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The Drop Episode 7 Breakdown, Super Bowl Tickets & Growing Up Black in the 90s | Bald Brothers · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right, y'all. Welcome to the Bob Brothers. I'm Kev
• 0:02
  Speaker 1: on stage. Tony Baker.
• 0:04
  Speaker 2: It's a podcast where me and Tony as men make
• 0:06
  Speaker 2: an excuse to hang out together.
• 0:08
  Speaker 1: That's really all it is. That's what it's all about.
• 0:10
  Speaker 1: Tony checked me, y'all. He checked me.
• 0:13
  Speaker 2: He said, Kev, man, you too much on the numbers, Kev.
• 0:16
  Speaker 2: I was like, nob-land the job. He was like, man,
• 0:19
  Speaker 2: do what we want to do, man. Forget the numbers.
• 0:22
  Speaker 1: That's what I'm saying, man. Because I be numbers.
• 0:23
  Speaker 3: The numbers are important. I had a failed podcast, so
• 0:27
  Speaker 3: you know what I'm saying. She said, maybe you should
• 0:30
  Speaker 3: pay attention to the numbers because you got a successful podcast.
• 0:33
  Speaker 1: My shit didn't grow.
• 0:38
  Speaker 3: But I'm always for talking about what interests us for real.
• 0:44
  Speaker 2: And listen, what he said was, and he had a
• 0:47
  Speaker 2: great point. I was like, yeah, I feel like this
• 0:49
  Speaker 2: is going to do better in the drop. And the
• 0:51
  Speaker 2: people in the comments don't even.
• 0:53
  Speaker 1: Be watching these shows. They just be like, whatever y'all
• 0:57
  Speaker 1: talking about. They be doing that with my movie reviews.
• 1:00
  Speaker 1: They be like, I had no interest in that movie,
• 1:02
  Speaker 1: but I love these movie reviews.
• 1:03
  Speaker 2: Honestly, I have watched the movie reviews of movies I
• 1:06
  Speaker 2: had never planned on seeing. I'd be like, mm-hmm. I
• 1:09
  Speaker 2: had thought that about Insidious as well. three scary movies.
• 1:13
  Speaker 1: By the way, I watched episode one of Carrie last night.
• 1:16
  Speaker 2: See?
• 1:16
  Speaker 1: Not nearly as scary as I thought. It is Stranger Things.
• 1:20
  Speaker 3: You hear Stephen King, you're like, oh.
• 1:23
  Speaker 1: Stephen King is, you know, he's nuanced McGee. For sure.
• 1:27
  Speaker 1: Because Misery is him. Misery is him, yeah. Shawshank Redemption.
• 1:30
  Speaker 2: And Carrie ain't nothing, but so far I only watched
• 1:32
  Speaker 2: episode one, and I like the way they're telling the story.
• 1:35
  Speaker 1: I love a good documentary style back and forth. But
• 1:39
  Speaker 1: they're telling it with a.
• 1:44
  Speaker 2: it reminds me of Eleven a little bit. With Eleven
• 1:47
  Speaker 2: at the beginning of Stranger Things. She knew she had
• 1:50
  Speaker 2: powers though. She just didn't know how to control them.
• 1:52
  Speaker 2: Carrie don't even know what's going on. And it's not funny.
• 1:57
  Speaker 2: It's not funny at all. This is terrible. But putting
• 2:00
  Speaker 2: her in a school shooter drill, that baby thought her
• 2:03
  Speaker 2: life was over. And I thought this is, How awful
• 2:06
  Speaker 2: in America that this girl leaves homeschool and they got
• 2:10
  Speaker 2: a school shooting journal.
• 2:11
  Speaker 1: She's like, what the hell are y'all talking about? She
• 2:12
  Speaker 1: was having the meltdown. Why ain't nobody scared? Yeah. This
• 2:16
  Speaker 1: is terrifying. Them kids are like, oh, no, we do
• 2:18
  Speaker 1: this all the time. Right. No, man. They finna kill us.
• 2:23
  Speaker 1: She was panicking, dog. Did you see? Laid in the
• 2:25
  Speaker 1: girl's lap. She was like, nah. And then the guy
• 2:29
  Speaker 1: actually had a gun. I was like, dang. They really
• 2:32
  Speaker 1: acted it out.
• 2:33
  Speaker 2: I was like, this is insane. But America, I'm telling you, man,
• 2:37
  Speaker 2: I feel so bad. I'll speak for myself. I am
• 2:41
  Speaker 2: so desensitized to school shooting news now. It don't even
• 2:45
  Speaker 2: be on the timeline. You'd be like, I don't know.
• 2:49
  Speaker 2: When Columbine happened, I thought, oh my God. This is
• 2:52
  Speaker 2: going to change America forever. And then it just kept happening.
• 2:56
  Speaker 2: And then after Sandy Hook.
• 2:57
  Speaker 1: Now it just be- It's so prevalent, man. It's just like-
• 3:00
  Speaker 1: It gotta be like a certain amount to even be
• 3:04
  Speaker 1: in the news. Yeah. So it's terribly awful. Absolutely. Imagine
• 3:08
  Speaker 1: coming out of that home and then going in the-
• 3:10
  Speaker 1: Oh my God. And then the kids was trash, man.
• 3:13
  Speaker 1: Oh my God. This is what I don't like about Kerry.
• 3:16
  Speaker 2: I feel, I know this is a TV show. We
• 3:18
  Speaker 2: ain't supposed to be talking about this, but this is
• 3:19
  Speaker 2: what this podcast is for.
• 3:20
  Speaker 1: Right.
• 3:21
  Speaker 2: I know this is a TV show. I know this
• 3:24
  Speaker 2: is an actress. I know this is not really happening.
• 3:27
  Speaker 2: I feel so bad for this girl, man.
• 3:30
  Speaker 3: I threaded that when I first started watching. I was like, man,
• 3:32
  Speaker 3: they're going to be mean to this child this whole time.
• 3:35
  Speaker 3: I don't know if I'm going to make it.
• 3:36
  Speaker 1: But then when she was little, what did I say
• 3:40
  Speaker 1: about the girl? She's a whore. Black girl's like, what
• 3:42
  Speaker 1: the hell, man? Hold on, now. She's trying to give
• 3:45
  Speaker 1: you a book. Wait a minute, now. What you mean?
• 3:48
  Speaker 1: Chill out. But all she had was her parents just
• 3:52
  Speaker 1: plugging her in. That's crazy. Your parents can really ruin
• 3:58
  Speaker 1: your whole worldview. Absolutely.
• 3:59
  Speaker 2: Make you feel crazy. She had her in the Amish
• 4:03
  Speaker 2: Forever 21. I'm going to have to make the clothes
• 4:06
  Speaker 2: for school tomorrow.
• 4:07
  Speaker 1: I was like, hey. I like the fact that she
• 4:08
  Speaker 1: can make her own clothes. She had to switch it up.
• 4:11
  Speaker 2: She said, but the dress was killing me.
• 4:13
  Speaker 1: Let me come Sherbert tie-dye shirt. Now I got my
• 4:17
  Speaker 1: period on my first day. Also, why wouldn't you tell
• 4:20
  Speaker 1: your daughter about her period? She was like, I'm dying.
• 4:24
  Speaker 1: Moms drop the ball. I don't care how.
• 4:27
  Speaker 3: Delusional you are with your faith and religion. As a woman,
• 4:31
  Speaker 3: you know that menstrual's coming.
• 4:33
  Speaker 1: You got to tell her that. You got to tell
• 4:34
  Speaker 1: your daughter the menstrual is going to happen. Hey, can
• 4:37
  Speaker 1: you imagine never knowing that? Yeah. And you bleeding from inside? Oh,
• 4:41
  Speaker 1: hell no. My penis was bleeding. I'm having a full
• 4:46
  Speaker 1: meltdown in the locker room. I'm pulling it all out.
• 4:52
  Speaker 1: I'm in the principal's office. Shaft out. Principal, man. What's
• 5:00
  Speaker 1: going on? I'm bleeding all over the documents. The lunch
• 5:05
  Speaker 1: menu for the week, I done bled on everything. Penis out. Hey, y'all,
• 5:09
  Speaker 1: somebody got to... She was like, help me, Mr. Principal.
• 5:13
  Speaker 1: My penis is bleeding.
• 5:14
  Speaker 3: Let me tell you something, man. And I wouldn't have
• 5:16
  Speaker 3: no shame, because I'd be a virgin, so I wouldn't
• 5:19
  Speaker 3: even be in shame. Like, oh, it's an STI.
• 5:22
  Speaker 1: No, I'd be like, no, man, I'm dying, man.
• 5:25
  Speaker 2: Her penis is bleeding at school. She was showing it
• 5:30
  Speaker 2: to people.
• 5:30
  Speaker 1: She was like... Yeah, look at....
• 5:34
  Speaker 3: Because that's what you would do. Like, if you just
• 5:36
  Speaker 3: started bleeding out of nowhere, you're going to be showing people, oh, oh.
• 5:40
  Speaker 1: Yes.
• 5:40
  Speaker 4: My ears care.
• 5:42
  Speaker 1: Especially if they're not tripping. Yeah. She was like, help me. Right.
• 5:46
  Speaker 1: Get her a tampon. What are y'all talking about?
• 5:48
  Speaker 2: And they just had a good old time. Let me
• 5:50
  Speaker 2: tell you what. I ain't even finished the second episode.
• 5:55
  Speaker 2: I got a little sleepy. She got to kill that
• 5:57
  Speaker 2: white girl. That white girl's taking her parents' divorce out
• 6:00
  Speaker 2: on her.
• 6:01
  Speaker 1: She couldn't go to Duke because she ain't got the money.
• 6:03
  Speaker 2: She had to eat cereal when she wanted crepes. She's
• 6:05
  Speaker 2: mad at the other white girl. It ain't nobody's fault.
• 6:07
  Speaker 2: It's your daddy's fault. Carrie is just young and vibrant.
• 6:11
  Speaker 2: She had the best day of school ever.
• 6:13
  Speaker 1: She was like, this is fascinating.
• 6:14
  Speaker 2: She had goggles on in class. Nobody had goggles on.
• 6:18
  Speaker 2: She was in science like, this is the greatest day ever.
• 6:21
  Speaker 2: Why y'all being mean to her? This baby was like,
• 6:23
  Speaker 2: is that your sister? Because I had thought, you know, mom, no. Okay,
• 6:27
  Speaker 2: that's my bad.
• 6:29
  Speaker 1: She don't know, man. She's a baby. It may just be...
• 6:34
  Speaker 1: And her mom's all freaking weird. The dad was weird.
• 6:37
  Speaker 1: Did you think the dad... Did his mind cave the
• 6:41
  Speaker 1: thing in on himself? I don't know. I never even
• 6:44
  Speaker 1: thought about that. I just figured it was an accident.
• 6:48
  Speaker 1: through and through. Well, it started shaking, but just by him. Yeah.
• 6:52
  Speaker 2: So the way, but he didn't seem. So suicide could be,
• 6:56
  Speaker 2: because he did not seem happy. Remember the dudes was like,
• 6:59
  Speaker 2: we ain't talk to bro. We try to invite him
• 7:01
  Speaker 2: for beers. He wasn't going for none of that.
• 7:02
  Speaker 1: Yeah.
• 7:03
  Speaker 2: So if he knew his powers, imagine if the, if
• 7:09
  Speaker 2: the powers are activated by extreme feelings, they don't necessarily
• 7:14
  Speaker 2: have to be fear. Carrie, she activated by fear. Later
• 7:18
  Speaker 2: on in the movie, it's by anger. So depression is
• 7:24
  Speaker 2: as deep of a feeling as fear or anger.
• 7:26
  Speaker 1: True.
• 7:26
  Speaker 2: So if you're deep depression, could you shake the earth
• 7:32
  Speaker 2: and pull that thing on you? Because it didn't even
• 7:34
  Speaker 2: go nowhere else. And he didn't even move. He didn't
• 7:37
  Speaker 2: seem scared. It was just like, it's falling.
• 7:39
  Speaker 1: And he's just like, man, I'm just working out of here.
• 7:44
  Speaker 1: I didn't even think about that. Yeah. I was like, yo,
• 7:48
  Speaker 1: did he? Cause he said like.
• 7:49
  Speaker 2: He might've committed a little supernatural suicide.
• 7:53
  Speaker 1: Soup suey. Hmm. I feel like he went soup suey
• 7:56
  Speaker 1: on her. Soup suey. He seems sad, man. Yeah. Yep.
• 8:05
  Speaker 1: That's my little hypothesis. You know what I'm saying? Keep watching, man.
• 8:08
  Speaker 1: I'm going to keep watching.
• 8:09
  Speaker 2: I'm going to keep going. Lissa was like, I had
• 8:12
  Speaker 2: to start over because I was kind of paying attention.
• 8:14
  Speaker 2: Lissa was like, you ain't even watching, man.
• 8:15
  Speaker 1: Start it over. You was on your phone. I was
• 8:17
  Speaker 1: on my phone.
• 8:17
  Speaker 2: Because I was working. I was actually getting ready to
• 8:20
  Speaker 2: do some clips. I wasn't paying attention. She was like, no,
• 8:25
  Speaker 2: you need to.
• 8:25
  Speaker 1: Yeah.
• 8:26
  Speaker 2: Let me start over because you actually need to watch this.
• 8:28
  Speaker 2: You're going to miss it. So I was like, okay,
• 8:30
  Speaker 2: I'm done. She started over and then she stopped paying attention.
• 8:33
  Speaker 1: Yeah. She had already seen it. Yeah, she had already
• 8:35
  Speaker 1: seen it. But then by then I was in. Yeah.
• 8:37
  Speaker 1: All right, before we move, Tony.
• 8:40
  Speaker 2: Threaded the other day that if the Chicago Bears, our
• 8:45
  Speaker 2: hometown team.
• 8:46
  Speaker 1: Our hometown, man. Go to the Super Bowl, which is
• 8:48
  Speaker 1: in Los Angeles.
• 8:49
  Speaker 2: Yeah. Headlined by Jameson Zeason. He will pay for tickets
• 8:54
  Speaker 2: to go to the Super Bowl. Right now on Poly Market,
• 8:58
  Speaker 2: the Chicago Bears are trading at 13% to win the NFC.
• 9:07
  Speaker 1: The NFC Conference.
• 9:08
  Speaker 2: The NFC Conference, thank you, and go to the Super Bowl.
• 9:11
  Speaker 2: As we record this, if they go against the current
• 9:15
  Speaker 2: highest trader, the AFC champion... The Buffalo Bills are trading
• 9:19
  Speaker 2: at 24% right now. So if you go to the
• 9:22
  Speaker 2: Super Bowl right now, you're trading to see the Buffalo
• 9:27
  Speaker 2: Bills at 24%. Let me ask you this about your
• 9:29
  Speaker 2: Super Bowl dreams. If the Bears go and you go,
• 9:35
  Speaker 2: are you blowing the bag for like 50-yard– tickets, or
• 9:41
  Speaker 2: are you just getting in the door? Because I researched
• 9:43
  Speaker 2: Super Bowl tickets, and you know I'm a waster of
• 9:45
  Speaker 2: money from experience.
• 9:46
  Speaker 1: When I tell you I closed that laptop back... See,
• 9:49
  Speaker 1: now if you close the laptop... But here's the difference.
• 9:52
  Speaker 1: Family of four. Oh, okay, so you're looking at four.
• 9:54
  Speaker 1: Family of four, because Seahawks went last year. Yeah. When
• 9:57
  Speaker 1: I tell you I looked it up and I said.
• 9:59
  Speaker 2: oh no my tv good i'll have a super bowl
• 10:03
  Speaker 2: party okay they was asking for some and i'm not
• 10:06
  Speaker 2: even talking about the best seats best was like where
• 10:10
  Speaker 2: i would normally sit yeah hunted bands oh oh A person.
• 10:15
  Speaker 1: A hundred bands a person?
• 10:18
  Speaker 2: For like 50-yard line seats, what I was looking at,
• 10:21
  Speaker 2: where I would normally go if I wanted to have
• 10:23
  Speaker 2: a great experience.
• 10:24
  Speaker 1: $ 100, 000 a person.
• 10:26
  Speaker 2: Get in the door, I think the cheapest was like $ 3, 700,
• 10:30
  Speaker 2: and that's at the.
• 10:31
  Speaker 1: Big nosebleed.
• 10:33
  Speaker 2: So I was at $ 12, 000, over $ 12, 000, $ 13, 000 for the
• 10:36
  Speaker 2: family of four to be in the nosebleeds. I was like,
• 10:38
  Speaker 2: that ain't even a good experience to me. So where
• 10:42
  Speaker 2: would you, is it a dollar amount or is it like,
• 10:45
  Speaker 2: I'm just going to do it. You only live once.
• 10:47
  Speaker 1: Cause the bears might win. They ain't been since 85.
• 10:48
  Speaker 1: They ain't been, they've been, no, we've been in 2007. Yeah. Yeah.
• 10:52
  Speaker 2: When you started Rex Grossman, you knew that that was over. Oh,
• 10:57
  Speaker 2: Devin has to return the opening.
• 10:58
  Speaker 1: Yeah. And that was, that was the highlight. We didn't
• 11:01
  Speaker 1: get blown out.
• 11:01
  Speaker 2: Once Rex Grossman trotted out there, I was like this over.
• 11:05
  Speaker 2: Our defense was, was key.
• 11:07
  Speaker 1: Every time. Oh, oh, I definitely ain't doing the 50-yard line.
• 11:15
  Speaker 1: It's going to be nosebleed. I don't know.
• 11:18
  Speaker 2: I got to look at the prices, though. Say $ 4, 000.
• 11:22
  Speaker 2: Would you pay the $ 4, 000? I could do $ 4, 000.
• 11:24
  Speaker 1: For the nosebleed.
• 11:26
  Speaker 2: Would you go $ 10, 000.
• 11:27
  Speaker 1: For a decent seat? $ 10, 000 is tough. And that's just
• 11:32
  Speaker 1: for one? One seat. $ 10, 000. And $ 10, 000 might still be....
• 11:38
  Speaker 2: Bottom of 300 level? Probably bottom of 300. Tone, it
• 11:44
  Speaker 2: was crazy. Even halfway decent was like $ 25, 000, $ 30, 000 per person.
• 11:48
  Speaker 2: They're going to pump it up for popular teams. I
• 11:51
  Speaker 2: feel like they would pump it up for a Bears
• 11:53
  Speaker 2: Super Bowl. And if the Bears went against the Bills,
• 11:56
  Speaker 2: who ain't been since the 90s, them Bills fans, they
• 12:01
  Speaker 2: second mortgage.
• 12:01
  Speaker 3: Those are popular teams. Because you see the ratings. Every
• 12:05
  Speaker 3: time the Bears are playing at the primetime, I think
• 12:08
  Speaker 3: the Bears Thursday night game is one of the highest
• 12:11
  Speaker 3: rated games on Amazon Prime. I think it's the number
• 12:14
  Speaker 3: two highest rated. So it's like if the Bears go.
• 12:18
  Speaker 3: That's going to be a popular Super Bowl. Last season
• 12:21
  Speaker 3: wasn't even a popular Super Bowl.
• 12:22
  Speaker 1: No, and everybody was loving the Bears. Even non-Bears fans.
• 12:25
  Speaker 1: The Cardiac Bears were fun to watch. It was entertaining.
• 12:28
  Speaker 1: A lot of people were just like, man. The Bears, y'all.
• 12:31
  Speaker 1: I never cared about the Bears until them games. Good time.
• 12:34
  Speaker 1: And that's another.
• 12:35
  Speaker 2: If the Bears and the Bills go, them two fan
• 12:37
  Speaker 2: bases that is pulling up and paying the brand.
• 12:45
  Speaker 1: Man, dog, that's a lot of bread. That's big bread.
• 12:50
  Speaker 1: But hey, man, you know what I'm saying? You only
• 12:52
  Speaker 1: live once, man. You only live once, man. I might
• 13:01
  Speaker 1: go crazy and do the 10. You do the 10? Maybe. Okay. Maybe. Okay.
• 13:07
  Speaker 1: But let me tell you something, Bears. If I pay
• 13:10
  Speaker 1: the 10, you better win that goddamn game. You better
• 13:14
  Speaker 1: win that game. If I spend 10K and we lose. Oh, man. Oh, God.
• 13:19
  Speaker 2: Done.
• 13:20
  Speaker 1: That's why I don't spend the bread. And the Seahawks won,
• 13:22
  Speaker 1: and I was just like.
• 13:23
  Speaker 2: Yeah.
• 13:23
  Speaker 1: Because I wanted to go to the dream game, and
• 13:25
  Speaker 1: I was just like, nah. I'm going to be pissed.
• 13:29
  Speaker 1: All right, let's hop in. Did we do the intro?
• 13:31
  Speaker 1: We did. All right, we're back on The Drop, episode seven.
• 13:37
  Speaker 2: Yeah.
• 13:37
  Speaker 1: Okay. Okay.
• 13:38
  Speaker 2: Catch us up, Tone. If you ain't see the drop,
• 13:41
  Speaker 2: just give us a little skinny.
• 13:43
  Speaker 3: So in this episode, they're still dealing with the aftershocks
• 13:47
  Speaker 3: of Keith's murder.
• 13:49
  Speaker 1: And so the Bloods are, of course, mourning that. You know,
• 13:52
  Speaker 1: they pissed. This is when Dara finds out about Keith's
• 13:55
  Speaker 1: murder at the beginning of the episode.
• 13:57
  Speaker 3: And so that sets the wheel in motion. It's just like,
• 13:59
  Speaker 3: you know, they're trying to figure out who did it.
• 14:02
  Speaker 3: At the same time, Lamar is still on his bullshit
• 14:05
  Speaker 3: about his beats. Trying to produce.
• 14:09
  Speaker 1: He took the L last episode because he played his
• 14:12
  Speaker 1: beats for them and he bombed.
• 14:14
  Speaker 3: And so now, you know what I'm saying, he's still
• 14:17
  Speaker 3: trying to get that leverage going within the record company.
• 14:21
  Speaker 3: The record company is like, man, we're getting other producers
• 14:24
  Speaker 3: in here. We sick of this kid. He's not about
• 14:27
  Speaker 3: to produce the whole album like he think he is.
• 14:28
  Speaker 3: We want to bring in other producers. artillery is going
• 14:32
  Speaker 3: through it. He's at a crossroads. He's like, I don't
• 14:34
  Speaker 3: want to do this gangbanging stuff no more. I'm sick
• 14:37
  Speaker 3: of this, which is valid, which is always fair.
• 14:39
  Speaker 1: I feel him. You know what I'm saying? That's a
• 14:41
  Speaker 1: stressful life. He's like, I'm not even in that. I
• 14:44
  Speaker 1: don't even bang. I'm just guilty by associating. He was
• 14:47
  Speaker 1: hanging out in the Crips, the blue apartment. Chilling. Chilling.
• 14:51
  Speaker 2: Yeah.
• 14:51
  Speaker 1: And I get it, man. You got mental health issues.
• 14:54
  Speaker 1: Depression and stress. He's losing people. The cops are literally
• 14:58
  Speaker 1: trying to kill you. You done... Been beat to high heaven.
• 15:02
  Speaker 1: So you just like, bruh.
• 15:03
  Speaker 3: And now, so DG is trying to get slick and
• 15:08
  Speaker 3: play everything against everybody by bringing in Tiptoe.
• 15:12
  Speaker 1: Tiptoe, man, coming in and Tiptoe went in on that mic.
• 15:17
  Speaker 1: Tiptoe told you what episode two.
• 15:19
  Speaker 4: Shout out to Simba.
• 15:20
  Speaker 1: Simba can rap.
• 15:22
  Speaker 2: Simba can rap his butt off, and he can act,
• 15:26
  Speaker 2: and he told DG.
• 15:27
  Speaker 1: Straight up, hey, man, I'm harder than good.
• 15:30
  Speaker 2: Yeah.
• 15:30
  Speaker 1: I'm blood. I think he said blood.
• 15:32
  Speaker 4: It's my time now.
• 15:33
  Speaker 1: It's my time. He slid. He slid on that. I
• 15:38
  Speaker 1: was like. You know how sometimes when it's like a
• 15:41
  Speaker 1: musical thing, and somebody start doing some music within the scene,
• 15:45
  Speaker 1: and people be impressed. Joseph. Joseph. That's what he feel like.
• 15:49
  Speaker 1: That one? Yeah. I was like. No, he wasn't. I
• 15:52
  Speaker 1: wonder if he wrote that. I feel like he probably did.
• 15:55
  Speaker 1: Because the way he was rapping, it didn't seem.
• 15:57
  Speaker 2: Like, if you ain't no rapper, if you just like
• 16:00
  Speaker 2: a screenwriter, that don't mean you can write legit bars
• 16:04
  Speaker 2: for a rapper to be like, oh, this is good.
• 16:06
  Speaker 1: I think he probably wrote them just.
• 16:07
  Speaker 2: Because, man, if you a real rapper, you know people
• 16:09
  Speaker 2: are going to be like, let me see.
• 16:11
  Speaker 1: you might not even know Simba's a rapper for real. Right.
• 16:13
  Speaker 1: You might be getting introduced to him.
• 16:15
  Speaker 2: If I'm him, I'm like, oh, nigga, this got to be,
• 16:17
  Speaker 2: this is like us doing comedy on a TV. Like, no,
• 16:20
  Speaker 2: I'm writing my jokes. If I'm playing a comedian, like,
• 16:23
  Speaker 2: and I'm going to be judged by this joke?
• 16:24
  Speaker 1: Right.
• 16:25
  Speaker 2: No.
• 16:25
  Speaker 1: No, let me write that. Let me write that. Because,
• 16:27
  Speaker 1: you know, that joke's going to be like, man, women
• 16:29
  Speaker 1: be shopping, you know? Watch out, man. Man, so President Trump,
• 16:33
  Speaker 1: watch out, man. I'm straightening my tie. I'm writing the jokes.
• 16:38
  Speaker 1: But he slid on that and so it was just like,
• 16:40
  Speaker 1: oh man. So the fact that, and it was funny
• 16:43
  Speaker 1: because they were playing it like, they had no belief
• 16:45
  Speaker 1: in him. No. They had their back turned.
• 16:48
  Speaker 2: They was just like, all right, man, this nigga finna
• 16:50
  Speaker 2: be trashed. We just only doing this to get jealous.
• 16:52
  Speaker 1: Yeah. I'm sorry, what was that? What was that? They
• 16:55
  Speaker 1: all sat up like, hold on now. What did Tiptoe say?
• 16:58
  Speaker 1: That nigga was flowing. Yeah, that flow was clean.
• 17:01
  Speaker 2: And he told DG, I'm harder than him. You should
• 17:04
  Speaker 2: be signing me. I respect a nigga who... And then
• 17:07
  Speaker 2: when Artillery came in, he said, brother, I don't know
• 17:11
  Speaker 2: what they was doing, but.
• 17:13
  Speaker 1: I got to... I got to go for it. I
• 17:16
  Speaker 1: got to go for it, man. I had to. I
• 17:19
  Speaker 1: didn't know games was being played, but I got to
• 17:21
  Speaker 1: go for it. I'm already here. Yeah. The beats are
• 17:24
  Speaker 1: already loaded. These are artillery scratch beats. Yeah. All right.
• 17:29
  Speaker 1: All I can do with them. That's what's up. Boom.
• 17:32
  Speaker 1: Lit it up. And so now it's like they're going
• 17:35
  Speaker 1: to play into that.
• 17:36
  Speaker 3: Which could create a nice little artistic rap beat within the,
• 17:41
  Speaker 3: you know what I'm saying? Because that happens all the
• 17:43
  Speaker 3: time behind the scenes.
• 17:45
  Speaker 1: Yes. It was like, yo, Tiptoe dissing Artillery on this track.
• 17:48
  Speaker 1: It used to be cool.
• 17:49
  Speaker 3: They're in the same game now they got that beef.
• 17:51
  Speaker 3: And so now the audience is like, well, I like Artillery.
• 17:54
  Speaker 3: I like Tiptoe. Which propels the album sales. So DG
• 17:59
  Speaker 3: is like, DG is the perfect villain, dog.
• 18:05
  Speaker 1: He got the perm and the look. I'll be like.
• 18:09
  Speaker 1: DG is a villain, but I like villains like that.
• 18:11
  Speaker 1: Me too. He's just a straight up villain, dog.
• 18:14
  Speaker 2: Jamie Foxx and Dreamgirls, he remember he was promoting Dreamgirls
• 18:17
  Speaker 2: and he was like, everybody hates me in this role
• 18:19
  Speaker 2: except record execs. They're like, I think he's doing a
• 18:21
  Speaker 2: great job. I don't think.
• 18:23
  Speaker 1: I did anything wrong. Record execs like, I like it.
• 18:26
  Speaker 1: Keep it going.
• 18:26
  Speaker 3: Because they not down there on the street level.
• 18:29
  Speaker 1: They could care less. Bro, we about this money. We
• 18:31
  Speaker 1: about this money, man. Banging on wax.
• 18:35
  Speaker 3: Whatever's going to propel the album sales, I don't care
• 18:37
  Speaker 3: who lies at risk.
• 18:38
  Speaker 1: Oh, somebody got killed, put the album out. Literally, that's
• 18:41
  Speaker 1: what they did. Put the album out.
• 18:43
  Speaker 2: Oh, this is great, man. Somebody got murdered, sales are up.
• 18:47
  Speaker 2: We always thought that, and black people in the community,
• 18:50
  Speaker 2: we got to come together, y'all. They capitalized on to
• 18:52
  Speaker 2: see it actually be said I know in the 90s,
• 18:56
  Speaker 2: somebody gets shot, they're like, oh man, these albums are
• 18:58
  Speaker 2: selling because of this Biggie dying.
• 19:01
  Speaker 1: Where Tupac died, he had his biggest first week sales
• 19:04
  Speaker 1: of his career on Machiavelli. When Biggie died. We keep
• 19:09
  Speaker 1: that in the car.
• 19:10
  Speaker 4: They're like, a drug deal gone wrong.
• 19:12
  Speaker 1: You saw that? Yes. She said, I need an angle.
• 19:15
  Speaker 1: Just made one up. Crazy. No drugs were involved. Done.
• 19:19
  Speaker 1: This was straight beef over a Rolex. She was like, man, drug.
• 19:23
  Speaker 1: Which made me think, man, you don't even, how long
• 19:26
  Speaker 1: has the media just been doing that? Yeah. And that
• 19:28
  Speaker 1: gets into our mind. Think about the crime bill. Right.
• 19:32
  Speaker 1: You put all this stuff in there.
• 19:33
  Speaker 2: You never telling the full story about how crack got
• 19:36
  Speaker 2: there and systemic racism.
• 19:37
  Speaker 1: Yeah. You just got crackheads and grannies getting robbed. Yep.
• 19:41
  Speaker 1: Crime bill. Crime bill. Crime bill.
• 19:44
  Speaker 3: And now black folks is going to jail with trumped
• 19:46
  Speaker 3: up charges on crack rock.
• 19:48
  Speaker 1: Forty five. Forty five years. two years probation insane it's
• 19:53
  Speaker 1: crazy it is the most pure cocaine pure cocaine two
• 19:58
  Speaker 1: years probation oh 70 years your black ass in there
• 20:06
  Speaker 1: how dare you You know it's cocaine as well right now.
• 20:09
  Speaker 1: Fuck that.
• 20:10
  Speaker 2: Like, imagine if they, like, you went to jail for
• 20:14
  Speaker 2: having bread for 45 years, but flour.
• 20:18
  Speaker 1: Oh, flour is good. No, flour is good. But you
• 20:21
  Speaker 1: need that to make bread. Nah, man, that nigga had
• 20:23
  Speaker 1: a loaf. You had a full loaf already sliced 75
• 20:27
  Speaker 1: years to life.
• 20:30
  Speaker 2: Going to jail for the version and not the base.
• 20:34
  Speaker 4: Man.
• 20:34
  Speaker 1: You know how much crack you can make with a kilo? Oh,
• 20:37
  Speaker 1: you got pasta going? 82 years. Oh, this nigga got
• 20:43
  Speaker 1: penne noodles. Penne? Linguini? You made it in the shapes. Oh.
• 20:51
  Speaker 1: 117 years to life. Tortellini? Oh, you three lives tortellini? Linguini?
• 20:57
  Speaker 1: 87,000 years to life. Y'all know, why you give me
• 21:05
  Speaker 1: to life on that? Say one more thing. I'm going
• 21:09
  Speaker 1: to add another one on there concurrently.
• 21:13
  Speaker 2: Nigga had three rolls of sourdough bread going, man.
• 21:17
  Speaker 1: Concurrent. Supermax. Pie crust? Alcatraz. The judge just be pissed.
• 21:25
  Speaker 1: Pie crust. Come into my courtroom and do this to
• 21:32
  Speaker 1: the community? 170,000 years of life. Solitary confinement. You're done. Donuts.
• 21:47
  Speaker 1: The mic spun around perfectly. 87 million years. Oh, man.
• 21:49
  Speaker 1: But yeah, so....
• 21:57
  Speaker 3: Lamar is still annoying, of course. Wanda comes in. She
• 22:03
  Speaker 3: barges in Lee's crib as usual.
• 22:05
  Speaker 1: Let me tell you something, man. Wanda need to understand boundaries.
• 22:09
  Speaker 1: If we not together, you just can't be pulling up
• 22:12
  Speaker 1: at my crib anytime you feel like it. You don't
• 22:15
  Speaker 1: know what I got going in here.
• 22:16
  Speaker 2: Wanda wants whatever she wants when it is convenient for her.
• 22:20
  Speaker 1: Call first. No, man. You got this girl up in
• 22:23
  Speaker 1: your house? Yeah. What you mean? What you saying? I
• 22:26
  Speaker 1: love how Lee was just like, you said we was done.
• 22:29
  Speaker 1: And then she be looking like, oh, so you just
• 22:31
  Speaker 1: gonna say what I said? All right. Well, tell her
• 22:33
  Speaker 1: to leave. He's like, I can't do that. Well, tell
• 22:36
  Speaker 1: me to leave. Can't do that. She had no option.
• 22:43
  Speaker 1: She was waiting to use that. Oh, you kicked me
• 22:45
  Speaker 1: out for her? He was like, no, I can't do
• 22:47
  Speaker 1: that either. Yard. Yard.
• 22:54
  Speaker 2: And the thing is, first of all, as a one-woman man,
• 22:58
  Speaker 2: them scenes be stressing me out.
• 23:00
  Speaker 1: Yeah.
• 23:01
  Speaker 4: In the house.
• 23:01
  Speaker 1: Josh. We're going to go high. Josh, I'm not even...
• 23:05
  Speaker 1: I would be like, I'm going to... Oh, my God,
• 23:07
  Speaker 1: I feel sick. Yeah.
• 23:08
  Speaker 2: Two women fighting, and Dar was like right there, earshot.
• 23:14
  Speaker 2: Dar was like, tell this B to leave.
• 23:16
  Speaker 1: Nigga. And the thing is, the thing is, Wanda.
• 23:20
  Speaker 3: Wanda never got real aggressive with Dara this whole time.
• 23:25
  Speaker 3: Or even showed that there was, like, any kind of
• 23:27
  Speaker 3: beef or animosity between the two.
• 23:28
  Speaker 1: Like, I haven't really got that from her. Well, she
• 23:30
  Speaker 1: went after her. Remember the one scene? When? At the house. She, like...
• 23:37
  Speaker 1: The first night.
• 23:38
  Speaker 2: Yeah, the first time she went to the house when
• 23:39
  Speaker 2: Leon ended up telling her by default who killed Keith.
• 23:45
  Speaker 1: When she saw her, she was like, and he like
• 23:47
  Speaker 1: held her back.
• 23:48
  Speaker 3: Oh, no, I'm saying that just happened. Oh, so before that.
• 23:53
  Speaker 3: They never had the buildup of any type of animosity.
• 23:56
  Speaker 1: Even with y'all.
• 23:57
  Speaker 3: Rolling up while they're standing right there together to put
• 23:59
  Speaker 3: her beard in. So when Wanda reacted the way she did,
• 24:03
  Speaker 3: I was just like, You saw her put the bid
• 24:08
  Speaker 3: in in front of you.
• 24:09
  Speaker 1: Straight up. Dara's not hiding anything. She walked over. So
• 24:13
  Speaker 1: seeing her there, I'd have just been like, oh, you know.
• 24:17
  Speaker 1: It was very clear. Yeah.
• 24:19
  Speaker 4: She also has got bigger fish to fry right now.
• 24:21
  Speaker 1: She's definitely got bigger fish to fry. She ripped.
• 24:23
  Speaker 4: You're worried about who's over at the house. You don't
• 24:25
  Speaker 4: have a job next week.
• 24:26
  Speaker 1: You really do need to really lock in. Yeah.
• 24:29
  Speaker 2: Because you is focused on the wrong. Dara ain't got
• 24:32
  Speaker 2: nothing to do with what you got going on.
• 24:35
  Speaker 1: Lamar is tripping. And that's your artist. That's your artist.
• 24:39
  Speaker 1: That's the focus. You need to get him in line.
• 24:42
  Speaker 1: I understand you're trying to get Lee involved on the
• 24:45
  Speaker 1: funding side of it.
• 24:47
  Speaker 3: But just that Dara shit, she's just been like, oh, okay.
• 24:50
  Speaker 3: You see her put her beard in. That should have
• 24:52
  Speaker 3: been the reaction.
• 24:52
  Speaker 1: For sure. So here we are. So you capitalize on
• 24:55
  Speaker 1: that beard.
• 24:56
  Speaker 4: Mm-hmm.
• 24:57
  Speaker 1: He has the constant bailout.
• 24:59
  Speaker 4: That's just because of her history, right?
• 25:00
  Speaker 1: I think he still likes her. Wanda? Yes. Yeah, yeah.
• 25:05
  Speaker 4: Not playing games. She doesn't know what she wants right now, though.
• 25:07
  Speaker 1: Right.
• 25:08
  Speaker 2: And he, I mean, niggas ain't turning the beard in down.
• 25:11
  Speaker 1: Dara was gorgeous. Dara's a good-looking woman. She put her
• 25:14
  Speaker 1: beard in strong. Ain't no stroke McGee. I'm only human. Hey, man,
• 25:18
  Speaker 1: to me, like, we got two coochies. It's been 84 years. Man,
• 25:23
  Speaker 1: watch out. And Wanda was just saying, we friends. Just
• 25:27
  Speaker 1: told him this. Just to solidify.
• 25:30
  Speaker 4: There's nothing more on soft than we're friends.
• 25:33
  Speaker 1: Oh, man. Yeah. All right, well, we friends. Internal. And
• 25:40
  Speaker 1: dark cubs, I like you and I want you. Me?
• 25:45
  Speaker 1: And I'm that kind of gangster guy. You the kind
• 25:48
  Speaker 1: of gangster I need. Yeah.
• 25:50
  Speaker 3: And from a writing standpoint, I didn't like Wanda's reaction
• 25:55
  Speaker 3: to seeing Dara there.
• 25:57
  Speaker 2: Yeah.
• 25:57
  Speaker 3: Because I just feel like they needed that as a
• 25:59
  Speaker 3: device to get Wanda to do what she did at
• 26:02
  Speaker 3: the end of the episode, which is reveal about Keith's
• 26:05
  Speaker 3: death and what happened.
• 26:06
  Speaker 2: Yeah, yeah, yeah.
• 26:07
  Speaker 1: And lying on Leon saying, he told me. I mean,
• 26:10
  Speaker 1: he did. But not the way she said it up.
• 26:14
  Speaker 3: Because even Lee, when he was talking to Darla before
• 26:16
  Speaker 3: Wanda even showed up, he was kind of giving the
• 26:20
  Speaker 3: energy like he knew.
• 26:22
  Speaker 1: What it was. He didn't want to say, but he ain't.
• 26:25
  Speaker 1: He didn't want to say, so Darla was just like,
• 26:28
  Speaker 1: you know something. Yeah, yeah, yeah, yeah. But he wasn't like, no, no, no.
• 26:31
  Speaker 1: He didn't lie like, no, I have no idea. He
• 26:33
  Speaker 1: was just like, you know what I'm saying?
• 26:35
  Speaker 3: Yeah, he was just keeping it. If you read between
• 26:37
  Speaker 3: the lines, it's just like. I read between the lines
• 26:39
  Speaker 3: all day. So when she went back there to do
• 26:41
  Speaker 3: a phone call or whatever, then Wanda shows up unannounced.
• 26:44
  Speaker 1: If you keep rolling up on me unannounced.
• 26:47
  Speaker 3: I'ma set it up to where I'ma just have women
• 26:50
  Speaker 3: there that I'm not even dealing with. Just so you'll
• 26:53
  Speaker 3: be like, oh, you got women in here?
• 26:54
  Speaker 1: Yeah. You never know who I got in here. Stop
• 26:58
  Speaker 1: just running up. Call before you come. Have you been
• 27:06
  Speaker 1: growing more into this year by year? I'm always this.
• 27:11
  Speaker 1: I feel like you've grown a little bit more. Into what?
• 27:14
  Speaker 2: Into like, man, just watch out as an overall point
• 27:19
  Speaker 2: of view from life.
• 27:20
  Speaker 3: You know, I think it's a combination of things. It's like,
• 27:25
  Speaker 3: since I lost my son, I don't have tolerance for
• 27:27
  Speaker 3: anything that disturbs my peace.
• 27:29
  Speaker 1: That's what I think, for sure. So that's why I
• 27:31
  Speaker 1: might feel like. So it amplified everything. Like any type
• 27:34
  Speaker 1: of bullshit. I'm out of here. I don't need it.
• 27:38
  Speaker 1: Look out. I'm out here going on a daily basis
• 27:42
  Speaker 1: trying to be peaceful.
• 27:44
  Speaker 3: You know, I'm brokenhearted. So it's like I don't need
• 27:46
  Speaker 3: no extra. This ain't even worth my energy.
• 27:49
  Speaker 1: That's why you was mad about the biscuits.
• 27:52
  Speaker 2: We going to Peace Food and you just like, man,
• 27:54
  Speaker 2: they might not like it.
• 27:56
  Speaker 1: I can't even. I've been looking forward to this. It's
• 27:59
  Speaker 1: a y'all credit. Josh never gives me issues. No, I
• 28:02
  Speaker 1: don't give you issues. I'm rapping everybody up. Josh is
• 28:06
  Speaker 1: number one. Josh is always down to what I'm all about.
• 28:09
  Speaker 1: For sure. Josh is like, I don't know what you're
• 28:11
  Speaker 1: talking about. All the time. And Greg is good too. Yeah,
• 28:15
  Speaker 1: he's healthy. Because he's always trying to go the healthy route. Yes.
• 28:19
  Speaker 1: B-Luby every weekend. I'm eating like you, T. I'm eating
• 28:24
  Speaker 1: like you, TB, this weekend.
• 28:26
  Speaker 3: And he'd be like, man, they ordered something, not finished it.
• 28:30
  Speaker 3: And then he'd be back and then chicken wings, chicken tenders,
• 28:35
  Speaker 3: every weekend.
• 28:37
  Speaker 2: And you know, Tone really just don't even care what
• 28:39
  Speaker 2: you do. You just can't say one thing and do
• 28:41
  Speaker 2: the other. You can't be on I'm on the healthy
• 28:44
  Speaker 2: and then eating chicken wings.
• 28:45
  Speaker 1: Just shut up and eat the chicken from the beginning.
• 28:48
  Speaker 1: I'm going to take you at your word for the
• 28:50
  Speaker 1: first two times. By time seven, I'm like, just stop
• 28:53
  Speaker 1: talking to me about it. No, no, just don't say
• 28:55
  Speaker 1: nothing else. I don't want to hear shit else.
• 28:57
  Speaker 3: And Kev be good, but Kev would be like, oh,
• 29:00
  Speaker 3: this is cool.
• 29:02
  Speaker 1: But then he'll order his real food on the truck.
• 29:04
  Speaker 1: That ain't got nothing to do with you, though.
• 29:06
  Speaker 3: But you a good time while you're present, which is
• 29:10
  Speaker 3: what I am on the other side.
• 29:11
  Speaker 1: For sure. I always go with them to eat the
• 29:13
  Speaker 1: greasy stuff I'm not going to eat. And I don't know.
• 29:15
  Speaker 2: I literally was just talking about this. I was doing
• 29:19
  Speaker 2: good eating right this year. When I got on tour,
• 29:22
  Speaker 2: I realized, okay, I got it under control at home,
• 29:25
  Speaker 2: but that travel road.
• 29:26
  Speaker 1: Because you're at the mercy.
• 29:28
  Speaker 2: I'm at the mercy. Then when I get home, I'm tired.
• 29:30
  Speaker 2: I just don't make the right choices. So I said, okay,
• 29:32
  Speaker 2: my next tour, I need to lock in.
• 29:34
  Speaker 4: You can only get so many salads.
• 29:36
  Speaker 1: You can only.
• 29:36
  Speaker 2: And the problem is, this is the problem even... to
• 29:40
  Speaker 2: that point, but more. In my city, I know what's good.
• 29:46
  Speaker 2: What happens is, you go into cities you're not familiar with,
• 29:49
  Speaker 2: you're ordering something, you don't know what you're going to get.
• 29:52
  Speaker 2: If I could just have If there was always a
• 29:54
  Speaker 2: Sweet Greens and always a Cava, I'd be like, okay,
• 29:57
  Speaker 2: at these restaurants, I know I could order Sweet Green
• 30:00
  Speaker 2: before the show.
• 30:00
  Speaker 1: I know my bowl.
• 30:02
  Speaker 2: Cava, I could do. You get to some of these cities,
• 30:04
  Speaker 2: and when we get out of the show, it.
• 30:06
  Speaker 1: Ain't nothing but wings. Fries, burgers.
• 30:09
  Speaker 4: There's nothing open either.
• 30:10
  Speaker 1: Them healthy restaurants, they might have the stuff.
• 30:12
  Speaker 4: They might have the restaurants, but they close at 9.
• 30:14
  Speaker 1: The hours is crazy. When you order a salad, it's
• 30:16
  Speaker 1: the lettuce from a sandwich. I can't stand lettuce, man.
• 30:20
  Speaker 1: It's the Arkansas. Remember that Arkansas salad? Them people told
• 30:23
  Speaker 1: us this is the best salad in New York. I
• 30:24
  Speaker 1: ain't going. They pissed me off so hard. They pissed
• 30:28
  Speaker 1: me off so bad.
• 30:33
  Speaker 3: They pumped that salad up to the high heavens. They're like, man,
• 30:38
  Speaker 3: a lot of people just come. They don't even get
• 30:39
  Speaker 3: the pizza. They come for the salad.
• 30:42
  Speaker 1: I ordered that mess. I'm like, look at this pre-made
• 30:44
  Speaker 1: bullshit with the iceberg lettuce. I could have killed somebody.
• 30:50
  Speaker 4: This is me off at the hotel restaurant to the
• 30:52
  Speaker 4: little markets. They have a full menu. And after you
• 30:56
  Speaker 4: pay for it, they're like, yeah, you can grab it
• 30:57
  Speaker 4: from the fridge right there.
• 30:58
  Speaker 1: Oh, man, watch out. You should have told me it
• 31:00
  Speaker 1: was a pre-made. Pre-made sucks. And that's the problem.
• 31:04
  Speaker 2: I feel like one thing I admire about you, you'll
• 31:07
  Speaker 2: build with us, know you're hungry, sit up, if the
• 31:11
  Speaker 2: clock is on, you sit up at 11 p.m., you
• 31:13
  Speaker 2: ain't ate since 6, and don't have nothing but water.
• 31:17
  Speaker 2: I'd be like, man, I'm weak.
• 31:19
  Speaker 1: I'm a team player. You really are. I'd be like, no,
• 31:21
  Speaker 1: I'm out.
• 31:22
  Speaker 2: I'm ordering, maybe having delicious desserts and trinkets and stuff.
• 31:26
  Speaker 2: So I'm like, I got to figure something out. Because
• 31:28
  Speaker 2: I told Graham, my next church tour, we doing four
• 31:30
  Speaker 2: nights a week because I wanted to shorten it. the tour,
• 31:33
  Speaker 2: so it's gonna be more grueling, but it's gonna be Thursday, Friday, Saturday, Sunday.
• 31:36
  Speaker 2: But for nine weeks only. It's just nine weeks. I
• 31:41
  Speaker 2: told Greg and Josh, I was like, hey man, I
• 31:43
  Speaker 2: can't be eating out. When Josh wasn't with us this tour,
• 31:48
  Speaker 2: Greg is, I was like, Greg, I'm not eating. And
• 31:50
  Speaker 2: also at the beginning of the tour, the grief shows
• 31:51
  Speaker 2: were harder. Then when Josh came, he bring good vibes.
• 31:55
  Speaker 1: And Kevin, you eating? You know what I am. Damn.
• 31:59
  Speaker 1: When I was good.
• 32:00
  Speaker 4: Greg will get 12 hard-boiled eggs from downstairs and just
• 32:03
  Speaker 4: hoard them all weekend.
• 32:04
  Speaker 1: Greg be eating 28 hard-boiled eggs. A week? A week.
• 32:09
  Speaker 1: He do? Yes. He eats four hard-boiled eggs a day
• 32:12
  Speaker 1: most times.
• 32:14
  Speaker 2: He averaged between, he said like between 20 and 28
• 32:18
  Speaker 2: hard-boiled eggs a week.
• 32:19
  Speaker 1: Damn. This nigga, he's a hawk. So... Hard-boiled eggs are delicious.
• 32:25
  Speaker 1: And when Lisa comes... Oh, it's lunch and dinner and
• 32:28
  Speaker 1: no walk. You got soft legs next to you. Room service,
• 32:32
  Speaker 1: room service, room service. Oh, my God. She'd just be there.
• 32:36
  Speaker 2: When she's there, I'd be like, man, you want to
• 32:38
  Speaker 2: go walk in the cold or lay next to her?
• 32:40
  Speaker 1: She ain't even putting no pressure on me. Yeah, yeah.
• 32:42
  Speaker 1: But soft legs in the bed? I'd be like... It's hard. Oh,
• 32:45
  Speaker 1: come on, man. When you're moving around, you'd be like,
• 32:48
  Speaker 1: let me go hit this five mile. Man, no! You
• 32:51
  Speaker 1: just going to be in here? She'd just be in there.
• 32:53
  Speaker 1: You just going to start talking to... What you enjoy.
• 32:57
  Speaker 1: It's hard to go. It's hard to take that walk. Oh,
• 33:04
  Speaker 1: on a normal day. It's 2 p.m. We wake up
• 33:06
  Speaker 1: from a nap. I got four hours before showtime.
• 33:09
  Speaker 2: I'm a mile straight to the face straight because I
• 33:12
  Speaker 2: got nothing to do in Columbus.
• 33:13
  Speaker 1: I'm walking good to it. Miss.
• 33:16
  Speaker 2: She just be smiling. I'd be like, I'd love myself.
• 33:19
  Speaker 2: I don't need to lose. I'm going to just sit
• 33:23
  Speaker 2: up here and let her put her leg on me.
• 33:25
  Speaker 1: I can't leave. Yeah. I love when she's on the road,
• 33:28
  Speaker 1: but my routine is out, though. Because why I want
• 33:31
  Speaker 1: to go? It's one thing when I'm at home.
• 33:32
  Speaker 2: Yeah.
• 33:33
  Speaker 1: I'm routine McGee. Yeah. 5 a.m., she ain't even up yet. Right. 6.30,
• 33:37
  Speaker 1: we go to the gym together. It's easy. On the road. Yeah.
• 33:41
  Speaker 1: I love you, girl. I'm staying here. We in Cleveland.
• 33:45
  Speaker 1: We in Cleveland.
• 33:48
  Speaker 2: And then when we go to cities like Nashville or
• 33:50
  Speaker 2: Chicago or Atlanta where our people are.
• 33:52
  Speaker 1: There, niggas like, what y'all eating? What y'all drinking? Man, everything. Cornbread.
• 33:57
  Speaker 1: I went buck wild in Chicago this weekend. I had pizza,
• 34:05
  Speaker 1: a cookie, and popcorn. That was my plan, though. That
• 34:09
  Speaker 1: was your plan all along. My plan all along. I
• 34:11
  Speaker 1: was like, I'm getting that popcorn. You had Garrett's? I
• 34:14
  Speaker 1: had Garrett's. I wanted to go to Let's Get Poppin'
• 34:16
  Speaker 1: because they black on.
• 34:17
  Speaker 3: And they're good. They black on and they're good. They're
• 34:20
  Speaker 3: better than Garrett's.
• 34:21
  Speaker 1: Similar flavor. Yeah, they got the gourmet cheese. They got
• 34:24
  Speaker 1: the caramel. They got some other flavors in there. But
• 34:26
  Speaker 1: their cheese, to me, is better.
• 34:29
  Speaker 3: But they close. Like, my clock was working against me.
• 34:33
  Speaker 3: So I was just like, man, let me get the,
• 34:35
  Speaker 3: because I wanted to get popcorn for the Bears game.
• 34:37
  Speaker 3: I got there Thursday for something. The Bears played at 7.
• 34:41
  Speaker 3: I was trying to get to my sister's house. I
• 34:43
  Speaker 3: was like, man, Garrett's is still open. I ain't had
• 34:46
  Speaker 3: time because I was trying to go to.
• 34:47
  Speaker 1: Soul Veg, but they closed at 6. I'm like, man,
• 34:49
  Speaker 1: you don't want this money. See, the healthy people, they
• 34:51
  Speaker 1: be out of there. They be closed. Why you close
• 34:53
  Speaker 1: at 6? The healthy people want to go home. Man,
• 34:56
  Speaker 1: we be getting off work at 5, man. Chicago traffic
• 34:59
  Speaker 1: is ass. Give us a chance. The healthy restaurants be,
• 35:04
  Speaker 1: it's over with. Our stuff is spoiled.
• 35:06
  Speaker 3: We closing at 4 p.m. When I get off working,
• 35:11
  Speaker 3: we closing at 4 p.m. But my job.
• 35:13
  Speaker 2: Burgers McGee. 337, man.
• 35:16
  Speaker 1: We up. We open till 4 a.m. We open back
• 35:20
  Speaker 1: up at 415. Come through. So basically, y'all only close
• 35:25
  Speaker 1: for 15 minutes a day. You got them. Because I
• 35:27
  Speaker 1: got to go to the bathroom. That's really it. Greasy spoon.
• 35:30
  Speaker 1: Come on. Greasy spoon always here for you. Always here
• 35:33
  Speaker 1: for you. So I had pizza. I didn't have that
• 35:35
  Speaker 1: much pizza, though. It was like I had two thin.
• 35:38
  Speaker 3: Slices at the celebration of life. And then I had
• 35:41
  Speaker 3: another deep dish slice.
• 35:42
  Speaker 1: And then that was it. That ain't really buck wild.
• 35:44
  Speaker 1: It was buck wild. Well, for you.
• 35:45
  Speaker 2: Yeah, yeah.
• 35:46
  Speaker 1: For you, for sure. And that cookie, man, that cookie
• 35:48
  Speaker 1: was right. What kind of cookie? And then I had
• 35:50
  Speaker 1: Soul Veg earlier that day.
• 35:51
  Speaker 3: It was like a chocolate chip soft cookie they had
• 35:53
  Speaker 3: at the end of the line next to the pizza.
• 35:56
  Speaker 3: It was soft, big, and I went in. But earlier
• 35:59
  Speaker 3: that day, you know what I'm saying, I was at
• 36:02
  Speaker 3: Soul Veg.
• 36:03
  Speaker 1: Did you do your walk or anything? I didn't walk. Oh,
• 36:06
  Speaker 1: you was just... That was another thing. The time was
• 36:09
  Speaker 1: against me because I slept. I had an edible Thursday night.
• 36:13
  Speaker 1: I had an edible Thursday night. You slept that in?
• 36:16
  Speaker 1: You had an edible? I had an edible. It was
• 36:19
  Speaker 1: like a gummy. It was like one gummy. And I
• 36:22
  Speaker 1: was like... They was like, just eat half of it.
• 36:23
  Speaker 1: And I was like, man, half? What am I going
• 36:25
  Speaker 1: to do with the other half? And by later that night,
• 36:30
  Speaker 1: I was like... Oh, it's that gummy kicking in. Once
• 36:35
  Speaker 1: I have a gummy like that, I usually sleep hard.
• 36:39
  Speaker 1: I woke up at a good 11 a.m. the next morning.
• 36:43
  Speaker 1: I was like, well, damn. And then I was like, yo,
• 36:51
  Speaker 1: I got to go to Soul Veg. So I went
• 36:53
  Speaker 1: over there.
• 36:55
  Speaker 3: And then some lady called my hotel room, claiming to
• 36:58
  Speaker 3: be my wife, to get patched through to my room. Yeah,
• 37:04
  Speaker 3: when I got back to the hotel, the clerk was like, yeah,
• 37:08
  Speaker 3: you got a wife?
• 37:09
  Speaker 1: When your wife tried to, I was like, I ain't
• 37:10
  Speaker 1: got no wife. She's like, hey, that ain't nothing about business.
• 37:13
  Speaker 4: You gotta get to the Four Seasons, man.
• 37:14
  Speaker 1: What in the world?
• 37:15
  Speaker 3: But I don't know, the only thing that makes sense,
• 37:18
  Speaker 3: and the clerk was like, nah, I'm not giving you nothing.
• 37:21
  Speaker 3: They said you can get a number, you can get
• 37:23
  Speaker 3: the room number, you can pass me through to the room.
• 37:25
  Speaker 1: She's like, nah, we can't do that. And then she
• 37:28
  Speaker 1: tried to call me. Oh, my God. That's what the
• 37:33
  Speaker 1: lady did for you? She was like, I said no information.
• 37:38
  Speaker 1: So she was claiming to be my wife.
• 37:40
  Speaker 3: The only thing that makes sense, because I didn't post
• 37:43
  Speaker 3: nothing about nothing on my page.
• 37:45
  Speaker 1: I don't know you were in Chicago. I didn't even
• 37:46
  Speaker 1: do the booty coverage post. I didn't do none of that. Yeah, yeah, yeah.
• 37:50
  Speaker 1: So the only thing that makes sense, I ran into
• 37:52
  Speaker 1: a fan.
• 37:54
  Speaker 3: In the lobby by the elevator. Earlier that day. That's
• 37:59
  Speaker 3: the only thing that makes sense. Either it was her
• 38:03
  Speaker 3: or she told somebody where I was at.
• 38:05
  Speaker 1: Tony, in my hotel. She was like, hey, I'm a fan.
• 38:08
  Speaker 1: I just saw Kev in, was it Tucson? Was you
• 38:11
  Speaker 1: in Tucson recently? Phoenix. She had just seen you, whatever.
• 38:15
  Speaker 1: I've been to your shows.
• 38:17
  Speaker 3: I took a picture, went on about my day. But
• 38:20
  Speaker 3: later that night, the hotel called me.
• 38:22
  Speaker 1: I didn't answer. Yeah, of course. Kept it moving. So
• 38:26
  Speaker 1: when I get back to the hotel, that's what she
• 38:29
  Speaker 1: told me.
• 38:29
  Speaker 3: I was like, the only person that knew I was
• 38:32
  Speaker 3: here is that fan.
• 38:34
  Speaker 1: That's wild. Was you in a hotel that had the
• 38:36
  Speaker 1: key to go to the elevator? I mean, the elevator
• 38:39
  Speaker 1: to your floor? No. She would have been in there
• 38:42
  Speaker 1: with nothing on her trench coat.
• 38:44
  Speaker 4: Like in the corner on your haunted chair.
• 38:48
  Speaker 1: Man.
• 38:49
  Speaker 4: And she's like, I heard everything you said.
• 38:51
  Speaker 1: Out of flat lines. Can you imagine? No. What if
• 38:55
  Speaker 1: the hotel just didn't do right?
• 38:57
  Speaker 3: What if she was just like, oh, yeah, I'll pass
• 38:59
  Speaker 3: you through. Now, if she passed me through to the room,
• 39:02
  Speaker 3: that doesn't get the person.
• 39:04
  Speaker 1: They don't know what room it is. Right, right. It
• 39:06
  Speaker 1: would have just been ringing because I wasn't there.
• 39:10
  Speaker 3: But then later on, even when the hotel phone rings,
• 39:12
  Speaker 3: I don't answer.
• 39:14
  Speaker 1: Really? I might answer that one thinking it's the lobby.
• 39:18
  Speaker 4: You can only answer because it doesn't stop ringing.
• 39:20
  Speaker 1: They gon' hit you back. Yeah.
• 39:21
  Speaker 4: And that ringer's loud as shit.
• 39:23
  Speaker 1: It's loud, man! It's unnerving loud. Old school phone rings.
• 39:29
  Speaker 1: One time I was asleep like, two weeks ago on
• 39:30
  Speaker 1: the road. I'm, you know, red eye. Yeah. Taking my nap.
• 39:33
  Speaker 1: They call at 10 o'clock. And I'm groggy. I can't
• 39:37
  Speaker 1: find the phone. Damn. Okay. You know, I still need
• 39:39
  Speaker 1: two more hours to get what feels like a full
• 39:41
  Speaker 1: night's sleep. What the hell they want? Hello? We just
• 39:44
  Speaker 1: want to make sure you're enjoying your room. Man. Watch out. Yeah,
• 39:48
  Speaker 1: 25 to life. Come on, man. I couldn't go back
• 39:53
  Speaker 1: to sleep. I was like, come on, man. We just
• 39:57
  Speaker 1: want to make sure it's no fancy hotel. Let's see
• 40:01
  Speaker 1: if you was at the gunshot inn where I'd be at.
• 40:05
  Speaker 1: They don't call to check on you.
• 40:07
  Speaker 2: Because you paying by the hour. They're probably having sex
• 40:09
  Speaker 2: in there or doing crack cocaine. And they would have
• 40:13
  Speaker 2: passed you through. Tony, yeah, I'm going to walk you
• 40:15
  Speaker 2: to his room.
• 40:16
  Speaker 1: Well, yeah, it was. Right here. Man, this is the ops.
• 40:19
  Speaker 1: This is a drug dealer assassin. Let me open the
• 40:23
  Speaker 1: door for you. It's all right, man. Don't knock. I'm
• 40:25
  Speaker 1: in the shower. Kid Man got me dead to rights.
• 40:28
  Speaker 1: And the clerk. They pulled the curtain back on me.
• 40:32
  Speaker 1: They're like, see, here he is right here. I'm like...
• 40:38
  Speaker 1: I'm just standing there butt-ass naked on the saw. On
• 40:42
  Speaker 1: the saw. On the saw, like foamed up. I'm lathered. Like, oh,
• 40:47
  Speaker 1: what the hell? Foamed up. I'm foamed up. Like, damn, clerk.
• 40:52
  Speaker 2: I want to take a quick break from the show
• 40:55
  Speaker 2: to tell you about one of our sponsors. I got
• 40:56
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• 41:56
  Speaker 1: And now back to the show. All right, what else
• 41:58
  Speaker 1: we got on the drop, Toe? Oh, so now Dara
• 42:04
  Speaker 1: and Wanda are kind of working together because... Now, with
• 42:08
  Speaker 1: they women scoring now, so now they gonna cook up
• 42:11
  Speaker 1: a plan to get that get back.
• 42:14
  Speaker 3: So I think it's kind of whack on Wanda's part
• 42:16
  Speaker 3: to go against.
• 42:18
  Speaker 1: Lee like that. And then... He.
• 42:20
  Speaker 2: Ain't no number to be right to her. He get
• 42:22
  Speaker 2: no credit. He has literally done everything in his power.
• 42:25
  Speaker 1: For real. He's just a good dude.
• 42:27
  Speaker 4: He puts himself on the front lines.
• 42:28
  Speaker 1: He went into the lion's den, Joshua. No backup.
• 42:32
  Speaker 3: He trying to be right out here. She keep dragging
• 42:35
  Speaker 3: him in. And now this street mess is gonna get bloody.
• 42:39
  Speaker 1: I love how they're setting her up.
• 42:40
  Speaker 4: He's just trying to do his free clinic, man.
• 42:41
  Speaker 1: That's all he's trying to do. That's all that is.
• 42:44
  Speaker 1: That's all that is.
• 42:45
  Speaker 2: They setting up Wanda that the music is crack. She
• 42:48
  Speaker 2: would climb in your windows for crack. She'll do whatever
• 42:51
  Speaker 2: it took to get to that crack. She's doing whatever
• 42:53
  Speaker 2: it takes to do the music because otherwise the implication is.
• 42:57
  Speaker 1: Music or crack. Yeah.
• 42:58
  Speaker 2: And she's relentless in whatever she does. Like that addiction
• 43:02
  Speaker 2: just shifted.
• 43:03
  Speaker 1: All right, Joshie. It just shifted to... Music.
• 43:07
  Speaker 2: She's not addicted. She's just not addicted to crack anymore,
• 43:12
  Speaker 2: but she's struggling.
• 43:13
  Speaker 1: Man, dog.
• 43:14
  Speaker 3: So now, and then the whole thing with Lamar, his
• 43:17
  Speaker 3: brother tried to talk to him again.
• 43:19
  Speaker 1: Like, yo, man, you think about yourself all the time.
• 43:24
  Speaker 3: Then Lamar tried to pull that jealousy card.
• 43:27
  Speaker 1: Just like, bro, really?
• 43:30
  Speaker 2: Tony, it was so obvious. Artillery was like, Nigga, y'all
• 43:34
  Speaker 2: trying to do this. And Lamar trying to be hard.
• 43:37
  Speaker 1: Yeah. Oh, yeah, nigga in here. All right. Just don't.
• 43:41
  Speaker 1: Come on, man. Don't get stoned out. That's not you, man.
• 43:45
  Speaker 1: Come on, bro. And Lamar don't deserve James, man. James
• 43:49
  Speaker 1: is a good big brother. He don't deserve a big
• 43:51
  Speaker 1: brother like James. James is a great big brother wrapped
• 43:55
  Speaker 1: up in crip. Yeah.
• 43:56
  Speaker 2: But he is wholesome, protective. And he's the only one,
• 44:02
  Speaker 2: I'm saying it every week, he told Wanda, hell, he
• 44:07
  Speaker 2: is arrogant. Stop babying him. He is selfish and he's arrogant.
• 44:11
  Speaker 2: And Lamar has only grown more selfish and more arrogant.
• 44:14
  Speaker 1: He get worse. Do you think you're first?
• 44:17
  Speaker 2: You made two singles and you about to produce a
• 44:19
  Speaker 2: whole album? It's you and Anderson. Paak and No Worries?
• 44:23
  Speaker 1: That's not happening.
• 44:26
  Speaker 3: Talking about with no major label if you want to
• 44:28
  Speaker 3: do all that you gotta you gotta come super independent
• 44:31
  Speaker 3: and come with a whole crafted album to take to
• 44:34
  Speaker 3: the major label for sure if it's good enough they
• 44:36
  Speaker 3: might release microscope but you can't go up in there
• 44:40
  Speaker 3: like yeah i'm gonna produce the whole no the fuck
• 44:42
  Speaker 3: you ain't you got a hot track right now chill
• 44:46
  Speaker 3: out and james is just like bro man and then
• 44:50
  Speaker 3: lamar tried to you know patch it up with artillery
• 44:53
  Speaker 3: and then the crips pulled.
• 44:54
  Speaker 2: Up listen That was the first time he did something
• 44:57
  Speaker 2: for somebody else.
• 44:58
  Speaker 1: He did not benefit. Go run, man. You know what
• 45:00
  Speaker 1: I'm saying? They're not going to mess with me. I
• 45:03
  Speaker 1: was so happy he got socked out. I was happy
• 45:05
  Speaker 1: he got socked out. And I wanted to see more, man.
• 45:09
  Speaker 1: It can't just be the one piece. I need to
• 45:12
  Speaker 1: stomp out. I need him to get mobbed. He was like,
• 45:16
  Speaker 1: my brother's J-Loco. Mashed. Nigga, don't nobody. That's the second
• 45:22
  Speaker 1: time somebody told him. Nigga, don't nobody care. He been
• 45:25
  Speaker 1: getting socked out every two to three episodes. I need
• 45:28
  Speaker 1: a full stomp. Trigger was like. One hit ain't good enough. No, no, no, no.
• 45:33
  Speaker 1: He needed complete. Stomp out. For episodes four, five, and six. Yes, mop.
• 45:38
  Speaker 3: And don't cut the camera. Don't go over different characters.
• 45:41
  Speaker 3: Let it sit.
• 45:42
  Speaker 1: That was one of my favorite things you used to do. Hey,
• 45:45
  Speaker 1: cut the camera. Man, no, don't cut the camera, man.
• 45:47
  Speaker 1: Those sketches you used to do, man, I would be crying. No,
• 45:52
  Speaker 1: don't cut the camera, man. Call 1-800. Call 1-800. I
• 45:58
  Speaker 1: don't want to dance like this today. But don't cut
• 46:03
  Speaker 1: the camera, man. Let me see that stomp out. Because
• 46:05
  Speaker 1: if I'm... They trying to kill artillery. Yes. If I'm
• 46:10
  Speaker 1: trying to kill you, one punch ain't enough.
• 46:13
  Speaker 2: Yeah. You stop me from my... I'm trying to kill
• 46:16
  Speaker 2: this nigga. You stop me? If I don't kill you,
• 46:19
  Speaker 2: I got to take it out on you.
• 46:20
  Speaker 3: Yeah, I got to at least give you a good mop.
• 46:22
  Speaker 1: I got to.
• 46:23
  Speaker 3: I need full janitorial services. The mop bucket and the
• 46:29
  Speaker 3: wet floor signs.
• 46:31
  Speaker 1: All together. I want him to see James and be like, damn,
• 46:38
  Speaker 1: what the fuck happened, cuz? Artillery. And I want James
• 46:43
  Speaker 1: to get to a point where it's just like, you
• 46:45
  Speaker 1: had it coming. For sure.
• 46:47
  Speaker 3: I don't even want him to go against the Crips
• 46:49
  Speaker 3: and ride my brother no more.
• 46:51
  Speaker 1: Like, you had it coming. I want him to still.
• 46:54
  Speaker 1: I don't want him to be like, I need that. Nah, man.
• 46:58
  Speaker 1: Because he did it already for you.
• 47:00
  Speaker 2: Yeah. and you ain't appreciate it. But I think artillery,
• 47:05
  Speaker 2: I mean, you saved my life, literally. We could patch
• 47:08
  Speaker 2: it up. Because the beats were whack. And you were
• 47:12
  Speaker 2: feeling yourself. But this was a life and death thing.
• 47:15
  Speaker 2: You stood in between me and my would-be killers.
• 47:19
  Speaker 3: That's definitely going to mend the relationship between Artillery and Lamar.
• 47:23
  Speaker 1: It was the best thing Lamar has done. Especially when
• 47:27
  Speaker 1: Artillery see him work over.
• 47:29
  Speaker 2: He coming out looking like Martin when he fought Thomas
• 47:31
  Speaker 2: in Hitman Hearns.
• 47:32
  Speaker 1: That's what I want him looking like when I see
• 47:34
  Speaker 1: him again. I want Lamar looking like him. Yo, when
• 47:39
  Speaker 1: people say Martin wasn't funny, I'd be like, yo, how.
• 47:41
  Speaker 2: Did you see them put that huge head on Martin
• 47:45
  Speaker 2: with knots coming out of the hair?
• 47:47
  Speaker 1: He came out the room. That was funny. Come on, man.
• 47:51
  Speaker 2: Gina had her head stuck in a headboard with the
• 47:54
  Speaker 2: Chaka Khan wig, and she.
• 47:57
  Speaker 1: Remember when the baby flew out in the living room? Tonk.
• 48:00
  Speaker 1: That baby shot out and he caught it in the kitchen.
• 48:02
  Speaker 1: Like a football. I caught him and rinsed him off
• 48:04
  Speaker 1: in the sink. Tonk. I was like, this show is
• 48:06
  Speaker 1: off the chain.
• 48:07
  Speaker 2: You mean to tell me with Gina- was trying to
• 48:11
  Speaker 2: be pretty for Martin, pretty Ricky Fontaine, and she had.
• 48:14
  Speaker 1: My face was numb. Martin!
• 48:15
  Speaker 5: Martin, I wanted to look good for you, baby. How
• 48:20
  Speaker 5: you ain't laughing at that, man? Tisha Campbell had me crying.
• 48:25
  Speaker 5: I would be like, yo, this is the funniest thing ever.
• 48:28
  Speaker 5: She was so funny.
• 48:30
  Speaker 1: When Martin was... Him and Pam was fighting the little
• 48:33
  Speaker 1: rat called... Oh, they was fighting that. When Aries Spears said,
• 48:36
  Speaker 1: that ain't funny, I said, man, what... You don't know
• 48:39
  Speaker 1: what funny is, man.
• 48:40
  Speaker 3: Harry Spears is all, he don't like nothing but New
• 48:44
  Speaker 3: York shit, Jordan, and Denzel.
• 48:47
  Speaker 1: That's it, man. That's it for him. Man, Martin. He
• 48:51
  Speaker 1: got the worst takes. I'm not trying to hear that.
• 48:54
  Speaker 2: Martin had a fake dog, and he was barking with
• 48:58
  Speaker 2: the dog.
• 49:00
  Speaker 1: He was dragging it along, and it was mad fake.
• 49:03
  Speaker 2: Because they couldn't get a real dog. That's what makes
• 49:06
  Speaker 2: that even funnier to me. They were like, man, we
• 49:08
  Speaker 2: can't afford the dog.
• 49:09
  Speaker 1: Let's get the fake one going. Can you imagine? Because
• 49:12
  Speaker 1: it's a comedy, man. There ain't no rules to this shit. Oh,
• 49:16
  Speaker 1: Dragonfly Jones. Dragonfly Jones is doing whatever. Kenji. Silence, punk.
• 49:22
  Speaker 1: Elbow in the parking meter. When Kenji beat him up
• 49:28
  Speaker 1: and robbed his pocket. Kenji always, hey, man, they're going
• 49:32
  Speaker 1: to cut off my phone, man. Cut off of me, punk.
• 49:39
  Speaker 1: I was a kid. It was what, 93 Martin's came
• 49:41
  Speaker 1: out or 90? 92. Man, I was nine years old.
• 49:44
  Speaker 1: I was like, what up? That's all we was talking
• 49:48
  Speaker 1: about the next day at school. You couldn't miss it.
• 49:50
  Speaker 1: Every Friday, we was like, man, don't you know no good?
• 49:53
  Speaker 2: Man, you couldn't miss it. You had no VCR, no tape.
• 49:58
  Speaker 2: If you missed Martin, you had to go to school
• 50:00
  Speaker 2: and take it to the face.
• 50:02
  Speaker 1: We talking about Martin Sussman. Man, it's Bob from Accountant, y'all. Man,
• 50:07
  Speaker 1: no YouTube. No. You don't know what happened. I ain't
• 50:10
  Speaker 1: no going back. Let me catch the episode. They gonna
• 50:12
  Speaker 1: post it online. Online? The hell's that? You had to
• 50:18
  Speaker 1: wait for rerun season. Bro, you don't even know when
• 50:21
  Speaker 1: that's happening. Nope. TV guy. You had to wait for
• 50:24
  Speaker 1: summertime reruns. Forget it, man. You had no VCR recording.
• 50:29
  Speaker 1: And we didn't have that. No, we had VCR, but
• 50:33
  Speaker 1: we didn't have tapes to record. You just had the VCR. Play, man.
• 50:37
  Speaker 1: No tapes. Play. You had no blank tapes. Nick, are
• 50:41
  Speaker 1: you crazy?
• 50:43
  Speaker 2: We got money for just loose tapes. Our house in
• 50:46
  Speaker 2: El Paso, my dad is in the military. I was like,
• 50:50
  Speaker 2: I remember being a kid like, this can't be right.
• 50:52
  Speaker 2: You know what cinder block is, right?
• 50:53
  Speaker 1: Yeah. That was our wall. Okay. Our wall was cinder block. Yeah.
• 50:59
  Speaker 1: In our house, cold to the touch in the winter.
• 51:02
  Speaker 1: The main wall was cinder block, no insulation, no sheet rock. Yeah.
• 51:07
  Speaker 1: This is rock. You think we had loose tapes to record? Man,
• 51:12
  Speaker 1: watch out. The loose tapes wasn't that pricey.
• 51:15
  Speaker 2: Oh, my parents didn't. I never had a loose tape
• 51:17
  Speaker 2: in my house to record nothing. You watching the movie,
• 51:22
  Speaker 2: you rewinding the movie, you fast forward, or you taking
• 51:25
  Speaker 2: it out. I ain't never pressed stop and record.
• 51:29
  Speaker 1: What it was, a stop and play to record? Never.
• 51:32
  Speaker 1: So you usually had to hit two buttons simultaneously. Never
• 51:36
  Speaker 1: did that in my life. I'd just be like, Never.
• 51:39
  Speaker 3: Because my dad recorded every episode of the Cosby Show.
• 51:42
  Speaker 1: Mm-mm. He had it down in his basement, Cosby Show.
• 51:46
  Speaker 1: It was... Just a wall of the Disney Vault. Yeah,
• 51:49
  Speaker 1: the whole run of Cosby Show. No. No wallpaper, y'all.
• 51:54
  Speaker 1: No wall! You can't put wallpaper... Do you know what
• 51:58
  Speaker 1: a cinder block is? The outside is like....
• 52:02
  Speaker 2: I remember being like, when we got with my dad,
• 52:06
  Speaker 2: we supposed to be living better.
• 52:07
  Speaker 1: In the apartments, we had wall. I was like, why
• 52:10
  Speaker 1: is the military putting people in? Wall is tough. This
• 52:13
  Speaker 1: is cinder block. Whatever that stuff is in between. Cement. Cement.
• 52:19
  Speaker 1: There it is. Cement cinder block. I remember touching it like, man,
• 52:24
  Speaker 1: this is cold.
• 52:26
  Speaker 2: This is crazy. We're supposed to be doing better, man.
• 52:29
  Speaker 2: What the Army have us out here with this wall?
• 52:33
  Speaker 1: Keep y'all humble. Focus on the objective. Fuck your family, Nick.
• 52:39
  Speaker 1: Fuck your families. Army first family forever. No. Our wall
• 52:47
  Speaker 1: is cold. Our house is cold. Fall in line, soldier.
• 52:50
  Speaker 2: And you know how cold it gets in the desert?
• 52:52
  Speaker 2: You lived in New Mexico. Them nights be chilly.
• 52:55
  Speaker 1: When the sun goes down and there's no humidity... The
• 52:58
  Speaker 1: temperature drop is crazy. You go to pee, that cold.
• 53:01
  Speaker 1: Ain't no leftover heat. No. And then my parents like,
• 53:06
  Speaker 1: I'm gone now. I ain't got no leftovers. Wait, son.
• 53:09
  Speaker 1: This son be like, I ain't got no leftovers out
• 53:12
  Speaker 1: here in the desert, nigga.
• 53:13
  Speaker 2: It get cold immediately. And then my parents were not
• 53:15
  Speaker 2: turning the heat on. So we just taking that cold
• 53:18
  Speaker 2: to the face.
• 53:20
  Speaker 1: The wall left.
• 53:22
  Speaker 2: Y'all ain't got, most of the people who got these,
• 53:23
  Speaker 2: they can turn the heat on. Y'all ain't got nothing.
• 53:26
  Speaker 2: It was tough. So no, we couldn't record Martin. You
• 53:29
  Speaker 2: either watch it or you don't watch it.
• 53:31
  Speaker 1: It's over with. What sucks about recording is somebody would
• 53:34
  Speaker 1: come in there and turn the channel. Oh, it's over.
• 53:38
  Speaker 1: So now they recorded Falcon Crest. Like, hey, man, where's
• 53:43
  Speaker 1: Martin at? Oh, I turned the channel. Oh, my God.
• 53:48
  Speaker 1: I didn't know you was recording. You see them turn
• 53:52
  Speaker 1: the channel as you put the tape in. It'd be Martin,
• 53:54
  Speaker 1: but Martin ain't Falcon Crest. Like, what the fuck? And
• 54:02
  Speaker 1: you can't even say that because your mom was watching
• 54:05
  Speaker 1: Falcon Crest. You turned the channel on. I was recording something.
• 54:11
  Speaker 1: What was you recording? Something. You turned the channel. You
• 54:15
  Speaker 1: can't even go off. Man, we had no voice, man.
• 54:20
  Speaker 1: Your parents be dead wrong. Dead wrong. You can't have
• 54:24
  Speaker 1: no voice in the matter. I was trying to record mine. Well,
• 54:27
  Speaker 1: I wanted to see Falcon Crest. It was such a crazy,
• 54:36
  Speaker 1: terrible experience, man. I just had this joke, man.
• 54:39
  Speaker 2: Your mom could be driving 100 miles per hour down
• 54:42
  Speaker 2: a one-way freeway. You can't even tell her. Like, Mom,
• 54:46
  Speaker 2: I think you shut up. If we die, we die.
• 54:50
  Speaker 2: I'll just say 18 with her. Just be in the
• 54:55
  Speaker 2: back like, we just finna die, y'all.
• 54:58
  Speaker 1: I was just, you can't say nothing.
• 55:01
  Speaker 2: Teacher was never wrong. Whatever anybody else said is the truth.
• 55:05
  Speaker 2: Teachers could lie.
• 55:06
  Speaker 1: He didn't even have his homework. I just shut up.
• 55:11
  Speaker 2: And then when you write, what'd they do? What'd they
• 55:13
  Speaker 2: do to him? You want to go to McDonald's? You
• 55:16
  Speaker 2: want some cupcakes?
• 55:17
  Speaker 1: I got you the hostess cupcakes in the kitchen. I
• 55:20
  Speaker 1: got those little debbies you like. No, I want, I'm sorry.
• 55:24
  Speaker 2: My mom to this day never said, I'm sorry for this.
• 55:28
  Speaker 1: I was wrong. Why don't parents be apologizing, man? They
• 55:35
  Speaker 1: didn't want us for real.
• 55:36
  Speaker 2: I feel like they had us, but I don't feel
• 55:39
  Speaker 2: like they really wanted us.
• 55:42
  Speaker 1: You know what I mean? Like we here, but I
• 55:45
  Speaker 1: don't know. What, what? You ever go to your mom
• 55:48
  Speaker 1: for something? Hey, mom, what, what? Dang. You could need medicine.
• 55:54
  Speaker 3: I was the guinea pig, because it was like, my
• 55:57
  Speaker 3: brothers would set my mom off, right? I got no
• 56:00
  Speaker 3: clue about the pre-set off. Tony, go in there and
• 56:05
  Speaker 3: ask mom.
• 56:05
  Speaker 1: And I'm in there not knowing what I'm walking into. Mom,
• 56:10
  Speaker 1: can we yell? I done told y'all already I'm not
• 56:13
  Speaker 1: doing that. You don't even know what happened. Because they
• 56:21
  Speaker 1: were free-winding her up. Tony the baby, he ain't going
• 56:26
  Speaker 1: to get yelled at. I just told Scott and Phillip
• 56:30
  Speaker 1: that I'm not doing it. You're getting yelled at. You
• 56:39
  Speaker 1: just came from outside. I was just outside. Tony, good ass.
• 56:45
  Speaker 1: They sent me in there every time. They would set
• 56:47
  Speaker 1: me up to the high heaven. Do it. Probably not.
• 56:53
  Speaker 1: I was just happy they was asking me to do something, man.
• 56:56
  Speaker 1: You just be, when you were the youngest, you just
• 56:57
  Speaker 1: be happy they asking you to do anything.
• 57:00
  Speaker 2: They sending you into the no man's land.
• 57:03
  Speaker 1: What? What you need? Go ask mom if we could
• 57:06
  Speaker 1: go over to the, all right, yeah, I got y'all.
• 57:09
  Speaker 1: You come back with a nod. She said no, y'all.
• 57:13
  Speaker 1: I look like Martin on Tommy Hearns. She said no, y'all.
• 57:16
  Speaker 1: She said no.
• 57:17
  Speaker 2: My mom was always snapping, man. She just was, she
• 57:22
  Speaker 2: was just tired of it, man.
• 57:24
  Speaker 1: Yeah. Just, like, don't ask for no. You better not
• 57:28
  Speaker 1: ask for nothing as soon as they get in the house. Oh, hey, man.
• 57:31
  Speaker 1: You wanna die? You better let your mom settle in.
• 57:34
  Speaker 1: You better let your mom thaw out before she gets home.
• 57:37
  Speaker 1: That's what's funny about being a kid. You learn your parents' tics, tendencies. Oh,
• 57:43
  Speaker 1: for sure. When, oh no, you can't ask her to
• 57:45
  Speaker 1: spend the night now. No, no, no. Yeah. She just
• 57:46
  Speaker 1: got home from work. We used to do that. I
• 57:48
  Speaker 1: used to do that with friends. Oh yeah.
• 57:51
  Speaker 3: Leon be like, ask my mom if- Oh yeah, we
• 57:53
  Speaker 3: used to have to- Because they wouldn't, you know, the
• 57:55
  Speaker 3: other parent couldn't yell at the friend.
• 57:57
  Speaker 2: Leon is safe.
• 57:58
  Speaker 1: Yeah. Leon is saying. I was a big ass. Leon,
• 58:00
  Speaker 1: that's my mom, you know what I'm saying?
• 58:03
  Speaker 3: Or like the parents are kind of hanging out and
• 58:05
  Speaker 3: it look like the good times have come.
• 58:08
  Speaker 1: Right now, because she leave the kitchen. Ask if you
• 58:09
  Speaker 1: can stay the night while they in the good mood.
• 58:12
  Speaker 1: She said, yeah. What you playing? You don't want to
• 58:18
  Speaker 1: talk about a good feeling, man. You eight years old.
• 58:22
  Speaker 1: You get asked to spend the night. They say yes.
• 58:25
  Speaker 1: That moment you get back to the room, you like....
• 58:29
  Speaker 2: We're going to have a time. We're going to play
• 58:31
  Speaker 2: the game. We're probably going to get pizza. We can
• 58:34
  Speaker 2: stay up late.
• 58:35
  Speaker 1: That's all we needed. That's all we needed, dog. Play
• 58:38
  Speaker 1: the game, stay up late, and maybe pizza. We would
• 58:41
  Speaker 1: be up. We listening to Ghetto Boys. They cussing. Going
• 58:48
  Speaker 1: against the love. I remember we had a fight. We
• 58:52
  Speaker 1: had a fight with, you know, the Sticky Traps for real.
• 58:56
  Speaker 1: rodents and roaches. We had a fight with those. We
• 59:00
  Speaker 1: was throwing them at each other and they would stick.
• 59:04
  Speaker 1: This shit was unsanitary and chemically unsafe. You was doing what? dog?
• 59:10
  Speaker 1: We was throwing the sticky traps at each other. That
• 59:15
  Speaker 1: was the most fun night, dog. Throwing roach and rat
• 59:19
  Speaker 1: traps at each other? They was empty. Man, that shit
• 59:23
  Speaker 1: was fun. Because you knew you got hit. Because it
• 59:26
  Speaker 1: just stuck. You're like, Whoa, we had a ball. We
• 59:31
  Speaker 1: got in trouble, though. Of course. Of course. I got
• 59:35
  Speaker 1: a trap. There's roaches everywhere. We was playing sticky traps. Anthony,
• 59:41
  Speaker 1: go to your house. Leon, come in. Sorry, Leon. We
• 59:45
  Speaker 1: was playing sticky traps. Man, that was so fun, though.
• 59:51
  Speaker 2: I used to be able to spend the night at
• 59:52
  Speaker 2: my boy Jamal's house, man. They had premium snacks. His
• 59:55
  Speaker 2: mom was always... If we spend the night, she'd never
• 59:58
  Speaker 2: feel like cooking.
• 59:59
  Speaker 1: I ain't going to cook.
• 1:00:00
  Speaker 2: If you stay the night and we ordering pizza, we'll
• 1:00:02
  Speaker 2: be like, pizza good.
• 1:00:05
  Speaker 1: You said it like it was a negative. I ain't
• 1:00:07
  Speaker 1: cooking if y'all spending... Please. Don't promise us a good time. Pizza? Pizza?
• 1:00:15
  Speaker 1: Pizza will never steer you wrong. Man, what? Yes, Ms. Harvey,
• 1:00:19
  Speaker 1: I'll be good. Absolutely.
• 1:00:21
  Speaker 2: Nobody ever spend the night at my house, though, because
• 1:00:22
  Speaker 2: my mom always made everybody go to church. You spend
• 1:00:25
  Speaker 2: the night, you have to bring church clothes, and people's like...
• 1:00:28
  Speaker 2: I don't want to go to church.
• 1:00:29
  Speaker 3: I definitely would have stayed away from your crib. I'd
• 1:00:32
  Speaker 3: be like, Tony, you want to stay the night? I'd
• 1:00:34
  Speaker 3: be like, on Saturday?
• 1:00:37
  Speaker 2: Man, I was over 17. I mean, I got to
• 1:00:41
  Speaker 2: go to church and iron?
• 1:00:42
  Speaker 1: I'll see you around. No, I can't. I'd be like,
• 1:00:44
  Speaker 1: can I stay the night over here? I can't, but
• 1:00:47
  Speaker 1: my mom said you can stay over here. Hello? Tony. Tony. Tony.
• 1:00:58
  Speaker 1: Hell no, kid. I'm going to be in hell, dog.
• 1:01:01
  Speaker 1: Nobody wanted to.
• 1:01:02
  Speaker 2: And then when I got to spend the night, if
• 1:01:04
  Speaker 2: it was Saturday night, my parents always picked me up
• 1:01:06
  Speaker 2: for church still.
• 1:01:07
  Speaker 1: Oh, so you couldn't even escape.
• 1:01:08
  Speaker 2: No, my spending night clothes was a little slidey tie
• 1:01:11
  Speaker 2: and stuff.
• 1:01:13
  Speaker 1: You know how mad I was coming out of the
• 1:01:15
  Speaker 1: house at 8 a.m. with the slidey tie on? Everybody
• 1:01:20
  Speaker 1: else spent the night asleep. You couldn't even escape. Now,
• 1:01:24
  Speaker 1: we're going to come get you for that church. Like, man,
• 1:01:28
  Speaker 1: because I don't have to go to church this time. No,
• 1:01:30
  Speaker 1: you want to spend the night?
• 1:01:31
  Speaker 2: We're going to be there at 8 a.m. because you
• 1:01:33
  Speaker 2: need to be at Sunday school still. All right, okay. Bro,
• 1:01:38
  Speaker 2: I used to be sad, man. I'll never get to
• 1:01:41
  Speaker 2: miss church. My parents would be there 737. Yes, ma'am.
• 1:01:50
  Speaker 2: I have a tie on, and I'm not.
• 1:01:55
  Speaker 1: All my friends are in there laid out. I'm in
• 1:01:58
  Speaker 1: there putting church clothes on. I used to be like,
• 1:02:01
  Speaker 1: I don't want to go to church. They passed out
• 1:02:03
  Speaker 1: from a night of pizza and fun. They just like,
• 1:02:07
  Speaker 1: shirts off, pass out. And I'm getting up no alarm.
• 1:02:12
  Speaker 2: I just know I probably got to get up and
• 1:02:15
  Speaker 2: iron my clothes.
• 1:02:17
  Speaker 1: I used to be sad, told.
• 1:02:20
  Speaker 2: I got to find the iron in somebody else's house.
• 1:02:25
  Speaker 2: Nobody ever woke up too. I would leave the house
• 1:02:28
  Speaker 2: all quiet.
• 1:02:28
  Speaker 1: All right. And I know they finna wake up, eat
• 1:02:33
  Speaker 1: breakfast and get back on the game. Oh man. And
• 1:02:35
  Speaker 1: I'm Jesus.
• 1:02:36
  Speaker 2: I'll never forget what you done for me. I know
• 1:02:40
  Speaker 2: y'all on the game. Y'all beating the level. This is
• 1:02:42
  Speaker 2: when you, you want to be the level. You had
• 1:02:44
  Speaker 2: to leave the Sega on. You would press pause and
• 1:02:47
  Speaker 2: just leave it.
• 1:02:48
  Speaker 1: Just turn the TV off. That game was sitting on
• 1:02:50
  Speaker 1: the underneath of that blank screen. Sonic was like, See
• 1:02:54
  Speaker 1: y'all in the morning, kids. Except for Kev, he going
• 1:02:57
  Speaker 1: to church. You lost all your sonic coins. He was
• 1:03:03
  Speaker 1: in church coinless, just like. Just in church, just no coins. Oh, man.
• 1:03:13
  Speaker 1: That's tough. Oh, man. We're going to come get you
• 1:03:17
  Speaker 1: for that church. Oh, man, dawg.
• 1:03:22
  Speaker 2: To be heartbroken man my parents was not having that
• 1:03:27
  Speaker 2: you ain't never miss a church You are never missing
• 1:03:32
  Speaker 2: church ever. I don't care what you do. You go
• 1:03:35
  Speaker 2: to jail. We're going to bail you out and make
• 1:03:38
  Speaker 2: sure you go to church. You could kill somebody. We're
• 1:03:41
  Speaker 2: going to get you off, pay the bail. Johnny Cochran
• 1:03:45
  Speaker 2: is coming. Your trial is from Monday to Saturday night,
• 1:03:49
  Speaker 2: Sunday morning.
• 1:03:49
  Speaker 1: You're going to be in church.
• 1:03:51
  Speaker 2: If they got to take you back to jail after church,
• 1:03:54
  Speaker 2: you're going to be in.
• 1:03:55
  Speaker 1: I could never escape church. Ever, man.
• 1:03:59
  Speaker 2: The first 30 years of my life, I missed church twice.
• 1:04:02
  Speaker 2: Once we were driving, the second time was Y2K. My
• 1:04:05
  Speaker 2: dad was scared. Man.
• 1:04:06
  Speaker 1: That whole weekend, he was like, oh, no, we knew
• 1:04:08
  Speaker 1: this was coming, man. Nah. And I was like, oh,
• 1:04:11
  Speaker 1: my God. No church? I was like, what, 17? Yeah.
• 1:04:16
  Speaker 2: Once at like 6 and once at 17.
• 1:04:18
  Speaker 3: That's why I quit going to my dad's house on
• 1:04:20
  Speaker 3: the weekend. My dad went to church every Sunday. Once
• 1:04:24
  Speaker 3: I got old enough to where he'd be like, you
• 1:04:26
  Speaker 3: want to go to your dad's this weekend?
• 1:04:28
  Speaker 1: Nah. I ain't going to church. I ain't going to church, man.
• 1:04:34
  Speaker 3: Soon as I got of age where I can make
• 1:04:38
  Speaker 3: my own decisions, you going to your dad's house?
• 1:04:41
  Speaker 1: Nope.
• 1:04:43
  Speaker 3: Unless you pick me up Saturday night. I was Saturday
• 1:04:48
  Speaker 3: night fever, dog.
• 1:04:49
  Speaker 1: He didn't go to church.
• 1:04:49
  Speaker 2: He could have spent more time with you, man.
• 1:04:53
  Speaker 1: Church be ruining everything, dog. I know some people turn.
• 1:04:57
  Speaker 3: Their lives around and made better choices, man, but sometimes
• 1:05:01
  Speaker 3: church is just boring.
• 1:05:03
  Speaker 1: Sometimes? Man. This is church.
• 1:05:08
  Speaker 2: No iPad, no drawing, no children's church, man. We was
• 1:05:12
  Speaker 2: in there at six. Straight Terry in service for 45 minutes.
• 1:05:17
  Speaker 1: Come on and bless him. Come on and bless him.
• 1:05:19
  Speaker 1: Come on. You can't sleep. My grandma and them used
• 1:05:22
  Speaker 1: to be pinching us under the underarm. You can't draw nothing, man.
• 1:05:26
  Speaker 1: We was just little. See, at least I had that.
• 1:05:30
  Speaker 1: My pops was up there with them.
• 1:05:32
  Speaker 2: Yeah.
• 1:05:33
  Speaker 1: And so we'd be back there. So we could be
• 1:05:35
  Speaker 1: back there. My brother drew a picture. I remember one
• 1:05:38
  Speaker 1: time my brother drew a picture of my dad turning around,
• 1:05:41
  Speaker 1: fussing at us. He drew it. He was pointing. His
• 1:05:44
  Speaker 1: glasses had those weird zany circles in them. And I
• 1:05:48
  Speaker 1: was like, I had to go sit with them. My
• 1:05:52
  Speaker 1: brother sat me up. That was funny. I know, bro.
• 1:05:57
  Speaker 1: The glasses would have got me, though. The glasses, that
• 1:06:00
  Speaker 1: was the kicker. It was pointing. It looked just like him.
• 1:06:03
  Speaker 1: I was like, get over here. They used to be
• 1:06:12
  Speaker 1: cutting through all the people in church.
• 1:06:14
  Speaker 2: How you making direct eye contact through 60 people? Man.
• 1:06:20
  Speaker 1: I remember me and my step cousin, we was cutting
• 1:06:24
  Speaker 1: up one service, man.
• 1:06:25
  Speaker 3: We was having ball. My dad was up top just
• 1:06:30
  Speaker 3: watching it all unfold. We cutting up.
• 1:06:41
  Speaker 1: After church, he was like, y'all getting a whooping when
• 1:06:44
  Speaker 1: we get home. Everything y'all was doing, we was like. Oh, yeah!
• 1:06:53
  Speaker 1: That was a quiet ride home. We was like....
• 1:06:58
  Speaker 3: That was like the penitentiary. That was the penitentiary ride.
• 1:07:02
  Speaker 3: We going to stay prison, man. Dead man walking. You
• 1:07:07
  Speaker 3: all of a sudden in that bus.
• 1:07:09
  Speaker 1: We was in the car just.
• 1:07:16
  Speaker 3: We ain't never quiet in the whip. When I got
• 1:07:19
  Speaker 3: together with my step-cousins, man, it was party central.
• 1:07:22
  Speaker 1: Boy, that ride was quiet. That's what you get in
• 1:07:25
  Speaker 1: the car. Hey, man, you need to whoop him.
• 1:07:32
  Speaker 2: I ain't got my seatbelt on.
• 1:07:35
  Speaker 1: Hey, just so y'all know, you get a whoop when
• 1:07:38
  Speaker 1: you get home. And he listening to news radio.
• 1:07:42
  Speaker 3: He's just like, traffic on the Dan Ryan.
• 1:07:46
  Speaker 1: We was just watching. Feeling every bump in the road. Oh, yeah.
• 1:07:55
  Speaker 3: Airport had a little glitch on the runway today. Two
• 1:07:58
  Speaker 3: planes couldn't take off. We was just like.
• 1:08:03
  Speaker 2: Oh, God. Man, that's a wild thing our parents would do.
• 1:08:08
  Speaker 2: Why would you tell me that?
• 1:08:10
  Speaker 1: Oh, man, dog. Why would you tell me that?
• 1:08:14
  Speaker 3: Just to calm the fun down. Y'all getting a whooping
• 1:08:19
  Speaker 3: when we get home. All four of y'all.
• 1:08:23
  Speaker 1: That's crazy. My dad used to do that to us.
• 1:08:30
  Speaker 1: And then he would like purposely take a long time.
• 1:08:34
  Speaker 1: He would never whoop us right. If you gonna tell
• 1:08:37
  Speaker 1: me I gotta get whooped when I get home, at
• 1:08:39
  Speaker 1: least do me the solid of whooping me right at home.
• 1:08:43
  Speaker 1: He wouldn't even do that. Yeah, go ahead, go to
• 1:08:46
  Speaker 1: your room. You can't even play toys good. Your toy
• 1:08:53
  Speaker 1: playing is uncertain in the action scene. So what's next
• 1:08:56
  Speaker 1: for us? I don't know. Neither do I. Your toys
• 1:09:00
  Speaker 1: look off into the distance. You looking with them or?
• 1:09:06
  Speaker 1: You don't know what's going to happen. You can't even
• 1:09:08
  Speaker 1: play good. You don't want to go to sleep because
• 1:09:11
  Speaker 1: I fell asleep. My grandma woke me up to whoop me.
• 1:09:13
  Speaker 1: I thought she forgot. Busting the door. She pulling my arm. Oh,
• 1:09:22
  Speaker 1: you thought I was forgotten? I know, I know you
• 1:09:25
  Speaker 1: didn't forget. I'm tired. I'm nine. I'm seven.
• 1:09:30
  Speaker 2: Wow, wow, wow, wow, wow. One time my dad whooped me.
• 1:09:35
  Speaker 2: I'll never forget this. He whooped me and my toes
• 1:09:37
  Speaker 2: locked up. And then he came in after I was crying.
• 1:09:40
  Speaker 2: I'm just strewn over the bed. He came in, just
• 1:09:42
  Speaker 2: so you know, I gave you 36 lashes.
• 1:09:46
  Speaker 1: Dang. 36? 36 chambers? Why would you tell me that?
• 1:09:51
  Speaker 1: He counted? He counted. I want to know. I was like,
• 1:09:56
  Speaker 1: why 36? What's the significance of the 36? He beat
• 1:10:02
  Speaker 1: the brakes off me. Just so you know, I gave
• 1:10:05
  Speaker 1: you 36 lashes. That's a lot, dog.
• 1:10:07
  Speaker 2: He tore my behind out the frame because I was
• 1:10:11
  Speaker 2: jumping off the roof onto the car.
• 1:10:15
  Speaker 1: He had to own four tipples. You might have earned that. Oh, no,
• 1:10:19
  Speaker 1: for sure. And I had been doing this for months.
• 1:10:22
  Speaker 1: He counted every time he did it. It was 36 times.
• 1:10:25
  Speaker 1: Because we had a little shed. 36 jumps. Shed that
• 1:10:30
  Speaker 1: went up. So it was a fence, shed that went
• 1:10:32
  Speaker 1: up to the roof. Yeah. Climbed up the fence, up
• 1:10:34
  Speaker 1: the shed, got off the roof. And to get down,
• 1:10:36
  Speaker 1: I was like, koo-koo. Did it again. Slid off the car.
• 1:10:42
  Speaker 1: And I used to be doing this. He counted. And
• 1:10:44
  Speaker 1: he went over there and saw all these dents on
• 1:10:46
  Speaker 1: the roof. Yeah.
• 1:10:48
  Speaker 2: You've been jumping off the roof under my car? I
• 1:10:52
  Speaker 2: was just like, yes.
• 1:10:56
  Speaker 1: Yes, I have. So you've been the one been jumping off? Yes.
• 1:11:03
  Speaker 1: Because I couldn't lie. You get more. I was just
• 1:11:07
  Speaker 1: dead to rights tone. Kevin. Sir, you've been jumping off
• 1:11:13
  Speaker 1: the roof onto my car? Yes. Yes, I have. I
• 1:11:23
  Speaker 1: have been doing that. The yes is so, yes. I'm
• 1:11:28
  Speaker 1: dead to rights, though. He got me with the gun
• 1:11:30
  Speaker 1: and blood. Yes, I have been jumping off the roof.
• 1:11:33
  Speaker 2: And as I said it, I was like, why the
• 1:11:35
  Speaker 2: hell was you doing that? At the moment he asked,
• 1:11:38
  Speaker 2: I was like, You should have been doing that.
• 1:11:41
  Speaker 1: You wanted it. That's ridiculous. It was so fun. Landing
• 1:11:44
  Speaker 1: on the car. That's wild.
• 1:11:47
  Speaker 2: It was his old car, though. We hadn't been using
• 1:11:49
  Speaker 2: that car. That car was broke down eight months. It
• 1:11:53
  Speaker 2: was on the side of the house. He had a
• 1:11:54
  Speaker 2: new car.
• 1:11:55
  Speaker 1: I was like, you don't care about this tempo, man.
• 1:11:57
  Speaker 1: So it wasn't the current car. It wasn't the current car. OK.
• 1:12:01
  Speaker 1: But still. Yeah. He was like, no, I was going
• 1:12:03
  Speaker 1: to fix that. And I was like, he never fixed it.
• 1:12:05
  Speaker 1: Of course he didn't. He fixed your behind, though, didn't he?
• 1:12:08
  Speaker 1: He totally did. He fixed you up behind.
• 1:12:14
  Speaker 2: He fixed me right up, though.
• 1:12:17
  Speaker 1: I never jumped off the roof of that car again.
• 1:12:19
  Speaker 1: I still climbed. But after that, I was like, I'm
• 1:12:21
  Speaker 1: going to just climb back down. Not nearly as fun
• 1:12:24
  Speaker 1: as jumping off into the roof of that car. No, man.
• 1:12:27
  Speaker 1: You would start getting hutch. That's an action scene. Oh, man.
• 1:12:30
  Speaker 1: I used to have the time of my life jumping
• 1:12:33
  Speaker 1: off of that roof. I can't imagine raising me, man.
• 1:12:37
  Speaker 2: You imagine your kids just, you go to check your
• 1:12:39
  Speaker 2: car and there's feet.
• 1:12:40
  Speaker 1: Marks on the roof. Oh my God. Especially if it's
• 1:12:44
  Speaker 1: my good car. Oh my God.
• 1:12:46
  Speaker 2: He knew it was me. My sister ain't a jump
• 1:12:47
  Speaker 2: off the roof person. And Jay wasn't living with us
• 1:12:49
  Speaker 2: at the time.
• 1:12:50
  Speaker 1: Oh yeah. You was prime suspect. I knew it was scared.
• 1:12:55
  Speaker 1: It's just a visual.
• 1:12:57
  Speaker 3: He seen you one time. He was looking out the window.
• 1:12:59
  Speaker 1: I knew it.
• 1:13:01
  Speaker 3: It's like a shot. They show you jumping off the car,
• 1:13:03
  Speaker 3: having fun. Camera pans back through the blinds. He's just
• 1:13:07
  Speaker 3: standing in the kitchen watching you drink a coffee.
• 1:13:09
  Speaker 2: When he caught me, I was like, Kevin, yes?
• 1:13:15
  Speaker 1: You been jumping off the roof of my car? Yes. Yes,
• 1:13:23
  Speaker 1: I have, sir. All right.
• 1:13:25
  Speaker 2: I'm going to beat you up behind. Then he just
• 1:13:28
  Speaker 2: closed the door, and I was just like, I'm going.
• 1:13:31
  Speaker 1: To beat you up a high. Why can't you just
• 1:13:34
  Speaker 1: do it now? Just do it now. You knew it, man.
• 1:13:37
  Speaker 1: You knew I'd been doing it. I'm going to beat
• 1:13:40
  Speaker 1: you up a high. When? Yes, sir. What time? For sure.
• 1:13:45
  Speaker 1: Let me put it on the calendar. Just tell me
• 1:13:47
  Speaker 1: a time. For sure, sir. Give me a ballpark. Yeah,
• 1:13:51
  Speaker 1: I understand, sir. He told me I slept good that night. Oh,
• 1:13:57
  Speaker 1: you got a good whooping. Well, you got a Good quality.
• 1:14:02
  Speaker 1: I hate you. Type whooping. That was the best sleep.
• 1:14:06
  Speaker 1: Oh my God. I hate you. Best sleep be the best.
• 1:14:22
  Speaker 1: That's the best sleep money goodbye. I woke up ready
• 1:14:26
  Speaker 1: to start a new job, man. I'm ironing stuff. Y'all
• 1:14:29
  Speaker 1: want breakfast? I been up. I been up since 4.30.
• 1:14:32
  Speaker 1: I slept good. They beat you up behind sleep. Oh
• 1:14:38
  Speaker 1: my God. Do you want to talk about Vision? I
• 1:14:41
  Speaker 1: don't understand Vision, man. I'm lost.
• 1:14:46
  Speaker 3: Y'all watch them two episodes.
• 1:14:49
  Speaker 1: I'm like, man, what the hell's going on? I feel like.
• 1:14:55
  Speaker 2: So they put the theme together really clearly. Vision don't
• 1:14:59
  Speaker 2: know who he is without the source material. Tommy don't
• 1:15:04
  Speaker 2: know who he is without the stuff. And Paladin don't
• 1:15:06
  Speaker 2: know who he is. What's her name?
• 1:15:09
  Speaker 1: Butcher Bird? They introduced her. Acosta? No, no, no. The
• 1:15:15
  Speaker 1: lady who looked like Ultron. Looked like a female version
• 1:15:17
  Speaker 1: of Ultron. I thought that was Acosta. Oh, yeah, yeah, yeah.
• 1:15:21
  Speaker 1: I'm sorry. Oh, yeah. Josephine something. Dr. Josephine. She's in
• 1:15:24
  Speaker 1: the comic books. Oh, is she? Jocasta, or Costa, I
• 1:15:28
  Speaker 1: always forget her name. I remember her with the Avengers
• 1:15:31
  Speaker 1: at some point in time. Which looked cool, by the way.
• 1:15:35
  Speaker 1: For sure. It was a dope visual.
• 1:15:38
  Speaker 2: And I like, she kind of looked like Debra from
• 1:15:44
  Speaker 2: Mad TV.
• 1:15:45
  Speaker 1: She does all the voiceover. Oh, yeah, yeah, yeah. Debra Wilson?
• 1:15:48
  Speaker 1: Debra Wilson, yeah. She kind of favors her. Like, not exactly.
• 1:15:50
  Speaker 1: That could be her sister or something. Yeah, yeah, yeah.
• 1:15:53
  Speaker 2: But I had no idea about this. So they had
• 1:15:57
  Speaker 2: been saying this whole thing, like, this is who you
• 1:15:58
  Speaker 2: based off of. And then when they did Black Woman,
• 1:16:01
  Speaker 2: she looked like she could be in the Dora Milaje.
• 1:16:03
  Speaker 1: She did. Black Woman bald head. For sure.
• 1:16:06
  Speaker 2: But her MO was very clear, obviously. She was like,
• 1:16:10
  Speaker 2: I got to kill the lady who looks like Asian
• 1:16:12
  Speaker 2: Roseanne Barr.
• 1:16:13
  Speaker 1: I'm going to.
• 1:16:14
  Speaker 2: Kill her because she made me. And I'm going to
• 1:16:18
  Speaker 2: tell you the part I like, man. When that nigga
• 1:16:21
  Speaker 2: Ultron was like.
• 1:16:23
  Speaker 1: Let me take over. Give me the control. Give me
• 1:16:25
  Speaker 1: the sticks. Man. Let me get on the sticks. Ultron can't.
• 1:16:31
  Speaker 2: He can't be nothing else but himself. He said, your
• 1:16:35
  Speaker 2: problem is, man, you care too much about this.
• 1:16:38
  Speaker 1: Yeah, man. I don't care about nothing. None of it, though.
• 1:16:41
  Speaker 2: You fighting like a father, your father. Bro, when Ultron
• 1:16:44
  Speaker 2: took over, and she was like, oh, you look the
• 1:16:47
  Speaker 2: same but different. This nigga Ultron was like, give me
• 1:16:50
  Speaker 2: this lady.
• 1:16:50
  Speaker 1: Yeah. What's up? That's it. He was like, yeah, hey man,
• 1:16:54
  Speaker 1: dance with me real quick. He said, I never said,
• 1:16:58
  Speaker 1: I said I wouldn't kill her. She don't mean nothing.
• 1:17:02
  Speaker 2: I said, this nigga Ultron, you can't do, yes, and
• 1:17:07
  Speaker 2: Ultron's locking us out.
• 1:17:08
  Speaker 1: Of course he is, man. He's shutting down the studio.
• 1:17:12
  Speaker 1: He's Ultron. First order of business. He said, y'all should
• 1:17:15
  Speaker 1: have never gave me the keys. He was like, I
• 1:17:19
  Speaker 1: don't know what y'all was thinking. We shutting down the studio.
• 1:17:24
  Speaker 1: There are no strings on me.
• 1:17:26
  Speaker 2: It was so, man, James Spader, man.
• 1:17:29
  Speaker 1: He's great.
• 1:17:30
  Speaker 2: He is so, and I love the choice of human
• 1:17:33
  Speaker 2: avatars only, because just James Spader, his bravado, he just
• 1:17:39
  Speaker 2: really good.
• 1:17:40
  Speaker 1: He's great, man. Every time, James Spader, man, me and
• 1:17:44
  Speaker 1: him go back to the 80s, man. What was he
• 1:17:47
  Speaker 1: getting into then?
• 1:17:48
  Speaker 3: In the 80s? He was in the movie Bad Influence.
• 1:17:51
  Speaker 3: He was in Less Than Zero. He was in Pretty
• 1:17:53
  Speaker 3: in Pink.
• 1:17:55
  Speaker 1: I do not remember him. Molly Ringwald? Yeah. I don't remember.
• 1:17:59
  Speaker 1: What is he in there? He was the snooty friend
• 1:18:04
  Speaker 1: of the boy that Molly Ringwald liked. He was this snooty,
• 1:18:08
  Speaker 1: bougie-ass friend that was hating on her. The dad?
• 1:18:12
  Speaker 2: No.
• 1:18:13
  Speaker 1: He was young? Yeah, he was young. Hold on. I
• 1:18:16
  Speaker 1: need to see this. Pretty in pink. I don't think
• 1:18:19
  Speaker 1: I remember that that was James Spader. He was a jerk, man.
• 1:18:22
  Speaker 1: He plays the best jerks, though. Oh, my God. Yeah,
• 1:18:26
  Speaker 1: that's James. His nigga got, look at the hair. Yeah. Oh, Tone,
• 1:18:33
  Speaker 1: it did not dawn on me. Nah, be jerk. He
• 1:18:37
  Speaker 1: was perfect in that role. Oh, my God. He was young.
• 1:18:42
  Speaker 2: Yeah.
• 1:18:44
  Speaker 1: I feel like that's his wheelhouse. When he plays characters
• 1:18:48
  Speaker 1: like that, that's his bread and butter. He's been in
• 1:18:51
  Speaker 1: some stuff where he's been like the good guy and
• 1:18:53
  Speaker 1: stuff like that. But man, you give him a villainous
• 1:18:56
  Speaker 1: or a jerk role.
• 1:18:58
  Speaker 2: He's such a freaking dickhead as Ultron. He is so sarcastic.
• 1:19:05
  Speaker 2: But it also works when he's trying to be helpful.
• 1:19:08
  Speaker 1: For sure. He has that great balance of just like.
• 1:19:13
  Speaker 2: It's great. I'd be like, man. But I like that
• 1:19:17
  Speaker 2: to your point. That's why acting to me, outside of
• 1:19:21
  Speaker 2: Jeffrey Wright, Daniel Day-Lewis. You call certain people when the
• 1:19:26
  Speaker 2: role needs to be that. Jason Bateman does a Jason
• 1:19:29
  Speaker 2: Bateman thing in everything, and it can work as a
• 1:19:33
  Speaker 2: comedy or straight.
• 1:19:35
  Speaker 1: Your boy from Friday Night Lights, Jesse Plemons. Yes. I
• 1:19:41
  Speaker 1: don't know why that dude... be.
• 1:19:43
  Speaker 2: Playing terrifying so well because he does not have the
• 1:19:46
  Speaker 2: face for it but he does not look that movie
• 1:19:50
  Speaker 2: and i haven't seen a movie but where he has
• 1:19:52
  Speaker 2: the gun he's like what kind of americans are y'all
• 1:19:55
  Speaker 2: oh yeah yeah.
• 1:19:56
  Speaker 1: You're talking about uh oh i know what you're talking
• 1:19:59
  Speaker 1: about they came out a couple years of kirsten dunst
• 1:20:03
  Speaker 1: is in it yes oh i forget i forget the
• 1:20:06
  Speaker 1: name of that movie But, yeah, I know what you're
• 1:20:10
  Speaker 1: talking about, though. And that's why he works in game night. Yeah.
• 1:20:14
  Speaker 1: Because he's like, nah. He's great in game night.
• 1:20:16
  Speaker 2: Totino's is on sale. It's like y'all having a game
• 1:20:20
  Speaker 2: night or something. He's great in game night. Y'all got
• 1:20:24
  Speaker 2: the two-for-two Tostitos.
• 1:20:26
  Speaker 1: I would love to play a room like that, though. Oh, man.
• 1:20:31
  Speaker 1: Civil War. Civil War. That's what it is. Civil War.
• 1:20:34
  Speaker 1: Thank you, Devin H. I haven't seen Civil War either,
• 1:20:36
  Speaker 1: but I saw a clip. Jay Friedian said Ultron shut
• 1:20:39
  Speaker 1: down the KevOnStage Studios app. It's very funny. Dang. Yeah,
• 1:20:43
  Speaker 1: take it then. That's funny. Shut down the studio. But yeah,
• 1:20:49
  Speaker 1: I love that. I thought Paladin was going to be
• 1:20:53
  Speaker 1: the villain, but he... I knew he was going to
• 1:20:55
  Speaker 1: be like a middle-ish type of... Oh, did you?
• 1:20:58
  Speaker 3: I figured, because Paladin's never been that guy in the comics.
• 1:21:01
  Speaker 1: He's never been like that guy. Yeah, yeah, yeah. He
• 1:21:05
  Speaker 1: was clearly outmatched. Yeah, for sure.
• 1:21:08
  Speaker 2: Vision systems are still off though, mostly, which I think
• 1:21:11
  Speaker 2: is a good equalizer. Because otherwise Paladin don't, like we
• 1:21:16
  Speaker 2: can't really be fighting each other if Vision can phase
• 1:21:19
  Speaker 2: and all that type of stuff.
• 1:21:20
  Speaker 1: They never really let Vision let loose for real, for real.
• 1:21:23
  Speaker 1: He always getting worked. He getting worked. Ever since they
• 1:21:28
  Speaker 1: created this man, he been getting worked.
• 1:21:31
  Speaker 2: They pulled, Thanos pulled his dick. Mind Stone out twice
• 1:21:36
  Speaker 2: in five minutes. You know what scene I just watched
• 1:21:39
  Speaker 2: for no reason? Bro, Wanda was about this close to
• 1:21:42
  Speaker 2: killing Thanos. Oh, she had Thanos dead. Bro, Thanos was
• 1:21:47
  Speaker 2: almost naked.
• 1:21:49
  Speaker 1: Hellfire! But, sir, hellfire! He's going to kill me! Scarlet
• 1:21:54
  Speaker 1: Witch had her single-handedly.
• 1:21:56
  Speaker 2: Tone, the difference in power, I was like, I remember
• 1:21:59
  Speaker 2: in the time, I was like, because I didn't know
• 1:22:00
  Speaker 2: much about her. But in the movie, it was like,
• 1:22:03
  Speaker 2: Thanos has been just running through people, bro, Scarlet Witch
• 1:22:07
  Speaker 2: was like, oh, it's over with.
• 1:22:09
  Speaker 1: I'm killing, I'm pulling your body apart. She was taking
• 1:22:12
  Speaker 1: that armor off. She was like, I'm going to take
• 1:22:14
  Speaker 1: the armor off first, then your body parts. And she
• 1:22:17
  Speaker 1: was just like, you took everything from me. I don't
• 1:22:21
  Speaker 1: even know who you are. You will. Tone. He was like, oh. Homies. Homies.
• 1:22:33
  Speaker 1: Thanos thought he should just run through everybody. Oh, she would.
• 1:22:36
  Speaker 1: And that would just been so dope if they let
• 1:22:39
  Speaker 1: her win. I get why they couldn't. But man, movie over.
• 1:22:42
  Speaker 1: That's the thing, though. If you catch Scarlet Witch slipping,
• 1:22:45
  Speaker 1: she's soft as a spider.
• 1:22:47
  Speaker 2: Mm-hmm.
• 1:22:48
  Speaker 1: But is she pissed? But if she, if she, if.
• 1:22:51
  Speaker 1: If you can't catch her by surprise, good luck. It's
• 1:22:55
  Speaker 1: over with. Good luck.
• 1:22:56
  Speaker 2: So yeah, I'm still enjoying Vision Quest. Do you want
• 1:22:58
  Speaker 2: to go back to Mobland? Do you want to wait
• 1:23:00
  Speaker 2: until we finish this? Because there's only so much we
• 1:23:02
  Speaker 2: can talk about on the episode. We're about an hour
• 1:23:04
  Speaker 2: and a.
• 1:23:04
  Speaker 1: Half in now. We still got to do Janet the Jackson.
• 1:23:06
  Speaker 1: We do got to do Janet the Jackson. Yeah. On
• 1:23:08
  Speaker 1: this episode? No, no. Separate episode. Oh, okay. And the
• 1:23:11
  Speaker 1: flowers is in this or this? Either one. We can
• 1:23:14
  Speaker 1: put it in. I guess we can put it in
• 1:23:16
  Speaker 1: the next episode. Let's put it in the next episode.
• 1:23:18
  Speaker 1: Because we ain't going to forget the flowers. Nah, hell no.
• 1:23:20
  Speaker 1: All right, we're done with this.