Latest / The Bootleg Kev Podcast / #578 - Rome Streetz & Conductor Williams Break Down New Project, State of Hip-Hop, Griselda, & Drake

Transcript

#578 - Rome Streetz & Conductor Williams Break Down New Project, State of Hip-Hop, Griselda, & Drake · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Let's go through like CAVS special guests here, these.
• 0:03
  Speaker 2: Guys got an incredible album, one of the best albums
• 0:05
  Speaker 2: of twenty twenty five. Conductor Williams Rome Streets Trainspotting is out.
• 0:10
  Speaker 1: Welcome to the show, fellas, but thank yeah.
• 0:14
  Speaker 2: Of course, of course, of course, Rome. I gotta say, well,
• 0:18
  Speaker 2: first of all, both of you guys have been on
• 0:19
  Speaker 2: such an insane run. I would say the better part
• 0:22
  Speaker 2: of the last six or seven years. Man, what was
• 0:26
  Speaker 2: like the initial because I feel like there's so much
• 0:30
  Speaker 2: synergy between Obviously, you know, Conductor, you are very much
• 0:34
  Speaker 2: in the Griselda uniform verse. Rome, you are, you know,
• 0:37
  Speaker 2: obviously in the universe. You know, you've put out music
• 0:40
  Speaker 2: through Griselda. Was this something that has been in the
• 0:42
  Speaker 2: works for a long time or was it something that's
• 0:44
  Speaker 2: like relatively like recent, you guys decided to like lock
• 0:46
  Speaker 2: in and just bang out a whole project.
• 0:50
  Speaker 3: We've been cooking this for a while, like the same
• 0:53
  Speaker 3: probably like right after I finished Kiss.
• 0:56
  Speaker 1: The Ring, like twenty twenty two.
• 0:58
  Speaker 4: Yeah, cooking songs every week.
• 1:03
  Speaker 2: When do you feel like, like, Okay, the album's done,
• 1:07
  Speaker 2: Like now we got to go find a home for it.
• 1:09
  Speaker 1: Like this thing is finished.
• 1:12
  Speaker 4: What's you think, man? I think we kind of conceptualized
• 1:15
  Speaker 4: it because we just making songs. That's what that's what's crazy,
• 1:18
  Speaker 4: song is making songs.
• 1:20
  Speaker 5: The album was never done.
• 1:23
  Speaker 1: Yeah, we got a folder.
• 1:24
  Speaker 4: There's like there's a literally it's like, damn, we got
• 1:28
  Speaker 4: forty two songs in here? What do you want to
• 1:30
  Speaker 4: do with them? Like?
• 1:32
  Speaker 5: How?
• 1:32
  Speaker 4: Like what the fuck are we doing? Sorry? What you want?
• 1:36
  Speaker 1: Of course the internet question.
• 1:40
  Speaker 4: But now that's what it kind of that's from my perspective.
• 1:43
  Speaker 5: No, that's what it was.
• 1:45
  Speaker 1: Do you guys?
• 1:46
  Speaker 2: I'm curious, like because obviously you've done collap projects Roam,
• 1:51
  Speaker 2: You've done a whole album with Darrener, You've done obviously
• 1:53
  Speaker 2: collap projects with Ransom and what what?
• 1:56
  Speaker 1: What was kind of I guess, like.
• 1:58
  Speaker 2: You know, the chemistry like between you guys, that might
• 2:00
  Speaker 2: kind of different than some of the cloud projects you've
• 2:01
  Speaker 2: done in the past.
• 2:05
  Speaker 3: I think were Conductor, Like I was just a super
• 2:08
  Speaker 3: fan of his ship before I even started working with him.
• 2:12
  Speaker 3: And then how we met It was just like we
• 2:14
  Speaker 3: met in the studio and then he was just playing
• 2:18
  Speaker 3: a bunch of beats and I'm sitting there.
• 2:19
  Speaker 5: Like, damn, what ship?
• 2:20
  Speaker 3: Is fucking fire and shit and me and and West
• 2:23
  Speaker 3: is like listening to beats too, But I'm just like, yo,
• 2:28
  Speaker 3: every single beat he played for like the past hour
• 2:30
  Speaker 3: and a half is just heat, Like where the fuck
• 2:34
  Speaker 3: do I even start to beget him?
• 2:36
  Speaker 5: Like yo, which one was that?
• 2:38
  Speaker 4: Like?
• 2:38
  Speaker 3: So it was like I was just blown away by
• 2:41
  Speaker 3: how many fucking five beats he has. And then we
• 2:44
  Speaker 3: started making ship and then he just kept sending me
• 2:47
  Speaker 3: shit and I'm like, yo, like every beat is ill,
• 2:50
  Speaker 3: Like I don't even fucking know, Like I don't know, bro,
• 2:54
  Speaker 3: Me and conductor just just happens, and.
• 2:59
  Speaker 4: Then you know you have meet I guess in life,
• 3:02
  Speaker 4: but even just like in this industry, it's rare that
• 3:04
  Speaker 4: you meet somebody in like the the connection thing happens right, like,
• 3:08
  Speaker 4: oh man, we might be from the same tribe or
• 3:10
  Speaker 4: the same planet or whatever. It's like that is the
• 3:13
  Speaker 4: bond that I feel I have with him. Immediately was like, man,
• 3:18
  Speaker 4: you're from where I'm from, like cousins or something. And
• 3:21
  Speaker 4: it's just easy to send my ideas to Rome, Like
• 3:24
  Speaker 4: I'll be sending shit to Roam that I don't put
• 3:25
  Speaker 4: on tapes. I send my craziest ideas to him, do.
• 3:30
  Speaker 2: You it's crazy too, because you know, I feel like nowadays,
• 3:34
  Speaker 2: more than ever as a producer, I feel like OL's
• 3:38
  Speaker 2: kind of really kind of like lay like a great
• 3:42
  Speaker 2: blueprint like how you can be a producer and do
• 3:45
  Speaker 2: these collab albums and drop exclusive vinyl and like really
• 3:47
  Speaker 2: tap into like fan bases because I feel like, you know,
• 3:51
  Speaker 2: there's so much like and you probably know this, but
• 3:53
  Speaker 2: you've been lucky enough to kind of be a part
• 3:58
  Speaker 2: of a universe that's very support of music. But you know,
• 4:00
  Speaker 2: there's the producer grind of try to get placements and
• 4:03
  Speaker 2: like sending beats out or sending loops out and all
• 4:06
  Speaker 2: this shit, as opposed to like, I feel like there's
• 4:09
  Speaker 2: a new lane where you could curate your audience, collaborate
• 4:12
  Speaker 2: with who you want to, and then super serve those people.
• 4:15
  Speaker 4: Ye know, now there is an al like he's such
• 4:18
  Speaker 4: a like legend. Me and my boy Less was talking
• 4:21
  Speaker 4: about him at lunch today. He is. It's like what
• 4:25
  Speaker 4: he's done is it takes It's gonna take a light
• 4:28
  Speaker 4: year for anybody to catch up with, just because of
• 4:30
  Speaker 4: all the classic material he has already. If he stopped
• 4:33
  Speaker 4: and never made another record, he would have so much
• 4:37
  Speaker 4: classic music, had so many eras in so many eras,
• 4:40
  Speaker 4: and if you listen to his records, you can see
• 4:42
  Speaker 4: and feel him reinventing himself and reinventing himself. So, you know,
• 4:47
  Speaker 4: thank god he laid it all kind of out for us.
• 4:50
  Speaker 4: But West Side Gun had a lot to do with
• 4:52
  Speaker 4: with that too.
• 4:54
  Speaker 2: You know, It's funny because me and I were just
• 4:55
  Speaker 2: talking maybe last week we're hanging out, and he.
• 5:00
  Speaker 1: Had brought up Gun. He was like, yo, like low key.
• 5:03
  Speaker 2: Him and Gun were like sharing ideas early on about
• 5:06
  Speaker 2: like the vinyl distributors that they would use because Gun
• 5:10
  Speaker 2: was like probably the first rapper on like a real
• 5:12
  Speaker 2: independent front that was doing those limited runs of records.
• 5:16
  Speaker 4: Yeah, he cracked the code man early. He cracked the
• 5:19
  Speaker 4: code early. Bro Man, What what's uh?
• 5:24
  Speaker 1: I mean? You guys got a show in LA that's tomorrow.
• 5:25
  Speaker 2: You guys doing a limited shows?
• 5:29
  Speaker 4: Yeah?
• 5:30
  Speaker 2: What should be dope? How how's the responsibility the album?
• 5:33
  Speaker 2: It feels like people are loving it.
• 5:34
  Speaker 3: I caught the vinyl yeah, trust me, all that guy's
• 5:39
  Speaker 3: positive feedback.
• 5:40
  Speaker 5: You know, people can't wait to see it live.
• 5:43
  Speaker 2: What about besides, you know, shout out to mass appeal
• 5:46
  Speaker 2: because they are on a pretty insane run of like
• 5:50
  Speaker 2: there's a big L album on the way, there's a
• 5:52
  Speaker 2: lot of Deep album all the way, ghost Face album
• 5:54
  Speaker 2: all the way, Ray Kwan's out. Y'all dropped fucking Slick
• 5:59
  Speaker 2: Rick drop those Sick project and it was nice and quick.
• 6:04
  Speaker 2: But what was it about master Pill that made sense
• 6:06
  Speaker 2: for you guys to to land this project with them?
• 6:10
  Speaker 1: Did you guys could have did it. I'm sure anywhere.
• 6:12
  Speaker 3: Yeah, they just was talking right, you know what I'm saying.
• 6:15
  Speaker 3: And I feel like because they've worked with them, there
• 6:18
  Speaker 3: everybody that I look at as like legendary, I didn't
• 6:23
  Speaker 3: mind doing something with them. I feel like everybody has
• 6:26
  Speaker 3: done something with Massa Pill. You could name like Rock Marciono,
• 6:29
  Speaker 3: freaking Nas, push a T drop the album on master Pill.
• 6:32
  Speaker 5: You know what I'm saying, Like so many people.
• 6:34
  Speaker 3: Have been through those doors and kind of just like
• 6:38
  Speaker 3: elevated after that.
• 6:39
  Speaker 5: It's kind of like like a springboard.
• 6:42
  Speaker 3: Even if you know, it was just a good place
• 6:44
  Speaker 3: to be because they have such a good track record
• 6:46
  Speaker 3: of putting out fire shit good products.
• 6:49
  Speaker 5: I mean, I wasn't really opposed to not going over there.
• 6:53
  Speaker 2: I saw you were hanging out at the block party
• 6:55
  Speaker 2: where the clips were before Oh yeah, were able to
• 6:57
  Speaker 2: chop it.
• 6:57
  Speaker 5: Up with Oh no, no.
• 6:59
  Speaker 3: I was just there because Tremaine is my homeboy, you know,
• 7:03
  Speaker 3: the guy who owns Dent Tears or whatever.
• 7:05
  Speaker 5: Where popped up?
• 7:07
  Speaker 2: Were you, uh?
• 7:08
  Speaker 1: Because you are big? We were talking before the cameras roll.
• 7:11
  Speaker 1: You're a big hell Hath No Fury guy?
• 7:12
  Speaker 5: Yeah? Yeah, yeah, I met Push your Teeth before though.
• 7:14
  Speaker 2: But I'm saying, like, where do you put this album that?
• 7:17
  Speaker 2: Because everyone's I mean, are you putting it above hell
• 7:20
  Speaker 2: Hath No Fury?
• 7:21
  Speaker 5: You know what it is? It's like I like the
• 7:23
  Speaker 5: new album.
• 7:24
  Speaker 3: It's definitely fired from top to bottom, but Hell Have
• 7:27
  Speaker 3: No Fury just just.
• 7:29
  Speaker 5: That time period that it came out, you know what
• 7:31
  Speaker 5: I'm saying.
• 7:31
  Speaker 3: It's like there's like I said, it's like a great
• 7:35
  Speaker 3: time piece for me, you know what I'm saying, Like
• 7:37
  Speaker 3: just for me, you know what I'm saying. Like, and
• 7:39
  Speaker 3: I really liked that album, you know what I'm saying.
• 7:42
  Speaker 3: So I feel like this one has to grow on
• 7:45
  Speaker 3: me more because I still listen to that other one
• 7:49
  Speaker 3: to Hell Have No Fury, Like I'll ride around and
• 7:51
  Speaker 3: play that ship just randomly, you know what I'm saying. Still,
• 7:54
  Speaker 3: I feel like this one ain't been out long enough.
• 7:57
  Speaker 3: I can't just put it above that right away because
• 7:59
  Speaker 3: I hold that other album so high. It's like I
• 8:03
  Speaker 3: kind of gotta have the same moments with it. Like
• 8:05
  Speaker 3: ten years from now, am I gonna be playing that
• 8:08
  Speaker 3: album is damn near twenty years old.
• 8:10
  Speaker 1: It's crazy. It's so crazy that.
• 8:12
  Speaker 5: That was twenty about to be twenty years ago.
• 8:15
  Speaker 1: So I mean, Lord Willing came out when I was
• 8:17
  Speaker 1: in high school.
• 8:18
  Speaker 2: Yeah, exactly, Yeah, that was like early high school for
• 8:21
  Speaker 2: me too. I remember that city with the with the
• 8:24
  Speaker 2: rim and shit was skipping.
• 8:26
  Speaker 3: Doesn't sound dated though, if you listen to her haf
• 8:29
  Speaker 3: No Fury, it doesn't sound like some of the other
• 8:32
  Speaker 3: shit that probably came out.
• 8:33
  Speaker 2: Except the Dirty Money we talked about.
• 8:38
  Speaker 1: I was like, Dirty Money is the only record that
• 8:39
  Speaker 1: did not age.
• 8:39
  Speaker 2: The greatest off that album, Conductor, we were talking a
• 8:43
  Speaker 2: little bit. I don't know like how much you can share,
• 8:44
  Speaker 2: but you have other stuff in the chamber in terms
• 8:47
  Speaker 2: of collab projects with artists. Is there anybody else who
• 8:51
  Speaker 2: you can kind of talk about that you have anything
• 8:54
  Speaker 2: tucked with.
• 8:59
  Speaker 4: That's anything I can talk about. That's safe. Uh, got
• 9:04
  Speaker 4: a lot of music. I got a lot of music,
• 9:06
  Speaker 4: you know. So for the fans of my my sound
• 9:09
  Speaker 4: and stuff, it's a lot coming.
• 9:11
  Speaker 5: Uh.
• 9:12
  Speaker 4: Corday and I have a lot of songs, and Ransom
• 9:16
  Speaker 4: and I have a lot of songs.
• 9:17
  Speaker 1: Fire and go to Ransom Man, your guys' album's crazy.
• 9:22
  Speaker 4: And I'm talking about things I can control. These are
• 9:25
  Speaker 4: albums that I can control. It's not placements. It's like
• 9:29
  Speaker 4: a collap thing. I can tell you all about those.
• 9:31
  Speaker 4: And those are the two that that I can talk about. Fine,
• 9:34
  Speaker 4: I'm always sending music to him. Rome.
• 9:36
  Speaker 2: Is there another producer who you would like you already
• 9:39
  Speaker 2: like to check off the list that I think would
• 9:41
  Speaker 2: be I think you and Evidence would be Fire.
• 9:43
  Speaker 3: Yeah, yeah, the Homie Man, we got we got stuff.
• 9:46
  Speaker 3: I got stuff with EV.
• 9:49
  Speaker 5: That's a high possibility to get that. You know what
• 9:51
  Speaker 5: I'm saying. We'd be cooking, Like every time I come
• 9:53
  Speaker 5: out here, I'll be tapping in with EV. So we
• 9:55
  Speaker 5: got ship. Who else I want to do some shit?
• 10:00
  Speaker 5: Pete Rock that would be crazy? Yeah, Uh, of course Alchemists.
• 10:06
  Speaker 2: The Pete Rock Smoke is an album that came out
• 10:08
  Speaker 2: I forget how what year that was, but that ship
• 10:10
  Speaker 2: is so slept on. There was a couple of them, right,
• 10:13
  Speaker 2: I just remember that first Smoke Disnit Pete Rock album
• 10:15
  Speaker 2: was crazy.
• 10:17
  Speaker 4: And the Pea.
• 10:20
  Speaker 1: Shout out to Pete Rock.
• 10:22
  Speaker 3: Some producer even rock Marci for sure, not even just
• 10:26
  Speaker 3: on no rapping ship like him as a producer.
• 10:30
  Speaker 5: Some ship that.
• 10:31
  Speaker 1: Should be crazy. Yo.
• 10:35
  Speaker 2: You know when it came to you working with Drake,
• 10:37
  Speaker 2: did Katie have anything to do with that?
• 10:40
  Speaker 1: No, because I always do.
• 10:41
  Speaker 2: Katie was like the executive producer of like the Deluxe
• 10:45
  Speaker 2: But I know he's like super tapped in on the
• 10:47
  Speaker 2: boom back.
• 10:49
  Speaker 4: So I just wondered if but no, Okay, now that
• 10:52
  Speaker 4: was like a direct. He just reached out to me direct.
• 10:55
  Speaker 1: Yeah.
• 10:55
  Speaker 4: Yeah, like, yo, let's let's try to get into something.
• 10:57
  Speaker 4: I'm like, all.
• 10:58
  Speaker 2: Right, I mean you gave him, like my opinion, like
• 11:00
  Speaker 2: that's some of the best Drake of the last decade
• 11:03
  Speaker 2: for sure.
• 11:04
  Speaker 4: Yeah, there's more. There's there's more coming, There's more. I
• 11:07
  Speaker 4: don't know if y'all ever go here.
• 11:08
  Speaker 1: Do you have anything? Do you have anything on ice?
• 11:11
  Speaker 3: Man?
• 11:12
  Speaker 1: Are there conductor beats on?
• 11:14
  Speaker 4: I don't know, man, I don't know anything about music
• 11:17
  Speaker 4: or anything. Just like watch the Whole Boyd, I don't
• 11:20
  Speaker 4: know nothing about answer of all, the list doesn't exist.
• 11:26
  Speaker 1: I don't know what you're talking about.
• 11:27
  Speaker 2: Why are we talking about even though I just said
• 11:29
  Speaker 2: there's more away, it's like, yeah, there's more, there's more.
• 11:32
  Speaker 1: I don't know what you're talking about.
• 11:33
  Speaker 4: No. Look, look, I go where I'm loved. I go
• 11:36
  Speaker 4: where my services are needed and people know that, so,
• 11:41
  Speaker 4: you know, hopefully so I would love to be a
• 11:42
  Speaker 4: part of that record.
• 11:43
  Speaker 2: But there are other Drake Conductor records that are in
• 11:46
  Speaker 2: the world that have not you don't know if we'll
• 11:49
  Speaker 2: ever see them, but they.
• 11:50
  Speaker 4: Yeah, they're in the world.
• 11:51
  Speaker 5: Yeah.
• 11:52
  Speaker 4: The one was the Fighting Irish Ship that right, you
• 11:56
  Speaker 4: know what I mean? Yeah?
• 11:57
  Speaker 1: Are you a Lebron fan?
• 11:59
  Speaker 2: I am so when you hear the Fighting Irish because again,
• 12:02
  Speaker 2: it was solid. But I just wonder, like it's almost
• 12:06
  Speaker 2: like if someone you know, it's like, that's Lebron, you
• 12:09
  Speaker 2: know what I'm saying.
• 12:10
  Speaker 4: Yeah, I mean I have no like qualm with either
• 12:13
  Speaker 4: one of those guys. Like, yeah, I worked with Drake.
• 12:14
  Speaker 4: It's a professional relationship and he's really cool and really
• 12:17
  Speaker 4: nice to me and stuff. But yeah, I'm working for
• 12:21
  Speaker 4: hire at this point. It's not like I came in
• 12:23
  Speaker 4: the game with Ovo and I've been there this whole time.
• 12:26
  Speaker 1: For sure.
• 12:27
  Speaker 4: It's like I'm working for hire. He could say, you're
• 12:29
  Speaker 4: not forty. I never want another beat from you again,
• 12:33
  Speaker 4: you know, type shit. So but no, I love Lebron
• 12:35
  Speaker 4: and what he's done in the career. I think honestly,
• 12:38
  Speaker 4: any grown man would want a career and they're what
• 12:41
  Speaker 4: they love doing it, like how he did his I
• 12:44
  Speaker 4: love Lebron. He's my favorite place. He's tough man. I'll
• 12:46
  Speaker 4: be watching him and be proud, like, yo, you out
• 12:49
  Speaker 4: there doing forty years old. I wish I could do that.
• 12:51
  Speaker 2: You know, did you ever connect with uh? Like Tech
• 12:55
  Speaker 2: nine and those guys coming up in the casey.
• 12:57
  Speaker 4: Just recently, like just recently as of twenty twenty four,
• 13:02
  Speaker 4: Tech reached out. But I mean, I'll be trying to
• 13:06
  Speaker 4: explain this, bro, and maybe it'll come out on your
• 13:09
  Speaker 4: cast here. But I'm just in the basement making beats,
• 13:13
  Speaker 4: you know. And I'd like cook, cook, cooking and share
• 13:17
  Speaker 4: and the fans have been so receptive to it, but
• 13:20
  Speaker 4: I don't really reach out. And it's not like disrespect,
• 13:23
  Speaker 4: but I just didn't. There was a time in my
• 13:25
  Speaker 4: life where I did in Kansas City go to the
• 13:28
  Speaker 4: Tech nine shows. I'm standing out front with my seat,
• 13:31
  Speaker 4: beat CD and stuff, and I was overlooked. So I
• 13:34
  Speaker 4: think a lot of that is just like, Yo, I
• 13:36
  Speaker 4: just stopped at one point, I just stopped submitting. I
• 13:39
  Speaker 4: stopped asking people to be on records. But last year
• 13:43
  Speaker 4: Tech reached out and was like, Yo, we're gonna get
• 13:45
  Speaker 4: to something like let's give let's give them a show.
• 13:48
  Speaker 4: So that's exciting too.
• 13:49
  Speaker 1: That would be big, big case man.
• 13:51
  Speaker 4: Yeah, that's exciting, bro. I'm excited to work with them.
• 13:54
  Speaker 1: Would would you and Ransom do a sequel to your
• 13:57
  Speaker 1: Guys project?
• 14:00
  Speaker 5: Yeah?
• 14:00
  Speaker 3: I'm not knocking it at the table. It could, it
• 14:03
  Speaker 3: could be done.
• 14:04
  Speaker 4: I feel like I appreciate it.
• 14:06
  Speaker 5: Yeah, hell yeah, sure, yeah, one hundred percent.
• 14:09
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• 14:55
  Speaker 2: Do you guys feel like because it feels like we're
• 14:57
  Speaker 2: in this like kind of dope renaissance of like I guess,
• 15:02
  Speaker 2: like fans like really giving the fuck about lyrics again,
• 15:05
  Speaker 2: And you know, I feel like there's this whole new
• 15:09
  Speaker 2: world that's outside of streaming where artists can be extremely
• 15:11
  Speaker 2: successful and and make great money and be millionaires without
• 15:15
  Speaker 2: worrying about having a number one record. And I think
• 15:18
  Speaker 2: a lot of that had to do with the beef
• 15:19
  Speaker 2: last year. It kind of made a lot of people
• 15:20
  Speaker 2: pay attention to lyrics again. But do y'all how do
• 15:22
  Speaker 2: y'all feel like being quote unquote like you know, boom
• 15:25
  Speaker 2: Back or real hip hop artists, Like that's like a
• 15:28
  Speaker 2: label that I feel like is whack as fuck, but
• 15:30
  Speaker 2: it is one that does exist. Do you feel like
• 15:33
  Speaker 2: it's a good time for hip hop?
• 15:36
  Speaker 3: Hell yeah, it's great honestly because the people that are
• 15:42
  Speaker 3: doing this at a high level can still be in
• 15:46
  Speaker 3: the same rooms and get the same ears that the
• 15:48
  Speaker 3: mainstream people are getting.
• 15:50
  Speaker 5: You understand them saying like.
• 15:53
  Speaker 3: I may not be the most famous rapper, but damn
• 15:56
  Speaker 3: all the famous rappers that are like.
• 15:58
  Speaker 5: Know me when I meet there, They're like, fuck with
• 16:00
  Speaker 5: this shit. You know what I'm saying. Like I've done
• 16:02
  Speaker 5: songs with Super Dup, you know what I mean. People
• 16:04
  Speaker 5: who I look.
• 16:05
  Speaker 3: At it is like big you know what I'm saying.
• 16:07
  Speaker 3: So it's like there's really no ciling on this now.
• 16:10
  Speaker 3: Before there was like a ceiling.
• 16:12
  Speaker 5: You understand.
• 16:12
  Speaker 3: I'm saying like, oh, you can do this and that,
• 16:14
  Speaker 3: but now you can. You could go far.
• 16:18
  Speaker 5: Bro, you got a song with Drake several You.
• 16:22
  Speaker 3: Understand I'm saying like shit, like real big mainstream rappers
• 16:27
  Speaker 3: follow me on ig all the time. Like, so at
• 16:30
  Speaker 3: the end of the day, there's no limit to where
• 16:32
  Speaker 3: this could go.
• 16:33
  Speaker 5: It's just about wanting to do it. And at the
• 16:35
  Speaker 5: end of the day, the Internet makes the Internet makes
• 16:39
  Speaker 5: it so easy to reach everybody.
• 16:42
  Speaker 3: So even if you're not going to mainstream route, there's
• 16:44
  Speaker 3: still enough people on the Internet that like this shit,
• 16:47
  Speaker 3: that will buy a CD, that will buy vinyl, they
• 16:51
  Speaker 3: buy fucking cassette tape. So a lot of people don't
• 16:53
  Speaker 3: even want to stream, they want to download it and
• 16:56
  Speaker 3: like pay you for the album, you know what I mean. Like,
• 16:58
  Speaker 3: there's so many different things that you could do with
• 17:01
  Speaker 3: music instead of going to traditional route to make money
• 17:04
  Speaker 3: that you just gotta know, you know what I'm saying.
• 17:06
  Speaker 3: You got to know like who your target audience is
• 17:10
  Speaker 3: and feed them because they did, you know what I'm saying.
• 17:12
  Speaker 3: Like I've been all over the world at this point,
• 17:16
  Speaker 3: you know what I'm saying. I've been to fucking Japan,
• 17:18
  Speaker 3: I've been to fucking Georgia. I've been to freaking Poland.
• 17:21
  Speaker 3: I've been to Italy. You know what i mean, I've
• 17:25
  Speaker 3: been mad places just off of wrapping.
• 17:27
  Speaker 5: You know what I'm saying.
• 17:29
  Speaker 2: Who was the craziest person that you met or that
• 17:32
  Speaker 2: like followed you where you were like, oh shit, like
• 17:34
  Speaker 2: that's crazy.
• 17:35
  Speaker 5: And at this point, Shitnas.
• 17:38
  Speaker 3: I got mad man Like it was like it wasn't
• 17:43
  Speaker 3: just like a random like you know, I mean, it's like, Yo,
• 17:46
  Speaker 3: Nas wants to meet you. I was like, you know
• 17:48
  Speaker 3: what I mean, like, oh shit, I met him. He's like,
• 17:49
  Speaker 3: You're wrong, Like I fuck with your ship. Like every
• 17:52
  Speaker 3: time I see him, he's like, Yo, that's fun.
• 17:54
  Speaker 5: It's hard. I'm like, Yo, that's crazy. This is Nas
• 17:57
  Speaker 5: right now, you know what I'm saying.
• 17:58
  Speaker 3: So that, honestly, that's probably the most craziest what uh
• 18:04
  Speaker 3: you guys?
• 18:04
  Speaker 2: Getting metha manon this album is dope. I think Math
• 18:06
  Speaker 2: is like I want to see Math go on like
• 18:09
  Speaker 2: a renaissance run where he just is like because I
• 18:12
  Speaker 2: just watched him perform on this thirty six chambers.
• 18:14
  Speaker 1: He goes crazy, he goes he looks like he's thirty,
• 18:17
  Speaker 1: you know what I'm saying. And every time he steps
• 18:19
  Speaker 1: outside and does a feature, it's fucking insane.
• 18:22
  Speaker 3: Yeah yeah.
• 18:24
  Speaker 5: Is it?
• 18:25
  Speaker 1: What what with that feature? Like how did that come about?
• 18:28
  Speaker 2: And conductor do you have do you have any other
• 18:30
  Speaker 2: music with methemn yes mm hm.
• 18:33
  Speaker 3: So I've previously done a joint with meth before, you
• 18:37
  Speaker 3: know what I'm saying. And I met him and then
• 18:42
  Speaker 3: he's like, you're rom I love what you're doing.
• 18:44
  Speaker 5: You know what I'm saying.
• 18:45
  Speaker 3: I've spoken publicly about metha mane. He's probably quote wind
• 18:48
  Speaker 3: of it and know what I'm saying.
• 18:49
  Speaker 5: Like, so.
• 18:51
  Speaker 3: I had to beat and I'm like, it just reminded
• 18:55
  Speaker 3: me of some like some Wu Tang s.
• 18:57
  Speaker 5: I'm like, I.
• 18:57
  Speaker 3: Need somebody on Wu Tang to get on this song. Yeah,
• 19:01
  Speaker 3: I mean it's like, who's the person that I know.
• 19:05
  Speaker 3: It's like, you know what, send it to me.
• 19:07
  Speaker 5: I sent it to him.
• 19:10
  Speaker 3: Literally, it wasn't even twenty four hours.
• 19:13
  Speaker 5: He sent it back and he sent me.
• 19:15
  Speaker 3: A video like Rome that versus Crazy, Like I got you,
• 19:20
  Speaker 3: I'm gonna kill this shit.
• 19:21
  Speaker 1: He sent you a video of him like yes he no, he.
• 19:23
  Speaker 3: Just sent me a video of like after he heard it, like, Yo,
• 19:26
  Speaker 3: I got this ship is hard?
• 19:28
  Speaker 1: You killed it?
• 19:29
  Speaker 5: Got you?
• 19:30
  Speaker 1: He sent you a video?
• 19:31
  Speaker 3: Yeah. So it's like and even so like the first
• 19:35
  Speaker 3: album that my mother ever bought me out of the store,
• 19:38
  Speaker 3: like not a bootleg was met the man first album
• 19:41
  Speaker 3: I was a kid, She's like, what the fuck is like, Yo,
• 19:43
  Speaker 3: I need that meta man shit man. So it's like
• 19:46
  Speaker 3: just to be able to just send him a text
• 19:49
  Speaker 3: like Yo, I got a joint for you, I bet,
• 19:51
  Speaker 3: and he's gonna send it right back.
• 19:53
  Speaker 2: It's like, Yeah, I feel like you're stepping outside the
• 19:56
  Speaker 2: futures too. I heard I just heard you on I
• 20:00
  Speaker 2: think It's out there. If not, ask but you're on
• 20:03
  Speaker 2: the Joey album.
• 20:04
  Speaker 5: Yeah, hell yeah, that guy.
• 20:07
  Speaker 1: Crazy body at work. You guys are also on that
• 20:10
  Speaker 1: static record, which is, Hey, you gotta stop the interview.
• 20:14
  Speaker 1: You want to give a shout out?
• 20:15
  Speaker 5: Man.
• 20:15
  Speaker 1: The only thing we smoke ladies and gentlemen is slap woods.
• 20:18
  Speaker 5: That's right.
• 20:19
  Speaker 2: Make sure you follow them at slap woods. And you
• 20:22
  Speaker 2: know the reason why we smoked flap woods. It's literally
• 20:25
  Speaker 2: because they slap You can't smoke a slap woods. What
• 20:28
  Speaker 2: the fuck are you doing?
• 20:29
  Speaker 1: Get back to you. How do you get around?
• 20:33
  Speaker 2: Because I always wonder these days because it feels like,
• 20:35
  Speaker 2: more than ever, the sampling ship is a little bit
• 20:40
  Speaker 2: more of an uphill battle. How do you kind of
• 20:44
  Speaker 2: still be the type of producer you are and get
• 20:48
  Speaker 2: through the sampling hurdles that releasing music on most I mean,
• 20:53
  Speaker 2: look Massive peal By all counts as boutique label, it's
• 20:56
  Speaker 2: like a major label.
• 20:57
  Speaker 4: Yeah, just got to use the humans man. I've been
• 21:01
  Speaker 4: saying that all this year. Is kind of like my
• 21:03
  Speaker 4: mantra going into uh producing, just like use more humans,
• 21:08
  Speaker 4: and uh that's just kind of where my head has been, like,
• 21:11
  Speaker 4: you let the musicians do their thing, and then I'll
• 21:15
  Speaker 4: manipulate it and do all of the things that I
• 21:18
  Speaker 4: do before it goes in the machine and then you know,
• 21:22
  Speaker 4: keeps going. But with technology, technology is easy, AI is
• 21:25
  Speaker 4: easy to use. But I just would rather use the
• 21:28
  Speaker 4: humans man, for real.
• 21:29
  Speaker 2: So so are you even like listening for samples anymore?
• 21:34
  Speaker 4: Yeah?
• 21:35
  Speaker 2: Yeah, so you find let's say you find a sample,
• 21:37
  Speaker 2: let's say it's something crazy, and you're like.
• 21:38
  Speaker 1: I don't know if you get this clear? Yeah, where
• 21:41
  Speaker 1: do the humans come into play?
• 21:42
  Speaker 4: Na napes? Look, this is how it go like this,
• 21:45
  Speaker 4: but we needed to go like this, and we need
• 21:48
  Speaker 4: it to you know, like.
• 21:50
  Speaker 1: Give me something similar to this or replay.
• 21:52
  Speaker 4: It, or we need something that feels like this. Yeah,
• 21:56
  Speaker 4: so not even like the chord progression. I need something
• 21:59
  Speaker 4: that feels like what I just made. So I'm still
• 22:01
  Speaker 4: digging in the crates. I'm still going to record stores.
• 22:04
  Speaker 4: I'm still doing that, and I'm sending these beat tapes
• 22:07
  Speaker 4: to the homies and it's like I need these records
• 22:10
  Speaker 4: to sound like this and feel like this, and then
• 22:12
  Speaker 4: they spit out ideas back, and that's like a great
• 22:16
  Speaker 4: form of collaboration, you know. It's like I send them
• 22:19
  Speaker 4: what I think and then they send me what's jamming,
• 22:22
  Speaker 4: and then I make a whole new beat again. So
• 22:24
  Speaker 4: it's a longer process, but two beats. Yeah, I'm essentially
• 22:29
  Speaker 4: making two beats until you get to the place where
• 22:31
  Speaker 4: it's Joey and he's like, Yo, do do whatever. Don't
• 22:35
  Speaker 4: worry about the same don't worry about Drake.
• 22:37
  Speaker 1: I'm sure Drake, same thing. It's like republics go clear.
• 22:40
  Speaker 4: Yeah, I mean what Wiz told me the same thing.
• 22:42
  Speaker 4: Joey told me the same thing. Of course, Drake, cole
• 22:45
  Speaker 4: Jed even They're like, yo, just do it and don't
• 22:47
  Speaker 4: worry about it. So I'm like, okay, that's even better.
• 22:51
  Speaker 4: You know.
• 22:51
  Speaker 1: That's like worry about this ship.
• 22:56
  Speaker 4: Yeah, let's get to it, man, you know. And then
• 22:58
  Speaker 4: the money obviously for the the younger producers for short.
• 23:02
  Speaker 4: If you guys are watching this, the money shorter on
• 23:05
  Speaker 4: the back end, you know, but I don't care about that.
• 23:08
  Speaker 4: It's like mister Beasts, Like my mindset with this whole
• 23:10
  Speaker 4: ship is like mister Beast, Like, put all of the
• 23:12
  Speaker 4: money back into that. Like, put all the money back
• 23:14
  Speaker 4: into that. Take all that money, put it all back
• 23:17
  Speaker 4: into that. So it don't make it, don't make wife
• 23:20
  Speaker 4: you happy. But everything's gonna be.
• 23:24
  Speaker 1: I don't even want to know how much this.
• 23:28
  Speaker 4: Yeah, it's all this is AI stuff. So your jacket, Yeah,
• 23:33
  Speaker 4: everything is just and everything.
• 23:38
  Speaker 1: What you're saying, is it optical? It's was a wilfare
• 23:47
  Speaker 1: for for you?
• 23:48
  Speaker 5: Uh?
• 23:49
  Speaker 2: Rome, is there is there already? You already got like
• 23:51
  Speaker 2: kind of like the next year planned out. You already
• 23:53
  Speaker 2: kind of know what's in the chamber for you.
• 23:56
  Speaker 5: Yeah, halfway.
• 23:58
  Speaker 3: You know what I'm saying, I'm I'm always working, so
• 24:02
  Speaker 3: it's always music laying around. You know what I'm saying,
• 24:04
  Speaker 3: There's always things. You know what I'm saying.
• 24:07
  Speaker 2: Are you still like signed to Griselda or is that
• 24:10
  Speaker 2: like for an album.
• 24:12
  Speaker 5: Griselda is just a crew.
• 24:14
  Speaker 2: It feels like it's a floating like jay Worthy, well
• 24:17
  Speaker 2: like put out ten albums and we're still waiting for his.
• 24:20
  Speaker 3: Gelda is just a collective of of I mean, Assassin
• 24:25
  Speaker 3: like MC's you know what I'm saying, Just a collective
• 24:28
  Speaker 3: of motherfuckers that get busy, you know what I mean.
• 24:30
  Speaker 3: Just because I'm over there doing some shit with Massive
• 24:33
  Speaker 3: Pill don't mean it's like not no Griselda ship.
• 24:37
  Speaker 5: I mean, at any given time, you could.
• 24:38
  Speaker 3: Probably hear me pop up on a West album somewhere,
• 24:41
  Speaker 3: you know what I'm saying.
• 24:42
  Speaker 5: So Griselda's like a It's like Rough Riders, bro.
• 24:46
  Speaker 3: Everybody on Rough Riders wasn't actually signed to Rough Riders.
• 24:50
  Speaker 5: Yeah, the Locks's just it's just a family.
• 24:53
  Speaker 1: That makes sense, that makes it.
• 24:54
  Speaker 2: I mean obviously I feel like that's I feel like
• 24:56
  Speaker 2: initially it was just the three guys, and then you
• 24:59
  Speaker 2: know you'd be like, oh ship jay Worthy from La
• 25:02
  Speaker 2: still wedding on that album, jay Worthy, who's on the album?
• 25:05
  Speaker 5: By the way, look at Boldie.
• 25:08
  Speaker 4: Every everywhere. Boldie is everywhere. I can't even keep up.
• 25:13
  Speaker 4: But the ship he just dropped with Nick Craven is dope.
• 25:15
  Speaker 2: Boldie is working man, all right. So you guys got
• 25:20
  Speaker 2: a couple of shows. I'm assuming it's it's just gonna
• 25:23
  Speaker 2: be a limited running shows for you guys with this,
• 25:25
  Speaker 2: With this album.
• 25:26
  Speaker 5: We're gonna do more shows. We're gonna I saw Chicago,
• 25:29
  Speaker 5: l A.
• 25:29
  Speaker 3: We got Chicago, we got LA. But there's definitely gonna
• 25:32
  Speaker 3: be more. These are just you know, the first two.
• 25:36
  Speaker 2: For you, conductor what like, because I feel like when
• 25:39
  Speaker 2: it comes to the live experience, as like a producer,
• 25:43
  Speaker 2: I think back to like back in the day, there
• 25:45
  Speaker 2: was a culturassac five be like DJ Newmark and Cut
• 25:48
  Speaker 2: chemists would have the n PC and they'd be doing
• 25:50
  Speaker 2: all kinds of ill ship, like what do you do
• 25:53
  Speaker 2: for the live show?
• 25:53
  Speaker 4: Yeah, so that's what I'm about to do. So I'm
• 25:55
  Speaker 4: just gonna play the beats like that, uh Jeremy Ellis style,
• 26:00
  Speaker 4: a rap music style, those like guys that kind of
• 26:04
  Speaker 4: ushered back in the wave of like finger drumming. So
• 26:07
  Speaker 4: I got that bag, I got that bag. I just
• 26:10
  Speaker 4: never do it. So I'm gonna get So I'm gonna.
• 26:15
  Speaker 1: Samples himself and sings with the glasses naked.
• 26:20
  Speaker 4: Yeah, that's the world that he's crazy and it's good too.
• 26:26
  Speaker 4: It's good that should be Gemming.
• 26:27
  Speaker 2: He'll be in a coffee shop sampling himself and like, brod.
• 26:32
  Speaker 4: Yeah that ship that should be gemm. But that's that's
• 26:34
  Speaker 4: what y'all gonna see when you come to the Rome
• 26:37
  Speaker 4: Streets Conductor Williams show is it's gonna be a live
• 26:40
  Speaker 4: show with samples flying in and out and roam rapping.
• 26:44
  Speaker 4: Bro just don't stop rapping whatever happens, just keep going,
• 26:48
  Speaker 4: all right, Like I know what I'm doing. You just
• 26:51
  Speaker 4: keep rapping and then, uh, you know, like one of
• 26:54
  Speaker 4: those I've been watching a lot of Beastie Boys live
• 26:57
  Speaker 4: shows on YouTube and them ships are just they're everywhere
• 27:01
  Speaker 4: but super organized. You know, like there's modern beats flying
• 27:05
  Speaker 4: in and a cappella parts and it's that's the type
• 27:09
  Speaker 4: of vibe I want. Is that like just that feeling
• 27:12
  Speaker 4: of that hip hop feeling?
• 27:13
  Speaker 2: You know, Hey, we gotta wrap up this interview another
• 27:16
  Speaker 2: one presented by Hardan Baby you already know what it is.
• 27:19
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• 28:00
  Speaker 2: to lue to them.
• 28:01
  Speaker 1: Let's get back to the interview. Is Katie working on an.
• 28:03
  Speaker 4: Album Kevin Durant? Yes, I don't know what Kevin's I know,
• 28:08
  Speaker 4: I know it's a pretty good rapper. No, he can rap.
• 28:10
  Speaker 4: But I know one thing he is doing is prepping
• 28:13
  Speaker 4: for the season though, And it's really like that, my sons,
• 28:18
  Speaker 4: It's really like that. Kevin in Houston is gonna be
• 28:22
  Speaker 4: somebody I know.
• 28:23
  Speaker 5: I know.
• 28:23
  Speaker 4: Yeah, I'm sorry to man when that hurted me, but
• 28:27
  Speaker 4: now you know how I feel as a dub Nation fan,
• 28:29
  Speaker 4: like you're a Warriors fan. Yeah, but basketball?
• 28:34
  Speaker 1: Wait, I don't know how you feel because you have
• 28:35
  Speaker 1: all these rings.
• 28:36
  Speaker 4: Do you remember when you told me when we first met,
• 28:38
  Speaker 4: and you were like, bro, why the fuck are you
• 28:40
  Speaker 4: a Warriors fan? I was like, Ken City ain't got
• 28:42
  Speaker 4: no teams, remember, And then you were like, oh yeah, yeah, yeah.
• 28:48
  Speaker 4: I mean we got rings. But when we when Kevin
• 28:50
  Speaker 4: left that, I was like, man, I got a.
• 28:52
  Speaker 1: Ring without him. Jordan Poole, I don't want to hear.
• 28:55
  Speaker 2: I mean, let's go Steph Curry's brother in law, David Lee, got.
• 29:04
  Speaker 1: A fucking ring.
• 29:05
  Speaker 4: And if we get Yannis, you ain't getting ship. If
• 29:08
  Speaker 4: we get Yannis, let's.
• 29:10
  Speaker 1: Go Minga so he could be overrated and overpay.
• 29:14
  Speaker 4: I like Kiminga dough, do you? Yeah? I do?
• 29:16
  Speaker 1: Seriously though, It's.
• 29:17
  Speaker 4: Like I like him when he's healthy and he's like
• 29:19
  Speaker 4: locked in.
• 29:20
  Speaker 1: And last year when Steph got hurt, he went off
• 29:23
  Speaker 1: in the playoffs.
• 29:23
  Speaker 4: Yeah he did. It's it's it seems like it's a
• 29:25
  Speaker 4: confidence thing.
• 29:27
  Speaker 1: I feel like it seems a relationship with Curris.
• 29:29
  Speaker 4: Soward seems like it's a confidence thing.
• 29:31
  Speaker 1: Talking about trading for him, like today.
• 29:33
  Speaker 4: I was reading that and I think if he did move,
• 29:36
  Speaker 4: he would be like the fuel would be there.
• 29:38
  Speaker 1: I mean, he'll come help us win thirty two games. Yeah,
• 29:43
  Speaker 1: we're fucked. We got fucking.
• 29:46
  Speaker 2: We traded Kevin Duran for Dragon Michelle's baby daddy.
• 29:49
  Speaker 1: Oh my god, we are fucking cooked.
• 29:52
  Speaker 4: Yeah. I didn't want Yeah, didn't want my dog, y'all
• 29:54
  Speaker 4: didn't want my dog.
• 29:56
  Speaker 2: We got this fucking owner, Matt Ishbia, this rich fuck
• 29:58
  Speaker 2: from fucking don't even get me. At least her hot
• 30:02
  Speaker 2: dogs are two dollars.
• 30:03
  Speaker 5: Yeah, cheap Nicks man, Yeah, right now, what.
• 30:10
  Speaker 1: Does that mean? You fucking.
• 30:14
  Speaker 5: Oh? Man, I fuck with the Knicks. Man from New York.
• 30:16
  Speaker 4: Man, I don't know, man, you know what it is?
• 30:20
  Speaker 3: Man? Like with basketball, when I was coming out, I
• 30:22
  Speaker 3: was a fan of players like it wasn't written necessarily, like, oh,
• 30:26
  Speaker 3: this team that's anywhere of all time. Yeah, Michael Jordan
• 30:32
  Speaker 3: right now, my favorite player is John Moran.
• 30:37
  Speaker 5: But Jalen Brunson is that guy. Man good.
• 30:42
  Speaker 1: I like Brunton. I just feel like.
• 30:44
  Speaker 5: He's that guy.
• 30:45
  Speaker 1: He has the ball a lot.
• 30:46
  Speaker 3: Sure, I'm saying he does it though he gets it done,
• 30:51
  Speaker 3: though he.
• 30:51
  Speaker 2: Doesn't gets to you these two little psychopathic point guards
• 30:55
  Speaker 2: from the Pacers that pick him up a fucking the
• 30:57
  Speaker 2: whole court and shut him the fuck down.
• 30:59
  Speaker 1: Come on that Hart. What's the other dude? The other guy?
• 31:03
  Speaker 1: I remember? No, no, no, no, it wasn't he was it.
• 31:08
  Speaker 1: The dude was hitting the threes he had.
• 31:09
  Speaker 5: Like oh yeah, yeah, okay, okay, I know you're talking about.
• 31:13
  Speaker 1: Not mathing.
• 31:15
  Speaker 2: Ma uh almost he had a game where he had
• 31:20
  Speaker 2: like all those threes in the fourth quarter.
• 31:22
  Speaker 1: Yeah, but god.
• 31:23
  Speaker 4: Damn, but he was locking up though. I remember ninety nine.
• 31:27
  Speaker 4: I was like, oh, Jalen Brunson can't do nothing, ye
• 31:30
  Speaker 4: standing in ninety nine.
• 31:32
  Speaker 5: But we almost had it this year.
• 31:33
  Speaker 4: But it was those girls look great.
• 31:35
  Speaker 5: It was great to watch, man.
• 31:36
  Speaker 3: I just felt really good seeing the Knicks actually get
• 31:40
  Speaker 3: that far.
• 31:40
  Speaker 5: It's been a while.
• 31:41
  Speaker 1: If you were the knickt GM, would you trade Jalen
• 31:43
  Speaker 1: Brunson for Ja Morant right now? No, you would keep Brunton.
• 31:49
  Speaker 1: Yeah that's fair.
• 31:50
  Speaker 2: I mean, I respect he's kind of like the King
• 31:51
  Speaker 2: of New York at this point to the pay cut.
• 31:53
  Speaker 1: You know, also, doesn't you know there's fair? They're Varios got.
• 32:00
  Speaker 5: More electrifying, Like.
• 32:03
  Speaker 4: He gets crazy but you know, like he's so talented.
• 32:06
  Speaker 3: Man, Jalen Brunson holding down New York, so I can't
• 32:08
  Speaker 3: even I can't trade him.
• 32:10
  Speaker 5: Man.
• 32:11
  Speaker 2: I think John Moran is like one of the biggest, Like,
• 32:13
  Speaker 2: if he gets it right, he can stay healthy and
• 32:16
  Speaker 2: stay out of the bullshit.
• 32:18
  Speaker 1: Jeesus. He should be the face of the league right now. Yeah,
• 32:22
  Speaker 1: great Sneakers. What about football? Are you a Giants your
• 32:25
  Speaker 1: Jets fan? Or we know he's a Chiefs fan. You
• 32:30
  Speaker 1: just got all the rings Chiefs, Warriors, Giants. Yeah, that's good.
• 32:36
  Speaker 3: I like the Jets too, But you know, when it
• 32:38
  Speaker 3: comes to New York teams, I don't really be like
• 32:42
  Speaker 3: this one or that one.
• 32:43
  Speaker 5: I like both of them.
• 32:44
  Speaker 2: You like, you like the Yankees and the At any
• 32:49
  Speaker 2: given time, you could see me at either game.
• 32:51
  Speaker 3: You might see me with a Mets hat on. You
• 32:53
  Speaker 3: might see me with a Yankee hat on. It's just
• 32:55
  Speaker 3: New York, you know what I'm saying. I love everything
• 32:57
  Speaker 3: about New York.
• 32:58
  Speaker 2: I'm not from there, so I don't know how blasphemous
• 33:00
  Speaker 2: of a statement that is.
• 33:02
  Speaker 4: Just about that.
• 33:03
  Speaker 1: It's crazy, but especially it's just like with me, it's just.
• 33:06
  Speaker 5: Like I like what I like, man, like you know,
• 33:11
  Speaker 5: I don't go.
• 33:11
  Speaker 3: Bout the these rules.
• 33:14
  Speaker 5: Man.
• 33:15
  Speaker 1: Are you a Nets fan?
• 33:16
  Speaker 5: Yeah? With the Nets too, Like it's New York versus everybody.
• 33:22
  Speaker 1: What I'm Do you like the New Jersey Devils because
• 33:24
  Speaker 1: they're close by?
• 33:25
  Speaker 5: Yeah? I do.
• 33:27
  Speaker 1: Great Jersey, Yeah great Yo.
• 33:29
  Speaker 3: That's why I like them because they got the day
• 33:32
  Speaker 3: of my favorite Jersey jer is crazy. But if I
• 33:35
  Speaker 3: was to pick, like a team.
• 33:39
  Speaker 5: Hockey, I probably go with the Islanders.
• 33:43
  Speaker 1: Are they from Queens?
• 33:44
  Speaker 3: They're from Long Island, but they play like in my
• 33:47
  Speaker 3: old neighborhood to the Islander.
• 33:50
  Speaker 1: I don't watch any hockey.
• 33:51
  Speaker 5: I just.
• 33:53
  Speaker 1: What's the guy on the capitals? The capital?
• 33:56
  Speaker 4: Is that the kid that Wayne Gretzky.
• 34:00
  Speaker 1: This got's to the Russians? They played the funk out
• 34:01
  Speaker 1: of that hockey. Anyway.
• 34:03
  Speaker 2: Look, new album's out Training Spotting go support it and
• 34:07
  Speaker 2: a lot of more new music on the way, a
• 34:09
  Speaker 2: lot more.
• 34:09
  Speaker 5: Shows on the way.
• 34:11
  Speaker 2: I appreciate you, guys, man conductor in Rome, Yes, sir,
• 34:16
  Speaker 2: Boombo fire h