21:54
  puppet
• 21:54
  could
• 21:55
  swim
• 21:55
  on
• 21:55
  its
• 21:55
  own
• 21:56
  movement.
• 21:57
  But
• 21:57
  in
• 21:57
  the
• 21:57
  movie,
• 21:57
  the
• 21:57
  crocodile
• 21:58
  was
• 21:58
  attached
• 21:59
  to
• 21:59
  wire
• 21:59
  and
• 21:59
  propelled
• 22:00
  by
• 22:00
  boat.
• 22:01
  Remarkably,
• 22:02
  this
• 22:03
  crocodile
• 22:03
  only
• 22:04
  has
• 22:04
  3
• 22:04
  minutes
• 22:04
  and
• 22:05
  43
• 22:05
  seconds
• 22:06
  of
• 22:06
  screen
• 22:06
  time
• 22:07
  total,
• 22:07
  and
• 22:08
  that
• 22:08
  includes
• 22:08
  its
• 22:09
  digital
• 22:09
  counterpart.
• 22:10
  The
• 22:10
  team
• 22:11
  here
• 22:11
  took
• 22:11
  maybe
• 22:11
  a
• 22:12
  little
• 22:12
  too
• 22:12
  much
• 22:12
  inspiration
• 22:13
  from
• 22:13
  Jaws
• 22:13
  in
• 22:14
  that
• 22:14
  regard.
• 22:14
  We
• 22:15
  don't
• 22:15
  even
• 22:15
  see
• 22:15
  the
• 22:15
  crocodile
• 22:16
  till
• 22:16
  43
• 22:17
  minutes
• 22:17
  into
• 22:17
  the
• 22:18
  movie,
• 22:18
  which
• 22:19
  is
• 22:19
  only
• 22:19
  82
• 22:20
  minutes
• 22:20
  long.
• 22:21
  But
• 22:21
  in
• 22:21
  many
• 22:22
  ways
• 22:22
  the
• 22:22
  runtime
• 22:22
  is
• 22:23
  a
• 22:23
  blessing
• 22:23
  because
• 22:23
  it
• 22:24
  never
• 22:24
  outstays
• 22:24
  its
• 22:25
  welcome
• 22:25
  and
• 22:25
  and
• 22:25
  you're
• 22:26
  desperate
• 22:26
  to
• 22:26
  see
• 22:26
  the
• 22:27
  croc
• 22:27
  by
• 22:27
  the
• 22:27
  time
• 22:28
  you
• 22:28
  see
• 22:28
  it.
• 22:28
  And
• 22:29
  to
• 22:29
  be
• 22:29
  honest,
• 22:30
  it
• 22:30
  still
• 22:30
  looks
• 22:30
  great.
• 22:31
  The
• 22:31
  CG
• 22:31
  is
• 22:31
  in
• 22:32
  a
• 22:32
  patch
• 22:32
  on
• 22:32
  the
• 22:32
  animatronic,
• 22:33
  just
• 22:34
  like
• 22:34
  Anaconda.
• 22:35
  But
• 22:35
  the
• 22:35
  movie
• 22:35
  also
• 22:36
  wouldn't
• 22:36
  work
• 22:36
  without
• 22:37
  the
• 22:37
  digital
• 22:37
  crocodile.
• 22:38
  Also
• 22:38
  just
• 22:39
  like
• 22:39
  Anaconda,
• 22:40
  here,
• 22:41
  its
• 22:41
  digital
• 22:41
  domain.
• 22:42
  Doing
• 22:42
  the
• 22:42
  CG
• 22:43
  effects
• 22:43
  for
• 22:43
  Lake
• 22:43
  Placid,
• 22:44
  just
• 22:44
  like
• 22:45
  Anaconda,
• 22:46
  was
• 22:46
  used
• 22:46
  sparingly.
• 22:47
  The
• 22:47
  CG
• 22:48
  crocodile
• 22:48
  was
• 22:49
  used
• 22:49
  for
• 22:49
  sequences
• 22:50
  showing
• 22:50
  it
• 22:50
  diving
• 22:51
  in
• 22:51
  and
• 22:51
  out
• 22:51
  of
• 22:51
  the
• 22:51
  water.
• 22:52
  Full
• 22:52
  body
• 22:53
  shots
• 22:53
  of
• 22:53
  the
• 22:53
  creature,
• 22:53
  swimming,
• 22:54
  water
• 22:54
  displacement
• 22:55
  and
• 22:55
  splash
• 22:56
  effects
• 22:56
  around
• 22:56
  the
• 22:57
  creature,
• 22:57
  and
• 22:58
  some
• 22:58
  of
• 22:58
  the
• 22:58
  more
• 22:58
  dynamic
• 22:59
  action
• 22:59
  sequences
• 23:00
  where
• 23:00
  the
• 23:00
  animatronics
• 23:01
  limitations
• 23:01
  would
• 23:02
  be
• 23:02
  apparent.
• 23:03
  There
• 23:03
  ain't
• 23:03
  no
• 23:04
  way
• 23:04
  Stan
• 23:04
  Winston's
• 23:05
  animatronic,
• 23:06
  as
• 23:06
  impressive
• 23:07
  as
• 23:07
  it
• 23:07
  is,
• 23:08
  could
• 23:08
  wrestle
• 23:08
  a
• 23:09
  brown
• 23:09
  bear.
• 23:10
  The
• 23:10
  production
• 23:11
  chose
• 23:11
  to
• 23:11
  film
• 23:11
  in
• 23:12
  Canada
• 23:12
  rather
• 23:13
  than
• 23:13
  Maine,
• 23:13
  or
• 23:14
  indeed
• 23:14
  the
• 23:14
  actual
• 23:14
  Lake
• 23:15
  Placid
• 23:15
  in
• 23:15
  New
• 23:15
  York,
• 23:16
  which
• 23:16
  the
• 23:16
  movie
• 23:16
  wasn't
• 23:17
  actually
• 23:17
  about.
• 23:17
  The
• 23:18
  fictional
• 23:18
  setting
• 23:18
  was
• 23:18
  Black
• 23:19
  Lake,
• 23:19
  Maine.
• 23:20
  British
• 23:20
  Columbia
• 23:21
  offered
• 23:21
  better
• 23:22
  production
• 23:22
  infrastructure
• 23:23
  and
• 23:23
  support,
• 23:24
  as
• 23:24
  well
• 23:24
  as
• 23:24
  weather
• 23:25
  conditions
• 23:25
  that
• 23:25
  could
• 23:25
  double
• 23:26
  for
• 23:26
  Maine.
• 23:27
  Although
• 23:27
  filming
• 23:27
  of
• 23:27
  the
• 23:28
  movie
• 23:28
  did
• 23:28
  have
• 23:28
  to
• 23:28
  be
• 23:29
  postponed
• 23:29
  due
• 23:29
  to
• 23:30
  poor
• 23:30
  weather
• 23:30
  conditions.
• 23:31
  To
• 23:31
  get
• 23:32
  around
• 23:32
  the
• 23:32
  on
• 23:32
  location
• 23:33
  shooting
• 23:33
  issues,
• 23:33
  production
• 23:34
  designer
• 23:34
  John
• 23:35
  Willett
• 23:35
  designed
• 23:36
  and
• 23:36
  built
• 23:36
  a
• 23:36
  set
• 23:37
  near
• 23:37
  Vancouver
• 23:37
  for
• 23:38
  the
• 23:38
  main
• 23:38
  lake.
• 23:39
  They
• 23:39
  would
• 23:39
  only
• 23:39
  go
• 23:40
  onto
• 23:40
  the
• 23:40
  real
• 23:40
  lake
• 23:41
  in
• 23:41
  the
• 23:41
  area
• 23:41
  for
• 23:41
  some
• 23:42
  of
• 23:42
  the
• 23:42
  bigger
• 23:42
  shots
• 23:42
  of
• 23:42
  the
• 23:43
  characters
• 23:43
  boating
• 23:44
  on
• 23:44
  the
• 23:44
  lake.
• 23:45
  But
• 23:45
  as
• 23:46
  production
• 23:46
  went
• 23:46
  on,
• 23:46
  the
• 23:47
  budget
• 23:47
  started
• 23:47
  to
• 23:48
  get
• 23:48
  squeezed.
• 23:49
  Stan
• 23:49
  Winston
• 23:50
  was
• 23:50
  originally
• 23:50
  supposed
• 23:51
  to
• 23:51
  build
• 23:51
  the
• 23:51
  tiny
• 23:52
  baby
• 23:52
  crocodiles
• 23:53
  we
• 23:53
  see
• 23:53
  Betty
• 23:53
  White
• 23:53
  feeding
• 23:54
  at
• 23:54
  the
• 23:54
  end.
• 23:55
  However,
• 23:55
  the
• 23:55
  babies
• 23:56
  were
• 23:56
  going
• 23:56
  to
• 23:56
  be
• 23:56
  incredibly
• 23:57
  costly.
• 23:58
  Steve
• 23:59
  Miner
• 23:59
  instead
• 23:59
  suggested
• 24:00
  they
• 24:00
  get
• 24:00
  some
• 24:00
  actual
• 24:01
  baby
• 24:01
  caimans.
• 24:02
  But
• 24:02
  Stan
• 24:02
  Winston
• 24:03
  didn't
• 24:03
  like
• 24:03
  the
• 24:04
  idea
• 24:04
  and
• 24:04
  wanted
• 24:04
  the
• 24:05
  opportunity
• 24:05
  to
• 24:05
  build
• 24:06
  the
• 24:06
  babies
• 24:06
  himself
• 24:07
  because
• 24:08
  just
• 24:08
  like
• 24:08
  in
• 24:08
  Anaconda,
• 24:09
  there
• 24:10
  are
• 24:10
  indeed
• 24:10
  two
• 24:10
  crocodiles
• 24:11
  here
• 24:12
  and
• 24:12
  they
• 24:12
  got
• 24:12
  busy.
• 24:14
  Winston
• 24:15
  didn't
• 24:15
  get
• 24:15
  the
• 24:16
  opportunity
• 24:16
  though,
• 24:16
  because
• 24:17
  Minor
• 24:17
  hired
• 24:17
  some
• 24:18
  hobbyists
• 24:18
  who
• 24:19
  brought
• 24:19
  baby
• 24:19
  caimans
• 24:20
  who
• 24:20
  were
• 24:21
  released
• 24:21
  into
• 24:21
  the
• 24:21
  water
• 24:22
  and
• 24:22
  they
• 24:22
  got
• 24:22
  the
• 24:22
  perfect
• 24:23
  shot
• 24:23
  they
• 24:23
  needed
• 24:23
  on
• 24:24
  the
• 24:24
  very
• 24:24
  first
• 24:24
  take.
• 24:25
  Which
• 24:26
  is
• 24:26
  funny
• 24:26
  because
• 24:26
  I
• 24:26
  genuinely
• 24:27
  always
• 24:28
  thought
• 24:28
  that
• 24:28
  those
• 24:29
  were
• 24:29
  animatronic
• 24:30
  baby
• 24:30
  crocodiles.
• 24:31
  But
• 24:31
  no,
• 24:31
  they
• 24:32
  are
• 24:32
  actually
• 24:32
  genuine
• 24:33
  baby
• 24:34
  caimans.
• 24:35
  Let's
• 24:35
  hope
• 24:35
  those
• 24:35
  baby
• 24:36
  caimans
• 24:36
  weren't
• 24:37
  fed
• 24:37
  too
• 24:37
  much
• 24:37
  by
• 24:37
  Betty
• 24:38
  White
• 24:38
  and
• 24:38
  didn't
• 24:39
  go
• 24:39
  off
• 24:39
  and
• 24:39
  start
• 24:40
  killing
• 24:40
  a
• 24:40
  load
• 24:40
  of
• 24:40
  people
• 24:41
  when
• 24:41
  they
• 24:41
  became
• 24:41
  adults.
• 24:43
  And
• 24:43
  this
• 24:43
  is
• 24:44
  the
• 24:44
  perfect
• 24:44
  place
• 24:44
  to
• 24:44
  segue
• 24:45
  into
• 24:45
  the
• 24:45
  obligature
• 24:46
  Keanu
• 24:46
  reference
• 24:47
  of
• 24:47
  this
• 24:47
  episode.
• 24:48
  And
• 24:48
  if
• 24:48
  you
• 24:48
  don't
• 24:48
  know
• 24:48
  what
• 24:49
  that
• 24:49
  is,
• 24:49
  it's
• 24:49
  where
• 24:49
  I
• 24:49
  try
• 24:49
  and
• 24:50
  link
• 24:50
  the
• 24:50
  movie
• 24:50
  that
• 24:50
  I'm
• 24:50
  featuring,
• 24:51
  pretty
• 24:51
  much
• 24:52
  every
• 24:52
  movie
• 24:52
  that
• 24:52
  I
• 24:52
  feature
• 24:53
  actually
• 24:53
  with
• 24:53
  Keanu
• 24:54
  Reeves
• 24:55
  for
• 24:55
  no
• 24:55
  reason
• 24:55
  other
• 24:56
  than
• 24:56
  he
• 24:56
  is
• 24:56
  the
• 24:56
  best
• 24:57
  of
• 24:57
  men.
• 24:57
  Now,
• 24:58
  Keanu
• 24:58
  may
• 24:59
  not
• 24:59
  have
• 24:59
  been
• 24:59
  to
• 24:59
  Lake
• 25:00
  Placid,
• 25:00
  at
• 25:01
  least
• 25:01
  not
• 25:01
  that
• 25:01
  I'm
• 25:01
  aware
• 25:02
  of,
• 25:02
  but
• 25:03
  he
• 25:03
  reunited
• 25:04
  with
• 25:04
  Sandra
• 25:04
  Bullock
• 25:05
  in
• 25:05
  2006
• 25:06
  for
• 25:06
  the
• 25:07
  lake
• 25:07
  house
• 25:08
  where
• 25:08
  he's
• 25:08
  living
• 25:09
  in
• 25:09
  2004,
• 25:10
  and
• 25:10
  she
• 25:11
  in
• 25:11
  2006
• 25:12
  in
• 25:12
  a
• 25:12
  lake
• 25:12
  house.
• 25:13
  And
• 25:13
  they
• 25:13
  mail
• 25:13
  each
• 25:13
  other
• 25:14
  letters
• 25:14
  for
• 25:14
  two
• 25:14
  years.
• 25:15
  Now,
• 25:16
  that
• 25:16
  movie
• 25:16
  doesn't
• 25:17
  explicitly
• 25:17
  say
• 25:18
  there
• 25:18
  were
• 25:18
  saltwater
• 25:18
  crocodiles
• 25:19
  in
• 25:19
  that
• 25:20
  lake,
• 25:20
  but
• 25:20
  it
• 25:21
  also
• 25:21
  doesn't
• 25:21
  not
• 25:21
  say
• 25:22
  that.
• 25:22
  And
• 25:22
  presumably
• 25:23
  there
• 25:23
  are
• 25:24
  lake
• 25:24
  houses
• 25:25
  on
• 25:25
  Lake
• 25:25
  Placid.
• 25:26
  So
• 25:27
  Keanu
• 25:27
  could
• 25:28
  easily
• 25:29
  be
• 25:29
  linked
• 25:29
  to
• 25:29
  Lake
• 25:29
  Placid
• 25:30
  with
• 25:30
  the
• 25:30
  lake
• 25:30
  house.
• 25:31
  It's
• 25:32
  not
• 25:32
  the
• 25:32
  best
• 25:32
  one
• 25:32
  I've
• 25:33
  ever
• 25:33
  done,
• 25:33
  but
• 25:34
  it's
• 25:34
  literally
• 25:34
  the
• 25:34
  only
• 25:35
  one
• 25:35
  I
• 25:35
  could
• 25:35
  think
• 25:35
  of.
• 25:37
  So
• 25:37
  Lake
• 25:37
  Placid
• 25:38
  was
• 25:38
  released
• 25:38
  on
• 25:39
  16
• 25:40
  July
• 25:41
  1999.
• 25:41
  1999
• 25:42
  being
• 25:43
  generally
• 25:43
  considered
• 25:44
  one
• 25:44
  of
• 25:44
  the
• 25:44
  greatest
• 25:45
  years
• 25:45
  for
• 25:45
  movies
• 25:46
  ever.
• 25:46
  The
• 25:47
  box
• 25:47
  office
• 25:47
  was
• 25:48
  pretty
• 25:48
  stuffed.
• 25:49
  It
• 25:49
  came
• 25:50
  out
• 25:50
  the
• 25:50
  same
• 25:50
  week
• 25:50
  as
• 25:51
  Stanley
• 25:51
  Kubrick's
• 25:52
  Eyes
• 25:52
  Wide
• 25:52
  Shut,
• 25:52
  which
• 25:53
  Hit
• 25:53
  number
• 25:53
  one,
• 25:54
  American
• 25:54
  Pie
• 25:55
  was
• 25:55
  sitting
• 25:55
  delicious
• 25:56
  at
• 25:56
  number
• 25:56
  two.
• 25:57
  Big
• 25:57
  Daddy
• 25:58
  was
• 25:58
  third.
• 25:59
  Lake
• 25:59
  Placid
• 25:59
  had
• 26:00
  to
• 26:00
  deal
• 26:00
  with
• 26:00
  debuting
• 26:01
  at
• 26:01
  fourth,
• 26:01
  just
• 26:02
  ahead
• 26:02
  of
• 26:02
  Wild
• 26:03
  Wild
• 26:03
  west
• 26:03
  and
• 26:03
  Tarzan.
• 26:05
  Star
• 26:05
  Wars
• 26:05
  Episode
• 26:05
  1,
• 26:06
  the
• 26:06
  Phantom
• 26:06
  Menace
• 26:06
  was
• 26:07
  still
• 26:07
  in
• 26:07
  the
• 26:07
  top
• 26:07
  10
• 26:08
  despite
• 26:08
  being
• 26:09
  out
• 26:09
  for
• 26:09
  10
• 26:09
  weeks.
• 26:10
  The
• 26:10
  Mummy
• 26:11
  was
• 26:11
  at
• 26:11
  18th
• 26:12
  in
• 26:12
  its
• 26:12
  11th
• 26:13
  week.
• 26:14
  Interestingly,
• 26:14
  Lake
• 26:15
  Placid
• 26:15
  also
• 26:15
  came
• 26:15
  out
• 26:16
  the
• 26:16
  same
• 26:16
  week
• 26:16
  as
• 26:16
  the
• 26:17
  Blair
• 26:17
  Witch
• 26:17
  Project,
• 26:18
  which
• 26:19
  was
• 26:19
  on
• 26:19
  a
• 26:19
  limited
• 26:19
  release,
• 26:20
  and
• 26:20
  that
• 26:20
  movie
• 26:21
  would
• 26:21
  obviously
• 26:21
  go
• 26:22
  on
• 26:22
  to
• 26:22
  become
• 26:23
  absolutely
• 26:23
  huge.
• 26:25
  But
• 26:25
  with
• 26:25
  the
• 26:26
  saturated
• 26:26
  market
• 26:27
  the
• 26:27
  following
• 26:27
  week,
• 26:28
  Lake
• 26:28
  placid
• 26:28
  dropped
• 26:29
  to
• 26:29
  sixth,
• 26:29
  and
• 26:30
  then
• 26:30
  the
• 26:30
  third
• 26:31
  week
• 26:31
  it
• 26:31
  had
• 26:31
  left
• 26:32
  the
• 26:32
  top
• 26:32
  10
• 26:32
  completely.
• 26:34
  It's
• 26:34
  a
• 26:34
  real
• 26:34
  shame
• 26:35
  that
• 26:35
  Lake
• 26:35
  Placid
• 26:36
  came
• 26:36
  out
• 26:36
  when
• 26:36
  it
• 26:36
  did,
• 26:37
  because
• 26:37
  it
• 26:38
  just
• 26:38
  seemed
• 26:38
  to
• 26:39
  come
• 26:39
  out
• 26:39
  at
• 26:39
  a
• 26:39
  particular
• 26:40
  time
• 26:40
  in
• 26:41
  the
• 26:41
  summer
• 26:41
  when
• 26:42
  literally
• 26:42
  everything
• 26:43
  was
• 26:43
  dominating
• 26:43
  the
• 26:44
  box
• 26:44
  office
• 26:45
  other
• 26:45
  than
• 26:45
  Lake
• 26:46
  placid.
• 26:47
  On
• 26:47
  its
• 26:47
  $35
• 26:48
  million
• 26:49
  budget,
• 26:49
  Lake
• 26:49
  Placid
• 26:50
  would
• 26:50
  gross
• 26:48
  $31.8
• 26:51
  million
• 26:52
  domestically
• 26:53
  and
• 26:51
  $25.1
• 26:54
  million
• 26:55
  internationally,
• 26:56
  for
• 26:56
  a
• 26:56
  total
• 26:57
  worldwide
• 26:57
  gross
• 26:57
  of
• 26:54
  $56.9
• 26:57
  million.
• 27:00
  Critically,
• 27:01
  I
• 27:02
  mean,
• 27:02
  it's
• 27:03
  kind
• 27:03
  of
• 27:03
  okay.
• 27:04
  Critically,
• 27:04
  I
• 27:05
  guess
• 27:05
  it's
• 27:05
  middling
• 27:06
  47%
• 27:07
  on
• 27:07
  rotten
• 27:08
  tomatoes.
• 27:08
  With
• 27:09
  the
• 27:09
  site's
• 27:09
  critical
• 27:10
  consensus
• 27:10
  reading,
• 27:11
  Betty
• 27:11
  White's
• 27:12
  delightful
• 27:12
  supporting
• 27:13
  turn
• 27:13
  may
• 27:13
  be
• 27:13
  worth
• 27:14
  the
• 27:14
  price
• 27:14
  of
• 27:14
  admission
• 27:15
  alone,
• 27:15
  but
• 27:15
  Lake
• 27:16
  Placid
• 27:16
  is
• 27:16
  swamped
• 27:17
  by
• 27:17
  a
• 27:17
  smarmy
• 27:18
  script
• 27:18
  and
• 27:18
  inability
• 27:19
  to
• 27:19
  deliver
• 27:20
  on
• 27:20
  the
• 27:20
  creature
• 27:20
  feature
• 27:21
  mayhem.
• 27:22
  Unlike
• 27:23
  Anaconda,
• 27:24
  Roger
• 27:24
  Ebert
• 27:25
  hated
• 27:25
  this
• 27:25
  one
• 27:26
  so
• 27:26
  much
• 27:27
  he
• 27:27
  put
• 27:27
  it
• 27:27
  on
• 27:28
  his
• 27:28
  10
• 27:28
  worst
• 27:28
  films
• 27:29
  of
• 27:29
  the
• 27:29
  year
• 27:29
  list,
• 27:30
  giving
• 27:30
  it
• 27:30
  one
• 27:30
  out
• 27:31
  of
• 27:31
  four
• 27:31
  stars,
• 27:32
  describing
• 27:32
  it
• 27:33
  as
• 27:33
  completely
• 27:33
  wrong
• 27:34
  headed
• 27:34
  from
• 27:34
  beginning
• 27:35
  to
• 27:35
  end.
• 27:36
  Despite
• 27:37
  its
• 27:37
  lukewarm
• 27:37
  box
• 27:37
  office
• 27:38
  and
• 27:38
  critical
• 27:38
  reception,
• 27:39
  Lake
• 27:39
  Placid
• 27:40
  spawned
• 27:40
  three
• 27:41
  made
• 27:41
  for
• 27:41
  TV
• 27:42
  sequels.
• 27:42
  Lake
• 27:43
  Placid
• 27:43
  2
• 27:43
  in
• 27:43
  2007,
• 27:44
  Lake
• 27:45
  Placid
• 27:45
  3
• 27:45
  in
• 27:46
  2010,
• 27:46
  and
• 27:46
  Lake
• 27:47
  Placid
• 27:47
  the
• 27:47
  Final
• 27:48
  Chapter
• 27:48
  in
• 27:48
  2012,
• 27:49
  as
• 27:50
  well
• 27:50
  as
• 27:50
  the
• 27:50
  crossover
• 27:51
  that
• 27:51
  I've
• 27:51
  mentioned
• 27:52
  previously,
• 27:52
  Lake
• 27:52
  Placid
• 27:53
  versus
• 27:53
  Anaconda.
• 27:54
  I
• 27:54
  have
• 27:55
  seen
• 27:55
  none
• 27:55
  of
• 27:55
  these
• 27:55
  movies
• 27:56
  and
• 27:57
  honestly,
• 27:57
  I
• 27:57
  have
• 27:57
  no
• 27:58
  intention.
• 27:59
  Creature
• 27:59
  features
• 28:00
  of
• 28:00
  the
• 28:00
  90s
• 28:01
  were
• 28:01
  a
• 28:01
  mixed
• 28:01
  bag.
• 28:02
  Generally.
• 28:02
  Anaconda
• 28:03
  did
• 28:03
  really
• 28:04
  well,
• 28:04
  Deep
• 28:05
  Rising
• 28:06
  didn't.
• 28:06
  And
• 28:07
  then
• 28:07
  in
• 28:07
  1999
• 28:08
  we
• 28:08
  got
• 28:08
  the
• 28:08
  creature
• 28:08
  feature
• 28:09
  double
• 28:09
  of
• 28:09
  Deep
• 28:09
  Blue
• 28:10
  Sea
• 28:10
  and
• 28:10
  Lake
• 28:10
  placid
• 28:11
  released
• 28:11
  within
• 28:12
  12
• 28:12
  days
• 28:12
  of
• 28:13
  each
• 28:13
  other,
• 28:13
  one
• 28:14
  of
• 28:14
  which
• 28:14
  did
• 28:14
  really
• 28:14
  well,
• 28:15
  the
• 28:15
  other
• 28:16
  not
• 28:17
  so
• 28:17
  well.
• 28:18
  Arguably
• 28:18
  a
• 28:18
  giant
• 28:19
  croc
• 28:19
  movie
• 28:20
  penned
• 28:20
  by
• 28:20
  the
• 28:20
  writer
• 28:21
  of
• 28:21
  one
• 28:21
  of
• 28:21
  the
• 28:21
  biggest
• 28:21
  shows
• 28:22
  on
• 28:22
  TV,
• 28:22
  Ally
• 28:23
  McBeal,
• 28:23
  and
• 28:24
  should
• 28:24
  have
• 28:24
  been
• 28:24
  a
• 28:24
  smash
• 28:25
  hit.
• 28:25
  But
• 28:26
  the
• 28:26
  script
• 28:26
  is
• 28:27
  not
• 28:27
  the
• 28:27
  star
• 28:27
  of
• 28:27
  the
• 28:27
  show
• 28:28
  here
• 28:28
  and
• 28:28
  nor
• 28:29
  are
• 28:29
  the
• 28:29
  big
• 28:29
  name
• 28:29
  actors.
• 28:30
  But
• 28:31
  while
• 28:31
  Jaws
• 28:31
  needed
• 28:32
  and
• 28:32
  warranted
• 28:32
  the
• 28:32
  shark
• 28:33
  not
• 28:33
  appearing
• 28:33
  till
• 28:34
  over
• 28:34
  halfway
• 28:34
  through
• 28:34
  the
• 28:34
  movie.
• 28:35
  Lake
• 28:35
  Placid
• 28:36
  doesn't.
• 28:37
  And
• 28:37
  honestly,
• 28:37
  if
• 28:37
  Stan
• 28:38
  Winston
• 28:38
  makes
• 28:38
  you
• 28:38
  a
• 28:39
  30
• 28:39
  foot
• 28:39
  crocodile,
• 28:40
  you
• 28:40
  show
• 28:41
  that
• 28:41
  creature
• 28:41
  as
• 28:41
  often
• 28:42
  as
• 28:42
  you
• 28:42
  can
• 28:43
  because
• 28:43
  it
• 28:43
  is
• 28:43
  glorious.
• 28:45
  I
• 28:45
  do
• 28:45
  understand
• 28:45
  not
• 28:46
  wanting
• 28:46
  to
• 28:46
  blow
• 28:46
  your
• 28:46
  money
• 28:47
  shot
• 28:47
  too
• 28:47
  early,
• 28:48
  but
• 28:48
  Lake
• 28:48
  Placid
• 28:49
  needs
• 28:49
  to
• 28:50
  be
• 28:50
  less
• 28:50
  placid.
• 28:51
  The
• 28:51
  crocodile
• 28:52
  is
• 28:52
  incredible.
• 28:53
  The
• 28:53
  scene
• 28:54
  with
• 28:54
  the
• 28:54
  crocodile
• 28:54
  and
• 28:54
  Hector
• 28:55
  Seer
• 28:55
  in
• 28:55
  the
• 28:55
  water
• 28:56
  in
• 28:56
  a
• 28:56
  standoff
• 28:57
  is
• 28:57
  remarkably
• 28:58
  tense
• 28:58
  and
• 28:59
  genuinely
• 28:59
  one
• 29:00
  of
• 29:00
  the
• 29:00
  best
• 29:00
  scenes
• 29:00
  in
• 29:01
  the
• 29:01
  entire
• 29:01
  movie.
• 29:02
  But
• 29:03
  back
• 29:03
  to
• 29:03
  the
• 29:03
  script.
• 29:04
  It's
• 29:04
  just
• 29:04
  a
• 29:04
  very
• 29:05
  typical
• 29:05
  90s
• 29:06
  sexist
• 29:07
  remarks
• 29:07
  and
• 29:08
  comedy
• 29:08
  zingers.
• 29:09
  Or
• 29:09
  should
• 29:09
  I
• 29:09
  say
• 29:09
  attempted
• 29:10
  comedy
• 29:11
  zingers.
• 29:11
  I
• 29:12
  like
• 29:12
  Bridget
• 29:12
  Fonda
• 29:13
  in
• 29:13
  lot
• 29:13
  of
• 29:13
  other
• 29:13
  movies,
• 29:14
  but
• 29:14
  her
• 29:14
  character
• 29:14
  is
• 29:15
  just
• 29:15
  so
• 29:15
  poorly
• 29:16
  written.
• 29:16
  Even
• 29:17
  the
• 29:17
  usually
• 29:17
  charismatic
• 29:18
  and
• 29:18
  charming
• 29:19
  Bill
• 29:19
  Pullman
• 29:20
  isn't
• 29:20
  as
• 29:21
  charming
• 29:21
  and
• 29:21
  charismatic
• 29:22
  as
• 29:22
  usual.
• 29:22
  And
• 29:23
  together
• 29:23
  they
• 29:23
  have
• 29:24
  zero
• 29:24
  chemistry,
• 29:26
  so
• 29:26
  you
• 29:26
  don't
• 29:26
  even
• 29:27
  believe
• 29:27
  them
• 29:27
  getting
• 29:27
  together
• 29:28
  at
• 29:28
  the
• 29:28
  end
• 29:28
  at
• 29:29
  all.
• 29:29
  The
• 29:30
  character
• 29:30
  development
• 29:30
  is
• 29:31
  there
• 29:31
  because
• 29:32
  Kelly
• 29:32
  stops
• 29:32
  falling
• 29:33
  out
• 29:33
  of
• 29:33
  cars
• 29:33
  at
• 29:33
  some
• 29:34
  point.
• 29:34
  That's
• 29:35
  basically
• 29:35
  the
• 29:35
  level
• 29:35
  of
• 29:36
  competency
• 29:36
  that
• 29:37
  we're
• 29:37
  talking
• 29:37
  about
• 29:38
  on
• 29:38
  this
• 29:38
  movie.
• 29:40
  The
• 29:40
  savior,
• 29:41
  or
• 29:41
  should
• 29:41
  I
• 29:41
  say
• 29:41
  human
• 29:42
  savior
• 29:42
  of
• 29:42
  this
• 29:42
  movie
• 29:43
  is
• 29:43
  the
• 29:44
  late
• 29:44
  Betty
• 29:44
  White.
• 29:45
  God
• 29:45
  bless
• 29:46
  Betty
• 29:46
  White.
• 29:47
  I
• 29:47
  can't
• 29:48
  say
• 29:48
  her
• 29:48
  line
• 29:48
  completely
• 29:49
  because
• 29:49
  this
• 29:49
  is
• 29:49
  a
• 29:49
  family
• 29:50
  show,
• 29:50
  but
• 29:50
  it's
• 29:51
  along
• 29:51
  the
• 29:51
  lines
• 29:51
  of
• 29:52
  if
• 29:52
  I
• 29:52
  had
• 29:52
  a
• 29:52
  sausage,
• 29:53
  this
• 29:53
  is
• 29:53
  where
• 29:53
  I
• 29:54
  would
• 29:54
  tell
• 29:54
  you
• 29:54
  to
• 29:54
  suck
• 29:55
  it.
• 29:55
  Mrs.
• 29:56
  Bickerman
• 29:56
  gives
• 29:57
  zero
• 29:57
  hoots
• 29:58
  and
• 29:58
  knows
• 29:59
  that
• 29:59
  if
• 29:59
  the
• 29:59
  authorities
• 30:00
  find
• 30:00
  out
• 30:00
  about
• 30:00
  this
• 30:01
  animal,
• 30:01
  they
• 30:01
  will
• 30:02
  kill
• 30:02
  it.
• 30:02
  And
• 30:03
  she
• 30:03
  is
• 30:03
  all
• 30:03
  about
• 30:03
  protecting
• 30:04
  the
• 30:04
  local
• 30:04
  wildlife.
• 30:05
  Not
• 30:06
  her
• 30:06
  cows,
• 30:06
  though
• 30:07
  she
• 30:07
  doesn't
• 30:07
  subscribe
• 30:08
  to
• 30:08
  bovine
• 30:08
  protection.
• 30:10
  I
• 30:10
  really
• 30:10
  like
• 30:11
  this
• 30:11
  movie,
• 30:11
  but
• 30:11
  I
• 30:11
  wish
• 30:12
  it
• 30:12
  had
• 30:12
  gone
• 30:12
  harder
• 30:13
  on
• 30:13
  the
• 30:13
  crocodile
• 30:14
  because
• 30:14
  watching
• 30:15
  giant
• 30:15
  beasts
• 30:16
  attack
• 30:16
  stupid
• 30:17
  people
• 30:17
  is
• 30:17
  always
• 30:18
  going
• 30:18
  to
• 30:18
  be
• 30:18
  fun.
• 30:19
  That's
• 30:19
  why
• 30:19
  we
• 30:20
  love
• 30:20
  these
• 30:20
  movies.
• 30:21
  But
• 30:21
  we
• 30:21
  needed
• 30:22
  more
• 30:22
  kills,
• 30:22
  more
• 30:23
  gore,
• 30:23
  and
• 30:23
  less
• 30:24
  playing
• 30:24
  it
• 30:24
  safe
• 30:25
  with
• 30:25
  the
• 30:25
  boring
• 30:25
  human
• 30:26
  characters.
• 30:27
  Hector
• 30:27
  Seer
• 30:28
  is
• 30:28
  fun,
• 30:28
  but
• 30:28
  also
• 30:29
  comes
• 30:29
  across
• 30:30
  a
• 30:30
  bit
• 30:30
  of
• 30:30
  a
• 30:30
  misogynist.
• 30:32
  I
• 30:32
  have
• 30:32
  no
• 30:33
  idea
• 30:33
  If
• 30:33
  Lake
• 30:33
  Placid
• 30:34
  2
• 30:34
  carries
• 30:34
  on
• 30:34
  with
• 30:34
  the
• 30:35
  babies
• 30:35
  from
• 30:35
  this,
• 30:36
  but
• 30:36
  I
• 30:36
  do
• 30:37
  love
• 30:37
  that
• 30:37
  this
• 30:37
  movie
• 30:37
  ends
• 30:38
  so
• 30:38
  memorably
• 30:39
  and
• 30:39
  kind
• 30:39
  of
• 30:39
  sweetly.
• 30:40
  And
• 30:40
  the
• 30:41
  idea
• 30:41
  that
• 30:41
  this
• 30:41
  movie
• 30:41
  actually
• 30:42
  cares
• 30:42
  to
• 30:42
  think
• 30:43
  about
• 30:43
  the
• 30:43
  welfare
• 30:43
  of
• 30:44
  an
• 30:44
  animal,
• 30:44
  even
• 30:45
  one
• 30:45
  that
• 30:45
  might
• 30:45
  be
• 30:46
  killing
• 30:46
  humans,
• 30:46
  has
• 30:47
  to
• 30:47
  be
• 30:47
  considered.
• 30:48
  Why
• 30:48
  would
• 30:48
  you
• 30:48
  kill
• 30:49
  something
• 30:49
  unnecessarily
• 30:50
  if
• 30:50
  you
• 30:50
  can
• 30:51
  humanely
• 30:51
  capture
• 30:52
  it?
• 30:52
  Of
• 30:52
  course,
• 30:53
  like
• 30:53
  Anaconda.
• 30:53
  This
• 30:54
  is
• 30:54
  a
• 30:54
  movie
• 30:54
  that
• 30:54
  gives
• 30:54
  you
• 30:55
  two
• 30:55
  beasts,
• 30:55
  and
• 30:56
  in
• 30:56
  this
• 30:56
  one,
• 30:56
  one
• 30:57
  is
• 30:57
  killed
• 30:57
  and
• 30:58
  the
• 30:58
  other
• 30:58
  captured.
• 30:59
  Anaconda
• 31:00
  and
• 31:00
  Lake
• 31:00
  Placid
• 31:00
  are
• 31:01
  in
• 31:01
  many
• 31:01
  ways
• 31:01
  a
• 31:02
  perfect
• 31:02
  double
• 31:02
  pairing.
• 31:03
  They
• 31:03
  both
• 31:04
  have
• 31:04
  way
• 31:04
  better
• 31:04
  creatures
• 31:05
  than
• 31:05
  cast
• 31:05
  members.
• 31:06
  They're
• 31:06
  both
• 31:06
  filmed
• 31:07
  on
• 31:07
  location
• 31:07
  to
• 31:08
  a
• 31:08
  degree,
• 31:08
  and
• 31:08
  they
• 31:09
  both
• 31:09
  led
• 31:09
  to
• 31:09
  substandard
• 31:10
  sequels.
• 31:11
  Anaconda
• 31:12
  was
• 31:12
  the
• 31:12
  biggest
• 31:13
  financial
• 31:13
  success.
• 31:14
  Lake
• 31:14
  Placid
• 31:15
  had
• 31:15
  better
• 31:15
  critical
• 31:16
  reception.
• 31:17
  Anaconda's
• 31:18
  cast
• 31:18
  went
• 31:18
  on
• 31:18
  to
• 31:18
  big
• 31:19
  careers
• 31:19
  like
• 31:19
  JLO
• 31:20
  and
• 31:20
  Owen
• 31:20
  Wilson.
• 31:21
  Lake
• 31:21
  Placid
• 31:22
  had
• 31:22
  Betty
• 31:23
  White.
• 31:24
  Anaconda
• 31:24
  had
• 31:25
  Walt
• 31:25
  Conti's
• 31:25
  snakes.
• 31:26
  Lake
• 31:26
  Placid
• 31:27
  has
• 31:27
  Stan
• 31:28
  Winston's
• 31:28
  crocodiles.
• 31:29
  It's
• 31:30
  a
• 31:30
  bit
• 31:30
  like
• 31:30
  that
• 31:30
  scene
• 31:31
  in
• 31:31
  Hot
• 31:31
  Fuzz,
• 31:32
  Point
• 31:32
  break
• 31:33
  or
• 31:33
  bad
• 31:33
  boys
• 31:33
  2.
• 31:34
  Not
• 31:34
  which
• 31:35
  one
• 31:35
  do
• 31:35
  you
• 31:35
  prefer,
• 31:36
  but
• 31:36
  which
• 31:36
  one
• 31:37
  do
• 31:37
  you
• 31:37
  want
• 31:37
  to
• 31:37
  watch
• 31:38
  first?
• 31:40
  Thank
• 31:40
  you
• 31:40
  for
• 31:40
  listening.
• 31:40
  As
• 31:41
  always,
• 31:41
  I
• 31:41
  would
• 31:41
  love
• 31:41
  to
• 31:41
  hear
• 31:41
  your
• 31:41
  thoughts
• 31:42
  on
• 31:42
  Lake
• 31:42
  Placid.
• 31:43
  And
• 31:43
  as
• 31:44
  always,
• 31:44
  thank
• 31:44
  you
• 31:44
  for
• 31:44
  your
• 31:44
  continued
• 31:45
  support
• 31:45
  of
• 31:45
  this
• 31:46
  podcast.
• 31:47
  If
• 31:47
  you
• 31:47
  want
• 31:47
  to
• 31:47
  get
• 31:47
  involved
• 31:48
  and
• 31:48
  you
• 31:48
  want
• 31:48
  to
• 31:48
  help
• 31:48
  this
• 31:48
  podcast
• 31:49
  grow
• 31:49
  and
• 31:50
  reach
• 31:50
  more
• 31:50
  people,
• 31:51
  you
• 31:51
  could
• 31:52
  tell
• 31:52
  your
• 31:52
  friends
• 31:52
  and
• 31:52
  family
• 31:53
  about
• 31:53
  this
• 31:53
  podcast
• 31:54
  or
• 31:54
  about
• 31:54
  this
• 31:54
  episode.
• 31:55
  You
• 31:55
  can
• 31:56
  find
• 31:56
  me
• 31:56
  and
• 31:56
  follow
• 31:57
  me.
• 31:57
  I
• 31:57
  am
• 31:57
  verbaldiorama
• 31:59
  across
• 31:59
  social
• 31:59
  media.
• 32:00
  You
• 32:01
  can
• 32:01
  share
• 32:01
  posts
• 32:02
  like
• 32:02
  posts,
• 32:02
  comment
• 32:03
  on
• 32:03
  posts.
• 32:03
  It
• 32:04
  all
• 32:04
  helps
• 32:04
  with
• 32:04
  visibility
• 32:06
  and
• 32:06
  you
• 32:06
  can
• 32:06
  leave
• 32:07
  a
• 32:07
  rating
• 32:07
  or
• 32:07
  review
• 32:07
  on
• 32:08
  Apple
• 32:08
  Podcasts
• 32:09
  or
• 32:09
  Podchaser
• 32:10
  or
• 32:10
  Spotify
• 32:11
  or
• 32:11
  wherever
• 32:12
  you
• 32:12
  found
• 32:12
  this
• 32:12
  podcast
• 32:13
  episode.
• 32:14
  If
• 32:15
  you
• 32:15
  like
• 32:15
  this
• 32:15
  episode
• 32:15
  on
• 32:16
  Lake
• 32:16
  Placid,
• 32:16
  you
• 32:17
  might
• 32:17
  also
• 32:17
  like
• 32:18
  and
• 32:18
  I'm
• 32:19
  literally
• 32:19
  just
• 32:19
  going
• 32:19
  to
• 32:19
  give
• 32:19
  you
• 32:19
  the
• 32:20
  same
• 32:20
  recommendations
• 32:20
  that
• 32:21
  I
• 32:21
  did
• 32:21
  for
• 32:21
  Anaconda
• 32:22
  because
• 32:22
  they're
• 32:22
  all
• 32:23
  incredible
• 32:23
  movies
• 32:24
  with
• 32:24
  incredible
• 32:25
  creatures.
• 32:26
  Episode
• 32:26
  41,
• 32:27
  Tremors
• 32:28
  Episode
• 32:28
  106,
• 32:29
  Jaws
• 32:30
  Episode
• 32:30
  146
• 32:31
  Deep
• 32:32
  Blue
• 32:32
  Sea,
• 32:32
  which
• 32:32
  is
• 32:33
  a
• 32:33
  very
• 32:33
  emotional
• 32:34
  episode
• 32:34
  for
• 32:35
  me.
• 32:35
  So
• 32:36
  yeah,
• 32:36
  it's
• 32:37
  a
• 32:37
  bit
• 32:37
  weird,
• 32:37
  but
• 32:38
  it
• 32:38
  was
• 32:38
  a
• 32:39
  time
• 32:39
  in
• 32:39
  my
• 32:39
  Life.
• 32:40
  And
• 32:40
  episode
• 32:41
  224
• 32:42
  Jaws
• 32:42
  2,
• 32:43
  Jaws
• 32:43
  3D
• 32:43
  and
• 32:44
  Jaws
• 32:44
  the
• 32:44
  Revenge.
• 32:45
  And
• 32:45
  also
• 32:46
  please
• 32:46
  don't
• 32:47
  forget
• 32:47
  the
• 32:47
  last
• 32:47
  episode
• 32:48
  that
• 32:48
  I
• 32:48
  did
• 32:48
  on
• 32:48
  Anaconda.
• 32:49
  Have
• 32:49
  recycled
• 32:50
  some
• 32:50
  stuff
• 32:50
  for
• 32:51
  this
• 32:51
  episode.
• 32:52
  But
• 32:52
  Anaconda
• 32:53
  is
• 32:54
  such
• 32:54
  a
• 32:54
  fun
• 32:54
  movie
• 32:54
  and
• 32:55
  a
• 32:55
  great
• 32:56
  double
• 32:56
  pairing.
• 32:57
  I
• 32:57
  would
• 32:57
  highly
• 32:58
  recommend
• 32:58
  if
• 32:58
  you've
• 32:59
  got
• 32:59
  them,
• 32:59
  just
• 33:00
  sit
• 33:00
  down
• 33:00
  and
• 33:00
  watch
• 33:00
  Anaconda
• 33:01
  and
• 33:01
  Lake
• 33:02
  Placid
• 33:02
  back
• 33:02
  to
• 33:02
  back,
• 33:03
  though
• 33:04
  the
• 33:04
  creatures
• 33:05
  are
• 33:05
  worth
• 33:06
  the
• 33:06
  price
• 33:06
  of
• 33:06
  admission
• 33:07
  alone.
• 33:09
  As
• 33:09
  always,
• 33:09
  give
• 33:09
  me
• 33:10
  feedback
• 33:10
  on
• 33:10
  my
• 33:10
  recommendations
• 33:12
  next
• 33:12
  episode.
• 33:13
  So
• 33:13
  we're
• 33:13
  moving
• 33:13
  on
• 33:13
  from
• 33:14
  Baby
• 33:14
  Kaiju.
• 33:14
  Baby
• 33:15
  Kaijun
• 33:15
  has
• 33:16
  grown
• 33:16
  up
• 33:16
  and
• 33:17
  left
• 33:17
  the
• 33:17
  nest.
• 33:18
  We've
• 33:18
  had
• 33:18
  the
• 33:18
  little
• 33:19
  babies
• 33:19
  fed
• 33:19
  by
• 33:19
  Betty
• 33:20
  White.
• 33:20
  Baby
• 33:21
  Kaijun
• 33:21
  is
• 33:22
  over,
• 33:22
  but
• 33:22
  will
• 33:23
  it
• 33:23
  still
• 33:23
  be
• 33:23
  on
• 33:24
  the
• 33:24
  water?
• 33:25
  More
• 33:25
  water
• 33:26
  but
• 33:26
  less
• 33:26
  monsters.
• 33:27
  Because
• 33:28
  remember
• 33:28
  the
• 33:28
  days
• 33:28
  before
• 33:29
  Pirates
• 33:29
  of
• 33:29
  the
• 33:29
  Caribbean
• 33:30
  told
• 33:30
  us
• 33:30
  that
• 33:30
  pirate
• 33:31
  movies
• 33:31
  made
• 33:32
  money?
• 33:33
  Well
• 33:33
  before
• 33:33
  Disney
• 33:34
  adapted
• 33:34
  their
• 33:34
  pirate
• 33:35
  theme
• 33:35
  park
• 33:35
  ride
• 33:36
  1995
• 33:37
  gave
• 33:38
  us
• 33:38
  a
• 33:38
  notoriously
• 33:39
  troubled
• 33:40
  and
• 33:40
  chaotic
• 33:41
  pirate
• 33:41
  movie
• 33:42
  starring
• 33:42
  Geena
• 33:43
  Davis,
• 33:43
  directed
• 33:44
  by
• 33:44
  her
• 33:44
  then
• 33:44
  husband
• 33:45
  Rennie
• 33:45
  Harlin,
• 33:46
  which
• 33:46
  was
• 33:46
  going
• 33:47
  to
• 33:47
  be
• 33:47
  the
• 33:47
  next
• 33:47
  big
• 33:48
  thing
• 33:48
  until
• 33:48
  it
• 33:49
  became
• 33:49
  one
• 33:49
  of
• 33:49
  the
• 33:49
  biggest
• 33:50
  box
• 33:50
  office
• 33:50
  bombs
• 33:51
  of
• 33:51
  all
• 33:51
  time.
• 33:53
  Oh,
• 33:53
  and
• 33:53
  it
• 33:54
  technically
• 33:54
  bankrupted
• 33:55
  its
• 33:55
  studio
• 33:55
  too.
• 33:55
  But
• 33:56
  as
• 33:56
  always,
• 33:57
  there's
• 33:57
  so
• 33:57
  much
• 33:58
  more
• 33:58
  to
• 33:58
  the
• 33:58
  story
• 33:59
  than
• 33:59
  a
• 33:59
  movie
• 34:00
  that
• 34:00
  bankrupted
• 34:01
  its
• 34:01
  studio.
• 34:02
  So
• 34:02
  join
• 34:03
  me
• 34:03
  next
• 34:03
  week
• 34:03
  for
• 34:04
  the
• 34:04
  History
• 34:04
  and
• 34:05
  Legacy
• 34:05
  of
• 34:06
  Cutthroat
• 34:06
  Island.
• 34:07
  This
• 34:07
  is
• 34:08
  a
• 34:08
  movie
• 34:08
  that
• 34:08
  has
• 34:08
  been
• 34:09
  such
• 34:09
  a
• 34:09
  long
• 34:09
  time
• 34:10
  coming
• 34:10
  to
• 34:10
  this
• 34:10
  podcast.
• 34:11
  I
• 34:11
  am
• 34:11
  so
• 34:11
  excited
• 34:12
  to
• 34:12
  finally
• 34:13
  be
• 34:13
  talking
• 34:13
  about
• 34:13
  Cutthroat
• 34:14
  Island.
• 34:15
  I
• 34:15
  even
• 34:15
  bought
• 34:15
  it
• 34:16
  on
• 34:16
  Blu
• 34:16
  ray
• 34:17
  just
• 34:17
  so
• 34:17
  I
• 34:18
  could
• 34:18
  contribute
• 34:19
  to
• 34:19
  the
• 34:19
  financial
• 34:19
  coffers
• 34:20
  of
• 34:20
  a
• 34:21
  movie
• 34:21
  that
• 34:21
  is
• 34:21
  deemed
• 34:21
  as
• 34:22
  one
• 34:22
  of
• 34:22
  the
• 34:22
  biggest
• 34:22
  box
• 34:22
  office
• 34:23
  bombs
• 34:23
  of
• 34:23
  all
• 34:23
  time.
• 34:24
  Because
• 34:25
  we
• 34:25
  need
• 34:25
  to
• 34:25
  support
• 34:26
  movies
• 34:26
  like
• 34:26
  Cutthroat
• 34:27
  Island.
• 34:28
  There
• 34:28
  are
• 34:28
  so
• 34:28
  many
• 34:28
  reasons
• 34:29
  why.
• 34:29
  Please
• 34:30
  join
• 34:30
  me
• 34:30
  next
• 34:30
  episode
• 34:31
  as
• 34:31
  we
• 34:32
  go
• 34:32
  into
• 34:32
  the
• 34:32
  history
• 34:32
  and
• 34:32
  legacy
• 34:33
  of
• 34:33
  Cutthroat
• 34:34
  Island.
• 34:35
  And
• 34:35
  if
• 34:35
  you
• 34:35
  enjoy
• 34:35
  what
• 34:36
  I
• 34:36
  do
• 34:36
  for
• 34:36
  this
• 34:36
  podcast
• 34:37
  or
• 34:37
  you
• 34:37
  simply
• 34:37
  just
• 34:37
  want
• 34:37
  to
• 34:37
  support
• 34:38
  an
• 34:38
  indie
• 34:38
  podcaster
• 34:39
  who
• 34:39
  does
• 34:39
  everything
• 34:40
  on
• 34:40
  her
• 34:40
  own,
• 34:41
  and
• 34:41
  if
• 34:41
  you
• 34:41
  have
• 34:42
  some
• 34:42
  spare
• 34:42
  pennies
• 34:43
  you
• 34:43
  can
• 34:44
  financially
• 34:44
  contribute
• 34:45
  to
• 34:45
  the
• 34:45
  upkeep
• 34:45
  of
• 34:45
  this
• 34:46
  podcast,
• 34:47
  you're
• 34:47
  under
• 34:47
  no
• 34:47
  obligation.
• 34:48
  This
• 34:48
  podcast
• 34:49
  is
• 34:49
  free
• 34:49
  and
• 34:49
  it
• 34:50
  always
• 34:50
  will
• 34:50
  be
• 34:50
  free.
• 34:51
  But
• 34:51
  if
• 34:51
  you
• 34:51
  do
• 34:52
  get
• 34:52
  value
• 34:52
  out
• 34:52
  of
• 34:53
  what
• 34:53
  I
• 34:53
  do,
• 34:53
  and
• 34:53
  you
• 34:53
  do
• 34:54
  enjoy
• 34:54
  what
• 34:54
  I
• 34:54
  do,
• 34:55
  there
• 34:55
  are
• 34:55
  a
• 34:55
  couple
• 34:55
  of
• 34:56
  ways
• 34:56
  that
• 34:56
  you
• 34:56
  can
• 34:56
  help.
• 34:57
  If
• 34:57
  you
• 34:57
  have
• 34:57
  the
• 34:58
  means
• 34:58
  to,
• 34:58
  and
• 34:58
  only
• 34:59
  if
• 34:59
  you
• 34:59
  have
• 34:59
  the
• 34:59
  means
• 35:00
  to,
• 35:00
  you
• 35:01
  can
• 35:01
  make
• 35:01
  a
• 35:01
  one
• 35:01
  off
• 35:01
  donation@verbaldiorama.com
• 35:03
  tips
• 35:04
  or
• 35:04
  you
• 35:04
  can
• 35:04
  go
• 35:05
  to
• 35:05
  verbaldiorama.com
• 35:06
  patreon
• 35:07
  and
• 35:07
  you
• 35:07
  can
• 35:08
  subscribe
• 35:08
  and
• 35:08
  become
• 35:09
  a
• 35:09
  Patreon
• 35:09
  supporter
• 35:10
  and
• 35:11
  all
• 35:11
  money
• 35:11
  made
• 35:12
  goes
• 35:12
  back
• 35:13
  into
• 35:13
  this
• 35:13
  podcast
• 35:13
  and
• 35:14
  pays
• 35:14
  for
• 35:15
  software
• 35:15
  subscriptions,
• 35:16
  website
• 35:16
  hosting
• 35:17
  or
• 35:17
  new
• 35:18
  equipment.
• 35:19
  I'm
• 35:19
  hugely
• 35:20
  grateful
• 35:20
  to
• 35:20
  the
• 35:20
  patrons
• 35:21
  of
• 35:21
  this
• 35:21
  podcast.
• 35:22
  They
• 35:22
  are
• 35:23
  Simon,
• 35:24
  Laurel,
• 35:24
  Derek,
• 35:25
  Cat,
• 35:25
  Andy,
• 35:26
  Mike,
• 35:26
  Luke,
• 35:26
  Michael,
• 35:27
  Scott,
• 35:27
  Brendan,
• 35:28
  Ian,
• 35:28
  Lisa,
• 35:29
  Sam,
• 35:29
  Jack,
• 35:30
  Dave,
• 35:30
  Stuart,
• 35:31
  Nicholas,
• 35:32
  so,
• 35:32
  Kev,
• 35:32
  Heather,
• 35:33
  Danny,
• 35:33
  Stu,
• 35:34
  Brett,
• 35:34
  Philip
• 35:35
  M,
• 35:35
  Xenos,
• 35:36
  Sean,
• 35:36
  Rhino,
• 35:37
  Philip
• 35:37
  K,
• 35:37
  Adam,
• 35:38
  Elaine,
• 35:38
  Kyle
• 35:39
  and
• 35:39
  Aaron.
• 35:41
  If
• 35:41
  you
• 35:41
  want
• 35:41
  to
• 35:41
  get
• 35:41
  in
• 35:41
  touch,
• 35:42
  you
• 35:42
  can
• 35:42
  email
• 35:42
  verbaldioramail.com
• 35:45
  you
• 35:45
  can
• 35:45
  send
• 35:45
  me
• 35:46
  hellos,
• 35:46
  feedback
• 35:47
  or
• 35:47
  suggestions.
• 35:48
  You
• 35:48
  can
• 35:48
  just
• 35:49
  email
• 35:49
  me
• 35:49
  if
• 35:49
  you've
• 35:50
  liked
• 35:50
  an
• 35:50
  episode
• 35:50
  in
• 35:51
  particular
• 35:51
  and
• 35:51
  you
• 35:51
  want
• 35:51
  to
• 35:52
  talk
• 35:52
  about
• 35:52
  it.
• 35:53
  You
• 35:53
  can
• 35:53
  also
• 35:53
  fill
• 35:53
  out
• 35:53
  the
• 35:54
  little
• 35:54
  contact
• 35:54
  form@verbaldiorama.com
• 35:56
  as
• 35:56
  well.
• 35:58
  But
• 35:58
  please
• 35:58
  feel
• 35:58
  free
• 35:59
  to
• 35:59
  get
• 35:59
  in
• 35:59
  touch,
• 35:59
  especially
• 36:00
  if
• 36:00
  you're
• 36:00
  interested
• 36:01
  in
• 36:01
  a
• 36:02
  potential
• 36:02
  grown
• 36:02
  up
• 36:03
  version
• 36:03
  of
• 36:03
  Kaiju
• 36:04
  next
• 36:04
  year.
• 36:04
  If
• 36:05
  that
• 36:05
  interests
• 36:05
  you,
• 36:06
  please
• 36:06
  let
• 36:06
  me
• 36:06
  know
• 36:07
  if
• 36:07
  there's
• 36:07
  anything
• 36:07
  in
• 36:08
  particular
• 36:08
  you
• 36:08
  would
• 36:08
  like
• 36:09
  to
• 36:09
  see.
• 36:10
  Most
• 36:10
  importantly,
• 36:11
  it
• 36:11
  has
• 36:11
  to
• 36:11
  be
• 36:11
  something
• 36:12
  that
• 36:13
  there
• 36:13
  is
• 36:13
  a
• 36:14
  history
• 36:14
  and
• 36:14
  legacy
• 36:15
  of
• 36:15
  available
• 36:15
  on
• 36:16
  the
• 36:16
  Internet.
• 36:17
  So
• 36:17
  some
• 36:18
  really
• 36:18
  random,
• 36:19
  obscure
• 36:20
  foreign
• 36:21
  monster
• 36:21
  movie
• 36:22
  that's
• 36:22
  not
• 36:23
  a
• 36:23
  big
• 36:23
  kind
• 36:23
  of
• 36:24
  Japanese
• 36:24
  Godzilla
• 36:25
  movie.
• 36:25
  It's
• 36:26
  probably
• 36:26
  going
• 36:26
  to
• 36:26
  be
• 36:26
  quite
• 36:27
  difficult
• 36:27
  to
• 36:27
  get
• 36:27
  the
• 36:28
  information
• 36:28
  on.
• 36:29
  But
• 36:29
  if
• 36:29
  there's
• 36:29
  something
• 36:30
  that
• 36:31
  is
• 36:31
  very
• 36:31
  big
• 36:31
  and
• 36:32
  is
• 36:32
  very
• 36:32
  accessible,
• 36:33
  please
• 36:34
  let
• 36:34
  me
• 36:34
  know
• 36:34
  and
• 36:35
  I
• 36:35
  will
• 36:35
  investigate
• 36:36
  it.
• 36:36
  And
• 36:36
  chances
• 36:37
  are
• 36:37
  it
• 36:37
  could
• 36:37
  pop
• 36:38
  up
• 36:38
  next
• 36:38
  year
• 36:38
  sometime.
• 36:39
  Who
• 36:39
  knows?
• 36:40
  And
• 36:41
  finally,
• 37:06
  Bye.