Latest / Artists on Artists on Artists on Artists / Agents on Agents on Agents on Agents 2: More Agents
Transcript
- 0:06Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
- 0:08Speaker 2: This week on the show, they're wheelers, they're dealers, they're
- 0:11Speaker 2: commissioned stealers.
- 0:13Speaker 3: This week we're talking to agents. Hollywood has always run
- 0:18Speaker 3: been run by two things, actors and agents. And today
- 0:23Speaker 3: we dive into the ladder.
- 0:25Speaker 4: Do you want your ten percent?
- 0:28Speaker 5: So do we Let's take a gander through four of
- 0:32Speaker 5: Hollywood's top agents.
- 0:34Speaker 6: Now jump in the water and meet these sharks.
- 0:40Speaker 4: Never sorry, Just haven't put out a fire real quick.
- 0:43Speaker 3: Yeah, no, I'm putting outfires.
- 0:46Speaker 4: His name is Goopy.
- 0:51Speaker 5: He's a Golden Terrier mix. I need you to take
- 0:55Speaker 5: him back.
- 0:57Speaker 4: No Goopy? Okay, Okay, thanks Jenna.
- 1:02Speaker 1: So sorry, Michelle, Sorry guys, Chelle, Rachelle. Don't don't do
- 1:11Speaker 1: that one anymore. All right, ready to go?
- 1:15Speaker 3: Okay, Hi guys, Hey, sorry about that. I'm so sorry
- 1:21Speaker 3: about that. So great to see you, guys. I'm so
- 1:23Speaker 3: sorry about that. I'm so sorry about that. It's so
- 1:25Speaker 3: good to see you, guys. I can't believe.
- 1:27Speaker 1: I can't believe we're in a studio, not a Daily Grill.
- 1:31Speaker 6: I love their monkey bread.
- 1:32Speaker 1: I love the monkey bread of Daily Grill.
- 1:36Speaker 3: We talked about cafe. Am I right, spots? Oh, yes,
- 1:41Speaker 3: tell you spots.
- 1:42Speaker 5: I gotta take you guys to the Samacente Bungalows.
- 1:48Speaker 4: The chef is so mean, so mean, you're gonna love it.
- 1:51Speaker 3: I love a mean chef. It means they care.
- 1:53Speaker 6: You know what they care. It means it means they
- 1:54Speaker 6: know what they're doing, and it means they were really
- 1:57Speaker 6: hurt in culinary school, which means they were taught.
- 1:59Speaker 3: Well. Yes, I'm like, I don't want this hoity toy chef. Yes, no, chef,
- 2:05Speaker 3: I want yes, exactly.
- 2:06Speaker 4: No chef.
- 2:07Speaker 6: Oh, let's go round, Let's go around, go round.
- 2:09Speaker 3: Oh my gosh, we would love to, We would love to. Yeah.
- 2:12Speaker 5: Well, I'm so excited to be here, so good to
- 2:16Speaker 5: talk to you guys.
- 2:17Speaker 4: I'm Candy mick Fly. No, I'm not. No, I'm not.
- 2:24Speaker 4: That's a little joke I like to do.
- 2:26Speaker 1: It's your dancing name.
- 2:28Speaker 3: I'm joking. I'm joking. We're joking over here.
- 2:31Speaker 4: I leave the joking to my clients. Hi, I'm Marissa
- 2:33Speaker 4: McFly and I.
- 2:35Speaker 6: Oh wait, Candy, I'm sorry. I call you Candy because
- 2:37Speaker 6: that's the name you put down when you get a
- 2:39Speaker 6: reservation at restaurants, right, because those actors.
- 2:42Speaker 4: That's my alibi name. I don't want.
- 2:44Speaker 5: I don't want any attention because you know, you know, anybody.
- 2:48Speaker 5: I mean, we could talk about this later, but anybody
- 2:51Speaker 5: can look my name up, find my email and then I'm.
- 2:53Speaker 4: Fucked for days.
- 2:55Speaker 6: And those hostesses, they are new to LA and they
- 2:58Speaker 6: want to meet people.
- 3:00Speaker 5: You better believe those posters are actors. They're not anything else.
- 3:04Speaker 4: They really go for it.
- 3:05Speaker 1: You can smell it on them.
- 3:06Speaker 2: When I'm calling the chateau and I'm making a reservation,
- 3:08Speaker 2: I'm like, are you asking for my name? Or are
- 3:11Speaker 2: you giving me what you would do to book a
- 3:14Speaker 2: co star?
- 3:14Speaker 6: You could tell they asked me inside or outside? And
- 3:18Speaker 6: I can tell what they mean by that is do
- 3:20Speaker 6: you have room in your client list? And I say outside,
- 3:23Speaker 6: bitchy exactly exactly.
- 3:26Speaker 5: So I am a theatrical rep in CIA's Big and
- 3:30Speaker 5: Tall division. Wow, you know I only I represent like
- 3:35Speaker 5: big tall men. Yeah, we're really breaking in at this point.
- 3:40Speaker 3: And so is there a cutoff height or is there
- 3:42Speaker 3: a height that where you start?
- 3:44Speaker 6: Yeah?
- 3:44Speaker 4: So I typically start at six five.
- 3:48Speaker 5: I don't like to go much lower, of course, like
- 3:50Speaker 5: if the talent is there. If the talent is there,
- 3:52Speaker 5: and you are big enough to make up for the
- 3:54Speaker 5: lack of tall, then I will you know, I mean,
- 3:58Speaker 5: I'll meet anybody. I'll take a meeting with fucking anybody.
- 4:00Speaker 5: I'll take a meeting with Quasimoto. I'll take a meeting
- 4:02Speaker 5: with a dog.
- 4:03Speaker 4: I'll take a meeting with anybody.
- 4:04Speaker 6: Yeah, they're saggy, come on, sign me up, sit down,
- 4:07Speaker 6: send me up, Sit down up, sit down.
- 4:10Speaker 3: And a dog very small usually, you know, notoriously small things.
- 4:14Speaker 4: Really exactly, but talent, talent out the wazoo. So you
- 4:17Speaker 4: know again, I've.
- 4:18Speaker 5: Said it before, I'll say it again. I'll take a
- 4:19Speaker 5: meeting with anybody. Yeah, I'll take one more time. I'll
- 4:22Speaker 5: take a meeting with anybody.
- 4:25Speaker 6: So good, so good to hear, so good to see
- 4:27Speaker 6: a candy. But I should call you by your real name.
- 4:29Speaker 4: Hey, hey, hey, whatever, whatever, whatever works for you. My
- 4:33Speaker 4: name is Marissa love that.
- 4:35Speaker 6: What's up, motherfuckers, it's me sorry, I'm a real ball buster.
- 4:41Speaker 6: I was raised in America. I was a real ball buster.
- 4:47Speaker 3: What's your name? What up?
- 4:49Speaker 6: Motherfuckers? I'm Jesse.
- 4:52Speaker 4: I did you just do like a Mark Maren?
- 4:54Speaker 3: And so what's your name? And what do you do? Yeah,
- 5:00Speaker 3: what's going on? Jesse?
- 5:01Speaker 6: What's up? Motherfuckers? I'm Jesse. I some may know me
- 5:06Speaker 6: as the rep of hot women. I rep blonde girls,
- 5:10Speaker 6: and we get them out there, We booked them and
- 5:12Speaker 6: we get them going.
- 5:14Speaker 3: Yeah.
- 5:15Speaker 6: I've been in the business, uh for about three months? Okay,
- 5:21Speaker 6: I rep Sidney Sweeney IP.
- 5:25Speaker 4: Amazing.
- 5:26Speaker 6: No, I mean I literally hit my head and suddenly
- 5:29Speaker 6: I'm the biggest grossing agent in my office. Thank you
- 5:32Speaker 6: very much. What's up, motherfuckers. It's good to be here.
- 5:34Speaker 3: And I just want to clarify. Usually when people say
- 5:37Speaker 3: literally hit their head, they don't mean literally. But did you,
- 5:39Speaker 3: like in this case, did you literally hit your head?
- 5:41Speaker 6: So obviously you read that article.
- 5:42Speaker 3: Yes, yeah I did. I wanted to get into it.
- 5:44Speaker 1: Yeah you mean the report in that medical journal?
- 5:49Speaker 4: Yeah, deadline.
- 5:51Speaker 6: So flat Line wrote it line the.
- 5:54Speaker 1: Medical deadline, as everyone.
- 5:56Speaker 4: I love it when a client gets into flat Line.
- 5:59Speaker 3: One of my favorite Flatline article just dropped. The thing
- 6:01Speaker 3: with Flatline is it's either the best news or the worst.
- 6:04Speaker 6: And I say the same thing for Deadline. Yeah, yes,
- 6:08Speaker 6: there's a series or canceled, and I think Flatline is
- 6:11Speaker 6: the same way dead her life. So my Flatline article
- 6:15Speaker 6: was about me fresh out of and why you hit
- 6:19Speaker 6: my head and was like, I want to be in
- 6:22Speaker 6: the movie business. And they were like, she's concussed, and
- 6:25Speaker 6: I was like, I want to be an agent. They
- 6:26Speaker 6: were like, she's not well, she's not eating, and I
- 6:28Speaker 6: was like, I want to be an agent. And little
- 6:30Speaker 6: did we know I'm here now.
- 6:32Speaker 1: It's crazy. I read in one day.
- 6:34Speaker 2: I saw that article, the article about you, and then
- 6:36Speaker 2: that one article about the gaffer with the cyclops eye.
- 6:38Speaker 6: Yes, that was on flatline.
- 6:40Speaker 1: Yeah, that was on flatline too, and that was really fascinating.
- 6:43Speaker 3: Great, what an interesting study.
- 6:44Speaker 6: Well then I saw an article this is a tangent.
- 6:47Speaker 6: Sorry my brain, I'm sorry. I have eighty HD.
- 6:51Speaker 1: Yeah, I've never heard of it.
- 6:52Speaker 7: Yea.
- 6:54Speaker 6: I feel like we all. I feel like it's like
- 6:56Speaker 6: a thing that like, if you're an agent, tell me
- 6:58Speaker 6: if you do. You know what I mean? Like, I
- 6:59Speaker 6: just like boom boom. Anyway, the culinary deadline flatbread.
- 7:05Speaker 5: Yes, that's where the first Mario batally like the bad stuff.
- 7:11Speaker 6: That's where that's where that came out of flat broken,
- 7:12Speaker 6: flat bread, broken, flatbred deadline.
- 7:15Speaker 3: Mario is first he got bad reviews for his recipes,
- 7:18Speaker 3: and then all the other stuff came out that.
- 7:20Speaker 5: Was Yeah, a lot of women saw that review that
- 7:22Speaker 5: was bad for his recipes, and they went, you know what,
- 7:24Speaker 5: I've had a different bad experience, and.
- 7:26Speaker 6: They went straight to flatbread and they called flatbread, and
- 7:29Speaker 6: then Flatbred got picked up by Deadline and then.
- 7:33Speaker 1: Where are you at, Jesse? By the way, what what
- 7:35Speaker 1: at w M E w W w W women?
- 7:39Speaker 6: It w M A women? Yeah, okay, we call it
- 7:42Speaker 6: lady w M me.
- 7:43Speaker 3: Wow.
- 7:45Speaker 6: Great, Yes, our office is the pink one.
- 7:47Speaker 3: Oh great, yes, well do you want to go? Oh?
- 7:53Speaker 1: Should you go? Should go the same time?
- 7:54Speaker 3: Okay, let's go at the same time?
- 7:55Speaker 1: All right?
- 7:56Speaker 3: Hi? Great. We are the Gurgon brothers. That's right. My
- 8:02Speaker 3: name is Bradley Gergan and I am Bristol Gurgan.
- 8:06Speaker 6: Bradley and Bristol. I cannot believe you're sitting here and
- 8:08Speaker 6: I'm sitting here.
- 8:09Speaker 2: We are the twin agents who represent twins. Yes, that's
- 8:12Speaker 2: what we are.
- 8:12Speaker 3: That's what we do, famous twins who only ever take
- 8:16Speaker 3: on a client if there's two of them. That's right.
- 8:18Speaker 1: Two heads are better than one.
- 8:19Speaker 3: We know? Is arc this shit?
- 8:20Speaker 1: That's what we like to say we actually get two
- 8:22Speaker 1: together and we like to have them together.
- 8:25Speaker 3: We love we love thes. We love them.
- 8:27Speaker 1: We don't currently have them, but we love them.
- 8:29Speaker 3: You love you love what they do.
- 8:32Speaker 4: So you have them as a friend.
- 8:33Speaker 3: No, you have them as a friend. Are you guys?
- 8:35Speaker 6: Are you guys friends with a lot of twins and
- 8:37Speaker 6: then also rep twins, like, is there a twin in Hollywood?
- 8:40Speaker 6: You aren't friends with We.
- 8:42Speaker 3: Know every single twin in Hollywood, and if you don't
- 8:44Speaker 3: know us, you're not in Hollywood. Exactly. It's a small community,
- 8:46Speaker 3: the twin community.
- 8:48Speaker 2: It's it's twice as big as most communities.
- 8:50Speaker 3: Because there's two of each set exactly. It's a small community. Regardless.
- 8:53Speaker 2: We all know each other because it's easy to spot
- 8:55Speaker 2: us because there's two of us.
- 8:56Speaker 6: Incredible.
- 8:57Speaker 3: Yeah, yeah, So we usually try to aim for babies, kids,
- 9:02Speaker 3: and sometimes we'll get old men. Body doubles are great,
- 9:05Speaker 3: you know, we always are trying to aim for twins. Incredible,
- 9:09Speaker 3: with anybody.
- 9:10Speaker 1: We'll meet with anybody, anybody, anybody.
- 9:14Speaker 6: I'll take a meeting with anybody.
- 9:15Speaker 3: Yeah, I'll take a meeting. And it helps if you're
- 9:17Speaker 3: a twin though, it really does because we won't sign
- 9:19Speaker 3: you if there's not two of them.
- 9:20Speaker 4: I tell you what.
- 9:21Speaker 5: I tried to have my birthday party at Soho house
- 9:23Speaker 5: and you guys had.
- 9:24Speaker 4: Rented out the entire thing for your little twin meet up.
- 9:27Speaker 3: Guilty Guilty, Guilty Guilty.
- 9:29Speaker 6: Is an AA thing with twins where you sit down weekly.
- 9:33Speaker 2: No well, no, no, you take it. I mean well,
- 9:37Speaker 2: I would like to say. We do get together weekly.
- 9:39Speaker 2: We get together a lot. We talk a lot about
- 9:41Speaker 2: the experience of sharing twin chips. The thing is it's
- 9:45Speaker 2: not AA, and that we're not having to unpack anything,
- 9:48Speaker 2: just basically together, going.
- 9:49Speaker 3: How cool is this? It is at A I was
- 9:53Speaker 3: confused because it is a A and the fact that
- 9:54Speaker 3: we all sit around and one of us talks at
- 9:56Speaker 3: a time, or both twins talk at the same time.
- 9:59Speaker 3: So but other than that.
- 10:00Speaker 6: Really rad.
- 10:01Speaker 3: Yeah, that's it's really rad.
- 10:03Speaker 2: And it's double the commission. Yeah, so that'll make if
- 10:06Speaker 2: you look up from your phones, won't it. That'll make
- 10:07Speaker 2: you look.
- 10:08Speaker 7: Up from your.
- 10:10Speaker 6: Whoould make a gift out of that? Because we were
- 10:13Speaker 6: both looking down, we were looking at our and then
- 10:15Speaker 6: we heard the word commission. We were double commission, and we.
- 10:18Speaker 4: Went yeah, and we went excuse me, and I said,
- 10:21Speaker 4: who are you?
- 10:22Speaker 6: Sit down, Let's die your hair blonde and get you
- 10:24Speaker 6: to lose some weight.
- 10:25Speaker 3: Yes, exactly, exactly.
- 10:26Speaker 4: Wow.
- 10:27Speaker 3: Well we've done that with a lot of twins. We've
- 10:29Speaker 3: done that a lot of twins because we have to.
- 10:31Speaker 3: We I like to think that we try to match
- 10:33Speaker 3: them as close as possible. I don't want to work
- 10:36Speaker 3: with fraternals. That's not our our our Jane.
- 10:39Speaker 2: It's basically not twins. It's basically you come out and.
- 10:42Speaker 3: You're just siblings at that point. Wow.
- 10:45Speaker 4: Yeah, no, I hear that. That's brutal.
- 10:47Speaker 5: I mean, the fraternal twins division at CIA is like
- 10:50Speaker 5: really really intent on not getting identical.
- 10:53Speaker 4: So is there like a huge rivalry within your claus.
- 10:58Speaker 1: You want to go, yeah, you want to go, let's
- 11:00Speaker 1: go the same thing?
- 11:01Speaker 3: Yes, yeah, big wow yeah. And honestly, if you could
- 11:06Speaker 3: not bring up that division again for the rest of this,
- 11:09Speaker 3: that would be actually really it.
- 11:10Speaker 1: Would be great.
- 11:10Speaker 3: It would be actually be really well yeah no, no.
- 11:12Speaker 4: No, no, no, I didn't even mean to it all.
- 11:14Speaker 5: It's just you know, it's something in the ether, and
- 11:16Speaker 5: so I'm just like, no, no, no, but water under
- 11:18Speaker 5: the bridge.
- 11:19Speaker 4: We're done. We're gone.
- 11:20Speaker 3: Yeah, so let's not mention.
- 11:23Speaker 1: So I want to start, Uh, let's start the episode.
- 11:27Speaker 3: I want to start.
- 11:28Speaker 2: Talking about between all of us. I want to start
- 11:32Speaker 2: with talking about what it really means to be an agent,
- 11:35Speaker 2: because a lot of people coming out in the industry,
- 11:37Speaker 2: a lot of people coming out their first few weeks here,
- 11:39Speaker 2: they're saying, I need an agent, I need a manager.
- 11:41Speaker 1: What's the difference. Well, let's tell them the difference right now.
- 11:42Speaker 3: Yes, what is that so important?
- 11:44Speaker 6: Let's break it, dizzy diddy down.
- 11:47Speaker 3: That's really good, good, thank you. I have an agent freak.
- 11:51Speaker 6: And I like to say sometimes you have an agent,
- 11:53Speaker 6: and Sydney will be like, Jesse, we're trying to sign
- 11:56Speaker 6: these contracts, and I go, let's sign the contract with
- 12:01Speaker 6: your spin off.
- 12:03Speaker 3: Well, I will say to Sydney, Sweeteney must be signing
- 12:06Speaker 3: so many contracts. I see her literally every year I
- 12:09Speaker 3: was busy. I was in Milan and I saw a
- 12:11Speaker 3: poster of her for some sort of fashion that they
- 12:14Speaker 3: were doing there, and I could not believe.
- 12:15Speaker 6: No, that was a Milan fashion spread.
- 12:18Speaker 3: Oh that's what that was. That was.
- 12:20Speaker 1: I was in San Diego when I saw a poster
- 12:22Speaker 1: for the San Diego Zoo.
- 12:23Speaker 6: Oh yeah, No, that was San Diego Zoo.
- 12:25Speaker 3: Spread wow, spread. So I actually saw her. I was
- 12:30Speaker 3: at Trader Joe's the other day and I just saw
- 12:31Speaker 3: her walking around. Was that so?
- 12:35Speaker 6: No, that was her own free will when she was walking.
- 12:37Speaker 6: We didn't deal for that.
- 12:38Speaker 4: But I can give your clients free will.
- 12:41Speaker 6: Well, Sydney, we're coaching that her approaching that talk where
- 12:44Speaker 6: you know when you're like, okay, it's been a year.
- 12:47Speaker 5: Yeah, it'stuff when they get too big and then you
- 12:49Speaker 5: have to take away their free will. I had a
- 12:50Speaker 5: tough conversation with Stephen Fry where I said.
- 12:53Speaker 3: He's big, he's super too.
- 13:00Speaker 5: He got so he got so big and tall and
- 13:02Speaker 5: then big and tall in his career.
- 13:04Speaker 3: Yes.
- 13:05Speaker 5: Now we have a saying in our division where you
- 13:08Speaker 5: can be big and tall, but you can't be big
- 13:10Speaker 5: and tall and big and tall and have free will.
- 13:13Speaker 6: So you you, wow, you know you.
- 13:17Speaker 5: Have to a certain point just take you to take
- 13:19Speaker 5: privileges away because they don't know.
- 13:21Speaker 4: What's good for them.
- 13:22Speaker 2: Well, imagine how hard it is for you know, for
- 13:25Speaker 2: us when it comes to free will. There's two people
- 13:28Speaker 2: with free will, yeah, totally, two people's.
- 13:30Speaker 3: Not going to work. It's not going to work for us.
- 13:32Speaker 3: It's gonna work.
- 13:33Speaker 2: Yes, And and then you know because if you lose them,
- 13:36Speaker 2: you lose double the commission.
- 13:37Speaker 3: Yeah, and that's the worst.
- 13:39Speaker 4: You guys have to split the commission.
- 13:42Speaker 3: Back up, pop back up after passion.
- 13:44Speaker 2: By the way, every time we speak, you pull your
- 13:46Speaker 2: funds out, by the way, a gift out of that.
- 13:49Speaker 3: We just did this. We just did this, a gift.
- 13:53Speaker 6: So we were looking down, yeah, and you said double commission,
- 13:56Speaker 6: and we went and we looked up.
- 13:57Speaker 1: Well, I said it because you weren't paying attention. It's
- 13:59Speaker 1: a little business tactic.
- 14:00Speaker 3: And we work together. What are we supposed to do?
- 14:02Speaker 3: Talk to each other? Talk to just each other the womb, Yes,
- 14:07Speaker 3: we did. In the list.
- 14:09Speaker 6: A lot of twins, that's like a thing, right, and
- 14:11Speaker 6: they think about like did they touch they heard that,
- 14:13Speaker 6: I've heard that.
- 14:14Speaker 3: I've never heard this. I only know my my mom
- 14:17Speaker 3: told us. My mom told us specifically.
- 14:21Speaker 1: Yeah, this has never been discussed within the twin community house.
- 14:23Speaker 1: We never brought this up.
- 14:24Speaker 3: No, not one another person but my mom. And that's
- 14:27Speaker 3: why I answered so honestly, because I didn't know anybody
- 14:31Speaker 3: knew that about what my mom said about us.
- 14:34Speaker 6: Oh, no, I read I read an article. I think
- 14:35Speaker 6: it was on flatline. It was like a medical study
- 14:38Speaker 6: about twins. And I read it.
- 14:41Speaker 5: On fraternal line return line the fraternal Twin website.
- 14:46Speaker 2: Well that's well, that's not going to be us because
- 14:48Speaker 2: it's it's for fraternal twins more identical.
- 14:50Speaker 3: So don't Oh.
- 14:50Speaker 4: Okay, so okays that is that.
- 14:53Speaker 2: Actually, there are so many errors on that website. I
- 14:56Speaker 2: wouldn't even look at it.
- 14:57Speaker 3: It's like run by so crazy dazy.
- 15:00Speaker 1: You're so good at that, You're really good at that question.
- 15:03Speaker 4: I have a naughty question.
- 15:05Speaker 3: So is it naughtier than somebody asking if twin's fucking
- 15:09Speaker 3: the womb?
- 15:10Speaker 6: Sorry, guys, I'm a little Nutso I'm twenty two, you're
- 15:14Speaker 6: twenty two.
- 15:14Speaker 5: Yeah, okay, so this is naughty in a different way.
- 15:17Speaker 5: This is a naughty question and like a oh my god,
- 15:20Speaker 5: don't say that. Well, okay, So do you guys have
- 15:23Speaker 5: a favorite client?
- 15:25Speaker 3: Mm? That is no.
- 15:27Speaker 4: You know we're not supposed to say that, but can
- 15:30Speaker 4: we be honest?
- 15:31Speaker 3: Client?
- 15:32Speaker 6: Yes, we have just whispered if you just have one, yes, you.
- 15:35Speaker 1: Just have one of our of our two there's actually
- 15:37Speaker 1: one twin.
- 15:38Speaker 3: That we just stands out so much more. Do you
- 15:41Speaker 3: want to say the name, I'll say it. Go ahead
- 15:44Speaker 3: and say it.
- 15:45Speaker 1: Cole Sprouse.
- 15:46Speaker 3: Yeah, he's so much better than the other one.
- 15:48Speaker 1: Really, Dylan Dylan Dylan is well.
- 15:52Speaker 3: No, that was an interesting thing because we we we
- 15:55Speaker 3: we had that identical at birth. Let's make it clear, Big,
- 16:00Speaker 3: they were identical. They could be used, they could be switched,
- 16:03Speaker 3: and over time we've slowly broken them apart to make
- 16:05Speaker 3: them look differently. Yeah, because in the identical community, you
- 16:09Speaker 3: really are aiming for a twin to play one person
- 16:12Speaker 3: rather than a for sure.
- 16:14Speaker 6: I mean, big Daddy, the work that they did was incredible, incredible.
- 16:19Speaker 2: When he said I wiped my own ass, I remember,
- 16:20Speaker 2: I turned to him and I said, we're doing God's work.
- 16:23Speaker 3: Yeah, we were on set the entire time.
- 16:25Speaker 6: Oh God, that was when agents were out on set
- 16:27Speaker 6: before stupid COVID days, stupid little COVID.
- 16:32Speaker 3: Yeah. So basically, what happened with Zach and Cody we.
- 16:36Speaker 4: Uh, okay, Cody was cold, like just to be clear.
- 16:40Speaker 3: Sorry, I get confused all the time with them. I
- 16:43Speaker 3: liked Cody, but he was a diva. In Zach and Cody,
- 16:46Speaker 3: he got better than he's grown. He's a fine wine,
- 16:49Speaker 3: if you will. But during that time, we realized we
- 16:51Speaker 3: could actually make double the money if we separate them
- 16:53Speaker 3: a little bit, if we make them look a little
- 16:55Speaker 3: bit more fraternal. So we worked really, really hard to
- 16:59Speaker 3: make those twins day different. And I don't want to
- 17:01Speaker 3: get into the gory details, do you.
- 17:03Speaker 1: Yeah, I'll talk about it.
- 17:04Speaker 2: We lengthened one of their fingers, yes, medically and forever. Yeah,
- 17:08Speaker 2: you might have seen it in flat.
- 17:09Speaker 6: Medically and forever. So walk me through that.
- 17:13Speaker 3: Yeah, it was great. Procedures, was it great? It was
- 17:16Speaker 3: so we.
- 17:16Speaker 2: Added extra digits and all their fingers and it's super
- 17:19Speaker 2: non invasive. Little robots do it and it's really easy
- 17:22Speaker 2: and it's fast and it changes.
- 17:25Speaker 5: Then does it like, does it create like a fourth
- 17:28Speaker 5: little like section or does it?
- 17:30Speaker 3: Is it just it's a third bend.
- 17:32Speaker 2: So so now Cole Sprousse's fingers touch when he does this,
- 17:35Speaker 2: he has another thing here that touches his hands.
- 17:38Speaker 3: It's it's almost like the Tarzan you know in the
- 17:40Speaker 3: movie Tarzan. However, he's like, whoa, how does his fingers
- 17:43Speaker 3: bend that way? That's Cole Sprouse and this boy can
- 17:46Speaker 3: climb a tree like you guys have these amazing hosts.
- 17:50Speaker 2: Because wow, hours after two, I mean the hour he
- 17:54Speaker 2: took to him so fast.
- 17:55Speaker 6: Where do you find a tree that fast? Wow?
- 17:57Speaker 3: A lot of trees and a lot of trees, and that's.
- 18:00Speaker 6: Not a hard I'm new here, so that one. I mean,
- 18:03Speaker 6: where are you from?
- 18:06Speaker 4: Okay? Okay?
- 18:08Speaker 2: I want you guys to answer that question. We asked
- 18:10Speaker 2: that the favorite client, the naughty question. You're not getting
- 18:14Speaker 2: out of the naughty question.
- 18:15Speaker 4: With me, No, never getting out of that.
- 18:17Speaker 3: You know.
- 18:17Speaker 5: I asked my own naughty question. I never expect to
- 18:19Speaker 5: answer it. That's what happens.
- 18:22Speaker 4: My favorite client is Dowayne the Rock Johnson.
- 18:24Speaker 5: Wow, he's the biggest and the tallest, and you really
- 18:26Speaker 5: can't beat him.
- 18:27Speaker 3: No, he's great.
- 18:28Speaker 5: He walks into any big and tall norths from section
- 18:31Speaker 5: and he could wear anything anything.
- 18:34Speaker 4: There's nothing in that section you can't wear.
- 18:35Speaker 6: And that's what you want a client is to be
- 18:37Speaker 6: able to wear everything.
- 18:38Speaker 3: How tall is the every Man? I thought he was
- 18:40Speaker 3: like six three six four.
- 18:42Speaker 5: Heez, Well I can tell you exactly how tall he
- 18:44Speaker 5: is because I keep I keep their heights in the
- 18:46Speaker 5: notes app just to be sure.
- 18:49Speaker 4: Just five.
- 18:49Speaker 3: Oh great, Can you list some of the other clients
- 18:51Speaker 3: on that?
- 18:51Speaker 4: Yeah, of course. So Tyler Perry six five. We've got
- 18:55Speaker 4: John Cleese six five, John.
- 18:59Speaker 3: John your big and douts. He's in there.
- 19:06Speaker 4: He's a rascal. Let me tell you. Is that like
- 19:08Speaker 4: when like a sneaky little brit and trying to get canceled.
- 19:12Speaker 4: He's hilarious.
- 19:13Speaker 3: He keeps going, keep going, Okay.
- 19:16Speaker 5: Jeff Goldblum was someone who I had, and then I
- 19:18Speaker 5: raised the cut off to six five, and so I
- 19:20Speaker 5: had to cut him.
- 19:20Speaker 3: He was six.
- 19:22Speaker 4: I had to drop him.
- 19:23Speaker 5: It was tough because as men age, they do tend
- 19:26Speaker 5: to lose like half an inch, like when they get
- 19:29Speaker 5: up there.
- 19:30Speaker 4: So it does tend to.
- 19:31Speaker 5: Be like an ageism thing where you get a little
- 19:33Speaker 5: older and then you'd like hunch over just like attack. Wow, anyway,
- 19:37Speaker 5: Joel McHale, we've got who else?
- 19:40Speaker 4: Do I have?
- 19:42Speaker 5: Not Will Ferrell sixty three disgusting Matthew mcgory, and we have.
- 19:50Speaker 4: And we do have army hammer we're holding onto him.
- 19:52Speaker 3: Wow. I love that move. I love that move.
- 19:55Speaker 6: You should.
- 19:56Speaker 3: I saw that article come out and I said, I
- 19:58Speaker 3: hope whoever that agent is his whole.
- 20:00Speaker 4: I love so high, that's all I have to say.
- 20:03Speaker 1: Oh, he's your penny stock.
- 20:05Speaker 3: Yeah, he's like you're a n f T. You're gonna
- 20:07Speaker 3: wait till the up.
- 20:10Speaker 4: And tall scooped right up.
- 20:12Speaker 6: Well, i'll tell you what the boy division of w
- 20:15Speaker 6: I'll tell you.
- 20:16Speaker 1: When I saw him in social network, I jumped.
- 20:18Speaker 3: We we said, hold a second, did we miss somebody.
- 20:25Speaker 5: Grabbed him by the arms, and I said, spos to
- 20:29Speaker 5: be horrible when a twin swepts by you.
- 20:31Speaker 3: Yeah, I will say that. That's what really fucks us
- 20:34Speaker 3: is when you reach out to individual people. And also
- 20:38Speaker 3: it fucks us because it's like parent trap the social network.
- 20:41Speaker 3: These are movies with identical twins where they don't they
- 20:43Speaker 3: only hire one person. It's unfair, it's unfucking fair. It
- 20:47Speaker 3: kills our business, kills our business.
- 20:49Speaker 2: And it does feel like we were catfishing away when
- 20:51Speaker 2: we call him and we say, hey, we'd love to
- 20:53Speaker 2: meet with you guys, and they go, who's we.
- 20:55Speaker 3: And wow, you guys. I scream. I say, you don't
- 20:59Speaker 3: fucking use this. You don't fucking use this because we do.
- 21:03Speaker 2: A thing when we call we do this thing that
- 21:05Speaker 2: only kind of twins understand. It's really twins talking to twins,
- 21:09Speaker 2: you know, and let's do it right now, Yeah, let's
- 21:11Speaker 2: do it.
- 21:11Speaker 1: So we'll go, we'll go ring ring ring, ring ring,
- 21:13Speaker 1: and someone picks up and.
- 21:14Speaker 3: You go hi, hello with both both of us.
- 21:23Speaker 1: And usually that gets us double the commission when they book.
- 21:25Speaker 3: What yes, somebody playing a video over there.
- 21:28Speaker 6: It's not funny, not a funny video. My clients send
- 21:32Speaker 6: me funny videos and sometimes they go, it's not funny.
- 21:34Speaker 4: Oh are they doing like pobs?
- 21:38Speaker 3: Oh?
- 21:38Speaker 6: Sorry, were you talking about your twin ship?
- 21:40Speaker 3: Yeah? Yeah, even said double commission. He didn't even look up.
- 21:44Speaker 4: That's because I made a lot of money in the
- 21:46Speaker 4: past ten minutes.
- 21:48Speaker 3: Oh my gosh, what happened?
- 21:49Speaker 4: Are hammers back?
- 21:51Speaker 3: Oh? What what did he? No?
- 21:55Speaker 4: The meter just officially hit that point where everyone forgot.
- 21:58Speaker 3: Oh my gosh. And so you made money off that?
- 22:01Speaker 3: Was it a betting app or something?
- 22:04Speaker 5: Yeah, so I made a lot of money on Canceled
- 22:07Speaker 5: or Not dot com. It's this betting app where people
- 22:09Speaker 5: can bet money on whether or not someone has, you know,
- 22:13Speaker 5: either been canceled or if people just forgot about what
- 22:16Speaker 5: they did.
- 22:17Speaker 4: And you have money on there, I have money on
- 22:19Speaker 4: well yes.
- 22:20Speaker 3: Wow, that's great.
- 22:22Speaker 6: I have to say my favorite client, Yes, would have
- 22:27Speaker 6: to be I guess some city Swinny.
- 22:30Speaker 4: Sure you love her?
- 22:33Speaker 1: Tell us how you got her, because I'm so confused
- 22:35Speaker 1: and interested.
- 22:36Speaker 3: And it's been three months. It's been three months because.
- 22:38Speaker 1: She's had a career for years at this point.
- 22:40Speaker 6: Yeah, yeah, I've had her for a long time. I
- 22:44Speaker 6: met her at the at the Chateau moment.
- 22:48Speaker 3: Cool? Is there anything else? Is that?
- 22:50Speaker 2: No?
- 22:51Speaker 6: Of course I reper.
- 22:53Speaker 3: Ok Now, now I'm started. What's going on here? Okay? Okay, okay, no, yeah, okay.
- 23:01Speaker 1: Let's ask you a question that only someone who reps
- 23:03Speaker 1: someone would know.
- 23:04Speaker 3: Okay, ask me anything about Sydney sign off her emails toothbrush? Okay,
- 23:10Speaker 3: that is true.
- 23:11Speaker 4: Okay. What's her middle name?
- 23:13Speaker 3: Sandy Sydney Sandy?
- 23:19Speaker 4: Okay? And how many sisters does she have?
- 23:22Speaker 6: Seven?
- 23:24Speaker 4: And how many of them are the seven Dwarfs zero?
- 23:28Speaker 4: We'll cut that out.
- 23:30Speaker 1: What does she get for lunch on set?
- 23:33Speaker 6: You'd have to talk to her assistant. I don't deal
- 23:34Speaker 6: with that stuff.
- 23:35Speaker 3: What's her assistant's name, Sydney Sydney?
- 23:39Speaker 6: What assistant Sidney Sween's assistant is Sidney assistant?
- 23:46Speaker 5: Okay? Okay, okay, I don't wrap her who okay, and
- 23:52Speaker 5: you know what I.
- 23:52Speaker 6: I listen, I got invited to this.
- 23:54Speaker 4: No, it's okay. I did this with Ben Affleck years ago.
- 23:57Speaker 8: I talked, you're old, please tell me, okay, when your
- 24:02Speaker 8: clientless is just full of fucking idiots, do you ever
- 24:05Speaker 8: just like ask like you have somebody big and just
- 24:09Speaker 8: say you rep them?
- 24:10Speaker 3: Oh? Yeah, yeah, I mean in our early days.
- 24:12Speaker 1: This is really embarrassing.
- 24:13Speaker 2: But I said that we repped all of the quintuplets
- 24:17Speaker 2: in Multiplicity, and it terms out it was just Michael
- 24:20Speaker 2: Keaton and that was mortify us.
- 24:23Speaker 3: That was mortifying. That was so hard.
- 24:24Speaker 1: Do you remember that? And I put a lot on
- 24:26Speaker 1: you and I blamed you for That's all right.
- 24:27Speaker 3: Though we made up for it. You've always been the strong.
- 24:29Speaker 5: Oh.
- 24:29Speaker 6: It feels so good to be honest because I couldn't.
- 24:32Speaker 6: I couldn't keeping.
- 24:36Speaker 3: A lot of these.
- 24:37Speaker 2: A lot of what we do, unfortunately, is bending the
- 24:39Speaker 2: truth in order to make our clients happy, in order
- 24:43Speaker 2: get what we want done.
- 24:44Speaker 6: W m W is a fake place, okay.
- 24:48Speaker 3: And we didn't know that. You knew that. You said
- 24:50Speaker 3: there was a W Women's and the office was pink,
- 24:53Speaker 3: I said, that's not true. I've been there.
- 24:55Speaker 4: But here's the thing.
- 24:56Speaker 5: I mean, part of our jobs is looking someone dead
- 24:58Speaker 5: in the eyes, knowing that they're and going uh huh, yeah, amazing.
- 25:01Speaker 3: Yes, yeah, absolutely.
- 25:03Speaker 6: You guys did that so well. When I said I
- 25:06Speaker 6: had been working in this business for so long, you
- 25:07Speaker 6: guys just went yeah, uh huh. And that was But
- 25:10Speaker 6: it's also I'll say this, the other part of the
- 25:12Speaker 6: job that I'm actually currently working on is looking at
- 25:14Speaker 6: someone dead in the eyes and lying to their face.
- 25:16Speaker 1: Well, so let's start from the ground up and let's
- 25:18Speaker 1: meet you for the first time.
- 25:19Speaker 3: Jesse.
- 25:20Speaker 1: Let's meet you and say who are you and what
- 25:22Speaker 1: is your real job?
- 25:24Speaker 6: Jesse? Okay, okay, okay, I'm an agent.
- 25:28Speaker 3: Okay.
- 25:29Speaker 6: I did just graduate from m YU. Great, I did
- 25:32Speaker 6: hit my head and it was written about on flatline.
- 25:37Speaker 3: Okay.
- 25:38Speaker 6: But I have right now twelve clients and they're all
- 25:42Speaker 6: from my graduating class at NYU. Okay, and none of
- 25:46Speaker 6: them have any credit. A couple of them have done
- 25:48Speaker 6: some short films and I'm and that's who I'm rapping
- 25:51Speaker 6: now and I'm trying to get my client lists bigger.
- 25:53Speaker 4: And are you with an agency or is this just
- 25:56Speaker 4: kind of you?
- 25:56Speaker 6: So I'm with boutique agency.
- 25:58Speaker 1: Okay, and that's the name of the agent.
- 26:00Speaker 3: Yeah, okay, you you took that.
- 26:02Speaker 6: One took that because I heard. I heard you're either
- 26:04Speaker 6: at a big office or a boutique and I saw
- 26:08Speaker 6: that the Yeah, I saw that it was open.
- 26:10Speaker 4: M M.
- 26:11Speaker 6: Yeah. Well how did you guys start?
- 26:13Speaker 3: I mean, so nice to.
- 26:14Speaker 1: Meet you, Jesse.
- 26:15Speaker 3: It's really nice to me for the first time.
- 26:17Speaker 6: Yeah, got, it feels so good. I don't know that
- 26:20Speaker 6: it doesn't feel good to be honest because I feel
- 26:22Speaker 6: like shit? But how do I how do I get going?
- 26:24Speaker 3: That's something you've got to get used to. I mean,
- 26:25Speaker 3: there's a lot of lying in this business. I mean
- 26:27Speaker 3: sometimes we have to look at a pair of twins
- 26:28Speaker 3: and say you'll have a career, when knowing full well
- 26:31Speaker 3: that only one of them will, knowing full.
- 26:34Speaker 4: Well, is it tough for you when they split up?
- 26:39Speaker 3: Yes?
- 26:39Speaker 6: Yes, when when they split up.
- 26:41Speaker 1: It's really really hard.
- 26:42Speaker 4: When they have a falling out in the.
- 26:44Speaker 2: When they're not speaking, it's really really hard to deal
- 26:47Speaker 2: with them. I would also say, sometimes one twin thinks
- 26:50Speaker 2: they can go on their own, and we have to
- 26:51Speaker 2: say listen, you are a packaged deal.
- 26:53Speaker 6: Okay, Wow.
- 26:54Speaker 5: How did the two of you sort of happen? Like,
- 26:57Speaker 5: did one of you want to be an agent? Did
- 26:58Speaker 5: you both decide at the same time? Did you ever
- 27:00Speaker 5: try and do a solo time?
- 27:02Speaker 3: What? Yeah, I go one, two, three, Yes, yes, okay?
- 27:06Speaker 3: Which part all of it? Basically what happened? I wanted
- 27:10Speaker 3: to be an agent from when I was like a
- 27:12Speaker 3: little kid. And my brother's always been a little bit
- 27:15Speaker 3: bigger than me and a little bit stronger than me.
- 27:17Speaker 3: And once he saw that I was becoming an agent,
- 27:19Speaker 3: you know, he said that famous word my mom always quotes,
- 27:22Speaker 3: he see me, give me gimme. Yeah, he said, he
- 27:24Speaker 3: that's it, baby a gimme, gimme gimme.
- 27:27Speaker 6: Wait. Did you guys as babies and you know how
- 27:29Speaker 6: some kids get the cashier register? Did you guys get
- 27:32Speaker 6: the fake breakdowns?
- 27:35Speaker 3: Yeah?
- 27:35Speaker 6: What we would do it was a Fisher price toy
- 27:38Speaker 6: for baby agents.
- 27:38Speaker 3: We would do we did baby breakdown. We got a.
- 27:41Speaker 6: Baby breakdown break or the leap Frog add on.
- 27:45Speaker 3: You know how some people would play pretend and they
- 27:46Speaker 3: play house.
- 27:47Speaker 2: Yes, we would play a negotiation and we would negotiate
- 27:50Speaker 2: for each other stuffed animals to be in a project,
- 27:53Speaker 2: a project together.
- 27:54Speaker 3: We'd switch off, we'd switch off. I'd be a big
- 27:56Speaker 3: producer head and he would try to negotiate, and yeah, I.
- 28:00Speaker 2: Represent Bubba the Bear. And I'd say, Bubba the Bear,
- 28:03Speaker 2: you're fucking dicking me around with this ship. Got it,
- 28:05Speaker 2: Bubba the Bear deserves of the same.
- 28:09Speaker 3: I'd say, look, look like you fucker way you get
- 28:12Speaker 3: back ended, you're gonna like it. Cut Bubba the Bear
- 28:14Speaker 3: out of that.
- 28:14Speaker 2: And I said, you want to lick my ass because
- 28:16Speaker 2: I feel like, uh, stinkier than I've ever been in
- 28:20Speaker 2: my life?
- 28:21Speaker 3: How old I can smell the stink from here? This
- 28:23Speaker 3: deal is horse shit, That's what I'm smelling. Wow, we
- 28:27Speaker 3: were really three four years old, three four years old,
- 28:29Speaker 3: just having a blast. Homeschooled. Homeschooled.
- 28:31Speaker 6: Incredible, Yeah, I mean.
- 28:33Speaker 4: I schooled by by who by? I mean where did.
- 28:36Speaker 3: You pick this her uncle? Yeah, it's incredible.
- 28:39Speaker 4: That is he in the business.
- 28:41Speaker 3: Yeah kind of.
- 28:43Speaker 1: He represented a lot of clowns for local car commercials.
- 28:46Speaker 6: M hmm, incredible.
- 28:47Speaker 3: He helped a lot of them get deals.
- 28:49Speaker 2: He was a clown himself, and he helped clowns get
- 28:52Speaker 2: deals because back then when they would get clowns for
- 28:54Speaker 2: car commercials, it was this thing where they would just
- 28:56Speaker 2: take advantage of them absolutely, And my my uncle stood
- 28:59Speaker 2: up and he said, hey, you guys got to start
- 29:01Speaker 2: paying these people not in food, you got to start
- 29:03Speaker 2: paying them in money.
- 29:04Speaker 1: Wow, these people are.
- 29:05Speaker 3: Not They're not instruments.
- 29:07Speaker 6: Yeah, speaking of clowns, I'll actually say somebody I actually
- 29:11Speaker 6: rep well on Venice and Washington, there's those clowns that
- 29:14Speaker 6: go through the intersection. I rip one of them. His
- 29:17Speaker 6: name is Sanat Awesome. No, I'm trying.
- 29:22Speaker 4: I mean, you got any of the commission of the
- 29:24Speaker 4: tips that they.
- 29:25Speaker 6: I feel bad taking that.
- 29:27Speaker 3: Yeah.
- 29:27Speaker 6: So I'm just like, I'm investing in your tybe.
- 29:30Speaker 3: You should maybe you should really a great place, Yeah,
- 29:33Speaker 3: anyway place to start.
- 29:35Speaker 6: I remember pitching to my mom saying, listen, I know
- 29:37Speaker 6: your dinner is a fully packaged cast, but I really
- 29:41Speaker 6: think you should think about adding Sweet Potatoes because I
- 29:44Speaker 6: think it'll really full out the cast and I think
- 29:47Speaker 6: you need them. And I think I think, based off
- 29:50Speaker 6: of what we've seen from Sweet Potatoes as a family,
- 29:52Speaker 6: I think they'll need to be here. And I just
- 29:55Speaker 6: go full down and pitch it I.
- 29:58Speaker 5: Started out as I was on the playground and we
- 30:02Speaker 5: did have like a drama class in like sixth grade,
- 30:05Speaker 5: and there was you know, there's always a gender imbalance
- 30:08Speaker 5: in drama classes.
- 30:09Speaker 4: There's so many girls.
- 30:11Speaker 5: And so there was one very big, very tall boy
- 30:14Speaker 5: who had to play all the male parts.
- 30:16Speaker 4: And there were like twelve productions a year.
- 30:19Speaker 3: This who this theater was promific.
- 30:23Speaker 5: They never stopped, even in the summer, they never stopped.
- 30:25Speaker 5: And this poor kid was bleeding out of his eyeballs.
- 30:28Speaker 5: He was so tired. He had to memorize so many lines.
- 30:31Speaker 5: He was like absolutely worked to the bone. And so
- 30:34Speaker 5: I walked right up to missus Kandor, who was the
- 30:38Speaker 5: drama teacher, and I said, listen up, you little bitch.
- 30:42Speaker 6: Oh wow, did that You're gonna start paying Ryan.
- 30:47Speaker 5: He's big, he's tall, and he is carrying this fucking department.
- 30:53Speaker 4: There wouldn't be a department without big and tall Ryan.
- 30:56Speaker 3: Wow.
- 30:57Speaker 5: And you know what she paid up? She paid out
- 31:00Speaker 5: of pocket, one hundred thousand dollars.
- 31:02Speaker 3: What did you get a commish Oh yeah, oh yeah.
- 31:07Speaker 5: Ten thousand dollars is a lot on the playground that's
- 31:09Speaker 5: like an eleven year old's ten million.
- 31:12Speaker 3: Yeah, imagine one hundred thousand dollars must have been running
- 31:15Speaker 3: that shit.
- 31:15Speaker 4: Yeah.
- 31:16Speaker 5: He You shouldn't give one hundred thousand dollars to eleven.
- 31:19Speaker 3: Year old what's he now?
- 31:20Speaker 1: What's he doing?
- 31:21Speaker 4: He spent it all kind of within a couple of weeks. Uh,
- 31:26Speaker 4: he spent it all.
- 31:27Speaker 5: Now he is a Payless shoe store fan fiction writer.
- 31:33Speaker 3: Okay, oh I love that community.
- 31:38Speaker 4: Yeah, it's a very small community.
- 31:40Speaker 5: I still keep in touch with him sometimes, but it's
- 31:42Speaker 5: more just to do a wellness check.
- 31:44Speaker 3: I were huge fans.
- 31:46Speaker 2: That's actually crazy that you know, we know the Payless
- 31:49Speaker 2: shoe store that way fan fiction.
- 31:51Speaker 1: Yeah, we read it to each other.
- 31:52Speaker 4: You know, she's on Dirty Dirty one two three.
- 31:55Speaker 2: Yeah, of course, the types of naughty celebrities that walk
- 31:59Speaker 2: into that notorious Palist shoe store and that fan fiction.
- 32:02Speaker 3: Yes, it's insane. Wow, we cannot get enough of It's
- 32:07Speaker 3: so fun, it's so sexy.
- 32:09Speaker 4: You guys are kind of like you're just a little
- 32:11Speaker 4: feet boys, is.
- 32:12Speaker 3: What I No, No, I'm a shoe shoes shoe boy boy. Yeah,
- 32:16Speaker 3: no way.
- 32:17Speaker 2: The sensuality of watching a heel go onto a foot
- 32:22Speaker 2: and watching the toes disappear when.
- 32:25Speaker 3: A shoe perfectly fits, like when the shoe fits, I
- 32:29Speaker 3: get rock.
- 32:29Speaker 6: It's crazy that you both have the same turn ons.
- 32:32Speaker 1: Oh yeah, yeah, we have a lot of stuff.
- 32:34Speaker 3: Tons tons Wow, thing.
- 32:38Speaker 6: Absolutely incredible, that's amazing. No, I wrap a little boy
- 32:43Speaker 6: that graduated USC and he writes fan fiction. He writes
- 32:50Speaker 6: Ross Stress for less fan fiction. Oh okay, so yeah,
- 32:55Speaker 6: I mean I'm just trying to help him, help him
- 32:58Speaker 6: ship his stuff out there. Why are you a home
- 33:00Speaker 6: making that grossed out face? There's nothing wrong with that. No,
- 33:04Speaker 6: do you like pay less fan fiction and you don't like.
- 33:07Speaker 3: Him?
- 33:08Speaker 4: Like, I'm just going to give you some advice because
- 33:10Speaker 4: you're new in the business. Ross is for perverts.
- 33:13Speaker 3: Yeah, so what about the Like if you go into
- 33:17Speaker 3: any meeting, if you go to any general, any meeting
- 33:19Speaker 3: with a big company, they're going to tell you if
- 33:20Speaker 3: you bring up Ross, you're a pervert.
- 33:22Speaker 6: So should I not wrap him? Should I drop him?
- 33:24Speaker 4: Well?
- 33:24Speaker 2: So think about it like this, right, Like Palo Shoe
- 33:27Speaker 2: Stores is.
- 33:29Speaker 3: Reynolds, Yes, what Ross is? Nick Nolty.
- 33:34Speaker 5: If you want to hip pocket or Ross dress for
- 33:37Speaker 5: less fan fiction writer.
- 33:38Speaker 4: You can.
- 33:39Speaker 6: That's exactly what I'm doing.
- 33:40Speaker 5: I would say, pivot to Marshalls if you can get
- 33:43Speaker 5: him to the door at Marshall's.
- 33:44Speaker 6: Okay, here's my question. Ready, Okay, you want to drop
- 33:48Speaker 6: my client? How do you do it? What's your guys's
- 33:50Speaker 6: ways to dropping?
- 33:52Speaker 3: Yeah, and then you guys do it together, very different
- 33:54Speaker 3: when you're dropping twins.
- 33:56Speaker 4: Yeah, do you say it at the same time?
- 33:58Speaker 3: Yeah? Yeah, we could run through it. We call them,
- 34:01Speaker 3: we say listen, you guys, you guys together? Anymore?
- 34:11Speaker 6: That would infuriate me as a working actor.
- 34:14Speaker 3: They always the first time, They always say what what's
- 34:18Speaker 3: going on? What what are you guys talking about? And
- 34:20Speaker 3: then we breaks up and.
- 34:21Speaker 5: We sound like there you're breaking up with them. It
- 34:24Speaker 5: sounds like you're breaking the two of them up, like
- 34:26Speaker 5: they can't talk anymore.
- 34:27Speaker 3: Sometimes we do that. Then legally we can't. That's written
- 34:30Speaker 3: into every single one of our contract. We'll sign an
- 34:33Speaker 3: overall deal with twins.
- 34:34Speaker 6: Wow, McFly, How do you drop people?
- 34:35Speaker 5: Well, I take a ruler and I put it up
- 34:38Speaker 5: to the ceiling and if they don't hit that cut
- 34:41Speaker 5: off point, there is a little trap door that sort
- 34:44Speaker 5: of takes them.
- 34:45Speaker 3: Through the They know, they know what the AIG.
- 34:49Speaker 4: And tall division and tough. Sometimes they walk in knowing.
- 34:53Speaker 1: Yeah, I pray to God that doesn't happen to John Clee.
- 34:55Speaker 1: He's getting older.
- 34:56Speaker 3: He's straight.
- 35:00Speaker 4: Let me tell you, okayle think he's gonna.
- 35:02Speaker 5: Go I keep thinking he's going to drop down to
- 35:04Speaker 5: six four or sixty three back.
- 35:06Speaker 4: As straight as a needle. Wow, he is resilient. He
- 35:09Speaker 4: doesn't go away, do you Rep.
- 35:11Speaker 3: Terry Creuz.
- 35:12Speaker 4: Yeah, another tough one four. That's tough, tough because he's
- 35:17Speaker 4: six four.
- 35:17Speaker 3: But he's big too, he's very strong. Yeah, big guy.
- 35:20Speaker 4: Yeah.
- 35:21Speaker 3: Yeah. No.
- 35:21Speaker 5: I've been trying to get him stuff. I've been trying,
- 35:23Speaker 5: you know, I've been reaching.
- 35:24Speaker 3: He's not working at all.
- 35:27Speaker 4: You know, I know he can. I never said I
- 35:29Speaker 4: I was good at my job.
- 35:31Speaker 5: I take meetings, Jenna runs my schedule. I show up
- 35:36Speaker 5: in the morning. I have my little ruler, I have
- 35:39Speaker 5: my little coffee. I go to Soho house, I come back.
- 35:42Speaker 5: I don't know what I've done in the last five years.
- 35:45Speaker 6: God, I want to be I want to do what
- 35:47Speaker 6: you guys do.
- 35:48Speaker 3: How do I ask Jenna? She might know, but I
- 35:51Speaker 3: can't honestly say we've gotten one twin work in the
- 35:54Speaker 3: last ten years.
- 35:55Speaker 1: Maybe no, No, A lot of our work is dated.
- 35:57Speaker 1: A lot of our work is older.
- 35:58Speaker 3: So older, before they got this new greens.
- 36:01Speaker 1: We get into little things.
- 36:02Speaker 2: People call us and say I got a deal for you,
- 36:04Speaker 2: I got an idea, and they use us and.
- 36:05Speaker 1: Then it's some sort of grift.
- 36:06Speaker 2: We always get them caught up in some sort of
- 36:09Speaker 2: thing that ends up to be a revamp of a
- 36:11Speaker 2: circus or something.
- 36:12Speaker 3: Like, wow, we have to be so circus. They're trying.
- 36:16Speaker 3: So they're doing a soft reboot to the circus right now.
- 36:18Speaker 4: I actually was looking for that for Terry Crews.
- 36:20Speaker 1: He would be great, Yes, oh my god.
- 36:24Speaker 6: And I have a couple of post grads that would
- 36:26Speaker 6: be so good at just like Pa.
- 36:27Speaker 1: Well you know those clowns on the street, Oh my god,
- 36:30Speaker 1: I do it.
- 36:31Speaker 2: Well. They're reimagining a clown, right, they're saying, what if
- 36:34Speaker 2: a clown existed past COVID?
- 36:38Speaker 3: Yes, what does that mean? It just looks different, just
- 36:41Speaker 3: diff different. It's just it exists.
- 36:44Speaker 6: What does that mean it looks past COVID.
- 36:45Speaker 3: It's a kind of a mask.
- 36:46Speaker 1: Okay, it's a.
- 36:49Speaker 4: It's a new it's a.
- 36:50Speaker 3: New kind of cloud.
- 36:51Speaker 1: It's a clown and a mask.
- 36:52Speaker 3: To clown in a mask and we're trying desperately to
- 36:55Speaker 3: get our twins in there because that could be the ticket. Wow,
- 36:58Speaker 3: that could be it.
- 36:59Speaker 6: Would you guys, I'd love to drop my uh client
- 37:04Speaker 6: who does Ross fan fiction? Okay, would you guys be
- 37:09Speaker 6: here while I try to do it? Yeah, because I
- 37:12Speaker 6: just feel like I'm like sitting in front of like
- 37:14Speaker 6: so like my mentors right now, like this is really awesome.
- 37:17Speaker 4: Yeah, let's you know, get on the bike and let's
- 37:19Speaker 4: do it.
- 37:20Speaker 3: Let's try it. We could be strong.
- 37:21Speaker 1: Okay, if they cry, they're not your client anymore. On
- 37:26Speaker 1: your fire, not your monkey, not your circus.
- 37:29Speaker 6: Wow apt Yeah, all right, I'm gonna dial him right now.
- 37:33Speaker 9: Okay, Hello, this is he's really sounds awful.
- 37:48Speaker 6: Hey, Marty, it's me Jesse.
- 37:51Speaker 3: Hi, Jesse. It's nice to hear from you. I loved
- 37:56Speaker 3: going to n YU with you. You are so great.
- 37:58Speaker 6: I have some bad news.
- 37:59Speaker 4: By Oh no, do it quick, do it fast?
- 38:02Speaker 6: Who's that I have to drop you?
- 38:04Speaker 3: By? What?
- 38:05Speaker 4: Wait?
- 38:08Speaker 3: Ring? Ring? Ring?
- 38:09Speaker 6: Oh he's caught me back. Hey Marty, Hi, sorry you
- 38:12Speaker 6: got cut off?
- 38:12Speaker 3: What happened? Hi?
- 38:13Speaker 4: Can I just take your phone?
- 38:14Speaker 3: Marissa?
- 38:15Speaker 1: What are you up to? Marissa?
- 38:17Speaker 3: Hey?
- 38:17Speaker 6: How tall are you I'm six five. Wait, this is dirty.
- 38:21Speaker 5: Okay, so I'm from CIA not I'm from the CIA
- 38:26Speaker 5: Big and Tall Division.
- 38:28Speaker 4: How would you like to come to Hollywood?
- 38:30Speaker 3: I love to come down.
- 38:31Speaker 4: I would love to pick your brain.
- 38:32Speaker 3: Wait, gosh, this business is dirty.
- 38:35Speaker 4: Okay, this is amazing.
- 38:36Speaker 5: Okay, I'm gonna have Jenna reach out to you and
- 38:39Speaker 5: just tell Jenna everything.
- 38:40Speaker 3: This is just like my fan fic.
- 38:42Speaker 5: And also, so I'm so what I'm doing right now
- 38:45Speaker 5: is poaching. So if you could just not tell your
- 38:48Speaker 5: former agent.
- 38:49Speaker 4: Yes, on the way, I'm right here. Okay, great, Martyn.
- 38:54Speaker 3: Can you put it back on? Yeah?
- 38:56Speaker 4: Okay, so sorry, go ahead.
- 38:59Speaker 3: Hey Jess, I got sick and we can't work together anymore. Okay, Bye,
- 39:06Speaker 3: I was dropping you, Jesse.
- 39:08Speaker 4: That's such a shame.
- 39:10Speaker 3: That's Hollywood welcome.
- 39:12Speaker 6: Did you guys make me drop my agent so you
- 39:15Speaker 6: could take him?
- 39:16Speaker 3: Yeah? She texted us the best.
- 39:18Speaker 5: Yeah, this is the best lesson we could ever give you.
- 39:22Speaker 6: I've been poached.
- 39:24Speaker 1: Yeah, and Marissa's gonna drop that client in probably weeks.
- 39:29Speaker 3: The way that boy sounded, he did not sound healthy.
- 39:31Speaker 4: No no, no, no, no no, no. He is gonna shrink.
- 39:34Speaker 4: That is a boy.
- 39:35Speaker 3: Sometimes you can just tell.
- 39:37Speaker 5: Sometimes you could just tell, No, We're gonna have a
- 39:39Speaker 5: meeting over zoom and then I'm gonna say, get new headshots,
- 39:42Speaker 5: send them to me, and then I will never speak
- 39:44Speaker 5: to him again.
- 39:45Speaker 4: What the fuck?
- 39:46Speaker 6: This industry is so fucked up?
- 39:49Speaker 3: And the big leagues?
- 39:51Speaker 1: Do you still want to be a part of it?
- 39:53Speaker 6: With every fiber of my fucking.
- 39:55Speaker 4: Being, I do?
- 39:55Speaker 3: There you go, Welcome there, you welcome to the ship show.
- 39:59Speaker 3: You wouldn't believe how hard it is to get matching
- 40:01Speaker 3: headshots for twins. It's crazy because we do.
- 40:05Speaker 4: They have to look the same, they have.
- 40:06Speaker 3: To look the exact same, but they can't be the
- 40:09Speaker 3: exact same.
- 40:09Speaker 6: Okay, you are they together? Or do you ever?
- 40:13Speaker 7: Sometimes you do the double shot with those double back
- 40:16Speaker 7: to back, But the problem is we don't want to
- 40:19Speaker 7: go to double men, right. Doublem and Gum really made
- 40:22Speaker 7: a stigma for twins, and we.
- 40:23Speaker 3: Love that ladies, We love.
- 40:26Speaker 1: Those, all of those, all the yeah, the ladies, the man.
- 40:29Speaker 1: Every single twin in that Doubleman Gum commercial.
- 40:31Speaker 3: Did not have one of those people signed, None of them. Wow,
- 40:35Speaker 3: it was really crazy.
- 40:36Speaker 2: They were all repped completely separately by people who aren't
- 40:41Speaker 2: twins who aren't twins.
- 40:42Speaker 3: Can you believe it?
- 40:43Speaker 4: How are you guys doing on money right now?
- 40:45Speaker 3: Yeah? Oh, I would say, you take it okay, bad,
- 40:51Speaker 3: we're doing that.
- 40:52Speaker 1: It's really hard for us right now.
- 40:54Speaker 2: We are currently living at our parents' house and it's
- 40:59Speaker 2: it's a night house. It's really nice, beautiful, three bedroom,
- 41:03Speaker 2: two bathroom, so good Hills, absolutely really nice.
- 41:09Speaker 3: Wow.
- 41:10Speaker 6: To get to the Soho house from there, that's a
- 41:11Speaker 6: lot a.
- 41:12Speaker 3: Long drive and we usually bus.
- 41:15Speaker 6: Do you bus together?
- 41:16Speaker 3: Like?
- 41:17Speaker 4: Yeah?
- 41:17Speaker 1: Sometimes it's about keeping up appearances.
- 41:20Speaker 2: You bust to the Soho house to keep your suit
- 41:22Speaker 2: clean on a bus is one of the most challenging
- 41:25Speaker 2: experiences of my life.
- 41:26Speaker 4: So bus to Soho house.
- 41:29Speaker 6: Yeah, wow, I'm learning so much. What about you financially?
- 41:33Speaker 5: Financially I'm doing honestly amazing.
- 41:39Speaker 4: Anything for your God No, no, I have done things.
- 41:42Speaker 5: They've just been done by Jenna. I don't do anything anymore.
- 41:47Speaker 5: I God bless Jenna because she has she's basically a
- 41:52Speaker 5: top tier agent, but she doesn't know it.
- 41:56Speaker 3: That's great. How much do you pay her?
- 41:58Speaker 5: I would say she handles that, but I think I've
- 42:02Speaker 5: given her a cap at.
- 42:03Speaker 4: Thirty thousand dollars.
- 42:04Speaker 5: Yeah, I don't really know how much money costs anymore,
- 42:08Speaker 5: but I'm told that that is like.
- 42:10Speaker 4: A good you know, that's like what a teacher. Thanks.
- 42:14Speaker 1: We give Rachelle a college credit.
- 42:16Speaker 3: Yeah, she feels so much better. DeVry nearby there.
- 42:21Speaker 6: I have a couple of clients a Debry.
- 42:24Speaker 3: The technical College. That's great. Yeah, yeah, Well, what's up
- 42:29Speaker 3: you guys, got any projects coming up with clients? Or
- 42:31Speaker 3: what's your most excited client right now? I would say
- 42:34Speaker 3: that for us a client that I'm really excited about.
- 42:37Speaker 3: We've got these two twins out of Boisey. Yeah, the
- 42:39Speaker 3: boise Boys, the bois Boys, they are so fun. They're
- 42:42Speaker 3: on TikTok and their TikTok content is hilarous.
- 42:46Speaker 1: And speaking of TikTok, we also represent the Island.
- 42:48Speaker 3: Boys, the Island Boy and Boy and the Da Vinky Boys.
- 42:54Speaker 3: TikTok has been huge for us. It's been a whole
- 42:57Speaker 3: new breadth of worldwide ident twins.
- 43:00Speaker 2: And once they decide to give us commission on their
- 43:03Speaker 2: creator fund, that is going to be massive, huge.
- 43:05Speaker 3: It's gonna be.
- 43:06Speaker 2: Big because we really didn't book them on TikTok, but
- 43:10Speaker 2: we provide them a lot of the lights they use.
- 43:12Speaker 3: We provide a lot of the ring lights hills, well,
- 43:15Speaker 3: we got the ring lights, the steady cams, we got
- 43:19Speaker 3: the tripods. We give a lot, have a lot of lights,
- 43:22Speaker 3: and we're just trying to get them into mainstream in Hollywood,
- 43:24Speaker 3: which the transition from twin TikTok to twin Hollywood immensely.
- 43:29Speaker 5: If they can only say a couple of phrases, right, yeah.
- 43:32Speaker 2: We're saying for when it comes to the Island Boys, Yeah,
- 43:34Speaker 2: di vinky, they only say to vinky Island Boys.
- 43:36Speaker 1: They only sing the song Island Boys. So and they're
- 43:39Speaker 1: very dumb.
- 43:39Speaker 3: They have no actual knowledge of like how to speak. No, no,
- 43:44Speaker 3: they don't.
- 43:45Speaker 2: But we're working with them and we're trying to teach
- 43:48Speaker 2: them and I think a big thing for us. We're
- 43:50Speaker 2: teaching them a sign language, yeah, because we think if
- 43:53Speaker 2: it isn't in their mouths, it might be in their hands,
- 43:54Speaker 2: almost like a thieves can't.
- 43:56Speaker 6: Yeah, you guys, don't sleep, you're working all We're actually trying.
- 43:59Speaker 3: To do a fun collab where one da Vinky boy
- 44:02Speaker 3: and one Island boy switch and then they we see
- 44:05Speaker 3: what happens. It's almost like wife swap.
- 44:08Speaker 2: They're just like oil and water. Though when we do it,
- 44:10Speaker 2: they just rejected, so upset, so crazy.
- 44:13Speaker 3: It's like opposite magnets. It's angry, it's really really destructive's
- 44:17Speaker 3: both of them.
- 44:17Speaker 1: So wow, yeah, what about you guys, your clients? What's
- 44:20Speaker 1: going on?
- 44:21Speaker 5: So I have a little you might see it on
- 44:25Speaker 5: Flatline tomorrow. Tom Holland is about to get tall.
- 44:30Speaker 3: Wow. Wow, you're doing the surgery.
- 44:33Speaker 4: They're giving him the surgery.
- 44:34Speaker 5: They're making him tall, and they're putting all the height
- 44:37Speaker 5: in the stomach.
- 44:38Speaker 3: Great, And I was going to say, Spider Man needs
- 44:40Speaker 3: a longer tour. So I've been thinking the second I.
- 44:44Speaker 4: Saw him on screen, I was like, no, your team
- 44:46Speaker 4: isn't doing it right.
- 44:47Speaker 1: I saw I saw this on Flatline too. It's sand bags, right,
- 44:51Speaker 1: they use sandbags.
- 44:52Speaker 5: Yeah, so it's like you have they explained it to
- 44:55Speaker 5: me in Layman's terms. They were kind of you know,
- 44:58Speaker 5: they were babying me, But basically, it's sandbag, sandbag, sandbag,
- 45:03Speaker 5: large intestine.
- 45:04Speaker 4: Then the small intestine kind of has like a.
- 45:06Speaker 5: Little lengthy tube so that they go past the sandbags,
- 45:10Speaker 5: kind of like you.
- 45:10Speaker 3: Would wrap car small intestine, large intesting.
- 45:14Speaker 1: I love the small intestin.
- 45:15Speaker 2: There's so much you can do with it, and it's
- 45:16Speaker 2: the most versatile and testing it.
- 45:21Speaker 3: No, you've got to know. As a twin, we love
- 45:24Speaker 3: the large intestine. I think it's one of the best organs.
- 45:26Speaker 6: You guys, I would love to give you because my
- 45:27Speaker 6: phone number and like maybe shadow you absolutely.
- 45:32Speaker 3: You have a car?
- 45:33Speaker 6: Yeah, I have a car.
- 45:34Speaker 3: Great, you're hired.
- 45:35Speaker 4: Oh my god?
- 45:36Speaker 6: Can I put my number in your phone?
- 45:37Speaker 3: Yeah? Go ahead.
- 45:39Speaker 6: Thanks, you're handing me in your phone dealing and Cole
- 45:42Speaker 6: Sprouse pick up the phone. Hey, come to me.
- 45:45Speaker 3: You read joke on you. They blocked us months ago.
- 45:50Speaker 4: Jenna, where is the dog?
- 45:52Speaker 6: You've been punched? Motherfucker?
- 45:54Speaker 3: Do you want to answer this? I watch message? Or
- 45:56Speaker 3: should I? Jenna?
- 45:59Speaker 4: If the dog goes.
- 46:01Speaker 2: They can't juggle, we won't. Okay, they can look good
- 46:05Speaker 2: as twins. They can't juggle. They can't eat fire. I
- 46:09Speaker 2: want to know the deal, then have fun with your circus.
- 46:12Speaker 3: We're out.
- 46:12Speaker 5: What the dog does, brave. I only want to know
- 46:16Speaker 5: where the dog goes.
- 46:19Speaker 6: I'd love to talk contracts.
- 46:21Speaker 1: This has been artists on artists and artists and artists
- 46:23Speaker 1: answering the question. Now, that's why they call it show business.
- 46:25Speaker 1: Good Night Hollywood.
- 46:27Speaker 6: I'll give you guys your right home.
- 46:29Speaker 3: Artists on artists on artists on artists. There's an improvised
- 46:31Speaker 3: Hollywood Roundtable podcast created, performed and produced by Kylie Brakman,
- 46:35Speaker 3: Jeremy Colhayne, Angela Girtana, and Patrick McDonald. AOAOAOA is a
- 46:41Speaker 3: Sugar twenty three podcast. Mike Mayer and Michael Sugar executive producers,
- 46:45Speaker 3: Liam Billingham producer. Production support by Angela Ristano and Anthony
- 46:49Speaker 3: Di Francesco. Music is by Gabriel Ponton. The opinions expressing
- 46:53Speaker 3: this podcast do not reflect the opinions of anyone who
- 46:55Speaker 3: works on it, not even the performers, because this is
- 46:58Speaker 3: an improvised podcast and we're stupid. Full video versions of
- 47:01Speaker 3: A O A O A O A are available on YouTube,
- 47:03Speaker 3: so please like and subscribe and leave us a five
- 47:06Speaker 3: star review wherever you get your podcasts. Good Night, Hollywood,