Latest / The Breakfast Club / Flash Back to Kevin Hart and Tiffany Haddish Interview and More

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Flash Back to Kevin Hart and Tiffany Haddish Interview and More · The Breakfast Club

• 0:02
  Speaker 1: This room anywhere else, So your brother fright now, Yeah,
• 0:07
  Speaker 1: you get the world's most stagers want to shut up
• 0:09
  Speaker 1: the cameras. I didn't agree. It still isn't listen City
• 0:15
  Speaker 1: South with jan the captain of this speech, the only
• 0:20
  Speaker 1: one who can keep these guys in chat. Solomne God
• 0:24
  Speaker 1: is the breathless. Wake up, wake up. This is your
• 0:30
  Speaker 1: time to get it off your chest with your man
• 0:33
  Speaker 1: or Blas. We want to hear from you on the
• 0:35
  Speaker 1: Breakfas Bove Mike, what's something, mikel what's going on? Man?
• 0:38
  Speaker 1: What's the matter? Man? Give it off your chest? Bro. Man,
• 0:41
  Speaker 1: it's pretty simple. Man. It's just like I don't understand
• 0:43
  Speaker 1: why somebody is red because I do construct operate head
• 0:46
  Speaker 1: and chenery, right, So it just seems like these red
• 0:49
  Speaker 1: knicks always got to try to push buttons because you're
• 0:52
  Speaker 1: smarter than they are trying to get you fired. Man,
• 0:54
  Speaker 1: almost one on somebody yesterday. They say what they say
• 0:57
  Speaker 1: to you. So I get there, like I operate a loader.
• 0:59
  Speaker 1: So got all this pipe that we gotta put in
• 1:01
  Speaker 1: the card, and a lot of them had to be there.
• 1:03
  Speaker 1: Somebody else listened, so because the matter listening over, Hey, listen, man,
• 1:06
  Speaker 1: I need some help. I'm not gonna do all of
• 1:08
  Speaker 1: this bout myself, so start popping off at the mouth.
• 1:10
  Speaker 1: You think you're better or something like that, just talking
• 1:13
  Speaker 1: on super crucial. You did you better than me? Or
• 1:15
  Speaker 1: something like that. Boy, you don't not to hand to
• 1:17
  Speaker 1: all that pipe basically crazy drug like that. I don't
• 1:22
  Speaker 1: want to go to complete about what he said, but
• 1:24
  Speaker 1: he almost gott You don't know how to handle that pipe. Boy,
• 1:28
  Speaker 1: We don't know how to lay that pipe down. Well,
• 1:29
  Speaker 1: I'm glad you didn't knock him out, man, because you
• 1:31
  Speaker 1: need your job. I'm sure you need me to show
• 1:33
  Speaker 1: you how to lay that pipe. Boy, Shut up, Charlom exactly,
• 1:37
  Speaker 1: thank you. I'm glad you finally coming to shut up.
• 1:39
  Speaker 1: We used to lay pipe to your kind of all
• 1:41
  Speaker 1: all the time, boy, but I lay pipe to you. Boy,
• 1:45
  Speaker 1: I break your little buck. Boy. Now if you catch
• 1:47
  Speaker 1: him outside of if you catch him outside of work,
• 1:50
  Speaker 1: can you still get fined? No, of course. Now he
• 1:52
  Speaker 1: gonna get the falls on the jaws. What you're gonna
• 1:55
  Speaker 1: put on my jaw board? What you say you want
• 1:57
  Speaker 1: to do with my jobs? Oh? My god? Falls? Shut up,
• 2:00
  Speaker 1: Charlinge getting like you. Oh I gonna have a going man.
• 2:04
  Speaker 1: You don't take nothing seriously. Hello, who's this? Get her
• 2:08
  Speaker 1: off his chests? Bro, We'm going on man, want to
• 2:11
  Speaker 1: call tell you guys, good morning morning, good morning, Hey
• 2:15
  Speaker 1: angel Hi, okay, and this is my thing. We really
• 2:22
  Speaker 1: need to hear this. Emi. I don't want to push
• 2:24
  Speaker 1: for that. Talk to fair that when you're out. Yeah,
• 2:28
  Speaker 1: DJ envy doing a horrible job doing a rumor report
• 2:31
  Speaker 1: and front page. I agree with you want to do
• 2:35
  Speaker 1: you should be able to do his It's me I
• 2:38
  Speaker 1: don't really like me. E mean, you know, he actually
• 2:41
  Speaker 1: really values his mix. It is very important to him.
• 2:43
  Speaker 1: And truthfully, between me and you got to do a
• 2:45
  Speaker 1: better job. So I know, I know, and we really
• 2:48
  Speaker 1: want to hear. It's a lot of people that I
• 2:50
  Speaker 1: don't want to hear. Why don't you come up in
• 2:52
  Speaker 1: and do a t and why are you get so
• 2:55
  Speaker 1: mad at so mad to come up in and do
• 3:00
  Speaker 1: mix it when I'm not here? MORGANA wow, have we
• 3:03
  Speaker 1: walking out? I just now with dimension that Angela it
• 3:08
  Speaker 1: wants you to suck his next Jesus that damn I
• 3:12
  Speaker 1: can do it. Damn it. Have you ain't got no hated?
• 3:18
  Speaker 1: You ain't popping how you feel about craft services. Look,
• 3:22
  Speaker 1: I just I was gonna tea you didn't. He didn't
• 3:24
  Speaker 1: hold on long enough. Hello, who's this? Hey? This is
• 3:28
  Speaker 1: from South Carolina. A four and three was happening. The
• 3:30
  Speaker 1: little country was happening. What's something? I'm good? Okay, So
• 3:34
  Speaker 1: I just need to get it off my chest. Okay.
• 3:36
  Speaker 1: I just got a new job, so I moved to
• 3:38
  Speaker 1: Green Sollt, South Carolina. There are so many snakes around here,
• 3:42
  Speaker 1: like physical snakes, all like human beings. No physical snakes.
• 3:47
  Speaker 1: I guess somebody has some pets or something and they
• 3:51
  Speaker 1: released them in the wood, so they've been coming out
• 3:53
  Speaker 1: all over the place. And there was this really long one,
• 3:55
  Speaker 1: like the size of like three lands on the interstate.
• 3:59
  Speaker 1: And then white people tried to catch in the head.
• 4:02
  Speaker 1: So now you scared the big ass snakes. Hunh. You
• 4:04
  Speaker 1: know what. The only time I ever didn't snake get
• 4:07
  Speaker 1: killed when my granddaddy went outside and tries the head off,
• 4:10
  Speaker 1: and I was like, your frough, South Carolina. You know,
• 4:13
  Speaker 1: we chopped that head off and didn't hold that snake
• 4:15
  Speaker 1: for everybody to come. Look at Charlemagne ain't talking that
• 4:17
  Speaker 1: type of snake. If he ain't talking about that type
• 4:19
  Speaker 1: of snake. Mama, he talked about the one eyed snake.
• 4:22
  Speaker 1: I'm sure I ain't talking about no one eyed snake.
• 4:24
  Speaker 1: Why are you see what's wrong with you? Why are
• 4:25
  Speaker 1: you thinking about one eyed snakes early this morning? That's
• 4:27
  Speaker 1: what you said. You can't say you never see the
• 4:29
  Speaker 1: state before, Iran say nothing. You are canky. Don't start
• 4:32
  Speaker 1: that this morning. Up man, Oh my god, I'm just
• 4:35
  Speaker 1: gonna chopped that up to everybody being tired this morning.
• 4:38
  Speaker 1: Thank you, Mama. Get it off your chest eight hundred
• 4:41
  Speaker 1: five eight five one on five one. If you need
• 4:43
  Speaker 1: to vent, hit us up now. It's the breakfast Club
• 4:45
  Speaker 1: of the morning. Wake up, wake up. You're trying to
• 4:50
  Speaker 1: get it off your chest because you're mad or blass.
• 4:53
  Speaker 1: We want to hear from you on the breakfast block. Hello,
• 4:56
  Speaker 1: who's this? You know? Doors color phone, South Dakota from Florida.
• 5:01
  Speaker 1: But I'm not a crazy one. Did you just say?
• 5:04
  Speaker 1: You called from South Dakota from Florida? What do you say?
• 5:06
  Speaker 1: But you're not a crazy one. I'm calling from South Dakota,
• 5:09
  Speaker 1: but I'm from Florida. Got you? But I am crazy?
• 5:12
  Speaker 1: All right? Uh? I want to say good morning to
• 5:14
  Speaker 1: all three of y'all. Love y'all, listen to y'all every morning.
• 5:18
  Speaker 1: Thank you for having no take. Uh say to amazons,
• 5:22
  Speaker 1: I want to shut up? They D two D tops
• 5:25
  Speaker 1: dot com. I thought you talked another language, you know. No, no, no,
• 5:30
  Speaker 1: that's all my business. D two D tops dot com.
• 5:33
  Speaker 1: Uh follow me on Instagram. D two D tops underscore
• 5:36
  Speaker 1: s D two D top Score. Yeah. D two D
• 5:40
  Speaker 1: underscore Tops Is that a sex tight nervous Yeah, that's
• 5:44
  Speaker 1: my website. Why did D two D What does that mean?
• 5:47
  Speaker 1: They're determined to demonstrate as in I thought of business.
• 5:50
  Speaker 1: I thought of this business, and now I'm pursuing it.
• 5:53
  Speaker 1: I'm doing it. I thought it was like a D
• 5:55
  Speaker 1: two D the tops dot com. Yeez, can't get this morning? Hello, Hello,
• 6:01
  Speaker 1: getting off your chest. When it comes down to taking
• 6:03
  Speaker 1: their kids, that's it's crazy to me, especially when it's
• 6:08
  Speaker 1: like they're coming here for a better life. I mean
• 6:11
  Speaker 1: my parents, I said, my parents are immigrants. Also, they're
• 6:15
  Speaker 1: not from people in Mexico. But I could just imagine
• 6:18
  Speaker 1: being risked away from my parents just because they're trying
• 6:21
  Speaker 1: to start a better life. Were your parents were your
• 6:23
  Speaker 1: parents undocumented immigrants? Thought, No, that's the difference. That's a different,
• 6:28
  Speaker 1: not enough, that's the difference. Documents. They came here FIRS
• 6:32
  Speaker 1: as a document, right, and then they were able to
• 6:35
  Speaker 1: get their citizenship. They were able to because of Reagan.
• 6:39
  Speaker 1: And I do cliz you were here for Reagan between office.
• 6:42
  Speaker 1: That's your negligence not to get your green cards because
• 6:45
  Speaker 1: he was just giving them away. True indeed, I mean
• 6:47
  Speaker 1: that's why I said, I'm talking about this situation because
• 6:49
  Speaker 1: on one hand, you do have empathy for people escaping
• 6:51
  Speaker 1: to get a better life. Within another hand, they all
• 6:53
  Speaker 1: breaking the law. So it's not like it's not like
• 6:56
  Speaker 1: the people people are like doing anything unjusted him. That
• 6:59
  Speaker 1: ain't up. Get it off your chest, Danny, I'm on
• 7:02
  Speaker 1: the radio right now. Yes you act, Oh my god,
• 7:04
  Speaker 1: Oh yeah. I just want to give a big shout
• 7:06
  Speaker 1: out to my girlfriend Crystal. You know, we're gonna get
• 7:08
  Speaker 1: her ford for three years now and she got herself
• 7:10
  Speaker 1: back into school and she wants to become a nurse though.
• 7:12
  Speaker 1: That's dope. She's gonna be a nurse. Man giving other
• 7:14
  Speaker 1: men's pungebass I love that. It's aller man. I want
• 7:18
  Speaker 1: to give you a big shout out. Man. She you know, honestly,
• 7:20
  Speaker 1: you know, being with her, she's she's gonna last for me.
• 7:23
  Speaker 1: And one of the big things she's done is she
• 7:24
  Speaker 1: buys me books. And she bought me your book, and
• 7:26
  Speaker 1: I've been reading it. When I finish it, I'll try
• 7:30
  Speaker 1: to call back and talk to you about it. But
• 7:31
  Speaker 1: thank you now. I really appreciate your books and Angel
• 7:35
  Speaker 1: League DJ Nvy, everything you guys do, man, everything is amazing.
• 7:39
  Speaker 1: And I just want to tell everybody out there, whoever's hearing,
• 7:42
  Speaker 1: you know, in life you gotta keep moving. You can't stop.
• 7:45
  Speaker 1: If you want to get somewhere in life, you just
• 7:47
  Speaker 1: gotta work hard for it, right, my brother, gotta keep
• 7:50
  Speaker 1: those feet moving. Thank you for calling man, Thank you brother.
• 7:52
  Speaker 1: Get it off your chests. Eight hundred five eight five
• 7:54
  Speaker 1: one oh five one. If you need to vent, you
• 7:56
  Speaker 1: can hit this up. Keep it. Lock this to breakfast club,
• 7:57
  Speaker 1: going the breakfast club. John, Hi, So we're gonna do
• 8:05
  Speaker 1: something different today. He's gonna be so mad. I'm not
• 8:09
  Speaker 1: on the show, all right. So what happened to Charlemagne
• 8:11
  Speaker 1: left because he had to be somewhere in the mby
• 8:13
  Speaker 1: was like, I'm not staying and he left too. He
• 8:15
  Speaker 1: just respected me. Like that. I feel bad because I
• 8:17
  Speaker 1: know we always joke around. Yeah, and I just put
• 8:19
  Speaker 1: it all right, what can we do? Um? I mean,
• 8:24
  Speaker 1: I'll do whatever you need now, but I won't be
• 8:26
  Speaker 1: on even locally. I'm sorry. I feel bad. We're just
• 8:30
  Speaker 1: playing with his lip side. I'm not even gonna be
• 8:40
  Speaker 1: a local. What can we do? I was only admitted
• 8:47
  Speaker 1: away from saying following, he just respected morning. Everybody is
• 8:56
  Speaker 1: DJ D Angela Yee, Charlomagne the guy. We are the
• 9:00
  Speaker 1: fast club, and again we got out. Trust off y'all,
• 9:03
  Speaker 1: not the breakfast club, y'all the evil clubs not I'm
• 9:07
  Speaker 1: not even like that now. We wanted to play a
• 9:08
  Speaker 1: little prank on you, but I felt bad. You lift
• 9:11
  Speaker 1: started quick what I've learned to be and my career
• 9:15
  Speaker 1: as a problem solved. We all deal with problems, but
• 9:18
  Speaker 1: how do we do all the problems and we solve them?
• 9:19
  Speaker 1: So when Angela Yee told me that both of y'all
• 9:23
  Speaker 1: had walked out on my interview, of course correct, I
• 9:26
  Speaker 1: was disrespectful. I thought I was disrespected. I wanted to
• 9:29
  Speaker 1: talk about how you never posted to trust light skinned
• 9:31
  Speaker 1: people like that, and I gave you a pass, and
• 9:33
  Speaker 1: I was like, I thought it was serious. I was
• 9:35
  Speaker 1: trying to problem solve it, like how do I be
• 9:37
  Speaker 1: able to do the Breakfast Club interview? And that's when
• 9:39
  Speaker 1: they let me know that y'all play the joke of me,
• 9:42
  Speaker 1: I've got watery. I thought it because look, I know
• 9:48
  Speaker 1: your son, Austin. I saw Austin Austin. I love you, man.
• 9:52
  Speaker 1: I really thought y'all was being disrespectful and it really hurt,
• 9:55
  Speaker 1: really hurt me because me and you talk all the time,
• 9:58
  Speaker 1: and I'm like, this you, I'm like, he didn't give
• 10:00
  Speaker 1: me a heads up or anything. And I was like,
• 10:02
  Speaker 1: I was like, and we waited five minutes, we'd have
• 10:05
  Speaker 1: got all that. Man, Charlie couldn't text me. It was
• 10:08
  Speaker 1: covering every really did by these cheers. Yes, because it's
• 10:12
  Speaker 1: built in for the Kevin Hart size. Yes. Now here's
• 10:14
  Speaker 1: the thing this one. You know, Kevin Hard is upset
• 10:16
  Speaker 1: when we start talking with his fingers. What did you
• 10:18
  Speaker 1: think about all of that? From a comedian og comedian
• 10:21
  Speaker 1: like yourself, I think I first off, I think enough
• 10:23
  Speaker 1: is enough, you know what I'm saying. I've listened to
• 10:25
  Speaker 1: all the interviews and I definitely think it's Unfortunately, because
• 10:28
  Speaker 1: all the people that are in the beef are being
• 10:31
  Speaker 1: are successful. That's the crazy pot I'm saying that. But
• 10:33
  Speaker 1: the thing is sometimes people don't respect everybody's come up. Yeah,
• 10:37
  Speaker 1: and also a thing that it's easy for people to say, well,
• 10:39
  Speaker 1: that's just my opinion, but everybody on the outside wants
• 10:43
  Speaker 1: you have a humble opinion. They want you to be
• 10:45
  Speaker 1: humbled by it. I listened to the Cat on the
• 10:47
  Speaker 1: other on another station, What do you think about that?
• 10:49
  Speaker 1: When he was shooting at Tiffany Haddish and everything. First off,
• 10:52
  Speaker 1: the first thing I thought was crazy was how the
• 10:54
  Speaker 1: host Wanda you know what I'm saying. I thought that,
• 10:57
  Speaker 1: you know, when he said you're not a good interview,
• 10:58
  Speaker 1: I agree with him one hundred percent, you know, saying
• 11:00
  Speaker 1: she was trying to put him in the corner. We
• 11:02
  Speaker 1: all know what the demons that Cat Wims has dealt with,
• 11:05
  Speaker 1: you know what I'm saying, and me traveling and doing
• 11:07
  Speaker 1: more than ready every time after a while you get
• 11:09
  Speaker 1: sick of the same question. And she was trying to
• 11:11
  Speaker 1: put him in that situation where he reacted like that,
• 11:13
  Speaker 1: and he reacted. Now on the comedian side of it,
• 11:16
  Speaker 1: I speak to comedian language. I kind of understood what
• 11:19
  Speaker 1: cat Winms was trying to say. People get to a
• 11:21
  Speaker 1: certain level, certain route. You know what I'm saying. Has
• 11:24
  Speaker 1: Tiffany Hadish been on a hundred city tour? No? Know
• 11:27
  Speaker 1: what I'm saying, Has test Tiffany Hadish been the headlining country,
• 11:31
  Speaker 1: a headlining community across the country. No, but she had
• 11:33
  Speaker 1: a different path. But everybody else was out in the street.
• 11:36
  Speaker 1: Hadish was out. She was auditional. Now that could have
• 11:39
  Speaker 1: been the question, how many auditions you had before you
• 11:41
  Speaker 1: got there? Her path? She's a TV star, and I
• 11:44
  Speaker 1: think when I a movie star TV in the movie
• 11:46
  Speaker 1: started and I started, though, but she started on the stage.
• 11:49
  Speaker 1: But what what cat Wims was trying to compare was
• 11:52
  Speaker 1: she was trying to compare the people that have been
• 11:54
  Speaker 1: on the ground for years and years of years, banging
• 11:56
  Speaker 1: out an hour of comedy every night. You know what
• 11:59
  Speaker 1: I'm saying. For Tiffany, has she blew up? She was
• 12:02
  Speaker 1: in and this is no disrespect. I love her. She
• 12:04
  Speaker 1: was a feature. She was a strong feature headlineage. I
• 12:06
  Speaker 1: remember one time she asked Donnie or can I get
• 12:08
  Speaker 1: some role work? This was like a fear or four
• 12:10
  Speaker 1: years ago. But at the same time, she sacrificed going
• 12:13
  Speaker 1: to the road, to commit to being an actor, to
• 12:15
  Speaker 1: putting stuff in a position. Now, some of the things
• 12:18
  Speaker 1: that kat Winn said, I could have respect him more
• 12:20
  Speaker 1: if he would said, I appreciate her hustle. She started
• 12:23
  Speaker 1: when she was fifteen. She was a foster kid. You
• 12:25
  Speaker 1: know what I'm saying. How many success stories you know
• 12:28
  Speaker 1: of people that came from foster homes that have made it.
• 12:31
  Speaker 1: If he would have knowledge, I would have kind of
• 12:32
  Speaker 1: understood some of the things would say. I think that
• 12:34
  Speaker 1: was throughout that whole interview. I think that was the
• 12:37
  Speaker 1: most unfortunate part about it, because you got to give
• 12:39
  Speaker 1: her a problem. We got more. Went down then Rawlins.
• 12:41
  Speaker 1: When we come back, don't move. It's the breakfast club.
• 12:43
  Speaker 1: Good morning, the breakfast club that morning. Everybody is DJ
• 12:50
  Speaker 1: Envy angela Ye, Charlomagne, the guy we are the breakfast
• 12:53
  Speaker 1: club down down, Rawlins is in the building which you
• 12:55
  Speaker 1: consider Chappella gatekeeper. I wouldn't consider him a gatekeeper. I
• 12:59
  Speaker 1: consider him as a person that can make opportunities. Of course,
• 13:02
  Speaker 1: he can make opportunities, and the thing is a lot
• 13:04
  Speaker 1: of times the reason why people don't want to give
• 13:07
  Speaker 1: another man opportunities because they're afraid that that person going
• 13:09
  Speaker 1: to outshine him. And testament to Dave's character, and I
• 13:14
  Speaker 1: consider myself a beast on stage. Dave will put me
• 13:17
  Speaker 1: on the road. The average head larner is not. And
• 13:20
  Speaker 1: for Dave, when I'm on the show with him, nobody
• 13:22
  Speaker 1: knows that I'm there. They're like DJ Trauma, who's normally
• 13:25
  Speaker 1: the resident DJ DJ Trump. But he'll be like, okay, guys,
• 13:30
  Speaker 1: we can really start the show. We got a special guest.
• 13:32
  Speaker 1: You see him on the wire, you get the class,
• 13:34
  Speaker 1: a couple clups, you see him in Spider manuntil you
• 13:35
  Speaker 1: get a couple of class. But then he'll say, but
• 13:37
  Speaker 1: you fell in love with him, as as she learned
• 13:39
  Speaker 1: from the Chappelle Show, and the room goes ape. The
• 13:42
  Speaker 1: average headline is not gonna want anybody to get that
• 13:45
  Speaker 1: reception before they go on. I'll go up there, I'll
• 13:48
  Speaker 1: do my thing. And then him, being the person he is,
• 13:50
  Speaker 1: he come right behind it. Two different styles. Everything you
• 13:53
  Speaker 1: say it is accurate, except for the crowd going ape no, no, no,
• 13:56
  Speaker 1: no, no no, you must no. They did go crazy for
• 13:58
  Speaker 1: Joe and sound like you know sone and you know
• 14:03
  Speaker 1: what hate it. They always thought like this, I mean,
• 14:06
  Speaker 1: I mean they went, but they don't go. I mean,
• 14:11
  Speaker 1: you know, watching you perform in like the smaller venues,
• 14:14
  Speaker 1: the radio city Music Hall, those big uh venues like that,
• 14:17
  Speaker 1: they're like they're the showcase venues, you know, but you
• 14:20
  Speaker 1: really want to see a test of a true comic,
• 14:22
  Speaker 1: like you say, find him in an intimate environment, find
• 14:24
  Speaker 1: him in the smallest situation was I want downtime and
• 14:29
  Speaker 1: he got to practice. So that was quick story. There's
• 14:35
  Speaker 1: a celebrity chef I won't say that name, celebrity chef
• 14:38
  Speaker 1: and my son. When I was having baby, my baby,
• 14:39
  Speaker 1: my son's baby show, I wanted this celebrity chef to,
• 14:42
  Speaker 1: you know, like come and help me with the food
• 14:44
  Speaker 1: for my son's baby shower. So I reached out to
• 14:46
  Speaker 1: the chef and we were all good, and then at
• 14:48
  Speaker 1: the last minute they pulled away. In the example the
• 14:51
  Speaker 1: game and it was like, I don't know, there's a
• 14:53
  Speaker 1: big time He's like, don hill, I don't do open mics,
• 14:57
  Speaker 1: like they're too big to do. I don't do open
• 15:00
  Speaker 1: micss Caroline, you see, I disrespect for the breakfast. This
• 15:16
  Speaker 1: is so dissy. Did not blow kiss at you. Thank
• 15:19
  Speaker 1: you for joining us. How are you doing? All right? Blue?
• 15:23
  Speaker 1: Kiss at him? All right? Back to your story about
• 15:29
  Speaker 1: what the celebrity tell the story won't tell those stories.
• 15:33
  Speaker 1: Stories ain't gonna be a Carolina. This we did as
• 15:37
  Speaker 1: this story doesn't mean what you deciding to cook because
• 15:39
  Speaker 1: you cannot cut. I want to talk about that. I
• 15:41
  Speaker 1: can't but hear the story. So the celebrity, the celebrity chef,
• 15:44
  Speaker 1: I guess they had got to a point where they
• 15:45
  Speaker 1: was too big for They don't team everything. And it
• 15:47
  Speaker 1: was like, Donnie, I don't do open mics. Do you
• 15:51
  Speaker 1: do open mics to you can team to old Mike?
• 15:53
  Speaker 1: I said, yes, not only I continue to open mics.
• 15:55
  Speaker 1: I had just did a short reader City Music Hall,
• 15:57
  Speaker 1: sixty five hundred people got us days, got in the
• 16:00
  Speaker 1: car and with the Browns wheel and performed for fifteen people. Yea.
• 16:04
  Speaker 1: So at the end of the day, you can't never
• 16:07
  Speaker 1: stop shopping in your toolbox. You can't never stop shopping
• 16:10
  Speaker 1: your stopping the toolbox. But so many people don't put
• 16:20
  Speaker 1: this pressure on inside. Y'all know I'm not gonna reading
• 16:22
  Speaker 1: out loud. Do that used to do radio together? Right?
• 16:27
  Speaker 1: We have reading context contest. You never was in there.
• 16:31
  Speaker 1: You just bet on me. I gotta I got fifty dollars.
• 16:33
  Speaker 1: You can't read this paragraph without setter. Okay, it's about you.
• 16:38
  Speaker 1: Donnad Rawlins is an actor and writer from Washington, DC.
• 16:41
  Speaker 1: He's well known for being a cast member on The
• 16:43
  Speaker 1: Chappelle Show. He made an impact on the show with
• 16:45
  Speaker 1: his character Ashilary and his iconic phrase, I'm rids bit.
• 16:49
  Speaker 1: I threw that in there. Here's a series of sketch
• 16:52
  Speaker 1: comedy kIPS on his don't do that side on this
• 16:56
  Speaker 1: from Ashley Classy album. Rawlins has had multiple successful shows
• 16:59
  Speaker 1: and radios to the musical. An actor, he has made
• 17:03
  Speaker 1: appearances on The Wire spider Man Too. I didn't start
• 17:10
  Speaker 1: on the Wires spider Man Too. He was in the
• 17:13
  Speaker 1: Air Force for four years. Rodins is also a police
• 17:15
  Speaker 1: officer and watching that that's a police officer. I was
• 17:22
  Speaker 1: a police officer in the Air Force, waiting to become
• 17:25
  Speaker 1: a police officer in DC. I went. I used to
• 17:28
  Speaker 1: work for this grocery company. I just be head of
• 17:30
  Speaker 1: security for this grocery company and as a as a
• 17:33
  Speaker 1: form of camaraderie, we would go to the comedy comedy
• 17:36
  Speaker 1: comedy Connection to Green Belt and we would go to
• 17:38
  Speaker 1: go to the club and I would used to heckle
• 17:40
  Speaker 1: the comedians on stage. So we should go every week
• 17:42
  Speaker 1: and I became popular as a heckler. Comedians would come
• 17:45
  Speaker 1: and he's like, yo, could you let me do work
• 17:46
  Speaker 1: out the material? Don't mess with me today. And I
• 17:49
  Speaker 1: became so good at a heckler that the club owner
• 17:52
  Speaker 1: wanted to shut me up. This is how I started.
• 17:55
  Speaker 1: He dared me to go on stage. I wasn't excited
• 17:57
  Speaker 1: about doing it. Then two weeks later I went on
• 17:59
  Speaker 1: stage and the rest was his. So you were a
• 18:01
  Speaker 1: trolling originally? Oh yeah, I was one hundred percent. I was.
• 18:04
  Speaker 1: I started people started coming to see me. Heco you
• 18:06
  Speaker 1: had a gun in the air force. I was the
• 18:08
  Speaker 1: worst cop ever man. I made one stop in four years,
• 18:11
  Speaker 1: and that was just stop. It was this girl And
• 18:13
  Speaker 1: this was before the whole me too things, and she
• 18:15
  Speaker 1: was she was scandally scandally d class yes you know
• 18:19
  Speaker 1: this and uh and I pulled over to get a
• 18:22
  Speaker 1: phone umb and that's the only wrest of evering me.
• 18:24
  Speaker 1: You arrested her, Yeah, arrest of her. She told you, No,
• 18:27
  Speaker 1: I don't I'm not following that. You're not gonna have
• 18:29
  Speaker 1: me on seeing in twenty years later. You trying to
• 18:32
  Speaker 1: get evidence. You asked Kevin questions. I don't know what
• 18:36
  Speaker 1: you're talking about. I don't remember anything wanted. Everybody is
• 18:40
  Speaker 1: DJ Envie Angela Yee, Charlomane, the guy. We are the
• 18:43
  Speaker 1: breakfast club. We got some special guests in the building. Yeah, yeah, yeah,
• 18:47
  Speaker 1: And did you give it? He had this in Kevin Hard?
• 18:50
  Speaker 1: Why are you screaming? Man? I'm happy to see them too.
• 18:55
  Speaker 1: For day energetic. I like to get Kevin here complaining
• 18:58
  Speaker 1: about chance that he bought, saying if the chairs won't go,
• 19:01
  Speaker 1: I'm complaining about the chairs and I bought. I just
• 19:03
  Speaker 1: don't understand. When you guys know I'm coming. You should
• 19:05
  Speaker 1: have my setting ready. You know what about what I bought?
• 19:09
  Speaker 1: Us about what I need? I told you that this
• 19:12
  Speaker 1: is I'm not saying that you gotta make it a
• 19:14
  Speaker 1: public thing, but put a put a pillow on it.
• 19:17
  Speaker 1: That's too late. Yeah, My torso's longer, Yeah, tivity is taller.
• 19:22
  Speaker 1: It's fine. Let's not make a thing out of it.
• 19:24
  Speaker 1: I'm okay. How hogs doing? I don't know. I don't
• 19:27
  Speaker 1: know where to start with y'all. Let's start Night School.
• 19:30
  Speaker 1: Let's start. Let's start a business. Let's start there. Night
• 19:33
  Speaker 1: School hitting theater September twenty eight. Excited. Why, I'll tell
• 19:37
  Speaker 1: you why. Uh first movie you got, damn right, you got.
• 19:44
  Speaker 1: I can segue in the out or whatever the hell
• 19:46
  Speaker 1: I want to talk about smoothly too. Uh. Reason why
• 19:49
  Speaker 1: because it's the first movie underneath my production Umbrella Heartbeat Productions. Uh,
• 19:53
  Speaker 1: taking it a step further, you know, from just being
• 19:56
  Speaker 1: the talent, turning the business the business notch up and enjoying.
• 20:00
  Speaker 1: So I wanted to put myself in a position to win.
• 20:02
  Speaker 1: So I teamed up with my guy Will power Packer again. Uh,
• 20:05
  Speaker 1: this is our seventh movie together. Four number one's, two,
• 20:08
  Speaker 1: number two's. Hopefully we're talking about one more number one
• 20:11
  Speaker 1: and coming off of a number one success, I said, dude,
• 20:14
  Speaker 1: it makes no sense to not have Tiffany Hatters be
• 20:17
  Speaker 1: a part of my first movie, especially understanding her Storian
• 20:20
  Speaker 1: where she's coming from. So we cast to Tiffany in
• 20:22
  Speaker 1: the movie, along within another amazing group of actors and actresses.
• 20:27
  Speaker 1: Uh the list is too long to name. And you know,
• 20:30
  Speaker 1: right now we're talking about something that was built from
• 20:31
  Speaker 1: the ground up. How much money of you and will
• 20:33
  Speaker 1: mean together so far A lot of money, A lot
• 20:36
  Speaker 1: of money. We need to get into numbers. Okay, it's up.
• 20:39
  Speaker 1: Now why night School? Have you? Have you ever been
• 20:41
  Speaker 1: in night school? Either of you? I can tell you
• 20:42
  Speaker 1: the whole story behind night School and uh, and the
• 20:46
  Speaker 1: reason behind it is is something that I think people
• 20:48
  Speaker 1: will be able to relate to. Um. You know, it's
• 20:51
  Speaker 1: a movie about second chances in life. So many people
• 20:54
  Speaker 1: do things the first time around and may or may
• 20:57
  Speaker 1: not get it right, and then doing so, you feel
• 20:59
  Speaker 1: like it's over. In this particular case, education is the
• 21:02
  Speaker 1: forefront of the story, and so many people that don't
• 21:05
  Speaker 1: embrace education properly end up going back to have to
• 21:08
  Speaker 1: do it again. And what you find out is when
• 21:09
  Speaker 1: you embrace it the second time, you do it correctly,
• 21:12
  Speaker 1: and the opportunities in life are still there and it
• 21:15
  Speaker 1: may even be more. Uh. This is a movie that
• 21:17
  Speaker 1: embraces that. This is a movie that highlights that, and
• 21:20
  Speaker 1: we do it from a funny perspective, but that people
• 21:22
  Speaker 1: can relate to. I'll prove that I got my diploma
• 21:24
  Speaker 1: in night school. I'm so well spoken, and as we
• 21:27
  Speaker 1: go on, Yes, So how were you guys? At students
• 21:29
  Speaker 1: in school in real life, I was okay, I was
• 21:32
  Speaker 1: all right, you know, I did. I did. I had
• 21:34
  Speaker 1: a two point five grade average. That's not two. I graduated.
• 21:42
  Speaker 1: I graduated. I had a lot of credits because I
• 21:44
  Speaker 1: went to summer school every year. No, because I didn't
• 21:50
  Speaker 1: want to get in any trouble, and it was boys
• 21:52
  Speaker 1: in summer school of education. I celebrated the two point five.
• 22:00
  Speaker 1: I'm talking about exactly what I'm talking about. We hate
• 22:03
  Speaker 1: these conversations about equal pay in Hollywood and tipping, y'all
• 22:06
  Speaker 1: both are on the bill. How does that work out? Uh? Look,
• 22:09
  Speaker 1: I know what um you know. Look, I'm all about
• 22:14
  Speaker 1: the female, the female growth, especially in entertainment. You know.
• 22:19
  Speaker 1: I think that that women and the voices that are
• 22:23
  Speaker 1: coming from these women should be heard and the opportunities
• 22:26
  Speaker 1: should be given. Money though I don't think so, but
• 22:31
  Speaker 1: you know what he's producing on it and what you know,
• 22:34
  Speaker 1: but he he we both just got houses. You know.
• 22:37
  Speaker 1: His house is in the hills somewhere. We can't find it.
• 22:39
  Speaker 1: My houses in South Central. No. Look, I think that
• 22:44
  Speaker 1: the conversation is one that needs to be had, and
• 22:47
  Speaker 1: now that it's being had, you're going to see more
• 22:49
  Speaker 1: opportunities for women to get what they've been requesting and
• 22:53
  Speaker 1: what they deserve. Um, I think it's all it's all
• 22:56
  Speaker 1: project dependent. It's all about, um the level of stars
• 22:59
  Speaker 1: that you're dealing with, and you know you you have
• 23:02
  Speaker 1: to understand how do you know what your level is?
• 23:04
  Speaker 1: Well within box office draw What people ignore is that
• 23:07
  Speaker 1: within a talent, this box office drawing, this box office success,
• 23:11
  Speaker 1: this is the biggest start in the movie. So she
• 23:12
  Speaker 1: should be You know what, if that's what people personality
• 23:19
  Speaker 1: this week, I would system that was the case. I'll
• 23:28
  Speaker 1: tell you the difference in old Kay Heart, and I
• 23:29
  Speaker 1: use this as a segue. Okay, the difference, the difference
• 23:33
  Speaker 1: in me. If that was the case, there is no
• 23:36
  Speaker 1: reason to put a dimmer on that light. The reason
• 23:41
  Speaker 1: why I say that is because I've been there. I'm there,
• 23:44
  Speaker 1: I sit in the chair. I sat in this chair
• 23:46
  Speaker 1: for a long time. Naturally, there's other people that will
• 23:49
  Speaker 1: come behind and will surpass. Wherever you are in this business,
• 23:53
  Speaker 1: when that happens, you support it, especially when you're coming
• 23:55
  Speaker 1: from a position where there's been a demand for people
• 23:58
  Speaker 1: of color to get a shot. So here's my frustration,
• 24:01
  Speaker 1: because I know you're gonna get into it. Let me
• 24:02
  Speaker 1: tell you my frustration. People's kind of frustration. Okay, I'm
• 24:09
  Speaker 1: gonna tell you it's been on my mind, what's been
• 24:10
  Speaker 1: on my heart? Heavy trying. I want to talk about
• 24:13
  Speaker 1: the movies is sold. The movie is gonna be sebenty
• 24:18
  Speaker 1: check it out, all right? Now, I want to get
• 24:19
  Speaker 1: to what's really bothering me. I want to ask black
• 24:22
  Speaker 1: people what we want? What do we want? We complain
• 24:27
  Speaker 1: that people of color weren't getting opportunities in Hollywood. We
• 24:30
  Speaker 1: were getting ignored for the Oscars, for the Emmys, it
• 24:33
  Speaker 1: was a big thing. After that big thing, people of
• 24:36
  Speaker 1: color got recognized for their hard work, for their efforts
• 24:39
  Speaker 1: and run awards. People of color also won Emmy's. People
• 24:43
  Speaker 1: of color are now being giving opportunities to start to
• 24:47
  Speaker 1: lead in various projects, just the ugly people. This according something, okay,
• 24:52
  Speaker 1: when the people of when the people of coloring getting
• 24:55
  Speaker 1: these opportunities at all, Why are the people of color
• 24:59
  Speaker 1: the ones that tearing the people that are getting the
• 25:01
  Speaker 1: opportunities down. My frustration comes from you don't realize when
• 25:06
  Speaker 1: I preach about the crabs and the barrel mentality that
• 25:09
  Speaker 1: eventually we have to take responsibility for our actions. So
• 25:13
  Speaker 1: if I'm looking at people that share my craft, I'm
• 25:15
  Speaker 1: going to bring up the people that Kat William's name,
• 25:18
  Speaker 1: Little Rel, Gerard Carmichael, Hannibal Birds, myself, Tiffany Hatish correct.
• 25:23
  Speaker 1: Little Rel is seeing so much success after doing a
• 25:26
  Speaker 1: special relevant, he went on to get out. He now
• 25:29
  Speaker 1: has a show that he's producing and starting in on Fox.
• 25:31
  Speaker 1: Gerard Carmichael had his own show that he started, wrote, produced.
• 25:35
  Speaker 1: Gerard Carmichael was on to a second special. Hannibal Birds
• 25:38
  Speaker 1: saw success within comedy specialism is now doing various movies.
• 25:41
  Speaker 1: Where's getting the opportunity to have features and to have
• 25:43
  Speaker 1: a presence. Me, Kevin Hard, the guy that sits on
• 25:47
  Speaker 1: top right now, have taken advantage of all the money
• 25:49
  Speaker 1: that I have. I've shot over fifty six specials for
• 25:52
  Speaker 1: the upcoming generation of comedy. Why because I'm trying to
• 25:54
  Speaker 1: create opportunities for us. Whether complaining about it, I'm fixing it.
• 25:57
  Speaker 1: I'm putting my money where mouth is. Also take full
• 26:00
  Speaker 1: responsibility for any and everything that I've done in the business,
• 26:03
  Speaker 1: good or bad. All right, we have more with Kevin
• 26:05
  Speaker 1: Hart and Tiffany Hadis, who don't move it's the Breakfast Club.
• 26:08
  Speaker 1: Good morning, the Breakfast Club. Ej Envy, Angela yee, Charlomagne,
• 26:15
  Speaker 1: the guy. We are the Breakfast Club. We got special
• 26:17
  Speaker 1: guests in the building, Tiffany Haddish and Kevin Hart. Go off, Kevin,
• 26:22
  Speaker 1: go off. My frustration with Kat Williams comes from you
• 26:25
  Speaker 1: keep pointing at Hollywood, Hollywood, this the white man, this,
• 26:29
  Speaker 1: this and this. When do you take responsibility for your actions?
• 26:33
  Speaker 1: You had the shot that you were the guy, you
• 26:37
  Speaker 1: were set up to be the star. You didn't show
• 26:39
  Speaker 1: up to work, You've off promo shoots. You became a
• 26:43
  Speaker 1: risk to the studios, which is why the studio stopped
• 26:46
  Speaker 1: with you. Why was her risk? He chose drugs. Take
• 26:49
  Speaker 1: responsibility for what you chose and say, you know what,
• 26:52
  Speaker 1: I gotta fix me and I'm gonna come back, and
• 26:54
  Speaker 1: I'm a stand up for comedy. So when you say
• 26:56
  Speaker 1: Tiffany Haddish doesn't deserve or isn't really a com median
• 27:00
  Speaker 1: and these other women have worked hard, which they have,
• 27:03
  Speaker 1: Shouts out to Melanie Camancho, shouts out to lou Now,
• 27:05
  Speaker 1: shouts out to Leslie Jones, who were all underneath the
• 27:08
  Speaker 1: umbrella of Kat Williams, Cat Williams. Have you ever used
• 27:11
  Speaker 1: your platform to bring the people that were under you up?
• 27:16
  Speaker 1: You haven't, So because you haven't, don't knows that now
• 27:19
  Speaker 1: are I've used my platform and I've brought my guys
• 27:24
  Speaker 1: and girls. Uh. The brand of Kevin Hard is a
• 27:27
  Speaker 1: brand that's expanded so far far. Whether you like me
• 27:30
  Speaker 1: or not, my presence a comedy will forever be felt.
• 27:33
  Speaker 1: Because I'm a boss. I sit on the top of
• 27:35
  Speaker 1: it and the opportunities that I'm giving all the ones
• 27:37
  Speaker 1: that I'm creating. So take responsibility for what you did.
• 27:41
  Speaker 1: You've you nobody else did? You don't hear Chris Rock,
• 27:45
  Speaker 1: Dave Chappelle, The Kings of Comedy, Seinfeld, You don't hear
• 27:49
  Speaker 1: George Lopez, Eddie Griffin. Who else can I go down?
• 27:54
  Speaker 1: The road of other comedians? Steve Martin Martin Short, you
• 27:58
  Speaker 1: don't hear. Now. Guys that got on top and that
• 28:02
  Speaker 1: made it by doing what they love complain about the
• 28:05
  Speaker 1: people that are coming under them. The reason why it's
• 28:07
  Speaker 1: because they're happy with themselves. Don't blame everybody else for
• 28:10
  Speaker 1: your don't show my sister light because you're not happy
• 28:13
  Speaker 1: with this has earned It's not given. I don't give
• 28:16
  Speaker 1: you Tiffany Hash fan not it's earned. Tiffany hatsh got
• 28:20
  Speaker 1: years in the game. It's not an accident that Tiffany
• 28:22
  Speaker 1: hash got an opportunity to start in the movie. It's
• 28:24
  Speaker 1: not an accident that that character popped in the movie,
• 28:27
  Speaker 1: written or not written. A character has to pop it,
• 28:30
  Speaker 1: and he even acknowledge the years that you've put in
• 28:32
  Speaker 1: before that. Now I want to ask you are very
• 28:35
  Speaker 1: classy in your response in social media, because the first
• 28:38
  Speaker 1: thing I thought was, that's after, what's Tiffany gonna say?
• 28:41
  Speaker 1: Because it has to be a hurt fol when somebody
• 28:42
  Speaker 1: says something like that, especially I'm sure you were a
• 28:44
  Speaker 1: fan of his, you know at some point. I still
• 28:47
  Speaker 1: I'm a fan of his. I think he's hilarious. So
• 28:49
  Speaker 1: what did you think when you heard that? Before you respond? Well,
• 28:53
  Speaker 1: I thought I was like, damn, what I do to him?
• 28:54
  Speaker 1: Did I his? Man? And then I was like, that's
• 29:00
  Speaker 1: what I thought it. That's what I always think when
• 29:04
  Speaker 1: people say many things. I always think that because I
• 29:06
  Speaker 1: figured got to be I must have tell me something
• 29:08
  Speaker 1: to me, I must have did something. And then I
• 29:10
  Speaker 1: realized I never did nothing to that man. Then and
• 29:12
  Speaker 1: then when I started like really listening to it, I
• 29:14
  Speaker 1: was like, oh, he got his facts wrong. He's obviously
• 29:17
  Speaker 1: not paying attention to me, and somebody must have been
• 29:19
  Speaker 1: complaining to him about me or whatever, and maybe he
• 29:22
  Speaker 1: felt some type of way. I don't know. I just
• 29:24
  Speaker 1: feel like, well, you know, it is what it is.
• 29:26
  Speaker 1: I don't I'm not tripping, I'm not mad, I'm not upset.
• 29:29
  Speaker 1: But did he apologize because we've seen a picture there.
• 29:31
  Speaker 1: It was the first thing he apologized. He said less
• 29:33
  Speaker 1: and less and less and let man explain what's going on,
• 29:36
  Speaker 1: and then he explained himself. And then I was just like, well,
• 29:39
  Speaker 1: you know what did he explaince? I hated. I want
• 29:43
  Speaker 1: to step in because I'm left my sister keep it classy. Yeah,
• 29:46
  Speaker 1: he's just somebody kicked my sister ball over the fence.
• 29:48
  Speaker 1: I want it back. It doesn't matter what he said,
• 29:52
  Speaker 1: it doesn't matter what the apology was. So you didn't
• 29:54
  Speaker 1: like the Apologie's not about the apology. And I want
• 29:56
  Speaker 1: to get this very clear. I want to make it
• 29:57
  Speaker 1: very clear. Cat Williams is an amazing, haunted comedian, which
• 30:01
  Speaker 1: is why I'm so frustrated. I sit from afar and
• 30:04
  Speaker 1: I admired a man's talent. I don't like that you
• 30:07
  Speaker 1: said anything negative about a woman of color that's getting
• 30:11
  Speaker 1: her shot, saying to me, I'll take it all. Hate me.
• 30:15
  Speaker 1: You do seem to be more offendive about listening. I
• 30:17
  Speaker 1: have said back, I have ever been the humble guy.
• 30:22
  Speaker 1: I have time to not be humble today. I have
• 30:25
  Speaker 1: time to fact check everything he said. Because the world
• 30:27
  Speaker 1: of Kat Williams is a fictional world. Is he selling?
• 30:37
  Speaker 1: I was like, when was she married to a white man?
• 30:40
  Speaker 1: I was like, because I I've been proposed to buy
• 30:42
  Speaker 1: a white man before, and they found out he was
• 30:44
  Speaker 1: really black when we did that DNA test. But it
• 30:47
  Speaker 1: is what it is. So you weren't married to a
• 30:48
  Speaker 1: white man. No, no, I know that. But two point
• 30:53
  Speaker 1: four million tickets on his last tour. That's more than
• 30:56
  Speaker 1: beyond saying jay Z. That's more than Justin Bieber and
• 30:58
  Speaker 1: Justin timber Lake. That's more than as one Beyonce and
• 31:02
  Speaker 1: Justin Timulate combined. You understand how many tickets two point
• 31:06
  Speaker 1: four million tickets are right now? You can google it.
• 31:09
  Speaker 1: It's all researchable information. I am sitting on one point
• 31:13
  Speaker 1: three minion tickets sold. There is nobody close to me
• 31:16
  Speaker 1: in ticket sales and comedy, and I am worldwide. I
• 31:20
  Speaker 1: am on par with the likes of your Bruno Mars,
• 31:23
  Speaker 1: your jay Z and Beyonce. So in comedy it's unheard
• 31:27
  Speaker 1: of to get those numbers. Also, to say fifteen consecutive
• 31:30
  Speaker 1: one hundred city tours, it's false. Where did you do
• 31:33
  Speaker 1: the new stuff? When did you ever work on something?
• 31:35
  Speaker 1: Consecutive means in a row where there's a forums list
• 31:39
  Speaker 1: every year that comes out, Go back to two thousand
• 31:41
  Speaker 1: and seven, go back to two thousand and six. Cat
• 31:43
  Speaker 1: Williams has never been on it. Go back to my
• 31:45
  Speaker 1: last five years in comedy. I have one year where
• 31:47
  Speaker 1: I got number one. This year I'll be number one again.
• 31:49
  Speaker 1: I have one year while I was number three. The
• 31:51
  Speaker 1: other years i'm number six, I'm number seven. These lists
• 31:54
  Speaker 1: are researchable. Another fact, a hard fact. Cat Williams is
• 31:58
  Speaker 1: not owned all a special He trashes the white man.
• 32:02
  Speaker 1: The white man owns your content? So false? Is this false?
• 32:08
  Speaker 1: I am now coming to get my sister's ball that
• 32:12
  Speaker 1: was over the fence. Think you got it. I am
• 32:15
  Speaker 1: only saying this because of how you attack innocent people. Yes,
• 32:19
  Speaker 1: A Tiffany does have an hour stand up special time
• 32:22
  Speaker 1: from the Hood to Hollywood. She's got two. Also, Netflix
• 32:25
  Speaker 1: specials are not given by what you sell on the road.
• 32:28
  Speaker 1: That's the most ridiculous I've heard of my life. Another fact,
• 32:31
  Speaker 1: So it's not about tickets. No, not about tickets. It's
• 32:34
  Speaker 1: about your brand. It's about your return. If I'm a
• 32:37
  Speaker 1: business and I want to invest a high amount of
• 32:39
  Speaker 1: money in you, how am I getting my money back?
• 32:42
  Speaker 1: Everybody can't demand the money if you can't justify how
• 32:46
  Speaker 1: I'm getting my money back. All these announcements came out
• 32:49
  Speaker 1: for the specials. I kept minding the raps just because
• 32:52
  Speaker 1: Netflix gave me forty million dollars. What wo. This is
• 32:55
  Speaker 1: a fact. We need a better chance. Listen. We feel
• 33:05
  Speaker 1: like the plot that I'm making is that that's information.
• 33:15
  Speaker 1: This is all research for information if you go look
• 33:17
  Speaker 1: for it. I just told to keep it to myself
• 33:19
  Speaker 1: because I don't care. I'm only saying this now because
• 33:22
  Speaker 1: I'm fat checking what was put out as fiction. That's
• 33:25
  Speaker 1: not how they do deals with that being said, once again,
• 33:29
  Speaker 1: when you look at all the comedians that are up
• 33:31
  Speaker 1: and coming, young, old, whatever. As a comedian that's sitting
• 33:35
  Speaker 1: in a position of power. If you got any financial growth,
• 33:38
  Speaker 1: put your money where your mouth is and you change it.
• 33:41
  Speaker 1: So if you got a team of people what he does,
• 33:43
  Speaker 1: which are very funny. Once again, shout out to Red
• 33:46
  Speaker 1: Grant Mancho lou Now Leslie Jones that was there for
• 33:49
  Speaker 1: a minute. I know them all. I love old people,
• 33:51
  Speaker 1: but I can't name one of these jokes. It doesn't matter.
• 33:53
  Speaker 1: I would never shut on them. At least that I
• 33:55
  Speaker 1: would say, take your money and create opportunities for them
• 33:59
  Speaker 1: so they can within your brand and make you better.
• 34:01
  Speaker 1: All the negativity that I receive when Cat Wiens and
• 34:04
  Speaker 1: mic Ups ask yourself, why those two people that themselves
• 34:07
  Speaker 1: over the same I don't have time to talk with
• 34:12
  Speaker 1: all the today I said. They both got their break
• 34:15
  Speaker 1: in the same movie. They both popped on the same
• 34:17
  Speaker 1: movie Friday, Friday after next. All right, we have more
• 34:19
  Speaker 1: with Kevin Hart and Tiffany Hadis who don't move. It's
• 34:21
  Speaker 1: the Breakfast Club. Good morning morning, everybody is DJ Envy
• 34:25
  Speaker 1: Angela Yee, Charlomagne. That God, we are the Breakfast Club.
• 34:29
  Speaker 1: We got special guests in the building, Tiffany Haddish and
• 34:32
  Speaker 1: Kevin Hart. You get along with any of your peers
• 34:35
  Speaker 1: with everybody man and you had a little thing but
• 34:37
  Speaker 1: Mike Blacks and the fine that was more man Mike
• 34:40
  Speaker 1: Blacks and knowing each other for real. You let the
• 34:44
  Speaker 1: this fiction take you out of the realm of saying
• 34:47
  Speaker 1: you really know me. So at that moment, Mike, I'm like, dude,
• 34:51
  Speaker 1: you know me? Like enough is enough. You know that
• 34:54
  Speaker 1: at this point when all this is going down, you
• 34:57
  Speaker 1: know how serious it is. You know me, like we
• 35:01
  Speaker 1: really are friends. I get it from everybody else I've
• 35:04
  Speaker 1: but you different. You know me. That's where me and
• 35:06
  Speaker 1: Mike came in. But me and Michael Fine, I'm saying negativity.
• 35:10
  Speaker 1: I'm saying talk. I'm saying the constant downing of people
• 35:14
  Speaker 1: that sit in the position of success, that have worked
• 35:16
  Speaker 1: hard for it comes from people that have yet to
• 35:18
  Speaker 1: realize their fuck up. This is simply me calling you
• 35:22
  Speaker 1: out on your cups. Stop pointing other people. Stop pointing
• 35:25
  Speaker 1: to Hollywood for your fuck up. It is changing. It
• 35:29
  Speaker 1: is the biggest comedy start in the world right now
• 35:31
  Speaker 1: on an international level, box office and goddamn touring. Stop
• 35:36
  Speaker 1: talking to me about the opportunities that we're not getting
• 35:38
  Speaker 1: because I'm creating them. Your cup take responsible for your cup.
• 35:42
  Speaker 1: Don't kick my sister ball over the fence. No more cousin.
• 35:50
  Speaker 1: I would never want to get in trouble because I
• 35:54
  Speaker 1: know this a girl's story. Y'all. Don't understand where my
• 35:56
  Speaker 1: frustration come from. Homeless if the joke of the money
• 36:01
  Speaker 1: that I gave her, I'm talking about a real grind
• 36:03
  Speaker 1: right homeless, no bid back seat, watching your ass in
• 36:07
  Speaker 1: bath through sinks and now you finally get millions for moving.
• 36:10
  Speaker 1: Now we want to go. You ain't dising You ain't
• 36:12
  Speaker 1: that applauder first, and she seems so grateful all the time.
• 36:16
  Speaker 1: And you have nothing bad to say about anybody. I've
• 36:18
  Speaker 1: never seen Tiffany Hattish come at anybody being negative. It
• 36:21
  Speaker 1: seems like you're always supportive. Yeah, I am supporting the
• 36:24
  Speaker 1: fact I got something bad to say about somebody. I
• 36:26
  Speaker 1: say it to them and they face first, straight up
• 36:35
  Speaker 1: for giving the people who try to discredit you, because
• 36:37
  Speaker 1: they obviously are hurting and they need something, they need
• 36:40
  Speaker 1: some love. They there's something wrong with them for them
• 36:42
  Speaker 1: to even come at me. I never did that to them.
• 36:44
  Speaker 1: I never said anything bad about them, So that's something
• 36:47
  Speaker 1: that's personal. And obviously they're crying for help. So I'm
• 36:50
  Speaker 1: gonna be kind and I'm gonna keep it pushing and
• 36:53
  Speaker 1: not of it's work. Whatever they're trying to put out,
• 36:54
  Speaker 1: we already reached out to you in the poly ask
• 36:56
  Speaker 1: you too, it's that true now where you get that from? No,
• 37:01
  Speaker 1: And I want to make this. I want to make
• 37:02
  Speaker 1: this perfectly clear. This is not a Kevin Hart versus
• 37:05
  Speaker 1: Cat thing. This is not that I don't I don't give.
• 37:08
  Speaker 1: I don't give that much of a I don't I
• 37:10
  Speaker 1: don't have time to care that much. This is a
• 37:12
  Speaker 1: I'm shining a light on what we complain about. We
• 37:16
  Speaker 1: complain that we don't have, then we get, and now
• 37:20
  Speaker 1: we tear down those that are getting what we said
• 37:22
  Speaker 1: we don't have. Make a decision. I'm gonna ride with
• 37:25
  Speaker 1: whatever decision we make. Y'all on a platform, help me
• 37:27
  Speaker 1: figure out so I know what we're sticking to. Maybe
• 37:30
  Speaker 1: I'm wrong, So if I'm wrong, tell me now so
• 37:32
  Speaker 1: I can take the money out of my laugh out
• 37:33
  Speaker 1: Loud network, so I can stop trying to produce these
• 37:35
  Speaker 1: movies and get diversity looks and make a multicultural cast
• 37:39
  Speaker 1: pop because I thought that's what we want it. So
• 37:41
  Speaker 1: if it's not what we want, tell me, and I'll
• 37:43
  Speaker 1: go back and I'll do what was being done that
• 37:46
  Speaker 1: we didn't want. So we're going to fix the problem.
• 37:48
  Speaker 1: Then help a problem become fixed by being a part
• 37:52
  Speaker 1: of the solution and not the problem. When you are
• 37:54
  Speaker 1: down and you attack those that are now becoming a
• 37:58
  Speaker 1: part of the solution, you're the problem. It's interesting that
• 38:01
  Speaker 1: they always say the white man gives people in Hollywood stuff.
• 38:04
  Speaker 1: At least we haven't been watching y'all bust y'all ass
• 38:06
  Speaker 1: for years. Absolutely, I can say that there has been
• 38:09
  Speaker 1: a heavy separation within races and opportunity and the entertainment business.
• 38:14
  Speaker 1: I can say all the complaints that have been given
• 38:16
  Speaker 1: over the past are not only correct, but worthy of
• 38:21
  Speaker 1: the attention that they got. Okay, within all the movements,
• 38:25
  Speaker 1: with all the conversation, but then we need more, you
• 38:28
  Speaker 1: goddamn right, I get it. I was a person that
• 38:31
  Speaker 1: was told movies can't translate overseas with the black lead
• 38:34
  Speaker 1: in the comedy. I was told that to my face.
• 38:37
  Speaker 1: I bade for those opportunities. I pushed for him. I
• 38:39
  Speaker 1: got them. And now you see more movies with people
• 38:43
  Speaker 1: of color in the league position getting those opportunities because
• 38:46
  Speaker 1: we're pushing forward. They talk about people giving people's stuff.
• 38:49
  Speaker 1: You had to fight for an audition for Girls Trip, Yeah,
• 38:51
  Speaker 1: I fought for that for I was constantly on my
• 38:55
  Speaker 1: agent about getting me that audition, and I got it,
• 38:58
  Speaker 1: and then I went in like more times and then
• 39:01
  Speaker 1: finally I got the job. But I mean, I was
• 39:04
  Speaker 1: just thinking about it, like every person that's ever given
• 39:06
  Speaker 1: me an opportunity in this business, or fought for me,
• 39:09
  Speaker 1: or fought with me to get a job or put
• 39:11
  Speaker 1: me on something has been black. So to me, when
• 39:13
  Speaker 1: they say the white man whatever, to me, I don't.
• 39:16
  Speaker 1: I don't see it that way. I mean I it's
• 39:18
  Speaker 1: been black or Hispanic, uh, Middle Eastern, but mostly black
• 39:23
  Speaker 1: people have helped me. And then when it comes to
• 39:25
  Speaker 1: stand up, it's it's like everybody I feel like, and
• 39:27
  Speaker 1: my job in this business I feel like to me,
• 39:30
  Speaker 1: my position I come from bringing joy. And when people like,
• 39:32
  Speaker 1: oh she's not funny, you're not funny, I don't care.
• 39:34
  Speaker 1: And my comedy not for you. You know, I'm here
• 39:37
  Speaker 1: to not make the whole white world laugh. I'm here
• 39:40
  Speaker 1: to make the people that buy tickets laugh. That's all
• 39:42
  Speaker 1: I care about. And he hods a perfect segue to
• 39:45
  Speaker 1: go back. It's our reason for being here. Director. When
• 39:55
  Speaker 1: I say perfect segue, I'm saying when I talk about
• 39:59
  Speaker 1: second chances, when I talk about the purpose of the movie,
• 40:02
  Speaker 1: when I talk about why the movie was created, when
• 40:04
  Speaker 1: I talk about the vision behind it, it's to motivate
• 40:07
  Speaker 1: and inspire. Yes, you're gonna laugh, But there's a message
• 40:09
  Speaker 1: within it, within everything that I'm saying, Yo, second chances
• 40:13
  Speaker 1: are valuable. Within everything that I said directed towards Kat
• 40:17
  Speaker 1: and what was said, Yo, you got a second chance.
• 40:20
  Speaker 1: Your people still ride with you. They still what you
• 40:22
  Speaker 1: They always will because you're talented. Acknowledge that, Yo, you
• 40:25
  Speaker 1: know what, the first time I may have done something.
• 40:27
  Speaker 1: Second time, I'm coming back strong than other people. Watch
• 40:30
  Speaker 1: the road back to Kat Williams getting back to the top.
• 40:32
  Speaker 1: You mean like with him win an Emmy. Yes, Like
• 40:35
  Speaker 1: that's like that's your mom, that's hey man, he didn't
• 40:37
  Speaker 1: write that role. By the way, though, I'm just saying, whoever,
• 40:42
  Speaker 1: I'm not here to attack that. I'm saying as a fan,
• 40:46
  Speaker 1: I would embrace you, acknowledging whatever and going that's a
• 40:49
  Speaker 1: second chance. Within my movie, you'll see second chances become
• 40:53
  Speaker 1: highlighted you'll see them be celebrated. Night School is bigger
• 40:56
  Speaker 1: than the last that you're gonna get. There's a message
• 40:58
  Speaker 1: in any content, any content being developed that comes from
• 41:01
  Speaker 1: Heartbeat Productions will have an underlying tone that you will
• 41:05
  Speaker 1: be able to take with you, because that's what I'm
• 41:07
  Speaker 1: trying to do from a production standpoint. So this script
• 41:10
  Speaker 1: came to you first, and then your script was developed
• 41:13
  Speaker 1: by me. You wrote it, yes, ground up. Harry Ratrick
• 41:17
  Speaker 1: shouts out of Harry Ratrick, Joey Wells, Matt Kellard, Glenda Richardson,
• 41:22
  Speaker 1: John Hamburg, Nicolas Soler, all amazing talent writers that came
• 41:25
  Speaker 1: and had helped in within the development of the script
• 41:28
  Speaker 1: done underneath the Heartbeat umbrella. Then after that, taking to
• 41:30
  Speaker 1: my guy wool Packer, read it, loved it, took it
• 41:33
  Speaker 1: to Universal, sold it. Universal said let's do it. We
• 41:36
  Speaker 1: did it, and now we're releasing it. That's the steps
• 41:39
  Speaker 1: within the development. But what I love the most is
• 41:41
  Speaker 1: that you're seeing something that can be branded and that
• 41:44
  Speaker 1: can be underlined as what Kevin Hart content will look like.
• 41:48
  Speaker 1: I want to be a partner. I've been a work
• 41:50
  Speaker 1: for hire for a long time, so that it's about
• 41:51
  Speaker 1: becoming a partner. So when Universal looks at me and
• 41:54
  Speaker 1: they say we're developing with Kevin, it's because we're partners.
• 41:57
  Speaker 1: The world of being a work for hire was a
• 41:59
  Speaker 1: great one, but the business in me won't allow that
• 42:01
  Speaker 1: to last. The business is now about pulling other people up,
• 42:05
  Speaker 1: embracing the opportunities that can be given, opportunities that can
• 42:09
  Speaker 1: be given. The first learned, given earned. Yes, it was
• 42:14
  Speaker 1: given because I earned it. I thought you've been doing
• 42:17
  Speaker 1: that with your stand up though you are. Yes, really
• 42:21
  Speaker 1: really not just for radios, it is not. Once again,
• 42:23
  Speaker 1: it's all research but information. Well not the one of
• 42:25
  Speaker 1: I just shot. That's Netflix. That's why they cut that
• 42:28
  Speaker 1: check so they can that's theirs. And that was one
• 42:32
  Speaker 1: special I know I'm doing too, giving them too twenty
• 42:34
  Speaker 1: million dollars specials. We don't need to get in scheduled.
• 42:37
  Speaker 1: The man is great. I need to get into that.
• 42:41
  Speaker 1: It was done along at the same time when Rock
• 42:44
  Speaker 1: Chapelle Ellen, when we all we were all figuring it out.
• 42:48
  Speaker 1: Eddie Murphy Man, he's up there that that fifty million
• 42:51
  Speaker 1: number is a crazy number. Is the highest gross and
• 42:54
  Speaker 1: standard special of all time, and you know I shot
• 42:57
  Speaker 1: for it. I tried, I gave my all, I made
• 43:00
  Speaker 1: the listen. I have three specials on there, but that
• 43:02
  Speaker 1: man sets the top for a reason. Highest one is
• 43:05
  Speaker 1: thirty six or thirty two, something like that. Thy eight
• 43:09
  Speaker 1: thirty eight when you have for twenty three twenty three
• 43:12
  Speaker 1: caps on more than you because he did twenty four
• 43:14
  Speaker 1: with one of us. All we have more with Kevin
• 43:18
  Speaker 1: Hart and Tiffany Hadris who don't move. It's to breakfast club.
• 43:21
  Speaker 1: Good morning, DJ, Envy, Angela Yee, Charlemagne, the guy. We
• 43:24
  Speaker 1: all the breakfast club. Now. Normally we do rumors here, yes,
• 43:28
  Speaker 1: but since Envy and Angela Ye are in Vegas. No,
• 43:30
  Speaker 1: since Tiffany has in Vegas. But Tiffany and keV are here.
• 43:35
  Speaker 1: But we're all together. Don't worry about it. It's radio magic.
• 43:38
  Speaker 1: Don't matter how it's getting done. It's just getting done.
• 43:41
  Speaker 1: Don't try to trick or fire me, bro, don't try
• 43:43
  Speaker 1: to trick or five me. But let's get back into
• 43:44
  Speaker 1: our interview with tiff Doesn't it feel like as the
• 43:48
  Speaker 1: success comes and things get bigger for you, it's just
• 43:50
  Speaker 1: so much more hate comes with it at times as well,
• 43:53
  Speaker 1: especially because they seem like they love you on the
• 43:56
  Speaker 1: way up, and then when you get there, it's like
• 43:58
  Speaker 1: she ain't funny. Oh she did all she's that. But
• 44:00
  Speaker 1: they love you when you're on your well up. Yeah.
• 44:01
  Speaker 1: Now all of a sudden, oh she reinforces the negative
• 44:03
  Speaker 1: stereotypes of black women. Well I expected. I mean that's
• 44:06
  Speaker 1: a part of the process. I've been researching and studying
• 44:09
  Speaker 1: in the entertainment business for a long time, and that's
• 44:11
  Speaker 1: part of the process. They love you for a minute,
• 44:13
  Speaker 1: then they hate on you. Didn't They love you again,
• 44:15
  Speaker 1: and they hate on you. It's like a dysfunctional relationship.
• 44:19
  Speaker 1: Not really know because my check is getting bigger and bigger,
• 44:21
  Speaker 1: so continue to continue to be a publicist for free.
• 44:25
  Speaker 1: From my upbringing, I mean, I grew up in foster care,
• 44:27
  Speaker 1: one man, and I'm in the most wonderful home. Next thing,
• 44:29
  Speaker 1: I'm snatched out to the next thing, thinking nobody, nobody
• 44:31
  Speaker 1: there cared about me. So I've been trained and built
• 44:34
  Speaker 1: for this. My mamma used to talk mess about me
• 44:35
  Speaker 1: and then next second loving kiss on me. So to me,
• 44:38
  Speaker 1: this is I was made for this. I'm built for it.
• 44:40
  Speaker 1: So y'all can talk all they want to talk. I'm
• 44:42
  Speaker 1: still gonna be smiling at you because I know other
• 44:44
  Speaker 1: minute you're gonna be like dang. I love what you
• 44:46
  Speaker 1: said right there. That made me feel good, so I'm
• 44:48
  Speaker 1: gonna keep it pushing. I love how you protecting, you know,
• 44:51
  Speaker 1: tipping this situation. But how do you protect you know
• 44:53
  Speaker 1: other artists, including her, just in the business period, they
• 44:56
  Speaker 1: don't make the same mistake you made. Come and protect
• 44:57
  Speaker 1: them by giving them the opportunity. I protect them by
• 45:00
  Speaker 1: being an open book and an example. You get to
• 45:03
  Speaker 1: see the hard work and effort that was put into
• 45:06
  Speaker 1: my craft, and in return, I take it and I say,
• 45:09
  Speaker 1: hey man, I can't wait to see the next version
• 45:10
  Speaker 1: of what I am, if not bigger, I can't wait
• 45:13
  Speaker 1: to see the next version of the next generation that
• 45:16
  Speaker 1: surpasses all this amazing that I'm doing and that creates
• 45:20
  Speaker 1: other opportunities for others. I got to see a blueprint
• 45:23
  Speaker 1: that so many did before me, and I took what
• 45:25
  Speaker 1: I saw and I said, how can I be different?
• 45:27
  Speaker 1: What impact can I have? So when you say how
• 45:30
  Speaker 1: do I change or how do I have an effect
• 45:32
  Speaker 1: on them? My effect is by saying, hey man, take this,
• 45:35
  Speaker 1: use this for whatever you feel you can. And when
• 45:38
  Speaker 1: you get the opportunity that you feel you're going to
• 45:41
  Speaker 1: get from this, don't get up. Be better than me,
• 45:43
  Speaker 1: the people in our craft of comedy, which is one
• 45:46
  Speaker 1: of the hardest goddamn professions to make it in. So
• 45:49
  Speaker 1: when you're a person that sits in this chair, that's
• 45:52
  Speaker 1: in this field, come on, man, you got no choice
• 45:54
  Speaker 1: but to support the ones that made it out that gauntlet.
• 45:57
  Speaker 1: How y'all feel man? Everybody? All right? Dude on even
• 46:02
  Speaker 1: when people hating, when they can name five or six
• 46:04
  Speaker 1: black comedians, that's big, because usually it's only one, huge huge.
• 46:09
  Speaker 1: That's why I was so taken back. Like at the
• 46:11
  Speaker 1: shot for Rel, I couldn't be prouder of Real. I
• 46:15
  Speaker 1: couldn't be more happy. Think that great guy, great guy. Man,
• 46:19
  Speaker 1: that man, don't bother nobody. I'm final attractive though. Look man,
• 46:23
  Speaker 1: that's that's that's not to me to determine. Okay, look,
• 46:26
  Speaker 1: that's all right. He said, Real's got he's got kids, hedy, somebody, somebody,
• 46:38
  Speaker 1: somebody was okay, wait, come from you. Don't you don't
• 46:41
  Speaker 1: let that happen to something that you feel is disgusting.
• 46:45
  Speaker 1: That's a mutual agreement right there, and you helped her
• 46:48
  Speaker 1: all out early with his stand up special l I
• 46:50
  Speaker 1: was lucky enough for Rel to allow me to help
• 46:54
  Speaker 1: him out. I came to Rel as a fan. Dude,
• 46:56
  Speaker 1: I'm a fan. I would love to produce your special.
• 46:58
  Speaker 1: Me and Rel had a conversation. I said, I want
• 47:00
  Speaker 1: you to do it your way. I just want to help.
• 47:02
  Speaker 1: I'm a fan. I'm a fan of the craft. I
• 47:05
  Speaker 1: love comedy. I love watching the ones that did it
• 47:08
  Speaker 1: before me, and I love watching the ones that are
• 47:11
  Speaker 1: coming up after me. If you take nothing else from
• 47:13
  Speaker 1: this interview, can take the fact that I want to
• 47:16
  Speaker 1: see other people winning. I'm not selfish with my position.
• 47:20
  Speaker 1: So for all of our black people out there that
• 47:23
  Speaker 1: want to see more people of color in a position
• 47:25
  Speaker 1: where they're winning, ask yourself if you're a part of
• 47:28
  Speaker 1: the solution of the problem. Is that simple? We love
• 47:31
  Speaker 1: you for being honest, man. One of the things that
• 47:32
  Speaker 1: you're super honest about that's been like intriguing me lately
• 47:35
  Speaker 1: is like the fact that you be getting your head
• 47:37
  Speaker 1: died and your beard died because I got grace problems
• 47:40
  Speaker 1: up there, but he had at no, no, I definitely
• 47:46
  Speaker 1: got to die. He h No. But here's the thing, though,
• 47:53
  Speaker 1: I think I was using the wrong color for a
• 47:55
  Speaker 1: minute because of my no I was going dark brown.
• 48:00
  Speaker 1: But when they go back, my turn like a dirty brine, like, yeah,
• 48:04
  Speaker 1: what a gad, you're washing your head cheek, your head
• 48:06
  Speaker 1: look dirty. I'm talking about it. Didn't nobody, it's my
• 48:10
  Speaker 1: natural color. Y'all think about getting something for the bid,
• 48:13
  Speaker 1: not the Beijing. I don't I don't do that. I
• 48:16
  Speaker 1: don't do that. You got some rich Even when you
• 48:18
  Speaker 1: wiped your forehead just now, ain't nothing came out. You
• 48:20
  Speaker 1: gotta go a good product. The last thing you want
• 48:22
  Speaker 1: to do, especially when you're married, is get up from
• 48:24
  Speaker 1: a pillowcase. You gotta hear yourself. I don't know. I
• 48:29
  Speaker 1: washed my the Beijing. The Beijing is coming out. He's
• 48:36
  Speaker 1: not gonna do that publicly because it's my secret. I
• 48:37
  Speaker 1: tell you off here them here. I got a nice product, man.
• 48:42
  Speaker 1: And you know, here's the thing. You can't overdo it.
• 48:45
  Speaker 1: Do it when it's necessary sometimes, embrace the gray. Let
• 48:48
  Speaker 1: that go out and just look like look like Morgan
• 48:50
  Speaker 1: Freeman for a good two weeks. Accept it, and then
• 48:54
  Speaker 1: and then after that surprising to get everybody with you. Yeah,
• 48:58
  Speaker 1: who's trying to go dance? Right? School? Is ever next week.
• 49:04
  Speaker 1: Make sure you go check it out and make sure
• 49:05
  Speaker 1: you support. So listen, if all these people apologize, it'll
• 49:07
  Speaker 1: be all good, right, Listen, I'm not here for drama, brothers. Okay,
• 49:11
  Speaker 1: it's not about the apology. It's not about like me
• 49:13
  Speaker 1: and Kat, you don't ever have to talk or we
• 49:15
  Speaker 1: can't talk. It doesn't it doesn't matter. It's not gonna
• 49:17
  Speaker 1: affect me anyway. I am about support. That's it. I'm
• 49:21
  Speaker 1: gonna support that man. I'm gonna be a fan forever,
• 49:24
  Speaker 1: whether I like even whether we don't like each other,
• 49:25
  Speaker 1: I'm a fan. I'm a fan of his talent. It
• 49:27
  Speaker 1: has nothing to do with that. I want to make
• 49:29
  Speaker 1: that very clear. This has nothing to do with that.
• 49:30
  Speaker 1: This is not a beef. This is correcting what you
• 49:33
  Speaker 1: said that you know you shouldn't have said. This is
• 49:35
  Speaker 1: about you embracing your fails, yours, and you acknowledging what
• 49:40
  Speaker 1: you did and stop pointing a finger to everybody else.
• 49:43
  Speaker 1: Eventually you got to point it back to you. Well,
• 49:45
  Speaker 1: thank you for joining us. I've got two more movies
• 49:47
  Speaker 1: coming out this year. Yeah, what the movies tell them?
• 49:50
  Speaker 1: I got The Oaths coming out in October, and then
• 49:52
  Speaker 1: I got another movie called Nobody's Full coming out in
• 49:54
  Speaker 1: no Vamper. Aren't you on TV? Too? Ah? Yeah, I'm
• 49:57
  Speaker 1: on TV on the show called The Last Age. And
• 50:00
  Speaker 1: I got some more group on commercials come in, and
• 50:02
  Speaker 1: I got some seeds and that's saw all of my
• 50:05
  Speaker 1: Netflix specials come in. And then I'm also gonna bring
• 50:08
  Speaker 1: up six other comics in that special. I'm doing a
• 50:11
  Speaker 1: Tiffany Hatas presents my favorite comedians, and it's like comics
• 50:15
  Speaker 1: that have been doing comedy for more than ten years
• 50:16
  Speaker 1: that deserve a chance to shine. Oh so you mean
• 50:18
  Speaker 1: to tell me you gott putting a position of pause
• 50:20
  Speaker 1: and now you're putting other people on. Yeah, that's what
• 50:22
  Speaker 1: you're supposed to do. That's what my big brother taught me. Wow,
• 50:26
  Speaker 1: just transferred down. Man, give me a second. I want
• 50:28
  Speaker 1: to run down stuff I got going on. You guys,
• 50:32
  Speaker 1: got a second just before we get out there. We
• 50:34
  Speaker 1: gotta second, Okay. I just need a good sixty seven
• 50:36
  Speaker 1: seconds in time to get out earlier. Okay, First and foremost,
• 50:41
  Speaker 1: nice school. That's the priority. Guys, Please go out support
• 50:43
  Speaker 1: this movie. September twenty eight Ye. Like I said, it's
• 50:45
  Speaker 1: a big meaning behind it. First movie underneath the production
• 50:48
  Speaker 1: company of mine, Heartbeat Production. So I need you to
• 50:51
  Speaker 1: just support other than that. Got a drama coming out,
• 50:54
  Speaker 1: call the Upside Me Brian Cranton, the Cole Kitman. That's
• 50:57
  Speaker 1: dropping January Love drama. That's this is gonna be. It's
• 51:01
  Speaker 1: a it's a great look. I can't wait for people
• 51:03
  Speaker 1: to sit it. Take your Life of Pets too, Get
• 51:05
  Speaker 1: ready for that one. I'm in that is in that too.
• 51:07
  Speaker 1: That's why I brought it up because you forgot to
• 51:09
  Speaker 1: say I don't know when it's coming, Well I do.
• 51:11
  Speaker 1: That's my twenty nineteen. You'll get hit with that. The tour,
• 51:17
  Speaker 1: Irresponsible tour. I'm on my last three months. We're wrapping
• 51:19
  Speaker 1: that up strong. Uh, big cities coming up. If you
• 51:22
  Speaker 1: don't have your tickets, go get them. Kevinhartnation dot Com
• 51:24
  Speaker 1: also filming Jumanji two. After filming Jumanji two, working on
• 51:28
  Speaker 1: another animation, working on a comedy called Little Kevin. That's
• 51:31
  Speaker 1: gonna be about my life but me being told. I'm
• 51:33
  Speaker 1: telling this life through uh, through the little version of
• 51:36
  Speaker 1: me with an adult voice. It's pretty dope. So it's
• 51:38
  Speaker 1: the same it's you right now pretty much. Yeah, But
• 51:42
  Speaker 1: when you say like that, Yes, exactly what it is said.
• 51:44
  Speaker 1: I got a movie coming out with Melissa McCarthy as well.
• 51:47
  Speaker 1: Oh yeah, that's yeah The Kitchen. Yeah, and that's a
• 51:50
  Speaker 1: gangster movie. Go you. Yeah, I'm learning from you everyone more. Yeah.
• 51:53
  Speaker 1: I also got a cart too coming out on Netflix.
• 51:56
  Speaker 1: I'm Bertie. Yeah. Yeah, I got Rose Barn that's come
• 52:06
  Speaker 1: in twenty nineteen as well. That's the comedy I'm limited partners.
• 52:10
  Speaker 1: I'm producing that too. Did you get more for your
• 52:14
  Speaker 1: netflixpression in Monique don't say that? Thank you guys for
• 52:18
  Speaker 1: the time you guys. Uh, this has been real. You know,
• 52:22
  Speaker 1: this is what it's about. Kevin, Thank you guys, and
• 52:25
  Speaker 1: we got and we do have to say congratulations about you.
• 52:28
  Speaker 1: Guys are both up here. Honestly, I know we're all
• 52:30
  Speaker 1: cool with each other and we joke around a lot.
• 52:31
  Speaker 1: But that's huge that you guys are doing so much,
• 52:34
  Speaker 1: so many big things for Congratulations to Tiffany and inspirational.
• 52:39
  Speaker 1: Thank you, Thank yall, y'all appreciate y'all. It's the breakfast Club.
• 52:42
  Speaker 1: Good morning. Don't date you get junk you are, I'm
• 52:57
  Speaker 1: gonna fat and all that around your this man to
• 53:00
  Speaker 1: Stolton Blowers. Many waited for Charlomagne to make a judgment
• 53:04
  Speaker 1: who was gonna be on the Donkey of the Day.
• 53:06
  Speaker 1: They chose you the Breakfast Club. Bitches, Who's Donkey of
• 53:10
  Speaker 1: the Day to day? All right, listen, man, Charlomagne the
• 53:13
  Speaker 1: God here, I'm on vacation. I don't give a damn
• 53:15
  Speaker 1: what y'all think about that, because I deserve it. Now.
• 53:17
  Speaker 1: The Breakfast Club is in eighty plus markets in one
• 53:19
  Speaker 1: hundred and fifty country, so we have a lot of
• 53:21
  Speaker 1: new listeners who probably don't even know who Charlomagne the
• 53:23
  Speaker 1: God is. So use my time off to catch up
• 53:26
  Speaker 1: on some of my past work. Okay, okay, if you
• 53:29
  Speaker 1: knew here, I do a segment every day called Donkey
• 53:31
  Speaker 1: of the Day donkey as in jackass, and that's when
• 53:33
  Speaker 1: I give someone the credit they deserve for being stupid. So,
• 53:36
  Speaker 1: if you've never heard of it, this is new to you.
• 53:38
  Speaker 1: But if you are a regular listener, then this is
• 53:39
  Speaker 1: an oldiep but goody because it's the best of the
• 53:42
  Speaker 1: Donkey of the Day. Donkey of the Day goes to
• 53:44
  Speaker 1: a queen from Queens named Nicki Minaj. Charp won the
• 53:46
  Speaker 1: clues Bombs from Nicki Minach. Okay, Now, it's rare that
• 53:50
  Speaker 1: you see someone played themselves the way Nicki Minaj played
• 53:53
  Speaker 1: ourself on social media. Now, if you are not aware
• 53:55
  Speaker 1: of what happened, the Billboard shots for this week came
• 53:57
  Speaker 1: out and once again, Travis Scott, regardless of what on
• 54:00
  Speaker 1: Nika says, has the number one album in the country
• 54:02
  Speaker 1: with Astro World dropped on a Clues Bombs with Travis Scott.
• 54:06
  Speaker 1: Travis sold twenty to five thousand units with seventy eight
• 54:09
  Speaker 1: thousand from traditional sales. Nicki Minaj has the number two
• 54:11
  Speaker 1: albums in the country with one hundred and eighty five
• 54:13
  Speaker 1: thousand units and seventy eight thousand of her albums from
• 54:16
  Speaker 1: traditional sales. Dropping the clues bons from nickim Naji again, Okay,
• 54:20
  Speaker 1: because Queen to me is a good body of work,
• 54:23
  Speaker 1: I have slight critique like I probably would have shortened
• 54:25
  Speaker 1: it the just twelve songs. I also would like to
• 54:27
  Speaker 1: hear a little more grow fier Nikki when it comes
• 54:29
  Speaker 1: to her content. But I still think in my opinion
• 54:31
  Speaker 1: that Queen is a good body of work, and it's
• 54:33
  Speaker 1: a good body of work that sold one hundred and
• 54:36
  Speaker 1: eighty five thousand albums in his first week. I think
• 54:39
  Speaker 1: that's more than respectable. I think that's a win. But
• 54:41
  Speaker 1: Nicki minaj ladies and gentlemen. It's a sore winner. And
• 54:45
  Speaker 1: it's very very very read that you come across the
• 54:47
  Speaker 1: sore winner. But Nikki is one of them. Nicki responded
• 54:49
  Speaker 1: to the news of her having a number two album
• 54:51
  Speaker 1: in the country by tweeting, Travis sold over fifty thousand
• 54:54
  Speaker 1: of these. By fifty thousand of these, she means merchandise right,
• 54:58
  Speaker 1: with no requirement of redeeming the album, with no dates
• 55:01
  Speaker 1: for a tour, etc. I spoke to him. He knows
• 55:04
  Speaker 1: he doesn't have the number one album this week. I
• 55:06
  Speaker 1: love my fans for the number one album in America. Now,
• 55:09
  Speaker 1: when she says fifty thousand to be she talking about
• 55:11
  Speaker 1: tour passes merchandise. What is she talking about? Does anybody
• 55:14
  Speaker 1: know merchant? I think it's a merch it's a merchant.
• 55:16
  Speaker 1: I think they if you buy the T shirt or whatever,
• 55:19
  Speaker 1: maybe I think you also get out. I know I
• 55:20
  Speaker 1: got Dan who works up here, loves merchant. He bought
• 55:23
  Speaker 1: some of the Travis Scott merch so I guess it
• 55:24
  Speaker 1: comes with the album. Whatever it was. I'm just here
• 55:27
  Speaker 1: to tell Nikki he know. Travis does not know he
• 55:29
  Speaker 1: doesn't have the number one album in the country, because
• 55:31
  Speaker 1: we're all looking at the same numbers. You are. He
• 55:34
  Speaker 1: has the number one album in the country. Okay, you
• 55:36
  Speaker 1: have the number two album in the country, all right.
• 55:39
  Speaker 1: He's sold two hundred and five thousand. You sold one
• 55:41
  Speaker 1: hundred and eighty five thousand. I don't care what bundles
• 55:44
  Speaker 1: came with the album. So what if Travis Scott sold
• 55:46
  Speaker 1: merch with album with tour passes with his album? Last
• 55:48
  Speaker 1: time I checked, Nikki, you bundle concert tickets with your
• 55:51
  Speaker 1: album too, So really trying to see what is the
• 55:53
  Speaker 1: issue here? Okay, let's look at everyone who Nikki blamed
• 55:56
  Speaker 1: for being numbered two, all right. She blamed Travis Scott
• 55:59
  Speaker 1: for selling merchant along with his album. She blamed Kylie
• 56:01
  Speaker 1: Jennifer tweeting about Travis Scott's album. She blames Stormy for
• 56:04
  Speaker 1: being a cute little baby who daddy happens to be
• 56:06
  Speaker 1: Travis Scott and he made the album. She blamed Spotify
• 56:09
  Speaker 1: for putting Drake on every playlist proclaimed Spotify told her
• 56:11
  Speaker 1: they would have to teach her a lesson for playing
• 56:13
  Speaker 1: her music ten minutes early on Apple Radio, Nicki Minaj,
• 56:16
  Speaker 1: you're blaming everyone like you lost something. You have watched
• 56:20
  Speaker 1: too much Talaget Talladegga Knights because this quote has to
• 56:22
  Speaker 1: be stuck in your brain. First you're laugh but I'm
• 56:25
  Speaker 1: telling you that's not true. Okay, it's okay. You put
• 56:28
  Speaker 1: out a good body of work and you sold one
• 56:29
  Speaker 1: hundred and eighty five thousand records. Why are you being
• 56:32
  Speaker 1: a soul winner? Nothing you're doing is Queen like I mean, Okay,
• 56:35
  Speaker 1: let's just say, you know, let's just say all these
• 56:37
  Speaker 1: people are to blame for you having the number two
• 56:40
  Speaker 1: album in the country. Okay, Well, who's the blame for
• 56:42
  Speaker 1: you having the number two album? In twenty fifteen, Nikki's
• 56:46
  Speaker 1: last album to pick Print debut at number two with
• 56:48
  Speaker 1: two hundred and forty four thousand albums sold. Okay, I
• 56:51
  Speaker 1: don't remember her tripping off being number two then, so
• 56:53
  Speaker 1: what's the problem now? And this album Queen is better
• 56:56
  Speaker 1: than Meet than the Pink Print. So the most important
• 56:58
  Speaker 1: thing is you put out a good body of work.
• 57:00
  Speaker 1: Because nobody was canceling you because they wanted you gone
• 57:02
  Speaker 1: from the game. People were saying they just wasn't feeling
• 57:04
  Speaker 1: you musically anymore, so they hear you back musically. It's
• 57:07
  Speaker 1: all I ever wanted. So for you to have the
• 57:09
  Speaker 1: number two album in the country is cool, Okay. I
• 57:12
  Speaker 1: just want to know why you don't think this is okay.
• 57:14
  Speaker 1: This is your second consecutive number two album. It's the
• 57:18
  Speaker 1: second biggest debut a week from a female rapper in
• 57:20
  Speaker 1: two eighteen, behind Cardi B's invasion of privacy. The meltdown
• 57:23
  Speaker 1: you had on social media wasn't warrantined because you won.
• 57:27
  Speaker 1: And for all the bobs out there who are in
• 57:28
  Speaker 1: my mentions right now ready to slant to me all
• 57:30
  Speaker 1: day for giving Nikki donkey today, how about take that
• 57:33
  Speaker 1: energy to Apple, take it to Title, take it to Spotify,
• 57:36
  Speaker 1: take it to the record store. Instead of putting energy
• 57:38
  Speaker 1: into slandering people who you think hate Nicki Minaj, go
• 57:40
  Speaker 1: support her music. Every time you think about slandering me today,
• 57:44
  Speaker 1: are sending me a nasty tweeter or leaving me an
• 57:46
  Speaker 1: ig caption? Just think to yourself, Damn, I could be
• 57:49
  Speaker 1: screaming Nicky's music right now. I'll purchasing her music, Okay, NICKI,
• 57:52
  Speaker 1: activate your bobs to buy your albums and not slam
• 57:55
  Speaker 1: the people who you have issues with. It's way more productive,
• 57:57
  Speaker 1: all right. I saw Nikki on academics page Saturday when
• 58:00
  Speaker 1: he posted the Billboard numbers and she put this is wrong, Okay,
• 58:05
  Speaker 1: real numbers come on Sunday, and then she put fake news,
• 58:07
  Speaker 1: sounding just like Trump. She was right though, because the
• 58:10
  Speaker 1: numbers on Saturday with Travis Scott seals two undred and
• 58:13
  Speaker 1: twenty five thousand with the number one album, and they
• 58:15
  Speaker 1: had Nikki selling one hundred and ninety thousand but still
• 58:17
  Speaker 1: the number two album. Okay, so she was right, you know,
• 58:21
  Speaker 1: on everything except for the actual record sales. And all
• 58:25
  Speaker 1: I'm saying is you could be number one next week
• 58:27
  Speaker 1: if you get people to focus on the album instead
• 58:29
  Speaker 1: of the antics. Okay, the album is actually good. Put
• 58:31
  Speaker 1: out more singles, do more videos. You're so busy worrying
• 58:34
  Speaker 1: about what you don't have that you're not focusing on
• 58:36
  Speaker 1: what you have. And what you have is a good
• 58:37
  Speaker 1: body of work, a loyal fan base, and the number
• 58:40
  Speaker 1: two standing on the Billboard charts this week. You have
• 58:43
  Speaker 1: a lot to build off, Nikki. Okay, you are a
• 58:45
  Speaker 1: god fearing woman, so you know as well as I
• 58:47
  Speaker 1: do that what we don't appreciate, we risk lose it.
• 58:50
  Speaker 1: If you dropped the number eight on number ten next week,
• 58:51
  Speaker 1: you're gonna wish she was back at number two. So
• 58:53
  Speaker 1: Nikki stopped being a sore winner because you won. You
• 58:58
  Speaker 1: did it on them, all right, let's celebrate you having
• 59:01
  Speaker 1: the number two albums in the country. All the barbs,
• 59:03
  Speaker 1: let's celebrate. Play my joint, please play? What the hell
• 59:09
  Speaker 1: is that? Oh, that's my joint? If you did it
• 59:14
  Speaker 1: on them, baby, she did it on them. Come on now,
• 59:18
  Speaker 1: number two album in the country. Put your number twos
• 59:21
  Speaker 1: in the air. You can get it on them. No
• 59:25
  Speaker 1: play that. Put the I want the number twos in
• 59:27
  Speaker 1: the air because Nikki did it on them. She got
• 59:29
  Speaker 1: the number two album in the country. We're gonna celebrate.
• 59:32
  Speaker 1: I'm tired of her being a star winner. Okay, but
• 59:36
  Speaker 1: come Envy do it. You're from Queens and Angela. You
• 59:40
  Speaker 1: do it if you don't want to come, I'm the
• 59:42
  Speaker 1: only person who only en Queens and if you did
• 59:46
  Speaker 1: it all right, now, come on now, I got my
• 59:48
  Speaker 1: twols up put. It was like a peace sign. Envy, Nikki.
• 59:53
  Speaker 1: What you don't appreciate, you will lose. Please let remy Ma,
• 59:57
  Speaker 1: give Nicki Minaj to be bah you stupid mother? Are
• 1:00:02
  Speaker 1: you why I used remember everything? You stop it now?
• 1:00:09
  Speaker 1: Why a y'all gonna do that? Usually is I'm in
• 1:00:14
  Speaker 1: here trying to give constructive criticism. I'm in here, Bro,
• 1:00:18
  Speaker 1: I'm in here trying to give me Patty give criticism,
• 1:00:20
  Speaker 1: Patty y'all telling me to do you Petty, I got
• 1:00:22
  Speaker 1: my number two is in the air. You Peggy mc
• 1:00:24
  Speaker 1: na got the number two album in the country, one
• 1:00:26
  Speaker 1: hundred and eighty five pattles sold. It's a good body
• 1:00:29
  Speaker 1: of work dropped when the clue's bomb from the human
• 1:00:31
  Speaker 1: Naj damn it. Okay, but I need the number twos
• 1:00:36
  Speaker 1: in the air because Nikki did it on Patty bro
• 1:00:41
  Speaker 1: number two album in the country, You, Petty bro second
• 1:00:44
  Speaker 1: consecutive number two albums Big Print was number two, Petty
• 1:00:52
  Speaker 1: Er two in the air, Petty the number twos in
• 1:00:56
  Speaker 1: the air to celebrate the number two album in the country.
• 1:00:59
  Speaker 1: She won. No don't get that album, barbed that album?
• 1:01:03
  Speaker 1: Time today, get that album Barbs. All right, we got
• 1:01:06
  Speaker 1: more coming up next with a breakfast Club, The Breakfast
• 1:01:09
  Speaker 1: Club Funning. Everybody is DJ Envy, Angela Yee Charlomagne, the guy.
• 1:01:16
  Speaker 1: We are the breakfast club. We have a special young
• 1:01:19
  Speaker 1: lady with us this morning, yes, sir, comedian lou Nell. Yeah. Now,
• 1:01:23
  Speaker 1: let the record show. Lunell asked me to undress her
• 1:01:26
  Speaker 1: this morning. No, you did so if it ever comes
• 1:01:27
  Speaker 1: out later. And she didn't give me consent. No, me too.
• 1:01:30
  Speaker 1: Over here, I've seen you put her shirt off, she
• 1:01:33
  Speaker 1: asked me too. Okay, And we always do what we're
• 1:01:36
  Speaker 1: asked to do, though, Yes, be a good boy, Mommy,
• 1:01:42
  Speaker 1: don't have to thank you now. I walked outside and
• 1:01:45
  Speaker 1: I heard Charlemagne say, whack shit nasty, and I heard
• 1:01:48
  Speaker 1: Lunelle y'allow. I like him nasty, yes, child, Nasties. Good
• 1:01:53
  Speaker 1: people ain't nasty, No, mom, they can't be. They're get
• 1:01:56
  Speaker 1: in trouble nowadays, especially you being nasty with your mate,
• 1:01:59
  Speaker 1: you know, nasty with your with your partner. That's what happens,
• 1:02:03
  Speaker 1: you get in these relationships. You quit being nasty now
• 1:02:06
  Speaker 1: that go your man out to go after the next
• 1:02:09
  Speaker 1: nasty bit. You should have stayed the nasty bit you
• 1:02:12
  Speaker 1: was when you met you. So you think that's what
• 1:02:14
  Speaker 1: it did. You think women are just afraid to be
• 1:02:15
  Speaker 1: freaking outa days. I don't think they're afraid. I just
• 1:02:18
  Speaker 1: think that well, I think a lot of women are inhibited,
• 1:02:22
  Speaker 1: especially maybe some of my big sisters out here, because
• 1:02:26
  Speaker 1: you feel like, oh, you know this ain't tighten, this
• 1:02:30
  Speaker 1: is rolling and all that, and it is, but you
• 1:02:33
  Speaker 1: just got there's a whole crewim up out there who
• 1:02:36
  Speaker 1: loved that. Yeah, I know I got one little it's
• 1:02:39
  Speaker 1: gonna be skinny for sure. You got you a man
• 1:02:41
  Speaker 1: that loved what the roles ring. Oh you're married, okay,
• 1:02:46
  Speaker 1: I've been married for seventeen years on the load. Don't
• 1:02:49
  Speaker 1: tell the boys that. Yeah, I keep it on a lot.
• 1:02:55
  Speaker 1: Don't put my husband on social media, no pictures because
• 1:03:00
  Speaker 1: they do that face recognition and the penitentiary. If where
• 1:03:03
  Speaker 1: then there he goes back to the yard. If they
• 1:03:06
  Speaker 1: still enjoyed the comedy, you know, because it seems like
• 1:03:09
  Speaker 1: comedy has gotten a little tighter now where there's certain
• 1:03:11
  Speaker 1: things you say, now you get in trouble. I don't
• 1:03:14
  Speaker 1: get in trouble for saying anything. I'd say absolutely everything
• 1:03:18
  Speaker 1: that's on my mind. But I've been that way for
• 1:03:20
  Speaker 1: thirty years. They called me the original bad girl in comedy.
• 1:03:23
  Speaker 1: I've had a mouth on me since gate. I think
• 1:03:26
  Speaker 1: it might have helped me. Back then, I was even
• 1:03:28
  Speaker 1: too dirty to be on Death Jam. If you can
• 1:03:30
  Speaker 1: believe that, I'm and I'm swallow about that Studio fifty
• 1:03:34
  Speaker 1: four in death Jam. I never got the experience in
• 1:03:36
  Speaker 1: New York. I'm dead. They told you that. They was like, yo,
• 1:03:38
  Speaker 1: you too. Now they didn't tell me, but they just
• 1:03:40
  Speaker 1: didn't never let me do it. I only fly came
• 1:03:42
  Speaker 1: through that era that didn't do Death Jam, but I
• 1:03:45
  Speaker 1: did nine seasons of Comic You, which is way cleaner
• 1:03:48
  Speaker 1: the Death Cham was. They just was hating Hay, you
• 1:03:50
  Speaker 1: know me. But I made it despite that. And the
• 1:03:54
  Speaker 1: times have changed, so now you know, I sort of
• 1:04:00
  Speaker 1: style of genre is almost missing a really blue female
• 1:04:05
  Speaker 1: who is what they call guy funny, you know, not
• 1:04:08
  Speaker 1: just funny to the women, but funny to the dudes too.
• 1:04:10
  Speaker 1: It makes me very happy to look out there and
• 1:04:12
  Speaker 1: see men bent over and spending out their drink and
• 1:04:15
  Speaker 1: stuff like that, because men come not expecting to enjoy
• 1:04:19
  Speaker 1: a female comic. You come just appuse your god, go
• 1:04:22
  Speaker 1: see this broad, But when you really kill it, That's
• 1:04:25
  Speaker 1: why they call me El murder. The ellis Flunell Murders
• 1:04:29
  Speaker 1: because I'm killing these bitches out here. And so that's
• 1:04:33
  Speaker 1: why when I when when when guys come in and
• 1:04:36
  Speaker 1: they see me and I see them having a great time,
• 1:04:39
  Speaker 1: it's wonderful to answer a question. Yes, I do still
• 1:04:41
  Speaker 1: enjoy comedy. Not everybody knows that I have a problem
• 1:04:46
  Speaker 1: with the with the insta fame quote unquote comedians. I wish,
• 1:04:50
  Speaker 1: just wish there was another name for them besides comic,
• 1:04:53
  Speaker 1: because you know, I think of comics. I'm thinking of
• 1:04:56
  Speaker 1: Lenny Bruce, and you know, Rodney Winfield and Robin Harris
• 1:05:01
  Speaker 1: and Prior and Cosmi and Joan Rivers and mis maybe
• 1:05:05
  Speaker 1: those are comics to me. But you know, just because
• 1:05:08
  Speaker 1: you have three hundred and eighty seven thousand likes does
• 1:05:11
  Speaker 1: not a comic make you haven't done anything that. There's
• 1:05:15
  Speaker 1: beauty and the struggle. Sure everybody wants to make them
• 1:05:18
  Speaker 1: fast and quick, you know, but the beauty and the struggle.
• 1:05:21
  Speaker 1: What stories are you gonna be able to tell? You know?
• 1:05:24
  Speaker 1: And that led up to your legacy. Not you know,
• 1:05:29
  Speaker 1: you're not gonna have no stories to tell. Oh, because
• 1:05:31
  Speaker 1: I got so many likes and they picked me up
• 1:05:33
  Speaker 1: from YouTube and I got my own show, and that
• 1:05:36
  Speaker 1: was fifteen years ago. Now nobody knows where the guy
• 1:05:39
  Speaker 1: am anymore. Isn't it like another form of comedy? Were
• 1:05:42
  Speaker 1: you gotta stand up? You got it? Is another form
• 1:05:44
  Speaker 1: of comedy coming some community is funny on TV, summing movies,
• 1:05:47
  Speaker 1: summing online. Right, Yeah, you know, I mean there is
• 1:05:51
  Speaker 1: a genre for sure, And you know, I'm just as
• 1:05:55
  Speaker 1: throne to do a video as anybody else. But I'm
• 1:05:59
  Speaker 1: not basing it hoping my career of that, you know.
• 1:06:01
  Speaker 1: But I'm already established. These kids got to get in
• 1:06:04
  Speaker 1: how they fit in. And I ain't mad at him.
• 1:06:06
  Speaker 1: It's just that when you have to serve it up,
• 1:06:10
  Speaker 1: when you have to get off Instagram and go into
• 1:06:12
  Speaker 1: a club and you got three hundred and fifty people
• 1:06:15
  Speaker 1: looking at you like what you got, then you need
• 1:06:17
  Speaker 1: to have something behind that because you know that time's
• 1:06:20
  Speaker 1: gonna run out, you're gonna look stupid. And a lot
• 1:06:23
  Speaker 1: of these I guess install comedians or getting people in
• 1:06:27
  Speaker 1: the building and getting a lot of money, and they're
• 1:06:30
  Speaker 1: not really funny at times. Yeah, of course it bothers me,
• 1:06:33
  Speaker 1: and not only me. I'm just one of the people
• 1:06:35
  Speaker 1: who speak out about this because I'm not a fake bitch.
• 1:06:38
  Speaker 1: You know, I know it bothers a lot of us
• 1:06:43
  Speaker 1: ogs because they're getting paid more than us. And it's
• 1:06:46
  Speaker 1: not even I don't do it for the money, but
• 1:06:49
  Speaker 1: I certainly would like to get compensated for being one
• 1:06:51
  Speaker 1: of the bad ones out here, you know what I mean.
• 1:06:53
  Speaker 1: And you just see people who just do you know,
• 1:06:55
  Speaker 1: buying houses and and they've been on YouTube for like
• 1:06:59
  Speaker 1: three years just like this is what. So I'm not
• 1:07:02
  Speaker 1: gonna lie and say don't bother me. By's a lot
• 1:07:04
  Speaker 1: of people, but I don't know who's gonna say it,
• 1:07:06
  Speaker 1: but I will. You know what I hate. I hate
• 1:07:07
  Speaker 1: that comedians are being so politically correct now idea because
• 1:07:11
  Speaker 1: y'all don't have to be. I don't, and I'm not.
• 1:07:14
  Speaker 1: And you know, I was out in Nayack, I wasn't
• 1:07:17
  Speaker 1: in Brooklyn, and my audiences was like eighty percent white,
• 1:07:21
  Speaker 1: and I guarantee you I didn't change narray word because
• 1:07:24
  Speaker 1: I can, you know, I can go entertain the Jewish
• 1:07:28
  Speaker 1: you know, city Council as well as go to the
• 1:07:31
  Speaker 1: y m c A and do a show, but I
• 1:07:33
  Speaker 1: don't change it because my subject matter is mostly child
• 1:07:38
  Speaker 1: relationship and sex based, which is universal. Anybody white anybody, Latino, anybody,
• 1:07:45
  Speaker 1: trans anybody anything can come to my show and they're
• 1:07:48
  Speaker 1: gonna fall outlet And because everything is universal, my audiences
• 1:07:52
  Speaker 1: are like on a cruise ship, you know what I mean.
• 1:07:54
  Speaker 1: But you just come to have fun and you're sitting
• 1:07:56
  Speaker 1: next to Joe bab who's sitting next to Jamal, who's
• 1:07:59
  Speaker 1: sitting next to Banking, you know, and everybody's all there together.
• 1:08:02
  Speaker 1: And that's what I like being able to do. All Right,
• 1:08:05
  Speaker 1: we have more with lou Nelle when we come back.
• 1:08:07
  Speaker 1: Keep it locked. This to Breakfast Club, Good Morning Morning.
• 1:08:09
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We
• 1:08:13
  Speaker 1: are the Breakfast Club comedian. Lou Nell's in the building
• 1:08:16
  Speaker 1: that We had a Monique Uphill a couple of months
• 1:08:19
  Speaker 1: ago and we were talking about her Netflix specially. What
• 1:08:22
  Speaker 1: do you think about that? Because you're an og comedian.
• 1:08:24
  Speaker 1: I saw the picture you posted on Instagram. You said Netflix,
• 1:08:26
  Speaker 1: I'll take that goddamn money. Yeah, I will take this money.
• 1:08:29
  Speaker 1: Let's be clear. But first of all, I've said, and
• 1:08:33
  Speaker 1: I say at the beginning of my shows on stage,
• 1:08:35
  Speaker 1: no matter what you think about her, no matter what
• 1:08:38
  Speaker 1: you've heard about her husband, that was all irrelevant. She's right,
• 1:08:43
  Speaker 1: like we're underpaid. Angela Batt has said the same thing.
• 1:08:48
  Speaker 1: Viola Davis has spoke on it as well. And you know,
• 1:08:51
  Speaker 1: every now and then, I like to see somebody who
• 1:08:53
  Speaker 1: don't give a and they just name name, call people
• 1:08:56
  Speaker 1: on their and let the chips fall where they met. Now,
• 1:08:59
  Speaker 1: I wouldn't do it like that, you know, but she's
• 1:09:02
  Speaker 1: I'm gonna lead that to her. But you know, two
• 1:09:05
  Speaker 1: years from now, she'll do something else amazing. They'll be
• 1:09:07
  Speaker 1: all on her again. I've seen this a hundred times,
• 1:09:10
  Speaker 1: you know what I mean. You go down, you come
• 1:09:12
  Speaker 1: back up. But somebody had to speak on the issue.
• 1:09:14
  Speaker 1: At least the issue is being spoken about now, and
• 1:09:17
  Speaker 1: so I thank her for that. So what happens when
• 1:09:19
  Speaker 1: the next like what they say, like somebody like a
• 1:09:22
  Speaker 1: Tiffany hatters when she gets paid from the well she's hutting, yes, yes, well,
• 1:09:27
  Speaker 1: Tiffany is a friend of mine. I like to think,
• 1:09:29
  Speaker 1: and I think that she is riding a wave right now.
• 1:09:33
  Speaker 1: What you gonna do not take the money, you know,
• 1:09:36
  Speaker 1: and the wave don't always laugh forever, so you better
• 1:09:40
  Speaker 1: grab her. She's cute, she's young, she's perky, she's quirky.
• 1:09:44
  Speaker 1: She acts kind of stupid, but she ain't stupid at
• 1:09:47
  Speaker 1: all at all. And she I really don't think that
• 1:09:51
  Speaker 1: the Littleminatti gonna be able to come for her without
• 1:09:53
  Speaker 1: her snitch in their mouth. She's holding, she's holding one
• 1:09:57
  Speaker 1: of that Beyonce A bite story pretty each other. But
• 1:10:00
  Speaker 1: I think if the little monattic comming typhicly had it
• 1:10:02
  Speaker 1: then been for the ram bitch because she gonna but
• 1:10:05
  Speaker 1: did not even came to me talking to me about
• 1:10:08
  Speaker 1: that big you know. And I just don't think she's
• 1:10:12
  Speaker 1: gonna change. I think she's gonna remain the chick that
• 1:10:14
  Speaker 1: she is. You know, I agree to but just refreshing
• 1:10:18
  Speaker 1: and plus you older though, so it's not like she
• 1:10:20
  Speaker 1: she knew you know what I mean? Right? Yeah, she
• 1:10:23
  Speaker 1: didn't just pop up, but that's what it looks like,
• 1:10:25
  Speaker 1: you know, she just popped about the sky. No you
• 1:10:28
  Speaker 1: google her go back and poorly dressed? Yeah for PM
• 1:10:37
  Speaker 1: house google the picture right now. Let me see what
• 1:10:41
  Speaker 1: I gotta google. You want to see him black away? No,
• 1:10:45
  Speaker 1: he want to see it in colors him. So I
• 1:10:46
  Speaker 1: don't want to see that, Melani. That's not all you want.
• 1:10:50
  Speaker 1: But decided to post naked well because they said, okay,
• 1:10:55
  Speaker 1: you know what I'm saying. Yeah, I had already directed
• 1:10:58
  Speaker 1: the photos shoot four Penhouse. It was a series they
• 1:11:02
  Speaker 1: had called pop Shots. Stevie J did one, I did one,
• 1:11:06
  Speaker 1: Dave Navarro did one, and uh, you get to pick
• 1:11:10
  Speaker 1: the models you want and they give you a mansion
• 1:11:12
  Speaker 1: and you can be in the pool and the being
• 1:11:14
  Speaker 1: on the kitchen. Al So we took over the match
• 1:11:16
  Speaker 1: and then I got everybody I wanted. I wanted a
• 1:11:19
  Speaker 1: boy who looked like Fabio. We got my boy, Alejandro.
• 1:11:22
  Speaker 1: I wanted a chocolate so to the light skin benches,
• 1:11:25
  Speaker 1: get all the shine. So I wanted to darts and sister. Yeah.
• 1:11:28
  Speaker 1: And then I wanted a red haired white girl, not
• 1:11:31
  Speaker 1: a blinder brunette. And I got so. Look at that
• 1:11:33
  Speaker 1: three hours, three hours to do that graffitio on my back.
• 1:11:38
  Speaker 1: I ain't see them. That's right, they're real. Yeahin't real, fool. No, No,
• 1:11:43
  Speaker 1: don't be stirred. No, no, if you scared, go to church,
• 1:11:46
  Speaker 1: Charlot man, because somebody gonna screenshot the picture with just
• 1:11:50
  Speaker 1: me with my hands on you. I'm gonna your T
• 1:11:52
  Speaker 1: shirt to say I gave permission. I gave the penhow
• 1:11:58
  Speaker 1: pie good? Um No, Unfortunately they did not, but the
• 1:12:05
  Speaker 1: and I thought that c I want that, that picture
• 1:12:08
  Speaker 1: with the graffitio on my back. I want that to
• 1:12:10
  Speaker 1: eventually hit the Jumbo Tron and Times Square. You never know, hell,
• 1:12:14
  Speaker 1: I might host New Year's Eve Rock and Eve one
• 1:12:17
  Speaker 1: day down there. You never known that everything is possible, right,
• 1:12:21
  Speaker 1: everything is possible if you believe the Bible will say that.
• 1:12:24
  Speaker 1: There you go, now you know that? Really bring out
• 1:12:27
  Speaker 1: the description eventually, I see it even in these pictures
• 1:12:29
  Speaker 1: and penthouse. You had your cup of yack. Yeah, I
• 1:12:31
  Speaker 1: did What about it? Deaf comedy jam? You said you
• 1:12:37
  Speaker 1: never did it right, never did it? So when you
• 1:12:39
  Speaker 1: heard the allegations about Russell Russell, how did you feel?
• 1:12:43
  Speaker 1: How do I handle it? Sirs? Take a sit first?
• 1:12:50
  Speaker 1: There you go, all right? Now ask the question again. Now,
• 1:12:53
  Speaker 1: so you didn't do death comedy jams. When you heard
• 1:12:55
  Speaker 1: the allegations about Russell, how did you feel? Well? That
• 1:12:58
  Speaker 1: had nothing to do with me not doing it after him.
• 1:13:00
  Speaker 1: That was the work of Bob Sumner who used to
• 1:13:02
  Speaker 1: cast my god man. Yeah, I used to get weed
• 1:13:06
  Speaker 1: for Bob when he comes to Oakland. How about that? Bob,
• 1:13:08
  Speaker 1: but he would never put you on the comedy jam.
• 1:13:11
  Speaker 1: But that's okay. Um, well, there's things that I know,
• 1:13:16
  Speaker 1: and there's things that I probably shouldn't say on your
• 1:13:20
  Speaker 1: very popular radio slash television show. But I'll tell you
• 1:13:24
  Speaker 1: something in your ear when we get off here, and
• 1:13:27
  Speaker 1: I just know them allegations, they probably go, God, damn,
• 1:13:31
  Speaker 1: Jesus Christ. You might as well just say what you
• 1:13:33
  Speaker 1: know now, Jesus Christ, let me see. Oh, don't apply
• 1:13:44
  Speaker 1: me with alcohol. Give me something right in here. It's
• 1:13:49
  Speaker 1: exactly how love. What was the question? Yeah, yeah, yeah,
• 1:13:57
  Speaker 1: asked me, You're gonna get me murdered. I get about this.
• 1:14:01
  Speaker 1: What do you think about other comedians critiquing other comedians publicly,
• 1:14:05
  Speaker 1: like saying ain't not funny and stuff like that. Phase
• 1:14:08
  Speaker 1: one came up, PA, Sai Dave Chappelle wasn't funny at
• 1:14:10
  Speaker 1: one time. I think Michael Blackson was, you know, had
• 1:14:12
  Speaker 1: his little stuff with with Kevin Hard. Well, if I
• 1:14:16
  Speaker 1: was going to do that, I'd have beef with everybody.
• 1:14:18
  Speaker 1: So I don't do I don't really. I just only
• 1:14:21
  Speaker 1: people I ever really talked about as the millennial social
• 1:14:24
  Speaker 1: media comedians. I said, I don't really hate on on on.
• 1:14:28
  Speaker 1: My fellow commed, because we're really all in the same game.
• 1:14:31
  Speaker 1: You know, I think the older commerce dude show some
• 1:14:33
  Speaker 1: loyalty now Phase you know he's a fat better ass.
• 1:14:36
  Speaker 1: He don't talk. Came up here and talked about me
• 1:14:39
  Speaker 1: before her too, But I just let her roll off
• 1:14:41
  Speaker 1: my back and then our car. Yeah, he said, I
• 1:14:44
  Speaker 1: think it was It was a year I might run
• 1:14:46
  Speaker 1: on swash. What do you say? Yeah, I was just
• 1:14:49
  Speaker 1: something moose stupid, you know, something that totally uh ain't
• 1:14:53
  Speaker 1: got to do with nothing. I don't pay a phase
• 1:14:55
  Speaker 1: I know mine. We've been friend lee for years. I
• 1:14:57
  Speaker 1: don't got from Phase on. So he needs to shut
• 1:15:01
  Speaker 1: up when it comes to me. And let's just all
• 1:15:04
  Speaker 1: play nice in the sound boy and be fit and
• 1:15:07
  Speaker 1: he'll probably watch his head. I've been they never got
• 1:15:09
  Speaker 1: no from me. Well, you don't think he gets it
• 1:15:11
  Speaker 1: on his own, do you? No? You are now I'm
• 1:15:19
  Speaker 1: in trouble. Fine, that fat, funky bit. What else you got, bitch?
• 1:15:26
  Speaker 1: I'm fat. You ain't got no motive, man, Okay, we
• 1:15:29
  Speaker 1: have more with lou Neelle Comedian when we come back.
• 1:15:31
  Speaker 1: Don't move. It's the breakfast Club. Good morning, the breakfast Club,
• 1:15:37
  Speaker 1: DJ Envy, Angela Yee, Charlomagne the guy. We are the
• 1:15:41
  Speaker 1: breakfast club. We have lou Neelle comedian in the building.
• 1:15:44
  Speaker 1: Show me Tory Hart. She said that she's cool with
• 1:15:47
  Speaker 1: side checks. Would you be okay with your husband having
• 1:15:49
  Speaker 1: a side check? Na, Na ask what I'll be okay
• 1:15:54
  Speaker 1: with me having a side pie? Would you be okay
• 1:15:56
  Speaker 1: with having a side piece? You know, hey, look the
• 1:16:00
  Speaker 1: window is he My husband's right out there, but I
• 1:16:03
  Speaker 1: want to give it to right over there with them
• 1:16:05
  Speaker 1: tim z one wa wax on, wax leave him now
• 1:16:15
  Speaker 1: make my top lip much. I didn't make me sweat
• 1:16:19
  Speaker 1: on my top left. Don't go that, don't do that.
• 1:16:23
  Speaker 1: See my husband stayed in the lay. I know that
• 1:16:26
  Speaker 1: he can't hear nowhere. He oh man, Yeah, you know
• 1:16:32
  Speaker 1: I didn't say that. I didn't say that, but it's
• 1:16:36
  Speaker 1: absolutely accurate, and you're probably accurate as well. Yeah, she said,
• 1:16:40
  Speaker 1: she's like, I'm nasty, how nasty? Real nasty? Na told me, so,
• 1:16:47
  Speaker 1: you don't like, I don't forget it. I got to
• 1:16:54
  Speaker 1: have that. I got to have it my asses. I've
• 1:17:00
  Speaker 1: been told I stay very clear. I'm a bath girl.
• 1:17:04
  Speaker 1: I believe that season booty should go under fucking water,
• 1:17:08
  Speaker 1: get it. Yeah, but that's but when you washed, if
• 1:17:11
  Speaker 1: you smelled my ass right now, you go whack smelling
• 1:17:15
  Speaker 1: and let's see, let me see backing up on him
• 1:17:18
  Speaker 1: one time? Lu backing up on him one time? Smelling smelling,
• 1:17:28
  Speaker 1: smelling smelling? Tell me when that day smelling? I've been
• 1:17:37
  Speaker 1: driving to us all over make a plan? Oh my god, no,
• 1:17:47
  Speaker 1: thanks wax No, I would give him the business that,
• 1:17:57
  Speaker 1: don't get it wrong. I love my husband. I love him, like,
• 1:18:00
  Speaker 1: go get a bit about that mother. But you know
• 1:18:03
  Speaker 1: you told me I don't want to fast. So have
• 1:18:05
  Speaker 1: you ever cheated on your oven? Yeah? He knows what
• 1:18:10
  Speaker 1: like that? Like dub because we were separated for a while. Yeah,
• 1:18:14
  Speaker 1: you know, like we've been married seventeen years, but all
• 1:18:17
  Speaker 1: of us wasn't in a row. You know what you
• 1:18:21
  Speaker 1: had a little summer cs Like, how you clean that up? Yeah?
• 1:18:25
  Speaker 1: I'm clean? N you? Wendy Wims comedy coach to right,
• 1:18:30
  Speaker 1: I was there was a comedy coach to what did
• 1:18:33
  Speaker 1: you do? Well? It was amazing how it even came about,
• 1:18:36
  Speaker 1: because just the day before I got to call, Chris
• 1:18:39
  Speaker 1: Rock was on the show and I'm like, she could
• 1:18:42
  Speaker 1: call anybody in the world that gets him, but she
• 1:18:46
  Speaker 1: called me. That was a blessing. And see, Wendy did
• 1:18:49
  Speaker 1: it right. She hired somebody to help. She would do
• 1:18:54
  Speaker 1: a comedy like in the studio at night, you know,
• 1:18:56
  Speaker 1: to them to the crew and stuff. And then she
• 1:19:00
  Speaker 1: would send me tapes and iur critique and send send
• 1:19:03
  Speaker 1: my my my comments back. And then when she did
• 1:19:07
  Speaker 1: the show in Vegas Lipstick, then I was there. And
• 1:19:11
  Speaker 1: then when she did a show in New Jersey and
• 1:19:13
  Speaker 1: Jay Packton, I was there too, and I was actually
• 1:19:15
  Speaker 1: on the bill with her. But don't you gotta like
• 1:19:19
  Speaker 1: get them comedy clubs because if you do a coplen
• 1:19:21
  Speaker 1: state of the club. See, Wendy don't need that. She
• 1:19:25
  Speaker 1: got her own built in audience already. Wherever she goes
• 1:19:28
  Speaker 1: is gonna sell out, so she don't need to the club.
• 1:19:31
  Speaker 1: Leave the clubs for real comics were working out. She
• 1:19:35
  Speaker 1: did her in theaters. If you're Wendy, why not do
• 1:19:38
  Speaker 1: a theater While you're asking the club? Did you consider
• 1:19:41
  Speaker 1: her friend? Was she not real friend? Lee like that
• 1:19:44
  Speaker 1: she's friendly, but only to a point. She does. I
• 1:19:46
  Speaker 1: think that social distance type thing. So um, but I
• 1:19:50
  Speaker 1: could know a friend I could call the answer the phone,
• 1:19:53
  Speaker 1: a friend I could call and ask for many Wendy
• 1:19:55
  Speaker 1: ain't needing one of them. Did you see it when
• 1:19:58
  Speaker 1: you when she passed out? What you think of that? Well?
• 1:20:00
  Speaker 1: I thought it was terrible. But I should want to
• 1:20:03
  Speaker 1: go out like that. I want to drop run on
• 1:20:06
  Speaker 1: stage in front of everybody to go. I want to bang,
• 1:20:10
  Speaker 1: go viral, bitch, that's how you want to die? Yeah? No,
• 1:20:14
  Speaker 1: you don't come on stop? Yeah? Do you know there's
• 1:20:17
  Speaker 1: a thing on YouTube? You know, stars who died right
• 1:20:22
  Speaker 1: before the audience's eyes, the whole slew of people I
• 1:20:25
  Speaker 1: could be on there? Would you rather die on stage?
• 1:20:28
  Speaker 1: On Wax's face on stage? What where you at this meeting?
• 1:20:35
  Speaker 1: Where you at coming up? I'm in Denver, No, Dayton,
• 1:20:39
  Speaker 1: I'm in Dayton, Dayton, Colorado? Where is it? Look? Can
• 1:20:46
  Speaker 1: me for breakfast? Bit? Let you give them a website
• 1:20:49
  Speaker 1: or something thought to helu neil dot com, h E
• 1:20:53
  Speaker 1: y l u e n e l l dot com
• 1:20:56
  Speaker 1: and then you can find out my schedule. If you
• 1:20:59
  Speaker 1: want to write me on Instagram or Twitter and say
• 1:21:02
  Speaker 1: how much you thoroughly enjoyed this broadcast, you can hit
• 1:21:05
  Speaker 1: me on Instagram or Twitter at luell l u e
• 1:21:09
  Speaker 1: n e l l any positive words you want to
• 1:21:12
  Speaker 1: leave us with before now strange, Okay, please please come back.
• 1:21:21
  Speaker 1: I gotta tell you I'm so excited to be sitting
• 1:21:24
  Speaker 1: here in dust see where so many asses have sat before,
• 1:21:27
  Speaker 1: and I always said, God, damn it done. The Breakfast
• 1:21:29
  Speaker 1: club want to talk to me. I want to talk
• 1:21:31
  Speaker 1: to them at Loba how I got to send a
• 1:21:33
  Speaker 1: shout out to my girl Claudia enjoying smooth Coara got
• 1:21:36
  Speaker 1: the ball Roland as my boy. Eddie F thank you
• 1:21:40
  Speaker 1: for you know, responding finally to our emails and calling
• 1:21:45
  Speaker 1: at your girl. So my public says man more, thanks you,
• 1:21:48
  Speaker 1: my manager William Lee, I thank you the slow email
• 1:21:56
  Speaker 1: at responding. I scared because you over there, both be scared.
• 1:22:00
  Speaker 1: I ain't scared. Eddie F Is you that music producer
• 1:22:04
  Speaker 1: Eddie F guy? Oh you the fake Eddie. He ain't
• 1:22:08
  Speaker 1: even a little we thought where he was. It's the
• 1:22:14
  Speaker 1: Breakfast club. Good morning, everybody is DJ Envy Angela Ye,
• 1:22:21
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. It is Friday.
• 1:22:24
  Speaker 1: See you know what that means. Freaky freaky, freaky Friday.
• 1:22:29
  Speaker 1: You can call eight hundred five eight five one oh
• 1:22:31
  Speaker 1: five US and you can have phone sex with any
• 1:22:34
  Speaker 1: one of us you want. All right, that's simple. So
• 1:22:37
  Speaker 1: let's go to the phone lines. Hello, who's this yo?
• 1:22:39
  Speaker 1: What's up? Man? This CV? Man CV turning bady down? Bro,
• 1:22:43
  Speaker 1: it's cooler, man. What's the miner? Oh? I thought you're
• 1:22:45
  Speaker 1: gonna go. Ye. You're busy this weekend, buddy, Yes I am. Oh,
• 1:22:51
  Speaker 1: you're gonna be really busy, will be? Oh for real?
• 1:22:54
  Speaker 1: That ball head of yours? Okay, what you like? Charlomagne?
• 1:22:58
  Speaker 1: Um consent which I haven't given? You talk to me
• 1:23:00
  Speaker 1: in this way? Shut up ahead? What would you do? CV?
• 1:23:03
  Speaker 1: It don't matter if you gotta consider that, I'll take
• 1:23:05
  Speaker 1: it from your baby. Oh yeah, that's exactly why we're
• 1:23:07
  Speaker 1: having to be two times up movement right now. So
• 1:23:09
  Speaker 1: CV you in the room. You're in the room with Charlomagne.
• 1:23:12
  Speaker 1: What what are you doing? CV? Are you ripping his
• 1:23:13
  Speaker 1: clothes off? You taking it off? Slow? He's rapping his
• 1:23:15
  Speaker 1: ball head, ripping his clothes off like it rough? I'm
• 1:23:19
  Speaker 1: gonna give it to a rough. Wow are you are?
• 1:23:21
  Speaker 1: You're on tapping Charlemagne's un the bottom? Oh? Yeah, you
• 1:23:25
  Speaker 1: know he's gonna be all the bottom. So now now
• 1:23:27
  Speaker 1: play for Bill Bill Cobs because you used to sell me,
• 1:23:29
  Speaker 1: so now pay play the scene now. So now you
• 1:23:31
  Speaker 1: got him, you on toping? What are you saying to
• 1:23:33
  Speaker 1: him as you insert? Let me rubbed that head of yours, Charlottamagne,
• 1:23:37
  Speaker 1: let me slide it. Charlomagne is uncomfortable, are you yeah?
• 1:23:41
  Speaker 1: Are you gonna Are you gonna use any type of
• 1:23:43
  Speaker 1: lubricant or is it just dry and rough? Oh? You know,
• 1:23:47
  Speaker 1: I'm gonna have some lubricant for him. Right? You know
• 1:23:49
  Speaker 1: that word? That word that you just said, that bleeped,
• 1:23:51
  Speaker 1: that's what would be all over your penis if you
• 1:23:53
  Speaker 1: ever tried that. He likes that. You like that? Right?
• 1:23:56
  Speaker 1: Were nasty on your head? Are you gonna kiss? Charlomagne
• 1:23:59
  Speaker 1: likes to? I know he looke likes it. No, I don't, No,
• 1:24:03
  Speaker 1: I don't. Are you gonna kiss him? Sir? Hey you'd
• 1:24:05
  Speaker 1: like to get your ass man my woman? Okay, not
• 1:24:10
  Speaker 1: by you when you got damn bid all on my
• 1:24:14
  Speaker 1: ass cheeks? I don't want that. He let him talk? Goodness, gracious, Kevin,
• 1:24:18
  Speaker 1: good morning. How would do a club? That's up? Man?
• 1:24:21
  Speaker 1: You want you want to talk, definitely want to shout
• 1:24:23
  Speaker 1: the main not at all. I want to talk to
• 1:24:25
  Speaker 1: miss ye Okay? How you doing? Miss ye? Okay? How
• 1:24:28
  Speaker 1: are you? I'm good? Thank you. All I would need
• 1:24:31
  Speaker 1: is the ice. I'll start off. That's okay. I have
• 1:24:35
  Speaker 1: the heat on in my living room. My ice gonna
• 1:24:38
  Speaker 1: stay cold. Idiot, I'm already. I'm already there. Once I see,
• 1:24:43
  Speaker 1: especially for toes is paying the red, I'll already have ice.
• 1:24:47
  Speaker 1: I've been licking your small in your back. Oh I'm
• 1:24:50
  Speaker 1: not a salad tosser, so I won't go that well,
• 1:24:53
  Speaker 1: but I'll definitely be licking you up there. Called me
• 1:24:55
  Speaker 1: the tornado tongue. You've been watching too Muchado tongue, so
• 1:24:59
  Speaker 1: you're just looking at back. I'll go to the smaller back.
• 1:25:03
  Speaker 1: I'll flip you over so quick and give your F
• 1:25:05
  Speaker 1: five down there and your cancer. Don't you what the
• 1:25:08
  Speaker 1: hell is the five money? What's the cancer? Don't you
• 1:25:10
  Speaker 1: call F five is the strongest tornado? I thought that
• 1:25:16
  Speaker 1: was brock Lessons finishing move. Are you gonna body slammer
• 1:25:18
  Speaker 1: of vagina? He's not turning me on? Man, you gotta
• 1:25:20
  Speaker 1: go hello, It's not for you. Vy I'm sorry. Wow
• 1:25:24
  Speaker 1: oh whoa, whoa we wind that Vy just said? You're
• 1:25:26
  Speaker 1: not turning me on? Wow you on Friday? Bro okay
• 1:25:31
  Speaker 1: DJ jealousy, I see you, Jesus Christ, you guy. I
• 1:25:34
  Speaker 1: want to play flag football right now. If you want
• 1:25:36
  Speaker 1: me to tie the flag around my penis what? Hello? Hello?
• 1:25:41
  Speaker 1: You want to go at Charlemagne? Now I want to
• 1:25:43
  Speaker 1: go to Envy. There you go jump equal opportunity here,
• 1:25:48
  Speaker 1: you know, like a pope, all yellow. There you go.
• 1:25:54
  Speaker 1: I have a hoodie on. I have a box of
• 1:25:57
  Speaker 1: briefs on long John's and jeans. He's very explicit. You
• 1:26:02
  Speaker 1: got on sweat. I'm trying to buter you down. Then
• 1:26:05
  Speaker 1: you all up? Is this what you call fluidity? So
• 1:26:11
  Speaker 1: when you say buttered him, dann, what do you what? What?
• 1:26:13
  Speaker 1: What is this butter consist of? Oh? He hung up?
• 1:26:17
  Speaker 1: All right? Phone? You hung up? People, You hung You
• 1:26:23
  Speaker 1: want to have attention and you got it, and now
• 1:26:25
  Speaker 1: you can't handle it. I used to I used to.
• 1:26:27
  Speaker 1: I used to call you a waffle colored negro because
• 1:26:29
  Speaker 1: you remind me of a waffle from Eye Hob. But
• 1:26:31
  Speaker 1: Popeye's biscuits, especially when they cook right, that's a little
• 1:26:34
  Speaker 1: bit more your speed us. All right, Lisa, Yes, who
• 1:26:38
  Speaker 1: do you want to have phone sex with? I'm gonna
• 1:26:40
  Speaker 1: have phone sex with Charlomagne and you DJ Envy. Okay,
• 1:26:44
  Speaker 1: I see it. We're gonna make this a three way.
• 1:26:47
  Speaker 1: We're married three way. Now you want it too? Come on,
• 1:26:55
  Speaker 1: a little dirty daddy. I want to know why they
• 1:26:57
  Speaker 1: call you the god who get over here. Let me
• 1:27:01
  Speaker 1: rub on that ball head of yours and Envy thanks
• 1:27:05
  Speaker 1: this big ass. I want you to spank it. I
• 1:27:09
  Speaker 1: want you to spank it, and I don't want you
• 1:27:11
  Speaker 1: to make me scream? Can you make me scream? Daddy?
• 1:27:15
  Speaker 1: I'm trying. If he is a married man, I'm a
• 1:27:18
  Speaker 1: married man. I'm gonna be honest with you. What makes
• 1:27:20
  Speaker 1: me the most comfortable this whole situation. It's being neked
• 1:27:23
  Speaker 1: in the room with DJ Envy. I don't know how
• 1:27:25
  Speaker 1: that could. I don't know. I don't trust. I don't
• 1:27:27
  Speaker 1: trust Envy. I'm to be honest with you. I don't
• 1:27:29
  Speaker 1: trust my bad butt offstiut around me. People love that
• 1:27:35
  Speaker 1: bar me okay, like she wants to jack meat you
• 1:27:39
  Speaker 1: like dark hand white meat this morning. That Envy's a biscuit,
• 1:27:43
  Speaker 1: so so therefore you to have some dark meat and
• 1:27:46
  Speaker 1: a biscuit. Okay, thank you, Lisa. That but head is
• 1:27:50
  Speaker 1: getting a lot of attention. Shamagne. Oh my gosh, oh
• 1:27:53
  Speaker 1: man about to cry. I hate it, how Nvy said,
• 1:27:56
  Speaker 1: I'm doing trying to laugh? All right, We got more
• 1:28:00
  Speaker 1: coming up next. We're a breakfast club, ej Envy, Angela yee,
• 1:28:04
  Speaker 1: Charlemagne the guy. We are the breakfast club. You got
• 1:28:07
  Speaker 1: a positive note for the people now. The positive note
• 1:28:09
  Speaker 1: is simply this. You are where you're supposed to be
• 1:28:12
  Speaker 1: at this very moment. Every experience is part of God's plan.
• 1:28:16
  Speaker 1: Breakfast Club, you all finish for y'all dumb