Latest / The Breakfast Club / Fashionably Ready: Beyonce Cease and Dessist and Met Gala Preparations
Transcript
- 0:02Speaker 1: I'm a homegirl that knows a little bit about everything
- 0:04Speaker 1: and everybody.
- 0:05Speaker 2: You know, if you don't lie about that, right la.
- 0:09Speaker 1: Hello guys, it's Lauren Rosa and this is the Latest
- 0:12Speaker 1: with Lauren the Rosa. I am the homegirl that knows
- 0:15Speaker 1: a bit about everything and everybody. And as always, the
- 0:18Speaker 1: Latest with Laurena Rosa is your dig on everything pop
- 0:21Speaker 1: culture and those conversations that are going to shake the room.
- 0:25Speaker 1: Now today we are back with another episode. I'm here, Brandon's.
- 0:29Speaker 2: Here, Yep, yep, I'm we are here.
- 0:31Speaker 3: I'm in Sunday clothes.
- 0:33Speaker 1: It's raining here in New York, and I actually like,
- 0:36Speaker 1: we gotta get through this because I'm headed to a
- 0:38Speaker 1: fitting with Romeo Hunt from Youo is going to be
- 0:41Speaker 1: dressing me for the met Gala after activities invites. Just
- 0:44Speaker 1: keep coming, keep coming, you know what I'm saying, Like different,
- 0:46Speaker 1: I know how.
- 0:47Speaker 2: Much you like your fashion, So watching things happen for
- 0:50Speaker 2: you is inspiring as well just watching it. So that's dope.
- 0:53Speaker 3: Thank you.
- 0:54Speaker 1: I'm in a really good space, like I'm feeling like
- 0:56Speaker 1: the seeds that I've been planting are starting to grow,
- 0:59Speaker 1: and that's a good feeling.
- 1:01Speaker 3: You hung over from the Strip Club.
- 1:03Speaker 2: I was not at the Strip Club, though I was
- 1:06Speaker 2: hung over. I feel like Alergi is kicking my ass.
- 1:08Speaker 2: But I'm I'm happy, y'all.
- 1:10Speaker 3: So let's get on into the latest. So Beyonce.
- 1:14Speaker 1: We had talked a bit on the Breakfast Club and
- 1:16Speaker 1: here on the podcast about Beyonce and the Cowboy Carter
- 1:19Speaker 1: tour and you know, just things happening. But now Beyonce
- 1:22Speaker 1: has been hit with a cease and desist. So earlier
- 1:25Speaker 1: this week, Beyonce was hit with a cease and desist
- 1:27Speaker 1: lawsuit because the Las Vegas Fear Sphere, the owners of
- 1:31Speaker 1: the Sphere that were just kicking my ass, claim that
- 1:34Speaker 1: Beyonce's production team used an image of the Sphere without
- 1:37Speaker 1: their permission, which is crazy because legally it's like, yes,
- 1:42Speaker 1: I get it, and they have an argument, but it's Beyonce.
- 1:46Speaker 1: Like I feel like you just like be happy that
- 1:48Speaker 1: Beyonce used anything in relation to you, Like, what do
- 1:50Speaker 1: you mean?
- 1:50Speaker 2: No, I mean, looking into the story, it seemed a
- 1:52Speaker 2: little petty because you know, they wanted her to perform
- 1:55Speaker 2: at the Sphere and she didn't reply to oz it
- 1:57Speaker 2: James Dolan, They said, the CEO of the sphere. He
- 2:01Speaker 2: wanted her to perform, and she never applied to him.
- 2:03Speaker 2: So it seems like you can't use nothing about the
- 2:05Speaker 2: sphere and none of your productions don't even acknowledge us
- 2:08Speaker 2: anymore since you're not. But that's what it felt like,
- 2:10Speaker 2: you know, reading up on the story, So you.
- 2:11Speaker 1: Feel like without that whole background information or the background
- 2:16Speaker 1: her not performing there, they wouldn't have dropped this lawsuit.
- 2:18Speaker 2: Yeah, I feel like you know things about relationships if
- 2:20Speaker 2: they have built that relationship of you know, you just
- 2:23Speaker 2: do this for me, I'll do this for you. And
- 2:24Speaker 2: I don't think it's that First of all. I want
- 2:26Speaker 2: to know if it's can do does he have a
- 2:29Speaker 2: case because it's just an image of a building, right, Yeah,
- 2:33Speaker 2: she used in the video. She used the Eiffel Tower,
- 2:36Speaker 2: she used the Statue of Liberty. She just used monuments
- 2:40Speaker 2: that are recognizable in cities.
- 2:42Speaker 3: Gotcha.
- 2:42Speaker 2: Oh, I don't see what the issue is here.
- 2:44Speaker 1: So for context, So, during the opening night of Beyonce's
- 2:48Speaker 1: Cowboy Carter tour, so that was back on April twenty eighth,
- 2:51Speaker 1: Beyonce used the Las Vegas Sphere in one of the
- 2:54Speaker 1: visuals that're like one of the interlude visuals now in
- 2:57Speaker 1: the video. So it's the two to Heaven song, the
- 3:00Speaker 1: one of R Kelly's ex wife Drea. She depicted so
- 3:06Speaker 1: Beyonce has depicted as one hundred feet tall and she's
- 3:09Speaker 1: striding through Las Vegas before she stops at the Sphere.
- 3:12Speaker 1: Then she lowers down before picking the venue up, tapping
- 3:15Speaker 1: it with one of the with one of her fingers
- 3:16Speaker 1: and walking away with in her hand. For those of
- 3:19Speaker 1: you guys who are watching the video here on YouTube,
- 3:23Speaker 1: you can take a look here for all all your listeners.
- 3:25Speaker 1: I'm describing it because I know that you can't see it,
- 3:27Speaker 1: but please go check it out. It'll be posted to
- 3:29Speaker 1: the bron Gar Grinding Instagram into my Instagram, Lauren la Rosa.
- 3:33Speaker 3: Now, the clip went.
- 3:34Speaker 1: Crazy because people are always hype to see Beyonce visuals.
- 3:37Speaker 1: But who you're talking about Madison Square Garden Bass James Dolan.
- 3:41Speaker 1: He was upset about this and people were actually tweeting like, imagine,
- 3:44Speaker 1: you can't get booked Beyonce, So now you mad and
- 3:46Speaker 1: you send a lawsuit?
- 3:47Speaker 3: Right.
- 3:48Speaker 1: The biggest issue that he had here was that because
- 3:52Speaker 1: you saw her in the with the Sphere in Las Vegas,
- 3:56Speaker 1: there was big speculation that her tour would be hitting there,
- 3:59Speaker 1: So basically they feel like they were wrongly depicted or
- 4:02Speaker 1: like it was almost like a false advertisement that could
- 4:03Speaker 1: have fell back on them to people that would have
- 4:05Speaker 1: wanted to come and see her in Las Vegas. McCarthy
- 4:08Speaker 1: went on to say that bees interlude has caused significant
- 4:11Speaker 1: speculation that she would end her tour with the Sphere residency,
- 4:16Speaker 1: because you remember some time ago, there's been right now
- 4:19Speaker 1: even though right now still there's rumors that Beyonce supposed
- 4:21Speaker 1: to do a Las Vegas residency, So people thought that
- 4:23Speaker 1: this was her saying and signally because she does this
- 4:26Speaker 1: in a lot of her art. Taylor Swift does it
- 4:28Speaker 1: as well, where they dropped these easter eggs, so people
- 4:30Speaker 1: thought it was an easter egg. So the letter the
- 4:34Speaker 1: Season Assists that was sent to her company, Beyonce's company,
- 4:37Speaker 1: park Or Entertainment, asked her to stop using the venue
- 4:40Speaker 1: Sphere without permission in the interlude so that it wouldn't
- 4:43Speaker 1: cause any confusion. It has recently comes to SEG's attention.
- 4:46Speaker 1: This is what the letter said that a Cowboy Carter
- 4:48Speaker 1: Tour interlude video contains an unauthorized use of SEG's intellectual property.
- 4:53Speaker 1: The letter states SEG is sure that multiple aspects of
- 4:56Speaker 1: the Interluw video, including other brands, clips, and music, were
- 4:59Speaker 1: duly cleared by the tour with rights permissions from stakeholders
- 5:04Speaker 1: whose works were used in the video, as it's common practice. Seg, however,
- 5:08Speaker 1: was never asked if the prominent appearance and manipulation of
- 5:12Speaker 1: SEG's sphere venue could be authorized. So basically what they're
- 5:16Speaker 1: saying is is, y'all asks us to use a lot
- 5:18Speaker 1: of other stuff and other people in this. So when
- 5:20Speaker 1: it comes to music, other you know, images or whatever.
- 5:22Speaker 1: And in Las Vegas, you know that those buildings and
- 5:25Speaker 1: the way that they look it's.
- 5:26Speaker 3: All a part of the brand.
- 5:27Speaker 1: And they do a lot of that, like architecture on purpose, right,
- 5:30Speaker 1: and they make up staples like you can think about
- 5:32Speaker 1: like how certain places like playing Hollywood and stuff like
- 5:35Speaker 1: that look in Vegas. So from what I'm reading here,
- 5:38Speaker 1: I think that they would have a case if she
- 5:40Speaker 1: didn't go about this the right way, which confuses me
- 5:42Speaker 1: because it's Beyonce, so it's like, why wouldn't she? But
- 5:45Speaker 1: it does seem a bit petty, it does. It does
- 5:48Speaker 1: seem a bit petty.
- 5:49Speaker 3: Now.
- 5:49Speaker 1: I brought all that up because this lawsuit dropped and
- 5:53Speaker 1: then there was more Beyonce tour news. So people have
- 5:57Speaker 1: been talking about the tickets, and I thought with the
- 5:58Speaker 1: tour going viral, more people were going to just start
- 6:01Speaker 1: buying the tickets.
- 6:02Speaker 3: Even though you know you don't got the money.
- 6:03Speaker 1: But you know, it's like fomo, yeah did you Like,
- 6:05Speaker 1: I know, I don't know how much of a Beyonce
- 6:07Speaker 1: you are, but didn't make you want to go and
- 6:09Speaker 1: see the tour when you were seeing like Roomy and
- 6:11Speaker 1: like you know, blue performing on stage and stuff.
- 6:13Speaker 2: I've been hurt by a lot of Beyonce bands, so
- 6:17Speaker 2: it's a weird little thing on on.
- 6:19Speaker 1: You mean, like excess or like no, let's explore you
- 6:23Speaker 1: are no no no, but I replaceable different. No.
- 6:30Speaker 2: I thought it was more about the album. I think
- 6:33Speaker 2: a lot of people weren't big fans of the actual.
- 6:35Speaker 3: You're the second person to tell me that.
- 6:37Speaker 2: Yeah, So I think that's more of like Renaissance had
- 6:40Speaker 2: like great, and then I think it's that, and then
- 6:41Speaker 2: I think it's just money the economy. I feel like
- 6:44Speaker 2: the tickets are expensive and like you are real selective
- 6:47Speaker 2: nowadays with who they see a lot like the big arts,
- 6:50Speaker 2: So I hearing like if you're if they're going to
- 6:51Speaker 2: Kendrick or Chris Brown, you probably don't got the bandwidth
- 6:56Speaker 2: to be paying for Beyonce as well like those are.
- 6:58Speaker 2: That's probably two start there between.
- 7:01Speaker 1: The two between including outfits and travel, and I get it,
- 7:05Speaker 1: but I don't know. I just feel like there's always
- 7:07Speaker 1: like the foumo thing, especially like with us, like we're
- 7:10Speaker 1: gonna we're gonna spend a dollar on to spend, we
- 7:12Speaker 1: feel like we're missing something or whatever. And I think,
- 7:15Speaker 1: I don't know, maybe it's because Beyonce kind of just
- 7:17Speaker 1: recently came off of the Renaissance tour. Because normally with
- 7:19Speaker 1: Beyonce tours, for me, the hype is is like, oh
- 7:22Speaker 1: my god, I gotta get the ticket. I gotta get
- 7:23Speaker 1: the ticket because I don't know when she's going back
- 7:25Speaker 1: on tour. She just came off of a tour, so
- 7:27Speaker 1: a lot of those fans did Renaissance. Now Cowboy Carter
- 7:30Speaker 1: is here, there's rumors of Vegas residency, so it's like,
- 7:34Speaker 1: maybe you feel like I'm gonna see her again a lot.
- 7:37Speaker 2: Like she's not Like I feel like people aren't necessarily
- 7:40Speaker 2: like missing her.
- 7:41Speaker 1: Yet people have been saying though that a lot of
- 7:44Speaker 1: people felt like Renaissance was her last tour, but a
- 7:45Speaker 1: lot of people felt like Cowboy Carter might be her last.
- 7:48Speaker 1: They said that every tour though, but a lot of
- 7:49Speaker 1: people feel like that. But she's had some issues that
- 7:52Speaker 1: you know this last week a couple of hiccups on stage,
- 7:55Speaker 1: which I know somebody getting fined.
- 7:57Speaker 3: You don't play it to be.
- 7:59Speaker 2: I saw you yo.
- 8:01Speaker 3: Okay.
- 8:02Speaker 1: So there was one of them where she couldn't find
- 8:04Speaker 1: her mark on stage, like her X on stage, and
- 8:06Speaker 1: she's like visibly looking.
- 8:08Speaker 3: Then there was another one where, uh, she had the.
- 8:13Speaker 1: Like there was she was trying to take There was
- 8:14Speaker 1: like a stunt that she was going with like a
- 8:15Speaker 1: glove and she's holding her mic and like people are
- 8:18Speaker 1: trying to take that off of her while she's on
- 8:20Speaker 1: safe and she visibly looks pissed. And she's normally really
- 8:24Speaker 1: good about handling like when things are not going right,
- 8:27Speaker 1: like this is not she just not a first ROADI
- 8:29Speaker 1: of course they'd be like who taught Laura? No pun intended?
- 8:33Speaker 1: She always saying it like I swear I'm a rapper,
- 8:35Speaker 1: like double Antandra don't play with me. But yeah, so
- 8:39Speaker 1: the fact that she looked visibly upset and we all
- 8:41Speaker 1: know is Beyonce. She's the queen of live performance. It's like, oh,
- 8:44Speaker 1: somebody ain't gonna have a job, somebody family ain't getting
- 8:47Speaker 1: no more free Cowboy Carter tickets, and yeah, so people,
- 8:51Speaker 1: I think people right now are still trying to figure
- 8:53Speaker 1: out if it's worth going to not worth it because
- 8:57Speaker 1: it's Beyonce, but basically, if it's like if I'm spending
- 8:59Speaker 1: my last dollar, is the show, like, you know, monumental
- 9:04Speaker 1: enough that I want to spend my last.
- 9:05Speaker 3: Dollar if I got to chew, pick and choose.
- 9:08Speaker 1: And then you got these moments going viral, countering the
- 9:11Speaker 1: other big moments where everybody was like, oh my god,
- 9:13Speaker 1: you know, she got her babies out there, Blue is dancing,
- 9:15Speaker 1: We're meeting roomy. Now she just thinks her mom Tina
- 9:18Speaker 1: Nose on stage for you know, New York Times bestseller
- 9:21Speaker 1: for her Matriarch book, and then all this, you know,
- 9:24Speaker 1: these little hiccups happened, and people not centered on it.
- 9:26Speaker 1: I don't feel like you said you didn't even see it.
- 9:28Speaker 2: That I didn't see that specifically, but yeah, I've been
- 9:31Speaker 2: seeing clips and the the biggest thing I've been seeing
- 9:33Speaker 2: is blues improvement and dancing, Like I almost couldn't believe it. Yeah,
- 9:38Speaker 2: who is like who? And she looked I think she
- 9:42Speaker 2: who is that? Like she cooking? Yo? I really love
- 9:46Speaker 2: that because I remember an article came out that the
- 9:50Speaker 2: slander she was getting from the first like videos that
- 9:52Speaker 2: came out of her on tour motivated her to do better.
- 9:55Speaker 2: And now she's like, oh, she's a dancer now, Yeah,
- 9:57Speaker 2: I wonder if that's what she wants to do, like
- 9:59Speaker 2: if she wants to going to that path, and like
- 10:01Speaker 2: it looked like you could keep up like in Beyonce Shadow.
- 10:04Speaker 2: All right, it's a wild take, But was Beyonce dancing
- 10:07Speaker 2: like that?
- 10:07Speaker 1: And her No Beyonce, No no, no, no, no baby no
- 10:11Speaker 1: in the beginning of and the behive and y'all can
- 10:14Speaker 1: come and get me off y'all want because we will
- 10:15Speaker 1: be upset when you dissect anything Beyonce and don't just
- 10:18Speaker 1: like give it to her all the way the beginning,
- 10:20Speaker 1: No Beyonce developed as I mean, the Destiny's Child had
- 10:24Speaker 1: to stage presence. They were moving, they were dancing, but
- 10:26Speaker 1: the vehicle in the machine of Beyonce, like the whole
- 10:30Speaker 1: Beyonce versus Sasha Fierce air Like it was really cute
- 10:33Speaker 1: and she was doing her thing before that, but she
- 10:35Speaker 1: evolved into this like.
- 10:38Speaker 3: Machine of like, yeah, who the hell is that? Blue
- 10:42Speaker 3: Ivy did that so fast?
- 10:44Speaker 1: I would say faster or maybe we just start paying
- 10:46Speaker 1: attention a lot more because it's social media. Yeah, but baby,
- 10:49Speaker 1: when I saw Blue Ivy walk out the day Javou
- 10:51Speaker 1: that opening night, I said, oh, Blue Ivy is tea yeah.
- 10:56Speaker 2: And then I'm trying to like compare it to the
- 10:58Speaker 2: professional dances behind it and see if like, but she's
- 11:01Speaker 2: like nepotism, Like I just want to put my daughter.
- 11:05Speaker 2: She's keeping up with the dam I'm like, I'm eating them.
- 11:08Speaker 1: Up like crazy, like even her faces too, like.
- 11:16Speaker 3: Okay, that's why I'm not dancing.
- 11:18Speaker 1: Well, I don't know if we if we do get
- 11:20Speaker 1: that Las Vegas residency and we get to see Blue
- 11:23Speaker 1: on stage, and you know what I mean, it's probably
- 11:25Speaker 1: not gonna happen at this sphere now because of this
- 11:27Speaker 1: cease and desist that was saying and they you know
- 11:30Speaker 1: before when it was reported that she was doing the
- 11:31Speaker 1: residency and that it was going to happen there.
- 11:33Speaker 3: The negotiations fell through.
- 11:34Speaker 1: So for some reason, I don't know, beyond Beyonce in
- 11:38Speaker 1: that Sphere team, they just can't figure it out, Like
- 11:40Speaker 1: they just can't get it together. So we'll have to
- 11:42Speaker 1: you know, it's the first.
- 11:42Speaker 2: Few days star, right, they got time to get this
- 11:44Speaker 2: ship together.
- 11:45Speaker 1: Well, Beyonce is doing her the tourter she's doing now
- 11:48Speaker 1: doesn't have anything to do with the Sphere, but because
- 11:51Speaker 1: when the Las Vegas residency rumors dropped, and then news
- 11:54Speaker 1: had came out that if she did do the residency,
- 11:56Speaker 1: it was going to be there. But then news came
- 11:59Speaker 1: out that the those negotiations fell through, like they couldn't.
- 12:03Speaker 3: I don't know.
- 12:03Speaker 1: It was like demands from both sides that like I
- 12:05Speaker 1: guess they just weren't meeting in the middle correctly, and
- 12:08Speaker 1: then she was looking at other locations and then it
- 12:09Speaker 1: just never happened. So that's why they're like, Yo, you
- 12:12Speaker 1: can't just throw us in your promo, Like now you
- 12:14Speaker 1: got your fans thinking you bring in something here that's
- 12:16Speaker 1: probably not it's nothing on paper.
- 12:19Speaker 2: So there was negotiations. I thought there was, she wasn't.
- 12:21Speaker 2: She didn't reach back out.
- 12:22Speaker 1: No, no, no, no, no, So Beyonce had a loss.
- 12:24Speaker 1: So the New York Post, actually I put up an
- 12:26Speaker 1: article Beyonce had a Las Vegas show scheduled at Allegiance
- 12:30Speaker 1: Stadium on July twenty fifth, twenty twenty five. Initially there
- 12:32Speaker 1: were reports of a potential residency at the Sphere, but
- 12:35Speaker 1: those negotiations fell through.
- 12:38Speaker 3: Then Yeah, so.
- 12:39Speaker 2: Okay, I thought she ignored them completely.
- 12:41Speaker 1: No no, no, no, no, so it just didn't work out. No,
- 12:43Speaker 1: it didn't work out that time. Yes, yeah, gota. So
- 12:49Speaker 1: moving on what I'm excited about because this is the
- 12:50Speaker 1: reason why I got to get on up out of
- 12:52Speaker 1: here and go to a fitting mecgala. The met Gala
- 12:56Speaker 1: of the twenty twenty five met Gala is taking place.
- 13:00Speaker 3: In New York.
- 13:01Speaker 1: The theme this year is super fine Tailoring, Black Style.
- 13:05Speaker 1: Now this is an ode to black dandyism, and all
- 13:08Speaker 1: of us were fine and sophisticated. Glory Brandon, do you
- 13:10Speaker 1: know anything that I just said?
- 13:12Speaker 2: No words go. I started looking around the room. I
- 13:16Speaker 2: was like, yes, you got it. You got fashion girl.
- 13:19Speaker 1: Have you been seeing anything from the meggalo on your timeline?
- 13:21Speaker 1: I like to ask people outside of fashion how they
- 13:24Speaker 1: view what's happening in fashion.
- 13:25Speaker 2: I saw the theme mostly I forgot the day of
- 13:29Speaker 2: it was said around black sat.
- 13:31Speaker 1: Around black people. Most people are just excited about that.
- 13:34Speaker 1: A lot of people were like, you know what this is.
- 13:37Speaker 1: I saw an interview when June Ambrose sat down a
- 13:40Speaker 1: complex and they talked about the Megala a couple months
- 13:42Speaker 1: ago or a month or so ago.
- 13:45Speaker 3: A lot of people feel like this is in.
- 13:47Speaker 1: A Winter Tours because they put together the medic you know,
- 13:49Speaker 1: I think this is their this is their home. They
- 13:52Speaker 1: feel like this is in a win tours. Thank you
- 13:55Speaker 1: to to Andre Leon Tally. So Andre Leon Tally big
- 13:59Speaker 1: force in fashion. He was an editor. He was like
- 14:02Speaker 1: a lot of like the major black not even just
- 14:04Speaker 1: black celebrities, because he had his hands in everything with
- 14:07Speaker 1: everybody and a lot of the big fashion houses, but
- 14:09Speaker 1: a lot of the big h you know us black
- 14:13Speaker 1: people in fashion. He would he helped to like kind
- 14:17Speaker 1: of bring them to the forefront, to develop them, to say,
- 14:19Speaker 1: to allow the coature world to meet them for the
- 14:21Speaker 1: first time because it wasn't a place where we were welcomed.
- 14:24Speaker 1: And he was always one of, you know, if not
- 14:26Speaker 1: the only Black people that you would see front row
- 14:28Speaker 1: at a lot of these colture shows and these couature houses,
- 14:31Speaker 1: Like he did so much just by his presence and
- 14:34Speaker 1: you know, doing everything that he did behind the scenes
- 14:36Speaker 1: in front of the camera for black people in fashion,
- 14:39Speaker 1: but for people in fashion in general. But he was
- 14:41Speaker 1: a black man, you know what I mean. And then
- 14:43Speaker 1: he passed away, and people felt like at the time
- 14:45Speaker 1: when he passed away that in a winterur and you know,
- 14:49Speaker 1: Vogue and you know, just that whole couture world didn't
- 14:51Speaker 1: do enough for him, like he was. Even like at
- 14:53Speaker 1: the time when he passed away, there was conversations about, like,
- 14:55Speaker 1: you know, his family struggling to pay for his funeral
- 14:57Speaker 1: and just like which was crazy because when you think
- 15:00Speaker 1: about who he was as a journalist, as a editor
- 15:04Speaker 1: at large for Vogue, creative director, stylist, like just an
- 15:08Speaker 1: American fashion hero. He there have been reports of him
- 15:12Speaker 1: going through money things for some time before his passing,
- 15:15Speaker 1: but I think people just he gave so much. He
- 15:18Speaker 1: gave so much artist wise, uh, you know, just he
- 15:23Speaker 1: was radical renaissance. You know some of the things he
- 15:25Speaker 1: did and said, showing up with the big capes, just
- 15:28Speaker 1: his looks, people just expected more. So I think some
- 15:30Speaker 1: people feel like this is her thank you to him
- 15:32Speaker 1: for everything he contributed while being an editor at large
- 15:35Speaker 1: and Vogue and all that stuff. But yeah, so the theme,
- 15:37Speaker 1: the theme is tailoring, black style, super fine tailor, and
- 15:40Speaker 1: black style. Dandyism is a sub conversation that is happening
- 15:45Speaker 1: around the theme because it's people are taking it real
- 15:49Speaker 1: black black dandyism is looked at as like stylish, elegant.
- 15:53Speaker 1: Think about you know, dapper Dan in the suits. Think
- 15:56Speaker 1: about I'm trying to think who else I would describe
- 15:58Speaker 1: as dandy, Coman Domingo, like you know, like suited booted.
- 16:05Speaker 1: There's a lot of origins and a lot of history
- 16:07Speaker 1: to it. Like at one point in time, people, you know,
- 16:09Speaker 1: we're having conversation about dandyism in a way of like, okay,
- 16:12Speaker 1: it's connected to slavery, and it was a way for
- 16:15Speaker 1: us to assimulate, like kind of get away from the
- 16:19Speaker 1: idea of slavery and to be looked at as like something.
- 16:22Speaker 1: There's two sides of that. So that was our take
- 16:24Speaker 1: on it. But on the other side, you know, white
- 16:28Speaker 1: people and their take on dandyism during that time where
- 16:32Speaker 1: we were trying to simulate and let people know, like
- 16:34Speaker 1: we are more than how our slave masters presented us.
- 16:37Speaker 3: Not to get too deep, but I think that this
- 16:38Speaker 3: is important.
- 16:39Speaker 1: White people would use it as a way to like
- 16:41Speaker 1: almost you know, how you stage your home when you're
- 16:43Speaker 1: trying to sell it. Yeah, they would dress up their
- 16:45Speaker 1: slaves like that and sell them as luxury goods.
- 16:48Speaker 3: Yes.
- 16:49Speaker 1: Now the Megala is actually outside of just getting flying
- 16:51Speaker 1: people having a good time. It's connected to the actual
- 16:54Speaker 1: museum itself, and it brings attention to like, you know,
- 16:57Speaker 1: different like the curated exhibit that they do within that
- 17:01Speaker 1: museum that you remember that one year they put Rihanna
- 17:03Speaker 1: in the museum. Yeah, and then you know it on
- 17:06Speaker 1: the back end, it raises money for different things, and
- 17:08Speaker 1: you know there's actual substance to it.
- 17:11Speaker 3: But we like to see people get fly.
- 17:13Speaker 1: So a lot of people are looking out for a
- 17:15Speaker 1: sat Rocky who's one of the co chairs, Colman Domingo
- 17:18Speaker 1: because he's always in the suit, so why not Lewis Hamilton,
- 17:23Speaker 1: former Little One Driver, he'd be fly for real Williams
- 17:26Speaker 1: who's also a co chair.
- 17:28Speaker 3: Lebron James is a co chair this year.
- 17:30Speaker 1: Celebrities though that people are really looking forward to Doci
- 17:34Speaker 1: and I am so excited for Dochi because number one,
- 17:36Speaker 1: this is so on brand for her. Huh No, I
- 17:42Speaker 1: think she's actually gonna have on clothes.
- 17:45Speaker 3: You can't tell her your ass snagget.
- 17:49Speaker 2: Haynes matches.
- 17:51Speaker 1: Listen, the people are excited for Dochi. Do She actually
- 17:54Speaker 1: posted this picture on if you saw it, but she
- 17:56Speaker 1: did this tribute to Andre Leon tally like when she
- 17:58Speaker 1: first like hers fly, she the beginning of the weekend,
- 18:01Speaker 1: when she started stepping out for the events, And when
- 18:04Speaker 1: I saw this picture of Delchi, I was like, Okay,
- 18:06Speaker 1: this year, maybe people won't be so off theme and
- 18:11Speaker 1: so off of understanding the nature and the history of
- 18:13Speaker 1: the theme that like we're gonna be like what the
- 18:15Speaker 1: heck is going on? You know, a lot of people
- 18:17Speaker 1: are just kind of nervous. And the name of that book,
- 18:19Speaker 1: Monica Miller, who's also helping to plan, you know, and like,
- 18:24Speaker 1: you know, she's just helping to curate a bit when
- 18:25Speaker 1: it comes to the Megala. Monica Miller, who is the
- 18:28Speaker 1: author of two thousand and nine, a two thousand and
- 18:30Speaker 1: nine book called Slaves to Fashion Black Dandyism in the
- 18:33Speaker 1: Styling of Black in the Styling of the Black that'sper identity.
- 18:37Speaker 1: They're gonna draw from different things in her book. So
- 18:40Speaker 1: the different literature from her book that talks about, you know,
- 18:43Speaker 1: just performance and how performance translates into fashion and dress
- 18:47Speaker 1: when it comes to black dandyism, so it's supposed to
- 18:50Speaker 1: be like a like I feel like we might leave
- 18:52Speaker 1: off feeling like we just left church, Like it's gonna
- 18:53Speaker 1: be real deeps.
- 18:54Speaker 2: When you're describing I'm thinking like maybe like Baptist Sunday's
- 18:57Speaker 2: fine is kind of.
- 18:59Speaker 1: See, but even that, I feel like you can lean
- 19:01Speaker 1: into dandyism there because it's like the hats, it's you
- 19:04Speaker 1: know what I mean, you gotta come to church a
- 19:05Speaker 1: certain way. We have we have Black people have always
- 19:07Speaker 1: used fashion to uh assimilate or to tell a story,
- 19:11Speaker 1: you know what I'm saying. So like I love when
- 19:12Speaker 1: we have a chance to kind of like put that
- 19:14Speaker 1: on display. I hate that it doesn't happen as often
- 19:18Speaker 1: at this level as it should.
- 19:19Speaker 3: Steal, but you know what I'm saying, Like we do
- 19:23Speaker 3: what we do when we do it.
- 19:24Speaker 1: I do think though some people are nervous because people
- 19:27Speaker 1: be off brand with it. People could be it could
- 19:29Speaker 1: give a little racist depending on who you are and
- 19:31Speaker 1: what you wear, so be careful. Yeah, so taking it
- 19:35Speaker 1: to the streets to be outside. We outside, we outside outside.
- 19:41Speaker 1: The Met gall of twenty twenty five, anticipation has been
- 19:43Speaker 1: the biggest thing that I've seen on x so tempting.
- 19:47Speaker 1: Tony Underscore tweeted, everybody's hashed, everybody's teasing the Met Gala looks.
- 19:52Speaker 1: Why is nothing good? Like they look nice, but nothing
- 19:55Speaker 1: has moved me. All of us so cerebral and I
- 19:58Speaker 1: guess it's to the point, but I'm tired of archive pools,
- 20:00Speaker 1: archive pools all the time.
- 20:02Speaker 3: Do you know what the archive pool is?
- 20:04Speaker 2: I know what the archive is and where the pool is.
- 20:06Speaker 2: But when you put them words together, is so.
- 20:08Speaker 3: It's the same thing. It's like you pulling from like
- 20:10Speaker 3: a vintage brand.
- 20:10Speaker 1: So basically like a lot of times with the Met Gala,
- 20:13Speaker 1: people feel like, oh, these celebrities get their stylace to
- 20:16Speaker 1: go pull these like ancient, like vintage luxury pieces. But
- 20:20Speaker 1: you still look like nothing, like it ain't given nothing.
- 20:22Speaker 1: And that's the biggest say. Have you ever watched the
- 20:24Speaker 1: Met Gala carpet and been like, what the hell are
- 20:26Speaker 1: people wearing?
- 20:27Speaker 3: That's what people are scared of. That's what this sweet
- 20:29Speaker 3: is seeing. Okay, gotcha, And then.
- 20:34Speaker 1: Somebody else tweeted it, says MoMA Yola, I'm so nervous
- 20:38Speaker 1: for the meggalaft to see his themed like we could
- 20:40Speaker 1: probably witness the most offensive shit ever with the way
- 20:44Speaker 1: twenty twenty five has been going dot dot dot. I
- 20:46Speaker 1: don't know dot dot dot not the Maga Mommy's that
- 20:50Speaker 1: the Meggala is Tommy Lawren.
- 20:53Speaker 3: Please just stay home.
- 20:54Speaker 1: I don't even feel like it, Like I really, I
- 20:56Speaker 1: don't know, canus owens like whoever?
- 20:59Speaker 3: Whatever? One of y'all girls, please just not please.
- 21:02Speaker 2: I can see it. Yes, Trump said you're not running
- 21:06Speaker 2: for a third term, so I feel like he's gonna
- 21:09Speaker 2: start showing up.
- 21:11Speaker 1: Trump came to this met gala, I would just instantly
- 21:14Speaker 1: be offended because I feel.
- 21:15Speaker 2: Like I'm fly or what if he had the best
- 21:17Speaker 2: fit on there.
- 21:18Speaker 3: Leave it to black men that always just have room
- 21:20Speaker 3: and hope for Trump.
- 21:24Speaker 2: It's crazy.
- 21:24Speaker 3: All right, all right, y'all, we're gonna wrap it up here.
- 21:28Speaker 1: So I've given y'all a lot of the background this
- 21:30Speaker 1: met gala talk for anybody who did not know what.
- 21:33Speaker 3: Was going on.
- 21:34Speaker 2: Now, I feel like in my heart, Jason really gonna
- 21:36Speaker 2: be there myself up at what you're trying to bet.
- 21:39Speaker 1: If he's gonna go number one, and then if he's
- 21:41Speaker 1: gonna fall again this yere or not fall allegedly whatever,
- 21:46Speaker 1: I'll bet it all, all right, we bet ten dollars. Okay,
- 21:51Speaker 1: I'm betting that. You bet he's gonna go.
- 21:54Speaker 2: Yeah, I think he's gonna be there.
- 21:56Speaker 1: I feel like he's tired of all of the like
- 21:57Speaker 1: I did not fall. I did not fall. But if
- 21:59Speaker 1: you know what, maybe I should try to run into
- 22:01Speaker 1: Jason Derulo and get him falling just one time for.
- 22:05Speaker 3: Pinky promise that you're gonna pay the bet when I win.
- 22:07Speaker 2: Yeah, all right, right.
- 22:11Speaker 1: Yeah, I don't trust you, date white woman.
- 22:14Speaker 3: I don't trust you.
- 22:14Speaker 2: I do not.
- 22:17Speaker 1: So we'll see if Jason Gulo shows up, if he
- 22:19Speaker 1: falls or not, If Rihanna shows up and just all
- 22:21Speaker 1: of the dandism that is going to hit the carpet,
- 22:23Speaker 1: I'll be running out and about. Make sure you guys
- 22:25Speaker 1: are following me at Lornda Rosa everywhere. This has been
- 22:28Speaker 1: the latest with Lorena Rosa, and I tell you guys
- 22:30Speaker 1: every single time, if you're right here with me talking
- 22:32Speaker 1: about these topics. I appreciate you because at the end
- 22:35Speaker 1: of the day, y'all could be anywhere, but y'all are
- 22:38Speaker 1: right here.
- 22:39Speaker 3: Thank you.