Latest / May The Review Be With You / Top BEST Marvel Post Credit Scenes (6-1)

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Top BEST Marvel Post Credit Scenes (6-1) · May The Review Be With You

• 0:00
  Speaker 1: Hey Joe here before we begin. This is part two
• 0:03
  Speaker 1: of a special treat Nick and I prepared during the
• 0:05
  Speaker 1: Christmas holiday of our Marvel Top twelve best post credit scenes.
• 0:09
  Speaker 1: Today is our audio version of picks six through one.
• 0:13
  Speaker 1: If you'd like to see the project and the visuals,
• 0:15
  Speaker 1: which I highly recommend, check out our YouTube page. May
• 0:18
  Speaker 1: the review be with you, and please give us a
• 0:19
  Speaker 1: like and subscribe to help the channel out. Our next
• 0:21
  Speaker 1: episode of the pod will be out this week and
• 0:24
  Speaker 1: it's a review of Star Wars Skeleton Crew, so be
• 0:26
  Speaker 1: on the lookout. Okay, here's the show number six.
• 0:37
  Speaker 2: Does anyone else find it crazy that the quickest way
• 0:39
  Speaker 2: to get a hold of an intergalactic superhero is to
• 0:42
  Speaker 2: page them?
• 0:43
  Speaker 1: Now you mention it, it makes perfect sense.
• 0:46
  Speaker 3: Oh, there is no way you believe that.
• 0:49
  Speaker 2: But also it's hilarious to realize that it took for
• 0:52
  Speaker 2: disintegrating bodies to make Nick Fury finally call Captain Marvel
• 0:56
  Speaker 2: for the first time in this universe.
• 1:00
  Speaker 1: Of course, talking about the post credit scene in Infinity
• 1:02
  Speaker 1: War with Nick Fury and Maria Hill. This scene, we
• 1:07
  Speaker 1: were already coming off of one of the most brutal
• 1:10
  Speaker 1: endings in MCU film a superhero film had ever given
• 1:15
  Speaker 1: us with the elimination of half of our heroes, and
• 1:20
  Speaker 1: I remember our theater just being so quiet, and then
• 1:25
  Speaker 1: this scene pops up and we're watching Maria and then
• 1:30
  Speaker 1: Nick start to disappear, and then the zoom in onto
• 1:33
  Speaker 1: the pager, and I don't know, maybe it was because
• 1:36
  Speaker 1: like we were all so sad or like horrified about
• 1:39
  Speaker 1: what had just happened, and then those colors show up,
• 1:42
  Speaker 1: and the hype in the room was at an all
• 1:46
  Speaker 1: time high, like we needed a hero in that moment.
• 1:49
  Speaker 3: Yeah, we needed something.
• 1:50
  Speaker 2: I just complete excitement, utter disbelief when this whole thing
• 1:54
  Speaker 2: goes down, and I think all of us were still
• 1:57
  Speaker 2: hoping that the after credit scene was going to show
• 2:00
  Speaker 2: with some glimpse of like, oh, okay, everything that just
• 2:03
  Speaker 2: happened like is gonna get reversed quickly. There's no way
• 2:06
  Speaker 2: the movie ends like this. And then we see this
• 2:09
  Speaker 2: happen to Fury and Hill, and then we see the
• 2:13
  Speaker 2: pager with Captain Marvel's insigney on it, and we had
• 2:17
  Speaker 2: a little give us a little glimmer of hope.
• 2:19
  Speaker 1: I think what also makes this scene so memorable is
• 2:22
  Speaker 1: after the carnage that we just witnessed an Infinity war.
• 2:26
  Speaker 1: We learned that not even Nick Fury is safe from this.
• 2:29
  Speaker 2: The movie ends and we're just all shocked in the
• 2:31
  Speaker 2: theater and we see Fury and ray Hill and we're
• 2:34
  Speaker 2: just like, oh, thank God, like this everything's gonna be okay.
• 2:38
  Speaker 1: It feels like the adults showed up.
• 2:40
  Speaker 2: Yeah, it feels like the adult adults showed up, and
• 2:42
  Speaker 2: then not even the adults were safe because all of
• 2:44
  Speaker 2: a sudden, they're.
• 2:45
  Speaker 1: God, I'm eve an adult, i am an adult.
• 2:49
  Speaker 3: I'm just like, what the hell is going on around here? Man?
• 2:51
  Speaker 2: And saying all that, it makes me feel like maybe
• 2:53
  Speaker 2: this should actually be higher on our list because this
• 2:55
  Speaker 2: was such a mega moment in the theater.
• 2:57
  Speaker 1: No, it is, and honestly, I think there is an
• 3:01
  Speaker 1: argument to make this higher up on the list. And truthfully,
• 3:04
  Speaker 1: I think if Captain Marvel actually served a larger role
• 3:08
  Speaker 1: in the next film segueing, I think it could have.
• 3:11
  Speaker 1: Right now, granted, there's Captain Marvel is a pretty controversial
• 3:15
  Speaker 1: character throughout the MCU. You either really love this character
• 3:19
  Speaker 1: or she has a fan base, or she has a
• 3:21
  Speaker 1: base that just does not like her. We stand her
• 3:24
  Speaker 1: pretty hard over here, but either way, this moment, like
• 3:29
  Speaker 1: you said, Nick, it was a glimmer of hope in
• 3:31
  Speaker 1: an otherwise incredibly dark moment in the MCU, And for
• 3:35
  Speaker 1: that reason alone, I think this post credit scene amounted
• 3:39
  Speaker 1: to hype that we had never seen before. Number five.
• 3:44
  Speaker 3: Have you ever enjoyed shwarma?
• 3:48
  Speaker 1: Nick? We made it.
• 3:49
  Speaker 2: Yes, we did number five on our top twelve MCU
• 3:53
  Speaker 2: credit scenes list, and it's a tasty one. Shwarmam swarma baby.
• 4:00
  Speaker 1: Yes, this scene deserves to be in the top five
• 4:02
  Speaker 1: for many reasons. For instance, did you know the Avengers
• 4:05
  Speaker 1: invented shwarma?
• 4:07
  Speaker 2: Not exactly No, but they damn well deserved it absolutely.
• 4:11
  Speaker 1: And what's wild is that it almost didn't exist at
• 4:14
  Speaker 1: least the scene that is.
• 4:15
  Speaker 2: This scene was actually a last second add on, and
• 4:18
  Speaker 2: I mean very last second.
• 4:19
  Speaker 3: This movie actually had.
• 4:20
  Speaker 2: Its red carpet premiere without the shwarma scene, and it
• 4:23
  Speaker 2: was added a month later.
• 4:25
  Speaker 1: That's right. Rubber Downy Junior improvised the Shorma line after
• 4:27
  Speaker 1: hul provived him. Viikey and Joss Wheaton thought that the
• 4:30
  Speaker 1: idea of superheroes going to get a bite to eat
• 4:33
  Speaker 1: in New York was so funny that they decided they
• 4:35
  Speaker 1: needed to add it to the movie.
• 4:37
  Speaker 2: The problem was that the movie was already shot, and
• 4:40
  Speaker 2: the actors were all doing different things, and they were
• 4:42
  Speaker 2: on different schedules, that is until the red carpet premiere.
• 4:46
  Speaker 2: The actor shot the scene the day after the movie premiere.
• 4:49
  Speaker 1: And thus gave birth to one of Marvel's funniest images.
• 4:52
  Speaker 2: The MCU took off in popularity in part because of
• 4:54
  Speaker 2: how realistic it felt to our world, like Tony selling
• 4:57
  Speaker 2: weapons in the Middle East or the United States reacting
• 5:00
  Speaker 2: to aliens with a call to use nukes.
• 5:01
  Speaker 1: The image of seeing all these heroes exhausted and rarely
• 5:04
  Speaker 1: eating is funny and also highlights one of the MCU's
• 5:07
  Speaker 1: early strengths. They felt like they were part of our world.
• 5:10
  Speaker 1: I think I think everyone was waiting for something, right,
• 5:15
  Speaker 1: Like we had just found out that the other was
• 5:18
  Speaker 1: talking to Thanos all this time, and that was that
• 5:21
  Speaker 1: was the mid credit scene, right and after the hype
• 5:25
  Speaker 1: of building this team up, we're all waiting collectively there
• 5:29
  Speaker 1: for whatever could be at the end of the credit
• 5:33
  Speaker 1: since you know, that's what Marvel had built itself on,
• 5:36
  Speaker 1: was through these credit scenes. And then it's just the
• 5:39
  Speaker 1: most ridiculous image of like these guys who barely they
• 5:43
  Speaker 1: don't look alive, they look dead.
• 5:45
  Speaker 2: Yes, they're all just absolutely exhausted, no speaking, no dialogue,
• 5:51
  Speaker 2: just complete exhaustion and hunger understandably, and.
• 5:56
  Speaker 3: It's just like it's a hilarious scene.
• 5:58
  Speaker 2: Also, the fact that, like the restaurant workers found time
• 6:02
  Speaker 2: to cook despite the damage that they were cleaning up
• 6:06
  Speaker 2: at the same time, Like.
• 6:09
  Speaker 1: That, that, to me is like the most realistic part
• 6:12
  Speaker 1: of the scene is that that after a disaster that
• 6:15
  Speaker 1: these people still showed up for work, because like that's
• 6:18
  Speaker 1: a real New York thing. It's like, I got I
• 6:21
  Speaker 1: gotta be able to put dinner on the table, I
• 6:23
  Speaker 1: got a job to do, no matter what, no matter what,
• 6:27
  Speaker 1: those are the real heroes, let me tell you. I
• 6:31
  Speaker 1: adore that.
• 6:33
  Speaker 2: What a just brilliant, brilliant and fun way to close
• 6:35
  Speaker 2: out Avengers one.
• 6:37
  Speaker 1: Oh yeah absolutely. And like one of my favorite parts
• 6:40
  Speaker 1: about this scene is going around the table and just
• 6:44
  Speaker 1: taking a look at what each and every character is doing. Uh.
• 6:48
  Speaker 1: I think Tony's the only one who's actually eating. Steve
• 6:52
  Speaker 1: is just staring off into space. I think Thor and
• 6:55
  Speaker 1: our banner are both just dead asleep and like you
• 6:58
  Speaker 1: can't seem Off or Martin as they just both just
• 7:03
  Speaker 1: look at that. You see the backs of them, they
• 7:05
  Speaker 1: just might as well.
• 7:05
  Speaker 2: Be corpses, and that they're all just taking a nap
• 7:08
  Speaker 2: at the Swarmer Joint together.
• 7:10
  Speaker 1: When Tony or when Robert uh you know, improvised that
• 7:15
  Speaker 1: shorm align uh he he be Josh here realized no, actually,
• 7:20
  Speaker 1: we do need to have that scene. That is hilarious,
• 7:22
  Speaker 1: and he's right, and it ended up being one of
• 7:25
  Speaker 1: the most iconic post credit scenes in the entire MCU.
• 7:28
  Speaker 1: Number four, you please stuff, let me, let me, let
• 7:35
  Speaker 1: me try that again.
• 7:36
  Speaker 3: No you so, no, no, no, no, they were not the
• 7:41
  Speaker 3: towering wretches. We will promise they are on Okay, Joe,
• 7:46
  Speaker 3: He's really going to do this.
• 7:47
  Speaker 2: So while Joe continues to embarrass himself with an awful impression,
• 7:51
  Speaker 2: coming in at number four is our first introduction to Thanos.
• 7:54
  Speaker 2: This might have been one of the most important post
• 7:56
  Speaker 2: credit scenes in the entire MCU, at least for the
• 7:59
  Speaker 2: phases one through three. Marvel had just finished it huge
• 8:02
  Speaker 2: milestone after assembling the Avengers for the first time on screen,
• 8:05
  Speaker 2: and it.
• 8:06
  Speaker 3: Proved that a large scale superhero.
• 8:08
  Speaker 2: Ensemble movie was not only possible, but also financially successful.
• 8:12
  Speaker 2: It may seem like no big deal now, but at
• 8:14
  Speaker 2: the time this was new and the battles that took
• 8:17
  Speaker 2: place at the theater captivated audiences for an entire summer.
• 8:20
  Speaker 2: After wrapping up the Battle for New York beating Loki
• 8:24
  Speaker 2: and his alien forces while saving the city from a
• 8:26
  Speaker 2: nuclear bomb, where could Marvel possibly take audiences next?
• 8:30
  Speaker 1: Too?
• 8:31
  Speaker 3: Caught death right on cue?
• 8:35
  Speaker 1: Sorry, I got really into that. Have you been doing
• 8:37
  Speaker 1: this all by yourself? Yes? Sorry, all right, I got
• 8:41
  Speaker 1: it from here. After watching our heroes take down an
• 8:44
  Speaker 1: army and a nuke, Marvel teased the future of the
• 8:47
  Speaker 1: series in a new direction. I don't think comic book
• 8:49
  Speaker 1: fans ever expected superhero movies to ever go Thanos and
• 8:53
  Speaker 1: the Infinity Stones. While Iron Man one teased an eventual
• 8:57
  Speaker 1: Avengers movie, this scene teased a universe of story telling
• 9:00
  Speaker 1: for the next seven years to come. Marvel just delivered
• 9:03
  Speaker 1: one of the most successful comic book movies ever, and
• 9:06
  Speaker 1: straight off the heels of it, they teased one of
• 9:09
  Speaker 1: their most beloved villains of all time. The hype was
• 9:12
  Speaker 1: at an all time high. If we just talked about Shwarma.
• 9:16
  Speaker 1: And we kind of teased this already because we talked
• 9:20
  Speaker 1: about the mid credit scene, but like, I mean, for real, though,
• 9:25
  Speaker 1: I don't know if people saw it coming. I don't
• 9:27
  Speaker 1: know if people were like, I'm waiting for this, are
• 9:29
  Speaker 1: they gonna do it? Are they gonna do it? Or
• 9:30
  Speaker 1: if they were just totally surprised. I was totally surprised.
• 9:33
  Speaker 1: I didn't know about Thanos too much. I only knew
• 9:36
  Speaker 1: of him, like very very loosely at this point.
• 9:39
  Speaker 3: Mh.
• 9:39
  Speaker 1: But that chin is very recognizable, yep. And even if
• 9:44
  Speaker 1: you'd only seen Thanos once you knew who, that was
• 9:47
  Speaker 1: shocking too.
• 9:48
  Speaker 2: Because, like you said, they just like had this huge
• 9:51
  Speaker 2: ordeal and we just like absolutely one of the best
• 9:54
  Speaker 2: stories that they've have been told. And then all of
• 9:57
  Speaker 2: a sudden, We're gonna get this insane, powerful character, Like
• 10:00
  Speaker 2: what what could possibly happen?
• 10:03
  Speaker 3: Essentially from all this.
• 10:05
  Speaker 1: I think that that was the hype, right is, even
• 10:08
  Speaker 1: if you don't know who Thanos is, right, that introduction
• 10:13
  Speaker 1: of like to court death and like that turn of
• 10:15
  Speaker 1: just like this menacing grid, I think kind of tells
• 10:18
  Speaker 1: you everything you need to know. Is the Battle for
• 10:21
  Speaker 1: New York was just the beginning, and something so much
• 10:24
  Speaker 1: worse is coming. We talked earlier about the about the
• 10:28
  Speaker 1: size difference between the Sanctuary Too and the Statesman, and
• 10:32
  Speaker 1: I think this is kind of an early like draft
• 10:35
  Speaker 1: of this right where it's not necessarily like a contrast
• 10:39
  Speaker 1: in size here, but there's a contrast in feelings, like yeah,
• 10:42
  Speaker 1: we just we just saved New York heray, but now
• 10:45
  Speaker 1: we're like, we're looking at this image that seems to
• 10:48
  Speaker 1: impose something much much more dangerous.
• 10:51
  Speaker 2: Right, Like New York was actually small time compared to
• 10:54
  Speaker 2: what Danels is going to rain on us later on.
• 10:57
  Speaker 3: Unreal.
• 10:59
  Speaker 1: Yeah, unreal is right. And I think one of my
• 11:03
  Speaker 1: favorite things about this scene is the Other himself. He's
• 11:06
  Speaker 1: a character we really don't get a whole heck of
• 11:09
  Speaker 1: a lot of, Like we get him in this movie
• 11:11
  Speaker 1: and then we get him in Guardians of the Galaxy
• 11:13
  Speaker 1: and that's the end of him. And I think he's
• 11:16
  Speaker 1: one of the more mysterious characters that we ever get
• 11:19
  Speaker 1: to see in the MCU, and we really don't get
• 11:21
  Speaker 1: any answers on him. I think the most interesting thing
• 11:25
  Speaker 1: about the Other is something that's actually retroactive, so like
• 11:30
  Speaker 1: in his speech, like to court Death, which already is
• 11:33
  Speaker 1: like a super metal line. It seems to imply what
• 11:37
  Speaker 1: Marvel's original plan for Thanos was, which clearly changed a
• 11:42
  Speaker 1: lot by the time we actually got to Infinity War
• 11:45
  Speaker 1: because in the comics, Thanos's original the whole Infinity Gauntlet
• 11:49
  Speaker 1: story is about him trying to woo the actual embodiment
• 11:54
  Speaker 1: of death. He loves this, the woman Death, and the
• 11:59
  Speaker 1: way that he's going to woo her, to court her
• 12:02
  Speaker 1: is he's going to erase half of all life in
• 12:05
  Speaker 1: the universe. And that line seems to very much imply
• 12:09
  Speaker 1: that they were originally thinking about adapting that story the
• 12:13
  Speaker 1: way that it was something that was more believable in
• 12:17
  Speaker 1: terms of like its relatability to our world. They related
• 12:21
  Speaker 1: it to resources as opposed to trying to trying to
• 12:24
  Speaker 1: I don't know, go on a date with the concept.
• 12:26
  Speaker 3: Of death, right.
• 12:29
  Speaker 2: Yeah, fascinating and great point too, with of course the
• 12:33
  Speaker 2: call out of to court death. So multiple meanings in
• 12:36
  Speaker 2: that sentence there.
• 12:38
  Speaker 1: Number three, what the breaking news Spider Man is, Peter Parker.
• 12:45
  Speaker 3: That's not really breaking news.
• 12:46
  Speaker 1: We all know that, Yeah, but like they didn't know that.
• 12:49
  Speaker 3: Coming in at number three.
• 12:51
  Speaker 1: Do you think Peter like whars or brings Deyodurant with
• 12:55
  Speaker 1: him when he goes webslinging.
• 12:56
  Speaker 3: That is why are you like this?
• 12:59
  Speaker 1: I'm just saying. He swings all day in the New
• 13:01
  Speaker 1: York sun in a polysynthetic suit. How breathable is that? Even?
• 13:05
  Speaker 3: Can you please focus?
• 13:07
  Speaker 2: No?
• 13:07
  Speaker 1: All I can think about is how mj must be
• 13:10
  Speaker 1: keeping it to herself. How smelly he is.
• 13:13
  Speaker 2: The suit has an AI and like fifty different combinations
• 13:15
  Speaker 2: of web attacks.
• 13:16
  Speaker 1: Just because it's advance doesn't mean it doesn't stink.
• 13:19
  Speaker 2: Joe, for the love of God, it has a vacuum
• 13:20
  Speaker 2: seal that we saw in Homecoming.
• 13:22
  Speaker 3: It can clearly air itself out.
• 13:24
  Speaker 1: I oh, that's that's actually a really good point.
• 13:28
  Speaker 2: Okay, okay, now that that's settled.
• 13:30
  Speaker 1: Coming in at number three on our best post credit
• 13:33
  Speaker 1: scene list is the breaking news announcement at the end
• 13:36
  Speaker 1: of Spider Man Far from Home.
• 13:38
  Speaker 2: This movie was brutal, with mysterios beat down of Peter for.
• 13:41
  Speaker 1: Real, that nightmare illusion sequence is still one of the
• 13:43
  Speaker 1: best fights in the entire MCU Oh, that would make
• 13:46
  Speaker 1: a really good future countdown list.
• 13:48
  Speaker 2: And even after Peter beats him, Mysterio manages to get
• 13:51
  Speaker 2: one last brutal punch in and actually ruin Peter's life,
• 13:54
  Speaker 2: although as we'll find out in the next Spider Man movie,
• 13:57
  Speaker 2: nobody is as good at ruining Peter's life as Peter is.
• 14:00
  Speaker 1: This scene was so unexpected, and I think it delivered
• 14:02
  Speaker 1: one of the best cliffhangers, not including Infinity War, the
• 14:06
  Speaker 1: MCU has ever delivered. One of the hallmarks of the
• 14:09
  Speaker 1: Home series was maintaining Peter's secret identity, and in one scene,
• 14:13
  Speaker 1: it strips that entire plot element away.
• 14:15
  Speaker 2: After teasing the multiverse in this movie, the post credit
• 14:18
  Speaker 2: scene welcomes JK. Simmons back into the role of j
• 14:22
  Speaker 2: Jonah Jameson to start spreading that Spider Man misinformation. Who
• 14:26
  Speaker 2: is Spider Man?
• 14:28
  Speaker 1: He's a criminal, absolutely, he is.
• 14:30
  Speaker 2: Of Vigilanti, making this scene memorable for so many reasons,
• 14:33
  Speaker 2: and unlike Tony, who chose to make his identity public,
• 14:35
  Speaker 2: that choice is stolen from Peter.
• 14:37
  Speaker 3: It's a moment that changed everything.
• 14:39
  Speaker 2: If that's not where they have a top three list mentioned,
• 14:41
  Speaker 2: I don't know what is this.
• 14:43
  Speaker 1: This was the beginning of Marvel's multiverse, but like only
• 14:46
  Speaker 1: sort of.
• 14:47
  Speaker 2: Yeah, only sort of, but like what a beginning? J
• 14:51
  Speaker 2: Jonah Jamison in the Flesh in the MCU.
• 14:55
  Speaker 1: This blew my mind when I saw this in theaters,
• 14:58
  Speaker 1: because like I remember going in to this movie thinking like, oh,
• 15:02
  Speaker 1: are they gonna get weird with the multiverse here, Like
• 15:04
  Speaker 1: we know that Mysterio is apparently a multiverse like Warrior
• 15:08
  Speaker 1: or something, and like, what's gonna happen? Is is Toby
• 15:10
  Speaker 1: maguire gonna show up? Like what's gonna happen? And then
• 15:14
  Speaker 1: we come to find out that of course it's not real.
• 15:16
  Speaker 1: Of course it's Mysterio putting on an illusion and just
• 15:19
  Speaker 1: made up the whole multiverse thing, which is so funny
• 15:22
  Speaker 1: because like apparently he just predicted what was gonna happen next. Right,
• 15:26
  Speaker 1: So so even though I loved I loved Mysterio, and
• 15:29
  Speaker 1: I loved that, oh that's not real, I did feel
• 15:32
  Speaker 1: a little let down that all, we're not doing multiverse yet.
• 15:35
  Speaker 1: Oh that's a bit of a bummer. And then we
• 15:37
  Speaker 1: get to this post credit scene and like they must
• 15:39
  Speaker 1: have known that that I was in the audience. This
• 15:42
  Speaker 1: was for me. They must have known that I was
• 15:45
  Speaker 1: gonna be a little disappointed, and they were like, no, no, Joe,
• 15:49
  Speaker 1: hang in there. Yeah, here's a little tease of the multiverse.
• 15:52
  Speaker 3: Hang in there, and it's JK. Simmons, Joe's favorite.
• 15:54
  Speaker 1: And it's Dayca Simmons.
• 15:56
  Speaker 3: Like fantastic.
• 15:59
  Speaker 2: It meant immense excitement in theaters just I mean basically
• 16:04
  Speaker 2: almost dropping an F bomb with everyone in theaters, right,
• 16:07
  Speaker 2: like same reaction as Spider Man in the theater though,
• 16:12
  Speaker 2: basically like what the so like mega mega moment. And
• 16:17
  Speaker 2: we should also talk about how Zindia hates web swinging.
• 16:21
  Speaker 1: We should have tolutely talk about how Zendia hates web swinging.
• 16:25
  Speaker 1: I love her rendition of MJ how different this character is,
• 16:31
  Speaker 1: and that moment in and of itself is just really
• 16:34
  Speaker 1: funny and definitely checks one of the boxes off of
• 16:38
  Speaker 1: our criteria list for what makes a great post credit scene.
• 16:41
  Speaker 1: But Nick, you pointed out that in Ragnarok that that
• 16:46
  Speaker 1: post credit scene threads the needle so beautifully and like
• 16:50
  Speaker 1: seamlessly into Infinity War, and this post credit scene does
• 16:56
  Speaker 1: the same exact thing, except we don't skip anything with
• 17:00
  Speaker 1: Infinity War. There is just a small skip of Fanos
• 17:04
  Speaker 1: beating up, beating up all the as Guardians, right. We
• 17:07
  Speaker 1: start the movie, right, but we know that the implication
• 17:09
  Speaker 1: happened whereas this this just picks up right from where
• 17:11
  Speaker 1: the post credit scene literally ended. Right. It's if this
• 17:15
  Speaker 1: scene doesn't want to make you watch No Way Home
• 17:18
  Speaker 1: immediately to find out what the heck happened, I don't
• 17:21
  Speaker 1: know what would.
• 17:22
  Speaker 3: Yeah, that's a great point.
• 17:23
  Speaker 2: This actually contradicts I think my statement from our previous
• 17:27
  Speaker 2: our previous episode, like this is actually the closest timeline
• 17:32
  Speaker 2: hop but between a post credit scene and the next movie,
• 17:35
  Speaker 2: like this is literally zero seconds, like this is a
• 17:38
  Speaker 2: here's a credit and then this other movie starts right here,
• 17:40
  Speaker 2: and so like enjoy.
• 17:43
  Speaker 1: It might as well just be one movie, right, but
• 17:45
  Speaker 1: the two movies honestly, with the theme of the multiverse,
• 17:48
  Speaker 1: like it kind of works in a weird way. Yeap,
• 17:51
  Speaker 1: just a very long movie sitting that maybe you should
• 17:54
  Speaker 1: take an intermission for. Also, I have to just point
• 17:57
  Speaker 1: this out. I think it's so funny that missus Deeer
• 18:00
  Speaker 1: that the way he words the statement is Spider Man
• 18:04
  Speaker 1: is Peter Parker, as if Peter Parker is this famous
• 18:07
  Speaker 1: person that like everyone would know, because like in Times
• 18:10
  Speaker 1: Square there was some New Yorker who was like who
• 18:13
  Speaker 1: is that?
• 18:16
  Speaker 2: Honestly, there's probably still people who don't know who Peter
• 18:19
  Speaker 2: Parker is, right like, it's like, what is this?
• 18:20
  Speaker 1: And actually now nobody does.
• 18:24
  Speaker 3: Spoilers Number two. Oh my god, this should have been
• 18:32
  Speaker 3: number one on the list.
• 18:33
  Speaker 1: It could have. Honestly, if it were a list of
• 18:36
  Speaker 1: the most entertaining scenes from the MCU, it probably would.
• 18:40
  Speaker 2: It lives rent free in my head and in the
• 18:42
  Speaker 2: heads of millions of others for good reason.
• 18:44
  Speaker 1: This scene is delightful and actually accomplishes a couple of
• 18:46
  Speaker 1: things for the Guardians of the Galaxy narrative.
• 18:48
  Speaker 2: Oh yeah, First, we get to see grow a bit
• 18:50
  Speaker 2: after watching him sacrifice himself for his friends in the
• 18:53
  Speaker 2: climax of the movie.
• 18:54
  Speaker 3: It's one of the most moving.
• 18:55
  Speaker 2: Scenes in the entire MCU, So to go from that
• 18:57
  Speaker 2: point in sad moment to this goofy and delightful it
• 19:00
  Speaker 2: just sticks with and puts you in a good mood.
• 19:02
  Speaker 1: The scene also takes advantage of Gun's use of music
• 19:05
  Speaker 1: to push the narrative forward throughout the movie.
• 19:07
  Speaker 2: Gun originally pitched using music from the seventies and eighties
• 19:10
  Speaker 2: to make the film feel more grounded and remind audiences
• 19:13
  Speaker 2: that Peter is from Earth.
• 19:14
  Speaker 1: But at the end of the movie we get I
• 19:16
  Speaker 1: Want You Back by the Jackson Five, with Baby Group
• 19:18
  Speaker 1: dancing making him feel more human and earth like.
• 19:21
  Speaker 2: Plus, Baby Michael Jackson's voice kind of goes really well
• 19:24
  Speaker 2: with Baby Group stealing the.
• 19:25
  Speaker 1: Show equally delightful. James Gunn told the public after the
• 19:28
  Speaker 1: film's release that Baby groups dance moves are actually based
• 19:31
  Speaker 1: on Gun's very own silly moves.
• 19:33
  Speaker 2: Yes, and he apparently told everyone to leave the studio
• 19:36
  Speaker 2: because he was too shy to do this scene in
• 19:38
  Speaker 2: front of everyone else. He videotaped himself and then sent
• 19:41
  Speaker 2: the footage to his animators and the rest is MCU legend.
• 19:44
  Speaker 3: Ultimately, it's just one.
• 19:45
  Speaker 2: Of the most memorable scenes in the MCU and deserves
• 19:48
  Speaker 2: to be number two on our list, but there is
• 19:50
  Speaker 2: an argument for number one.
• 19:52
  Speaker 1: In my opinion, it was funny that it was hilarious,
• 19:54
  Speaker 1: then do you think it's so funny now?
• 19:56
  Speaker 3: I think it's fantastic. Now.
• 19:58
  Speaker 2: I've just got done doing like a rewatch or work.
• 20:01
  Speaker 2: At least we're past this part of the rewatch of
• 20:04
  Speaker 2: the MCU timeline, and I love the scene.
• 20:07
  Speaker 3: It still holds up.
• 20:09
  Speaker 2: The funny ones are always funny and they stick with you.
• 20:12
  Speaker 2: So like it stands out and you know what, like
• 20:16
  Speaker 2: Drax has his own separate comedic performance and comedic relief,
• 20:21
  Speaker 2: and so him and Groot on the screen together like
• 20:24
  Speaker 2: Goods gets.
• 20:25
  Speaker 1: It is And I agree. I think this scene is
• 20:28
  Speaker 1: classic and it's just so fun that it's hard not
• 20:32
  Speaker 1: to smile at it. By the way, speaking of Drags, here,
• 20:35
  Speaker 1: as Drax keeps whipping his head around to see if
• 20:38
  Speaker 1: is dancing, do you know why he's stopping to dance
• 20:42
  Speaker 1: every time Dax looks at him?
• 20:44
  Speaker 3: No, why is that?
• 20:45
  Speaker 1: So? It's actually confirmed in the audio commentary in Guarding
• 20:49
  Speaker 1: to the Galaxy Too, that he's doing that because Drax
• 20:54
  Speaker 1: thinks dancing is stupid and he doesn't dance, and group
• 20:58
  Speaker 1: wants wants Drags to think is cool. So that's why
• 21:02
  Speaker 1: he stops dancing every time he looks at him.
• 21:06
  Speaker 3: That's so jarving. This scene should be number one.
• 21:10
  Speaker 1: This scene because I have to imagine because of how
• 21:13
  Speaker 1: popular this scene is, or just maybe how much antickled
• 21:17
  Speaker 1: James Gunn that he doubles down this scene and it
• 21:21
  Speaker 1: becomes the intro to Gardens of the Galaxy two with
• 21:24
  Speaker 1: Grew dancing, and then it kind of becomes the ending
• 21:28
  Speaker 1: of Gardens of the Galaxy three, when the Dad Days
• 21:31
  Speaker 1: of Summer is playing, when everyone is dancing, and finally
• 21:34
  Speaker 1: so is Drax.
• 21:36
  Speaker 2: Great point, Yeah, that it's one of the best parts
• 21:39
  Speaker 2: of the Guardians franchise is really just how it intertwines
• 21:41
  Speaker 2: music and then of course grew dancing.
• 21:43
  Speaker 3: Who doesn't love grew dancing.
• 21:45
  Speaker 1: Dude, all forms of grew dancing. I'll take all ages
• 21:48
  Speaker 1: of grew dancing. I love it, but baby Grew that's
• 21:51
  Speaker 1: a special dance in my heart, it's the first one.
• 21:54
  Speaker 1: It's the best of one. Also, do you think in
• 21:56
  Speaker 1: that scene that this is how drags learn to become invisible?
• 21:59
  Speaker 3: I think think Drax is still learning how it's become invisible.
• 22:02
  Speaker 1: Number one? Because the hell are you Nick Fury, director
• 22:08
  Speaker 1: of she of course this was the number one scene.
• 22:11
  Speaker 1: We're not insane.
• 22:12
  Speaker 2: I mean we did put The Captain America PSA at
• 22:15
  Speaker 2: number ten.
• 22:16
  Speaker 1: I am not redefending that choice. It makes sense.
• 22:19
  Speaker 3: In any case.
• 22:20
  Speaker 2: Coming in at the top of our post credit scene
• 22:23
  Speaker 2: list is the post credit scene that started it all,
• 22:26
  Speaker 2: not just the trend and technique of using post credit
• 22:28
  Speaker 2: scenes to thread different films together, but also the beginning
• 22:31
  Speaker 2: of the Marvel universe and now multiverse. It all starts
• 22:34
  Speaker 2: with Nick Fury telling Tony he's part of a much
• 22:37
  Speaker 2: bigger universe and.
• 22:38
  Speaker 1: How right he was. This scene crosses all of the checkboxes,
• 22:42
  Speaker 1: which is impressive given the next movie would have Tony
• 22:44
  Speaker 1: Stark in a post credit scene taking the role of
• 22:47
  Speaker 1: Nick Fury to speak with Thunderbolt Ross. And honestly, it
• 22:50
  Speaker 1: isn't nearly as memorable.
• 22:52
  Speaker 3: I mean that movie is only barely canon.
• 22:55
  Speaker 1: That is not true, and you know it.
• 22:56
  Speaker 2: I'm just saying, how often have you watched the incredible
• 22:59
  Speaker 2: Hulk on your MC You rewatch.
• 23:00
  Speaker 1: This moving on? This scene is fun for so many reasons. First,
• 23:05
  Speaker 1: just like the Shwarma scene, this scene was mostly improvised.
• 23:08
  Speaker 1: Fige and director John Favreau asked comic book writer Brian
• 23:11
  Speaker 1: Michael Bendis, the guy who invented Miles Morales to come
• 23:14
  Speaker 1: in the day before they shot the scene, to well
• 23:17
  Speaker 1: write the scene.
• 23:18
  Speaker 2: Basically, Figi asked Bendis to write dialogue for Jackson, and
• 23:21
  Speaker 2: Bendis couldn't say us fast enough.
• 23:23
  Speaker 1: It's funny how many comic book lovers don't like Bendis,
• 23:26
  Speaker 1: and yet his resume has some pretty iconic work.
• 23:29
  Speaker 2: And this scene is iconic, and it's funny because this
• 23:31
  Speaker 2: almost wasn't the scene that we got. Figi released an
• 23:34
  Speaker 2: alternate version of this scene where Fury references the X
• 23:37
  Speaker 2: Man and Spider Man.
• 23:38
  Speaker 1: Marvel Studios was just a fledgling production company at the time,
• 23:41
  Speaker 1: but it really shows you here that they were banking
• 23:44
  Speaker 1: on Iron Man to kick off what they believed could
• 23:46
  Speaker 1: be decades of superhero cinema storytelling.
• 23:49
  Speaker 2: This was the beginning of a much larger story. It
• 23:52
  Speaker 2: was the beginning of Fige pulling off one of the
• 23:54
  Speaker 2: most ambitious gambits in Hollywood history, and it struck gold,
• 23:58
  Speaker 2: with help, of course, from Samuel Alti leaning in to
• 24:01
  Speaker 2: the cool factor.
• 24:02
  Speaker 1: Funny enough, Jackson agreed to do this as a favor
• 24:04
  Speaker 1: to Jon Favreau. Favreau was a big comic book fan,
• 24:07
  Speaker 1: and he wanted to fill the movie with easter eggs.
• 24:10
  Speaker 1: One of those easter eggs was the reimagining of Nick Fury.
• 24:12
  Speaker 1: In two thousand and two, the comic book The Ultimates,
• 24:15
  Speaker 1: which is a lot of what the MCU is based on,
• 24:18
  Speaker 1: featured a new Nick Fury. No longer a white guy,
• 24:21
  Speaker 1: he'd been reimagined to look like well Samuel Jackson. They
• 24:24
  Speaker 1: actually never asked his permission either. That's awkward, yeah, but
• 24:28
  Speaker 1: it's one of those rare instances of life imitating art.
• 24:32
  Speaker 2: I love that Fabreau added the post credit scene to
• 24:35
  Speaker 2: just do a fun Easter egg woman, and now post
• 24:37
  Speaker 2: credit scenes are one of the most important parts of
• 24:39
  Speaker 2: an MCU film's DNA.
• 24:41
  Speaker 1: This scene, Nick, I don't even remember if I was
• 24:44
  Speaker 1: expecting a post credit scene. I think like post credit
• 24:48
  Speaker 1: scenes were like one of those things that a movie
• 24:50
  Speaker 1: may or may not have at the time, and I
• 24:54
  Speaker 1: think I was on a roll with picking the movies
• 24:57
  Speaker 1: that did and I stuck around, and then sure enough
• 25:00
  Speaker 1: the movie kept going after after the credits had finished,
• 25:03
  Speaker 1: and Tony walked into his home, and I don't know
• 25:08
  Speaker 1: what else to say because the hype came so quickly
• 25:13
  Speaker 1: in this moment.
• 25:15
  Speaker 2: Listen, this is how much Marvel's post credit scenes changed
• 25:20
  Speaker 2: the game.
• 25:21
  Speaker 3: In your head, you thought that there used to.
• 25:23
  Speaker 2: Be some post credit scenes in movies. There were never
• 25:26
  Speaker 2: post credit scenes in movies. When you saw the credits
• 25:28
  Speaker 2: rule you left the theater. When this happened, it was
• 25:32
  Speaker 2: just like, what in the world is gonna happen next?
• 25:35
  Speaker 3: Like it was totally ridiculous.
• 25:37
  Speaker 2: Like there wasn't any post credit scenes before this happened,
• 25:40
  Speaker 2: Like this is the reason there's post creditings because.
• 25:43
  Speaker 3: Of the MCU, Like this is it.
• 25:46
  Speaker 1: I agree with you. I mean post credit scenes. You know,
• 25:49
  Speaker 1: Marvel certainly didn't invent them, but I think they popularized
• 25:53
  Speaker 1: them in the modern era of cinema, right. I think
• 25:57
  Speaker 1: I think people started googling after after different movies to see, like, hey,
• 26:02
  Speaker 1: is there a post credit scene? Should I wait around
• 26:05
  Speaker 1: to see, like, you know, if it's actually a thing,
• 26:08
  Speaker 1: And because you have to now because so many films
• 26:11
  Speaker 1: are trying to piggyback off of what Marvel did. It
• 26:15
  Speaker 1: should be noted that Iron Man, even though like it
• 26:18
  Speaker 1: is definitely regarded as one of the most successful superhero
• 26:21
  Speaker 1: movies of all time, that it wasn't the only superhero
• 26:24
  Speaker 1: movie that came out during that summer. The Dark Knight
• 26:27
  Speaker 1: also came out right around the same time, also beloved,
• 26:31
  Speaker 1: also regarded as one of the best, if not the best,
• 26:34
  Speaker 1: superhero film of all time. But I think this film
• 26:37
  Speaker 1: holds up differently because it really did kick off a
• 26:41
  Speaker 1: new era of superhero storytelling.
• 26:44
  Speaker 3: Yeah, that's a great point. That's hilarious.
• 26:45
  Speaker 2: I would never have guessed that was the other movie
• 26:47
  Speaker 2: that came out during that year if you would invest me.
• 26:50
  Speaker 2: Obviously equal like and sandly good film, like great film,
• 26:53
  Speaker 2: great superhero film. But yeah, this specifically kicking off a
• 26:59
  Speaker 2: universe that were still enthralled with and still excited about
• 27:02
  Speaker 2: and still looking forward to what's next.
• 27:05
  Speaker 1: It is funny like thinking about those two films in
• 27:09
  Speaker 1: that year and where we are now as far as
• 27:12
  Speaker 1: those individual properties go, as far as Disney and Warner
• 27:16
  Speaker 1: Brothers go, because the Dark Knight when it came out
• 27:19
  Speaker 1: and to this day, you know, is heralded as one
• 27:21
  Speaker 1: of the greatest superhero films of all time, and what
• 27:24
  Speaker 1: a high for the DC universe to ride in that moment.
• 27:28
  Speaker 1: But for Marvel, Iron Man was just the beginning, right,
• 27:32
  Speaker 1: and the best of Marvel was still yet to come,
• 27:36
  Speaker 1: Whereas unfortunately for DC, I don't think they've ever had
• 27:39
  Speaker 1: anything that's even come close to The Dark Knight.
• 27:42
  Speaker 3: Nope, I think you're correct about that.
• 27:44
  Speaker 2: Maybe the closest thing was the most reason of The
• 27:46
  Speaker 2: Batman by Matt Reeves.
• 27:48
  Speaker 1: Probably probably, but yeah, but that might be the closest
• 27:52
  Speaker 1: thing that comes That's our list. How did we Do
• 27:55
  Speaker 1: you love it?
• 27:55
  Speaker 3: Do you hate it? Either way, let us know in
• 27:57
  Speaker 3: the comments.
• 27:58
  Speaker 2: Thanks for watching all this and if you enjoy this,
• 28:00
  Speaker 2: be sure to give it a like and a subscribe.
• 28:02
  Speaker 1: That was a merry Marvel Christmas countdown. Merry Christmas and
• 28:05
  Speaker 1: happy holidays. Peace,