Latest / Drama, Darling: A Real Housewives Comedy Podcast / 🌴 RHOM "Frankie's Episode"

Transcript

🌴 RHOM "Frankie's Episode" · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama Darling, Drama, Darling, Drama, Darling.
• 0:19
  Speaker 2: Hey, everybody, welcome back in It's drama Darling. We're talking
• 0:23
  Speaker 2: Miami today. We're heading back over to Richard Branson's Virgin
• 0:27
  Speaker 2: Cruise and Deanna's here to talk to me about it.
• 0:31
  Speaker 2: Dianne's how's it going?
• 0:35
  Speaker 3: Never had that nickname before. I don't mind it.
• 0:38
  Speaker 2: I don't know where it came from. I guess I'm
• 0:40
  Speaker 2: turning into Marisol with her nicknames left and right, meeting
• 0:44
  Speaker 2: Mighty Mouse.
• 0:51
  Speaker 3: I think they're adorable. I would love for her to
• 0:53
  Speaker 3: give me a nickname.
• 0:55
  Speaker 2: I completely agree. What would she give you if I
• 0:58
  Speaker 2: was if I'm inhabiting her body?
• 1:00
  Speaker 3: Oh god, you would have to figure an out.
• 1:03
  Speaker 2: Yeah, mon gosh, Montash so creative, You're so fun funny girl.
• 1:10
  Speaker 2: I gotta, I gotta, I gotta workshop.
• 1:12
  Speaker 3: Yeah, you gotta get there. But I see your It's
• 1:15
  Speaker 3: nice to see the the process, you know, be steeped
• 1:20
  Speaker 3: in process.
• 1:22
  Speaker 2: Let's get into it. Okay. You know a lot of
• 1:27
  Speaker 2: Darlings have been on Virgin cruise lines. Hmmm, surprisingly a
• 1:33
  Speaker 2: good handful. And I was pleased to get some feedback.
• 1:37
  Speaker 2: And the feedback is strong, so it is not as
• 1:41
  Speaker 2: you said, you know, you were kind of clarifying that
• 1:43
  Speaker 2: that is there, Like we were confused. Is that like
• 1:47
  Speaker 2: an old ship with old decor? Or is this a
• 1:51
  Speaker 2: new ship with a flashback to eighties decor? And that's that's,
• 1:55
  Speaker 2: of course what it is, the latter, and you were
• 1:59
  Speaker 2: leaning towards that, and you're right. And I don't know
• 2:01
  Speaker 2: why I thought, you know, I don't even know where
• 2:04
  Speaker 2: my head was last week, to be quite honest with you,
• 2:06
  Speaker 2: I just feel like I didn't It wasn't landing on
• 2:09
  Speaker 2: that ship properly. I think what threw me off was
• 2:12
  Speaker 2: the fact that I assume they were going on a cruise,
• 2:16
  Speaker 2: like a super yacht of Richard Branson's. So then when
• 2:19
  Speaker 2: we got to this huge thing, I was like, I
• 2:21
  Speaker 2: couldn't wrap my head around it.
• 2:23
  Speaker 3: Yes, that makes sense. You thought we were going on
• 2:25
  Speaker 3: his private boat, right right, his private yacht? Well yeah,
• 2:33
  Speaker 3: this and also ps you're questioning if it's a throwback
• 2:38
  Speaker 3: to the eighties because at the end, like we also
• 2:40
  Speaker 3: see Stephanie in an eighties get up and they do
• 2:43
  Speaker 3: do a throwback. So and now we know a lot
• 2:46
  Speaker 3: of roads are leading to yes, they do consider this
• 2:49
  Speaker 3: decor throw them back.
• 2:51
  Speaker 2: And now I'm okay with it.
• 2:54
  Speaker 3: Yeah, Like, you know, I mentioned that it does speak
• 2:58
  Speaker 3: to my Long Island roots, and I recognize that that's right.
• 3:01
  Speaker 3: And then when I watched this episode, I said, you
• 3:05
  Speaker 3: know a thing, I felt even better about all the
• 3:11
  Speaker 3: flash me too, because cruises are cheesy, so let's lean
• 3:18
  Speaker 3: into it, let's embrace it.
• 3:20
  Speaker 2: I mean, I talk about one eighty, I'm like, I'm
• 3:23
  Speaker 2: fully on board with the Virgin Cruise. And not only that,
• 3:26
  Speaker 2: but people spoke so highly of it, and I was like,
• 3:29
  Speaker 2: I just really judged a book by almost like a
• 3:32
  Speaker 2: different cover than it was even giving. So I can't
• 3:35
  Speaker 2: really I don't even know where my head was last week.
• 3:38
  Speaker 2: My apologies not just to I mean just to myself,
• 3:41
  Speaker 2: not necessarily to Richard Branson. He doesn't need my sories.
• 3:43
  Speaker 2: He could say, put my soraries into sack. But honestly,
• 3:47
  Speaker 2: I think it looks great. It looked really fun, fat yes,
• 3:50
  Speaker 2: arobicizing you know that had Derinda written all over it.
• 3:54
  Speaker 2: I don't know why she's not hosting those crazy Gerty's
• 3:58
  Speaker 2: look with the hair and those earrings under those black lights.
• 4:02
  Speaker 2: My god, it just that was phenomenal.
• 4:05
  Speaker 3: Whatever we went see and it does give me the
• 4:09
  Speaker 3: like I want to put on French tips and like
• 4:12
  Speaker 3: when we ran through whatever that glitter hallway away, I'm alive,
• 4:18
  Speaker 3: you know, I'm alive. I want it.
• 4:20
  Speaker 2: I loved it. I loved it, and I that's where
• 4:23
  Speaker 2: I turned. I was like, oh my gosh, I see
• 4:27
  Speaker 2: my eyes have the veil has lifted, and I want
• 4:31
  Speaker 2: to go in on this hard now. Yeah, Gerty's look
• 4:35
  Speaker 2: was great and then also Larsa's hot pink. But in
• 4:41
  Speaker 2: those spandex with that leotard, the way that it was
• 4:46
  Speaker 2: it shone in that neon light was unbelievable.
• 4:51
  Speaker 3: Yeah.
• 4:52
  Speaker 2: I don't know if you got eyes on that, but
• 4:54
  Speaker 2: it was it was like the red it was like
• 4:56
  Speaker 2: the red moon. It was like it shifted like the
• 5:00
  Speaker 2: the astrological universe, you know, I mean that's what it
• 5:04
  Speaker 2: felt like.
• 5:06
  Speaker 3: Right, stars aligned differently after she revealed it.
• 5:12
  Speaker 2: Well you know what they did, because people were making
• 5:15
  Speaker 2: up after that.
• 5:16
  Speaker 3: That's true. It was a beacon of.
• 5:18
  Speaker 2: Hope, Larsa's beacon, butt can of hope.
• 5:25
  Speaker 3: Our butt can of hope. Really, you know, changed minds
• 5:29
  Speaker 3: and hearts and that's a beautiful, beautiful thing. It's like
• 5:34
  Speaker 3: people don't give enough credit to a perfect ass and
• 5:37
  Speaker 3: what it can do, you know, be it bought, be
• 5:42
  Speaker 3: it created God, be it from doctor so and so. Like,
• 5:47
  Speaker 3: it's still really really powerful.
• 5:49
  Speaker 2: It's powerful, thank you, you know. I like that we
• 5:53
  Speaker 2: have to touch down on Lars's butt like every third episode.
• 5:56
  Speaker 3: I have to.
• 5:58
  Speaker 2: It's spectac It's a running theme. It is like the
• 6:04
  Speaker 2: backdrop of Miami. If you will.
• 6:06
  Speaker 3: Yeah, well, it's like, you know, as they said in
• 6:09
  Speaker 3: Death of a Salesman, attention must be paid, you know,
• 6:15
  Speaker 3: it just must.
• 6:18
  Speaker 2: Larsa, you were just your butt was just reference to
• 6:23
  Speaker 2: a classic play, and I hope you respect and appreciate that,
• 6:28
  Speaker 2: you know. Yeah, you know how you know the movie
• 6:33
  Speaker 2: Tequila Sunrise or like if you were to take the
• 6:37
  Speaker 2: like the graphic of that movie with like the sun
• 6:40
  Speaker 2: setting I'm sorry, the sun rising. There you go, the
• 6:43
  Speaker 2: sun rising and you replace that with Larsa's like pink
• 6:47
  Speaker 2: butt in that with the thong leotard. If you just
• 6:50
  Speaker 2: place that there and you show, you know, the beautiful
• 6:53
  Speaker 2: sunrise and all the colors in the sky over Miami,
• 6:58
  Speaker 2: that's what we have.
• 7:00
  Speaker 3: We have some graphic artists here if you don't mind,
• 7:04
  Speaker 3: get to it my bish. Graphic artists are yeah, welcome in,
• 7:10
  Speaker 3: welcome in.
• 7:13
  Speaker 2: Now. If you were to choose, and this is going
• 7:16
  Speaker 2: to be tough for you, Deanna, all right, hud uh
• 7:22
  Speaker 2: or Larsa. But in terms of but mm hmmm, because
• 7:27
  Speaker 2: we know what, we know what they're capable of, both
• 7:30
  Speaker 2: of them, and they are both to be revered. And
• 7:34
  Speaker 2: I mean by revered, I mean reard. Are weard? Listen?
• 7:44
  Speaker 3: It wasn't your most elegant, but it did. It did
• 7:49
  Speaker 3: get the job done, and you know, we're weird. It's
• 7:54
  Speaker 3: hard because like what I do feel is we have
• 7:56
  Speaker 3: really seen hood is by in motion. We know what
• 8:04
  Speaker 3: sort of the the velocity it can hit and just
• 8:11
  Speaker 3: like how it can move and and I don't like
• 8:16
  Speaker 3: Larsa's but seems more at rest, you know what I mean.
• 8:20
  Speaker 3: There's two different looking at it, two different set of circumstances.
• 8:30
  Speaker 2: I want you to keep going, babe, I just don't stop.
• 8:35
  Speaker 3: It's like it's hard to put them both against each
• 8:38
  Speaker 3: other because they do very different things. And I'm not
• 8:41
  Speaker 3: sure that Larsa can't, you know, get it into motion,
• 8:46
  Speaker 3: but I sort of on a cellular level, no she can't.
• 8:51
  Speaker 3: I don't think that that's what it does. I think
• 8:53
  Speaker 3: it just sort of stays there. And even though even
• 8:58
  Speaker 3: though hood is is like so spectacular in what it
• 9:03
  Speaker 3: can do, I gotta give it to Larsa.
• 9:06
  Speaker 2: Okay, wow, that that is something else. I'm really proud
• 9:11
  Speaker 2: of your analysis, your butt but analysis. I'm gonna keep
• 9:18
  Speaker 2: going with this. But I think, like, you know, if
• 9:23
  Speaker 2: you know, Larsa's but sat so that hoodahs but could
• 9:28
  Speaker 2: wiggle could run? Oh could could you know? Like yeah, yeah,
• 9:35
  Speaker 2: so you know, I mean it's almost like it is
• 9:39
  Speaker 2: a solar thing where I mean, it's a gravitational pull
• 9:44
  Speaker 2: if you were. Maybe that's how our lives really are
• 9:47
  Speaker 2: in motion now because Huddah is the sun and Larsa
• 9:54
  Speaker 2: is the no no no strike that reversa. Larsa is
• 9:58
  Speaker 2: the sun and hood uh Is is the earth. Yeah, rotating.
• 10:02
  Speaker 2: So I think we agnaled it. I think that now
• 10:04
  Speaker 2: that we settled on that, you know, we can appreciate both.
• 10:07
  Speaker 2: And I'm happy that we went down that road. Thank you,
• 10:11
  Speaker 2: Oh God, Yeah, go ahead.
• 10:13
  Speaker 3: One last thought is like it's really scary to have
• 10:17
  Speaker 3: a butt like Lars's out there because it is so
• 10:22
  Speaker 3: powerful and the viewers are going to look at that
• 10:24
  Speaker 3: and think to themselves, well, maybe I can tuck a
• 10:29
  Speaker 3: few coins away or sell my home and also get
• 10:35
  Speaker 3: that here's the rub. It usually doesn't work. It's not
• 10:42
  Speaker 3: going to work out. It doesn't sit correctly.
• 10:45
  Speaker 2: No, it doesn't. It doesn't sit, it doesn't stand.
• 10:49
  Speaker 3: It just doesn't, you know. And it's usually I think,
• 10:54
  Speaker 3: fairly disastrous, you know, fairly, and trend come and go
• 11:01
  Speaker 3: and you you know, big butts are in and then
• 11:03
  Speaker 3: they're gonna be out, but you're still gonna be with it.
• 11:05
  Speaker 2: So mm hmmm. And yes, if they take things out
• 11:09
  Speaker 2: and we know, Kim, sure, but you're not gonna have
• 11:14
  Speaker 2: you probably won't have the money to do it. Sorry,
• 11:16
  Speaker 2: you know, I mean.
• 11:17
  Speaker 3: You've spent it all right.
• 11:20
  Speaker 2: So and there's going to be a lot of people,
• 11:22
  Speaker 2: especially here in LA that have made that choice that
• 11:25
  Speaker 2: can't go back.
• 11:27
  Speaker 3: They should speak out more, to be honest, like it's
• 11:30
  Speaker 3: a community that should raise up and be like, don't
• 11:36
  Speaker 3: do it. And I don't know, maybe there is a
• 11:39
  Speaker 3: TikTok or an Instagram where something out there right now
• 11:43
  Speaker 3: where a gentleman gotta bbl and he's laying in like
• 11:49
  Speaker 3: the back of the seat like this because you can't
• 11:51
  Speaker 3: for some time quite sometime.
• 11:56
  Speaker 1: Wow.
• 11:56
  Speaker 3: And someone from the street as he's driving by, I
• 12:00
  Speaker 3: shouts out to him and he's like, I just got
• 12:02
  Speaker 3: a BBL And the guy was like, Oh, it's gonna
• 12:04
  Speaker 3: look great soon. You know. It was like a straight
• 12:06
  Speaker 3: guy who was just really supportive and sweet and like.
• 12:10
  Speaker 3: And then there's a follow up after and it looks
• 12:14
  Speaker 3: pretty decent. But I mean again, it's a rougher road.
• 12:19
  Speaker 2: I think it is welcome. Thank you for joining us
• 12:24
  Speaker 2: on butt Talk. We will be back next week and
• 12:27
  Speaker 2: we really appreciate you being here. Thank you so much.
• 12:31
  Speaker 2: Now I really want to mention, like, Okay, so we
• 12:34
  Speaker 2: we were talking about like being in the eighties and
• 12:37
  Speaker 2: they've got the shake weights at this aerobics class, which
• 12:40
  Speaker 2: was hilarious Alexia interconfessional. Everyone was saying like where they
• 12:44
  Speaker 2: were in the eighties, and Alexia says, I in the eighties,
• 12:46
  Speaker 2: I was dating a cocaine cowboy and I didn't know
• 12:49
  Speaker 2: I was dating a cocaine cowboy. Hashtag thank you for
• 12:53
  Speaker 2: your honesty, and you know that was amazing.
• 12:58
  Speaker 3: Yeah.
• 12:59
  Speaker 2: So, also when they went to the SPA talking about
• 13:03
  Speaker 2: looks real quick. I loved Kiki's peachy pink bathing suit
• 13:08
  Speaker 2: with the skirt the cover up. I thought that was
• 13:11
  Speaker 2: a dress, like an athleisure wear dress. And I was
• 13:14
  Speaker 2: losing my mind at how beautiful that was. Yeah, I was.
• 13:17
  Speaker 2: I was like, oh my god, that is such perfection.
• 13:19
  Speaker 2: She is such perfection. And then she rolled that sucker
• 13:22
  Speaker 2: off and popped herself into that Chacuzi and on my
• 13:25
  Speaker 2: mind was blown me too. I was like a drag race.
• 13:29
  Speaker 3: Yeah, it was a reveal, yeah, wind like reveal and
• 13:33
  Speaker 3: it was fabulous.
• 13:34
  Speaker 2: If that was on Project Runway, you know, because of
• 13:37
  Speaker 2: its beautiful simplicity and everything that that would have won. Okay,
• 13:41
  Speaker 2: I just wanted to mention that, but we can go back.
• 13:43
  Speaker 2: It was thank you, you agree, pool Deck. Uh, Stephanie, Is
• 13:49
  Speaker 2: it possible to be allergic to not fresh squeeze orange shoes?
• 13:58
  Speaker 2: Because even if it's not true, I respect that that's
• 14:02
  Speaker 2: the lie she's telling so she can make sure she's
• 14:04
  Speaker 2: getting fresh squeezed. I'm okay with it.
• 14:07
  Speaker 3: Yeah, you know what it's giving. Who was the gal
• 14:10
  Speaker 3: in Beverly Hills a few seasons back who was allergic
• 14:12
  Speaker 3: to dust? That's why she couldn't go into brick and
• 14:15
  Speaker 3: mortar stores. She was with us, she came and she went.
• 14:19
  Speaker 3: She was dating the younger singer guy. She had a baby.
• 14:22
  Speaker 3: Oh yeah, Diana, Diana, Yeah, her being allergic. I can't
• 14:28
  Speaker 3: recover from being allergic to dust in brick and mortar stores.
• 14:33
  Speaker 3: That's why everything needs to come to her house.
• 14:36
  Speaker 2: I can't believe. I can't believe. I don't remember the
• 14:40
  Speaker 2: specificity of that. Thank you for bringing that back up.
• 14:43
  Speaker 2: Wow wow wow wow wow wow. Okay, Adriana, this whole episode,
• 14:54
  Speaker 2: this whole cruise up until we got to when thank god,
• 14:57
  Speaker 2: Stephanie invited her to sing it her Toys for Tots
• 14:59
  Speaker 2: Chris miss upcoming event. Thank god that breathed new life
• 15:03
  Speaker 2: back into her. But she was revived. What a sad,
• 15:07
  Speaker 2: sad situation. I mean this, we're looking at someone who
• 15:10
  Speaker 2: is just fully depressed, you know, whether it's a spell,
• 15:16
  Speaker 2: because she cannot shake this. She cannot shake weight this off,
• 15:20
  Speaker 2: you know. I mean like she's shown up with a
• 15:22
  Speaker 2: with a frown that is not coming back up.
• 15:25
  Speaker 3: Yeah, with the real puss and an energy suck. I
• 15:29
  Speaker 3: mean that would be very hard for me. Amy. I
• 15:32
  Speaker 3: feel like the girls were able to sort of manage
• 15:35
  Speaker 3: around it, but that sort of energy like with love.
• 15:41
  Speaker 3: You know, I understand you're going through something, but it
• 15:43
  Speaker 3: affects me greatly, Like I couldn't because ye and I
• 15:48
  Speaker 3: agree with you because I think that we are people.
• 15:51
  Speaker 2: And I mean, I would like to say most people,
• 15:54
  Speaker 2: I don't know these housewives don't seem to care. But
• 15:58
  Speaker 2: you are a tune and to what someone else is feeling,
• 16:03
  Speaker 2: and you're acknowledging them their presence, their vibe, and it's
• 16:08
  Speaker 2: caused for concern. So if you can't address it and
• 16:13
  Speaker 2: nothing can shift you, there's no choice in getting out
• 16:18
  Speaker 2: of it. You're stuck connected to them because you can't
• 16:22
  Speaker 2: ignore the reality of the situation in a room. I mean,
• 16:26
  Speaker 2: you know, I know that. Like sometimes when it comes
• 16:29
  Speaker 2: to like family stuff and you're like, Okay, I'm just
• 16:31
  Speaker 2: going to show up to this family thing. I don't
• 16:33
  Speaker 2: want to do it. This so and so is going
• 16:34
  Speaker 2: to be like this so and so is going to
• 16:35
  Speaker 2: be like that. I know how it's going to be,
• 16:37
  Speaker 2: but I have to go. It's for a certain amount
• 16:39
  Speaker 2: of time and suck it up. I'm going to compartmentalize
• 16:41
  Speaker 2: and I'm going to leave. That's different. Yeah, this is
• 16:46
  Speaker 2: like you're all friends You're now meeting up several times
• 16:50
  Speaker 2: and nothing is changing.
• 16:52
  Speaker 3: No, no, And she's it's just a dark cloud emerging
• 16:59
  Speaker 3: at every spot. You know, it's very it would be.
• 17:03
  Speaker 3: They do seem to be like, oh, that's happening, but
• 17:07
  Speaker 3: where we also are here, like I don't know. They
• 17:10
  Speaker 3: seem to be able to compartmentalize it, which is I
• 17:15
  Speaker 3: think a good thing. I know that it would just
• 17:17
  Speaker 3: be extremely It would affect me greatly to be in
• 17:21
  Speaker 3: that energy, and I probably would. It would be hard.
• 17:27
  Speaker 3: It was a very serious energy stack, That's what I mean.
• 17:34
  Speaker 2: Like, I thought, why are the producers allowing her to
• 17:38
  Speaker 2: be in this situation? Because to me, it seemed like
• 17:40
  Speaker 2: a mental health crisis in a way she could not
• 17:44
  Speaker 2: shake out of it, and that to me seems very concerning.
• 17:47
  Speaker 2: And I thought, can someone please protect her and get
• 17:50
  Speaker 2: her out of this situation? Or is it helping her
• 17:53
  Speaker 2: to be in this situation? Maybe? There were a lot
• 17:56
  Speaker 2: of conversations about whether she should even come to any
• 17:59
  Speaker 2: of these things, and she thought it might help me
• 18:02
  Speaker 2: to be around, but my god, like it didn't, and
• 18:06
  Speaker 2: it also didn't seem manufactured like she wanted the storyline
• 18:09
  Speaker 2: to come towards her, which is also very concerning because
• 18:13
  Speaker 2: that would be one thing. Then it wouldn't be as worried.
• 18:16
  Speaker 3: Sometimes that does happen with certain days, you know, where
• 18:22
  Speaker 3: a birthday is a great example where you're moving along
• 18:25
  Speaker 3: and you don't really think about it, and then the
• 18:27
  Speaker 3: day hits. You're like, I'm gonna be fine, it's a birthday,
• 18:29
  Speaker 3: it's another day. Then the day hits and it's like,
• 18:33
  Speaker 3: you know, so she may have been in it and
• 18:36
  Speaker 3: then not been able to you know, she doesn't. She
• 18:40
  Speaker 3: also doesn't really have Julia would be the one to
• 18:43
  Speaker 3: really have sad her down, and Julia was shirking her
• 18:48
  Speaker 3: responsibilities quite frankly, you know, she.
• 18:52
  Speaker 2: Just wanted to put braids in and have a good
• 18:55
  Speaker 2: time and that's it.
• 18:56
  Speaker 3: A mana me, I'm not even said, I'm not you know,
• 19:00
  Speaker 3: I see your braids.
• 19:01
  Speaker 2: I'll let it be.
• 19:03
  Speaker 3: I'm not going to address it. I'm not gonna look
• 19:05
  Speaker 3: at it. I actually never I'm not looking at them
• 19:07
  Speaker 3: straight on. I wouldn't look at them. I said, I
• 19:10
  Speaker 3: see them.
• 19:11
  Speaker 2: Between Adriana and her braids.
• 19:13
  Speaker 3: I'm like, we had we had a lot of we have.
• 19:16
  Speaker 2: To Yeah, I hit to Bob and weave you know,
• 19:18
  Speaker 2: he like a driver's head course and what is happening
• 19:21
  Speaker 2: with these ladies? Thank god Larses.
• 19:23
  Speaker 3: But is a beacon Yeah, yeah, a beacon of hope.
• 19:29
  Speaker 2: But I also felt like at the end, you know,
• 19:32
  Speaker 2: to find out that Marisol really was upset at Stephanie
• 19:38
  Speaker 2: for spending time with Adriana, and that became very clear
• 19:42
  Speaker 2: throughout this you know episode. Yeah, And I don't know
• 19:46
  Speaker 2: at what point Adriana found that out. I mean, okay,
• 19:50
  Speaker 2: well Stephanie told her. Okay, so they told her at
• 19:52
  Speaker 2: the you know, when they got back from the ship.
• 19:57
  Speaker 2: But like, I wonder if on the ship she was
• 20:00
  Speaker 2: thinking she's getting pushed out, She's getting pushed out by Julia,
• 20:03
  Speaker 2: She's getting pushed out by Marisol, and nobody seems to
• 20:07
  Speaker 2: care she's on this island, on a ship, and in
• 20:10
  Speaker 2: general on this show. So by the end of this episode,
• 20:14
  Speaker 2: with Stephanie being like, I have a message for you, Marisol,
• 20:19
  Speaker 2: I know you are and you know, if you're gonna
• 20:21
  Speaker 2: come for me, you better hit a you better not
• 20:24
  Speaker 2: miss because when it's my turn, I hit a bullseye.
• 20:27
  Speaker 2: You know. The ceiling from Bethany line and the glee
• 20:30
  Speaker 2: and delight coming from Adriana at that point, like, oh
• 20:34
  Speaker 2: my god.
• 20:36
  Speaker 3: Like she was eyes, she was like googly eyes, straight
• 20:41
  Speaker 3: up googly eyes.
• 20:42
  Speaker 2: She was like that little beret, that little friend.
• 20:51
  Speaker 3: She really Yeah, she does, she does.
• 20:57
  Speaker 2: That's like Adriana, that's like her. I'm a singer showing
• 21:00
  Speaker 2: up to talk about the gig. Look, yes, oh absolutely,
• 21:04
  Speaker 2: that's gig talk. That's definite gig talk. Look. Wait, let's
• 21:10
  Speaker 2: take a quick break. Let's head into this fall season
• 21:13
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• 22:02
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• 22:17
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• 22:19
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• 23:08
  Speaker 2: you heard about them, So please support my show and
• 23:11
  Speaker 2: tell them that I sent you. But when she realized
• 23:13
  Speaker 2: she's going to have an ally on this show, it
• 23:16
  Speaker 2: breathed new life into her. And I can't lie. I
• 23:18
  Speaker 2: was kind of happy to see her being thrown a
• 23:22
  Speaker 2: life vest, a life raft whatever. Yeah, she's alone and
• 23:29
  Speaker 2: just feel bad.
• 23:29
  Speaker 3: You know, it's not nice. It's not fun to be
• 23:33
  Speaker 3: around for Like, that's like Katie, you know, when that
• 23:37
  Speaker 3: happens on a show, it's just it's it's not what
• 23:41
  Speaker 3: we want.
• 23:42
  Speaker 2: No, it really isn't. And if that's what's happening, I
• 23:45
  Speaker 2: just like pull them away, you know, pull them out
• 23:49
  Speaker 2: and just be like, she's not feeling good. I don't know,
• 23:51
  Speaker 2: I don't know what to say right right, right, But
• 23:54
  Speaker 2: but you know when they did do that cake for her,
• 23:56
  Speaker 2: I thought it was really sweet, but it you know,
• 23:59
  Speaker 2: when you have to struggle to put a smile on
• 24:02
  Speaker 2: your face, you know that deep down there is truly
• 24:06
  Speaker 2: something organically going on, and I felt that pain for her.
• 24:09
  Speaker 2: I really did.
• 24:10
  Speaker 3: Well, it's interesting, you know, an it's a lesson in positioning,
• 24:17
  Speaker 3: you know, for yourself, how you approach something, because had
• 24:23
  Speaker 3: she said, like I am when she's fifty nine, I'm
• 24:28
  Speaker 3: fifty nine. I live my passions. I am more beautiful
• 24:35
  Speaker 3: than women half my age, I'm interesting, educated, and it
• 24:41
  Speaker 3: feels great. You know, I am killing it at fifty nine.
• 24:47
  Speaker 2: Do you know what I mean?
• 24:48
  Speaker 3: Like she she her positioning of it has me going, oh, yeah,
• 24:55
  Speaker 3: that's a bad thing. You're fifty nine, do you know
• 24:57
  Speaker 3: what I mean? Like, you're fifty nine and you don't
• 24:59
  Speaker 3: have what you're thinking. You don't have.
• 25:02
  Speaker 2: Plus you you know, she has a boyfriend, which I
• 25:04
  Speaker 2: completely didn't even remember. She's like, I missed my boyfriend,
• 25:07
  Speaker 2: you know, but yeah, I'm like, well you have a boyfriend,
• 25:11
  Speaker 2: like crown upside down? Yeah yeah. And then she is
• 25:15
  Speaker 2: such a dichotomy and I would love for her to
• 25:18
  Speaker 2: explain to us because she's got that DSM five and
• 25:20
  Speaker 2: I want her to look up what's up? Because when
• 25:23
  Speaker 2: she said to Stephanie, I was so upset on the
• 25:27
  Speaker 2: ship because I'm a very I'm a creative, I'm a
• 25:31
  Speaker 2: sensitive person, and when there's a lot of fighting around me,
• 25:35
  Speaker 2: I get overwhelmed. And that just does not You put
• 25:42
  Speaker 2: it through the machine and it doesn't come out right
• 25:45
  Speaker 2: when you harken back to all the chaos that she causes,
• 25:48
  Speaker 2: throwing name calling, like I don't understand that at all, Like, well, then,
• 25:54
  Speaker 2: how come you create issues in the past? How come
• 25:57
  Speaker 2: you stir things up so hard, you go so low?
• 26:00
  Speaker 2: I don't understand it. But maybe both things can be
• 26:03
  Speaker 2: true in this case, but I don't get it.
• 26:06
  Speaker 3: I think a little bit was true, But I think
• 26:08
  Speaker 3: she was maybe embarrassed of how much her birthday affected
• 26:13
  Speaker 3: her after she left. You know, who knows why she
• 26:16
  Speaker 3: said that, but.
• 26:21
  Speaker 2: It genuinely left me with like a what happened?
• 26:25
  Speaker 3: I think she's having a bit of an existential crisis,
• 26:28
  Speaker 3: an existential cry cry, and.
• 26:33
  Speaker 2: We don't see that on housewives typically. You know, maybe
• 26:37
  Speaker 2: this is maybe that's refreshing, Maybe it's nice to see
• 26:39
  Speaker 2: somebody go down that road.
• 26:41
  Speaker 3: I don't think reflecting taking stock, I don't really take stock.
• 26:45
  Speaker 3: Taking stock isn't our activity here. No, these programs.
• 26:50
  Speaker 2: Much like we're not looking We don't watch these to
• 26:53
  Speaker 2: like look up to people, you know.
• 26:56
  Speaker 3: I mean, yeah, it's like we do want well.
• 26:59
  Speaker 2: The aspirational money and fashion aspect, and it's nice to
• 27:04
  Speaker 2: see a Toys for tots here and there.
• 27:06
  Speaker 3: Yeah, you know what I do look up to genuinely,
• 27:09
  Speaker 3: these ladies get their life, you know. They they have fun,
• 27:15
  Speaker 3: they're out, they're like going on vacations, they're going into dinner,
• 27:19
  Speaker 3: they're prioritizing their friendships. I do look up to that,
• 27:26
  Speaker 3: you know.
• 27:27
  Speaker 2: Yeah. Yeah, well I love the working ladies, that's for sure.
• 27:30
  Speaker 2: And I love to that too. That's great. Now, can
• 27:33
  Speaker 2: we I love that We spent so much time talking
• 27:36
  Speaker 2: about Lars's but and then Adriana's existential crisis. Can we
• 27:42
  Speaker 2: just talk about how Frankie is calls out Marisol left
• 27:46
  Speaker 2: and right like he won't have it with her. He
• 27:49
  Speaker 2: will not have it. I go.
• 27:51
  Speaker 3: Frankie is riding Marisol's ax, her writing it.
• 27:56
  Speaker 2: He's on her. She best not make mistake.
• 28:01
  Speaker 3: Oh she didn't even He was over her the second
• 28:05
  Speaker 3: he opened the door. He had it in for her.
• 28:09
  Speaker 3: He was over her freaking shit before she opened the door.
• 28:16
  Speaker 2: And now he is a he is acting like a
• 28:19
  Speaker 2: mom of ten kids, and she is every ten of them.
• 28:24
  Speaker 3: Yeah, she is off ten. She has him on his
• 28:28
  Speaker 3: last nerves.
• 28:30
  Speaker 2: Oh my god, does she burn him up? And she
• 28:34
  Speaker 2: doesn't care. She's like a toddler and she's gonna run
• 28:38
  Speaker 2: a muck around him. She is on her no food
• 28:44
  Speaker 2: plate sitting there.
• 28:46
  Speaker 3: Just that was demented girl.
• 28:51
  Speaker 2: That girl.
• 28:53
  Speaker 3: I don't come here. He's about to take my microphone.
• 28:56
  Speaker 2: All right, so Auto is all settled in. Now he's
• 28:59
  Speaker 2: gonna hear about Marisol's vegan cheese. She ate a little
• 29:03
  Speaker 2: while ago. She's full. She doesn't need to eat. That
• 29:06
  Speaker 2: pasta looked amazing. That's how it looked. For my god, amazing. Steve,
• 29:12
  Speaker 2: you're a great cook.
• 29:13
  Speaker 3: Come on, Steve. I mean, it's a beautiful thing to
• 29:16
  Speaker 3: make a meal for a couple of pals, you know.
• 29:20
  Speaker 3: And you know, Steve, Steve seemed very much used to
• 29:23
  Speaker 3: Frankie riding his wife's ass.
• 29:26
  Speaker 2: Has no problem with it. In fact, he probably appreciates it,
• 29:29
  Speaker 2: you know, because I Steve's looking at him like why
• 29:33
  Speaker 2: is she hitting me? And Frankie's like, what are you
• 29:35
  Speaker 2: doing hitting him? I just the whole thing was the greatest.
• 29:40
  Speaker 2: It was Frankie's episode Quite frank Quite Frankie Lee.
• 29:45
  Speaker 3: You know, he really had me laughing.
• 29:48
  Speaker 2: Yeah, and Machol didn't care.
• 29:52
  Speaker 3: She's That's what I'm saying. We got a window into
• 29:54
  Speaker 3: like he's been, he's forever had enough with her. Well,
• 29:59
  Speaker 3: I don't I understand. It's almost like he can't take
• 30:02
  Speaker 3: his frustrations out on his mom. So Marissol's getting just
• 30:07
  Speaker 3: the hit. You know, I do feel that. I feel
• 30:11
  Speaker 3: like Frankie is just he didn't she did not take
• 30:16
  Speaker 3: one step towards him, and he was fed up.
• 30:20
  Speaker 2: You know, he doesn't want to see her drink anymore.
• 30:22
  Speaker 2: He wants her to stop drinking. He's like a little
• 30:25
  Speaker 2: bit drunk, drunk, a little bit a little bit drunk,
• 30:28
  Speaker 2: and and Alexia is like, take it down a notch
• 30:30
  Speaker 2: and he's like, yes, thank you, because I can't even
• 30:33
  Speaker 2: form words because she's driving me up a wall. And
• 30:37
  Speaker 2: the fact that she was like, I haven't drank all day,
• 30:40
  Speaker 2: and you know, he he knows, he knows the drill bullshit.
• 30:45
  Speaker 3: Marisol not putting a few bites of pasta on her
• 30:50
  Speaker 3: plate and a little salad was deranged.
• 30:54
  Speaker 2: I don't understand. It's a eating disorder, Like, there's no
• 30:57
  Speaker 2: way she was obvious. She was drinking her dinner clearly, yes,
• 31:01
  Speaker 2: like every night, and she's not even trying to hide
• 31:04
  Speaker 2: it in front of us. That's so crazy about it.
• 31:08
  Speaker 3: PS. Alexia was sort of dancing around her past. Now
• 31:11
  Speaker 3: I'm focused on who's actually eating.
• 31:14
  Speaker 2: Oh, she seemed to be munched down, no medium, Okay,
• 31:20
  Speaker 2: I thought she was like.
• 31:22
  Speaker 3: She took like an initial bite and then I feel
• 31:25
  Speaker 3: like she was really playing around.
• 31:27
  Speaker 2: What's tough is that, you know, I understand that wanting
• 31:30
  Speaker 2: to eat during a scene. So if you're talking about something,
• 31:34
  Speaker 2: I'm probably not going to be putting food in my
• 31:36
  Speaker 2: mouth because I don't want to be like talking on camera.
• 31:39
  Speaker 2: So I get that, Yeah, but I think it's beyond that.
• 31:44
  Speaker 2: For Marisol, she needs to put some stuff on her plate,
• 31:46
  Speaker 2: and you know, and for Alexia, we did catch her
• 31:50
  Speaker 2: kind of talking with her mouthful, which I appreciated. Yeah,
• 31:54
  Speaker 2: and maybe probably because she didn't want to talk about
• 31:55
  Speaker 2: how Todd is back in her life. She was trying to,
• 31:57
  Speaker 2: you know, put food in her mouth. But like here
• 32:00
  Speaker 2: we are, and she's like, you know, back in, back
• 32:05
  Speaker 2: into it, back into it. And now she's sam left it,
• 32:08
  Speaker 2: let's be right, right, okay, and Peter apparently has no
• 32:12
  Speaker 2: problem with it. I doubt that that's weird.
• 32:16
  Speaker 3: Yeah, but yeah, I mean I think Peter's letting her
• 32:21
  Speaker 3: do her. I do think that. I think that he's like,
• 32:24
  Speaker 3: I'm it's not worth it for me to like their
• 32:28
  Speaker 3: relationship seems to be in such a better place. Who knows,
• 32:32
  Speaker 3: I don't really could. I don't really know, Peter, you know,
• 32:35
  Speaker 3: but just weird, just weird to set up a scene
• 32:41
  Speaker 3: where Steve is going to make dinner and then have
• 32:45
  Speaker 3: and then be like, I'm not eating you know, I.
• 32:48
  Speaker 2: Hate Steve's cooking. Well, I mean she she said she
• 32:52
  Speaker 2: had vegan cheese, So is she like.
• 32:54
  Speaker 3: Well, what's vegan cheese? By the way, you're just gonna
• 32:56
  Speaker 3: have vegetarian? Is that why she wasn't eating with peat?
• 33:00
  Speaker 3: But there looked like there was a there was a meat. Yeah,
• 33:04
  Speaker 3: but you know this is you know what, this is
• 33:08
  Speaker 3: a set up dinner that, you know what I mean?
• 33:11
  Speaker 3: Like she kind of gets sprung upon her like, right,
• 33:16
  Speaker 3: you know, we had all the time.
• 33:17
  Speaker 2: She could have pasta. She could have the pasta and
• 33:20
  Speaker 2: have a different sauce. She's not eating amy, She's not eating,
• 33:23
  Speaker 2: she's drinking it.
• 33:24
  Speaker 3: Let's get real.
• 33:25
  Speaker 2: No, we are real, We're real. Okay, let's get into it.
• 33:28
  Speaker 2: You know who's getting real is Gerty with her therapy,
• 33:31
  Speaker 2: and you know, this is wild to be going through
• 33:35
  Speaker 2: this journey with her. I'm not gonna lie. I just
• 33:38
  Speaker 2: it's so her story and what she's sharing with us
• 33:42
  Speaker 2: and her life is just unmatched. I mean, like here
• 33:46
  Speaker 2: she is coming out of cancer and and now she's
• 33:50
  Speaker 2: going to go do solo therapy, which is great, and
• 33:52
  Speaker 2: she's going to start peeling back Haiti trauma. And we
• 33:57
  Speaker 2: kind of heard about this. We did hear that she
• 33:59
  Speaker 2: was left with a family in America.
• 34:04
  Speaker 3: And wow, it's so it's so many immigrant stories. This
• 34:10
  Speaker 3: isn't unique. It's like people are doing what they can
• 34:17
  Speaker 3: to make a better life for their families exactly exactly.
• 34:21
  Speaker 3: And it's not linear. You know, it's not clean. It's
• 34:26
  Speaker 3: it can be very messy and but there's trauma.
• 34:33
  Speaker 2: But you're right, it is. It's not that it's it
• 34:36
  Speaker 2: is a common story for immigrants. It doesn't erase the
• 34:40
  Speaker 2: trauma of it, but it is very It's like, I
• 34:43
  Speaker 2: feel like we've heard this on another Housewives episode two.
• 34:46
  Speaker 2: I don't know.
• 34:47
  Speaker 3: Yeah, yeah, you know, it's you can't all most of
• 34:52
  Speaker 3: the time come together. Yeah, you know. It's funny. You know,
• 35:00
  Speaker 3: my husband's from he was born in Hong Kong, and
• 35:03
  Speaker 3: his family was able to kind of come all over
• 35:06
  Speaker 3: at the same time. But then there was a time
• 35:14
  Speaker 3: when both of his parents are working, you know, like
• 35:18
  Speaker 3: and he got tossed over to a person he didn't
• 35:23
  Speaker 3: know for the summer and it was I went through
• 35:26
  Speaker 3: it and it was a literal nightmare for him. Nothing
• 35:31
  Speaker 3: bad happened, per se, just like it sounds like Gerty,
• 35:35
  Speaker 3: you know, Girdy. Yes, it sounds like they were sort
• 35:37
  Speaker 3: of you're here, here's a room. Good luck. You know,
• 35:43
  Speaker 3: when you're a kid, it's just abandoned all the feelings fully,
• 35:48
  Speaker 3: fully it's a nightmare. And so you know, and and
• 35:54
  Speaker 3: to all come over together is mostly it's not someone
• 35:58
  Speaker 3: has to come over, you know, or you have thank god,
• 36:00
  Speaker 3: you have somewhere to put the kids. Like it's not linear, no,
• 36:05
  Speaker 3: now new And so it would be so good for
• 36:09
  Speaker 3: her because I'm sure from her parents' point of view,
• 36:12
  Speaker 3: they're looking like Keeky's dad looked at the other last week,
• 36:16
  Speaker 3: going look at you look at what arms around you
• 36:20
  Speaker 3: right led to you are thriving. You have a huge
• 36:25
  Speaker 3: bit you'd think you could this would be you, a
• 36:28
  Speaker 3: businesswoman you know, who has been uberly successful, found yourself
• 36:33
  Speaker 3: on a hot TV show, married to the love of
• 36:35
  Speaker 3: your life, beautiful children, Like this is the choice that
• 36:40
  Speaker 3: we made and the vision we held as the utmost
• 36:43
  Speaker 3: possibility of.
• 36:44
  Speaker 2: What wow yeah wow wow. So there And the flip
• 36:50
  Speaker 2: side is that doesn't erase the child within that went
• 36:54
  Speaker 2: through that. And that's the truth of it. And Gertie
• 36:57
  Speaker 2: saying that she branded herself and you know, basically to
• 37:02
  Speaker 2: shield herself from any of that pain. It's just it,
• 37:06
  Speaker 2: it's really sad, I mean, but it is. It is
• 37:08
  Speaker 2: the American dream. She has lived the American dream. Absolutely
• 37:12
  Speaker 2: h Well.
• 37:13
  Speaker 3: That'll be the bullying and all of that. That is
• 37:17
  Speaker 3: also a huge part of it. It is and it's
• 37:20
  Speaker 3: like you are dropped into the unknown and like it's
• 37:24
  Speaker 3: not easy.
• 37:26
  Speaker 2: It's sure, it sure isn't. And you know, God, we
• 37:32
  Speaker 2: love Gerty And she'll show up at a scarlet party
• 37:35
  Speaker 2: with lace over her face and devil horns as a headpiece.
• 37:40
  Speaker 3: I really like she when she came to the I
• 37:43
  Speaker 3: don't know if you notice this. But when she came
• 37:45
  Speaker 3: into the the jazzer size class with her wig on,
• 37:52
  Speaker 3: Alexi was like, oh my god, like and she went
• 37:54
  Speaker 3: to give her a hug and Alexei did not hug her.
• 37:56
  Speaker 3: And I was like, the grace and the strength, gl
• 38:00
  Speaker 3: I know she doesn't feel her best. I can feel
• 38:02
  Speaker 3: like she put the top she's putting on it. The
• 38:06
  Speaker 3: grace she is entering every freaking episode. Yeah, and I
• 38:11
  Speaker 3: am just like so impressed with her. And I do
• 38:15
  Speaker 3: not feel anyone has like given her an ata boy you.
• 38:21
  Speaker 2: Know what I mean, or from beginning, and it probably
• 38:25
  Speaker 2: won't happen by the end of this because if it
• 38:28
  Speaker 2: didn't happen already, it's beyond upsetting. She had her own
• 38:33
  Speaker 2: party for herself. Oh god, Okay, Well, anyway, the good
• 38:39
  Speaker 2: news is is that the Larsa eclipse her but eclipse
• 38:46
  Speaker 2: made or whatever, it made peace within the group. We
• 38:52
  Speaker 2: have Lisa and we have Larsa finally coming together despite
• 38:59
  Speaker 2: Larsa trying to get it in one more time. I
• 39:05
  Speaker 2: just felt like you weren't there for me. You hurt
• 39:07
  Speaker 2: me to the bone. That's how I felt.
• 39:10
  Speaker 3: Thank you for the flashbacks of mere moments ago. I
• 39:13
  Speaker 3: felt like within the hour where they sat you down
• 39:16
  Speaker 3: and was like release it, release it, Like I I
• 39:21
  Speaker 3: appreciated that.
• 39:22
  Speaker 2: Yeah, and you know, yes, and then who else got
• 39:27
  Speaker 2: Newel's made up? Oh yeah it was Stephanie and Alexia
• 39:31
  Speaker 2: in the mudroom. Yes, that was Greaty.
• 39:34
  Speaker 3: We are meant to be like they are. You know,
• 39:37
  Speaker 3: Alexia kind of threw Marisol under the bus as she.
• 39:42
  Speaker 2: Did, and I I think it's good that she did,
• 39:47
  Speaker 2: because we really need to know what's the what the
• 39:49
  Speaker 2: dynamics are there, and I think they both have taken
• 39:53
  Speaker 2: one for each other many times over since they've been
• 39:56
  Speaker 2: on this show. Yeah, and I wonder and they haven't
• 39:59
  Speaker 2: let us I'm sorry, they haven't let out what who
• 40:03
  Speaker 2: has done what. They've just moved as a team. So
• 40:06
  Speaker 2: for Alexia, right, yeah, So for Alexia to be broken
• 40:12
  Speaker 2: down by Stephanie to actually get the truth out of
• 40:15
  Speaker 2: what was really going on was pretty interesting because no
• 40:18
  Speaker 2: one's been able to like cut them and I really
• 40:21
  Speaker 2: feel like, I wonder if Marisol's going to be upset,
• 40:23
  Speaker 2: they'll probably come back together. It'll be fine, They'll be fine.
• 40:26
  Speaker 2: But you know, with Alexia saying she really did what
• 40:30
  Speaker 2: she was trying to convince Marisol to go on the plane.
• 40:34
  Speaker 2: And it's just wild that she was so mad about
• 40:36
  Speaker 2: the Adriana dinner. I mean that it was more that
• 40:39
  Speaker 2: it seemed like than it was the rules of the plane,
• 40:43
  Speaker 2: right when really, and when Stephanie was like, I can't
• 40:46
  Speaker 2: believe that that's so immature, and I had a seat
• 40:49
  Speaker 2: right next to her, I'm like, okay, you know what,
• 40:51
  Speaker 2: that's why she didn't go on. Yes, I just like
• 40:54
  Speaker 2: I would be. I wouldn't go on the plane because
• 40:57
  Speaker 2: of that. That actually is fair, you know. So, but
• 41:00
  Speaker 2: they're bond with the sisters, and I didn't know Alexi
• 41:04
  Speaker 2: had a sister. Nope. Wow, that was a bombshell.
• 41:08
  Speaker 1: Yeah.
• 41:10
  Speaker 3: And we didn't even get a picture of the sister.
• 41:13
  Speaker 3: We only got a picture of Alexi and her mom, right,
• 41:18
  Speaker 3: because I don't think they would that she wouldn't get
• 41:20
  Speaker 3: any clearance for that.
• 41:23
  Speaker 2: Or speaking for you know, for three years. Wow. Wow
• 41:29
  Speaker 2: wow wow. Okay, Well, uh, that's our that's our recap. Okay,
• 41:36
  Speaker 2: that is our recap. And we did it. So Deanna
• 41:39
  Speaker 2: and I have to get off because we have to leave.
• 41:42
  Speaker 2: We got to take five and then we're gonna come
• 41:44
  Speaker 2: back on in recap, Orange County. We've got work to do.
• 41:47
  Speaker 3: We got to do work EG.
• 41:48
  Speaker 2: We're keg, we're WORKG. So thanks for listening, darlings, and
• 41:54
  Speaker 2: UH have a great weekend. Bye. Uh.
• 41:59
  Speaker 1: Drama Darling Drama, Darling Drama, Darling