Latest / Flail to the Face: A "Compatible with Mörk Borg" Actual Play Podcast / Season One, Episode 1: Trapped Within Part 1: Does This Look Infected?

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Season One, Episode 1: Trapped Within Part 1: Does This Look Infected? · Flail to the Face: A "Compatible with Mörk Borg" Actual Play Podcast

• 0:01
  Greeting Scum, and Welcome to Foil to the Face, a compatible
• 0:05
  with Merck Board Actual Play podcast.
• 0:08
  My name is Christopher, but you may know me as Cannibal Chris.
• 0:11
  I am the primary GM for the World Standard, and I'm a GM
• 0:14
  this crap. Hello, I'm Levi.
• 0:17
  This is how you're gonna do this.
• 0:19
  Every. Every podcast.
• 0:20
  Of course. Got no other way.
• 0:24
  Hi, I'm Thomas and I am generally Monkey Moto on all the
• 0:29
  social platforms. I'm Kevin, and on all the
• 0:32
  socials, I am Iron Tusk. Mia Mohokovo, Spanish you.
• 0:46
  Was it I didn't catch? Any of that, No oblast thing.
• 0:50
  My God. Different what?
• 0:57
  He mentioned doing something different.
• 0:59
  Oh, do whatever you want. I didn't seriously think the
• 1:01
  language. You know.
• 1:03
  Yeah, that was wonderful. Anyways, yeah, what do you want?
• 1:07
  Socials Vaughn House. Yeah, I can't do that one in
• 1:10
  Spanish. There you go.
• 1:11
  Levi is Levi boozy, but don't talk to him.
• 1:13
  It doesn't matter. Yeah, you can mention him all
• 1:16
  you want, he won't respond. Nope.
• 1:18
  Nope, I'm not. By the way, my voice is that of
• 1:21
  mate. The role of mate on Twitter as
• 1:24
  well are most things. And a young boy.
• 1:29
  Youngest Oh shit, I am. Oh no.
• 1:32
  Are you boys ready for a flail of the face?
• 2:02
  So we are going to jump into for our very first episode, we're
• 2:05
  going to jump into Trapped Within, which is obviously a
• 2:09
  third party adventure written by our good friend Phillip Jensen,
• 2:12
  a fellow brother, husband. So we figured who better to kick
• 2:18
  off our our show dedicated to 3rd party content than one from
• 2:22
  one of our boys? Absolutely.
• 2:24
  So without further ado, this is trapped within.
• 2:27
  So the five of you have been seized 1 evening as King Fatmu
• 2:31
  of Schleswig attempts to rid the city of those he deems
• 2:34
  troublemakers. What?
• 2:36
  Who are the five of you and what have you done to get locked up?
• 2:39
  But what did you What would Fatmu have thought you 2 have
• 2:42
  done? That makes sense.
• 2:44
  That was tricky. Hello, it's me, Jake.
• 2:47
  And I am the desperate farmhand named Paul.
• 2:52
  Oh man. I went.
• 2:56
  I went fast so many times to it would never have occurred to me.
• 3:01
  The yields ever lower, the work ever harder.
• 3:05
  The pay what? Get back to work before I thrash
• 3:11
  you. Your bed was in the village.
• 3:13
  Hope you can afford rent. Meaning opportunistic, prone to
• 3:16
  fits, ever reliant on others. So what did you do?
• 3:20
  Well, what are you accused of? Why were you thrown into prison?
• 3:24
  I have a cynical hatred of land owners.
• 3:27
  So I'm a blue collar worker, you know, and I just really hate the
• 3:31
  guy that I was working for and I happen to be just smoking a
• 3:36
  spliff and that's like that motherfucker right into the
• 3:40
  field. It was a dry season.
• 3:42
  Ah. All right, so you're justifiably
• 3:45
  in prison. May or may not be.
• 3:49
  Arson. With a horse involved and never
• 3:53
  mind. You stop it.
• 3:56
  Just one. OK, well, good.
• 3:58
  That's good to know. So Paul the the desperate
• 4:00
  farmhand is in prison for farm arson.
• 4:04
  Arson. Farcson for that terrible joke.
• 4:06
  Nick, you're next. OK.
• 4:11
  I am General Cedric Balthazar. Give you some voices later.
• 4:15
  I'm not going to. I'm not going to spoil you in
• 4:17
  this. But I I'm a I'm a betrayed
• 4:20
  phantom. I I died falling on the
• 4:25
  battlefield and and my soul began to rot.
• 4:28
  Between Earth and the beyond. Something reached out.
• 4:31
  You took its bargain and it took your body.
• 4:33
  Now you're a shade alive again, half existent.
• 4:36
  Your second chance at life has denied you.
• 4:39
  And a Wraith. Now where's your skin?
• 4:42
  That's the reason I'm here. The.
• 4:44
  Murders. I'm looking, yes.
• 4:47
  I used to be a. Murderer.
• 4:48
  You're looking for your skin suit.
• 4:50
  Yes, you're super lucky too that, like as a murderer, they
• 4:52
  didn't just kill you, they threw you in prison.
• 4:55
  No, no, no. That's uncharacteristically
• 4:57
  lenient. This is no this is the
• 4:58
  difference. Yeah is that I'm looking for my
• 5:00
  body. I think it might be here but I
• 5:03
  needed to find a way in. But because I'm a phantom and
• 5:06
  semi incorporeal I. Hid inside of an ox that was
• 5:12
  getting impounded here with somebody else's cart.
• 5:16
  Wait, so. He's not actually imprisoned,
• 5:18
  no. Well, I'm sneaking into prison
• 5:22
  to find my body. That's cool.
• 5:24
  That's. Whoever's wearing your flesh is
• 5:27
  imprisoned. Maybe, but that's what I heard.
• 5:30
  They might not be. That's but I.
• 5:31
  Heard they were here. OK, so.
• 5:33
  How are you in the same cell with these guys?
• 5:36
  I mean, I could have. Literally just put it along the
• 5:38
  ox up. No.
• 5:40
  No, no, no. We got pushed to the impound
• 5:42
  lot. No.
• 5:43
  What? I'm saying is you could impound
• 5:44
  that shit. I can travel through wood,
• 5:47
  natural stone, or flesh. So if I just like traveled
• 5:52
  through here from the impound lot.
• 5:54
  I mean, that's like, well, well, that's a good idea on paper,
• 5:57
  like in theory, when you see like, what it is, it almost
• 6:00
  doesn't really. It will work, sure, but we gotta
• 6:02
  like. Twisted and stuff to make it
• 6:04
  work. No, I that's that's fine.
• 6:07
  But realistically, like I I I feel like I have a purpose to.
• 6:11
  I could easily have just transferred myself into a
• 6:14
  human's body. Oh, that's what we'll do then.
• 6:16
  You can be inside me. It's OK oh all at this.
• 6:19
  Oh. Yeah, that's right.
• 6:21
  You. Guys.
• 6:22
  That's good, that's actually. That's.
• 6:24
  Actually, good. OK.
• 6:25
  OK. OK.
• 6:26
  That's a perfect seg then into who was Levi, Yes.
• 6:28
  That's I was thinking, OK, cool, cool, cool.
• 6:30
  So on my. On my quest to find my body I I
• 6:35
  hear that there there there's a potential that they're inside
• 6:39
  this prison and I because I I like I said I am semi
• 6:44
  incorporeal and I can choose choose to pass through one of
• 6:48
  the following wood, natural stone or flesh.
• 6:52
  Which is are you picking flesh? And that's like it's a locked in
• 6:55
  choice, isn't it? It's not like you can just kind
• 6:57
  of. Talk.
• 6:57
  It doesn't. It doesn't say.
• 6:59
  If I have to choose one permanently, it's always gonna
• 7:02
  be Flesh Band Okay. We'll go with that then because
• 7:04
  it does say choose one, It doesn't give you, that's what
• 7:06
  the words I was kind of like reading out of.
• 7:08
  Yeah, yeah, So. I'm down to this role for it
• 7:10
  every day. I mean, I kinda.
• 7:12
  I don't hate that D. 3. I don't hate that.
• 7:15
  I mean, well today it's. Flesh.
• 7:17
  Fair enough. Honestly, Yeah.
• 7:19
  If you want to roll that during the, like, the stuff that
• 7:20
  happened at the beginning of the day, cool.
• 7:22
  I like. I don't really hate that at all.
• 7:23
  Yeah. I like.
• 7:24
  I like having extra little mechanics sometimes, Yeah, yeah.
• 7:26
  Anyway, I chose to smuggle myself.
• 7:28
  In through a very strange person, I'm sure.
• 7:34
  Salutations board. Oh, here he goes.
• 7:38
  I am a cannibal cook named. Fisk Baskins Wait, wait, you say
• 7:45
  fist Fisk Fisk Okay Fisk name fish.
• 7:50
  That's no. That's much better than fist
• 7:52
  fish name Fisk. Sure, Fisk started a successful
• 7:56
  food cart in the valley of the unfortunate undead.
• 8:00
  He is unreliable, belligerent, has a wooden peg leg.
• 8:07
  He likes to bite his fingernails.
• 8:09
  Who doesn't? And everyone else's.
• 8:10
  No. And he has very, you could say
• 8:14
  very predatory gaze towards people.
• 8:18
  Like what? He's a creeper.
• 8:21
  People don't like the way I stare at them.
• 8:23
  Yeah. Like a creeper.
• 8:25
  Yeah, would you describe it potentially as staring in manic?
• 8:29
  You could say that. Yeah, because the staring, manic
• 8:34
  gaze. That's it.
• 8:35
  What did you do to end up here? What did he do?
• 8:38
  Yeah. What are you at least accused of
• 8:40
  doing? I mean, what?
• 8:42
  Is your class. I am a cannibal cook.
• 8:45
  We. Understand that we understand.
• 8:49
  What would they have done? I was.
• 8:50
  Collecting food for my cart. Okay.
• 8:54
  Yep. That explains it.
• 8:55
  I suppose there's some kid, whether it be.
• 8:58
  Stale bread, fish or flesh? Yeah, limbs.
• 9:03
  Limbs my favorite. Brian's.
• 9:06
  And James here. Have some of these chicken
• 9:08
  fingers? All right.
• 9:13
  I will be playing. We met.
• 9:17
  We met. We met.
• 9:18
  We met I'm a. Anacone St.
• 9:23
  Late in life I saw the truth of the church and my story is still
• 9:28
  told as proof of the faith. I literally am a skeleton.
• 9:34
  I'm undead. I am charged with the care of a
• 9:38
  sacred relic, the Saint Karl's Chaplet of Everlasting Life
• 9:42
  beads nihilistic, and I have a staring manic gaze.
• 9:47
  So while I'm a skeleton, I'd like to imagine that I still
• 9:49
  have eyeballs in my sockets. Oh my Lord.
• 9:52
  Never blinking. Never blinking.
• 9:55
  I feel like that's kind of the default in that world.
• 9:59
  And last but not least, of course, Kevin.
• 10:01
  Oh yeah, before you do. We met.
• 10:03
  What were you he's done to get thrown into prison?
• 10:05
  Basically the fact that other people like to use me as an
• 10:09
  example of why faith is so important and the king didn't
• 10:12
  like the attention being taken away from him.
• 10:15
  Oh. Unjust look, it didn't crucify
• 10:19
  you. Complex back story.
• 10:22
  He tried. It just didn't take.
• 10:24
  Oh. Failed Crucifixion.
• 10:26
  That's a great band name. I'm I know how that goes.
• 10:29
  That was my one, OK. OK.
• 10:33
  And of course, Kevin. I am playing Scoots.
• 10:36
  He's the scorched Bedlamite. Kids scream when they see me,
• 10:41
  and I tend to scream back at them.
• 10:44
  I have one true passion in life, the flickering flame.
• 10:47
  Nothing relaxes all the voices in my head like watching people
• 10:51
  squirm as they feel my heated love.
• 10:56
  Why? That was weird.
• 10:58
  It what? Does that mean so?
• 11:00
  I feel like it's pretty obvious why you're in prison, but but
• 11:04
  very. Predatory.
• 11:07
  Animal wrestling? No, I'm actually in prison just
• 11:12
  for the fact that for many years I was an executioner's pet.
• 11:16
  Like just basically when he wasn't killing anything, he was
• 11:21
  taking his anger and. Eventfulness out on me so I'm
• 11:25
  covered in like scorched scars. Like you would just just burn me
• 11:30
  with scars until eventually I finally escaped, and after being
• 11:34
  on the run for who knows how long, I finally got picked up
• 11:38
  and was thrown in here to go back to the Executioner's grasp.
• 11:43
  Wow. What?
• 11:44
  Get serious, why don't you? Well, that's what it says in the
• 11:46
  paper. Did you write it?
• 11:51
  No, it came up randomly. Random.
• 11:58
  OK, those are all pretty randomly terrible people.
• 12:01
  Yeah, absolutely. Pretty good.
• 12:03
  Yeah, Quite a ragtag group now. Sorry, just before we go any
• 12:07
  further, just to let you know, I do have like, my eyes are cinder
• 12:11
  filled, so they're like they're just flamed.
• 12:14
  Not like allergies, but it's like on fire in my hands.
• 12:17
  Are constantly on fire as well so.
• 12:20
  Wow. Yeah, that's interesting.
• 12:22
  Don't touch me. Yeah, so I can't pick up
• 12:24
  anything that's flammable, and I can't read scrolls, but these
• 12:30
  hands are on fire. Warm rain wakes you up and your
• 12:42
  eyes struggle to focus. The only light is coming from a
• 12:45
  guard's head, which seems to flicker as he shakes his body,
• 12:48
  effectively stopping the foul smelling shower.
• 12:51
  A poster, a bed, rusty iron bars each other and darkness is all
• 12:56
  that surrounds you. The deafening silence is sliced
• 12:59
  apart by a frail voice coming from the cell next to you.
• 13:02
  Hey you guys, you see a hand out in front the cell that you guys
• 13:07
  are in. And you guys are all crammed
• 13:09
  into this cell with with one bunk, a skeleton.
• 13:13
  But I ran a dude and a guy on fire.
• 13:16
  I'm here. I'm a ghost.
• 13:18
  You had a ghost. Yeah.
• 13:19
  You were in a tiny rock cave, a smell of sulfur.
• 13:22
  The rusted bars in front of you, obviously.
• 13:24
  You you picturing, you're accurately picturing what this
• 13:27
  room is. Yeah.
• 13:29
  Yeah, the poster on the wall from a play of some sorts is Fat
• 13:32
  Moves. Redemption.
• 13:34
  What the fuck, Joe's? Two guys sitting on top of the
• 13:36
  prison. The bed looks like if two of you
• 13:39
  were to get in it together it would shatter and chamber pot in
• 13:42
  the corner, reeking almost as much as this.
• 13:44
  The hand that you see out in front of the bars, which is
• 13:48
  clearly well, you can barely see if you can probably see it in
• 13:50
  the flickering of of scoots like that's what you see or hear.
• 13:55
  So there's a poster of Fat Move on one of the walls.
• 14:00
  Yep, Yep, on the back wall. Of the cell I'm gonna walk up
• 14:02
  and I'm just gonna. Touch the poster and burn it.
• 14:06
  Okay. Not a fan.
• 14:07
  Not a fan. And as it burns up, you see that
• 14:09
  there is a hole behind it, A narrow hole looks like.
• 14:14
  Obviously it disappears in the darkness, but it looks big
• 14:17
  enough to crawl. Through I fucking knew.
• 14:18
  But barely bigger. Okay, Surprised at what I see.
• 14:22
  I'm just gonna kind of look around.
• 14:25
  Don't necessarily know any of these guys.
• 14:28
  And just kind of stand in front of it and try to kind of hide
• 14:31
  it, but not necessarily cross my arms because I don't want to
• 14:33
  scar myself up anymore, but just kind of like Ricky.
• 14:37
  Bobby, Yeah. I don't know what to do with my
• 14:41
  hands. I think that's the voice, damn
• 14:44
  it, all right? And just kind of stand there
• 14:51
  kind of in front of it and just kind of see what's going on with
• 14:53
  the with the hand coming through the bars as well and see what
• 14:55
  everyone else is doing. Judging by what you're seeing
• 14:58
  with the hand, it looks like it's somebody in the next cell
• 15:00
  over trying to wave at you guys. I'm going to stand up from the
• 15:04
  shitting pod. You're on it.
• 15:06
  And. Is that why it's also there?
• 15:09
  Yeah. This currently.
• 15:11
  I'm going to walk up to fucking scooter here.
• 15:15
  Oh no. What?
• 15:18
  What you found there buddy? Oh no.
• 15:21
  Well, don't necessarily rightfully know what I found by
• 15:24
  back behind me that. There's poster there and the
• 15:27
  touched it and then now it's gone.
• 15:31
  Nothing. Let's see here.
• 15:33
  What are you doing? I'm.
• 15:35
  Gonna, I'm gonna peer over, scoot shoulder and looking at
• 15:39
  the hole. What'd you find there?
• 15:42
  Flashlight. Oh, Oh yeah, that, that that was
• 15:49
  behind the poster hole in the wall.
• 15:53
  Why do we all sound like we're cousins?
• 15:57
  I have found myself in the wrong place.
• 16:00
  Who the fuck? Was saying and then I.
• 16:03
  Slowly, like like like Dracula fucking come out like phase out
• 16:09
  of like the under my spot. Oh, wow.
• 16:13
  I slowly phase out of. My laying body.
• 16:16
  Yes, you're laying. Body bed.
• 16:18
  But you're the one, yeah, So Fisk is on the bunk, and then
• 16:20
  you undertake your rolls out of them.
• 16:23
  That's pretty. Dumb Scoots is gullible.
• 16:26
  That's one of the bad traits that he pulled up.
• 16:28
  So this is just going to be like his soul is just reason out of
• 16:33
  this bot. What?
• 16:34
  And I'm going to start making for the hole you're?
• 16:37
  Going to crawl into the. Hole I'm going to crawl into the
• 16:39
  hole I I. Give me an agility test, oh
• 16:43
  DR14, first roll of the game. Oh, that's a 17 on the die.
• 16:51
  Damn. Very nice.
• 16:52
  Very. Good right away?
• 16:53
  Sure. So you crawl through this, this
• 16:55
  little earthen tunnel, and it takes a a gentle curve to the
• 16:59
  left, and you see on the other end of this a room.
• 17:04
  And when you smell this room before you see it, you barely
• 17:06
  lit by two torches in this foul rotting stench of dead bodies.
• 17:10
  You see in one corner a hulking, orkish executioner who seems to
• 17:16
  be working on something. I don't know.
• 17:19
  You see he's got giant ears, and you see the hair sticking out of
• 17:21
  them as you look around the room and you're like, what's he
• 17:23
  working on? Where is this place?
• 17:24
  You see a torture rack on one of the walls, and you see that the
• 17:28
  arms and legs are still chained in there, but there's no torso
• 17:31
  left. Does this executioner look
• 17:34
  familiar like the one I may have escaped from?
• 17:40
  Boy, complex backs of it. No, that's a good question.
• 17:44
  Give me a D2. On A2, he's you, recognize him.
• 17:48
  On A1 you've never seen him before.
• 17:49
  Ah, my. Favorite.
• 17:50
  Yeah, right. Let it leave a chance.
• 17:53
  I know him. You know, recognize him.
• 17:57
  You know this executioner as gizmo.
• 18:00
  Gizmo. Yeah.
• 18:02
  And you know, this guy is sadistic as fun.
• 18:04
  I mean, he delights and others pains.
• 18:06
  He wants to be left alone. And you know this.
• 18:09
  He works solitarily. And you know that he's better
• 18:13
  left avoided, but you also. Seeing Gizmo, I'm going to
• 18:17
  Scoots. Back.
• 18:19
  Into the room. All right, sounds good.
• 18:22
  That was a weird thing I just witnessed.
• 18:24
  Yeah, you eventually saw him go into there and then come back.
• 18:28
  He got real dark and then bright again.
• 18:32
  Is there no other light source in this cell?
• 18:33
  No, no, it's pretty. I mean, there is a red glow kind
• 18:36
  of coming out from like the outside of your bars.
• 18:38
  There's obviously like a common area between other cells and you
• 18:41
  can see vaguely across. If you were to look out
• 18:44
  yourself, you would see that there are three cells across
• 18:46
  this large elevator platform in the center of this room and
• 18:51
  there's like this red glow kind of coming from below it and this
• 18:54
  smell of sulfur and a lot of shit too.
• 18:56
  Cuz chamber thoughts Well. I eat a lot of grain.
• 19:01
  High Court diet. High fiber diet.
• 19:03
  So bad girl for your Human Torch that.
• 19:07
  Wasn't so good back there. I I no, I'd take my chances in
• 19:12
  here with you. Spooky fucking chamber pot boy
• 19:15
  and bone fella. What about me?
• 19:21
  You weren't even awake when I left.
• 19:23
  You're inconsequential. I look over to the other side,
• 19:27
  where the hands waving. Yeah, What's your story?
• 19:32
  Who me? You're talking to me now?
• 19:35
  Ask you guys a question and you guys just gonna did your own
• 19:38
  thing. Yeah, we did.
• 19:41
  Now you could just answer our question.
• 19:43
  Yeah, I know that's fair. My name is Anuk Schlager.
• 19:47
  I you know, I'm trying to get the fuck out of here.
• 19:51
  I think if we work together, that might be a possibility.
• 19:54
  You know, a thing or two that might help us.
• 19:55
  Maybe. You got one of these mysterious
• 19:57
  holes too in your sale. Like the one that's like, it's
• 20:00
  about big enough for your. Yeah, no, I don't have one of
• 20:04
  those. Oversized Glory Hole 4
• 20:09
  Undersized. I'm sure you don't want to rind
• 20:13
  out. It's on the other.
• 20:14
  Shark I. Kind of do.
• 20:16
  Well, Nuke, what's your idea? Well, give me a D8.
• 20:22
  I. Guess Throw three times.
• 20:24
  That's unfair. That's.
• 20:25
  Four on the die. That's the right question.
• 20:29
  You know an entrance. It might not be an exit.
• 20:32
  I don't really know if that helps you at all, but.
• 20:34
  Not a little beast. Oh well, you figured out.
• 20:38
  I'd like I know your name. How is it that you could have
• 20:43
  been down here for so long and not have any way out?
• 20:48
  Oh, you know. I forget for the most part.
• 20:50
  I mean, it's all hazy. Yes, you do seem quite useful.
• 20:54
  Principal Chris. Principal.
• 20:57
  Chris. Are there bed sheets?
• 21:01
  No, there is underneath Fisk here.
• 21:04
  He's kind of there is a jumble of bed sheets on this bed.
• 21:07
  I did not pee while pooping, so I'm going to pee on some bed
• 21:11
  sheets and try to do the fucking.
• 21:13
  Yeah, I love it. But the thing that was that it
• 21:21
  was supposed to be soap. Wasn't it?
• 21:24
  I think that was the thing in the movie.
• 21:26
  Was it? That it was silk.
• 21:28
  Why would they put silk? Why are you pissing on my
• 21:31
  bedsheet? I gotta well, for one, gotta
• 21:35
  pee. For two, I gotta get out of
• 21:38
  here. I'm claustrophobic and I got
• 21:39
  some fields to burn. As you pull this bed sheet off,
• 21:43
  like pulling it off them right? Oh yeah, well, he's still kind
• 21:45
  of laying there. I'm just pulling it out from
• 21:47
  under while pissing on it. Give me a D4.
• 21:50
  OK. Oh no. 3/3 As you do that, as
• 21:55
  you pull this bed sheet, a knife clangs to the floor.
• 21:58
  A dull, rusty knife. I'm gonna pick that some bitch
• 22:01
  up. Oh, and let it be known, you
• 22:02
  guys obviously aren't carrying any of the equipment on your
• 22:05
  equipment sheets, yeah. Damn it.
• 22:07
  I will say though, in retrospect.
• 22:09
  If you wanted to smuggle something in her head.
• 22:12
  Keister. You want a keister something?
• 22:14
  Yeah. You can give me retroactively,
• 22:17
  Dr. 12 presence test to have snuck something in when you were
• 22:20
  getting locked up. I would have had to make the
• 22:22
  Cannibal cook keister. You were the one on that, didn't
• 22:25
  you? Yeah.
• 22:26
  All right, we. Do that.
• 22:27
  Does my butt explode? No, I want.
• 22:29
  To see that it just. Failed.
• 22:31
  No, it's. Already you couldn't break the
• 22:33
  roof potentially days ago. There's no like way that the
• 22:36
  effect would probably still have.
• 22:38
  Unfortunately I wasn't able to keys to my Wellington's.
• 22:44
  Why it failed so hard? That's very hard to do.
• 22:47
  I'm going to. I'm going to have tried to make
• 22:49
  the cannibal cook for me. Ohh keister of ball team hammer.
• 22:57
  Then are you trying to keister something as well?
• 23:00
  OKI mean, I got. You don't have to put it in your
• 23:03
  ass. I mean, I got a 10 foot wooden
• 23:04
  pole. OK, so there are certain things
• 23:09
  where it's like, I'm gonna sneak this in, I'm gonna say, well,
• 23:12
  that's gonna raise the Dr. a lot higher, and you have to justify
• 23:16
  how you're possibly doing that. I mean, I could have his his
• 23:23
  hammer in my waistband. You monster.
• 23:27
  I want. I want my broad axe.
• 23:30
  God. Yeah, your.
• 23:31
  Broad axe in your waistband, I mean.
• 23:35
  Chris, I'm gonna say you did say you were very specific about
• 23:40
  smuggling, not Keister in this world.
• 23:42
  And I think I thought right away he's like Broad Axe.
• 23:47
  Yeah, yeah, yeah, I know we did. You're right.
• 23:51
  OK. Well, OK.
• 23:51
  So I want to say it's. Under my apron.
• 23:54
  DR12 Presence for for hiding the ball peen hammer, but for hiding
• 23:59
  a broad axe under your apron. That's like, I'm just gonna call
• 24:02
  that like a six. Eighteen's pretty high, but.
• 24:04
  How wait, how big is a broad axe?
• 24:06
  Yeah, how big is this broad axe? Look, give me.
• 24:09
  Like my check broad? No.
• 24:11
  Covered by my apron. You know what?
• 24:12
  That makes a lot of sense, I guess.
• 24:14
  How much it'd be harder. All the 14 not only make it too
• 24:17
  much harder. How much damage?
• 24:18
  Does it do? D6.
• 24:20
  Okay. So it is like a bigger, a little
• 24:21
  bit bigger weapon, so. 16 feels right.
• 24:24
  What do you think? Can you do it?
• 24:26
  Do you think you can do it? Let's find out.
• 24:28
  That's a 17 I got. It.
• 24:31
  Geez. I get the.
• 24:31
  Feeling they didn't frisk you very well.
• 24:34
  Yeah, they did not give a fuck. They just grabbed you by their
• 24:36
  shoulders and tossed you in a wagon probably.
• 24:38
  Let me see if I could smuggle in his hammer for him.
• 24:40
  Yeah, I'll also 17 in one. Yeah, nice rated.
• 24:44
  Die. What's my one?
• 24:45
  Your presence plus one. So it's actually higher than
• 24:47
  that. Yeah.
• 24:48
  Nice. All right, well, never mind.
• 24:50
  All right. What about you two guys?
• 24:52
  We smuggled in the sacred relic that he's been charged with
• 24:57
  taking care of, which was the string of beads.
• 25:00
  So yeah, they're basically anal beads now.
• 25:02
  So okay. So since that's such a sound
• 25:07
  explanation, no way they're gonna find.
• 25:09
  Yeah, no tests. Not only that.
• 25:12
  Like what it is is your holy relic.
• 25:14
  Your character's built around this.
• 25:16
  There's no way you're not gonna smuggle that and be successful,
• 25:18
  right? And the best part about it is
• 25:21
  I'm still a skeleton, so it's just like a.
• 25:27
  Rattling around in your waist. Yeah, so they're just like
• 25:30
  rattling around as I walk. All this has a rosary in it.
• 25:35
  Belly chain. I didn't seem so innocuous.
• 25:42
  I imagine they just didn't take it.
• 25:44
  That's wonderful. About you, Scoots.
• 25:47
  So what's that? How?
• 25:51
  Do you smuggle anything with these hands?
• 25:52
  Hold on to hide this. OK, so Scoots has a necrotic
• 25:57
  hole in his leg that whistles when he walks.
• 26:00
  So if I could I would like to hide this crowbar that I have in
• 26:07
  my leg through this necrotic. Hole dude.
• 26:10
  It's like RoboCop with his thighs.
• 26:11
  I. Was the other day.
• 26:15
  And then possibly, like like seal it with my my burning hand,
• 26:20
  just you know. Yeah, yeah, yeah.
• 26:21
  Just that's a. Good.
• 26:22
  Explanation. I don't want to make you roll
• 26:24
  for that either. Okay.
• 26:25
  Well I rolled a natural 20 anyways either way.
• 26:27
  So don't worry. About it.
• 26:30
  All right, so excellent. So 4th forwarding back into the
• 26:34
  back to the present. I rolled A3 on that D4.
• 26:38
  Oh, yes, that was the rusty knife.
• 26:39
  Yep. Oh.
• 26:40
  Yeah, OK. I just needed to remember what
• 26:42
  the hell the weapon was. Oh, did you sluggle something
• 26:44
  and I can't? Remember.
• 26:45
  No, I got a natural one. That's right.
• 26:47
  Oh. Yeah.
• 26:49
  That's right, the Wellingtons. OK, so while you made-up for it
• 26:52
  by finding a knife, Yeah, I guess nobody's claimed.
• 26:54
  It's just on the floor. It clanged.
• 26:56
  What? Is it for D?
• 26:57
  4D four Yeah, the dull rusty knife.
• 26:59
  All right, finished pissing on that sheet there, and we'll
• 27:03
  twist it around with this. And I pulled my broad axe.
• 27:06
  The leverage? That's wrong.
• 27:07
  With you people. That's actually.
• 27:09
  Clever. All right, I'm gonna take this
• 27:12
  piss sheet and fucking wrap them around the bars and I'm.
• 27:15
  I have my. Way out of here.
• 27:16
  Yeah, I'm gonna twist it around. Okay.
• 27:18
  That's such a good idea. I just wanna say that you guys
• 27:21
  do that and you start twisting and you hear the bars groaning
• 27:24
  and they're rusty and. You could probably have given
• 27:26
  them a swift kick even, but this definitely works.
• 27:28
  And then they bring them right out of like the where they're
• 27:31
  set into the stone. It just crumbles out of there.
• 27:34
  And those two bars that you were pinning together, they just
• 27:37
  crumble and fall. Beautiful.
• 27:39
  That went better than expected. Smooth black butter.
• 27:42
  You ever think of that, you weird old bastard?
• 27:45
  Pissing on shit? No, no, that never really
• 27:48
  occurred to me. Now do me.
• 27:50
  He's standing. He's in the cell next to you.
• 27:52
  I give it a kick. And then, yeah, the crumble and
• 27:56
  fall. And no, yeah, that definitely
• 27:58
  worked. How long?
• 28:00
  Is this? Guy retract.
• 28:02
  You see him too. You see that This guy is is so
• 28:04
  frail and disgusting. It looks like his skin is
• 28:07
  constantly moving as you guys get closer.
• 28:09
  The the ambient lighting of the the Red and and of Scoots.
• 28:12
  Yeah, the Human Torch. You look like a bag of bird
• 28:16
  bones filled with maggots. Covered in maggots.
• 28:19
  Look and you as he gets closer. You see, yeah, this guy is like
• 28:23
  crawling with maggots endlessly. Damn.
• 28:25
  You are absolutely disgusting. Damn, I fucking called you out,
• 28:29
  boy. You did, Yeah.
• 28:32
  You nailed him on the head or hit the nail on the head.
• 28:34
  Made it nail. Just nailed in my head.
• 28:36
  Well, mites. I do have a hamper.
• 28:42
  So as they're doing the whole ripping the bars off and talking
• 28:46
  to this guy, I'm gonna actually pick the necrotic scab that I
• 28:49
  cauterized with my hand. Off.
• 28:51
  So I can pull the crowbar out of my leg and then cauterize it
• 28:55
  again. Just unzip it and zip it back up
• 28:57
  again. Why did that sound like Velcro?
• 29:03
  It's a gift kind of case. I can tell.
• 29:07
  Can you add that sound? Just no.
• 29:10
  Or even better, it's like just pull it back just enough to pull
• 29:14
  it out and then just seal it back over instead of pulling the
• 29:16
  whole scab off, yeah? Just the flap.
• 29:18
  He's the. Ghost dude, All right.
• 29:20
  Old. Timer.
• 29:21
  Yo-yo, what's the way? Shit, come on, you've got to be.
• 29:26
  Where's the supplies at? Supplies.
• 29:28
  I need my pole I. Don't know what you're talking
• 29:30
  about. Supplies.
• 29:31
  Kitchen. You mean you haven't thought
• 29:33
  this far ahead? What?
• 29:35
  You mean you haven't thought this far?
• 29:37
  You didn't think you're gonna get out of here?
• 29:39
  No, no, no. You're like the 15th person I've
• 29:42
  asked, but I remember, so there's probably a lot more.
• 29:46
  I'm not looking to get out of here anyway.
• 29:48
  You're not, no. What are you?
• 29:50
  Like you work here. I haven't seen you around.
• 29:53
  As you can probably tell from the fact that you can see, what
• 29:58
  is your name, boy? Oh, what?
• 30:00
  What's your name, boy? I'm Paul.
• 30:03
  As you can tell, and I kind of just scoot over, you can see him
• 30:07
  through me. Didn't notice.
• 30:09
  Yeah, well, now you can. How's all that gloss in your
• 30:13
  eye? Or yeah, the shards of glass
• 30:15
  that are in your eyes. Let's cataracts.
• 30:18
  Regardless. You're very foggy.
• 30:19
  I'm here to find my body. Well, you can follow us while
• 30:24
  this maggot covered Cake over here shows us the way out.
• 30:28
  I might as well. Yeah, yeah.
• 30:30
  No, that's a good idea. You know, we might want to get a
• 30:32
  little move on, though. The guards come around here, oh,
• 30:35
  like twice an hour clockwork, but it seems like happens twice
• 30:38
  an hour. What?
• 30:40
  No. Yeah, well, it happens so
• 30:41
  frequently it's hard to forget it.
• 30:43
  That's a lot of things. Suspect that.
• 30:47
  Makes so much sense, though, Doug.
• 30:49
  Like if he's an Alzheimer's patient, like constantly
• 30:50
  reminding him of this thing will keep him keep it fresh.
• 30:54
  So yeah, this again. So we Met's gonna walk.
• 30:59
  Out through the hole that we created, Stepping over the
• 31:01
  puddle that was probably like ripped out from all the clothing
• 31:06
  being run out. Yeah, yeah, puddle and looking
• 31:11
  at the anak and just add. Which way do these guards come
• 31:16
  from? Over there and he points to the
• 31:18
  north. And to give you a little bit of
• 31:20
  a SIT Rep now that you guys are in this prison ward proper, this
• 31:23
  is a large rock opening. It reeks again of sulfur and
• 31:26
  it's clearly coming from below and in the center of that room,
• 31:28
  in this room, you see that there is like an elevator or a lift
• 31:32
  rather in the floor and it's connected to a chain which is up
• 31:35
  to a pulley, goes to the ceiling and then the chain disappears
• 31:38
  down that corridor or that tunnel to the north.
• 31:41
  Above that tunnel opening is a large statue of fat move looking
• 31:45
  down at you. You guys came from, I guess what
• 31:48
  would be the east? There's three cells there.
• 31:50
  The one that you guys were collectively huddled in with
• 31:53
  northeast corner of that of this ward.
• 31:56
  A nuke was in the central eastern one, and then there was
• 31:59
  one beyond him as well on the other side of his cell from
• 32:02
  yours. That makes sense.
• 32:03
  Yeah. Yeah, Okay.
• 32:04
  And then along the South cell, you see that there are three
• 32:07
  more, or the South wall of this ward, there are three more
• 32:10
  cells. And along the W wall there are
• 32:12
  three more as well. You do see in the West cells,
• 32:15
  each one of them contains A prisoner and all three of them
• 32:18
  are kind of just sitting on their bunks.
• 32:19
  They're not really giving you guys a whole lot of attention.
• 32:21
  They're kind of just hard to tell if they're even awake or
• 32:23
  alive or what. But and then in the South, you
• 32:25
  see that that's pretty much the case for one of them.
• 32:28
  The other two are completely empty from what it looks like.
• 32:31
  Right when it's then gonna grab one of the bars that we've
• 32:36
  broken free and it's makeshift club for now.
• 32:39
  There you go, that's. Very smart, yeah.
• 32:41
  I'll call that a D4 damage for like an improvised weapon.
• 32:44
  Nice. All right.
• 32:45
  Very good. Right.
• 32:46
  So I guess we just choose a way and start going.
• 32:50
  I mean, there's really only one way out of this room that's not
• 32:52
  into another cell. So I.
• 32:55
  Guess. Lead the way, old man.
• 32:57
  All right. Well, let's go.
• 32:58
  And as he starts leading the way, you see a light coming down
• 33:02
  from that corridor to the north, and somebody gives me a D4.
• 33:07
  Anybody. Prepare yourselves, gentlemen.
• 33:11
  Do it to Tom. Go for it, Tom.
• 33:13
  We got a one. A1 You see a single guard.
• 33:16
  Good. Good.
• 33:17
  Yeah, right. And you see he's familiarly a
• 33:21
  Wick head, but he seems different.
• 33:22
  Does he look wealthy? Is that what's different?
• 33:25
  No. OK, why do you care?
• 33:28
  You'll find out tearing a knife, but you see that his other arm
• 33:31
  is 3 times longer than it should be and it's just kind of
• 33:34
  tentacle. Nearly what the yeah.
• 33:36
  There's poor unfortunate soul. Why don't you go over there and
• 33:40
  spook him, get him out of here? At this point, he's right on you
• 33:43
  guys. He sees you and you just hear
• 33:46
  this voice, this the voice you've never really heard one of
• 33:49
  these guys talk necessarily or maybe you have yells out to you
• 33:51
  guys. No.
• 33:55
  And I stab him in the neck, OK. Let's roll initiative, yeah?
• 34:01
  OK. I just want to do the whole like
• 34:03
  just a D6, you know? Is that what you guys want to do
• 34:05
  or you guys want to do? OK.
• 34:06
  It's just it's so much quicker, yeah.
• 34:08
  Absolutely. Who wants to roll?
• 34:10
  Anybody. I'll roll, I'll do it.
• 34:11
  Oh, I got a four. A four.
• 34:12
  That's wonderful. I do, you guys.
• 34:14
  So you said you're stabbing him in the.
• 34:16
  Neck. Stab him in the neck.
• 34:17
  We'll let it open with that, then go for that role.
• 34:19
  Give me a Dr. 12 strength. It's a 5.
• 34:27
  It's a five. Yeah.
• 34:28
  Yeah. How many women you have One.
• 34:30
  You have one. You wanna use it?
• 34:32
  Nah. Okay, moving on to the next guy
• 34:34
  who wants to do something else. This.
• 34:36
  Yeah, So Paul goes this as he lunges at him with this knife.
• 34:40
  He just really misjudges his distance and lunges short.
• 34:44
  Like way too short. Like 2 feet too short.
• 34:47
  It just looks awkward. Yeah, however.
• 34:50
  You can end up here like that. All right.
• 34:53
  And you're gonna wind up this, this rusty bar and taking a
• 34:57
  swing, gonna knock the piss out of him, all right?
• 35:00
  You get our 12 strength. Nope.
• 35:04
  No, it's. Okay, yeah.
• 35:06
  Yeah, just. He sees you coming, and as you
• 35:10
  make this wide archy swing, he ducks underneath it.
• 35:13
  Three of you left. Seeing both Paul and I didn't
• 35:19
  get Tom's fricking. Mom.
• 35:20
  Bat. Weemit.
• 35:22
  Weemit. Weemit.
• 35:24
  Yeah. Weemit.
• 35:24
  I'm seeing Paul and Weemit. Miss.
• 35:26
  I'm gonna go ahead and just grab him and just punch him right in
• 35:29
  his Lantern head. Being as my character Scott
• 35:33
  Finger licking fire, it says your gnarled hands are
• 35:37
  constantly wreathed and fire deal D 4 + 2 unarmed damage, one
• 35:43
  in six chance of enemy Catching Fire dealing D4 damage the next
• 35:47
  round as well. And then I can't hold anything
• 35:49
  Flamboy no scroll, so I'm just going to grab him by whatever
• 35:53
  color he's got and I'm just going to try to bash in the
• 35:55
  Lantern head he's got, OK. Sounds good.
• 35:57
  So give me that deer 12 strength.
• 35:59
  That's nineteen of the die and the plus one.
• 36:01
  That's 20 dirty. Okay.
• 36:04
  Give me a D6 as well in the rest of all that.
• 36:07
  Okay, so D6 first. Yep, Yep.
• 36:10
  This is. HP.
• 36:12
  That's a 5A. Five Okay.
• 36:14
  And so it's a D 4 + 2. So that's three okay.
• 36:18
  And then I got a one in six chance that he's on fire.
• 36:21
  All right, so he. Is not.
• 36:23
  Okay. Very good.
• 36:23
  So, yeah. He punch his glass face because
• 36:26
  these guys are essentially a Lantern for a head and you
• 36:28
  shatter the glass, but it's you spider web the glass and he
• 36:32
  doesn't go down, but you see in the knees buckle from the pane.
• 36:36
  That hurts. Pane.
• 36:37
  I'll give you the window pane. All.
• 36:42
  Right, that's Cedric and Fisk because still get to act.
• 36:47
  General about facility, whatever.
• 36:51
  Here you go, ghost. A boy and I just drop his hammer
• 36:54
  on the ground. I'm.
• 36:55
  I'm just going to stay propped up over here.
• 36:58
  You could have had this with me. I guess that's not exactly
• 37:01
  obvious, but. You literally came out of my
• 37:05
  body. You released body released.
• 37:09
  Body relaxed, body oh. My God said when he was going
• 37:13
  into him, yeah. Hell with it.
• 37:16
  I guess we're going to leave this place more piss filled than
• 37:20
  we started. And I grabbed the I grabbed the
• 37:22
  hammer and I just fucking swinging at this dude's bladder.
• 37:26
  No. Wow.
• 37:27
  Geez. We.
• 37:30
  Are 12 strength and. Then right.
• 37:34
  What a Dick. Move almost literally.
• 37:39
  Oh yeah, baby, that's a 19. Oh, very good.
• 37:42
  OK, give me damage. Yeah, it's only a D4, so we'll
• 37:45
  see. Right there, that is a four
• 37:47
  baby. 4. Nice, this is.
• 37:49
  These things are so hard to read.
• 37:50
  Why did I paint them this way? I don't know.
• 37:52
  God. So dumb, but yeah, you get them
• 37:54
  square in the bladder and right. Like what?
• 37:57
  Exactly where you're aiming and you just see his robes.
• 38:01
  I guess he's wearing and just darkened.
• 38:04
  That was over in pain. And this weird whale.
• 38:07
  That's nasty. He's not dead, but I will say
• 38:10
  he's on death's door. It is just oh, you guess what?
• 38:13
  You dropped the hammer for him. That was his turn.
• 38:15
  Now somebody give me a D6. Let me know what it is.
• 38:20
  I'm playing to my strengths here.
• 38:22
  I'll roll it a six. Okay, he runs.
• 38:29
  He just. Tale and just books it down the
• 38:32
  way he came, which as you guys, you guys are kind of in the
• 38:35
  opening of this cavern out of this ward, right?
• 38:38
  And you can see that it does go left and right.
• 38:40
  And the weird thing is though you guys are still in the ward,
• 38:43
  right? You guys have this little.
• 38:44
  May lay in the war because he kind of breached out into this
• 38:47
  room and breached and he just counted wrong.
• 38:52
  And yeah, he ran back into the tunnel and he saw that he took a
• 38:55
  quick left. Looks like I scared the piss out
• 38:57
  of him. You know, just for that.
• 39:00
  I'd say so. Odd.
• 39:03
  Well, which way there, Anik? Well, I heard once I'm kind of
• 39:07
  law. Don't even say it.
• 39:09
  We know the law. I know the kitchen is that way.
• 39:12
  That's probably where he went. Probably hungry.
• 39:14
  I'd like some cabbage. Follow me into the bride.
• 39:18
  I had a ride. You pass.
• 39:24
  OK, so as actually as you guys get into this little this
• 39:27
  pathway here, you notice it's tall, it's breezy, and there's
• 39:30
  like this subtle scratching sound coming from the walls as
• 39:32
  you guys are in this, there's a strange darkness in here.
• 39:36
  Now here's something I'm very confused about.
• 39:38
  OK, so you have the ever burning hands and stuff right there.
• 39:42
  Yes, I do. This darkness in here, it's very
• 39:44
  weird. The ceilings are lined with
• 39:47
  geodes and you can see these geodes that as you guys are
• 39:50
  talking, as you guys are walking in there, you see that it's as
• 39:53
  if like when the sound waves hit these geodes, they emit a flash
• 39:56
  of light. But it also says flames entering
• 39:59
  this space are instantly extinguished into a puff of red
• 40:02
  smoke. Now does that apply to your
• 40:04
  room? Not.
• 40:06
  You're. Probably burning for the time
• 40:08
  that he's in there, that's. What there's time in.
• 40:09
  Forever right, I would assume. Wild.
• 40:12
  No. The only reason that makes me
• 40:13
  like, oh, what is it this or this is because that class that
• 40:16
  he's playing is in this book, right?
• 40:18
  Guys go together as like, hey, this is the thing that like
• 40:21
  makes it through these things that turns flame off or it is it
• 40:24
  or is it also one that gets turned off as well?
• 40:26
  I. Also idea.
• 40:26
  What's the description ever burning?
• 40:28
  It is my gnarled hands are consistently wreathed in flames.
• 40:32
  So. Consistently reads in flame.
• 40:34
  OK, here's a question then. Consistently.
• 40:36
  In other words, they they don't turn off.
• 40:38
  Right, I was just actually. Here's the question then.
• 40:41
  Is there a mechanic inside of this area for any reason that
• 40:45
  would be advantageous for him to have flaming hands?
• 40:48
  Because I feel like then it would make sense, especially I
• 40:50
  mean it keeps you losing visibility.
• 40:52
  Well that's. Kind of.
• 40:53
  The only thing I'm seeing is like, what are you losing by
• 40:56
  losing? That.
• 40:57
  Pretty. Much I thought it could be
• 40:58
  either. Way.
• 40:59
  Yeah, I'll actually let you decide then considering it's
• 41:01
  your character and the flaming hands is kind of your situation.
• 41:07
  Is that something that? As you enter this room, do your
• 41:10
  hands go out as well? Well, if it says that any flames
• 41:14
  are extinguished, yeah, I would say they would.
• 41:17
  But would they reignite after leaving this area?
• 41:21
  I would assume the. Same, I would assume.
• 41:23
  So yeah, it's like almost like a like a like a damper.
• 41:25
  Yeah, like, OK, does it eat? In here.
• 41:27
  OK, so my my eyes glow as well. So then my eyes would would
• 41:31
  extinguish, my hands would extinguish, and then I just
• 41:33
  have. Your Dick while peeing now?
• 41:36
  Yeah. Masturbated so many years.
• 41:42
  Please give me a minute. Now my Dick is the only thing
• 41:44
  burning so. I need to go back to the cell
• 41:47
  and then immediately look nice again.
• 41:49
  We all know he's a fire crotch. It's.
• 41:54
  All the same, brother. Anyways, so yes, getting back to
• 41:58
  it, I would say probably they would extinguish as we're
• 42:01
  getting into this area, but probably reignite when leaving.
• 42:05
  That's perfect. I like that.
• 42:06
  OK, so also you moving on then the walls in these in this
• 42:09
  pathway are pocketed with these fist sized holes.
• 42:13
  You also see that that chain that was coming from the
• 42:16
  elevator comes down against the, the northern wall of this
• 42:19
  pathway. This pathway runs essentially
• 42:22
  east to West, but you came out into the from the South into the
• 42:25
  center of it. You know what I mean?
• 42:27
  OK, OK. I think that's clear.
• 42:29
  So like AT. Section to it then.
• 42:31
  Yeah, absolutely. Yep.
• 42:32
  OK. Has this fire come back already
• 42:34
  at this point? Well, you guys are currently in
• 42:35
  this thing, I would say that. Still.
• 42:37
  Geodes and stuff. Yep, Yep, this entire pathway.
• 42:39
  OK And actually at the West End of this, you see a wooden door.
• 42:43
  And on the East End of this, a heavy iron door.
• 42:47
  Also you notice there's this strange flickering purple, hazy
• 42:52
  white emitting from this super quick and rabbit of some sort.
• 42:56
  It keeps seems to be jumping from hole to hole in those weird
• 42:59
  fist sized holes. What the hell?
• 43:01
  A rabbit? It's a cabbage rabbit.
• 43:03
  Seems like. I hate Cabots.
• 43:07
  Look that right. Boy that turned off, he's got a
• 43:10
  crowbar. He could open that big old iron
• 43:12
  door. Speaking of, that does seem
• 43:14
  quite familiar. Why is it that you are on fire?
• 43:19
  I don't know. It's been such a long time since
• 43:23
  I've been on fire. I don't remember a time when I
• 43:25
  haven't been. This is the first time I've
• 43:27
  actually seen my gnarled ass. These are terrible.
• 43:30
  My God, these are God awful. You.
• 43:34
  Could really use a manicure. Maybe some lotion?
• 43:37
  I have something I don't know. Anyways, there's a cabbage
• 43:42
  rabbit. Someone says I'm not sorry, I'm
• 43:43
  just focused on the fact that I'm not on fire at the moment.
• 43:47
  I'm just curious, you're not touched by the sudden child, are
• 43:50
  you? Not that I'm aware of, but I
• 43:52
  mean. The executioner just kept, He
• 43:55
  just kept me. I don't know, I just kept.
• 43:58
  He just had me on lighting stuff on fire.
• 44:00
  Oh, start the stove and, you know, go and start the the
• 44:03
  fireplace and burn that guy to the ground.
• 44:06
  Yeah, I just, I just constantly been on fire.
• 44:08
  I haven't. I don't remember a time when I
• 44:09
  wasn't. But he actually asked you to
• 44:11
  burn a guy to the ground? I turned backs.
• 44:13
  It's pretty dope. Why are you speaking?
• 44:15
  What? That's what I thought.
• 44:17
  I wasn't hearing anything either.
• 44:19
  I checked out after Knocked Sun things.
• 44:22
  What? I need to know now where are we
• 44:26
  going. I can, generally speaking, I can
• 44:29
  use you people let. Me give you a D6.
• 44:32
  I'll roll one. Do it, Paul.
• 44:34
  There. You go.
• 44:38
  Refuses to use it. Two.
• 44:40
  Okay. Carry on.
• 44:41
  Fuck. Well, we maybe we should chase
• 44:43
  that white rabbit over there, you know?
• 44:45
  And I kinda. You know what I'm saying?
• 44:48
  What the fuck was that? I know what she's talking about.
• 44:51
  I'm in brother. I reach up for a high 5.
• 44:54
  Okay then, and I start nibbling on his fingernails.
• 45:01
  He just he high fives, grabs the hand and folds it in.
• 45:08
  Yeah, I appreciate the sustenance.
• 45:11
  Let go, please, before I stab you in the neck.
• 45:13
  It's like baby fish, you obviously.
• 45:16
  Oh my God. To.
• 45:19
  My character, I fucking bite fingernails.
• 45:21
  I'm. Gonna tell you right now, dog,
• 45:23
  you are just. You are the best of us.
• 45:26
  Holy shit. Oh, sorry, I usually ask
• 45:31
  permission first, but this didn't seem like the case.
• 45:35
  Yeah, you know what? I'm gonna.
• 45:37
  I'm just gonna boot him right in the gut and kick him off me the.
• 45:40
  Fuck are you guys doing? He's fucking knock.
• 45:44
  He. Won't stop touching my hands and
• 45:46
  sucking on my fingers. I think they're flirting.
• 45:48
  It's weird. You gotta don't put hand.
• 45:50
  And. Don't put your hands in places
• 45:52
  that you don't know. And as he does that he puts his
• 45:53
  hand into one of these holes. Something Give me a D4 and a D8.
• 45:59
  Oh my God, fuck that. I'm hanging out with the
• 46:01
  skeleton. I got a 2.
• 46:03
  You got two? Okay.
• 46:04
  I got a three. All right, so three.
• 46:06
  That is how much hit points a nuke has.
• 46:08
  No. And two, that is how much damage
• 46:14
  he pulls his hands back with a fucking stump.
• 46:17
  But when those goddamn rabbits spit my hand off, fuck.
• 46:20
  Well, yeah, looks you got a bunch of little damage hands
• 46:23
  going on. What does that mean?
• 46:25
  You're bleeding. Fucking wrinkled.
• 46:27
  Can I even do? I could still bleed.
• 46:28
  You flaming. What's your name?
• 46:32
  What's? What the fuck are your name?
• 46:34
  Scoots. His name was He said it.
• 46:38
  Yeah, what he said. Turn your turn your fire back
• 46:42
  on. I would.
• 46:44
  Come on, flame on now. I'd say I wish I could, but
• 46:48
  frankly, it's the first time I've seen my hands and they they
• 46:51
  they look God awful. I mean, not nearly.
• 46:55
  There, Robin. Don't you know his bleeding
• 46:59
  stuff of an arm? Literally rub it in.
• 47:02
  But you literally rub it in. That's what I mean.
• 47:04
  I didn't mean like you're adding insult to.
• 47:09
  So we've we've it's gonna walk over to Scoots and just like
• 47:12
  slap him in the face a little bit, just.
• 47:14
  Turn it back on. OK.
• 47:19
  He's. Swing from his non man, yeah.
• 47:22
  He's. He kind of forgets it's not
• 47:24
  there and he would have got your right in the cheekbone.
• 47:26
  No, it's just. Fandom wrist syndrome.
• 47:32
  Yeah, he got the bad Flint totally done immediately, too.
• 47:36
  I I wish I could. There's nothing I didn't do
• 47:40
  that. I didn't choose this.
• 47:41
  I mean, I did. I'd say it's nice to see my
• 47:43
  hands, but I'd rather see the flames.
• 47:44
  These are fucking terrible. Can we get the fuck out of here?
• 47:46
  This is. I don't want to be in this place
• 47:48
  no more. There's rabbits eating fucking
• 47:49
  hands and you guys are baking about like.
• 47:53
  People who bicker about or what can we go?
• 47:57
  Yeah, I'm pretty much already over this incident.
• 47:59
  Let's go. Yeah.
• 48:03
  And as he's walking to, you see that Megan's are constantly
• 48:05
  falling off of him, but as they do, they're just like racing to
• 48:08
  catch up with him again. Oh, weird, that's.
• 48:11
  Awesome as we walks by the the hole that took his hand.
• 48:15
  Like I'm gonna jam my bar in there to see if I could, like
• 48:18
  either hit the rabbit or maybe recover his hand.
• 48:22
  I like that. Okay.
• 48:24
  Give me a D62A2 perfect, and then give me an HM.
• 48:32
  You're trying to catch the rabbit, essentially, with the
• 48:34
  stick, right? I'm trying to hit the rabbit or
• 48:36
  hit. The rabbit.
• 48:36
  Or at least knock it so I can get the hand back and throw it
• 48:40
  at Anna. Okay, give me I guess agility.
• 48:43
  You're trying to get the hand out of there, Okay.
• 48:44
  So yeah, the hand, it's confusing because there is
• 48:46
  something in there. But is that hand still in there?
• 48:49
  That's the question. So I got yeah, no, you know
• 48:54
  what? I mean, like, it's rare.
• 48:56
  Oh boy. Okay, Give me, I guess, an
• 48:59
  agility test. We'll call it Dr. 16.
• 49:02
  Yeah, that's no, I got a three. Okay you.
• 49:05
  You did find some mass of some sort as you poked it in there
• 49:09
  and you pull it out and you skewered his hand, just because
• 49:12
  it's probably so soft and squishy, yeah.
• 49:15
  So it's like I'm gonna just hold it out like a carrot on a stick
• 49:20
  towards him. Here you go.
• 49:23
  He winds his wrist back up with the where it should go.
• 49:26
  He's like, preach. That looks awfully delectable
• 49:32
  when I swipe the hand. Yeah, I wouldn't.
• 49:35
  You swiped the hand. Yeah.
• 49:36
  I swiped his hand. God, he gotta be.
• 49:38
  It's probably way easier to be quicker than Nuke.
• 49:40
  So yeah, as he does that, he's got this hand connected to it
• 49:45
  and you see that it's starting to like the Megans are crawling
• 49:48
  the gap. I was that's what I saw.
• 49:50
  Too in my mind. Right, Yeah.
• 49:53
  You grab it quick and snatch it and that whole connection starts
• 49:56
  to come up on the part. Like nanobots or something.
• 49:59
  Yeah, yeah, he's bloodshot. A decrepit Tony Stark.
• 50:05
  I'm just gonna turn with my eyeballs still and just slowly
• 50:11
  look at. Fisk like.
• 50:14
  I do the same. Mouth open.
• 50:17
  Yeah, I know, right? What a Dick.
• 50:19
  There's back, but it's so creepy.
• 50:23
  Are you a human? He's a skeleton.
• 50:25
  Technically, yes, yeah. I just have eyeballs in my
• 50:28
  sockets, so. So my predatory gaze unsettles
• 50:32
  all creatures. So humans role reaction at minus
• 50:35
  two. Your morale process too.
• 50:37
  You don't like it? My eyes are kind of staring at
• 50:40
  your neck cuz I just linger at all the wrong places.
• 50:45
  Wow, what about a skeleton's neck is like?
• 50:47
  Right, Yeah. It is unnerving.
• 50:49
  Eyes are here, buddy. Yeah, your neck's right.
• 50:52
  There. I hope they're not looking at
• 50:55
  me. Am I staring through?
• 50:58
  You you might be. You guys are really weird.
• 51:02
  Don't lump me in with these weirdos.
• 51:04
  I'm gonna be at the wooden door trying to pry it open with my
• 51:06
  knife. Oh.
• 51:07
  The wonderful. Yeah.
• 51:09
  I was gonna say, as this whole interaction is going, I see Paul
• 51:12
  by the door, jamming the door open with the knife and I was
• 51:16
  like, I got the scroll bar, Let's see what we can do.
• 51:20
  Thanks brother. You guys well OK.
• 51:24
  You guys, you're. Pry barring the door open.
• 51:27
  Yeah, I mean, I suppose we could check to see if the door is
• 51:30
  unlocked, but what's? The fun thing to say?
• 51:33
  Planting the crowbar and you're like, well, let me check. 1st.
• 51:39
  Always there, sweating. So the door opens and the room
• 51:44
  in the other side is spacious. It's dim and it's.
• 51:47
  Filled with humid air and the stench of cooking.
• 51:50
  Awful like it's it smells like someone is just like ground up
• 51:54
  some bodies and then just threw to the frying pan.
• 51:57
  I. Smells like my kind of place I
• 51:59
  was. Like saying.
• 51:59
  Something this would have a heart boner or as soon as he
• 52:03
  walked in here. Oh, I'm hard as a Rock You.
• 52:05
  Probably recognize that smell too.
• 52:07
  Actually, why don't I need 3D fours?
• 52:10
  So anybody feel free as you guys are looking around this room
• 52:13
  too, rolling dice? You see that there's a human
• 52:16
  corpse skewered in the middle of the room like a kebab, I'll.
• 52:19
  Do one. A chef is behind a cooking
• 52:22
  island minding. His own business looks terrible,
• 52:25
  and a statue of Fat Moo is draped in drying meat.
• 52:29
  Like he's like she's just hanging her laundry on.
• 52:31
  Your statue, but drying meat Not long I was wearing.
• 52:34
  I rolled the Ohh. Go ahead, I said.
• 52:35
  I rolled the two. Okay, so I got a 2.
• 52:37
  I got a three. 3. I'll do one.
• 52:40
  And a four. And a four A, 2A3 and A4.
• 52:43
  Okay. So you do see in this room that
• 52:45
  a prisoner is, and he's very clearly a prisoner, judging by
• 52:49
  his lack of clothing and shackles around his feet.
• 52:54
  You see that he's force feeding the guard.
• 52:57
  What he's force feeding him with what he's force feeding him is
• 52:59
  hard to say. It's everything is just this
• 53:02
  bloody, slimy pile of food. You also you smell like this.
• 53:07
  What's cooking? But.
• 53:09
  What the rocket's cooking? Yes.
• 53:11
  That's where I was. Going smells of people's elbow
• 53:14
  in here. God.
• 53:20
  Fuck. Pretty sure we've hit rock
• 53:21
  bottom. Quick question, are there the
• 53:29
  geodes that are in the hallway? Are they in this room as well?
• 53:32
  Fantastic question cuz as you enter this room as well, you
• 53:35
  immediately ignite again. There you go.
• 53:37
  Yeah, great question. Missed details of seem very
• 53:41
  important. Hey there, you.
• 53:43
  Are you see that this due to this chef is tending to
• 53:47
  something in like an oven of sort?
• 53:49
  Does he take any notice of us walking in?
• 53:52
  He doesn't seem to give a shit. No, like you guys with that,
• 53:55
  with his lack of reaction, you could assume that he's used to
• 53:58
  people kind of walking in and out of here.
• 54:00
  This is clearly like the cafeteria.
• 54:02
  Is he like, bent over looking into this oven?
• 54:05
  Yes. I'm kicking him.
• 54:07
  You're kicking him, you son of a.
• 54:10
  You son of a bitch. I love it.
• 54:12
  I'm gonna have you give me, I guess, a strength.
• 54:15
  Just a plain old strength test. OK. 15 -, 1 so 14.
• 54:20
  Oh, nice. You kick him and he, Louie
• 54:23
  doesn't realize you're there, but he he goes kind of head
• 54:25
  first into the oven and you see, what he's got there is this
• 54:29
  strange kind of thick, red, stretchy casserole.
• 54:32
  But as you do this, you see it opens up and these tentacles and
• 54:35
  isn't. And you when you kick him, his
• 54:40
  body just goes directly into it and it just devours him.
• 54:44
  Shut the shut the oven just. OK yeah.
• 54:48
  And then yeah, shut the oven and the rest of you guys all see
• 54:51
  this happen. Oh, that was fucking.
• 54:53
  Weird. That is quite quickly.
• 54:55
  Oh again, I was gonna eat that. How much of that do you think is
• 55:00
  human? None of it.
• 55:02
  Unfortunate. Look at it.
• 55:04
  Do humans act like that? That's like a lasagna at best, I
• 55:07
  mean. Like, maybe No.
• 55:10
  I mean, like, maybe this Stew or whatever's hanging up on that
• 55:14
  statue. Oh, likely all of it, Yeah.
• 55:16
  Oh wonderful. And I just go.
• 55:17
  Especially that guy. I start.
• 55:19
  I'll start pulling some of the stuff out the statue and start
• 55:22
  eating a little bit. But you're into people, huh?
• 55:23
  Oh. Yes, yes, absolutely.
• 55:25
  I'm not so secret cannibal. I think This is why.
• 55:31
  Me too. The weird one and I got along.
• 55:34
  A ghost eating. Flesh.
• 55:36
  Yeah. What does that do?
• 55:36
  It's like the the it's like. Casper.
• 55:39
  Yeah. Casper.
• 55:39
  Yeah, just falling through under the ground.
• 55:42
  Yeah, I'll chewed up. Sloppy.
• 55:45
  Regardless of all the things that we've been doing here, I
• 55:49
  could probably take a break. Yeah, me too.
• 55:52
  The dog's barking. Welcome back to first of all
• 56:19
  Faces Now last we left you guys we'll.
• 56:24
  Figure that out. Too old habits?
• 56:29
  We met. We let just kicked the chef into
• 56:32
  the cook, into the oven. It was eaten by lasagna.
• 56:36
  Hard to say what that is. Lasagna.
• 56:39
  Lasagna. That's his name.
• 56:41
  Lasagna. Yeah, that's gonna.
• 56:47
  Work. And as we come back, you see
• 56:50
  Schlager just lovingly spoon feeding his maggots to some this
• 56:54
  plate of food he found. Just like he's like their pets.
• 56:57
  Like there is. Like, that's this whole world.
• 57:01
  And he's like in his own world, too.
• 57:02
  As he's doing it, You're bliss on his face.
• 57:05
  Hey partner, can you cup your detached hand here so I can
• 57:10
  scoop up some of this soup? Soup.
• 57:13
  There's an old guy named Soup. There's a hole through that
• 57:15
  hand. Stop it.
• 57:17
  Yeah, no, I know this doesn't really work.
• 57:19
  I mean, you can try. Look, it's yours at this point.
• 57:21
  I still have it actually. I do.
• 57:24
  Yep. Yeah, I just throw the hand.
• 57:27
  Back over my shoulder to him and I grabbed the ladle.
• 57:31
  Well, do a soup. That was a weird interaction.
• 57:37
  I feel like. I want two dudes with.
• 57:39
  Crazy eyes staring at each other.
• 57:41
  Both right I. Feel like it's fine for every
• 57:44
  interaction, interpersonal, whatever interaction, just to be
• 57:47
  nonsense, awkward, and weird. All these dudes are just
• 57:49
  batshits. Yeah.
• 57:52
  Fucking stain. Yeah, I feel like Paul, just by
• 57:55
  default is just a normal guy with jeans and shit.
• 57:59
  Overalls and a yeah. Yeah, yeah, yeah, yeah.
• 58:02
  You're getting it. He's your.
• 58:04
  Boy. Yeah, your.
• 58:04
  Boy Paul. Look at this move please, boy.
• 58:09
  Well, you guys figure out what's in that oven there, I'm gonna go
• 58:12
  nibble on those toe beans over there, number one.
• 58:17
  Yuck. #2 It's a chef or cook. I'm a cook.
• 58:22
  Now the current name right now would be He is cooked.
• 58:30
  Yes. Bazinka.
• 58:35
  And that strung up body, I'm just gonna start nibbling on the
• 58:38
  toast. The skewered body.
• 58:40
  Yeah, yeah, it's freshly cooked. I mean, it's not freshly cooked.
• 58:42
  Does it make sense? It's freshly fresh?
• 58:45
  It's well cooked, so. Not like well done.
• 58:49
  It's like a medium rare. It's kind of how you want it.
• 58:51
  Just the way I like it burned to a crisp.
• 58:53
  Okay, that's not great. So as they're all doing this,
• 58:57
  there's another exit out of this room, right?
• 58:59
  Okay, I was trying to get. Yeah, you're.
• 59:01
  Ready. Thank you.
• 59:02
  Very much, yes. Two of the you guys came in from
• 59:05
  the South, right? Okay, this is a rectangular room
• 59:08
  on the West. There is a pretty frail door,
• 59:12
  narrower than the doors you pass through.
• 59:15
  And on the N wall there is a door that matches the one you
• 59:18
  came through, a wooden door. Can I go to the frail door and
• 59:22
  kind of kick it open and see what's going on in there?
• 59:25
  Yeah, move the door open. It's cool in here.
• 59:30
  It's dry. It's surprisingly well
• 59:31
  ventilated. Lots of meats and questionable
• 59:35
  liquids. Sitting jars, heavily mutilated.
• 59:39
  Body, abdomen wide open with mushrooms growing from the
• 59:43
  abdomen cavity. And you see that there's the one
• 59:47
  and it it grabs your attention because of the noise it's
• 59:50
  making. But there is a small goblin
• 59:52
  trapped in a bottle, and it looks as though it's trying to
• 59:54
  escape by banging on the glass. Is it like corked in there or
• 59:58
  sealed in there? Yeah, yeah, he's corked in
• 1:00:00
  there. Thinking in, I had seen that
• 1:00:02
  it's a goblin in a bottle, baby. Rub it the right way, yeah.
• 1:00:06
  Yeah, Bucket, I thought I buck. Into it.
• 1:00:10
  Looking directly into your soul. I hope this problem.
• 1:00:13
  Integral. That's a good, good title.
• 1:00:15
  Hey, very well, Mike Goblin in a bottle.
• 1:00:20
  Yeah, I'm a baby. So we have a goblin in a jar,
• 1:00:24
  right? Yes.
• 1:00:26
  He's he's very tiny. He's about the size of baby.
• 1:00:29
  A shot glass. Oh damn, that's a small jar.
• 1:00:33
  That's very small. That's so it's a shot glass
• 1:00:36
  sized jar with the the the idious, bidious freaking goblin.
• 1:00:41
  No, it's a it's a shot glass sized goblin.
• 1:00:43
  That inside of a jar that could finish hot glasses.
• 1:00:47
  Okay. The.
• 1:00:49
  Goblin is the shot glass size. The jar is bigger than.
• 1:00:52
  That okay and. Then with you I'll pick up the
• 1:00:55
  jar you're. Gonna pick up the jar.
• 1:00:57
  I'm gonna pick up the jar. Okay, I mean.
• 1:00:58
  And then as you do, the goblin kind of loses his footing a
• 1:01:01
  little bit, cuz obviously you're.
• 1:01:02
  Goblin. How hot is that goblin getting
• 1:01:03
  in there? You get How hot is he getting in
• 1:01:05
  there? Yeah, no, my hands are on fire.
• 1:01:10
  So I. Keep forgetting.
• 1:01:12
  So realizing the fact that his hands are still on fire, but
• 1:01:15
  just not comprehending the fact that, you know, he could be
• 1:01:18
  cooking this goblin in the jar, he's just gonna look at it and
• 1:01:22
  you're like, Oh well, you look, you're tiny.
• 1:01:25
  You're you're not. As they're doing that through,
• 1:01:31
  the goblin is just kind of sliding around in there.
• 1:01:33
  I'm just, and I'm just moving around just like kind of like,
• 1:01:35
  you know, like a kid that gets a freaking goldfish at the fair,
• 1:01:39
  you know? Yeah.
• 1:01:40
  So yeah. You can tell too, like he's
• 1:01:42
  getting hot. In there you can see kind of
• 1:01:44
  like trying to not touch the, which is impossible to not touch
• 1:01:47
  the class. But trying.
• 1:01:49
  I'm just gonna keep holding on to it until somebody tells me
• 1:01:52
  different. I'm gonna actually look at Hey
• 1:01:53
  guys, look, it's it's Goblin and Jar.
• 1:01:56
  Yeah, let me take a look at that.
• 1:01:57
  I'm gonna reach out for the hot jar and grab it.
• 1:02:04
  Thank you, buddy. This he cute.
• 1:02:06
  I like little pets. I love me little trim.
• 1:02:09
  It doesn't react. In no, no, no did.
• 1:02:11
  You grab it from Did you let it go for him?
• 1:02:13
  Did you give it to him? Rather, if he wants it, I'm
• 1:02:15
  gonna hand it over to him. Give me because it's hot.
• 1:02:17
  Now it's pretty hot, Spice. I.
• 1:02:20
  See me in a toughness. Toughness.
• 1:02:24
  Test toughness. Sure, We'll call it up.
• 1:02:26
  Yeah, yeah. Call it Dr. 14.
• 1:02:29
  That's the 13. Seriously.
• 1:02:31
  Do you have anything to add to it?
• 1:02:33
  Well, it's no okay. I was really glad I decided to
• 1:02:37
  make it a 14, not a 12. It's incredibly hot and you drop
• 1:02:43
  it and the glass shatters. And the goblin grows to full
• 1:02:46
  size immediately, and he attempts to stab fireboy whose
• 1:02:51
  name is Scoot Scoots. Yep.
• 1:02:53
  OK, give me an agility test. Dr. 12.
• 1:02:58
  Dr. 12. You take some fire damage.
• 1:03:00
  Some hurt damage. Shut your hole.
• 1:03:04
  Did you? That's 120.
• 1:03:07
  Since that was a crit on a defense, so you get a free
• 1:03:09
  attack I. Was just gonna say.
• 1:03:11
  OK. Yeah.
• 1:03:12
  Well, if he's gonna try to lunch at me, I'm just gonna try to
• 1:03:15
  punch him right in the neck. Nice.
• 1:03:17
  I like it. That's an 8 though, an 8 + 1, so
• 1:03:22
  it's a nine. And it's actually a 14 too, but
• 1:03:24
  it doesn't matter. Yeah, 20.
• 1:03:25
  So yeah, he goes to stab his little knife at you, but not
• 1:03:29
  little anymore. It's normal size this much as it
• 1:03:31
  grew too, yeah. Yes, little life, you heard?
• 1:03:36
  What? He said.
• 1:03:39
  Yeah. Anyway, you find an opening in
• 1:03:40
  his movements and you go to lunch as well, but he gets out
• 1:03:43
  of the way. Initiative boys.
• 1:03:45
  This guy's hostile. I'll roll.
• 1:03:49
  Do it. 6. That's you guys.
• 1:03:52
  That was. Well, I will.
• 1:03:56
  I didn't say I had my curl bar back in my hand.
• 1:03:58
  I must have just put it in my belt or wherever I can.
• 1:04:01
  So I put it back in that necrotic hole in my leg.
• 1:04:05
  So I'm just gonna punch at this goblin again.
• 1:04:08
  OK, go for it. That's four.
• 1:04:10
  That's. Dr. 14 by the way.
• 1:04:12
  Yeah, Nope. That's that is going to be.
• 1:04:14
  OK, keep in mind at this point. Fuck, it's a goblin, right?
• 1:04:20
  Yeah. Technically.
• 1:04:21
  Is it when he hits? Not always when he attacks.
• 1:04:24
  Whenever he attacks. Yep, Yep, so currently.
• 1:04:26
  Scoots, you all have goblin curse at the moment.
• 1:04:29
  Yeah. How many days indeed?
• 1:04:32
  D4D6 something like that. D6 I believe.
• 1:04:35
  Should be D2. It is D6 hours, so give me D6.
• 1:04:42
  3. Three.
• 1:04:43
  You have three days to kill this boy.
• 1:04:46
  He meant minutes. If I had, yeah, I was gonna say
• 1:04:48
  if I had my choice, it would be 3 minutes.
• 1:04:50
  Yeah, yeah. I mean, we could run away.
• 1:04:52
  Anyway. What was the rest of you guys?
• 1:04:55
  Oh yeah, You go to a stab at him and you.
• 1:04:58
  You. No.
• 1:04:58
  I went to, I went to punch at him, yeah.
• 1:05:00
  That's right, Okay. So you go to punch at him?
• 1:05:02
  Yeah. You miss.
• 1:05:04
  He's he's so quick. He's hard to hit.
• 1:05:06
  Yeah, and short. The fight doesn't make me easier
• 1:05:08
  to hit who's up? I'm right next to.
• 1:05:11
  Him you are. That makes sense.
• 1:05:12
  I'll fucking. Stab with my rusty butter knife.
• 1:05:15
  Okay go. For it.
• 1:05:17
  It's a Shank, thought it in the prison mattress.
• 1:05:20
  Ooh. That's true.
• 1:05:22
  What do I need? You need 14.
• 1:05:24
  OK, is this Goblin Rich? Probably not.
• 1:05:27
  No. He's actually pretty.
• 1:05:29
  He was in a he was a tiny little goblin in the jar.
• 1:05:31
  I diet, all right. I hope you ask every single
• 1:05:34
  time, man. I guess we don't know his home
• 1:05:41
  life I saw. You baby.
• 1:05:44
  I definitely miss my swing instead of stabbing him in the
• 1:05:47
  top. The head I fucking whiff and
• 1:05:49
  stab myself in the kneecap. No, I really thought you really
• 1:05:52
  wanna say that. I glance myself in the kneecap.
• 1:05:59
  Okay, who's up? I will scoot over there and.
• 1:06:06
  Nice one. The no emotion made it all the
• 1:06:11
  better and I'll come in and try to.
• 1:06:15
  Hit this dude with my hammer, my ball, peen hammer.
• 1:06:19
  I God damn it, I'm. Going with that.
• 1:06:21
  I need some. Not much better than ball peen
• 1:06:25
  hammer for hitting goblins in the head.
• 1:06:27
  I mean, I suppose you know, ooh, that's 19 + 2.
• 1:06:31
  That's a hit. Nice.
• 1:06:33
  Oh my God, give me the goodness. Oh.
• 1:06:37
  Yeah, that's the goodness, baby. One damage.
• 1:06:40
  One damage. Give it to him.
• 1:06:42
  You just like, tell me about it, right?
• 1:06:44
  No, not at all. Actually, we have my another D2
• 1:06:49
  for his ropey skin. Damn.
• 1:06:50
  Actually, never mind, you did one.
• 1:06:52
  Damage. You can't.
• 1:06:52
  Yeah, Never. Mind.
• 1:06:54
  That ropey skin. Which I don't understand how
• 1:06:56
  that would stop a bro, a ball being leathery.
• 1:06:59
  Yeah, yeah, I suppose like you hit him and it's just kind of
• 1:07:01
  absorbs the blow his skin does. He just giggles like a moron.
• 1:07:10
  All right, Tom, all. Right.
• 1:07:11
  Yeah. Weamon is gonna take the bar and
• 1:07:13
  he's gonna try to like, come up behind him to grab him and kind
• 1:07:16
  of grapple him. Yeah, yeah.
• 1:07:18
  The goal is to try and toss him in the oven with the lasagna
• 1:07:22
  keep. In mind you guys are in like the
• 1:07:25
  larder. The oven is a little bit of
• 1:07:27
  weight. We'll drink that some bitch over
• 1:07:28
  there. He's very loyal.
• 1:07:30
  Yeah. Yeah.
• 1:07:31
  Fair enough. I'll.
• 1:07:32
  Murder a goblin. I wouldn't.
• 1:07:34
  That's gonna be to grab and strength Year 14, yeah.
• 1:07:37
  Yeah, yeah. I got a 12 -, 1 to 11.
• 1:07:42
  I'm gonna go ahead and do an omen.
• 1:07:44
  All right. How many got?
• 1:07:44
  Minus four and that brings me I have one left after that.
• 1:07:48
  Okay. Wonderful.
• 1:07:49
  Yeah. And that's a success then?
• 1:07:50
  I'm like, you're a bastard. Perfect.
• 1:07:57
  It's so good to see it as a skeleton here, by the way.
• 1:07:59
  Yeah, the. Skeleton.
• 1:08:00
  Yeah, with human eyes just like darting around.
• 1:08:05
  That's pretty good. God, who is left?
• 1:08:08
  Leviticus. Leviticus, yeah.
• 1:08:11
  Fisk is just mouth deep on these toes.
• 1:08:17
  God. So in other.
• 1:08:19
  Words. You're doing it, The goblin.
• 1:08:21
  So you're doing this star? Yeah, yeah.
• 1:08:23
  He's just like chewing on the toes of this guy on the spit
• 1:08:26
  and. Imagine that's like the the
• 1:08:27
  larger this like scuffle. It is the goblin they didn't
• 1:08:31
  came out of I. Hate.
• 1:08:32
  Everything, the reality, what he's seeing as he's doing this,
• 1:08:35
  he's like they're fucking around there, can't really see what
• 1:08:37
  they're doing and then all of a sudden.
• 1:08:39
  Your glass break and then a goblin, and then you see them
• 1:08:44
  the entire. Time Toes in mouth, Yeah.
• 1:08:46
  He's not. Even breaking stride.
• 1:08:49
  No, he's on. I got the like mental image of
• 1:08:51
  like a toddler with a popsicle. Just.
• 1:08:56
  Absolutely. The goblin is going to attempt
• 1:08:59
  to get out of. Fuck.
• 1:09:01
  That little thing that you got going on with him, His.
• 1:09:03
  Grapple is a love hug you. Know that little relationship
• 1:09:07
  that. That's going to be Tom for you
• 1:09:11
  or for agility, strength or. Strength.
• 1:09:17
  Yeah, dear 14. And he gets out.
• 1:09:21
  No, I imagine he kicked me in the shin.
• 1:09:24
  Perfect. Yeah, you in the shin.
• 1:09:26
  You lose your grip on him or your focus and he slips out and.
• 1:09:29
  There's no skin to protect that. That's true.
• 1:09:33
  That really hurts. Me right on the phone.
• 1:09:39
  Oh my God, you better say that every.
• 1:09:42
  Time. Yeah, right, right.
• 1:09:43
  No shit. That was the goblin's turn.
• 1:09:47
  So that gives us, brings us back to initiative, anybody.
• 1:09:51
  I'll roll. I'll do it.
• 1:09:54
  I'll turn you, boy. I shouldn't have done that.
• 1:09:56
  That is a tube. This little fucker, goddamn it,
• 1:10:00
  he just books it. He takes off to the North End of
• 1:10:04
  the room. He only makes it as far as the
• 1:10:05
  door. He doesn't get a chance to leave
• 1:10:07
  in this time. He actually runs over by where
• 1:10:09
  you are, sitting there, toe sucking.
• 1:10:14
  He is probably within arm's reach of you at this point, cuz
• 1:10:16
  you're right there by the door. Kinda.
• 1:10:18
  Don't be like Spiderman. Stop this man or he's gonna go
• 1:10:20
  out and kill your uncle. What I.
• 1:10:27
  Mean. It's really accurate, but what
• 1:10:29
  the fuck I have so funny, no? Not a little man.
• 1:10:35
  Oh God. Well, where did this little
• 1:10:39
  feller come from? And I'm going to Waltoll and
• 1:10:42
  mouth, by the way, so. Internal monologue.
• 1:10:45
  Impale him on my broad X. With that toaster in your mouth,
• 1:10:50
  yeah, I feel like keeping that posture is gonna hamper you a
• 1:10:52
  little bit, So I'm gonna make that a little bit harder.
• 1:10:55
  I'm gonna call it a Dr. 16 Strength to do that.
• 1:10:59
  He's gonna get it. Maybe the toe popped off cuz it
• 1:11:02
  was cooked meat. It was nice and tender.
• 1:11:05
  That all depends. You said it was tender.
• 1:11:07
  I did say it well, he said. But then he said it was charred,
• 1:11:10
  so that's not tender at all. It flaked right off.
• 1:11:13
  What am I going for? A 16 due to the fact that you
• 1:11:16
  were insisting on staying in that position unless you're not.
• 1:11:21
  I mean, that's, you know. Jaw deep on a foot, yeah.
• 1:11:24
  It's just a 15. Do it.
• 1:11:27
  I guess I'll omen. You're gonna omen, Yeah.
• 1:11:30
  Just to keep that toe in your mouth, yeah.
• 1:11:34
  I mean to you, man. Dedicate to the bit.
• 1:11:37
  For sure. OK, so that's a success.
• 1:11:39
  Give me the damage then. 4 This is a big.
• 1:11:41
  Number give me a D2 as well for the armor for the ropey skin.
• 1:11:45
  It's ropey, ropey. 1. Wait.
• 1:11:48
  One, so 4 -, 1, yes, 3. I see.
• 1:11:51
  You're nice. You hack his arm off, which is
• 1:11:54
  fortunate. Unfortunately, it's not the one
• 1:11:55
  holding the knife. But yeah, so yeah.
• 1:11:58
  You slice his arm off with your axe.
• 1:12:01
  He bleeds all over the floor, naturally still alive.
• 1:12:04
  Cowering now. Why wouldn't you in that
• 1:12:07
  scenario anyway? Do they have morale?
• 1:12:09
  What's that? Do they have morale?
• 1:12:11
  You do have morale, but it's not really his turn yet.
• 1:12:13
  No, no, I was just curious. Yeah.
• 1:12:14
  Yeah, they morale. So the rest of you, for you guys
• 1:12:18
  see as you guys are still clustering in the larder fucking
• 1:12:21
  around with this goblin that ran away, you see?
• 1:12:25
  I was gonna say Soup Fist. Look at him, I see soup.
• 1:12:31
  You see Fisk, still keeping the toe in his mouth, swing his
• 1:12:34
  broadsword and just hack his arm off.
• 1:12:35
  Damn. Holy.
• 1:12:38
  Shit, I'm gonna run over, stare at fist.
• 1:12:40
  That's disgusting, and then go and try to punch the goblin in
• 1:12:44
  the head again. You just come running soup and.
• 1:12:47
  Punch all Was it a 14? They need it.
• 1:12:54
  Yeah. I got a 15 on device, so that's
• 1:12:56
  a 16. Yeah, yeah, all.
• 1:12:58
  Right. And so that's the with the
• 1:13:00
  punch, it's D 4 + 2. +2 that's. So that's four points of damage,
• 1:13:06
  and then it's got that ropey. Yep.
• 1:13:09
  Yep. Ropey.
• 1:13:11
  Skin, so it's two, so two damage.
• 1:13:14
  Too damaged? Okay Wonderful.
• 1:13:15
  He is on death's door. However, he's not dead.
• 1:13:20
  I have to roll a D6. I got a one in six chance for
• 1:13:23
  that. Okay, yeah.
• 1:13:24
  Are you calling that A1 or A6? I'm calling it A1 and I did.
• 1:13:28
  I didn't get it. So okay, he's not such fires.
• 1:13:31
  Give him a big old punch in the face and his nose is just his
• 1:13:36
  sharp nose is just bent back and clearly broken and you fell.
• 1:13:40
  Those bones give way as it is. Push through.
• 1:13:44
  And and as I punch him, the fire of my eyes is like light, ever
• 1:13:48
  brighter so. And then he's on his knees.
• 1:13:50
  One of our missing is. Am I?
• 1:13:54
  Hey, partner, why don't you toast me up that arm of his when
• 1:13:58
  you got a minute? Just kind of kick it off to the
• 1:14:03
  side towards him. Nice, Tom and murder this
• 1:14:06
  goblin. These things we met.
• 1:14:08
  We Met murder this goblin. All right, yeah.
• 1:14:13
  Cuz I was like, since he got the shin kick, I'm just pissed off
• 1:14:18
  and he's just, yeah, I'm just running out far overhead.
• 1:14:22
  Swinging the ball because I said he's on his knees.
• 1:14:26
  We're gonna drop that Dr. Cuz he's no longer quick.
• 1:14:28
  So Dr. 12. Just got it.
• 1:14:30
  Then I got a 12. Lucky baby.
• 1:14:33
  All right, so yeah, roll damage. And then of course D2 for the
• 1:14:37
  armor. That is a four and then D2 for
• 1:14:41
  armor. Is 2 on the armor so too
• 1:14:45
  damaged? Tell me about it, yeah.
• 1:14:48
  All right. Yes.
• 1:14:49
  Yeah, so I'm just like screaming as I come in there and you know,
• 1:14:52
  obviously wide eyed, just looking around everywhere, just
• 1:14:57
  just craving in the skull. Just like I would imagine.
• 1:15:01
  Just kind of like gore splattering out and hitting up
• 1:15:04
  to Fisk. Yeah, yeah, still toes in mouth.
• 1:15:08
  I was just thinking that like fisky and just sprayed in head
• 1:15:11
  blood. No reaction to it.
• 1:15:13
  Yeah, don't care. Like my lips.
• 1:15:18
  You guys are adequately murderous, I would say.
• 1:15:23
  Yeah, no, that was pretty dope. Yeah, great.
• 1:15:25
  A Duke sitting at one of the tables.
• 1:15:26
  Just soup. Mean it.
• 1:15:30
  They're. Glad for you to help us.
• 1:15:33
  You really, honestly believe that I'm useful in a fight?
• 1:15:36
  You would have fallen apart. Exactly.
• 1:15:38
  It's already falling. Apart what's it gonna hurt?
• 1:15:42
  Right, let's get out of here. Anything.
• 1:15:44
  I just like poked some stuff a bit.
• 1:15:47
  Should we get out of here now or yeah?
• 1:15:50
  I have another joy. Yeah, I've had three bowls.
• 1:15:54
  I'm gonna scrounge this goblin skirt or whatever he's wearing.
• 1:15:57
  How much did you eat though? Like 1.
• 1:16:02
  How much made it into your old ass face?
• 1:16:05
  No, it's the whole like that joke.
• 1:16:07
  Like I had two bowls this morning, only one of which was
• 1:16:09
  cereal. Yeah, yeah, yeah, Madam.
• 1:16:14
  That was from Becker. That was fucking Ted Danson
• 1:16:18
  show. Fucking ridiculous anyway.
• 1:16:20
  Before we take off, I'm gonna scrounge this.
• 1:16:23
  Body. You're gonna scrounge the
• 1:16:24
  goblin. Why not, Goblin?
• 1:16:26
  I'm gonna put hands on them. As you can see too, he's only
• 1:16:29
  got like a loincloth. You might be key string.
• 1:16:32
  Are you really gonna check? Yeah, all crazy.
• 1:16:36
  I'm a desperate. Like everyone?
• 1:16:38
  Else, like, he might have something in his ass.
• 1:16:40
  Yeah, I've delivered animals and all sorts of.
• 1:16:44
  Stuff. Goblin's asking nothing.
• 1:16:46
  The. Very first word in his class
• 1:16:48
  description is desperate. That's a fair point.
• 1:16:51
  That's a fair point. Of course, give me a D66 for
• 1:16:53
  corpse plundering. Also, Scoots, you no longer have
• 1:16:57
  goblin curse because that goblin's dead.
• 1:16:59
  Hooray. Wraps that to you.
• 1:17:01
  You can thank Weeman for that. Thanks Weeman.
• 1:17:03
  We. Saved your life.
• 1:17:05
  We are meant. We got. 53A 53.
• 1:17:11
  Nice. I feel like I know what this is.
• 1:17:14
  It's so weird. So you.
• 1:17:15
  Yeah, you're like digging into this.
• 1:17:17
  And you're just like, he might have something in his ass.
• 1:17:19
  I don't know. I know.
• 1:17:20
  And like, you're the fucking deep you found things in others.
• 1:17:26
  You check because you found things before looking and no.
• 1:17:29
  We have a lot of something in here.
• 1:17:31
  Cuz you're like, elbow deep, right?
• 1:17:33
  At this point, you're probably, like, pretty I.
• 1:17:36
  Can't figure out you're the lungs and you feel.
• 1:17:39
  Hair and you grab onto this and you pull out and you think maybe
• 1:17:43
  some dead animals in there, but what you find is.
• 1:17:46
  Paul's never pulled out. It's not just vocabulary.
• 1:17:54
  You pull out a scalp with long black hair.
• 1:17:58
  No. No.
• 1:18:01
  Looks like you found his dinner. People aren't comfortable with
• 1:18:05
  my games. One guys over sucking on toes of
• 1:18:10
  the fucking wigs out of people's asses.
• 1:18:13
  I think. I was gonna say he's pulled a
• 1:18:15
  toupee out of the goblin's ass. And exactly what happened.
• 1:18:18
  Yeah, so my. Question is does this?
• 1:18:20
  Thing do anything. It's just a skill.
• 1:18:22
  It's just a skill. He puts.
• 1:18:26
  It on his bald. Head.
• 1:18:27
  I don't think I'm bald, actually.
• 1:18:29
  Oh no, that's some other character that's got luscious
• 1:18:31
  hair. Uh, yeah, I'm gonna just put.
• 1:18:33
  Put that on top of my head. OK.
• 1:18:36
  How do you? Feel like you like this?
• 1:18:38
  Melts like. Shit, I was strong.
• 1:18:40
  May I approach the bench? Yeah.
• 1:18:42
  Oh no. Oh no.
• 1:18:45
  Oh no, not this. Shit that smells so bad and I
• 1:18:48
  pulled this from the depths of this goblins colon.
• 1:18:51
  Yep. Would it not be similar to the
• 1:18:53
  neck, intestines or it gives me a little bit of a threat
• 1:18:57
  reduction? Like intestines of the baby
• 1:18:58
  killer. Ah, what that was called.
• 1:19:02
  It was. I feel like the test, if that
• 1:19:06
  was if if you were gonna allow it in that same mechanic, the
• 1:19:09
  test would be. Worse far.
• 1:19:11
  Lower. Yes, they would make it easier.
• 1:19:15
  The chance that somebody could be just at like, like a.
• 1:19:18
  DS I have to get a six, six or lower and you're.
• 1:19:22
  Trying to compare it to the bowels of a baby killer, right?
• 1:19:23
  Trying to grab some of that. What that says is take the bowl
• 1:19:26
  and drape the entrails over you gaining A monster's scent.
• 1:19:29
  In this case, you're wearing a wig.
• 1:19:31
  That was in goblin scent, sure, but mostly goblin shit.
• 1:19:37
  Evil creatures must make a DR14 check when attempting to discern
• 1:19:40
  your location. Should you fail?
• 1:19:42
  Should they fail, you pass by a notice.
• 1:19:44
  That's a lot. So what I'm gonna say is, any
• 1:19:47
  creature really that you guys come across is gonna need to
• 1:19:50
  make a pretty low test like a DR6, right?
• 1:19:54
  That's right. If they fail it, they're just
• 1:19:57
  like, repulsed by it. Okay.
• 1:19:58
  But. I.
• 1:20:00
  Mean like there's like it came from some.
• 1:20:02
  It's not like, sure, it came from the corpse plundering table
• 1:20:05
  and it's just some random nonsense.
• 1:20:07
  But like the stuff we made it, the story around it, you could
• 1:20:10
  possibly give it some kind of effect.
• 1:20:12
  Regardless, yeah, just 30 miles. Regardless, I'm waiting to see
• 1:20:16
  how this is going to play out in action like I.
• 1:20:19
  Feel like that something is gonna wanna hit him because he
• 1:20:22
  smells like shit and doesn't wanna get shit on him.
• 1:20:24
  The other one I. Wouldn't punch a guy wearing a
• 1:20:25
  shit wig. That's fair.
• 1:20:27
  Not at all. Well, if this guy running up to
• 1:20:29
  me with his shit wig, he's gonna fucking wanna fight me.
• 1:20:31
  I'm gonna kinda run. I just don't wanna get shit on
• 1:20:34
  me. I'm gonna be like, fighting.
• 1:20:36
  I don't wanna get in my blood. I don't wanna get Doug.
• 1:20:39
  Shit Wig. Shit Wig was my fucking band in
• 1:20:41
  college. Now I'm.
• 1:20:44
  Gonna adjust my fucking crap toupee.
• 1:20:47
  Just like, slick it over. Yeah, I lick my palm and then
• 1:20:50
  slick the. And.
• 1:20:52
  Then lick it again. All right, Paul's ready.
• 1:20:57
  He's he's good to go. My scalp would get a little.
• 1:20:59
  Cold, actually, that was. That was a.
• 1:21:01
  Fortunate fun I. Need to get rid of all this.
• 1:21:06
  Walks. That was like the.
• 1:21:07
  Farm. This walks up with a handful of
• 1:21:10
  toes. That was the most gruesome thing
• 1:21:13
  I've ever seen. You're right.
• 1:21:14
  And the toes ain't weird either. Yeah, honestly, that was pretty
• 1:21:18
  fucked up. Hey, I got a question for you
• 1:21:20
  guys. Take a look at this.
• 1:21:22
  He shows you the stump of his hand and it's looking terrible.
• 1:21:25
  Does this look infected? Hey Kevin, at the end of the
• 1:22:14
  episode. Just to let you know that this
• 1:22:16
  episode featured the adventure trapped within by Phillip
• 1:22:20
  Jensen. With Levi playing Fisk the
• 1:22:23
  Cannibal Cook by Ian Gray, Tide Long Thomas playing We MIT the
• 1:22:29
  Catacomb St. by Makuti, myself playing Scoots the Scorched
• 1:22:35
  Bedlamite featured in. Trapped Within by Philip Jensen,
• 1:22:39
  Jake playing Paul the Desperate Farmhand by Raptor Shadow, and
• 1:22:44
  Nate playing General Cedric Balthazar, the betrayed Phantom
• 1:22:48
  by Sasha Death of the Eldridge Tomb.
• 1:22:56
  There you go. Let it out.
• 1:22:58
  Come on, couple more I. Think it's.
• 1:23:01
  Only two this time. Oh wow.
• 1:23:02
  Wow, that's rare. It's a weak demon.
• 1:23:08
  Now, because I need to have my stupid joke in here, Farsen.
• 1:23:11
  Farsen Yeah, that's. Oh, it's staying.
• 1:23:19
  He's. Just bound he's.
• 1:23:20
  Just bound. Stopping you guys give me a D4.
• 1:23:30
  OK. Oh no, is this?
• 1:23:32
  For the mosquitoes in my urethra.
• 1:23:36
  I don't. Want to know what the right
• 1:23:40
  podcast for that is 3? I'll do a D4.
• 1:23:45
  If you wants to do a D8, I'll. Do the D8.
• 1:23:48
  I didn't roll a thing yet. I didn't.
• 1:23:50
  Roll a thing. If you were handing me like a
• 1:23:58
  hot piece of glass that you were wrote, that sounds.
• 1:24:02
  A hot. Piece.
• 1:24:05
  Check out that hot piece of glass.
• 1:24:08
  His wife don't justify it. Just roll boy.
• 1:24:15
  It is a goblin penis everyone's talking about.
• 1:24:16
  I never noticed it. It's.
• 1:24:19
  A poop. That's what I just figured.
• 1:24:21
  It was like a tail. That's what I thought.
• 1:24:23
  Yeah, it's a dingleberry. Gobbo Dong.
• 1:24:29
  Welcome to the Gobbo Dog. I don't think I'm bald,
• 1:24:36
  actually. Oh no, that's some other
• 1:24:37
  character that's got luscious hair.
• 1:24:39
  No, you're bald. In real life, yeah, I shaved
• 1:24:43
  again. Oh good.
• 1:24:44
  It always looks nice when you do it.
• 1:24:46
  Thanks. Thank you.
• 1:24:48
  We care about you, but anyway, yeah.
• 1:24:51
  Yeah, I'm gonna just put that on top of my head.
• 1:24:56
  One of the things I was waiting though is that like Paul, like
• 1:25:00
  pulling out that scalp and I've been like.
• 1:25:02
  Ta da. That's amazing dude.
• 1:25:06
  Magic trick pulling the tablecloth.
• 1:25:08
  I'll just rip it out real. Quick.