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Transcript

Tombstone (1993) · Verbal Diorama

2:11
Hi,
2:11
everyone.
2:11
I'm
2:11
Em,
2:12
and
2:12
welcome
2:12
to
2:12
bubble
2:13
diorama,
2:13
episode
2:14
305,
2:16
tombstone.
2:17
This
2:17
is
2:17
the
2:17
podcast
2:17
that's
2:18
all
2:18
about
2:18
the
2:18
history
2:18
and
2:18
legacy
2:19
of
2:19
movies
2:19
you
2:19
know
2:20
and
2:20
movies
2:20
you
2:21
don't.
2:21
And
2:21
it's
2:22
true.
2:22
I
2:22
am
2:23
a
2:23
good
2:23
woman.
2:23
Then
2:24
again,
2:24
I
2:25
may
2:25
be
2:25
the
2:25
Antichrist.
2:27
Welcome
2:27
to
2:27
Verbal
2:27
Diorama.
2:28
Whether
2:28
you're
2:29
a
2:29
brandbrand-newnewlistener,whetheryou'rearegularreturninglistener,whether
2:32
you're
2:32
just
2:32
a
2:32
huge
2:32
fan
2:33
of
2:33
Westerns,
2:34
thank
2:34
you
2:34
for
2:34
being
2:34
here.
2:35
Thank
2:35
you
2:35
for
2:35
choosing
2:35
to
2:35
listen
2:36
to
2:36
this
2:36
podcast.
2:36
I
2:37
am
2:37
so
2:37
happy
2:37
to
2:37
have
2:37
you
2:38
here
2:38
for
2:38
the
2:38
history
2:39
and
2:39
legacy
2:39
of
2:40
Tombstone.
2:42
And
2:42
as
2:42
always,
2:42
a
2:42
huge
2:43
thanks
2:43
to
2:43
everyone
2:44
who
2:44
listens
2:44
and
2:45
supports
2:45
this
2:46
podcast
2:46
and
2:46
has
2:47
continued
2:47
to
2:48
over
2:48
the
2:49
lifetime
2:49
of
2:49
this
2:49
podcast,
2:50
which
2:50
is
2:50
over
2:50
300
2:51
episodes
2:51
now.
2:52
So
2:52
thank
2:52
you
2:53
so
2:53
much
2:53
for
2:53
your
2:53
support.
2:54
It
2:54
genuinely
2:55
means
2:55
so
2:56
much.
2:56
And
2:57
this
2:58
is
2:58
the
2:58
first
2:59
Western
3:00
that
3:00
I've
3:00
ever
3:00
done
3:01
on
3:01
Verbal
3:01
Diorama,
3:02
and
3:03
it
3:03
really
3:03
has
3:03
been
3:04
a
3:04
long
3:04
time
3:04
coming,
3:04
I
3:04
guess,
3:05
as
3:05
so
3:06
many
3:06
episodes
3:06
seem
3:07
to
3:07
be
3:07
of
3:07
this
3:07
podcast,
3:09
and
3:09
there's
3:10
no
3:10
real
3:10
reason
3:11
why
3:12
this
3:12
is
3:12
the
3:12
first
3:12
Western,
3:14
other
3:14
than
3:14
I've
3:15
only
3:15
seen
3:15
two
3:16
in
3:16
my
3:16
entire
3:17
life.
3:18
So
3:18
this
3:18
is
3:18
only
3:18
the
3:19
second
3:19
Western
3:20
that
3:20
I've
3:20
actually
3:20
seen.
3:21
It's
3:22
not
3:22
really
3:22
a
3:23
genre
3:23
that
3:24
clearly
3:25
I
3:25
watch
3:26
very
3:26
much
3:26
of.
3:27
As
3:27
a
3:27
British
3:28
person,
3:29
I
3:30
think
3:30
maybe
3:30
Americans
3:31
are
3:31
more
3:31
predisposed
3:32
to
3:33
watching
3:33
westerns.
3:34
But,
3:35
yeah,
3:35
it's
3:36
really
3:36
not
3:36
been
3:37
a
3:37
genre
3:37
that
3:38
I've
3:38
done
3:38
that
3:38
much
3:38
on.
3:39
So
3:39
I'm
3:40
really,
3:40
really
3:40
happy
3:40
to
3:41
actually
3:41
be
3:41
doing
3:41
an
3:41
episode
3:42
on
3:42
Tombstone
3:43
finally,
3:44
because
3:44
I
3:44
have
3:44
wanted
3:45
to
3:45
do
3:45
an
3:45
episode
3:45
on
3:46
Tombstone
3:46
for
3:47
some
3:47
time,
3:48
and
3:48
the
3:48
last
3:48
episode
3:49
was
3:49
on
3:49
Cutthroat
3:50
island,
3:50
and
3:51
there
3:51
are
3:51
so
3:51
many
3:51
links
3:52
between
3:52
this
3:53
movie
3:53
and
3:53
that
3:53
one.
3:54
And
3:54
also
3:54
the
3:54
Mummy
3:55
as
3:55
well,
3:55
which
3:55
is
3:55
the
3:56
greatest
3:56
movie
3:56
ever
3:56
made.
3:57
Last
3:57
episode
3:58
I
3:58
talked
3:58
about
3:59
Cutthroat
3:59
island
3:59
being
4:00
the
4:00
patsy
4:00
for
4:01
a
4:01
sinking
4:01
studio,
4:02
not
4:02
the
4:03
reason
4:03
for
4:03
the
4:03
studio's
4:04
demise.
4:05
Well,
4:06
while
4:06
Tombstone
4:06
did
4:07
great
4:07
business
4:07
for
4:07
Hollywood
4:08
Pictures
4:08
and
4:08
indeed
4:09
Disney,
4:10
it
4:10
had
4:10
its
4:11
fair
4:11
share
4:11
of
4:11
production
4:12
problems
4:12
and
4:13
had
4:13
a
4:13
miraculous
4:14
journey
4:14
to
4:14
the
4:14
big
4:14
screen,
4:15
including
4:16
getting
4:16
made
4:16
and
4:17
released
4:17
in
4:17
just
4:17
seven
4:18
months.
4:19
Losing
4:19
its
4:19
director
4:20
a
4:20
month
4:20
into
4:20
production
4:21
and
4:22
finding
4:22
its
4:22
very
4:23
own
4:23
cowboy
4:24
antagonist
4:24
who
4:25
tried
4:25
several
4:25
things
4:26
to
4:26
stop
4:27
this
4:27
movie
4:27
even
4:28
being
4:28
made.
4:30
Here's
4:30
the
4:30
trailer
4:31
for
4:31
Tombstone.
6:58
After
6:59
successfully
6:59
cleaning
7:00
up
7:00
Dodge
7:00
City,
7:00
Kansas,
7:01
ex
7:01
lawman
7:02
Wyatt
7:02
Earp
7:03
moves
7:03
to
7:03
the
7:03
silver
7:04
mining
7:04
town
7:04
of
7:04
Tombstone,
7:05
Arizona
7:06
and
7:06
wants
7:06
to
7:06
get
7:07
rich
7:07
in
7:07
obscurity
7:08
and
7:08
retirement.
7:09
He
7:09
meets
7:10
his
7:10
brothers
7:10
Virgil
7:11
and
7:11
Morgan
7:11
there,
7:12
as
7:12
well
7:12
as
7:12
his
7:13
old
7:13
friend
7:13
Doc
7:13
Holliday.
7:14
A
7:15
band
7:15
of
7:15
outlaws
7:15
that
7:16
call
7:16
themselves
7:16
the
7:17
Cowboys
7:17
are
7:17
causing
7:18
problems
7:18
with
7:18
various
7:19
acts
7:19
of
7:19
of
7:19
random
7:20
violence
7:20
and
7:21
inevitably
7:22
come
7:22
into
7:22
confrontation
7:23
with
7:23
Holiday
7:24
and
7:24
the
7:24
Earps.
7:25
Which
7:25
leads
7:25
to
7:26
a
7:26
shootout
7:26
at
7:26
the
7:26
OK
7:27
Corral
7:28
and
7:28
the
7:28
infamous
7:29
Earp
7:29
Vendetta
7:30
ride.
7:31
Let's
7:31
quickly
7:32
run
7:32
through
7:32
this
7:32
cast,
7:33
although
7:33
it's
7:33
not
7:33
going
7:33
to
7:33
be
7:33
quick
7:34
because
7:34
there's
7:34
a
7:34
lot
7:34
of
7:35
people
7:35
in
7:35
this
7:35
movie.
7:36
We
7:36
have
7:36
Kurt
7:37
Russell
7:37
as
7:37
Wyatt
7:38
Earp,
7:39
Val
7:39
Kilmer
7:39
as
7:40
Doc
7:40
Holliday,
7:41
Sam
7:41
Elliott
7:42
as
7:42
Virgil
7:43
Earp
7:43
Bill
7:44
Paxton
7:44
as
7:44
Morgan
7:45
Earp
7:46
Powers
7:46
Booth
7:46
as
7:47
Curly
7:47
Bill
7:47
Brocius
7:48
Michael
7:49
Biehn
7:49
as
7:49
Johnny
7:50
Ringo
7:51
Charlton
7:51
Heston
7:52
as
7:52
Henry
7:52
Hooker
7:53
Jason
7:54
Priestley
7:54
as
7:55
Billy
7:55
Breckenridge
7:56
John
7:56
Tenney
7:57
as
7:57
Sheriff
7:57
Johnny
7:58
Behan
7:59
Stephen
7:59
Lang
8:00
as
8:00
Ike
8:00
Clanton
8:01
Thomas
8:02
Hayden
8:02
Church
8:02
as
8:03
Billy
8:03
Clanton
8:04
Dana
8:04
Delaney
8:05
as
8:05
Josephine
8:06
Marcus.
8:07
Also
8:07
in
8:08
there,
8:08
Michael
8:08
Rooker,
8:09
Billy
8:09
Bob
8:10
Thornton,
8:10
Billy
8:11
Zane,
8:11
John
8:11
Corbett,
8:12
Terry
8:12
o'
8:13
Quinn.
8:13
This
8:13
cast
8:14
is
8:14
stacked
8:15
and
8:15
many
8:15
of
8:15
them
8:15
I
8:16
didn't
8:16
actually
8:16
recognize.
8:17
Also
8:18
in
8:18
the
8:18
cast,
8:18
in
8:19
a
8:19
small
8:19
role
8:19
is
8:19
Wyatt
8:20
Earp
8:20
III
8:21
as
8:21
Billy
8:22
Claiborne.
8:23
More
8:23
on
8:23
him
8:23
later.
8:24
Robert
8:25
Mitchum
8:25
also
8:26
narrates.
8:27
Tombstone
8:28
was
8:28
written
8:28
by
8:29
Kevin
8:29
Jarr
8:30
and
8:30
was
8:30
directed
8:31
by
8:31
George
8:32
P.
8:32
Cosmatos.
8:33
In
8:34
1877,
8:35
the
8:35
30
8:35
year
8:36
old
8:36
prospector,
8:37
Ed
8:37
Schiffelin
8:38
was
8:38
working
8:38
the
8:39
hills
8:39
east
8:39
of
8:39
the
8:39
San
8:40
Pedro
8:40
river
8:40
on
8:41
land
8:41
previously
8:41
inhabited
8:42
by
8:42
the
8:42
native
8:43
Hoboken
8:44
when
8:44
he
8:44
found
8:44
pieces
8:45
of
8:45
silver
8:45
ore
8:45
in
8:45
a
8:46
dry
8:46
wash.
8:46
His
8:47
friends
8:47
had
8:47
told
8:47
him
8:48
that
8:48
the
8:48
only
8:48
rock
8:49
he
8:49
would
8:49
find
8:49
in
8:49
the
8:50
barren
8:50
Arizona
8:51
desert
8:51
land
8:51
would
8:52
be
8:52
his
8:52
tombstone.
8:54
Ed
8:54
Schiffelin
8:55
did
8:55
indeed
8:56
find
8:56
Tombstone
8:57
and
8:57
by
8:58
March
8:58
1897,
8:59
100
8:59
residents
9:00
occupied
9:01
tents
9:01
and
9:01
shacks
9:02
as
9:02
two
9:02
mines
9:03
and
9:03
a
9:03
stamping
9:04
mill
9:04
were
9:04
built.
9:05
When
9:05
Cochise
9:06
county
9:06
was
9:06
formed
9:06
in
9:07
February
9:07
1881,
9:08
Tombstone
9:09
became
9:09
the
9:10
county
9:10
seat.
9:11
When
9:11
Tombstone
9:12
started
9:12
to
9:12
experience
9:13
rapid
9:13
growth,
9:14
Ed's
9:15
brother
9:15
Al
9:15
built
9:15
Schiffelin
9:16
Inn
9:16
hall
9:16
as
9:17
a
9:17
theatre,
9:17
recital
9:18
hall
9:18
and
9:19
a
9:19
meeting
9:19
place
9:19
for
9:19
Tombstone
9:20
citizens.
9:21
Tombstone's
9:22
population
9:22
grew
9:22
from
9:23
100
9:23
to
9:23
around
9:24
14,000
9:25
in
9:25
less
9:26
than
9:26
seven
9:26
years.
9:27
Tombstone
9:28
was
9:28
only
9:28
30
9:29
miles
9:29
from
9:29
the
9:29
US
9:30
Mexico
9:30
border
9:31
and
9:31
was
9:31
an
9:31
open
9:32
market
9:32
for
9:32
cattle
9:33
stolen
9:33
from
9:33
ranches
9:34
in
9:34
Sonora,
9:35
Mexico
9:35
by
9:35
a
9:36
loosely
9:36
organized
9:36
band
9:37
of
9:37
outlaws
9:37
known
9:38
as
9:38
the
9:38
Cowboys.
9:40
Almost
9:40
as
9:41
quickly
9:41
as
9:41
it
9:41
was
9:41
established,
9:42
Tombstone
9:43
began
9:43
known
9:43
for
9:43
being
9:44
home
9:44
of
9:44
one
9:44
of
9:44
the
9:45
most
9:45
infamous
9:45
showdowns
9:46
in
9:46
the
9:46
west
9:47
the
9:47
Earp
9:48
Brothers.
9:48
The
9:48
gunfight
9:49
at
9:49
the
9:49
O.K.
9:49
corral
9:50
and
9:50
the
9:50
Earp
9:51
Vendetta
9:51
ride
9:52
became
9:52
synonymous
9:53
with
9:53
the
9:53
town
9:53
of
9:53
Tombstone.
9:54
And
9:54
it
9:55
made
9:55
complete
9:55
sense
9:56
that
9:56
Hollywood
9:56
would
9:56
take
9:57
the
9:57
story
9:57
of
9:57
a
9:57
legendary
9:58
lawman,
9:58
Wyatt
9:59
Earp,
9:59
and
10:00
ride
10:00
with
10:00
it.
10:01
But
10:02
it
10:02
would
10:02
take
10:02
some
10:02
time
10:03
for
10:03
Earp's
10:03
story
10:04
to
10:04
resonate.
10:05
The
10:05
real
10:05
Wyatt
10:06
earp
10:06
lived
10:07
to
10:07
80
10:07
years
10:07
old
10:08
in
10:08
1929
10:09
and
10:09
he
10:10
and
10:10
his
10:10
wife
10:10
Sadie,
10:11
aka
10:11
Josephine
10:12
Marcus,
10:13
would
10:13
spend
10:13
their
10:13
summers
10:14
in
10:14
Los
10:14
Angeles.
10:15
Earp
10:16
would
10:16
serve
10:16
as
10:16
a
10:16
technical
10:17
advisor
10:17
on
10:17
1923's
10:19
Wild
10:19
Bill
10:19
Hickok.
10:20
And
10:20
this
10:21
was
10:21
the
10:21
first
10:21
film
10:21
to
10:22
feature
10:22
Wyatt
10:22
Earp
10:23
as
10:23
a
10:23
character
10:24
on
10:24
screen,
10:24
albeit
10:25
briefly
10:26
played
10:26
by
10:26
Bert
10:27
Lindley.
10:28
Earp
10:28
was
10:28
interviewed
10:29
for
10:29
the
10:29
1928
10:30
book
10:30
Helldorado,
10:31
written
10:31
by
10:32
Billy
10:32
Breakenridge,
10:33
the
10:33
former
10:33
Tombstone
10:34
deputy
10:35
under
10:35
John
10:35
Behan,
10:36
which
10:36
had
10:37
a
10:37
less
10:37
than
10:37
flattering
10:38
depiction
10:38
of
10:38
Earp
10:39
and
10:39
his
10:39
brothers
10:39
as
10:40
thieves,
10:41
pimps,
10:41
crooked
10:42
gamblers
10:42
and
10:42
murderers,
10:43
stating
10:44
that
10:44
the
10:44
gunfight
10:44
at
10:44
the
10:45
OK
10:45
Corral
10:45
was
10:46
actually
10:46
not
10:46
a
10:46
gunfight
10:47
at
10:47
all,
10:47
but
10:48
the
10:48
unarmed
10:48
cowboys
10:49
surrendering
10:49
to
10:50
the
10:50
Earps
10:50
and
10:50
being
10:51
shot
10:51
down
10:51
in
10:52
cold
10:52
blood.
10:53
After
10:53
Wyatt
10:54
earp's
10:54
death
10:54
in
10:55
1929
10:55
and
10:56
the
10:56
publication
10:56
of
10:57
Stuart
10:57
Naik's
10:57
book
10:58
Wyatt
10:58
Earp
10:59
frontier
10:59
marshal
11:00
in
11:00
1931,
11:01
Hollywood
11:02
finally
11:02
started
11:02
to
11:03
take
11:03
notice
11:03
of
11:03
Wyatt
11:04
Earp
11:04
and
11:05
his
11:05
incredible
11:05
stories,
11:06
many
11:07
of
11:07
which
11:07
came
11:07
from
11:07
Earp
11:08
himself.
11:09
He
11:09
was
11:09
not
11:10
a
11:10
humble
11:10
man
11:10
and
11:11
took
11:11
every
11:11
effort
11:12
to
11:12
tell
11:12
the
11:12
tales
11:12
of
11:13
Tombstone
11:13
and
11:14
obviously
11:14
picture
11:15
himself
11:15
in
11:15
the
11:15
most
11:16
flattering
11:16
light.
11:17
Of
11:17
course,
11:18
it
11:18
also
11:18
helped
11:18
that
11:19
his
11:19
third
11:19
wife,
11:19
Josephine
11:20
Marcus,
11:21
would
11:21
threaten
11:22
legal
11:22
action
11:22
to
11:22
suppress
11:23
certain
11:23
parts
11:24
of
11:24
Erb's
11:24
life
11:25
after
11:25
his
11:25
death,
11:26
controlling
11:26
the
11:27
narrative
11:27
of
11:27
his
11:27
life
11:28
and
11:28
how
11:28
he
11:28
was
11:29
depicted,
11:30
I.
11:30
E.
11:30
Not
11:30
as
11:31
a
11:31
hard
11:31
drinker,
11:31
gambler
11:32
or
11:32
pimp,
11:33
including
11:33
suppressing
11:34
his
11:34
prior
11:34
relationship
11:35
with
11:35
Mattie
11:36
Blaylock,
11:36
her
11:37
own
11:37
addiction
11:37
to
11:37
gambling,
11:38
as
11:38
well
11:39
as
11:39
details
11:39
of
11:39
her
11:40
past
11:40
life
11:40
as
11:40
an
11:41
alleged
11:41
child
11:42
prostitute.
11:43
After
11:43
Marcus
11:44
died
11:44
in
11:44
1944,
11:45
15
11:46
years
11:46
after
11:46
Earp,
11:47
she
11:47
died
11:47
penniless
11:48
after
11:48
gambling
11:49
away
11:49
much
11:49
of
11:49
their
11:50
joint
11:50
wealth
11:51
and
11:51
the
11:51
floodgates
11:52
into
11:52
the
11:52
real
11:52
story
11:53
of
11:53
why
11:53
had
11:54
Earp
11:54
opened
11:56
from
11:56
early
11:56
Westerns
11:56
like
11:57
frontier
11:57
Marshall
11:58
in
11:58
1939,
11:59
the
11:59
first
11:59
film
11:59
adaptation
12:00
of
12:00
Wyatt
12:00
Earp's
12:01
biography
12:02
Tombstone.
12:03
The
12:03
Town
12:03
Too
12:03
Tough
12:03
to
12:04
Die
12:04
in
12:04
1942
12:05
starring
12:05
Richard
12:06
Dix,
12:07
John
12:07
Ford's
12:07
My
12:08
Darling
12:08
Clementine
12:09
in
12:09
1946
12:10
starring
12:11
Henry
12:11
Fonda
12:11
as
12:11
Wyatt
12:12
Earp.
12:12
Burt
12:13
Lancaster
12:14
starred
12:14
in
12:14
Gunfight
12:15
at
12:15
the
12:15
O.K.
12:15
corral
12:16
in
12:16
1957,
12:17
and
12:18
Hour
12:18
of
12:18
the
12:18
Gun
12:18
in
12:19
1967
12:20
starred
12:20
James
12:20
Garner
12:21
in
12:21
the
12:21
role
12:21
of
12:22
Wyatt
12:22
Earp.
12:23
Earp
12:23
has
12:24
been
12:24
a
12:24
staple
12:24
of
12:24
Hollywood
12:25
cinema
12:25
in
12:26
a
12:26
long
12:26
tradition
12:26
of
12:26
Westerns,
12:27
with
12:27
each
12:28
adaptation
12:28
boosting
12:29
the
12:29
reputation
12:29
of
12:30
Earp
12:30
as
12:30
an
12:31
American
12:31
hero.
12:32
And
12:33
just
12:33
like
12:33
the
12:33
pirate
12:34
genre
12:34
I
12:34
talked
12:35
about
12:35
last
12:35
episode,
12:36
Westerns
12:36
have
12:37
been
12:37
a
12:37
tradition
12:37
in
12:38
Hollywood,
12:38
going
12:38
all
12:39
the
12:39
way
12:39
back
12:39
to
12:39
the
12:39
silent
12:40
era,
12:41
derived
12:41
from
12:41
the
12:41
Wild
12:42
west
12:42
shows
12:42
that
12:43
began
12:43
in
12:43
the
12:43
1870s.
12:45
One
12:45
of
12:45
the
12:45
most
12:45
famous
12:46
and
12:46
influential
12:46
Westerns
12:47
of
12:47
all
12:47
time,
12:48
though
12:48
by
12:48
no
12:48
means
12:49
the
12:49
first,
12:50
was
12:50
the
12:50
Great
12:50
train
12:51
robbery
12:51
from
12:51
1903.
12:52
The
12:53
popularity
12:53
of
12:54
the
12:54
Great
12:54
Train
12:54
Robbery
12:55
led
12:55
directly
12:56
to
12:56
the
12:56
opening
12:57
up
12:57
of
12:57
permanent
12:57
nickelodeon
12:58
movie
12:58
theaters
12:59
and
12:59
the
13:00
possibility
13:00
of
13:01
a
13:01
future
13:01
film
13:02
industry.
13:03
Westerns
13:04
dominated
13:04
Hollywood
13:04
from
13:05
the
13:05
1930s
13:05
through
13:06
to
13:06
the
13:06
1960s,
13:07
becoming
13:07
America's
13:08
most
13:08
distinctly
13:09
personal,
13:10
patriotic
13:11
and
13:11
national
13:11
film
13:12
genre.
13:13
In
13:13
1939,
13:14
John
13:14
Ford
13:15
directed
13:15
Stagecoach,
13:17
a
13:17
movie
13:17
that
13:17
made
13:17
the
13:17
legendary
13:18
John
13:18
Wayne
13:19
a
13:19
star,
13:19
and
13:20
followed
13:20
it
13:20
up
13:20
with
13:20
red
13:21
river
13:21
in
13:21
1948
13:22
and
13:22
the
13:23
Searchers
13:23
in
13:23
1956
13:24
that
13:25
explored
13:25
darker
13:26
themes.
13:27
There
13:27
was
13:27
also
13:27
High
13:28
Noon
13:28
in
13:28
1952,
13:29
Gary
13:30
Cooper's
13:30
tense
13:30
real
13:31
time
13:31
Western
13:32
that
13:32
served
13:32
as
13:32
an
13:32
allegory
13:33
for
13:33
McCarthyism.
13:34
Shane
13:35
In
13:35
1953,
13:36
the
13:36
archetypal
13:37
story
13:38
of
13:38
the
13:38
reluctant
13:38
Gunfighter,
13:39
which
13:39
is
13:40
also
13:40
featured
13:40
in
13:41
the
13:41
movie
13:41
Logan,
13:42
and
13:42
the
13:42
only
13:42
other
13:42
Western
13:43
that
13:43
I'd
13:43
ever
13:43
seen,
13:44
the
13:44
magnificent
13:44
seven
13:45
in
13:45
1960,
13:46
an
13:46
American
13:47
remake
13:47
of
13:47
Akira
13:48
Kurosawa's
13:49
Seven
13:49
Samurai,
13:50
and
13:50
the
13:50
ensemble
13:51
Western
13:51
that
13:51
became
13:51
a
13:52
template
13:52
for
13:52
action
13:53
films.
13:54
Westerns
13:55
also
13:55
infiltrated
13:55
TV
13:56
with
13:56
shows
13:56
like
13:57
Gunsmoke,
13:57
Bonanza
13:58
and
13:58
the
13:58
Lone
13:59
Ranger,
13:59
all
14:00
becoming
14:00
popular
14:01
during
14:01
this
14:01
era.
14:02
Instead
14:03
of
14:03
the
14:03
genre
14:03
dying
14:04
in
14:04
the
14:04
60s,
14:04
it
14:05
evolved
14:05
into
14:05
the
14:05
spaghetti
14:06
Western
14:06
produced
14:07
by
14:07
Italian
14:08
filmmakers
14:08
with
14:09
a
14:09
distinct
14:09
visual
14:09
style,
14:10
extreme
14:11
close
14:11
ups
14:11
and
14:11
stylized
14:12
violence.
14:13
The
14:13
heroes
14:14
were
14:14
often
14:14
morally
14:15
ambiguous
14:15
and
14:16
they
14:16
were
14:16
grittier
14:16
in
14:17
tone.
14:17
Sergio
14:18
Leone's
14:19
Dollars
14:19
trilogy
14:20
with
14:20
Clint
14:20
Eastwood
14:21
A
14:21
Fistful
14:21
of
14:22
dollars
14:22
in
14:22
1964,
14:23
For
14:23
a
14:24
Few
14:24
Dollars
14:24
More
14:24
in
14:25
1965,
14:26
and
14:26
the
14:26
Good,
14:27
the
14:27
Bad
14:27
and
14:27
the
14:27
Ugly
14:28
in
14:28
1966
14:29
redefined
14:30
the
14:30
genre.
14:31
Leone's
14:31
Once
14:32
Upon
14:32
a
14:32
Time
14:32
in
14:32
the
14:32
west
14:33
in
14:33
1968
14:34
is
14:34
considered
14:35
the
14:35
pinnacle
14:36
of
14:36
the
14:36
spaghetti
14:37
Western.
14:38
The
14:38
Vietnam
14:38
War
14:39
and
14:39
the
14:39
Civil
14:39
Rights
14:39
movement
14:40
led
14:40
to
14:40
Americans
14:41
renouncing
14:41
traditional
14:42
American
14:42
values
14:43
and
14:43
the
14:43
Western
14:44
started
14:44
to
14:45
fall
14:45
out
14:45
of
14:45
favor
14:46
in
14:46
the
14:46
70s
14:47
with
14:47
the
14:47
rise
14:47
of
14:48
science
14:48
fiction,
14:48
horror
14:49
and
14:49
contemporary
14:50
drama.
14:51
Kind
14:51
of
14:51
exactly
14:52
what
14:52
we
14:52
saw
14:52
last
14:52
Episode
14:53
with
14:53
the
14:53
pirate
14:53
genre
14:54
really.
14:54
Hollywood
14:55
wanted
14:55
to
14:55
tell
14:56
stories
14:56
of
14:56
modern
14:57
America
14:57
that
14:58
reflected
14:58
the
14:58
modern
14:59
society
14:59
of
14:59
the
15:00
70s,
15:01
not
15:01
the
15:01
society
15:02
of
15:02
the
15:02
1870s.
15:04
By
15:04
the
15:04
time
15:04
1980
15:05
rolled
15:05
around,
15:06
the
15:06
expensive
15:07
western
15:07
epic
15:08
Heaven's
15:08
Gate
15:08
became
15:09
a
15:09
critical
15:09
and
15:10
commercial
15:10
disaster.
15:11
And
15:11
while
15:11
a
15:12
few
15:12
Westerns
15:12
in
15:12
the
15:13
80s
15:13
were
15:13
modest
15:14
successes
15:14
like
15:15
Young
15:15
Guns
15:15
and
15:15
Silverado,
15:16
the
15:17
genre
15:17
seemingly
15:18
was
15:18
considered
15:18
box
15:19
office
15:19
poison.
15:20
And
15:21
then
15:21
in
15:21
1990,
15:22
Dances
15:22
with
15:23
Wolves
15:23
would
15:23
be
15:24
hugely
15:24
successful,
15:25
grossing
15:25
$400
15:26
million
15:27
on
15:27
its
15:26
22
15:28
million
15:28
dollar
15:28
budget
15:29
and
15:29
winning
15:29
seven
15:30
of
15:30
the
15:30
12
15:30
Oscars
15:31
it
15:31
was
15:31
nominated
15:32
for,
15:32
including
15:32
Best
15:33
Picture
15:33
and
15:34
Best
15:34
Director
15:34
for
15:35
star
15:35
Kevin
15:35
Costner.
15:36
Only
15:36
the
15:37
second
15:37
Western
15:37
at
15:38
that
15:38
time
15:38
to
15:38
win
15:38
Best
15:39
Picture.
15:40
We
15:40
are
15:40
going
15:40
to
15:40
be
15:40
coming
15:41
back
15:41
to
15:41
Kevin
15:42
Costner,
15:43
then
15:44
two
15:44
years
15:44
later,
15:44
Clint
15:45
Eastwood's
15:45
Best
15:46
Picture,
15:46
Oscar
15:46
winning
15:47
Unforgiven
15:48
which
15:48
deconstructed
15:49
the
15:49
western
15:49
mythology
15:50
and
15:50
was
15:50
not
15:51
only
15:51
critically
15:51
acclaimed
15:52
but
15:52
also
15:53
commercially
15:53
successful.
15:55
Which
15:55
brings
15:56
us
15:56
to
15:56
1993
15:57
and
15:58
tombstone.
15:59
And
15:59
the
15:59
story
15:59
of
15:59
Tombstone
16:00
starts
16:00
with
16:00
writer
16:01
Kevin
16:01
Jarre.
16:02
Jar
16:03
also
16:03
co
16:03
wrote
16:03
the
16:04
greatest
16:04
movie
16:04
ever
16:04
made,
16:05
the
16:05
mummy
16:05
in
16:05
1999,
16:06
which
16:06
would
16:06
be
16:07
his
16:07
last
16:07
writing
16:07
credit.
16:09
Jarre
16:09
had
16:09
grown
16:09
up
16:09
in
16:10
and
16:10
around
16:10
the
16:10
industry.
16:11
His
16:11
father
16:12
was
16:12
Academy
16:12
Award
16:13
winning
16:13
French
16:13
film
16:14
composer
16:14
Maurice
16:15
Jarre,
16:15
who
16:15
worked
16:16
several
16:16
times
16:16
with
16:17
director
16:17
David
16:17
lean
16:18
and
16:18
Jaa
16:19
Jr
16:19
and
16:19
Lean
16:20
became
16:20
friends.
16:21
It
16:21
was
16:21
Lean
16:22
who
16:22
discouraged
16:22
Kevin
16:23
Jarre's
16:23
acting
16:24
career
16:24
and
16:24
encouraged
16:25
his
16:25
writing
16:26
1.
16:26
This
16:27
led
16:27
to
16:27
Kevin
16:27
Jarre
16:28
writing
16:28
First
16:29
Blood
16:29
Part
16:29
2,
16:30
a
16:30
Carolco
16:31
movie.
16:31
Yep,
16:32
they're
16:32
back
16:32
again.
16:33
This
16:33
episode
16:33
will
16:33
have
16:34
lots
16:34
of
16:34
links
16:34
to
16:34
Carolco
16:35
Rambo.
16:36
First
16:36
Blood
16:36
Part
16:37
2
16:37
was
16:37
a
16:37
phenomenal
16:38
success
16:38
and
16:39
was
16:39
directed
16:39
by
16:40
George
16:40
P.
16:40
Cosmatos.
16:41
I
16:42
am
16:42
coming
16:42
back
16:43
to
16:43
him
16:43
too.
16:43
In
16:44
1989,
16:44
Kevin
16:45
Jarre
16:45
also
16:45
wrote
16:46
the
16:46
screenplay
16:46
for
16:46
the
16:47
award
16:47
winning
16:47
film
16:47
Glory.
16:48
And
16:48
as
16:49
a
16:49
history
16:49
buff,
16:50
Tombstone
16:50
was
16:51
a
16:51
passion
16:51
project
16:52
for
16:52
him.
16:52
He
16:53
wrote
16:53
what
16:53
many
16:53
deemed
16:54
an
16:54
incredible
16:54
script
16:55
and
16:55
was
16:55
set
16:56
to
16:56
direct
16:56
an
16:56
ensemble
16:57
cast
16:57
of
16:58
some
16:58
of
16:58
the
16:58
finest
16:59
actors
16:59
in
16:59
Hollywood.
17:00
Studio
17:01
politics.
17:01
Gonna
17:02
studio
17:02
politics
17:03
though.
17:03
And
17:03
Jarre's
17:04
unceremonious
17:05
removal
17:05
and
17:05
replacement
17:06
as
17:07
Tombstone
17:08
should
17:08
have
17:08
been
17:09
the
17:09
end
17:09
of
17:09
the
17:09
story
17:10
of
17:10
bringing
17:10
Tombstone
17:11
to
17:11
life.
17:12
But
17:12
just
17:12
like
17:13
Earp
17:13
himself,
17:14
there's
17:14
way
17:14
more
17:15
to
17:15
the
17:15
story.
17:15
And
17:15
the
17:16
story
17:16
starts
17:17
with
17:17
Kevin
17:17
Costner.
17:19
Now
17:19
we
17:19
all
17:19
know
17:19
Costner
17:20
brought
17:20
his
17:21
Wyatt
17:21
Earp
17:21
biopic,
17:22
just
17:22
Called
17:22
Wyatt
17:23
Earp
17:23
to
17:23
the
17:23
big
17:24
screen
17:24
in
17:24
1994.
17:25
It
17:26
was
17:26
focused
17:26
on
17:26
Earp
17:27
throughout
17:27
his
17:27
life
17:28
rather
17:28
than
17:28
the
17:28
ensemble.
17:29
And
17:30
Kevin
17:30
Jarre's
17:30
script
17:31
for
17:31
Tombstone
17:32
had
17:32
been
17:32
originally
17:33
written
17:33
with
17:33
Costner
17:34
in
17:34
mind
17:35
and
17:35
Costner
17:36
was
17:36
the
17:36
first
17:36
choice
17:37
for
17:37
the
17:37
role
17:37
of
17:38
Wyatt
17:38
Earp.
17:39
Costner
17:40
was
17:40
coming
17:40
off
17:40
the
17:40
back
17:40
of
17:41
critical
17:41
and
17:41
commercial
17:42
smashes
17:43
like
17:43
Dances
17:43
With
17:44
Wolves
17:44
and
17:44
the
17:44
Bodyguard
17:45
and
17:46
was
17:46
one
17:46
of
17:46
the
17:46
biggest
17:46
movie
17:47
stars
17:47
in
17:47
the
17:48
world.
17:48
He
17:49
eventually
17:49
left
17:50
the
17:50
movie
17:50
because
17:50
he
17:51
felt
17:51
the
17:51
story
17:51
should
17:52
focus
17:52
on
17:52
Earp,
17:53
while
17:53
Jarre's
17:54
script
17:54
was
17:54
more
17:54
of
17:55
an
17:55
ensemble.
17:56
But
17:56
Costner's
17:57
involvement,
17:57
and
17:58
I
17:58
use
17:58
that
17:58
in
17:58
air
17:58
quotes,
17:59
didn't
17:59
end
18:00
there.
18:01
After
18:01
leaving
18:01
Tombstone
18:02
and
18:02
starting
18:02
work
18:03
on
18:03
his
18:03
own
18:03
adaptation,
18:04
Costner
18:05
allegedly
18:06
used
18:06
his
18:06
influence
18:07
in
18:07
Hollywood
18:08
to
18:08
try
18:08
to
18:08
kill
18:09
Tombstone
18:10
by
18:10
going
18:10
to
18:10
every
18:11
major
18:11
studio
18:12
to
18:12
convince
18:12
them
18:13
not
18:13
to
18:13
distribute
18:14
Tombstone.
18:15
When
18:15
that
18:15
didn't
18:16
work,
18:16
and
18:16
Tombstone
18:16
got
18:17
distribution
18:17
at
18:18
Hollywood
18:18
Pictures
18:19
via
18:19
Disney's
18:20
Buena
18:20
Vista
18:20
label,
18:21
Costner
18:22
bought
18:22
all
18:22
the
18:22
available
18:23
western
18:23
costumes
18:24
in
18:24
Hollywood
18:24
for
18:25
his
18:25
film.
18:26
At
18:26
least
18:26
four
18:26
Westerns
18:27
were
18:27
in
18:27
simultaneous
18:28
pre
18:28
production
18:29
at
18:29
the
18:29
time.
18:30
Tombstone,
18:31
Wyatt
18:31
Earp,
18:32
and
18:32
both
18:32
Geronimo
18:33
and
18:34
American
18:34
Legend.
18:35
I'll
18:36
come
18:36
back
18:36
to
18:36
the
18:36
costumes
18:37
later,
18:37
but
18:37
it's
18:37
safe
18:38
to
18:38
say
18:38
that
18:38
the
18:38
alleged
18:39
attempted
18:39
sabotage
18:40
backfired.
18:42
Kevin
18:42
Jarre's
18:43
initial
18:43
script
18:43
was
18:44
seen
18:44
as
18:44
a
18:44
masterpiece.
18:45
Westerns
18:46
were
18:46
starting
18:46
to
18:46
come
18:46
back
18:47
into
18:47
vogue
18:47
in
18:47
Hollywood,
18:48
and
18:48
the
18:48
script
18:49
was
18:49
the
18:49
reason
18:49
many
18:50
of
18:50
the
18:50
actors
18:50
signed
18:51
onto
18:51
the
18:51
project.
18:52
It
18:52
was
18:53
the
18:53
involvement
18:53
of
18:53
Kurt
18:54
Russell,
18:54
though,
18:54
that
18:55
shaped
18:55
Tombstone
18:56
into
18:56
Tombstone.
18:57
Creative
18:58
Artists
18:58
Agency
18:59
were
18:59
backing
18:59
Costner
19:00
at
19:00
the
19:00
time,
19:01
and
19:01
the
19:01
producers
19:02
of
19:02
Tombstone
19:02
wanted
19:03
a
19:03
star
19:03
big
19:03
enough
19:04
to
19:04
satisfy
19:04
any
19:05
studio.
19:06
When
19:06
a
19:06
William
19:07
Morris
19:07
agent
19:08
clandestinely
19:09
passed
19:09
the
19:09
script
19:10
to
19:11
CAA
19:11
client
19:12
Kurt
19:12
Russell,
19:13
he
19:13
thought
19:13
the
19:13
script
19:14
was
19:14
incredible.
19:15
And
19:15
through
19:15
Russell
19:16
is
19:16
where
19:16
Andrew
19:17
Gwasna,
19:18
previously
19:18
of
19:18
Carolco,
19:19
now
19:20
of
19:20
Synergy
19:20
Pictures,
19:21
got
19:21
involved.
19:22
And
19:22
Russell
19:23
backed
19:23
Jar
19:23
to
19:23
direct
19:24
the
19:24
movie
19:24
because
19:25
Jarre's
19:25
vision
19:25
was
19:26
that
19:26
of
19:26
a
19:26
true
19:26
western
19:27
aficionado,
19:28
despite
19:28
him
19:29
having
19:29
no
19:29
directing
19:30
experience.
19:31
But
19:31
while
19:32
Costner
19:32
left
19:32
to
19:33
make
19:33
his
19:33
own
19:33
Wyatt
19:33
Earp
19:34
story,
19:34
which
19:35
was
19:35
initially
19:35
a
19:36
premium
19:36
cable
19:36
series
19:37
which
19:37
morphed
19:37
into
19:37
a
19:38
three
19:38
hour
19:38
epic
19:39
once
19:39
writer
19:40
director
19:40
Lawrence
19:40
Kasdan
19:41
came
19:41
aboard,
19:42
he
19:42
realized
19:43
Tombstone
19:43
as
19:44
a
19:44
movie
19:44
about
19:44
Wyatt
19:45
Earp
19:46
was
19:46
further
19:46
along
19:46
in
19:46
the
19:47
pipeline
19:47
due
19:47
to
19:47
synergy
19:48
coming
19:48
aboard,
19:49
but
19:49
it
19:49
hadn't
19:50
yet
19:50
found
19:50
a
19:50
distributor.
19:52
Meanwhile,
19:52
Kurt
19:53
Russell
19:53
and
19:53
Andrew
19:54
G.
19:54
Vajna
19:55
had
19:55
agreed
19:55
that
19:56
they
19:56
would
19:56
make
19:56
Tombstone
19:57
and
19:57
they'd
19:58
make
19:58
it
19:58
for
19:58
$25
19:59
million.
20:00
And
20:01
this
20:01
is
20:01
where,
20:01
again,
20:01
allegedly,
20:02
Costner
20:03
began
20:03
using
20:04
his
20:04
considerable
20:04
clout
20:05
in
20:05
Hollywood
20:06
to
20:06
turn
20:06
off
20:07
studios
20:07
who
20:07
might
20:08
offer
20:08
Tombstone
20:09
distribution,
20:10
lest
20:10
they
20:10
get
20:11
on
20:11
Costner's
20:12
bad
20:12
side.
20:13
He
20:13
was
20:13
one
20:13
of
20:13
the
20:13
biggest
20:14
actors
20:14
of
20:14
the
20:14
late
20:14
80s
20:15
and
20:15
early
20:15
90s,
20:16
after
20:16
all,
20:17
and
20:18
on
20:18
Tombstone's
20:18
end
20:19
they'd
20:19
already
20:19
started
20:20
considering
20:20
casting
20:21
for
20:21
the
20:21
major
20:21
roles,
20:22
including
20:22
that
20:23
of
20:23
Doc
20:23
Holliday.
20:24
And
20:24
the
20:24
first
20:24
choice
20:25
for
20:25
that
20:25
role
20:26
was
20:26
Willem
20:26
Dafoe.
20:27
Tombstone
20:28
was
20:28
shopped
20:29
around
20:29
for
20:29
distribution
20:30
and
20:30
every
20:30
studio
20:31
was
20:31
saying
20:31
no.
20:32
The
20:32
only
20:32
studio
20:33
who
20:33
were
20:33
willing
20:33
to
20:34
offer
20:34
distribution
20:34
for
20:35
Tombstone
20:35
was
20:36
Disney's
20:36
Hollywood
20:37
Pictures.
20:37
And
20:37
with
20:38
that
20:38
option
20:38
came
20:38
certain
20:39
stipulations,
20:40
including
20:41
not
20:41
casting
20:42
Dafoe.
20:42
This
20:43
led
20:43
to
20:43
Tombstone
20:44
having
20:44
no
20:44
option
20:45
but
20:45
to
20:45
forget
20:45
Dafoe,
20:46
get
20:46
distribution
20:47
with
20:47
Hollywood
20:48
Pictures
20:48
and
20:49
go
20:49
with
20:49
their
20:49
second
20:49
choice,
20:50
Val
20:50
Kilmer.
20:52
Now,
20:52
some
20:52
might
20:53
say
20:53
Kevin
20:53
Costner
20:54
forced
20:54
them
20:54
to
20:54
make
20:54
the
20:55
best
20:55
decision
20:55
they
20:55
could
20:55
have
20:56
possibly
20:56
made.
20:57
And
20:57
it
20:57
was
20:57
a
20:57
welcome
20:58
return
20:58
to
20:58
Disney
20:59
for
20:59
Kurt
20:59
Russell,
21:00
who'd
21:00
started
21:00
his
21:01
career
21:01
with
21:01
the
21:01
studio
21:02
as
21:02
a
21:02
child.
21:02
But
21:03
ultimately,
21:03
despite
21:03
Costner's
21:04
attempts
21:04
to
21:05
stop
21:05
Tombstone,
21:06
Jarre
21:06
was
21:07
ready
21:07
to
21:07
direct.
21:07
Producers
21:08
James
21:08
Jacks
21:09
and
21:09
Sean
21:09
Daniel,
21:10
who
21:10
also
21:10
produced
21:11
the
21:11
Mummy,
21:11
were
21:12
ready
21:12
to
21:12
shoot
21:13
as
21:13
long
21:13
as
21:13
they
21:13
assembled
21:14
a
21:14
cast
21:15
quickly.
21:16
And
21:16
the
21:16
cast
21:16
did
21:17
fall
21:17
into
21:17
place
21:17
quickly,
21:18
with
21:18
many
21:19
falling
21:19
in
21:19
love
21:19
with
21:19
Jarre's
21:20
script,
21:20
including
21:21
Sam
21:21
Elliott
21:22
and
21:22
Bill
21:22
Paxton
21:23
as
21:23
Wyatt's
21:23
brothers
21:24
Virgil
21:24
and
21:24
Morgan.
21:25
The
21:25
other
21:26
two
21:26
Earp
21:26
brothers,
21:27
James
21:27
and
21:27
Warren,
21:28
were
21:28
left
21:28
out
21:28
of
21:29
the
21:29
script
21:29
completely.
21:30
And
21:30
this
21:31
is
21:31
an
21:31
incredible
21:32
castle
21:32
of
21:32
both
21:33
Hollywood
21:33
legends
21:34
like
21:34
Charlton
21:34
Heston
21:35
and
21:35
Robert
21:35
Mitchum,
21:36
established
21:37
stars
21:37
like
21:37
Michael
21:38
Biehn
21:38
and
21:38
Powers
21:39
Booth,
21:39
as
21:39
well
21:40
as
21:40
up
21:40
and
21:40
comers
21:41
like
21:41
Jason
21:41
Priestley
21:42
and
21:42
Thomas
21:42
Hayden
21:43
Church.
21:43
Jar
21:44
wrote
21:44
the
21:44
role
21:44
of
21:45
Josephine
21:45
Marcus
21:46
for
21:46
his
21:46
girlfriend
21:46
at
21:47
the
21:47
time,
21:47
Lisa
21:48
Zane.
21:48
The
21:49
role
21:49
would
21:49
go
21:49
to
21:49
Dana
21:50
Delaney,
21:50
but
21:50
Lisa's
21:51
brother
21:51
Billy
21:52
Zane
21:52
would
21:52
get
21:53
a
21:53
role
21:53
instead.
21:54
The
21:55
actors
21:55
all
21:55
grew
21:56
period
21:56
appropriate
21:57
mustaches
21:58
and
21:58
waxed
21:58
them
21:59
according
21:59
to
21:59
historical
22:00
photographs.
22:01
All
22:01
except
22:02
John
22:02
Tennys,
22:02
who
22:03
had
22:03
to
22:03
be
22:03
clean
22:03
shaven
22:04
for
22:04
his
22:04
previous
22:05
project.
22:05
And
22:06
so
22:06
he
22:06
had
22:06
the
22:07
only
22:07
fake
22:07
mustache
22:08
in
22:08
the
22:08
movie.
22:09
But
22:09
you
22:09
can't
22:09
have
22:10
an
22:10
authentic
22:10
Western
22:11
without
22:11
authentic
22:12
costumes.
22:13
And
22:13
like
22:13
everything
22:13
else
22:14
on
22:14
Tombstone,
22:15
the
22:15
production
22:16
was
22:16
competing
22:16
with
22:17
other
22:17
films,
22:17
most
22:18
notably
22:18
Kevin
22:19
Costner's
22:19
Wyatt
22:20
Earp.
22:20
And
22:21
Costner,
22:21
while
22:22
his
22:22
merely
22:22
started
22:22
shooting
22:23
two
22:23
months
22:23
after
22:24
Tombstone,
22:25
had
22:25
already
22:25
swiped
22:26
up
22:26
all
22:26
the
22:27
available
22:27
western
22:28
costumes
22:28
in
22:28
Hollywood
22:29
for
22:29
his
22:30
film.
22:31
Unperturbed,
22:32
the
22:32
Tombstone
22:33
team
22:33
went
22:33
to
22:33
Europe,
22:34
which
22:34
was
22:34
actually
22:35
where
22:35
the
22:35
nouveau
22:36
riche
22:36
of
22:36
the
22:36
west
22:36
in
22:37
the
22:37
1880s
22:38
actually
22:38
bought
22:39
their
22:39
clothes.
22:40
It
22:40
would
22:40
slightly
22:40
increase
22:41
the
22:41
costume
22:41
budget,
22:42
but
22:42
it
22:42
also
22:43
meant
22:43
genuinely
22:44
authentic
22:44
period
22:45
clothing
22:45
in
22:46
all
22:46
colors,
22:46
including
22:47
lime
22:47
greens
22:48
and
22:48
purples.
22:49
Tombstone's
22:50
production
22:50
designer
22:50
was
22:51
Catherine
22:51
Hardwicke.
22:52
She
22:52
would
22:52
go
22:52
on
22:53
to
22:53
become
22:53
a
22:53
director
22:53
herself
22:54
and
22:54
she
22:55
wanted
22:55
to
22:55
eschew
22:55
the
22:56
traditional
22:56
sepia
22:57
tones
22:57
of
22:57
other
22:58
Westerns.
22:59
The
22:59
costume
22:59
designer
23:00
was
23:00
Joseph
23:00
Porro,
23:01
and
23:01
he
23:01
experienced
23:02
this
23:02
lack
23:03
of
23:03
authentic
23:03
clothing
23:04
in
23:04
the
23:04
U.S.
23:05
firsthand
23:06
when
23:06
he
23:06
tried
23:06
to
23:07
rent
23:07
hats
23:07
within
23:07
the
23:08
U.S.
23:08
but
23:09
they
23:09
were
23:09
either
23:09
all
23:09
gone
23:10
or
23:10
the
23:10
companies
23:11
wouldn't
23:11
do
23:11
business
23:12
with
23:12
Tombstone.
23:13
So
23:13
his
23:14
only
23:14
option
23:14
was
23:14
to
23:15
make
23:15
stuff.
23:16
And
23:16
to
23:16
do
23:16
that
23:17
he
23:17
enlisted
23:17
a
23:17
group
23:18
of
23:18
period
23:18
authentic
23:19
reenactors
23:20
led
23:20
by
23:21
Peter
23:21
Sherayko
23:22
called
23:22
the
23:23
Buckaroos.
23:24
The
23:24
Buckaroos
23:25
were
23:25
a
23:25
group
23:25
of
23:25
amateur
23:26
historians
23:26
and
23:27
provided
23:27
casting
23:28
services
23:28
as
23:29
extras,
23:29
either
23:30
as
23:30
cowboys,
23:31
soldiers
23:31
or
23:31
townspeople.
23:33
They
23:33
also
23:33
provided
23:34
wardrobe,
23:34
guns,
23:35
ammunition,
23:36
technical
23:36
advice,
23:37
horses
23:38
and
23:38
special
23:38
effects.
23:39
Each
23:40
member
23:40
of
23:40
the
23:40
Buckaroos
23:41
had
23:41
their
23:41
own
23:42
authentic
23:42
costumes
23:43
and
23:43
huge
23:44
collections
23:44
of
23:44
artifacts
23:45
and
23:45
libraries
23:46
full
23:46
of
23:46
books
23:47
on
23:47
Westerns.
23:48
They
23:48
also
23:48
owned
23:49
huge
23:49
collections
23:50
of
23:50
authentic
23:51
weapons,
23:51
including
23:52
rifles,
23:52
shotguns
23:53
and
23:53
pistols.
23:54
And
23:54
they
23:55
were
23:55
incredibly
23:55
skilled
23:56
marks
23:56
people
23:56
with
23:57
well
23:57
trained
23:57
horses.
23:58
And
23:59
it
23:59
was
23:59
their
23:59
attention
23:59
to
24:00
detail
24:00
that
24:00
led
24:01
to
24:01
Joseph
24:01
Porro
24:02
manufacturing
24:03
new
24:03
costumes
24:04
in
24:04
downtown
24:04
la,
24:05
taking
24:06
those
24:06
designs
24:07
from
24:07
the
24:07
Members
24:07
of
24:08
the
24:08
Buckaroos
24:09
hiring
24:09
a
24:09
Filipino
24:10
shirt
24:10
maker
24:11
to
24:11
make
24:11
300
24:12
detailed
24:12
shirts
24:13
with
24:13
Stetson
24:14
providing
24:15
100
24:15
hats.
24:16
The
24:16
Montana
24:17
Boot
24:17
Company
24:17
provided
24:18
20
24:18
pairs
24:19
of
24:19
stovepipe
24:19
and
24:20
coffee
24:20
bill
24:20
boots.
24:21
Nothing
24:21
was
24:22
made
24:22
at
24:22
any
24:22
costume
24:23
house,
24:23
but
24:24
some
24:24
items,
24:25
like
24:25
the
24:25
ladies
24:25
dresses
24:26
were
24:26
rented
24:26
from
24:26
Europe.
24:27
Jarre
24:28
wanted
24:28
an
24:28
authentic
24:29
Western
24:29
in
24:30
all
24:30
aspects,
24:31
specifically
24:31
to
24:31
capture
24:32
the
24:32
affluent,
24:33
colourful
24:33
Victorian
24:34
look
24:34
of
24:35
a
24:35
cosmopolitan
24:36
boom
24:36
town
24:36
in
24:36
the
24:37
1880s.
24:38
And
24:39
although
24:39
some
24:39
claim
24:39
that
24:40
the
24:40
red
24:40
sashes
24:41
of
24:41
the
24:41
cowboys
24:42
are
24:42
just
24:42
gang
24:42
colours
24:43
or
24:43
just
24:43
to
24:44
identify
24:44
them
24:44
and
24:45
they're
24:45
accurate,
24:46
Joseph
24:47
Poirot
24:47
claims
24:47
the
24:48
sashes
24:48
were
24:48
period
24:49
correct.
24:50
The
24:50
period
24:51
trousers
24:51
normally
24:52
didn't
24:52
contain
24:52
belt
24:53
loops
24:53
and
24:53
braces
24:55
and
24:55
galluses
24:55
and
24:56
suspenders
24:56
always
24:57
got
24:57
in
24:57
the
24:57
way.
24:58
So
24:58
sashes
24:58
were
24:59
often
24:59
used
24:59
as
25:00
belts
25:00
on
25:00
high
25:00
waisted
25:01
trousers.
25:02
They
25:02
also
25:02
protected
25:03
fabric
25:03
from
25:03
gun
25:03
oil.
25:04
And
25:04
they
25:04
were
25:05
also
25:05
probably
25:05
inspired
25:06
by
25:06
the
25:06
sash
25:07
worn
25:07
by
25:08
Kevin
25:08
Jarre's
25:08
hero,
25:09
Wild
25:09
Bill
25:10
Hickok.
25:11
Once
25:11
again,
25:11
Costner's
25:12
attempt
25:13
to
25:13
sabotage
25:13
Tombstone
25:14
backfired.
25:16
Filming
25:17
on
25:17
Tombstone
25:17
began
25:18
in
25:18
May
25:18
1993
25:19
around
25:19
Tucson,
25:20
Arizona,
25:21
around
25:21
70
25:22
miles
25:22
from
25:22
the
25:23
actual
25:23
tombstone,
25:24
with
25:24
an
25:24
immovable
25:25
Christmas
25:26
1993
25:27
release
25:27
date.
25:28
Immovable
25:29
because
25:29
they
25:29
knew
25:29
Costner's
25:30
Wyatt
25:30
Earp
25:31
was
25:31
scheduled
25:32
for
25:32
June
25:32
1994
25:33
and
25:34
they
25:34
wanted
25:34
to
25:34
beat
25:34
that
25:35
movie
25:35
to
25:35
the
25:35
punch
25:36
by
25:36
six
25:36
months.
25:37
The
25:37
date
25:38
could
25:38
not
25:38
move,
25:39
else
25:39
they
25:40
might
25:40
as
25:40
well
25:40
create
25:41
a
25:41
Tombstone
25:42
for
25:42
Tombstone.
25:43
And
25:43
Kevin
25:44
Jarre
25:44
really
25:45
wanted
25:45
his
25:45
directorial
25:46
debut
25:46
to
25:47
be
25:47
precise,
25:48
inspired
25:49
by
25:49
the
25:49
classic
25:50
Westerns
25:50
directed
25:51
by
25:51
John
25:52
Ford.
25:52
He
25:53
wanted
25:53
his
25:53
movie
25:53
to
25:54
have
25:54
beautiful
25:54
wide
25:55
shots.
25:55
He
25:56
had
25:56
a
25:56
vision
25:57
in
25:57
his
25:57
head
25:58
to
25:58
emulate
25:58
the
25:59
classic
25:59
westerns
26:00
of
26:00
old.
26:00
He
26:01
didn't
26:01
want
26:01
to
26:01
do
26:01
close
26:02
up
26:02
shots.
26:03
Instead
26:03
he
26:04
would
26:04
give
26:04
precise
26:04
line
26:05
readings
26:05
to
26:05
his
26:06
actors,
26:06
explaining
26:07
how
26:07
the
26:07
vision
26:08
in
26:08
his
26:08
mind
26:08
matched
26:09
the
26:09
script.
26:10
But
26:10
this
26:10
also
26:10
led
26:11
to
26:11
problems
26:12
because
26:12
he
26:13
would
26:13
ignore
26:13
the
26:13
advice
26:14
of
26:14
his
26:14
experienced
26:15
cinematographer,
26:16
six
26:17
time
26:17
Oscar
26:17
nominee
26:18
William
26:18
Fraker.
26:19
His
26:19
actors
26:20
were
26:20
filming
26:21
in
26:21
wool
26:21
costumes
26:22
at
26:22
110
26:23
degree
26:23
Fahrenheit
26:24
heat
26:24
in
26:25
the
26:25
shade,
26:25
not
26:26
even
26:26
in
26:26
the
26:26
sunshine.
26:27
110
26:28
degree
26:29
Fahrenheit
26:29
heat.
26:30
It's
26:30
43
26:31
degrees
26:31
Celsius
26:32
that
26:32
the
26:32
spritz
26:33
and
26:33
that
26:33
was
26:33
just
26:34
in
26:34
the
26:34
shade.
26:35
We've
26:35
just
26:35
had
26:35
a
26:36
mini
26:36
heat
26:36
wave
26:36
here
26:36
in
26:37
the
26:37
UK
26:37
with
26:37
32
26:38
degrees
26:38
Celsius
26:39
and
26:39
trust
26:40
me,
26:40
that
26:40
is
26:40
hot
26:40
enough
26:41
for
26:41
any
26:41
British
26:42
person.
26:43
These
26:43
issues
26:43
would
26:44
lead
26:44
to
26:44
take
26:45
after
26:45
take
26:45
after
26:46
take.
26:47
Jaa
26:47
was
26:47
clearly
26:48
overwhelmed
26:48
and
26:49
filming
26:49
was
26:49
falling
26:50
behind
26:50
schedule.
26:51
The
26:51
pace
26:51
was
26:52
slow,
26:52
the
26:52
crew
26:53
was
26:53
frustrated
26:53
and
26:54
time
26:54
was
26:54
ticking.
26:55
They
26:55
needed
26:56
a
26:56
director
26:56
who
26:56
could
26:57
deliver
26:57
the
26:57
goods
26:57
quickly
26:58
after
26:59
just
26:59
a
26:59
few
26:59
weeks
26:59
on
27:00
the
27:00
job.
27:00
Kevin
27:01
Jarre
27:01
was
27:02
removed
27:02
as
27:02
director.
27:04
Now,
27:04
some
27:04
say
27:04
a
27:04
handful
27:05
of
27:05
his
27:05
scenes
27:05
do
27:05
exist
27:06
in
27:06
the
27:06
finished
27:06
movie.
27:07
Others
27:07
say
27:07
nothing
27:08
exists.
27:09
He
27:09
directed
27:10
the
27:10
scenes
27:10
with
27:10
Charlton
27:10
Heston.
27:11
Heston
27:12
ends
27:12
up
27:12
only
27:12
making
27:13
a
27:13
cameo
27:13
appearance
27:14
in
27:14
the
27:14
movie
27:15
because
27:15
jars
27:16
shots
27:16
of
27:16
Heston
27:17
as
27:17
prominent
27:17
rancher
27:18
Henry
27:18
Clay
27:18
Hooker
27:19
never
27:19
actually
27:20
made
27:20
it
27:20
into
27:20
the
27:20
final
27:21
version.
27:22
Jarre's
27:22
original
27:23
script
27:23
had
27:24
Hooker
27:24
backing
27:25
the
27:25
Earps
27:26
and
27:26
all
27:26
of
27:26
that
27:26
footage
27:27
still
27:27
exists,
27:28
but
27:28
more
27:29
on
27:29
that
27:29
later.
27:30
But
27:31
also
27:31
the
27:31
producers
27:32
knew
27:32
that
27:32
Jarre
27:33
was
27:33
inexperienced
27:34
and
27:34
didn't
27:34
really
27:34
give
27:34
him
27:35
much
27:35
time
27:35
to
27:35
learn
27:36
the
27:36
necessary
27:36
craft.
27:37
Just
27:37
threw
27:38
him
27:38
in
27:38
at
27:38
the
27:38
proverbial
27:39
deep
27:39
end
27:39
of
27:40
the
27:40
swimming
27:40
pool.
27:41
Jaa
27:42
was
27:42
understandably
27:42
devastated
27:43
to
27:43
lose
27:43
Tombstone.
27:44
A
27:45
year
27:45
before,
27:45
Universal
27:46
had
27:46
shelved
27:46
his
27:47
planned
27:47
Dracula
27:48
screenplay
27:48
when
27:49
Francis
27:49
Ford
27:49
Coppola
27:50
announced
27:50
his
27:51
version,
27:51
the
27:52
sublime
27:52
Bram
27:53
Stoker's
27:53
Dracula.
27:54
But
27:54
Jarre's
27:55
unceremonious
27:56
removal
27:56
led
27:57
to
27:57
the
27:57
need
27:57
for
27:57
a
27:58
new
27:58
director.
27:58
Quick,
27:59
sharpish,
27:59
and
28:00
after
28:00
considering
28:00
John
28:01
Milius
28:01
and
28:01
John
28:02
McTiernan,
28:02
among
28:03
others,
28:03
this
28:04
is
28:04
where
28:04
George
28:04
P.
28:05
Cosmatos
28:06
comes
28:06
back
28:06
into
28:06
the
28:06
story.
28:07
He'd
28:08
worked
28:08
with
28:08
Kevin
28:08
Jarre
28:09
before
28:09
on
28:10
Rambo
28:10
First
28:10
Blood
28:11
Part
28:11
2,
28:11
and
28:12
he
28:12
was
28:12
recommended
28:13
through
28:13
Kurt
28:13
Russell's
28:14
friend
28:14
Sylvester
28:15
Stallone.
28:16
He
28:16
arrived
28:16
on
28:17
set
28:17
with
28:17
only
28:17
three
28:18
days
28:18
preparation.
28:19
It
28:20
was
28:20
well
28:20
documented
28:20
that
28:21
Cosmatus
28:21
wasn't
28:22
the
28:22
easiest
28:22
person
28:23
to
28:23
get
28:23
on
28:23
with,
28:24
depending
28:24
on
28:24
who
28:24
you
28:25
were.
28:25
He
28:25
was
28:26
demanding
28:26
and
28:27
had
28:27
conflicts
28:27
with
28:28
pretty
28:28
much
28:28
everyone,
28:29
including
28:29
cinematographer
28:30
William
28:30
Fraker,
28:31
who
28:31
quit
28:32
three
28:32
times
28:32
and
28:33
had
28:33
to
28:33
be
28:33
persuaded
28:34
to
28:34
return
28:34
by
28:34
producer
28:35
James
28:35
Jacks.
28:37
Seventeen
28:37
other
28:37
crew
28:38
members,
28:38
including
28:39
two
28:39
script
28:40
supervisors
28:40
and
28:41
half
28:41
the
28:41
art
28:42
department
28:43
left
28:43
with
28:43
the
28:43
jobs,
28:44
quit
28:44
outright
28:45
or
28:45
were
28:45
fired
28:45
by
28:46
Kosmatos.
28:47
Now,
28:47
the
28:48
legend
28:48
is
28:48
that
28:48
Cosmatos
28:49
was
28:49
a
28:49
ghost
28:49
director
28:50
at
28:50
best
28:51
and
28:51
Kurt
28:51
Russell
28:52
really
28:52
directed
28:53
the
28:53
movie,
28:53
which
28:54
has
28:54
been
28:54
all
28:54
but
28:54
confirmed
28:55
by
28:55
Russell
28:56
since
28:56
Cosmatos's
28:57
death,
28:58
as
28:58
well
28:58
as
28:58
being
28:58
backed
28:59
up
28:59
by
28:59
Val
28:59
Kilmer.
29:00
Russell
29:01
refused
29:01
an
29:01
official
29:02
director's
29:02
credit.
29:03
But
29:03
since
29:03
they
29:04
needed
29:04
an
29:04
official
29:04
director
29:05
and
29:05
they
29:05
needed
29:06
to
29:06
get
29:06
cracking
29:06
on
29:07
finishing
29:07
this
29:07
movie,
29:08
Russell
29:08
stepped
29:09
up
29:09
in
29:09
more
29:10
ways
29:10
than
29:10
a
29:10
lead
29:10
actor
29:11
would,
29:11
usually
29:12
including
29:12
trimming
29:13
down
29:13
the
29:13
script
29:13
extensively
29:14
reducing
29:15
some
29:15
roles
29:16
and
29:16
stories,
29:16
including
29:17
his
29:17
own
29:17
lead
29:18
role,
29:18
in
29:19
favor
29:19
of
29:19
a
29:19
more
29:19
narrow
29:20
focus
29:20
on
29:20
the
29:21
friendship
29:21
between
29:21
Wyatt
29:22
Earp
29:22
and
29:22
Doc
29:23
Holliday.
29:23
And
29:24
this
29:24
decision,
29:24
obviously
29:25
boosted
29:25
by
29:25
Costner
29:26
forcing
29:27
their
29:27
hands
29:27
to
29:27
end
29:27
up
29:28
hiring
29:28
Val
29:28
Kilmer,
29:29
would
29:29
actually
29:30
lead
29:30
to
29:30
Tombstone
29:31
becoming
29:31
legendary.
29:33
While
29:33
Russell
29:34
was
29:34
the
29:34
one
29:34
setting
29:34
shot
29:35
lists
29:35
and
29:35
editing
29:35
the
29:36
script,
29:36
he
29:36
also
29:37
knew
29:37
that
29:37
by
29:37
elevating
29:38
Kilmer,
29:39
who
29:39
was
29:39
more
29:39
or
29:39
less
29:39
a
29:40
method
29:40
actor
29:40
on
29:40
this
29:41
movie,
29:41
he'd
29:42
actually
29:42
be
29:42
elevating
29:43
the
29:43
movie
29:44
with
29:44
some
29:44
cracking
29:45
one
29:45
liners
29:45
and
29:45
a
29:46
constant
29:46
appearance
29:47
of
29:47
pale,
29:48
sweaty,
29:48
tuberculosis
29:49
ridden
29:49
cool.
29:50
Val
29:50
Kilmer
29:51
simply
29:51
is
29:51
Tombstone.
29:52
And
29:53
when
29:53
Russell
29:53
and
29:53
Kilmer
29:54
riff
29:54
off
29:54
each
29:54
other,
29:55
it's
29:55
truly
29:56
great.
29:57
Their
29:57
partnership
29:58
came
29:58
at
29:58
the
29:58
cost
29:58
of
29:59
other
29:59
roles
29:59
and
29:59
storylines
30:00
which
30:00
were
30:00
dramatically
30:01
cut.
30:02
Sam
30:02
Elliot
30:03
stated
30:03
that
30:03
if
30:03
he'd
30:04
been
30:04
offered
30:04
the
30:04
amended
30:05
final
30:05
shooting
30:06
script
30:06
for
30:06
Tombstone
30:07
instead
30:07
of
30:08
Kevin
30:08
Jarre's
30:08
original,
30:09
he
30:09
would
30:10
have
30:10
declined
30:10
the
30:10
role.
30:12
Tombstone
30:12
finally
30:13
wrapped
30:13
filming
30:13
on
30:14
29
30:14
August
30:15
1993
30:16
after
30:16
88
30:17
days
30:17
of
30:17
shooting.
30:18
They
30:18
had
30:18
less
30:18
than
30:19
four
30:19
months
30:19
to
30:19
get
30:19
this
30:20
movie
30:20
in
30:20
the
30:20
can
30:21
and
30:21
in
30:21
the
30:21
edit.
30:22
The
30:22
removal
30:22
of
30:22
key
30:23
scenes
30:23
from
30:23
the
30:23
script
30:24
were
30:24
apparent.
30:25
The
30:25
Earp
30:25
vendetta
30:26
ride
30:26
was
30:26
particularly
30:27
affected.
30:28
As
30:28
in
30:28
Jarre's
30:28
original
30:29
script,
30:29
the
30:29
action
30:30
scenes
30:30
were
30:30
anchored
30:31
in
30:31
an
30:31
explicit
30:32
context
30:32
to
30:33
make
30:33
the
30:33
movie
30:33
more
30:33
dramatically
30:34
meaningful
30:34
and
30:35
informed
30:35
the
30:36
audience
30:36
as
30:36
to
30:36
who
30:37
exactly
30:37
is
30:37
being
30:38
killed
30:38
by
30:38
the
30:38
Earp
30:39
party
30:40
in
30:40
the
30:40
final
30:40
cut.
30:41
It's
30:41
more
30:41
a
30:41
montage
30:42
of
30:42
random
30:42
character
30:43
deaths
30:43
and
30:44
this
30:44
was
30:44
never
30:44
as
30:45
Jaa
30:45
intended.
30:46
Also
30:47
removed
30:47
was
30:47
much
30:48
of
30:48
the
30:48
love
30:48
story
30:48
between
30:49
Wyatt
30:50
Earp
30:49
an
30:50
Josephine
30:50
Marcus,
30:51
including
30:51
a
30:52
sex
30:52
scene
30:52
after
30:52
their
30:53
horse
30:53
race,
30:54
and
30:54
much
30:54
of
30:54
Marcus's
30:55
story
30:55
completely
30:56
including
30:56
the
30:57
love
30:57
triangle
30:57
between
30:58
her
30:58
Earp
30:59
and
30:59
Sheriff
30:59
Behan,
31:00
which
31:00
led
31:00
to
31:01
much
31:01
of
31:01
the
31:01
tension
31:01
between
31:02
the
31:02
two
31:02
men
31:02
in
31:03
real
31:03
life.
31:04
The
31:04
women
31:04
in
31:04
this
31:05
story
31:05
are
31:05
severely
31:06
underserved
31:07
and
31:07
much
31:07
of
31:07
this
31:07
was
31:08
simply
31:08
removal
31:08
from
31:09
the
31:09
script
31:09
after
31:09
Jar
31:10
left.
31:11
Before
31:11
this,
31:11
most
31:12
of
31:12
the
31:12
wives
31:12
had
31:13
more
31:13
to
31:13
do,
31:13
as
31:14
did
31:14
Big
31:14
Nose
31:14
Kate.
31:15
Wyatt
31:16
Earp
31:16
III
31:17
is
31:17
credited
31:18
in
31:18
this
31:18
movie
31:18
as
31:18
Billy
31:19
Claiborne,
31:20
and
31:20
while
31:20
it
31:20
is
31:21
a
31:21
stage
31:21
name,
31:22
it
31:22
has
31:22
an
31:22
authenticity
31:23
to
31:23
it.
31:24
Glen
31:24
Wyatt
31:25
Earp,
31:25
AKA
31:26
Wyatt
31:26
Earp
31:26
iii,
31:27
shares
31:27
a
31:27
common
31:28
ancestor
31:28
with
31:29
the
31:29
Wyatt
31:30
Earp.
31:30
Wyatt
31:31
Earp
31:31
III
31:32
is
31:32
the
31:32
fifth
31:32
cousin
31:33
of
31:33
Wyatt
31:33
Earp.
31:34
None
31:35
of
31:35
the
31:35
Earp
31:35
brothers,
31:36
Wyatt,
31:36
Virgil
31:37
or
31:37
Morgan,
31:38
had
31:38
sons.
31:39
Virgil
31:40
had
31:40
one
31:40
daughter,
31:42
however,
31:42
they
31:43
had
31:43
an
31:43
older
31:43
half
31:44
brother,
31:44
Newton
31:45
Earp.
31:45
And
31:46
Wyatt
31:46
Earp
31:47
III
31:47
is
31:47
a
31:47
direct
31:48
descendant
31:48
of
31:49
Newton
31:49
Earp.
31:50
Back
31:50
to
31:50
the
31:51
footage
31:51
shot
31:51
by
31:51
Jar
31:52
and
31:52
all
31:52
of
31:52
the
31:53
footage
31:53
cut
31:53
out
31:53
of
31:54
the
31:54
finished
31:54
movie.
31:55
It
31:55
exists.
31:56
It's
31:56
referred
31:57
to
31:57
as
31:57
the
31:57
Western
31:58
Godfather.
31:59
And
31:59
it
31:59
exists
31:59
in
32:00
the
32:00
most
32:00
obvious
32:01
place.
32:02
A
32:02
tape
32:02
was
32:03
given
32:03
by
32:03
Andrew
32:04
G.
32:04
Vajna
32:04
to
32:05
Kurt
32:05
Russell
32:06
with
32:06
the
32:07
express
32:07
permission
32:07
from
32:08
Russell
32:08
to
32:08
reconstruct
32:09
the
32:09
movie
32:09
in
32:10
the
32:10
future
32:10
if
32:11
he
32:11
wished.
32:12
After
32:12
the
32:12
passings
32:13
of
32:13
George
32:13
p.
32:13
Cosmatos
32:14
in
32:14
2005
32:16
and
32:16
Kevin
32:16
Jarre
32:17
in
32:17
2011,
32:18
Russell
32:18
has
32:19
the
32:19
ability
32:19
to
32:20
create
32:20
a
32:20
new
32:20
director's
32:21
cut.
32:21
But
32:22
when
32:22
asked
32:22
whether
32:22
he'd
32:23
do
32:23
it,
32:23
he
32:23
replied
32:24
in
32:24
an
32:24
interview
32:25
with
32:25
True
32:25
west
32:25
magazine
32:26
that
32:26
he
32:26
has
32:27
a
32:27
life,
32:27
and
32:28
someday
32:28
he
32:28
might,
32:29
but
32:29
right
32:29
now,
32:30
living
32:30
his
32:30
life
32:30
is
32:31
more
32:31
important.
32:32
And
32:32
props
32:32
to
32:32
the
32:32
guy
32:33
for
32:33
realizing
32:33
that
32:33
maybe
32:34
he
32:34
prefers
32:34
to
32:34
spend
32:35
his
32:35
70s
32:36
doing
32:36
other
32:36
stuff
32:37
than
32:37
making
32:37
a
32:37
director's
32:38
cut
32:38
Tombstone,
32:40
as
32:40
well
32:40
as
32:40
playing
32:40
his
32:40
cards
32:41
close
32:41
to
32:41
his
32:41
chest
32:42
and
32:42
not
32:42
disrespecting
32:43
the
32:43
memories
32:44
of
32:44
the
32:44
people
32:44
who
32:44
are
32:45
credited
32:45
for
32:45
Tombstone.
32:46
And
32:46
of
32:47
course,
32:47
now,
32:47
with
32:47
Val
32:47
Kilmer
32:48
having
32:48
passed
32:49
last
32:49
year,
32:49
MT25,
32:50
it
32:51
doesn't
32:51
really
32:51
make
32:52
sense
32:52
to
32:52
give
32:52
us
32:52
a
32:53
different
32:53
tombstone
32:54
because
32:54
the
32:54
original
32:55
is
32:55
so
32:55
iconic
32:56
because
32:56
of
32:57
Kilmer.
32:58
Kilmer
32:59
would
32:59
go
32:59
on
32:59
to
32:59
name
32:59
his
33:00
autobiography
33:01
I'm
33:01
your
33:01
Huckleberry.
33:02
He'd
33:03
also
33:03
confirm
33:03
it
33:03
means
33:04
I'm
33:04
your
33:04
man.
33:05
You've
33:05
met
33:05
your
33:05
match.
33:07
While
33:08
the
33:08
majority
33:08
of
33:08
the
33:09
story
33:09
in
33:09
Tombstone
33:10
is
33:10
true,
33:11
including,
33:11
miraculously,
33:12
that
33:12
Wyatt
33:13
Earp
33:13
was
33:13
never
33:14
hit
33:14
once
33:15
by
33:15
any
33:15
bullet
33:16
fired
33:16
at
33:16
him,
33:17
there
33:17
are
33:17
some
33:17
things
33:17
in
33:18
this
33:18
movie
33:18
that
33:18
aren't
33:19
completely
33:19
accurate.
33:20
The
33:20
main
33:20
characters
33:21
were
33:21
real
33:21
people.
33:22
Wyatt
33:22
Earp,
33:23
his
33:23
brothers
33:23
Virgil
33:24
and
33:24
Morgan,
33:24
Doc
33:25
Holliday,
33:25
Johnny
33:25
Ringo,
33:26
and
33:26
the
33:27
various
33:27
members
33:27
of
33:27
the
33:28
Cowboys
33:28
gang
33:28
all
33:29
existed
33:30
and
33:30
were
33:30
involved
33:31
in
33:31
the
33:31
historical
33:31
events
33:32
depicted.
33:34
The
33:34
line
33:34
from
33:34
Doc
33:34
Holliday,
33:35
you're
33:35
a
33:35
daisy
33:36
if
33:36
you
33:36
do
33:36
is
33:36
pulled
33:37
from
33:37
real
33:37
newspaper
33:38
reports.
33:39
Less
33:39
accurate
33:40
is
33:40
the
33:40
timeline,
33:41
which
33:41
compresses
33:42
several
33:42
years
33:43
of
33:43
events
33:43
into
33:44
what
33:44
happens
33:44
to
33:44
be
33:45
in
33:45
close
33:45
succession.
33:46
And
33:46
nor
33:47
was
33:47
Johnny
33:47
Ringo's
33:48
death
33:48
at
33:48
the
33:49
hands
33:49
of
33:49
Doc
33:49
Holliday.
33:50
Ringo
33:51
apparently
33:51
died
33:52
by
33:52
suicide
33:52
in
33:53
July
33:53
1882.
33:55
But
33:55
what
33:56
is
33:56
pretty
33:57
much
33:57
always
33:57
accurate
33:58
is
33:59
the
33:59
obligatory
33:59
Keanu
34:00
reference.
34:00
And
34:01
this
34:01
is
34:01
the
34:01
part
34:01
of
34:01
the
34:01
podcast
34:02
where
34:02
I'll
34:02
try
34:03
and
34:03
link
34:03
the
34:03
movie
34:03
that
34:03
I'm
34:04
featuring
34:04
with
34:04
Keanu
34:05
Reeves
34:05
for
34:06
no
34:06
reason
34:06
other
34:07
than
34:07
he
34:07
is
34:07
the
34:07
best
34:08
of
34:08
men.
34:08
And
34:09
who
34:09
knows,
34:09
in
34:10
a
34:10
different
34:10
version
34:10
of
34:11
the
34:11
timeline,
34:11
he
34:12
may
34:12
have
34:12
appeared
34:12
in
34:12
Tombstone.
34:13
And
34:13
this
34:14
is
34:14
a
34:14
really
34:14
simple
34:15
obligatory
34:15
Keanu
34:16
reference,
34:16
because
34:17
as
34:17
I
34:17
mentioned,
34:17
Kevin
34:18
Jarr
34:18
never
34:19
got
34:19
to
34:19
make
34:19
his
34:19
Dracula
34:20
movie.
34:21
But
34:21
instead
34:21
we
34:22
got
34:22
Bram
34:22
Stoker's
34:23
Dracula
34:23
by
34:23
Francis
34:24
Ford
34:24
Coppola,
34:25
which
34:25
obviously
34:26
starred
34:26
Keanu
34:26
Reeves
34:27
in
34:27
a
34:28
role
34:28
that
34:28
a
34:28
lot
34:28
of
34:29
people
34:29
say
34:29
is
34:29
one
34:29
of
34:30
his
34:30
worst.
34:30
But
34:31
I
34:31
don't
34:31
believe
34:31
that.
34:32
I
34:32
actually
34:32
think
34:33
it's
34:33
all
34:33
right.
34:34
It's
34:34
just
34:34
a
34:34
dodgy
34:35
accent.
34:35
But
34:36
you
34:36
know,
34:36
we
34:37
forgive
34:37
lots
34:37
of
34:38
people
34:38
for
34:38
dodgy
34:38
accents.
34:39
Everyone
34:40
forgave
34:40
Dick
34:40
Van
34:41
Dyke
34:41
for
34:41
that
34:41
dodgy
34:42
accent
34:42
in
34:42
Mary
34:43
Poppins
34:43
a
34:43
long
34:44
time
34:44
ago.
34:44
I
34:44
think
34:45
it's
34:45
time
34:45
we
34:45
all
34:45
start
34:45
to
34:45
forgive
34:46
and
34:46
forget
34:46
the
34:47
dodgy
34:47
accent
34:47
Keanu
34:48
Reeves
34:48
gave
34:48
us
34:48
in
34:49
Dracula.
34:49
But
34:50
seriously,
34:50
Bramstone,
34:50
cause
34:51
Dracula
34:51
is
34:52
a
34:52
truly
34:53
outstanding
34:53
movie
34:54
in
34:54
every
34:54
respect.
34:55
And
34:56
while
34:56
Kevin
34:56
Jarre
34:56
gave
34:57
us
34:57
the
34:57
Mummy,
34:57
which
34:58
is
34:58
the
34:58
greatest
34:58
movie
34:59
ever
34:59
made,
34:59
and
35:00
I
35:00
would
35:00
be
35:00
interested
35:01
to
35:01
see
35:01
what
35:02
he
35:02
would
35:02
have
35:02
done
35:02
with
35:02
a
35:03
version
35:03
of
35:03
Dracula.
35:04
I'm
35:04
never
35:05
going
35:05
to
35:05
take
35:05
any
35:05
version
35:06
of
35:06
Dracula
35:06
that
35:06
doesn't
35:06
give
35:07
us
35:07
Keanu
35:07
Reeves
35:07
as
35:08
Jonathan
35:08
Harker.
35:09
Just
35:10
quickly
35:10
on
35:10
the
35:10
music
35:11
for
35:11
Tombstone,
35:12
the
35:12
School
35:12
was
35:12
composed
35:13
and
35:13
produced
35:13
by
35:13
Bruce
35:14
Broughton
35:15
and
35:15
performed
35:15
by
35:16
the
35:16
Symphonia
35:16
of
35:17
London.
35:17
And
35:18
because
35:18
this
35:18
was
35:18
a
35:19
non
35:19
union
35:20
production,
35:20
it
35:21
was
35:21
actually
35:21
David
35:21
Snell
35:22
who
35:22
conducted
35:23
most
35:23
of
35:23
the
35:23
score.
35:24
Patricia
35:25
Carlin
35:25
was
35:26
the
35:26
music
35:26
editor.
35:27
And
35:27
despite
35:27
them
35:28
not
35:28
actually
35:28
having
35:29
a
35:29
great
35:29
deal
35:29
of
35:29
time
35:30
to
35:30
get
35:30
Tombstone
35:31
filmed
35:32
and
35:32
post
35:32
production
35:33
completed,
35:34
miraculously
35:35
Tombstone
35:35
did
35:35
release
35:36
on
35:36
time.
35:37
On
35:37
24
35:38
December
35:39
1993,
35:40
it
35:40
debuted
35:40
at
35:40
third
35:41
at
35:41
the
35:41
US
35:41
box
35:42
office
35:42
behind
35:42
Mrs.
35:43
Doubtfire,
35:44
which
35:44
had
35:44
been
35:44
out
35:44
six
35:45
weeks.
35:45
This
35:46
was
35:46
at
35:46
number
35:46
one,
35:47
the
35:47
Pelican
35:47
Brief
35:48
was
35:48
at
35:48
number
35:48
two.
35:49
But
35:49
Tombstone
35:50
was
35:50
nothing
35:50
if
35:50
not
35:50
consistent
35:51
and
35:52
stayed
35:52
at
35:52
third
35:52
for
35:53
a
35:53
total
35:53
of
35:53
three
35:54
weeks.
35:54
Still
35:55
following
35:55
Mrs.
35:55
Doubtfire
35:56
and
35:56
the
35:56
Pelican
35:57
Brief,
35:57
Tombstone
35:58
dropped
35:58
to
35:58
seventh
35:59
in
35:59
its
35:59
fourth
35:59
week
36:00
before
36:00
exiting
36:01
the
36:01
top
36:01
10
36:01
in
36:02
its
36:02
seventh
36:02
week.
36:03
Most
36:03
importantly,
36:04
it
36:05
beat
36:05
Wyatt
36:05
Earp
36:06
to
36:06
cinemas
36:06
with
36:06
a
36:07
six
36:07
month
36:07
head
36:07
start,
36:08
and
36:08
that
36:08
would
36:09
prove
36:09
pretty
36:09
crucial
36:10
to
36:10
the
36:10
everlasting
36:11
legacy
36:12
of
36:12
both
36:12
movies.
36:14
On
36:14
its
36:14
$25
36:15
million
36:16
budget,
36:16
Tombstone
36:17
grossed
36:15
$56.5
36:18
million
36:19
domestically
36:20
in
36:20
the
36:20
US
36:21
and
36:19
$16.7
36:22
million
36:23
internationally,
36:24
for
36:24
a
36:24
total
36:24
worldwide
36:25
gross
36:25
of
36:22
$73.2
36:25
million.
36:28
On
36:29
rotter
36:29
tomatoes,
36:30
it
36:30
has
36:30
a
36:30
score
36:31
of
36:31
76%
36:32
and
36:32
its
36:32
critical
36:33
consensus
36:34
reads
36:34
if
36:34
you're
36:35
seeking
36:35
a
36:35
stylish
36:36
modern
36:36
western
36:37
with
36:37
a
36:37
solid
36:37
story
36:38
and
36:38
a
36:38
well
36:38
chosen
36:39
ensemble
36:39
cast,
36:40
Tombstone
36:41
is
36:41
your
36:41
Huckleberry.
36:43
While
36:43
Roger
36:43
Ebert
36:44
would
36:44
recommend
36:45
the
36:45
movie,
36:45
Gene
36:46
Siskel
36:46
would
36:47
not.
36:47
The
36:47
pair
36:48
struggled
36:48
to
36:48
find
36:48
a
36:48
critic
36:49
screening,
36:49
but
36:49
they
36:50
kept
36:50
hearing
36:50
about
36:51
this
36:51
movie.
36:52
Ebert
36:52
would
36:52
say,
36:53
quote,
36:53
a
36:54
strange
36:54
thing
36:54
started
36:54
to
36:55
happen.
36:55
People
36:56
started
36:56
telling
36:56
me
36:57
they
36:57
really
36:57
liked
36:58
Val
36:58
Kilmer's
36:58
performance
36:59
in
36:59
Tombstone
37:00
and
37:00
I
37:00
heard
37:00
this
37:01
everywhere
37:01
I
37:01
went.
37:02
When
37:02
you
37:02
hear
37:03
this
37:03
once
37:03
or
37:03
twice,
37:03
it's
37:04
interesting.
37:04
When
37:05
you
37:05
hear
37:05
it
37:05
a
37:05
couple
37:06
of
37:06
dozen
37:06
times,
37:06
it's
37:07
a
37:07
trend.
37:08
And
37:08
when
37:08
you
37:08
read
37:08
that
37:09
Bill
37:09
Clinton
37:09
loved
37:10
the
37:10
performance,
37:11
you
37:11
figured
37:11
you
37:11
better
37:12
catch
37:12
up
37:12
with
37:12
the
37:13
movie,
37:13
unquote.
37:15
Ebert
37:15
would
37:16
continue
37:16
to
37:16
highlight
37:17
the
37:17
movie
37:17
in
37:17
other
37:18
reviews
37:18
of
37:18
Kurt
37:18
Russell
37:19
and
37:19
Val
37:19
Kilmer
37:20
movies,
37:20
saying,
37:21
quote,
37:21
every
37:22
time
37:22
I
37:22
see
37:22
Russell
37:23
or
37:23
Val
37:23
Kilmer
37:24
in
37:24
a
37:24
role,
37:24
I'm
37:25
reminded
37:25
of
37:25
their
37:25
Tombstone,
37:26
which
37:26
got
37:27
lost
37:27
in
37:27
the
37:27
year
37:28
end
37:28
holiday
37:28
shuffle
37:29
and
37:29
never
37:29
got
37:30
the
37:30
recognition
37:31
it
37:31
deserved.
37:31
Unquote.
37:33
Tombstone
37:33
was
37:33
named
37:34
one
37:34
of
37:34
the
37:34
five
37:34
Greatest
37:35
Westerns
37:36
Ever
37:36
Made
37:36
by
37:37
True
37:37
West
37:37
Magazine,
37:38
which
37:38
has
37:38
contained
37:39
a
37:39
wealth
37:39
of
37:39
information
37:40
that
37:40
I've
37:41
been
37:41
able
37:41
to
37:41
gain
37:41
for
37:41
this
37:41
episode.
37:42
So
37:42
a
37:42
huge
37:43
thank
37:43
you
37:43
to
37:43
True
37:44
West
37:44
Magazine.
37:45
Now
37:46
remarkably,
37:46
no
37:46
one
37:47
got
37:47
any
37:47
Oscar
37:48
nods
37:48
for
37:48
this
37:48
movie,
37:49
not
37:49
even
37:49
Val
37:49
Kilmer's
37:50
career
37:50
Best
37:51
Performance.
37:52
He
37:52
had
37:52
to
37:52
make
37:52
do
37:53
with
37:53
an
37:53
MTV
37:53
Award
37:54
nomination
37:54
for
37:54
Best
37:55
Male
37:55
Performance
37:56
and
37:56
Most
37:56
Desirable
37:57
Male.
37:58
Never
37:58
has
37:58
consumption
37:59
looked
38:00
so
38:00
sexy.
38:01
Kevin
38:02
Jarre's
38:02
original
38:02
Tombstone
38:03
script
38:04
is
38:04
almost
38:04
as
38:05
mythologized
38:06
as
38:07
the
38:07
original
38:07
events
38:08
themselves.
38:08
You'll
38:09
hear
38:09
many
38:09
historians
38:10
and
38:10
experts
38:11
stating
38:11
it
38:12
was
38:12
Shakespearean,
38:13
the
38:13
most
38:13
historically
38:14
accurate
38:15
telling
38:15
of
38:15
the
38:15
Tombstone
38:16
tale
38:16
and
38:17
a
38:17
lost
38:17
masterpiece,
38:18
and
38:18
maybe
38:19
we
38:19
will
38:19
see
38:19
that
38:19
version
38:20
someday.
38:21
But
38:21
the
38:21
truth
38:21
of
38:22
Jarre's
38:22
original
38:22
script
38:23
is
38:23
simply
38:23
that
38:24
in
38:24
its
38:24
existing
38:25
form
38:25
it
38:26
was
38:26
unfilmable.
38:27
Certainly
38:28
how
38:28
Jar
38:28
chose
38:29
to
38:29
direct
38:29
it,
38:30
removing
38:31
him
38:31
from
38:31
Tombstone
38:32
was
38:32
the
38:32
only
38:32
way
38:33
they
38:33
were
38:33
going
38:33
to
38:33
save
38:34
Tombstone.
38:35
And
38:35
they
38:35
did
38:35
indeed
38:36
save
38:36
Tombstone.
38:38
Tombstone
38:39
aims
38:39
to
38:39
portray
38:39
Wyatt
38:40
Earp
38:40
and
38:40
his
38:40
family
38:41
as
38:41
the
38:41
heroes
38:42
and
38:42
the
38:42
cowboys
38:43
as
38:43
the
38:43
villains
38:44
in
38:44
a
38:44
clearly
38:45
black
38:45
and
38:45
white
38:46
portrayal.
38:46
The
38:47
reality
38:47
is
38:47
that
38:48
Wyatt
38:48
Earp
38:49
was
38:49
not
38:49
a
38:49
pure
38:50
hearted
38:50
soul
38:51
out
38:51
to
38:51
do
38:51
the
38:51
right
38:52
thing.
38:52
Wyatt
38:53
Earp
38:53
was
38:54
not
38:54
a
38:54
great
38:54
person.
38:55
His
38:55
reputation
38:56
in
38:56
history
38:57
is
38:57
based
38:57
on
38:57
his
38:58
own
38:58
self
38:58
promotion
38:59
in
38:59
early
38:59
20th
39:00
century
39:00
Hollywood,
39:01
not
39:01
from
39:01
him
39:01
actually
39:02
being
39:02
a
39:02
good
39:03
human.
39:04
But
39:04
that
39:04
doesn't
39:04
make
39:05
for
39:05
an
39:05
interesting
39:05
Hollywood
39:06
story
39:06
of
39:06
good
39:07
versus
39:07
evil.
39:08
Maybe
39:08
Billy
39:09
Breakenridge's
39:10
book
39:10
actually
39:10
had
39:11
some
39:11
truth
39:11
to
39:11
it,
39:12
but
39:12
Hollywood
39:13
Westerns
39:13
have
39:13
always
39:13
romanticized
39:14
the
39:15
Old
39:15
west
39:15
and
39:16
the
39:16
Gunfight
39:16
at
39:16
the
39:16
OK
39:17
Corral
39:17
is
39:17
legendary
39:18
for
39:18
good
39:18
reason.
39:20
As
39:20
I
39:20
mentioned,
39:20
this
39:21
is
39:21
the
39:21
first
39:21
Western
39:21
I've
39:22
ever
39:22
done
39:22
on
39:22
this
39:22
podcast
39:23
and
39:23
only
39:23
the
39:23
second
39:24
Western
39:24
I've
39:24
ever
39:25
seen
39:25
after
39:26
the
39:26
Magnificent
39:26
Seven,
39:27
which
39:27
I
39:27
also
39:28
really
39:28
enjoyed.
39:29
I'm
39:29
not
39:29
really
39:30
a
39:30
fan
39:30
of
39:30
westerns,
39:30
but
39:31
so
39:31
far
39:31
it's
39:31
two
39:32
for
39:32
two
39:32
on
39:33
the
39:33
genre
39:33
for
39:33
me,
39:34
and
39:34
I
39:34
do
39:34
think
39:35
it's
39:35
important
39:35
for
39:36
a
39:36
podcast
39:36
to
39:36
mix
39:37
up
39:37
the
39:37
genres
39:37
sometimes.
39:39
I've
39:39
never
39:39
seen
39:40
Costner
39:40
and
39:40
Kasdan's
39:41
Wyatt
39:41
Earp
39:42
and
39:42
to
39:42
be
39:42
honest
39:42
I
39:43
probably
39:43
won't.
39:44
But
39:44
it's
39:44
safe
39:44
to
39:45
say
39:45
that
39:45
while
39:45
Costner's
39:46
movie
39:46
is
39:47
a
39:47
three
39:47
hour
39:47
epic
39:48
that
39:48
focuses
39:49
strictly
39:49
on
39:49
Wyatt
39:50
Earp
39:50
himself,
39:51
it
39:51
just
39:51
didn't
39:52
have
39:52
the
39:52
stamina
39:53
or
39:53
charisma
39:53
of
39:53
Tombstone.
39:54
It
39:55
was
39:55
a
39:55
box
39:55
office
39:55
failure
39:56
and
39:56
was
39:56
compared
39:57
unfavorably
39:58
to
39:58
Tombstone
39:58
by
39:59
critics.
39:59
It's
40:00
a
40:00
real
40:00
shame
40:00
because
40:00
it
40:01
has
40:01
a
40:01
stellar
40:01
cast
40:02
as
40:02
well,
40:02
including
40:03
Dennis
40:03
Quaid,
40:04
Gene
40:04
Hackman,
40:05
Michael
40:05
Madsen,
40:06
Catherine
40:06
o'
40:06
Hara,
40:07
Bill
40:07
Pullman
40:08
and
40:08
Isabella
40:08
Rossellini
40:09
it
40:10
would
40:10
also
40:10
get
40:10
an
40:10
Oscar
40:11
nomination
40:11
for
40:11
best
40:12
cinematography.
40:14
But
40:14
despite
40:14
all
40:15
of
40:15
the
40:15
issues
40:15
surrounding
40:16
Kevin
40:16
Jarre
40:17
and
40:17
his
40:17
original
40:17
vision,
40:18
we
40:18
shouldn't
40:19
take
40:19
from
40:19
what's
40:20
actually
40:20
here
40:20
on
40:20
screen
40:21
a
40:22
really
40:22
great
40:22
Western
40:24
tombstone.
40:24
Given
40:25
its
40:25
onset,
40:25
issues
40:26
shouldn't
40:26
be
40:26
cohesive.
40:27
It
40:28
shouldn't
40:28
work.
40:29
The
40:29
fact
40:29
it
40:29
succeeded
40:30
not
40:31
only
40:31
in
40:31
the
40:31
early
40:31
90s,
40:32
but
40:32
still
40:33
resonates
40:33
30
40:34
years
40:34
later
40:35
and
40:35
is
40:35
still
40:35
winning
40:36
over
40:36
new
40:36
audiences,
40:37
myself
40:37
included,
40:38
is
40:38
a
40:39
remarkable
40:39
testament
40:40
to
40:40
the
40:40
strength
40:40
of
40:41
of
40:41
Kevin
40:41
Jarre's
40:42
initial
40:42
vision,
40:42
the
40:43
strong
40:43
cast
40:43
he
40:44
pulled
40:44
together
40:44
and
40:45
the
40:45
desire
40:45
of
40:46
everyone
40:46
involved
40:47
to
40:47
get
40:47
this
40:47
movie
40:48
made.
40:48
Even
40:49
after
40:49
Kevin
40:49
Jarre
40:50
was
40:50
removed
40:50
from
40:50
the
40:51
movie.
40:51
While
40:52
the
40:52
western
40:52
resurgence
40:53
of
40:53
the
40:53
early
40:53
90s
40:54
eventually
40:54
faded
40:55
away,
40:55
Tombstone
40:56
has
40:56
not
40:57
only
40:57
survived,
40:58
but
40:58
thrived.
40:59
And
41:00
I
41:00
think
41:00
it's
41:00
worth
41:00
pointing
41:01
out
41:01
we
41:01
need
41:01
to
41:01
give
41:02
the
41:02
late
41:02
Kevin
41:02
Jarre
41:03
his
41:03
dues.
41:04
Many,
41:04
many
41:05
articles
41:05
slate
41:06
him
41:06
for
41:06
his
41:07
inexperience
41:08
and
41:08
scapegoat
41:09
him
41:09
for
41:09
being
41:09
the
41:09
sole
41:10
source
41:10
of
41:10
the
41:10
movie's
41:11
problems.
41:12
Really,
41:12
the
41:12
producers
41:13
should
41:13
have
41:13
realized
41:14
much,
41:14
much
41:15
sooner
41:15
that
41:15
he
41:16
didn't
41:16
have
41:16
the
41:16
experience
41:17
to
41:17
turn
41:17
around
41:18
a
41:18
big
41:18
Western
41:19
in
41:19
just
41:19
a
41:19
few
41:19
months.
41:20
We
41:20
have
41:21
to
41:21
properly
41:21
recognize
41:22
Kevin
41:22
Jarre's
41:23
accomplishments.
41:24
Like
41:24
Cutthroat
41:25
island
41:25
last
41:26
week,
41:26
Kevin
41:27
Jarre
41:27
was
41:27
set
41:28
up
41:28
to
41:28
fail,
41:29
but
41:29
he
41:29
was
41:29
also
41:30
ultimately
41:30
responsible
41:31
for
41:31
the
41:31
authenticity
41:32
on
41:32
screen
41:33
and
41:33
for
41:33
assembling
41:34
a
41:34
truly
41:34
terrific
41:35
cast
41:35
that
41:36
have
41:36
become
41:36
synonymous
41:37
with
41:37
these
41:37
real
41:38
life
41:38
characters.
41:39
Kurt
41:40
Russell
41:40
simply
41:40
is
41:41
Wyatt
41:41
Earp.
41:42
Val
41:42
Kilmer
41:43
is
41:43
Doc
41:43
Holliday.
41:45
It's
41:45
also
41:45
worth
41:46
adding
41:46
that
41:46
Wyatt's
41:47
farewell
41:47
to
41:47
Doc
41:47
in
41:48
the
41:48
sanatorium
41:48
at
41:49
the
41:49
end
41:49
absolutely
41:50
never
41:50
happened.
41:51
Wyatt
41:52
and
41:52
Doc
41:52
last
41:52
met
41:53
in
41:53
Denver,
41:53
Colorado
41:54
in
41:54
the
41:54
winter
41:55
of
41:55
1886.
41:56
Doc
41:56
would
41:57
move
41:57
into
41:57
the
41:57
Hotel
41:58
Glenwood
41:58
in
41:58
Glenwood
41:59
springs,
41:59
California
42:00
in
42:00
September
42:00
1887
42:02
and
42:02
succumbed
42:03
to
42:03
tuberculosis
42:04
in
42:04
November
42:05
1887.
42:06
And
42:06
honestly,
42:07
tuberculosis
42:08
was
42:08
really
42:08
contagious.
42:09
So
42:09
not
42:09
only
42:10
is
42:10
it
42:10
a
42:10
miracle
42:11
that
42:11
Wyatt
42:11
Earp
42:12
was
42:12
never
42:12
struck
42:12
by
42:13
any
42:13
bullet,
42:14
it's
42:14
also
42:14
miraculous
42:15
that
42:15
none
42:15
of
42:16
the
42:16
Earp
42:16
brothers
42:17
caught
42:17
tuberculosis.
42:19
Luckily,
42:19
with
42:20
the
42:20
advent
42:20
of
42:20
antibiotics,
42:21
TB
42:22
is
42:22
a
42:22
rare
42:22
bacterial
42:23
disease
42:23
nowadays
42:24
in
42:24
most
42:24
of
42:24
the
42:25
developed
42:25
world.
42:26
But
42:26
back
42:26
then
42:27
it
42:27
would
42:27
have
42:27
been
42:28
so
42:28
seriously,
42:29
seriously
42:29
infectious.
42:31
This
42:31
movie
42:32
succeeds
42:32
where
42:32
it
42:32
shouldn't,
42:33
but
42:33
also
42:33
where
42:34
it
42:34
should.
42:34
And
42:35
that's
42:35
on
42:35
Kurt
42:35
Russell
42:36
and
42:36
Val
42:36
Kilmer.
42:37
In
42:37
Kilmer's
42:38
autobiography,
42:39
he
42:39
said,
42:39
quote,
42:40
one
42:40
way
42:40
or
42:41
another,
42:41
Americans
42:42
have
42:42
to
42:42
deal
42:42
with
42:42
the
42:43
west
42:43
and
42:43
its
42:43
glorious,
42:44
sordid,
42:45
sadistic
42:46
past.
42:46
We
42:47
fought
42:47
lawlessness
42:48
to
42:48
create
42:48
an
42:48
even
42:49
more
42:49
lawless
42:49
law.
42:50
One
42:50
that
42:51
excused
42:51
and
42:51
perpetuated
42:52
genocide.
42:54
Even
42:54
today,
42:54
this
42:55
gun
42:55
obsessed
42:55
nation
42:56
that
42:56
we
42:56
love
42:57
remains
42:57
mired
42:58
in
42:58
a
42:58
dilemma
42:58
centered
42:59
on
42:59
pistols
43:00
and
43:00
rifles
43:01
with
43:01
romantic
43:02
toys
43:02
to
43:02
our
43:02
murderous
43:03
past.
43:04
We
43:04
love
43:04
Westerns.
43:05
We
43:05
learn
43:05
everything
43:06
from
43:06
Westerns
43:07
and
43:07
yet
43:07
learn
43:08
nothing
43:08
from
43:08
them.
43:09
We
43:09
continue
43:10
killing
43:10
ourselves
43:11
in
43:11
an
43:11
unconscionable
43:12
way.
43:13
That's
43:13
why
43:14
when
43:14
I
43:14
had
43:14
the
43:14
chance
43:15
to
43:15
play
43:15
Doc
43:15
Holliday,
43:16
I
43:16
grabbed
43:17
it.
43:19
Kilmer
43:19
mentioned
43:20
on
43:20
his
43:20
blog
43:20
how
43:21
much
43:21
he
43:21
loved
43:21
the
43:22
experience
43:22
of
43:22
working
43:23
on
43:23
Tombstone
43:24
and
43:24
working
43:24
with
43:24
Kurt
43:25
Russell.
43:25
He
43:26
also
43:26
championed
43:27
Russell
43:27
constantly
43:28
as
43:28
the
43:28
sole
43:29
reason
43:29
Tombstone
43:30
was
43:30
successful.
43:31
The
43:31
pair
43:31
would
43:32
live
43:32
together
43:32
for
43:32
a
43:32
brief
43:33
period,
43:33
with
43:34
Kilmer
43:34
moving
43:34
in
43:34
with
43:35
Russell
43:35
and
43:35
sleeping
43:36
on
43:36
his
43:36
sofa
43:36
while
43:37
Goldie
43:37
Hawn
43:37
was
43:38
out
43:38
of
43:38
town,
43:38
just
43:39
so
43:39
they
43:39
could
43:39
work
43:39
on
43:40
the
43:40
script
43:40
or
43:40
schedule
43:41
for
43:41
the
43:41
next
43:41
day.
43:42
This
43:42
has
43:42
undoubtedly
43:43
Russell's
43:44
movie
43:44
in
43:44
so
43:44
many
43:45
ways,
43:45
but
43:46
also
43:46
undoubtedly
43:47
Kilmer's.
43:48
It's
43:48
the
43:48
movie
43:48
that
43:49
got
43:49
him
43:49
the
43:49
underrated
43:50
gig
43:50
as
43:50
Batman
43:51
in
43:51
Batman
43:51
Forever.
43:52
When
43:52
he
43:53
passed
43:53
last
43:53
year,
43:54
everyone
43:54
was
43:54
talking
43:55
about
43:55
Tombstone,
43:56
and
43:56
now
43:57
I
43:57
know
43:57
why.
43:58
While
43:59
Kurt
43:59
Russell
43:59
is
43:59
the
44:00
man
44:00
with
44:00
the
44:00
power
44:00
to
44:01
create
44:01
a
44:01
director's
44:02
cut
44:02
of
44:02
Tombstone,
44:03
I
44:03
don't
44:03
think
44:03
we
44:04
need
44:04
it.
44:04
Tombstone's
44:05
legacy
44:06
is
44:06
as
44:06
set
44:06
as
44:06
Wyatt
44:07
Earps
44:07
himself.
44:08
Controlled,
44:09
managed,
44:10
somewhat
44:10
staged,
44:11
but
44:11
with
44:12
a
44:12
reputation
44:12
to
44:13
match
44:13
its
44:13
badassery.
44:14
Tombstone
44:15
is
44:15
the
44:16
classic
44:16
modern
44:16
Western,
44:17
and
44:18
that's
44:18
a
44:18
pretty
44:19
good
44:19
epitaph.
44:21
Thank
44:21
you
44:21
for
44:21
listening.
44:21
As
44:22
always,
44:22
I
44:22
would
44:22
love
44:22
to
44:23
hear
44:23
your
44:23
thoughts
44:23
on
44:23
Tombstone.
44:24
And
44:25
as
44:25
always,
44:25
thank
44:25
you
44:25
for
44:26
your
44:26
continued
44:26
support
44:27
of
44:27
this
44:27
podcast.
44:28
If
44:28
you
44:28
want
44:29
to
44:29
get
44:29
involved
44:29
and
44:29
help
44:29
this
44:30
podcast
44:30
grow,
44:30
that
44:30
would
44:31
be
44:31
amazing
44:31
and
44:32
I
44:32
would
44:32
be
44:32
so
44:33
very
44:33
grateful.
44:34
You
44:34
could
44:35
leave
44:35
a
44:35
rating
44:35
or
44:36
review
44:36
wherever
44:36
you
44:36
found
44:37
this
44:37
podcast.
44:38
You
44:38
can
44:38
find
44:38
me
44:39
and
44:39
follow
44:39
me.
44:39
I'm
44:40
verbaldiorama
44:41
across
44:41
social
44:42
media.
44:42
Come
44:43
and
44:43
talk
44:43
to
44:43
me
44:43
about
44:43
Tombstone
44:44
or
44:44
any
44:45
episode
44:45
that
44:45
I've
44:46
ever
44:46
put
44:46
out.
44:46
I
44:47
am
44:47
more
44:47
than
44:47
happy
44:48
to
44:48
talk
44:48
about
44:48
previous
44:48
episodes
44:49
of
44:49
this
44:49
podcast.
44:51
You
44:51
can
44:51
also
44:52
like
44:52
posts,
44:53
comment
44:53
on
44:53
posts,
44:54
share
44:54
posts.
44:55
It
44:55
all
44:55
helps
44:55
across
44:56
social
44:56
media
44:57
to
44:57
get
44:57
the
44:57
visibility
44:58
of
44:58
this
44:58
podcast
44:59
out
44:59
there.
44:59
Or
45:00
you
45:00
can
45:00
simply
45:00
just
45:00
tell
45:01
your
45:01
friends
45:01
and
45:01
family
45:01
about
45:02
this
45:02
podcast
45:02
and
45:03
about
45:03
this
45:03
episode.
45:05
So
45:05
the
45:05
next
45:06
episode
45:06
of
45:06
this
45:06
podcast
45:07
is
45:07
actually
45:08
another
45:08
movie
45:09
that
45:09
has
45:09
been
45:09
a
45:10
long
45:10
time
45:10
coming
45:10
for
45:11
this
45:11
podcast.
45:12
This
45:12
month.
45:12
I
45:13
kind
45:13
of
45:13
dubbed
45:14
it
45:14
It's
45:14
About
45:15
Time
45:15
Month,
45:16
because
45:16
these
45:17
are
45:17
movies
45:17
that
45:17
I've
45:18
wanted
45:18
to
45:18
feature
45:18
on
45:18
the
45:19
podcast
45:19
for
45:19
a
45:19
while.
45:19
They
45:20
may
45:20
have
45:20
been
45:20
put
45:20
into
45:21
the
45:21
schedule
45:21
kind
45:22
of
45:22
temporarily.
45:22
They
45:23
may
45:23
have
45:23
been
45:23
moved
45:23
out
45:24
and
45:24
replaced
45:25
by
45:25
something
45:25
else.
45:26
And
45:26
the
45:27
Next
45:27
Movie
45:27
is
45:27
a
45:28
prime
45:28
example
45:29
of
45:29
a
45:29
movie
45:30
that's
45:30
been
45:30
put
45:30
on
45:30
the
45:31
schedule
45:32
so
45:32
many
45:32
times
45:32
and
45:33
then
45:33
removed
45:33
in
45:34
favor
45:34
of
45:34
something
45:34
else.
45:35
And
45:35
I
45:36
thought
45:36
to
45:36
myself,
45:37
do
45:37
you
45:37
know
45:37
what?
45:37
I
45:38
actually
45:38
really
45:38
enjoy
45:39
this
45:39
movie.
45:39
It's
45:40
got
45:40
so
45:41
many
45:41
plot
45:41
holes,
45:42
it's
45:42
kind
45:42
of
45:43
frustrating
45:43
to
45:43
watch
45:44
in
45:44
a
45:44
way.
45:45
However,
45:45
the
45:45
two
45:46
leads
45:46
of
45:46
this
45:46
movie
45:47
are
45:48
so
45:48
charismatic
45:49
and
45:49
the
45:49
chemistry
45:50
is
45:50
so
45:50
great
45:51
that
45:52
that
45:52
chemistry
45:53
would
45:53
spill
45:53
out
45:53
into
45:54
real
45:54
life
45:54
and
45:55
these
45:55
two
45:56
people
45:56
would
45:56
end
45:56
up
45:56
becoming
45:58
one
45:58
of
45:58
the
45:58
biggest
45:58
celebrity
45:59
couples
46:00
of
46:00
the
46:00
2000s.
46:02
And
46:03
of
46:03
course,
46:03
the
46:03
movie
46:03
that
46:04
I'm
46:04
talking
46:04
about
46:04
is
46:05
Mr.
46:05
And
46:05
Mrs.
46:06
Smith.
46:06
The
46:07
two
46:07
people
46:07
are
46:07
Brad
46:08
Pitt
46:08
and
46:08
Angelina
46:09
Jolie.
46:10
And
46:10
it
46:10
has
46:10
been
46:11
a
46:11
long
46:11
time
46:11
coming
46:11
to
46:11
this
46:12
podcast.
46:12
So
46:13
please
46:13
join
46:13
me
46:13
next
46:14
week
46:14
for
46:14
the
46:14
history
46:15
and
46:15
legacy
46:16
of
46:16
Mr.
46:17
And
46:17
Mrs.
46:17
Smith.
46:18
Now,
46:18
if
46:19
you
46:19
enjoy
46:19
what
46:19
I
46:19
do
46:19
for
46:20
this
46:20
podcast
46:20
and
46:21
you
46:21
simply
46:21
want
46:21
to
46:22
support
46:22
an
46:22
indie
46:23
podcaster
46:23
who
46:23
does
46:23
everything
46:24
herself,
46:25
if
46:25
you
46:25
have
46:26
some
46:26
spare
46:26
change,
46:27
you
46:27
can
46:27
financially
46:28
contribute
46:28
to
46:28
the
46:28
upkeep
46:29
of
46:29
this
46:29
podcast.
46:30
Now,
46:30
you're
46:30
under
46:31
no
46:31
obligation
46:31
because
46:32
this
46:32
podcast
46:32
is
46:32
free
46:33
and
46:33
it
46:33
always
46:34
will
46:34
be
46:34
free.
46:35
However,
46:35
if
46:35
you
46:35
do
46:36
get
46:36
value
46:36
out
46:36
of
46:36
what
46:37
I
46:37
do,
46:37
there
46:38
are
46:38
a
46:38
couple
46:38
of
46:38
ways
46:38
you
46:38
can
46:39
help.
46:39
You
46:40
can
46:40
make
46:40
a
46:40
one
46:40
off
46:40
donation@verbaldiorama.com
46:42
tips
46:43
or
46:43
you
46:44
can
46:44
go
46:44
to
46:44
the
46:44
Patreon
46:45
and
46:45
you
46:45
can
46:46
subscribe@verbaldiorama.com
46:48
Patreon
46:49
and
46:50
all
46:50
money
46:50
made
46:51
goes
46:51
back
46:51
into
46:52
this
46:52
podcast
46:52
by
46:53
paying
46:53
for
46:53
subscriptions,
46:55
hosting
46:55
and
46:55
new
46:56
equipment.
46:57
Huge
46:57
thank
46:57
you
46:58
to
46:58
the
46:58
amazing
46:58
patrons
46:59
of
46:59
this
46:59
podcast.
47:00
They
47:00
are
47:01
Simon,
47:02
Laurel,
47:02
Derek,
47:03
Kat,
47:03
Andy,
47:04
Mike,
47:04
Luke,
47:05
Michael,
47:05
Scott,
47:06
Brendan,
47:07
Ian,
47:07
Lisa,
47:08
Sam,
47:08
Jack,
47:09
Dave,
47:09
Stuart,
47:09
Nicholas,
47:10
so
47:11
Kev,
47:11
Heather,
47:12
Danny,
47:12
Stu,
47:13
Brett,
47:13
Philip,
47:14
M.
47:14
Xenos,
47:14
Sean,
47:15
Rhino,
47:16
Philip
47:16
K,
47:16
Adam,
47:17
Elaine,
47:17
Kyle,
47:18
and
47:18
Aaron.
47:19
If
47:20
you
47:20
want
47:20
to
47:20
get
47:20
in
47:20
touch,
47:20
you
47:21
can
47:21
email
47:21
verbal
47:22
dioramail.com
47:24
you
47:24
can
47:24
also
47:24
go
47:24
to
47:24
verbaldiorama.com
47:26
and
47:26
you
47:26
can
47:26
fill
47:26
out
47:26
the
47:27
little
47:27
contact
47:27
form
47:28
and
47:28
you
47:28
can
47:28
basically
47:29
say
47:29
hello.
47:29
You
47:29
can
47:30
give
47:30
me
47:30
feedback
47:30
or
47:31
suggestions.
47:32
And
47:32
like
47:32
I
47:32
say,
47:33
please
47:33
feel
47:33
free
47:33
to
47:33
get
47:33
in
47:34
touch
47:34
and
47:34
talk
47:34
about
47:34
this
47:35
movie
47:36
or
47:36
literally
47:36
any
47:37
other
47:37
movie
47:37
that
47:37
I've
47:37
ever
47:38
featured.
47:38
I'm
47:38
definitely
47:39
going
47:39
to
47:39
have
47:40
something
47:40
to
47:40
say
47:41
about
47:41
every
47:41
movie
47:42
that
47:42
I've
47:42
ever
47:42
featured
47:42
on
47:43
this
47:43
podcast.
47:43
And
47:43
like
47:43
I
47:44
say,
47:44
there's
47:44
over
47:44
300
47:45
of
47:45
them,
47:46
so
47:46
plenty
47:46
of
47:47
opportunities
47:47
to
47:47
talk.
47:48
And
47:49
finally.
50:28
Bye.