Latest / Beyond The Blood: A Horror Movie Commentary Podcast / Essential Italian Horror - Steve's Birthday Episode Ft. PlanetCHH, The Movie Den, and Face the Movies!

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Essential Italian Horror - Steve's Birthday Episode Ft. PlanetCHH, The Movie Den, and Face the Movies! · Beyond The Blood: A Horror Movie Commentary Podcast

• 0:03
  Speaker 1: He wants you for a best friend. Yeah, sure, we
• 0:14
  Speaker 1: all go a little mac sometimes.
• 0:25
  Speaker 2: Don't you want to.
• 0:26
  Speaker 3: Learn what's your favorite scary I don't know, you have
• 0:31
  Speaker 3: to have a favorite.
• 0:32
  Speaker 2: What comes to mind.
• 0:35
  Speaker 4: Halloween, the one with the guy in the white mask
• 0:39
  Speaker 4: walks around in stalks, babysitters. Yeah, you just got Sometimes
• 0:58
  Speaker 4: deadness matter, but dying is such a bitch.
• 1:11
  Speaker 2: Congratulations, you are still a lot.
• 1:21
  Speaker 5: All right?
• 1:21
  Speaker 3: So Steve, we're here celebrating your birthday. Man, So wait
• 1:26
  Speaker 3: May fourth, and you're not a Star Wars fan?
• 1:28
  Speaker 6: No, I think I'm like the first thing from it.
• 1:31
  Speaker 6: I like the original trilogy, but it kind of like
• 1:34
  Speaker 6: starts and stops with that.
• 1:35
  Speaker 3: To be honest, dude, you told me last week that
• 1:38
  Speaker 3: you were a fan of the jj abramsks.
• 1:42
  Speaker 6: Oh man, that's gonna get me in hot water. Yeah,
• 1:46
  Speaker 6: thank you.
• 1:47
  Speaker 5: Welcome to your birthday episode.
• 1:48
  Speaker 3: We have a whole crowd of people here that we
• 1:51
  Speaker 3: have to introduce outside of me, Stephen Chuck, So I'm
• 1:54
  Speaker 3: just gonna go in order here. Uh, we have on
• 1:57
  Speaker 3: Jordan from the movie Den what's a dude?
• 2:00
  Speaker 7: Hey, what's going on? Thank you for having me on
• 2:02
  Speaker 7: and happy birthday, dude.
• 2:04
  Speaker 6: Yeah, thank you. Thank you.
• 2:05
  Speaker 3: I don't know if you I don't know if you know, Steve.
• 2:07
  Speaker 3: But in honor of your birthday, Jordan lit his truck
• 2:10
  Speaker 3: on fire.
• 2:12
  Speaker 6: Too soon.
• 2:14
  Speaker 4: I didn't.
• 2:15
  Speaker 8: I didn't light it. I blew it up. That's what happened.
• 2:17
  Speaker 5: Man, make a wish.
• 2:21
  Speaker 8: Uh those exploding candles, you know what I mean?
• 2:23
  Speaker 5: Oh my god, Jordan's out there like trying to get
• 2:27
  Speaker 5: the fire out. And then yeah, and then we also
• 2:34
  Speaker 5: have on GC from Face the Movies, what's going on? Brother? Dude?
• 2:38
  Speaker 9: It's gonna be hard to follow Jordan's intro, But what's up?
• 2:41
  Speaker 6: Guys?
• 2:41
  Speaker 9: Thank you for having me as well? And Steven, Happy birthday, brother,
• 2:44
  Speaker 9: Thank you, thank you.
• 2:45
  Speaker 6: I appreciate man.
• 2:46
  Speaker 3: Unfortunately, in the ranking of your friends, GC did not
• 2:49
  Speaker 3: light anything on fire for your birthday. I did not
• 2:52
  Speaker 3: keep that in mind for the future.
• 2:53
  Speaker 6: I was just about to ask that, like, what'd you
• 2:55
  Speaker 6: land on fire for me?
• 2:58
  Speaker 3: But then also we have on Christian from Planet h
• 3:01
  Speaker 3: what's up, dude.
• 3:02
  Speaker 4: What's going on? Happy birthday, Steve? I want to say
• 3:06
  Speaker 4: really quick, this is so fucking I could curse on
• 3:10
  Speaker 4: here right, yeah, yeah, yeah, this is so goddamn impressive.
• 3:13
  Speaker 4: How everybody here has got great cameras, great audio. This
• 3:18
  Speaker 4: is the first podcast I've ever done where I'm just like, wow,
• 3:21
  Speaker 4: this sounds so good. I'm so impressed. Like, people, please
• 3:26
  Speaker 4: take notes. If you're gonna do this, don't set up
• 3:29
  Speaker 4: your damn iPhone for a podcast against the wall and
• 3:32
  Speaker 4: talk to it. Like, get the equipment. You don't have
• 3:33
  Speaker 4: to spend a lot of month get just get get
• 3:35
  Speaker 4: a microphone. Make it sound good. This is I am
• 3:38
  Speaker 4: so just bravo. I'm so goddamn impressed by this is amazing.
• 3:43
  Speaker 4: Like I'm just I'm genuinely, like so happy about it.
• 3:46
  Speaker 5: So dude, thank you.
• 3:47
  Speaker 4: We're very happy to be here.
• 3:48
  Speaker 5: So we this was sort.
• 3:49
  Speaker 3: Of like an evolution thing because the first microphone that
• 3:53
  Speaker 3: I bought was like a thirty dollars Amazon thing, and
• 3:57
  Speaker 3: then we did I didn't want to invent a lot
• 4:00
  Speaker 3: of money because I was like, if we get five
• 4:02
  Speaker 3: or six episodes in and this thing is just not
• 4:04
  Speaker 3: doing well, I'm just gonna, you know, give up on it.
• 4:06
  Speaker 3: We got four episodes in, I was like, fuck, man,
• 4:08
  Speaker 3: I got an upgrade. So now I have an eighty
• 4:11
  Speaker 3: dollars mic and I'm so much more confident.
• 4:14
  Speaker 5: Just so just so you guys.
• 4:15
  Speaker 6: Know, Chris are giving off different energy.
• 4:17
  Speaker 4: Now.
• 4:18
  Speaker 3: Yeah, yeah, I'm giving off new bike energy.
• 4:21
  Speaker 6: Bro.
• 4:23
  Speaker 8: It sounds good.
• 4:25
  Speaker 5: Thank you, thank you.
• 4:26
  Speaker 3: Uh so Steve we well, clearly, man, you're a host
• 4:30
  Speaker 3: on this podcast, so it was very important to us
• 4:31
  Speaker 3: that we dedicate an episode to you.
• 4:34
  Speaker 6: I appreciate you, guys.
• 4:35
  Speaker 3: It sounds like an in remembrance, like I feel like
• 4:37
  Speaker 3: you died and.
• 4:38
  Speaker 6: I definitely didn't die.
• 4:41
  Speaker 3: What we we related really early on in our friendship
• 4:46
  Speaker 3: over Italian horror. It was something that you When I
• 4:50
  Speaker 3: followed you, you were posting this stuff. I was super
• 4:52
  Speaker 3: impressive what you're doing.
• 4:53
  Speaker 4: Uh.
• 4:54
  Speaker 3: We became friends and one thing that we really bonded
• 4:56
  Speaker 3: over was Italian horror. So obviously in the future of
• 5:00
  Speaker 3: the show, there's a lot more of it coming that
• 5:02
  Speaker 3: we're going to be covering on this but I figured
• 5:05
  Speaker 3: to prep people for the eventual season of Ghallo that's
• 5:08
  Speaker 3: coming in twenty twenty six. By the way, I wanted
• 5:12
  Speaker 3: to find out from you your top five essential Italian
• 5:19
  Speaker 3: horror films, and I put together this ensemble cast of
• 5:22
  Speaker 3: characters to not only celebrate, but to also talk about
• 5:26
  Speaker 3: these movies and just kind of talk about the genre,
• 5:28
  Speaker 3: and we have a wide range here of knowledge in
• 5:31
  Speaker 3: Italian horror. Like Jordan, we have like infested with our
• 5:35
  Speaker 3: bad uh you know, desire for Italian horror. So he's
• 5:40
  Speaker 3: slowly learning. I don't think GC knows where Italy is
• 5:43
  Speaker 3: on a map, but.
• 5:44
  Speaker 4: That's fine, that's all right, that's all right.
• 5:47
  Speaker 3: I don't either, so it's okay. And then of course
• 5:51
  Speaker 3: Christian plants ah do. We had to get you on
• 5:53
  Speaker 3: absolutely and we figured there was nobody better.
• 5:55
  Speaker 4: Well, my question is if I disagree with his list,
• 5:58
  Speaker 4: can I talk shit?
• 5:59
  Speaker 6: Oh that's all fine, I'm looking to it.
• 6:01
  Speaker 4: Okay, good, good.
• 6:04
  Speaker 3: What I want to know, though, is because your list
• 6:07
  Speaker 3: is good, your list is really good, So I don't know,
• 6:09
  Speaker 3: like there's some interplay here, but I don't want to
• 6:12
  Speaker 3: give out the whole list.
• 6:13
  Speaker 4: No, I'm petty. If I don't like the order, I'll
• 6:15
  Speaker 4: talk shit.
• 6:16
  Speaker 6: Oh shit, oh man. The stakes are high now.
• 6:21
  Speaker 5: But I want to ask.
• 6:22
  Speaker 3: I want to throw it out to everybody, and I'm
• 6:24
  Speaker 3: gonna go one by one because there's varying degrees of
• 6:29
  Speaker 3: knowledge here, and I'm actually gonna start with Chuck. What
• 6:33
  Speaker 3: if somebody comes up to you and says, like Hey,
• 6:35
  Speaker 3: what's your favorite Italian horror film?
• 6:37
  Speaker 5: What are you gonna go with?
• 6:38
  Speaker 2: Well, my first pick would be Torso.
• 6:41
  Speaker 5: Damn yeah, right for Augusta at that thing.
• 6:44
  Speaker 10: Yeah, I love that movie.
• 6:47
  Speaker 7: Right for the Gusta Jordan, What about you? It's it's
• 6:51
  Speaker 7: got to be a faulty film. So I'm gonna go
• 6:53
  Speaker 7: with The Beyond. If not, it would be it would
• 6:54
  Speaker 7: be The Church for sure.
• 6:56
  Speaker 5: Damn.
• 6:57
  Speaker 3: Okay, I was I knew you were gonna say The Beyond,
• 7:00
  Speaker 3: but the Church.
• 7:01
  Speaker 7: I loved the Church. I thought that was a phenomenal
• 7:03
  Speaker 7: because that's.
• 7:04
  Speaker 6: A really good choice too.
• 7:05
  Speaker 8: Yeah, the Church.
• 7:06
  Speaker 5: Yeah, that's really good. GC.
• 7:08
  Speaker 3: I know that you were not the biggest Italian horror fan,
• 7:12
  Speaker 3: but let's see what you got, dude.
• 7:14
  Speaker 9: The thing is, it's not that I'm not a fan,
• 7:16
  Speaker 9: I'm just not experienced. Like I mean, you guys are
• 7:20
  Speaker 9: slowly introducing me, you know, getting the toe wet because uh,
• 7:25
  Speaker 9: obviously the Beyond I got because of you guys. And
• 7:29
  Speaker 9: I mean, and uh, I know I've seen Cannibal Holocaust
• 7:32
  Speaker 9: by myself, like a long time ago. I saw like
• 7:34
  Speaker 9: a very crappy version of it. So yeah, man, I
• 7:38
  Speaker 9: mean that's that's as far as my experience, I'm honestly like, I, yeah,
• 7:43
  Speaker 9: that's okay.
• 7:44
  Speaker 6: Is about a crash course? Oh yeah?
• 7:47
  Speaker 4: Man?
• 7:47
  Speaker 9: Like when you when you invited me, I was like,
• 7:49
  Speaker 9: I do not deserve to be here like you horror gods,
• 7:54
  Speaker 9: But here I am.
• 7:55
  Speaker 6: Somehow, I'm putting that down on my LinkedIn profile.
• 7:59
  Speaker 2: I wouldn't go that far for me. I'm still dipping
• 8:01
  Speaker 2: my toes in as well.
• 8:04
  Speaker 3: DC's like, uh, does the scene in Beetlejuice Beetle Juice
• 8:07
  Speaker 3: when he speaks Italian for a couple minutes count.
• 8:12
  Speaker 5: Christian? What about you?
• 8:12
  Speaker 6: Man?
• 8:13
  Speaker 4: It's it, hands down, It's zombie. You just know there's
• 8:17
  Speaker 4: no two ways of it it. I can't believe Chuck's
• 8:18
  Speaker 4: got the shirt on it? Does he doesn't say? He
• 8:21
  Speaker 4: says torso sorry. That's another way of saying like, please
• 8:25
  Speaker 4: leave me alone like that pick though for real?
• 8:30
  Speaker 5: And Steve, you have five of them?
• 8:33
  Speaker 3: So to get this ball rolling, which there's there's clearly
• 8:36
  Speaker 3: no rush I got. First of all, I'm drinking this
• 8:39
  Speaker 3: wonderful Wildwood D's vodka lemon iced tea. This is actually
• 8:44
  Speaker 3: a listener out of Wildwood, New Jersey. So if he's
• 8:47
  Speaker 3: a listening shout out to him, But Steve, what is
• 8:51
  Speaker 3: your Do you have five or do you have six?
• 8:53
  Speaker 3: I thought you had like a I.
• 8:55
  Speaker 6: Have five with like room for others? I guess depending
• 8:59
  Speaker 6: on where this goes.
• 9:00
  Speaker 3: Do we have like a can you can we kick
• 9:02
  Speaker 3: off with like a what do you call that?
• 9:05
  Speaker 5: When you have five?
• 9:06
  Speaker 6: But you have an extra honorable mentions?
• 9:09
  Speaker 3: Well, give us one honorable mention before we get into
• 9:12
  Speaker 3: the top five.
• 9:13
  Speaker 6: Oh shit, so that throws them off? Yeah?
• 9:19
  Speaker 8: Uh so.
• 9:23
  Speaker 6: I would say one that I don't hear get talked
• 9:25
  Speaker 6: about enough. A stage fright.
• 9:27
  Speaker 3: Mm hmm okay, okay, any stage fright fans in here, sure, yeah, okay, okay.
• 9:32
  Speaker 3: So what do you think of that pick? As a
• 9:34
  Speaker 3: outside the top five?
• 9:36
  Speaker 4: That's definitely yeah. I'm just glad it respectfully, I'm glad
• 9:39
  Speaker 4: that's not in his top five.
• 9:41
  Speaker 6: Uh.
• 9:42
  Speaker 4: But it's a good movie. I had a buddy that
• 9:44
  Speaker 4: kept telling me to watch it, watch it, watch it.
• 9:45
  Speaker 4: I think I had seen like a remake of it.
• 9:47
  Speaker 4: It might not have been a remake, but it was
• 9:48
  Speaker 4: when they came out like the two thousands. But I
• 9:51
  Speaker 4: finally found the DVD of that movie and it was good.
• 9:53
  Speaker 4: I forgot who directed that though. Was that so abby?
• 9:56
  Speaker 6: Was that something l Yeah?
• 9:57
  Speaker 4: Yeah, it was so yeah. I don't think it's his
• 10:00
  Speaker 4: best film either, but that's a good movie. That's a
• 10:03
  Speaker 4: good movie. I think it needs to find an audience
• 10:05
  Speaker 4: a little bit more. It's kind of I don't know
• 10:06
  Speaker 4: if it's still still in print on Blu ray or anything,
• 10:09
  Speaker 4: which I know few people. They don't buy those movies.
• 10:12
  Speaker 4: I mean, they don't stream those ways, they just buy them.
• 10:13
  Speaker 4: So I think it's why a lot of people haven't
• 10:14
  Speaker 4: seen it.
• 10:15
  Speaker 3: But you found the Anchor Bay DVD, right, I think
• 10:18
  Speaker 3: that or Bluey Aground.
• 10:19
  Speaker 4: One of the two.
• 10:19
  Speaker 5: One of those, Yeah, I remember seeing in one of
• 10:21
  Speaker 5: your videos.
• 10:23
  Speaker 3: Yes, Stage Fright is good, but I feel like it's
• 10:25
  Speaker 3: kind of got lost because the Napps put out that
• 10:26
  Speaker 3: Blu ray and then it just sort of disappeared, like
• 10:29
  Speaker 3: it just kind of went away and nobody.
• 10:31
  Speaker 5: Really talks about it. It is odd, though, that there
• 10:32
  Speaker 5: was a remake.
• 10:33
  Speaker 3: I always forget that there was a remake of that.
• 10:36
  Speaker 3: That's so strange, Steve, have you ever seen the remake?
• 10:39
  Speaker 6: I haven't seen the remake, but I just remember when
• 10:43
  Speaker 6: I was going into Swab's like his filmography, I mean,
• 10:47
  Speaker 6: there's only limited titles, but that one was one that
• 10:51
  Speaker 6: I just like, really gravitated towards. I just felt like
• 10:54
  Speaker 6: there was just something about it where just feels like
• 10:57
  Speaker 6: like a straight up slasher in a lot of ways.
• 10:59
  Speaker 6: And I just wish we had got more films from
• 11:03
  Speaker 6: him as a director. I mean, he only did what
• 11:06
  Speaker 6: for films in total?
• 11:08
  Speaker 5: Yeah, plus his appearance and Demons?
• 11:10
  Speaker 3: Yep, yeah, that's about it. Damn, dude. Is he still
• 11:15
  Speaker 3: I mean I feel terrible for asking this.
• 11:17
  Speaker 5: Is he still alive?
• 11:20
  Speaker 6: That's a good question.
• 11:21
  Speaker 4: Yeah, he's sixty seven.
• 11:23
  Speaker 5: Oh okay, nice.
• 11:24
  Speaker 6: He's got no excuses. Why doesn't he make any more movies?
• 11:29
  Speaker 6: Who's his agent?
• 11:30
  Speaker 3: You mean to tell me that guy got by on
• 11:34
  Speaker 3: three minutes of acting in Demons and four movies?
• 11:36
  Speaker 4: He's good, he.
• 11:39
  Speaker 6: Just cashed out. I guess whatever, man, But I mean,
• 11:42
  Speaker 6: I'll throw it to you guys. Did you guys feel
• 11:44
  Speaker 6: like after his run did you feel like the Italian
• 11:49
  Speaker 6: horror sub genre did you feel like we saw like
• 11:52
  Speaker 6: as many films like after that point? Because I felt
• 11:54
  Speaker 6: like that in my mind that seemed like where things
• 11:57
  Speaker 6: kind of everything kind of trailed off at them at
• 12:00
  Speaker 6: that point.
• 12:02
  Speaker 3: So I always think about these long running directors eventually
• 12:07
  Speaker 3: have a point where there's a fall off, right, like
• 12:10
  Speaker 3: Argento post Phenomena up until I mean, I feel like
• 12:14
  Speaker 3: he had a little bit of a resurgence with Dark Glasses,
• 12:16
  Speaker 3: But like his run in the nineties with his daughter
• 12:19
  Speaker 3: doing Phantom of the Opera and Dracula and The Card Player,
• 12:23
  Speaker 3: and like this is not a great run compared to
• 12:26
  Speaker 3: Suspiria and Barbert the Crystal Plumage Opera, all these original titles, Right,
• 12:30
  Speaker 3: So I always wonder what would it be like if
• 12:34
  Speaker 3: if our Gento directed Phenomena and just said Okay, I'm done,
• 12:38
  Speaker 3: like I put it down, would we look at his
• 12:41
  Speaker 3: legacy a little different?
• 12:43
  Speaker 5: So if MIKEL.
• 12:43
  Speaker 3: Swab posts whatever his final movie was, said I'm just
• 12:49
  Speaker 3: gonna keep making movies, but the next seven titles that
• 12:51
  Speaker 3: he put out until current day were not good, would
• 12:54
  Speaker 3: we look different at his career?
• 12:58
  Speaker 5: You know what I mean?
• 12:59
  Speaker 6: That's tough.
• 13:01
  Speaker 5: It's interesting, man, I mean.
• 13:02
  Speaker 6: I mean I would argue that suave. I think in
• 13:06
  Speaker 6: my eyes, he went four for four on the films
• 13:08
  Speaker 6: he put out. I mean, the sect didn't really connect
• 13:11
  Speaker 6: with me as much as his other ones. But I
• 13:14
  Speaker 6: wouldn't consider that a bad film by any means.
• 13:17
  Speaker 5: No, he had a very unique style, very unique style.
• 13:21
  Speaker 3: But yeah, you're right, he did come around in kind
• 13:23
  Speaker 3: of like that fading like prime, you know, and then
• 13:28
  Speaker 3: he I mean, honestly.
• 13:29
  Speaker 5: Though, if the Church or the Sect, if.
• 13:33
  Speaker 3: They had come out any earlier, I feel like it
• 13:36
  Speaker 3: still wouldn't.
• 13:38
  Speaker 5: I don't know. It's interesting.
• 13:40
  Speaker 3: He always felt a little, for lack of a better word,
• 13:44
  Speaker 3: more sophisticated. Like it always seemed like he had so
• 13:47
  Speaker 3: much more to say. He just had really striking visuals
• 13:50
  Speaker 3: along with that, like he was. No, you cannot look
• 13:53
  Speaker 3: at his movies and say like, oh, that's a basic
• 13:56
  Speaker 3: except stage fright. You look at the Church, it's very complicated.
• 13:59
  Speaker 3: There's a lot of imagery. It tells a lot you
• 14:01
  Speaker 3: look at it. I mean the Sect is like layer
• 14:04
  Speaker 3: and layer and layer of just substance, you know what
• 14:08
  Speaker 3: I mean?
• 14:09
  Speaker 5: No, for sure, I don't know. I don't know what
• 14:12
  Speaker 5: it's worth.
• 14:13
  Speaker 4: That guy has done a lot of movies after Cemetery Man,
• 14:16
  Speaker 4: but it's nothing. A lot of it is just movies
• 14:19
  Speaker 4: that are Italian did not cross over in America. Andreano
• 14:24
  Speaker 4: A Lavetti La Forza diunda Sagna like that kind of stuff.
• 14:28
  Speaker 4: So it's nothing that would ever cross our radar. I
• 14:31
  Speaker 4: don't even think they are horror films. They look like
• 14:33
  Speaker 4: dramas and like lifetime movies for Italian.
• 14:37
  Speaker 3: So but that's what's funny though, because Cemetery Man is
• 14:41
  Speaker 3: arguably one of the most American Italian films. Sure it's
• 14:47
  Speaker 3: it's heavily influenced by American film culture at that time,
• 14:50
  Speaker 3: especially in the nineties, So to kind of go out
• 14:53
  Speaker 3: like that is a little Maybe he felt like he
• 14:56
  Speaker 3: lost his way. Maybe he was like, I just don't
• 14:59
  Speaker 3: or just.
• 14:59
  Speaker 6: Didn't have anything say at that.
• 15:00
  Speaker 4: Point, what do you do after Cemetery Man? I did?
• 15:07
  Speaker 4: Let me? Let me do or be in one movie
• 15:09
  Speaker 4: like that, I will retire immediately and I'll do a
• 15:12
  Speaker 4: conventioned circuit every year. I'll come to a city near
• 15:15
  Speaker 4: you and I'll sign that one poster I did a
• 15:17
  Speaker 4: movie of.
• 15:18
  Speaker 3: You know, my favorite detail about Cemetery Man that nobody
• 15:22
  Speaker 3: ever notices, you guys, probably did nobody ever picks up
• 15:25
  Speaker 3: on is after the bus crash, all the students sing
• 15:28
  Speaker 3: a song about if they weren't on the bus, they
• 15:31
  Speaker 3: wouldn't have died yep, and it's like you don't think
• 15:34
  Speaker 3: about it because it's this music. But then you listen
• 15:36
  Speaker 3: to lyrics and you're like, what are they singing about?
• 15:38
  Speaker 3: Like they all died in the crash. Yeah, that's a
• 15:42
  Speaker 3: good one, man. Stage Fright is great. I definitely think
• 15:44
  Speaker 3: there is a four K needed in the future from
• 15:47
  Speaker 3: this place somebody, you know what I mean. It's always
• 15:50
  Speaker 3: any where.
• 15:51
  Speaker 6: And I'll keep pounding the table for those two films
• 15:54
  Speaker 6: to get the four K treatment.
• 15:56
  Speaker 3: Somebody's got to be working on it, right, Like these
• 15:58
  Speaker 3: things aren't just dead somewhere.
• 16:00
  Speaker 5: Somebody has to be.
• 16:01
  Speaker 6: What I thought i'd heard Blue Underground a while back
• 16:04
  Speaker 6: was supposed to be working on them fingers crossed.
• 16:07
  Speaker 5: I don't know, man, I don't know.
• 16:09
  Speaker 3: Let's uh, it's time to break into your top five
• 16:12
  Speaker 3: because right now there's only three of us yapping about
• 16:14
  Speaker 3: Italian horror.
• 16:17
  Speaker 8: Well, yeah, Stage Fright.
• 16:18
  Speaker 7: I've never seen it, so that's I can't I can't
• 16:20
  Speaker 7: input on that.
• 16:22
  Speaker 5: Seek it Out I've not seen as well. Yeah, seek
• 16:24
  Speaker 5: it out. It's a fun one.
• 16:25
  Speaker 3: You can get the blu ray I think for you know,
• 16:28
  Speaker 3: it's I don't think it's a terribly expensive one. It's
• 16:30
  Speaker 3: a basic synapse Blu Ray. But you're number five, Steve,
• 16:34
  Speaker 3: and I'm talking to you, but I'm looking directly at Christians.
• 16:37
  Speaker 3: I want to see his response.
• 16:40
  Speaker 4: I'm waiting pressures on.
• 16:42
  Speaker 6: Okay, I think for this one it feels like the
• 16:45
  Speaker 6: most successful. Like if I was to go to somebody
• 16:48
  Speaker 6: and be like, hey, you know you want to learn
• 16:50
  Speaker 6: more about Italian horror, I feel like to look at
• 16:54
  Speaker 6: none other than demons as your entry point to get
• 16:57
  Speaker 6: into it. So I felt like just growing up on
• 17:04
  Speaker 6: Evil Dead especially, that felt like that was my jumping
• 17:10
  Speaker 6: on Evil Dead was like my jumping on point for horror,
• 17:13
  Speaker 6: but demons in a way, it felt like it was
• 17:15
  Speaker 6: almost like the Italian horror equivalent of that. It kind
• 17:19
  Speaker 6: of you could kind of see, like, what what else
• 17:22
  Speaker 6: is out there from this point forward? So yeah, I
• 17:26
  Speaker 6: don't know, like I have nothing but the great memories
• 17:28
  Speaker 6: when it comes to watching both this one and the
• 17:31
  Speaker 6: second one. So what do you guys think?
• 17:33
  Speaker 5: Well, I'm talking.
• 17:35
  Speaker 3: I want to throw it over to Jordan because you
• 17:37
  Speaker 3: just got this in Napse four K of Yahn one
• 17:40
  Speaker 3: and two.
• 17:40
  Speaker 5: So what was your first experience with it?
• 17:43
  Speaker 2: Like?
• 17:43
  Speaker 8: Well, first I thought it was beautiful. I was could
• 17:46
  Speaker 8: not believe how good it looked.
• 17:48
  Speaker 7: I love the the the setting of a movie theater,
• 17:53
  Speaker 7: I mean, especially being you know all this loving film
• 17:55
  Speaker 7: and movies. The movie theater setting I thought was perfect. No,
• 18:00
  Speaker 7: I had a lot of I had. It was really fun.
• 18:02
  Speaker 7: The practical effects were phenomenal. My favorite part was the ending.
• 18:06
  Speaker 7: So if anybody hasn't seen it, uh, I don't know
• 18:10
  Speaker 7: gc I'm gonna spoil it, so sorry, but I love
• 18:14
  Speaker 7: the whole thing where you think it's it's over and
• 18:17
  Speaker 7: the credits start going and then oh nope, it's it's
• 18:19
  Speaker 7: a end of the world scenario and the main character
• 18:22
  Speaker 7: is actually actually is uh turning at the end, And
• 18:25
  Speaker 7: I thought that was phenomenal.
• 18:26
  Speaker 8: I thought that was such a cool, cool way.
• 18:27
  Speaker 4: To end it.
• 18:28
  Speaker 7: And it was funny because I'm I'm a little more
• 18:31
  Speaker 7: I'm more diving into Italian ord right now the depth
• 18:34
  Speaker 7: of my toe. But that made me go back and like, okay,
• 18:38
  Speaker 7: is this like an Italian horror like theme that they
• 18:41
  Speaker 7: all do with their credits. So I went back to
• 18:43
  Speaker 7: almost all my movies and like, watch the ending.
• 18:45
  Speaker 8: Okay, did I miss anything?
• 18:46
  Speaker 7: Because a lot of times once the credits, it's all right,
• 18:48
  Speaker 7: I'm done main menu. Let's see what kind of special
• 18:50
  Speaker 7: features with stuff. And I didn't see much but Demons.
• 18:55
  Speaker 7: I I had a lot of fun with that. And
• 18:57
  Speaker 7: I don't know why it never had I had never
• 18:59
  Speaker 7: come across it, but I'm glad I finally did.
• 19:03
  Speaker 3: Yeah, and Demons is like the like almost like the
• 19:07
  Speaker 3: greatest hits. You have Dario Argento presents, you know, and
• 19:11
  Speaker 3: then you have Limberto Baba directing, and it's so it's
• 19:14
  Speaker 3: it's so incredibly iconic, like the Mask.
• 19:18
  Speaker 5: The movie theater. Yep, there's so much about it.
• 19:21
  Speaker 3: I mean, I remember when I was learning about Italian horror,
• 19:23
  Speaker 3: I had read books and stuff like that, and I
• 19:25
  Speaker 3: saw so many images from Demons. I didn't even know
• 19:27
  Speaker 3: until I saw the movie and I'm like, oh, fuck,
• 19:30
  Speaker 3: that's what that is. I'm like, oh, that's what that is.
• 19:32
  Speaker 3: Oh that's what that is, over and over again, because
• 19:34
  Speaker 3: I just started putting together those pieces essentially for sure,
• 19:39
  Speaker 3: But that was always a movie to me that was
• 19:43
  Speaker 3: still it was just enough of the Italian touch, but
• 19:48
  Speaker 3: with an American sensibility, you know. I mean there's still
• 19:52
  Speaker 3: a ton of style in it, and the Gore. The
• 19:54
  Speaker 3: transformation scenes are are fantastic. My favorite part though, is
• 19:59
  Speaker 3: the fucking the helicopter that falls through the ceiling of
• 20:02
  Speaker 3: the movie theater. Like they were like, hey, we got
• 20:05
  Speaker 3: twenty thousand dollars laying around, can we get a helicopter.
• 20:08
  Speaker 5: We'll just we'll just plumbage this thing right in there, man,
• 20:11
  Speaker 5: no problem.
• 20:12
  Speaker 6: It just goes off the rails, it does. Yeah.
• 20:14
  Speaker 3: And then you have mikel Sawabby in it as essentially
• 20:18
  Speaker 3: the kickoff because he gets heart of the movie, the
• 20:20
  Speaker 3: ticket to the screening. There's just so much cool imagery
• 20:24
  Speaker 3: in it, man, And you're right. I actually think this
• 20:26
  Speaker 3: is a really good jumping off point for people to
• 20:29
  Speaker 3: kind of get into it and get a sensibility.
• 20:30
  Speaker 5: Of what it's like.
• 20:31
  Speaker 3: Because you still have the bad dubbing, you have the
• 20:36
  Speaker 3: hyper stylized coloring. Dude, that shot of them coming up
• 20:39
  Speaker 3: the stairs with the yellow eyes.
• 20:42
  Speaker 2: Mm hmmm, yeah that seems awesome.
• 20:43
  Speaker 5: Iconic, Yeah, absolutely iconic. Chuck, you were a big Demons fan.
• 20:48
  Speaker 10: Well, I just watched it for the first time today
• 20:50
  Speaker 10: and I can gladly say that I am a fan
• 20:53
  Speaker 10: of it now. Oh yeah, that was just like a
• 20:55
  Speaker 10: you know, straight up rock and roll movie from start
• 20:57
  Speaker 10: to end.
• 20:59
  Speaker 5: That's a perfect way to explain it.
• 21:01
  Speaker 10: It was so fun. Well, I mean even down to
• 21:02
  Speaker 10: the soundtrack, you know. Yeah, but uh yeah, Like I
• 21:05
  Speaker 10: get what you were meant Steve when you said like
• 21:08
  Speaker 10: kind of was reminding you of Evil Dead because at
• 21:10
  Speaker 10: that one part where they're on the dirt bike and
• 21:12
  Speaker 10: there he's just going around chopping the demons up and stuff, Like,
• 21:15
  Speaker 10: all I could think of that was this is like
• 21:18
  Speaker 10: a really cool Evil deadlike moment.
• 21:21
  Speaker 6: It's I like the I think the two films are
• 21:24
  Speaker 6: like the two film series. They share a lot of
• 21:26
  Speaker 6: like I feel like the over the top, gore practical
• 21:29
  Speaker 6: effects to like the Fullest. That's just something especially from
• 21:32
  Speaker 6: that time, that I really admire a lot about those films.
• 21:36
  Speaker 3: Well, let's not forget about Demons three the Church and
• 21:39
  Speaker 3: Demons four I forget the subtitle, and then Demons five,
• 21:43
  Speaker 3: I forget that subtitle.
• 21:44
  Speaker 5: There's like six of these bad boys we went.
• 21:47
  Speaker 6: We went down that rabbit hole of like learning about
• 21:49
  Speaker 6: all these unofficial sequels that they had for Demons. I
• 21:52
  Speaker 6: was like, maybe I learned more than I was hoping
• 21:55
  Speaker 6: to and he needed Yeah, yeah, exactly.
• 21:59
  Speaker 5: Ly what about you.
• 22:00
  Speaker 7: Oh go ahead, Jordan, No, I was just gonna say
• 22:02
  Speaker 7: I agree with Jack with the music.
• 22:04
  Speaker 8: I thought the music and I didn't touch on that
• 22:05
  Speaker 8: was phenomenal.
• 22:06
  Speaker 7: I mean, was that Vince Neil seeing one of the.
• 22:09
  Speaker 5: Just as a deep cut?
• 22:10
  Speaker 4: It was Molly Crew deep cut?
• 22:11
  Speaker 8: Yeah, I heard.
• 22:12
  Speaker 7: I heard Vince Neils like that. Okay, so it was awesome.
• 22:16
  Speaker 2: Yeah.
• 22:17
  Speaker 3: Do you think that was like an Argento thing? Because
• 22:19
  Speaker 3: Argento in rock and roll is pretty synonymous, you think
• 22:21
  Speaker 3: that was his input?
• 22:24
  Speaker 6: I feel like it was because.
• 22:27
  Speaker 4: I almost feel like it was probably the studio or
• 22:29
  Speaker 4: whoever was putting the movie out or like, hey, we
• 22:31
  Speaker 4: want to get as much American viewers as possible. Yeah,
• 22:35
  Speaker 4: that's what it feels like to me. I don't know,
• 22:38
  Speaker 4: Argento doesn't come across like a Molly Crew fan. That's
• 22:42
  Speaker 4: just me. Nothing about Argento's screams hair metal.
• 22:50
  Speaker 3: That could be wrong, what do I know, But like
• 22:52
  Speaker 3: that's like their their American product placement.
• 22:54
  Speaker 4: I could see Fault Cheap being more of like a
• 22:56
  Speaker 4: blue oyster cult type of guy and likes, but Argento
• 23:01
  Speaker 4: just to me, he's very poetic. He screams like Mozart
• 23:04
  Speaker 4: To me, like if I was gonna listen to music,
• 23:06
  Speaker 4: you know. Yeah, that's just that's just you.
• 23:09
  Speaker 5: Know what, Christian, what's your relationship like with Demons?
• 23:13
  Speaker 4: Well, first, I want to give Steve credit. That is
• 23:15
  Speaker 4: literally the perfect number five and it is the gateway.
• 23:19
  Speaker 4: I tell people all the time when they ask me,
• 23:21
  Speaker 4: it's literally Italian light, like if they go out of
• 23:24
  Speaker 4: their way to make it feel so American. I love
• 23:27
  Speaker 4: Demons is Demons Too? Demons two is not in after this, right,
• 23:32
  Speaker 4: I'm assuming the Demons and Demons to, like you're kind
• 23:35
  Speaker 4: of counting both of these. Maybe its number five.
• 23:37
  Speaker 6: Oh no, I was just doing the first one, but
• 23:39
  Speaker 6: I just I always.
• 23:40
  Speaker 4: But my point is, Demons Too is not number four, three,
• 23:43
  Speaker 4: two or one. Oh no, No, okay, because I want
• 23:45
  Speaker 4: to talk about Demons two a little bit because that's
• 23:48
  Speaker 4: the one I love even more because it really feels
• 23:51
  Speaker 4: more like a Charlie band film mm hmm, because of
• 23:54
  Speaker 4: how was zany it gets. Now, this isn't a spoiler
• 23:58
  Speaker 4: because I don't know if GC has seen or anything,
• 23:59
  Speaker 4: or you just saw the first one. You guys, I
• 24:02
  Speaker 4: think you'll really love Demons two because it's just as energetic,
• 24:06
  Speaker 4: but it's not a one location movie and the marketing
• 24:09
  Speaker 4: for Demons two, guys, you would love it. Back in
• 24:11
  Speaker 4: the day they put out this. It was a video
• 24:14
  Speaker 4: store display of like this little TV that would be
• 24:17
  Speaker 4: on like a countertop where the little demon head is
• 24:19
  Speaker 4: like pushing out of the screen. And they made a
• 24:22
  Speaker 4: blow up version of that. You have to go google
• 24:25
  Speaker 4: that and look up images of it. Was so cool.
• 24:27
  Speaker 4: But the soundtrack on two is just as good, I
• 24:30
  Speaker 4: think even a little bit better because they featured songs
• 24:32
  Speaker 4: from one of my favorite bands, the Cult, and the
• 24:35
  Speaker 4: soundtrack is so kick ass on Demons two as well.
• 24:39
  Speaker 4: But yeah, these are great. I love Demons one and two.
• 24:43
  Speaker 4: And I read that Baba did not like Argento. Argento
• 24:48
  Speaker 4: went on a bunch of press stuff during this time,
• 24:50
  Speaker 4: claiming that he was more so the director of this
• 24:52
  Speaker 4: movie and not Baba. Boba had a problem with that,
• 24:55
  Speaker 4: and they didn't work, don't I don't think that Argento
• 24:59
  Speaker 4: was really a round that much for the church. Not
• 25:02
  Speaker 4: the Church, uh, whatever Baba was gonna do after this,
• 25:06
  Speaker 4: they were supposed to do more movies together, but they didn't.
• 25:09
  Speaker 4: And then I think Argento went and did stuff with
• 25:11
  Speaker 4: Saabi instead. But a lot of those Italian guys. They
• 25:14
  Speaker 4: didn't like each other back then. They fought with it.
• 25:16
  Speaker 4: They fought with each other a lot. They didn't like
• 25:18
  Speaker 4: each other.
• 25:19
  Speaker 5: Yeah, if you read the booklet.
• 25:20
  Speaker 3: I was just reading the booklet that came with The
• 25:22
  Speaker 3: Beyond release, and it talks about how there's like four
• 25:26
  Speaker 3: or five different people that come up with the main
• 25:28
  Speaker 3: plot outline for the for the Beyond, like every person
• 25:31
  Speaker 3: was at some point was like, yeah, it was my
• 25:33
  Speaker 3: idea to do that. And every time I read about it,
• 25:37
  Speaker 3: it's like six people taking credit for something. Mm hmm
• 25:39
  Speaker 3: every single time. It's such an un because I feel
• 25:42
  Speaker 3: like there was no Hollywood like organization. So it was
• 25:46
  Speaker 3: just like a bunch of people.
• 25:47
  Speaker 4: Grumpy Italians. Man. They just fought.
• 25:49
  Speaker 6: Yeah yeah, yeah, absolutely nobody got along.
• 25:53
  Speaker 3: Yeah.
• 25:53
  Speaker 5: Yeah, they really are.
• 25:54
  Speaker 4: They really are fun. I think you can go into
• 25:56
  Speaker 4: the demon I think if people just picked up The
• 25:57
  Speaker 4: Demons films without even saying, hey, you're gonna watch the
• 26:00
  Speaker 4: Italian Hormone, you just say, check this movie, I think
• 26:02
  Speaker 4: they like it regard. They're really fun and they're so
• 26:05
  Speaker 4: it's junk food. It's good. There's no not a lot.
• 26:08
  Speaker 2: Of bs to it.
• 26:08
  Speaker 4: Some of these Italian. Listen, there's nothing worse than a
• 26:12
  Speaker 4: boring Italian horror film. Like it's different from just a
• 26:16
  Speaker 4: boring horror movie, a boring Italian horror movie. Good god,
• 26:20
  Speaker 4: you know.
• 26:21
  Speaker 6: So, do you have any that come to mind when
• 26:23
  Speaker 6: you talk about like those type of movies?
• 26:26
  Speaker 4: Oh? Sure, Cato nine Tales. I'd rather lick a toilet
• 26:29
  Speaker 4: seat than sit down and watch it again, Like I'm serious.
• 26:32
  Speaker 4: I love Argento. But yeah, sure, there's movies where if
• 26:36
  Speaker 4: you don't connect with them and you just gotta sit
• 26:37
  Speaker 4: there and let them play out. Good God, it's excruciating.
• 26:41
  Speaker 3: It's excruciating, and they're long, like some of those shallow
• 26:44
  Speaker 3: movies are one hundred and fifteen plus minutes. Yeah, Jesus Christ,
• 26:48
  Speaker 3: we're just going on and on and on.
• 26:50
  Speaker 4: The marketing for the Demons films is amazing. I always
• 26:53
  Speaker 4: love it. If I look at it. Whenever I do
• 26:55
  Speaker 4: videos with people, I look in their backgrounds. If I
• 26:57
  Speaker 4: see somebody like a Demon's poster, I'm like, God, that
• 27:00
  Speaker 4: looks so good. I have one in here. I don't
• 27:02
  Speaker 4: have it hung up right now. But the artwork for
• 27:04
  Speaker 4: those everything about those movies is so good, the posters,
• 27:07
  Speaker 4: the music, the effects stuff. But I think a lot
• 27:10
  Speaker 4: of you guys would like two a lot, especially if
• 27:12
  Speaker 4: you're like, man, you love those Empire full Moon kind
• 27:14
  Speaker 4: of Charlie band films because they get second when he
• 27:16
  Speaker 4: gets real Zany, I love it.
• 27:18
  Speaker 3: Yeah, it's a real like in a back to back watch.
• 27:21
  Speaker 3: It's it's kind of a little jarring, how different the
• 27:23
  Speaker 3: second one feels like when you go because I want
• 27:26
  Speaker 3: the first time I ever saw them, I watched them back
• 27:27
  Speaker 3: to back and Demons too. I wasn't as hot on
• 27:29
  Speaker 3: when I watched it back to back, and then I
• 27:31
  Speaker 3: think years later I put it on its own and
• 27:34
  Speaker 3: I really found the love for it at that time.
• 27:38
  Speaker 3: Such cool effects, man, like the TV effects. I fucking
• 27:41
  Speaker 3: love the fight scene in the in the parking garage. Yeah,
• 27:44
  Speaker 3: that big war like fight scene down there. Yeah, those
• 27:48
  Speaker 3: are great picks.
• 27:49
  Speaker 4: Man.
• 27:50
  Speaker 3: Now, okay, we got a perfect number five, number four.
• 27:55
  Speaker 6: Let's see, so I don't I don't have the VHS,
• 27:59
  Speaker 6: but I was gonna roll with Cannibal Holocaust for number four.
• 28:04
  Speaker 6: I feel like that that is for most people getting
• 28:08
  Speaker 6: into the subgenre is a little bit. It's not for everybody, right,
• 28:14
  Speaker 6: but I have such fond memories of discovering this movie
• 28:17
  Speaker 6: way back when in high school, and I just remember
• 28:20
  Speaker 6: seeing it at the video store and I remember seeing
• 28:24
  Speaker 6: on like the cover, like you know, band in x
• 28:26
  Speaker 6: x amount of countries. I just like I had to
• 28:29
  Speaker 6: know more about it. I remember renting it. It brought
• 28:32
  Speaker 6: over to a friend's place and we're watching it, and
• 28:35
  Speaker 6: I just that was very early on when I was
• 28:38
  Speaker 6: getting into horror. But Jesus christ Man like that that
• 28:42
  Speaker 6: was like a ride, and you're just wondering, like how
• 28:45
  Speaker 6: much of it is like real, or like what exactly
• 28:48
  Speaker 6: is going on, or like what the direction of this
• 28:50
  Speaker 6: film looked like. It's not an easy watch, but I
• 28:54
  Speaker 6: feel like that it's essential when it comes to viewing
• 28:58
  Speaker 6: Italian horror. At some point point during.
• 29:00
  Speaker 3: Your journey, I think, now you're talking about one of
• 29:04
  Speaker 3: my favorite movies of all time here, a movie that
• 29:06
  Speaker 3: I've grown to like, really love. Hold On.
• 29:11
  Speaker 2: He backed away from his screen.
• 29:14
  Speaker 5: Hold On. Let me explain something here.
• 29:17
  Speaker 3: Let me justify when I was a kid, mind you,
• 29:21
  Speaker 3: when I watched this movie. Now, I only watched the
• 29:22
  Speaker 3: Peda cut, Thank you Grindhouse releasing for that. When I
• 29:26
  Speaker 3: was a kid, I had already seen Faces of Death
• 29:29
  Speaker 3: when I found kind of a Holocaust. I had heard
• 29:32
  Speaker 3: nothing but the craziest things about this movie, and I pirated.
• 29:35
  Speaker 5: It and I watched it.
• 29:38
  Speaker 3: And you know, when you're a kid, obviously you're not
• 29:40
  Speaker 3: looking at the bigger picture. You're just looking at what's
• 29:43
  Speaker 3: happening on screen, right, So you have the footage found
• 29:47
  Speaker 3: and you have the scene where they get mutilated, and
• 29:49
  Speaker 3: it's crazy.
• 29:49
  Speaker 5: You're like, oh my god.
• 29:51
  Speaker 3: When I grew up, or when I got older, and
• 29:53
  Speaker 3: I kept watching that movie and watching it and watching it.
• 29:56
  Speaker 5: It became.
• 29:59
  Speaker 3: Less of of a horror movie in the traditional sense
• 30:02
  Speaker 3: and more of like a That movie, to me is
• 30:07
  Speaker 3: as scary as like when I put on the news.
• 30:10
  Speaker 3: It's a different kind of horror to me because it
• 30:13
  Speaker 3: feels so real. And the fact that that Rigaro Dio
• 30:17
  Speaker 3: Dado directed that movie in response to what he was
• 30:19
  Speaker 3: seeing on television as a kid, and the interpretations between
• 30:25
  Speaker 3: the final presentation you were being given and the miss
• 30:30
  Speaker 3: the what's the word I'm looking for? The uh, like
• 30:34
  Speaker 3: the journalists going in and kind of like slightly changing
• 30:36
  Speaker 3: things or like giving their perspective in order to push
• 30:39
  Speaker 3: whatever they want to push. And I'm not a, Yeah,
• 30:41
  Speaker 3: I'm not a political guy. But as I got older
• 30:45
  Speaker 3: and my view on politics began to change, I started
• 30:49
  Speaker 3: understanding exactly what this movie was. And then that was
• 30:53
  Speaker 3: the first time, I would say about twelve years ago
• 30:58
  Speaker 3: when I realized, like, oh the truth the bad guys
• 31:00
  Speaker 3: in here are are not what I've heard for years,
• 31:03
  Speaker 3: or they're not the cannibals, they're the journalists, and that
• 31:08
  Speaker 3: completely like sat with me, and then Verguara Diodato went
• 31:13
  Speaker 3: on to be like a director I've been fascinated with
• 31:16
  Speaker 3: ever since, but I think the market, not the marketing,
• 31:20
  Speaker 3: this stunts behind this movie, or even more fascinating, the
• 31:22
  Speaker 3: fact that.
• 31:23
  Speaker 5: Your Diodata was like, hey, I'll pay you.
• 31:25
  Speaker 3: Guys to go into hiding and we'll convince everyone that
• 31:29
  Speaker 3: you're actually dead, and then.
• 31:31
  Speaker 5: The court forcing him to bring them back out.
• 31:34
  Speaker 3: That way, he wasn't prosecuted and sent to prison for
• 31:37
  Speaker 3: murder because at that time, seeing that footage of people
• 31:41
  Speaker 3: being slaughtered, it must have been so realistic, you know what,
• 31:43
  Speaker 3: I mean, to sit in a movie theater.
• 31:44
  Speaker 5: And see that.
• 31:46
  Speaker 3: So that's just my thing and it's not my favorite,
• 31:49
  Speaker 3: like if you say, like favorite movies of all times,
• 31:52
  Speaker 3: it's the movie I'm most fascinated.
• 31:55
  Speaker 6: Well, the amount of controversy behind it when it was released.
• 31:58
  Speaker 6: I mean, I think that that's kind of in the
• 32:00
  Speaker 6: marketing rollout for something like that at the time. I mean,
• 32:04
  Speaker 6: you know, I think we take for granted that years
• 32:07
  Speaker 6: later after we've had movies like that and the Blair
• 32:09
  Speaker 6: Witch Project with how inventive it was of the time.
• 32:14
  Speaker 6: But yeah, I mean, I think that it's a like
• 32:18
  Speaker 6: a cultural milestone when it comes to horror in its
• 32:21
  Speaker 6: own way.
• 32:23
  Speaker 3: It is, and it it to me. It it definitely
• 32:27
  Speaker 3: has its flaws. I hate the animal stuff. I'm an
• 32:30
  Speaker 3: animal that is, like, you know, That's why I don't
• 32:33
  Speaker 3: like Cannibal Pharaoh or Faroxocks. Yeah, because Cannibal Fairox feels
• 32:39
  Speaker 3: much more like distasteful in the animal scenes at a
• 32:44
  Speaker 3: point where like the animals are tied up, you know
• 32:46
  Speaker 3: what I mean, it feels like, I don't know, at
• 32:49
  Speaker 3: least in cannibal holocausts, they were genuinely out in the
• 32:51
  Speaker 3: forest and they just filmed them killing and eating these animals.
• 32:56
  Speaker 3: But to me, the most terrifying part is them grouping
• 32:59
  Speaker 3: all those village into that hut and then burning down
• 33:03
  Speaker 3: the hut right to turn around and go, oh, look
• 33:06
  Speaker 3: what these people are doing, like look, look, look what's
• 33:08
  Speaker 3: happening here. These are they're doing this to their people.
• 33:11
  Speaker 3: And it's like, no fucker, that was you. And then
• 33:13
  Speaker 3: to make matters worse, to make matters worse you and
• 33:16
  Speaker 3: what's your name had sex on the the platform where
• 33:20
  Speaker 3: that just like, you know what I mean, it's.
• 33:21
  Speaker 6: So sadistic, dude, it's unhinged towards the end of a.
• 33:25
  Speaker 3: Dude, it's so distasteful, like the fucking abortion scene, like
• 33:29
  Speaker 3: it's it's insane.
• 33:31
  Speaker 5: Man. That movie is just on a whole another And
• 33:33
  Speaker 5: I don't care what you like.
• 33:35
  Speaker 3: I I love Eli Roth, but it blows my mind
• 33:40
  Speaker 3: when he says that Green Inferno was like his cannibal Holocaust,
• 33:45
  Speaker 3: because it's almost like Green Inferno didn't understand cannibal holocausts
• 33:50
  Speaker 3: at all, and it just turned into a bunch of
• 33:51
  Speaker 3: fart jokes and the kid from Spy Kids getting killed,
• 33:55
  Speaker 3: you know what I mean?
• 33:57
  Speaker 5: That's just me though, I mean, no.
• 33:59
  Speaker 4: You actually have really ab dissessment of that. I agree
• 34:02
  Speaker 4: too with what you said.
• 34:04
  Speaker 5: I don't. I don't.
• 34:06
  Speaker 3: Every single time I listen to him talk about Green Inferno.
• 34:08
  Speaker 3: I'm like, I don't know, it feels like you kind
• 34:09
  Speaker 3: of missed it. Man, Like in some weird way.
• 34:11
  Speaker 5: I don't.
• 34:12
  Speaker 6: Green Inferno didn't really connect for me, and that was
• 34:14
  Speaker 6: like I can sit through most stuff and not really
• 34:18
  Speaker 6: be two faced by it, but there's like parts of
• 34:20
  Speaker 6: that movie where I'm just like, I just don't. It
• 34:23
  Speaker 6: was a good one time watch. Like I don't really
• 34:25
  Speaker 6: feel they need to revisit this again, just with how
• 34:28
  Speaker 6: Graphica was, and I think that Eli Roth has done
• 34:32
  Speaker 6: better films outside of that, to be honest.
• 34:34
  Speaker 3: Yeah, yeah, well the found footage. I mean, if you
• 34:39
  Speaker 3: look at Cannibal Holocaust, I think one of the scariest
• 34:41
  Speaker 3: moments is the ending of the film when the new
• 34:45
  Speaker 3: studio tells them, tells them, Hey, we're gonna air this.
• 34:49
  Speaker 3: That's terrifying, dude, like that to think. And I'm not
• 34:54
  Speaker 3: saying that's real and I'm not saying that happens. But
• 34:56
  Speaker 3: at the same time, I also don't. I'd also don't
• 35:00
  Speaker 3: immediately you know, like, uh, take that away from being
• 35:04
  Speaker 3: something real, that would that would happen for sake of
• 35:06
  Speaker 3: getting views.
• 35:08
  Speaker 6: Yeah, it's it feels very exploitative.
• 35:11
  Speaker 9: I mean, yeah, it kind of is real man in
• 35:13
  Speaker 9: a sense, because if we didn't have certain regulations that
• 35:17
  Speaker 9: we do now, I mean absolutely people would because we're
• 35:21
  Speaker 9: so desensitizing this day and age man that it's I mean,
• 35:24
  Speaker 9: I saw that movie twenty to twenty three years ago.
• 35:27
  Speaker 9: I was about fifteen sixteen years old, and man, like
• 35:30
  Speaker 9: I remember seeing that movie for the first time and
• 35:32
  Speaker 9: I was just sitting there and my brain was just
• 35:36
  Speaker 9: exploded all over the room. Like I'm like watching this movie,
• 35:39
  Speaker 9: thinking to myself, is this I've never seen anything like it.
• 35:42
  Speaker 9: I mean, I grew up a nightmare on Elm Street. Yeah, yeah,
• 35:45
  Speaker 9: Freddy like Jason and like that type of horror. So
• 35:49
  Speaker 9: then I start seeing you know, hell Raiser, and then
• 35:51
  Speaker 9: out of all of a sudden cannibal Holocaust. I'm like,
• 35:54
  Speaker 9: this is a whole different type of horror. And it's true.
• 35:57
  Speaker 9: It's like you said, they the the you know, the
• 36:02
  Speaker 9: Cannibal's cannibals, what they were doing, It's I mean, they
• 36:06
  Speaker 9: were just you know, surviving in their own environment. You know,
• 36:09
  Speaker 9: they were doing what they were always doing, Like they
• 36:11
  Speaker 9: didn't really know that, Like it didn't seem at least
• 36:15
  Speaker 9: from what I remember seeing it once, Like it didn't
• 36:17
  Speaker 9: seem like they they were purposely like, Oh, I'm just
• 36:20
  Speaker 9: gonna go ahead and do this, just how to compare
• 36:22
  Speaker 9: to our civilization, Like we have certain different rules and
• 36:26
  Speaker 9: stuff like that. For them, it's just you know, typical Monday.
• 36:29
  Speaker 9: And then you have like these people coming in and
• 36:32
  Speaker 9: trying to exploit them and all that stuff.
• 36:34
  Speaker 3: Well, I don't I don't even think they understood it
• 36:36
  Speaker 3: to that level, you know what I mean. I think
• 36:39
  Speaker 3: they're just they're they just they don't understand what the
• 36:43
  Speaker 3: hell's going on. They don't know who these people are,
• 36:45
  Speaker 3: what they're there, what they're there to do, and then
• 36:48
  Speaker 3: they're interfering. And I mean imagine like you're doing your
• 36:51
  Speaker 3: thing and all of a sudden, these people show up
• 36:52
  Speaker 3: and murder women and children. You don't know what's going on.
• 36:57
  Speaker 3: You just know like, oh, fuck, well, these people deserve
• 36:59
  Speaker 3: to die. And that's that's what you see. Because the
• 37:01
  Speaker 3: main journalists that we follow in the found footage, obviously
• 37:04
  Speaker 3: we see their fate.
• 37:05
  Speaker 5: They get eaten.
• 37:06
  Speaker 3: So then when and I'm blanking on his name right now,
• 37:09
  Speaker 3: when he goes back to retrieve the footage, he shows
• 37:12
  Speaker 3: no hostile threat. He shows initiatives to work with them,
• 37:16
  Speaker 3: and they embrace him, and yes, he does end up,
• 37:19
  Speaker 3: you know, eating some human meat because he's given it
• 37:21
  Speaker 3: and he knows like it's a it's you know, disrespectful
• 37:24
  Speaker 3: to turn that down, to turn down an offer like that,
• 37:26
  Speaker 3: and they treated him great. There's the contrast right there,
• 37:31
  Speaker 3: you know. So to me, I feel like this movie
• 37:35
  Speaker 3: gets pawned off a lot. People are like, oh, that's
• 37:37
  Speaker 3: that disgusting movie. I'm never gonna watch that, And I
• 37:40
  Speaker 3: think it has a lot more to say than people
• 37:42
  Speaker 3: give it credit for.
• 37:44
  Speaker 6: What about the rest of you, guys, Was that a
• 37:47
  Speaker 6: movie that you got into, like early on getting into
• 37:50
  Speaker 6: horror or kind of what was your guys' thoughts on it.
• 37:56
  Speaker 5: I'll be really quick.
• 37:57
  Speaker 4: I remember like maybe fifteen years ago. I cannot remember
• 38:00
  Speaker 4: where I was, but I saw a poster of it
• 38:02
  Speaker 4: in like a tattoo shop or something. Stop me dead
• 38:05
  Speaker 4: in my tracks, and it was the woman you know
• 38:08
  Speaker 4: at the pole, going oh God, that's that's yeah, that's
• 38:13
  Speaker 4: the one for me. That's the thing that always sticks
• 38:15
  Speaker 4: with me. I loved it. I get the animal stuff.
• 38:24
  Speaker 4: I remember when Joe Bob was gonna play it, there
• 38:26
  Speaker 4: was a huge uproar about like they were gonna show
• 38:29
  Speaker 4: it with that scene, and my thing was like, look,
• 38:32
  Speaker 4: I get it. If somebody touches one of my dogs,
• 38:35
  Speaker 4: they'll be hell to pay you. But I mean, this
• 38:36
  Speaker 4: was like forty years ago, and they ate the damn thing, like,
• 38:40
  Speaker 4: can you please worry about something more important than life?
• 38:42
  Speaker 6: People like?
• 38:43
  Speaker 4: But I love Cannibal Holocaust, and I agree so much
• 38:47
  Speaker 4: with Chris about what he said because I went on
• 38:50
  Speaker 4: a deep dive and was studying this movie because I
• 38:52
  Speaker 4: was so fat I'd never seen anything like it. Still
• 38:55
  Speaker 4: don't think there really is anything like it. But I
• 38:58
  Speaker 4: went on a deep dive to study this movie and
• 39:00
  Speaker 4: learn about it. And when you first watch it, it's
• 39:03
  Speaker 4: almost got the Texas shadees on Mascar effect where you
• 39:06
  Speaker 4: feel like you're just like you're seeing this movie that's
• 39:09
  Speaker 4: just this insane horror, smut death movie. But there is
• 39:14
  Speaker 4: something that I'm saying, like what text change? Everybody thinks
• 39:16
  Speaker 4: to see a blood bath? No, no, you didn't, So
• 39:19
  Speaker 4: there is a lot more. And I still think that
• 39:22
  Speaker 4: this movie has not been looked at in that way yet,
• 39:26
  Speaker 4: and I still I don't. I do still don't think
• 39:27
  Speaker 4: people are ready to talk about it, because they just
• 39:30
  Speaker 4: as soon as you bring it up, there's just like, oh,
• 39:32
  Speaker 4: I'm never watching that. Oh I'm not like you're gonna
• 39:36
  Speaker 4: see a lot worse stuff in real life. This is
• 39:38
  Speaker 4: a movie, you know. Yeah, So I totally agree with
• 39:42
  Speaker 4: him on that big time. I want to watch it now,
• 39:48
  Speaker 4: to watch it because it's a dude, it's an important
• 39:51
  Speaker 4: movie to me. It really is. Not many posters stop
• 39:54
  Speaker 4: me dead in my tracks, you know. And I remember
• 39:57
  Speaker 4: seeing it. I was mesmerized by it.
• 39:59
  Speaker 3: Even the poster, just with the cannibal halic, that font,
• 40:03
  Speaker 3: even that alone with like the band or the I
• 40:07
  Speaker 3: remember the the big like no one under eighteen to
• 40:10
  Speaker 3: see this movie at the bottom, Like I remember that.
• 40:14
  Speaker 3: And I even remember people like reading about people throwing
• 40:18
  Speaker 3: up and like being sick. Yeah, you're right, there really
• 40:22
  Speaker 3: isn't much. You have that one scene, you know, well,
• 40:27
  Speaker 3: I guess you know. You have the discovery of the
• 40:30
  Speaker 3: body on the pole. You have the aboord, so it's
• 40:33
  Speaker 3: it's it's graphic, but it's not a gory.
• 40:36
  Speaker 4: Well, my whole thing was what I was getting at
• 40:39
  Speaker 4: is the way people look at Texas Shanzel masker and
• 40:41
  Speaker 4: they say, oh, my god, that was a Bloodbeth. No, no, no,
• 40:44
  Speaker 4: you have to watch it again and realize not. What
• 40:46
  Speaker 4: I was trying to get at was people look at
• 40:48
  Speaker 4: Cannibal Holocaust and they think it's a movie that's just
• 40:51
  Speaker 4: trying to gross you out and it's that simple, when
• 40:54
  Speaker 4: in reality it's not. I agree with what you were
• 40:56
  Speaker 4: saying about the societal things about it and the way
• 41:00
  Speaker 4: you're looking at it politically, like the whole scope of
• 41:03
  Speaker 4: what you were talking about with how you see the movie,
• 41:05
  Speaker 4: and it did have something. That's what I was getting
• 41:07
  Speaker 4: at is people they have to sit there and they
• 41:09
  Speaker 4: really have to soak it in and listen to everything
• 41:11
  Speaker 4: that's being said and understand what the reporters doing. That's
• 41:14
  Speaker 4: what I was getting at is I still don't think
• 41:16
  Speaker 4: people realize that that much. Yet You're the only person
• 41:20
  Speaker 4: I've ever heard actually talk about it in that sense before.
• 41:23
  Speaker 3: Well, I actually think because Cannibal Holocaust sparked off a
• 41:27
  Speaker 3: whole subgenre of cannibal Italian horror, and everybody was ripping
• 41:31
  Speaker 3: it off, and everybody who was ripping it off was
• 41:37
  Speaker 3: doing it out of an exploitation need, and that's not
• 41:39
  Speaker 3: what this movie. It's kind of like when Eli Roth
• 41:41
  Speaker 3: does the Green Inferno, it's like it.
• 41:44
  Speaker 5: They're like, oh, I get oh this is cool, this
• 41:46
  Speaker 5: is popular.
• 41:46
  Speaker 3: But like you watch what Baba was doing and or
• 41:49
  Speaker 3: I'm sorry, not Boba Bumberto Lenzi and like these guys
• 41:52
  Speaker 3: who were doing these cannibal movies, they were doing it
• 41:55
  Speaker 3: for exploitation. They were like, how gross can we go
• 41:58
  Speaker 3: with humans eating other humans?
• 42:00
  Speaker 6: They're like missing the message.
• 42:02
  Speaker 3: Yeah, they had no message, dude, Like you cannot watch
• 42:05
  Speaker 3: Cannibal Fox and make any message out of it. Besides,
• 42:08
  Speaker 3: why would you try to drive through that puddle.
• 42:10
  Speaker 4: It's just I was that I was at uh it's
• 42:12
  Speaker 4: so funny because I agree with Faraox it's cruel. I
• 42:15
  Speaker 4: remember that I was at a convention in Tennessee the
• 42:18
  Speaker 4: other week, and it was a table where these guys
• 42:20
  Speaker 4: were selling shirts and stuff and hats and shorts and
• 42:23
  Speaker 4: they have all these like it's all they it's all
• 42:25
  Speaker 4: deep cut Italian horror stuff. Their shirts for Black Black
• 42:30
  Speaker 4: Sabbath and well that's not really deep cut. But like
• 42:32
  Speaker 4: you know, there's there's Mario Baba movie shirts, and then
• 42:35
  Speaker 4: there's this, and there's that. This guy walks up to
• 42:37
  Speaker 4: the table it's just so funny. He goes, yeah, let
• 42:39
  Speaker 4: me get that Cannibal Ferox hat, right, just like, god
• 42:43
  Speaker 4: damn man, where are you gonna wear that? At Ball
• 42:49
  Speaker 4: Bear Press?
• 42:50
  Speaker 5: Yeah?
• 42:50
  Speaker 3: Yeah, they're like dude, I I always want so much
• 42:53
  Speaker 3: stuff from them, But I'm like, where in reality am
• 42:55
  Speaker 3: I just gonna throw Like I had, I.
• 42:57
  Speaker 4: Wore face I got Faces of Depth shorts from.
• 43:01
  Speaker 5: I saw you wearing. Did you buy their New York
• 43:03
  Speaker 5: Ripper hat?
• 43:04
  Speaker 4: I did buy the New York So I guess I'm
• 43:06
  Speaker 4: just as weird.
• 43:07
  Speaker 5: I have that hat.
• 43:09
  Speaker 3: And one time, ever was I we went to a
• 43:12
  Speaker 3: in my town. We went to a book like fair
• 43:14
  Speaker 3: and an author was like I walked by the table
• 43:17
  Speaker 3: and the guy was like, is that a fucking New
• 43:18
  Speaker 3: York Ripper hat? And I turned around and bought his book.
• 43:21
  Speaker 3: Like I was like, oh yeah, okay, yep, you deserve
• 43:23
  Speaker 3: my money right now. Somebody, some of these shirts that
• 43:27
  Speaker 3: come out, I'm like, I don't know where I would
• 43:28
  Speaker 3: ever put this on and like go just you know,
• 43:31
  Speaker 3: like to a public place.
• 43:33
  Speaker 4: But I guess you just don't realize that there's a
• 43:34
  Speaker 4: lot of people that are just as weird as you.
• 43:36
  Speaker 4: I mean, you as me, it's like really like me.
• 43:38
  Speaker 4: So when a guy walks up, he's like, I'll take
• 43:40
  Speaker 4: the cannibal Ferrox. It's just it took me back. I
• 43:43
  Speaker 4: was like, God damn. He's like, you get the Dawn
• 43:46
  Speaker 4: of the Dead hat, but you can get.
• 43:49
  Speaker 3: Back in the day Romberto lends me was like, I
• 43:51
  Speaker 3: can't wait to see this on a pair of gym short.
• 43:55
  Speaker 3: You know what, dude, like, one day you watch this
• 43:59
  Speaker 3: is gonna be a pair of mesh shorts.
• 44:02
  Speaker 4: Now I'm gonna I might end up breaking down againting
• 44:03
  Speaker 4: the cannibal pharaohxcept.
• 44:09
  Speaker 3: No, yeah, Cannibal Hall. I mean, Jordan, I don't know
• 44:11
  Speaker 3: if you've seen Cannibal Holocaust.
• 44:12
  Speaker 7: I haven't seen the movie, and I've seen scenes and clips,
• 44:15
  Speaker 7: but I've never actually sat down and.
• 44:19
  Speaker 8: And watch the movie.
• 44:20
  Speaker 7: But you you definitely have a peaked my interest in
• 44:23
  Speaker 7: wanted to go watch it for sure.
• 44:24
  Speaker 3: Yeah, and I mean seriously, shout out to the Grindhouse
• 44:27
  Speaker 3: team for when they put that out doing the peda cut,
• 44:29
  Speaker 3: because the animal stuff that's in it is so for
• 44:33
  Speaker 3: people who don't know they actually shot this movie in
• 44:36
  Speaker 3: a forest, Like these people were out in the forest.
• 44:38
  Speaker 3: So when they're eating because I think they eat a tortoise.
• 44:41
  Speaker 3: There's one other scene too, and they they filmed it
• 44:44
  Speaker 3: and put it in the movie, so they are eating
• 44:45
  Speaker 3: it like for food. You know, it's like watching a
• 44:47
  Speaker 3: hunting video almost, But it does not add anything to
• 44:52
  Speaker 3: the movie outside of just that, like it's not a
• 44:55
  Speaker 3: major plot point, doesn't change the experience for you. So
• 44:59
  Speaker 3: they put the Peda cut on their Blu Ray. I
• 45:01
  Speaker 3: don't know if eighty eight Films put it on their
• 45:03
  Speaker 3: their four K or not.
• 45:05
  Speaker 4: The Grindhouse releases A Way to Go though, in my opinion, oh.
• 45:08
  Speaker 5: Yeah with that soundtrack.
• 45:10
  Speaker 4: But Jordan, I'll say this, if you get that Grindhouse release,
• 45:15
  Speaker 4: just just just get it out the way. Get watch
• 45:18
  Speaker 4: the full thing. Oh, just get it out the way,
• 45:22
  Speaker 4: you know.
• 45:24
  Speaker 3: I think, Jordan, you're gonna come out of it much
• 45:26
  Speaker 3: if you spent a long time hearing about the movie,
• 45:29
  Speaker 3: you're gonna come out of it like with a pretty
• 45:32
  Speaker 3: like I think you're gonna be I think some people
• 45:34
  Speaker 3: come out a little bit. I don't know what the
• 45:37
  Speaker 3: word I'm looking for. It is like it's kind of
• 45:39
  Speaker 3: an unexpected experience because it's not as harsh as you
• 45:44
  Speaker 3: would think. You know, because a lot of the band
• 45:46
  Speaker 3: stuff was mostly because of the animal cruelty. For the
• 45:48
  Speaker 3: most part, that's kind of the big thing of it.
• 45:51
  Speaker 3: Outside of that, you know, the other like if you
• 45:55
  Speaker 3: watch Eating a Live or I don't know, some of
• 45:58
  Speaker 3: those other cannibal movies, they're a lot more gross out
• 46:01
  Speaker 3: violent than that is.
• 46:03
  Speaker 7: Well that and two, now, you know, hearing you know
• 46:07
  Speaker 7: you and Christian kind of going really what the film's
• 46:11
  Speaker 7: about and the effects it had.
• 46:12
  Speaker 8: You know, going in it knowing.
• 46:16
  Speaker 7: That and especially my first time, I think I'm gonna
• 46:17
  Speaker 7: appreciate it a little more than say, Hey, what's this.
• 46:20
  Speaker 8: I'm gonna go check this.
• 46:21
  Speaker 7: Out, man, you know, yeah, get knocked out by what
• 46:24
  Speaker 7: I'm seeing.
• 46:26
  Speaker 6: Well, I will say, oh sorry, but I will say,
• 46:29
  Speaker 6: like after watching I know you guys were talking about
• 46:31
  Speaker 6: Texas Chainsaw initially, and then with this film, I will
• 46:35
  Speaker 6: say after watching it, I remember, at least with the
• 46:37
  Speaker 6: first time watching it, the first go round, I just
• 46:40
  Speaker 6: felt so grimy after watching it, like you basically just
• 46:43
  Speaker 6: kind of want it, like you kind of like are
• 46:45
  Speaker 6: besides yourself, Like I almost want to go take a shower,
• 46:47
  Speaker 6: and then just kind of like kind of have like
• 46:49
  Speaker 6: a Palate cleanser with another movie.
• 46:51
  Speaker 5: Yeah.
• 46:52
  Speaker 3: When I talk to people and people are like and
• 46:54
  Speaker 3: I tell people like, I'm not political, I don't watch
• 46:56
  Speaker 3: the news. I always have to resist being like, well,
• 46:59
  Speaker 3: when I was a kid, I want Cannibal Holocaust, and
• 47:03
  Speaker 3: now as an.
• 47:03
  Speaker 4: Adult, I'll watch Cannible.
• 47:07
  Speaker 5: I want to see my hat. Check out my shorts.
• 47:11
  Speaker 4: Dude, I was so grimy, I had to go take
• 47:12
  Speaker 4: a shower, so I get my Farrox pajamas.
• 47:17
  Speaker 3: Watching Cannibal Holocaust, getting a shower and then putting on
• 47:20
  Speaker 3: your Cannibal Pharaoh shorts. That's like a that's like, that's
• 47:25
  Speaker 3: like shipping, not wiping and getting in the shower, you
• 47:27
  Speaker 3: know what I mean.
• 47:28
  Speaker 5: That's just like this topic.
• 47:34
  Speaker 3: But I was I was listening to a podcast earlier
• 47:36
  Speaker 3: and they asked the question, if you ship and then
• 47:39
  Speaker 3: you get up and when you're getting into the shower
• 47:42
  Speaker 3: you fart or no, wait what something?
• 47:44
  Speaker 4: If you finish?
• 47:48
  Speaker 5: Hold on? They said? What did they say?
• 47:51
  Speaker 3: They said, if you oh, no, if you shower and
• 47:55
  Speaker 3: then you have to take a ship, do you shower again? Like,
• 47:58
  Speaker 3: if you take a shower, get out and then you
• 48:00
  Speaker 3: have to ship, do you just get back in the shower.
• 48:02
  Speaker 6: Unless you have a day.
• 48:03
  Speaker 8: Man, are you asking him for what we would do?
• 48:05
  Speaker 5: Yeah?
• 48:05
  Speaker 4: I heard that earlier, But I mean, I got my
• 48:10
  Speaker 4: body trained. Dude, that ship before I get right before
• 48:13
  Speaker 4: I get in the shower.
• 48:14
  Speaker 6: I feel like I.
• 48:14
  Speaker 5: Can't shower without, you know.
• 48:16
  Speaker 7: But sometimes you know what if you get in the
• 48:18
  Speaker 7: shower and you're like, oh, man, hold on one second,
• 48:20
  Speaker 7: got to get out of the shower.
• 48:22
  Speaker 4: Yeah you get out, and yeah you get out.
• 48:23
  Speaker 5: Yeah, Oh that's a wild one. All right, let's move
• 48:26
  Speaker 5: on that. All right, let's go.
• 48:28
  Speaker 6: D you just have to get a bid day man.
• 48:31
  Speaker 4: Somebody out there listening to this though. Soon as you
• 48:33
  Speaker 4: brought that up, they're like, oh, here we go.
• 48:37
  Speaker 6: I see the day.
• 48:38
  Speaker 3: The day is interesting to me because it's like I
• 48:40
  Speaker 3: ship and then I take a butt whole shower, and
• 48:42
  Speaker 3: then I take a whole.
• 48:43
  Speaker 5: Body shower, you know what I mean?
• 48:47
  Speaker 4: One of those dude's so bad.
• 48:51
  Speaker 3: So when I met and when I met my wife
• 48:53
  Speaker 3: back when we first they had a bidet in their
• 48:55
  Speaker 3: upstairs toilet and I didn't.
• 48:57
  Speaker 5: I had never I'd never seen one before. I'm like,
• 49:00
  Speaker 5: how did this? I'm like wondering.
• 49:03
  Speaker 4: I just think it's so funny how the day gets
• 49:06
  Speaker 4: brought up and then immediately aired. You know, when I
• 49:08
  Speaker 4: met my wife.
• 49:12
  Speaker 5: Anywhere else where there was a good day.
• 49:15
  Speaker 3: But I tell you what, man, I hit the switch
• 49:17
  Speaker 3: and that water shot out so fast, and I got
• 49:20
  Speaker 3: wet and the wall got wet, and I just was
• 49:21
  Speaker 3: like that books dangerous.
• 49:25
  Speaker 4: Oh my god.
• 49:26
  Speaker 9: You never turn it all the way like like all
• 49:29
  Speaker 9: at once.
• 49:29
  Speaker 4: You had to crack the lever.
• 49:33
  Speaker 5: Adjustments. Bro.
• 49:34
  Speaker 3: Who Who's like you turn a light and you're like,
• 49:36
  Speaker 3: that's not enough, and then you turn it up.
• 49:42
  Speaker 8: Bought my house.
• 49:44
  Speaker 7: I we it came with one and so no one,
• 49:46
  Speaker 7: no one in my house would try it, So I'll
• 49:48
  Speaker 7: do it. So it went and on similar situation to Chris,
• 49:51
  Speaker 7: and I didn't say a word. I got up, walked outside,
• 49:55
  Speaker 7: grabbed my drill, grabbed a couple of tools, went back in,
• 49:58
  Speaker 7: came out, and I took that thing off, said this
• 50:00
  Speaker 7: is getting out of here.
• 50:01
  Speaker 5: I can't my house. It's like a weapon.
• 50:05
  Speaker 6: Bro.
• 50:05
  Speaker 3: Look, I'm telling you right now, there's no other podcast
• 50:08
  Speaker 3: in the world that's gonna go from cannibal holocaust to
• 50:11
  Speaker 3: shitting in less than three minutes.
• 50:14
  Speaker 5: It felt natural, Honestly, Yeah, I.
• 50:19
  Speaker 9: Got something to add as far as for like the
• 50:21
  Speaker 9: merch thing, because you know, I found it very interesting
• 50:24
  Speaker 9: that if I was like gonna say, like in Miami,
• 50:27
  Speaker 9: like a big city, I could wear that cool like
• 50:31
  Speaker 9: cannibal Holocaust like merch and it'd be fine, Like everybody
• 50:34
  Speaker 9: would look, nobody would care. But then you go to
• 50:36
  Speaker 9: like a mall in South Carolina and people would just
• 50:41
  Speaker 9: stare at you like you're like an alien for ma
• 50:44
  Speaker 9: otter space. And I remember about a week ago, I
• 50:47
  Speaker 9: went to Spencer's and I was like, oh cool, they
• 50:49
  Speaker 9: have terrified like hoodies and like they have a bunch
• 50:51
  Speaker 9: of cool stuff.
• 50:52
  Speaker 8: You know.
• 50:52
  Speaker 9: And I see this hat that made me laugh. And
• 50:54
  Speaker 9: the reason I bought this hat it's because I put
• 50:57
  Speaker 9: I try it on. I turn around and some dude
• 50:59
  Speaker 9: looks at me. He goes nice, some random stranger and
• 51:03
  Speaker 9: the hat said porn director on it, and I thought
• 51:07
  Speaker 9: it was the funniest thing. So I bought it and
• 51:10
  Speaker 9: I was like, you know what, that's hilarious, man, It's
• 51:11
  Speaker 9: so simple. It's just little white words porn director and dude.
• 51:15
  Speaker 9: I get home and put it on. I'm like, realistically,
• 51:18
  Speaker 9: where the hell am I going to wear this around?
• 51:19
  Speaker 6: Here.
• 51:20
  Speaker 9: People are just here with livestock and they're gonna look
• 51:23
  Speaker 9: at me in my hat and be like, what the
• 51:24
  Speaker 9: hell is this guy doing? So I had to go
• 51:26
  Speaker 9: back and return it in shame.
• 51:27
  Speaker 3: Oh dude, I don't think you can return that. I
• 51:29
  Speaker 3: think that's a non returnable item.
• 51:31
  Speaker 5: Honestly, I will give you. I will pay for shipping
• 51:34
  Speaker 5: if you want to send that my way, I will.
• 51:36
  Speaker 8: Gladly wear no.
• 51:38
  Speaker 3: Similar story with a hat. We went to this like
• 51:41
  Speaker 3: instore thrift market thing and I'm walking around and I
• 51:45
  Speaker 3: find this hat that looks vintage it's not. And it
• 51:48
  Speaker 3: said it had Bigfoot on it and it said Bigfoot
• 51:51
  Speaker 3: is real. He tried to eat my ass, and.
• 51:54
  Speaker 5: Yeah, yeah it was.
• 51:56
  Speaker 3: It was like twelve dollars. And I walked around with
• 51:59
  Speaker 3: it the whole time, and then I was like, where
• 52:00
  Speaker 3: the funk am I gonna wear this on YouTube?
• 52:03
  Speaker 4: Dude? I don't wait to watch that. But the thing is,
• 52:08
  Speaker 4: if you wear a hat like that, you can't like
• 52:11
  Speaker 4: say hey, check out my hat. You just gotta start
• 52:13
  Speaker 4: the video like nothing's wrong. Did you give me too
• 52:18
  Speaker 4: many ideas?
• 52:20
  Speaker 5: My God, just stare into.
• 52:21
  Speaker 9: The lens just intensely.
• 52:23
  Speaker 4: That is so.
• 52:27
  Speaker 3: I think the best would be if the hat's backwards
• 52:29
  Speaker 3: and then at some point you flip it around and then.
• 52:33
  Speaker 6: That's an immediate subscribe for me.
• 52:36
  Speaker 5: Yeah, oh my god. Uh so let's say.
• 52:46
  Speaker 3: Off the rails, bro off the I don't remember what
• 52:50
  Speaker 3: we were talking about before.
• 52:53
  Speaker 5: Yah, all right, so let's go on to uh, what
• 52:57
  Speaker 5: are we on number three?
• 52:59
  Speaker 6: Yep?
• 53:00
  Speaker 3: Okay, all right, so we got demons, we have accounibal Holocaust,
• 53:05
  Speaker 3: and then we have.
• 53:06
  Speaker 6: Before I move on to the third one. So you
• 53:10
  Speaker 6: guys were talking about Faces of Death. I know this
• 53:12
  Speaker 6: is an Italian horror, but I swear I remember watching that,
• 53:17
  Speaker 6: like those films like a while but like a long
• 53:20
  Speaker 6: time ago, and they are definitely not as good as
• 53:23
  Speaker 6: I remember them being whatsoever. Like did any of you
• 53:25
  Speaker 6: guys pick up the Face of Death collection?
• 53:29
  Speaker 5: I did not. I couldn't find it.
• 53:32
  Speaker 8: Yeah, same, it was never emm a Walmart.
• 53:35
  Speaker 6: It's like one of those things where I feel like
• 53:37
  Speaker 6: it was. It was worse the way that I had
• 53:41
  Speaker 6: built it up, like all these all these from like
• 53:44
  Speaker 6: whenever I initially saw it up until now. Uh, it's
• 53:47
  Speaker 6: it's I don't know, it's kind of crazy. It didn't
• 53:49
  Speaker 6: I don't think it really aged that well, to be honest,
• 53:51
  Speaker 6: due decided man.
• 53:53
  Speaker 5: Good thing. There's a remake coming out.
• 53:55
  Speaker 6: I think I'm good.
• 53:58
  Speaker 3: Well.
• 53:59
  Speaker 4: The way I watched this as a kid was clips
• 54:00
  Speaker 4: of it on Ebomb's World, and it was so taboo
• 54:04
  Speaker 4: like that way, And the worst thing about it now
• 54:08
  Speaker 4: was definitely the animal stuff because that was real. Sure
• 54:12
  Speaker 4: they were at a slaughterhouse, and I was just like, God, damn.
• 54:15
  Speaker 3: Was it the first Was it the first face of
• 54:17
  Speaker 3: death with the monkey brains?
• 54:19
  Speaker 5: The family?
• 54:19
  Speaker 8: Yeah?
• 54:20
  Speaker 4: I remember seeing that as a kid, and I don't know,
• 54:23
  Speaker 4: I guess because it was I don't know if it
• 54:25
  Speaker 4: was just because it was such low quality, but dude,
• 54:27
  Speaker 4: it freaked me out as a kid.
• 54:29
  Speaker 3: Yeah.
• 54:29
  Speaker 5: I mean the Bomb's World I think ruined most of
• 54:34
  Speaker 5: my childhood.
• 54:35
  Speaker 4: Oh yeah, dude.
• 54:37
  Speaker 3: And then I remember getting to a point where we
• 54:39
  Speaker 3: would go on like there was a website called I
• 54:42
  Speaker 3: think it was like rotten dot com and it posted
• 54:44
  Speaker 3: like real death clips and stuff like back when I
• 54:46
  Speaker 3: like beheading people and stuff. There was like bestcore and
• 54:49
  Speaker 3: nose sites that you know, we would you know, you're
• 54:51
  Speaker 3: a kid, you know, or you're I was a teenager,
• 54:54
  Speaker 3: you know, you're just like, oh, look cool this is,
• 54:56
  Speaker 3: And then as an adult, I'm like, what the fuck
• 54:58
  Speaker 3: was I doing?
• 55:01
  Speaker 5: God damn you guys.
• 55:03
  Speaker 8: Ever, do remember Reddit fifty to fifty.
• 55:07
  Speaker 5: I don't know what this is?
• 55:08
  Speaker 4: Oh?
• 55:09
  Speaker 2: Yeah, I remember that.
• 55:10
  Speaker 4: Yeah, it would be sucked up, dude.
• 55:13
  Speaker 8: It would have two scenarios. It would be like this.
• 55:16
  Speaker 7: It would be like a beheading, be anywhere, pro laps
• 55:19
  Speaker 7: status and you don't know what it is.
• 55:20
  Speaker 8: Oh and then you would click on the picture and
• 55:22
  Speaker 8: you get one or the other.
• 55:24
  Speaker 4: That sounds awesome.
• 55:27
  Speaker 8: Gamble, is that reddit called fifty to fifty?
• 55:30
  Speaker 5: So what was worse?
• 55:31
  Speaker 3: Watching real death clips or watching like two Girls one
• 55:35
  Speaker 3: cup or like cake farts?
• 55:38
  Speaker 4: Because like, take me back to my high school day.
• 55:40
  Speaker 6: I know, I'd kind of forgotten about that.
• 55:42
  Speaker 5: Yeah, well good, there you go. You're gonna be thinking
• 55:44
  Speaker 5: of it.
• 55:44
  Speaker 3: I can't wait for Jordan to text me be like,
• 55:46
  Speaker 3: because I'm watching Cannibal Holocaust and I'm thinking about two Girls,
• 55:48
  Speaker 3: one cup.
• 55:50
  Speaker 4: You think Viggar syndrome will do that on four k oh, dude, sure, My.
• 55:54
  Speaker 7: Cannibal Faarrox shorts are on their way right now.
• 56:00
  Speaker 10: I just had somebody remind me earlier about something that
• 56:03
  Speaker 10: I used to see on the internet and it was
• 56:04
  Speaker 10: a website called pin Olympics.
• 56:06
  Speaker 3: Oh yeah, director of August Underground idea.
• 56:15
  Speaker 4: There was fun. There was another one that was a
• 56:19
  Speaker 4: classic back in the computer lab days, back in high school.
• 56:22
  Speaker 4: It was the one Man, One Jar. Yeah, you gotta
• 56:27
  Speaker 4: be a sick faster.
• 56:29
  Speaker 8: There was all those one man, one horse or dude.
• 56:33
  Speaker 4: That that screen that that guy made. God, that video
• 56:42
  Speaker 4: waunts me off the rails.
• 56:45
  Speaker 5: This podcast, bro, We're in another. We're at level.
• 56:49
  Speaker 2: Bro.
• 56:49
  Speaker 5: I feel like I got the day real quick.
• 56:51
  Speaker 2: Man.
• 56:55
  Speaker 9: I pranked one of my friends with so I saw
• 56:59
  Speaker 9: I saw when I first saw the two girls one
• 57:01
  Speaker 9: Cup video. Man, I just kept staring at the screen
• 57:05
  Speaker 9: and I remember just having this experienced.
• 57:09
  Speaker 4: No.
• 57:09
  Speaker 6: I was like, I have this utter body.
• 57:12
  Speaker 9: Experience and I literally yelled out that.
• 57:14
  Speaker 6: I was like, that can't be real. I was like,
• 57:16
  Speaker 6: are you serious.
• 57:17
  Speaker 9: I was like, what the hell looks like one of
• 57:18
  Speaker 9: those McDonald's, Like, uh.
• 57:22
  Speaker 6: Yeah.
• 57:22
  Speaker 9: So I kept saying that, and like in shock, I
• 57:25
  Speaker 9: just kept saying the same thing, and my buddy walks in.
• 57:28
  Speaker 9: He's like, dude, what the hell are you yammering about?
• 57:30
  Speaker 9: And I looked at him and immediately had this impulsive thought.
• 57:33
  Speaker 9: I was like, you know what, I'm going to write
• 57:35
  Speaker 9: a script on my computer. So it just it keeps
• 57:38
  Speaker 9: playing it in loop, and I tell him, hey, come
• 57:40
  Speaker 9: over here, dude, and he comes over starts watching it, and.
• 57:44
  Speaker 6: He's like, oh my god, turn it off.
• 57:45
  Speaker 9: And he keeps trying to like press the escape button,
• 57:48
  Speaker 9: and it just keeps looping it and looping it closes,
• 57:50
  Speaker 9: it keeps hearing it, and the dude's like, what the
• 57:52
  Speaker 9: fuck's happening. It was the honest and horrifying thing I've
• 57:57
  Speaker 9: ever seen.
• 57:58
  Speaker 5: Oh my god. All right, So I don't know how
• 58:03
  Speaker 5: to transition this. I don't know.
• 58:05
  Speaker 6: I don't think you can.
• 58:06
  Speaker 4: I don't know.
• 58:07
  Speaker 5: Speaking of cups, what's your number three?
• 58:09
  Speaker 2: See to it was at number two?
• 58:14
  Speaker 6: Oh god? All right, well I gotta throw up. Got
• 58:18
  Speaker 6: zombie at number three. So I remember seeing this, man.
• 58:25
  Speaker 6: It was. This was another one, like right around the
• 58:27
  Speaker 6: time that I got into Cannibal Holocaust, And I remember
• 58:30
  Speaker 6: I had a friend of mine who let me borrow
• 58:32
  Speaker 6: her DVD of Zombie. I had never heard of it,
• 58:35
  Speaker 6: but I was like really going through, like going through
• 58:37
  Speaker 6: and like discovering new zombie movies. I'd never seen before,
• 58:41
  Speaker 6: and she put me onto this and I just remember
• 58:45
  Speaker 6: like the weird dubbing that it had on it, the
• 58:50
  Speaker 6: shark versus zombie scene, like the eyeball scene, all that stuff.
• 58:55
  Speaker 6: I mean, like I had seen a lot of the
• 58:57
  Speaker 6: American zombie movies, obviously, like The Living Dead on the Dead,
• 59:01
  Speaker 6: but up until that point, like I had never been
• 59:02
  Speaker 6: exposed to like this, the sub genre I was so
• 59:07
  Speaker 6: unfamiliar with, and man, that opened the door to really
• 59:11
  Speaker 6: giving Italian horror like a fair shake, to be honest.
• 59:15
  Speaker 6: So yea, yeah, I have nothing but positive things to
• 59:21
  Speaker 6: say about Lucio Folsche's Zombie.
• 59:23
  Speaker 3: I think I said this before on the show, but
• 59:24
  Speaker 3: my favorite part of that movie is the endless loop
• 59:28
  Speaker 3: of the amount of Molotovs they throw at the zombies
• 59:30
  Speaker 3: at the end in the barn, they throw like forty
• 59:33
  Speaker 3: five Molotovs at them, and the barn just never gets
• 59:36
  Speaker 3: more on fire.
• 59:37
  Speaker 5: Did they just loop it over and over again? Seemingly?
• 59:40
  Speaker 3: I remember this was this the first time? Clearly it's
• 59:44
  Speaker 3: not the first time we saw zombie rising out of
• 59:46
  Speaker 3: the ground, but was this the first time I remember
• 59:50
  Speaker 3: seeing like a bug infested zombie coming out of the ground.
• 59:54
  Speaker 3: I feel like that was a bit of the Italian
• 59:56
  Speaker 3: touch was like the worms. It just felt so gross,
• 1:00:01
  Speaker 3: you know what I mean.
• 1:00:02
  Speaker 6: Very over the top with the effects.
• 1:00:04
  Speaker 5: Yeah, yeah, very over the top.
• 1:00:05
  Speaker 3: And the shark versus zombie like come on which and
• 1:00:10
  Speaker 3: also to like to think about that was a professional
• 1:00:12
  Speaker 3: like diver that just gotten zombie makeup and they're like,
• 1:00:15
  Speaker 3: you're I think it was a I can't remember if
• 1:00:17
  Speaker 3: he was a diver or a shark handler. He was
• 1:00:21
  Speaker 3: some professional of some sort and they just put him
• 1:00:23
  Speaker 3: in zombie makeup and was like all right, we're gonna
• 1:00:25
  Speaker 3: go film this now.
• 1:00:26
  Speaker 6: Didn't they drug up the shark? I remember hearing something.
• 1:00:28
  Speaker 5: I think they did drug it up?
• 1:00:30
  Speaker 6: Ok.
• 1:00:30
  Speaker 5: Yeah, yeah, that's kind of fucked up.
• 1:00:32
  Speaker 6: It is fuck up? What's going on? What's going on
• 1:00:36
  Speaker 6: in Italy? The hell?
• 1:00:39
  Speaker 5: It's that like a deep blue sea situation?
• 1:00:42
  Speaker 6: Take this.
• 1:00:44
  Speaker 10: I could just only imagine what the guy that like
• 1:00:47
  Speaker 10: was running through that guy's mind when he was approaching
• 1:00:49
  Speaker 10: and was like, yeah, so we're gonna put you in
• 1:00:51
  Speaker 10: zombie makeup?
• 1:00:51
  Speaker 2: Do you want to fight a shark underwater? Like? How
• 1:00:55
  Speaker 2: do you react to that? Yeah?
• 1:00:57
  Speaker 3: Well, that's like the most that's like the most Italian
• 1:01:00
  Speaker 3: response to Don the Dead I can think of. It's like,
• 1:01:03
  Speaker 3: all right, how do we one up it?
• 1:01:06
  Speaker 6: I mean, I would argue that, like side by side,
• 1:01:09
  Speaker 6: I prefer Zombie over Dawn the Dead, at least for me.
• 1:01:12
  Speaker 4: But wow, that's I hate to agree, but I do agree. Wow, okay,
• 1:01:18
  Speaker 4: because I love to death, but zombie is a masterpiece
• 1:01:23
  Speaker 4: to me. I love it.
• 1:01:25
  Speaker 3: Yeah, I mean that. So I talked about this on
• 1:01:28
  Speaker 3: an Instagram post. But back when I was a teenager,
• 1:01:31
  Speaker 3: I used to go on Arrowindehead dot com all the time.
• 1:01:34
  Speaker 3: That was like where I got all my hard news from.
• 1:01:37
  Speaker 3: And they had this section of the website called kill
• 1:01:39
  Speaker 3: of the Day. And that was the first time I
• 1:01:40
  Speaker 3: saw the raft scene from the Burning and oh okay, yeah,
• 1:01:44
  Speaker 3: I saw all these iconic kills on there, and that
• 1:01:47
  Speaker 3: the splinter I scene, And just when you think that
• 1:01:51
  Speaker 3: scene takes it far enough, it just goes one further
• 1:01:56
  Speaker 3: by like snapping they would off in her eye. It's
• 1:02:00
  Speaker 3: like it always just had to go one more, you know,
• 1:02:03
  Speaker 3: like bring it one. And I don't even know how
• 1:02:06
  Speaker 3: you like those shots of her eyes getting closer.
• 1:02:09
  Speaker 5: Just give me.
• 1:02:10
  Speaker 6: It's uncomfortable.
• 1:02:12
  Speaker 5: Yeah, yeah, it's just so slow.
• 1:02:14
  Speaker 6: There's have you noticed. I mean I went back like
• 1:02:17
  Speaker 6: I've been doing rewatch on some Aluco Fulci's films, but
• 1:02:21
  Speaker 6: a lot of eye stuff. Very uncomfortable. Not a fan.
• 1:02:25
  Speaker 5: Yeah, he was obsessed.
• 1:02:27
  Speaker 3: I mean that scene of The Beyond with Joe the
• 1:02:29
  Speaker 3: Plumber when the finger goes in and like pushes it out.
• 1:02:33
  Speaker 6: Oh man.
• 1:02:34
  Speaker 3: But Folgie had a certain there was a certain touch
• 1:02:37
  Speaker 3: to his movies that just always felt like more you
• 1:02:41
  Speaker 3: know what I mean. It's like when I know we're
• 1:02:43
  Speaker 3: not talking about the Beyond, but like the Spider scene
• 1:02:46
  Speaker 3: and the Beyond, it's just like it keeps going, It
• 1:02:49
  Speaker 3: keeps going, and then it starts going into the guy's
• 1:02:51
  Speaker 3: mouth and you're like, oh my god, what is it good?
• 1:02:53
  Speaker 3: And then it bites his tongue and then the head
• 1:02:55
  Speaker 3: falls over and the blood falls out of it.
• 1:02:58
  Speaker 5: It just kept it keeps going. Just oh it's gross, man.
• 1:03:03
  Speaker 6: Man, that poor guy. Yeah, pour one out for Joe
• 1:03:07
  Speaker 6: the Plumber.
• 1:03:08
  Speaker 5: Oh my god, Joe the Plumber.
• 1:03:10
  Speaker 3: Like Chuck, you're wearing the zombie shirt. What's your take
• 1:03:13
  Speaker 3: on Zombie being number three in the Most Essentials?
• 1:03:17
  Speaker 2: I mean, I agree with Steve, it's A.
• 1:03:19
  Speaker 10: I really enjoy it, but I do you prefer the
• 1:03:22
  Speaker 10: other two that we're gonna be talking about over it.
• 1:03:25
  Speaker 3: It's a fun up marathon that we're giving people. Yeah,
• 1:03:29
  Speaker 3: if you've never if you've never watched Italian horror, and
• 1:03:32
  Speaker 3: then you go off this list as your five starting points,
• 1:03:34
  Speaker 3: you're gonna lose your fucking mind.
• 1:03:36
  Speaker 4: Uh, wearing Cannibal shorts and.
• 1:03:42
  Speaker 6: Skyrocket Dude, I feel like we all have to commit
• 1:03:45
  Speaker 6: to that purchase.
• 1:03:48
  Speaker 5: We've never sold more accountable Farerox shorts in our life.
• 1:03:50
  Speaker 6: Let's go on.
• 1:03:55
  Speaker 5: Jordan, I know you just got The Blue Underground. Uh, Bobby,
• 1:03:59
  Speaker 5: did you watch it?
• 1:04:00
  Speaker 4: I did?
• 1:04:00
  Speaker 7: Well, Yeah, I watched it and I was going to
• 1:04:03
  Speaker 7: rewatch it again. I started it today, but like I said,
• 1:04:06
  Speaker 7: I fell asleep. But yeah, just the one scene that
• 1:04:11
  Speaker 7: always stands out to me, and you guys have talked
• 1:04:13
  Speaker 7: about it already is the eyeball scene. I mean that
• 1:04:17
  Speaker 7: the shot, the way, the angle it shot of her
• 1:04:20
  Speaker 7: going up to the plank of wood screaming. I mean,
• 1:04:22
  Speaker 7: it's an iconic just you freeze frame right there, and
• 1:04:26
  Speaker 7: that's immediately what I think of what I think is
• 1:04:28
  Speaker 7: zombie is that exact scene right there. Yeah, but it's
• 1:04:33
  Speaker 7: it's very fulgy, Like I said, and we're not talking
• 1:04:36
  Speaker 7: about this, but you know, I just watched The Psychic
• 1:04:39
  Speaker 7: and uh, that's that's that's kind of like his off shoot.
• 1:04:43
  Speaker 7: Just that doesn't feel like a Folsy film, but this
• 1:04:45
  Speaker 7: one feels like this is classic faulty that we're getting
• 1:04:48
  Speaker 7: right here.
• 1:04:49
  Speaker 3: Man, going from The Psychic to Zombie is whiplashed.
• 1:04:53
  Speaker 8: If I've ever Yeah, I actually watched those two today.
• 1:04:56
  Speaker 5: Oh god, damn, how's your bad?
• 1:04:58
  Speaker 6: Yeah?
• 1:04:59
  Speaker 8: Coming back to back.
• 1:05:01
  Speaker 5: GC. Have you seen Zombie?
• 1:05:03
  Speaker 6: Dude?
• 1:05:03
  Speaker 9: I have not, but I am excited for the trauma.
• 1:05:05
  Speaker 6: I can't wait. We need a T shirt of that, dude.
• 1:05:10
  Speaker 9: It sounds seriously or like a hat.
• 1:05:13
  Speaker 5: I'm excited for the trauma.
• 1:05:15
  Speaker 9: Yeah, dude, it sounds amazing.
• 1:05:17
  Speaker 4: Man.
• 1:05:17
  Speaker 9: I mean, so far, anything you guys have recommended sent
• 1:05:19
  Speaker 9: my way, I mean it's it has not disappointed.
• 1:05:22
  Speaker 3: Yeah, yeah, I mean, Christian, you clearly love Zombie. So
• 1:05:25
  Speaker 3: what's your opinion on the placement here?
• 1:05:28
  Speaker 4: I'm interested. I don't know. Apparently Chuck knows. I don't
• 1:05:31
  Speaker 4: know what number two number one is already. I'm I
• 1:05:35
  Speaker 4: have a guess of what they could be. But for me,
• 1:05:37
  Speaker 4: this is the greatest Italian horror movie of all time.
• 1:05:41
  Speaker 4: And it's kind of a cliche answer. I get that,
• 1:05:43
  Speaker 4: but I really love Zombie. I think it's just so
• 1:05:46
  Speaker 4: in your face. I love the music to it. It's
• 1:05:49
  Speaker 4: so eerie and creepy. And I think that VHS that
• 1:05:53
  Speaker 4: he has actually has like a slightly alternate title credits
• 1:05:59
  Speaker 4: because brand I don't know if you guys know who
• 1:06:00
  Speaker 4: Brandon is, the guy that does that show Planet Dirty
• 1:06:03
  Speaker 4: with me, he was he He talks about that VHS
• 1:06:06
  Speaker 4: all the time that it has like a yeah, it
• 1:06:08
  Speaker 4: has a different kind of intro, like if the title
• 1:06:12
  Speaker 4: the movie flashes differently or something. It's a it's not
• 1:06:16
  Speaker 4: necessarily a different cut of the movie, but it's got
• 1:06:17
  Speaker 4: like a like a unique intro to it compared to
• 1:06:20
  Speaker 4: like all the DVDs and Blu rays. But I love it.
• 1:06:24
  Speaker 4: I think Falcy was just like hold my beer with
• 1:06:27
  Speaker 4: this movie. And uh, the shark scene is just it's insane.
• 1:06:33
  Speaker 4: It's it's so it's it's like something like a like
• 1:06:36
  Speaker 4: a kid would think of, like what if a zombie
• 1:06:38
  Speaker 4: fought a shark? Yeah, and it's just like yeah, okay,
• 1:06:41
  Speaker 4: but no, it actually happened so yeah, I love this
• 1:06:44
  Speaker 4: movie with every fiber of my being. It's my favorite
• 1:06:47
  Speaker 4: Italian horror movie of all time.
• 1:06:49
  Speaker 3: Yeah, dude, it's definitely a staple. I don't I don't remember.
• 1:06:53
  Speaker 3: I know at some point you told us the movies
• 1:06:55
  Speaker 3: you were thinking about, but I don't think you sent
• 1:06:56
  Speaker 3: them an order.
• 1:06:58
  Speaker 5: So I'm really curious about number two.
• 1:07:01
  Speaker 6: A lot of sleepless nights. I'm just kidding, speaking on
• 1:07:05
  Speaker 6: kind of on a side note. But Fabio Fritzy has
• 1:07:08
  Speaker 6: a tour going on right now, so I'm excited I
• 1:07:11
  Speaker 6: get to see him live coming up here shortly.
• 1:07:13
  Speaker 3: So yeah, yeah, I think he's coming to Philly on
• 1:07:20
  Speaker 3: that tour as well. But I haven't crooked that. I
• 1:07:23
  Speaker 3: haven't looked at going yet. I hate going into Philly.
• 1:07:25
  Speaker 4: So.
• 1:07:27
  Speaker 5: Philly. Going into Philly is a lot like going into
• 1:07:29
  Speaker 5: a fool cheap movies.
• 1:07:31
  Speaker 2: It definitely feels like it. Man, especially Kensington.
• 1:07:34
  Speaker 3: Yeah, well, you know, you want to talk about zombie,
• 1:07:37
  Speaker 3: you go to Kensington, bro it's all around.
• 1:07:41
  Speaker 4: Oh god, uh so what.
• 1:07:42
  Speaker 5: Do you got for number two?
• 1:07:45
  Speaker 6: So number two? I would have to roll with Suspiria
• 1:07:50
  Speaker 6: for number two. Now here's here's one thing I gotta
• 1:07:55
  Speaker 6: throw out there Suspiria okay, is or is it as yallow?
• 1:08:01
  Speaker 6: I don't consider that as yallow. But yet I hear
• 1:08:03
  Speaker 6: that put in the conversation with a lot of people
• 1:08:07
  Speaker 6: when they're talking about either Italian horror shallow. I always
• 1:08:10
  Speaker 6: felt like it was. It's like, I mean, it's more
• 1:08:13
  Speaker 6: like like supernatural than anything supernatural horror in a way.
• 1:08:18
  Speaker 4: I'll be I'll be that guy. It is not as yallow.
• 1:08:21
  Speaker 4: I'll be that guy.
• 1:08:25
  Speaker 3: Yeah, nothing about when I watched I watched the Spiria
• 1:08:28
  Speaker 3: last night, and the thing I love is nothing in
• 1:08:32
  Speaker 3: that movie feels real, Like there isn't a single I mean,
• 1:08:36
  Speaker 3: even like the rain, the storm in the beginning does
• 1:08:39
  Speaker 3: not feel real. None of the colors feel real, none
• 1:08:42
  Speaker 3: of the production design feels real, The interactions every character
• 1:08:46
  Speaker 3: doesn't feel real. The whole thing just feels like a
• 1:08:50
  Speaker 3: I hate to say a nightmare, because it's more like
• 1:08:51
  Speaker 3: a it's more just like a dream. But Suspiria, to me,
• 1:08:57
  Speaker 3: while it's Argento's most I think it has to be seen.
• 1:09:03
  Speaker 3: Like I think, if you're gonna get in an Italian horror,
• 1:09:04
  Speaker 3: you have to watch Suspiria.
• 1:09:06
  Speaker 5: But I think.
• 1:09:09
  Speaker 3: Suspiria actually lowers in my ranking the more I get
• 1:09:13
  Speaker 3: into deeper Italian horror, if that makes sense. Mm hmmm,
• 1:09:18
  Speaker 3: because like every time I come across something new, it
• 1:09:21
  Speaker 3: just pushes Suspiria like down a notch and I love it.
• 1:09:24
  Speaker 3: I think that movie is technically brilliant, and I think
• 1:09:27
  Speaker 3: that movie inspired tons of filmmakers and coloring. I mean,
• 1:09:33
  Speaker 3: I don't know if there was a more inspirational Italian
• 1:09:35
  Speaker 3: horror film ever on on worldwide filmmaking than Suspiria at
• 1:09:41
  Speaker 3: that time.
• 1:09:41
  Speaker 6: The color palette is it's like eye candy.
• 1:09:44
  Speaker 2: Yeah, it's so good to look at.
• 1:09:46
  Speaker 3: Yeah, it's incredible, dude. The production design, like that opening
• 1:09:50
  Speaker 3: scene in the how like how how is that staircase there?
• 1:09:53
  Speaker 3: Even the light above the elevator, like, none of it
• 1:09:56
  Speaker 3: feels It's like, I don't know, man, it's so out there.
• 1:10:00
  Speaker 5: It's it's just so crazy to me.
• 1:10:05
  Speaker 4: What gets me is how that movie looks so incredible
• 1:10:09
  Speaker 4: compared to everything that came out during that time. It
• 1:10:13
  Speaker 4: just whatever technology he had, I swear he just went
• 1:10:17
  Speaker 4: to the future and got better equipment, because that movie
• 1:10:20
  Speaker 4: looks absolutely insane in high definition.
• 1:10:25
  Speaker 3: Oh my god, dude, that four K I hate when
• 1:10:27
  Speaker 3: people typically say this, but I think that's like a
• 1:10:29
  Speaker 3: reference quality.
• 1:10:31
  Speaker 4: One thousand percent, Like it's not even a debate how
• 1:10:34
  Speaker 4: good that movie. It's I'm done. I'm baffled by it.
• 1:10:39
  Speaker 4: It's like, why does this look incredible? Like it's it's
• 1:10:44
  Speaker 4: perfect in every aspect. I don't I wonder how you know.
• 1:10:50
  Speaker 3: You know, he was Argento. I feel like there's a
• 1:10:53
  Speaker 3: lot of people who try to discredit Argento and say, like, oh,
• 1:10:57
  Speaker 3: his movies are like whatever, that's that's basic Italian horror.
• 1:11:02
  Speaker 5: That guy used technology.
• 1:11:04
  Speaker 3: I think it was Tenebrae had the first ever, like
• 1:11:09
  Speaker 3: one of the first ever techno crane shots, the scene
• 1:11:14
  Speaker 3: when it goes over the roof and it goes in
• 1:11:17
  Speaker 3: the window and it goes up slowly over the roof
• 1:11:20
  Speaker 3: and then it comes down on the other side of
• 1:11:21
  Speaker 3: the house and we're back looking in a different room window,
• 1:11:24
  Speaker 3: and then it comes back around and kind of around
• 1:11:26
  Speaker 3: the roof again. That was like one of the first
• 1:11:28
  Speaker 3: times ever a techno crane had been used in a film,
• 1:11:32
  Speaker 3: and he did it, so I feel like he embraced
• 1:11:36
  Speaker 3: new filmmaking styles, but he also like such a visionary
• 1:11:41
  Speaker 3: you know what I mean, And you have to think
• 1:11:43
  Speaker 3: too from a technical point of view. You walk into
• 1:11:46
  Speaker 3: a room.
• 1:11:46
  Speaker 5: It's easy for you to.
• 1:11:47
  Speaker 3: Light a white room or you know, a dark room whatever,
• 1:11:50
  Speaker 3: you can light that. How do you light and technically
• 1:11:53
  Speaker 3: figure out a room that's nine shades of red and
• 1:11:57
  Speaker 3: has insane a sticks colored you know, glass stained window, Like,
• 1:12:01
  Speaker 3: how do you do this stuff? I mean even the
• 1:12:04
  Speaker 3: shots of like the death scenes feel so like there's
• 1:12:11
  Speaker 3: not a single mistake or a single mishap, there's nothing.
• 1:12:14
  Speaker 3: Everything feels so intentional.
• 1:12:16
  Speaker 6: Those death scenes feel like a work of art. Not
• 1:12:19
  Speaker 6: to be weird, but like the way that he stylizes them,
• 1:12:22
  Speaker 6: it's it's very uh like ahead of its time.
• 1:12:25
  Speaker 5: No it is. And I think about the start of
• 1:12:28
  Speaker 5: that movie. You have her in the airport and then.
• 1:12:30
  Speaker 3: It cuts to this crazy zoom shot of the door
• 1:12:33
  Speaker 3: and you have the music, and then it cuts back
• 1:12:35
  Speaker 3: to her and there's no music, and you cut back
• 1:12:37
  Speaker 3: to the door and it's the music, and then the
• 1:12:39
  Speaker 3: the storm even like how the taxi driver doesn't help her,
• 1:12:42
  Speaker 3: you know what I mean, She's like.
• 1:12:43
  Speaker 5: Can I have a hand?
• 1:12:44
  Speaker 3: What by the way, and she goes like, oh, how
• 1:12:49
  Speaker 3: long has it been raining like this? And he's like
• 1:12:51
  Speaker 3: half hour you're like, oh, okay, Yeah, there's so much
• 1:12:55
  Speaker 3: about it. And dude, there's a shot in this movie.
• 1:12:57
  Speaker 3: Let me just nerd out about this in the very
• 1:12:59
  Speaker 3: beginning when he's driving her to the dance studio that's.
• 1:13:03
  Speaker 5: In the woods.
• 1:13:04
  Speaker 6: Yeah, and you in.
• 1:13:06
  Speaker 3: The distance see the car approaching, And every single time
• 1:13:09
  Speaker 3: I watch.
• 1:13:09
  Speaker 5: That, I'm just like, what the fuck is going? How
• 1:13:11
  Speaker 5: did he do this?
• 1:13:13
  Speaker 3: I just don't get it. Man, that movie blows my
• 1:13:15
  Speaker 3: mind technically. But what did you guys think of the remake?
• 1:13:19
  Speaker 3: Did anybody see the Luca Guadnino remake?
• 1:13:21
  Speaker 6: Yeah?
• 1:13:21
  Speaker 2: I like that.
• 1:13:23
  Speaker 6: I like that it it didn't feel like a complete
• 1:13:27
  Speaker 6: retread of the original because I feel like if you
• 1:13:29
  Speaker 6: had gone down that road, it's it's almost like impossible
• 1:13:33
  Speaker 6: to replicate what Argento did. But the like the remake,
• 1:13:39
  Speaker 6: that end, like the end sequence just goes completely off
• 1:13:43
  Speaker 6: the rails, like there's there's nothing like it.
• 1:13:46
  Speaker 5: Yeah.
• 1:13:46
  Speaker 3: My only issue with it is at the two and
• 1:13:48
  Speaker 3: a half hours leading up to the end scene is
• 1:13:50
  Speaker 3: like a a slog in my opinion, But that's just
• 1:13:54
  Speaker 3: me and I just picked up that four K two
• 1:13:57
  Speaker 3: from from Imprint, So I'm gonna give it a re
• 1:14:00
  Speaker 3: is it?
• 1:14:00
  Speaker 4: I always forget me a gothas in that?
• 1:14:03
  Speaker 2: Yeah?
• 1:14:04
  Speaker 3: And Dakota Johnson Dakota Johnson yea. And then what is
• 1:14:08
  Speaker 3: her name? Telda Swinton who plays the male she's a
• 1:14:12
  Speaker 3: male character in it. She plays the old man.
• 1:14:14
  Speaker 4: That's true. Yeah, it's it's pretty good. I like the
• 1:14:18
  Speaker 4: ending a lot. But apparently mister Argento hated it. Yeah
• 1:14:23
  Speaker 4: right here, which I think is awesome. I love it.
• 1:14:25
  Speaker 4: It's just so refreshing. Actually hear somebody be honest for once, like,
• 1:14:30
  Speaker 4: you really want to tell me? John Carpenter thinks the
• 1:14:32
  Speaker 4: new Halloween films are great, Like, come.
• 1:14:34
  Speaker 3: On, I was just about to say that when he
• 1:14:36
  Speaker 3: I remember when he put out the quote about Halloween
• 1:14:38
  Speaker 3: Kills and he was like, this is the ultimate slasher movie.
• 1:14:41
  Speaker 4: It's ridiculous. And I was like, okay, dude, absolutely wait,
• 1:14:44
  Speaker 4: just give it a few more years. He'll finally be like, uh, you.
• 1:14:47
  Speaker 3: Know, there always comes a point with him where he's
• 1:14:51
  Speaker 3: like I made a lot of money from that, and
• 1:14:53
  Speaker 3: you're like, okay, I get the point.
• 1:14:54
  Speaker 4: Yeah, it's coming, it's coming.
• 1:14:57
  Speaker 3: What Chuck Jordan GC, what are you? What do you
• 1:15:00
  Speaker 3: guys think about Suspiria as a second pick for essential
• 1:15:06
  Speaker 3: Italian Horror.
• 1:15:12
  Speaker 8: I'll be honest, I've never seen it.
• 1:15:15
  Speaker 5: I know.
• 1:15:16
  Speaker 7: I'm just what I will say though, from i've heard
• 1:15:22
  Speaker 7: you know, obviously, I've heard heard so much about it.
• 1:15:24
  Speaker 8: I just Italian films I'm very very new to. But uh,
• 1:15:30
  Speaker 8: I don't know.
• 1:15:30
  Speaker 7: I guess it makes sense that it's that they're that high,
• 1:15:33
  Speaker 7: right by how how much people talk about it.
• 1:15:37
  Speaker 8: That's all I can really say on that.
• 1:15:39
  Speaker 5: Yeah, yeah, what about you men?
• 1:15:42
  Speaker 10: Yeah, So I actually just watched this for the first
• 1:15:44
  Speaker 10: time the other day, and I remember like one of
• 1:15:47
  Speaker 10: the things that stuck at whenever anybody would talk about
• 1:15:49
  Speaker 10: this film was the lighten and the different colors. So
• 1:15:52
  Speaker 10: when I actually got to see it for the first.
• 1:15:54
  Speaker 2: Time, it just blew me away. It's just these set
• 1:15:57
  Speaker 2: pieces are so beautiful.
• 1:15:59
  Speaker 5: And that's score is haunting.
• 1:16:02
  Speaker 2: Yeah.
• 1:16:02
  Speaker 3: I threw that on the other day when I was
• 1:16:05
  Speaker 3: just hanging out here in the movie room and I
• 1:16:07
  Speaker 3: just put it on and I had it was like
• 1:16:09
  Speaker 3: sixty five, so I had the windows open and it
• 1:16:11
  Speaker 3: was right in.
• 1:16:13
  Speaker 5: Uh right.
• 1:16:13
  Speaker 3: I think it's the second track when you have the
• 1:16:15
  Speaker 3: choir coming in and there's like people walking their dog outside.
• 1:16:20
  Speaker 3: I'm like, they probably think I'm in here, you know,
• 1:16:23
  Speaker 3: be in a weird hour. So at that score is freaky, man,
• 1:16:29
  Speaker 3: really freaky.
• 1:16:29
  Speaker 4: GC.
• 1:16:30
  Speaker 5: Have you ever seen this.
• 1:16:30
  Speaker 6: One, dude?
• 1:16:32
  Speaker 9: Once again, I'm ashamed to admit I have not, But
• 1:16:35
  Speaker 9: so far with Steve's track record, I mean, if you
• 1:16:38
  Speaker 9: put it number two, I mean I can't argue with it.
• 1:16:41
  Speaker 4: Yeah, I'm assuming everybody here is big physical media people.
• 1:16:45
  Speaker 4: Might I recommend going on eBay and getting the Anchor Bay.
• 1:16:51
  Speaker 4: It's a chunky Suspiria release that has the CD. This
• 1:16:55
  Speaker 4: came out on September eleventh, two thousand and one, on
• 1:17:00
  Speaker 4: the day.
• 1:17:02
  Speaker 8: Yeah, I watched her video on that do that. It
• 1:17:04
  Speaker 8: looks pretty cool.
• 1:17:05
  Speaker 4: Also shout out to Alice Cooper. This is his second
• 1:17:07
  Speaker 4: favorite horror movie, followed by the Great Carnival of Souls,
• 1:17:11
  Speaker 4: which you gotta respect that, but yeah, pretty cool that Alice.
• 1:17:14
  Speaker 4: Alice loves uh Suspiria.
• 1:17:17
  Speaker 3: Yeah, that's really and especially Carnival Soul. That's Carnival Souls.
• 1:17:20
  Speaker 3: That's even that's even cool.
• 1:17:21
  Speaker 4: I just watch that because of Alice.
• 1:17:23
  Speaker 3: Yeah really, Yeah, that's one of those that was one
• 1:17:26
  Speaker 3: that I always felt was like to prestige for me
• 1:17:29
  Speaker 3: because it was on Criterion.
• 1:17:31
  Speaker 4: Yeah, I thought so too, But I liked it. I
• 1:17:33
  Speaker 4: liked it a lot. Yeah.
• 1:17:34
  Speaker 5: Yeah.
• 1:17:35
  Speaker 3: That the end scene with all of the souls in
• 1:17:38
  Speaker 3: the old carnival, it's great, man, Yeah, so good. Yeah,
• 1:17:42
  Speaker 3: Suspiria is I think I don't. I definitely, I definitely
• 1:17:49
  Speaker 3: agree with the placing. I think you have to you
• 1:17:51
  Speaker 3: have to see, you have to experience. Obviously, the best
• 1:17:53
  Speaker 3: way you experience it is that Synaps four K. There's
• 1:17:56
  Speaker 3: no doubt about it. That's one of the best. It's
• 1:18:00
  Speaker 3: amazing to me, like Christian said, how that movie looks
• 1:18:02
  Speaker 3: compared to the movies that came out the same year
• 1:18:04
  Speaker 3: that are also on four K.
• 1:18:06
  Speaker 5: It's just such a difference.
• 1:18:08
  Speaker 4: It's if it like if somebody gets a four K
• 1:18:12
  Speaker 4: player and they ask me, uh, like, what should I get?
• 1:18:15
  Speaker 4: Even if not like the Synaps did a four K
• 1:18:19
  Speaker 4: remaster on in Blu ray and it has this great
• 1:18:21
  Speaker 4: artwork they did. It's kind of like a purplish blue
• 1:18:24
  Speaker 4: I tell people even that release, like that movie just
• 1:18:28
  Speaker 4: looks good, Like it just looks good. It's it's undeniable.
• 1:18:33
  Speaker 4: How that is one of the best looking horror films
• 1:18:35
  Speaker 4: I've ever seen.
• 1:18:36
  Speaker 3: That's another That's another movie where I was always obsessed
• 1:18:39
  Speaker 3: with the poster, just a black poster.
• 1:18:41
  Speaker 4: Black. Yeah, dude, there's another one with like a girl
• 1:18:44
  Speaker 4: like on the front. I don't know if it's an
• 1:18:46
  Speaker 4: original or not, but she has like a skeleton face.
• 1:18:48
  Speaker 4: I think that I can't. I think that might be
• 1:18:51
  Speaker 4: some sort of b poster or something.
• 1:18:53
  Speaker 6: But yeah, my.
• 1:18:55
  Speaker 4: Wife actually got me all on a Suspiria. She showed
• 1:18:57
  Speaker 4: me that movie back when we first started dating, and
• 1:19:00
  Speaker 4: I hated it. I never watched any Italian horror movies.
• 1:19:02
  Speaker 4: It's like they're dubbing the voices.
• 1:19:05
  Speaker 6: You know, it is it is starring.
• 1:19:07
  Speaker 4: It took me years, and I had to tiptoe back
• 1:19:09
  Speaker 4: in years later, you know. I started watching different stuff,
• 1:19:13
  Speaker 4: and then finally I saw h Demons as a matter
• 1:19:18
  Speaker 4: of fact, and then I was like, oh my god,
• 1:19:19
  Speaker 4: this is great. Then I watched Zombie, and then I
• 1:19:22
  Speaker 4: went back and watched Saspiria, and I was like, God,
• 1:19:26
  Speaker 4: what was my problem? You know? But I really wasn't ready.
• 1:19:28
  Speaker 4: I do think that you can get into it at
• 1:19:31
  Speaker 4: the wrong time, like you kind of gotta, you gotta gotta,
• 1:19:35
  Speaker 4: you know, watch some stuff first, kind of just just
• 1:19:39
  Speaker 4: watch different types of horror movies first in America and
• 1:19:42
  Speaker 4: then started dip tiptoeing into Italian horror.
• 1:19:45
  Speaker 3: You know, can you imagine never watching an Italian horror film,
• 1:19:48
  Speaker 3: never seeing anything dubbed, and then putting on House by
• 1:19:52
  Speaker 3: the Cemetery. And though, when Bob starts talking.
• 1:19:56
  Speaker 4: That's a channel changer right there.
• 1:20:00
  Speaker 3: Oh look, I think I've said it on like four
• 1:20:02
  Speaker 3: episodes of this podcast, but just shout out again Daniel
• 1:20:05
  Speaker 3: from the Cobweb channel on his video talking about House
• 1:20:09
  Speaker 3: of the Cemetery when he so casually said, what's most
• 1:20:12
  Speaker 3: amazing about House by the Cemetery is that they cast
• 1:20:15
  Speaker 3: Mickey Mouse.
• 1:20:16
  Speaker 5: As the voice of Bob. It's so up until this point, Okay,
• 1:20:22
  Speaker 5: we have four.
• 1:20:23
  Speaker 3: Technically we've given five because we had a special we
• 1:20:25
  Speaker 3: had a special mention. I would tell everybody seek all
• 1:20:29
  Speaker 3: these out, find every single one of these. I'm so
• 1:20:34
  Speaker 3: curious because I genuinely don't know what number one is
• 1:20:38
  Speaker 3: going to be. But in order to trump Suspiria, Trump demons, trump,
• 1:20:42
  Speaker 3: cannibal Holocaust. At this point, like, what are you pulling
• 1:20:46
  Speaker 3: out of the bag for your number one? Most essential
• 1:20:49
  Speaker 3: Italian horror film.
• 1:20:51
  Speaker 6: Well, guys, covered, Oh god, here we go night Killer.
• 1:20:58
  Speaker 5: There's no way. Oh no, all right, I didn't know
• 1:21:04
  Speaker 5: Claudio Forgasso.
• 1:21:08
  Speaker 6: A stone cold classic.
• 1:21:12
  Speaker 5: Wait is it? You're not joking?
• 1:21:15
  Speaker 6: Yeah, I'm just messing.
• 1:21:16
  Speaker 5: Okay, I.
• 1:21:18
  Speaker 4: Gotta talk Monster. We could talk Monster Dog if we're
• 1:21:22
  Speaker 4: gonna talk Claudio.
• 1:21:23
  Speaker 6: I was about to say, that's I feel like that,
• 1:21:25
  Speaker 6: that's in a very similar realm. No, I got to
• 1:21:28
  Speaker 6: show us some love for night Killer. But no, that
• 1:21:30
  Speaker 6: is not what I'm choosing for the top choice to
• 1:21:32
  Speaker 6: make sure what are we doing? I got the Beyond.
• 1:21:35
  Speaker 6: I had to, and not just because with like the
• 1:21:38
  Speaker 6: recent four K obviously that that's like, uh you know,
• 1:21:42
  Speaker 6: that's like a huge milestone, especially for how long we
• 1:21:45
  Speaker 6: had to wait for it. But this is this one.
• 1:21:49
  Speaker 6: I go back and forth with some of these top choices,
• 1:21:52
  Speaker 6: like I like Study of the Living Dead a lot,
• 1:21:55
  Speaker 6: but this one I can confidently say is my my
• 1:21:58
  Speaker 6: top choice.
• 1:22:00
  Speaker 5: Dude, I yeah, I think.
• 1:22:05
  Speaker 3: I think the Gates of Hell trilogy is pretty much
• 1:22:09
  Speaker 3: like I don't think you can go wrong with picking
• 1:22:10
  Speaker 3: any of them. There there's something different about The Beyond
• 1:22:15
  Speaker 3: compared to City, Living Dead and House by the Cemetery.
• 1:22:19
  Speaker 3: There's just something so so different when it comes to
• 1:22:23
  Speaker 3: like the CPIA toned prologue. And I told you guys,
• 1:22:30
  Speaker 3: I think before how we're on after Hours. How we
• 1:22:35
  Speaker 3: actually learned when I was watching The four K that
• 1:22:38
  Speaker 3: my wife had seen this movie as a kid and
• 1:22:41
  Speaker 3: had no idea. She just had memories of somebody being
• 1:22:45
  Speaker 3: whipped by a chain and getting acid thrown on them.
• 1:22:48
  Speaker 3: And then she said to me, is there a scene
• 1:22:49
  Speaker 3: in a library? And I was like, I don't remember,
• 1:22:52
  Speaker 3: And then she comes out and it's the scene in
• 1:22:54
  Speaker 3: the when he's looking at the books and she's we
• 1:22:57
  Speaker 3: discovered that she watched The Beyond at some point in
• 1:23:00
  Speaker 3: her life, and uh yeah, I think this is a
• 1:23:03
  Speaker 3: pretty perfect movie. And I mean this is something where
• 1:23:07
  Speaker 3: like now a lot of people are finding this Like
• 1:23:10
  Speaker 3: I had the Grindhouse releasing Blu Ray Forever. That was
• 1:23:14
  Speaker 3: a fantastic release. But now it's opening up to a
• 1:23:16
  Speaker 3: whole new world with the new four K put out,
• 1:23:19
  Speaker 3: which is a stunning release from Grindhouse, unlike anything they've
• 1:23:24
  Speaker 3: ever done before. There it is I have minds in
• 1:23:28
  Speaker 3: the other room.
• 1:23:29
  Speaker 4: I got the yellow they got the blue one what's
• 1:23:33
  Speaker 4: the most basic color? I feel like I who did
• 1:23:36
  Speaker 4: anybody get the green one?
• 1:23:37
  Speaker 2: I think I got blue as well.
• 1:23:39
  Speaker 8: I got blue.
• 1:23:40
  Speaker 4: Yeah, they got green blue. That looks so much cooler.
• 1:23:44
  Speaker 8: But GC got this.
• 1:23:46
  Speaker 4: It won't look at and for.
• 1:23:48
  Speaker 8: The eye like that like a crystal shop.
• 1:23:51
  Speaker 9: Yeah, man, So I was telling Jordan, I was telling
• 1:23:53
  Speaker 9: the guys in the chat that if you go to
• 1:23:55
  Speaker 9: your local, because my girlfriend actually found this. She paid
• 1:23:58
  Speaker 9: like two or three bucks for it. But it's a
• 1:24:01
  Speaker 9: little like a little stand and he just sits perfectly
• 1:24:07
  Speaker 9: on there.
• 1:24:07
  Speaker 4: What what color is that?
• 1:24:10
  Speaker 9: That's a orange one?
• 1:24:12
  Speaker 4: Orange make?
• 1:24:19
  Speaker 3: They commented on my unboxing of it, and they told
• 1:24:22
  Speaker 3: they said, they answered somebody's question about it. They did,
• 1:24:27
  Speaker 3: where then is this video?
• 1:24:30
  Speaker 5: How long did this ship come out?
• 1:24:33
  Speaker 4: Oh?
• 1:24:35
  Speaker 6: What the heck?
• 1:24:36
  Speaker 5: They said?
• 1:24:38
  Speaker 3: Oh, the yellow is the rare one. They said, they
• 1:24:40
  Speaker 3: did yellow red or yellow, orange, green and blue? Yellow
• 1:24:44
  Speaker 3: is the rare one. They called it the rare yellow
• 1:24:47
  Speaker 3: eye of eyebond.
• 1:24:50
  Speaker 4: Well, I got green.
• 1:24:53
  Speaker 5: I got blue again.
• 1:24:55
  Speaker 4: Then again, I'm the only one here with green, so
• 1:24:57
  Speaker 4: maybe it's not that common.
• 1:24:59
  Speaker 5: So yeah, could be.
• 1:25:01
  Speaker 9: Yeah, we all got different colors too, man, that's kind
• 1:25:03
  Speaker 9: of cool. That we're I feel like we're Power Rangers
• 1:25:05
  Speaker 9: or something.
• 1:25:07
  Speaker 3: Oh yeah, wait, you just like, you know, when it
• 1:25:14
  Speaker 3: goes to the transformation, you just say like you're Lucio Filga,
• 1:25:18
  Speaker 3: you know what I mean.
• 1:25:19
  Speaker 5: And that's what you're trying to.
• 1:25:21
  Speaker 9: Hold up like a screenshot of it on the screen
• 1:25:23
  Speaker 9: instead of the warfare.
• 1:25:26
  Speaker 3: It's like the it's like the Thirteen Ghosts, except it's
• 1:25:28
  Speaker 3: all Lucio deaths from their movies. Like you're like, holy shit,
• 1:25:34
  Speaker 3: is that the Tarantula guy?
• 1:25:36
  Speaker 9: I have a question for you guys, so you know,
• 1:25:40
  Speaker 9: seeing how the the mounts of love that you guys
• 1:25:43
  Speaker 9: have for Italian you know, horror and the Italian genre
• 1:25:46
  Speaker 9: in general, have you have any of you tried to
• 1:25:49
  Speaker 9: learn Italian to be able to kind of just enjoy
• 1:25:54
  Speaker 9: the films?
• 1:25:54
  Speaker 5: And it's no, I'm not, I'm not. I'm not that.
• 1:25:58
  Speaker 5: I'm not that into it. Oh okay, I struggle with English.
• 1:26:03
  Speaker 3: Sometimes and I watch a lot of my so my
• 1:26:09
  Speaker 3: grandparents on my stepdad's family are from Italy, and uh,
• 1:26:15
  Speaker 3: I always wonder, like I always want to ask my grandmom, like,
• 1:26:18
  Speaker 3: at any point in your life were you ever interested
• 1:26:21
  Speaker 3: in uh, you know, some gallos, like did you ever
• 1:26:23
  Speaker 3: sit down and watch Short Night of Glass Dolls or
• 1:26:27
  Speaker 3: you know any of these. I just know I remember
• 1:26:29
  Speaker 3: being so stereotypical. But when I was a kid, my
• 1:26:32
  Speaker 3: grandparents owned one VHS and it was The Godfather.
• 1:26:36
  Speaker 5: And I feel like that's a little on the nose
• 1:26:38
  Speaker 5: for me, you know what I mean.
• 1:26:39
  Speaker 3: And that's how I watched That's how that's the first
• 1:26:41
  Speaker 3: time I ever saw The Godfather was at their house
• 1:26:43
  Speaker 3: on the double VHS. Yep, And I was like, did
• 1:26:45
  Speaker 3: I just watch the Pinnacle Italian mob movie at my
• 1:26:49
  Speaker 3: Italian grandparents' house and this is all they own?
• 1:26:54
  Speaker 6: Yeah. I started asking one of my best friends. He
• 1:26:58
  Speaker 6: had The Godfather and Rocky and that was it, Like
• 1:27:02
  Speaker 6: no other movies. It was just just like those two collections.
• 1:27:06
  Speaker 4: Rocky tell you, Nique, I guess.
• 1:27:09
  Speaker 6: So maybe he was ahead of the curve.
• 1:27:13
  Speaker 3: And it's so funny, man, being from South Jersey essentially,
• 1:27:17
  Speaker 3: so like South Jersey is is Philly and then North
• 1:27:20
  Speaker 3: Jersey's New York. That's kind of the divide. It's almost
• 1:27:22
  Speaker 3: like two different states, like we don't really interact with
• 1:27:26
  Speaker 3: one another.
• 1:27:27
  Speaker 5: And we both hate how each other.
• 1:27:29
  Speaker 3: Yeah, so being from this area, it's funny like the
• 1:27:32
  Speaker 3: whole curse of people coming in and putting like Kansas
• 1:27:35
  Speaker 3: City gear on the rock jew and stuff like that.
• 1:27:39
  Speaker 3: It's it's funny how that stuff, even like Creed, you
• 1:27:42
  Speaker 3: know they redid the rocky thing in Philly because Philly
• 1:27:45
  Speaker 3: is notorious for the quads and dirt bikes on the street,
• 1:27:47
  Speaker 3: so like they came and did that. It's a funny thing, man,
• 1:27:51
  Speaker 3: how that, how that, how that happens. But yeah, the beyond, man,
• 1:27:55
  Speaker 3: I'm happy it's getting such a resurgence and this this
• 1:27:57
  Speaker 3: four K is fantastic. I don't don't know if Christian
• 1:28:02
  Speaker 3: did you watch it yet?
• 1:28:03
  Speaker 4: Yeah, I loved it. I watched just the regular first
• 1:28:06
  Speaker 4: disc cut I never got the chance to watch had
• 1:28:08
  Speaker 4: seven doors cut on that. But yeah, yeah, I loved it.
• 1:28:11
  Speaker 4: I thought it looked phenomenal.
• 1:28:14
  Speaker 3: Yeah, especially due right when that opening scene started. I
• 1:28:16
  Speaker 3: was blown away.
• 1:28:17
  Speaker 4: That's where I was impressed the most, because you know
• 1:28:19
  Speaker 4: that it's a dark, dark scene, and you really it
• 1:28:22
  Speaker 4: looked really good. It was really crisp.
• 1:28:24
  Speaker 7: Yeah, audio track with this other than the composer cut,
• 1:28:32
  Speaker 7: I don't know.
• 1:28:33
  Speaker 4: I don't remember. I'll be honestly, I don't remember. My
• 1:28:36
  Speaker 4: room is a massive off.
• 1:28:37
  Speaker 7: Catching it, and it literally like the thunder right at
• 1:28:41
  Speaker 7: the beginning when she's walking over to the book, it
• 1:28:45
  Speaker 7: like shook my living room.
• 1:28:47
  Speaker 8: Maybe it sounded so good.
• 1:28:49
  Speaker 3: So I don't know, Jordan, I would I would check
• 1:28:55
  Speaker 3: your I think your WiFi routers on fire Man.
• 1:28:59
  Speaker 6: You're going him man overheating.
• 1:29:01
  Speaker 4: He's coming back, He's coming back. The mouse is starting
• 1:29:04
  Speaker 4: to run again on the wheel? Can I can I
• 1:29:10
  Speaker 4: kind of probe Steve a little bit and not in
• 1:29:13
  Speaker 4: a sexual way, just like ask him a few things
• 1:29:15
  Speaker 4: about the top right, Yeah, like a bidet. I gotta
• 1:29:20
  Speaker 4: give you a little put so so, not pushback, but
• 1:29:25
  Speaker 4: in response to watching The Beyond, like a week or
• 1:29:28
  Speaker 4: so ago, when I got the four k mm hmm,
• 1:29:31
  Speaker 4: I was like, I gotta go back and watch City
• 1:29:33
  Speaker 4: of Living Dead again. I watched that one again. It's
• 1:29:39
  Speaker 4: really hard for me not to say that that one
• 1:29:42
  Speaker 4: is as good, if not better than The Beyond. Do
• 1:29:46
  Speaker 4: you ever go back and forth with some of these folds?
• 1:29:48
  Speaker 4: My question is this, are you like me where when
• 1:29:52
  Speaker 4: you watch these films your favorite could kind of seesaw
• 1:29:57
  Speaker 4: when you watch whatever one it is the latest, because
• 1:29:59
  Speaker 4: you're always impressed by it.
• 1:30:02
  Speaker 6: Okay, I'll be honest with you, because it's that top choice.
• 1:30:07
  Speaker 6: That top spot is always between The Beyond and City
• 1:30:12
  Speaker 6: of the Living Dead, and it's it's so tough because
• 1:30:15
  Speaker 6: there's things I like about both of them, and I
• 1:30:19
  Speaker 6: wouldn't say it was like more of like a recency
• 1:30:22
  Speaker 6: bias because I just watched both of them like within
• 1:30:24
  Speaker 6: the last week or so. But I don't know why.
• 1:30:27
  Speaker 6: I think it was just with the anticipation of how
• 1:30:32
  Speaker 6: long we had all been anticipating the four K from Grindhouse,
• 1:30:37
  Speaker 6: but watching it this time around, I was like, fuck, man,
• 1:30:40
  Speaker 6: like I have to put that at the top now.
• 1:30:44
  Speaker 6: There was for the longest time, I would say a
• 1:30:47
  Speaker 6: City of the Living Dead had had that top spot
• 1:30:50
  Speaker 6: for me, and it just kind of sways a little bit.
• 1:30:53
  Speaker 6: I think those are the two that i'd say one
• 1:30:55
  Speaker 6: A one B.
• 1:30:55
  Speaker 3: Essentially, I think his top five kind of sway most
• 1:31:00
  Speaker 3: for me because a couple of months ago, when I
• 1:31:03
  Speaker 3: watched New York Ripper, I was like, well, fuck, that's
• 1:31:05
  Speaker 3: my favorite Fulcio movie. And then I remember watching City
• 1:31:08
  Speaker 3: of Living Dead and I was like, well, fuck, there
• 1:31:09
  Speaker 3: it goes, there's is and then when The Beyond came out,
• 1:31:12
  Speaker 3: I was like, oh, fuck, well, that's my favorite ful
• 1:31:13
  Speaker 3: Shio movie.
• 1:31:15
  Speaker 4: The Beyond is is just fantastic and I really do
• 1:31:18
  Speaker 4: love it. But every time I watch City of a
• 1:31:21
  Speaker 4: Living Dead, there's a scene in that movie that I
• 1:31:24
  Speaker 4: used to have nightmares about as a kid, long before
• 1:31:27
  Speaker 4: I saw the movie, and it's one of my favorite
• 1:31:30
  Speaker 4: scenes of all time. When the guy is at the
• 1:31:33
  Speaker 4: cemetery and he thinks he hears somebody screaming in the casket,
• 1:31:39
  Speaker 4: and he stops and he's like, nah, I'm going nuts.
• 1:31:42
  Speaker 4: Then he walks off a little bit again. Then he
• 1:31:44
  Speaker 4: thinks he hears it again, and then he starts hearing.
• 1:31:46
  Speaker 4: Then he starts chopping into the ground and chopping into
• 1:31:49
  Speaker 4: the casket. That scene is one of my favorite scenes
• 1:31:52
  Speaker 4: of all time. And when I think about The Beyond,
• 1:31:56
  Speaker 4: I say, what in the Beyond do I find to
• 1:31:58
  Speaker 4: be better than that? It's just a personal taste because
• 1:32:00
  Speaker 4: I'm from Louisiana and that's where I'm from. So like man,
• 1:32:03
  Speaker 4: I rode the Causeway Bridge as a kid. All that bridge.
• 1:32:07
  Speaker 4: It is the one of the nastiest, longest bridges of
• 1:32:09
  Speaker 4: all I used to get on it and just close
• 1:32:12
  Speaker 4: my eyes. The entire time. I hated it because, Okay,
• 1:32:15
  Speaker 4: if you get an accident on that bridge and like
• 1:32:18
  Speaker 4: you fall off the side of it, dude, it's like
• 1:32:20
  Speaker 4: being in the ocean. You know, you don't see land
• 1:32:23
  Speaker 4: for a long time when you get on that.
• 1:32:25
  Speaker 6: Bridge, Christian, you can attest to it. Because we were
• 1:32:28
  Speaker 6: talking about this, we had a conversation about the beyond.
• 1:32:31
  Speaker 6: I think it was like the other night, and I
• 1:32:33
  Speaker 6: was trying to explain to them how uncomfortable being on
• 1:32:37
  Speaker 6: the Causeway bridge is. Like I was down there, not
• 1:32:40
  Speaker 6: maybe like within the last like three years. I was
• 1:32:42
  Speaker 6: down there for my bachelor party and I was overly caffeinated.
• 1:32:47
  Speaker 6: We're driving down this and like I hadn't been down
• 1:32:50
  Speaker 6: there in a long time, and you look around and
• 1:32:52
  Speaker 6: you can't see shit but water.
• 1:32:54
  Speaker 4: That's it, yes, And I'm like, essentially like driving over
• 1:32:57
  Speaker 4: the ocean, essentially, that's what it feels like. Oh, it's
• 1:33:00
  Speaker 4: it's it's long, it's it takes like twenty five thirty
• 1:33:05
  Speaker 4: minutes get over it. I think without traffic.
• 1:33:08
  Speaker 3: I think what's most amazing is Christian, for all of
• 1:33:12
  Speaker 3: your talents, that you drove across the entire bridge with
• 1:33:14
  Speaker 3: your eyes closed.
• 1:33:15
  Speaker 5: I think I was.
• 1:33:19
  Speaker 4: It's so funny because like as a kid, I mean,
• 1:33:21
  Speaker 4: we used to go because we were dude. I was
• 1:33:24
  Speaker 4: from the bottom of the boot of Louisiana. I grew
• 1:33:26
  Speaker 4: up in Santproar Parish. So if you look on a
• 1:33:28
  Speaker 4: map that if you're looking at Louisiana, you guys know
• 1:33:31
  Speaker 4: the shape of the state. I'm sure I am the bottom, right,
• 1:33:35
  Speaker 4: I am the toe of the boot. I am the toe.
• 1:33:39
  Speaker 4: I was next to the ocean, sap in our parish.
• 1:33:41
  Speaker 4: You can't get no lower than me. That's why when
• 1:33:43
  Speaker 4: Katrina hit, I had twenty feet of water in my neighborhood.
• 1:33:47
  Speaker 4: But when we would go to the malls and stuff,
• 1:33:50
  Speaker 4: and we went from the south shore to the north shore,
• 1:33:53
  Speaker 4: we're crossing the poncha train And I mean we went
• 1:33:56
  Speaker 4: over it two three times a month all the time,
• 1:34:00
  Speaker 4: and it never got easier. It was always anxiety inducing.
• 1:34:07
  Speaker 4: You just sat there and I just I just sit
• 1:34:10
  Speaker 4: there and just close my eyes, put on my walkman,
• 1:34:13
  Speaker 4: ear buzz. You know, back then it's just it and
• 1:34:17
  Speaker 4: my parents like it wasn't nothing to him. But man,
• 1:34:20
  Speaker 4: and I remember one time that was a bad wreck,
• 1:34:23
  Speaker 4: like a motorcycle wreck or something, and we were on
• 1:34:25
  Speaker 4: the bridge because there ain't no eggs, there ain't no
• 1:34:28
  Speaker 4: side lane we could drive around. I mean we were
• 1:34:31
  Speaker 4: on that bridge for like eight six seven hours one day.
• 1:34:34
  Speaker 6: What happens if it storms? Where do you go?
• 1:34:37
  Speaker 4: You drive very very slow?
• 1:34:40
  Speaker 6: Fuck that man.
• 1:34:41
  Speaker 4: So, I mean that picture of Foulchy sitting on the
• 1:34:45
  Speaker 4: director's chair on the bridge is just amazing to me,
• 1:34:48
  Speaker 4: you know, because I did I want I like, I
• 1:34:51
  Speaker 4: can't remember if I read about it or not, but
• 1:34:52
  Speaker 4: like I wonder how they did that scene. They were
• 1:34:55
  Speaker 4: they able to just they were able to shut off
• 1:34:58
  Speaker 4: the bridge for fifteen twenty minutes to shoot that shot.
• 1:35:02
  Speaker 5: They actually it's in the book that came with this
• 1:35:04
  Speaker 5: release they had.
• 1:35:05
  Speaker 3: It was like a friend of a friend had worked
• 1:35:07
  Speaker 3: something in the local area and they were able to
• 1:35:10
  Speaker 3: close one lane and they used the allotted I think
• 1:35:14
  Speaker 3: it was two hours, and I think they ran all
• 1:35:16
  Speaker 3: the way to two hours, and Fulgi was like they
• 1:35:18
  Speaker 3: wanted to reopen the lane and full She was like, no,
• 1:35:21
  Speaker 3: you're gonna wait because I want a picture. So then
• 1:35:23
  Speaker 3: the man pulled out the chair and sat down and
• 1:35:25
  Speaker 3: got that picture. Like it went over time that he
• 1:35:27
  Speaker 3: was allowed to just to get that photo.
• 1:35:29
  Speaker 5: Yeah, which is amazing.
• 1:35:31
  Speaker 4: I mean well, I mean it's it's a great movie.
• 1:35:34
  Speaker 4: I love it. I love the because I can feel
• 1:35:36
  Speaker 4: Louisiana when I watch it. I really can. You know.
• 1:35:41
  Speaker 4: It is as humid and gross as it looks too,
• 1:35:44
  Speaker 4: It really is.
• 1:35:45
  Speaker 3: Oh yeah, it's so funny you say that, because I
• 1:35:48
  Speaker 3: remember watching it just thinking like everyone looks like it's
• 1:35:51
  Speaker 3: like ninety degrees, like ninety percent humidity.
• 1:35:54
  Speaker 5: The due point is out of control.
• 1:35:55
  Speaker 8: It looks sweaty all the time.
• 1:35:57
  Speaker 4: It's pointless. Have it's pointless having hair and Luisa, you know, I.
• 1:36:03
  Speaker 3: Feel like I feel like now, I feel like next
• 1:36:05
  Speaker 3: time if I if I ever go to Louisiana, I'm
• 1:36:07
  Speaker 3: just gonna be looking for Joe the Plumber guys that
• 1:36:09
  Speaker 3: look like him everywhere, you know what I mean, No, dude,
• 1:36:13
  Speaker 3: The Beyond is is an incredible pick.
• 1:36:15
  Speaker 5: I think it's the most accessible.
• 1:36:16
  Speaker 3: Like I as much as I love City the Living Dead,
• 1:36:18
  Speaker 3: I remember having a really hard time with that movie
• 1:36:20
  Speaker 3: the first time I saw it. Well, the drill, I mean,
• 1:36:24
  Speaker 3: even like the throwing up of you know, the insides is.
• 1:36:28
  Speaker 4: It's just insane, dude. Yeah, Like there's something haunting about
• 1:36:32
  Speaker 4: City Living Dead to me that like today i'd say
• 1:36:37
  Speaker 4: that when I take over the Beyond a little bit.
• 1:36:40
  Speaker 4: But if you asked me two days ago, I would
• 1:36:41
  Speaker 4: have said the Beyond, and maybe two days from now
• 1:36:43
  Speaker 4: I would say no, no, no, it is to Beyond again.
• 1:36:46
  Speaker 4: Like it's just one of those things. But I was
• 1:36:48
  Speaker 4: pretty high off of City of Living Dead.
• 1:36:50
  Speaker 3: City Living Dead feels feels for a trilogy about hell.
• 1:36:54
  Speaker 3: City of Living Dead feels a lot more like satanic.
• 1:36:58
  Speaker 4: Yeah, yeah, yeah, yeah, yeah. I like that stuff, anything
• 1:37:03
  Speaker 4: that has a little bit of kind of religious kind
• 1:37:05
  Speaker 4: of overt like that. Like somebody mentioned the Church earlier
• 1:37:08
  Speaker 4: and I love dude, that's not a movie. It's funny
• 1:37:11
  Speaker 4: because like I don't see a lot of people go
• 1:37:14
  Speaker 4: to that one or talk about that one because it's
• 1:37:17
  Speaker 4: kind of like the one a Italian horror movies. Like
• 1:37:22
  Speaker 4: you know, a lot of conversations you have you don't
• 1:37:24
  Speaker 4: really get past talking about Argento or Faulcy stuff. And
• 1:37:28
  Speaker 4: kind of rightfully so, I mean I think Faulcy, all
• 1:37:31
  Speaker 4: due respect to our gento, I think some of you
• 1:37:33
  Speaker 4: with a great Faulcy is the is the god.
• 1:37:36
  Speaker 5: Yeah he's the.
• 1:37:37
  Speaker 4: Guy, right, But you don't really get into a lot
• 1:37:39
  Speaker 4: of the conversations about like the Church, the sact or
• 1:37:44
  Speaker 4: the strange vice of Missus War like all those kind
• 1:37:47
  Speaker 4: of you know, those deeper cuts. But the Church.
• 1:37:51
  Speaker 6: I liked it.
• 1:37:52
  Speaker 4: There are some quirky things about it, like they meet
• 1:37:55
  Speaker 4: in the church, they instantly bang that night and they
• 1:37:58
  Speaker 4: go like It's like there's cultural things about the movies
• 1:38:01
  Speaker 4: that like. I think that's what really throws people off too,
• 1:38:04
  Speaker 4: because some of it just doesn't make sense. I think
• 1:38:08
  Speaker 4: with the.
• 1:38:09
  Speaker 7: Church for me, and I was the one who said
• 1:38:10
  Speaker 7: that's one of them. My favorite is when I was
• 1:38:13
  Speaker 7: getting into Italian I didn't really understand it at first.
• 1:38:16
  Speaker 7: I think the first one I watched was Opera and
• 1:38:19
  Speaker 7: I was like okay, But I was talking to Chris
• 1:38:23
  Speaker 7: and he's like, no, check out the Church.
• 1:38:24
  Speaker 8: I think you're like that more than the sector. I
• 1:38:26
  Speaker 8: will check him out.
• 1:38:27
  Speaker 7: And I think when I watched The Church is when
• 1:38:29
  Speaker 7: I like, Okay, I get it. I love this genre
• 1:38:33
  Speaker 7: of horror like this, I absolutely and that it holds
• 1:38:36
  Speaker 7: a place for me that I just think of immediately
• 1:38:39
  Speaker 7: with Italian horror because that's when I really started Okay,
• 1:38:43
  Speaker 7: it clicks now.
• 1:38:44
  Speaker 3: Yeah, and what's funny about Italian horror is a lot
• 1:38:47
  Speaker 3: of a lot of Gallo's were not made by Jallo directors.
• 1:38:52
  Speaker 3: There was very few Italian horror directors who stayed in
• 1:38:56
  Speaker 3: that so, like if you Dive into the Shallow Essential
• 1:38:59
  Speaker 3: set from Air, a lot of those movies were like
• 1:39:02
  Speaker 3: one offs, like the directors just it was a trend,
• 1:39:04
  Speaker 3: so they made it. Like one of my favorites is
• 1:39:06
  Speaker 3: The Killer Reserve nine seats out of I think the
• 1:39:09
  Speaker 3: Yellow White Box. I forget the director's name, but never
• 1:39:13
  Speaker 3: made another Shallo. Even if you look at there's a
• 1:39:16
  Speaker 3: lot of eyes on short Night of Glass Dolls, Auto Lato,
• 1:39:19
  Speaker 3: you know he did Night Train Murders, or I forget
• 1:39:23
  Speaker 3: offhand the director of Case of the Bloody Iris. I
• 1:39:25
  Speaker 3: don't know if he was essentially like a shallow director technically,
• 1:39:31
  Speaker 3: but like Folci, Foci reached a point in his career
• 1:39:35
  Speaker 3: because he was I mean, you watched The Psychic and
• 1:39:37
  Speaker 3: there's a lot of story structure there, and then he
• 1:39:39
  Speaker 3: reached a point in his career where he realized you
• 1:39:41
  Speaker 3: don't need as much structure in horror is more about images,
• 1:39:44
  Speaker 3: and it's about mood, and it's about atmosphere, and that's
• 1:39:46
  Speaker 3: why you get into four as great as Beyond the
• 1:39:50
  Speaker 3: or as the Gate the Gates of Hell trilogy is
• 1:39:52
  Speaker 3: it is very disjointed. There's very few like followable storylines
• 1:39:58
  Speaker 3: through it. It is kind of all over the place,
• 1:40:00
  Speaker 3: and it doesn't make much sense if you want to
• 1:40:02
  Speaker 3: break down and analyze it. But like, holy fuck, is
• 1:40:05
  Speaker 3: there not tons of moments that are so incredibly memorable
• 1:40:09
  Speaker 3: out of them?
• 1:40:10
  Speaker 6: It's like nightmare fuel. It's it. I don't know, it's
• 1:40:14
  Speaker 6: something so special about discovering those movies for the first time.
• 1:40:18
  Speaker 4: Let me ask you, guys a question. Whoever can answer
• 1:40:21
  Speaker 4: this if you have this situation like talking about these movies.
• 1:40:25
  Speaker 4: I feel like everybody at least has one Italian horror
• 1:40:28
  Speaker 4: film where they're the biggest advocate for it now, but
• 1:40:32
  Speaker 4: they hated it when they first saw it. They didn't
• 1:40:34
  Speaker 4: get it. That movie, for me, believe it or not.
• 1:40:37
  Speaker 4: Oh maybe it's not really hard to believe. Was Inferno.
• 1:40:40
  Speaker 4: I was like, this is the worst movie of all time.
• 1:40:42
  Speaker 4: I hate it's boring, and for some reason, I was
• 1:40:46
  Speaker 4: just like maybe one six to every six seven months,
• 1:40:48
  Speaker 4: I'm like, let me watch it again. Like if there's something.
• 1:40:51
  Speaker 4: But I just kept maybe it's that poster in that face.
• 1:40:54
  Speaker 4: It kept being like watch me, and I'd watch it
• 1:40:57
  Speaker 4: six seven months later, and like it becomes like an
• 1:40:59
  Speaker 4: old friend and it's not even just that Session nine
• 1:41:02
  Speaker 4: is a film. I was just like, this is the
• 1:41:04
  Speaker 4: most boring movie. I don't get it. What are people
• 1:41:06
  Speaker 4: saying about this movie? But I kept going back because
• 1:41:10
  Speaker 4: everybody's like, dude, just watch it again. I'd now I
• 1:41:12
  Speaker 4: like it because it's an old friend. It's somebody I
• 1:41:16
  Speaker 4: meet up with every now and again, and I catch
• 1:41:18
  Speaker 4: up with them. That's what that movie is to me.
• 1:41:19
  Speaker 4: But now I love Inferno. I'm just woning. Do you
• 1:41:22
  Speaker 4: have any movie like that where it's just like, this
• 1:41:25
  Speaker 4: ain't working, But then you go back somebody, You have
• 1:41:27
  Speaker 4: a conversation with somebody about it, and then you're like, fuck,
• 1:41:30
  Speaker 4: maybe I do need to rewatch that. Then it starts
• 1:41:33
  Speaker 4: to shift, and then you start to just like it
• 1:41:35
  Speaker 4: a lot.
• 1:41:37
  Speaker 6: Oh that's tough, I think.
• 1:41:38
  Speaker 7: Mine, and just because it's most recent to me, is
• 1:41:42
  Speaker 7: A Short Night of Class Dolls. I could not stand
• 1:41:44
  Speaker 7: that movie. I thought it was a snooze fest. The
• 1:41:47
  Speaker 7: first time I saw it, I thought it was ridiculous,
• 1:41:50
  Speaker 7: and I got to the point where I was getting
• 1:41:52
  Speaker 7: distracted and on my phone. I didn't know what was
• 1:41:54
  Speaker 7: going on.
• 1:41:55
  Speaker 8: I have to rewind it and stuff.
• 1:41:57
  Speaker 7: And the ending, I was, I, well, the guys seeing
• 1:42:01
  Speaker 7: you guys know the ending, I was like, what in
• 1:42:03
  Speaker 7: the what the hell's going on? And so I stopped,
• 1:42:08
  Speaker 7: and then I was sitting and I originally I was
• 1:42:10
  Speaker 7: gonna do a review on like, hey, look, I'm not
• 1:42:12
  Speaker 7: a fan, but let me give it another shot. Now
• 1:42:14
  Speaker 7: that in the ending and I know where this leads,
• 1:42:16
  Speaker 7: maybe it's something I can look forward to and kind
• 1:42:19
  Speaker 7: of catch things throughout the movie. And then my second watch,
• 1:42:22
  Speaker 7: I fell in love with it. I thought it was
• 1:42:23
  Speaker 7: an amazing movie. But that first time I couldn't stand it.
• 1:42:28
  Speaker 3: I remember struggling and I was peeking back at the
• 1:42:31
  Speaker 3: collection because I was trying to figure out if there
• 1:42:34
  Speaker 3: was any other I remember really struggling with deep Red,
• 1:42:39
  Speaker 3: like Sally. And you know, at that point, I had
• 1:42:43
  Speaker 3: already watched burd with the Crystal plumage, I'd already seen
• 1:42:45
  Speaker 3: Cat of Nine Tails, and I just endlessly heard about
• 1:42:48
  Speaker 3: Deep Red, and the first time I watched it, I
• 1:42:51
  Speaker 3: was like, oh, that's what everybody's talking about like I don't,
• 1:42:54
  Speaker 3: I don't get it. And then it was somebody I
• 1:42:57
  Speaker 3: was talking to because I had bought the Arrow, and
• 1:43:01
  Speaker 3: it was somebody I was talking two months later and
• 1:43:04
  Speaker 3: I was like, I was talking to him and I
• 1:43:06
  Speaker 3: was like, oh, yeah, yeah, I do remember it. So
• 1:43:08
  Speaker 3: I went back to it and I was like, Okay,
• 1:43:11
  Speaker 3: still not my favorite Argento, but like, I'm starting to
• 1:43:13
  Speaker 3: see it. And then I remember a couple of days
• 1:43:15
  Speaker 3: later thinking about the doll you.
• 1:43:19
  Speaker 4: Think about these movies. That's what kills me about these
• 1:43:22
  Speaker 4: damna type that they can't get them out of your head.
• 1:43:24
  Speaker 3: Yeah, I thought about it and I was like, oh,
• 1:43:26
  Speaker 3: let me rewatch that because I've been thinking about it.
• 1:43:28
  Speaker 3: And then I went back and it's still not a
• 1:43:29
  Speaker 3: movie that I say I love, but each time I
• 1:43:32
  Speaker 3: do like it more.
• 1:43:33
  Speaker 4: Agreed. I still don't think it's great, but in my opinion,
• 1:43:37
  Speaker 4: that is Goblin's finest musical body of work up. That's
• 1:43:42
  Speaker 4: that proof. That's that boom bum bum bum bum bum
• 1:43:46
  Speaker 4: bum bum. That is such a like when you go
• 1:43:49
  Speaker 4: to when we all die and eventually go to hell,
• 1:43:52
  Speaker 4: that's gonna be all that's gonna be our entrance music
• 1:43:56
  Speaker 4: like like, let's be real, like the Profondo rosso main
• 1:43:59
  Speaker 4: title thing that is my entry, that is such those
• 1:44:02
  Speaker 4: organs that play It's that. Suspiria is great, but Profondo
• 1:44:08
  Speaker 4: Rosso slash whatever title track where it's called. You gotta
• 1:44:12
  Speaker 4: listen to that. Just turn the lights out and listen
• 1:44:14
  Speaker 4: to it. It sounds like you just entered hell. It's
• 1:44:17
  Speaker 4: the best song they ever wrote.
• 1:44:19
  Speaker 3: It also too, I think the thing that people kind
• 1:44:22
  Speaker 3: of don't think about is as you venture out into
• 1:44:27
  Speaker 3: new territory. For people who discover Italian horror, you start
• 1:44:31
  Speaker 3: to look at other movies slightly different because your mind
• 1:44:34
  Speaker 3: is opening, Like you start watching this, there's times like, dude,
• 1:44:38
  Speaker 3: I've gone into crazy. Like I remember the first time
• 1:44:40
  Speaker 3: I watched Killer None, right, and I was like, oh,
• 1:44:43
  Speaker 3: I'm not a nun exploitation fan. I watched that and
• 1:44:45
  Speaker 3: there was like I'm not a nunsploitation fan. Three there
• 1:44:50
  Speaker 3: was like three movies I went back to that I
• 1:44:52
  Speaker 3: liked more because I had watched Killer None. And then
• 1:44:55
  Speaker 3: when I started getting into Italian horror, I kept going
• 1:44:58
  Speaker 3: back and watching movies I didn't like before and then
• 1:45:00
  Speaker 3: finding something in them, and I started just kind of
• 1:45:03
  Speaker 3: growing in that in that way.
• 1:45:05
  Speaker 5: And I mean even movies like Eyeball.
• 1:45:08
  Speaker 3: That's another one that's like super underrated eighty eight films
• 1:45:12
  Speaker 3: that are beautiful released for that I think. I think,
• 1:45:15
  Speaker 3: uh Torso is like a great slasher fan getting into
• 1:45:19
  Speaker 3: Italian horror Torso trailer. Yeah, yeah, dude, Torso is And
• 1:45:26
  Speaker 3: I'm sorry, You're rarely gonna find a meaner movie than Torso.
• 1:45:31
  Speaker 5: That movie is like a bully. It just never stops.
• 1:45:35
  Speaker 6: I like when I will say, like Umberto LENSI I
• 1:45:38
  Speaker 6: don't feel like it's enough love, Like that's one director
• 1:45:41
  Speaker 6: in the conversation that I mean, if you look at
• 1:45:43
  Speaker 6: like some of the films that he put out, I mean,
• 1:45:46
  Speaker 6: he has like a handful of bangers that I just
• 1:45:49
  Speaker 6: I feel like everyone's so quick to just go to
• 1:45:51
  Speaker 6: Dario Argento and Luccio Folcia as like some of the
• 1:45:54
  Speaker 6: better Italian directors. But I would argue, like, yeah, he
• 1:45:57
  Speaker 6: doesn't hit quite those same highs, but I still put
• 1:46:00
  Speaker 6: them in the conversation.
• 1:46:01
  Speaker 3: Yeah, it's interesting, man, And it's one of those genres
• 1:46:05
  Speaker 3: that I feel like will be over, It'll be analyzed and.
• 1:46:08
  Speaker 5: Talked about over and over and over again. And I
• 1:46:11
  Speaker 5: love like.
• 1:46:13
  Speaker 3: This is one of the reasons I love physical media
• 1:46:15
  Speaker 3: because I love when they You take a movie that
• 1:46:18
  Speaker 3: nobody really knows about, you know, some hardcore fans due
• 1:46:22
  Speaker 3: and you get a deluxe release and a booklet and
• 1:46:25
  Speaker 3: it opens up to like I had never seen I
• 1:46:28
  Speaker 3: don't remember watching Short Night of Glass Dolls. I remember
• 1:46:30
  Speaker 3: I seen it at some point, and then I revisited
• 1:46:33
  Speaker 3: it with the new excuse me, with the new release,
• 1:46:35
  Speaker 3: and I was like, holy fuck, dude. I was like,
• 1:46:37
  Speaker 3: I really like this or Case of a Bloody Iris.
• 1:46:40
  Speaker 3: I mean, now we have labels that are their entire
• 1:46:43
  Speaker 3: thing is Italian horror, Like that's what they do. Eighty
• 1:46:45
  Speaker 3: eight Films has an Italian line like Gallos have that
• 1:46:50
  Speaker 3: now and now that we discover them, and dude, like
• 1:46:53
  Speaker 3: when think about like remember when Severn put out opera
• 1:46:56
  Speaker 3: the that was like the announcement man. People were waiting
• 1:47:01
  Speaker 3: and waiting and wait. Just like The Beyond. We kept
• 1:47:04
  Speaker 3: seeing Grindhouse Releasing putting out these theatrical four K posters and.
• 1:47:09
  Speaker 2: Everyone the tour.
• 1:47:10
  Speaker 5: Yeah, Everyone's like.
• 1:47:11
  Speaker 3: They're gonna do it, and then they started sneaking in
• 1:47:14
  Speaker 3: it into the newsletter, you know, wait for our announcement.
• 1:47:17
  Speaker 3: It became like an event man, or like seven doing
• 1:47:20
  Speaker 3: The Devil's Honey in four K, Like who the fuck
• 1:47:23
  Speaker 3: knew about the Devil's Honey? You know at that point,
• 1:47:25
  Speaker 3: like so few people. Man, it's it's we live in
• 1:47:29
  Speaker 3: a golden age of this stuff getting the golden treatment,
• 1:47:32
  Speaker 3: you know what I mean?
• 1:47:34
  Speaker 6: Can I drop two titles that took a while to
• 1:47:36
  Speaker 6: grow on me? One was Anthropophagus what just yeah, man,
• 1:47:40
  Speaker 6: I always prefer I always preferred absurd compared to that,
• 1:47:45
  Speaker 6: just because.
• 1:47:45
  Speaker 4: It that's fine, that's fine, that's fine our spectrum.
• 1:47:48
  Speaker 6: Yeah, yeah, it was. It took it felt like it
• 1:47:51
  Speaker 6: was a very very extensive slow burn. But when you
• 1:47:55
  Speaker 6: get to the end, there's obviously the payoff, like you know,
• 1:47:58
  Speaker 6: the gut muncheon scene and all that. But that one
• 1:48:01
  Speaker 6: that took me a couple of views to really kind
• 1:48:03
  Speaker 6: of like grab on to that and just appreciate it
• 1:48:06
  Speaker 6: for what it is. And I would even argue, like
• 1:48:09
  Speaker 6: night Killer. I know I was joking about it earlier,
• 1:48:11
  Speaker 6: but there's like a weird charm to it that I
• 1:48:15
  Speaker 6: find myself coming back to it here and there, and
• 1:48:17
  Speaker 6: it's so like off the wall crazy. But that's why
• 1:48:21
  Speaker 6: I love it.
• 1:48:22
  Speaker 4: You mean Texas Shane saw Masac three is what your reference.
• 1:48:24
  Speaker 4: Of course, I wish I would have got that slipcover.
• 1:48:28
  Speaker 6: I wasn't fortunate enough to get that slipcover, but I
• 1:48:32
  Speaker 6: know you'd appreciate this, dude.
• 1:48:35
  Speaker 4: You could. You could buy a house with that slipcover. Yeah.
• 1:48:39
  Speaker 4: So I finally found out what happened with that. I
• 1:48:42
  Speaker 4: talked to the people at Severn. They saw that video.
• 1:48:45
  Speaker 4: I did a video a year ago or something. The
• 1:48:49
  Speaker 4: slipcover is what got him in trouble. Not not the
• 1:48:52
  Speaker 4: release of the film, but the slipcover got him in
• 1:48:55
  Speaker 4: big trouble, and then they lost their relationship with him.
• 1:49:01
  Speaker 4: And that's why Vinegar Syndrome put out dropped Dead Fred
• 1:49:04
  Speaker 4: and not Severn. Wow seven seven would drop the ball.
• 1:49:10
  Speaker 3: It's so interesting because now like now there's a like
• 1:49:13
  Speaker 3: we live in a world where there's.
• 1:49:15
  Speaker 5: A Cruel Jaws novelization.
• 1:49:17
  Speaker 4: I love it.
• 1:49:18
  Speaker 3: It's incredible, And that's in Csychlo Apocalypse pub as part
• 1:49:21
  Speaker 3: of their several Life But we also have a novelization
• 1:49:24
  Speaker 3: of Rats. So and it's like five D and thirty
• 1:49:28
  Speaker 3: six pages.
• 1:49:29
  Speaker 6: Talk about movies that take time to grow on you
• 1:49:33
  Speaker 6: get Rats for sure.
• 1:49:34
  Speaker 4: I'd be remiss if I just didn't say this because
• 1:49:36
  Speaker 4: I love talking about this man, because I love him,
• 1:49:40
  Speaker 4: Claudia Fragasso. I don't know if it's weird because he's
• 1:49:44
  Speaker 4: an Italian guy. But I don't know if what classifies
• 1:49:47
  Speaker 4: the movie as being Italian, if it's because of the
• 1:49:49
  Speaker 4: director or if it was filmed in Italy, I would
• 1:49:51
  Speaker 4: I would say more so because the guy that's doing
• 1:49:54
  Speaker 4: it is the director, is Italian. I want everybody, if
• 1:49:58
  Speaker 4: anybody here, Jordan g You, Chuck, I don't know, if
• 1:50:01
  Speaker 4: who hasn't seen or not, please please please watch Monster
• 1:50:05
  Speaker 4: Dog by Claudio Fragoso. If you haven't seen it. It
• 1:50:08
  Speaker 4: stars the great Alice Cooper. When he was going he
• 1:50:12
  Speaker 4: just he was just ending his contract with Warner Brothers
• 1:50:15
  Speaker 4: because his record sales had tapered off. He was bad,
• 1:50:18
  Speaker 4: bad off on drugs. He had just come out of rehab.
• 1:50:21
  Speaker 4: He agreed to do Monster Dog if the movie did
• 1:50:23
  Speaker 4: not come out in America because he was embarrassed to
• 1:50:26
  Speaker 4: do a smaller budgeted film. But the movie ended up
• 1:50:30
  Speaker 4: coming out anyway on VHY. You know, but the movie
• 1:50:34
  Speaker 4: is actually I think it's Claudio's best movie. He's done.
• 1:50:39
  Speaker 4: I think there are some really great moments that I
• 1:50:41
  Speaker 4: think Alice is really good in it, and he does.
• 1:50:44
  Speaker 4: Alice did two songs for the film. He did a
• 1:50:47
  Speaker 4: song in this movie called see Me in the Mirror.
• 1:50:52
  Speaker 4: And Alice is a rock star in the movie, so
• 1:50:54
  Speaker 4: he's you know, he's playing a movie and in the
• 1:50:56
  Speaker 4: movie they're shooting his music video for this song. And
• 1:51:00
  Speaker 4: it's like the music video is a part of the movie.
• 1:51:02
  Speaker 4: Go on YouTube and type in Alice Cooper see me there.
• 1:51:05
  Speaker 4: Listen to it. It is the utmost perfect Halloween party
• 1:51:10
  Speaker 4: playlist song. It is one of the creepiest groovoust songs
• 1:51:14
  Speaker 4: from Alice of all time. It never has been released physically.
• 1:51:18
  Speaker 4: It was never put on a record, never on the
• 1:51:19
  Speaker 4: Greatest It Actually it was put on one Greatest Hits,
• 1:51:22
  Speaker 4: but you can't find it on Spotify. Listen to that song.
• 1:51:25
  Speaker 4: It's amazing. But I love this movie with a passion.
• 1:51:28
  Speaker 4: I message Keno once a month from the remaster in
• 1:51:32
  Speaker 4: four K I want them to I really want an
• 1:51:35
  Speaker 4: audience to find this film. It has an audience. But
• 1:51:37
  Speaker 4: people only talk about troll Too. They talk about Claudia,
• 1:51:40
  Speaker 4: they talk about troll Too. This is his best movie
• 1:51:43
  Speaker 4: to me. I love Monster Dogs. If you guys ever
• 1:51:46
  Speaker 4: get the chance, check that movie out. It's on two
• 1:51:49
  Speaker 4: me and stuff, but the blu ray is not expensive.
• 1:51:51
  Speaker 4: But I think it's actually a good movie. I love it,
• 1:51:54
  Speaker 4: so Monster Dog I gotta and anybody listening, of course,
• 1:51:57
  Speaker 4: if you haven't seen it for me, watch Monster Dog.
• 1:52:00
  Speaker 6: That's a good recommendation.
• 1:52:01
  Speaker 5: Dude, that's a good one. We've had a lot of
• 1:52:03
  Speaker 5: good ones.
• 1:52:03
  Speaker 3: And I want to ask you guys before we before
• 1:52:07
  Speaker 3: we wrap up, Italian horror in Jello obviously has a
• 1:52:11
  Speaker 3: long influence right still to this day, what.
• 1:52:18
  Speaker 5: Let's say modern.
• 1:52:21
  Speaker 3: Post two thousand, heavy, shallow or Italian horror influenced films.
• 1:52:26
  Speaker 3: Could you recommend people who maybe aren't there yet to dive,
• 1:52:32
  Speaker 3: you know, back to what we've been covering, because for me,
• 1:52:36
  Speaker 3: I want to shout out Travis Stevens A Wounded Fawn,
• 1:52:39
  Speaker 3: which is it's a shutter film. It was one of
• 1:52:43
  Speaker 3: my favorite discoveries and it's very it's colorful. Well, first
• 1:52:48
  Speaker 3: of all, a shot on seventy millimeters, it looks fantastic,
• 1:52:52
  Speaker 3: very shallow influence in the coloring, in the style and
• 1:52:57
  Speaker 3: the direction, heavy heavy influence and I think that that's
• 1:53:01
  Speaker 3: a great modern day kind of feel out the style,
• 1:53:05
  Speaker 3: feel out the tone, get an idea. Clearly it's not dubbed,
• 1:53:10
  Speaker 3: but to me, that's a great one. And then I
• 1:53:12
  Speaker 3: also want to shout out the editor. If nobody's seen that,
• 1:53:17
  Speaker 3: the editor almost feels like a weird in spirit.
• 1:53:21
  Speaker 5: Evil Ed sequel. So that's another one too.
• 1:53:25
  Speaker 4: Did you say Evil Ed? I did, that is the
• 1:53:28
  Speaker 4: greatest movie of all time.
• 1:53:30
  Speaker 5: I did say Evil.
• 1:53:32
  Speaker 4: That is a masterpiece. That movie is so insane, it's unbelievable.
• 1:53:38
  Speaker 5: Yeah, yeah, that's.
• 1:53:39
  Speaker 4: My pick if you're going to count that, because I'll
• 1:53:42
  Speaker 4: be honest with you post I'll be honest with you
• 1:53:45
  Speaker 4: post ninety four. Dude, I haven't watched a whole lot
• 1:53:50
  Speaker 4: of Italian anything. I mean, I saw Dark Glasses and
• 1:53:55
  Speaker 4: I wanted to just it was a standing ovation for
• 1:53:58
  Speaker 4: me because I think that nobody in a million years
• 1:54:01
  Speaker 4: thought o Argento could make a good movie again. And
• 1:54:04
  Speaker 4: I was like, I thought he pulled it off. And
• 1:54:06
  Speaker 4: if that's his last film he does, God bless him.
• 1:54:09
  Speaker 4: In my opinion, he that's a great movie to go
• 1:54:11
  Speaker 4: out on. But I don't know a whole lot you know, well.
• 1:54:15
  Speaker 3: What it doesn't even have to be an Italian film, Like,
• 1:54:17
  Speaker 3: is there any American film that you might know has
• 1:54:21
  Speaker 3: some of that jallo influence? You know, because give me
• 1:54:23
  Speaker 3: a second, it's Italian. I could do it time and
• 1:54:25
  Speaker 3: a Yallo. That's okay, Yeah, no, that's good. Yeah, that's good.
• 1:54:29
  Speaker 4: Let me, let me grab it.
• 1:54:31
  Speaker 5: Man.
• 1:54:31
  Speaker 3: I would pay ridiculous amounts of money to just go
• 1:54:33
  Speaker 3: look around Christian's movie room.
• 1:54:37
  Speaker 9: Okay, just have a sleepover, just hang out there.
• 1:54:40
  Speaker 4: This is a super deep cut. And the way this
• 1:54:45
  Speaker 4: happened was, Uh, my favorite movie is Return of Living
• 1:54:48
  Speaker 4: Dead and that's not that's not what this is about.
• 1:54:50
  Speaker 4: But my buddy Brandon showed me a he had a
• 1:54:53
  Speaker 4: DVD of a movie called Return of Living Dead Virus Bloodbath,
• 1:54:58
  Speaker 4: and I was like, what is So I went online
• 1:55:01
  Speaker 4: and I got this. This is a German DVD I
• 1:55:03
  Speaker 4: got off eba flight fifteen bucks plays perfectly fine in America.
• 1:55:07
  Speaker 4: This is what the dB looks like. It's and that's
• 1:55:10
  Speaker 4: actually artwork done by Graham Humphries, who did a lot
• 1:55:12
  Speaker 4: of the artwork for Return Living Dead's original art and stuff.
• 1:55:16
  Speaker 4: So what is this movie? This movie is called Virus Bloodbath.
• 1:55:21
  Speaker 4: No Bombshell Bloodbath. Excuse me, the name of the movie
• 1:55:23
  Speaker 4: is Bombshell Bloodbath. Came out in twenty twelve. I watched
• 1:55:27
  Speaker 4: this movie. I liked it. It's a zombie film that
• 1:55:30
  Speaker 4: has those dirty brown color palettes of the Beyond big Time.
• 1:55:36
  Speaker 4: So I was watching this movie and there's a scene
• 1:55:40
  Speaker 4: in like this dirty cave slash experimental medical room where
• 1:55:47
  Speaker 4: they got the zombie on a table. It looks like
• 1:55:49
  Speaker 4: a zombie straight out of Zombie, the Faulcy film. I
• 1:55:53
  Speaker 4: literally paused the movie. I go to the back, I
• 1:55:56
  Speaker 4: look for the director's name. I go to Facebook. I
• 1:56:00
  Speaker 4: go to look him up, and we were somehow friends
• 1:56:02
  Speaker 4: already on Facebook. Well, luckily enough, I messaged him and
• 1:56:05
  Speaker 4: he goes, oh, dude, I actually watch your channel, so
• 1:56:08
  Speaker 4: he was watching. It was so cool because the guy
• 1:56:10
  Speaker 4: was already aware of who I was, so he saw
• 1:56:13
  Speaker 4: my message. He got back to me. I said, listen, man,
• 1:56:15
  Speaker 4: I just bought your movie from Germany and it's called
• 1:56:19
  Speaker 4: Return of Living Dead. Blah blah blah. I said, can
• 1:56:21
  Speaker 4: you please send me a message or two about this
• 1:56:24
  Speaker 4: because I got to talk to the audience about this DVD.
• 1:56:27
  Speaker 4: So he sent me a message about this movie. Long
• 1:56:30
  Speaker 4: story short, The recommendation for the audio people is a
• 1:56:33
  Speaker 4: movie called Bombshell Bloodbath. It is a twenty twelve thirteen
• 1:56:38
  Speaker 4: zombie flick. To the director's credit, he says this heavily
• 1:56:45
  Speaker 4: inspired by Faulcy. The whole movie, visually, the look of
• 1:56:50
  Speaker 4: the zombies, everything is inspired by Faulcy. You can find
• 1:56:54
  Speaker 4: in America. The movie has not gotten any high definition
• 1:56:58
  Speaker 4: release yet, although he said he's in talk with it,
• 1:57:01
  Speaker 4: and I told him, if you make this happen, I
• 1:57:03
  Speaker 4: have to interview you. I want to do the audio
• 1:57:05
  Speaker 4: commentary with you for this movie. And he says he
• 1:57:07
  Speaker 4: would make that happen. So hopefully that does happen. But
• 1:57:10
  Speaker 4: for everybody listening, if you guys here are interested, go
• 1:57:12
  Speaker 4: on eBay and look this up. Just type in riturda
• 1:57:15
  Speaker 4: living dead virus Bloodbath. That's what this Germany German company
• 1:57:18
  Speaker 4: released this as plays completely region free, it'll play just
• 1:57:22
  Speaker 4: find your players. And it is called Bombshell Bloodbath. That's
• 1:57:24
  Speaker 4: the American name. But it is a good little zombie
• 1:57:26
  Speaker 4: flick that looks just like a Faulchy film.
• 1:57:30
  Speaker 3: God damn, so that is actually a really deep cut
• 1:57:33
  Speaker 3: right there.
• 1:57:34
  Speaker 4: Damn Holy I did a video in this. You check
• 1:57:38
  Speaker 4: the video out because I actually had the director send
• 1:57:41
  Speaker 4: me voice notes that I ripped from my phone and
• 1:57:45
  Speaker 4: put it in the video, so you'll actually hear the
• 1:57:47
  Speaker 4: director say I grew up love and Fault. He talks
• 1:57:50
  Speaker 4: about the movie and the video I did. I can
• 1:57:52
  Speaker 4: link it to if you want to watch it later.
• 1:57:53
  Speaker 4: But yeah, it was a great little accident because Brandon,
• 1:57:57
  Speaker 4: my buddy, just was deep diving eBay and found it
• 1:58:00
  Speaker 4: and then he showed it to me, and then I
• 1:58:02
  Speaker 4: watched it. He didn't at bastard didn't watch the movie yet.
• 1:58:05
  Speaker 4: I watched it, and I was telling him, like, so
• 1:58:07
  Speaker 4: you kind of watch it. It's a Faulcy film.
• 1:58:10
  Speaker 3: Yeah, for anybody who wants to know, there's a that
• 1:58:15
  Speaker 3: exact one. You're holding your hand twenty one dollars and
• 1:58:17
  Speaker 3: thirty four cents from the UK free shipping on.
• 1:58:20
  Speaker 4: There's a couple of there's a couple there's a darker
• 1:58:22
  Speaker 4: DVD cover too. There's a different variation.
• 1:58:25
  Speaker 3: There's a black cover with looks like a side profile
• 1:58:29
  Speaker 3: and then there's a zombie in its head.
• 1:58:32
  Speaker 4: Yes, I mean check that one out. That scene in
• 1:58:34
  Speaker 4: that bunker medical room with that zombie. It looks like
• 1:58:38
  Speaker 4: it came right out of a Faulcy film.
• 1:58:40
  Speaker 5: What's this one?
• 1:58:41
  Speaker 6: Oh?
• 1:58:41
  Speaker 3: Near my nuts? Herschel Gordon Lewis. I thought I found
• 1:58:44
  Speaker 3: another one. I was about to be like, look what
• 1:58:45
  Speaker 3: I found?
• 1:58:46
  Speaker 6: Not it, though, did did any of you guys see?
• 1:58:49
  Speaker 6: I know it's it's like I feel like that there
• 1:58:51
  Speaker 6: was some influence. But didn't you guys see Immaculate last year?
• 1:58:55
  Speaker 2: Oh?
• 1:58:55
  Speaker 4: Yeah, no, I gotta see that.
• 1:58:58
  Speaker 6: That reminded me of like the Nuns. Yeah, man, that
• 1:59:01
  Speaker 6: that reminds me of like the Nun exploitation, like the
• 1:59:04
  Speaker 6: other hell type horror film. But two that I feel
• 1:59:08
  Speaker 6: like more recent ones are I don't know if you
• 1:59:11
  Speaker 6: guys have seen Knife plus Heart, I have that definitely
• 1:59:17
  Speaker 6: giallow influence. I know we're talking more about Italian horror,
• 1:59:20
  Speaker 6: but this is like one of the few examples of
• 1:59:22
  Speaker 6: something that I felt like was influenced by like uh
• 1:59:25
  Speaker 6: Baba or Argento. And then I'm sure you guys have
• 1:59:29
  Speaker 6: seen this one before. Oh yeah, like Malignant.
• 1:59:34
  Speaker 4: I was just thinking about that, Yeah, that movie.
• 1:59:36
  Speaker 8: I got rag.
• 1:59:38
  Speaker 4: That was when that came out. Man, I reviewed that
• 1:59:41
  Speaker 4: and I loved it. People like, are you an idiot? Oh?
• 1:59:45
  Speaker 6: Hell no? Like I love I love this movie. Like
• 1:59:49
  Speaker 6: you can you can tell there is so much Italian
• 1:59:51
  Speaker 6: influence on that, Like it's not even funny.
• 1:59:54
  Speaker 3: Yeah that, And I also think of a lot of
• 1:59:56
  Speaker 3: Tie West House of the Devil more technically with the
• 2:00:00
  Speaker 3: dollies or the zooms and stuff like that, Like the
• 2:00:04
  Speaker 3: House of the Devil. I mean, I think the most
• 2:00:06
  Speaker 3: apparent from him would be X you know, sure about
• 2:00:11
  Speaker 3: the Innkeepers.
• 2:00:12
  Speaker 4: I thought I was gonna hate that movie as I
• 2:00:15
  Speaker 4: was watching it, but it ended up winning me because
• 2:00:17
  Speaker 4: it's quirky, you know. So it ended up winning me
• 2:00:20
  Speaker 4: over because I like quirky.
• 2:00:22
  Speaker 6: Yeah, it wasn't wasn't that the that was his follow
• 2:00:25
  Speaker 6: up film to House to the Devil, right.
• 2:00:28
  Speaker 5: I believe it was, so.
• 2:00:30
  Speaker 4: I remember, I still thinks of the Devil is probably No,
• 2:00:33
  Speaker 4: that's not true. I love the Sacrament, but taking his
• 2:00:36
  Speaker 4: found footage side at the House Devils is still his
• 2:00:38
  Speaker 4: magnum opus. I think.
• 2:00:40
  Speaker 3: I think it's still hilarious looking back at it and
• 2:00:42
  Speaker 3: seeing Greta Gerwig getting her head blown off, you know,
• 2:00:46
  Speaker 3: and knowing she would go on to direct Barbie and
• 2:00:50
  Speaker 3: Lady Bird, and.
• 2:00:52
  Speaker 5: With that I was just quite Yeah.
• 2:00:58
  Speaker 8: Came right after Yeah, House to the Devil.
• 2:01:00
  Speaker 6: Okay, I remember I had higher expectations for that movie.
• 2:01:04
  Speaker 6: Not that it's bad by any means, but you're coming
• 2:01:06
  Speaker 6: off the high of the House of the Devil, and
• 2:01:09
  Speaker 6: then got that movie as the follow up. It just
• 2:01:11
  Speaker 6: was very differently paced compared to the first one.
• 2:01:16
  Speaker 3: I remember when I went on like a little bit
• 2:01:18
  Speaker 3: of a Tie West binge.
• 2:01:19
  Speaker 5: I bought House of the Devil.
• 2:01:22
  Speaker 3: I bought The Innkeepers, and then for some reason, because
• 2:01:25
  Speaker 3: I thought it was a Tie West movie, I bought
• 2:01:27
  Speaker 3: We Are Still Here.
• 2:01:29
  Speaker 4: That's a great movie.
• 2:01:32
  Speaker 3: That movie and Larry fastened in. Yep, it's a great movie.
• 2:01:36
  Speaker 3: But I remember like clicking play and I was like, whoa,
• 2:01:38
  Speaker 3: this is not.
• 2:01:38
  Speaker 4: The same Tie West. Yeah, dude, that is a I
• 2:01:43
  Speaker 4: bought that just because I kept seeing a damn thing
• 2:01:45
  Speaker 4: at f y eight years ago, and I just bought it.
• 2:01:47
  Speaker 4: I bought it to stop looking at it on a
• 2:01:50
  Speaker 4: shelf because it was like eight bucks. They just was
• 2:01:52
  Speaker 4: like somebody by, and I was like, oh, I'm fine.
• 2:01:54
  Speaker 4: I looked at the back and I saw Barbara Yeah.
• 2:01:57
  Speaker 4: And it was a quaint, fun little movie. Man, it was,
• 2:02:00
  Speaker 4: you know. I had something to say visually there was
• 2:02:01
  Speaker 4: some good stuff in it, but I just thought it
• 2:02:03
  Speaker 4: was man, those chill, little wintry, haunted house movies. Man
• 2:02:09
  Speaker 4: on the right day, that's the perfect kind of movie
• 2:02:12
  Speaker 4: for any you know, it just works. I love I
• 2:02:15
  Speaker 4: love that movie, and some people I wouldn't say, like, oh,
• 2:02:17
  Speaker 4: we need a nice release for that. Yeah, maybe so,
• 2:02:20
  Speaker 4: but also man, like you know what, I'm just glad
• 2:02:22
  Speaker 4: to have it. You know, I can watch it whenever
• 2:02:24
  Speaker 4: I want, you know, not, I don't think everything needs
• 2:02:26
  Speaker 4: like the how many discs can you do with the
• 2:02:30
  Speaker 4: We're Still Here? You know?
• 2:02:32
  Speaker 3: But it's I remember going back and rewatching it after
• 2:02:36
  Speaker 3: I watched Brooklyn forty five because that's the same director,
• 2:02:40
  Speaker 3: and I didn't like Brooklyn forty five as much, so
• 2:02:42
  Speaker 3: I went back and watched We Are Still Here, and
• 2:02:44
  Speaker 3: I was like, oh, this is fun anytime, honestly, bro
• 2:02:46
  Speaker 3: anytime anytime I see Larry Fast and then I'm pretty
• 2:02:49
  Speaker 3: into it, you know what I mean. I'm like, oh,
• 2:02:50
  Speaker 3: this guy's a nut guy.
• 2:02:52
  Speaker 4: Chris, really quick, have you watched your Reanimator yet? I have? Yeah,
• 2:02:59
  Speaker 4: you know, I won't even ask anymore because That's what
• 2:03:01
  Speaker 4: I'm doing tonight. After this and I'm dreading, dude, I'm
• 2:03:03
  Speaker 4: dreading reviewing that because everybody gave me ship because I
• 2:03:06
  Speaker 4: said I wasn't gonna get it, and they're like, what
• 2:03:08
  Speaker 4: do you mean, Chris, she we want you to review that.
• 2:03:10
  Speaker 4: Then I buy it, and I say I buy them.
• 2:03:12
  Speaker 4: My audience is like, what are you doing? Like just
• 2:03:14
  Speaker 4: wait for Arrow to do one. I'm like, oh my god,
• 2:03:17
  Speaker 4: now if I say it, I'm so afraid if I
• 2:03:20
  Speaker 4: review this thing. And I'm like, guys, I think this
• 2:03:22
  Speaker 4: was a really nice release. Boo boo, you're a sellout.
• 2:03:26
  Speaker 6: And I'm like, what are you?
• 2:03:27
  Speaker 4: I bought it, you know I didn't get it. I'm
• 2:03:30
  Speaker 4: nervous to do this video man, but I'm excited to
• 2:03:32
  Speaker 4: watch it tonight.
• 2:03:33
  Speaker 5: But yeah, you know what I'm saying.
• 2:03:37
  Speaker 3: It looks fantastic, Like I don't so. I always thought
• 2:03:41
  Speaker 3: re Animator was shot super well, it's not the most
• 2:03:45
  Speaker 3: like it's.
• 2:03:45
  Speaker 5: Probably greeny, rightly, what's that?
• 2:03:48
  Speaker 4: It's probably grainy, huh because it's kind of like a.
• 2:03:52
  Speaker 3: No, I mean, it wasn't as the the new restoration
• 2:03:55
  Speaker 3: wasn't as greeny as I was that.
• 2:03:57
  Speaker 4: Arrow the Arrow release, Dude, you could it's got more
• 2:04:01
  Speaker 4: grain than a beach like like it's yeah, but I
• 2:04:04
  Speaker 4: don't mind that. I don't mind that, you know.
• 2:04:06
  Speaker 3: I remember, I remember there were two moments it really
• 2:04:08
  Speaker 3: stood out to me.
• 2:04:09
  Speaker 5: And one one, believe.
• 2:04:11
  Speaker 3: It or not, was the uh you know when h
• 2:04:15
  Speaker 3: when Doctor Hill is the head giving head scene.
• 2:04:18
  Speaker 5: I love it.
• 2:04:19
  Speaker 3: You know clearly, that was you know, that stood out.
• 2:04:21
  Speaker 3: But at the end in the morgue, when the smoke
• 2:04:24
  Speaker 3: gets released and it is all the mayhem going on
• 2:04:26
  Speaker 3: in the morgue fight, That's when it really stuck out
• 2:04:28
  Speaker 3: to me. How how much I thought the restoration was great.
• 2:04:32
  Speaker 3: I mean, honestly, I'm not the type of person to
• 2:04:34
  Speaker 3: It's why I don't do reviews in the typical sense
• 2:04:37
  Speaker 3: because a lot of times, like I'm perfectly good with
• 2:04:40
  Speaker 3: the Blu.
• 2:04:40
  Speaker 5: Ray, you know what I mean, I don't really.
• 2:04:43
  Speaker 4: Yeah, I get you.
• 2:04:44
  Speaker 8: You know.
• 2:04:44
  Speaker 4: The thing. The thing is, it's like that Arrow release,
• 2:04:48
  Speaker 4: which man, I get offers on that sucker a lot.
• 2:04:50
  Speaker 4: It's like this kind of fat white one.
• 2:04:52
  Speaker 5: Yeah.
• 2:04:53
  Speaker 3: I actually sold it to Frank before I when I
• 2:04:56
  Speaker 3: ordered this one.
• 2:04:57
  Speaker 4: Yeah, that's a good release, man, It's you know, I
• 2:05:00
  Speaker 4: was before Arrow kind of nailed down the way they
• 2:05:02
  Speaker 4: packaged their stuff. They did some different stuff with that
• 2:05:05
  Speaker 4: one because that's an older one. But uh, I mean,
• 2:05:08
  Speaker 4: the thing is, it's just like it can only be
• 2:05:10
  Speaker 4: that much better from what that release was because it
• 2:05:13
  Speaker 4: release has done so well. But yeah, I just started
• 2:05:16
  Speaker 4: approaching reviews with like just like a bluntness, like here's
• 2:05:20
  Speaker 4: how it looks, this is what I think, this is
• 2:05:21
  Speaker 4: what I think about the last one. If you want
• 2:05:23
  Speaker 4: to buy it, cool, if not, I don't care, you know,
• 2:05:26
  Speaker 4: because it's the only way you can win. I learned, man,
• 2:05:29
  Speaker 4: that's the only way you can win. Now, just just
• 2:05:32
  Speaker 4: say what you gotta say. Don't try to sell people
• 2:05:35
  Speaker 4: on the crap one way or the other, because they're
• 2:05:37
  Speaker 4: gonna think you're they're gonna think less of you for it.
• 2:05:40
  Speaker 3: Well, everybody everybody wants. Everyone was shouting to the rooftops
• 2:05:45
  Speaker 3: for every animate or four K and then it's.
• 2:05:47
  Speaker 4: Not arrow and now they're all like what the fuck?
• 2:05:49
  Speaker 3: And yeah, yeah, and everybody everybody's going nuts, And then
• 2:05:52
  Speaker 3: you know, I was. I was surprised everybody else went
• 2:05:54
  Speaker 3: ignite films of all companies announced it because I was like, wow,
• 2:05:57
  Speaker 3: like what a get for them. So I was surprised
• 2:06:01
  Speaker 3: but at the end of the day, I mean, how
• 2:06:05
  Speaker 3: how critical can you be when this was approved by
• 2:06:07
  Speaker 3: Brian User.
• 2:06:08
  Speaker 4: And it's the closest thing you can get essentially to
• 2:06:11
  Speaker 4: Stewart at this point. So and who doesn't love Brian
• 2:06:13
  Speaker 4: you know, like that is exciting to me.
• 2:06:16
  Speaker 3: So yeah, I don't get it. But then this is
• 2:06:18
  Speaker 3: what I don't understand though, was like, you people want
• 2:06:20
  Speaker 3: this stuff so bad and then a company gives it
• 2:06:22
  Speaker 3: to you, and then all of a sudden, You're like,
• 2:06:24
  Speaker 3: because I watched your video this morning when you were
• 2:06:26
  Speaker 3: talking about that, how people were you know, messaging you?
• 2:06:30
  Speaker 3: And I was like, the response on my end of
• 2:06:35
  Speaker 3: which like I have probably half the following that you.
• 2:06:38
  Speaker 3: I have, what six thousand and so and the follow
• 2:06:40
  Speaker 3: the The response on my end was great, like people
• 2:06:45
  Speaker 3: were super happy about it, but people were like.
• 2:06:46
  Speaker 5: Who the hell are Ignite Films?
• 2:06:47
  Speaker 6: Right?
• 2:06:48
  Speaker 3: More of the question so we're all find out right now.
• 2:06:53
  Speaker 3: The question is and we talked about this on After Hours.
• 2:06:55
  Speaker 3: I have that arrow Bride of re Animator. Great release,
• 2:07:01
  Speaker 3: it's that dude, that green and black, it's it's it's
• 2:07:03
  Speaker 3: a stunning release. But that's my favorite Reanimator dude.
• 2:07:07
  Speaker 5: I saw I saw you say when I heard.
• 2:07:10
  Speaker 4: His money.
• 2:07:11
  Speaker 3: Anyway, But now the question is is there a high
• 2:07:15
  Speaker 3: chance that Ignite has Bride of Readare now that they
• 2:07:18
  Speaker 3: owned the first one?
• 2:07:19
  Speaker 4: You know, like these rights are up in the air
• 2:07:23
  Speaker 4: right now.
• 2:07:23
  Speaker 6: I tell you that.
• 2:07:23
  Speaker 4: Who if you'd have told me Cobro was coming out
• 2:07:25
  Speaker 4: from Arrow, I'd have been like, this is the way
• 2:07:27
  Speaker 4: screen Factory is letting that go? Oh man, you know
• 2:07:30
  Speaker 4: there's no way screen Factory is letting Texas chainsaw asker
• 2:07:33
  Speaker 4: to guy, Dude, you never know what's going on with
• 2:07:35
  Speaker 4: all this crap. But I can tell you this man
• 2:07:38
  Speaker 4: Cliff macmillan, when he told me he left Screen Factory
• 2:07:41
  Speaker 4: he was going to Arrow. I remember he told me,
• 2:07:43
  Speaker 4: and I'm not giving anything away, but I interviewed him
• 2:07:46
  Speaker 4: last year mm hmm, and he told me he goes
• 2:07:49
  Speaker 4: get ready. I was like, what do you mean he
• 2:07:51
  Speaker 4: goes things about to change, And I was like, he's like,
• 2:07:54
  Speaker 4: I'm I'm coming in hot, and I mean, look at
• 2:07:57
  Speaker 4: what he's done. So Jason hell Jason X. I mean,
• 2:08:04
  Speaker 4: it's pretty crazy. If you would have told me that
• 2:08:07
  Speaker 4: Arrow was gonna put out Friday the thirteenth films, Like
• 2:08:09
  Speaker 4: there's no chance in hell, you know. So, I mean, look,
• 2:08:12
  Speaker 4: you gotta start looking at that warning And I'm getting
• 2:08:15
  Speaker 4: totally off topic, but I'm just saying, you got to
• 2:08:17
  Speaker 4: start looking at that Warner Brother catalog. I mean, we
• 2:08:19
  Speaker 4: could be looking at Texas Shane Saw the Beginning, which
• 2:08:23
  Speaker 4: is my favorite coming out.
• 2:08:25
  Speaker 6: Three Oh. We were just talking about that.
• 2:08:27
  Speaker 4: We're starting looking at that catalog. Man, because Cliff McMillan,
• 2:08:31
  Speaker 4: he's he's got the briefcase of cash over apparently. And
• 2:08:35
  Speaker 4: you know, we'll probably see that ELM Street, probably Freddy
• 2:08:38
  Speaker 4: versus Jason. I mean, it's gonna be really interesting the
• 2:08:41
  Speaker 4: rest of the year.
• 2:08:42
  Speaker 3: Yeah, And I mean to loop it back to this topic.
• 2:08:46
  Speaker 3: They just announced Zombie.
• 2:08:49
  Speaker 4: And I pre ordered that some bitch faster than a.
• 2:08:52
  Speaker 4: I haven't pre ordered the other one yet, but you
• 2:08:54
  Speaker 4: know what, I wanted to get the Arrow Store exclusive.
• 2:08:58
  Speaker 4: I've ordered from Arrow a couple times. Dude, my shit
• 2:09:00
  Speaker 4: gets held up in customs really, so I just said.
• 2:09:04
  Speaker 5: Screw it.
• 2:09:05
  Speaker 4: I'm gonna do the purple one. That's my favorite caller anyway,
• 2:09:08
  Speaker 4: and I'm a tall today. Well listen, dude, I hope
• 2:09:11
  Speaker 4: it goes because listen, the Arrow Store exclusive is bad
• 2:09:14
  Speaker 4: to the bone. Yeah, you know, but I'm just like, ah.
• 2:09:18
  Speaker 6: Like, Christian, did you get the City of the Living
• 2:09:22
  Speaker 6: Dead and House by the Cemetery through Arrow or did
• 2:09:24
  Speaker 6: you just keep your Blue Underground ones?
• 2:09:26
  Speaker 4: So City of a Living Dead I gotta be honest,
• 2:09:29
  Speaker 4: Cauldron sent me there four K and that was a
• 2:09:33
  Speaker 4: year and some change ago before Arrow announced it, so
• 2:09:36
  Speaker 4: I stuck with that one. But I did order House
• 2:09:40
  Speaker 4: by the Cemetery from Arrow, not from Arrow's website though,
• 2:09:44
  Speaker 4: because I thought Arrow did a great job on those.
• 2:09:48
  Speaker 4: And honestly, I still kind of want the City of
• 2:09:51
  Speaker 4: a Living Dead one, just because you know, I mean,
• 2:09:53
  Speaker 4: it's faulty. But I did get Cemetery from them, and
• 2:09:57
  Speaker 4: I've been waiting for the to do Zombie because this
• 2:09:59
  Speaker 4: is great. Blue Underground is a movie like Zombie. I
• 2:10:04
  Speaker 4: need to be able to hold that release with two hands,
• 2:10:07
  Speaker 4: like I want a big Zombie, you know. So I
• 2:10:10
  Speaker 4: was waited with baiting breath for years for Arrow to
• 2:10:14
  Speaker 4: do Zombie and I can't wait for that.
• 2:10:17
  Speaker 8: Yeah.
• 2:10:17
  Speaker 6: Can I ask you guys if you guys could pick
• 2:10:20
  Speaker 6: out like maybe like a couple of titles or one
• 2:10:23
  Speaker 6: title or whatever. They got the four K treatment from
• 2:10:26
  Speaker 6: like Italian Horror. Is there any releases that you guys
• 2:10:28
  Speaker 6: would want to see get that, like a boutique treatment.
• 2:10:33
  Speaker 3: I mean, I feel like a lot of people are
• 2:10:36
  Speaker 3: discovering a lot already thanks to a boutique treatment.
• 2:10:38
  Speaker 5: I mean there's levels to boutique treatment.
• 2:10:40
  Speaker 3: Like I would love to see a deluxe edition of
• 2:10:43
  Speaker 3: Doctor Butcher MD, you know what I mean. Like I
• 2:10:46
  Speaker 3: would love like a booklet and all that cool stuff
• 2:10:48
  Speaker 3: with Doctor Butcher, but that already has a great sever
• 2:10:51
  Speaker 3: and release. I think at this point we're just missing
• 2:10:55
  Speaker 3: these little essentials like Inferno, you know. I mean, even
• 2:11:00
  Speaker 3: some of the nineties are gentle stuff is kind of
• 2:11:03
  Speaker 3: lost in time, Dracula, Phantom of the Opera, The Card
• 2:11:07
  Speaker 3: Player was a Keynote release, but that's kind of gone,
• 2:11:11
  Speaker 3: you know, stuff like that. There's a lot of Italian
• 2:11:14
  Speaker 3: hard Like we're all looking forward to Black Belly of.
• 2:11:16
  Speaker 5: The Chancela from some games.
• 2:11:19
  Speaker 6: You know that's there.
• 2:11:20
  Speaker 5: For me, there's not a lot.
• 2:11:23
  Speaker 3: I mean, like I feel like I always want to
• 2:11:26
  Speaker 3: wish for more, Like what I love an arrow thick
• 2:11:28
  Speaker 3: box for Cannibal Holocaust.
• 2:11:29
  Speaker 5: Fuck, Yeah, like I would love that, you know what
• 2:11:31
  Speaker 5: I mean.
• 2:11:32
  Speaker 6: But like Cannibal Fax.
• 2:11:34
  Speaker 4: Yeah, I'll get I'll get a kind of with the socks,
• 2:11:38
  Speaker 4: the draws, the hat. You know, I'm gonna I'm telling you,
• 2:11:42
  Speaker 4: I'm going on that website soon and I'm just gonna
• 2:11:44
  Speaker 4: see what they got in a Cannibal Fairox department.
• 2:11:47
  Speaker 3: God, I swear, yeah, there's I mean, I don't know, man,
• 2:11:51
  Speaker 3: I feel like there's always and I always say too
• 2:11:54
  Speaker 3: when certain things can announce I'm like, yeah, I'm not
• 2:11:56
  Speaker 3: gonna upgrade that.
• 2:11:57
  Speaker 5: And then you start thinking about it.
• 2:11:59
  Speaker 6: They suck with the Godfather, Man, pull you back in.
• 2:12:02
  Speaker 4: You know. It's dude, I was talking about this last night.
• 2:12:04
  Speaker 4: It's just like you know, with Jaws getting this new
• 2:12:09
  Speaker 4: steal book and this fiftieth and other thing. It's like
• 2:12:12
  Speaker 4: it's it's I get that feeling, which you just said that,
• 2:12:16
  Speaker 4: oh God. But it's like I keep telling myself, man,
• 2:12:19
  Speaker 4: I don't know what it is when there's an announcement
• 2:12:21
  Speaker 4: for a movie I love, and it's kind of like
• 2:12:24
  Speaker 4: when that new movie's coming out. I always tell people
• 2:12:27
  Speaker 4: when Halloween Ends was coming out and I was doing
• 2:12:30
  Speaker 4: podcasts about with my buddy neck and everything, I would
• 2:12:33
  Speaker 4: always say, this time right now before the movie comes
• 2:12:37
  Speaker 4: out and everybody's got this anticipation and everybody's waiting to
• 2:12:41
  Speaker 4: see it. This feeling we have right now will always
• 2:12:44
  Speaker 4: far exceed any emotion you have of after seeing the film.
• 2:12:48
  Speaker 4: And then once it's done, that feeling of anticipation and
• 2:12:52
  Speaker 4: the excitement and talk about it's gone and whenever. Like
• 2:12:57
  Speaker 4: I keep telling you, what if this is the last
• 2:12:59
  Speaker 4: time Jaws ever gets any sort of physical media release,
• 2:13:03
  Speaker 4: And I could be facetious, it may it may be
• 2:13:05
  Speaker 4: untrueable what if it is? And I'm just like, you
• 2:13:08
  Speaker 4: know what, I'm gonna enjoy it one way.
• 2:13:10
  Speaker 6: It's Jaws.
• 2:13:12
  Speaker 4: It's jogging popcorn buckets coming up. It's like and listen like,
• 2:13:17
  Speaker 4: it's not, it's not. This is what I've learned. I
• 2:13:20
  Speaker 4: never have to try to feel like I have to
• 2:13:23
  Speaker 4: make other people want to buy it too, because I'm
• 2:13:25
  Speaker 4: gonna get it. I don't care, you know, Like, what
• 2:13:28
  Speaker 4: why on earth would I try to tell people, well,
• 2:13:29
  Speaker 4: you have to buy the new Jaws still book. That
• 2:13:32
  Speaker 4: last one you have is pointless. It's worthless now, of
• 2:13:35
  Speaker 4: course not. But dude, I just I enjoy the journey,
• 2:13:39
  Speaker 4: as stupid as that sounds, because after it's gone. Man,
• 2:13:44
  Speaker 4: it's over, you know so well.
• 2:13:47
  Speaker 5: I mean, it happens so quick and we get so much.
• 2:13:49
  Speaker 3: And this is one of the things that I we
• 2:13:54
  Speaker 3: I mean, we're getting announcements now for months away, you
• 2:13:57
  Speaker 3: know what I mean. You're getting you know, like five
• 2:13:59
  Speaker 3: months from now with the Hell's coming out, and then
• 2:14:00
  Speaker 3: you're anticipating. It's kind of like to me, it's kind
• 2:14:03
  Speaker 3: of like that idea where they say, like people work
• 2:14:05
  Speaker 3: five days a weeks that are always looking forward to
• 2:14:07
  Speaker 3: the weekend and you miss all that time in between.
• 2:14:10
  Speaker 3: I feel like it's so often we get you know,
• 2:14:12
  Speaker 3: like Reanimator right now is in the spotlight, and then
• 2:14:15
  Speaker 3: in a week and a half, something else is gonna
• 2:14:17
  Speaker 3: come along, and it's gonna box set. It's gonna get
• 2:14:20
  Speaker 3: pushed away, you know what I mean, something else. I know,
• 2:14:24
  Speaker 3: I know, something else is gonna is gonna take its place.
• 2:14:27
  Speaker 3: And this is why, like I'm such a fan of
• 2:14:29
  Speaker 3: and I feel like that's why I went from YouTube
• 2:14:33
  Speaker 3: to podcasting because I wanted to. There's so much more
• 2:14:38
  Speaker 3: to getting a release and just putting in and watching
• 2:14:40
  Speaker 3: the movie. If you love the movie, you know, check
• 2:14:43
  Speaker 3: out the commentaries, watch behind the scenes, read the booklet,
• 2:14:46
  Speaker 3: like get into the movie and and learn because the
• 2:14:49
  Speaker 3: amount of times that those first of all work goes
• 2:14:53
  Speaker 3: into those so people need to appreciate it.
• 2:14:55
  Speaker 5: You know.
• 2:14:56
  Speaker 3: There's just as much work goes into essays and write
• 2:14:58
  Speaker 3: ups and all that stuff. And for us having a podcast,
• 2:15:04
  Speaker 3: that's where everything we do is based on audio commentaries.
• 2:15:11
  Speaker 3: You know, the goal of our show is not to
• 2:15:14
  Speaker 3: not just to educate and have interesting conversation, but kind
• 2:15:18
  Speaker 3: of get people to go, oh, you know, I've never
• 2:15:19
  Speaker 3: listened to an audio commentary before. Let me go check
• 2:15:21
  Speaker 3: that out and learn about the behind the scenes and
• 2:15:25
  Speaker 3: learn about literally whatever else.
• 2:15:26
  Speaker 5: I mean.
• 2:15:27
  Speaker 3: GC just called me bearded booklet guy in the in
• 2:15:30
  Speaker 3: the chat man, I love that shit. So for me,
• 2:15:36
  Speaker 3: when I get a release, it lives on for a
• 2:15:37
  Speaker 3: long time because I keep going back to it and
• 2:15:39
  Speaker 3: I dive in and I read this and I watch that.
• 2:15:41
  Speaker 3: I mean, there's some movies I've watched four or five
• 2:15:43
  Speaker 3: times to watch just to listen to four different audio commentaries.
• 2:15:47
  Speaker 6: But then it's it's a deeper appreciation for the film,
• 2:15:51
  Speaker 6: not just oh, it looks nice on the shelf, which
• 2:15:53
  Speaker 6: I think we can all appreciate it. To a certain extent,
• 2:15:56
  Speaker 6: but I think it should go past that. Don't gloss
• 2:15:58
  Speaker 6: over it, because we do spend a lot of time
• 2:16:00
  Speaker 6: anticipating that movie coming out. Presentation's nice, but it's it's
• 2:16:04
  Speaker 6: the content that's most important.
• 2:16:06
  Speaker 3: Well, it blows my mind. I mean, could you imagine,
• 2:16:09
  Speaker 3: you know, being having a boutique label getting the rights
• 2:16:12
  Speaker 3: to a movie. You went a bidding war, whatever the
• 2:16:15
  Speaker 3: case is, right, you you're seeking out interviews, you're making
• 2:16:19
  Speaker 3: a documentary, you hire writers to do a booklet, You
• 2:16:23
  Speaker 3: get this great artist, and then you got some guy
• 2:16:26
  Speaker 3: on YouTube going, yeah, this shit sucks. I put it
• 2:16:29
  Speaker 3: in my I put it in my my thirty and
• 2:16:33
  Speaker 3: TV on my PlayStation three and uh and there's a
• 2:16:36
  Speaker 3: pixel that that goes crazy and in frame thirty four.
• 2:16:40
  Speaker 5: You know what I mean, You're like, what the fuck? You?
• 2:16:43
  Speaker 6: You know? Can can? I know it's not Italian horror,
• 2:16:46
  Speaker 6: but weirdly enough, there was I felt like the anticipation
• 2:16:51
  Speaker 6: for films that, like, I mean, I appreciate him, like Jaws,
• 2:16:54
  Speaker 6: Jaw's three and Jaws four last summer. I don't know why,
• 2:16:58
  Speaker 6: like the anticipation for that, and like I know that
• 2:17:00
  Speaker 6: there was a lot of controversy I think was behind
• 2:17:03
  Speaker 6: Jaws three, but man like I just had, like, I think,
• 2:17:07
  Speaker 6: a deeper appreciation just for the film. I mean it's
• 2:17:09
  Speaker 6: not anything like top tier, but I don't know, just
• 2:17:14
  Speaker 6: to see film. I never had a million years thought
• 2:17:16
  Speaker 6: that that would actually get you know, quite a bit
• 2:17:18
  Speaker 6: of like restoration war put into it and you know,
• 2:17:22
  Speaker 6: standard release steal book that came with it. So I
• 2:17:25
  Speaker 6: don't know, like whatever, If you enjoy the film, that's
• 2:17:27
  Speaker 6: all matters.
• 2:17:28
  Speaker 3: Anytime I talk to people who were like I want to,
• 2:17:32
  Speaker 3: you know, watch this thing, but I don't want to
• 2:17:34
  Speaker 3: take the chance on it, I send them to Christian's
• 2:17:36
  Speaker 3: video for Peanut Butter Solution.
• 2:17:42
  Speaker 5: And here's my favorite thing, right.
• 2:17:44
  Speaker 4: That's my favorite video I've ever done.
• 2:17:46
  Speaker 3: I post a picture about twenty twenty texts gladiators, and
• 2:17:50
  Speaker 3: then Christian comments, and then X amount of time later
• 2:17:53
  Speaker 3: here comes a video where he watches it, you know,
• 2:17:55
  Speaker 3: this great Joe Tomato film, and slowly in this eight
• 2:17:59
  Speaker 3: minute review he I'm watching this man lose his mind,
• 2:18:04
  Speaker 3: and then I it brought me back.
• 2:18:05
  Speaker 5: It was like PTSD.
• 2:18:06
  Speaker 3: I'm thinking of the Peanut Butter Solution video and it's
• 2:18:09
  Speaker 3: just like but for as crazy as those are.
• 2:18:14
  Speaker 5: You know what I mean.
• 2:18:16
  Speaker 3: To be able to like, I'm so thankful that you
• 2:18:19
  Speaker 3: took the risk and watch those so I could get
• 2:18:21
  Speaker 3: your content.
• 2:18:23
  Speaker 4: Dude. Let me tell you, that's when I figured out
• 2:18:26
  Speaker 4: how to do YouTube, because I was like, dude, just
• 2:18:29
  Speaker 4: have fun and those conversations you would have with your
• 2:18:31
  Speaker 4: buddies that would entertain each other so much, bring that
• 2:18:36
  Speaker 4: to your channel. Yeah, Like, there are people that are
• 2:18:38
  Speaker 4: gonna be so much better at talking than me and
• 2:18:41
  Speaker 4: explaining stuff than me. I'm just gonna I want to
• 2:18:44
  Speaker 4: just be silly and be myself and have fun. And
• 2:18:46
  Speaker 4: I have never had more fun in my life than
• 2:18:49
  Speaker 4: doing that Texas tex Texas Gladiators video or that Peanut
• 2:18:52
  Speaker 4: Butter Solution video. That's what it's all about, man, And
• 2:18:56
  Speaker 4: I mean that was a shoot. If anybody here's a
• 2:18:59
  Speaker 4: wrestling fan, that means like that was my reaction to
• 2:19:01
  Speaker 4: Peanut Butter Solution was dead, Like, I have never seen
• 2:19:05
  Speaker 4: a movie that bizarre in my life. And then when
• 2:19:07
  Speaker 4: you think it can't get crazier, Selene Dion starts singing
• 2:19:10
  Speaker 4: in the movie. I guess, yeah, but but but that's
• 2:19:15
  Speaker 4: seven series. And then I did Extraterrestrial visitors and that
• 2:19:18
  Speaker 4: one was pretty fucking weird too. You know, I love them.
• 2:19:23
  Speaker 5: Watching your videos though.
• 2:19:24
  Speaker 3: Those reviews in itself are like, uh, are like Alice,
• 2:19:28
  Speaker 3: you know, spinning down the rabbit hole man, cause you
• 2:19:31
  Speaker 3: just get more and more. It gets crazier and crazier,
• 2:19:35
  Speaker 3: and it's almost like your reaction them are crazier than
• 2:19:37
  Speaker 3: the movies itself. Oh yeah, yeah, yeah, the reaction to
• 2:19:41
  Speaker 3: those videos were I remember going right to your comment
• 2:19:43
  Speaker 3: section and I was like, what's happening down here?
• 2:19:45
  Speaker 4: And those were equally The comments are great, dude, and
• 2:19:49
  Speaker 4: the audience get they they get it too. They know
• 2:19:51
  Speaker 4: that like okay, like I'm overreacting a little bit, but
• 2:19:55
  Speaker 4: at the same time, like, no, these movies really don't
• 2:19:57
  Speaker 4: make any sense. So seven Severn has the most schizophrenic
• 2:20:01
  Speaker 4: catalog of all time. Oh like they there's just schizophrenic,
• 2:20:06
  Speaker 4: like insane movies that make no sense. I love Severn.
• 2:20:10
  Speaker 4: I don't know if those guys have seen those videos
• 2:20:12
  Speaker 4: I've done. Maybe they might have, but I'd look when
• 2:20:16
  Speaker 4: any and when anybody recommends me a Severn title and like, dude,
• 2:20:19
  Speaker 4: if you saw this, you need to watch this. I
• 2:20:22
  Speaker 4: instantly buy it, instantly, I go online and buy it
• 2:20:25
  Speaker 4: because I'm like, if it really is that crazy, I
• 2:20:27
  Speaker 4: can't wait to do a video on it.
• 2:20:29
  Speaker 3: I am so excited for their Cliff temlow Boxe, like,
• 2:20:32
  Speaker 3: I can't wait to get into that that they're putting.
• 2:20:34
  Speaker 4: Well.
• 2:20:35
  Speaker 8: Then they then they put out movies like Overboard.
• 2:20:37
  Speaker 6: Oh.
• 2:20:37
  Speaker 4: I did a video on that too, and I was like,
• 2:20:39
  Speaker 4: you know what, that's the craziest crazies those movies are.
• 2:20:41
  Speaker 6: It's crazy.
• 2:20:42
  Speaker 4: Did they have Overboard?
• 2:20:44
  Speaker 2: Like?
• 2:20:44
  Speaker 4: Why did they have overpart.
• 2:20:47
  Speaker 3: I we have a group chat and I was like,
• 2:20:49
  Speaker 3: I was like, I posted the Vinegar Syndrome announcements for
• 2:20:52
  Speaker 3: Golden Child and Dirty Work, and I was like, oh,
• 2:20:55
  Speaker 3: I was like, Vinegar Central was my favorite comedy label
• 2:20:57
  Speaker 3: out on the scene and uh Jordan's Jordan's like, didn't
• 2:21:01
  Speaker 3: seven put out Overboard?
• 2:21:03
  Speaker 5: I was like, shut the fuck up, dude, No, man,
• 2:21:11
  Speaker 5: but no, seriously, dude, this.
• 2:21:14
  Speaker 3: This has been an all over the place episode two
• 2:21:17
  Speaker 3: hours and twenty minutes in. Could probably go for another
• 2:21:19
  Speaker 3: two hours, but at some point we have to we
• 2:21:22
  Speaker 3: have to, you know, have some self control here, dude.
• 2:21:27
  Speaker 5: Great Top five Steve, what are your birthday plans? Man?
• 2:21:30
  Speaker 5: What are you doing?
• 2:21:31
  Speaker 4: Tomorrow he's watching the Top five.
• 2:21:33
  Speaker 6: Yeah, yeah, yep, I'm going on do not serve.
• 2:21:38
  Speaker 5: You got any plan.
• 2:21:41
  Speaker 6: No, honestly, just keeping a low key honestly, it just
• 2:21:44
  Speaker 6: uh works throughout the week is pretty crazy. So just
• 2:21:47
  Speaker 6: get one day where I'm like not really doing anything,
• 2:21:49
  Speaker 6: get caught up on some movies. That's all I can
• 2:21:51
  Speaker 6: ask for.
• 2:21:52
  Speaker 5: Yeah, hell yeah man. And this excellent podcast we put
• 2:21:55
  Speaker 5: you through.
• 2:21:56
  Speaker 6: Yeah, it's a lot of.
• 2:21:57
  Speaker 3: Fun, great Top five list, great discussion from everyone.
• 2:22:04
  Speaker 5: We have a lot of big.
• 2:22:08
  Speaker 3: Stuff coming up, you know with the podcast that I
• 2:22:12
  Speaker 3: technically can't like officially announce Ye, probably within the next
• 2:22:17
  Speaker 3: day or so, once we get everything properly finalized. But
• 2:22:20
  Speaker 3: we're only a couple weeks away from doing our episode
• 2:22:22
  Speaker 3: on the Burning with Mark from Tales from the Shelf.
• 2:22:26
  Speaker 3: We're gonna be doing covering the audio commentary with director
• 2:22:28
  Speaker 3: Tony Mayleem and then also Christian you're gonna be back
• 2:22:31
  Speaker 3: on in June with Garrett from Born to Be rad
• 2:22:36
  Speaker 3: As we talk about the evolution of campground slashers, which
• 2:22:39
  Speaker 3: that's gonna be a ton of fun. And then that's
• 2:22:42
  Speaker 3: technically the end of season one. And then we're back
• 2:22:45
  Speaker 3: and I think this is the first time we're really
• 2:22:47
  Speaker 3: saying it. Our first episode of season two, we're fucking
• 2:22:50
  Speaker 3: doing Texas Chainsaw Massacre.
• 2:22:53
  Speaker 2: Oh yeah, we are, yeah, which.
• 2:22:55
  Speaker 5: Is fucking awesome, man.
• 2:22:56
  Speaker 3: So I can't thank anybody listening enough for, you know,
• 2:23:02
  Speaker 3: the support the news that we have. Genuinely, when I
• 2:23:07
  Speaker 3: when I got this message it, I had never felt
• 2:23:12
  Speaker 3: more proud to be a part of anything ever in
• 2:23:16
  Speaker 3: my life. So to to now, you know, be to
• 2:23:20
  Speaker 3: the point where we're going to be announcing it and
• 2:23:22
  Speaker 3: going to be talking about it, it makes me like, literally,
• 2:23:26
  Speaker 3: I was at work earlier and I just had like,
• 2:23:29
  Speaker 3: it feels so good to put so much work into
• 2:23:33
  Speaker 3: something and actually kind of feel it and watch it
• 2:23:37
  Speaker 3: grow to that next level. I mean, there was there's
• 2:23:41
  Speaker 3: been so much cool stuff, man, Like the fact that
• 2:23:43
  Speaker 3: we put out our season two lists and we filled
• 2:23:45
  Speaker 3: all the guest spots pretty instantly was incredible. I've had
• 2:23:51
  Speaker 3: people that I followed in this industry, writers, uh, special future, producers,
• 2:23:57
  Speaker 3: all kinds of people reach out and talk about how
• 2:23:59
  Speaker 3: much they appreciate the show. Obviously, like you know, every
• 2:24:03
  Speaker 3: episode is a different movie, so we appeal to a
• 2:24:05
  Speaker 3: different crowd kind of with every episode. But I'm just
• 2:24:10
  Speaker 3: super proud of it, and I can't thank anybody who
• 2:24:12
  Speaker 3: gives the show even a five minute listen, and as
• 2:24:16
  Speaker 3: you know, for tuning in, especially in this platform where
• 2:24:19
  Speaker 3: there's so many podcasts and so many people doing so
• 2:24:22
  Speaker 3: many things. So we're just getting started and there's a
• 2:24:26
  Speaker 3: lot coming down the pipeline and I can't thank you
• 2:24:29
  Speaker 3: guys enough for coming on, celebrating Steve's birthday.
• 2:24:32
  Speaker 6: Thank you guys.
• 2:24:35
  Speaker 3: So where can people I'm just gonna start in my
• 2:24:38
  Speaker 3: order here of what I can see. Chuck, where can
• 2:24:41
  Speaker 3: people find you on on social?
• 2:24:43
  Speaker 6: Yeah?
• 2:24:43
  Speaker 2: So you can find me on Instagram at Chuck Underscore
• 2:24:46
  Speaker 2: Savage where.
• 2:24:47
  Speaker 5: You're still trying to post more.
• 2:24:50
  Speaker 6: Yeah, he's getting the.
• 2:24:55
  Speaker 5: Jordan. What about you, man? Where can people find you?
• 2:24:57
  Speaker 7: H Yeah, I'm over on Instagram mainly at the Underscore
• 2:25:03
  Speaker 7: movie Underscore Den Underscore because someone.
• 2:25:05
  Speaker 8: Took that early on.
• 2:25:07
  Speaker 7: But that doing YouTube, I try to do five fitties
• 2:25:12
  Speaker 7: a week doesn't always work out.
• 2:25:14
  Speaker 8: And then I'm I'm I'm dabbling. I'm dabbling in Twitter.
• 2:25:17
  Speaker 5: Okay, so we'll see you seem let's go dabbling in Twitter.
• 2:25:21
  Speaker 5: In twenty twenty.
• 2:25:21
  Speaker 4: Five, Strangely, I understand what he means by that too,
• 2:25:27
  Speaker 4: and I was I think it was I was talking
• 2:25:29
  Speaker 4: with uh with Steven.
• 2:25:30
  Speaker 8: It's just it's another thing to add on that.
• 2:25:32
  Speaker 7: I just gotta gotta post here, make a post for this,
• 2:25:35
  Speaker 7: make a post for another social media side.
• 2:25:37
  Speaker 8: Make a post.
• 2:25:37
  Speaker 4: And it's just, oh, so I have to That's what
• 2:25:40
  Speaker 4: I'm saying.
• 2:25:40
  Speaker 8: I have with it right now.
• 2:25:43
  Speaker 6: I have to run this stuff. And then I also
• 2:25:46
  Speaker 6: I have to do all my stuff for real estate. Dude.
• 2:25:48
  Speaker 6: Sometimes by the end of the day, I'm like, man,
• 2:25:50
  Speaker 6: I can't look at my phone anymore. I don't want
• 2:25:52
  Speaker 6: to look at another screen. I'm like tapped out.
• 2:25:54
  Speaker 3: My favorite thing about following Steve's work account and his
• 2:25:58
  Speaker 3: movie account is that they both have the same background,
• 2:26:02
  Speaker 3: and every now and then it'll pop up and I'm like, yes,
• 2:26:04
  Speaker 3: he's in front of the movie shelf. We're gonna talk
• 2:26:06
  Speaker 3: about some horror movies like click audio on and he's
• 2:26:09
  Speaker 3: talking about five steps to sell your house in this market.
• 2:26:14
  Speaker 6: But Chris, it gets to engage you're watching, you know,
• 2:26:18
  Speaker 6: that's all that matters.
• 2:26:19
  Speaker 7: He just has to put the chains away, tuck him
• 2:26:20
  Speaker 7: in his shirt, and he's good.
• 2:26:21
  Speaker 6: To go I do. I'm like, I can't. I can't
• 2:26:24
  Speaker 6: be having any of this stuff.
• 2:26:26
  Speaker 5: GC. What about you?
• 2:26:27
  Speaker 4: Man?
• 2:26:27
  Speaker 5: Where can people find you at?
• 2:26:29
  Speaker 9: Mainly man on Instagram and YouTube at Face the Movies.
• 2:26:34
  Speaker 9: And then I do have a podcast obviously not as
• 2:26:37
  Speaker 9: cool as yours, but that but it's We've just launched
• 2:26:42
  Speaker 9: our first episode for season two talking about the Heretic
• 2:26:45
  Speaker 9: and for that one is Friday Night, Fright Night. We're
• 2:26:49
  Speaker 9: on Spotify and Apple Podcasts.
• 2:26:51
  Speaker 5: Which that first episode was excellent.
• 2:26:53
  Speaker 6: Okay, it was really good. Thank you guys so much.
• 2:26:56
  Speaker 9: Man, like I that, like I so I got into
• 2:27:00
  Speaker 9: spiration from your podcast as far as for just kind
• 2:27:04
  Speaker 9: of try to keep it like flowing and talking about
• 2:27:07
  Speaker 9: a specific movie. And man, It's Heretic was one that
• 2:27:12
  Speaker 9: just I had to talk about because it's i mean
• 2:27:16
  Speaker 9: just all the hidden stuff that a lot of people
• 2:27:18
  Speaker 9: didn't catch on it and just comparing it to other
• 2:27:21
  Speaker 9: films that had like similar, similar notions. It was just
• 2:27:25
  Speaker 9: it was such a fun talk.
• 2:27:27
  Speaker 5: Yeah, yeah, no, it's it's great.
• 2:27:29
  Speaker 4: Man.
• 2:27:29
  Speaker 3: Don't don't discredit yourself, man, give yourself credit where credit
• 2:27:32
  Speaker 3: is due.
• 2:27:33
  Speaker 6: Yeah, Man, doing great things.
• 2:27:36
  Speaker 4: You're you're channeling Face movie sounded so familiar to me.
• 2:27:39
  Speaker 4: I don't remember where I'd seen it before, but I
• 2:27:41
  Speaker 4: just went to your channel. I was subscribed to it.
• 2:27:44
  Speaker 4: Do you have like a thirty thousand dollars camera or something?
• 2:27:48
  Speaker 4: I mean, Jesus Christ, this looks like a dark Side
• 2:27:51
  Speaker 4: of the Ring documentary. Dude, I have a look at that. Yeah,
• 2:27:58
  Speaker 4: oh my god, Like you made me feel like a chump.
• 2:28:02
  Speaker 6: What no, dude, I have you know? You know, it's funny.
• 2:28:06
  Speaker 6: A lot of the settings.
• 2:28:07
  Speaker 9: I have to give credit to Jordan and to Brian
• 2:28:11
  Speaker 9: because when I first started my channel, I mean there
• 2:28:14
  Speaker 9: were some of the first people that I was kind
• 2:28:16
  Speaker 9: of watching their stuff, and I mean I was asking
• 2:28:19
  Speaker 9: them questions left and right, and I'm using a Sony
• 2:28:22
  Speaker 9: eight seventy four and I'm using a fifty millimeter lens,
• 2:28:26
  Speaker 9: and it was just really kind of trying to get
• 2:28:27
  Speaker 9: the lighting right and messing with it. But it's meaning
• 2:28:30
  Speaker 9: the lighting, man, that makes a difference. I mean it
• 2:28:33
  Speaker 9: really does.
• 2:28:34
  Speaker 4: Yeah, that's right. Yeah, I'm just that is impressive. Man,
• 2:28:38
  Speaker 4: That's really I appreciate it.
• 2:28:39
  Speaker 3: Man, Steve Man, where can people find you at?
• 2:28:44
  Speaker 6: You can find me everywhere at after Hours Video. I'm
• 2:28:48
  Speaker 6: on YouTube, Instagram, TikTok, you name it.
• 2:28:52
  Speaker 3: Sweet Man, and then Christian. I doubt you need much
• 2:28:55
  Speaker 3: of a much of a plug, but.
• 2:28:57
  Speaker 4: No, I'll take any plug I can't get it. Yeah,
• 2:29:01
  Speaker 4: Planet ch that's where you could find me on YouTube, Instagram.
• 2:29:04
  Speaker 4: That's pretty much and if I can be a salesman.
• 2:29:07
  Speaker 4: If anybody listened to this, every wants their house to
• 2:29:10
  Speaker 4: smell good and they are into candles and wax melts.
• 2:29:14
  Speaker 4: Me and my wife have a small business called You
• 2:29:15
  Speaker 4: Need a Candles. Please follow us on Instagram. We have
• 2:29:19
  Speaker 4: launches every basically every week in week and a half.
• 2:29:23
  Speaker 4: We just did a big summer slasher line today with
• 2:29:29
  Speaker 4: the burning melts. We had melts for one of my
• 2:29:31
  Speaker 4: favorite movies, to Town that Dreaded Sundown, and we did
• 2:29:34
  Speaker 4: one for Mote Hell And they all have these great
• 2:29:37
  Speaker 4: summer scents, these outdoor scents. They smell so great. We
• 2:29:40
  Speaker 4: have limited edition candles we do, and all of our
• 2:29:43
  Speaker 4: stuff lasts so much longer than anything you'll buy at Walmart.
• 2:29:48
  Speaker 4: We make everything in house, package everything in house. It's
• 2:29:52
  Speaker 4: a grassroots little company we started, So please check us
• 2:29:56
  Speaker 4: out there and give us a shot. I anybody that
• 2:29:58
  Speaker 4: tries us I've never had a customers say it wasn't
• 2:30:01
  Speaker 4: worth it. So if give us a shot. If you're
• 2:30:03
  Speaker 4: listening to this, go to you need to Candles. We
• 2:30:05
  Speaker 4: have an Etsy page where we sell everything.
• 2:30:07
  Speaker 5: Yeah yeah, and.
• 2:30:08
  Speaker 4: On Instagram follow out just look up you need to
• 2:30:10
  Speaker 4: Candles on Instagram. Well that's why you'll be up to
• 2:30:12
  Speaker 4: date on everything when we list stuff, et cetera, et cetera.
• 2:30:16
  Speaker 3: And you got to be quick with that, man, because
• 2:30:18
  Speaker 3: I've been fifteen minutes, like I've seen your your drops,
• 2:30:21
  Speaker 3: like fifteen minutes in and they're already gone.
• 2:30:23
  Speaker 4: We do have some dedicated customers, that's for sure. Yeah,
• 2:30:26
  Speaker 4: which I'm very grateful for. But yeah, please, we have
• 2:30:29
  Speaker 4: stuff on We're getting much better about keeping stuff on
• 2:30:33
  Speaker 4: the site. A lot of times people go in the
• 2:30:35
  Speaker 4: site like there's nothing there, and it's because we put
• 2:30:38
  Speaker 4: stuff out. I mean, we never want to overestimate anything
• 2:30:40
  Speaker 4: we do. Obviously, because we're a small business, we can't
• 2:30:43
  Speaker 4: afford to just put out a bunch of stuff and
• 2:30:46
  Speaker 4: let it sit on the site. I mean, we have
• 2:30:48
  Speaker 4: to sell, that's it. If we don't sell, we're dead
• 2:30:51
  Speaker 4: in the water. So that's kind of why it's like
• 2:30:53
  Speaker 4: that where stuff sells out, but we're getting better about
• 2:30:56
  Speaker 4: keeping stuff on the site. That way, if people want
• 2:30:59
  Speaker 4: to just try so, then they don't have to be like,
• 2:31:01
  Speaker 4: well now I gotta wait till next week and then
• 2:31:02
  Speaker 4: they lose. So it's a it's a fine line. We've
• 2:31:07
  Speaker 4: been riding with that, but we're getting real good. We
• 2:31:08
  Speaker 4: have stuff on the site right now at the time
• 2:31:11
  Speaker 4: we're recording this.
• 2:31:12
  Speaker 3: So yeah, yeah, we'll make sure everybody checks that out
• 2:31:15
  Speaker 3: again one last time. Thank you guys for coming and
• 2:31:18
  Speaker 3: hanging out. Steve, Happy birthday, and uh we'll see you
• 2:31:21
  Speaker 3: guys on the next episode.