Latest / The Breakfast Club / Flash back to Yamaneika Saunders, Hitmaka Interview and more

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Flash back to Yamaneika Saunders, Hitmaka Interview and more · The Breakfast Club

• 0:00
  Speaker 1: Fifty percent right special year. I love you to sit down.
• 0:07
  Speaker 1: Didn't come to the most prominent form wait your ass
• 0:10
  Speaker 1: up early in the morning, but they tell me it
• 0:12
  Speaker 1: was y'all. I said, oh, hell yeah, I'm getting the
• 0:14
  Speaker 1: small says morning ship. Few people's choice, but I've got
• 0:20
  Speaker 1: you people. I can't believe you guys are the best kids.
• 0:24
  Speaker 1: If we know that breakfast club petition, this is your
• 0:30
  Speaker 1: time to get it off your chest, whether your man flash,
• 0:34
  Speaker 1: thank you from you on the breakfast club. But you
• 0:36
  Speaker 1: got something on your mind? Little Hello? Who's this angel? Angngel?
• 0:42
  Speaker 1: Good morning? Yes, me and my daughter listen to you guys.
• 0:46
  Speaker 1: Every morning we delivered news papers. Okay, hey, I want
• 0:49
  Speaker 1: to thank you and your daughter for having no taste.
• 0:51
  Speaker 1: We really appreciate you. Stop it. Where you what you
• 0:53
  Speaker 1: call it from? I'm Besty beach right now. What's on
• 0:56
  Speaker 1: the cover of the paper today? Delaware? Yes, Delaware? What's
• 0:59
  Speaker 1: on to cover the paper today? I got a basketball?
• 1:02
  Speaker 1: Here's normal and a whale working thing. How old is
• 1:06
  Speaker 1: your daughter? Why is she? Why is she working with
• 1:08
  Speaker 1: you so early? My daughter is wanted a half and
• 1:11
  Speaker 1: I go back to the whole child thing. I'm trying
• 1:14
  Speaker 1: to somebody with hurt and can't quite afford the city yet. No,
• 1:22
  Speaker 1: husband both works. We got four ks yo. Your um
• 1:25
  Speaker 1: must be amazing. I try to throw a paper one
• 1:27
  Speaker 1: time across the street. I couldn't do it. You could
• 1:29
  Speaker 1: throw the papers from the car and hit the front stoop. Yeah,
• 1:32
  Speaker 1: you gotta have a good arm to especially be able
• 1:34
  Speaker 1: to throw a book the tour okay, and nice clicking
• 1:37
  Speaker 1: the rest. There you go. Well, thank you for listening
• 1:39
  Speaker 1: to mama. Yeah. I just wanted to say, you know,
• 1:42
  Speaker 1: everybody has bad days that you gotta think somebody else
• 1:45
  Speaker 1: has it worst than you, so always be positive. There
• 1:48
  Speaker 1: you go, Thank you, mama. Have a good day you too. Hello.
• 1:51
  Speaker 1: Who's this? This this Tiffany. Hey Tiffany, good morning, good morning,
• 1:55
  Speaker 1: good morning, good morning. Hey, get it off your chests. Yeah,
• 1:59
  Speaker 1: I'm just pump this morning. My husband, my kids were blasted.
• 2:03
  Speaker 1: Yes we are. My husband we had on the sex
• 2:06
  Speaker 1: last night and working fine because we got four kids.
• 2:11
  Speaker 1: I what is thundersc? What is thunder sex? Now? Years thundersc?
• 2:16
  Speaker 1: What is that you have when the lighting come out?
• 2:19
  Speaker 1: You know? What was pining on? Oh? Got you got you? Yeah?
• 2:22
  Speaker 1: A good film? Now? I was working on stage five,
• 2:24
  Speaker 1: but I jumped up too quick. But that's fine. We
• 2:26
  Speaker 1: can still set sir. Yes, man, alright, Mom, okay, all right,
• 2:29
  Speaker 1: well enjoy your dad. You seem happy. Yes, thank you
• 2:32
  Speaker 1: God Black. Hello? Who's this Joey? Hey, Joey, get it
• 2:36
  Speaker 1: off your chest? Hey, man, I want to tell you
• 2:40
  Speaker 1: DJA to really do need to start the short so far,
• 2:43
  Speaker 1: like Charlotte Magne said, Man, look, the show starts to six.
• 2:45
  Speaker 1: We were just joking, Charlotte Charlotmagne, he said six to five,
• 2:49
  Speaker 1: but it starts to six, or they think I'm joking.
• 2:51
  Speaker 1: They think I'm joking about my time being different. Okay,
• 2:56
  Speaker 1: you should know you Dominican man, goodbye, man, Hello, who's this? Hi?
• 3:04
  Speaker 1: My name is Kaya. I'm feeling three one and there
• 3:07
  Speaker 1: I believe. I question for Angela so well, how do
• 3:14
  Speaker 1: you see about a guy saying that you can't wear
• 3:18
  Speaker 1: some type of dress? Like guy that's your boyfriends and
• 3:21
  Speaker 1: he can't wear some type of dress or some kind
• 3:22
  Speaker 1: of outfit because he doesn't like you in it, but
• 3:26
  Speaker 1: he likes to grow on Instagram in the same outfit. Well,
• 3:30
  Speaker 1: first of all, um, he can't tell you what you
• 3:32
  Speaker 1: can and can't wear. That's completely up to you. So
• 3:35
  Speaker 1: let's get that straight first and foremost. And that's a
• 3:37
  Speaker 1: silly reason. Now, he could not like something that you
• 3:40
  Speaker 1: wear and he can't express himself in that way, but
• 3:43
  Speaker 1: he can't tell you can't wear it. So now it's
• 3:45
  Speaker 1: up to you how you react to that. Do you say, Okay,
• 3:48
  Speaker 1: I'm going to do what I want to do and
• 3:50
  Speaker 1: make this stand that I'm going to take so you
• 3:52
  Speaker 1: don't try this in the future, or do you say, okay,
• 3:55
  Speaker 1: let me listen to what he's saying and see if
• 3:56
  Speaker 1: there's a valid reason that he feels that way, and
• 3:59
  Speaker 1: then we can discuss. It's up to you. Okay, Well,
• 4:02
  Speaker 1: what if it's like he doesn't like it because he
• 4:06
  Speaker 1: doesn't want other Like what if you wear it while
• 4:08
  Speaker 1: you're with him, Like it's put dress with a split
• 4:11
  Speaker 1: in it, but he doesn't like the split. I mean
• 4:13
  Speaker 1: with him going out. There's nothing he could really do
• 4:16
  Speaker 1: about it. It's not really on him. He should think
• 4:19
  Speaker 1: that you're his girl and you're you know, do you
• 4:22
  Speaker 1: know how to dress? And you look cute. I don't
• 4:24
  Speaker 1: think that he can tell you what to wear and
• 4:27
  Speaker 1: what not to wear. That's all what's he gonna do
• 4:29
  Speaker 1: take you home and say we're not going out anymore.
• 4:32
  Speaker 1: Do you ever tell him how to dress? Oh? No,
• 4:35
  Speaker 1: not really. Well, it's just like I don't know. It's
• 4:39
  Speaker 1: really weird to me. And we had this discussion like
• 4:41
  Speaker 1: the other day because I wanted to wear a dress
• 4:44
  Speaker 1: and he was like, I don't want anybody else to
• 4:46
  Speaker 1: see you in It'll tell him to bout you girls
• 4:50
  Speaker 1: and short shorts and sion And I'm like, is that
• 4:52
  Speaker 1: because of me? Or like what? Well, tell him to
• 4:56
  Speaker 1: boue you some clothes that he likes. Then, Mama, you
• 4:59
  Speaker 1: don't know if he chests eight on dread five eight
• 5:01
  Speaker 1: five one oh five one. If you're upset, you need
• 5:03
  Speaker 1: to vendish the breakfast club. Good morning the breakfast Club.
• 5:11
  Speaker 1: This is your time to get it off your chests,
• 5:13
  Speaker 1: whether you're man or blast. So people better have the
• 5:15
  Speaker 1: same energy we want to hear from you on the
• 5:17
  Speaker 1: breakfast Club. Hello. Who's this? Hello, It's Rachel. Hey, Rachel,
• 5:22
  Speaker 1: get it off your chests. I was calling and say
• 5:24
  Speaker 1: I'm so blessed this morning. My new interactive children's book
• 5:28
  Speaker 1: that is Climbing to Charcel Amazon. Okay, congratulations, what's your name?
• 5:32
  Speaker 1: What's the name of the book. It's called Amber's Magical
• 5:34
  Speaker 1: Savings Box. It teaches kids about earning the saving money,
• 5:38
  Speaker 1: giving those millionaires a headstart on their road to financial freedom.
• 5:42
  Speaker 1: How is it interactive? But that's dope. Well, the kids
• 5:44
  Speaker 1: have to write there financial dreams and goals inside the
• 5:48
  Speaker 1: back of the book. They follow Amber as she earns
• 5:51
  Speaker 1: money for this magical toy she wants to buy, and
• 5:54
  Speaker 1: they have to kind of like walk along with her
• 5:56
  Speaker 1: in this journey, all right, fand teaching kids the value
• 5:59
  Speaker 1: of how to save and spend. What's the name of
• 6:02
  Speaker 1: the book again, I'm gonna look it up, Amber's Magical
• 6:05
  Speaker 1: Savings Box. It's an honor of my niece Amber, we
• 6:08
  Speaker 1: lost at the age of three. So it's for ages
• 6:11
  Speaker 1: three to eight year olds, just to get them started.
• 6:13
  Speaker 1: It's a few um that can do savings journals in
• 6:16
  Speaker 1: the back of it and everything. Okay, thank you, mama,
• 6:18
  Speaker 1: all right, I like that you alrighty? Hello? Who's this? Hey?
• 6:23
  Speaker 1: Get it off your chance? Mama? No is it normal
• 6:27
  Speaker 1: to you? Guys? Picks up and then you know, be
• 6:31
  Speaker 1: all hop for like twenty minutes to never get connected
• 6:34
  Speaker 1: back on the line. Is that normal? Why, why? What happened?
• 6:37
  Speaker 1: When did that happen to you? Yesterday? And maybe like
• 6:41
  Speaker 1: two other times? I'm sorry, mama, Well what did you
• 6:44
  Speaker 1: want to say? What did you want to call about? Well?
• 6:47
  Speaker 1: I wanted to again Saint Anti Laye for you know, um,
• 6:53
  Speaker 1: you know, just looking out for me. When it came
• 6:55
  Speaker 1: down to the music situation. Okay, oh you do music,
• 6:59
  Speaker 1: that's man? You remember, yes, I do remember. And then
• 7:05
  Speaker 1: let me tell you where people actually did check out
• 7:08
  Speaker 1: the song and it's like man stole the man was
• 7:10
  Speaker 1: tripped and I'm like, man, I can't from work. I
• 7:13
  Speaker 1: was tired getting off from overnight. So you want to try?
• 7:17
  Speaker 1: You want to give it another you want to give
• 7:19
  Speaker 1: it another try? Y'all done to listen? Yeah, go ahead,
• 7:24
  Speaker 1: let's go. Oh boy, Oh, don't do you like doing? Bro?
• 7:28
  Speaker 1: Don't do you like that? Ah? You ain't ready for
• 7:30
  Speaker 1: the big leagues, Mama. I know I got what it take.
• 7:35
  Speaker 1: I can't tell you, all right, command you starling, let's
• 7:37
  Speaker 1: hear it. You gotta redeem yourself, all right? One two,
• 7:44
  Speaker 1: one two three? Boom? Yeah you tried? You know what
• 7:50
  Speaker 1: you didn't? You really did know? I said, we tried. Oh,
• 7:53
  Speaker 1: get it off your chests, bro, Closure is a damn
• 7:57
  Speaker 1: don't check some don't call them, don't or hey, how
• 7:59
  Speaker 1: you do the one like? Closure? Yeah? What's that? You know?
• 8:02
  Speaker 1: You guys break good? You guys have a fight. Oh like,
• 8:05
  Speaker 1: let's talk about it. Let's work it out now, you
• 8:07
  Speaker 1: guys break up. Let's just dropping, move on. You know
• 8:10
  Speaker 1: what happens. He is, he's definitely hurt. What happens here?
• 8:13
  Speaker 1: No such thing is closure? Uh pretty much? Um the
• 8:17
  Speaker 1: girl for a while for her kid, and yeah, man,
• 8:20
  Speaker 1: I'm done with that. So you want to closure. He's hurt.
• 8:24
  Speaker 1: She wanted closure? Well, yeah, I guess both of us
• 8:28
  Speaker 1: wanted like a new sure goodbye, But it ain't happen.
• 8:32
  Speaker 1: There's no such thing. It's closure. Man. You either with
• 8:34
  Speaker 1: it or you're not. Clearly, y'all not no more. I'm
• 8:37
  Speaker 1: sorry you got your feelings hurt. Boo. Yeah, I'm sorry, booboo. Well,
• 8:40
  Speaker 1: congratulations to the guy. Congratulations to the guy that had
• 8:43
  Speaker 1: sex with your girl. Though, Oh I stop it. Oh,
• 8:45
  Speaker 1: I mean yeah, it is what it is. It's good, right,
• 8:48
  Speaker 1: she got good poo pool. Somebody got to get it.
• 8:50
  Speaker 1: Even if it's not you. That's closing and it's okay
• 8:53
  Speaker 1: to be here. Okay, it's fine, nothing wrong with that.
• 8:55
  Speaker 1: You're at that man on Twitter, tell congratulations he banging
• 8:58
  Speaker 1: a good one? All right? Damn it, man, it's not
• 9:00
  Speaker 1: good for you. You You guys are not helping. Hello, who's this?
• 9:03
  Speaker 1: Did you say? Everyone's up? Little? So what I'm getting
• 9:12
  Speaker 1: up about? What? I'm blessed. I love the show. I'm
• 9:14
  Speaker 1: riding through it. Um just coming from the gym, so
• 9:16
  Speaker 1: I'm loving all the day. But Honday, y'all had me
• 9:20
  Speaker 1: on Hole for like a week straight. I listened to
• 9:23
  Speaker 1: the whole show on the phone. How you work out
• 9:26
  Speaker 1: on Hole? Man, that's like get out, Jim. I put
• 9:29
  Speaker 1: the gym at five a m. To stay for him.
• 9:31
  Speaker 1: I cut the show on immediately once in the car,
• 9:34
  Speaker 1: and then I started calling it's sooo it's y'all said,
• 9:38
  Speaker 1: get it off your chests and now I'm benna hold.
• 9:39
  Speaker 1: I saw it to y'all inboxes. If you check you
• 9:41
  Speaker 1: to him and the whole thing. I've been on hold for,
• 9:43
  Speaker 1: like the whole rad to the house. One day I
• 9:46
  Speaker 1: went to Walmart and was walking around Walmart was on
• 9:49
  Speaker 1: Hole listening to the whole breakfast. Well, you need you need,
• 9:52
  Speaker 1: you need to do more with your life. Bull. At
• 9:53
  Speaker 1: least you don't have to pay for a minute. You
• 9:55
  Speaker 1: have unlimited right. Yes, I do, and something me why
• 9:58
  Speaker 1: I do? All my life I've trying to get through.
• 10:00
  Speaker 1: Y'all be helping me out. The last time I got through,
• 10:02
  Speaker 1: I got so many orders from New York. Do you
• 10:04
  Speaker 1: know what that means to me? Well, shout out your company.
• 10:07
  Speaker 1: Now you only spot Room. I am they only lady
• 10:10
  Speaker 1: caller from Savannage, Georgia. I help women get said Yoni's
• 10:13
  Speaker 1: tight and right? Okay, and how do they reach you? Uh?
• 10:17
  Speaker 1: You only spotroom dot com? Uh instagram at they only
• 10:20
  Speaker 1: spot room. They stood, they only spot Room. Everything under
• 10:22
  Speaker 1: Yoni spot Room or the Yonnie Lady and only you
• 10:24
  Speaker 1: only means poom poom in what language? It's a fans
• 10:27
  Speaker 1: free word, though you know we'll go. Uh. So everybody
• 10:32
  Speaker 1: out there would lose Yonni's boss, lose by Yoni by
• 10:42
  Speaker 1: get it off your chest eight hundred five eight five
• 10:44
  Speaker 1: one on five one. If you're upset, you need defend its.
• 10:46
  Speaker 1: The breakfast Club, good morning, the Breakfast Club. More than
• 10:57
  Speaker 1: everybody is DJ MV and Angela Yee, Charlemagne the guy.
• 11:01
  Speaker 1: We are the breakfast club. We got a special guest
• 11:03
  Speaker 1: in the building. Thanks for having me bad. She was
• 11:09
  Speaker 1: early today, Yes, she wasn't gonna wrap all this time.
• 11:12
  Speaker 1: No early. I was early because I'm trying to change
• 11:16
  Speaker 1: the narrative about big women being late and lazy. You understand,
• 11:22
  Speaker 1: you know what it is. People say, what's your thing is?
• 11:25
  Speaker 1: Black men don't cheat? Okay, well, fat bitches don't eat.
• 11:29
  Speaker 1: Then if we tell them lies, let's tell them all
• 11:32
  Speaker 1: who don't cheat. I'm playing. You said who don't cheat? Listen,
• 11:37
  Speaker 1: black men don't cheat. We're changing the narrative. Okay, you're
• 11:40
  Speaker 1: changing bitches, we don't eat. We just got this way
• 11:44
  Speaker 1: because God wants us to be flumpy and lumpy. I
• 11:47
  Speaker 1: do feel that I am very curvy and all the
• 11:50
  Speaker 1: right places. Yes, heavy breast, heavy thighs, but you know
• 11:56
  Speaker 1: I cannot deny that I have a gut. Anytime a
• 11:58
  Speaker 1: man has to lift up the hood to get in there,
• 12:01
  Speaker 1: you know youre a big girl. I love the outfit,
• 12:03
  Speaker 1: thank you, the color, Yes, taste the rainbow, speaking take
• 12:08
  Speaker 1: the rain. But how did they lift up the hood?
• 12:09
  Speaker 1: What did they do? Like? Did they actually grab your stomach?
• 12:11
  Speaker 1: And don't think like you ain't been with a big
• 12:13
  Speaker 1: bitch before? You know what to do? Come on now,
• 12:17
  Speaker 1: picture I mean one time I did one time. Yeah,
• 12:20
  Speaker 1: you have to lift the hood she laid on the floor.
• 12:23
  Speaker 1: And the women women are big. Women are more flexible
• 12:26
  Speaker 1: than people think. Yes, I am very flexible. But if
• 12:29
  Speaker 1: you didn't have to lift up the hood on a
• 12:30
  Speaker 1: big woman, that's because she was doing a summersault while
• 12:32
  Speaker 1: you was trying to her out and then everything just
• 12:34
  Speaker 1: fell down. What kind of guys do you like? No,
• 12:39
  Speaker 1: it was a quickie because we were trying to do
• 12:41
  Speaker 1: it before her father came back home. It was way
• 12:43
  Speaker 1: back in the day. Ok. Yeah, I had did a
• 12:45
  Speaker 1: weekend in jail and I was just horny. Her name,
• 12:48
  Speaker 1: her name was. She used to call herself big, big Nasty,
• 12:51
  Speaker 1: like you know how she used to have an air
• 12:52
  Speaker 1: brushed on the front of her Honda. Let me welcome
• 12:56
  Speaker 1: to street real quick and dip off in the big
• 12:59
  Speaker 1: Nasty And I just think this weekend in jail anyway? Yeah,
• 13:04
  Speaker 1: what kind of body things are you like? When it
• 13:05
  Speaker 1: comes to guys though, do you have a preference? Um? Well,
• 13:08
  Speaker 1: skinny guys normally like me. Short guys like me. Um,
• 13:12
  Speaker 1: But I don't have a preference when it comes to guys.
• 13:14
  Speaker 1: I am dealing with a nice, cute, little twenty nine
• 13:18
  Speaker 1: year old right now. He's black, patient, that's even black. Yeah,
• 13:26
  Speaker 1: he'd be putting a little you know, when he'll be
• 13:27
  Speaker 1: making stews and stuff out to make sure it's like
• 13:29
  Speaker 1: really a stew and not you know, him trying to
• 13:31
  Speaker 1: kill me. But you know I have posted him, won't
• 13:35
  Speaker 1: I won't tag him, you know what the girls to
• 13:38
  Speaker 1: see who you know? I don't know, like you know,
• 13:41
  Speaker 1: just in case I don't want to be out there.
• 13:43
  Speaker 1: You know what I'm saying, Like Mary J. Blige put
• 13:44
  Speaker 1: my out there and then I got to write a
• 13:46
  Speaker 1: song about him because it didn't work out. Look up,
• 13:48
  Speaker 1: p let He's very cute. Should I say his No,
• 13:52
  Speaker 1: I'm not my lord, So I just he knows he's
• 13:57
  Speaker 1: a comic. I'll tell you later. Yeah, yeah, yeah, he's cute.
• 14:02
  Speaker 1: He's cute. No, I wish it was. Will would get
• 14:06
  Speaker 1: my body right. You know, Will is all about health
• 14:08
  Speaker 1: and raw. Will is great. Will is great, but Will
• 14:13
  Speaker 1: has a speech impediment, so you don't know what the
• 14:16
  Speaker 1: hell he's saying. So it's like you want to be
• 14:18
  Speaker 1: out or you just what Okay, but I love will
• 14:20
  Speaker 1: shutut to Wilson Fancy is amazing, right. Yes, I'm gonna
• 14:24
  Speaker 1: be at the Grammacy Theater. I'm doing a brand new hour. Hey.
• 14:30
  Speaker 1: Um well, I had a lot of content available. People
• 14:33
  Speaker 1: don't understand, like, as you know, I've been doing comedy
• 14:35
  Speaker 1: for almost twenty years, even though I'm twelve, and um,
• 14:38
  Speaker 1: you know, it's just sometimes it's hard to just get
• 14:40
  Speaker 1: the spotlight on you to you know, sort of raise
• 14:43
  Speaker 1: up in the business. And then people are like, oh,
• 14:45
  Speaker 1: you some brand new comedies, Like no, I've been doing
• 14:47
  Speaker 1: this for a long time. I have a lot of
• 14:49
  Speaker 1: things to say. So when I did The Degenerates, which
• 14:51
  Speaker 1: is out on Netflix, that was all my sort of dirty,
• 14:54
  Speaker 1: raw material. And then I just had my album come out,
• 14:57
  Speaker 1: damn Zel and Distress, which was sort of like you
• 15:00
  Speaker 1: know who Yaminika is and just wanting to be vulnerable
• 15:02
  Speaker 1: and kidnapped, and you know, I want to be kidnapped
• 15:06
  Speaker 1: because I want to get kidnapped. I mean, why all
• 15:09
  Speaker 1: the other girls have fun somebody to grab you thro
• 15:11
  Speaker 1: the h don't you know? I do commentary on that.
• 15:17
  Speaker 1: I know. That's why I said it, because being you
• 15:18
  Speaker 1: are both into that show. I'm so into ninety Day Fiance,
• 15:21
  Speaker 1: but I have to be I have to be real, like,
• 15:24
  Speaker 1: don't know other country want me. You understand what I'm saying.
• 15:26
  Speaker 1: I couldn't do it the other way because I would
• 15:28
  Speaker 1: just get their host together and they ain't got time
• 15:30
  Speaker 1: for that figuring. Um, I like as In and because
• 15:37
  Speaker 1: he doesn't like the girl in the cool I think
• 15:38
  Speaker 1: it's as In the coal because he's been trying to
• 15:40
  Speaker 1: get her to lose weight. And let me just say this, ladies,
• 15:43
  Speaker 1: if you're with the man and he's like I can
• 15:44
  Speaker 1: fix you, leave that you don't need to be fixed.
• 15:48
  Speaker 1: You either like what I got and then pray to
• 15:50
  Speaker 1: God that it gets better or you just gonna be
• 15:52
  Speaker 1: a ground box healthy. You just said you would date
• 15:55
  Speaker 1: Wilson Bens because he would get you healthy. So what
• 15:57
  Speaker 1: if he would like I don't say I would date
• 15:59
  Speaker 1: him because he would get me healthy. I said the
• 16:01
  Speaker 1: benefit of dating him is that I would get healthy.
• 16:03
  Speaker 1: I'm doing pretty good on my own, and I don't
• 16:05
  Speaker 1: believe that every big woman is unhealthy. You understand what
• 16:07
  Speaker 1: I'm saying. And this I had that are very unhealthy.
• 16:11
  Speaker 1: You know what he hears you complaining about your stomach,
• 16:16
  Speaker 1: complaining about you lifting the hood and you don't want
• 16:18
  Speaker 1: to help you get a shape. First of one, let
• 16:19
  Speaker 1: me just stand up so everybody can getting out. Told
• 16:25
  Speaker 1: you not, okay, this is you gotta fire, you know,
• 16:32
  Speaker 1: and this is I burn my right and so they
• 16:35
  Speaker 1: think these burns are nipples. Did not. I just had
• 16:37
  Speaker 1: a bad instant moment because I'm not really asking right there. Well,
• 16:41
  Speaker 1: I was cleaning my house. I asked some instance burning.
• 16:43
  Speaker 1: The instance fell over and instead of being like and
• 16:46
  Speaker 1: felling one and my brain was like, well, swishing together
• 16:49
  Speaker 1: and put the fire out, and I got a double
• 16:56
  Speaker 1: You don't have a huge areola, just makes it even
• 16:58
  Speaker 1: better that my areola was a big. I had a
• 17:01
  Speaker 1: guy try to eat, you know, suck my and it
• 17:03
  Speaker 1: looked like Gary Coleman had come back from the dead.
• 17:04
  Speaker 1: Because this is a full face, you know what I'm saying,
• 17:07
  Speaker 1: or like a head shot and you like, what is this?
• 17:09
  Speaker 1: It could be on power. We've been together three and
• 17:13
  Speaker 1: a half months, We've known each other for years. We
• 17:15
  Speaker 1: are you know, we're nice. Little situation he met my mama,
• 17:21
  Speaker 1: that's a little pass a little situation. If he met mama,
• 17:23
  Speaker 1: did your dad, Well, ain't nobody met my I barely
• 17:26
  Speaker 1: met my dad, But I mean I know there. My
• 17:30
  Speaker 1: dad's so young, and just like you, I got this
• 17:33
  Speaker 1: young daddy who's still trying to get like young girls
• 17:35
  Speaker 1: in the club. It's like, I can't be rocking with you.
• 17:38
  Speaker 1: You still trying to make Foodboo happen. That's gone. So
• 17:41
  Speaker 1: who came back? Didn't come back? My daddy brought it back.
• 17:44
  Speaker 1: I mean people ain't. I mean it's not back like
• 17:46
  Speaker 1: people rocking it, but it did come back. Well, howd
• 17:49
  Speaker 1: to come back to your I don't understand what it's
• 17:52
  Speaker 1: not in style, But there are new food Boo products available. Well,
• 17:56
  Speaker 1: don't buy it where you're getting Amazon Prime. Like that's
• 18:02
  Speaker 1: when you know your thing is really doing bad when
• 18:04
  Speaker 1: it's on Amazon prop for seven ninety nine. Right. But
• 18:06
  Speaker 1: there's a difference between helping somebody because you should learn
• 18:10
  Speaker 1: from whoever your partner is, and somebody trying to change
• 18:12
  Speaker 1: who you are, right, And I think that's the difference, Like,
• 18:14
  Speaker 1: of course we should grow up be with somebody. We
• 18:16
  Speaker 1: can grow with, somebody we can learn with, but not
• 18:18
  Speaker 1: somebody that's like, okay, you need to change this about yourself. Right.
• 18:21
  Speaker 1: If you did this, you'll be a better Parent't understand
• 18:23
  Speaker 1: the difference, because I mean you'll go to a life coach,
• 18:25
  Speaker 1: and a life coach you tell you what you need
• 18:26
  Speaker 1: that you're voluntarily doing something because life coaches like that.
• 18:30
  Speaker 1: People go to life coaches. Fee go to a therapist, psychiatrist.
• 18:33
  Speaker 1: They tell you what the therapist. I see a nice
• 18:36
  Speaker 1: old Jewish man. We're changing each other. You know, I'm
• 18:40
  Speaker 1: doing a lot of Hobba Guela's now. He doing a
• 18:42
  Speaker 1: lot of yes girls when he sees me. But you know,
• 18:45
  Speaker 1: we're living at One of the things I like about
• 18:48
  Speaker 1: the relationship that I'm in now is number one. Once
• 18:51
  Speaker 1: you get into a relationship or can't come all the
• 18:55
  Speaker 1: all the guys like, yo, let me hit you up.
• 18:57
  Speaker 1: You gotta glow, you gotta whatever. I'm like, it's not
• 19:00
  Speaker 1: a glow. He's on my face a lot, so too much.
• 19:06
  Speaker 1: I don't want anybody to not be able to die
• 19:10
  Speaker 1: for breakfast. Thank you. It's very beautiful. But what we
• 19:13
  Speaker 1: are learning in this relationship is there are things about
• 19:16
  Speaker 1: me like I'm very much alike. I'm an independent black woman.
• 19:19
  Speaker 1: You ain't gonna tell me nothing life as hard as
• 19:21
  Speaker 1: it is, and what I want goes, and he's teaching
• 19:24
  Speaker 1: me now to just kind of be like, yo, chill it,
• 19:26
  Speaker 1: don't have to be on that. We're really in an argument.
• 19:30
  Speaker 1: I'm like, no, we're in a full argument. He's like, nah,
• 19:32
  Speaker 1: we're not in an argument. We have in the little
• 19:34
  Speaker 1: moment right now, but I'm totally chill. So I'm like, well,
• 19:36
  Speaker 1: I guess I got to chill. If this chilling, I
• 19:38
  Speaker 1: got to chill them too. We're chilling together, all right.
• 19:41
  Speaker 1: We have more with Yamaniqua Sands when we come back,
• 19:43
  Speaker 1: don't move. It's to Breakfast Club. Good morning morning. Everybody
• 19:46
  Speaker 1: is DJ Envy Angela yee, Charlomagne the guy. We are
• 19:50
  Speaker 1: the Breakfast Club. We're still kicking it with Yamniqua Sands
• 19:53
  Speaker 1: yee yes Yahmnika. I remember I was laughing so hard.
• 19:56
  Speaker 1: I've seen you on stage for Danielle Rolling Show of
• 19:59
  Speaker 1: Carolyne that you were supposed to go on later but
• 20:01
  Speaker 1: you went on early because you actually had to leave
• 20:03
  Speaker 1: and go to another gig. Shut up the dark. I
• 20:05
  Speaker 1: love me, y'all be giving him such a hard time.
• 20:08
  Speaker 1: Love him, Darna Rollins, And let me just say that
• 20:11
  Speaker 1: for you. You So he did not open up for me.
• 20:16
  Speaker 1: Was a notorious fat shamer, notorious never Yes, yes he
• 20:21
  Speaker 1: is envy has a real estate partner game pull up.
• 20:25
  Speaker 1: I saw the one story. Damn it, he started it.
• 20:30
  Speaker 1: I deleted it didn't look like big partners. I am
• 20:34
  Speaker 1: doing you. I want to. I want to get a
• 20:36
  Speaker 1: house from you whenever I can afford. I want you
• 20:38
  Speaker 1: to flip some houses. But what is you flipping something?
• 20:43
  Speaker 1: You're doing every time I see you doing something, You're
• 20:45
  Speaker 1: flipping a house in New Jersey. It's like that that
• 20:47
  Speaker 1: you're doing this, you building, you're doing dress, You're working
• 20:50
  Speaker 1: at monks weekends. Houses. I fixed them and in the mouth.
• 21:04
  Speaker 1: He can help you can happen to buy a home.
• 21:06
  Speaker 1: You can help you buy your home. I'm not a
• 21:08
  Speaker 1: real time. I'm trying to encourage people to buy homes
• 21:10
  Speaker 1: and to create. But I'm trying to figure out because
• 21:13
  Speaker 1: then you got the home and you trying to make
• 21:15
  Speaker 1: money off the home, and you're making money off the home. Yes,
• 21:18
  Speaker 1: so you're telling homes. I'm selling rooms, your apartments. Oh,
• 21:22
  Speaker 1: oh you do, I'm keeping rows. Yeah, I'm keeping it.
• 21:25
  Speaker 1: So lord, I'm not the man apartments Okay, apartment apartments.
• 21:38
  Speaker 1: It's like four family units. So I sell units living
• 21:44
  Speaker 1: God anyway home. I don't care what it is. Give
• 21:51
  Speaker 1: me a family. I don't have one family. This is
• 21:56
  Speaker 1: so you want to kid program. Also, I'm not selling
• 21:59
  Speaker 1: family home just saying this this jingle want change, So
• 22:05
  Speaker 1: I leave that alone. But I do. I am doing you,
• 22:08
  Speaker 1: thank you so much, as to encourage people to buy
• 22:10
  Speaker 1: homes and to invest in themselves so they can always
• 22:13
  Speaker 1: have properties to continue to rent by invested in you
• 22:15
  Speaker 1: and get putting in your pockets. Like you're not making money.
• 22:21
  Speaker 1: I'm just took. The point is you're making money. I'm
• 22:23
  Speaker 1: trying to encourage people to insist how you making money,
• 22:27
  Speaker 1: not in me. I'm bringing you. Bring repairing people, okay, lenders, lenders, agents, chickens, attorneys, attorney.
• 22:34
  Speaker 1: Some people know how to do it the right way
• 22:36
  Speaker 1: without getting God. But they got to get got by
• 22:38
  Speaker 1: you before they don't get so you get first of
• 22:46
  Speaker 1: all his ten train his heal. So tell me right now,
• 22:48
  Speaker 1: get money. I WoT when I came here. I need
• 22:55
  Speaker 1: somebody to help me. I'm gonna flip home. Man, Can
• 23:00
  Speaker 1: you sir get that I was gonna get I need
• 23:02
  Speaker 1: you to help me get a family. You got the
• 23:04
  Speaker 1: young boy, Now you can shoot your club up. Well,
• 23:06
  Speaker 1: I hope so, but you know the club's getting about
• 23:08
  Speaker 1: to close there. I want to have kids, but I
• 23:12
  Speaker 1: gotta have them because now kiss you know, when you're
• 23:14
  Speaker 1: getting your forties, they's a saying, well, you better hurry
• 23:16
  Speaker 1: up and have a baby before the baby handicap. And
• 23:18
  Speaker 1: I'm like, damn, but that's what they tell They still
• 23:23
  Speaker 1: tell the women. Now I want to be and I
• 23:26
  Speaker 1: don't care if the baby's handicap because I people in
• 23:28
  Speaker 1: my family are handicap. I would love that handicap baby.
• 23:29
  Speaker 1: Plus it's gonna come with a stick and we can
• 23:31
  Speaker 1: park where we want. So that baby. I need that
• 23:34
  Speaker 1: baby because I like to park up front Cosco. You
• 23:36
  Speaker 1: know they don't give you no bags. They're gonna carry
• 23:38
  Speaker 1: a box. Jamniqua Sanders is the Breakfast Club. Good morning morning.
• 23:43
  Speaker 1: Everybody's DJ Envy, Angela Guee, Charlomagne, the guy. We are
• 23:48
  Speaker 1: the Breakfast Club. Now if you just joined us, if
• 23:51
  Speaker 1: you watch the Kardashians, Uh, this is what happened and
• 23:53
  Speaker 1: then we'll explain. Let's play the audio. He was really upset.
• 23:56
  Speaker 1: She was putting her in the carpet and Penelope scratched
• 23:59
  Speaker 1: her face. Kid scratching? Can you pop the kid? And
• 24:02
  Speaker 1: it's cool, No, but you could also say something to
• 24:05
  Speaker 1: her in the moment. I'm sorry, but if he scratch
• 24:08
  Speaker 1: was for no reason, I'm whipping her ass. And I
• 24:10
  Speaker 1: explained to y'all later what I Penelope's asked. If she scratched,
• 24:17
  Speaker 1: you are talking about daughter's asks. If she touched you,
• 24:22
  Speaker 1: Now you explain what they're talking about. Corey Gamble, that's
• 24:25
  Speaker 1: Chris Jenner's boyfriend said that if Penelope, who is Courtney
• 24:29
  Speaker 1: Kardashian's daughter, scratched him in the face, he would whip
• 24:32
  Speaker 1: her ass right now. I actually hit my my niece
• 24:36
  Speaker 1: when when I was younger, I didn't know no better.
• 24:38
  Speaker 1: I popped her on the hand and I was wrong
• 24:41
  Speaker 1: for it. I felt funny for it. Um she was
• 24:43
  Speaker 1: acting up and I popped up and I had a
• 24:45
  Speaker 1: conversation with her dad, and you know, we talked about
• 24:47
  Speaker 1: it was no big problem. No, he wasn't mad at all,
• 24:50
  Speaker 1: like like my grandmother used to. I remember my grandmother
• 24:53
  Speaker 1: beating me for spraying wrote spray on the stove just
• 24:56
  Speaker 1: so I can see the flames go up. That's your grandmother,
• 24:58
  Speaker 1: your grandma, your grandma as your big mama. You know
• 25:00
  Speaker 1: what I'm saying. Your grandma is the person who used
• 25:02
  Speaker 1: to beat your parents, so being that you came from
• 25:05
  Speaker 1: her charing, okay, she has the right to put her
• 25:08
  Speaker 1: hands on you. Grandma really might be the only person.
• 25:11
  Speaker 1: And I sprayed the road spray and then I and
• 25:13
  Speaker 1: I said something to Grandma like don't hit me. And
• 25:14
  Speaker 1: then when my dad got there, my dad beat me
• 25:17
  Speaker 1: for chalking to his mother like that exactly. Grandma and
• 25:20
  Speaker 1: grandaddy might be the only person that have the rights
• 25:21
  Speaker 1: to do that, but I mean me personally, he's kind
• 25:24
  Speaker 1: of like a granddaddy though. Corey Gamble, Yeah, he's kind
• 25:26
  Speaker 1: of like a grandma. Why is he a grandfather grandfather's grandfather? No, no, no,
• 25:30
  Speaker 1: but he's not married. He's not my blood. The moral
• 25:33
  Speaker 1: of the story is, I don't beat my children. I
• 25:35
  Speaker 1: don't beat my children because I just don't see the need,
• 25:37
  Speaker 1: you know what I'm saying. And furthermore, I think that
• 25:39
  Speaker 1: you could just have a conversation with kids. But I'm
• 25:41
  Speaker 1: definitely not putting my hands on nobody else child, Like
• 25:44
  Speaker 1: if you put your hands on somebody else child then
• 25:46
  Speaker 1: me and you got smoked immediately. There's never a reason
• 25:50
  Speaker 1: for you to put hands on my children. And what
• 25:53
  Speaker 1: if I don't beat my kids, but you you hit
• 25:56
  Speaker 1: my kids? Think about that? About that? What if I
• 25:58
  Speaker 1: don't hit my kids, but my kids are at your
• 26:00
  Speaker 1: house and then they get hit by you and a dot.
• 26:03
  Speaker 1: Now we gotta catch now, me and you gotta fade
• 26:04
  Speaker 1: to catch. Well. I've never ever hit anybody else as
• 26:06
  Speaker 1: kids either. I have three god children. I'm the number
• 26:09
  Speaker 1: one babysitter. Actually, I feel like when I'm babysitting, my
• 26:13
  Speaker 1: responsibility is just to spoil other people's kids. I don't
• 26:16
  Speaker 1: see that that's what you should do. They always like, Okay,
• 26:20
  Speaker 1: I'm gonna see angel esssa. I already know what we're
• 26:22
  Speaker 1: gonna do. We're gonna go shopping. We're gonna go buy
• 26:23
  Speaker 1: some the toys. We're gonna get ice cream. I don't
• 26:26
  Speaker 1: Grandma hit me with an ashtray one time I did
• 26:29
  Speaker 1: stupid stuff. I deserved it, dought I deserved this, and
• 26:32
  Speaker 1: we all it fixed me. Straighten me right up. No, listen,
• 26:36
  Speaker 1: we all got beating when we were kids. I got
• 26:38
  Speaker 1: beating with extension cards, But they used to be beat
• 26:40
  Speaker 1: in the Siti called made me go take a bath.
• 26:42
  Speaker 1: I used to have to go pick the switch like
• 26:43
  Speaker 1: them little wooden utensils on the freaking kitchen kitchen wall.
• 26:46
  Speaker 1: My mama would hit me with dolls. But guess what,
• 26:49
  Speaker 1: if we're being honest, all of that was just abuse.
• 26:51
  Speaker 1: And the truth to the matter is all our parents
• 26:53
  Speaker 1: were doing was the best they could. That's that's all.
• 26:55
  Speaker 1: They were probably young parents at the time. That's the
• 26:57
  Speaker 1: only way they knew how to discipline was through physical punishment.
• 27:01
  Speaker 1: We know better in this generation. We an't gotta beat
• 27:04
  Speaker 1: our kids, and we damned your shouldn't be putting our
• 27:06
  Speaker 1: hands on nobody else's Hello, who's this Marita? Hey Marita,
• 27:10
  Speaker 1: you you have had to put your hands on somebody
• 27:12
  Speaker 1: else's kids. I did, um. I was watching my niece
• 27:16
  Speaker 1: and she was messing with the socket in the wall,
• 27:19
  Speaker 1: and I told her, and I actually went and got
• 27:22
  Speaker 1: her and pulled her back like twice, and then she
• 27:25
  Speaker 1: put her mouth on it, and I popped in her hand,
• 27:27
  Speaker 1: and I told my sister, and I did feel that.
• 27:31
  Speaker 1: But I agree with Charlotte Magne and I agree with you.
• 27:34
  Speaker 1: Like some kids, you can't talk to right and you
• 27:37
  Speaker 1: know they'll listen. But some kids, I think you gotta
• 27:40
  Speaker 1: pop on her now and then. But even that's what
• 27:43
  Speaker 1: the white man used to think about slaves. To look,
• 27:45
  Speaker 1: even these slaves, you gotta beat like even at it
• 27:47
  Speaker 1: with a two year old. Like a two year old
• 27:49
  Speaker 1: you can't have a conversation with. Don't put your finger
• 27:51
  Speaker 1: in an electric socket. But if you popped their hand,
• 27:54
  Speaker 1: they think about, you know what if I go near
• 27:55
  Speaker 1: this electric socket, it's gonna hurt. I'm not gonna do it. Yeah,
• 27:58
  Speaker 1: but you're not telling them that. You're not explained to
• 28:00
  Speaker 1: them what could have happened if they actually put the
• 28:02
  Speaker 1: hand in your lepsocket. I tell my daughter, you know,
• 28:04
  Speaker 1: if you put your hand in that, you're going to die.
• 28:06
  Speaker 1: You're not gonna be here with us no more. Why
• 28:08
  Speaker 1: I would rather hurt so he talking that to you.
• 28:10
  Speaker 1: You're one and a half year old to year old.
• 28:12
  Speaker 1: She's one. That's why you got the plugs in the socket. Obviously,
• 28:14
  Speaker 1: this lady. To my point, though, you're not teaching them
• 28:18
  Speaker 1: that the socket is what actually can kill them. You're
• 28:19
  Speaker 1: teaching them to be scared of you, when the reality
• 28:22
  Speaker 1: should be teaching them that note, the socket is what
• 28:24
  Speaker 1: can kill you. Right back one and a half. They're
• 28:25
  Speaker 1: not They're not thinking about wow, this socket. They're thinking,
• 28:28
  Speaker 1: if I go near the socket, I'm gonna get popped.
• 28:30
  Speaker 1: I'm not gonna near that socket. That's how kids take Well,
• 28:32
  Speaker 1: you should have put the goddamn things in the socket.
• 28:36
  Speaker 1: You should have child proof the sockets. Then, Kendra, Yeah,
• 28:39
  Speaker 1: good morning, kender You ever hit somebody else's kids? Yes?
• 28:42
  Speaker 1: I had. Now what happened, Kendrad? Who you here? So? Look,
• 28:47
  Speaker 1: I'm in the walmart. The little kid caused you the
• 28:49
  Speaker 1: b words. Give his mama chance? Yeah, so I give
• 28:53
  Speaker 1: his mama chance to reprimand him. You know, like, hey,
• 28:55
  Speaker 1: you don't do that. That's disrespectful. Caused me to be
• 29:00
  Speaker 1: word again. He was like, bitch, hurry up, and I
• 29:05
  Speaker 1: popped team in his nose. You got me us what
• 29:10
  Speaker 1: you can't do? You can't walk around? That's her mama
• 29:12
  Speaker 1: should have dragged her mama hit mom or her mama
• 29:15
  Speaker 1: should have dragged your ass and locked you up. You
• 29:17
  Speaker 1: can't just be hitting kids you don't know. Can You
• 29:18
  Speaker 1: don't even know this kid? Hey, rab if I gave
• 29:22
  Speaker 1: his mama chance rabbit if he had to reds and
• 29:24
  Speaker 1: he had a problem, and he would just be splurting out, bitch,
• 29:28
  Speaker 1: you just popped to get in the mouth. Nah go
• 29:30
  Speaker 1: now she did. I would have felt bad, but she
• 29:32
  Speaker 1: she didn't say none of that. She was just like, yeah,
• 29:34
  Speaker 1: hurry up, just like still a boy her songs. So
• 29:36
  Speaker 1: she looked, you got what did What did the mamma
• 29:40
  Speaker 1: do to you after you hit the job? Nothing? She
• 29:43
  Speaker 1: just kind of looked at me like, I can't believe
• 29:45
  Speaker 1: you hit my filling. And I just looked at her.
• 29:46
  Speaker 1: I was like, Yo, you got a problem. I said,
• 29:48
  Speaker 1: we can go out to the parking lot. And that
• 29:53
  Speaker 1: lady would have pulled out a gun and shot you
• 29:55
  Speaker 1: right there. She did. She'd have been in the right
• 29:57
  Speaker 1: because the story would have been a woman hit somebody's
• 30:00
  Speaker 1: out in the store, not even that crazy black, crazy
• 30:02
  Speaker 1: black woman hit some white little kid in the store.
• 30:04
  Speaker 1: White woman, she guns it down. Can't you where you
• 30:06
  Speaker 1: from that Chicago? Yeah, hey, bitch herban get off my farm.
• 30:16
  Speaker 1: My goodness, eight hundred she gonna f you up eight
• 30:20
  Speaker 1: hundred five eight five one oh five one? Have you
• 30:23
  Speaker 1: ever hit somebody else's kids? Keep it locked, just to
• 30:24
  Speaker 1: Breakfast Cloak moment e j Envy Angela Yee Scholamine the
• 30:29
  Speaker 1: guy we are the Breakfast Club. We got a special
• 30:31
  Speaker 1: guest in the building. I don't know if you should
• 30:33
  Speaker 1: call him young burgoor hitmakers days hitmaker hitmakers in the building?
• 30:38
  Speaker 1: What I'm suck? Oh? How you feeling happy birthday? He's
• 30:41
  Speaker 1: a virgo as well, fellow Virgo. Yes, sir, you already know.
• 30:44
  Speaker 1: So it's like young birg dad kinda young burg dies
• 30:46
  Speaker 1: so hitmaker Clery, why didn't you do like a whole ceremony,
• 30:50
  Speaker 1: like really play. I mean, the internet might have did
• 30:54
  Speaker 1: it for me already, you know what I'm saying. So
• 30:56
  Speaker 1: I had to do what I had to do. That
• 30:58
  Speaker 1: was one of the best rebranding situation I've seen. Yeah,
• 31:01
  Speaker 1: I think in the last ten years, it's probably being myself,
• 31:03
  Speaker 1: two Chains and Joe Budden and I was just crazy,
• 31:09
  Speaker 1: like a lot of people didn't know, Like even when
• 31:10
  Speaker 1: I took the job to be vice president Atlantic Records,
• 31:13
  Speaker 1: like I never did like a press release. I never
• 31:14
  Speaker 1: did nothing like that because I knew this was gonna hate.
• 31:17
  Speaker 1: You know what I'm saying. I think it's it's better
• 31:19
  Speaker 1: to stay low and keep firing or president. I had
• 31:22
  Speaker 1: no idea. Yeah, when the hell that happened two and
• 31:25
  Speaker 1: a half years ago. Wow, by the way, like we
• 31:30
  Speaker 1: in Atlantic parkt I with you and you the VP
• 31:33
  Speaker 1: of Atlantic driving away after the breakfast club interview. Yeah,
• 31:37
  Speaker 1: after the breakfast club interview. What he became vice president
• 31:40
  Speaker 1: my last interview here. I took the job after that,
• 31:43
  Speaker 1: and then we were up here talking. I think at
• 31:45
  Speaker 1: that point, like I had a couple number ones. I
• 31:47
  Speaker 1: did Big Sean Bounce Back, I did Chris Brown Party
• 31:49
  Speaker 1: and then going to Atlantic Man. In the last two
• 31:51
  Speaker 1: and a half years as a writer and producer, I
• 31:53
  Speaker 1: sold over fifteen million records with him and our VP,
• 31:57
  Speaker 1: and I gave a Boogie his first number one record
• 32:00
  Speaker 1: and Meet Meal first number one record. So that so
• 32:05
  Speaker 1: you you and jeremiahre partners still no, Like that's my brother.
• 32:09
  Speaker 1: He changed my life like for real, for real when
• 32:11
  Speaker 1: nobody was rocking with me. He took me on tour,
• 32:12
  Speaker 1: and everybody know Jeremiah bounced to be to his own
• 32:15
  Speaker 1: drum like so we never seen them exactly. So I
• 32:18
  Speaker 1: was able to have like fifty Jeremiah records. Nobody has
• 32:21
  Speaker 1: Jeremiah hooks and all that other stuff, and I was
• 32:23
  Speaker 1: able to run it up and that really put me
• 32:25
  Speaker 1: in a position and really like changed my life for real,
• 32:27
  Speaker 1: for real. Yeah, that's interesting because I always thought you
• 32:29
  Speaker 1: guys were partners kind of in the is it unofficially
• 32:32
  Speaker 1: partners or it's just my brother And we just worked
• 32:35
  Speaker 1: like we're serial collaborators, like and you know, we just
• 32:37
  Speaker 1: work all the time. That's what's funny. The funny is
• 32:39
  Speaker 1: that the girl from Loving hip Hop hays will Eat,
• 32:41
  Speaker 1: introduced me to Jeremiah and wow, we went to the
• 32:44
  Speaker 1: studio to do well. Jeremiah came to do a record
• 32:46
  Speaker 1: for her, and then it turned into just me and
• 32:48
  Speaker 1: him working and me giving a song to meet and
• 32:50
  Speaker 1: Meek and Chris Brown first collaboration. So Love and hip
• 32:52
  Speaker 1: Hop helped your life? Mere about some boys? But I mean,
• 32:56
  Speaker 1: I mean, I'm glad I made it out. Who is it? Me?
• 32:58
  Speaker 1: Cardi By? I wouldn't say Kate Micheale, but she right
• 33:02
  Speaker 1: back in it anyway. So Joe, but Joe, Joe Button
• 33:05
  Speaker 1: right back here. Still he was talking about made it out?
• 33:07
  Speaker 1: What about termory? No? I feel bad for tire. Yeah
• 33:12
  Speaker 1: so she could pay fifty No, she ain't got it.
• 33:14
  Speaker 1: She ain't got it. What do you mean back in
• 33:17
  Speaker 1: the ships like I mean, back on the show, back
• 33:19
  Speaker 1: on a boy like I could just imagine what Joe
• 33:21
  Speaker 1: was gonna go through this season with him, you know
• 33:23
  Speaker 1: what I'm saying, and his baby mother and not being
• 33:26
  Speaker 1: together like they gonna they're gonna spice that up. I
• 33:28
  Speaker 1: don't understand why he's back on Loving Hip. The man
• 33:31
  Speaker 1: told him he got a million dollars to do it.
• 33:32
  Speaker 1: I still don't believe, no way, he's a liar. God
• 33:35
  Speaker 1: damn it. Still don't back You wanted to go back
• 33:40
  Speaker 1: on the show at one point? Oh no, not after
• 33:42
  Speaker 1: they try to trash me with that hole because I
• 33:45
  Speaker 1: don't understand why just be saying like that, as if
• 33:48
  Speaker 1: we're not all in this business and we can't fact
• 33:50
  Speaker 1: check Joe John around looking for cars. He might no
• 33:52
  Speaker 1: million dollars to be on No Loving Hip podcast? Mother,
• 33:55
  Speaker 1: Please page one wouldn't approve that, Vick. I want to prove. Now,
• 34:00
  Speaker 1: come on, Burke getting fifteen hundred dollars episode saying enjoy
• 34:06
  Speaker 1: it a million dollar. Maybe they doubled up. Maybe they
• 34:11
  Speaker 1: gave him five and gave Sin five, And that's how
• 34:13
  Speaker 1: you make five thousand. Now he's not doing a hundred
• 34:16
  Speaker 1: thousand for the season five hundred thousand. You think that
• 34:19
  Speaker 1: so kind of hard too. Who you think is the
• 34:21
  Speaker 1: most paid person on Love and Himp? I would think
• 34:23
  Speaker 1: Remy Moro and Papoos right now. It depends. I mean,
• 34:26
  Speaker 1: I don't really watch this show right now. I don't
• 34:28
  Speaker 1: know the way the backs to risk dollars shut up.
• 34:31
  Speaker 1: But then, you know what, you have a lot of
• 34:32
  Speaker 1: connections on there because a one you did, But I'm
• 34:35
  Speaker 1: saying you do have a lot of connections at all.
• 34:40
  Speaker 1: Why don't want Burke because like, um, they put me
• 34:44
  Speaker 1: in a mix all that love and hip hop, you
• 34:45
  Speaker 1: know what I'm saying. Like I was trying to separate
• 34:47
  Speaker 1: myself from that because I went through traumatic on the show,
• 34:51
  Speaker 1: like they tried to like kill my whole career again,
• 34:54
  Speaker 1: and like they put me around a bunch of bulls
• 34:57
  Speaker 1: and I was just like, yo, keep that away from me.
• 34:59
  Speaker 1: Danny went trade mark, like I would always say, like tough,
• 35:02
  Speaker 1: like that's my Then he went trademark behind my back.
• 35:05
  Speaker 1: Isn't that your album? Yeah? He went trademarket Peril and
• 35:08
  Speaker 1: everything that says he gave us so don't just told
• 35:12
  Speaker 1: me I would think that was after him. It's just
• 35:14
  Speaker 1: like like it could be used for multiple different things,
• 35:17
  Speaker 1: you know, trade market, Yeah he did. Y'all remember the
• 35:22
  Speaker 1: video where they were in live in the studio and
• 35:24
  Speaker 1: people ran up in the studio. That was cap though,
• 35:28
  Speaker 1: that was loving hip hop cap for them to add
• 35:30
  Speaker 1: to the host because wow, So that's what that's where
• 35:35
  Speaker 1: we parted ways Because I'm like, Yo, if y'all could
• 35:38
  Speaker 1: use me for that type of bait, just for whatever
• 35:40
  Speaker 1: y'all doing, then ain't no telling what y'all could do
• 35:42
  Speaker 1: with me. And like I'm vice president of Atlantic Records.
• 35:45
  Speaker 1: I can't be having no like that go on. You
• 35:47
  Speaker 1: know what I'm saying. That's that was literally my pace
• 35:49
  Speaker 1: of business that Atlantic put me in the studio to
• 35:51
  Speaker 1: be it. So I had to cut that off for it.
• 35:53
  Speaker 1: So did you know it was? It was? It was
• 35:55
  Speaker 1: fake when it was happening. Um, he was just on
• 35:58
  Speaker 1: Instagram live, you know. I'm saying like he would walk
• 36:01
  Speaker 1: in and out the room and be doing a lot
• 36:02
  Speaker 1: of different stuff. I didn't know nothing. So when they
• 36:04
  Speaker 1: ran up and then you thought it was a real situation. Yeah,
• 36:06
  Speaker 1: so that could have went bad. Yeah, yeah, you could
• 36:08
  Speaker 1: have had a gun. Something could have you know what
• 36:10
  Speaker 1: I mean, Your people could have shot somebody. Like who
• 36:12
  Speaker 1: are you telling hip hop? So do you want to
• 36:15
  Speaker 1: rap again? You don't want to be an artist? Absolutely not. See.
• 36:17
  Speaker 1: The thing is that a lot of people were like, yeah,
• 36:20
  Speaker 1: I am a writer, Yeah I'm a producer, But I'm
• 36:21
  Speaker 1: about to be the biggest executive in the game, Like
• 36:23
  Speaker 1: Craig Calman gonna have to get up out that seat
• 36:25
  Speaker 1: for me, you know what I'm saying one of these days,
• 36:27
  Speaker 1: Like I'm about to be bigger than every executive out
• 36:30
  Speaker 1: here because I actually have the relationships and I actually
• 36:33
  Speaker 1: make these records, Like when I created Dangerous for me,
• 36:36
  Speaker 1: like that was just something me just being in the studio.
• 36:38
  Speaker 1: We did that song in thirty minutes, and then it
• 36:40
  Speaker 1: turned into being a big record for them. And I
• 36:41
  Speaker 1: think that a lot of nrs, no disrespect to them.
• 36:44
  Speaker 1: A lot of them are glorified middlemen, you know what
• 36:46
  Speaker 1: I'm saying. They're just like, oh, I know this person,
• 36:49
  Speaker 1: or they're taking credit for records because they put somebody
• 36:51
  Speaker 1: in the studio with somebody when I'm actually on the
• 36:53
  Speaker 1: ground level getting my hands dirty with it. But there's
• 36:56
  Speaker 1: a talent to hooking people lept and putting people with
• 36:58
  Speaker 1: people as well. I understand you're saying, but my talent
• 37:01
  Speaker 1: is just bigger. I'm not you did Craig comment just now,
• 37:04
  Speaker 1: No one of the job. I'm inspire to that, La Reid.
• 37:09
  Speaker 1: I'm all these different executives I'm learning from QCP coach
• 37:12
  Speaker 1: k Like, I looked him in the face and be like, Yo,
• 37:15
  Speaker 1: I'm gonna be bigger than you. And nothing wrong with
• 37:17
  Speaker 1: that nah. But I will say it's very hard for
• 37:20
  Speaker 1: creatives to be in those seats. That's why a guy
• 37:22
  Speaker 1: like Craig will be in that seat. Like they don't
• 37:24
  Speaker 1: put creators Lie Craig Calman as a co producer. I
• 37:26
  Speaker 1: like it, Like that Cardi B record with j Balbot
• 37:28
  Speaker 1: and Autumn, he actually didn't. Yeah, he has a vinyl
• 37:33
  Speaker 1: like all covering all the wall sample. Yeah, La Reid,
• 37:37
  Speaker 1: he's an executive too. He was a music creator. He
• 37:40
  Speaker 1: was a creator. So that's a talent. That's not a
• 37:43
  Speaker 1: talent like on your level. That's far as sitting down
• 37:45
  Speaker 1: actually doing the yeah like and really creating stuff. I
• 37:48
  Speaker 1: think that it's really more so like the blessed thing
• 37:51
  Speaker 1: about what I do is that, Like I said, like
• 37:53
  Speaker 1: I really a bookie. Had never worked with nobody like
• 37:56
  Speaker 1: like that, like closely, because he just goes in the
• 37:58
  Speaker 1: studio and just kills these records and goes crazy and
• 38:01
  Speaker 1: they plock up and they go stupid. I was the
• 38:03
  Speaker 1: first one for them and like really open the fold.
• 38:05
  Speaker 1: We went to Hawaii. He gave me his whole album
• 38:07
  Speaker 1: look back At It was a song that was like
• 38:10
  Speaker 1: he had that song for nine months. So Media Vice
• 38:12
  Speaker 1: Presidlantic Records. I was able to hear the record. He
• 38:14
  Speaker 1: was waiting on the sample to be clear. The song
• 38:16
  Speaker 1: was actually five minutes and some change long. I took
• 38:19
  Speaker 1: the record in Hawaii. I added the snaps to it
• 38:21
  Speaker 1: and our restructure the record and made it a three
• 38:23
  Speaker 1: minute record and it was our first number one again.
• 38:25
  Speaker 1: Craig got might be the except to the ruble. We're
• 38:26
  Speaker 1: not to sit there and act like these white executives.
• 38:28
  Speaker 1: We having talent, like come on stop. Charlo Mane said that,
• 38:31
  Speaker 1: and they be culturally cool. It's like a mother a
• 38:35
  Speaker 1: time a lot of people. It's a lot of nepotism
• 38:37
  Speaker 1: that go on with it. You know, like when one
• 38:39
  Speaker 1: person get it up, they get a little homie the job.
• 38:42
  Speaker 1: You know what I'm saying, which is nothing wrong with
• 38:43
  Speaker 1: that as long as you qualify for the gig. You know,
• 38:46
  Speaker 1: all right? We got more with Young Bird, a ka
• 38:48
  Speaker 1: hit maker when we come back, do movies to Breakfast Club,
• 38:50
  Speaker 1: Good Morning the DJ Envy Angela Yee Cholomagne, the guy
• 38:54
  Speaker 1: we all the Breakfast Club with, kicking it with Young
• 38:56
  Speaker 1: Bird and get a hit maker. Yeah, let's talk about
• 38:59
  Speaker 1: your project, right because you have dot Box out now. Yeah,
• 39:02
  Speaker 1: thought Boxes came out. He's thot Box. It's serious all
• 39:06
  Speaker 1: the time. I don't want to be an artis huh?
• 39:08
  Speaker 1: You said you don't want to be so colleague type thing.
• 39:11
  Speaker 1: It's a producer album. So I have the pleasure to
• 39:13
  Speaker 1: work with on thought Box, A Boogie two Change, meet
• 39:16
  Speaker 1: mill While be in the Mirror, a Tiger all on
• 39:19
  Speaker 1: the record. So it's all up. So I would assume
• 39:22
  Speaker 1: that it's pretty easy for you to get anybody to
• 39:24
  Speaker 1: be on your album because you work with a lot
• 39:25
  Speaker 1: of these artists and they want to get some beats
• 39:27
  Speaker 1: from you. So did you like exchanges? Yeah, we could.
• 39:30
  Speaker 1: We could swap it out. That's what I did with everybody. Well,
• 39:32
  Speaker 1: first and foremost a lot of people. Well, I didn't
• 39:35
  Speaker 1: got so much money and I didn't got so lit
• 39:36
  Speaker 1: that I'm not really charging people, you know what I'm saying,
• 39:38
  Speaker 1: Like if I got a relationship with you, like a
• 39:40
  Speaker 1: two change. I've known him since he was Titty Boy.
• 39:43
  Speaker 1: His record already on A Grande Ruled the World his
• 39:45
  Speaker 1: last hit. I did that. I didn't charge him though,
• 39:47
  Speaker 1: you know what I'm saying. That's how I was able
• 39:48
  Speaker 1: for him to get on my record and everybody that's
• 39:51
  Speaker 1: pretty much on that on that get your money from
• 39:53
  Speaker 1: Royal to Yeah. I remember when def Jam asked me,
• 39:56
  Speaker 1: I wish you be the single long too Change album
• 39:58
  Speaker 1: and I said that and he was like no matter
• 40:00
  Speaker 1: like they said anything but the area on the Grande record,
• 40:02
  Speaker 1: and look at it, it's about to get a plack
• 40:04
  Speaker 1: right now. That's some of them people that don't know
• 40:06
  Speaker 1: what they're talking about. Shout out to everybody at death Jail.
• 40:08
  Speaker 1: Maybe they was going through you know, they just transition
• 40:11
  Speaker 1: and they've been hiring and firing people a lot, so
• 40:13
  Speaker 1: I mean, maybe they were tripping and lost in the
• 40:15
  Speaker 1: sauce on that one. What did it hit? Make? Gonna
• 40:16
  Speaker 1: learn from Young Bird Young Bird made a lot of mistakes. Yeah,
• 40:20
  Speaker 1: keep the right people around you. Never do too much.
• 40:23
  Speaker 1: You know, I was wilding back in the day, Like wow, yeah,
• 40:26
  Speaker 1: like I was you on drugs, are drinking a lot?
• 40:28
  Speaker 1: Like what was it? I did extacy a lot back
• 40:30
  Speaker 1: in the day, and you know, like it was good
• 40:32
  Speaker 1: for me because I made all them hit records on it,
• 40:34
  Speaker 1: and it was bad for me because you know, you
• 40:36
  Speaker 1: get out of character when you're young and you just
• 40:38
  Speaker 1: get millions of dollars out of nowhere, like and you
• 40:41
  Speaker 1: don't have no ogs, you don't have nobody telling you
• 40:43
  Speaker 1: what to do, what not to do, how to move,
• 40:45
  Speaker 1: how not to move. You end up in some young
• 40:47
  Speaker 1: bird and hopefully you work hard enough to become hitmaker.
• 40:51
  Speaker 1: You have the most random stories, I'm sure things that happened. Yeah,
• 40:55
  Speaker 1: my life is a real life for real. Worked a
• 40:58
  Speaker 1: lot with Nicki Minaj. Yeah. What do you think about
• 41:00
  Speaker 1: her coming out and saying that she's retiring? Um, the
• 41:03
  Speaker 1: thing is with Nikki, I think that people feel like
• 41:06
  Speaker 1: she's going through something right now. But everybody's sitting in
• 41:09
  Speaker 1: this room. No, that's just Nicki Minaj jo, Like you
• 41:11
  Speaker 1: know what I mean? Time she cursed me out and
• 41:13
  Speaker 1: I said some of the craziest to me in the world.
• 41:16
  Speaker 1: But on the oh, she meek was gonna beat me
• 41:20
  Speaker 1: up at one point when they was dating and all that. Yeah,
• 41:23
  Speaker 1: like she no, she called task eat. I was on
• 41:26
  Speaker 1: a Nikki hate train. But my thing is, like, Yo,
• 41:29
  Speaker 1: how are you work for Atlantic? You know Atlantic had
• 41:31
  Speaker 1: a plot? No, absolutely, absolutely not. And at the end
• 41:35
  Speaker 1: of the day, I cannot say nothing bad about Nikki
• 41:37
  Speaker 1: because yeah, she cursed me out and we did a
• 41:39
  Speaker 1: lot of it together. Like when I was when I
• 41:41
  Speaker 1: was working with her, she really put her arm around
• 41:43
  Speaker 1: me and really embraced me, and like I got a
• 41:45
  Speaker 1: lot of cloud like a lot of cool points because
• 41:47
  Speaker 1: I'm in NICKI mina studio every day. I ended up
• 41:50
  Speaker 1: doing six records on her album and it was great
• 41:53
  Speaker 1: time for me. Minus But now that I got money
• 41:55
  Speaker 1: and I'm rich, like, I can't be taught. It won't
• 41:57
  Speaker 1: be tolerated. Like talking to me like that, I can't
• 41:59
  Speaker 1: do it. Accuse you of being on the hate train
• 42:01
  Speaker 1: because you work for Atlantic. No, not at all. She was. Yeah,
• 42:04
  Speaker 1: she was actually proud of me when I first got
• 42:06
  Speaker 1: my gig, Like I told her, she flew me down
• 42:08
  Speaker 1: in Miami because like for a while, like her and
• 42:11
  Speaker 1: Meek were dealing with each other and I'm gonna keep
• 42:13
  Speaker 1: it a hunted, like Meek voted me off the island.
• 42:16
  Speaker 1: You know what I'm saying. At that time, it was
• 42:19
  Speaker 1: his girl. I was in the studio all the time
• 42:21
  Speaker 1: with it, and I just think that it was like, yo,
• 42:22
  Speaker 1: he got to move around, so they removed me. I
• 42:25
  Speaker 1: moved around and me and when they broke up, she
• 42:26
  Speaker 1: hit me back and we ended up working a little bit.
• 42:29
  Speaker 1: Why didn't remove you? I'm confused. Why did he remove
• 42:32
  Speaker 1: you from the studio. It's just crazy time, Charlotte. Man,
• 42:34
  Speaker 1: it was just real crazy time. So I thought that
• 42:36
  Speaker 1: you was trying to get with Nikki. Wasn't justifiable? Could
• 42:39
  Speaker 1: you understand it? The truth of the matter is that
• 42:42
  Speaker 1: I didn't know him and Nikki were dating. Tried to no.
• 42:45
  Speaker 1: So I would see Meek out and I'm like, yo,
• 42:48
  Speaker 1: I'm gonna go do this. I'm gonna go do this
• 42:50
  Speaker 1: with with some holes or whatever. I didn't know they
• 42:52
  Speaker 1: was dating. So I'm in the studio just talking like
• 42:56
  Speaker 1: you know what I'm saying. I've seen Meek earlier. You
• 42:57
  Speaker 1: know this that in the third ball was kicking it
• 42:59
  Speaker 1: che she went snitched on me like it Like I
• 43:02
  Speaker 1: didn't know that they were dating at all, and that's
• 43:04
  Speaker 1: how we got That's how it happened. But you would
• 43:07
  Speaker 1: see Meek with girls. No, now you're wrong, Now you wrong.
• 43:12
  Speaker 1: And Meek is my guy, so don't even do that.
• 43:15
  Speaker 1: Meek was just at my birthday dinner. That's my dog,
• 43:17
  Speaker 1: So don't even throw no. I say he was out
• 43:22
  Speaker 1: in the club and Meek was in the companies. Oh yeah,
• 43:23
  Speaker 1: was in the clubs host Meek was there. He might
• 43:25
  Speaker 1: not have been doing nothing, got using the club with
• 43:30
  Speaker 1: some hosts. God, you cleared that up for you, bro,
• 43:32
  Speaker 1: Thank you. I'm a woman for me too, because Safari
• 43:35
  Speaker 1: was actually around at the same time too, so like
• 43:38
  Speaker 1: I would be in a studio with Nikki and Safari
• 43:40
  Speaker 1: would be in the studio and then but she was
• 43:44
  Speaker 1: I don't know. It was during that transition period. Yeah,
• 43:46
  Speaker 1: it was a weird time. When did you make the decision?
• 43:50
  Speaker 1: Like I guess fully commit to the hit maker. Um
• 43:53
  Speaker 1: I just realized that, yo, Like I got good product,
• 43:55
  Speaker 1: but people didn't want it from me. They didn't want
• 43:57
  Speaker 1: me to be the one that was delivering a message
• 43:59
  Speaker 1: of the liver in the song. So my first big
• 44:02
  Speaker 1: ones were m John by Rick Rossing, Little Wayne. I
• 44:04
  Speaker 1: was Grammy nominated for that shout out to a key
• 44:07
  Speaker 1: yep um. Then my next big one was Tamar Braxton,
• 44:10
  Speaker 1: the one, and that's what prompted me to fly back
• 44:13
  Speaker 1: and move back to La shout out to Vincent Herber.
• 44:15
  Speaker 1: Then Tamar Braxton, you know that was that was a
• 44:16
  Speaker 1: good look for y'all. For y'all, no boy like and Tamar.
• 44:24
  Speaker 1: It's funniest hair. It's funniest here with Tamar because after
• 44:27
  Speaker 1: I gave her a hit, like, she went on a
• 44:30
  Speaker 1: ranted I didn't do this and I didn't do that
• 44:32
  Speaker 1: or whatever. And then like I was at the b
• 44:34
  Speaker 1: and My Awards and like I've seen her and I
• 44:36
  Speaker 1: touched her and she was like Vince, he touched me
• 44:39
  Speaker 1: and I just touched her on the shoulder, and y'all,
• 44:40
  Speaker 1: I was like, damn, I just gave you a hit.
• 44:43
  Speaker 1: And then from there when she did it was just
• 44:46
  Speaker 1: like high bird, yellow Dog. I don't want to look
• 44:50
  Speaker 1: at no man with a mouth book listen man. She
• 44:56
  Speaker 1: didn't realize that you worked on the song. Oh she knew.
• 44:59
  Speaker 1: Rest in Peace Lushan Daniels who just passed. She for
• 45:01
  Speaker 1: sure knew that what I did and what my collaboration
• 45:04
  Speaker 1: to the song was. They took my tag off the song.
• 45:07
  Speaker 1: They went crazy one and then I don't know, they
• 45:09
  Speaker 1: didn't want to get me the credit. You know, I
• 45:11
  Speaker 1: wasn't I wasn't big enough at that point, I guess.
• 45:13
  Speaker 1: And then she all in my pictures on my likes,
• 45:16
  Speaker 1: my comments, so I guess she wanted another Bird. Don't
• 45:18
  Speaker 1: get it better for you? Is it better for you
• 45:22
  Speaker 1: to like stay behind the scenes and just write and produce?
• 45:25
  Speaker 1: Or Yeah? Why would I want to work as hard
• 45:28
  Speaker 1: as he got to work? Yeah, Like I'm I'm I'm
• 45:30
  Speaker 1: in a studio. You think I want to run around
• 45:32
  Speaker 1: like for my single and for my stuff, I'm doing
• 45:35
  Speaker 1: it strictly. Because they say Young Bird was finished, he'll
• 45:38
  Speaker 1: never have another hit record again. I went and I
• 45:41
  Speaker 1: had hit records. Now I'm about to have a hit
• 45:43
  Speaker 1: record with my exactly not Young Bird no more. I mean,
• 45:46
  Speaker 1: if I until I get a face off or something
• 45:49
  Speaker 1: like that, I'm still gonna be mean. You know what
• 45:50
  Speaker 1: I'm saying, Huh, you're married? No, not at all. I
• 45:52
  Speaker 1: see the ring on you. That ring fingers to the game.
• 45:55
  Speaker 1: I'm like Marcus Graham right now, for real, for real,
• 45:57
  Speaker 1: all right, we got more with Young Bird a kit
• 46:00
  Speaker 1: making when we come back, Let's get into his new joint.
• 46:02
  Speaker 1: It's called Stop Box. It's the Breakfast Club Morning. That
• 46:06
  Speaker 1: was Stop Box Morning. Everybody's DJ Envy Angela Yee, Charlomagne
• 46:10
  Speaker 1: the guy, we are the breakfast club hit maker. Young
• 46:13
  Speaker 1: Bird is hill. Ye. Since you said that Levin hipp
• 46:15
  Speaker 1: tried to destroy you. That was the whole situation with
• 46:17
  Speaker 1: Mesica right where they said that you had attacked there,
• 46:19
  Speaker 1: things had gotten physical. Have you guys resolved that situation?
• 46:22
  Speaker 1: Since then? You and Mesica, Me and Mosica talk all
• 46:24
  Speaker 1: the time. In fact, she actually came up here and
• 46:26
  Speaker 1: told y'all and none of that happened, and Charlott Wayne
• 46:28
  Speaker 1: was sniffing our seat and all that other I remember
• 46:30
  Speaker 1: that must been a long time. I had to be
• 46:33
  Speaker 1: about seven years ago, about ago, about six. Mosica wasn't
• 46:37
  Speaker 1: famous seven years ago, BROI sniffing Sea was about six
• 46:42
  Speaker 1: years ago. Loving hip Hop was twenty and fourteen, so
• 46:46
  Speaker 1: it was five years. But there were there were also
• 46:49
  Speaker 1: rumors that she was dating Jeremiah at a period of time.
• 46:52
  Speaker 1: I think, I don't know, so does that make you
• 46:54
  Speaker 1: feel away? Knowing that was your ex and then she
• 46:56
  Speaker 1: dated Jeremiah Gotta love Bird. This is this Hollywood it like,
• 47:00
  Speaker 1: so let's be clear, like the whole cast. I probably
• 47:03
  Speaker 1: smashed the whole cast of Loving hip Hop when we
• 47:05
  Speaker 1: was on it. It's mad women. I won't even say
• 47:07
  Speaker 1: because I'm not a Kissing Tales type. Dude, I ain't
• 47:12
  Speaker 1: say no names. I'm just saying, like it's Hollywood. You
• 47:15
  Speaker 1: know how it go? Man, y'all? You know kind of
• 47:18
  Speaker 1: like we all say it's weird, but you know I'm
• 47:22
  Speaker 1: not on that no more. I will not be doing
• 47:23
  Speaker 1: it with any leftovers from any of my friends or
• 47:26
  Speaker 1: colleagues that I work with. Just no, I will be
• 47:29
  Speaker 1: important and exporting to doing something out the norm because no,
• 47:37
  Speaker 1: the most definitely don't disrespect my seeker like that. Man,
• 47:42
  Speaker 1: that's it. I don't. We might have to go back
• 47:44
  Speaker 1: and look at that footage. It exists up because we
• 47:49
  Speaker 1: live in this era. Like you see someone in the
• 47:51
  Speaker 1: inn and that you think that's it all the time,
• 47:52
  Speaker 1: Like you know, you make little Mama cry. I watch
• 47:55
  Speaker 1: I watched all the Breakfast Club interviews. Yes you did.
• 47:58
  Speaker 1: I was a while boy back there, black man, don't cheat.
• 48:02
  Speaker 1: We've all wrong, We've all evolved. You know what I'm saying.
• 48:04
  Speaker 1: Were different people. Good morning, my ska. How are you? Yeah?
• 48:07
  Speaker 1: I don't I don't like him saying that he whatever
• 48:10
  Speaker 1: he said. No, he just said that, you don't know.
• 48:16
  Speaker 1: I don't know. Maybe I don't know. I mean they
• 48:18
  Speaker 1: did date him, say that. I thought that was something
• 48:25
  Speaker 1: that was known, like I didn't know that. Okay, So hey, guys,
• 48:28
  Speaker 1: if you're dating and you're adult and then you're twenty nineteen,
• 48:33
  Speaker 1: safe to say you didn't got some some action. I mean,
• 48:36
  Speaker 1: I wouldn't consider myself dating nobody. If I haven't slept
• 48:38
  Speaker 1: with him. You might not want to give it to you.
• 48:40
  Speaker 1: You might want wait to r. You wouldn't be with
• 48:41
  Speaker 1: somebody who's selling it. Nah. See. I got to smash
• 48:45
  Speaker 1: the first night immediately because I don't Yeah, because I
• 48:49
  Speaker 1: don't want to waste my time. What if you put
• 48:50
  Speaker 1: in like two months in or something and not get
• 48:53
  Speaker 1: something in it the sexual chemistry isn't there. But if
• 48:55
  Speaker 1: you don't record the past two and a half years,
• 48:57
  Speaker 1: I shouldn't have one that half million records, eight number ones,
• 49:02
  Speaker 1: so many top tens I can't even really count them,
• 49:04
  Speaker 1: but I mean form terribly that first night you asked
• 49:08
  Speaker 1: for a doover? Do you ever have to apologize? It
• 49:11
  Speaker 1: depends on how I feel about the chick, you know
• 49:13
  Speaker 1: what I'm saying, Because like sometimes you know, it could
• 49:16
  Speaker 1: just be like an in and out type situation, or
• 49:18
  Speaker 1: if I really want to go in, I would I
• 49:20
  Speaker 1: would catch a redo. Don't you feel like you have
• 49:22
  Speaker 1: to represent in this climate because they'd be like, yeah,
• 49:24
  Speaker 1: I was with a hitmaker, and I don't know why
• 49:25
  Speaker 1: they call them that because that hit did not make it. Nah.
• 49:31
  Speaker 1: I mean you got money, you might not have to
• 49:34
  Speaker 1: hit it as hard as you think. So oh, come
• 49:36
  Speaker 1: on for real, people talk know how much they can
• 49:40
  Speaker 1: say it about me. I do not care what nobody
• 49:42
  Speaker 1: got to say about me. Run my check. I'm happy.
• 49:45
  Speaker 1: I there people that you'll never forgive from during that
• 49:48
  Speaker 1: era that might want to work with you, that are big,
• 49:49
  Speaker 1: But you're like, I'll never work with that trick. May No,
• 49:52
  Speaker 1: it ain't no reason to work with trick Trick or
• 49:54
  Speaker 1: may know anyway right now? I mean seriously, I mean,
• 49:57
  Speaker 1: God blessed them both of their careers. But I never
• 50:00
  Speaker 1: what people didn't know about the fact that I never
• 50:02
  Speaker 1: met Trick Trick the day of my life. I don't
• 50:03
  Speaker 1: know that, man I don't know the people. And Mayno,
• 50:05
  Speaker 1: you know what I'm saying. He was, He's a cool guy,
• 50:07
  Speaker 1: like I just think that that guy blown out of
• 50:10
  Speaker 1: proportion and that was something that he kind of took
• 50:11
  Speaker 1: and ran with it on a little press publicity type
• 50:14
  Speaker 1: of thing or whatever. But there there's no reason to
• 50:16
  Speaker 1: work with them though. Yeah, Charlotte Mane, you're trying to
• 50:19
  Speaker 1: get me in trouble right now, He paused. I mean,
• 50:25
  Speaker 1: I don't listen to I like Mano music. I mean personally,
• 50:29
  Speaker 1: I just don't feel like they're relevant to what's going on.
• 50:31
  Speaker 1: I don't think I'm catching the number one with them.
• 50:33
  Speaker 1: I don't want to leave this out there because you know,
• 50:34
  Speaker 1: everybody's grown, everybody's evolved. People woren't think you took a
• 50:37
  Speaker 1: shot at me. Absolutely absolutely not. I have nothing but
• 50:43
  Speaker 1: love for Mayno and Trick Trick. Those are things that
• 50:45
  Speaker 1: happened over ten years ago. I cannot carry that type
• 50:48
  Speaker 1: of energy with me. No disrespect. I respect everybody there.
• 50:52
  Speaker 1: You go, and when is that fall album coming out.
• 50:55
  Speaker 1: I'm gonna just drop single, out the single, out the single,
• 50:57
  Speaker 1: and go platinum with all of them, and then dropped
• 50:58
  Speaker 1: the album like Tiger and My Gonna go gold the
• 51:01
  Speaker 1: first week and what's the name of the album? Big Tom?
• 51:03
  Speaker 1: Who else is on the album? The whole Industry, Charlotte Maagne,
• 51:08
  Speaker 1: Little Duval, black Man, don't cheat, remix on my on
• 51:11
  Speaker 1: my own's doing. I don't know if you into that.
• 51:14
  Speaker 1: If you're part of the Faithful Blackmail Association, I can
• 51:16
  Speaker 1: know you gotta believe in me. You know, I gotta
• 51:17
  Speaker 1: get a part of out. Do you got a girl?
• 51:19
  Speaker 1: You gotta woman? Know? So, I mean at some point, yeah,
• 51:22
  Speaker 1: of course, at some point, I gotta settle down. I'm
• 51:24
  Speaker 1: getting old. I gotta share these experiences with somebody that
• 51:27
  Speaker 1: Kevin allowed told me a long time it was experience exactly,
• 51:31
  Speaker 1: because like you can achieve all these goals and then
• 51:33
  Speaker 1: get all this wealth and get everything, and then have
• 51:35
  Speaker 1: nobody to share it with, and then you look back
• 51:37
  Speaker 1: and just be like, damn, I just worked my whole
• 51:39
  Speaker 1: life and now I don't got nothing. But I'm still young,
• 51:42
  Speaker 1: so probably like thirty five. You know what I'm saying.
• 51:43
  Speaker 1: I get active take girls like on vacation and things
• 51:46
  Speaker 1: like that. Yeah, of course, of course, I'm just asking.
• 51:50
  Speaker 1: I haven't seen no pictures of that, so nah, see,
• 51:52
  Speaker 1: were keeping on it low. I ain't like Joe button
• 51:54
  Speaker 1: like how he was just saying I was there that
• 51:57
  Speaker 1: same weekend. He was there. I know yo were together. No,
• 52:00
  Speaker 1: why wouldn't you be with Joe? What's wrong? Man? But
• 52:02
  Speaker 1: I wouldn't know you want to be king with Joe? No.
• 52:05
  Speaker 1: First of all, Joe was dumped off because Joe was
• 52:06
  Speaker 1: with right woman. I don't know who. Joe wasn't trying
• 52:12
  Speaker 1: to run into none of us. I've seen her. She
• 52:15
  Speaker 1: was very voluptuous. She was very easy. No, I mean
• 52:19
  Speaker 1: I've seen it on. Just sorry. I hit him, know,
• 52:22
  Speaker 1: I was like, you got He was like, let's go
• 52:23
  Speaker 1: get me. I said let's go get then, and he
• 52:25
  Speaker 1: was like hit me back. The next money was like, man,
• 52:26
  Speaker 1: I would have went out, but I was knee defensive.
• 52:29
  Speaker 1: Masks last night, Charlotmagne with a thick woman. You just
• 52:37
  Speaker 1: with Charlotte Maagne and man, that's film in love and
• 52:39
  Speaker 1: hip hop right now, come on, I don't do that, Charlotte. Man,
• 52:44
  Speaker 1: it's gonna be the next thing, right now, what kind
• 52:46
  Speaker 1: of woman are you looking for? Um? Somebody? Well, it's hard.
• 52:51
  Speaker 1: Remember last time you asked to ask, don't even do that.
• 52:53
  Speaker 1: It's hard. It's hard dating. You know what I'm saying now,
• 52:56
  Speaker 1: because it's like you don't know if the woman. See
• 52:58
  Speaker 1: Charlotte Magne's situation different, Your situation is different. You both
• 53:02
  Speaker 1: known your wives for ever, so y'all really came from
• 53:05
  Speaker 1: the mud together. Now meeting a chick like like, I
• 53:09
  Speaker 1: love the Star Tenders. I love the girls in Starlars,
• 53:11
  Speaker 1: but I can't think that they can actually be one
• 53:13
  Speaker 1: of my girlfriends. They don't know me. They're gonna catch
• 53:15
  Speaker 1: me throwing money at them. In fact, I've never been
• 53:17
  Speaker 1: in Starlars, and none of them clubs either. I'm never
• 53:19
  Speaker 1: going to your ball. I never give it. Gram Lust
• 53:23
  Speaker 1: lusts crazy, you like the most Bernies. She got a
• 53:26
  Speaker 1: Starlars no more. No, they got new Star Tenders. Yeah,
• 53:32
  Speaker 1: they got new one bird it's one cup name the
• 53:34
  Speaker 1: Cold that's bad as one name Winny that's bad. And
• 53:37
  Speaker 1: they all cool people. They got a Graham Yeah what
• 53:41
  Speaker 1: I'm just looking at your black man exactly what I
• 53:52
  Speaker 1: would make a hit maker bird? Yeah, I appreciate y'all
• 53:56
  Speaker 1: having me mana Nicole. Hey, yeah, chill Charlotte, man, you
• 54:00
  Speaker 1: know what made up hot you just made either Go
• 54:02
  Speaker 1: get your bible, bro, I'm just looking all right as
• 54:04
  Speaker 1: the breakfast club is bird hit maker. Yes, sir a
• 54:08
  Speaker 1: d you get dunk you are arect I'm gonna fatten
• 54:21
  Speaker 1: all that around your eye. They want this man to
• 54:24
  Speaker 1: donken Blowers. Man, they're waiting for Charlemagne to talk. They
• 54:28
  Speaker 1: had to make a judgment who was gonna be on
• 54:30
  Speaker 1: the donkey of the day. They chose you because the
• 54:32
  Speaker 1: breakfast club, bitch you who's donkey of the day to day? Yes,
• 54:36
  Speaker 1: donkey of the day goes to the doctors at Leicester
• 54:38
  Speaker 1: Royal Infirmary. Now, in certain places, bro, if they mess
• 54:42
  Speaker 1: your order up, it can be life changing, all right.
• 54:45
  Speaker 1: You know, if you're going into a doctor's office, that
• 54:46
  Speaker 1: shouldn't turn into a what I asked for a versus
• 54:49
  Speaker 1: what I got the situation. But that's exactly what happened
• 54:52
  Speaker 1: to a seventy year old British man named Terry Brizier
• 54:54
  Speaker 1: when he went to Leicester Royal Infirmary. So he Terry
• 54:58
  Speaker 1: went to this hospital. Paul bladder for see you, he
• 55:01
  Speaker 1: was just going to get a sister costs. I don't
• 55:03
  Speaker 1: know how to pronounce that sistoscopy, all right. Basically, that's
• 55:07
  Speaker 1: what botox is injected into the bladder wall to help
• 55:09
  Speaker 1: control your nation and our deification. Now. I don't know
• 55:12
  Speaker 1: why they didn't put Terry under during this procedure, but
• 55:15
  Speaker 1: for whatever reason, Terry was chatting it up with the
• 55:17
  Speaker 1: staff and didn't realize until he pulled off from the
• 55:20
  Speaker 1: drive through that instead of the number three quarter pound
• 55:22
  Speaker 1: to a cheese meal he ordered, they gave him a
• 55:24
  Speaker 1: number two cheeseburger mill. Now, sometimes when you go back
• 55:27
  Speaker 1: to get your food after McDonald's or some fast food
• 55:30
  Speaker 1: restaurant screws up your order, they just let you keep
• 55:33
  Speaker 1: whatever they gave you, and then they give you what
• 55:35
  Speaker 1: you actually wanted, so you end up getting blessed with
• 55:38
  Speaker 1: more than what you came for. I guess Terry can
• 55:40
  Speaker 1: look at the bright side in this situation, because depending
• 55:43
  Speaker 1: on who you ask. Okay, even though Leicester Roll Infirmary
• 55:47
  Speaker 1: got to order wrong, they might have gotten Terry right now.
• 55:50
  Speaker 1: I'm not gonna let Terry tell you himself. Oh, I'm
• 55:53
  Speaker 1: gonna let Terry tell you himself how Leicester Roll Infirmary
• 55:57
  Speaker 1: got to order wrong. Let's go to Lechester Live for
• 55:58
  Speaker 1: the report and please listening to tell the end. The
• 56:01
  Speaker 1: end is very important. I went into the hospital and
• 56:04
  Speaker 1: tells some botox about before my active bladder. Nurse came
• 56:08
  Speaker 1: from the setter and asked me, is that your name
• 56:12
  Speaker 1: suggests that? Took me into surgery and they carried on
• 56:16
  Speaker 1: the procedure, but there was no other checks of who
• 56:22
  Speaker 1: I am, my age, date of birth. No, this is
• 56:26
  Speaker 1: what we're going to do, and they know this, that
• 56:28
  Speaker 1: and the other. Just at the end of the procedure
• 56:30
  Speaker 1: they went into another room and then realized that they'd
• 56:34
  Speaker 1: done the wrong procedure. I wondered what was going on,
• 56:37
  Speaker 1: and then she actually told me and they went, you know,
• 56:40
  Speaker 1: you were supposed to come in for botox. Unfortunately with
• 56:43
  Speaker 1: circumcised you, he went in for bulltox. And he's circumcised,
• 56:50
  Speaker 1: so he wasn't circumcised already. Yeah. Man, he just went
• 56:52
  Speaker 1: in for a simple little bulltox of the bladder. Oh no,
• 56:55
  Speaker 1: he's just trying to get his urination and duplication the
• 56:58
  Speaker 1: right and instead he ended up getting that pickle take
• 57:00
  Speaker 1: out the back. Now, for everybody out there who was
• 57:02
  Speaker 1: a faithful member of the Brotherhood of the Hooded Pirates,
• 57:05
  Speaker 1: I don't end view you. I had a skin bridge
• 57:07
  Speaker 1: up until I was about seventeen. It was just one
• 57:09
  Speaker 1: little piece of from my shaft to the head of
• 57:11
  Speaker 1: my penis in the amount of smegma I used to
• 57:14
  Speaker 1: build up under that little skin bridge. Now, if you
• 57:16
  Speaker 1: don't know what schmegma is, it's like it's like you
• 57:19
  Speaker 1: can't believe it's not butter, just with a little pungent smell.
• 57:22
  Speaker 1: It's like ToeJam, but under the Yeah, I think like
• 57:26
  Speaker 1: the fresh avocado spread that be on your avocado toast.
• 57:29
  Speaker 1: It's like that, but with a yellowish color. Somewhere right now,
• 57:33
  Speaker 1: somebody heard me say that, right if they've bit into
• 57:35
  Speaker 1: the avocado toast. Good morning right now. I'm I'm looking.
• 57:38
  Speaker 1: I'm not in the four Skins shaming. Okay, there's plenty
• 57:40
  Speaker 1: of people out there who love riding the covered wagon.
• 57:43
  Speaker 1: You would be surprised how many people like that Auntie
• 57:45
  Speaker 1: Andie's original pretel dog with a side of peck of cheese.
• 57:48
  Speaker 1: So maybe the Leechester Royal Infirmary did terry your favor.
• 57:52
  Speaker 1: Now It's not like Terry could go back and get
• 57:54
  Speaker 1: that sausage scarf put back on. So he was awarded
• 57:57
  Speaker 1: more than twenty four thousand dollars in compensation. That doesn't
• 58:00
  Speaker 1: seem like a lot of money to me for that
• 58:02
  Speaker 1: visit to y'all. No, okay, But if you want to
• 58:06
  Speaker 1: know why there was a surgical screw up, it was
• 58:08
  Speaker 1: because of the staff mixing up notes. Now, if there's
• 58:13
  Speaker 1: no word on if he got the surgery that he
• 58:15
  Speaker 1: actually came for, the boltops on the bladder. But aren't
• 58:18
  Speaker 1: you happy, Terry that you don't have to worry about
• 58:19
  Speaker 1: getting your foreskin stuck in your zipper anymore. Look, once again,
• 58:23
  Speaker 1: I am not shaming any of you brothers who love
• 58:25
  Speaker 1: to play Fortnite while playing with your foreskin. All I'm
• 58:27
  Speaker 1: saying is, when there's one hundred degrees out, we can
• 58:30
  Speaker 1: smell that smegma frying and your jeans. That's all I'm saying.
• 58:33
  Speaker 1: So maybe, just maybe this hospital did tear your favor,
• 58:36
  Speaker 1: But that's really not the morals of the story. The
• 58:38
  Speaker 1: moral of the story is they got his order wrong.
• 58:41
  Speaker 1: Please give Leechester Royal Infirmary the biggest he all all right, Well,
• 58:48
  Speaker 1: thank you for that dog kid today. Maybe they did
• 58:50
  Speaker 1: him a favor, though I heard it's very painful when
• 58:54
  Speaker 1: you're older. Do you like a circumcised penis? Is? I've
• 58:57
  Speaker 1: only ever seen one in person. Were you grossed out? No?
• 59:00
  Speaker 1: Because it was actually I was a version that I
• 59:02
  Speaker 1: didn't know until looking back, You didn't know that. You
• 59:05
  Speaker 1: didn't know that different, You didn't know the difference. Okay,
• 59:08
  Speaker 1: what about the turtleneck. It was probably harder to handle
• 59:12
  Speaker 1: and deal with too. Okay, the turtleneck, like you gotta like,
• 59:15
  Speaker 1: all right, pull it back, Okay, because I think McGuire
• 59:20
  Speaker 1: clean it. They have to pull it back also, and
• 59:22
  Speaker 1: like roll the turtle yelling at ye for people thinks
• 59:25
  Speaker 1: that people do on a day l e. People are eating.
• 59:27
  Speaker 1: They don't want to hear about I didn't say anything
• 59:29
  Speaker 1: about that. What the turtle? Now? Stop ford skin shaming people.
• 59:33
  Speaker 1: You have to like roll the turtle neck cack we
• 59:36
  Speaker 1: in New York we got a large Caribbean and Spanish audience.
• 59:38
  Speaker 1: What does that mean? Don't shame him? What does that mean?
• 59:41
  Speaker 1: What does the Caribbean mean? And Latina will be what
• 59:43
  Speaker 1: does that mean? Huh? Like a slinky guys a little
• 59:50
  Speaker 1: Peekaboo girl tired of playing peakable Charne, Thank you for that.
• 59:55
  Speaker 1: Donkey to day, The Breakfast Club, Good Morning, the Breakfast
• 59:59
  Speaker 1: Club Morning, Everybody's DJ MVY, Angela Yee, Charlomagne, the guy
• 1:00:06
  Speaker 1: we all to Breakfast Club. We got a special guest
• 1:00:09
  Speaker 1: in the building. You got money from Hollywood Unlocked. You
• 1:00:12
  Speaker 1: might know him from there, Jason Lee. Jason got a bag,
• 1:00:15
  Speaker 1: you know, and Angela is here. Yeah, I wasn't here
• 1:00:18
  Speaker 1: when you were here before. But again, thank you Jason
• 1:00:20
  Speaker 1: Lee for actually giving a breakfast club an award. Of
• 1:00:23
  Speaker 1: course when you had your ceremony. So if you want
• 1:00:25
  Speaker 1: to tell us what that was all about. Yeah, So
• 1:00:28
  Speaker 1: I had told the story at the brunch that I
• 1:00:31
  Speaker 1: was on MTV and VH one and and applied to
• 1:00:33
  Speaker 1: go to the MTV Awards and then told me I
• 1:00:35
  Speaker 1: couldn't come. So I was like, how is it that
• 1:00:37
  Speaker 1: I'm on the network and can't come. So I went
• 1:00:39
  Speaker 1: and created my own award show, the Hollywood Led Social
• 1:00:42
  Speaker 1: Impact Brunch. So when we were going through the list
• 1:00:44
  Speaker 1: of you know, people who are important to us, of
• 1:00:46
  Speaker 1: course the Breakfast Club was at the top of the list.
• 1:00:48
  Speaker 1: So the Breakfast Club got the Culture Award. We just
• 1:00:50
  Speaker 1: got the name plays back, so we'll be sending that
• 1:00:52
  Speaker 1: in the mail soon. What's that I heeartbag? Though? Like
• 1:00:54
  Speaker 1: you know, first of all grounding applause to Jason legg boy.
• 1:00:57
  Speaker 1: Years you've been building Hollywood Unlocked. Yeah, and now it's
• 1:01:01
  Speaker 1: nationally syndicated. Man, Look, last time I was here, I said, Uh,
• 1:01:04
  Speaker 1: this interview was an important part of that journey because
• 1:01:07
  Speaker 1: I feel like people actually really see you when you're here.
• 1:01:11
  Speaker 1: And uh, what I do want? I want to shout
• 1:01:13
  Speaker 1: charltagne because as soon as we walked out, he got
• 1:01:15
  Speaker 1: on the phone and hit the folks up at our
• 1:01:16
  Speaker 1: heart and said, hey, we need to figure out some
• 1:01:18
  Speaker 1: with Jason. Next day I was on a call and
• 1:01:20
  Speaker 1: here I am nationally syndicated. What's that bag? Like? Though?
• 1:01:24
  Speaker 1: The back is really I didn't want to text you
• 1:01:25
  Speaker 1: and ask you. I wanted to wait to see you.
• 1:01:27
  Speaker 1: This is what I will say different cologne. I know
• 1:01:29
  Speaker 1: that much has Versacchi. I look at dj Envy's Instagram.
• 1:01:34
  Speaker 1: I got goals. I will say the thing I love
• 1:01:37
  Speaker 1: about I heart. You know, white folks pay on time.
• 1:01:40
  Speaker 1: They called me about the check. They were like, are
• 1:01:41
  Speaker 1: you ready for the wire. I'm like, yeah, yeah, thank you,
• 1:01:45
  Speaker 1: I heart which is two hour show right the count
• 1:01:48
  Speaker 1: down people who yeah, what it is? Okay? So Hollywood,
• 1:01:51
  Speaker 1: I'm like, you know, we say we're the post of
• 1:01:52
  Speaker 1: pop culture. We talk, you know, reckless, interview a lot
• 1:01:56
  Speaker 1: of the different people that are out there in the business,
• 1:01:58
  Speaker 1: both on the on the pop culture side and you know,
• 1:02:01
  Speaker 1: white side, but we also talk to you know, folks
• 1:02:03
  Speaker 1: who are a part of hip hop. So the two
• 1:02:06
  Speaker 1: hour show is going to basically be us interviewing people
• 1:02:09
  Speaker 1: that you know and asking the craziest questions, Like then,
• 1:02:12
  Speaker 1: Antoine Fuqua, I want him right now. The other day
• 1:02:15
  Speaker 1: sent me a Ceason assist letter. I get now I'm
• 1:02:18
  Speaker 1: getting sued more after this interview. Matter of fact, because
• 1:02:20
  Speaker 1: you asked me if I'm getting sued now. They think
• 1:02:22
  Speaker 1: it's just a gateway to send me lawsuits. Well, you know,
• 1:02:26
  Speaker 1: Antoine Fuqua, you know he's in the news because he
• 1:02:29
  Speaker 1: was out there messing around with his family friend Nicole Murphy,
• 1:02:32
  Speaker 1: and so it's a friendly kiss. Yeah. I mean, it
• 1:02:35
  Speaker 1: was like Jordan Woods sitting on Tristan's lap. That's the
• 1:02:37
  Speaker 1: thing in Hollywood, right, Well, Charlotmaye sit on Windy Williams
• 1:02:39
  Speaker 1: Lap just years ago, and I can't wait for that reunion. So, yeah,
• 1:02:45
  Speaker 1: apparently we had dug up some receipts. I guess he
• 1:02:48
  Speaker 1: had a kid or something on his wife some time ago, allegedly.
• 1:02:50
  Speaker 1: So there's these court documents. Yeah, there's these court documents,
• 1:02:53
  Speaker 1: and so we put it up and so he doesn't
• 1:02:55
  Speaker 1: want us to talk about him. But I'm like, if
• 1:02:57
  Speaker 1: you was just focusing on movies and not cheating on
• 1:03:00
  Speaker 1: your wife, none of us would be paying attention to like,
• 1:03:01
  Speaker 1: men don't cheat. Were there any other officers on the table,
• 1:03:04
  Speaker 1: any other situations you have to say the name. But
• 1:03:06
  Speaker 1: we had been talking to people, and I think you
• 1:03:08
  Speaker 1: know the fact that I heart decided to take a risk,
• 1:03:10
  Speaker 1: and you know I first thing I said to them
• 1:03:12
  Speaker 1: before the wire came was what do you what do
• 1:03:15
  Speaker 1: you want me to polish up? Because I'm sure that
• 1:03:17
  Speaker 1: you want me to clean up. They were like, nah,
• 1:03:18
  Speaker 1: don't change. If there's any notes we're given to you,
• 1:03:20
  Speaker 1: like we give to Charlotte Man, I said, okay, give
• 1:03:23
  Speaker 1: me on notes, just this platform. They have never told us,
• 1:03:29
  Speaker 1: don't say anything, don't have this guest, nothing at all. Yeah.
• 1:03:32
  Speaker 1: I wasn't here when you came to the breakfast club
• 1:03:34
  Speaker 1: last time. But is it ever a concern for you
• 1:03:36
  Speaker 1: when you have relationship with somebody reporting on stories about them.
• 1:03:39
  Speaker 1: Has that ever been an issue for you? No, like
• 1:03:41
  Speaker 1: you saw a lot. So I'm back on love and
• 1:03:43
  Speaker 1: hip hop. I know everybody's like, why did you go
• 1:03:44
  Speaker 1: back to loving hip hop? That's so you do it? Well,
• 1:03:48
  Speaker 1: the bag was right, and about his bag, well, let
• 1:03:51
  Speaker 1: me say this, the bag was right. I was shout
• 1:03:53
  Speaker 1: out to Mona and Big Fish. They did a great
• 1:03:55
  Speaker 1: job with that. But also I like the fact that
• 1:03:57
  Speaker 1: this season they actually are shooting real my brother who
• 1:04:00
  Speaker 1: was murder murder when I was nineteen. That was a
• 1:04:02
  Speaker 1: really important part of my life. I think it's an
• 1:04:04
  Speaker 1: important part of people getting to know who I am.
• 1:04:07
  Speaker 1: So when they approached me and said we'd love to
• 1:04:09
  Speaker 1: tell that story and then the money was right, I
• 1:04:10
  Speaker 1: was like, of course, so I say that to say,
• 1:04:13
  Speaker 1: last episode, I had to confront a one about his
• 1:04:16
  Speaker 1: cheating on Lyrica Anderson, and yeah, it was uncomfortable, but
• 1:04:20
  Speaker 1: it is. I mean, I'm gonna put it up and
• 1:04:21
  Speaker 1: you gonna run into me anyway, so I might as
• 1:04:22
  Speaker 1: well just tell you. You know, I like giving people
• 1:04:24
  Speaker 1: heads up, Like I was here last time talking about Chloe.
• 1:04:26
  Speaker 1: I give you the heads up so we can put
• 1:04:28
  Speaker 1: in what you say. You say it ain't true. Well
• 1:04:31
  Speaker 1: what were y'all doing? Let's the last time you got
• 1:04:32
  Speaker 1: threatened for putting something up. I haven't been threatened yet.
• 1:04:35
  Speaker 1: I absolutely know with this new show, I'm gonna get threatened.
• 1:04:38
  Speaker 1: But here's the yo. Because you be out too, I
• 1:04:42
  Speaker 1: will call the police. Let me tell you something I'm
• 1:04:45
  Speaker 1: sending y'all come down, Let's be clear. Run up on
• 1:04:50
  Speaker 1: me if you want to, because that is great content.
• 1:04:52
  Speaker 1: I can create a video series out of the journey
• 1:04:55
  Speaker 1: going to take sending you to jail still when you uh,
• 1:04:58
  Speaker 1: you know, I'm roll you to death, like like little
• 1:05:01
  Speaker 1: nas him trolling being gay, I said on my Instagram.
• 1:05:04
  Speaker 1: There's this whole new there's a new gay level of gay.
• 1:05:07
  Speaker 1: There's there's the weekend gay. You know you just get
• 1:05:09
  Speaker 1: on the weekend. There's a homeless sexual the weekend. The
• 1:05:12
  Speaker 1: weekend homeless is a homelesssexual that needs a place to live,
• 1:05:19
  Speaker 1: so he might you know, second year. And then and
• 1:05:21
  Speaker 1: then there's and then there's the you know, the totally
• 1:05:24
  Speaker 1: trolling gay like I'm just gonna troll being gay because
• 1:05:27
  Speaker 1: being gay is cool and I'm gonna get my cloud up.
• 1:05:30
  Speaker 1: I don't I don't know what's going on in the
• 1:05:32
  Speaker 1: industry these days. So, yeah, you say Little is really gay.
• 1:05:34
  Speaker 1: I saw you. I saw you ranting about that. I know.
• 1:05:36
  Speaker 1: I just called him ugly like eighty two times. He
• 1:05:38
  Speaker 1: ain't really that ugly. I only trolled him because I
• 1:05:41
  Speaker 1: felt and he followed us by the way, shout out
• 1:05:42
  Speaker 1: to you. Uh, he's a talented kid. You know, kid,
• 1:05:47
  Speaker 1: he is a kid. He's when you over eighteen, I'm
• 1:05:50
  Speaker 1: say over nineteen, you're it's fair gay and that beat
• 1:05:55
  Speaker 1: Marian Carrey he can take. He can take a load
• 1:05:58
  Speaker 1: no fun intended any else that was a troll himself. Yes,
• 1:06:02
  Speaker 1: he knows the game. He's like Soldier Bay. It is
• 1:06:04
  Speaker 1: what it is, all right. We got more with Jason
• 1:06:06
  Speaker 1: Lee when we come back. Don't move. It's the Breakfast Club.
• 1:06:08
  Speaker 1: Good morning Morning. Everybody is DJ Envy Angela, Ye, Charlomagne
• 1:06:12
  Speaker 1: the guy. We all the Breakfast Club right now, We're
• 1:06:15
  Speaker 1: still kicking it with Jason Lee from Loving Hip Hop
• 1:06:17
  Speaker 1: LA and Hollywood Unlocked. Yea. I think people sliding in
• 1:06:20
  Speaker 1: your DMS. This is I heart deal. Yeah, we know
• 1:06:23
  Speaker 1: somebody in room thinks you're handsome. Jason who. I'm gonna
• 1:06:27
  Speaker 1: let you figure it out. I'm a married man, Charlomagne
• 1:06:29
  Speaker 1: iss a married man. That's three. He doesn't count because
• 1:06:34
  Speaker 1: she's not a woman exactly. Okay, so's I'm gonna let
• 1:06:38
  Speaker 1: you figure it out. Listen, keep the I'm making eye
• 1:06:43
  Speaker 1: contact with everybody, anybody. No, you know, I think you know,
• 1:06:50
  Speaker 1: after I said the whole justice small thing last time,
• 1:06:52
  Speaker 1: I think people are like, yeah, I'm not him, Why
• 1:06:56
  Speaker 1: that man? But I don't even want to comfort who
• 1:06:58
  Speaker 1: him over there? Close though? Marriage do? I like beards
• 1:07:09
  Speaker 1: like not beards like guys that are throwing him under
• 1:07:12
  Speaker 1: the bus. Listen, listen. I'm an equal opportunist as long
• 1:07:20
  Speaker 1: as you have good hygiene, and like, you know, whoever
• 1:07:23
  Speaker 1: else you put on the side ain't gonna be on
• 1:07:24
  Speaker 1: my Instagram. I'm cool. That's right. There's only two people
• 1:07:27
  Speaker 1: I've heard him say, you got to crush on it
• 1:07:29
  Speaker 1: with you and Lizzo. Oh Lizzo, yea Lizza out here
• 1:07:35
  Speaker 1: doing her thing though. And this is what I understand
• 1:07:37
  Speaker 1: about the Internet. People are so unfair, Like I get
• 1:07:40
  Speaker 1: fat shamed, you know, because I'm not skinny at all,
• 1:07:43
  Speaker 1: But this Lizzle is praise. Lizzo is praised for being overweight,
• 1:07:46
  Speaker 1: and she's like, I mean, she's like not even like
• 1:07:49
  Speaker 1: discreet fat, which is not a bad thing. She just
• 1:07:51
  Speaker 1: put all my fat out there. Fat. Yeah, but you
• 1:07:54
  Speaker 1: know when she does get body shamed also, she just
• 1:07:56
  Speaker 1: chooses to be really positive love and the message that
• 1:07:59
  Speaker 1: she sends out because because there are definitely people saying
• 1:08:01
  Speaker 1: negative things, but I think when you put that positivity
• 1:08:04
  Speaker 1: out there so much, there's gonna be a lot more.
• 1:08:06
  Speaker 1: She's my hero. She's actually one of my favorite people
• 1:08:08
  Speaker 1: right now. And I love her whole movement. I love
• 1:08:10
  Speaker 1: how she's embraced it. And I mean you if you
• 1:08:12
  Speaker 1: attack Lizzo, yeah, I think you're just a hater. And
• 1:08:14
  Speaker 1: you see she goes through it too. I mean, she's
• 1:08:16
  Speaker 1: done posts herself where she talks about dealing with her
• 1:08:18
  Speaker 1: own issues with depression and feeling a certain way. So
• 1:08:22
  Speaker 1: everyone goes through it, Yeah, when you're in that spotlight.
• 1:08:24
  Speaker 1: Well I don't though, because keep talking about me. I
• 1:08:27
  Speaker 1: just keep keep on talking about me. I actually want
• 1:08:29
  Speaker 1: to interview NICKI Minaj. Do you guys have had the
• 1:08:30
  Speaker 1: privilege of doing that? Is that a fun a few times? Yeah?
• 1:08:33
  Speaker 1: I haven't seen Nicki you know who. She cursed me
• 1:08:37
  Speaker 1: and out one time, but she pretty, she's she's invited
• 1:08:40
  Speaker 1: on the show. I want to Why do you want
• 1:08:41
  Speaker 1: to interview Nicki Minaj? I just think it would be fun.
• 1:08:44
  Speaker 1: She's gonna check you first and formal. That's okay, check
• 1:08:46
  Speaker 1: each other. Yeah, yeah, it's an equal opportunity checking. The
• 1:08:49
  Speaker 1: Bob's still on your ass. No, the barbers have left
• 1:08:52
  Speaker 1: me alone. Ariana Grande fans have left me alone, and
• 1:08:55
  Speaker 1: the Beehive has left me alone. Everybody's leaving me alone.
• 1:08:58
  Speaker 1: Everything is good right now? Bothering you? Because my team
• 1:09:02
  Speaker 1: shot the rock Nation brunch. They sal was chasing around
• 1:09:07
  Speaker 1: the party. It's funny. I'm gonna lie it was a
• 1:09:11
  Speaker 1: little bit no. But my team got a picture of
• 1:09:14
  Speaker 1: Beyonce's twins. I remember that, and we were like excited, like,
• 1:09:18
  Speaker 1: oh my god, she finally shared the kids. So I'm like, oh,
• 1:09:20
  Speaker 1: the kids were so cute, but they could put it up.
• 1:09:22
  Speaker 1: And then the next thing I know, Newsweek is calling
• 1:09:24
  Speaker 1: and they're like, how did you steal these photos? I'm like,
• 1:09:26
  Speaker 1: still these fucking in the house in pictures? They put
• 1:09:30
  Speaker 1: online that I was sneaking in our house. First of all,
• 1:09:32
  Speaker 1: if I get in Beyonce, this is crazy, right, you
• 1:09:34
  Speaker 1: got into the house. No listen, one week I'm chasing
• 1:09:38
  Speaker 1: around the party. The next week I'm in her house
• 1:09:40
  Speaker 1: taking photos of the kids off the wall. Did you
• 1:09:42
  Speaker 1: get a cease and desist from anybody or rock Nation?
• 1:09:44
  Speaker 1: But shot shout to event no short she called. She
• 1:09:48
  Speaker 1: said that baby, baby, I need you to take that down.
• 1:09:50
  Speaker 1: I go, what happened? She goes that that wasn't not there.
• 1:09:52
  Speaker 1: That's okay, cool, but it's kind of too late. Then
• 1:09:54
  Speaker 1: it was everywhere. Everybody didn't took it from the near
• 1:09:56
  Speaker 1: by it. I didn't see it in nowhere after Hollywood
• 1:09:58
  Speaker 1: on luck what I hit news week up? I was
• 1:10:00
  Speaker 1: like and I went off on them and they I
• 1:10:02
  Speaker 1: thought they would take it down. They just like retracted
• 1:10:05
  Speaker 1: and said Jason Lee said he wasn't there, so still there?
• 1:10:08
  Speaker 1: Right listen, let me ask you something about Beyonce. Right, Um,
• 1:10:11
  Speaker 1: the dude are in there, who got a crush on you?
• 1:10:13
  Speaker 1: He said that Beyonce was overrated? Who said that? And
• 1:10:15
  Speaker 1: then he said Drake. What happened? He said, Drake was
• 1:10:18
  Speaker 1: a bigger star. I don't want to say currently current
• 1:10:23
  Speaker 1: the current climate, Drake is a biggest star, bigger than one,
• 1:10:27
  Speaker 1: more more relevant right now as far as music and
• 1:10:29
  Speaker 1: putting out product, I would say, so, I'm gonna just
• 1:10:31
  Speaker 1: say this first of all, that you know, the Bible
• 1:10:33
  Speaker 1: talks about one and that's not forgivable in this blasphemy. Uh.
• 1:10:37
  Speaker 1: I went to see Beyonce at Coachella and we enjoyed.
• 1:10:40
  Speaker 1: I mean, it was magnificent performance, homecoming or whatever. We
• 1:10:43
  Speaker 1: didn't know she was filming a whole album and a
• 1:10:46
  Speaker 1: movie at the same time. The work ethic is beyond like.
• 1:10:49
  Speaker 1: Nobody can question that, right, Drake undoubtedly is one of
• 1:10:53
  Speaker 1: the best. Um, I'll tell you a quick Drake story
• 1:10:55
  Speaker 1: about how I got thrown out his party last time
• 1:10:58
  Speaker 1: I come here. Tristan tom that chest. That's another one.
• 1:11:01
  Speaker 1: I would love to have him just random Sorry, sorry,
• 1:11:04
  Speaker 1: I'm having flashed back, had me escorted out in public.
• 1:11:07
  Speaker 1: We get back to that. But about who's bigger Beyonce period,
• 1:11:13
  Speaker 1: Drake would say that though, don't he have a song
• 1:11:15
  Speaker 1: called Beyonce exactly or something like that? Now, why did Drake.
• 1:11:19
  Speaker 1: You just don't know what bigger is. That's all I do. Hey, hey,
• 1:11:26
  Speaker 1: this is the best. This is the best show ever.
• 1:11:29
  Speaker 1: You know, I'm all right, wait, but are you Melisia
• 1:11:37
  Speaker 1: got no, because it's Melisia slid in my DMS last night.
• 1:11:39
  Speaker 1: I'm gonna asked when I get back to la Okay,
• 1:11:41
  Speaker 1: So Drake, now, okay, no, we off Drake. Drake is
• 1:11:44
  Speaker 1: definitely Drake. Didn't shout out to Drake Drake. I went
• 1:11:48
  Speaker 1: to a Drake party in London and he actually, I
• 1:11:51
  Speaker 1: mean I think it was uncomfortable that I was there,
• 1:11:53
  Speaker 1: but he was like, you know, we had a conversation.
• 1:11:54
  Speaker 1: I'm on Drake before he got famous, when he you know,
• 1:11:57
  Speaker 1: they had no money, and I told him here you
• 1:11:58
  Speaker 1: can have my phones. I ain't here to I'm just
• 1:12:00
  Speaker 1: here a good time. Fast forward, uh SERGEI vaka you
• 1:12:04
  Speaker 1: know so use he won the championship, you know, the
• 1:12:10
  Speaker 1: Toronto Raptors. So he invited me, Drake through them a
• 1:12:12
  Speaker 1: party and he invited me. So I was excited. I
• 1:12:14
  Speaker 1: went out, you know, I got dressed to get there
• 1:12:17
  Speaker 1: and as soon as we walk in, Tristan's at the
• 1:12:19
  Speaker 1: bar and I'm like damn it, it's now. That was
• 1:12:22
  Speaker 1: probably the most awkward running because I ain't seen him
• 1:12:24
  Speaker 1: since you know, he cheated on his uh baby mama's
• 1:12:27
  Speaker 1: sisters and you broke the story. Oh absolutely, men don't
• 1:12:30
  Speaker 1: cheat Tristans Canadian though, so you don't come. Yeah, okay.
• 1:12:33
  Speaker 1: So then I was standing at the bar and then
• 1:12:35
  Speaker 1: my phone ranked, so I go, okay, I'll be right back.
• 1:12:37
  Speaker 1: So I get the phone. I go to walk outside
• 1:12:39
  Speaker 1: of talking on the phone because I'm meeting somebody else,
• 1:12:41
  Speaker 1: and they kind of, you know, someone just kind of
• 1:12:42
  Speaker 1: like you feel an arm behind you, but like an
• 1:12:44
  Speaker 1: usher in church. They was just ushering me out the door.
• 1:12:46
  Speaker 1: So I said, hold on, man, I said, what's that?
• 1:12:48
  Speaker 1: What's going on? So they said, oh, man, you know
• 1:12:50
  Speaker 1: this is a private party. We're gonna have to ask
• 1:12:52
  Speaker 1: you leave. So people outside are like, hey, jasp get
• 1:12:54
  Speaker 1: me and I'm like, how can I get you? And
• 1:12:55
  Speaker 1: I'm getting kicked out. I ain't never been kicked out.
• 1:12:59
  Speaker 1: So I left and surgeon them. We're like, come back,
• 1:13:01
  Speaker 1: we'll get you back in. But yeah, he had me esquare.
• 1:13:02
  Speaker 1: I didn't know him and Drake were good friends like that.
• 1:13:04
  Speaker 1: Now in the Aukle situation where you see Tristan Thompson
• 1:13:06
  Speaker 1: at an event, would you have said hello before you
• 1:13:08
  Speaker 1: if you didn't get kicked out, would you go up
• 1:13:10
  Speaker 1: and be like, how you doing? I would have gone
• 1:13:12
  Speaker 1: up to him and said, Hey, Tristan, what's something I
• 1:13:13
  Speaker 1: would love to interview you? I would I would no
• 1:13:17
  Speaker 1: saying yeah, no security that day I didn't. I mean, listen,
• 1:13:19
  Speaker 1: I don't think that you're I don't think that you
• 1:13:21
  Speaker 1: can be taking serious as a commentator, radio person at
• 1:13:24
  Speaker 1: moderated until you get punched in the face, especially if
• 1:13:27
  Speaker 1: you're spicy. If you're spicy and you got a strong POV,
• 1:13:30
  Speaker 1: I think you gotta get punched in the face. Has happened.
• 1:13:31
  Speaker 1: I've been punched twice, have you? Yes? Joe Buden has
• 1:13:34
  Speaker 1: been punched, Like you gotta get punched Jim Rome, remember
• 1:13:36
  Speaker 1: Jim Room. Wait, so I'm gonna get punched. Probably Wendy
• 1:13:40
  Speaker 1: william she got ran up on but didn't get punched. Yeah.
• 1:13:43
  Speaker 1: I've been hanging with Angie Martinez. She got punched. She
• 1:13:49
  Speaker 1: never read Angie book. No, you gotta read a book. Really,
• 1:13:54
  Speaker 1: I've been hanging with Wendy lately. She man, I wish
• 1:13:56
  Speaker 1: I could have saw y'all back together, I mean just together.
• 1:13:58
  Speaker 1: I'm waiting for her to come here, you to go
• 1:14:00
  Speaker 1: there at some point we just need to see that.
• 1:14:02
  Speaker 1: But we look forward to hearing this show that the
• 1:14:04
  Speaker 1: man is August seventeenth, drawing me farting words. It's wrong
• 1:14:08
  Speaker 1: with you, bron. I ain't ed a Puerto Rican a
• 1:14:10
  Speaker 1: long time after. It's not about being about catching a
• 1:14:20
  Speaker 1: vibe exactly. And you guys were not hearing the out
• 1:14:26
  Speaker 1: seem like you, but I catching that vibe. We're not.
• 1:14:28
  Speaker 1: We're not hearing to out people. So don't do that.
• 1:14:31
  Speaker 1: When I hear the out people, so don't do that.
• 1:14:33
  Speaker 1: You just said that Jason was handsomest guy. It's okay.
• 1:14:36
  Speaker 1: We can continue to go to get your answer my
• 1:14:38
  Speaker 1: food quiet interview. Yeah, yeah, I'm coming for you. What
• 1:14:42
  Speaker 1: do you drink? Waters? Here you go, you need Jason
• 1:14:51
  Speaker 1: Lee is the breakfast club? The more the breakfast club
• 1:14:58
  Speaker 1: wanting everybody's DJ Envy, Angela, Guee, Charlomagne, the guy. We
• 1:15:02
  Speaker 1: are the breakfast club. Now, if you just joined us,
• 1:15:05
  Speaker 1: if you watched the Kardashians, Uh, this is what happened,
• 1:15:08
  Speaker 1: and then we'll explain. Let's play the audio. He was
• 1:15:10
  Speaker 1: really upset. She was putting her in the car and
• 1:15:12
  Speaker 1: Penelope scratched her face. Kid scratch? Can you pop the kid?
• 1:15:16
  Speaker 1: And it's cool, no, but you could also say something
• 1:15:19
  Speaker 1: to her in the moment. I'm sorry, but if he
• 1:15:22
  Speaker 1: scratch me for no reason, I'm whip for her ass.
• 1:15:24
  Speaker 1: And I explained to y'all, lady, what I will. Penelope's
• 1:15:30
  Speaker 1: asked if she scratched, you are talking about daughter's asks.
• 1:15:36
  Speaker 1: If she touched you, now you explain what they're talking about.
• 1:15:39
  Speaker 1: Corey Gamble, that's Chris Jenner's boyfriend said that if Penelope,
• 1:15:42
  Speaker 1: who is Courtney Kardashian's daughter, scratched him in the face,
• 1:15:46
  Speaker 1: he would whip her ass right now. I actually hit
• 1:15:49
  Speaker 1: my uh, my niece when when I was younger, I
• 1:15:52
  Speaker 1: didn't know no better. I popped her on the hand
• 1:15:54
  Speaker 1: and I was wrong for it. I felt funny for it.
• 1:15:56
  Speaker 1: Um she was acting up and I popped up and
• 1:15:59
  Speaker 1: I had a conversation with her dad, and you know,
• 1:16:01
  Speaker 1: we talked about it was no big problem. No, he
• 1:16:04
  Speaker 1: wasn't mad at all that like like my grandmother used to.
• 1:16:07
  Speaker 1: I remember my grandmother beating me for spraying wrote spray
• 1:16:10
  Speaker 1: on the stove just so I can see the flames
• 1:16:11
  Speaker 1: go up. That's your grandmother, your grandma. Your grandma's your
• 1:16:14
  Speaker 1: big mama. You know what I'm saying. Your grandma is
• 1:16:16
  Speaker 1: the person who used to beat your parents, so being
• 1:16:19
  Speaker 1: that you came from her, charing, okay, she has the
• 1:16:22
  Speaker 1: right to put her hands on your grandma really might
• 1:16:24
  Speaker 1: be the only person. And I sprayed the road spray
• 1:16:26
  Speaker 1: and then I and I said something to Grandma like
• 1:16:28
  Speaker 1: don't hit me. And then when my dad got there,
• 1:16:31
  Speaker 1: my dad beat me for talking to his mother like
• 1:16:33
  Speaker 1: that exactly. Grandma and granddaddy might be the only person
• 1:16:35
  Speaker 1: that have the rights to do that, But I mean
• 1:16:37
  Speaker 1: me personally, he's kind of like a granddaddy though, Corey Gamble, Yeah,
• 1:16:40
  Speaker 1: he's kind of like a grandma. Why is her grandfather
• 1:16:43
  Speaker 1: grandfather's grandfather? No, no, no, but he's not married, he's
• 1:16:47
  Speaker 1: not my blood. The moral of the story is, I
• 1:16:48
  Speaker 1: don't beat my children. I don't beat my children because
• 1:16:51
  Speaker 1: I just don't see the need, you know what I'm saying.
• 1:16:52
  Speaker 1: And furthermore, I think that you could just have a
• 1:16:54
  Speaker 1: conversation with kids. But I'm definitely not putting my hands
• 1:16:57
  Speaker 1: on nobody else child, like you put your hands on
• 1:16:59
  Speaker 1: some aud else child then me and you got smoked immediately.
• 1:17:03
  Speaker 1: There's never a reason for you to put hands on
• 1:17:07
  Speaker 1: my children. And what if I don't beat my kids,
• 1:17:09
  Speaker 1: but you you hit my kids. Nigga that think about that?
• 1:17:13
  Speaker 1: What if I don't hit my kids, but my kids
• 1:17:14
  Speaker 1: are at your house and then they get hit by
• 1:17:16
  Speaker 1: you an a dolt. Now we gotta catch now, me
• 1:17:18
  Speaker 1: and you gotta fade to catch. Well. I've never ever
• 1:17:20
  Speaker 1: hit anybody else as kids either. I have three god children.
• 1:17:23
  Speaker 1: I'm the number one babysitter. Actually, I feel like when
• 1:17:26
  Speaker 1: I'm babysitting, my responsibility is just to spoil other people's kids.
• 1:17:30
  Speaker 1: I don't see that that's what you should do. They
• 1:17:34
  Speaker 1: always like, Okay, I'm gonna see angel Essa. I already
• 1:17:36
  Speaker 1: know what we're gonna do. We're gonna go shopping. We're
• 1:17:37
  Speaker 1: gonna go buy some new toys. We're gonna get ice cream.
• 1:17:40
  Speaker 1: I don't Grandma hit me with an ashtray. One time
• 1:17:43
  Speaker 1: I did stupid stuff. I deserved it, dought I deserved this,
• 1:17:46
  Speaker 1: and we all it fixed me. Straighten me right up. No, listen,
• 1:17:51
  Speaker 1: we all got beating when we were kids, I got
• 1:17:53
  Speaker 1: beating with extension cards like that. Used to beat me
• 1:17:55
  Speaker 1: with the call made me go take a bath. I
• 1:17:56
  Speaker 1: used to have to go pick the switch like them
• 1:17:58
  Speaker 1: little wooden utensils on the free kitchen wall. My mama
• 1:18:01
  Speaker 1: would hit me with dose. But guess what, if we're
• 1:18:04
  Speaker 1: being honest, all of that was just abuse. And the
• 1:18:06
  Speaker 1: truth of the matter is all our parents were doing
• 1:18:08
  Speaker 1: was the best they could. That's that's all. They were
• 1:18:10
  Speaker 1: probably young parents at the time. That's the only way
• 1:18:12
  Speaker 1: they knew how to discipline was through physical punishment. We
• 1:18:16
  Speaker 1: know better in this generation. We an't gotta beat our kids,
• 1:18:19
  Speaker 1: and we damned here it shouldn't be putting our hands
• 1:18:21
  Speaker 1: on nobody else's Hello, who's this Marita? Hey Marita? You
• 1:18:25
  Speaker 1: you have had to put your hands on somebody else's kids.
• 1:18:28
  Speaker 1: I did, um. I was watching my niece and she
• 1:18:31
  Speaker 1: was messing with the socket in the wall, and I
• 1:18:34
  Speaker 1: told her, and I actually went and got her and
• 1:18:37
  Speaker 1: pulled her back like twice, and then she put her
• 1:18:40
  Speaker 1: mouth on it, and I popped her in her hand,
• 1:18:42
  Speaker 1: and I told my sister, and I did feel that,
• 1:18:45
  Speaker 1: But I agree with Charlottamagne and I agree with you.
• 1:18:49
  Speaker 1: Like some kids you can't talk to right and you
• 1:18:52
  Speaker 1: know they'll listen. But some kids, I think you gotta
• 1:18:54
  Speaker 1: pop from her now and then. But even that's what
• 1:18:57
  Speaker 1: the white man used to think about slaves. To look somebody,
• 1:19:00
  Speaker 1: these slaves you gotta beat, like even at it with
• 1:19:02
  Speaker 1: a two year old. Like a two year old you
• 1:19:03
  Speaker 1: can't have a conversation with. Don't put your finger in
• 1:19:05
  Speaker 1: an electric socket. But if you pop their hand, they
• 1:19:08
  Speaker 1: think about, you know what if I go near this
• 1:19:10
  Speaker 1: electric socket, it's gonna hurt. I'm not gonna do it. Yeah,
• 1:19:12
  Speaker 1: But you're not telling them that. You're not explaining to
• 1:19:14
  Speaker 1: them what could have happened if they actually put their
• 1:19:17
  Speaker 1: hand in the lepsocket. I tell my daughter, you know,
• 1:19:19
  Speaker 1: if you put your hand in that, you're going to die.
• 1:19:21
  Speaker 1: You're not gonna be here with us no more. Why
• 1:19:23
  Speaker 1: I would rather hurt? So he told that to you.
• 1:19:25
  Speaker 1: You're one and a half year old, two year old,
• 1:19:26
  Speaker 1: she's one. That's why you got the plugs in the socket. Obviously,
• 1:19:29
  Speaker 1: this lady. To my point, though they're not teaching them
• 1:19:32
  Speaker 1: that the socket is what actually can kill them. You're
• 1:19:34
  Speaker 1: teaching them to be scared of you. When the reality
• 1:19:36
  Speaker 1: should be teaching them that note the socket is what
• 1:19:38
  Speaker 1: can kill you. Right back one and a half. They're not.
• 1:19:40
  Speaker 1: They're not thinking about wow, this socket. They're thinking, if
• 1:19:43
  Speaker 1: I go near the socket, I'm gonna get popped. I'm
• 1:19:44
  Speaker 1: not gonna near that socket. That's how kids say, well,
• 1:19:47
  Speaker 1: you should have put the goddamn things in the socket.
• 1:19:50
  Speaker 1: You should have child proof the sockets. Then den draw, Yeah,
• 1:19:54
  Speaker 1: good morning, kender You ever hit somebody else's kids? Yes,
• 1:19:57
  Speaker 1: I had not. What happened, Kendred? Who you is? Right? So? Look,
• 1:20:01
  Speaker 1: I'm in the walmart. The little kid caused me the
• 1:20:04
  Speaker 1: B word. Give his mama chance, Yeah, So I give
• 1:20:07
  Speaker 1: his mama chance to reprimand him. You know, like, hey,
• 1:20:10
  Speaker 1: you don't do that. That's disrespectful. So he calls me
• 1:20:14
  Speaker 1: the B word again. He was like, bitch, hurry up,
• 1:20:19
  Speaker 1: and I capped team in his mouse. You got me up.
• 1:20:24
  Speaker 1: What you can't do? You can't walk around? That's her
• 1:20:26
  Speaker 1: mama should have dragged her mama, hit mom. Her mama
• 1:20:29
  Speaker 1: should have dragged your ass and locked you up. You
• 1:20:31
  Speaker 1: can't just be hitting kids. You don't know kid. You
• 1:20:33
  Speaker 1: don't even know this kid. Hey, rabbit, if he had to.
• 1:20:37
  Speaker 1: I gave his mama chance, rabbit if he had to
• 1:20:39
  Speaker 1: rance and he had a problem, and he would just
• 1:20:40
  Speaker 1: be splurting out, bitch, do you just popped to get
• 1:20:43
  Speaker 1: in the mouth. Nah? No, She did not want to
• 1:20:46
  Speaker 1: felt bad, but she she didn't say none of that.
• 1:20:48
  Speaker 1: She was just like, yeah, hurry up, just like still
• 1:20:50
  Speaker 1: by her son's side. So she loves you. Got what
• 1:20:53
  Speaker 1: did What did the mama do to you after you
• 1:20:55
  Speaker 1: hit the job. Nothing. She just kind of looked at me,
• 1:20:58
  Speaker 1: like I can't believe you hitting. And I just looked
• 1:21:01
  Speaker 1: at her and I was like, yo, you got a
• 1:21:02
  Speaker 1: problem about the week and go off to the parking
• 1:21:04
  Speaker 1: lot them up. And that lady would have pulled out
• 1:21:09
  Speaker 1: a gun and shot you right there. She she'd have
• 1:21:11
  Speaker 1: been in the right because the story would have been
• 1:21:13
  Speaker 1: a woman hitch somebody's child in the store, not even
• 1:21:15
  Speaker 1: that crazy black, crazy black woman hits a white little
• 1:21:18
  Speaker 1: kid in the store, white woman, she guns it down.
• 1:21:20
  Speaker 1: Can't you where you from? That was yeah, hey, bitch,
• 1:21:25
  Speaker 1: herban get off my phone. My goodness, eight hundred she
• 1:21:34
  Speaker 1: gonna f you up. Eight hundred five eight five one
• 1:21:36
  Speaker 1: o five one. Have you ever hit somebody else's kids
• 1:21:38
  Speaker 1: keep a lot just to Breakfast Club, Good morning the
• 1:21:41
  Speaker 1: world there, just wanting to show the Breakfast Club Angelie yea,
• 1:21:43
  Speaker 1: and we got your Linda and Rick Williams in the
• 1:21:45
  Speaker 1: head Detroit. What I'm doing? What's going on? Man? Yeah?
• 1:21:50
  Speaker 1: So last time you guys were here, we talked about
• 1:21:52
  Speaker 1: cream Blends a lot, and so I want to get
• 1:21:55
  Speaker 1: into the new deal with Puma and Inspired Day. Okay,
• 1:21:59
  Speaker 1: you know I love Puma the way Yeah, yeah, yeah,
• 1:22:01
  Speaker 1: what's this Puma collaboraba? So we, like we mentioned on
• 1:22:04
  Speaker 1: the last the last time we were here, we talked
• 1:22:06
  Speaker 1: about how we have a creative agency called The Distinct
• 1:22:09
  Speaker 1: Life that's basically our family business and Cream Blends and
• 1:22:13
  Speaker 1: everything kind of fits under there. So we have a um.
• 1:22:16
  Speaker 1: I had a deal with with Puma for a couple
• 1:22:19
  Speaker 1: of years. I did two projects. We've already done one
• 1:22:21
  Speaker 1: and this was the second one. Okay, and this this
• 1:22:25
  Speaker 1: project is actually going to come out exclusively at foot Locker,
• 1:22:28
  Speaker 1: which is different because everyone knows me as Rick from
• 1:22:31
  Speaker 1: Burn Rubber and I know. So now it's like, but
• 1:22:35
  Speaker 1: in order for the brand or girl, we have to
• 1:22:37
  Speaker 1: be able to get to more people and the brand
• 1:22:40
  Speaker 1: and the story that you have, yes as well, Yeah,
• 1:22:43
  Speaker 1: that is very famous. Yeah, we roll with Rolling Coy
• 1:22:46
  Speaker 1: Yeah yeah. Yeah. So we just had the opportunity for
• 1:22:50
  Speaker 1: this second it's my second project of the second collection.
• 1:22:53
  Speaker 1: I wanted to kind of tell the story about the
• 1:22:56
  Speaker 1: people that inspire us and kind of what we do,
• 1:23:00
  Speaker 1: like the agency, our our our mission is to inspire.
• 1:23:03
  Speaker 1: We believe that that's what God has us here to
• 1:23:05
  Speaker 1: do and to be responsible with the opportunities that we get.
• 1:23:10
  Speaker 1: And with this shoe project, we can see them. Yeah. Okay,
• 1:23:14
  Speaker 1: so if you look at the box fire, um, you
• 1:23:16
  Speaker 1: see this is our our mission challenge celebrate distinct life, inspire. Yeah.
• 1:23:23
  Speaker 1: So inspire inspires a big thing is like the box
• 1:23:27
  Speaker 1: distinct life, Detroit inspires the world. Yeah, who whom? I
• 1:23:32
  Speaker 1: really love? Black people? These I think. So there's a
• 1:23:37
  Speaker 1: lot of good people in the building, right fresh. Yeah, So,
• 1:23:40
  Speaker 1: like I said, if you look right here, is there
• 1:23:43
  Speaker 1: inspires the world? Yeah. So obviously that's where we're from,
• 1:23:47
  Speaker 1: that's where that's where we live, and that's where we
• 1:23:49
  Speaker 1: kind of do our things. So we wanted to represent Detroit.
• 1:23:53
  Speaker 1: But it's really a bigger it's a bigger conversation. You
• 1:23:56
  Speaker 1: know what I mean. We we we try it through
• 1:23:58
  Speaker 1: our life, through everything that we do. We try to
• 1:24:01
  Speaker 1: inspire people to be better. And product is what I do.
• 1:24:05
  Speaker 1: You know what I'm saying. I design. I'm a creative director.
• 1:24:08
  Speaker 1: So for me to be able to take our company
• 1:24:11
  Speaker 1: and be able to use this opportunity to tell stories,
• 1:24:15
  Speaker 1: you know, to me, it's a big blessing and it's
• 1:24:17
  Speaker 1: a big responsibility. Now you have Inspired Day also, yes,
• 1:24:20
  Speaker 1: so Inspired Day is it's the it's the release of
• 1:24:24
  Speaker 1: these shoes and hopefully we're gonna be able to make
• 1:24:27
  Speaker 1: it an annual thing. But this this um December seventh,
• 1:24:32
  Speaker 1: in Detroit at the foot Locker Power Store, we're going
• 1:24:36
  Speaker 1: to be having a day full of conversation and activity
• 1:24:40
  Speaker 1: to kind of celebrate the city, the people that make
• 1:24:43
  Speaker 1: up the city, the people that inspire us to be
• 1:24:46
  Speaker 1: who we are, and vice versa. We're gonna have you
• 1:24:49
  Speaker 1: come and you know, we just find out that Big
• 1:24:53
  Speaker 1: Sean's going to be there, so we'll have a conversation
• 1:24:56
  Speaker 1: with Sean and and um we're gonna talk with Earl Max.
• 1:25:00
  Speaker 1: So we're gonna be able to get into a lot
• 1:25:01
  Speaker 1: of stories. Yeah, because these are stories from like These
• 1:25:05
  Speaker 1: are guys that have been around since I started in business,
• 1:25:10
  Speaker 1: and no one really knows that stuff because it was
• 1:25:12
  Speaker 1: so long ago. So we can even touch on on
• 1:25:16
  Speaker 1: moments that we had back in the day. I can
• 1:25:18
  Speaker 1: remember when Sean came and got the jacket that he
• 1:25:20
  Speaker 1: wore on the Get You Some video at the Babe store,
• 1:25:24
  Speaker 1: so like I designed the jacket and gave it to
• 1:25:27
  Speaker 1: him for that so to be able to share it.
• 1:25:29
  Speaker 1: We have so much of that type of stuff that
• 1:25:32
  Speaker 1: that can can be shared, so many different stories that
• 1:25:34
  Speaker 1: did you put the niggas on already? Charlottage, I appreciate.
• 1:25:40
  Speaker 1: I got to make sure they're comfortable because I'm forty one,
• 1:25:42
  Speaker 1: so the comfort means more to me than anything. I
• 1:25:44
  Speaker 1: thought you were in size twelve eleven and a half.
• 1:25:47
  Speaker 1: It's money, Yeah, it's perfect, It's perfect. Yeah, Yeah, I
• 1:25:56
  Speaker 1: did it. I did it. Was it was a way
• 1:25:58
  Speaker 1: I actually put the I was like, y'all right, we're
• 1:26:04
  Speaker 1: right here, don't you know? You know? Everybody to get everything.
• 1:26:12
  Speaker 1: This is the Palace Guard. So because and I used
• 1:26:14
  Speaker 1: this is because it was actually Isaiah Thomas's signature shoe
• 1:26:18
  Speaker 1: when he was with Puma. There's the reason for everything. Yeah,
• 1:26:22
  Speaker 1: everything inspired by boy. Yeah, it's definitely a blessing. All right.
• 1:26:28
  Speaker 1: So December seventh it's inspired day, so I would be
• 1:26:31
  Speaker 1: out there. What else is happening that day? It starts
• 1:26:34
  Speaker 1: off with like, we're gonna do the last run of
• 1:26:36
  Speaker 1: the season with um we rund we Run. I did
• 1:26:41
  Speaker 1: that with them before. Yeah, we're gonna do their last
• 1:26:44
  Speaker 1: run of the season by Poma, so they'll have the
• 1:26:47
  Speaker 1: weather run weather like winter winter rised running gear because
• 1:26:51
  Speaker 1: I can't imagine it being one that day. But then
• 1:26:54
  Speaker 1: after that, Oh, you play pain Pond, don't you? Yes?
• 1:26:58
  Speaker 1: I do, so now we can find he played each other.
• 1:27:00
  Speaker 1: We're gonna wait, yeah, I'm gonna say it, but we
• 1:27:07
  Speaker 1: love and the yoga ye to Yeah. And then everyone
• 1:27:12
  Speaker 1: there gets to keep their distinct life ex. Puma yoga mats.
• 1:27:17
  Speaker 1: Everyone who signs up. You have to sign up ahead
• 1:27:19
  Speaker 1: of time, like all of the all of the I
• 1:27:22
  Speaker 1: guess the workshops workshops. You have to sign up for
• 1:27:24
  Speaker 1: a three D shoe design workshop, so there'll be actual
• 1:27:28
  Speaker 1: models of the shoe like the Puma Palace Guard, and
• 1:27:31
  Speaker 1: then then these will get to paint the shoe. So
• 1:27:34
  Speaker 1: one of our one of our guys is Eric Lowry
• 1:27:37
  Speaker 1: el Cappy. He does like customizing and Sneakers has been
• 1:27:40
  Speaker 1: doing it since like the beginning of Burn Rubber. It's
• 1:27:43
  Speaker 1: only like twenty five spots for that, so people have
• 1:27:46
  Speaker 1: to sign up to do that with when can they
• 1:27:48
  Speaker 1: sign up? I think now, I think you're gonna be
• 1:27:51
  Speaker 1: able to go to our website. Yeah, Distinct Life dot
• 1:27:53
  Speaker 1: com slash and about to be gone all right, so yeah,
• 1:27:59
  Speaker 1: so I think it will be. I think it's gonna
• 1:28:00
  Speaker 1: be a good time. Well, I'm looking forward to it,
• 1:28:02
  Speaker 1: so I can't wait to seven seven utes a day
• 1:28:04
  Speaker 1: go to distinct life dot com. So you guys can
• 1:28:06
  Speaker 1: sign up for these workshops and also to come and
• 1:28:08
  Speaker 1: be involved, and yeah, I'll be too at ping pong
• 1:28:11
  Speaker 1: all right, open up, everybody, pull it up, you guys.
• 1:28:17
  Speaker 1: We appreciate y'all. So it's distinc Life dot com slash
• 1:28:20
  Speaker 1: and fire for the event at you know, cream Lands
• 1:28:24
  Speaker 1: dot com. I'm sorry for the cream Lands website and
• 1:28:27
  Speaker 1: all the instagrams on Instagram as well. Yep, cream Blands
• 1:28:30
  Speaker 1: on Instagram, Distinct Life on Instagram. Yeah right, thank you.
• 1:28:34
  Speaker 1: Breakfast Club morning. Everybody is DJ Envy Angela yee Charlomagne,
• 1:28:39
  Speaker 1: the guy we all the breakfast club. Charlomagne, you got
• 1:28:42
  Speaker 1: a positive note for the people? Yeah, it's the positive
• 1:28:44
  Speaker 1: notice simply this man. Don't let the happiness of others
• 1:28:47
  Speaker 1: cause you to be jealous. A true sign of maturity
• 1:28:49
  Speaker 1: is being happy for others even when life is hard
• 1:28:52
  Speaker 1: on you. Breast, you don't finish, y'all dumb,