Latest / 70 80 / SETTANTAxOTTANTA: 1960. Cinebox e Scopitone, fanno ballare il pubblico di tutto il mondo e anticipano l’era dei videoclip

Transcript

SETTANTAxOTTANTA: 1960. Cinebox e Scopitone, fanno ballare il pubblico di tutto il mondo e anticipano l’era dei videoclip · 70 80

• 0:45
  7080 .it presents 70x80. Do you remember? A KVOX
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  production. Welcome to 70x80, the section of
• 0:57
  7080 .it that deepens the topics discussed on
• 1:01
  the portal. I'm with the journalist Enzo Mauri,
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  who introduces today's topic. Good morning, today
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  I'm talking to you about a single jukebox. In
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  the 60s, the Scopiton cinebox devices, distributed
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  in public places, tried to steal the scene from
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  the most popular and popular jukebox, challenging
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  them on the same ground of musical entertainment.
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  The Cinebox and the Scope return to similar characteristics.
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  They were nothing more than jukeboxes. In addition
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  to the songs, they also allowed you to select
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  the related musical and color videos. The Cinebox
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  was born from the agreement between the mentor
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  Pietro Granelli and Paolo Emilio Nistri of the
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  OMI, Italian optical -mechanical company, a leading
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  company in Europe in the field of precision optical
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  instruments. Then the SIF, International Phonovision
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  Society, of the Milanese entrepreneur Angelo
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  Bottani, spread it in Europe and the United States.
• 2:23
  Search the page and the group of 7080 .it on
• 2:26
  Facebook and relive with us your most beautiful
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  years. The first 500 models of Cinebox came out
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  in 1959. Each contained up to 40 video tapes.
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  In accordance with the most important Italian
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  discography and cinematography houses such as
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  RCA and Titanus, the videos were shot in 35mm
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  and then reprinted in 16mm to be placed in the
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  Cinebox. Among the authors were the directors
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  Enzo Trafani, Beppe Ricchia and Tullio Piacentini.
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  The first Scopitons were presented in France
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  by the Cameca company in 1960, a year after the
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  Cinebox. The device was inspired by the technology
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  of the American Panorama, very in vogue in the
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  40s. The difference between Panorama and Scopiton
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  was that the first could host a maximum of 8
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  black and white music videos , while the Scopiton
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  36 high -fidelity color videos. The French device
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  was also distributed in West Germany and the
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  United States, where each installation cost $
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  3 ,500. To mark the end of the Cinebox, after
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  a decade, were the management costs. In addition
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  to the installation, there was the SIAE fee.
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  To recover the investment, the device manager
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  had to project the films so many times that in
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  the end they were worn out. Favorito in un primo
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  momento dalla censura francese, ben più permissiva
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  di quella italiana, alla fine degli anni Sessanta
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  anche lo scopito non uscì di scena, fra i motivi
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  della dismissione, la concorrenza della televisione
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  e la scarsa qualità dei video. Grazie a Denzo
• 4:07
  Mauri per il tema odierno. Appuntamento alla
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  This is Mike Bolo of Lexicon Valley. And I'm
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  Bob Garfield. Are you one of those people who
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