Latest / Cuff’s Basement / Gremlins 2 part 2
Transcript
- 0:00Speaker 1: This episode is sponsored by Lunar Grace Mystery Mysteries. Yikes,
- 0:04Speaker 1: let's try that again. We'll hit that out. It is
- 0:09Speaker 1: kind of a mystery.
- 0:11Speaker 2: Please title Part two Lunar Grace Mystery.
- 0:14Speaker 1: All right, cut, Let's try that again. Let hit this
- 0:18Speaker 1: out and post Okay. This episode is sponsored by Lunar
- 0:21Speaker 1: Grace Ministries. Pastor Rich is the only spiritual leader to
- 0:25Speaker 1: have traveled to the Moon and returned with genuine, genuine
- 0:27Speaker 1: Moon crystals, formed beyond Earth and infused with healing power.
- 0:32Speaker 1: Each crystal is prayer blest and offered a limited supply
- 0:35Speaker 1: to those seeking physical and spiritual spiritual restoration. Learn more
- 0:39Speaker 1: at Lunar Graceministries dot com. Healing doesn't get higher than
- 0:45Speaker 1: the Moon.
- 0:56Speaker 3: Like a fast food culture chaos and you safely crashing
- 1:01Speaker 3: hard like a moss.
- 1:01Speaker 2: Pitt Street.
- 1:09Speaker 1: Looking flats like a rocket glass sales.
- 1:12Speaker 4: Got the wind that's built to last hitting glasses.
- 1:15Speaker 3: In the Free Safe Fast podcast head Shape Rushing Fast.
- 1:20Speaker 4: Pasta malucking out everything was delapout, Saint Christmas for Loving
- 1:27Speaker 4: Claire Love and kay y'all shrawing mirror that's food tails
- 1:37Speaker 4: in So it's so creasy pop lyrics making everything easy
- 1:41Speaker 4: to put his blending also freely behind the Leicester feeling
- 1:46Speaker 4: creasy from movie plots to vinyl spins.
- 1:54Speaker 1: Every session more than Friends, I flopsy at.
- 1:58Speaker 3: The show begins Electic Fly, I've Never Read from under
- 2:04Speaker 3: Crop Films, the Favorite Songs, and Rip Nightlong seven. Ryan
- 2:10Speaker 3: play along this podcast grow song.
- 2:26Speaker 1: Wow, what a good song. Ryan. Yeah, we are back
- 2:31Speaker 1: and we're talking about Gremlins. The second kind of like Beethoven.
- 2:36Speaker 1: The second, No Beethoven. Second, Yeah, just like that. Yeah,
- 2:40Speaker 1: but where we laughed off, the eggs have hatched, mohawk
- 2:44Speaker 1: had popped up and bit the guy and Mike wave
- 2:48Speaker 1: with Marge is continuing anger the episode of their episode
- 2:50Speaker 1: they're filming. She is making tuna noodle cheese product chowder. Surprise.
- 2:57Speaker 2: Yep. She's also crushing sherry the entire time.
- 3:01Speaker 1: Yes, and she's not using a microwave, She's using a
- 3:04Speaker 1: stuff top and making a soup.
- 3:06Speaker 2: Also interesting again, they're calling back the first one with
- 3:11Speaker 2: the first appearance of the Gremlins being in a kitchen.
- 3:15Speaker 1: Oh yeah, and the mica and the microwave. It's a
- 3:18Speaker 1: fake kitchen. Uh, And so that all of a sudden, George,
- 3:24Speaker 1: Daffy and Lenny pop up and have sort of a
- 3:27Speaker 1: three Stooges bit. During the cooking show, they decide to
- 3:32Speaker 1: put metal in the microwave because they just cause chaos.
- 3:36Speaker 1: I don't understand the science of that or what it does.
- 3:38Speaker 1: But you can't put metal in the microwave. You have
- 3:39Speaker 1: like foil in the two right, right, because that's metal Aluminafoil.
- 3:42Speaker 2: Is saying, that's what always think of.
- 3:44Speaker 1: Yeah, yeah, because it will spark and stuff. But they
- 3:47Speaker 1: put a bunch of potts and bands in the microwave
- 3:49Speaker 1: and the microwave explodes like a bomb.
- 3:51Speaker 2: They throw it across the room and they all ace
- 3:53Speaker 2: the shot into the microwave.
- 3:54Speaker 1: Yes, yes, uh, moha I wrote it. I don't remember this,
- 3:58Speaker 1: but I wrote a no that Mohawk is trying to
- 4:00Speaker 1: microwave Gizmo. Really maybe I just wrote that for my
- 4:06Speaker 1: own amusement. I don't remember that because I.
- 4:08Speaker 2: Thought Gizmo was still No. You get free from the events. No,
- 4:13Speaker 2: well they capture him. We'll edit it out.
- 4:15Speaker 1: Yes, but they look very extreme in this one. It's
- 4:19Speaker 1: sort of like it's just a very fitting sequel thing
- 4:22Speaker 1: to like make them bigger, make them more detailed, like
- 4:25Speaker 1: the ninja turtles, there was more detail on their skin.
- 4:27Speaker 1: Their skin was just green and then it was like
- 4:30Speaker 1: too much detail.
- 4:30Speaker 2: And they have they're like they're like very personally designed.
- 4:35Speaker 1: Yeah, so this was my favorite joke. It was sort
- 4:39Speaker 1: of like the the Caroller's joke in the first movie.
- 4:44Speaker 1: But Kate is in the elevator and the elevator stops
- 4:48Speaker 1: moving and because it's an AI elevator and it's voice activated,
- 4:51Speaker 1: so Kate goes like, bring me to the thirty first
- 4:53Speaker 1: floor and the elevators going up, and the elevator stops
- 4:56Speaker 1: and then she says, elevator sound the alarm, and then
- 4:58Speaker 1: you hear the Grandma's all go.
- 5:03Speaker 2: Did kill me? Yeah, that was awesome. So this is
- 5:06Speaker 2: also when on The Cooking Show they start the fire
- 5:10Speaker 2: from the microwave. The fire causes the sprinklers to go out,
- 5:13Speaker 2: and then the four the three guys mass produce and
- 5:18Speaker 2: that effect was so good where they show the bubbles
- 5:20Speaker 2: in their back creating minat.
- 5:24Speaker 1: It was disgusting but so well, very very detailed. Great
- 5:28Speaker 1: mister Clamp moment, he's pulling a Patrick Bateman. So mister Clamp,
- 5:32Speaker 1: he's one of those guys. He's like so rich and
- 5:34Speaker 1: successful that he's so busy. He's always doing something that
- 5:37Speaker 1: he doesn't really actually work. So he goes to the
- 5:41Speaker 1: building that day to go in his office and work
- 5:43Speaker 1: because he like rarely does that. And in his office
- 5:46Speaker 1: he's just doing nothing. He's sitting in an empty desk,
- 5:48Speaker 1: spinning around in his chair.
- 5:49Speaker 2: I love how all you saw was clouds, Like he
- 5:51Speaker 2: was truly in the sky. He was like that high up.
- 5:54Speaker 1: Yeah. And he's asking his secretary questions and he comes
- 5:58Speaker 1: out to check on her because he hears like a commotion,
- 6:00Speaker 1: and the secretary is now a gremlin dresses a secretary
- 6:04Speaker 1: who's typing and a computer.
- 6:05Speaker 2: I wrote this note here's how to defeat the evil
- 6:10Speaker 2: versus of the gremlins. You give them a box of costumes.
- 6:14Speaker 2: They'll be so fucking busy. They love costume changes up
- 6:17Speaker 2: their own size. Also, we should say, before the secretary changes,
- 6:22Speaker 2: the gremlin puts a mouse trap in her sandwich, yes,
- 6:25Speaker 2: and she eats it. And that's when he gets that's
- 6:27Speaker 2: legitimately like a bugs bunny move exactly exactly. So she's
- 6:31Speaker 2: shredding his letters. Clam comes out and it's like like
- 6:39Speaker 2: the thing attacks him. He pushes it into the shredder.
- 6:42Speaker 1: This this scarred me for life. I vividly remember. This
- 6:45Speaker 1: is really because one of the one of the Gremlins
- 6:49Speaker 1: attacks mister clamp and he puts the gremlin through a
- 6:53Speaker 1: paper shredder and it is disgusting and I was always
- 6:57Speaker 1: terrified of paper shredders after that. And then also mister
- 6:59Speaker 1: clam Tie get stuck in the shudder and he almost gets.
- 7:02Speaker 2: That's what I thought, because they paused from it there,
- 7:05Speaker 2: I'm like, oh, he's fucking gone, Like there's a gap
- 7:07Speaker 2: pu him down. One thing we happens before this that
- 7:11Speaker 2: is a very iconic part of this movie is that
- 7:16Speaker 2: Mohawk has Gizmo in a copy machine. Yes, and is
- 7:20Speaker 2: obviously because of the the light affects them, but it's
- 7:23Speaker 2: copying Gizmo. And people think this is the most like
- 7:26Speaker 2: qu one unquote like meta sequel thing of all time.
- 7:29Speaker 2: Why you literally are like, I am the new monster Gremlin,
- 7:34Speaker 2: who is a cop essentially a bigger version. I'm super
- 7:37Speaker 2: shredder version of of you know, of Stripe.
- 7:40Speaker 1: That's a great analogy.
- 7:41Speaker 2: I'm sitting on top of a copy machine that is
- 7:44Speaker 2: copying you. Yeah, and then you are the iconic gremlin
- 7:47Speaker 2: being like, you know this idea that's great.
- 7:50Speaker 1: In the elevator, there's a giant drill that goes to
- 7:53Speaker 1: the wall for Kate, and I texted you immediately, Hey,
- 7:56Speaker 1: slumber Party master call. They want their giant drill back.
- 7:59Speaker 2: It's a it's a title they can't have. It's the one.
- 8:01Speaker 2: It's the one title grumlins can't have as a giant drill.
- 8:04Speaker 1: Yeah, the giant drill. And I said there, I wrote,
- 8:08Speaker 1: just could we just talked about this? I wrote a note.
- 8:09Speaker 1: They are so into costumes. So the gremlins, the gremlin
- 8:14Speaker 1: that's messing with the elevator is dressed as an elevator operator,
- 8:17Speaker 1: like or an engineer. This I love this.
- 8:20Speaker 2: It was like like immediately they have grumlintized costumes. Yeah,
- 8:23Speaker 2: he has construction gear on and he just destroys the wiring.
- 8:26Speaker 1: Also, the elevator falls like a hundred stories, crashes into
- 8:30Speaker 1: the ground, kills all the gremlins and a giant green splatter,
- 8:34Speaker 1: and Kate is fine. Kate's in the Elevator's just fine.
- 8:37Speaker 1: I mean.
- 8:37Speaker 2: Also the arms that come through and grab her, I'm
- 8:40Speaker 2: like these things are like now like six feet.
- 8:44Speaker 1: One of them.
- 8:44Speaker 2: This is a human arm and like a gremlin costume.
- 8:46Speaker 1: Yeah.
- 8:48Speaker 2: So Billy is talking to Clamp after and it's like,
- 8:51Speaker 2: hey and Clamp being the classic like corporate guys, just
- 8:55Speaker 2: like we cannot let this out. We have to keep
- 8:57Speaker 2: this quiet, kind of like the first movie ended.
- 9:00Speaker 1: Yeah.
- 9:02Speaker 2: So they have a montage of them going through the
- 9:05Speaker 2: building and all these other things, and I just think
- 9:07Speaker 2: this is just so great. They have a TV show
- 9:10Speaker 2: called the Movie Police, hosted by the real Leonard.
- 9:14Speaker 1: Is a famous film credit.
- 9:15Speaker 2: He pulls out a VHS copy of Gremlins, the first movie,
- 9:20Speaker 2: which this movie does not act like, doesn't exit that
- 9:22Speaker 2: this movie, this is the real characters whatever. Yeah, and
- 9:24Speaker 2: he's like, this is Gremlins. They're re releasing this on VHS,
- 9:28Speaker 2: Like really, why are they doing this? Do they need
- 9:31Speaker 2: more money? The first one was a huge hit, and
- 9:32Speaker 2: the Gremlins demolish him absolute.
- 9:38Speaker 1: And I just picture them asking Leonard Mallin to do this,
- 9:41Speaker 1: and he's like, oh, that's.
- 9:41Speaker 2: Great, Like when like why would he care? So then
- 9:45Speaker 2: this Mohawk has Gizmo tied down. He's velcro torturing Molwawk
- 9:52Speaker 2: is very not actually, Gizmo is not a lot in
- 9:56Speaker 2: this movie either like he's not super prominent.
- 9:58Speaker 1: He's pretty prominent.
- 9:59Speaker 2: I thought was not.
- 10:00Speaker 1: I think he's in this movie more than he's in one.
- 10:02Speaker 2: Really I do so. And then like Mohawk is just
- 10:07Speaker 2: even though he's like the biggest and scariest, he's just
- 10:11Speaker 2: sole interest. Is just torturing Gizmo, his own creator.
- 10:15Speaker 1: Yeah, his mom or's dad.
- 10:17Speaker 2: So we go to the lab scene and this is
- 10:20Speaker 2: probably the best shit ever.
- 10:22Speaker 1: This is when the movie really goes off the rails.
- 10:24Speaker 2: This is it's amazing in the best way.
- 10:27Speaker 1: So this is when we start. So the Gremlin's going
- 10:30Speaker 1: the lab and there's all these chemicals. Like I mentioned,
- 10:34Speaker 1: they're injecting electricity serum into rats. There's a vegetable serum.
- 10:39Speaker 1: One of the gremlins drinks it and becomes a vegetable ground.
- 10:43Speaker 2: His ears turn into like lettuce leaves instantly, and.
- 10:46Speaker 1: Then tomatoes and peppers start growing out of his So
- 10:49Speaker 1: it's so good, Like it looks so great, but the
- 10:51Speaker 1: fan favorite is born in this next moment, brain Gremlin.
- 10:56Speaker 1: So a grandma drinks this intelligent serum and he falls
- 11:01Speaker 1: backwards out of the shot, and then when he stands
- 11:03Speaker 1: back up in the shot, he's wearing glasses where I
- 11:06Speaker 1: just wanted to clap when I saw.
- 11:08Speaker 2: That they all have costumes, miraculously the disposal at all
- 11:12Speaker 2: times and.
- 11:12Speaker 1: Brain Gremlin, so he was going like that. He drinks it,
- 11:16Speaker 1: falls down, gets back up in glasses, and he's like, oh,
- 11:19Speaker 1: that was quite interesting. And then they all gasps like
- 11:21Speaker 1: he's talking, and he's like, I have to make some
- 11:24Speaker 1: observations about your laboratory, and he just starts to talking.
- 11:26Speaker 1: He's voiced by it, like, what's his name.
- 11:28Speaker 2: Is, Tony Randall?
- 11:29Speaker 1: Tony Randall.
- 11:30Speaker 2: He was on the odd couple. Apparently that was just
- 11:31Speaker 2: a big thing. Yeah, he's great. The other one drinks
- 11:37Speaker 2: this other one behind him drinks the bat mixture.
- 11:40Speaker 1: Yep, it's black, and.
- 11:43Speaker 2: He then injects him with He's like, oh, you guys
- 11:47Speaker 2: have a vat of genetic sunblock ready to go?
- 11:50Speaker 1: Yeah, the bats. He drinks the bats here in one
- 11:52Speaker 1: of the gremlins grows bat wings. Yes, and then brain Gremlin,
- 11:56Speaker 1: because he's smart now says I'm going to inject you
- 11:59Speaker 1: with this song unblock serum, so you will no longer
- 12:02Speaker 1: be allergic to light. And then you can you can
- 12:05Speaker 1: fly out of the wall and just roam around New
- 12:07Speaker 1: York City and you will get burned up during the day. Now,
- 12:10Speaker 1: this is where I said in the last episode somebody
- 12:12Speaker 1: tried to poke a hole in this movie.
- 12:14Speaker 4: Why.
- 12:14Speaker 1: I was reading trivia fact for this movie about the production,
- 12:17Speaker 1: and it says later on in the television studio brain
- 12:22Speaker 1: Gremlin is not injured by the studio lights, which doesn't
- 12:25Speaker 1: make any sense. However, it's assumed that off screen he
- 12:28Speaker 1: injected himself with the sun block serum, which the same
- 12:32Speaker 1: he injected into backgroundlin.
- 12:38Speaker 2: I buy action figures. I'm just gonna say that, I'm
- 12:42Speaker 2: gonna start with that. Get help.
- 12:46Speaker 1: There's a great Simpsons scene where Homer is a voice
- 12:48Speaker 1: of Pucci the Dog on Itching Scratchy, and then he
- 12:51Speaker 1: goes to a fan convention and the voice of Itching
- 12:54Speaker 1: and Scratchy is like, this woman yes, and she goes, Homer,
- 12:57Speaker 1: you gotta help me. I don't know how to deal
- 12:58Speaker 1: with these hardcore fans. And they're just opening up to
- 13:01Speaker 1: the audience for Q and A. And this guy stands
- 13:03Speaker 1: up and he says, in the Itchen Scratchy video game
- 13:06Speaker 1: and level nine, how can you get to the dungeon
- 13:08Speaker 1: without finding the Wizard's key, and then Homer says, hell
- 13:11Speaker 1: are you talking about?
- 13:14Speaker 2: And also was that episode meant to be I've not
- 13:16Speaker 2: seen it? Like a comment about how everyone's surprised that
- 13:18Speaker 2: bar is played by a woman.
- 13:19Speaker 1: Yes, yes, the voices of itching scratchy or that's supposed
- 13:23Speaker 1: to be a joke. That is a woman.
- 13:26Speaker 2: I love this part.
- 13:27Speaker 1: They go, well, we have to mention Backgroundlin flies through
- 13:31Speaker 1: the wall. Yes, and when he flies to the wall
- 13:33Speaker 1: it makes a perfect Batman logo. One year before, uh Batman.
- 13:39Speaker 2: The first Batman, first Batman?
- 13:40Speaker 1: No, oh, Batman was one year before I knew that
- 13:44Speaker 1: was eight nine. I thought you meant this was one
- 13:46Speaker 1: year before.
- 13:47Speaker 2: No, No, I think that was meant to be a
- 13:49Speaker 2: comment on that.
- 13:50Speaker 3: Yeah.
- 13:52Speaker 2: So they go to wasn't am I wrong? They go
- 13:55Speaker 2: to the bar is called Champions Bar, which wasn't that
- 13:58Speaker 2: a bar in Boston?
- 14:00Speaker 4: Right?
- 14:00Speaker 2: Am I wrong?
- 14:00Speaker 1: That's probably true?
- 14:03Speaker 2: And they cut to the gremlins working in the stock market,
- 14:08Speaker 2: which is phenomenal.
- 14:09Speaker 1: Gremlin's wearing a suit, wearing a.
- 14:10Speaker 2: Suit, calling a guy about this huge opportunity that he
- 14:13Speaker 2: can't miss and he knows about stocks.
- 14:15Speaker 1: Also, I wanted to mention hi, when back Groundlin flies
- 14:17Speaker 1: out the wall. Christopher Lee, the scientist, says, oh, if
- 14:20Speaker 1: he eats three or four children, this will be terrible
- 14:22Speaker 1: publicity for us. And who returns from the first movie
- 14:28Speaker 1: in this moment.
- 14:29Speaker 2: I'm not gonna lie to you. I was fucking absolutely
- 14:32Speaker 2: next to like seeing Yoda in the Last Jedi. This
- 14:35Speaker 2: might be number two. So Kate is running through the
- 14:37Speaker 2: building and I said this to you earlier. I was like,
- 14:41Speaker 2: there's a shot in this movie. I was like, there
- 14:43Speaker 2: remind me of the mupp At Christmas caw we talked
- 14:44Speaker 2: about where like how many puppeteers can you have in
- 14:47Speaker 2: a room? There's four thousand gremlins doing all random ass
- 14:52Speaker 2: crazy stuff in the scene and Kate's running and the
- 14:54Speaker 2: return of flash of Gremlin. Everyone's hero, Everyone's hero. She
- 14:59Speaker 2: boot kicks him into space outside of the building during
- 15:05Speaker 2: the day. During the day back, Gremlin is flying around.
- 15:08Speaker 2: He attacks the flutterments. He uh, mister Flutterman. They happen
- 15:14Speaker 2: to be walking by them. The city workers putting out
- 15:16Speaker 2: a new cement block in the area or yeah, and
- 15:21Speaker 2: he's able to catch the gremlin, throw it in the cement,
- 15:26Speaker 2: move the cement mixing spout onto the gremlin. Genius Joe
- 15:31Speaker 2: honestly great one.
- 15:32Speaker 1: Yeah, because the gremlin with wings looks like gargoyle. Yes,
- 15:35Speaker 1: so mister Futterman covers him since cement and he flies
- 15:37Speaker 1: to the top of the church and sits down and
- 15:39Speaker 1: then turns into a gargoyle.
- 15:41Speaker 2: Which is great but also might be a leeway into
- 15:45Speaker 2: Gremlin's three.
- 15:46Speaker 1: Oh, I thought you were gonna mention gargos in this series,
- 15:48Speaker 1: and I was gonna say nope, no, just that we
- 15:51Speaker 1: could do they like the statue.
- 15:54Speaker 2: Yeah, let's you never know. And we see Mohawk again
- 16:00Speaker 2: most of his movie Torturing Gizmo. He made a he
- 16:02Speaker 2: made a lego gremlin that was great.
- 16:04Speaker 1: Yes, he tied gives a bunch of train tracks and
- 16:08Speaker 1: is running him over with a toy train.
- 16:09Speaker 2: Yes, just like again. Another thing too.
- 16:12Speaker 1: Next to a bucket, I think our I think our
- 16:15Speaker 1: food is here, but go ahead, finish your thought.
- 16:18Speaker 2: Next to a bucket of costumes if you gave them
- 16:21Speaker 2: like a toy store, best way to drop them. They
- 16:23Speaker 2: love toys, Theremlins.
- 16:25Speaker 1: Yes, absolutely love toys, much like I love costumes. Also,
- 16:29Speaker 1: I want to make a comment. I checked off no
- 16:31Speaker 1: contact delivery and I wrote on the note do not
- 16:34Speaker 1: ring doorbell, leave at door because CC's asleep every time.
- 16:37Speaker 1: They just ring the druvel anyway, So this is what
- 16:44Speaker 1: we referenced earlier. During the the version that I watched.
- 16:49Speaker 1: You see the film, it's like you're watching a projection
- 16:53Speaker 1: of film and the film burns. You see it starts
- 16:56Speaker 1: to go wrong, like the audio starts to skip and
- 16:58Speaker 1: the film starts to skip. Then the film burns. Then
- 17:01Speaker 1: you see gremlins making shadow puppets. So it's supposed to
- 17:06Speaker 1: be like they're taking over the theater and they put
- 17:09Speaker 1: on a like a NUDI film which from the fifties
- 17:14Speaker 1: or sixties sixties called Volleyball Holliday where just like nude Women,
- 17:18Speaker 1: they don't show the nude women, but it's yeah. And
- 17:22Speaker 1: then someone runs out and says, excuse me, usher, They
- 17:27Speaker 1: like the wrong film is playing. This is not appropriate,
- 17:31Speaker 1: And the projector projection guy comes down. He's like a
- 17:36Speaker 1: black guy. He's like, they took over the projection. So
- 17:39Speaker 1: the usher says, I'll fix this, and they also the
- 17:43Speaker 1: projection guy says, they just want to watch snow White,
- 17:46Speaker 1: which is what they're watching. So the usher says, I'll
- 17:50Speaker 1: fix it. So he walks into the theater and taps
- 17:54Speaker 1: a patron on the shoulder and it is Uh, Terry
- 17:59Speaker 1: Bully a hul Cogan, Hulkgan and he's like, mister, mister Hogan,
- 18:05Speaker 1: can you help me? They've taken over the the film
- 18:08Speaker 1: and he says, he refers to them as the Grimsters.
- 18:12Speaker 1: He's like, brother, uh and he stands up and he says,
- 18:15Speaker 1: you know, would we come here to watch a family
- 18:17Speaker 1: friendly film?
- 18:18Speaker 4: Brother?
- 18:18Speaker 1: Like you? Yeah, you gotta turn this, you gotta turn
- 18:21Speaker 1: this off. And the Gremlins are scared of Hulk Hogan
- 18:23Speaker 1: because he's so muscular, and they put Gremlin's two back on.
- 18:27Speaker 2: Yes they do.
- 18:29Speaker 1: It's describing this is completely insane.
- 18:31Speaker 2: Insane. Also, I didn't love that they kowto.
- 18:36Speaker 1: Yeah, I mean Hulk Hogan r I P. He was
- 18:39Speaker 1: very beloved for most of most of his career and
- 18:42Speaker 1: then very hated towards his death.
- 18:44Speaker 2: Also just thought, they don't they they don't give a
- 18:46Speaker 2: shit about any tip of fame or prestige that you have,
- 18:49Speaker 2: whoever you are.
- 18:50Speaker 1: No, and he he was his last w appearance ever
- 18:53Speaker 1: in his life. He was booed yes.
- 18:55Speaker 4: Yeah.
- 18:57Speaker 2: Well so then we see Fred who was the Dracula
- 19:02Speaker 2: guy walking through the corridor and he sees the taurusts.
- 19:08Speaker 1: He grabs the racist Asian stereotype. Yes, and he says like,
- 19:11Speaker 1: you're good with cameras, can you broadcast? And the guy
- 19:14Speaker 1: goes like, I am a camera.
- 19:15Speaker 2: That's been that guy unfortunately most that guy's career.
- 19:18Speaker 1: Yeah, he's the guy from sixteen Candles.
- 19:20Speaker 2: Yes, he's actually quite a few people from sixteen Candles
- 19:23Speaker 2: in this movie, which.
- 19:24Speaker 1: I think is including I was looking up Marla the
- 19:26Speaker 1: Hot Boss she was in sixteen Candles.
- 19:28Speaker 2: Yeah. So his name is mister Katsuji, and he's liked,
- 19:30Speaker 2: can you work a camera? And he says, I am
- 19:32Speaker 2: a camera. So then we go back to the lab
- 19:39Speaker 2: and one of the gremlins drinks the electrical genome, the
- 19:44Speaker 2: Pikachu Sierum Pikachu Serum. One of them pulls out a
- 19:49Speaker 2: jar of acid that says acid, do not throw in
- 19:51Speaker 2: face and just throws it on the other gremlin's face, and.
- 19:56Speaker 1: That gremlin that gets bird with acid becomes Phantom, the
- 19:59Speaker 1: upper gremlin. So bizarre, bizarre, so electric gremlin. After he
- 20:04Speaker 1: drinks the Pikachu serum, he turns into electricity, so he
- 20:08Speaker 1: is a lightning.
- 20:09Speaker 2: Book he's an animated lightning bolt.
- 20:11Speaker 1: The rest of the film.
- 20:12Speaker 2: It figures episode real quick about this. So a company
- 20:18Speaker 2: called National Entertainment Collectibles Association also as NEKA, they made
- 20:26Speaker 2: the Gremlin that you have. You're a very big action
- 20:28Speaker 2: figure company. They did an entire like Gremlin's almost like
- 20:35Speaker 2: Star Wars level line of details, background characters. They'd have
- 20:40Speaker 2: like Champions, Bartender Gremlin from like this movie that you
- 20:44Speaker 2: never even saw, and they'd have a fully detailed toy
- 20:47Speaker 2: for it.
- 20:47Speaker 1: The Spider Grandma must have been huge.
- 20:49Speaker 2: They made it look pretty sick. I'm not gonna lie. Yeah,
- 20:51Speaker 2: pretty amazing. They made electoral gle Gremlin and it has
- 20:55Speaker 2: been named the most useless action figure ever made because
- 20:59Speaker 2: it's just like air plastic that shaped like a gremlin.
- 21:02Speaker 2: I have to see this, it's definitely real. It's insane.
- 21:04Speaker 1: And then you told me because they are next.
- 21:08Speaker 2: To go ahead, So Electric Gremlin and then fan in
- 21:14Speaker 2: the opera, and then we pan up to the hottest
- 21:19Speaker 2: pair of Gremlin legs you'd ever see.
- 21:24Speaker 1: Oh, this is so stupid, the Electric Gremlin.
- 21:26Speaker 2: I'm not kidding. It's like the worst toy ever made.
- 21:29Speaker 1: It is on eBay for one hundred dollars.
- 21:33Speaker 2: I'm saying that obscene. So we just see a very
- 21:39Speaker 2: attractive pair of gremlin legs. So then Cather and Forrester,
- 21:45Speaker 2: they had a security come into the lab and Forrester
- 21:49Speaker 2: is spotted by Greta. Greta is the female Gremlin. Greta
- 21:56Speaker 2: is hot, agreed, completely looks amazing.
- 22:03Speaker 1: Greta is actually a female Gremlin. Greta has boobs, yes,
- 22:06Speaker 1: she's uh, she has changed form. Does she drink anything
- 22:11Speaker 1: in the lab?
- 22:11Speaker 2: Or she does? They show the symbol change Okay, So
- 22:17Speaker 2: Grena speaks and she's like, what a hack and she
- 22:21Speaker 2: looks at Forster.
- 22:24Speaker 1: One of my favorite moments in the movie is the
- 22:26Speaker 1: very end, which we'll get to with Forrester.
- 22:28Speaker 2: Then Electric Gremlin demolishes doctor Catheter.
- 22:33Speaker 4: R I P.
- 22:34Speaker 1: He is killed by Electric Gremlin with no explanation. After this,
- 22:37Speaker 1: Mohawk is shown holding a machine gun.
- 22:41Speaker 2: They they broke because they asked Catheter, do you have weapons?
- 22:45Speaker 2: And he was like, we do have have some guns.
- 22:49Speaker 2: As you were saying I texted you about earlier, speaking
- 22:54Speaker 2: of this same company, One of the most requested Gremlin
- 22:58Speaker 2: action figures of all time is obviously Greta Greta. Who
- 23:02Speaker 2: would be they had made tons of them, Like I said, Champions,
- 23:07Speaker 2: Bartender version, Gremlin version of Daffy, all this stupid stuff.
- 23:12Speaker 2: They had not made Greta. This company posts on Twitter
- 23:17Speaker 2: and Facebook, et cetera a gift or jiff of the
- 23:23Speaker 2: shot of Greta's legs and panning up and just says
- 23:27Speaker 2: coming December twenty twenty. Whatever it was, the amount of comments,
- 23:32Speaker 2: the amount of likes and re shares was insane.
- 23:37Speaker 1: I'm seeing. I just went on eBay to look this up.
- 23:41Speaker 1: Seeing prices for the Greta doll four hundred and fifty
- 23:45Speaker 1: four dollars marked down from six hundred and fifty. Another
- 23:49Speaker 1: one which is out of the box is two hundred
- 23:51Speaker 1: and sixty. Another one is five hundred, another one is
- 23:54Speaker 1: four forty.
- 23:56Speaker 2: They're underselling her.
- 23:58Speaker 1: Oh and there's a there's a fun Greta.
- 24:02Speaker 2: How do the gremlins? How do those look? Funk pop gremlins?
- 24:05Speaker 2: I'm curious. I'm not sure they translate to cartoon as
- 24:08Speaker 2: well if they could.
- 24:09Speaker 1: Now so their eyes are entirely black and weird to
- 24:12Speaker 1: make some look like aliens.
- 24:13Speaker 2: Especially when they actually turned to like the gremlin creatures.
- 24:17Speaker 2: So Mohawk gets the that of Spider Jeans. We pan
- 24:26Speaker 2: outside to the news and police have surrounded the Clamp
- 24:30Speaker 2: building because of the outbreak of what's going on there.
- 24:36Speaker 2: Fred is actually allowed to report on the gremlins. He's
- 24:40Speaker 2: actually like broadcasting within the building. A sad note here,
- 24:46Speaker 2: the Futtermans are outside trying to get into the building.
- 24:49Speaker 2: They talk to a fireman who's about to spray the
- 24:51Speaker 2: building with water and they're like, fucking don't do that.
- 24:55Speaker 2: The fireman is Isaiah Willocke Jr. Who just left us
- 24:59Speaker 2: Clay Davis from the wire. Really, yeah, he passed away
- 25:04Speaker 2: in December. Oh okay, I think seventies. I think early seventies.
- 25:12Speaker 1: But one thing that already happened you didn't mention is
- 25:16Speaker 1: Gizmo has a training montage.
- 25:18Speaker 2: That's right, I forgot. He's working out in the in
- 25:20Speaker 2: the event there.
- 25:21Speaker 1: He's he is working out like in Rocky, the training
- 25:24Speaker 1: montages in Rocky. He's lifting weights to prepare for trying
- 25:30Speaker 1: to stop the Gremlins.
- 25:36Speaker 2: We then see Mohawk drink the spider Jeans. Billy goes
- 25:43Speaker 2: into Clamp's office to be like, hey, like, what else
- 25:46Speaker 2: can we do about this Electric Gremlin is able to
- 25:52Speaker 2: make its way up to the phone, and then Billy
- 25:55Speaker 2: traps Electric Gremlin in the answering machine.
- 25:58Speaker 1: So they have they have a video. This is again
- 26:01Speaker 1: because this is supposed to be very future. Oh god,
- 26:03Speaker 1: here comes trucktors speaking no, no, no, no, no, get off,
- 26:07Speaker 1: get off. See Tammy, I'm nice too. He doesn't deserve
- 26:10Speaker 1: to be treated. Well, not that I abuse him, but
- 26:15Speaker 1: don't listen to what he says. He hits me, shut up.
- 26:20Speaker 1: So they have, because it's so futuristic, they have FaceTime. Yes,
- 26:25Speaker 1: they have these phones like desk phones, yeah, that have
- 26:28Speaker 1: a TV screen. They FaceTime. So Electric Gremlin shoots it
- 26:32Speaker 1: Billy to try to elect Billy picks up the phone
- 26:36Speaker 1: to block them, and he enters the phone and then
- 26:38Speaker 1: appears trapped in the face time, which makes absolutely no
- 26:43Speaker 1: scientific sense. Mister Clamp says, well, this is it. We're
- 26:47Speaker 1: finally going to play the message. And he has this
- 26:51Speaker 1: pre prepared message. I loved. It was like all these
- 26:54Speaker 1: it's calming music and all these nature shots of a
- 26:58Speaker 1: brook and a meadow, and it says, thank you for
- 27:01Speaker 1: watching the Clamp Network. If you're watching this message, civilization
- 27:05Speaker 1: has ended. We hope that you enjoyed our programming, and
- 27:09Speaker 1: we hope you enjoyed your life.
- 27:11Speaker 2: I love They just show Clamp watching and be like,
- 27:14Speaker 2: so is so moving.
- 27:15Speaker 1: Yeah, this is beautiful. He starts to cry. And I
- 27:18Speaker 1: wanted to mention George the grandma smoked is smoking a
- 27:21Speaker 1: cigar for the rest of the movie.
- 27:22Speaker 2: Yes, this is Billy hatches the plan because they're afraid
- 27:30Speaker 2: of you. You light our only chance to push the
- 27:31Speaker 2: clocks ahead, so they think it's later than it actually is.
- 27:34Speaker 1: Yes, and well, the lobby's all glass. We'll do something
- 27:38Speaker 1: outside and make it look like nighttime. And mister Clamp says, oh,
- 27:42Speaker 1: this is so exciting. You get to use my secret exit,
- 27:44Speaker 1: which I thought was awesome. It's something a billionaire would do.
- 27:48Speaker 1: But we next see mister Clamp coming out of the ground,
- 27:51Speaker 1: like underneath a post office box or something.
- 27:54Speaker 2: It's yes, on the street outside of the building.
- 27:56Speaker 1: Yeah. Yeah, he just appears and Futterman w Clamp leaves
- 28:00Speaker 1: his secret exit. Futterman gets in it mister to enter
- 28:04Speaker 1: the building. Gizmo continuing continuing his training, Montage makes a
- 28:08Speaker 1: bow and arrow out of a paper clip and rubber
- 28:12Speaker 1: bands and pencil other materials and brain. Grillin is being
- 28:17Speaker 1: interviewed live on TV by Grandpa Fred.
- 28:20Speaker 3: Uh.
- 28:20Speaker 1: This is when the lights don't hurt him, and Fred's
- 28:24Speaker 1: just saying, like, what do you want? What do your
- 28:26Speaker 1: people want? And it's just, you know, a serious interview.
- 28:31Speaker 2: They want to be they want to assimilate, they want
- 28:34Speaker 2: to be part of the New York world. They want
- 28:38Speaker 2: I love how one of us things like how do Broadway?
- 28:41Speaker 2: How do how do we get tickets? Wait a minute,
- 28:43Speaker 2: Wait a minute, there's a thousand of you monsters. You
- 28:47Speaker 2: think you're like the concerns we have to pay to
- 28:49Speaker 2: get into this show.
- 28:50Speaker 1: And Billy's walking around looking for gizmo and he says gizmo,
- 28:54Speaker 1: and then we hear Daffy's laughter and we see the
- 28:57Speaker 1: outline the shadow of Billy getting hacked in the head
- 29:00Speaker 1: with a hammer. And the next show, Billy Uh, Daffy
- 29:05Speaker 1: is obviously in a costumes. He's dressed as a dentist
- 29:09Speaker 1: and he's performing dental surgery on Billy, which is really
- 29:13Speaker 1: that is pretty malicious and evil.
- 29:16Speaker 2: Yes, I mean I think all the like. Actually, even
- 29:20Speaker 2: before this even happens, to the interview with Intelligent Grumblin,
- 29:27Speaker 2: he shoots like crazy Gumlin brain on. I'm sorry. Fred
- 29:31Speaker 2: is like all these things are all are just insane,
- 29:33Speaker 2: Like there's there's no civility with them. They're just yes,
- 29:38Speaker 2: no matter how intelligent they are, they're just deranged. There's
- 29:42Speaker 2: Quoto Larry.
- 29:44Speaker 1: And uh so I don't remember, just give him a
- 29:47Speaker 1: rescues Billy somehow.
- 29:49Speaker 2: So actually Billy's rest to you by Futterman attacks him
- 29:54Speaker 2: and then they got on the hallway. Marwa his boss,
- 29:59Speaker 2: is caught in the web on.
- 30:01Speaker 1: The spider Web, spider Web and Kate. Kate confronts her
- 30:05Speaker 1: and says, I know that you know something happened with
- 30:08Speaker 1: Billy and she was like, I tried to make a move,
- 30:10Speaker 1: he didn't recip for Kate, nothing happened. She said, okay,
- 30:13Speaker 1: good enough, I'll rescue from this web. This this was
- 30:16Speaker 1: really great. So Gizmo appears, dresses Rambo with a red
- 30:20Speaker 1: headband and shoots a flaming explosive arrow that he made
- 30:24Speaker 1: out of like whiteout or something, yes, and it explodes
- 30:28Speaker 1: on Spider Grumlin, whose mohawk has been torturing the whole movie,
- 30:31Speaker 1: and Spider Grumlin is burned to death, and somebody asks
- 30:36Speaker 1: what I think Kate. Maybe he says to Billy, what
- 30:38Speaker 1: happened to to Gizmo for him to put on the
- 30:40Speaker 1: headband and build a bow and arrow and murder a
- 30:43Speaker 1: spider grummnd And Billy says they pushed him too far.
- 30:46Speaker 2: Also, it could here's the tradition that you pointed out,
- 30:48Speaker 2: which I'm still glad you did in the first one,
- 30:51Speaker 2: when when they light the feat are on fire and
- 30:53Speaker 2: you were like, Ryan, you missed the whole point. It's
- 30:55Speaker 2: like they the gremlins are just screaming and it's the
- 30:58Speaker 2: most horrifying star.
- 30:59Speaker 1: And one for no reason, it's holding a butcher knife.
- 31:01Speaker 2: It's only a butcher knife. This one the same be
- 31:03Speaker 2: like when they start burning Mohawk. It's just like agony.
- 31:07Speaker 2: It's insane and he's very well deserved.
- 31:10Speaker 1: Absolutely, this is another great moment making fun of the
- 31:13Speaker 1: first movie. So, Kate's deranged speech in the first movie
- 31:18Speaker 1: about how her father died dresses Santa Claus and she
- 31:21Speaker 1: found his rotting body, and Ryan recited the entire speech
- 31:24Speaker 1: in the first Gremlin's podcast series. So she starts, she
- 31:29Speaker 1: randomly gets triggered by some trauma, and she said, there
- 31:32Speaker 1: summons me in my first day of school, and she
- 31:34Speaker 1: starts giving this telling this story, and it's just like
- 31:37Speaker 1: she had some other horrible traumatic moment in the first
- 31:39Speaker 1: day of school, and she's telling it exactly the way
- 31:42Speaker 1: she told the story of her father died in the
- 31:43Speaker 1: first movie. And in the middle of her story, Billy
- 31:46Speaker 1: is just like, Okay, Kane, okay, let's go, and puts
- 31:48Speaker 1: his arm around her and sort of ushers her away.
- 31:50Speaker 2: It's so mister not trying to do a correction here,
- 31:57Speaker 2: mister I'm sorry, Futterman says. It's like he's like, She's like,
- 32:01Speaker 2: how did you do this? I didn't give up, you know,
- 32:02Speaker 2: like all people did. Lincoln didn't give up. And she's like,
- 32:05Speaker 2: oh my god, Lincoln's birthday. And that's when she's like,
- 32:08Speaker 2: I remember, like when I was a kid on Lincoln's birthday.
- 32:11Speaker 2: I don't know if I was five or six. And
- 32:12Speaker 2: then he's like, we have no time for this, like
- 32:14Speaker 2: every holiday has had some traumatic yeah, Lincoln's birthday.
- 32:19Speaker 1: It was Lincoln's Birthdayrama.
- 32:24Speaker 2: We go to the lobby, Chuckie shut up and brain Grumlin.
- 32:34Speaker 2: His plan is to go out into New York and
- 32:35Speaker 2: be part of society. Yes, so he decides I'm gonna
- 32:39Speaker 2: burst into song.
- 32:40Speaker 1: Yes. He gets all the Grumlins together in the lobby
- 32:42Speaker 1: and he sings New York, New York by Frank Sinatra. Yeah.
- 32:45Speaker 1: Mister Futterman overhearing all of this and seeing it, says,
- 32:48Speaker 1: these guys aren't bad.
- 32:49Speaker 2: They love to perform too. They love the wather cost,
- 32:52Speaker 2: the perform, They love to perform. What was very disappointing
- 32:55Speaker 2: was that they have a whole montage of all the
- 32:57Speaker 2: Grumlins flipping over a giant and of Greta. Yes, and
- 33:01Speaker 2: they have Greta show up at the spotlight. I'm like, oh,
- 33:03Speaker 2: we're gonna get a Greta song.
- 33:04Speaker 1: This is great nothing, Yeah, maybe it's cut for time.
- 33:08Speaker 1: Greta has is wearing a provocative outfit and his breasts.
- 33:11Speaker 2: Yes. Yeah.
- 33:12Speaker 1: They then show this is just a great the anarchy
- 33:16Speaker 1: of the Gremlins. This is a great moment. They have
- 33:18Speaker 1: an arsenal weapons. Yes, and one of the gremlins is
- 33:23Speaker 1: chain sawing through a box that's labeled Bazooka AMMO. He's
- 33:27Speaker 1: chain sawing through it.
- 33:29Speaker 2: One of them is being tattooed and it has about
- 33:32Speaker 2: this logo on it. Yeah, Also they pay off the
- 33:35Speaker 2: Phantom of the Opera joke, where like there's like this
- 33:38Speaker 2: woman is a think a grandmlin is in a maiden costume? Yes,
- 33:42Speaker 2: and he's like no, no, no, no no no no
- 33:44Speaker 2: no no no, that's it. It's all with us, just to.
- 33:48Speaker 1: Circle back to the Phantom of the Opera gremlin.
- 33:50Speaker 2: So then their plan gets foiled because it has to
- 33:53Speaker 2: rain outside in the cloudy.
- 33:54Speaker 1: Yeah, they're about to, So they set up this backdrop
- 33:57Speaker 1: that covers the windows in the lobby to make it
- 33:59Speaker 1: look like night. Yes, all right, throw on the lobby,
- 34:01Speaker 1: drop the backdrop to the ground. And also the backdrop
- 34:04Speaker 1: is they just grabbed whatever they could, so it's it's
- 34:07Speaker 1: Russia at night. It's like Saint Petersburg and you see
- 34:10Speaker 1: like the cathedrals, and it makes no sense. So they
- 34:14Speaker 1: go drop the backdrop. But then this storm rolls in
- 34:16Speaker 1: and it's really dark outside, so they go, oh crap,
- 34:19Speaker 1: what do we do? And Billy says, I have an
- 34:20Speaker 1: idea and go on.
- 34:22Speaker 2: So Billy's plan is that he has mister Futterman spray
- 34:28Speaker 2: them with the hose.
- 34:29Speaker 1: Which I'm surprised mister Putterson said that he goes mister
- 34:32Speaker 1: Futterman spread them all with the hose. He says, Okay, Billy,
- 34:34Speaker 1: I hope you know what you're doing. I would have
- 34:36Speaker 1: been like, no, I'm not spraying the I'm not getting
- 34:38Speaker 1: them all way this now in.
- 34:40Speaker 2: That lobby five thousand, five thousand, fifty million Z. So
- 34:46Speaker 2: he does that. Billy's plan is to he asked Kate
- 34:49Speaker 2: to help him. Can you patch in a line from
- 34:52Speaker 2: the executive room to the lobby where our favorite character
- 34:56Speaker 2: and best action figure of all time, Electric Grumbling is
- 34:59Speaker 2: hidd He phones him down, throws the phone into the water.
- 35:03Speaker 2: Is that right?
- 35:04Speaker 1: No, he just holds the phone, holds so electric Gremlin
- 35:08Speaker 1: shoots out and because all of the Grandma Gremlins are wet,
- 35:13Speaker 1: it just sort of the electric Gremlin accidentally travels through
- 35:16Speaker 1: all of the water and the lobby and on the ground,
- 35:20Speaker 1: and it kills all of them very graphically and violently.
- 35:24Speaker 2: Double disgusting.
- 35:25Speaker 1: Will melt into like a google they have ults.
- 35:28Speaker 2: With the Witch from Wizard of Oz. I'm melting just
- 35:31Speaker 2: like they have to. They can't miss a reference that
- 35:33Speaker 2: they can't.
- 35:33Speaker 1: Yeah, absolutely so.
- 35:35Speaker 2: I love this call back to the joke earlier with
- 35:38Speaker 2: the guy who pushed Kate into the door, but couldn't
- 35:41Speaker 2: get in the spinning door. The SWAT team comes in,
- 35:43Speaker 2: they can't get inside the building because the spinning doors
- 35:45Speaker 2: don't work.
- 35:46Speaker 1: Yeah.
- 35:47Speaker 2: So the swat team is also led by Dean Norris
- 35:50Speaker 2: who is from Breaking Bad. Apparently I know him from
- 35:52Speaker 2: a total recall. Let me look him up kicking the doors.
- 35:59Speaker 2: The swat team is led by.
- 36:02Speaker 1: Clamp but yeah, he plays Hank and Breaking Back.
- 36:07Speaker 2: Yes, and he clamp is. The innocence of clamp is
- 36:15Speaker 2: a little bit bizarre to me in this movie where
- 36:17Speaker 2: he's so complicated with this. He sees Fred, who is
- 36:20Speaker 2: the Dracula guy, is like, hey, you should be a reporter. Here,
- 36:23Speaker 2: become a reporter. You're gonna o'clock news.
- 36:26Speaker 1: Need to do go.
- 36:27Speaker 2: Also, go to the men's wear a store and get
- 36:29Speaker 2: a new suit. I love missus. Futterman approaches Murray and
- 36:38Speaker 2: she's like, I love Murray. What happened? I love they
- 36:42Speaker 2: tried it again, but we were ready for him. I
- 36:44Speaker 2: love I love that. I love that so much. That
- 36:47Speaker 2: just got me love that. So then clamp mates makes
- 36:52Speaker 2: Maria Marilla the new pr head. He also finds Bill
- 37:00Speaker 2: he's drawing of kings and Falls, Kings and Falls, and
- 37:02Speaker 2: it's like, this is what I want to do next.
- 37:03Speaker 2: I want to make this next. I want this to
- 37:04Speaker 2: be small town America.
- 37:06Speaker 1: Yeah, he said, this building is everything I don't want anymore.
- 37:09Speaker 1: I'm going to do the opposite. I'm gonna make I'm
- 37:10Speaker 1: going to recreate Kings and Falls.
- 37:12Speaker 2: Yeah, which would be an interesting third movie because it's
- 37:14Speaker 2: just as deranged. Your quote earlier about the marketing of it.
- 37:19Speaker 2: I love this joke. You know what I see is
- 37:21Speaker 2: dolls with suction cups on windows, which was actually true.
- 37:25Speaker 2: A lot of people had Gizmo's on windows.
- 37:27Speaker 1: Yeah, Garfield and Gizmo were the two big ones.
- 37:31Speaker 2: Kind of an interesting ending. They just kind of show
- 37:34Speaker 2: Billy and Kate leave and Gizmo is just asking if
- 37:37Speaker 2: they have cable, and then you never see them, like
- 37:39Speaker 2: that's it, that's here.
- 37:40Speaker 1: Gizmo that this this is the best ending maybe in
- 37:45Speaker 1: movie history. Greta. They show in an office, Greta's still
- 37:49Speaker 1: I thank god. The female, the hot female run. She's
- 37:53Speaker 1: beautiful lips some would say da cels. And she has
- 37:59Speaker 1: corner and captured and is holding hostage. The head of security,
- 38:03Speaker 1: what's his name, Forester Forester and clam gets a call
- 38:08Speaker 1: and he's like, Forrester, what floor are you on? Oh?
- 38:10Speaker 1: All the way up there. It's gonna take a while
- 38:12Speaker 1: for them to come rescue you. I mean, the elevators
- 38:15Speaker 1: are out, all the doors are locked. Then it cuts
- 38:18Speaker 1: to Forester. He's trapped with Greta. He's covered in lipstick marks, yes,
- 38:22Speaker 1: and Greta's like batting her eyes in him, and he
- 38:25Speaker 1: realizes we're gonna be stuck in here for a few hours.
- 38:27Speaker 1: And then he looks at her and he just goes
- 38:30Speaker 1: and just kind of shrugs, and it means, all right,
- 38:33Speaker 1: I'll just fuck her. I also, I'll fulin love.
- 38:36Speaker 2: Just like they don't even show her. They show him
- 38:39Speaker 2: like funny Forster's on the phone, he's a pant and
- 38:42Speaker 2: all you hear is like the here comes to the
- 38:44Speaker 2: bride and Greta is in a full wedding dress, just
- 38:46Speaker 2: walking slowly towards him.
- 38:47Speaker 1: Yeah.
- 38:47Speaker 2: My last note in this entire movie is just Foresters
- 38:50Speaker 2: into it. Yeah, but she's drunk, all right, that's the
- 38:53Speaker 2: end of the movie. Insane.
- 38:55Speaker 1: Yeah, I mean's not trying to kill me. Yeah, sure,
- 38:59Speaker 1: As Mark Fulcini told me once, all sex is just friction. Okay,
- 39:06Speaker 1: so you know, really what's the difference. But the two
- 39:09Speaker 1: other mentions I wanted to have is I was like,
- 39:12Speaker 1: this movie, this is before post credits scenes. This movie
- 39:15Speaker 1: is before post credits. Like, no, no post credits scenes.
- 39:18Speaker 1: It existed, maybe not none, but you know what I mean.
- 39:20Speaker 1: But I was like, there, there's got to be something.
- 39:23Speaker 1: So I watched the credits. Did you watch the credits?
- 39:25Speaker 1: All know?
- 39:26Speaker 2: It was a turn from like black to blue. That's
- 39:27Speaker 2: what I remember.
- 39:28Speaker 1: It happened to from black to blue, which is very odd. Yeah,
- 39:30Speaker 1: Daffy Duck comes out during the credits and like makes
- 39:33Speaker 1: a comment I don't remember. He says, like this is
- 39:35Speaker 1: despicable or something. And then at the very end of
- 39:38Speaker 1: the credits, Porky Pick comes out and says, but that's all.
- 39:42Speaker 2: That's what I was curious about too, Like how much
- 39:44Speaker 2: of this is like Roger Rabbit inspired? Yeah, because this
- 39:47Speaker 2: was two years after two years after.
- 39:49Speaker 1: Yeah yeah, actually yeah, yeah, And this was the last
- 39:55Speaker 1: Gremlin's property that was made until they had the Gremlin's
- 40:00Speaker 1: animated series in the twenty twenties. Yeah, it's like Gremlin's franchise.
- 40:06Speaker 1: Let me think so. Television series was HBO Max twenty
- 40:12Speaker 1: twenty three, and there is going to be a third
- 40:17Speaker 1: movie which Ryan mentioned, directed by Chris Columbus, who wrote
- 40:21Speaker 1: the first movie and directed Harry Potter Movies and Home Alone.
- 40:28Speaker 1: In nineteen ninety one, they made The Great Gremlin Adventure,
- 40:34Speaker 1: which was at Warner Brothers Movie World. What is that?
- 40:39Speaker 1: That is an amusement park. That's an amusement park in
- 40:42Speaker 1: Australia and Germany. Interesting it's called now it's called Movie
- 40:47Speaker 1: Park Germany. Hmm, Warner Brothers Movie World, Gold Coast is
- 40:55Speaker 1: still is it still open? Status operating? It's been open
- 40:59Speaker 1: for thirty four years. It's a it's a Warner Brothers
- 41:02Speaker 1: movie themes like Disney World in Australia. Wow, I've never
- 41:06Speaker 1: heard of this because we don't have one of the
- 41:07Speaker 1: United States. Interesting lethal weapon. The ride was the park's
- 41:11Speaker 1: first roller.
- 41:12Speaker 2: What does that do?
- 41:14Speaker 1: Scooby Doo Spooky Coaster? The matrix that makes sense? O?
- 41:20Speaker 1: D C Comics rides. Wow, let me see list of attractions. Yeah,
- 41:27Speaker 1: there's a lot of DC stu.
- 41:30Speaker 2: Is there a Dirty Harry ride? Imagine get down their coaster?
- 41:36Speaker 1: Are these there coasters? Yeah? That wing, DC Rivals Green Lantern,
- 41:41Speaker 1: the Flash and Superman. Yeah. Interesting, all right, So when's
- 41:47Speaker 1: Gremlin's three coming out to You know, I'm a little.
- 41:56Speaker 2: Hey, I'm a little say little I'm hesitant about that.
- 42:01Speaker 2: Oh yeah, of course this this, this one seems to
- 42:04Speaker 2: have like when there were sequels to like Break the
- 42:09Speaker 2: movies kind of in a way like what do you
- 42:10Speaker 2: do after? Like this is very like Matrix resurrections where
- 42:17Speaker 2: you're kind of like, well, he kind of just blew
- 42:19Speaker 2: everything up, which I respect a lot.
- 42:22Speaker 1: Yeah, so like what do you do?
- 42:24Speaker 2: Like I should say, I'm being made to do this,
- 42:27Speaker 2: So I'm just gonna grenade this entire thing while I'm here.
- 42:31Speaker 2: Where do you go?
- 42:31Speaker 1: Like?
- 42:31Speaker 2: What can what would people accept from this from this
- 42:33Speaker 2: point for?
- 42:34Speaker 1: And also I'm glad that they're they're having the director
- 42:38Speaker 1: who wrote the original movie, but like people are so
- 42:42Speaker 1: different now. I mean, how well is you see his
- 42:45Speaker 1: sixties Because we've talked about how directors lose their fastball
- 42:50Speaker 1: overwhelmingly for the most part, But Chris Columbus is Colombine.
- 42:57Speaker 1: He is sixty seven. Yeah, so he he's going to
- 43:02Speaker 1: be a very different person than when he wrote that
- 43:04Speaker 1: first movie. So if we wanted to be the nineteen
- 43:09Speaker 1: eighty did you say four? Yeah, nineteen eighty four Grandma's
- 43:13Speaker 1: It's not gonna.
- 43:13Speaker 2: Be Well that's the thing too, is I wonder, like
- 43:18Speaker 2: like I questioned something to talk about it. I thought
- 43:22Speaker 2: it was a good question to raise during this is like,
- 43:24Speaker 2: since this is considered such a very important sequel type
- 43:28Speaker 2: of movie, and do this I still as much as
- 43:31Speaker 2: I love and admire this movie, I still think the
- 43:33Speaker 2: first one is better. But the first one is like
- 43:38Speaker 2: this like simple fun, cozy movie. You can't do either
- 43:44Speaker 2: of these again, it's like what do you do? And
- 43:47Speaker 2: also is the team involved? Do I think this team
- 43:52Speaker 2: will have enough creative like juice to do this differently
- 43:58Speaker 2: like what else could they again? Like what else could
- 44:01Speaker 2: they do?
- 44:02Speaker 1: Like?
- 44:02Speaker 2: Or also like you would need to bring in new
- 44:05Speaker 2: people to do something different with this, And is.
- 44:08Speaker 1: It gonna be cgi Graham wins which we've never had.
- 44:11Speaker 2: Yeah, I don't know. And also just like again like
- 44:17Speaker 2: this was Star Wars too.
- 44:18Speaker 1: Like with this, Saliva going to do the soundtrack click
- 44:22Speaker 1: click boom click, but any movie that has click click boom,
- 44:25Speaker 1: and and.
- 44:26Speaker 2: I support it was a big trailer song for a
- 44:29Speaker 2: long time. Oh my god, But I just think, like what.
- 44:34Speaker 1: You sent me that that edit that you had done
- 44:37Speaker 1: in that video was uh nine to eleven, but you
- 44:39Speaker 1: put it to click click boom. Really yeah, go click
- 44:42Speaker 1: click and then the plane with the tower. Oh yeah,
- 44:45Speaker 1: I didn't. I found it very offensive.
- 44:46Speaker 2: That's right.
- 44:50Speaker 1: You know, you got a weird sense of humor.
- 44:51Speaker 2: No judgment, okay, Jesus Christ, I just don't. I just don't.
- 45:00Speaker 4: No, Like.
- 45:03Speaker 2: I'd be worried if they're like, hey, we're gonna ask
- 45:05Speaker 2: for the second one didn't happen. That would worry me.
- 45:07Speaker 2: More like, let's just do a sequel to the first
- 45:10Speaker 2: one and pretend too didn't happen, because then they would
- 45:13Speaker 2: act like two wasn't this great thing, which this movie is.
- 45:16Speaker 1: I'm so sorry. Earlier today I said to you that
- 45:21Speaker 1: here comes the boom the MMA movie was a Saliva song.
- 45:24Speaker 1: It's a Peter D song. I confused. Here comes the
- 45:27Speaker 1: boom by po D, the click click booms by Saliva.
- 45:29Speaker 1: I am deeply, deeply disappointed.
- 45:32Speaker 2: It comes to the boom? Ready?
- 45:34Speaker 1: How you like? We now? Boom? You put po D?
- 45:37Speaker 1: What was the School of Hard Knocks? School of Hard
- 45:39Speaker 1: Knocks six song from All the South Town.
- 45:44Speaker 2: Uh, yeah, we should do Little Niki this year. That's
- 45:46Speaker 2: that's a goal.
- 45:47Speaker 1: Actually, well we'll have to have Eric on the pod.
- 45:51Speaker 2: You did absolutely.
- 45:53Speaker 1: Me and Ben were pissed. Eric and I and Ben
- 45:56Speaker 1: saw Little Nicky in the theater and Eric is like, yeah,
- 45:58Speaker 1: it really wasn't funny. It was pretty and we were like,
- 46:01Speaker 1: you snob, you pretentious, smug, Like, who do you think
- 46:06Speaker 1: you are? I was not liking Little Nikky so.
- 46:08Speaker 2: Excited to see the old came out in theaters. Never
- 46:11Speaker 2: forgot its.
- 46:11Speaker 1: Two thousand, right, Yeah, it really is pretty bad.
- 46:15Speaker 2: It doesn't age well. Yeah, you know that's the thing.
- 46:17Speaker 1: I was kind of everybody loves Sandler, yeah, and I
- 46:20Speaker 1: was like, Sandler kind of sucks. Sandler's made two really
- 46:24Speaker 1: good movies.
- 46:24Speaker 2: I think I think the whole thing is people love him.
- 46:28Speaker 1: Yeah, but like why why not?
- 46:31Speaker 2: I don't know it's him Andy because he's.
- 46:33Speaker 1: Okay, Billy Madison's awesome, Heavy Gilmore is awesome. Nothing else
- 46:37Speaker 1: he's ever done has been good. He was good in
- 46:40Speaker 1: Punch Drunk Love. I think I think Uncut Jams is
- 46:43Speaker 1: very overrated.
- 46:44Speaker 2: Okay, but it's not bad.
- 46:47Speaker 1: Uncut Jams is good. I think it's just incredibly overrated,
- 46:50Speaker 1: but he was like, I'm never gonna do a serious
- 46:52Speaker 1: role again because they didn't get nominated for an Oscar.
- 46:54Speaker 1: Who do you think you are?
- 46:55Speaker 2: I honestly also think I in my opinion, I think
- 46:58Speaker 2: he did that to be like, like, there's just kind
- 47:01Speaker 2: of mess people, because I think, like, I don't think
- 47:03Speaker 2: he's ever cared about a Woodwinds. I just don't think
- 47:06Speaker 2: it's ever.
- 47:06Speaker 1: Been clearly doesn't care about acting. I mean, he live
- 47:10Speaker 1: like the lowest level movie like you can make, in
- 47:15Speaker 1: my opinion, is grown Ups. It's like, let me get
- 47:18Speaker 1: all my friends, let me cast a smoking hot wife
- 47:23Speaker 1: and a smoking hot teenage daughter, and we'll make jokes
- 47:25Speaker 1: about that, and we'll all just like show up and
- 47:28Speaker 1: hang out and have a really good time and make
- 47:29Speaker 1: a very stupid movie that's not well written and not clever.
- 47:34Speaker 1: And that's what he's been doing for.
- 47:36Speaker 2: What if I told you that, What if I told
- 47:37Speaker 2: you that grown Ups to the new Batch is like.
- 47:42Speaker 1: I would love that, but yeah, let me like, let
- 47:45Speaker 1: me run through really quickly, because now this is gonna
- 47:49Speaker 1: this is gonna bother me. So back way back in
- 47:53Speaker 1: the day, I love how this is in the Gremlins
- 47:55Speaker 1: tub Podcast.
- 47:56Speaker 2: Okay, that's the point.
- 47:57Speaker 1: I'm going back to where it all began. Shakes the Clown,
- 48:03Speaker 1: Billy Madison, Happy Gilmore. When was Bulletproof ninety six? I
- 48:07Speaker 1: liked Bulletproof. I haven't seen it in forever.
- 48:09Speaker 2: Bulletproof could have been so much better.
- 48:11Speaker 1: The Wedding Singer is good.
- 48:12Speaker 2: Amazing, love it. I do love one of the comedies
- 48:16Speaker 2: of all time in my opinion.
- 48:17Speaker 1: His comedy albums. His comedy album What the Hell Happened to.
- 48:21Speaker 2: Me is a plus. I have to say that, and
- 48:24Speaker 2: then they're all gonna laugh at you.
- 48:25Speaker 1: Amazing The water Boys when things started to go downhill
- 48:29Speaker 1: still a big hit though, but it doesn't matter if
- 48:31Speaker 1: its a big hit. I don't care if it printed money.
- 48:33Speaker 1: It wasn't very good. And then Big Daddy wasn't very good.
- 48:36Speaker 1: I think that dad, Big Daddy's overrated. Then Little Nikki
- 48:40Speaker 1: bad Punch, Drunk Love, Mister Deed's bad uh Scooby Doo
- 48:46Speaker 1: Anger Management have like a couple of moments.
- 48:48Speaker 2: I like, okay, let me see Okay. Then now like fIF.
- 48:52Speaker 1: Fifty first Dates, Spanglish, the Longest Yard.
- 48:55Speaker 2: I will say this Click Click has some heavy stuff.
- 48:59Speaker 2: No click is fifty first Dates is the one I
- 49:01Speaker 2: am lost with personally, I.
- 49:03Speaker 1: Now pronounce you Chuck and Larry. Don't mess with the Zohan, Like,
- 49:07Speaker 1: come on, I nevernantal. Chuck and Larry is so offensive
- 49:10Speaker 1: from a modern perspective, and it was in two thousand
- 49:13Speaker 1: and seven.
- 49:13Speaker 2: I have not seen it.
- 49:14Speaker 1: Grown ups, just go with it, Jack and Jill.
- 49:19Speaker 2: We actually we definitely need to, because of course we do.
- 49:23Speaker 1: It's that's my boy. People do like that fun.
- 49:27Speaker 2: I don't love it, but it's fun.
- 49:28Speaker 1: Yeah, grown ups too? How do you go more? Too?
- 49:31Speaker 1: It was not good.
- 49:32Speaker 2: No, I agreed, it was not good.
- 49:34Speaker 1: I really wanted to like it.
- 49:37Speaker 2: So I don't know.
- 49:38Speaker 1: I just think, like, why do we worship this guy?
- 49:41Speaker 2: I think I think people just genuinely respond to him
- 49:44Speaker 2: as a person. I really think that's true.
- 49:45Speaker 1: Yeah, he's likable.
- 49:48Speaker 2: Yeah, I think there's no even though he is hilariously
- 49:52Speaker 2: like a millionaire and incredibly successful, like like, oh yeah,
- 49:55Speaker 2: do you ever see when he was on Colon O'Brien
- 49:57Speaker 2: and he talked about getting married because he had just
- 49:59Speaker 2: met his wife at the time.
- 50:00Speaker 1: Yeah, he said, what what, Well, I'm excited to try
- 50:02Speaker 1: anal Yes, And they were like, I don't know his
- 50:08Speaker 1: wife who looks very hot in Big Daddy.
- 50:10Speaker 2: Yes, and he says he's like they show like a
- 50:13Speaker 2: photo of them together, and Colan's like wow, like how
- 50:17Speaker 2: this happened? And I love Samlor just so Notchiz was like, well,
- 50:20Speaker 2: I mean it doesn't hurt that I'm like a multimillionaire.
- 50:23Speaker 2: He's actually really right, Yeah, but I don't. I think
- 50:26Speaker 2: he's like endearing nature he's always been. I don't know.
- 50:29Speaker 2: I think that's truly what has gotten through people. And
- 50:33Speaker 2: also like I think because like younger kids now like
- 50:38Speaker 2: him too, which is interesting. I never thought that like
- 50:41Speaker 2: his other movies that we don't like other kids like.
- 50:43Speaker 1: But when I like him as a guy, if I
- 50:45Speaker 1: hung out with him, sure, but like the product he's
- 50:49Speaker 1: putting out as a performer is terrible.
- 50:51Speaker 2: I just but I don't want to say it because
- 50:53Speaker 2: like other guys who were like him do this and
- 50:56Speaker 2: put out probably just as equal ship, right and don't
- 51:00Speaker 2: have this traction. David Spade doesn't have this traction, right.
- 51:03Speaker 2: It's I just like there's something too and people like
- 51:08Speaker 2: and I think also like Norm McDonald's is too weird,
- 51:10Speaker 2: too weird, but also like, I think the weird thing
- 51:14Speaker 2: in terms of like movie fan interests in him is
- 51:17Speaker 2: that punch drunk love probably was the thing where people
- 51:22Speaker 2: are like, oh, someone on that level saw something in him.
- 51:25Speaker 2: There has to be something.
- 51:27Speaker 1: Well not I'm not. I almost just called pta jerk off.
- 51:29Speaker 1: He's not a jerk off, but it's it's like this
- 51:32Speaker 1: jerkof director thing to do, like to put Tarantino does this,
- 51:36Speaker 1: everybody does this. The Scorsese has done this, like let's
- 51:38Speaker 1: put comedians in my serious movie, but I gave.
- 51:41Speaker 2: Them an entire movie.
- 51:42Speaker 1: No, uh, that's a thing that's probably true.
- 51:47Speaker 2: Like Don Choles is in Casino. He's great, yeah, the
- 51:50Speaker 2: quiet part, but he's a small park. I wrote an
- 51:52Speaker 2: entire movie based on you and you have to do it. Yeah,
- 51:55Speaker 2: it's interesting. And also love is not my favorite thing.
- 51:59Speaker 2: I won't write. I like it a lot, but it's
- 52:00Speaker 2: a weird thing. Yeah, But I'm just saying like it's
- 52:03Speaker 2: I think just feel like even though that movie doesn't
- 52:06Speaker 2: really like it's not like holy shit, Sandler transformed. I
- 52:12Speaker 2: feel like he's tried that in other movie and it doesn't.
- 52:14Speaker 1: Work, Like and Jack and Jelly transformed to a woman that.
- 52:18Speaker 2: Actually worked really well, but like and like Rain Over Me,
- 52:22Speaker 2: where it's so heavily dramatic it's almost too much of
- 52:24Speaker 2: a change.
- 52:25Speaker 1: Yeah, yeah, it's.
- 52:27Speaker 2: Too sad, but like someone could find tune it where
- 52:31Speaker 2: it worked, Like Sandler's like this kind of sad dude
- 52:35Speaker 2: throughout Prime strump Love. But then when he has that
- 52:38Speaker 2: incredible screaming match with Philip Seymour Hoffman, because Semer Hoffin's
- 52:43Speaker 2: he's very good, angry and like Seymour Hoffman is of
- 52:45Speaker 2: course a serious like actor, and he's like, if I
- 52:48Speaker 2: just yell at this stupid idiot, he'll go away. And
- 52:50Speaker 2: he realizes that Sandler is four thousand times louder than
- 52:53Speaker 2: he is. Yeah, so he backs off in a weird way.
- 52:55Speaker 1: No, but everybody's gonna have the same reaction listening to this,
- 52:57Speaker 1: and let me get text like you're so wrong, Like,
- 53:00Speaker 1: look you Sandler's awesome, but that's the thing everythink Sanmon's awesome. Okay,
- 53:05Speaker 1: name three things that he's been good in, or not
- 53:08Speaker 1: three things he's been good in, I mean maybe, but
- 53:11Speaker 1: name three good movies he's in, Like, Okay, Billy Madison, Happy,
- 53:15Speaker 1: gil Moore at the Wedding Singer and then you could argue,
- 53:18Speaker 1: Uncut Jams, Punch, Drunk Love.
- 53:19Speaker 2: Okay, that's five out.
- 53:21Speaker 1: Of eighty movies. Okay, sure, this is like when we
- 53:25Speaker 1: talked about Star Wars. It's a nine movie franchise that
- 53:28Speaker 1: is the most successful franchise ever made. Yeah, and like
- 53:33Speaker 1: seven of the movies are bad.
- 53:34Speaker 2: But I can tell you is this like there's something
- 53:37Speaker 2: there because.
- 53:37Speaker 1: It literally because people are stupid.
- 53:41Speaker 2: Sure you can say that I don't think it's stupid
- 53:43Speaker 2: to like him, but I'm smart. Well, we won't go there.
- 53:47Speaker 1: Let's let's end with that, because it's a great twenty
- 53:51Speaker 1: twenty six moment to start off the year with me
- 53:52Speaker 1: saying that, however, we have to do advice. Gremlin's two advice.
- 53:56Speaker 1: I would say the next movie, I would say more
- 54:00Speaker 1: Gremlins whacky ideas.
- 54:04Speaker 2: I'll beat Tim in that moment and say it won't happen.
- 54:08Speaker 2: I'm gonna go with.
- 54:11Speaker 1: You. If you're advice, oh, let's hear it.
- 54:16Speaker 2: If you're if you're in a laboratory area that also
- 54:18Speaker 2: happens to be a mall, don't drink the electors that
- 54:21Speaker 2: have pictures of spiders electricity on them. It's my my advice.
- 54:26Speaker 1: I don't think it works that way. Also, we never
- 54:28Speaker 1: really saw a vegetable Grumlin.
- 54:29Speaker 2: Again, No, so in the when they have the scene
- 54:32Speaker 2: at the champions Bar, you show the salad bar and
- 54:35Speaker 2: it's in there.
- 54:36Speaker 1: Good.
- 54:37Speaker 2: I actually think that one's kind of a weird. Why
- 54:41Speaker 2: that one?
- 54:41Speaker 1: The vegetable grumline? To me, it was like the the
- 54:44Speaker 1: least like or sorry, the most like they just mailed
- 54:47Speaker 1: this in, but like, like why, like.
- 54:49Speaker 2: Why vegetable Gremlin? It was so bizarre.
- 54:51Speaker 1: You can do so much more, it doesn't make sense.
- 54:55Speaker 1: And in the key and Peel sketch they say when
- 54:57Speaker 1: the guy goes, I don't know, electric Gremlin, you psychopath.
- 55:01Speaker 1: You just named a down fall by gremlin. I love it.
- 55:03Speaker 1: It's in the movie. To me, electric Gremlin is endlessly
- 55:07Speaker 1: more interesting than vegetable Grandmlin.
- 55:09Speaker 2: I mean it actually is great because he was the
- 55:11Speaker 2: downfall of the entire movie. It was also, we're going
- 55:14Speaker 2: to start a crowdfund me for the Greta action figure.
- 55:16Speaker 2: We got to do that.
- 55:17Speaker 1: Is there a vegetable Grandma action figure?
- 55:19Speaker 2: There has to be. There has to be. When that
- 55:21Speaker 2: company made so many of them. Vegetable, they made Spider,
- 55:24Speaker 2: they made bat they made. If they made electric, you
- 55:27Speaker 2: have to make vegetable out of.
- 55:30Speaker 1: Oh yeah, wait is this a see We don't even
- 55:34Speaker 1: need to I don't want to go down this rabbit hole.
- 55:35Speaker 1: But there is a big online industry of custom figures photos.
- 55:44Speaker 1: But I don't know if it's a custom.
- 55:46Speaker 2: I would write any C a vegetable Grandma, That's what
- 55:49Speaker 2: I would write. That's the company who makes them, the
- 55:50Speaker 2: actual brand.
- 55:53Speaker 1: Oh my goodness, I just found the ANYC a grand
- 55:57Speaker 1: One's Reddit page and somebody's asking, Okay, why did any
- 56:04Speaker 1: Neca stop making gremlins. There's so many they haven't made yet,
- 56:08Speaker 1: like vegetable gremlin, degal gremlin.
- 56:13Speaker 2: The one who says it in the end of the
- 56:15Speaker 2: first one, or.
- 56:17Speaker 1: Okay, and milk Gremlin. That's the one where the guy.
- 56:20Speaker 2: Did you By the way, I wanted people to hear this.
- 56:23Speaker 2: I said Star Wars level a gremlin who looked like
- 56:26Speaker 2: every other one says one line, and it has an
- 56:29Speaker 2: identity on the internet. Go ahead, they they.
- 56:34Speaker 1: Milk Gremlin is when Mohawk has the machine gun and
- 56:38Speaker 1: he lights up the room. It shows that none of
- 56:41Speaker 1: the gremlins were hit. This is like an old gag
- 56:43Speaker 1: from cartoons and then one of the gremlins drinks a
- 56:45Speaker 1: glass of milk and it starts spreading out of his body,
- 56:48Speaker 1: so he realizes he was shot in the machine gun?
- 56:50Speaker 1: So how did they make that action figure?
- 56:52Speaker 2: So's the guy has a shelf. He walks by it
- 56:56Speaker 2: every day and doesn't see milk. Kremlin doesn't go to
- 56:59Speaker 2: work that day.
- 57:00Speaker 1: There's somebody uploaded a photo and they have every single one,
- 57:04Speaker 1: every single one. Well, he is a Maguay action figure
- 57:09Speaker 1: of George Lanny Stripe, Sorry, Mohawk and Daffy the Magwa version.
- 57:16Speaker 2: We win.
- 57:17Speaker 1: We yeah, I guess the listeners lose. Did we do advice?
- 57:22Speaker 2: We definitely did advice.
- 57:23Speaker 1: We just did it. Thank you for listening.
- 57:25Speaker 2: Thanks everybody.
- 57:26Speaker 1: Welcome to twenty twenty six.
- 57:27Speaker 2: Happy New Year. We'll be back with more people.
- 57:32Speaker 1: Be sure to get you.
- 57:33Speaker 2: We're gonna have our own Gremlin variations this year. We're
- 57:36Speaker 2: gonna have our own I don't know how to describe it.
- 57:40Speaker 1: Yeah, Like, we have an episode coming up with Andy
- 57:42Speaker 1: Kelly that could be described as like the pure sex Gremlin.
- 57:46Speaker 1: Sure Mark would be gay Gremlin, then it would be
- 57:53Speaker 1: Jewish Gremlin.
- 57:54Speaker 2: Life on the edge of one life. He would be.
- 57:57Speaker 1: I just make sure like it's a gremlin shooting heroine.
- 58:01Speaker 1: That's the Ben Gremlin.
- 58:03Speaker 2: So thanks for listening, Thank you, Thanks everybody, and check
- 58:06Speaker 2: out this movie's on Shutter. We should mention that orton.
- 58:10Speaker 1: Yeah Shutters, the streaming service that's only for horror. Yeah
- 58:13Speaker 1: Shutters available on YouTube. So I actually got Shutter on
- 58:17Speaker 1: YouTube because I wanted to watch a couple.
- 58:19Speaker 2: Of movies or just by the Blue Range one.
- 58:23Speaker 1: Yeah.
- 58:24Speaker 2: Okay, thanks everybody, Catch you on the flip